From Actorscoach at aol.com Mon Jul 2 07:29:23 2001
From: Actorscoach at aol.com (Actorscoach at aol.com)
Date: Mon Jul 2 07:29:23 2001
Subject: [NEOhioPAL]Co-op Film Project
Message-ID: <89.8cd4114.28718a90@aol.com>
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Looking for a videographer with equipment to work on short film for festival
submission. We have the script and the cast. All we need is you. Interested?
This is a co-op film project. Expenses, however, will be paid.
The pay for your labor? Love of the art.
We will be shooting in 3 locations throughout Greater Cleveland. Tentative
shooting days will be late July or early August.
Contact:
David Lemoyne
actorscoach at aol.com
330-273-6223
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Looking for a videographer with equipment to work on short film for festival
submission. We have the script and the cast. All we need is you. Interested?
This is a co-op film project. Expenses, however, will be paid.
The pay for your labor? Love of the art.
We will be shooting in 3 locations throughout Greater Cleveland. Tentative
shooting days will be late July or early August.
Contact:
David Lemoyne
actorscoach at aol.com
330-273-6223
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From elisabethmadden at msn.com Mon Jul 2 10:17:29 2001
From: elisabethmadden at msn.com (Elisabeth Madden)
Date: Mon Jul 2 10:17:29 2001
Subject: [NEOhioPAL]Wigs For Kids and Porthouse Theatre
Message-ID:
Get your FREE download of MSN Explorer at http://explorer.msn.com
2001 Summer Acting Workshops
Taught by Thomas Q. Fulton, Jr. =
DISCOVERING CHARACTER THROUGH =
ACTION
July 23 – August 27, =
2001
Perhaps the most common mistake an actor makes is to imagine his =
or her
character in ‘character’ pajamas – and then try to =
climb into them.
A theatrical character evolves out of the tension between text, =
subtext
and action. Understanding =
the
balancing act that makes up those tensions is the work of the theatre =
artist. We all reach for =
characterizations that
sparkle with clarity and definition.
When we do, we can say, “I’ve found the =
mask.” But every play requires a different kind of =
mask. In Chekhov, it is the =
juxtaposition of
subtext and words. In =
Shakespeare,
it is the precise production of the sound, pace and structure of =
language. In Wilde, it is the =
suppression of
raging emotion through wit and societal ritual. But whatever the form, the play is DISCOVERED – =
not
planned. It grows out of =
the
muscles of mind, body and voice and rises to create an imaginary soul, =
whose
brief existence is entirely believable.
This workshop will focus on the demands of the play’s form =
and help the
actor discover vital actions that define character and illuminate the
play. =
Exercise and Scene work.
The workshop meets 6 Monday (or Tuesday*) evenings from 6:30 =
– 9:30 and
2 Saturdays from 10 a.m. to 4 p.m.
The Monday workshops will meet in the Eldred Theatre on the =
campus of
Case Western Reserve University.
The Saturday workshops will meet in the Summer House at Nepenthe
Artist’s Retreat in West Farmington (directions will be sent when =
you sign up)
DATES:
Mondays* July 23, =
30; August 6, 13, 20 an 27. =
 =
; Saturdays August 4 and =
18
=
*If the class prefers it, we could meet on Tuesdays. =
COST: $200.00 (Can =
be paid
in two payments)
CLASS LIMIT: 15 =
Students
To request a place in class, please respond to this e-mail or =
contact
Tom Fulton at any of the following:
tqf at po.cwru.edu
440-897-4123
Tom Fulton
7459 Girdle Road
West Farmington, Ohio 44491
2001 Summer Acting Workshops
Taught by Thomas Q. Fulton, Jr. =
DISCOVERING CHARACTER THROUGH =
ACTION
July 23 – August 27, =
2001
Perhaps the most common mistake an actor makes is to imagine his =
or her
character in ‘character’ pajamas – and then try to =
climb into them.
A theatrical character evolves out of the tension between text, =
subtext
and action. Understanding =
the
balancing act that makes up those tensions is the work of the theatre =
artist. We all reach for =
characterizations that
sparkle with clarity and definition.
When we do, we can say, “I’ve found the =
mask.” But every play requires a different kind of =
mask. In Chekhov, it is the =
juxtaposition of
subtext and words. In =
Shakespeare,
it is the precise production of the sound, pace and structure of =
language. In Wilde, it is the =
suppression of
raging emotion through wit and societal ritual. But whatever the form, the play is DISCOVERED – =
not
planned. It grows out of =
the
muscles of mind, body and voice and rises to create an imaginary soul, =
whose
brief existence is entirely believable.
This workshop will focus on the demands of the play’s form =
and help the
actor discover vital actions that define character and illuminate the
play. =
Exercise and Scene work.
The workshop meets 6 Monday (or Tuesday*) evenings from 6:30 =
– 9:30 and
2 Saturdays from 10 a.m. to 4 p.m.
The Monday workshops will meet in the Eldred Theatre on the =
campus of
Case Western Reserve University.
The Saturday workshops will meet in the Summer House at Nepenthe
Artist’s Retreat in West Farmington (directions will be sent when =
you sign up)
DATES:
Mondays* July 23, =
30; August 6, 13, 20 an 27. =
 =
; Saturdays August 4 and =
18
=
*If the class prefers it, we could meet on Tuesdays. =
COST: $200.00 (Can =
be paid
in two payments)
CLASS LIMIT: 15 =
Students
To request a place in class, please respond to this e-mail or =
contact
Tom Fulton at any of the following:
tqf at po.cwru.edu
440-897-4123
Tom Fulton
7459 Girdle Road
West Farmington, Ohio 44491
2001 Summer Acting Workshops
Taught by Thomas Q. Fulton, Jr. =
DISCOVERING CHARACTER THROUGH =
ACTION
July 23 – August 27, =
2001
Perhaps the most common mistake an actor makes is to imagine his =
or her
character in ‘character’ pajamas – and then try to =
climb into them.
A theatrical character evolves out of the tension between text, =
subtext
and action. Understanding =
the
balancing act that makes up those tensions is the work of the theatre =
artist. We all reach for =
characterizations that
sparkle with clarity and definition.
When we do, we can say, “I’ve found the =
mask.” But every play requires a different kind of =
mask. In Chekhov, it is the =
juxtaposition of
subtext and words. In =
Shakespeare,
it is the precise production of the sound, pace and structure of =
language. In Wilde, it is the =
suppression of
raging emotion through wit and societal ritual. But whatever the form, the play is DISCOVERED – =
not
planned. It grows out of =
the
muscles of mind, body and voice and rises to create an imaginary soul, =
whose
brief existence is entirely believable.
This workshop will focus on the demands of the play’s form =
and help the
actor discover vital actions that define character and illuminate the
play. =
Exercise and Scene work.
The workshop meets 6 Monday (or Tuesday*) evenings from 6:30 =
– 9:30 and
2 Saturdays from 10 a.m. to 4 p.m.
The Monday workshops will meet in the Eldred Theatre on the =
campus of
Case Western Reserve University.
The Saturday workshops will meet in the Summer House at Nepenthe
Artist’s Retreat in West Farmington (directions will be sent when =
you sign up)
DATES:
Mondays* July 23, =
30; August 6, 13, 20 an 27. =
 =
; Saturdays August 4 and =
18
=
*If the class prefers it, we could meet on Tuesdays. =
COST: $200.00 (Can =
be paid
in two payments)
CLASS LIMIT: 15 =
Students
To request a place in class, please respond to this e-mail or =
contact
Tom Fulton at any of the following:
tqf at po.cwru.edu
440-897-4123
Tom Fulton
7459 Girdle Road
West Farmington, Ohio 44491
2001 Summer Acting Workshops
Taught by Thomas Q. Fulton, Jr. =
DISCOVERING CHARACTER THROUGH =
ACTION
July 23 – August 27, =
2001
Perhaps the most common mistake an actor makes is to imagine his =
or her
character in ‘character’ pajamas – and then try to =
climb into them.
A theatrical character evolves out of the tension between text, =
subtext
and action. Understanding =
the
balancing act that makes up those tensions is the work of the theatre =
artist. We all reach for =
characterizations that
sparkle with clarity and definition.
When we do, we can say, “I’ve found the =
mask.” But every play requires a different kind of =
mask. In Chekhov, it is the =
juxtaposition of
subtext and words. In =
Shakespeare,
it is the precise production of the sound, pace and structure of =
language. In Wilde, it is the =
suppression of
raging emotion through wit and societal ritual. But whatever the form, the play is DISCOVERED – =
not
planned. It grows out of =
the
muscles of mind, body and voice and rises to create an imaginary soul, =
whose
brief existence is entirely believable.
This workshop will focus on the demands of the play’s form =
and help the
actor discover vital actions that define character and illuminate the
play. =
Exercise and Scene work.
The workshop meets 6 Monday (or Tuesday*) evenings from 6:30 =
– 9:30 and
2 Saturdays from 10 a.m. to 4 p.m.
The Monday workshops will meet in the Eldred Theatre on the =
campus of
Case Western Reserve University.
The Saturday workshops will meet in the Summer House at Nepenthe
Artist’s Retreat in West Farmington (directions will be sent when =
you sign up)
DATES:
Mondays* July 23, =
30; August 6, 13, 20 an 27. =
 =
; Saturdays August 4 and =
18
=
*If the class prefers it, we could meet on Tuesdays. =
COST: $200.00 (Can =
be paid
in two payments)
CLASS LIMIT: 15 =
Students
To request a place in class, please respond to this e-mail or =
contact
Tom Fulton at any of the following:
tqf at po.cwru.edu
440-897-4123
Tom Fulton
7459 Girdle Road
West Farmington, Ohio 44491
2001 Summer Acting Workshops
Taught by Thomas Q. Fulton, Jr. =
DISCOVERING CHARACTER THROUGH =
ACTION
July 23 – August 27, =
2001
Perhaps the most common mistake an actor makes is to imagine his =
or her
character in ‘character’ pajamas – and then try to =
climb into them.
A theatrical character evolves out of the tension between text, =
subtext
and action. Understanding =
the
balancing act that makes up those tensions is the work of the theatre =
artist. We all reach for =
characterizations that
sparkle with clarity and definition.
When we do, we can say, “I’ve found the =
mask.” But every play requires a different kind of =
mask. In Chekhov, it is the =
juxtaposition of
subtext and words. In =
Shakespeare,
it is the precise production of the sound, pace and structure of =
language. In Wilde, it is the =
suppression of
raging emotion through wit and societal ritual. But whatever the form, the play is DISCOVERED – =
not
planned. It grows out of =
the
muscles of mind, body and voice and rises to create an imaginary soul, =
whose
brief existence is entirely believable.
This workshop will focus on the demands of the play’s form =
and help the
actor discover vital actions that define character and illuminate the
play. =
Exercise and Scene work.
The workshop meets 6 Monday (or Tuesday*) evenings from 6:30 =
– 9:30 and
2 Saturdays from 10 a.m. to 4 p.m.
The Monday workshops will meet in the Eldred Theatre on the =
campus of
Case Western Reserve University.
The Saturday workshops will meet in the Summer House at Nepenthe
Artist’s Retreat in West Farmington (directions will be sent when =
you sign up)
DATES:
Mondays* July 23, =
30; August 6, 13, 20 an 27. =
 =
; Saturdays August 4 and =
18
=
*If the class prefers it, we could meet on Tuesdays. =
COST: $200.00 (Can =
be paid
in two payments)
CLASS LIMIT: 15 =
Students
To request a place in class, please respond to this e-mail or =
contact
Tom Fulton at any of the following:
tqf at po.cwru.edu
440-897-4123
Tom Fulton
7459 Girdle Road
West Farmington, Ohio 44491