[NEohioPAL]French film series opens, premieres, requests at Cinematheque

Tue Jan 4 13:59:26 PST 2005

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cinematheque
11141 East Boulevard                    Cleveland, Ohio  44106

January 6-9

TOUGH LOVE: The Films Of Maurice Pialat opens at Cinematheque this 
weekend!  The French filmmaker and painter died two years ago and Le 
Monde hailed him as "France's greatest director -- Bresson and Tati 
apart."  Pialat was a confrontational and demanding director, creating 
the careers for Gerard Depardieu and Sandrine Bonnaire, and making films 
that focused on everyday life, on society's forgotten individuals -- 
children abandoned or abused, cancer patients, hookers, loners, 
adulterers.  Known as "the French Cassavetes" Pialat's work  is stripped 
down much like the characters he shows us and as Kent Jones so elegantly 
describes Pialat to us in a magnificent series in the May/June 2004 
issue of Film Comment:  "Where the breaks in a Cassavetes film are 
strictly behavior-oriented, getting at the essential unpredictability of 
people, Pialat's often feel like frayed-edge manifestations of 
Tarkovsky's 'pressure of time'.  The exquisite agony of the moment, 
which must always come to an end, the transience of experience, 
eternally invigorating and just as frustrating -- few filmmakers have 
ever come as close to capturing it on film."

We will screen three Pialat films this weekend alone, one film is in two 
parts and will be shown at The Cleveland Museum of Art.  See our web 
site for a complete listing -- www.cia.edu/cinematheque

NAKED CHILDHOOD
L'ENFANCE NUE
France, 1968, Maurice Pialat
Thursday, January 6, at 7:00 pm
Pialat's first film, co-produced by Truffaut is a moving story of a 
troubled 10-year-old boy, abandoned by his mother, who is shunted from 
foster home to foster home, until a special relationship with an old 
grandmother halts his slide to delinquency.  Non-professional actors 
played in this raw but real, humane piece.  New 35mm print!  Subtitles.  
80 min.

LE GARCU
France, 1995, Maurice Pialat
Saturday, January 8, at 8:00 pm
Gerard Depardieu stars in Pialat's semi-auto final film, playing a 
bullying, self-absorbed Parisian professional man torn between the 
demands of his wife, mistress, dying father, and four-year-old son 
(played by Pialat's own child).  Never released in America here is a 
rare chance to see it.  Cleveland premiere!  Subtitles.  35mm.  102 min.

THE HOUSE IN THE WOODS (Part 1)
LA MAISON DES BOIS
France, 1971, Maurice Pialat
Sunday, January 9, at 1:15 pm at
The Cleveland Museum of Art
One of Maurice Pialat's greatest and most accessible works was made as a 
7-episode mini-series for French television (it will be shown here in 
two parts over two Sundays.)  Set in a rural French village during WWI, 
the movie focuses on a gamekeeper and his wife who take in abandoned 
children and struggle to survive the war.  Unmissable!  Subtitles.  Beta 
SP.  Part 1: 193 min.  Part 2: 167 min.  Shown at The Cleveland Museum 
of Art, 11150 East Blvd: film concludes on 1/16.  Admission to each part 
$7, CMA and Cinematheque members $5, seniors (65 & older) $4, students 
$3; no passes.

++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

Notes from the boardroom:  Listen to WCPN 90.3 FM this Thursday, January 
6 on the Around Noon show, John Ewing will be talking about all the 
films you should see here and at CMA.  John wanted me to tell you that 
the December 26 issue of the NY Times (that's the Sunday NY Times which 
I now receive each Sunday and love life even more for it!  There's 
nothing like the NY Times and a hot cup of coffee on a sleepy Sunday 
morning!  Anyway, the 12/26 issue highlights three Times critics and the 
22 films that were mentioned in the critics'  ten best lists.  The 
Cinematheque presented (or will present) the exclusive Cleveland 
showings of eight (8) of them:  THE BIG RED ONE, MOOLADE (both coming in 
February), BLIND SHAFT, BRIGHT LEAVES, GOODBYE DRAGON INN, THE MOTHER, 
TIME OF THE WOLF, TOKYO GODFATHERS.  8 out of 22 is a pretty good 
percentage!

Also this weekend we play three Cleveland area premieres, and two films 
that have been requested.  Join us for all the fun as we bring in 2005 
with a bang, literally!

ANATOMY OF HELL
ANATOMIE DE L'ENFER
France, 2004, Catherine Breillat
Thursday, January 6, at 8:40 pm
Saturday, January 8, at 10:00 pm
John Waters has called the new film by feminist Catherine Breillat 
(ROMANCE, FAT GIRL) "the most politically incorrect movie I've ever 
seen."  A beautiful young woman hires a gay man (Italian porn star Rocco 
Siffredi) to spend four nights with her in a remote seaside chateau.  
Initially charging him to watch her "repulsive" private regions - she 
soon ratchets up her demands until the two of them achieve an outre and 
taboo-breaking intimacy.  This study of gynephobia is alternately 
clinical, cerebral, sublime, and ridiculous.  "Breillat turns a 
philosophical speculum on gender relations to perverse (and perversely 
elegant) effect." - J. Hoberman. Village Voice.  NO ONE UNDER 18 
ADMITTED!!  Cleveland premiere!  Subtitles.  35mm.  80 min.

REMEMBER ME, MY LOVE
RICORDATI DI ME
Italy/France/Britain, 2003, Gabirele Muccino
Friday, January 7, at 7:30 pm
Saturday, January 8, at 5:30 pm
Monica Bellucci stars in this film that received the equivalent of 10 
Italian Oscar nominations -- about members of an Italian family, made 
dissatisfied with their lot in life and by the allure of pop culture, 
decide to expand their horizons.  Dad takes on an unfinished novel and 
an old flame, Mom resumes her long-abandoned acting career, and the 
shameless teenage daughter does anything to get on tacky TV game shows.  
Cleveland premiere!  Subtitles.  35mm.  125 min.  www.remembermemylove.com

THE RASPBERRY REICH
Germany/Canada, 2004, Bruce LaBruce
Friday, January 7, at 9:55 pm
Sunday, January 9, at 8:50 pm
The latest outrage from "the John Waters of Canada" is a funny farce 
inspired by 1970's terrorist groups like the S.L.A.  It follows the 
exploits of a blond-wigged, left-wing female extremist who believes that 
heterosexual monogamy is the opiate of the masses.  So, between 
sloganeering and kidnappings, she forces men to have sex with each 
other.  "Revolting and hilarious..." -The New York Times.  NO ONE UNDER 
18 ADMITTED!  Cleveland premiere!  Subtitles.  DVD.  90 min.  Shown in 
the Institute's Ohio Bell Auditorium.  www.theraspberryreich.com

SHADOW KILL
NIZHALKKUTHU
India/France, 2002, Adoor Gopalakrishnan
Sunday, January 9, at 7:00 pm
This poetic drama was the best film from our Global Lens series 
(presented last February) and serves as an enticing preview of the 
second (coming in May).  It tells the story set in pre-independent 1941 
Inida about an aging hangman who, haunted by guilt over a lifetime of 
political executions (including the deaths of innocent people), resorts 
to drink and loses his grip on reality.  Director Gopaladrishnan is 
arguably India's greatest living filmmaker!  Malayalam with subtitles.  
35mm.  91 min.  Shown as part of The NY Times 4th Annual National Arts & 
Leisure Weekend:  Times readers receive two tickets for one admission 
price with the presentation of their access pass.

THE BROWN BUNNY
USA/Japan/France, 2003, Vincent Gallo
Sunday, January 9, at 8:55 pm
Gallo and Chloe Sevigny star in Gallo's controversial, minimalist road 
movie about a distraught motorcycle racer making a melancholy 
cross-country trek to the woman who haunts his memory.  Our memory will 
not forget the blow job Sevigny gives Gallo's character in the film!  NO 
ONE UNDER 18 ADMITTED!  35mm.  92 min. 

NEXT WEEK:

WE WILL NOT GROW OLD TOGETHER - I used to tell my ex this all the time.  
Another film from Maurice Pialat about an extramarital affair with a 
much younger woman.  One of Pialat's best films!

TESTOSTERONE - Cleveland premiere of a novelist bereft over the sudden 
departure of his lover Pablo, he travels to Buenos Aires to track him 
down and becomes embroiled with his imperious mother played by Sonia Braga.

P.S. - Laura Linney works at a university and finds her research in a 
graduate school applicant  (Topher Grace) who is the spitting image of 
her high school heart-throb who died in a car crash 20 years earlier.

WHEN WILL I BE LOVED - This is what I ask my current girlfriend now!  
Neve Campbell stars in the new film by James Toback (TWO GIRLS AND  A 
GUY) another tale of sex, money, power, and the city.  Campbell is hot 
as ever in this one!

LOULOU - 1980 film by Pialat -- a frank drama about a businesswoman who 
abandons her respectable lover and high-brow friends for better sex with 
a drunken, slovenly, inarticulate lout.  You go girl!

GOOD MORNING - 1959 Ozu film in a new 35mm color print!

THE HOUSE IN THE WOODS (Part 2) -- see the blurb for Part 1 at the top.

-- 
Timothy Harry
Assistant Director, Cleveland Cinematheque 
at The Cleveland Institute of Art
(216) 421-7450 PHONE
(216) 754-3632 FAX
tharry at gate.cia.edu
www.cia.edu/cinematheque

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<div align="center"><img
 alt="cinematheque" title="cinematheque"
 src="cid:part1.09080206.06000005 at gate.cia.edu" height="81" width="335"> 
11141 East Boulevard                    Cleveland, Ohio  44106 
<big><big> 
</big></big>
<div align="left"><big><big>January 6-9</big></big> 
</div>
 

<div align="left">TOUGH LOVE: The Films Of
Maurice Pialat opens at Cinematheque
this weekend!  The French filmmaker and painter died two years ago and Le
Monde hailed him as "France's greatest director -- Bresson and
Tati apart."  Pialat was a confrontational and demanding director,
creating the careers for Gerard Depardieu and Sandrine Bonnaire, and
making films that focused on everyday life, on society's forgotten
individuals -- children abandoned or abused, cancer patients, hookers,
loners, adulterers.  Known as "the French Cassavetes" Pialat's work  is
stripped down much like the characters he shows us and as Kent Jones so
elegantly describes Pialat to us in a magnificent series in the
May/June 2004 issue of Film Comment:  "Where the breaks in a
Cassavetes film are strictly behavior-oriented, getting at the
essential unpredictability of people, Pialat's often feel like
frayed-edge manifestations of Tarkovsky's 'pressure of time'.  The
exquisite agony of the moment, which must always come to an end, the
transience of experience, eternally invigorating and just as
frustrating -- few filmmakers have ever come as close to capturing it
on film." 
 
We will screen three Pialat films this weekend alone, one film is in
two parts and will be shown at The Cleveland Museum of Art.  See our
web site for a complete listing -- <a class="moz-txt-link-abbreviated" href="http://www.cia.edu/cinematheque">www.cia.edu/cinematheque</a> 
 
<big>NAKED CHILDHOOD 
L'ENFANCE NUE 
France, 1968, Maurice Pialat 
Thursday, January 6, at 7:00 pm 
Pialat's first film, co-produced by Truffaut is a moving story of a
troubled 10-year-old boy, abandoned by his mother, who is shunted from
foster home to foster home, until a special relationship with an old
grandmother halts his slide to delinquency.  Non-professional actors
played in this raw but real, humane piece.  New 35mm print! 
Subtitles.  80 min. 
 
<big><big>LE GARCU 
France, 1995, Maurice Pialat 
Saturday, January 8, at 8:00 pm 
Gerard Depardieu stars in Pialat's semi-auto final film, playing a
bullying, self-absorbed Parisian professional man torn between the
demands of his wife, mistress, dying father, and four-year-old son
(played by Pialat's own child).  Never released in America here is a
rare chance to see it.  Cleveland premiere!  Subtitles.  35mm.  102 min. 
 
<big><big>THE HOUSE IN THE WOODS (Part 1) 
LA MAISON DES BOIS 
France, 1971, Maurice Pialat 
Sunday, January 9, at 1:15 pm at 
The Cleveland Museum of Art 
One of Maurice Pialat's greatest and most accessible works was made
as a 7-episode mini-series for French television (it will be shown here
in two parts over two Sundays.)  Set in a rural French village during
WWI, the movie focuses on a gamekeeper and his wife who take in
abandoned children and struggle to survive the war.  Unmissable! 
Subtitles.  Beta SP.  Part 1: 193 min.  Part 2: 167 min.  Shown at
The Cleveland Museum of Art, 11150 East Blvd: film concludes on 1/16. 
Admission to each part $7, CMA and Cinematheque members $5, seniors (65
& older) $4, students $3; no passes. 
 
<big>++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ 
 
Notes from the boardroom:  Listen to WCPN 90.3 FM this Thursday,
January 6 on the Around Noon show, John Ewing will be talking about all
the films you should see here and at CMA.  John wanted me to tell you
that the December 26 issue of the NY Times (that's the Sunday NY Times
which I now receive each Sunday and love life even more for it! 
There's nothing like the NY Times and a hot cup of coffee on a sleepy
Sunday morning!  Anyway, the 12/26 issue highlights three Times critics
and the 22 films that were mentioned in the critics'  ten best lists. 
The Cinematheque presented (or will present) the exclusive Cleveland
showings of eight (8) of them:  </big><big>THE BIG RED ONE,
MOOLADE (both coming in February), BLIND SHAFT, BRIGHT LEAVES, GOODBYE
DRAGON INN, THE MOTHER, TIME OF THE WOLF, TOKYO GODFATHERS.  8 out of
22 is a pretty good percentage! 
</big><big> 
Also this weekend we play three Cleveland area premieres, and two films
that have been requested.  Join us for all the fun as we bring in 2005
with a bang, literally! 
 
</big><big><big>ANATOMY OF HELL 
</big><big>ANATOMIE DE L'ENFER 
France, 2004, Catherine Breillat 
Thursday, January 6, at 8:40 pm 
Saturday, January 8, at 10:00 pm 
John Waters has called the new film by feminist Catherine Breillat
(ROMANCE, FAT GIRL) "the most politically incorrect movie I've ever
seen."  A beautiful young woman hires a gay man (Italian porn star
Rocco Siffredi) to spend four nights with her in a remote seaside
chateau.  Initially charging him to watch her "repulsive" private
regions - she soon ratchets up her demands until the two of them
achieve an outre and taboo-breaking intimacy.  This study of gynephobia
is alternately clinical, cerebral, sublime, and ridiculous.  "Breillat
turns a philosophical speculum on gender relations to perverse (and
perversely elegant) effect." - J. Hoberman. Village Voice.  NO
ONE UNDER 18 ADMITTED!!  Cleveland premiere!  Subtitles.  35mm. 
80 min. 
 
<big><big>REMEMBER ME, MY LOVE 
RICORDATI DI ME 
Italy/France/Britain, 2003, Gabirele Muccino 
Friday, January 7, at 7:30 pm 
Saturday, January 8, at 5:30 pm 
Monica Bellucci stars in this film that received the equivalent of
10 Italian Oscar nominations -- about members of an Italian family,
made dissatisfied with their lot in life and by the allure of pop
culture, decide to expand their horizons.  Dad takes on an unfinished
novel and an old flame, Mom resumes her long-abandoned acting career,
and the shameless teenage daughter does anything to get on tacky TV
game shows.  Cleveland premiere!  Subtitles.  35mm.  125 min. 
<a class="moz-txt-link-abbreviated" href="http://www.remembermemylove.com">www.remembermemylove.com</a> 
 
<big><big>THE RASPBERRY REICH 
Germany/Canada, 2004, Bruce LaBruce 
Friday, January 7, at 9:55 pm 
Sunday, January 9, at 8:50 pm 
The latest outrage from "the John Waters of Canada" is a funny
farce inspired by 1970's terrorist groups like the S.L.A.  It follows
the exploits of a blond-wigged, left-wing female extremist who believes
that heterosexual monogamy is the opiate of the masses.  So, between
sloganeering and kidnappings, she forces men to have sex with each
other.  "Revolting and hilarious..." -The New York Times.  NO
ONE UNDER 18 ADMITTED!  Cleveland premiere!  Subtitles.  DVD.  90
min.  Shown in the Institute's Ohio Bell Auditorium.  <a class="moz-txt-link-abbreviated" href="http://www.theraspberryreich.com">www.theraspberryreich.com</a> 
 
<big><big>SHADOW KILL 
NIZHALKKUTHU 
India/France, 2002, Adoor Gopalakrishnan 
Sunday, January 9, at 7:00 pm 
This poetic drama was the best film from our Global Lens series
(presented last February) and serves as an enticing preview of the
second (coming in May).  It tells the story set in pre-independent 1941
Inida about an aging hangman who, haunted by guilt over a lifetime of
political executions (including the deaths of innocent people), resorts
to drink and loses his grip on reality.  Director Gopaladrishnan is
arguably India's greatest living filmmaker!  Malayalam with subtitles. 
35mm.  91 min.  Shown as part of The NY Times 4th Annual National Arts
& Leisure Weekend:  Times readers receive two tickets for one
admission price with the presentation of their access pass. 
 
<big><big>THE BROWN BUNNY 
USA/Japan/France, 2003, Vincent Gallo 
Sunday, January 9, at 8:55 pm 
Gallo and Chloe Sevigny star in Gallo's controversial, minimalist
road movie about a distraught motorcycle racer making a melancholy
cross-country trek to the woman who haunts his memory.  Our memory will
not forget the blow job Sevigny gives Gallo's character in the film!  NO
ONE UNDER 18 ADMITTED!  35mm.  92 min.  
 
<big>NEXT WEEK: 
 
WE WILL NOT GROW OLD TOGETHER - I used to tell my ex this all the
time.  Another film from Maurice Pialat about an extramarital affair
with a much younger woman.  One of Pialat's best films! 
 
TESTOSTERONE - Cleveland premiere of a novelist bereft over the sudden
departure of his lover Pablo, he travels to Buenos Aires to track him
down and becomes embroiled with his imperious mother played by Sonia
Braga. 
 
P.S. - Laura Linney works at a university and finds her research in a
graduate school applicant  (Topher Grace) who is the spitting image of
her high school heart-throb who died in a car crash 20 years earlier. 
 
WHEN WILL I BE LOVED - This is what I ask my current girlfriend now! 
Neve Campbell stars in the new film by James Toback (TWO GIRLS AND  A
GUY) another tale of sex, money, power, and the city.  Campbell is hot
as ever in this one! 
 
LOULOU - 1980 film by Pialat -- a frank drama about a businesswoman who
abandons her respectable lover and high-brow friends for better sex
with a drunken, slovenly, inarticulate lout.  You go girl! 
 
GOOD MORNING - 1959 Ozu film in a new 35mm color print! 
 
THE HOUSE IN THE WOODS (Part 2) -- see the blurb for Part 1 at the top. 
 
 
</big> 
 
</big></big><big><big> 
 
 
 
</big></big> 
</big></big></big></big></big></big></big></big></big></big></big></big> 
 
 
 
 
 
 
</big></div>
</div>
<pre class="moz-signature" cols="72">-- 
Timothy Harry
Assistant Director, Cleveland Cinematheque 
at The Cleveland Institute of Art
(216) 421-7450 PHONE
(216) 754-3632 FAX
<a class="moz-txt-link-abbreviated" href="mailto:tharry at gate.cia.edu">tharry at gate.cia.edu</a>
<a class="moz-txt-link-abbreviated" href="http://www.cia.edu/cinematheque">www.cia.edu/cinematheque</a>
</pre>
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