From lballen617 at ameritech.net Mon Nov 4 08:19:02 2002 From: lballen617 at ameritech.net (Lisa Beth Allen) Date: Mon Nov 4 08:19:02 2002 Subject: [NEohioPAL]QUILTERS to be performed Message-ID: <003d01c283f6$2cc50ca0$ec05fea9@oemcomputer> This is a multi-part message in MIME format. ------=_NextPart_000_003A_01C283BB.803B7B20 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Laurel School, in Shaker Heights, presents QUILTERS November 7th, 8th & = 9th at 8:00 pm. Tickets are $5 general seating $10 reserved seating. = Call 216-464-1441 for reservations. QUILTERS is directed by Lisa Beth = Allen (formerly Lisa Allenick) CWRU Theatre grad class of '83. Ms Allen = has recently returned to Cleveland after working as actor, director and = playwright in regional theatres across the country as well as serving as = Conservatory Director for South Coast Repertory in Costa Mesa, CA and as = Director of Educational Programs and Special Projects for the Sundance = Institute. This fall she has taken up the post of Director of Theatre = at the Laurel School. ------=_NextPart_000_003A_01C283BB.803B7B20 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
2-for-1 admission with this e-mail opening night only -- November 7 at 8 p.m.
OLEANNA
the riveting drama by David Mamet
A college student seeks her professor's help ... and then ...
Greg Vovos, Director
Mindy Childress, Assistant Director
Starring Mark Cipra as John
& Meg Santisi as Carol
November 7, 8*, 9, 15*,16, 22* and 23 at 8 p.m.
November 17 at 3 p.m.
at Woodbury School Auditorium,
15400 South Woodland Road
(4 blocks west of Lee Road) in Shaker Heights
* The audience is invited to join area leaders in talkback discussions following each Friday evening show. Discussion leaders include:
+ Beth McGee, CWRU Associate Professor in Theatre Arts, and Faculty Diversity Officer;
+ Jeff Chernin, psychologist;
+ Teri Egan, CCC psychologist;
+ Ted Mearns, retired CWRU law professor, and
+ Marvin Rosenberg, CWRU associate professor of ethics.
Tickets to Oleanna are $10 for adults and $8 for seniors (60+) and students. They are payable in advance or at the door. For ticket information, call 491-1295.
Boulevard Theatre is affiliated with the Shaker Heights Community Life Department and also is supported by the newly formed Friends of Boulevard Theatre.
The theatre is 4 blocks west of Lee Road in Shaker Heights. There is a parking lot on Woodbury Road just past the school (turn left onto Woodbury) or park on the street.
###
TREE CITY
Tree City Players are looking for actors for their upcoming=20=
holiday production of a new adaptation of the classic film "It's A Wonderful=
Life" called "Merry Christmas, George Bailey!" by local playwright Jack Her=
man of Kent.
Characters available:
Mr. Gower (age 40+)
Harry Bailey (age 16 to 18)
Henry Potter (age 55+)
Aunt Tilly (age 35+)
Mrs. Hatch (age 40+)
Sam Wainwright (age 18+)
Mrs. Martini (age 35+)
Tommy Bailey (age 9 to 11)
Zuzu Bailey (age 6 to 9)
Mr. Welch (age 35+)
These are all wonderful character roles.
Those interested in auditioning should call the director at 330-673-5378 to=20=
schedule an audition this week. Rehearsals begin next Monday (Nov. 11t=
h)
The production dates for "Merry Christmas, George Bailey!" are December 6, 7=
, 8, 13, 14 & 15th.
This is the heartwarming story of George Bailey, of Bedford Falls, NY.=C2=
=A0 Whose dreams of escape and adventure have been repeatedly quashed by not=
ions of family obligation and civic duty.=C2=A0 It is Christmas Eve, and Geo=
rge's guardian angel, Clarence, had descended to earth to save George from d=
espair, and to remind him (by showing him what the world would have been lik=
e if he was never born) that his has been after all, a wonderful life=E2=80=
=A6This sparkling and magical play has all your favorite characters that you=
have come to love.
For more information please feel free to contact the director Jack Herman at=
330-673-5378 after 5pm.=C2=A0 Or call the theatre box office at 330-677-500=
5.
Only 3 Club Shows
Sat Nov 9 - Beachland Ballroom
Fri Nov 15 - Pat's in the Flats
Fri Nov 22 - The Grog Shop
These are the only club shows where you can see the raw, uninhibited ANGRY INCH perform the songs from Hedwig and the Angry Inch. This will be true rock'n roll in its finest, in-your-face fashion. No script to hold them back. No blocking. No set. No costumes that can't be damaged or torn off.
Those of you who saw the play know what a great band the Angry Inch is and what great songs Stephen Trask wrote. But as they say, you ain't seen nothing yet. And for those of you who saw our club gigs last year, you know what I'm talking about. If Mr. Sid Vicious were alive he'd be proud of the Inches.
Be sure to mark you calendar to see one of these shows. In fact, try to see them all for you'll never know what to expect from an Angry Inch. To see a sample of what went down last year, go here: http://www.yurichgroup.com/hedwig/
The Angry Inch are:
Dan Folino, Alison Hernan, Miss Melvis, Michael Seevers, Steve Mehlman,
Mark Gamiere and Dennis Yurich
Sat Nov 9 - Beachland Ballroom - with The Viola Contingent, Kiddo, Pinch
(NOTE: EVERYONE IS ON THE GUEST LIST FOR THIS SHOW - THIS MEANS YOU PAY
NOTHING TO GET IN!!!)
Fri Nov 15 - Pat's in the Flats - with 755mph, The Viola Contingent,
The Confidence Interval
Fri Nov 22 - The Grog Shop - with The Gaza Strippers, Tough and Lovely
Directions:
Beachland Ballroom - http://www.beachlandballroom.com/maps.html
Pat's in the Flats - In Tremont where Literary Rd. dead ends into W.
3rd at the bottom of the hill.
The Grog Shop - http://grogshop.gs/directions.html
Warning: If you don't wanna rock, don't come. And these shows will never be repeated.
For more info contact Dennis Yurich
216-631-2554
dennis at yurichgroup.com
--
It's Been 5 Years
Thanks to all who got us here!
Yurich Design Group
10801 Edgewater Drive
Cleveland, Ohio 44102
(216) 631-2554
(216) 631-2556 FAX
Visit Yurich Design Group at:
Ghouls, ghosts and other things
By David Ritchey
http://www.yurichgroup.com
--------------719D1CB14253823AE20FF47D--
From Thackaberr at aol.com Wed Nov 6 08:39:25 2002
From: Thackaberr at aol.com (Thackaberr at aol.com)
Date: Wed Nov 6 08:39:25 2002
Subject: [NEohioPAL]Another Great Review of Woman in Black - Final 4
Performances at Actors' Summit
Message-ID: <18a.10d42735.2afa8289@aol.com>
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Ghouls, ghosts and other things
that go bump in the night
All walk the stage in 'The Woman in Black' at Actors' Summit
By David Ritchey
HUDSON -- Halloween invites us to be pleasantly scared or to pretend to be
scared. What adult hasn't faked terror at the sight of a 6-year-old child on
the doorstep saying "Trick-or-Treat" in an effort to get a Halloween goody?
That's what happens this Halloween season with "The Woman in Black" at
Actors' Summit. This production invites the audience to fake terror. (I was
just pretending. I wasn't really afraid.)
The program identifies "The Woman in Black" as a ghost play, with the script
adapted by Stephen Mallatratt from the book by Susan Hill. The cast for "The
Woman in Black" is two men: Wayne Turney (Arthur Kipps) and Peter Voinovich
(the actor). Where is the woman in black you ask? She's dead. But, who is
that roaming across the stage and through the theater? Can she be a ghost?
The complicated plot deals with Kipps, who hires an actor to perform a script
he has written. However, the script contains a good deal that is
autobiographical in a story dealing with accidents, the death of a child and
a woman who can't find peace.
The story takes place in a theater -- a theater not too different from that
of Actors' Summit in Hudson, but this one is in England. Don't forget to add
cold weather, rain and a mist or fog. The script-within-a-script calls for
the actor-within-the-new-script to play a lawyer who goes to an old mansion
that is on a little island. Only one small path leads from the water to the
mansion and that path is surrounded by quicksand.
The elderly lady of the house has died, and the young lawyer must go to the
mansion to sort through her papers. At the mansion, locked doors open, sounds
come from empty rooms, a dog barks and a woman in black strolls through the
acting area.
Scared?
Someone died and the butler didn't do it. In fact, several people died. What
else do they have to do in an old mansion that is cut off from the world by a
thick mist?
"The Woman in Black" continues through Nov. 10. For ticket information, call
(330) 342-0800.
Go with someone who won't be surprised if you're pleasantly scared and who
won't be embarrassed if you scream.
David Ritchey has a Ph.D. in communications and is an associate professor of
communications at The University of Akron. He is a member of the American
Theatre Critics Association.
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that go bump in the night
All walk the stage in 'The Woman in Black' at Actors' Summit
HUDSON -- Halloween invites us to be pleasantly scared or to pretend to be scared. What adult hasn't faked terror at the sight of a 6-year-old child on the doorstep saying "Trick-or-Treat" in an effort to get a Halloween goody?
That's what happens this Halloween season with "The Woman in Black" at Actors' Summit. This production invites the audience to fake terror. (I was just pretending. I wasn't really afraid.)
The program identifies "The Woman in Black" as a ghost play, with the script adapted by Stephen Mallatratt from the book by Susan Hill. The cast for "The Woman in Black" is two men: Wayne Turney (Arthur Kipps) and Peter Voinovich (the actor). Where is the woman in black you ask? She's dead. But, who is that roaming across the stage and through the theater? Can she be a ghost?
The complicated plot deals with Kipps, who hires an actor to perform a script he has written. However, the script contains a good deal that is autobiographical in a story dealing with accidents, the death of a child and a woman who can't find peace.
The story takes place in a theater -- a theater not too different from that of Actors' Summit in Hudson, but this one is in England. Don't forget to add cold weather, rain and a mist or fog. The script-within-a-script calls for the actor-within-the-new-script to play a lawyer who goes to an old mansion that is on a little island. Only one small path leads from the water to the mansion and that path is surrounded by quicksand.
The elderly lady of the house has died, and the young lawyer must go to the mansion to sort through her papers. At the mansion, locked doors open, sounds come from empty rooms, a dog barks and a woman in black strolls through the acting area.
Scared?
Someone died and the butler didn't do it. In fact, several people died. What else do they have to do in an old mansion that is cut off from the world by a thick mist?
"The Woman in Black" continues through Nov. 10. For ticket information, call (330) 342-0800.
Go with someone who won't be surprised if you're pleasantly scared and who won't be embarrassed if you scream.
David Ritchey has a Ph.D. in communications and is an associate professor of communications at The University of Akron. He is a member of the American Theatre Critics Association.
UPN AND WUAB = CHANNEL 43 THE BLOCK ANNOUNCES NEW MIDSEASON REALITY SERIES = "SUPERMODEL," WITH TYRA BANKS, TO FEATURE REAL PEOPLE COMPETING FOR A = DREAM CONTRACT WITH A TOP MODELING AGENCY
SUPERMODEL will feature a nationwide = talent search for eight real people who think they can make it in the = high-stress, high-stakes world of supermodeling. The series will = provide dramatic twists and turns as participants compete under the = pressure of mastering tasks essential in the world of modeling. =
The series will follow the = participants as they live together and vie for the championship title = in weekly tests that demonstrate who can cut it as America's ultimate = model with both inner and outer beauty. Real people from diverse = backgrounds, shapes and sizes will compete for the ultimate prize -- a = super-sized modeling contract with a top agency. A panel of = SUPERMODEL experts, comprised of agency representatives, photographers, = fashion magazine editors and Banks, will oversee the = competitions.
Local Cleveland Try-outs will take = place on Friday November 15th = from 1 to 5pm at the = Powerhouse Pub and Cabaret, located in the Powerhouse Complex on = the West Bank of the Flats.
CONTESTANTS MUST BE FEMALE, BETWEEN = THE AGES OF 18 - 27 AND MEASURING AT LEAST 5'7". THERE IS NO = WEIGHT REQUIREMENT AND NO PRIOR MODELING EXPERIENCE IS PREFERRED. = Bring 3 photographs of yourself and a completed application form to the = audition. Each contestant will be required to introduce herself and = explain why she will make the best supermodel. Please read the = complete details from the UPN website! If you cannot download the = attached application form, it can be found on the website.
For full contest rules and =
regulations visit www.upn.com
=20
Press = Contacts: Kristen Schneidler = = 216/367-7137 = kschneidler at woio.com
DO NOT CALL THE POWERHOUSE PUB ABOUT = THIS AUDITION.
= <<application.pdf>>
"Planet Earth is blue and there's = nothing I can do." D.B.
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23:44:02 2002 From: Bob.burian at BradleyCompany.com (Bob.burian at BradleyCompany.com) Date: Wed Nov 6 23:44:02 2002 Subject: [NEohioPAL]SONGS FOR A NEW WORLD: this weekend only reminder!---Only $10!!!. .. Message-ID: <14B0B7D36BCDD4119DC400A0C9E1CCEA913CE3@MAILSERVER> THIS WEEKEND ONLY!!!!....and only $10, with a reception and silent auction to follow!!!!!.... Cassidy Theatre Guild Presents: SONGS FOR A NEW WORLD (Music and lyrics by Jason Robert Brown) (dedicated to the memory of Steven P. Sterlekar; benefit to Paul W. Cassidy Theatre & North Coast Men's Chorus Steven P. Sterlekar Fund) PLEASE NOTE SATURDAY'S TIME: Saturday, November 9 @ 7:30 PM* Sunday, November 10 @ 3:00 PM *Again, PLEASE NOTE the curtain time of the Saturday performance: 7:30 PM Tickets: $10 Paul W. Cassidy Theatre 6200 Pearl Road Parma Heights, Ohio 44130 (in the Greenbrier Commons) BOX OFFICE: 440.842.4600 Directed by Lora Workman Musical Direction by Marc Baker For more information on cast & crew, refer to: http://www.geocities.com/SongsFANW Last December, our dear friend, Steven P. Sterlekar died. Steven was active in Cleveland's community theatre scene. He had the gift of drawing people together to share their time, talent, and treasure. It was one of Steven's dreams to one day produce SONGS FOR A NEW WORLD. Perhaps it was so important to him because he knew what the show represents. SONGS FOR A NEW WORLD is a journey through sixteen songs, dealing with life's ups and downs and finding the courage to keep going. Critics have called it: "a musical call to personal reflection" -- "almost a contemporary worship service with dogmatics," and "a freewheeling exploration into the human soul." It reminds us of our own personal journeys. Composer and lyricist, Jason Robert Brown, said about the show in January 2001, "Songs for a New World is a show that suggests that our best solution for the stress and terror and anxiety we feel is to come together and form a community that will support and uplift each other." It seems ironic that he would say this 9 months before one of the most terrifying events in our nation's history. And, at the end of that same year, Steven passed. Let this production be an opportunity for us to "come together and form a community"; a community of artists, friends, and family. A cocktail reception and silent auction will follow each show; donations will be used to commission a piece of music in Steven's honor to be presented by The North Coast Men's Chorus. Please join us, and unite in our community to remember, experience, and enjoy. Cast includes: Maggie Wirfel Mary Ann Prucha Mike Caraffi Robert Burian Please forward this on to anyone you feel may be interested, including any church organizations, as this has many spiritual themes. From jbrosius at repertoryproject.org Wed Nov 6 23:44:10 2002 From: jbrosius at repertoryproject.org (Jennifer Brosius) Date: Wed Nov 6 23:44:10 2002 Subject: [NEohioPAL]TRP Benefit November 9th Message-ID:Come on – only $5 = people!!!!!!!!!!!!!!!!!!!!!!!! Only $4 if you’re a student or a senior.
Either reply to this email or call the box office and = tell them you are with NEOHIOPAL.
216-987-5536
This is your last chance to catch the smash hit of = the fall !!!!!!!!!!!!!!!
With songs like “I Wanna Kill My Ex-Boyfriend” = you can’t go wrong!!!!!
Lobo-A-Gogo<= /span>
Thursday, Friday and Saturday at = 8pm and Sunday at = 3pm.
CCC Western Campus
11000 Pleasant Valley = Road
Parma, Ohio
Christopher = M. Bohan
Box Office = Manager
Cuyahoga Community College
Western = Campus Theatre
216.987.5536= span>
Cleveland State University's FACTORY THEATRE is proud to present
Richard III
directed by Allan Byrne
November 15-17, 21-24
with
Aaron Coleman.................................................Richard
Mary Alice Beck.................................Queen Elizabeth
Elizabeth Stroder.................................................Anne
Keith Kornajcik..............................................Clarence
Grey/Young Prince Edward................Benjamin Gates
Rivers/Young Duke of York................Andrew Kopas
Richmond..............................................Rodger Govea
king edward.....michael smith
duchess of york.... ellen stepanek
margaret....JoLen Golembiewski
buckingham....david crighton
murderer1...ed walsh
murder2...mike smith
catesby...tye davis
hastings...leonard goff
tyrrell...ed walsh
ensemble:
venitia belk, lita townsend (strumpet shore), dena warmuth, yania brodsky
stage manager kathy covey
"MY THREE ANGELS",
A THREE ACT COMEDY DIRECTED BY DOUGLAS FARREN, OPENS FRIDAY AT CLAGUE PLAYHOUSE, 1371 CLAGUE ROAD, WESTLAKE, OH.
PERFORMANCE DATES ARE NOVEMBER 8 - DECEMBER 1, 2002.
TICKETS ARE $10/9 AND MAY BE PURCHASED BY CALLING THE BOX OFFICE AT 440-331-0403 WED-SAT 1-6PM
MOLIERE'S
THE IMAGINARY INVALID
When: November 12, 7:00PM to 8:30PM
Production Staff: Martin Friedman, Director. Keith Nagy, Sets and Lights. Costumes, Alison Hernan.
Where: Lakeland Theatre at Lakeland Community College. Take I 90 East to Route 306. Go right (south) on Rt #306 and turn left at the first light into Lakeland College.Park in Faculty/Staff parking (free after 7pm). Theatre is to the left of the Clocktower.
Particulars: For more information call Martin Friedman at 440.953.7034. All positions are compensated. Sorry, no Equity contracts at this time. The Imaginary Invalid is a farce by Moliere. It is extremely funny and examins the health care system in comic fashion. This highly stylized production features roles for: 6 males and 5 females. (2 females: 35 to 60years; 3Females: 20's -30's; 3 males: 40's-60's; 3 males 20's-40's). THE IMAGINARY INVALID opens on January 31, 2003. Read throughs will begin in December...rehea rsals on or around January 3. The production will run 3 weekends. Two student matinees are contemplated and actors will be further compensated for those. Student matinees will be held on Thursday or Friday mornings between 8:30 and 11:30am
In The Woman in Black, we see dead people.
By Keith A. Joseph
Even in these post-Halloween days, when half-rotten jack-o'-lanterns and crumpled paper skeletons sit at the curb awaiting trash pickup, there's nothing like a good scare. And few stories over the ages have been genuinely creepier than Henry James's classic story of corrupt valet Peter Quint (R.I.P.) wrestling with a neurotic governess for the soul of a young boy.
Fortunately, the Actors' Summit's rendition of The Woman in Black not only resurrects the back-from-the-grave feel of James's work, but is scary enough by itself to cure a serious case of the hiccups. Based on Susan Hill's 1983 gothic novel of the same name, the play centers around Arthur Kipps's fervid recollections of his youthful days as solicitor, when he repeatedly encountered an enraged specter.
The intrepid Kipps learns that the ghost had once been an unwed mother forced to hand over her baby to her stern sister. The child later drowned in a freak accident, leading the bereaved mother to madness and, eventually, an agonizing death. For the next 60 years, her tortured spirit haunted the village like a vengeful Cassandra in Victorian mourning weeds, foretelling the deaths of young children.
Stephen Mallatratt, who wrote this adaptation, weaves a baroque tapestry around the original ghost story. In this version, the now-middle-aged solicitor rents a Victorian theater and hires a hammy actor to help him exorcise the horrible events of 20 years ago. The two change places -- with the actor assuming the role of Kipps as a young man and the inexperienced solicitor timidly playing the other subordinate roles.
The play-within-a-play shrewdly blends old-time radio sound effects and narration with a stripped-down theatricality reminiscent of Thornton Wilder. An empty chair suddenly starts rocking, suggesting the presence of evil. The woman in black herself, in a breathtaking theatrical moment worthy of Edgar Allan Poe, suddenly materializes at a funeral, shimmering in a blasphemous halo.
Filling the demands of a script nightmarish in both content and challenging structure are Wayne Turney and Peter Voinovich. Radiating a joyous innocence and wonder, and looking quite like a stuffed owl, Turney's experience hosting a children's show is apparent. His Kipps is a reluctant storyteller turned Pied Piper, blithely leading the audience into treacherous territory. Voinovich's controlling actor character, employing the charmingly overenunciated English accent of a road company Sherlock Holmes, balances his co-star's whimsy. He easily covers the emotional terrain, ranging from self-mocking pomposity to wide-eyed fright.
In a play that depends on sleight-of-hand staging, where production values are essential, director Neil Thackaberry is not altogether comfortable -- but he does manage to keep the sense of psychological terror intact. Richard B. Ingraham's evocative sound, Dan Polk's sepia lighting, and Mary Jo Alexander's fusty costumes all add the appropriate verisimilitude.
The Woman in Black may not be a fount of profundity or subtlety, but it just may be one of the most satisfying scares since Henry James turned that screw.
Details
The Woman in Black Details: Through November 10, 330-342-0800. Where: Actors' Summit Theater, 86 Owen Brown Street, Hudson
WARNING: THE FOLLOWING REVIEW HAS BEEN RATED PG-13 BY JUJU, THE LITTLE MONKEY THAT JUTS OUT OF MY FOREHEAD AND SINGS JERRY HERMAN TUNES TO ME WHEN I AM SAD AND LONELY--Jeff Holland
IKE: How the hell we supposed ta follow that up?
MIKE: I don't care. I'm leaving.
I: You ain't goin' anywhere, limey.
M: I can't do this now. It's too soon.
I: Face your pain. Grow from it.
M: My stomach lining is now the strength of one ply toilet tissue because of that show. I've grown enough, thank you.
I: Okay, what is the bug up your butt over this?
PAUSE
M: It's a one act.
I: Oh, for the love of--
M: Shakespeare is not supposed to be a one act!
I: At least start out with a valid criticism! This is nit picky.
M: All right, I understand that, not only did Shakespeare write some of the most beautiful language ever recorded, but he wrote a hell of a lot of it.
I: If Kenneth Branaugh's four and a half version of Hamlet taught us anything it's that we didn't need a four and a half hour version of Hamlet.
M: Yes, good ole Wills should have learned the value of time compression through editing, but not down to ninety minutes.
I: Why not?
M: Shakespearean theatre needs an intermission.
I: Why?
M: Because that's the way it's done!
I: Well, someone's being particularly British this mornin.' You're the one who's always bitchin' about too much conventional the-ater. There's one convention thrown right inta the wood chipper.
M: Did you even understand the plot?
I: Yeah, a coked up fairy makes everybody fall in love with everybody else, a chick sleeps with a donkey, and the Village People do a play.
M: Okay, I'm impressed.
I: Don't ask for specifics. When it comes to Shakespeare, I work best in broad generalities.
M: So how many different kinds of amphetomines do you think the noble Mr. Goodfellow was on?
I: Be nice.
M: Oh, coming from you that's really funny. Don't get me wrong. I liked him. He was just really . . . really . . . wired.
I: Kinda made ya wish I'd brought the tranquilizer gun, didn't it?
M: Oh, yes!
I: And that boy got inta some positions that I never want to see another human being attempt EVER!! It was funny, but scary as hell.
M: As was Bottom in the shiny golden underwear.
I: As is the whole concept of a chick sleeping with a donkey, even if it is bipedal and talks.
M: As was the Village People.
I: As was the Village People in the "Dreamgirls" costumes at the end of the show.
M: As was Lysander being played by J.R. Ewing.
I: As was the La-La song.
M: Oh, God, yes! I tried to forget they made it a musical.
I: I couldn't. I will forever be haunted by La-La's.
M: The songs aren't bad at all. The lyrics are Shakespeares and the music is either Beethoven or 70's mellow rock, so it's fun, but why do it?
I: Breaking convention.
M: Shut up.
I: Did ya think it was funny that Oberon, big burly manly man with the Han Solo thing goin' on, sang like Al Jarreau?
M: No, I thought it was funny watching you have the siezure during the La-La song.
I:(Shuddering) Too many La-La's.
M: The music was pretty.
I: TOO MANY LA-LA'S.
M: Good to know I wasn't the only one going through pain.
I: Yeah, but I like pain.
M: Didn't need to know that.
I: You're missin' the point. I didn't understand a single thing that was said during that show, the costumes were freaky, the disco lights were sending me to the astral plane, and for a comedy, it really didn't get funny until the end of the show.
M: Then why did you like it so much?
I: Cause it was weird, it was different, and I had a good time watching and occasionally making fun of it. This is not for purists, unless you're a purist with a sense of humor. Did you enjoy the show?
M: Well, I--
I: Did you have fun?
M: Well, I--
I: Is it not unlike most Shakespearean theatre you've seen?
M: That I will give you, but it's not-- The show isn't-- I did actually sort of like it.
I: Just too damn many la-la's.
M: And not enough acts.
PAUSE
I: Are we still on that?
M: I'm sorry but I had to urinate for the last half hour of the show.
I: Okay, we done here.
SPECIAL MESSAGE FROM IKE
Okay, we missed Rocky Horror (Grrr) so we're gonna try for another freaky musical. Hopefully, this saturday we gonna be at Lobo a Go Go. If not, we'll be either be drinking, watching the season one DVD set of Babylon 5, or in a Turkish prison.
The muleteers are = the male=20 chorus and have some challenge songs and a variety of parts to play. = Their ages=20 range from 18 - 35 and the parts are fairly physical, with a variety of = actors=20 are needed for these challenging additions to the cast, (including = someone who=20 can also play guitar). Performance dates are scheduled for February 7, = 8, 14,=20 15, 21, 22, 23, 28 & March 1. Those interested should call = 330-655-8522.=20
Directed by=20 well known area director Wayne Merholtz of Cleveland, Man of La = Mancha is=20 a remarkable show and one of the great theatre successes of our time. It = is a=20 play-within-a-play, based on Cervantes’ “Don Quixote” = and featuring impactful=20 music. Man of La Mancha tells the poignant story of a dying old = man whose=20 impossible dream takes over his mind. It’s All the Same, I, Don = Quixote,=20 Dulcinea, I’m Only Thinking of Him, The Impossible Dream, I Really = Like Him=20 and Little Bird remain in your thoughts well after the show is = over.=20 Man of La Mancha is a comic tragedy of mankind’s struggle = to better both=20 himself and the world in which he lives. The biggest hit of the 1965 = Broadway=20 season, Man of La Mancha took Tony Awards for best musical, = score, and=20 libretto.
Participation=20
with the Hudson Players is open to all. Currently the theater is =
presenting the=20
comedy Dearly Departed Friday and Saturday evenings until =
November=20
16. Call 330-655-8522 for ticket information and additional audition=20
information.
= November 8th, 9th, 10th, 15th, 16th and 17th are the performance dat= es with Friday and Saturday shows at 8:00 PM and Sunday matinee= s beginning at 3:00 PM. Shows are performed at the Matousek Au= ditorium, 4900 Turney Rd, Garfield Hts. OH. Ticket prices are adult= s $10.00, seniors and GHLT members $8.00 and children's tickets are $6.00= . Special seating and group rates are available - we've had several= Scout troops come and enjoy this family show. For more information= , please call 216-581-7554.
"Mirrors and Windows" (Solo Jonah = Koslen)"Live in the Bubble" (Previously=20 un-released, live Breathless material)"Orange" (Jonah Koslen and the=20 Heroes)"Aces" (Jonah Koslen and the=20 Heroes)
HEY EVERYBODY, AFTER A RIP ROARING DEBUT LAST WEEK, HFI CONTINUES THE FUNNY THIS WEEKEND AT THE POWERHOUSE PUB IN THEIR HILIARIOUS IMPROVISED REVUE. "CIRQUE DE SILLAY"
What: Habitat For Insanity - "Cirque de Sillay"
Where: Powerhouse Pub West bank of the Flats
When: 10pm, right after Flanagan's Wake! $8, $6 FOR STARVING STUDENTS
BRING YOUR FRIENDS, DRINK BEER AND LAUGH. THAT'S WHAT LIFE IS ABOUT! We don't know what the show is going to be about, but that's what makes it so darn funny.
You'll hear the answer to that musical question=20=
=E2=80=94 along with scores of other favorite pop standards =E2=80=94 if you=
join us at the first ever Actors' Summit New Year's Cabaret.
The the=
ater just off Hudson's Green will be transformed into a bistro for an evenin=
g of singing and dancing. You'll have a ringside table to see and hear your=20=
favorite performers do what they do best =E2=80=94 entertain you with their=20=
songs, stories, stand up and more.
Headlining the cast are Wayne S.=20=
Turney, Peter Voinovich, Frank Jackman, MaryJo Alexander, Connie Thackaberry=
and Keith Stevens. "There will also be some surprises," said MaryJo Alexand=
er, associate artistic director. "We're still getting calls from actors who=20=
want to perform."
The $30 ticket price includes entertainment, munchies=20=
and dancing; a cash bar for beer, wine and soft drinks. So eat, drink and be=
merry from 9 p.m. New Year's Eve to 1 a.m. on the first day of 2003, and, t=
o paraphrase that song from Gypsy, let us entertain you!
Reserve you=
r tickets by calling 330-342-0800.
Web site
Actors Summit Theate=
r can be found on the web at www.actorssummit.org. Actors' Summit is a profe=
ssional, not for profit, 501-c-3 professional arts organization. We are seek=
ing volunteers and board members. For more details please call MaryJo or Nei=
l at 330-342-0800.
Actors' Summit is a member of PACT, The Professio=
nal Alliance of Cleveland Theaters.
Actors' Summit is working under=20=
a developmental agreement with Actors' Equity Association (the Union of prof=
essional Actors and Stage managers).
WARNING: THE FOLLOWING REVIEW HAS BEEN RATED PG-13 BY THE CAST OF "GREASE 3." YOU READ THAT RIGHT, "GREASE 3." THERE IS NO JOY IN THIS WORLD--Jeff Holland and Vince Stillitano
MIKE: Well, that was mildly painful.
IKE: I'm sorry, but that wasn't no werewolf.
M: No, it was a woman with back hair and a mask.
I: The mask didn't look like a wolf. Looked more like Helena Bonham Carter in Planet of the Apes. Course, "Howler Monkey-A-Gogo" doesn't have as nice a ring to it.
M: It should have been called Transvestite-A-Gogo. I cannot believe crossdressing got more stage time than the actual werewolf.
I: Here's another title: The Monkey Horror Picture Show.
M: It started out as a mildly cute idea.
I: No, it didn't.
M: You're right. I was being polite. No, I'm not going to get into the whole "Man who spends all of Act 1 complaining about not getting chicks who, after putting on a dress and singing I Feel Pretty, apparently decides he's gay, kisses a couple of guys and then gets shot for no apparent reason except perhaps that he's discovered he's gay, which opens up a whole new can of worms" thing. What bugged me about the whole thing was the logistics. They find a bloody dress and give it to the guy to put on. Now, even though the woman was 5 foot five and the guy was six foot two, somehow the dress fits him better than it fit her, and, AND everyone mistakes this guy for the girl. WTF?!?
I: Remember, this takes place in 1959 and, as we know from movies, tv, and the-ater, people were dumber back then.
M: And that's another thing!
I: Oh, God!
M: There's a Psycho reference in the show. Psycho didn't come out until 1960!
I: Yeah, that kinda twisted my short hairs, too. So did that guy realize he was gay?
M: I'm not sure. For a show that has such broad characterizations, when it comes to plot it's subtle to the point of being cryptic.
I: I did like the rebel poet. He was by far the most interesting character in the show and he had the best song, "I Want to Kill my Ex-Girlfriend." Great title. All right, my turn to rag on something: The language.
M: You're complaining about language.
I: Apart from one fun usage of the F word--
M: Frankfurt?
I: No.
M: Follicle?
I: No.
M: Fellatio?
I: Shut up! Apart from that, there's a lotta bad words in this that are just there. They're not used for comedic effect, or dramatic,or any effect at all, actually. They just there. The shock effect of having stupid people from the 50's bein' all potty mouthed wore off way too quickly.
M: Did you just say potty mouthed?
I: What about it?
M: The Seventh Sign.
I: Shut up. And then there was the slut.
M: Holy tangent, Batman.
I: Now, Lord knows I am all for loose women.
M: It's a shame they're not all for you.
I: Now I don't know if this was an acting thing or a directing thing,but for some reason this chick seemed to need to vogue ever time she stopped moving. By Act 2 I wanted to tie her hands to her sides.
M: Keep your fetish fantasies to yourself, please.
I: I didn't mean it that way . . . much.
M: On the plus side, I really enjoyed the music for the show.
I: Me, too. Almost made me wish I could hear the lyrics.
M: Yes, there were some technical difficulties during the show. I'm assuming some of the mics were faulty.
I: Did everbody have mics? Couldn't tell. That reminds me, did you see the on-stage band?
M: How could I not? They were onstage.
I: Shut up! Apart from the piano player, who was also the musical director and a character in the show, the rest of them just sat there blankly like they were watchin' the eight hour director's cut of the Scooby Doo movie and the downers just kicked in. I gotta problem getting excited over watchin' a show when 1/4 of the people onstage can't even do it.
M: But at least we did get a werewolf.
I: Weremonkey.
M:(Deep voice) There monkey. There castle.
I: Why are you talking like that?
M: Because we wanted to end this with a cheap "Young Frankenstien" reference.
I: Oh, that's right.
2-for-1 admission with this e-mail opening night only -- November 7 at 8 p.m.
OLEANNA
the riveting drama by David Mamet
A college student seeks her professor's help ... and then ...
Greg Vovos, Director
Mindy Childress, Assistant Director
Starring Mark Cipra as John
& Meg Santisi as Carol
November 7, 8*, 9, 15*,16, 22* and 23 at 8 p.m.
November 17 at 3 p.m.
at Woodbury School Auditorium,
15400 South Woodland Road
(4 blocks west of Lee Road) in Shaker Heights
* The audience is invited to join area leaders in talkback discussions following each Friday evening show. Discussion leaders include:
+ Beth McGee, CWRU Associate Professor in Theatre Arts, and Faculty Diversity Officer;
+ Jeff Chernin, psychologist;
+ Teri Egan, CCC psychologist;
+ Ted Mearns, retired CWRU law professor, and
+ Marvin Rosenberg, CWRU associate professor of ethics.
Tickets to Oleanna are $10 for adults and $8 for seniors (60+) and students. They are payable in advance or at the door. For ticket information, call 491-1295.
Boulevard Theatre is affiliated with the Shaker Heights Community Life Department and also is supported by the newly formed Friends of Boulevard Theatre.
The theatre is 4 blocks west of Lee Road in Shaker Heights. There is a parking lot on Woodbury Road just past the school (turn left onto Woodbury) or park on the street.
###
TREE CITY
Tree City Players are looking for actors for their upcoming=20=
holiday production of a new adaptation of the classic film "It's A Wonderful=
Life" called "Merry Christmas, George Bailey!" by local playwright Jack Her=
man of Kent.
Characters available:
Mr. Gower (age 40+)
Harry Bailey (age 16 to 18)
Henry Potter (age 55+)
Aunt Tilly (age 35+)
Mrs. Hatch (age 40+)
Sam Wainwright (age 18+)
Mrs. Martini (age 35+)
Tommy Bailey (age 9 to 11)
Zuzu Bailey (age 6 to 9)
Mr. Welch (age 35+)
These are all wonderful character roles.
Those interested in auditioning should call the director at 330-673-5378 to=20=
schedule an audition this week. Rehearsals begin next Monday (Nov. 11t=
h)
The production dates for "Merry Christmas, George Bailey!" are December 6, 7=
, 8, 13, 14 & 15th.
This is the heartwarming story of George Bailey, of Bedford Falls, NY.=C2=
=A0 Whose dreams of escape and adventure have been repeatedly quashed by not=
ions of family obligation and civic duty.=C2=A0 It is Christmas Eve, and Geo=
rge's guardian angel, Clarence, had descended to earth to save George from d=
espair, and to remind him (by showing him what the world would have been lik=
e if he was never born) that his has been after all, a wonderful life=E2=80=
=A6This sparkling and magical play has all your favorite characters that you=
have come to love.
For more information please feel free to contact the director Jack Herman at=
330-673-5378 after 5pm.=C2=A0 Or call the theatre box office at 330-677-500=
5.
Only 3 Club Shows
Sat Nov 9 - Beachland Ballroom
Fri Nov 15 - Pat's in the Flats
Fri Nov 22 - The Grog Shop
These are the only club shows where you can see the raw, uninhibited ANGRY INCH perform the songs from Hedwig and the Angry Inch. This will be true rock'n roll in its finest, in-your-face fashion. No script to hold them back. No blocking. No set. No costumes that can't be damaged or torn off.
Those of you who saw the play know what a great band the Angry Inch is and what great songs Stephen Trask wrote. But as they say, you ain't seen nothing yet. And for those of you who saw our club gigs last year, you know what I'm talking about. If Mr. Sid Vicious were alive he'd be proud of the Inches.
Be sure to mark you calendar to see one of these shows. In fact, try to see them all for you'll never know what to expect from an Angry Inch. To see a sample of what went down last year, go here: http://www.yurichgroup.com/hedwig/
The Angry Inch are:
Dan Folino, Alison Hernan, Miss Melvis, Michael Seevers, Steve Mehlman,
Mark Gamiere and Dennis Yurich
Sat Nov 9 - Beachland Ballroom - with The Viola Contingent, Kiddo, Pinch
(NOTE: EVERYONE IS ON THE GUEST LIST FOR THIS SHOW - THIS MEANS YOU PAY
NOTHING TO GET IN!!!)
Fri Nov 15 - Pat's in the Flats - with 755mph, The Viola Contingent,
The Confidence Interval
Fri Nov 22 - The Grog Shop - with The Gaza Strippers, Tough and Lovely
Directions:
Beachland Ballroom - http://www.beachlandballroom.com/maps.html
Pat's in the Flats - In Tremont where Literary Rd. dead ends into W.
3rd at the bottom of the hill.
The Grog Shop - http://grogshop.gs/directions.html
Warning: If you don't wanna rock, don't come. And these shows will never be repeated.
For more info contact Dennis Yurich
216-631-2554
dennis at yurichgroup.com
--
It's Been 5 Years
Thanks to all who got us here!
Yurich Design Group
10801 Edgewater Drive
Cleveland, Ohio 44102
(216) 631-2554
(216) 631-2556 FAX
Visit Yurich Design Group at:
Ghouls, ghosts and other things
By David Ritchey
http://www.yurichgroup.com
--------------719D1CB14253823AE20FF47D--
From Thackaberr at aol.com Wed Nov 6 08:39:25 2002
From: Thackaberr at aol.com (Thackaberr at aol.com)
Date: Wed Nov 6 08:39:25 2002
Subject: [NEohioPAL]Another Great Review of Woman in Black - Final 4
Performances at Actors' Summit
Message-ID: <18a.10d42735.2afa8289@aol.com>
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Ghouls, ghosts and other things
that go bump in the night
All walk the stage in 'The Woman in Black' at Actors' Summit
By David Ritchey
HUDSON -- Halloween invites us to be pleasantly scared or to pretend to be
scared. What adult hasn't faked terror at the sight of a 6-year-old child on
the doorstep saying "Trick-or-Treat" in an effort to get a Halloween goody?
That's what happens this Halloween season with "The Woman in Black" at
Actors' Summit. This production invites the audience to fake terror. (I was
just pretending. I wasn't really afraid.)
The program identifies "The Woman in Black" as a ghost play, with the script
adapted by Stephen Mallatratt from the book by Susan Hill. The cast for "The
Woman in Black" is two men: Wayne Turney (Arthur Kipps) and Peter Voinovich
(the actor). Where is the woman in black you ask? She's dead. But, who is
that roaming across the stage and through the theater? Can she be a ghost?
The complicated plot deals with Kipps, who hires an actor to perform a script
he has written. However, the script contains a good deal that is
autobiographical in a story dealing with accidents, the death of a child and
a woman who can't find peace.
The story takes place in a theater -- a theater not too different from that
of Actors' Summit in Hudson, but this one is in England. Don't forget to add
cold weather, rain and a mist or fog. The script-within-a-script calls for
the actor-within-the-new-script to play a lawyer who goes to an old mansion
that is on a little island. Only one small path leads from the water to the
mansion and that path is surrounded by quicksand.
The elderly lady of the house has died, and the young lawyer must go to the
mansion to sort through her papers. At the mansion, locked doors open, sounds
come from empty rooms, a dog barks and a woman in black strolls through the
acting area.
Scared?
Someone died and the butler didn't do it. In fact, several people died. What
else do they have to do in an old mansion that is cut off from the world by a
thick mist?
"The Woman in Black" continues through Nov. 10. For ticket information, call
(330) 342-0800.
Go with someone who won't be surprised if you're pleasantly scared and who
won't be embarrassed if you scream.
David Ritchey has a Ph.D. in communications and is an associate professor of
communications at The University of Akron. He is a member of the American
Theatre Critics Association.
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that go bump in the night
All walk the stage in 'The Woman in Black' at Actors' Summit
HUDSON -- Halloween invites us to be pleasantly scared or to pretend to be scared. What adult hasn't faked terror at the sight of a 6-year-old child on the doorstep saying "Trick-or-Treat" in an effort to get a Halloween goody?
That's what happens this Halloween season with "The Woman in Black" at Actors' Summit. This production invites the audience to fake terror. (I was just pretending. I wasn't really afraid.)
The program identifies "The Woman in Black" as a ghost play, with the script adapted by Stephen Mallatratt from the book by Susan Hill. The cast for "The Woman in Black" is two men: Wayne Turney (Arthur Kipps) and Peter Voinovich (the actor). Where is the woman in black you ask? She's dead. But, who is that roaming across the stage and through the theater? Can she be a ghost?
The complicated plot deals with Kipps, who hires an actor to perform a script he has written. However, the script contains a good deal that is autobiographical in a story dealing with accidents, the death of a child and a woman who can't find peace.
The story takes place in a theater -- a theater not too different from that of Actors' Summit in Hudson, but this one is in England. Don't forget to add cold weather, rain and a mist or fog. The script-within-a-script calls for the actor-within-the-new-script to play a lawyer who goes to an old mansion that is on a little island. Only one small path leads from the water to the mansion and that path is surrounded by quicksand.
The elderly lady of the house has died, and the young lawyer must go to the mansion to sort through her papers. At the mansion, locked doors open, sounds come from empty rooms, a dog barks and a woman in black strolls through the acting area.
Scared?
Someone died and the butler didn't do it. In fact, several people died. What else do they have to do in an old mansion that is cut off from the world by a thick mist?
"The Woman in Black" continues through Nov. 10. For ticket information, call (330) 342-0800.
Go with someone who won't be surprised if you're pleasantly scared and who won't be embarrassed if you scream.
David Ritchey has a Ph.D. in communications and is an associate professor of communications at The University of Akron. He is a member of the American Theatre Critics Association.
UPN AND WUAB = CHANNEL 43 THE BLOCK ANNOUNCES NEW MIDSEASON REALITY SERIES = "SUPERMODEL," WITH TYRA BANKS, TO FEATURE REAL PEOPLE COMPETING FOR A = DREAM CONTRACT WITH A TOP MODELING AGENCY
SUPERMODEL will feature a nationwide = talent search for eight real people who think they can make it in the = high-stress, high-stakes world of supermodeling. The series will = provide dramatic twists and turns as participants compete under the = pressure of mastering tasks essential in the world of modeling. =
The series will follow the = participants as they live together and vie for the championship title = in weekly tests that demonstrate who can cut it as America's ultimate = model with both inner and outer beauty. Real people from diverse = backgrounds, shapes and sizes will compete for the ultimate prize -- a = super-sized modeling contract with a top agency. A panel of = SUPERMODEL experts, comprised of agency representatives, photographers, = fashion magazine editors and Banks, will oversee the = competitions.
Local Cleveland Try-outs will take = place on Friday November 15th = from 1 to 5pm at the = Powerhouse Pub and Cabaret, located in the Powerhouse Complex on = the West Bank of the Flats.
CONTESTANTS MUST BE FEMALE, BETWEEN = THE AGES OF 18 - 27 AND MEASURING AT LEAST 5'7". THERE IS NO = WEIGHT REQUIREMENT AND NO PRIOR MODELING EXPERIENCE IS PREFERRED. = Bring 3 photographs of yourself and a completed application form to the = audition. Each contestant will be required to introduce herself and = explain why she will make the best supermodel. Please read the = complete details from the UPN website! If you cannot download the = attached application form, it can be found on the website.
For full contest rules and =
regulations visit www.upn.com
=20
Press = Contacts: Kristen Schneidler = = 216/367-7137 = kschneidler at woio.com
DO NOT CALL THE POWERHOUSE PUB ABOUT = THIS AUDITION.
= <<application.pdf>>
"Planet Earth is blue and there's = nothing I can do." D.B.
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23:44:02 2002 From: Bob.burian at BradleyCompany.com (Bob.burian at BradleyCompany.com) Date: Wed Nov 6 23:44:02 2002 Subject: [NEohioPAL]SONGS FOR A NEW WORLD: this weekend only reminder!---Only $10!!!. .. Message-ID: <14B0B7D36BCDD4119DC400A0C9E1CCEA913CE3@MAILSERVER> THIS WEEKEND ONLY!!!!....and only $10, with a reception and silent auction to follow!!!!!.... Cassidy Theatre Guild Presents: SONGS FOR A NEW WORLD (Music and lyrics by Jason Robert Brown) (dedicated to the memory of Steven P. Sterlekar; benefit to Paul W. Cassidy Theatre & North Coast Men's Chorus Steven P. Sterlekar Fund) PLEASE NOTE SATURDAY'S TIME: Saturday, November 9 @ 7:30 PM* Sunday, November 10 @ 3:00 PM *Again, PLEASE NOTE the curtain time of the Saturday performance: 7:30 PM Tickets: $10 Paul W. Cassidy Theatre 6200 Pearl Road Parma Heights, Ohio 44130 (in the Greenbrier Commons) BOX OFFICE: 440.842.4600 Directed by Lora Workman Musical Direction by Marc Baker For more information on cast & crew, refer to: http://www.geocities.com/SongsFANW Last December, our dear friend, Steven P. Sterlekar died. Steven was active in Cleveland's community theatre scene. He had the gift of drawing people together to share their time, talent, and treasure. It was one of Steven's dreams to one day produce SONGS FOR A NEW WORLD. Perhaps it was so important to him because he knew what the show represents. SONGS FOR A NEW WORLD is a journey through sixteen songs, dealing with life's ups and downs and finding the courage to keep going. Critics have called it: "a musical call to personal reflection" -- "almost a contemporary worship service with dogmatics," and "a freewheeling exploration into the human soul." It reminds us of our own personal journeys. Composer and lyricist, Jason Robert Brown, said about the show in January 2001, "Songs for a New World is a show that suggests that our best solution for the stress and terror and anxiety we feel is to come together and form a community that will support and uplift each other." It seems ironic that he would say this 9 months before one of the most terrifying events in our nation's history. And, at the end of that same year, Steven passed. Let this production be an opportunity for us to "come together and form a community"; a community of artists, friends, and family. A cocktail reception and silent auction will follow each show; donations will be used to commission a piece of music in Steven's honor to be presented by The North Coast Men's Chorus. Please join us, and unite in our community to remember, experience, and enjoy. Cast includes: Maggie Wirfel Mary Ann Prucha Mike Caraffi Robert Burian Please forward this on to anyone you feel may be interested, including any church organizations, as this has many spiritual themes. From jbrosius at repertoryproject.org Wed Nov 6 23:44:10 2002 From: jbrosius at repertoryproject.org (Jennifer Brosius) Date: Wed Nov 6 23:44:10 2002 Subject: [NEohioPAL]TRP Benefit November 9th Message-ID:Come on – only $5 = people!!!!!!!!!!!!!!!!!!!!!!!! Only $4 if you’re a student or a senior.
Either reply to this email or call the box office and = tell them you are with NEOHIOPAL.
216-987-5536
This is your last chance to catch the smash hit of = the fall !!!!!!!!!!!!!!!
With songs like “I Wanna Kill My Ex-Boyfriend” = you can’t go wrong!!!!!
Lobo-A-Gogo<= /span>
Thursday, Friday and Saturday at = 8pm and Sunday at = 3pm.
CCC Western Campus
11000 Pleasant Valley = Road
Parma, Ohio
Christopher = M. Bohan
Box Office = Manager
Cuyahoga Community College
Western = Campus Theatre
216.987.5536= span>
Cleveland State University's FACTORY THEATRE is proud to present
Richard III
directed by Allan Byrne
November 15-17, 21-24
with
Aaron Coleman.................................................Richard
Mary Alice Beck.................................Queen Elizabeth
Elizabeth Stroder.................................................Anne
Keith Kornajcik..............................................Clarence
Grey/Young Prince Edward................Benjamin Gates
Rivers/Young Duke of York................Andrew Kopas
Richmond..............................................Rodger Govea
king edward.....michael smith
duchess of york.... ellen stepanek
margaret....JoLen Golembiewski
buckingham....david crighton
murderer1...ed walsh
murder2...mike smith
catesby...tye davis
hastings...leonard goff
tyrrell...ed walsh
ensemble:
venitia belk, lita townsend (strumpet shore), dena warmuth, yania brodsky
stage manager kathy covey
"MY THREE ANGELS",
A THREE ACT COMEDY DIRECTED BY DOUGLAS FARREN, OPENS FRIDAY AT CLAGUE PLAYHOUSE, 1371 CLAGUE ROAD, WESTLAKE, OH.
PERFORMANCE DATES ARE NOVEMBER 8 - DECEMBER 1, 2002.
TICKETS ARE $10/9 AND MAY BE PURCHASED BY CALLING THE BOX OFFICE AT 440-331-0403 WED-SAT 1-6PM
MOLIERE'S
THE IMAGINARY INVALID
When: November 12, 7:00PM to 8:30PM
Production Staff: Martin Friedman, Director. Keith Nagy, Sets and Lights. Costumes, Alison Hernan.
Where: Lakeland Theatre at Lakeland Community College. Take I 90 East to Route 306. Go right (south) on Rt #306 and turn left at the first light into Lakeland College.Park in Faculty/Staff parking (free after 7pm). Theatre is to the left of the Clocktower.
Particulars: For more information call Martin Friedman at 440.953.7034. All positions are compensated. Sorry, no Equity contracts at this time. The Imaginary Invalid is a farce by Moliere. It is extremely funny and examins the health care system in comic fashion. This highly stylized production features roles for: 6 males and 5 females. (2 females: 35 to 60years; 3Females: 20's -30's; 3 males: 40's-60's; 3 males 20's-40's). THE IMAGINARY INVALID opens on January 31, 2003. Read throughs will begin in December...rehea rsals on or around January 3. The production will run 3 weekends. Two student matinees are contemplated and actors will be further compensated for those. Student matinees will be held on Thursday or Friday mornings between 8:30 and 11:30am
In The Woman in Black, we see dead people.
By Keith A. Joseph
Even in these post-Halloween days, when half-rotten jack-o'-lanterns and crumpled paper skeletons sit at the curb awaiting trash pickup, there's nothing like a good scare. And few stories over the ages have been genuinely creepier than Henry James's classic story of corrupt valet Peter Quint (R.I.P.) wrestling with a neurotic governess for the soul of a young boy.
Fortunately, the Actors' Summit's rendition of The Woman in Black not only resurrects the back-from-the-grave feel of James's work, but is scary enough by itself to cure a serious case of the hiccups. Based on Susan Hill's 1983 gothic novel of the same name, the play centers around Arthur Kipps's fervid recollections of his youthful days as solicitor, when he repeatedly encountered an enraged specter.
The intrepid Kipps learns that the ghost had once been an unwed mother forced to hand over her baby to her stern sister. The child later drowned in a freak accident, leading the bereaved mother to madness and, eventually, an agonizing death. For the next 60 years, her tortured spirit haunted the village like a vengeful Cassandra in Victorian mourning weeds, foretelling the deaths of young children.
Stephen Mallatratt, who wrote this adaptation, weaves a baroque tapestry around the original ghost story. In this version, the now-middle-aged solicitor rents a Victorian theater and hires a hammy actor to help him exorcise the horrible events of 20 years ago. The two change places -- with the actor assuming the role of Kipps as a young man and the inexperienced solicitor timidly playing the other subordinate roles.
The play-within-a-play shrewdly blends old-time radio sound effects and narration with a stripped-down theatricality reminiscent of Thornton Wilder. An empty chair suddenly starts rocking, suggesting the presence of evil. The woman in black herself, in a breathtaking theatrical moment worthy of Edgar Allan Poe, suddenly materializes at a funeral, shimmering in a blasphemous halo.
Filling the demands of a script nightmarish in both content and challenging structure are Wayne Turney and Peter Voinovich. Radiating a joyous innocence and wonder, and looking quite like a stuffed owl, Turney's experience hosting a children's show is apparent. His Kipps is a reluctant storyteller turned Pied Piper, blithely leading the audience into treacherous territory. Voinovich's controlling actor character, employing the charmingly overenunciated English accent of a road company Sherlock Holmes, balances his co-star's whimsy. He easily covers the emotional terrain, ranging from self-mocking pomposity to wide-eyed fright.
In a play that depends on sleight-of-hand staging, where production values are essential, director Neil Thackaberry is not altogether comfortable -- but he does manage to keep the sense of psychological terror intact. Richard B. Ingraham's evocative sound, Dan Polk's sepia lighting, and Mary Jo Alexander's fusty costumes all add the appropriate verisimilitude.
The Woman in Black may not be a fount of profundity or subtlety, but it just may be one of the most satisfying scares since Henry James turned that screw.
Details
The Woman in Black Details: Through November 10, 330-342-0800. Where: Actors' Summit Theater, 86 Owen Brown Street, Hudson
WARNING: THE FOLLOWING REVIEW HAS BEEN RATED PG-13 BY JUJU, THE LITTLE MONKEY THAT JUTS OUT OF MY FOREHEAD AND SINGS JERRY HERMAN TUNES TO ME WHEN I AM SAD AND LONELY--Jeff Holland
IKE: How the hell we supposed ta follow that up?
MIKE: I don't care. I'm leaving.
I: You ain't goin' anywhere, limey.
M: I can't do this now. It's too soon.
I: Face your pain. Grow from it.
M: My stomach lining is now the strength of one ply toilet tissue because of that show. I've grown enough, thank you.
I: Okay, what is the bug up your butt over this?
PAUSE
M: It's a one act.
I: Oh, for the love of--
M: Shakespeare is not supposed to be a one act!
I: At least start out with a valid criticism! This is nit picky.
M: All right, I understand that, not only did Shakespeare write some of the most beautiful language ever recorded, but he wrote a hell of a lot of it.
I: If Kenneth Branaugh's four and a half version of Hamlet taught us anything it's that we didn't need a four and a half hour version of Hamlet.
M: Yes, good ole Wills should have learned the value of time compression through editing, but not down to ninety minutes.
I: Why not?
M: Shakespearean theatre needs an intermission.
I: Why?
M: Because that's the way it's done!
I: Well, someone's being particularly British this mornin.' You're the one who's always bitchin' about too much conventional the-ater. There's one convention thrown right inta the wood chipper.
M: Did you even understand the plot?
I: Yeah, a coked up fairy makes everybody fall in love with everybody else, a chick sleeps with a donkey, and the Village People do a play.
M: Okay, I'm impressed.
I: Don't ask for specifics. When it comes to Shakespeare, I work best in broad generalities.
M: So how many different kinds of amphetomines do you think the noble Mr. Goodfellow was on?
I: Be nice.
M: Oh, coming from you that's really funny. Don't get me wrong. I liked him. He was just really . . . really . . . wired.
I: Kinda made ya wish I'd brought the tranquilizer gun, didn't it?
M: Oh, yes!
I: And that boy got inta some positions that I never want to see another human being attempt EVER!! It was funny, but scary as hell.
M: As was Bottom in the shiny golden underwear.
I: As is the whole concept of a chick sleeping with a donkey, even if it is bipedal and talks.
M: As was the Village People.
I: As was the Village People in the "Dreamgirls" costumes at the end of the show.
M: As was Lysander being played by J.R. Ewing.
I: As was the La-La song.
M: Oh, God, yes! I tried to forget they made it a musical.
I: I couldn't. I will forever be haunted by La-La's.
M: The songs aren't bad at all. The lyrics are Shakespeares and the music is either Beethoven or 70's mellow rock, so it's fun, but why do it?
I: Breaking convention.
M: Shut up.
I: Did ya think it was funny that Oberon, big burly manly man with the Han Solo thing goin' on, sang like Al Jarreau?
M: No, I thought it was funny watching you have the siezure during the La-La song.
I:(Shuddering) Too many La-La's.
M: The music was pretty.
I: TOO MANY LA-LA'S.
M: Good to know I wasn't the only one going through pain.
I: Yeah, but I like pain.
M: Didn't need to know that.
I: You're missin' the point. I didn't understand a single thing that was said during that show, the costumes were freaky, the disco lights were sending me to the astral plane, and for a comedy, it really didn't get funny until the end of the show.
M: Then why did you like it so much?
I: Cause it was weird, it was different, and I had a good time watching and occasionally making fun of it. This is not for purists, unless you're a purist with a sense of humor. Did you enjoy the show?
M: Well, I--
I: Did you have fun?
M: Well, I--
I: Is it not unlike most Shakespearean theatre you've seen?
M: That I will give you, but it's not-- The show isn't-- I did actually sort of like it.
I: Just too damn many la-la's.
M: And not enough acts.
PAUSE
I: Are we still on that?
M: I'm sorry but I had to urinate for the last half hour of the show.
I: Okay, we done here.
SPECIAL MESSAGE FROM IKE
Okay, we missed Rocky Horror (Grrr) so we're gonna try for another freaky musical. Hopefully, this saturday we gonna be at Lobo a Go Go. If not, we'll be either be drinking, watching the season one DVD set of Babylon 5, or in a Turkish prison.
The muleteers are = the male=20 chorus and have some challenge songs and a variety of parts to play. = Their ages=20 range from 18 - 35 and the parts are fairly physical, with a variety of = actors=20 are needed for these challenging additions to the cast, (including = someone who=20 can also play guitar). Performance dates are scheduled for February 7, = 8, 14,=20 15, 21, 22, 23, 28 & March 1. Those interested should call = 330-655-8522.=20
Directed by=20 well known area director Wayne Merholtz of Cleveland, Man of La = Mancha is=20 a remarkable show and one of the great theatre successes of our time. It = is a=20 play-within-a-play, based on Cervantes’ “Don Quixote” = and featuring impactful=20 music. Man of La Mancha tells the poignant story of a dying old = man whose=20 impossible dream takes over his mind. It’s All the Same, I, Don = Quixote,=20 Dulcinea, I’m Only Thinking of Him, The Impossible Dream, I Really = Like Him=20 and Little Bird remain in your thoughts well after the show is = over.=20 Man of La Mancha is a comic tragedy of mankind’s struggle = to better both=20 himself and the world in which he lives. The biggest hit of the 1965 = Broadway=20 season, Man of La Mancha took Tony Awards for best musical, = score, and=20 libretto.
Participation=20
with the Hudson Players is open to all. Currently the theater is =
presenting the=20
comedy Dearly Departed Friday and Saturday evenings until =
November=20
16. Call 330-655-8522 for ticket information and additional audition=20
information.
= November 8th, 9th, 10th, 15th, 16th and 17th are the performance dat= es with Friday and Saturday shows at 8:00 PM and Sunday matinee= s beginning at 3:00 PM. Shows are performed at the Matousek Au= ditorium, 4900 Turney Rd, Garfield Hts. OH. Ticket prices are adult= s $10.00, seniors and GHLT members $8.00 and children's tickets are $6.00= . Special seating and group rates are available - we've had several= Scout troops come and enjoy this family show. For more information= , please call 216-581-7554.
"Mirrors and Windows" (Solo Jonah = Koslen)"Live in the Bubble" (Previously=20 un-released, live Breathless material)"Orange" (Jonah Koslen and the=20 Heroes)"Aces" (Jonah Koslen and the=20 Heroes)
HEY EVERYBODY, AFTER A RIP ROARING DEBUT LAST WEEK, HFI CONTINUES THE FUNNY THIS WEEKEND AT THE POWERHOUSE PUB IN THEIR HILIARIOUS IMPROVISED REVUE. "CIRQUE DE SILLAY"
What: Habitat For Insanity - "Cirque de Sillay"
Where: Powerhouse Pub West bank of the Flats
When: 10pm, right after Flanagan's Wake! $8, $6 FOR STARVING STUDENTS
BRING YOUR FRIENDS, DRINK BEER AND LAUGH. THAT'S WHAT LIFE IS ABOUT! We don't know what the show is going to be about, but that's what makes it so darn funny.
You'll hear the answer to that musical question=20=
=E2=80=94 along with scores of other favorite pop standards =E2=80=94 if you=
join us at the first ever Actors' Summit New Year's Cabaret.
The the=
ater just off Hudson's Green will be transformed into a bistro for an evenin=
g of singing and dancing. You'll have a ringside table to see and hear your=20=
favorite performers do what they do best =E2=80=94 entertain you with their=20=
songs, stories, stand up and more.
Headlining the cast are Wayne S.=20=
Turney, Peter Voinovich, Frank Jackman, MaryJo Alexander, Connie Thackaberry=
and Keith Stevens. "There will also be some surprises," said MaryJo Alexand=
er, associate artistic director. "We're still getting calls from actors who=20=
want to perform."
The $30 ticket price includes entertainment, munchies=20=
and dancing; a cash bar for beer, wine and soft drinks. So eat, drink and be=
merry from 9 p.m. New Year's Eve to 1 a.m. on the first day of 2003, and, t=
o paraphrase that song from Gypsy, let us entertain you!
Reserve you=
r tickets by calling 330-342-0800.
Web site
Actors Summit Theate=
r can be found on the web at www.actorssummit.org. Actors' Summit is a profe=
ssional, not for profit, 501-c-3 professional arts organization. We are seek=
ing volunteers and board members. For more details please call MaryJo or Nei=
l at 330-342-0800.
Actors' Summit is a member of PACT, The Professio=
nal Alliance of Cleveland Theaters.
Actors' Summit is working under=20=
a developmental agreement with Actors' Equity Association (the Union of prof=
essional Actors and Stage managers).
WARNING: THE FOLLOWING REVIEW HAS BEEN RATED PG-13 BY THE CAST OF "GREASE 3." YOU READ THAT RIGHT, "GREASE 3." THERE IS NO JOY IN THIS WORLD--Jeff Holland and Vince Stillitano
MIKE: Well, that was mildly painful.
IKE: I'm sorry, but that wasn't no werewolf.
M: No, it was a woman with back hair and a mask.
I: The mask didn't look like a wolf. Looked more like Helena Bonham Carter in Planet of the Apes. Course, "Howler Monkey-A-Gogo" doesn't have as nice a ring to it.
M: It should have been called Transvestite-A-Gogo. I cannot believe crossdressing got more stage time than the actual werewolf.
I: Here's another title: The Monkey Horror Picture Show.
M: It started out as a mildly cute idea.
I: No, it didn't.
M: You're right. I was being polite. No, I'm not going to get into the whole "Man who spends all of Act 1 complaining about not getting chicks who, after putting on a dress and singing I Feel Pretty, apparently decides he's gay, kisses a couple of guys and then gets shot for no apparent reason except perhaps that he's discovered he's gay, which opens up a whole new can of worms" thing. What bugged me about the whole thing was the logistics. They find a bloody dress and give it to the guy to put on. Now, even though the woman was 5 foot five and the guy was six foot two, somehow the dress fits him better than it fit her, and, AND everyone mistakes this guy for the girl. WTF?!?
I: Remember, this takes place in 1959 and, as we know from movies, tv, and the-ater, people were dumber back then.
M: And that's another thing!
I: Oh, God!
M: There's a Psycho reference in the show. Psycho didn't come out until 1960!
I: Yeah, that kinda twisted my short hairs, too. So did that guy realize he was gay?
M: I'm not sure. For a show that has such broad characterizations, when it comes to plot it's subtle to the point of being cryptic.
I: I did like the rebel poet. He was by far the most interesting character in the show and he had the best song, "I Want to Kill my Ex-Girlfriend." Great title. All right, my turn to rag on something: The language.
M: You're complaining about language.
I: Apart from one fun usage of the F word--
M: Frankfurt?
I: No.
M: Follicle?
I: No.
M: Fellatio?
I: Shut up! Apart from that, there's a lotta bad words in this that are just there. They're not used for comedic effect, or dramatic,or any effect at all, actually. They just there. The shock effect of having stupid people from the 50's bein' all potty mouthed wore off way too quickly.
M: Did you just say potty mouthed?
I: What about it?
M: The Seventh Sign.
I: Shut up. And then there was the slut.
M: Holy tangent, Batman.
I: Now, Lord knows I am all for loose women.
M: It's a shame they're not all for you.
I: Now I don't know if this was an acting thing or a directing thing,but for some reason this chick seemed to need to vogue ever time she stopped moving. By Act 2 I wanted to tie her hands to her sides.
M: Keep your fetish fantasies to yourself, please.
I: I didn't mean it that way . . . much.
M: On the plus side, I really enjoyed the music for the show.
I: Me, too. Almost made me wish I could hear the lyrics.
M: Yes, there were some technical difficulties during the show. I'm assuming some of the mics were faulty.
I: Did everbody have mics? Couldn't tell. That reminds me, did you see the on-stage band?
M: How could I not? They were onstage.
I: Shut up! Apart from the piano player, who was also the musical director and a character in the show, the rest of them just sat there blankly like they were watchin' the eight hour director's cut of the Scooby Doo movie and the downers just kicked in. I gotta problem getting excited over watchin' a show when 1/4 of the people onstage can't even do it.
M: But at least we did get a werewolf.
I: Weremonkey.
M:(Deep voice) There monkey. There castle.
I: Why are you talking like that?
M: Because we wanted to end this with a cheap "Young Frankenstien" reference.
I: Oh, that's right.
2-for-1 admission with this e-mail opening night only -- November 7 at 8 p.m.
OLEANNA
the riveting drama by David Mamet
A college student seeks her professor's help ... and then ...
Greg Vovos, Director
Mindy Childress, Assistant Director
Starring Mark Cipra as John
& Meg Santisi as Carol
November 7, 8*, 9, 15*,16, 22* and 23 at 8 p.m.
November 17 at 3 p.m.
at Woodbury School Auditorium,
15400 South Woodland Road
(4 blocks west of Lee Road) in Shaker Heights
* The audience is invited to join area leaders in talkback discussions following each Friday evening show. Discussion leaders include:
+ Beth McGee, CWRU Associate Professor in Theatre Arts, and Faculty Diversity Officer;
+ Jeff Chernin, psychologist;
+ Teri Egan, CCC psychologist;
+ Ted Mearns, retired CWRU law professor, and
+ Marvin Rosenberg, CWRU associate professor of ethics.
Tickets to Oleanna are $10 for adults and $8 for seniors (60+) and students. They are payable in advance or at the door. For ticket information, call 491-1295.
Boulevard Theatre is affiliated with the Shaker Heights Community Life Department and also is supported by the newly formed Friends of Boulevard Theatre.
The theatre is 4 blocks west of Lee Road in Shaker Heights. There is a parking lot on Woodbury Road just past the school (turn left onto Woodbury) or park on the street.
###
TREE CITY
Tree City Players are looking for actors for their upcoming=20=
holiday production of a new adaptation of the classic film "It's A Wonderful=
Life" called "Merry Christmas, George Bailey!" by local playwright Jack Her=
man of Kent.
Characters available:
Mr. Gower (age 40+)
Harry Bailey (age 16 to 18)
Henry Potter (age 55+)
Aunt Tilly (age 35+)
Mrs. Hatch (age 40+)
Sam Wainwright (age 18+)
Mrs. Martini (age 35+)
Tommy Bailey (age 9 to 11)
Zuzu Bailey (age 6 to 9)
Mr. Welch (age 35+)
These are all wonderful character roles.
Those interested in auditioning should call the director at 330-673-5378 to=20=
schedule an audition this week. Rehearsals begin next Monday (Nov. 11t=
h)
The production dates for "Merry Christmas, George Bailey!" are December 6, 7=
, 8, 13, 14 & 15th.
This is the heartwarming story of George Bailey, of Bedford Falls, NY.=C2=
=A0 Whose dreams of escape and adventure have been repeatedly quashed by not=
ions of family obligation and civic duty.=C2=A0 It is Christmas Eve, and Geo=
rge's guardian angel, Clarence, had descended to earth to save George from d=
espair, and to remind him (by showing him what the world would have been lik=
e if he was never born) that his has been after all, a wonderful life=E2=80=
=A6This sparkling and magical play has all your favorite characters that you=
have come to love.
For more information please feel free to contact the director Jack Herman at=
330-673-5378 after 5pm.=C2=A0 Or call the theatre box office at 330-677-500=
5.
Only 3 Club Shows
Sat Nov 9 - Beachland Ballroom
Fri Nov 15 - Pat's in the Flats
Fri Nov 22 - The Grog Shop
These are the only club shows where you can see the raw, uninhibited ANGRY INCH perform the songs from Hedwig and the Angry Inch. This will be true rock'n roll in its finest, in-your-face fashion. No script to hold them back. No blocking. No set. No costumes that can't be damaged or torn off.
Those of you who saw the play know what a great band the Angry Inch is and what great songs Stephen Trask wrote. But as they say, you ain't seen nothing yet. And for those of you who saw our club gigs last year, you know what I'm talking about. If Mr. Sid Vicious were alive he'd be proud of the Inches.
Be sure to mark you calendar to see one of these shows. In fact, try to see them all for you'll never know what to expect from an Angry Inch. To see a sample of what went down last year, go here: http://www.yurichgroup.com/hedwig/
The Angry Inch are:
Dan Folino, Alison Hernan, Miss Melvis, Michael Seevers, Steve Mehlman,
Mark Gamiere and Dennis Yurich
Sat Nov 9 - Beachland Ballroom - with The Viola Contingent, Kiddo, Pinch
(NOTE: EVERYONE IS ON THE GUEST LIST FOR THIS SHOW - THIS MEANS YOU PAY
NOTHING TO GET IN!!!)
Fri Nov 15 - Pat's in the Flats - with 755mph, The Viola Contingent,
The Confidence Interval
Fri Nov 22 - The Grog Shop - with The Gaza Strippers, Tough and Lovely
Directions:
Beachland Ballroom - http://www.beachlandballroom.com/maps.html
Pat's in the Flats - In Tremont where Literary Rd. dead ends into W.
3rd at the bottom of the hill.
The Grog Shop - http://grogshop.gs/directions.html
Warning: If you don't wanna rock, don't come. And these shows will never be repeated.
For more info contact Dennis Yurich
216-631-2554
dennis at yurichgroup.com
--
It's Been 5 Years
Thanks to all who got us here!
Yurich Design Group
10801 Edgewater Drive
Cleveland, Ohio 44102
(216) 631-2554
(216) 631-2556 FAX
Visit Yurich Design Group at:
Ghouls, ghosts and other things
By David Ritchey
http://www.yurichgroup.com
--------------719D1CB14253823AE20FF47D--
From Thackaberr at aol.com Wed Nov 6 08:39:25 2002
From: Thackaberr at aol.com (Thackaberr at aol.com)
Date: Wed Nov 6 08:39:25 2002
Subject: [NEohioPAL]Another Great Review of Woman in Black - Final 4
Performances at Actors' Summit
Message-ID: <18a.10d42735.2afa8289@aol.com>
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Ghouls, ghosts and other things
that go bump in the night
All walk the stage in 'The Woman in Black' at Actors' Summit
By David Ritchey
HUDSON -- Halloween invites us to be pleasantly scared or to pretend to be
scared. What adult hasn't faked terror at the sight of a 6-year-old child on
the doorstep saying "Trick-or-Treat" in an effort to get a Halloween goody?
That's what happens this Halloween season with "The Woman in Black" at
Actors' Summit. This production invites the audience to fake terror. (I was
just pretending. I wasn't really afraid.)
The program identifies "The Woman in Black" as a ghost play, with the script
adapted by Stephen Mallatratt from the book by Susan Hill. The cast for "The
Woman in Black" is two men: Wayne Turney (Arthur Kipps) and Peter Voinovich
(the actor). Where is the woman in black you ask? She's dead. But, who is
that roaming across the stage and through the theater? Can she be a ghost?
The complicated plot deals with Kipps, who hires an actor to perform a script
he has written. However, the script contains a good deal that is
autobiographical in a story dealing with accidents, the death of a child and
a woman who can't find peace.
The story takes place in a theater -- a theater not too different from that
of Actors' Summit in Hudson, but this one is in England. Don't forget to add
cold weather, rain and a mist or fog. The script-within-a-script calls for
the actor-within-the-new-script to play a lawyer who goes to an old mansion
that is on a little island. Only one small path leads from the water to the
mansion and that path is surrounded by quicksand.
The elderly lady of the house has died, and the young lawyer must go to the
mansion to sort through her papers. At the mansion, locked doors open, sounds
come from empty rooms, a dog barks and a woman in black strolls through the
acting area.
Scared?
Someone died and the butler didn't do it. In fact, several people died. What
else do they have to do in an old mansion that is cut off from the world by a
thick mist?
"The Woman in Black" continues through Nov. 10. For ticket information, call
(330) 342-0800.
Go with someone who won't be surprised if you're pleasantly scared and who
won't be embarrassed if you scream.
David Ritchey has a Ph.D. in communications and is an associate professor of
communications at The University of Akron. He is a member of the American
Theatre Critics Association.
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that go bump in the night
All walk the stage in 'The Woman in Black' at Actors' Summit
HUDSON -- Halloween invites us to be pleasantly scared or to pretend to be scared. What adult hasn't faked terror at the sight of a 6-year-old child on the doorstep saying "Trick-or-Treat" in an effort to get a Halloween goody?
That's what happens this Halloween season with "The Woman in Black" at Actors' Summit. This production invites the audience to fake terror. (I was just pretending. I wasn't really afraid.)
The program identifies "The Woman in Black" as a ghost play, with the script adapted by Stephen Mallatratt from the book by Susan Hill. The cast for "The Woman in Black" is two men: Wayne Turney (Arthur Kipps) and Peter Voinovich (the actor). Where is the woman in black you ask? She's dead. But, who is that roaming across the stage and through the theater? Can she be a ghost?
The complicated plot deals with Kipps, who hires an actor to perform a script he has written. However, the script contains a good deal that is autobiographical in a story dealing with accidents, the death of a child and a woman who can't find peace.
The story takes place in a theater -- a theater not too different from that of Actors' Summit in Hudson, but this one is in England. Don't forget to add cold weather, rain and a mist or fog. The script-within-a-script calls for the actor-within-the-new-script to play a lawyer who goes to an old mansion that is on a little island. Only one small path leads from the water to the mansion and that path is surrounded by quicksand.
The elderly lady of the house has died, and the young lawyer must go to the mansion to sort through her papers. At the mansion, locked doors open, sounds come from empty rooms, a dog barks and a woman in black strolls through the acting area.
Scared?
Someone died and the butler didn't do it. In fact, several people died. What else do they have to do in an old mansion that is cut off from the world by a thick mist?
"The Woman in Black" continues through Nov. 10. For ticket information, call (330) 342-0800.
Go with someone who won't be surprised if you're pleasantly scared and who won't be embarrassed if you scream.
David Ritchey has a Ph.D. in communications and is an associate professor of communications at The University of Akron. He is a member of the American Theatre Critics Association.
UPN AND WUAB = CHANNEL 43 THE BLOCK ANNOUNCES NEW MIDSEASON REALITY SERIES = "SUPERMODEL," WITH TYRA BANKS, TO FEATURE REAL PEOPLE COMPETING FOR A = DREAM CONTRACT WITH A TOP MODELING AGENCY
SUPERMODEL will feature a nationwide = talent search for eight real people who think they can make it in the = high-stress, high-stakes world of supermodeling. The series will = provide dramatic twists and turns as participants compete under the = pressure of mastering tasks essential in the world of modeling. =
The series will follow the = participants as they live together and vie for the championship title = in weekly tests that demonstrate who can cut it as America's ultimate = model with both inner and outer beauty. Real people from diverse = backgrounds, shapes and sizes will compete for the ultimate prize -- a = super-sized modeling contract with a top agency. A panel of = SUPERMODEL experts, comprised of agency representatives, photographers, = fashion magazine editors and Banks, will oversee the = competitions.
Local Cleveland Try-outs will take = place on Friday November 15th = from 1 to 5pm at the = Powerhouse Pub and Cabaret, located in the Powerhouse Complex on = the West Bank of the Flats.
CONTESTANTS MUST BE FEMALE, BETWEEN = THE AGES OF 18 - 27 AND MEASURING AT LEAST 5'7". THERE IS NO = WEIGHT REQUIREMENT AND NO PRIOR MODELING EXPERIENCE IS PREFERRED. = Bring 3 photographs of yourself and a completed application form to the = audition. Each contestant will be required to introduce herself and = explain why she will make the best supermodel. Please read the = complete details from the UPN website! If you cannot download the = attached application form, it can be found on the website.
For full contest rules and =
regulations visit www.upn.com
=20
Press = Contacts: Kristen Schneidler = = 216/367-7137 = kschneidler at woio.com
DO NOT CALL THE POWERHOUSE PUB ABOUT = THIS AUDITION.
= <<application.pdf>>
"Planet Earth is blue and there's = nothing I can do." D.B.
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23:44:02 2002 From: Bob.burian at BradleyCompany.com (Bob.burian at BradleyCompany.com) Date: Wed Nov 6 23:44:02 2002 Subject: [NEohioPAL]SONGS FOR A NEW WORLD: this weekend only reminder!---Only $10!!!. .. Message-ID: <14B0B7D36BCDD4119DC400A0C9E1CCEA913CE3@MAILSERVER> THIS WEEKEND ONLY!!!!....and only $10, with a reception and silent auction to follow!!!!!.... Cassidy Theatre Guild Presents: SONGS FOR A NEW WORLD (Music and lyrics by Jason Robert Brown) (dedicated to the memory of Steven P. Sterlekar; benefit to Paul W. Cassidy Theatre & North Coast Men's Chorus Steven P. Sterlekar Fund) PLEASE NOTE SATURDAY'S TIME: Saturday, November 9 @ 7:30 PM* Sunday, November 10 @ 3:00 PM *Again, PLEASE NOTE the curtain time of the Saturday performance: 7:30 PM Tickets: $10 Paul W. Cassidy Theatre 6200 Pearl Road Parma Heights, Ohio 44130 (in the Greenbrier Commons) BOX OFFICE: 440.842.4600 Directed by Lora Workman Musical Direction by Marc Baker For more information on cast & crew, refer to: http://www.geocities.com/SongsFANW Last December, our dear friend, Steven P. Sterlekar died. Steven was active in Cleveland's community theatre scene. He had the gift of drawing people together to share their time, talent, and treasure. It was one of Steven's dreams to one day produce SONGS FOR A NEW WORLD. Perhaps it was so important to him because he knew what the show represents. SONGS FOR A NEW WORLD is a journey through sixteen songs, dealing with life's ups and downs and finding the courage to keep going. Critics have called it: "a musical call to personal reflection" -- "almost a contemporary worship service with dogmatics," and "a freewheeling exploration into the human soul." It reminds us of our own personal journeys. Composer and lyricist, Jason Robert Brown, said about the show in January 2001, "Songs for a New World is a show that suggests that our best solution for the stress and terror and anxiety we feel is to come together and form a community that will support and uplift each other." It seems ironic that he would say this 9 months before one of the most terrifying events in our nation's history. And, at the end of that same year, Steven passed. Let this production be an opportunity for us to "come together and form a community"; a community of artists, friends, and family. A cocktail reception and silent auction will follow each show; donations will be used to commission a piece of music in Steven's honor to be presented by The North Coast Men's Chorus. Please join us, and unite in our community to remember, experience, and enjoy. Cast includes: Maggie Wirfel Mary Ann Prucha Mike Caraffi Robert Burian Please forward this on to anyone you feel may be interested, including any church organizations, as this has many spiritual themes. From jbrosius at repertoryproject.org Wed Nov 6 23:44:10 2002 From: jbrosius at repertoryproject.org (Jennifer Brosius) Date: Wed Nov 6 23:44:10 2002 Subject: [NEohioPAL]TRP Benefit November 9th Message-ID:Come on – only $5 = people!!!!!!!!!!!!!!!!!!!!!!!! Only $4 if you’re a student or a senior.
Either reply to this email or call the box office and = tell them you are with NEOHIOPAL.
216-987-5536
This is your last chance to catch the smash hit of = the fall !!!!!!!!!!!!!!!
With songs like “I Wanna Kill My Ex-Boyfriend” = you can’t go wrong!!!!!
Lobo-A-Gogo<= /span>
Thursday, Friday and Saturday at = 8pm and Sunday at = 3pm.
CCC Western Campus
11000 Pleasant Valley = Road
Parma, Ohio
Christopher = M. Bohan
Box Office = Manager
Cuyahoga Community College
Western = Campus Theatre
216.987.5536= span>
Cleveland State University's FACTORY THEATRE is proud to present
Richard III
directed by Allan Byrne
November 15-17, 21-24
with
Aaron Coleman.................................................Richard
Mary Alice Beck.................................Queen Elizabeth
Elizabeth Stroder.................................................Anne
Keith Kornajcik..............................................Clarence
Grey/Young Prince Edward................Benjamin Gates
Rivers/Young Duke of York................Andrew Kopas
Richmond..............................................Rodger Govea
king edward.....michael smith
duchess of york.... ellen stepanek
margaret....JoLen Golembiewski
buckingham....david crighton
murderer1...ed walsh
murder2...mike smith
catesby...tye davis
hastings...leonard goff
tyrrell...ed walsh
ensemble:
venitia belk, lita townsend (strumpet shore), dena warmuth, yania brodsky
stage manager kathy covey
"MY THREE ANGELS",
A THREE ACT COMEDY DIRECTED BY DOUGLAS FARREN, OPENS FRIDAY AT CLAGUE PLAYHOUSE, 1371 CLAGUE ROAD, WESTLAKE, OH.
PERFORMANCE DATES ARE NOVEMBER 8 - DECEMBER 1, 2002.
TICKETS ARE $10/9 AND MAY BE PURCHASED BY CALLING THE BOX OFFICE AT 440-331-0403 WED-SAT 1-6PM
MOLIERE'S
THE IMAGINARY INVALID
When: November 12, 7:00PM to 8:30PM
Production Staff: Martin Friedman, Director. Keith Nagy, Sets and Lights. Costumes, Alison Hernan.
Where: Lakeland Theatre at Lakeland Community College. Take I 90 East to Route 306. Go right (south) on Rt #306 and turn left at the first light into Lakeland College.Park in Faculty/Staff parking (free after 7pm). Theatre is to the left of the Clocktower.
Particulars: For more information call Martin Friedman at 440.953.7034. All positions are compensated. Sorry, no Equity contracts at this time. The Imaginary Invalid is a farce by Moliere. It is extremely funny and examins the health care system in comic fashion. This highly stylized production features roles for: 6 males and 5 females. (2 females: 35 to 60years; 3Females: 20's -30's; 3 males: 40's-60's; 3 males 20's-40's). THE IMAGINARY INVALID opens on January 31, 2003. Read throughs will begin in December...rehea rsals on or around January 3. The production will run 3 weekends. Two student matinees are contemplated and actors will be further compensated for those. Student matinees will be held on Thursday or Friday mornings between 8:30 and 11:30am
In The Woman in Black, we see dead people.
By Keith A. Joseph
Even in these post-Halloween days, when half-rotten jack-o'-lanterns and crumpled paper skeletons sit at the curb awaiting trash pickup, there's nothing like a good scare. And few stories over the ages have been genuinely creepier than Henry James's classic story of corrupt valet Peter Quint (R.I.P.) wrestling with a neurotic governess for the soul of a young boy.
Fortunately, the Actors' Summit's rendition of The Woman in Black not only resurrects the back-from-the-grave feel of James's work, but is scary enough by itself to cure a serious case of the hiccups. Based on Susan Hill's 1983 gothic novel of the same name, the play centers around Arthur Kipps's fervid recollections of his youthful days as solicitor, when he repeatedly encountered an enraged specter.
The intrepid Kipps learns that the ghost had once been an unwed mother forced to hand over her baby to her stern sister. The child later drowned in a freak accident, leading the bereaved mother to madness and, eventually, an agonizing death. For the next 60 years, her tortured spirit haunted the village like a vengeful Cassandra in Victorian mourning weeds, foretelling the deaths of young children.
Stephen Mallatratt, who wrote this adaptation, weaves a baroque tapestry around the original ghost story. In this version, the now-middle-aged solicitor rents a Victorian theater and hires a hammy actor to help him exorcise the horrible events of 20 years ago. The two change places -- with the actor assuming the role of Kipps as a young man and the inexperienced solicitor timidly playing the other subordinate roles.
The play-within-a-play shrewdly blends old-time radio sound effects and narration with a stripped-down theatricality reminiscent of Thornton Wilder. An empty chair suddenly starts rocking, suggesting the presence of evil. The woman in black herself, in a breathtaking theatrical moment worthy of Edgar Allan Poe, suddenly materializes at a funeral, shimmering in a blasphemous halo.
Filling the demands of a script nightmarish in both content and challenging structure are Wayne Turney and Peter Voinovich. Radiating a joyous innocence and wonder, and looking quite like a stuffed owl, Turney's experience hosting a children's show is apparent. His Kipps is a reluctant storyteller turned Pied Piper, blithely leading the audience into treacherous territory. Voinovich's controlling actor character, employing the charmingly overenunciated English accent of a road company Sherlock Holmes, balances his co-star's whimsy. He easily covers the emotional terrain, ranging from self-mocking pomposity to wide-eyed fright.
In a play that depends on sleight-of-hand staging, where production values are essential, director Neil Thackaberry is not altogether comfortable -- but he does manage to keep the sense of psychological terror intact. Richard B. Ingraham's evocative sound, Dan Polk's sepia lighting, and Mary Jo Alexander's fusty costumes all add the appropriate verisimilitude.
The Woman in Black may not be a fount of profundity or subtlety, but it just may be one of the most satisfying scares since Henry James turned that screw.
Details
The Woman in Black Details: Through November 10, 330-342-0800. Where: Actors' Summit Theater, 86 Owen Brown Street, Hudson
WARNING: THE FOLLOWING REVIEW HAS BEEN RATED PG-13 BY JUJU, THE LITTLE MONKEY THAT JUTS OUT OF MY FOREHEAD AND SINGS JERRY HERMAN TUNES TO ME WHEN I AM SAD AND LONELY--Jeff Holland
IKE: How the hell we supposed ta follow that up?
MIKE: I don't care. I'm leaving.
I: You ain't goin' anywhere, limey.
M: I can't do this now. It's too soon.
I: Face your pain. Grow from it.
M: My stomach lining is now the strength of one ply toilet tissue because of that show. I've grown enough, thank you.
I: Okay, what is the bug up your butt over this?
PAUSE
M: It's a one act.
I: Oh, for the love of--
M: Shakespeare is not supposed to be a one act!
I: At least start out with a valid criticism! This is nit picky.
M: All right, I understand that, not only did Shakespeare write some of the most beautiful language ever recorded, but he wrote a hell of a lot of it.
I: If Kenneth Branaugh's four and a half version of Hamlet taught us anything it's that we didn't need a four and a half hour version of Hamlet.
M: Yes, good ole Wills should have learned the value of time compression through editing, but not down to ninety minutes.
I: Why not?
M: Shakespearean theatre needs an intermission.
I: Why?
M: Because that's the way it's done!
I: Well, someone's being particularly British this mornin.' You're the one who's always bitchin' about too much conventional the-ater. There's one convention thrown right inta the wood chipper.
M: Did you even understand the plot?
I: Yeah, a coked up fairy makes everybody fall in love with everybody else, a chick sleeps with a donkey, and the Village People do a play.
M: Okay, I'm impressed.
I: Don't ask for specifics. When it comes to Shakespeare, I work best in broad generalities.
M: So how many different kinds of amphetomines do you think the noble Mr. Goodfellow was on?
I: Be nice.
M: Oh, coming from you that's really funny. Don't get me wrong. I liked him. He was just really . . . really . . . wired.
I: Kinda made ya wish I'd brought the tranquilizer gun, didn't it?
M: Oh, yes!
I: And that boy got inta some positions that I never want to see another human being attempt EVER!! It was funny, but scary as hell.
M: As was Bottom in the shiny golden underwear.
I: As is the whole concept of a chick sleeping with a donkey, even if it is bipedal and talks.
M: As was the Village People.
I: As was the Village People in the "Dreamgirls" costumes at the end of the show.
M: As was Lysander being played by J.R. Ewing.
I: As was the La-La song.
M: Oh, God, yes! I tried to forget they made it a musical.
I: I couldn't. I will forever be haunted by La-La's.
M: The songs aren't bad at all. The lyrics are Shakespeares and the music is either Beethoven or 70's mellow rock, so it's fun, but why do it?
I: Breaking convention.
M: Shut up.
I: Did ya think it was funny that Oberon, big burly manly man with the Han Solo thing goin' on, sang like Al Jarreau?
M: No, I thought it was funny watching you have the siezure during the La-La song.
I:(Shuddering) Too many La-La's.
M: The music was pretty.
I: TOO MANY LA-LA'S.
M: Good to know I wasn't the only one going through pain.
I: Yeah, but I like pain.
M: Didn't need to know that.
I: You're missin' the point. I didn't understand a single thing that was said during that show, the costumes were freaky, the disco lights were sending me to the astral plane, and for a comedy, it really didn't get funny until the end of the show.
M: Then why did you like it so much?
I: Cause it was weird, it was different, and I had a good time watching and occasionally making fun of it. This is not for purists, unless you're a purist with a sense of humor. Did you enjoy the show?
M: Well, I--
I: Did you have fun?
M: Well, I--
I: Is it not unlike most Shakespearean theatre you've seen?
M: That I will give you, but it's not-- The show isn't-- I did actually sort of like it.
I: Just too damn many la-la's.
M: And not enough acts.
PAUSE
I: Are we still on that?
M: I'm sorry but I had to urinate for the last half hour of the show.
I: Okay, we done here.
SPECIAL MESSAGE FROM IKE
Okay, we missed Rocky Horror (Grrr) so we're gonna try for another freaky musical. Hopefully, this saturday we gonna be at Lobo a Go Go. If not, we'll be either be drinking, watching the season one DVD set of Babylon 5, or in a Turkish prison.
The muleteers are = the male=20 chorus and have some challenge songs and a variety of parts to play. = Their ages=20 range from 18 - 35 and the parts are fairly physical, with a variety of = actors=20 are needed for these challenging additions to the cast, (including = someone who=20 can also play guitar). Performance dates are scheduled for February 7, = 8, 14,=20 15, 21, 22, 23, 28 & March 1. Those interested should call = 330-655-8522.=20
Directed by=20 well known area director Wayne Merholtz of Cleveland, Man of La = Mancha is=20 a remarkable show and one of the great theatre successes of our time. It = is a=20 play-within-a-play, based on Cervantes’ “Don Quixote” = and featuring impactful=20 music. Man of La Mancha tells the poignant story of a dying old = man whose=20 impossible dream takes over his mind. It’s All the Same, I, Don = Quixote,=20 Dulcinea, I’m Only Thinking of Him, The Impossible Dream, I Really = Like Him=20 and Little Bird remain in your thoughts well after the show is = over.=20 Man of La Mancha is a comic tragedy of mankind’s struggle = to better both=20 himself and the world in which he lives. The biggest hit of the 1965 = Broadway=20 season, Man of La Mancha took Tony Awards for best musical, = score, and=20 libretto.
Participation=20
with the Hudson Players is open to all. Currently the theater is =
presenting the=20
comedy Dearly Departed Friday and Saturday evenings until =
November=20
16. Call 330-655-8522 for ticket information and additional audition=20
information.
= November 8th, 9th, 10th, 15th, 16th and 17th are the performance dat= es with Friday and Saturday shows at 8:00 PM and Sunday matinee= s beginning at 3:00 PM. Shows are performed at the Matousek Au= ditorium, 4900 Turney Rd, Garfield Hts. OH. Ticket prices are adult= s $10.00, seniors and GHLT members $8.00 and children's tickets are $6.00= . Special seating and group rates are available - we've had several= Scout troops come and enjoy this family show. For more information= , please call 216-581-7554.
"Mirrors and Windows" (Solo Jonah = Koslen)"Live in the Bubble" (Previously=20 un-released, live Breathless material)"Orange" (Jonah Koslen and the=20 Heroes)"Aces" (Jonah Koslen and the=20 Heroes)
HEY EVERYBODY, AFTER A RIP ROARING DEBUT LAST WEEK, HFI CONTINUES THE FUNNY THIS WEEKEND AT THE POWERHOUSE PUB IN THEIR HILIARIOUS IMPROVISED REVUE. "CIRQUE DE SILLAY"
What: Habitat For Insanity - "Cirque de Sillay"
Where: Powerhouse Pub West bank of the Flats
When: 10pm, right after Flanagan's Wake! $8, $6 FOR STARVING STUDENTS
BRING YOUR FRIENDS, DRINK BEER AND LAUGH. THAT'S WHAT LIFE IS ABOUT! We don't know what the show is going to be about, but that's what makes it so darn funny.
You'll hear the answer to that musical question=20=
=E2=80=94 along with scores of other favorite pop standards =E2=80=94 if you=
join us at the first ever Actors' Summit New Year's Cabaret.
The the=
ater just off Hudson's Green will be transformed into a bistro for an evenin=
g of singing and dancing. You'll have a ringside table to see and hear your=20=
favorite performers do what they do best =E2=80=94 entertain you with their=20=
songs, stories, stand up and more.
Headlining the cast are Wayne S.=20=
Turney, Peter Voinovich, Frank Jackman, MaryJo Alexander, Connie Thackaberry=
and Keith Stevens. "There will also be some surprises," said MaryJo Alexand=
er, associate artistic director. "We're still getting calls from actors who=20=
want to perform."
The $30 ticket price includes entertainment, munchies=20=
and dancing; a cash bar for beer, wine and soft drinks. So eat, drink and be=
merry from 9 p.m. New Year's Eve to 1 a.m. on the first day of 2003, and, t=
o paraphrase that song from Gypsy, let us entertain you!
Reserve you=
r tickets by calling 330-342-0800.
Web site
Actors Summit Theate=
r can be found on the web at www.actorssummit.org. Actors' Summit is a profe=
ssional, not for profit, 501-c-3 professional arts organization. We are seek=
ing volunteers and board members. For more details please call MaryJo or Nei=
l at 330-342-0800.
Actors' Summit is a member of PACT, The Professio=
nal Alliance of Cleveland Theaters.
Actors' Summit is working under=20=
a developmental agreement with Actors' Equity Association (the Union of prof=
essional Actors and Stage managers).
WARNING: THE FOLLOWING REVIEW HAS BEEN RATED PG-13 BY THE CAST OF "GREASE 3." YOU READ THAT RIGHT, "GREASE 3." THERE IS NO JOY IN THIS WORLD--Jeff Holland and Vince Stillitano
MIKE: Well, that was mildly painful.
IKE: I'm sorry, but that wasn't no werewolf.
M: No, it was a woman with back hair and a mask.
I: The mask didn't look like a wolf. Looked more like Helena Bonham Carter in Planet of the Apes. Course, "Howler Monkey-A-Gogo" doesn't have as nice a ring to it.
M: It should have been called Transvestite-A-Gogo. I cannot believe crossdressing got more stage time than the actual werewolf.
I: Here's another title: The Monkey Horror Picture Show.
M: It started out as a mildly cute idea.
I: No, it didn't.
M: You're right. I was being polite. No, I'm not going to get into the whole "Man who spends all of Act 1 complaining about not getting chicks who, after putting on a dress and singing I Feel Pretty, apparently decides he's gay, kisses a couple of guys and then gets shot for no apparent reason except perhaps that he's discovered he's gay, which opens up a whole new can of worms" thing. What bugged me about the whole thing was the logistics. They find a bloody dress and give it to the guy to put on. Now, even though the woman was 5 foot five and the guy was six foot two, somehow the dress fits him better than it fit her, and, AND everyone mistakes this guy for the girl. WTF?!?
I: Remember, this takes place in 1959 and, as we know from movies, tv, and the-ater, people were dumber back then.
M: And that's another thing!
I: Oh, God!
M: There's a Psycho reference in the show. Psycho didn't come out until 1960!
I: Yeah, that kinda twisted my short hairs, too. So did that guy realize he was gay?
M: I'm not sure. For a show that has such broad characterizations, when it comes to plot it's subtle to the point of being cryptic.
I: I did like the rebel poet. He was by far the most interesting character in the show and he had the best song, "I Want to Kill my Ex-Girlfriend." Great title. All right, my turn to rag on something: The language.
M: You're complaining about language.
I: Apart from one fun usage of the F word--
M: Frankfurt?
I: No.
M: Follicle?
I: No.
M: Fellatio?
I: Shut up! Apart from that, there's a lotta bad words in this that are just there. They're not used for comedic effect, or dramatic,or any effect at all, actually. They just there. The shock effect of having stupid people from the 50's bein' all potty mouthed wore off way too quickly.
M: Did you just say potty mouthed?
I: What about it?
M: The Seventh Sign.
I: Shut up. And then there was the slut.
M: Holy tangent, Batman.
I: Now, Lord knows I am all for loose women.
M: It's a shame they're not all for you.
I: Now I don't know if this was an acting thing or a directing thing,but for some reason this chick seemed to need to vogue ever time she stopped moving. By Act 2 I wanted to tie her hands to her sides.
M: Keep your fetish fantasies to yourself, please.
I: I didn't mean it that way . . . much.
M: On the plus side, I really enjoyed the music for the show.
I: Me, too. Almost made me wish I could hear the lyrics.
M: Yes, there were some technical difficulties during the show. I'm assuming some of the mics were faulty.
I: Did everbody have mics? Couldn't tell. That reminds me, did you see the on-stage band?
M: How could I not? They were onstage.
I: Shut up! Apart from the piano player, who was also the musical director and a character in the show, the rest of them just sat there blankly like they were watchin' the eight hour director's cut of the Scooby Doo movie and the downers just kicked in. I gotta problem getting excited over watchin' a show when 1/4 of the people onstage can't even do it.
M: But at least we did get a werewolf.
I: Weremonkey.
M:(Deep voice) There monkey. There castle.
I: Why are you talking like that?
M: Because we wanted to end this with a cheap "Young Frankenstien" reference.
I: Oh, that's right.
2-for-1 admission with this e-mail opening night only -- November 7 at 8 p.m.
OLEANNA
the riveting drama by David Mamet
A college student seeks her professor's help ... and then ...
Greg Vovos, Director
Mindy Childress, Assistant Director
Starring Mark Cipra as John
& Meg Santisi as Carol
November 7, 8*, 9, 15*,16, 22* and 23 at 8 p.m.
November 17 at 3 p.m.
at Woodbury School Auditorium,
15400 South Woodland Road
(4 blocks west of Lee Road) in Shaker Heights
* The audience is invited to join area leaders in talkback discussions following each Friday evening show. Discussion leaders include:
+ Beth McGee, CWRU Associate Professor in Theatre Arts, and Faculty Diversity Officer;
+ Jeff Chernin, psychologist;
+ Teri Egan, CCC psychologist;
+ Ted Mearns, retired CWRU law professor, and
+ Marvin Rosenberg, CWRU associate professor of ethics.
Tickets to Oleanna are $10 for adults and $8 for seniors (60+) and students. They are payable in advance or at the door. For ticket information, call 491-1295.
Boulevard Theatre is affiliated with the Shaker Heights Community Life Department and also is supported by the newly formed Friends of Boulevard Theatre.
The theatre is 4 blocks west of Lee Road in Shaker Heights. There is a parking lot on Woodbury Road just past the school (turn left onto Woodbury) or park on the street.
###
TREE CITY
Tree City Players are looking for actors for their upcoming=20=
holiday production of a new adaptation of the classic film "It's A Wonderful=
Life" called "Merry Christmas, George Bailey!" by local playwright Jack Her=
man of Kent.
Characters available:
Mr. Gower (age 40+)
Harry Bailey (age 16 to 18)
Henry Potter (age 55+)
Aunt Tilly (age 35+)
Mrs. Hatch (age 40+)
Sam Wainwright (age 18+)
Mrs. Martini (age 35+)
Tommy Bailey (age 9 to 11)
Zuzu Bailey (age 6 to 9)
Mr. Welch (age 35+)
These are all wonderful character roles.
Those interested in auditioning should call the director at 330-673-5378 to=20=
schedule an audition this week. Rehearsals begin next Monday (Nov. 11t=
h)
The production dates for "Merry Christmas, George Bailey!" are December 6, 7=
, 8, 13, 14 & 15th.
This is the heartwarming story of George Bailey, of Bedford Falls, NY.=C2=
=A0 Whose dreams of escape and adventure have been repeatedly quashed by not=
ions of family obligation and civic duty.=C2=A0 It is Christmas Eve, and Geo=
rge's guardian angel, Clarence, had descended to earth to save George from d=
espair, and to remind him (by showing him what the world would have been lik=
e if he was never born) that his has been after all, a wonderful life=E2=80=
=A6This sparkling and magical play has all your favorite characters that you=
have come to love.
For more information please feel free to contact the director Jack Herman at=
330-673-5378 after 5pm.=C2=A0 Or call the theatre box office at 330-677-500=
5.
Only 3 Club Shows
Sat Nov 9 - Beachland Ballroom
Fri Nov 15 - Pat's in the Flats
Fri Nov 22 - The Grog Shop
These are the only club shows where you can see the raw, uninhibited ANGRY INCH perform the songs from Hedwig and the Angry Inch. This will be true rock'n roll in its finest, in-your-face fashion. No script to hold them back. No blocking. No set. No costumes that can't be damaged or torn off.
Those of you who saw the play know what a great band the Angry Inch is and what great songs Stephen Trask wrote. But as they say, you ain't seen nothing yet. And for those of you who saw our club gigs last year, you know what I'm talking about. If Mr. Sid Vicious were alive he'd be proud of the Inches.
Be sure to mark you calendar to see one of these shows. In fact, try to see them all for you'll never know what to expect from an Angry Inch. To see a sample of what went down last year, go here: http://www.yurichgroup.com/hedwig/
The Angry Inch are:
Dan Folino, Alison Hernan, Miss Melvis, Michael Seevers, Steve Mehlman,
Mark Gamiere and Dennis Yurich
Sat Nov 9 - Beachland Ballroom - with The Viola Contingent, Kiddo, Pinch
(NOTE: EVERYONE IS ON THE GUEST LIST FOR THIS SHOW - THIS MEANS YOU PAY
NOTHING TO GET IN!!!)
Fri Nov 15 - Pat's in the Flats - with 755mph, The Viola Contingent,
The Confidence Interval
Fri Nov 22 - The Grog Shop - with The Gaza Strippers, Tough and Lovely
Directions:
Beachland Ballroom - http://www.beachlandballroom.com/maps.html
Pat's in the Flats - In Tremont where Literary Rd. dead ends into W.
3rd at the bottom of the hill.
The Grog Shop - http://grogshop.gs/directions.html
Warning: If you don't wanna rock, don't come. And these shows will never be repeated.
For more info contact Dennis Yurich
216-631-2554
dennis at yurichgroup.com
--
It's Been 5 Years
Thanks to all who got us here!
Yurich Design Group
10801 Edgewater Drive
Cleveland, Ohio 44102
(216) 631-2554
(216) 631-2556 FAX
Visit Yurich Design Group at:
Ghouls, ghosts and other things
By David Ritchey
http://www.yurichgroup.com
--------------719D1CB14253823AE20FF47D--
From Thackaberr at aol.com Wed Nov 6 08:39:25 2002
From: Thackaberr at aol.com (Thackaberr at aol.com)
Date: Wed Nov 6 08:39:25 2002
Subject: [NEohioPAL]Another Great Review of Woman in Black - Final 4
Performances at Actors' Summit
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Ghouls, ghosts and other things
that go bump in the night
All walk the stage in 'The Woman in Black' at Actors' Summit
By David Ritchey
HUDSON -- Halloween invites us to be pleasantly scared or to pretend to be
scared. What adult hasn't faked terror at the sight of a 6-year-old child on
the doorstep saying "Trick-or-Treat" in an effort to get a Halloween goody?
That's what happens this Halloween season with "The Woman in Black" at
Actors' Summit. This production invites the audience to fake terror. (I was
just pretending. I wasn't really afraid.)
The program identifies "The Woman in Black" as a ghost play, with the script
adapted by Stephen Mallatratt from the book by Susan Hill. The cast for "The
Woman in Black" is two men: Wayne Turney (Arthur Kipps) and Peter Voinovich
(the actor). Where is the woman in black you ask? She's dead. But, who is
that roaming across the stage and through the theater? Can she be a ghost?
The complicated plot deals with Kipps, who hires an actor to perform a script
he has written. However, the script contains a good deal that is
autobiographical in a story dealing with accidents, the death of a child and
a woman who can't find peace.
The story takes place in a theater -- a theater not too different from that
of Actors' Summit in Hudson, but this one is in England. Don't forget to add
cold weather, rain and a mist or fog. The script-within-a-script calls for
the actor-within-the-new-script to play a lawyer who goes to an old mansion
that is on a little island. Only one small path leads from the water to the
mansion and that path is surrounded by quicksand.
The elderly lady of the house has died, and the young lawyer must go to the
mansion to sort through her papers. At the mansion, locked doors open, sounds
come from empty rooms, a dog barks and a woman in black strolls through the
acting area.
Scared?
Someone died and the butler didn't do it. In fact, several people died. What
else do they have to do in an old mansion that is cut off from the world by a
thick mist?
"The Woman in Black" continues through Nov. 10. For ticket information, call
(330) 342-0800.
Go with someone who won't be surprised if you're pleasantly scared and who
won't be embarrassed if you scream.
David Ritchey has a Ph.D. in communications and is an associate professor of
communications at The University of Akron. He is a member of the American
Theatre Critics Association.
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that go bump in the night
All walk the stage in 'The Woman in Black' at Actors' Summit
HUDSON -- Halloween invites us to be pleasantly scared or to pretend to be scared. What adult hasn't faked terror at the sight of a 6-year-old child on the doorstep saying "Trick-or-Treat" in an effort to get a Halloween goody?
That's what happens this Halloween season with "The Woman in Black" at Actors' Summit. This production invites the audience to fake terror. (I was just pretending. I wasn't really afraid.)
The program identifies "The Woman in Black" as a ghost play, with the script adapted by Stephen Mallatratt from the book by Susan Hill. The cast for "The Woman in Black" is two men: Wayne Turney (Arthur Kipps) and Peter Voinovich (the actor). Where is the woman in black you ask? She's dead. But, who is that roaming across the stage and through the theater? Can she be a ghost?
The complicated plot deals with Kipps, who hires an actor to perform a script he has written. However, the script contains a good deal that is autobiographical in a story dealing with accidents, the death of a child and a woman who can't find peace.
The story takes place in a theater -- a theater not too different from that of Actors' Summit in Hudson, but this one is in England. Don't forget to add cold weather, rain and a mist or fog. The script-within-a-script calls for the actor-within-the-new-script to play a lawyer who goes to an old mansion that is on a little island. Only one small path leads from the water to the mansion and that path is surrounded by quicksand.
The elderly lady of the house has died, and the young lawyer must go to the mansion to sort through her papers. At the mansion, locked doors open, sounds come from empty rooms, a dog barks and a woman in black strolls through the acting area.
Scared?
Someone died and the butler didn't do it. In fact, several people died. What else do they have to do in an old mansion that is cut off from the world by a thick mist?
"The Woman in Black" continues through Nov. 10. For ticket information, call (330) 342-0800.
Go with someone who won't be surprised if you're pleasantly scared and who won't be embarrassed if you scream.
David Ritchey has a Ph.D. in communications and is an associate professor of communications at The University of Akron. He is a member of the American Theatre Critics Association.
UPN AND WUAB = CHANNEL 43 THE BLOCK ANNOUNCES NEW MIDSEASON REALITY SERIES = "SUPERMODEL," WITH TYRA BANKS, TO FEATURE REAL PEOPLE COMPETING FOR A = DREAM CONTRACT WITH A TOP MODELING AGENCY
SUPERMODEL will feature a nationwide = talent search for eight real people who think they can make it in the = high-stress, high-stakes world of supermodeling. The series will = provide dramatic twists and turns as participants compete under the = pressure of mastering tasks essential in the world of modeling. =
The series will follow the = participants as they live together and vie for the championship title = in weekly tests that demonstrate who can cut it as America's ultimate = model with both inner and outer beauty. Real people from diverse = backgrounds, shapes and sizes will compete for the ultimate prize -- a = super-sized modeling contract with a top agency. A panel of = SUPERMODEL experts, comprised of agency representatives, photographers, = fashion magazine editors and Banks, will oversee the = competitions.
Local Cleveland Try-outs will take = place on Friday November 15th = from 1 to 5pm at the = Powerhouse Pub and Cabaret, located in the Powerhouse Complex on = the West Bank of the Flats.
CONTESTANTS MUST BE FEMALE, BETWEEN = THE AGES OF 18 - 27 AND MEASURING AT LEAST 5'7". THERE IS NO = WEIGHT REQUIREMENT AND NO PRIOR MODELING EXPERIENCE IS PREFERRED. = Bring 3 photographs of yourself and a completed application form to the = audition. Each contestant will be required to introduce herself and = explain why she will make the best supermodel. Please read the = complete details from the UPN website! If you cannot download the = attached application form, it can be found on the website.
For full contest rules and =
regulations visit www.upn.com
=20
Press = Contacts: Kristen Schneidler = = 216/367-7137 = kschneidler at woio.com
DO NOT CALL THE POWERHOUSE PUB ABOUT = THIS AUDITION.
= <<application.pdf>>
"Planet Earth is blue and there's = nothing I can do." D.B.
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23:44:02 2002 From: Bob.burian at BradleyCompany.com (Bob.burian at BradleyCompany.com) Date: Wed Nov 6 23:44:02 2002 Subject: [NEohioPAL]SONGS FOR A NEW WORLD: this weekend only reminder!---Only $10!!!. .. Message-ID: <14B0B7D36BCDD4119DC400A0C9E1CCEA913CE3@MAILSERVER> THIS WEEKEND ONLY!!!!....and only $10, with a reception and silent auction to follow!!!!!.... Cassidy Theatre Guild Presents: SONGS FOR A NEW WORLD (Music and lyrics by Jason Robert Brown) (dedicated to the memory of Steven P. Sterlekar; benefit to Paul W. Cassidy Theatre & North Coast Men's Chorus Steven P. Sterlekar Fund) PLEASE NOTE SATURDAY'S TIME: Saturday, November 9 @ 7:30 PM* Sunday, November 10 @ 3:00 PM *Again, PLEASE NOTE the curtain time of the Saturday performance: 7:30 PM Tickets: $10 Paul W. Cassidy Theatre 6200 Pearl Road Parma Heights, Ohio 44130 (in the Greenbrier Commons) BOX OFFICE: 440.842.4600 Directed by Lora Workman Musical Direction by Marc Baker For more information on cast & crew, refer to: http://www.geocities.com/SongsFANW Last December, our dear friend, Steven P. Sterlekar died. Steven was active in Cleveland's community theatre scene. He had the gift of drawing people together to share their time, talent, and treasure. It was one of Steven's dreams to one day produce SONGS FOR A NEW WORLD. Perhaps it was so important to him because he knew what the show represents. SONGS FOR A NEW WORLD is a journey through sixteen songs, dealing with life's ups and downs and finding the courage to keep going. Critics have called it: "a musical call to personal reflection" -- "almost a contemporary worship service with dogmatics," and "a freewheeling exploration into the human soul." It reminds us of our own personal journeys. Composer and lyricist, Jason Robert Brown, said about the show in January 2001, "Songs for a New World is a show that suggests that our best solution for the stress and terror and anxiety we feel is to come together and form a community that will support and uplift each other." It seems ironic that he would say this 9 months before one of the most terrifying events in our nation's history. And, at the end of that same year, Steven passed. Let this production be an opportunity for us to "come together and form a community"; a community of artists, friends, and family. A cocktail reception and silent auction will follow each show; donations will be used to commission a piece of music in Steven's honor to be presented by The North Coast Men's Chorus. Please join us, and unite in our community to remember, experience, and enjoy. Cast includes: Maggie Wirfel Mary Ann Prucha Mike Caraffi Robert Burian Please forward this on to anyone you feel may be interested, including any church organizations, as this has many spiritual themes. From jbrosius at repertoryproject.org Wed Nov 6 23:44:10 2002 From: jbrosius at repertoryproject.org (Jennifer Brosius) Date: Wed Nov 6 23:44:10 2002 Subject: [NEohioPAL]TRP Benefit November 9th Message-ID:Come on – only $5 = people!!!!!!!!!!!!!!!!!!!!!!!! Only $4 if you’re a student or a senior.
Either reply to this email or call the box office and = tell them you are with NEOHIOPAL.
216-987-5536
This is your last chance to catch the smash hit of = the fall !!!!!!!!!!!!!!!
With songs like “I Wanna Kill My Ex-Boyfriend” = you can’t go wrong!!!!!
Lobo-A-Gogo<= /span>
Thursday, Friday and Saturday at = 8pm and Sunday at = 3pm.
CCC Western Campus
11000 Pleasant Valley = Road
Parma, Ohio
Christopher = M. Bohan
Box Office = Manager
Cuyahoga Community College
Western = Campus Theatre
216.987.5536= span>
Cleveland State University's FACTORY THEATRE is proud to present
Richard III
directed by Allan Byrne
November 15-17, 21-24
with
Aaron Coleman.................................................Richard
Mary Alice Beck.................................Queen Elizabeth
Elizabeth Stroder.................................................Anne
Keith Kornajcik..............................................Clarence
Grey/Young Prince Edward................Benjamin Gates
Rivers/Young Duke of York................Andrew Kopas
Richmond..............................................Rodger Govea
king edward.....michael smith
duchess of york.... ellen stepanek
margaret....JoLen Golembiewski
buckingham....david crighton
murderer1...ed walsh
murder2...mike smith
catesby...tye davis
hastings...leonard goff
tyrrell...ed walsh
ensemble:
venitia belk, lita townsend (strumpet shore), dena warmuth, yania brodsky
stage manager kathy covey
"MY THREE ANGELS",
A THREE ACT COMEDY DIRECTED BY DOUGLAS FARREN, OPENS FRIDAY AT CLAGUE PLAYHOUSE, 1371 CLAGUE ROAD, WESTLAKE, OH.
PERFORMANCE DATES ARE NOVEMBER 8 - DECEMBER 1, 2002.
TICKETS ARE $10/9 AND MAY BE PURCHASED BY CALLING THE BOX OFFICE AT 440-331-0403 WED-SAT 1-6PM
MOLIERE'S
THE IMAGINARY INVALID
When: November 12, 7:00PM to 8:30PM
Production Staff: Martin Friedman, Director. Keith Nagy, Sets and Lights. Costumes, Alison Hernan.
Where: Lakeland Theatre at Lakeland Community College. Take I 90 East to Route 306. Go right (south) on Rt #306 and turn left at the first light into Lakeland College.Park in Faculty/Staff parking (free after 7pm). Theatre is to the left of the Clocktower.
Particulars: For more information call Martin Friedman at 440.953.7034. All positions are compensated. Sorry, no Equity contracts at this time. The Imaginary Invalid is a farce by Moliere. It is extremely funny and examins the health care system in comic fashion. This highly stylized production features roles for: 6 males and 5 females. (2 females: 35 to 60years; 3Females: 20's -30's; 3 males: 40's-60's; 3 males 20's-40's). THE IMAGINARY INVALID opens on January 31, 2003. Read throughs will begin in December...rehea rsals on or around January 3. The production will run 3 weekends. Two student matinees are contemplated and actors will be further compensated for those. Student matinees will be held on Thursday or Friday mornings between 8:30 and 11:30am
In The Woman in Black, we see dead people.
By Keith A. Joseph
Even in these post-Halloween days, when half-rotten jack-o'-lanterns and crumpled paper skeletons sit at the curb awaiting trash pickup, there's nothing like a good scare. And few stories over the ages have been genuinely creepier than Henry James's classic story of corrupt valet Peter Quint (R.I.P.) wrestling with a neurotic governess for the soul of a young boy.
Fortunately, the Actors' Summit's rendition of The Woman in Black not only resurrects the back-from-the-grave feel of James's work, but is scary enough by itself to cure a serious case of the hiccups. Based on Susan Hill's 1983 gothic novel of the same name, the play centers around Arthur Kipps's fervid recollections of his youthful days as solicitor, when he repeatedly encountered an enraged specter.
The intrepid Kipps learns that the ghost had once been an unwed mother forced to hand over her baby to her stern sister. The child later drowned in a freak accident, leading the bereaved mother to madness and, eventually, an agonizing death. For the next 60 years, her tortured spirit haunted the village like a vengeful Cassandra in Victorian mourning weeds, foretelling the deaths of young children.
Stephen Mallatratt, who wrote this adaptation, weaves a baroque tapestry around the original ghost story. In this version, the now-middle-aged solicitor rents a Victorian theater and hires a hammy actor to help him exorcise the horrible events of 20 years ago. The two change places -- with the actor assuming the role of Kipps as a young man and the inexperienced solicitor timidly playing the other subordinate roles.
The play-within-a-play shrewdly blends old-time radio sound effects and narration with a stripped-down theatricality reminiscent of Thornton Wilder. An empty chair suddenly starts rocking, suggesting the presence of evil. The woman in black herself, in a breathtaking theatrical moment worthy of Edgar Allan Poe, suddenly materializes at a funeral, shimmering in a blasphemous halo.
Filling the demands of a script nightmarish in both content and challenging structure are Wayne Turney and Peter Voinovich. Radiating a joyous innocence and wonder, and looking quite like a stuffed owl, Turney's experience hosting a children's show is apparent. His Kipps is a reluctant storyteller turned Pied Piper, blithely leading the audience into treacherous territory. Voinovich's controlling actor character, employing the charmingly overenunciated English accent of a road company Sherlock Holmes, balances his co-star's whimsy. He easily covers the emotional terrain, ranging from self-mocking pomposity to wide-eyed fright.
In a play that depends on sleight-of-hand staging, where production values are essential, director Neil Thackaberry is not altogether comfortable -- but he does manage to keep the sense of psychological terror intact. Richard B. Ingraham's evocative sound, Dan Polk's sepia lighting, and Mary Jo Alexander's fusty costumes all add the appropriate verisimilitude.
The Woman in Black may not be a fount of profundity or subtlety, but it just may be one of the most satisfying scares since Henry James turned that screw.
Details
The Woman in Black Details: Through November 10, 330-342-0800. Where: Actors' Summit Theater, 86 Owen Brown Street, Hudson
WARNING: THE FOLLOWING REVIEW HAS BEEN RATED PG-13 BY JUJU, THE LITTLE MONKEY THAT JUTS OUT OF MY FOREHEAD AND SINGS JERRY HERMAN TUNES TO ME WHEN I AM SAD AND LONELY--Jeff Holland
IKE: How the hell we supposed ta follow that up?
MIKE: I don't care. I'm leaving.
I: You ain't goin' anywhere, limey.
M: I can't do this now. It's too soon.
I: Face your pain. Grow from it.
M: My stomach lining is now the strength of one ply toilet tissue because of that show. I've grown enough, thank you.
I: Okay, what is the bug up your butt over this?
PAUSE
M: It's a one act.
I: Oh, for the love of--
M: Shakespeare is not supposed to be a one act!
I: At least start out with a valid criticism! This is nit picky.
M: All right, I understand that, not only did Shakespeare write some of the most beautiful language ever recorded, but he wrote a hell of a lot of it.
I: If Kenneth Branaugh's four and a half version of Hamlet taught us anything it's that we didn't need a four and a half hour version of Hamlet.
M: Yes, good ole Wills should have learned the value of time compression through editing, but not down to ninety minutes.
I: Why not?
M: Shakespearean theatre needs an intermission.
I: Why?
M: Because that's the way it's done!
I: Well, someone's being particularly British this mornin.' You're the one who's always bitchin' about too much conventional the-ater. There's one convention thrown right inta the wood chipper.
M: Did you even understand the plot?
I: Yeah, a coked up fairy makes everybody fall in love with everybody else, a chick sleeps with a donkey, and the Village People do a play.
M: Okay, I'm impressed.
I: Don't ask for specifics. When it comes to Shakespeare, I work best in broad generalities.
M: So how many different kinds of amphetomines do you think the noble Mr. Goodfellow was on?
I: Be nice.
M: Oh, coming from you that's really funny. Don't get me wrong. I liked him. He was just really . . . really . . . wired.
I: Kinda made ya wish I'd brought the tranquilizer gun, didn't it?
M: Oh, yes!
I: And that boy got inta some positions that I never want to see another human being attempt EVER!! It was funny, but scary as hell.
M: As was Bottom in the shiny golden underwear.
I: As is the whole concept of a chick sleeping with a donkey, even if it is bipedal and talks.
M: As was the Village People.
I: As was the Village People in the "Dreamgirls" costumes at the end of the show.
M: As was Lysander being played by J.R. Ewing.
I: As was the La-La song.
M: Oh, God, yes! I tried to forget they made it a musical.
I: I couldn't. I will forever be haunted by La-La's.
M: The songs aren't bad at all. The lyrics are Shakespeares and the music is either Beethoven or 70's mellow rock, so it's fun, but why do it?
I: Breaking convention.
M: Shut up.
I: Did ya think it was funny that Oberon, big burly manly man with the Han Solo thing goin' on, sang like Al Jarreau?
M: No, I thought it was funny watching you have the siezure during the La-La song.
I:(Shuddering) Too many La-La's.
M: The music was pretty.
I: TOO MANY LA-LA'S.
M: Good to know I wasn't the only one going through pain.
I: Yeah, but I like pain.
M: Didn't need to know that.
I: You're missin' the point. I didn't understand a single thing that was said during that show, the costumes were freaky, the disco lights were sending me to the astral plane, and for a comedy, it really didn't get funny until the end of the show.
M: Then why did you like it so much?
I: Cause it was weird, it was different, and I had a good time watching and occasionally making fun of it. This is not for purists, unless you're a purist with a sense of humor. Did you enjoy the show?
M: Well, I--
I: Did you have fun?
M: Well, I--
I: Is it not unlike most Shakespearean theatre you've seen?
M: That I will give you, but it's not-- The show isn't-- I did actually sort of like it.
I: Just too damn many la-la's.
M: And not enough acts.
PAUSE
I: Are we still on that?
M: I'm sorry but I had to urinate for the last half hour of the show.
I: Okay, we done here.
SPECIAL MESSAGE FROM IKE
Okay, we missed Rocky Horror (Grrr) so we're gonna try for another freaky musical. Hopefully, this saturday we gonna be at Lobo a Go Go. If not, we'll be either be drinking, watching the season one DVD set of Babylon 5, or in a Turkish prison.
The muleteers are = the male=20 chorus and have some challenge songs and a variety of parts to play. = Their ages=20 range from 18 - 35 and the parts are fairly physical, with a variety of = actors=20 are needed for these challenging additions to the cast, (including = someone who=20 can also play guitar). Performance dates are scheduled for February 7, = 8, 14,=20 15, 21, 22, 23, 28 & March 1. Those interested should call = 330-655-8522.=20
Directed by=20 well known area director Wayne Merholtz of Cleveland, Man of La = Mancha is=20 a remarkable show and one of the great theatre successes of our time. It = is a=20 play-within-a-play, based on Cervantes’ “Don Quixote” = and featuring impactful=20 music. Man of La Mancha tells the poignant story of a dying old = man whose=20 impossible dream takes over his mind. It’s All the Same, I, Don = Quixote,=20 Dulcinea, I’m Only Thinking of Him, The Impossible Dream, I Really = Like Him=20 and Little Bird remain in your thoughts well after the show is = over.=20 Man of La Mancha is a comic tragedy of mankind’s struggle = to better both=20 himself and the world in which he lives. The biggest hit of the 1965 = Broadway=20 season, Man of La Mancha took Tony Awards for best musical, = score, and=20 libretto.
Participation=20
with the Hudson Players is open to all. Currently the theater is =
presenting the=20
comedy Dearly Departed Friday and Saturday evenings until =
November=20
16. Call 330-655-8522 for ticket information and additional audition=20
information.
= November 8th, 9th, 10th, 15th, 16th and 17th are the performance dat= es with Friday and Saturday shows at 8:00 PM and Sunday matinee= s beginning at 3:00 PM. Shows are performed at the Matousek Au= ditorium, 4900 Turney Rd, Garfield Hts. OH. Ticket prices are adult= s $10.00, seniors and GHLT members $8.00 and children's tickets are $6.00= . Special seating and group rates are available - we've had several= Scout troops come and enjoy this family show. For more information= , please call 216-581-7554.
"Mirrors and Windows" (Solo Jonah = Koslen)"Live in the Bubble" (Previously=20 un-released, live Breathless material)"Orange" (Jonah Koslen and the=20 Heroes)"Aces" (Jonah Koslen and the=20 Heroes)
HEY EVERYBODY, AFTER A RIP ROARING DEBUT LAST WEEK, HFI CONTINUES THE FUNNY THIS WEEKEND AT THE POWERHOUSE PUB IN THEIR HILIARIOUS IMPROVISED REVUE. "CIRQUE DE SILLAY"
What: Habitat For Insanity - "Cirque de Sillay"
Where: Powerhouse Pub West bank of the Flats
When: 10pm, right after Flanagan's Wake! $8, $6 FOR STARVING STUDENTS
BRING YOUR FRIENDS, DRINK BEER AND LAUGH. THAT'S WHAT LIFE IS ABOUT! We don't know what the show is going to be about, but that's what makes it so darn funny.
You'll hear the answer to that musical question=20=
=E2=80=94 along with scores of other favorite pop standards =E2=80=94 if you=
join us at the first ever Actors' Summit New Year's Cabaret.
The the=
ater just off Hudson's Green will be transformed into a bistro for an evenin=
g of singing and dancing. You'll have a ringside table to see and hear your=20=
favorite performers do what they do best =E2=80=94 entertain you with their=20=
songs, stories, stand up and more.
Headlining the cast are Wayne S.=20=
Turney, Peter Voinovich, Frank Jackman, MaryJo Alexander, Connie Thackaberry=
and Keith Stevens. "There will also be some surprises," said MaryJo Alexand=
er, associate artistic director. "We're still getting calls from actors who=20=
want to perform."
The $30 ticket price includes entertainment, munchies=20=
and dancing; a cash bar for beer, wine and soft drinks. So eat, drink and be=
merry from 9 p.m. New Year's Eve to 1 a.m. on the first day of 2003, and, t=
o paraphrase that song from Gypsy, let us entertain you!
Reserve you=
r tickets by calling 330-342-0800.
Web site
Actors Summit Theate=
r can be found on the web at www.actorssummit.org. Actors' Summit is a profe=
ssional, not for profit, 501-c-3 professional arts organization. We are seek=
ing volunteers and board members. For more details please call MaryJo or Nei=
l at 330-342-0800.
Actors' Summit is a member of PACT, The Professio=
nal Alliance of Cleveland Theaters.
Actors' Summit is working under=20=
a developmental agreement with Actors' Equity Association (the Union of prof=
essional Actors and Stage managers).
WARNING: THE FOLLOWING REVIEW HAS BEEN RATED PG-13 BY THE CAST OF "GREASE 3." YOU READ THAT RIGHT, "GREASE 3." THERE IS NO JOY IN THIS WORLD--Jeff Holland and Vince Stillitano
MIKE: Well, that was mildly painful.
IKE: I'm sorry, but that wasn't no werewolf.
M: No, it was a woman with back hair and a mask.
I: The mask didn't look like a wolf. Looked more like Helena Bonham Carter in Planet of the Apes. Course, "Howler Monkey-A-Gogo" doesn't have as nice a ring to it.
M: It should have been called Transvestite-A-Gogo. I cannot believe crossdressing got more stage time than the actual werewolf.
I: Here's another title: The Monkey Horror Picture Show.
M: It started out as a mildly cute idea.
I: No, it didn't.
M: You're right. I was being polite. No, I'm not going to get into the whole "Man who spends all of Act 1 complaining about not getting chicks who, after putting on a dress and singing I Feel Pretty, apparently decides he's gay, kisses a couple of guys and then gets shot for no apparent reason except perhaps that he's discovered he's gay, which opens up a whole new can of worms" thing. What bugged me about the whole thing was the logistics. They find a bloody dress and give it to the guy to put on. Now, even though the woman was 5 foot five and the guy was six foot two, somehow the dress fits him better than it fit her, and, AND everyone mistakes this guy for the girl. WTF?!?
I: Remember, this takes place in 1959 and, as we know from movies, tv, and the-ater, people were dumber back then.
M: And that's another thing!
I: Oh, God!
M: There's a Psycho reference in the show. Psycho didn't come out until 1960!
I: Yeah, that kinda twisted my short hairs, too. So did that guy realize he was gay?
M: I'm not sure. For a show that has such broad characterizations, when it comes to plot it's subtle to the point of being cryptic.
I: I did like the rebel poet. He was by far the most interesting character in the show and he had the best song, "I Want to Kill my Ex-Girlfriend." Great title. All right, my turn to rag on something: The language.
M: You're complaining about language.
I: Apart from one fun usage of the F word--
M: Frankfurt?
I: No.
M: Follicle?
I: No.
M: Fellatio?
I: Shut up! Apart from that, there's a lotta bad words in this that are just there. They're not used for comedic effect, or dramatic,or any effect at all, actually. They just there. The shock effect of having stupid people from the 50's bein' all potty mouthed wore off way too quickly.
M: Did you just say potty mouthed?
I: What about it?
M: The Seventh Sign.
I: Shut up. And then there was the slut.
M: Holy tangent, Batman.
I: Now, Lord knows I am all for loose women.
M: It's a shame they're not all for you.
I: Now I don't know if this was an acting thing or a directing thing,but for some reason this chick seemed to need to vogue ever time she stopped moving. By Act 2 I wanted to tie her hands to her sides.
M: Keep your fetish fantasies to yourself, please.
I: I didn't mean it that way . . . much.
M: On the plus side, I really enjoyed the music for the show.
I: Me, too. Almost made me wish I could hear the lyrics.
M: Yes, there were some technical difficulties during the show. I'm assuming some of the mics were faulty.
I: Did everbody have mics? Couldn't tell. That reminds me, did you see the on-stage band?
M: How could I not? They were onstage.
I: Shut up! Apart from the piano player, who was also the musical director and a character in the show, the rest of them just sat there blankly like they were watchin' the eight hour director's cut of the Scooby Doo movie and the downers just kicked in. I gotta problem getting excited over watchin' a show when 1/4 of the people onstage can't even do it.
M: But at least we did get a werewolf.
I: Weremonkey.
M:(Deep voice) There monkey. There castle.
I: Why are you talking like that?
M: Because we wanted to end this with a cheap "Young Frankenstien" reference.
I: Oh, that's right.
2-for-1 admission with this e-mail opening night only -- November 7 at 8 p.m.
OLEANNA
the riveting drama by David Mamet
A college student seeks her professor's help ... and then ...
Greg Vovos, Director
Mindy Childress, Assistant Director
Starring Mark Cipra as John
& Meg Santisi as Carol
November 7, 8*, 9, 15*,16, 22* and 23 at 8 p.m.
November 17 at 3 p.m.
at Woodbury School Auditorium,
15400 South Woodland Road
(4 blocks west of Lee Road) in Shaker Heights
* The audience is invited to join area leaders in talkback discussions following each Friday evening show. Discussion leaders include:
+ Beth McGee, CWRU Associate Professor in Theatre Arts, and Faculty Diversity Officer;
+ Jeff Chernin, psychologist;
+ Teri Egan, CCC psychologist;
+ Ted Mearns, retired CWRU law professor, and
+ Marvin Rosenberg, CWRU associate professor of ethics.
Tickets to Oleanna are $10 for adults and $8 for seniors (60+) and students. They are payable in advance or at the door. For ticket information, call 491-1295.
Boulevard Theatre is affiliated with the Shaker Heights Community Life Department and also is supported by the newly formed Friends of Boulevard Theatre.
The theatre is 4 blocks west of Lee Road in Shaker Heights. There is a parking lot on Woodbury Road just past the school (turn left onto Woodbury) or park on the street.
###
TREE CITY
Tree City Players are looking for actors for their upcoming=20=
holiday production of a new adaptation of the classic film "It's A Wonderful=
Life" called "Merry Christmas, George Bailey!" by local playwright Jack Her=
man of Kent.
Characters available:
Mr. Gower (age 40+)
Harry Bailey (age 16 to 18)
Henry Potter (age 55+)
Aunt Tilly (age 35+)
Mrs. Hatch (age 40+)
Sam Wainwright (age 18+)
Mrs. Martini (age 35+)
Tommy Bailey (age 9 to 11)
Zuzu Bailey (age 6 to 9)
Mr. Welch (age 35+)
These are all wonderful character roles.
Those interested in auditioning should call the director at 330-673-5378 to=20=
schedule an audition this week. Rehearsals begin next Monday (Nov. 11t=
h)
The production dates for "Merry Christmas, George Bailey!" are December 6, 7=
, 8, 13, 14 & 15th.
This is the heartwarming story of George Bailey, of Bedford Falls, NY.=C2=
=A0 Whose dreams of escape and adventure have been repeatedly quashed by not=
ions of family obligation and civic duty.=C2=A0 It is Christmas Eve, and Geo=
rge's guardian angel, Clarence, had descended to earth to save George from d=
espair, and to remind him (by showing him what the world would have been lik=
e if he was never born) that his has been after all, a wonderful life=E2=80=
=A6This sparkling and magical play has all your favorite characters that you=
have come to love.
For more information please feel free to contact the director Jack Herman at=
330-673-5378 after 5pm.=C2=A0 Or call the theatre box office at 330-677-500=
5.
Only 3 Club Shows
Sat Nov 9 - Beachland Ballroom
Fri Nov 15 - Pat's in the Flats
Fri Nov 22 - The Grog Shop
These are the only club shows where you can see the raw, uninhibited ANGRY INCH perform the songs from Hedwig and the Angry Inch. This will be true rock'n roll in its finest, in-your-face fashion. No script to hold them back. No blocking. No set. No costumes that can't be damaged or torn off.
Those of you who saw the play know what a great band the Angry Inch is and what great songs Stephen Trask wrote. But as they say, you ain't seen nothing yet. And for those of you who saw our club gigs last year, you know what I'm talking about. If Mr. Sid Vicious were alive he'd be proud of the Inches.
Be sure to mark you calendar to see one of these shows. In fact, try to see them all for you'll never know what to expect from an Angry Inch. To see a sample of what went down last year, go here: http://www.yurichgroup.com/hedwig/
The Angry Inch are:
Dan Folino, Alison Hernan, Miss Melvis, Michael Seevers, Steve Mehlman,
Mark Gamiere and Dennis Yurich
Sat Nov 9 - Beachland Ballroom - with The Viola Contingent, Kiddo, Pinch
(NOTE: EVERYONE IS ON THE GUEST LIST FOR THIS SHOW - THIS MEANS YOU PAY
NOTHING TO GET IN!!!)
Fri Nov 15 - Pat's in the Flats - with 755mph, The Viola Contingent,
The Confidence Interval
Fri Nov 22 - The Grog Shop - with The Gaza Strippers, Tough and Lovely
Directions:
Beachland Ballroom - http://www.beachlandballroom.com/maps.html
Pat's in the Flats - In Tremont where Literary Rd. dead ends into W.
3rd at the bottom of the hill.
The Grog Shop - http://grogshop.gs/directions.html
Warning: If you don't wanna rock, don't come. And these shows will never be repeated.
For more info contact Dennis Yurich
216-631-2554
dennis at yurichgroup.com
--
It's Been 5 Years
Thanks to all who got us here!
Yurich Design Group
10801 Edgewater Drive
Cleveland, Ohio 44102
(216) 631-2554
(216) 631-2556 FAX
Visit Yurich Design Group at:
Ghouls, ghosts and other things
By David Ritchey
http://www.yurichgroup.com
--------------719D1CB14253823AE20FF47D--
From Thackaberr at aol.com Wed Nov 6 08:39:25 2002
From: Thackaberr at aol.com (Thackaberr at aol.com)
Date: Wed Nov 6 08:39:25 2002
Subject: [NEohioPAL]Another Great Review of Woman in Black - Final 4
Performances at Actors' Summit
Message-ID: <18a.10d42735.2afa8289@aol.com>
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Ghouls, ghosts and other things
that go bump in the night
All walk the stage in 'The Woman in Black' at Actors' Summit
By David Ritchey
HUDSON -- Halloween invites us to be pleasantly scared or to pretend to be
scared. What adult hasn't faked terror at the sight of a 6-year-old child on
the doorstep saying "Trick-or-Treat" in an effort to get a Halloween goody?
That's what happens this Halloween season with "The Woman in Black" at
Actors' Summit. This production invites the audience to fake terror. (I was
just pretending. I wasn't really afraid.)
The program identifies "The Woman in Black" as a ghost play, with the script
adapted by Stephen Mallatratt from the book by Susan Hill. The cast for "The
Woman in Black" is two men: Wayne Turney (Arthur Kipps) and Peter Voinovich
(the actor). Where is the woman in black you ask? She's dead. But, who is
that roaming across the stage and through the theater? Can she be a ghost?
The complicated plot deals with Kipps, who hires an actor to perform a script
he has written. However, the script contains a good deal that is
autobiographical in a story dealing with accidents, the death of a child and
a woman who can't find peace.
The story takes place in a theater -- a theater not too different from that
of Actors' Summit in Hudson, but this one is in England. Don't forget to add
cold weather, rain and a mist or fog. The script-within-a-script calls for
the actor-within-the-new-script to play a lawyer who goes to an old mansion
that is on a little island. Only one small path leads from the water to the
mansion and that path is surrounded by quicksand.
The elderly lady of the house has died, and the young lawyer must go to the
mansion to sort through her papers. At the mansion, locked doors open, sounds
come from empty rooms, a dog barks and a woman in black strolls through the
acting area.
Scared?
Someone died and the butler didn't do it. In fact, several people died. What
else do they have to do in an old mansion that is cut off from the world by a
thick mist?
"The Woman in Black" continues through Nov. 10. For ticket information, call
(330) 342-0800.
Go with someone who won't be surprised if you're pleasantly scared and who
won't be embarrassed if you scream.
David Ritchey has a Ph.D. in communications and is an associate professor of
communications at The University of Akron. He is a member of the American
Theatre Critics Association.
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that go bump in the night
All walk the stage in 'The Woman in Black' at Actors' Summit
HUDSON -- Halloween invites us to be pleasantly scared or to pretend to be scared. What adult hasn't faked terror at the sight of a 6-year-old child on the doorstep saying "Trick-or-Treat" in an effort to get a Halloween goody?
That's what happens this Halloween season with "The Woman in Black" at Actors' Summit. This production invites the audience to fake terror. (I was just pretending. I wasn't really afraid.)
The program identifies "The Woman in Black" as a ghost play, with the script adapted by Stephen Mallatratt from the book by Susan Hill. The cast for "The Woman in Black" is two men: Wayne Turney (Arthur Kipps) and Peter Voinovich (the actor). Where is the woman in black you ask? She's dead. But, who is that roaming across the stage and through the theater? Can she be a ghost?
The complicated plot deals with Kipps, who hires an actor to perform a script he has written. However, the script contains a good deal that is autobiographical in a story dealing with accidents, the death of a child and a woman who can't find peace.
The story takes place in a theater -- a theater not too different from that of Actors' Summit in Hudson, but this one is in England. Don't forget to add cold weather, rain and a mist or fog. The script-within-a-script calls for the actor-within-the-new-script to play a lawyer who goes to an old mansion that is on a little island. Only one small path leads from the water to the mansion and that path is surrounded by quicksand.
The elderly lady of the house has died, and the young lawyer must go to the mansion to sort through her papers. At the mansion, locked doors open, sounds come from empty rooms, a dog barks and a woman in black strolls through the acting area.
Scared?
Someone died and the butler didn't do it. In fact, several people died. What else do they have to do in an old mansion that is cut off from the world by a thick mist?
"The Woman in Black" continues through Nov. 10. For ticket information, call (330) 342-0800.
Go with someone who won't be surprised if you're pleasantly scared and who won't be embarrassed if you scream.
David Ritchey has a Ph.D. in communications and is an associate professor of communications at The University of Akron. He is a member of the American Theatre Critics Association.
UPN AND WUAB = CHANNEL 43 THE BLOCK ANNOUNCES NEW MIDSEASON REALITY SERIES = "SUPERMODEL," WITH TYRA BANKS, TO FEATURE REAL PEOPLE COMPETING FOR A = DREAM CONTRACT WITH A TOP MODELING AGENCY
SUPERMODEL will feature a nationwide = talent search for eight real people who think they can make it in the = high-stress, high-stakes world of supermodeling. The series will = provide dramatic twists and turns as participants compete under the = pressure of mastering tasks essential in the world of modeling. =
The series will follow the = participants as they live together and vie for the championship title = in weekly tests that demonstrate who can cut it as America's ultimate = model with both inner and outer beauty. Real people from diverse = backgrounds, shapes and sizes will compete for the ultimate prize -- a = super-sized modeling contract with a top agency. A panel of = SUPERMODEL experts, comprised of agency representatives, photographers, = fashion magazine editors and Banks, will oversee the = competitions.
Local Cleveland Try-outs will take = place on Friday November 15th = from 1 to 5pm at the = Powerhouse Pub and Cabaret, located in the Powerhouse Complex on = the West Bank of the Flats.
CONTESTANTS MUST BE FEMALE, BETWEEN = THE AGES OF 18 - 27 AND MEASURING AT LEAST 5'7". THERE IS NO = WEIGHT REQUIREMENT AND NO PRIOR MODELING EXPERIENCE IS PREFERRED. = Bring 3 photographs of yourself and a completed application form to the = audition. Each contestant will be required to introduce herself and = explain why she will make the best supermodel. Please read the = complete details from the UPN website! If you cannot download the = attached application form, it can be found on the website.
For full contest rules and =
regulations visit www.upn.com
=20
Press = Contacts: Kristen Schneidler = = 216/367-7137 = kschneidler at woio.com
DO NOT CALL THE POWERHOUSE PUB ABOUT = THIS AUDITION.
= <<application.pdf>>
"Planet Earth is blue and there's = nothing I can do." D.B.
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MDc1NDMgMDAwMDAgbg0KMDAwMDAwODY1MCAwMDAwMCBuDQowMDAwMDA4ODA0IDAwMDAwIG4NCjAw MDAwMDg5NTEgMDAwMDAgbg0KMDAwMDAwOTcyOCAwMDAwMCBuDQowMDAwMDA5ODgyIDAwMDAwIG4N CjAwMDAwMTAwMTcgMDAwMDAgbg0KMDAwMDAxMDc5NCAwMDAwMCBuDQowMDAwMDEwOTQ4IDAwMDAw IG4NCjAwMDAwMTEwOTUgMDAwMDAgbg0KMDAwMDAxMjA2NSAwMDAwMCBuDQowMDAwMDEyMjE5IDAw MDAwIG4NCjAwMDAwMTIzNjYgMDAwMDAgbg0KMDAwMDAxMzQ2OCAwMDAwMCBuDQowMDAwMDEzNjIy IDAwMDAwIG4NCjAwMDAwMTM3NTcgMDAwMDAgbg0KMDAwMDAxNDU5NyAwMDAwMCBuDQowMDAwMDE0 NzUxIDAwMDAwIG4NCjAwMDAwMTQ4OTggMDAwMDAgbg0KMDAwMDAxNjE3MSAwMDAwMCBuDQowMDAw MDE2MzI1IDAwMDAwIG4NCjAwMDAwMTY0NzIgMDAwMDAgbg0KMDAwMDAxODkwMyAwMDAwMCBuDQow MDAwMDE4OTY2IDAwMDAwIG4NCjAwMDAwMTkwNzAgMDAwMDAgbg0KMDAwMDAxOTI4MyAwMDAwMCBu DQowMDAwMDE5NDI3IDAwMDAwIG4NCjAwMDAwMTk1MDEgMDAwMDAgbg0KdHJhaWxlcg08PA0vU2l6 ZSAzNw0vSURbPDQ0OTlhY2VmNjBhMzVkMTY2YWExMmJjYWI0ZjBmMjBiPjw0NDk5YWNlZjYwYTM1 ZDE2NmFhMTJiY2FiNGYwZjIwYj5dDT4+DXN0YXJ0eHJlZg0xNzMNJSVFT0YN ------_=_NextPart_000_01C285CE.C700F0C0-- From Bob.burian at BradleyCompany.com Wed Nov 6 23:44:02 2002 From: Bob.burian at BradleyCompany.com (Bob.burian at BradleyCompany.com) Date: Wed Nov 6 23:44:02 2002 Subject: [NEohioPAL]SONGS FOR A NEW WORLD: this weekend only reminder!---Only $10!!!. .. Message-ID: <14B0B7D36BCDD4119DC400A0C9E1CCEA913CE3@MAILSERVER> THIS WEEKEND ONLY!!!!....and only $10, with a reception and silent auction to follow!!!!!.... Cassidy Theatre Guild Presents: SONGS FOR A NEW WORLD (Music and lyrics by Jason Robert Brown) (dedicated to the memory of Steven P. Sterlekar; benefit to Paul W. Cassidy Theatre & North Coast Men's Chorus Steven P. Sterlekar Fund) PLEASE NOTE SATURDAY'S TIME: Saturday, November 9 @ 7:30 PM* Sunday, November 10 @ 3:00 PM *Again, PLEASE NOTE the curtain time of the Saturday performance: 7:30 PM Tickets: $10 Paul W. Cassidy Theatre 6200 Pearl Road Parma Heights, Ohio 44130 (in the Greenbrier Commons) BOX OFFICE: 440.842.4600 Directed by Lora Workman Musical Direction by Marc Baker For more information on cast & crew, refer to: http://www.geocities.com/SongsFANW Last December, our dear friend, Steven P. Sterlekar died. Steven was active in Cleveland's community theatre scene. He had the gift of drawing people together to share their time, talent, and treasure. It was one of Steven's dreams to one day produce SONGS FOR A NEW WORLD. Perhaps it was so important to him because he knew what the show represents. SONGS FOR A NEW WORLD is a journey through sixteen songs, dealing with life's ups and downs and finding the courage to keep going. Critics have called it: "a musical call to personal reflection" -- "almost a contemporary worship service with dogmatics," and "a freewheeling exploration into the human soul." It reminds us of our own personal journeys. Composer and lyricist, Jason Robert Brown, said about the show in January 2001, "Songs for a New World is a show that suggests that our best solution for the stress and terror and anxiety we feel is to come together and form a community that will support and uplift each other." It seems ironic that he would say this 9 months before one of the most terrifying events in our nation's history. And, at the end of that same year, Steven passed. Let this production be an opportunity for us to "come together and form a community"; a community of artists, friends, and family. A cocktail reception and silent auction will follow each show; donations will be used to commission a piece of music in Steven's honor to be presented by The North Coast Men's Chorus. Please join us, and unite in our community to remember, experience, and enjoy. Cast includes: Maggie Wirfel Mary Ann Prucha Mike Caraffi Robert Burian Please forward this on to anyone you feel may be interested, including any church organizations, as this has many spiritual themes. From jbrosius at repertoryproject.org Wed Nov 6 23:44:10 2002 From: jbrosius at repertoryproject.org (Jennifer Brosius) Date: Wed Nov 6 23:44:10 2002 Subject: [NEohioPAL]TRP Benefit November 9th Message-ID:Come on – only $5 = people!!!!!!!!!!!!!!!!!!!!!!!! Only $4 if you’re a student or a senior.
Either reply to this email or call the box office and = tell them you are with NEOHIOPAL.
216-987-5536
This is your last chance to catch the smash hit of = the fall !!!!!!!!!!!!!!!
With songs like “I Wanna Kill My Ex-Boyfriend” = you can’t go wrong!!!!!
Lobo-A-Gogo<= /span>
Thursday, Friday and Saturday at = 8pm and Sunday at = 3pm.
CCC Western Campus
11000 Pleasant Valley = Road
Parma, Ohio
Christopher = M. Bohan
Box Office = Manager
Cuyahoga Community College
Western = Campus Theatre
216.987.5536= span>
Cleveland State University's FACTORY THEATRE is proud to present
Richard III
directed by Allan Byrne
November 15-17, 21-24
with
Aaron Coleman.................................................Richard
Mary Alice Beck.................................Queen Elizabeth
Elizabeth Stroder.................................................Anne
Keith Kornajcik..............................................Clarence
Grey/Young Prince Edward................Benjamin Gates
Rivers/Young Duke of York................Andrew Kopas
Richmond..............................................Rodger Govea
king edward.....michael smith
duchess of york.... ellen stepanek
margaret....JoLen Golembiewski
buckingham....david crighton
murderer1...ed walsh
murder2...mike smith
catesby...tye davis
hastings...leonard goff
tyrrell...ed walsh
ensemble:
venitia belk, lita townsend (strumpet shore), dena warmuth, yania brodsky
stage manager kathy covey
"MY THREE ANGELS",
A THREE ACT COMEDY DIRECTED BY DOUGLAS FARREN, OPENS FRIDAY AT CLAGUE PLAYHOUSE, 1371 CLAGUE ROAD, WESTLAKE, OH.
PERFORMANCE DATES ARE NOVEMBER 8 - DECEMBER 1, 2002.
TICKETS ARE $10/9 AND MAY BE PURCHASED BY CALLING THE BOX OFFICE AT 440-331-0403 WED-SAT 1-6PM
MOLIERE'S
THE IMAGINARY INVALID
When: November 12, 7:00PM to 8:30PM
Production Staff: Martin Friedman, Director. Keith Nagy, Sets and Lights. Costumes, Alison Hernan.
Where: Lakeland Theatre at Lakeland Community College. Take I 90 East to Route 306. Go right (south) on Rt #306 and turn left at the first light into Lakeland College.Park in Faculty/Staff parking (free after 7pm). Theatre is to the left of the Clocktower.
Particulars: For more information call Martin Friedman at 440.953.7034. All positions are compensated. Sorry, no Equity contracts at this time. The Imaginary Invalid is a farce by Moliere. It is extremely funny and examins the health care system in comic fashion. This highly stylized production features roles for: 6 males and 5 females. (2 females: 35 to 60years; 3Females: 20's -30's; 3 males: 40's-60's; 3 males 20's-40's). THE IMAGINARY INVALID opens on January 31, 2003. Read throughs will begin in December...rehea rsals on or around January 3. The production will run 3 weekends. Two student matinees are contemplated and actors will be further compensated for those. Student matinees will be held on Thursday or Friday mornings between 8:30 and 11:30am
In The Woman in Black, we see dead people.
By Keith A. Joseph
Even in these post-Halloween days, when half-rotten jack-o'-lanterns and crumpled paper skeletons sit at the curb awaiting trash pickup, there's nothing like a good scare. And few stories over the ages have been genuinely creepier than Henry James's classic story of corrupt valet Peter Quint (R.I.P.) wrestling with a neurotic governess for the soul of a young boy.
Fortunately, the Actors' Summit's rendition of The Woman in Black not only resurrects the back-from-the-grave feel of James's work, but is scary enough by itself to cure a serious case of the hiccups. Based on Susan Hill's 1983 gothic novel of the same name, the play centers around Arthur Kipps's fervid recollections of his youthful days as solicitor, when he repeatedly encountered an enraged specter.
The intrepid Kipps learns that the ghost had once been an unwed mother forced to hand over her baby to her stern sister. The child later drowned in a freak accident, leading the bereaved mother to madness and, eventually, an agonizing death. For the next 60 years, her tortured spirit haunted the village like a vengeful Cassandra in Victorian mourning weeds, foretelling the deaths of young children.
Stephen Mallatratt, who wrote this adaptation, weaves a baroque tapestry around the original ghost story. In this version, the now-middle-aged solicitor rents a Victorian theater and hires a hammy actor to help him exorcise the horrible events of 20 years ago. The two change places -- with the actor assuming the role of Kipps as a young man and the inexperienced solicitor timidly playing the other subordinate roles.
The play-within-a-play shrewdly blends old-time radio sound effects and narration with a stripped-down theatricality reminiscent of Thornton Wilder. An empty chair suddenly starts rocking, suggesting the presence of evil. The woman in black herself, in a breathtaking theatrical moment worthy of Edgar Allan Poe, suddenly materializes at a funeral, shimmering in a blasphemous halo.
Filling the demands of a script nightmarish in both content and challenging structure are Wayne Turney and Peter Voinovich. Radiating a joyous innocence and wonder, and looking quite like a stuffed owl, Turney's experience hosting a children's show is apparent. His Kipps is a reluctant storyteller turned Pied Piper, blithely leading the audience into treacherous territory. Voinovich's controlling actor character, employing the charmingly overenunciated English accent of a road company Sherlock Holmes, balances his co-star's whimsy. He easily covers the emotional terrain, ranging from self-mocking pomposity to wide-eyed fright.
In a play that depends on sleight-of-hand staging, where production values are essential, director Neil Thackaberry is not altogether comfortable -- but he does manage to keep the sense of psychological terror intact. Richard B. Ingraham's evocative sound, Dan Polk's sepia lighting, and Mary Jo Alexander's fusty costumes all add the appropriate verisimilitude.
The Woman in Black may not be a fount of profundity or subtlety, but it just may be one of the most satisfying scares since Henry James turned that screw.
Details
The Woman in Black Details: Through November 10, 330-342-0800. Where: Actors' Summit Theater, 86 Owen Brown Street, Hudson
WARNING: THE FOLLOWING REVIEW HAS BEEN RATED PG-13 BY JUJU, THE LITTLE MONKEY THAT JUTS OUT OF MY FOREHEAD AND SINGS JERRY HERMAN TUNES TO ME WHEN I AM SAD AND LONELY--Jeff Holland
IKE: How the hell we supposed ta follow that up?
MIKE: I don't care. I'm leaving.
I: You ain't goin' anywhere, limey.
M: I can't do this now. It's too soon.
I: Face your pain. Grow from it.
M: My stomach lining is now the strength of one ply toilet tissue because of that show. I've grown enough, thank you.
I: Okay, what is the bug up your butt over this?
PAUSE
M: It's a one act.
I: Oh, for the love of--
M: Shakespeare is not supposed to be a one act!
I: At least start out with a valid criticism! This is nit picky.
M: All right, I understand that, not only did Shakespeare write some of the most beautiful language ever recorded, but he wrote a hell of a lot of it.
I: If Kenneth Branaugh's four and a half version of Hamlet taught us anything it's that we didn't need a four and a half hour version of Hamlet.
M: Yes, good ole Wills should have learned the value of time compression through editing, but not down to ninety minutes.
I: Why not?
M: Shakespearean theatre needs an intermission.
I: Why?
M: Because that's the way it's done!
I: Well, someone's being particularly British this mornin.' You're the one who's always bitchin' about too much conventional the-ater. There's one convention thrown right inta the wood chipper.
M: Did you even understand the plot?
I: Yeah, a coked up fairy makes everybody fall in love with everybody else, a chick sleeps with a donkey, and the Village People do a play.
M: Okay, I'm impressed.
I: Don't ask for specifics. When it comes to Shakespeare, I work best in broad generalities.
M: So how many different kinds of amphetomines do you think the noble Mr. Goodfellow was on?
I: Be nice.
M: Oh, coming from you that's really funny. Don't get me wrong. I liked him. He was just really . . . really . . . wired.
I: Kinda made ya wish I'd brought the tranquilizer gun, didn't it?
M: Oh, yes!
I: And that boy got inta some positions that I never want to see another human being attempt EVER!! It was funny, but scary as hell.
M: As was Bottom in the shiny golden underwear.
I: As is the whole concept of a chick sleeping with a donkey, even if it is bipedal and talks.
M: As was the Village People.
I: As was the Village People in the "Dreamgirls" costumes at the end of the show.
M: As was Lysander being played by J.R. Ewing.
I: As was the La-La song.
M: Oh, God, yes! I tried to forget they made it a musical.
I: I couldn't. I will forever be haunted by La-La's.
M: The songs aren't bad at all. The lyrics are Shakespeares and the music is either Beethoven or 70's mellow rock, so it's fun, but why do it?
I: Breaking convention.
M: Shut up.
I: Did ya think it was funny that Oberon, big burly manly man with the Han Solo thing goin' on, sang like Al Jarreau?
M: No, I thought it was funny watching you have the siezure during the La-La song.
I:(Shuddering) Too many La-La's.
M: The music was pretty.
I: TOO MANY LA-LA'S.
M: Good to know I wasn't the only one going through pain.
I: Yeah, but I like pain.
M: Didn't need to know that.
I: You're missin' the point. I didn't understand a single thing that was said during that show, the costumes were freaky, the disco lights were sending me to the astral plane, and for a comedy, it really didn't get funny until the end of the show.
M: Then why did you like it so much?
I: Cause it was weird, it was different, and I had a good time watching and occasionally making fun of it. This is not for purists, unless you're a purist with a sense of humor. Did you enjoy the show?
M: Well, I--
I: Did you have fun?
M: Well, I--
I: Is it not unlike most Shakespearean theatre you've seen?
M: That I will give you, but it's not-- The show isn't-- I did actually sort of like it.
I: Just too damn many la-la's.
M: And not enough acts.
PAUSE
I: Are we still on that?
M: I'm sorry but I had to urinate for the last half hour of the show.
I: Okay, we done here.
SPECIAL MESSAGE FROM IKE
Okay, we missed Rocky Horror (Grrr) so we're gonna try for another freaky musical. Hopefully, this saturday we gonna be at Lobo a Go Go. If not, we'll be either be drinking, watching the season one DVD set of Babylon 5, or in a Turkish prison.
The muleteers are = the male=20 chorus and have some challenge songs and a variety of parts to play. = Their ages=20 range from 18 - 35 and the parts are fairly physical, with a variety of = actors=20 are needed for these challenging additions to the cast, (including = someone who=20 can also play guitar). Performance dates are scheduled for February 7, = 8, 14,=20 15, 21, 22, 23, 28 & March 1. Those interested should call = 330-655-8522.=20
Directed by=20 well known area director Wayne Merholtz of Cleveland, Man of La = Mancha is=20 a remarkable show and one of the great theatre successes of our time. It = is a=20 play-within-a-play, based on Cervantes’ “Don Quixote” = and featuring impactful=20 music. Man of La Mancha tells the poignant story of a dying old = man whose=20 impossible dream takes over his mind. It’s All the Same, I, Don = Quixote,=20 Dulcinea, I’m Only Thinking of Him, The Impossible Dream, I Really = Like Him=20 and Little Bird remain in your thoughts well after the show is = over.=20 Man of La Mancha is a comic tragedy of mankind’s struggle = to better both=20 himself and the world in which he lives. The biggest hit of the 1965 = Broadway=20 season, Man of La Mancha took Tony Awards for best musical, = score, and=20 libretto.
Participation=20
with the Hudson Players is open to all. Currently the theater is =
presenting the=20
comedy Dearly Departed Friday and Saturday evenings until =
November=20
16. Call 330-655-8522 for ticket information and additional audition=20
information.
= November 8th, 9th, 10th, 15th, 16th and 17th are the performance dat= es with Friday and Saturday shows at 8:00 PM and Sunday matinee= s beginning at 3:00 PM. Shows are performed at the Matousek Au= ditorium, 4900 Turney Rd, Garfield Hts. OH. Ticket prices are adult= s $10.00, seniors and GHLT members $8.00 and children's tickets are $6.00= . Special seating and group rates are available - we've had several= Scout troops come and enjoy this family show. For more information= , please call 216-581-7554.
"Mirrors and Windows" (Solo Jonah = Koslen)"Live in the Bubble" (Previously=20 un-released, live Breathless material)"Orange" (Jonah Koslen and the=20 Heroes)"Aces" (Jonah Koslen and the=20 Heroes)
HEY EVERYBODY, AFTER A RIP ROARING DEBUT LAST WEEK, HFI CONTINUES THE FUNNY THIS WEEKEND AT THE POWERHOUSE PUB IN THEIR HILIARIOUS IMPROVISED REVUE. "CIRQUE DE SILLAY"
What: Habitat For Insanity - "Cirque de Sillay"
Where: Powerhouse Pub West bank of the Flats
When: 10pm, right after Flanagan's Wake! $8, $6 FOR STARVING STUDENTS
BRING YOUR FRIENDS, DRINK BEER AND LAUGH. THAT'S WHAT LIFE IS ABOUT! We don't know what the show is going to be about, but that's what makes it so darn funny.
You'll hear the answer to that musical question=20=
=E2=80=94 along with scores of other favorite pop standards =E2=80=94 if you=
join us at the first ever Actors' Summit New Year's Cabaret.
The the=
ater just off Hudson's Green will be transformed into a bistro for an evenin=
g of singing and dancing. You'll have a ringside table to see and hear your=20=
favorite performers do what they do best =E2=80=94 entertain you with their=20=
songs, stories, stand up and more.
Headlining the cast are Wayne S.=20=
Turney, Peter Voinovich, Frank Jackman, MaryJo Alexander, Connie Thackaberry=
and Keith Stevens. "There will also be some surprises," said MaryJo Alexand=
er, associate artistic director. "We're still getting calls from actors who=20=
want to perform."
The $30 ticket price includes entertainment, munchies=20=
and dancing; a cash bar for beer, wine and soft drinks. So eat, drink and be=
merry from 9 p.m. New Year's Eve to 1 a.m. on the first day of 2003, and, t=
o paraphrase that song from Gypsy, let us entertain you!
Reserve you=
r tickets by calling 330-342-0800.
Web site
Actors Summit Theate=
r can be found on the web at www.actorssummit.org. Actors' Summit is a profe=
ssional, not for profit, 501-c-3 professional arts organization. We are seek=
ing volunteers and board members. For more details please call MaryJo or Nei=
l at 330-342-0800.
Actors' Summit is a member of PACT, The Professio=
nal Alliance of Cleveland Theaters.
Actors' Summit is working under=20=
a developmental agreement with Actors' Equity Association (the Union of prof=
essional Actors and Stage managers).
WARNING: THE FOLLOWING REVIEW HAS BEEN RATED PG-13 BY THE CAST OF "GREASE 3." YOU READ THAT RIGHT, "GREASE 3." THERE IS NO JOY IN THIS WORLD--Jeff Holland and Vince Stillitano
MIKE: Well, that was mildly painful.
IKE: I'm sorry, but that wasn't no werewolf.
M: No, it was a woman with back hair and a mask.
I: The mask didn't look like a wolf. Looked more like Helena Bonham Carter in Planet of the Apes. Course, "Howler Monkey-A-Gogo" doesn't have as nice a ring to it.
M: It should have been called Transvestite-A-Gogo. I cannot believe crossdressing got more stage time than the actual werewolf.
I: Here's another title: The Monkey Horror Picture Show.
M: It started out as a mildly cute idea.
I: No, it didn't.
M: You're right. I was being polite. No, I'm not going to get into the whole "Man who spends all of Act 1 complaining about not getting chicks who, after putting on a dress and singing I Feel Pretty, apparently decides he's gay, kisses a couple of guys and then gets shot for no apparent reason except perhaps that he's discovered he's gay, which opens up a whole new can of worms" thing. What bugged me about the whole thing was the logistics. They find a bloody dress and give it to the guy to put on. Now, even though the woman was 5 foot five and the guy was six foot two, somehow the dress fits him better than it fit her, and, AND everyone mistakes this guy for the girl. WTF?!?
I: Remember, this takes place in 1959 and, as we know from movies, tv, and the-ater, people were dumber back then.
M: And that's another thing!
I: Oh, God!
M: There's a Psycho reference in the show. Psycho didn't come out until 1960!
I: Yeah, that kinda twisted my short hairs, too. So did that guy realize he was gay?
M: I'm not sure. For a show that has such broad characterizations, when it comes to plot it's subtle to the point of being cryptic.
I: I did like the rebel poet. He was by far the most interesting character in the show and he had the best song, "I Want to Kill my Ex-Girlfriend." Great title. All right, my turn to rag on something: The language.
M: You're complaining about language.
I: Apart from one fun usage of the F word--
M: Frankfurt?
I: No.
M: Follicle?
I: No.
M: Fellatio?
I: Shut up! Apart from that, there's a lotta bad words in this that are just there. They're not used for comedic effect, or dramatic,or any effect at all, actually. They just there. The shock effect of having stupid people from the 50's bein' all potty mouthed wore off way too quickly.
M: Did you just say potty mouthed?
I: What about it?
M: The Seventh Sign.
I: Shut up. And then there was the slut.
M: Holy tangent, Batman.
I: Now, Lord knows I am all for loose women.
M: It's a shame they're not all for you.
I: Now I don't know if this was an acting thing or a directing thing,but for some reason this chick seemed to need to vogue ever time she stopped moving. By Act 2 I wanted to tie her hands to her sides.
M: Keep your fetish fantasies to yourself, please.
I: I didn't mean it that way . . . much.
M: On the plus side, I really enjoyed the music for the show.
I: Me, too. Almost made me wish I could hear the lyrics.
M: Yes, there were some technical difficulties during the show. I'm assuming some of the mics were faulty.
I: Did everbody have mics? Couldn't tell. That reminds me, did you see the on-stage band?
M: How could I not? They were onstage.
I: Shut up! Apart from the piano player, who was also the musical director and a character in the show, the rest of them just sat there blankly like they were watchin' the eight hour director's cut of the Scooby Doo movie and the downers just kicked in. I gotta problem getting excited over watchin' a show when 1/4 of the people onstage can't even do it.
M: But at least we did get a werewolf.
I: Weremonkey.
M:(Deep voice) There monkey. There castle.
I: Why are you talking like that?
M: Because we wanted to end this with a cheap "Young Frankenstien" reference.
I: Oh, that's right.