[NEohioPAL]FW: PRESS RELEASE: Cleveland Public Theatre's A BRIGHT ROOM CALLED DAY

[Dan Kilbane]

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> For Immediate Release
> Contact:  Dan Kilbane, Director of Marketing & Public Relations
> 216/631-2727 ext. 203
> dkilbane at cptonline.org <mailto:dkilbane at cptonline.org>
> promotional photos available by request
> September 30, 2004
> Cleveland Public Theatre Stages Tony Kushner's A Bright Room Called Day
>  A Play Written For Reagan's Second Inauguration Has Even More Startling
> Relevance Now 
> 
> A Bright Room Called Day
> Produced by Cleveland Public Theatre
> Written by Tony Kushner
> Directed by Lester Thomas Shane
> Previews October 14 & 15; Running October 16 - 30, 2004
> Gordon Square Theatre
> 
> CLEVELAND, OH -- Cleveland Public Theatre's Executive/Artistic Director
> Randy Rollison is proud to announce the first Featured Production of the
> 2004 - 05 season, a play by one of the world's best living playwrights,
> Tony Kushner's A Bright Room Called Day.  Written twenty years ago as a
> response to Reagan's second inauguration by the Pulitzer Prize winning
> writer of Angels in America, the play has even more startling relevance
> now, as the United States barrels towards its next Presidential election.
> Day is the first of three Featured Productions series running in the
> historic Gordon Square Theatre, previewing October 14 and 15, and opening
> on Saturday, October 16, running through Saturday, October 30, 2004.
> 
> A Bright Room Called Day follows an eclectic mix of friends living in
> Germany during the Weimar Republic as they deal with the alarming changes
> in their government. While the Nazis come to power, this group of artists
> react with a range of responses.  Alarmed at the changes around them, a
> dark force taking over their government, they do not get as much work as
> they used to. Friends are being threatened and are going into hiding. Is
> individual liberty at stake?  Hitler's shadow is growing.  What does one
> do?
> 
> Join CPT for Opening Night!  New this year: performance at 7pm (patrons
> enjoy a complimentary glass of beer or wine before the show), then a party
> catered by Cleveland's newest downtown hotspot restaurant, Titantic, and
> Ohio City mainstay, Opa! Catering.  With the Opening Night moved to an
> earlier time, CPT strengthens its commitment to make theatre a social
> event, and not with the same old kind of party.  Tickets for Opening Night
> are $35.
> 
> 
> The production is directed by Lester Thomas Shane, who helmed CPT's
> productions of Hedwig and the Angry Inch and Sweet Phoebe.   The cast
> features Bernice Bolek, Alison Hernan, Holly Holsinger, Charles F.
> Kartali, Jill Levin, Tracee Patterson, Randy Rollison, Michael Seevers,
> Jr., Tom Weaver, and Beth Wood.  The rest of the creative team includes
> Music Direction by Michael Seevers, Jr., Production Design by Trad A
> Burns, Assistant Production Design by Steven Mack, Costume Design by
> Alison Hernan, Sound Design by Bill Amato, Properties Design by Jeanetta
> Ho, and Production Stage Management by Eileen Arnold.  
> 
> A post-performance talkback with the artists will take place Sunday,
> October 17, immediately following the 3:00 p.m. performance.  
> 
> Tony Kushner's (Playwright) plays include A Bright Room Called Day, Angels
> In America, Parts One and Two, Slavs!, Homebody/Kabul, and Caroline, or
> Change, a musical with composer Jeanine Tesori. He has written adaptations
> of Corneille's The Illusion, S.Y. Ansky's The Dybbuk, and Brecht's The
> Good Person of Sezuan; as well as English-language libretti for the operas
> Brundibar by Hans Krasa, and The Comedy on the Bridge by Bohuslav Martinu.
> His screen adaptation of Angels in America, directed by Mike Nichols,
> premiered in 2003 on HBO and won a record eleven Emmy Awards. Recent books
> include Brundibar, with illustrations by Maurice Sendak; the text for The
> Art of Maurice Sendak, 1980 to the Present; and Wrestling With Zion:
> Progressive Jewish-American Responses to the Palestinian/Israeli Conflict,
> co-edited with Alisa Solomon.
> 
> Lester Thomas Shane (Director) returns to CPT, having directed Hedwig and
> the Angry Inch, Sweet Phoebe, Science Gets Serious, Aubrey Wertheim's
> Costume Drama for the New Plays Festival, and performing his award-winning
> one-man show Mortal Coil here.  As Artistic Director of Jacksonville, FL's
> Shakespeare in San Marco, he directed The Tempest, Hamlet, Twelfth Night
> and Macbeth. Other directing credits include Loot, (T. Schreiber Studio);
> Shatter The Vessel, (Charlottesville, VA New Play Festival); Hedda Gabler,
> Summer & Smoke (Manhattan Theatre Club); The White Whore and the Bit
> Player (The Production Company); Pretty Witty Nell, Grit in a Sensitive
> Instrument (Vineyard Theatre); Pearl (Pulse Ensemble); and Bus Stop,
> Blithe Spirit (Findlay SummerStock).  As Director-in-Residence of New
> York's The Basic Theatre, he directed the New York premieres of Shaviana,
> Bertolt Brecht: In Dark Times, The Haircut, and Santa Monica Threeway,
> revivals of Sure Thing, Let Us Go Into The Starry Night and Shakespeare's
> Titus Andronicus.   At the Alabama Shakespeare Festival he played leading
> roles like Mercutio, Tartuffe and Puck and served as the company Voice and
> Movement Master.  Other acting credits include "Ariel" in The Tempest
> (People's Light & Theatre Co.), "He" in Counting the Ways (PAI Rep), and a
> tour of All Compact.  A series of Lester's plays for children was
> published by Sundance.  For A&E Biography he wrote James Brown, Tyrone
> Power, and Carmen Miranda.  For AMC he wrote the history, 20th Century
> Fox: The First Fifty Years; and for Discovery, Nazis: The Occult
> Conspiracy.  Shane is on the faculty of The New Actors Workshop and The
> TADA! Ensemble.  The video of Mortal Coil has been incorporated into the
> curriculum for training doctors on end of life care at Columbia and UCLA.
> Lester continues to tour the production.
> 
> The cast is a mix of familiar faces to CPT audiences, as well as those
> familiar with Cleveland theatre in general:  Bernice Bolek (Die Alte), was
> recently named "Best Actress" in Scene's "2004 Best of Cleveland" Awards
> for her role in Ensemble Theatre's Three Tall Women.   Alison Hernan
> (Zillah Katz), possibly the busiest woman in Cleveland theatre at the
> moment, currently directs Bad Eptitaph Theatre Company's Othello (playing
> through October 23 at CPT's Orthodox space), and was seen last season on
> the CPT stages in Discordia.   Holly Holsinger (Annabella Gotchling), a
> longtime CPT staffer, performed in last season's The Cult at CPT, and
> helped found Wishhounds Theatre.  Charles F. Kartali (Gottfried Swetts),
> recently directed Ears on a Beatle at Dobama Theatre.  Jill Levin (Agnes
> Eggling), played Barbara in the CPT-Great Lakes Theatre Festival
> partnership production Nickel and Dimed, and had roles in Discordia and
> the CPT-TITLEWave theatre co-production Charge.   Tracee Patterson
> (Paulinka Erdnuss) was part of the ensemble of CPT-GLTF's Nickel and
> Dimed.  Randy Rollison (Vealtninc Husz), is CPT's Executive/Artistic
> Director and has a long list of CPT acting and directing credits.  Michael
> Seevers, Jr. (Gregor Bazwald), was the music director for CPT's Mrs. Bob
> Cratchit's Wild Christmas Binge and Uncle Tom's Cabin, and appeared in our
> production of Hedwig and the Angry Inch.  Tom Weaver (Emil Traum) was part
> of the ensemble of the CPT-ACTIVE EYE co-production Dojoji, and Elizabeth
> R. Wood (Rosa Malek), was last seen on CPT's stages in Mrs. Bob Cratchit's
> Wild Christmas Binge.
> 
> A Bright Room Called Day is the first of three Featured Productions in
> CPT's 2004-05 season, a series that features three of the best living
> American playwrights.  Along with the other two plays in this series,
> Suzan-Lori Parks' Venus and Christopher Durang's Betty's Summer Vacation,
> Day will be staged in Cleveland's oldest theatre, the Gordon Square
> Theatre.  Each of these three productions continue CPT's commitment to
> adventurous theatre.  Featured Productions subscriptions are available in
> four package; patrons choose a specifc day of the week to see shows, and
> they receive tickets for all three plays for that particular day of the
> week:  Friday Night Preview (October 15, 2004, February 11 and May 13,
> 2005 at 8:00 p.m., $36); Saturday Opening Night and Party (October 16,
> 2004, February 12 and May 14, 2005 at 7:00 p.m., $90); First Sunday
> Matinee (October 17, 2004, February 13 and May 15, 2005 at 3:00 p.m.,
> $45); and First Friday Night (October 22, 2004, February 18 and May 20,
> 2005 at 8:00 p.m., $48)  
> 
> The mission of Cleveland Public Theatre is to foster a more conscious and
> compassionate community through the arts.
> 
> A Bright Room Called Day is supported in part by a generous gift from
> Deborah and Ron Ratner.  
> 
> Cleveland Public Theatre and its artistic and education programs are
> funded in part by The Cleveland Foundation, The George Gund Foundation,
> Ohio Arts Council, Greater Cleveland Community Shares, Jakprints, The Free
> Times, D.H. Ellison Architects, Forest City Enterprises, Theatre
> Communications Group, CoolCleveland.com, National Endowment for the Arts,
> Nord Family Foundation, John P. Murphy Foundation, Kulas Foundation,
> Bruening Foundation, Codrington Foundation, Giant Eagle Foundation, Thomas
> White Foundation, Community Foundation of Greater Lorain, Family
> Foundations of Jewish Community Federation, The Dolphin Trust, Saint Ann
> Foundation, William J. and Dorothy K. O'Neill Foundation, Stocker
> Foundation, Key Foundation, Nordson Foundation, Martha Holden Jennings
> Foundation, The Heartland Arts Fund, Wolf Family Foundation, The Gerson
> Foundation, The Meisel Family Foundation, The Doll Family Foundation,
> Raymond John Wean Foundation, The Ellie Fund, Cyrus Eaton Foundation,
> Greater Cleveland Community Shares, Charitable Foundation, Alcoa
> Foundation, Capezio Foundation, Nathan and Regina Herman Foundation,
> Hankins Foundation, Wolpert Fund of the Cleveland Foundation, The
> Cleveland Browns Foundation, The Cleveland Plain Dealer, City
> Architecture, Benesch, Friedlander, Coplan, & Aronoff LPA, Ron and Deborah
> Ratner, Joan Horvitz, Roe Green Foundation, Fifth Third Bank, Huntington
> National Bank, National City Bank, Marous Brothers Construction, Stewart
> and Donna Kohl, and other corporate and individual contributors.
> 
> 
> Cleveland Public Theatre Fact Sheet
> Production
> A Bright Room Called Day written by Tony Kushner
> 
> Artistic Staff
> Director, Lester Thomas Shane
> Music Director, Michael Seevers, Jr.
> Production Design, Trad A Burns
> Associate Production Design, Steven Mack
> Costume Design, Alison Hernan
> Sound Design, Bill Amato
> Properties Design, Jeanetta Ho
> Stage Management, Eileen Arnold
> 
> Cast
> Die Alte:  Bernice Bolek
> Zillah Katz:  Alison Hernan
> Annabella Gotchling:  Holly Holsinger
> Gottfried Swetts:  Charles F. Kartali
> Agnes Eggling:  Jill Levin
> Paulinka Erdnuss:  Tracee Patterson
> Vealtninc Husz:  Randy Rollison
> Gregor Bazwald:  Michael Seevers, Jr.
> Emil Traum:  Tom Weaver
> Rosa Malek:  Elizabeth R. Wood 
> 
> Performance Dates and Times
> Previews		Thursday, October 14, 2004
> 7:30 p.m.
> 			Friday, October 15, 2004
> 8:00 p.m.
> Opening 		Saturday, October 16, 2004
> 7:00 p.m.
> Closing			Saturday, October 30, 2004
> 8:00 p.m.
> Run			October 16, 17, 21, 22, 23, 24, 28, 29, and 30	
> Times			Thursdays at 7:30 p.m.
> 			Fridays and Saturdays at 8:00 p.m. (except Opening
> Night Saturday, October 16, at 7:00 p.m.)
> 			Sundays at 3:00 p.m.
> 
> Ticket Prices
> Friday and Saturdays $24
> Thursdays $19
> Previews $14
> Under age 25:  $10
> 
> Reservations and information
> 216/631-2727
> Location
> CPT's Gordon Square Theatre 
> 
> www.cptonline.org
> 
> 
> 

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