[NEohioPAL]Cleveland Public Theatre presents DON"T START ME TO TALKING, April 1 - 4, 2004

[Dan Kilbane]

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For Immediate Release
Contact: Dan Kilbane, Publicist
216.631.2727 ext. 203
dkilbane at cptonline.org <mailto:dkilbane at cptonline.org>
promotional photos are available upon request

March 10, 2004

CLEVELAND PUBLIC THEATRE PRESENTS
DON'T START ME TO TALKING OR I'LL TELL YOU EVERYTHING I KNOW:  SAYINGS FROM
THE LIFE AND WRITINGS OF 
JUNEBUG JABBO JONES
A remarkable collection of tales and anecdotes as told by the folkloric
character, 
Junebug Jabbo Jones.
"The subtlety and strength of Mr. O'Neal's performances are something to
behold.  He is a very funny man and he is a great actor." -The New Yorker
April 1 - 4, 2004

CLEVELAND, OH - Executive Director James Levin and Artistic Director Randy
Rollison are proud to present Don't Start Me to Talking or I'll Tell You
Everything I Know:  Sayings From the Life and Writings of Junebug Jabbo
Jones, written and performed by John O'Neal.  Don't Start Me to Talking is
an entertaining collection of six tales and anecdotes told by a mythic
storyteller. Junebug brings magical stories about his experience growing up
in Pike County, Mississippi, and his journey into the big world beyond, to
CPT's Upstairs Theatre for four performances only from April 1 - 4.  

Junebug's wisdom is immense:  from simple lessons of respect to the
complexity of redemption, this play is certain to teach and amaze.  Wherever
and whenever oppressed people have taken stock of their situations and begun
to consider what to do about it, Junebug Jabbo Jones or somebody like him
may be found nearby.  Coming from a long line of African storytellers like
Aesop, praise-singers, and street corner poets who chime the rhymes of Shine
and Stagolee, Junebug Jabbo Jones, played by John O'Neal, is a keeper of
dreams and other sacred things.  

Writer and performer John O'Neal gives "respect, humor and the quietest
passion" to the character of storyteller Junebug Jabbo Jones in six tales
that detail Junebug's history, background, and experiences growing up in
Pike County, Mississippi, and the journey outside his home to the big world.
Directed by Steve Kent and based on a production directed by Curtis L. King,
Don't Start Me to Talking or I'll Tell You Everything I Know:  Sayings from
the Life and Writings of Junebug Jabbo Jones runs from April 1 - 4 in CPT's
Upstairs Theatre.  Thursday, Friday, and Saturday performances are at 8:00
p.m., and the Sunday performance is at 3:00 p.m.  Ticket prices are $18
general, $15 for students and seniors.  Group rates are available.

Don't Start Me to Talking or I'll Tell You Everything I Know:  Sayings From
the Life and Writings of Junebug Jabbo Jones, premiered in 1982 by the
Provisional Theatre under the direction of Curtis L. King.  The Free
Southern Theater, the Black Theater Alliance of New York and the Baltimore
Theater Project presented earlier versions of the play as work-in-progress.
The piece was brought to its final form through a developmental
collaboration with Steven Kent. Don't Start Me to Talking or I'll Tell You
Everything I Know: Sayings from the Life and Writings of Junebug Jabbo Jones
was developed with support from the Louisiana Division of the Arts, the
Contemporary Arts Center, the New Orleans Jazz and Heritage Festival
Foundation, the California Arts Council, and Alternate Roots.  Don't Start
Me to Talking is the first volume in the Junebug Jabbo Jones Cycle of Plays
that is made up of three plays.  In 1985 O'Neal and Kent were joined by new
collaborators, such as poet and playwright Barbara Watkins of Seven Stages
Theater of Atlanta, GA and the Wisdom Bridge Theater of Chicago, for work on
a second piece for the Junebug character: You Can't Judge a Book By Looking
at the Cover:  Sayings From the Life and Writings of Junebug Jabbo Jones.
The third play, 'Til the Midnight Hour: Sayings from the Life and Writings
of Junebug Jabbo Jones was written and performed by O'Neal with Kent as the
director.  The Carver Cultural Center of San Antonio, TX co-commissioned the
new play in collaboration with Junebug Productions.  Enthusiastic audiences
have viewed the "subtlety and strength of Mr. O'Neal's performance" as
Junebug all across America and in Canada, France and Scandinavia.     

Since 1963, John O'Neal has been a leading advocate of the view that
"politics" and "art" are complementary terms.  O'Neal earned a BA degree
from Southern Illinois University in 1962, and upon graduation he became a
Field Secretary of the Student Nonviolent Coordinating Committee.  From this
involvement came the Free Southern Theater, which began as the Tougaloo
Drama Workshop, founded by O'Neal and Gilbert Moses at Tougaloo College in
1963, and grew to become a theater of national significance.  Settling in
New Orleans in 1965, the Free Southern Theater combined a touring repertory
company, a community engagement program in New Orleans, and training
workshops in Black Theater.  FST's purpose was "to use theater as an
instrument to stimulate the development of critical and reflective thought
among Black people in the South" and to support the efforts of those
involved in the Civil Rights Movement.  The FST expired in 1980.  That same
year O'Neal organized Junebug Productions, an arts organization based in New
Orleans, which he now serves as Artistic Director.  

In the past 17 years, O'Neal has performed and taught in all but two of the
United States, which have included all of the major cities, numerous small
towns, large universities, small colleges, one room school houses, and many
community organizations.  He has also been the featured speaker and/or
lecturer in many public celebrations, events and classrooms.  His
collaborations as a writer-performer include a two-person play about the
mythic character, Junebug Jabbo Jones, called Ain't No Use In Goin Home,
Jodie's Got Your Gal and Gone.  It is a full-length drama with music,
performed by O'Neal and Michael Keck, who also wrote the music.  There are
also four collaborations with other theater companies.  Junebug/Jack and
Roadbug are musical plays by the Junebug company and Roadside Theater, an
Appalachian theater company from Whitesburg, KY.  Crossing The Broken Bridge
is a collaboration between director Steve Kent and Naomi Newman of A
Traveling Jewish Theater.  Promise of a Love Song is a collaboration between
Junebug Productions, Roadside Theater and Pregones Theater, a Puerto Rican
theater company from the Bronx, NY.  

John O'Neal has been the recipient of many awards and fellowships, among
them the Louisiana Artist's Fellowship in Theater and grants from the
Rockefeller and Ford Foundations.  In 1998 he was awarded a major fellowship
for playwriting from the Rockefeller Foundation.  He was honored with an NEA
Playwriting Fellowship in 1990 for work on an epic poetic drama about the
slave insurrectionist Nat Turner.  O'Neal is also one of three subjects in
Doubleday's biography for young readers by Tom Cohen, Three Who Dared.  In
2003 Mr. O'Neal and his business partner, Theresa Holden, won the
prestigious Ford Foundation Award, The Leadership for a Changing World
Award, for work on their national, multi-year Color Line Project.  O'Neal's
essays and plays have been published in numerous books and journals such as
The Black Scholar, Tulane Drama Review, Black World, American Dialog, Yale
Theatre, Plays from the Southern Theater and The Black Aesthetic.  His
poetry has also been published in New Black Voices.  He is a regularly
featured columnist in Southern Exposure magazine, and contributed an essay
on Junebug's Environmental Justice Project to a forthcoming book on
environmental racism.  O'Neal completed a three-year stint as Visiting
Professor in the theater department at Cornell University, Ithaca, NY,
served three terms as Chairman of Alternate ROOTS (Regional Organizations of
Theaters South), and is a founding member of the American Festival Project,
a national coalition of performing arts organizations.  O'Neal is also a
member of the Actor's Equity Association and the Dramatist's Guild.  Most
recently, Mr. O'Neal was a Visiting Professor at University of Louisville in
the theater department.  His most recent project, The ColorLine Project, is
a story collecting and performance event about the Civil Rights Movement.
Communities across the U.S. have undertaken a story collection process about
the Civil Rights Movement and then, aided by Mr. O'Neal and his colleagues,
discover ways to publicly present the stories to the public in order to
stimulate further dialog about the theme and importance of personal story.

Steven Kent is one of the most sought after directors and acting teachers
working in contemporary American theater.  Aside from his work with John
O'Neal and Junebug Productions, he has had productions at the Mark Taper
Forum in Los Angeles, the Tennessee Repertory Theater in Nashville, the
International Brecht Festival in Toronto, and the Milwaukee Repertory
Theater, among others. From its formation in 1972 until it expired in 1983,
Steve was the artistic director of the Provisional Theater.  Before then he
was a founder and artistic director of the Company Theater and the Watts
Towers Theater Workshop.  He has been director and collaborator on numerous
distinguished original productions, among them Dreams Against The State,
Still Time, Inching Through The Everglades, WA: A Vietnam Primer, Dominus
Marlowe, The Emergence and The James Joyce Memorial Liquid Theater.  With
renowned actor Joseph Chaiken, Steve adapted Samuel Beckett's Texts.  He
directed Chaiken in the play, which was produced by Joseph Papp in New York,
London, and Paris.  Kent is most recently the director and collaborator on
John O'Neal's most recent collaboration, Promise of a Love Song, a musical
play by Junebug Productions, Roadside Theater, and Pregones Theater.

Junebug Productions is a professional African-American arts organization
located in New Orleans, Louisiana.  Its mission is to create, produce, and
present high quality theater, dance and music that inspire and support
people who work for justice in the African-American community and in the
world.  Junebug Productions currently has 10 plays in its repertoire, three
of them intercultural collaborations.  For the past 19 years, the company
has toured the U.S. and performed internationally.  In the post-segregation
era, Junebug Productions remains conscious of those bloody, difficult
integration struggles of the Civil Rights Movement that have now created a
new set of equally challenging conditions.  A vital legacy of the Movement
is the recognition that the greatest subsidies required for the development
of culture usually come from the artists themselves.  Therefore, Junebug
Productions developed a working style based on collaboration among creative
artists, managers, and community organizations that share a commitment to
similar goals and a desire to maximize scarce resources.  The newest play to
be added to Junebug Productions' repertoire is Like Poison Ivy: Variations
on Mood Indigo, a play about Environmental Racism and its devastating
consequences on the lives of the people it effects.  The play was originally
written for Junebug Productions' Environmental Justice Festival in New
Orleans, and premiered in New Orleans in August 2003.  Preacher Man!
Preacher Man!  is a full musical play, set in New Orleans, with music by
Roger Dickerson, and will be produced in 2004-2005.

Don't Start Me to Talking or I'll Tell You Everything I Know:  Sayings from
the Life and Writings of Junebug Jabbo Jones opens on Thursday, April 1 and
runs through Sunday, April 4, 2004 at Cleveland Public Theatre's Upstairs
Theatre, located at 6415 Detroit Avenue. Performance times are at 8:00 p.m.
Thursday, Friday, and Saturday, with a 3:00 p.m. matinee on Sunday.  Ticket
prices are $18 general admission, $15 for students and seniors.  Group rates
are available.  Call 216.631.2727 for tickets and more information. 

The mission of Cleveland Public Theatre is to inspire, nurture, challenge,
amaze, educate and empower artists and audiences, in order to make the
Cleveland Public a more conscious and compassionate community.

Don't Start Me to Talking is supported by the Heartland Arts Fund, a program
of Arts Midwest, funded by the National Endowment for the Arts with
additional contributions from General Mills Foundation, Land O'Lakes
Foundation, Sprint Corporation, and the Ohio Arts Council.
 
Cleveland Public Theatre and its artistic and education programs are funded
in part by funding from Cleveland Foundation, George Gund Foundation, Ohio
Arts Council, National Endowment for the Arts, Nord Family Foundation, John
P. Murphy Foundation, Kulas Foundation, Theatre Communications Group, Doris
Duke Charitable Foundation, Andrew W. Mellon Foundation, Bruening
Foundation, Codrington Foundation, Giant Eagle Foundation, Thomas White
Foundation, Community Foundation of Greater Lorain, Family Foundations of
Jewish Community Federation, Dolphin Trust, Saint Ann Foundation, Deaconess
Foundation, O'Neill Foundation, Stocker Foundation, Key Foundation, Nordson
Foundation, Wolf Foundation, The Doll Family Foundation, Raymond John Wean
Foundation, The Ellie Foundation, Cyrus Eaton Foundation, Forest City,
Alcoa, Third Federal, Huntington National Bank, National City Bank, and
other corporate and individual contributors.

Cleveland Public Theatre Fact Sheet
Production
Don't Start Me to Talking or I'll Tell You Everything I Know: Sayings from
the Life and Writings of Junebug Jabbo Jones 
Written by John O'Neal

Artistic Staff
Director, Steve Kent

Cast
Junebug Jabbo Jones: John O'Neal

Performance Dates and Times
Opening		Thursday, April 1, 2004	8:00 p.m.
Closing			Sunday, April 4, 2004	3:00 p.m.
Run			April 1, 2, 3, and 4
Times			Thursday, Friday, and Saturday at 8:00 p.m.
			Sunday at 3:00 p.m.

Ticket Prices
$18 general admission
$15 students and seniors

"Pay What You Can" Policy
Patrons who cannot afford the regular ticket price can request a "Pay What
You Can" ticket by coming to the CPT Box Office the day of the performance.
There is a $1 minimum, with a maximum of a four-person party.  Patrons will
either be sold a ticket, or depending on demand, placed on a waiting list
for tickets to be released at curtain time.  "Pay What You Can" is not
available for advance purchases.




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