[NEohioPAL]Cleveland Public Theatre presents the award-winning BIG [BOX] series

[Dan Kilbane]

For Immediate Release
Contact:  Dan Kilbane, Publicist
216/631-2727 ext. 203
dkilbane at cptonline.org <mailto:dkilbane at cptonline.org>
promotional photos available upon request
December 15, 2003
CLEVELAND PUBLIC THEATRE PRESENTS THE AWARD-WINNING BIG [BOX] SERIES

Big [BOX]
January 2 - January 25, 2004
The Upstairs Theatre

CLEVELAND, OH - Executive director James Levin and artistic director Randy
Rollison are proud to present the award-winning BIG [BOX] series, now in its
second year.  Big [BOX] focuses on the independent creative artist and the
exciting things that can happen when one is given the space and time to
create. Throughout January 2004, Cleveland Public Theatre turns the Upstairs
Theatre over to a different individual or set of artists each week.
Writers, directors, actors, and designers will dedicate themselves to
creating new and original work, or stretching their artistic powers by
working in new disciplines.

Two of last year’s BIG [BOX] artists are part of CPT’s current season:
Charge, written by Eric Kaiser, will have a full production in February
2004, co-produced with TITLEWave theatre.  Antaeus Dance will be part of
Danceworks 04, presented in March 2004.

Additionally, two of last year’s participants moved their shows to theatre
festivals in August 2003:  David Hansen’s I Hate This ran at the Minnesota
Fringe Festival, and Michael Sepesy’s Loserville was produced at the New
York International Fringe Festival.

The 2003 BIG [BOX] series received a Cleveland Theater Collective award of
achievement this past June, honoring CPT’s commitment to artists.  Formed in
2000 to promote the professional development of Cleveland area theater
artists, CTC initiated the awards this year as a way to celebrate and
validate excellence in local theater.

Following is the 2004 BIG [BOX] schedule.  All performances take place in
the Upstairs Theatre, 6415 Detroit Ave., Cleveland, OH, 44113. Performances
are Fridays and Saturdays at 8:00 p.m., and Sundays at 3:00 p.m.  All
tickets are $10.  Reservations can be made by calling 216/631-2727.

January 2 - 4
The Secretaries
written by The Five Lesbian Brothers
directed by Trad A Burns

Every thirty days, the five secretaries of an Oregon lumber mill kill a
lumberjack for his clothing.  After all, men’s clothing is much better made
and cheaper than women’s clothing!  Resident artist Trad A Burns takes on
The Five Lesbian Brothers.
Trad A Burns, CPT’s resident lighting designer, has created many set and
lighting designs for the CPT stage, and he adds director to his list of
credits for The Secretaries.  Recent design credits at CPT include Blue Sky
Transmission: A Tibetan Book of the Dead, Summer and Smoke, One Flea Spare,
The Fugitive Pieces, and Gross Indecency: The Three Trials of Oscar Wilde.
His other recent work includes designs featured at The Cincinnati Ballet,
BalletMet, Columbus, Knott’s Berry Farm, Cedar Point, Morrisondance, and
Cleveland Contemporary Dance Theatre. Along with his many free-lance
projects, Trad is the resident lighting designer for the Cincinnati Ballet,
creating the lighting most recently for George Balanchine’s Jewels,
Serenade, and Concerto Barocco, Kirk Peterson’s Sleeping Beauty, Trey
McIntyre’s Blue Until June, and John Butler’s Carmina Burana.  His upcoming
collaborations include new works by Donald McKayle, Trey McIntyre, Rene
Micheo and Victoria Morgan.  Trad’s fifteen-year association with Cedar
Point has made him one of the top lighting designers in the amusement park
industry.  His work has been seen at Disneyland, Disney World, Disneyland
Japan, Universal Studios, Florida, California and Japan, Islands of
Adventure, Knott’s Berry Farm, Six Flags, and Cedar Point.


January 9 - 11
4 Minutes to Happy
written and performed by Sarah Morton

"I've always been a good test taker," says our over-achieving narrator.  So
what happens when she flunks a doctor-administered depression test? In this
comic and revealing solo piece, one woman sets out on a quest for the
perfect way to "get happy," trying everything from hot showers to hip hop.
Will she succeed? A poetic and timely look at the pitfalls and detours we
sometimes encounter on the road to happiness.

Sarah Morton is an award-winning playwright and performer and a native of
Cleveland, Ohio. Recent productions of her plays include Night Bloomers at
Emerging Artists Theatre in New York City, Love in Pieces at the NYC
International Fringe Festival,  Stumble at Great Lakes Theater Festival
(2002 Surround Tour), and courage of i, which she co-wrote with the
residents of the Elyria Y, a transitional housing facility for women, and
produced by Cleveland Public Theatre. She has served as artist-in-residence
at Cleveland State University, Cleveland School of the Arts, and Hathaway
Brown School, and has been teaching in The Cleveland Play House's Young
Playwrights Workshop for the past six years. Her solo piece, The Eighth
Wonder of the World, was produced by Dobama's Night Kitchen and won a Scene
Award for Best Solo Performance.

January 16 - 18
The Eclectic Circus
created by Aaron Bonk, John Flower, Vincent J. Polowy, and Cassandra Vincent

Not under the Big Top, but out of the BIG [BOX] comes the Eclectic Circus.
Magic, mime, juggling, clowning, sideshow, and the spoken-word are included
in this multi-disciplinary performance.  Four artists come together as EC,
bringing together magic, music, mime, dance, juggling, and clowning, all in
a visual and electric evening!


January 23 - 25
The M.A.N. (a.k.a. The Magnificent Arrogant Nigger or I Never Learned to
Dance Like Fred Astaire)
Written, directed, and performed by Alex P. Michaels

This semi-autobiographical, audience interactive play looks at how a black
man can feel just as good as any white man.  Why does America not get it?

Emmy winning writer Alex P. Michaels was born in Cleveland and studied at
Stanford University. He is an actor, writer, director and a website
(www.alexmichaels.com). He has acted and directed on the stages of the
Karamu House and CPT. He has written and produced independent movies, which
have shown in the U.K., New York City and even Cleveland.

The mission of Cleveland Public Theatre is to inspire, nurture, challenge,
amaze, educate, and empower artists and audiences, in order to make the
Cleveland public a more conscious and compassionate community.

Cleveland Public Theatre and its artistic and education programs are funded
in part by the Cleveland Foundation, George Gund Foundation, Ohio Arts
Council, National Endowment for the Arts, Nord Family Foundation, John P.
Murphy Foundation, Kulas Foundation, Theatre Communications Group, Doris
Duke Charitable Foundation, Andrew W. Mellon Foundation, Bruening
Foundation, Codrington Foundation, Giant Eagle Foundation, Thomas White
Foundation, Community Foundation of Greater Lorain, Family Foundations of
Jewish Community Federation, Dolphin Trust, Saint Ann Foundation, Deaconess
Foundation, O’Neill Foundation, Stocker Foundation, Key Foundation, Nordson
Foundation, Wolf Foundation, Forest City, Alcoa, Third Federal, Huntington
National Bank, National City Bank, and other corporate and individual
contributors.



Dan Kilbane
Publicist
Cleveland Public Theatre
6415 Detroit Ave.
Cleveland, OH  44102
tel:  216/631-2727 ext. 203
fax:  216/631-2575
www.cptonline.org
dkilbane at cptonline.org

a delicious holiday romp!
MRS. BOB CRATCHIT'S WILD CHRISTMAS BINGE
EXTENDED through December 28, 2003