[NEohioPAL]FREE-Wednesday, December 10th, with Robert Patterson:
Your friend, MITCH!
NOW-U-KNOW at rocketmail.com
Thu Dec 4 10:43:29 PST 2003
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I hope this information helps my fellow craftsmen and women who take this art seriously and look to take their talents to THAT NEXT LEVEL! I know many cannot travel right now, but if you can-here is something to take advantage of. Let's continue to put our artistic community on the map by improving our opportunities with quality projects and quality tools to enhance our talent. Corny? Maybe. But it's still rings true with me as being a necessity in order to evolve and improve what we've already started.Mitch Berlingeri (BERLIN-jerry)Making Your Craft Complete
a FREE seminar Wednesday, December 10th, with Robert Patterson
In the early part of the last century, the Group Theatre revolutionized the American theatre by incorporating a form of training based on the system of Constantin Stanislavski. The Group became a huge commercial success, and generated some of the greatest acting teachers of the 20th century: Lee Strasberg, Stella Adler, Robert Lewis, and most importantly Sanford Meisner.
But even in it's triumphs, the 'system' was evolving, and competing schools of thought emerged. Stella Adler and Sanford Meisner broke from Strasberg's psychological "method" after finding from Stanislavski that the system had grown from its earlier incarnation. She began teaching classes of her own and incorporated the new innovations, and Meisner formulated and began to teach "the reality of doing"-a new "technique." It was a tangible, teachable approach- it was the next great step in the evolution of the training of actors.
Throughout the last century, and up until today, these diverse traditions handed down from Stanislavski, the Group, and its offspring, have been taught to generations of actors.
And today
The teachers of "method-oriented" training claim to pass on the psychological techniques of Strasberg garnered from "25 years of study" with Strasberg himself. But does it take 25 years of STUDY to learn (or teach) any other craft besides acting?
Some studios have faculty that "are primarily performing artists," and I am sure that they are committed performing artists. But are they committed Master Teachers?
Even teachers of the "Meisner technique" have become academic, with certificate programs to award anyone who wishes to learn from his protégés. I am sure these diverse personalities pass on as best as possible what each of them recalls, but where is the next step? Where is the next revolution?
Isn't there a Master Teacher who has built upon the venerable work of these Great Master Teachers--evolving, revolutionizing, and completing the craft?
Yes. And Wednesday, December 10th at 6:00pm
Robert Patterson describes his REVOLUTIONARY and COMPLETE approach for the training of actors in this FREE one hour seminar.
Stanislavski conceived of a system,
Sanford Meisner shaped it into a teachable approach,
Robert Patterson has developed it into a complete craft.
The Work that is taught at The Robert Patterson Studio IS the new revolution for training in the craft of Acting. Robert Patterson's complete approach is the result of thirty years of teaching and is as revolutionary as the Group was 70 years ago. This is not "technique" from a year of basic exercises and a year of character work, after which a student applies his bag of tricks for life; this is acting as a complete craft, learned as one continuous action. When the student finishes, the work is then applied to a role as one continuous action leaving no "acting problems," no holes, and no questions. It is called The Work, because it is just that--it is the way an actor works. And it is complete.
FREE SEMINAR ENROLLING NOW:
Reserve your spot at the next seminar, and discover what's missing in your work.
The free session will be held at 170 West 74th Street on:
WEDNESDAY December 10th at 6:00pm
SPACE IS LIMITED
Call now to secure your spot:
212-840-1234
www.rpattersonstudio.com
Introductory class forming now.
Full Program beginning in January
SO FOCUSED and STILL makin' things happen!
http://TheAnswer.mustbehere.com
The fansite boasting over 6,700+ friends/ coming home, again!
©1991 The MAB/EG--------The MAB/EG ©2003
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<H1><SPAN style="FONT-FAMILY: Times New Roman"><FONT color=#ff0000 size=2>I hope this information helps my fellow craftsmen and women who take this art seriously and look to take their talents to THAT NEXT LEVEL! I know many cannot travel right now, but if you can-here is something to take advantage of. Let's continue to put our artistic community on the map by improving our opportunities with quality projects and quality tools to enhance our talent. Corny? Maybe. But it's still rings true with me as being a necessity in order to evolve and improve what we've already started.</FONT></SPAN></H1>
<H1><SPAN style="FONT-FAMILY: Times New Roman"><FONT color=#ff0000 size=2>Mitch Berlingeri (BERLIN-jerry)</FONT></SPAN></H1>
<H1><SPAN style="FONT-FAMILY: Times New Roman"><U>Making Your Craft Complete</U></SPAN></H1>
<P class=MsoNormal><FONT face="Times New Roman"><B><FONT size=3>a FREE seminar Wednesday, December 10th, with Robert Patterson</FONT></B><SPAN style="FONT-SIZE: 9pt"><?XML:NAMESPACE PREFIX = O /><O:P> </O:P></SPAN><SPAN style="FONT-SIZE: 10pt"><O:P></O:P></SPAN></FONT></P>
<P class=MsoNormal><FONT face="Times New Roman" size=3>In the early part of the last century, the Group Theatre revolutionized the American theatre by incorporating a form of training based on the system of <B>Constantin Stanislavski</B>. The Group became a huge commercial success, and generated some of the greatest acting teachers of the 20<SUP>th</SUP> century: <B>Lee Strasberg</B>, <B>Stella Adler</B>, <B>Robert Lewis</B>, and most importantly <B>Sanford Meisner</B>. <O:P></O:P> <O:P></O:P></FONT></P>
<P class=MsoNormal><FONT face="Times New Roman" size=3>But even in it's triumphs, the 'system' was evolving, and competing schools of thought emerged. Stella Adler and Sanford Meisner broke from Strasberg's psychological "method" after finding from Stanislavski that the system had grown from its earlier incarnation. She began teaching classes of her own and incorporated the new innovations, and Meisner formulated and began to teach "the reality of doing"-a new "technique." It was a tangible, teachable approach- it was the next great step in the evolution of the training of actors. <O:P></O:P><O:P></O:P></FONT></P>
<P class=MsoNormal><FONT face="Times New Roman"><FONT size=3>Throughout the last century, and up until today, these diverse traditions handed down from Stanislavski, the Group, and its offspring, have been taught to generations of actors. </FONT><SPAN style="FONT-SIZE: 10pt"><O:P></O:P></SPAN><O:P></O:P></FONT></P>
<P class=MsoEndnoteText><FONT face="Times New Roman"><B>And today</B></FONT></P>
<P class=MsoBodyText><FONT face="Times New Roman">The teachers of "method-oriented" training claim to pass on the psychological techniques of Strasberg garnered from "25 years of study" with Strasberg himself. But does it take 25 years of STUDY to learn (or teach) any other craft besides acting?<SPAN style="FONT-SIZE: 10pt"><O:P> </O:P></SPAN></FONT></P>
<P class=MsoNormal><FONT face="Times New Roman"><FONT size=3>Some studios have faculty that "are primarily performing artists," and I am sure that they are committed performing artists. But are they committed Master Teachers?</FONT><SPAN style="FONT-SIZE: 10pt"><O:P> </O:P></SPAN></FONT><SPAN style="FONT-SIZE: 10pt"><FONT face="Times New Roman"><O:P></O:P></FONT></SPAN></P>
<P class=MsoBodyText><FONT face="Times New Roman">Even teachers of the "Meisner technique" have become academic, with certificate programs to award anyone who wishes to learn from his protégés. I am sure these diverse personalities pass on as best as possible what each of them recalls, but where is the next step? Where is the next revolution?</FONT><SPAN style="FONT-SIZE: 10pt"><FONT face="Times New Roman"><O:P> </O:P></FONT></SPAN></P>
<P class=MsoBodyText><FONT face="Times New Roman">Isn't there a Master Teacher who has built upon the venerable work of these Great Master Teachers--evolving, revolutionizing, and completing the craft?</FONT><SPAN style="FONT-SIZE: 10pt"><FONT face="Times New Roman"><O:P> </O:P></FONT></SPAN></P>
<P class=MsoNormal><FONT face="Times New Roman"><SPAN style="FONT-SIZE: 10pt"> </SPAN><FONT size=4>Yes. And Wednesday, December 10th at 6:00pm</FONT><SPAN style="FONT-SIZE: 10pt"><O:P> </O:P></SPAN></FONT></P>
<P class=MsoNormal style="TEXT-ALIGN: center" align=center><FONT face="Times New Roman" size=3><B>Robert Patterson</B> describes his <B>REVOLUTIONARY </B>and<B> COMPLETE</B> approach for the <B>training</B> of <B>actors</B> in this <B>FREE</B> one hour seminar.<O:P> </O:P><O:P></O:P></FONT></P>
<P class=MsoNormal><B><FONT face="Times New Roman" size=3>Stanislavski</FONT></B><FONT face="Times New Roman" size=3> conceived of a system,<O:P> </O:P></FONT></P>
<P class=MsoNormal><FONT face="Times New Roman" size=3> <B>Sanford Meisner</B> shaped it into a teachable approach,<O:P> </O:P></FONT></P>
<P class=MsoNormal><FONT face="Times New Roman" size=3> <B>Robert Patterson</B> has developed it into a <I><U><B>complete</B></U></I> craft.<O:P> </O:P><O:P></O:P></FONT></P>
<P class=MsoNormal style="TEXT-INDENT: 0.5in"><U><FONT face="Times New Roman" size=3>The Work</FONT></U><FONT face="Times New Roman" size=3> that is taught at <B>The Robert Patterson Studio</B> IS the new revolution for training in the craft of Acting. Robert Patterson's complete approach is the result of thirty years of teaching and is as revolutionary as the Group was 70 years ago. This is not "technique" from a year of basic exercises and a year of character work, after which a student applies his bag of tricks for life; this is acting as a complete craft, learned as <I><U>one continuous action</U></I>. When the student finishes, the work is then applied to a role as <I><U>one continuous action</U></I> leaving no "acting problems," no holes, and no questions. It is called <U>The Work</U>, because it is just that--it is the way an actor works. And it is complete. <O:P></O:P><O:P></O:P><O:P></O:P></FONT></P>
<P class=MsoNormal><B><I><U><FONT face="Times New Roman" size=3>FREE SEMINAR ENROLLING NOW: <O:P></O:P></FONT></U></I></B></P>
<P class=MsoNormal style="TEXT-ALIGN: center" align=center><FONT face="Times New Roman" size=3>Reserve your spot at the next seminar, and discover what's missing in your work.<O:P> </O:P></FONT></P>
<P class=MsoNormal><FONT face="Times New Roman"><FONT size=3>The free session will be held at 170 West 74<SUP>th</SUP> Street on:</FONT><SPAN style="FONT-SIZE: 10pt"><O:P> </O:P></SPAN></FONT></P>
<P class=MsoNormal style="TEXT-ALIGN: center" align=center><SPAN style="FONT-WEIGHT: 700; FONT-SIZE: 20pt; FONT-FAMILY: Times New Roman">WEDNESDAY December 10<SUP>th</SUP> at 6:00pm</SPAN></P>
<P class=MsoNormal><FONT face="Times New Roman" size=3><B>SPACE IS LIMITED<O:P> </O:P><BR></B></FONT><FONT face="Times New Roman"><B><FONT size=3>Call now to secure your spot: </FONT></B><SPAN style="FONT-SIZE: 10pt"><O:P></O:P></SPAN></FONT></P>
<P class=MsoNormal style="TEXT-ALIGN: center" align=center><FONT face="Times New Roman"><FONT size=6>212-840-1234</FONT><SPAN style="FONT-SIZE: 24pt"><O:P> </O:P><BR></SPAN></FONT><SPAN style="FONT-SIZE: 24pt"><FONT face="Times New Roman"><A target=_blank href="http://www.rpattersonstudio.com/">www.rpattersonstudio.com</A><O:P> </O:P></FONT></SPAN></P>
<P class=MsoNormal align=center><SPAN style="FONT-SIZE: 20pt"><FONT face="Times New Roman">Introductory class forming now.<O:P> </O:P><BR>Full Program beginning in January</FONT></SPAN></P></DIV><BR><BR><DIV>
<P align=center><FONT face=Verdana><STRONG>SO FOCUSED </STRONG>and <STRONG><U>STILL</U> </STRONG>makin' things happen!</FONT></P>
<P align=center><FONT face=Verdana><A href="http://theanswer.mustbehere.com/"><STRONG>http://TheAnswer.mustbehere.com</STRONG></A></FONT></P>
<P align=center><FONT face=Verdana size=1><STRONG>The fansite boasting over 6,700+ friends/ coming home, <U>again!</U></STRONG></FONT></P>
<P align=center><FONT face=Verdana size=1>©1991 The MAB/EG--------The MAB/EG ©2003</FONT></P></DIV>
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