[NEohioPAL]FW: FARCE ABOUT COMMUNITY THEATER GARNERS RAVES; RUNS THROUGH 27TH

[dempsey]

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>  -----Original Message-----
> From: 	dempsey [mailto:dempsey at raex.com] 
> Sent:	Monday, October 15, 2001 12:17 PM
> To:	FSternfeld at aol. com; herone at en.com; perl at sperlman.com
> Subject:	FARCE ABOUT COMMUNITY THEATER GARNERS RAVES; RUNS THROUGH
> 27TH
> 
> YOUNGSTOWN, OHIO --
> 
> "The Romeo and Juliet War", an original farce by Michael Dempsey, runs
> October 11-13, 19-20, 26-27 at 8:00 PM and Oct. 21 at 2:30 PM at the
> Oakland Center for the Arts, 220 W Boardman Street,  in downtown
> Youngstown, Ohio.  The plan contains adult language and situations.  Call
> (330) 746-404 for reservations.
> 
> 
> "The Romeo and Juliet War"
> Newspaper Reviews
> 
> 
> Friday, October 12, 2001:  The Youngstown Vindicator
> 
> 'ROMEO AND JULIET WAR' IS RIOTOUSLY FUNNY FARCE
> 
> Michael Dempsey and his cast have done their best to bring out the worst
> traits in amateur theater.
> 
> by Debora Shaulis, Entertainment Editor
> 
> YOUNGSTOWN --  No blood is shed in "The Romeo and Juliet War," but there
> are tears - the kind that come from laughing so hard.
> 	Michael Dempsey's original farce, which was commissioned for Oakland
> Center for the Arts, gets its laughs at the expense of community theaters
> such as the Oakland.  It's consistently ridiculous, frequently riotously
> funny, a bit overeager at times and, overall, a triumph.
> 	Christopher Guest exploited the inflated egos of amateur actors in
> his 1997 mock-documentary film "Waiting for Guffman."  Writer-director
> Dempsey does likewise but factors in competition by having two theater
> companies exist in the same town.
> 	The premise:  John Mueller (Brendan Byers), historical Warton
> Community Theater artistic director, squares off with Gabriella Thomas
> (Jeanne Kelly), artistic director of Center Stage Players Theater Workers'
> Collective of Warton - a "splinter group," Mueller says.  They fight about
> everything except who should give a role to brazen Wal-Mart clerk Trish
> Dishetti (Teresa Haraburda).
> 	Neither realizes that their very different productions of "Romeo and
> Juliet" coincide until the local newspaper publishes both season
> schedules.  Neither will compromise.  Pride is at stake, as well as a huge
> cash grant.
> 	Every cast member has a problem.  Used-car salesman Art Deumont (R
> Eric Kibler), who cheated on his very-pregnant wife Carolann (Erin Marie
> Schwartz) with Trish the Dish, has to help Trish achieve her acting
> aspirations to preserve his marriage.  He enlists the help of his brother,
> vacationing soap star Chandler Deumont (Nick Cordova), who impersonates
> Center Stage Players' famous European guest director while taking a role
> in Warton Community's show to impress local actress Darcy Anderson (Brooke
> Slanina).
> 	Sullen Bobby Hirsch (D. Andrew McKibben), the Romeo of Center
> Stage's play, really digs fly chick Joy Rayburn (Renee Lynn DiAlesandro),
> Warton Community's Juliet.  Their clandestine meeting in the town part
> cleverly mirrors the balcony scene in "Romeo and Juliet."  Their
> street-smart language is translated into English - Shakespeare's and
> otherwise - on a video screen.
> 	Bobby's nervous mom, Jane (Jane Kempe Midgely), is Warton's liberal
> police chief and a Center Stage stalwart.  Joy's uptight Republican
> journalist father Bill (Brian Suchora) leads the charge to sanitize Warton
> Community's "Romeo and Juliet"  Aging Rosemary Clapp (Nancy Haraburda)
> can't hear how loud her embarrassing, ill-timed comments are.  Rounding
> out the cast are the directors' assistants Phil (Matt Kempe and Lisa
> (Tiffany Carter), Waiter-bellhop Sam (Amato D'Apolito) and hairdresser
> Carlos Papalokis (Anthony D'Apolito).
> 	Almost everyone tries to hinder the opposing production with words
> of intimidation and acts of vandalism.
> 	News updates:  Between scenes are finny videotaped "news" updates by
> WFMJ Channel 21 reporter Glenn Stevens about the escalating tension.
> Those segments are tops of many technical aspects that give the show a
> professional sheen.
> 	It's almost curtain for both groups when they decided to collaborate
> in a last-ditch effort to win that grant.  Dempsey brings it home by
> revisiting every substantial joke in the final scene, which just happens
> to be the conclusion of "Romeo and Juliet."
> 	During rehearsals, Dempsey had said there was no dead weight in his
> cast.  He's right.  Leading the charge are Byers as pompous, stuffy John
> Mueller; Kelly, who makes Gabby a real fireball; Cordova as charming,
> conniving Chandler; Slanina, a genuinely appealing Darcy; and Kibler as
> Art.
> 	Many jokes:  Dempsey has a lot to say about the folly of community
> theater.  It's almost too much to absorb in one show.  Some of the jokes
> were drowned out by the audience's sustained laughter, which the actors
> obviously hadn't anticipated.  For writers and directors, that's a problem
> to die for.
> 
> 
> Friday, October 12, 201:  The Warren Tribune Chronicle
> 
> FURY OF 'WAR' SIGNIFIES HUMOR
> 
> By Andy Gray, Tribune Chronicle
> 
> 	YOUNGSTOWN - Big musicals and established Broadway hits will be the
> staples of community theater, but every couple of years or so a show seems
> to emerge out of regional theater that becomes a surprise favorite for
> smaller groups nationwide.
> 	It's easy to imagine "The Romeo and Juliet War," which had its world
> premiere Thursday at the Oakland Center for the Arts, becoming that kind
> of show.  It's sure to strike a chord with audiences and community theater
> participants everywhere who will see themselves (or at least personalities
> they know all too well) in the bickering troupes that make up its tale.
> 	The comedy, written and directed by Boardman native Michael Dempsey,
> isn't perfect.  It needs to be trimmed by a good 2 minutes (opening night
> clocked in at two hours and 45 minutes, including intermission, and no
> farce should encroach on the running time of "Les Miserables"), and the
> pacing seemed just a half-beat off in the more farcical moments.  But the
> Oakland performance is filled with big laughs and strong performances for
> a very enjoyable night of theater.
> 	The plot revolves around two community theater groups in a small
> Ohio town.  The Warton Community Theatre is the older established group
> that performs out of a histor4ic theater in the center of town.  Its
> artistic director, John Mueller, took a workshop in London 3 years ago and
> believes he's the Olivier of Ohio.
> 	The other is the Center Stage Players Theater Workers' Collective of
> Warton, which uses the basement of a church annex for its shows and stages
> more avant garde shows like "Gay Like Me," which artistic director
> Gabriella Thomas describes as an "artistic success" rather than a
> commercial one.  Mueller says that's theater speak for having more people
> on stage than you have in the audience.
> 	Both groups plan to stage productions of "Romeo and Juliet" that
> will open the same weekend.  Ratcheting up the conflict even further
> between the two groups is a $100,000 arts grant that is up for grabs.
> 	Both groups plan to stage the show in their own styles - WCT with a
> stiff, over-enunciated production that trims the sex and violence and
> CSPTWCW with a modernized take on Shakespeare that sets the show in space
> - and they also start sabotaging each other's productions.
> 	Those aspects of "The Romeo and Juliet War" will have the same
> appeal to community theater participants that the cult film "Waiting for
> Guffman" does.  It pokes gentle fun at the personalities the theater
> attracts while finding laughs in everything that can go wrong while
> staging a production.
> 	Dempsey also has fun playing with the conventions of the farce.  The
> other major plotline has a soap opera actor, Chandler Deumont, coming home
> to visit his brother.  Deumont ends up agreeing to play Romeo in the WCT
> production while posing as an eccentric European director Carlos Papalokis
> to direct the CSPTWCW production.  He and his brother Art constantly make
> self-referential comments to the farcical nature of what they are doing,
> which only makes the ridiculousness of the tale that much funnier.
> 
> 

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