[NEohioPAL]upcoming events

Thu Jan 13 10:24:56 PST 2005

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The holiday season may be over, but, the entertainment season is just getting started at at The Kent Stage!
Second and third generation musicians, an all-female bluegrass/traditional music group and Northeast Ohio's newest Film Festival highlight upcoming events

THE OLDE TIME TIDAL WAVE
featuring
The Mammals 
with Uncle Earl &
Old Pal

Thursday, January 20
7:30 PM

The kick-off event for this is groundbreaking tour!

The Mammals are composed of Tao Rodriguez-Seeger, grandson of the legendary Pete Seeger, Michael Merenda, art-pop songwriter, and Ruth Ungar, daughter of Grammy Award¨ winning fiddler/composer, Jay Ungar. On Rock That Babe, Pierce Woodward joins on bass and Ken Maiuri on drums to help create the next evolution of The Mammals' trademark sound: original songs and traditional fiddle and banjo tunes played with the energy and attack of a rock band. 

The Story of The Mammals

When Ruth Ungar met songwriter, Michael Merenda, in a New York City bar, she woke up, smelled the cheap gin, and abandoned her acting career. "I grew up in a family of musicians, and it suddenly dawned on me that I was pursuing the one career even more demeaning than music!" It was a perfect intersection of Ruth's inherited music-business savvy, and Michael's unswerving creative ambition. As they began collaborating, the two made their way up to western Massachusetts and found short-lived day jobs . . .

"Fetch me that mandolin, please!" said long-time performer, Tao Rodriguez-Seeger, "Oh, and do you have any 70 gauge guitar strings?" Such was Mike's first impression of Tao from behind a shop counter. Soon they traded songs and were mutually inspired. 'Twas only a matter of time before Tao invited Mike and Ruth to a party and said, "Bring your instruments." The band was born.

Over time, the line-up has come to include Chris Merenda on the drums and Pierce Woodward on the bass. The dynamic, versatile 5-piece sound heats up the rock-influenced repertoire and adds depth to the acoustic music.

Tao Rodriguez-Seeger grew up in Nicaragua where he was deeply affected by the country's traditional music and culture. He has performed alongside his grandfather, Pete Seeger, since age fourteen. Renowned guitarist, banjo-player, and song stylist, he's "an impressive instrumentalist with a terrific voice. Tao's got the stuff." - Berkshire Eagle. He is responsible for the driving guitar rhythm behind The Mammals classic tune medleys, and frequently composes energetic, instrumental melodies on the banjo. He is currently working on a solo CD which will feature songs in Spanish.

Ruth Ungar absorbed some top-notch fiddling and singing at the feet (literally) of her Mom and Dad. While Jay Ungar and Lyn Hardy performed, little Ruth was often sleeping nearby. Now, with a lively fiddle style and soulful voice of her own, Ruth stands proudly where once she slept. Her solo CD, Jukebox, is "a complexly giddy delight" with lyrics that "startle like a bucket of cold water over the head," says Northeast Performer.

Michael Merenda began his career as a drummer, guitarist and songwriter in rock bands before learning clawhammer banjo and gaining an enthusiasm for folk traditions. Michael's lyrics are bare knuckled attacks on hypocrisy that charm their way into your mind, re-surfacing when you least expect them. "Perfect alterna pop anthems that the mainstream would kill for." - Skyscraper Magazine. Michael's debut solo CD, "Trapped in the Valley" is an inventive collection of his great early songs. His highly anticipated CD, "Election Day" is coming soon.

Press Clippings

"The Mammals redraw the boundaries of old-time music with breathtaking musicianship and a delicious sense of mischief. On their new CD, "Rock That Babe" (signature sounds), they play with volcanic, champing-at-the-bit energy, sweetened by a sublime sense of space. Their political songs show similar flash and fury, tempered by smart wit and warmhearted populism." The Boston Globe

"The Mammals don't suffer from multiple genre syndrome, they celebrate it, as if gleefully aware that the sound barriers separating old-timey music, vintage pop and contemporary folk are as permeable as cotton." The Washington Post

"This supergroup rolled a few clicks south of roots purism and picked up a fresh sense of humor along the way. "Evolver" . . . helps bridge the generational and stylistic gap between Peter, Paul and Mary and Badly Drawn Boy." San Francisco Bay Guardian

"always engaging, frequently infectious mix of traditional folk, contemporary folk, social commentary and fiddle-banjo-guitar artistry." Detroit Free Press

"The Mammals exhibit a level of musicality that's inspiringly authentic yet has a contemporary and youthful edge . . . If Nickel Creek are Crosby, Stills & Nash, The Mammals are Neil Young." Miles of Music

Uncle Earl has been a working band since the year 2000. The phenomenon started as a group of young women hired to promote the album "She Went Upstairs," a duet recording of K.C. Groves and Jo Serrapere. The group received such accolades they decided to continue on as a band and call themselves Uncle Earl. With her blessings, Jo gave the group over to K.C. to find some of this country's most talented women musicians in the world of Bluegrass and Old-Time music.

In essence, the band plays Americana or Roots Music, although they find their inspiration in the pre-record string bands of Southern Appalachia. Even though they are well respected in the Old-Time world, their sound is truly unique. Their material draws from a deep tradition but is transformed into a sound which can only be described as "the Uncle Earl sound." Furthermore, each member has contributed her own original and creative compositions in the spirit the Old-Time tradition. 

Their consistent and high energy performances are gaining the band a reputation as one of the most fun and hard-driving bands out on the scene. Audiences are rendered instant-fans once they experience Uncle Earl's often moving mix of traditional fiddle tunes, mountain harmonies, original songs, and authentic Appalachian step- dancing. 

Uncle Earl's exceptional mix of traditional fiddle tunes, mountain harmonies, original songs, and authentic Appalachian clogging is 
transformed into what can only be described as “the Uncle Earl experience.” Every performance is a joyful celebration for both 
audience and band alike. Uncle Earl is definitely a phenomenon not to be missed.

Individual Biographies

Rayna Gellert  (Fiddle and Vocals)   
Second generation fiddler Rayna Gellert grew up listening to old-time music, and took up fiddling (after playing classical violin from age 10) when she moved to North Carolina in 1994 to attend Warren Wilson College. She has toured extensively in the US. As well as in Europe and South America as a member of the Freight Hoppers, as a duo with Frank Lee, as part of the David Holt Trio, as an accompanist for step-dancer Ira Bernstein, and with the music and dance company Rhythm in Shoes. She has also been on teaching faculty at the Festival of 
American Fiddletunes, the Old-Time Music Symposium. This year she was honored to be asked to perform at the Smithsonian Folklife Festival. She lives in Asheville, NC.

Abby Washburn (Banjo and Vocals)  
A recent import from Vermont (where she played with the Cleary Brother's Band) to Nashville, Tennessee,  Abby has been singing all her life. She started playing the old-time banjo when she first heard an LP of Doc Watson singing and playing Shady Grove. Before her incarnation into old-time and bluegrass music, Abby sang in a-capella and gospel groups, as well as soul and reggae bands. Currently, she is picking up the pen to create her own compositions in the spirit of old-time and American roots traditions. Abby has the added advantage of having cornered the niche music market in Chinese (mandarin) translations of bluegrass and old-time songs. She is currently working on a solo album featuring Tim O'Brien and Casey Dreissen. 

KC Groves (Guitar, Mandolin, and Vocals) 
K.C. first heard old-time music on her many journeys down to West Virginia where her Grandmother lived and where her father grew up. The sound of the gospel singing from the one room Church of Christ where instruments were prohibited, still influences her music today. Her first album, produced by Charles Sawtelle, 
won her a Detroit Music Award for best bluegrass album. As a respected songwriter, KC has taught at the Augusta Heritage Center, was showcased at the IBMA, and was a finalist in the Telluride Troubadour competition. She just released her second album of original songs which was produced by guitarist Jim Hurst.  She currently lives in Lyons, Colorado where she plays a strong roll in promoting bluegrass and old-time throughout the state. 

Kristin Andreassen (Guitar, Clogging and Vocals)   
Holding down the rhythm duty on guitar and clogging, Kristin Andreassen is a welcome addition to the Uncle Earl family. Kristin also works with the Maryland-based Footworks Percussive Dance Ensemble, where she has been a principle dancer in the Company since 1999. Her love of traditional music & dance started when she moved from Oregon to Cape Breton Island in Canada. She currently teaches Cape Breton stepdance in 
Washington, DC and is also working on a full-length album of original songs which will be released on the audiophile label, Mapleshade Records later this year. Kristin is also an old-time fiddler. She has worked as a guest artist with some of the greats in the traditional music scene today, including Lunasa, The Duhks, James Leva & Memory Theatre, The Eileen Ivers Band, Matapat, Halali, and more. 

Sharon Gilchrist (Bass, Mandolin, and Vocals) 
Sharon was born and raised in Southlake, Texas singing and playing bluegrass music. Her performing career began at age nine when she and her brother Troy Gilchrist (on guitar) started a kid's bluegrass band called Blue Night Express. For the next six years the band performed across the country. They appeared with such bluegrass legends as Bill Monroe, Ralph Stanley, Del McCoury, and New Grass Revival. At this point Sharon began to perform with two of her former band mates, Martie and Emily Erwin, in their newly formed band, The Dixie Chicks.

Sharon presently lives in Santa Fe and teaches mandolin lessons and performs as part of the Bill Hearne Trio. She continues to pursue writing music for art, film and dance.

Old Pal, the latest old-timey development  of one of Northeast Ohio's master musicians, Paul Kovac, who only plays rhythm guitar in the group, and his pals!  Old Pal features the hard-driven old-time banjo playing of Mark Olitsky and the strong fiddlin' of Bill Lestock.  Old Pal will kick the show with a short but powerful set.  Don't be late!

Advance discount tickets: $15.00
Day of Show: $20.00

2nd ANNUAL STANDING ROCK INTERNATIONAL SHORT FILM & VIDEO FESTIVAL

Saturday, January 22
8:00 PM

Short Films, DVD's, and/or Videos (Super 8, 16mm, VHS, Hi-8, DVD) from as close as Kent and as far away as Indonesia. Live music will be performed as soundtracks to a few selected independent films. An assortment of local musicians will participate in the aspect of the festival.

$10.00 Adults
$7.00 Students and Children under 12

For more information:  330-673-4970 or
www.standingrock.net 
or  or 33bestival.

FOR MORE INFO CONTACT 330-673-4970

The Kent Stage is located at 175 East Main Street in downtown Kent, Ohio.  There is FREE parking behind the theater and on all city streets.  Advance tickets are available at Woodsy's Music and Spin-More Records in Kent, Little Mountain Music in Middlefield at www.kentstage.org or at 330-677-5005.  Tickets will also be available at the door.  Doors open one hour before event time.  If you have any questions, please call 330-677-5005.

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<DIV><STRONG><FONT size=6>The holiday season may be over, but, the entertainment season is just getting started at at The Kent Stage!</FONT></STRONG></DIV>
<DIV><STRONG><FONT size=5>Second and third generation musicians, an all-female bluegrass/traditional music group and Northeast Ohio's newest Film Festival highlight upcoming events</FONT></STRONG></DIV>
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<TD class=dataLbl vAlign=top align=left width="68%"><B><FONT size=+2>
<P align=left>THE OLDE TIME TIDAL WAVE<BR>featuring<BR><FONT size=6>The Mammals <BR>with Uncle Earl &<BR></FONT><FONT size=6>Old Pal</FONT></FONT></B></P>
<P align=left><B>Thursday, January 20<BR>7:30 PM</B></P>
<P align=left><B>The kick-off event for this is groundbreaking tour!</B></P>
<P align=left><B>The Mammals</B> are composed of Tao Rodriguez-Seeger, <STRONG>grandson of the legendary Pete Seeger</STRONG>, Michael Merenda, art-pop songwriter, and <STRONG>Ruth Ungar, daughter of Grammy Award¨ winning fiddler/composer, Jay Ungar</STRONG>. On Rock That Babe, <STRONG>Pierce Woodward</STRONG> joins on bass and <STRONG>Ken Maiuri</STRONG> on drums to help create the next evolution of The Mammals' trademark sound: original songs and traditional fiddle and banjo tunes played with the energy and attack of a rock band. </P>
<P class=head2><STRONG>The Story of The Mammals</STRONG></P>
<P>When Ruth Ungar met songwriter, Michael Merenda, in a New York City bar, she woke up, smelled the cheap gin, and abandoned her acting career. "I grew up in a family of musicians, and it suddenly dawned on me that I was pursuing the one career even more demeaning than music!" It was a perfect intersection of Ruth's inherited music-business savvy, and Michael's unswerving creative ambition. As they began collaborating, the two made their way up to western Massachusetts and found short-lived day jobs . . .</P>
<P>"Fetch me that mandolin, please!" said long-time performer, Tao Rodriguez-Seeger, "Oh, and do you have any 70 gauge guitar strings?" Such was Mike's first impression of Tao from behind a shop counter. Soon they traded songs and were mutually inspired. 'Twas only a matter of time before Tao invited Mike and Ruth to a party and said, "Bring your instruments." The band was born.</P>
<P>Over time, the line-up has come to include Chris Merenda on the drums and Pierce Woodward on the bass. The dynamic, versatile 5-piece sound heats up the rock-influenced repertoire and adds depth to the acoustic music.</P>
<P></P>
<P>Tao Rodriguez-Seeger grew up in Nicaragua where he was deeply affected by the country's traditional music and culture. He has performed alongside his grandfather, Pete Seeger, since age fourteen. Renowned guitarist, banjo-player, and song stylist, he's "an impressive instrumentalist with a terrific voice. Tao's got the stuff." - Berkshire Eagle. He is responsible for the driving guitar rhythm behind The Mammals classic tune medleys, and frequently composes energetic, instrumental melodies on the banjo. He is currently working on a solo CD which will feature songs in Spanish.</P>
<P>Ruth Ungar absorbed some top-notch fiddling and singing at the feet (literally) of her Mom and Dad. While Jay Ungar and Lyn Hardy performed, little Ruth was often sleeping nearby. Now, with a lively fiddle style and soulful voice of her own, Ruth stands proudly where once she slept. Her solo CD, Jukebox, is "a complexly giddy delight" with lyrics that "startle like a bucket of cold water over the head," says Northeast Performer.</P>
<P>Michael Merenda began his career as a drummer, guitarist and songwriter in rock bands before learning clawhammer banjo and gaining an enthusiasm for folk traditions. Michael's lyrics are bare knuckled attacks on hypocrisy that charm their way into your mind, re-surfacing when you least expect them. "Perfect alterna pop anthems that the mainstream would kill for." - Skyscraper Magazine. Michael's debut solo CD, "Trapped in the Valley" is an inventive collection of his great early songs. His highly anticipated CD, "Election Day" is coming soon.<BR><A name=pressclips></A></P>
<P class=head2>Press Clippings</P>
<P>"The Mammals redraw the boundaries of old-time music with breathtaking musicianship and a delicious sense of mischief. On their new CD, "Rock That Babe" (signature sounds), they play with volcanic, champing-at-the-bit energy, sweetened by a sublime sense of space. Their political songs show similar flash and fury, tempered by smart wit and warmhearted populism." The Boston Globe</P>
<P>"The Mammals don't suffer from multiple genre syndrome, they celebrate it, as if gleefully aware that the sound barriers separating old-timey music, vintage pop and contemporary folk are as permeable as cotton." The Washington Post</P>
<P>"This supergroup rolled a few clicks south of roots purism and picked up a fresh sense of humor along the way. "Evolver" . . . helps bridge the generational and stylistic gap between Peter, Paul and Mary and Badly Drawn Boy." San Francisco Bay Guardian</P>
<P>"always engaging, frequently infectious mix of traditional folk, contemporary folk, social commentary and fiddle-banjo-guitar artistry." Detroit Free Press</P>
<P>"The Mammals exhibit a level of musicality that's inspiringly authentic yet has a contemporary and youthful edge . . . If Nickel Creek are Crosby, Stills & Nash, The Mammals are Neil Young." Miles of Music</P>
<P align=left><B>Uncle Earl</B> has been a working band since the year 2000. The phenomenon started as a group of young women hired to promote the album "She Went Upstairs," a duet recording of K.C. Groves and Jo Serrapere. The group received such accolades they decided to continue on as a band and call themselves Uncle Earl. With her blessings, Jo gave the group over to K.C. to find some of this country's most talented women musicians in the world of Bluegrass and Old-Time music.</P>
<P align=left>In essence, the band plays Americana or Roots Music, although they find their inspiration in the pre-record string bands of Southern Appalachia. Even though they are well respected in the Old-Time world, their sound is truly unique. Their material draws from a deep tradition but is transformed into a sound which can only be described as "the Uncle Earl sound." Furthermore, each member has contributed her own original and creative compositions in the spirit the Old-Time tradition. </P>
<P align=left>Their consistent and high energy performances are gaining the band a reputation as one of the most fun and hard-driving bands out on the scene. Audiences are rendered instant-fans once they experience Uncle Earl's often moving mix of traditional fiddle tunes, mountain harmonies, original songs, and authentic Appalachian step- dancing. </P>
<P align=left>Uncle Earl's exceptional mix of traditional fiddle tunes, mountain harmonies, original songs, and authentic Appalachian clogging is <BR>transformed into what can only be described as “the Uncle Earl experience.” Every performance is a joyful celebration for both <BR>audience and band alike. Uncle Earl is definitely a phenomenon not to be missed.<BR></P>
<P align=center><B>Individual Biographies</B></P>
<P align=left><FONT color=#ff0000><A href="http://www.rayna.utopiandesign.com/" target=_blank><FONT color=#cc0000><B><FONT color=#ff0000>Rayna Gellert</FONT></B></FONT></A></FONT> <B> (Fiddle and Vocals)   </B><BR>Second generation fiddler Rayna Gellert grew up listening to old-time music, and took up fiddling (after playing classical violin from age 10) when she moved to North Carolina in 1994 to attend Warren Wilson College. She has toured extensively in the US. As well as in Europe and South America as a member of the Freight Hoppers, as a duo with Frank Lee, as part of the David Holt Trio, as an accompanist for step-dancer Ira Bernstein, and with the music and dance company Rhythm in Shoes. She has also been on teaching faculty at the Festival of <BR>American Fiddletunes, the Old-Time Music Symposium. This year she was honored to be asked to perform at the Smithsonian Folklife Festival. She lives in Asheville, NC.</P>
<P align=left></P>
<P align=left><A href="http://abigailwashburn.com/" target=_blank><FONT color=#ff0000><B>Abby Washburn</B></FONT></A><B> (Banjo and Vocals)  </B><BR>A recent import from Vermont (where she played with the Cleary Brother's Band) to Nashville, Tennessee,  Abby has been singing all her life. She started playing the old-time banjo when she first heard an LP of Doc Watson singing and playing Shady Grove. Before her incarnation into old-time and bluegrass music, Abby sang in a-capella and gospel groups, as well as soul and reggae bands. Currently, she is picking up the pen to create her own compositions in the spirit of old-time and American roots traditions. Abby has the added advantage of having cornered the niche music market in Chinese (mandarin) translations of bluegrass and old-time songs. She is currently working on a solo album featuring Tim O'Brien and Casey Dreissen. </P>
<P align=left><A href="http://kcgroves.com/"><FONT color=#ff0000><B>KC Groves</B></FONT></A><B><FONT color=#ff0000> </FONT>(Guitar, Mandolin, and Vocals) </B><BR>K.C. first heard old-time music on her many journeys down to West Virginia where her Grandmother lived and where her father grew up. The sound of the gospel singing from the one room Church of Christ where instruments were prohibited, still influences her music today. Her first album, produced by Charles Sawtelle, <BR>won her a Detroit Music Award for best bluegrass album. As a respected songwriter, KC has taught at the Augusta Heritage Center, was showcased at the IBMA, and was a finalist in the Telluride Troubadour competition. She just released her second album of original songs which was produced by guitarist Jim Hurst.  She currently lives in Lyons, Colorado where she plays a strong roll in promoting bluegrass and old-time throughout the state. <BR><BR><A
 href="http://www.yellowcarmusic.com/inthegarage.htm#top"><FONT color=#df0000><B>Kristin Andreassen</B></FONT></A><B> (Guitar, Clogging and Vocals)  </B> <A href="http://www.uncleearl.net/kristin.htm"><BR></A>Holding down the rhythm duty on guitar and clogging, Kristin Andreassen is a welcome addition to the Uncle Earl family. Kristin also works with the Maryland-based Footworks Percussive Dance Ensemble, where she has been a principle dancer in the Company since 1999. Her love of traditional music & dance started when she moved from Oregon to Cape Breton Island in Canada. She currently teaches Cape Breton stepdance in <BR>Washington, DC and is also working on a full-length album of original songs which will be released on the audiophile label, Mapleshade Records later this year. Kristin is also an old-time fiddler. She has worked as a guest artist with some of the greats in the traditional music scene today, including Lunasa, The Duhks, James Leva & Memory
 Theatre, The Eileen Ivers Band, Matapat, Halali, and more. </P>
<P align=left><FONT color=#d70000><B><A href="http://homepage.ntlworld.com/farawayhills/sharon_gilchrist.html"><FONT color=#df0000>Sharon Gilchrist</FONT></A></B></FONT><FONT color=#df0000><B> </B></FONT><B>(Bass, Mandolin, and Vocals) </B><BR>Sharon was born and raised in Southlake, Texas singing and playing bluegrass music. Her performing career began at age nine when she and her brother Troy Gilchrist (on guitar) started a kid's bluegrass band called Blue Night Express. For the next six years the band performed across the country. They appeared with such bluegrass legends as Bill Monroe, Ralph Stanley, Del McCoury, and New Grass Revival. At this point Sharon began to perform with two of her former band mates, Martie and Emily Erwin, in their newly formed band, The Dixie Chicks.</P>
<P align=left>Sharon presently lives in Santa Fe and teaches mandolin lessons and performs as part of the Bill Hearne Trio. She continues to pursue writing music for art, film and dance.</P>
<P align=left><STRONG>Old Pal, </STRONG>the latest old-timey development  of one of Northeast Ohio's master musicians, <STRONG>Paul Kovac</STRONG>, who only plays rhythm guitar in the group, and his pals!  Old Pal features the hard-driven old-time banjo playing of <STRONG>Mark Olitsky</STRONG> and the strong fiddlin' of <STRONG>Bill Lestock</STRONG>.  Old Pal will kick the show with a short but powerful set.  Don't be late!</P>
<P align=left><B><FONT color=#990000>Advance discount tickets: $15.00<BR></FONT></B><B>Day of Show: $20.00</B></P>
<P align=left><B><A href="http://www.ticketweb.com/user/?region=oh&query=schedule&venue=kentstage" target=new_window></A></B></P>
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<P align=left><B><FONT size=+2>2nd ANNUAL STANDING ROCK INTERNATIONAL SHORT FILM & VIDEO FESTIVAL<BR></FONT></B></P>
<P align=left><B>Saturday, January 22<BR>8:00 PM</B></P>
<P align=left>Short Films, DVD's, and/or Videos (Super 8, 16mm, VHS, Hi-8, DVD) from as close as Kent and as far away as Indonesia. Live music will be performed as soundtracks to a few selected independent films. An assortment of local musicians will participate in the aspect of the festival.</P>
<P align=left><B><FONT color=#990000>$10.00 Adults<BR></FONT></B><B>$7.00 Students and Children under 12</B></P>
<P align=left><STRONG><FONT color=#ff0000>For more information:</FONT>  <FONT color=#0000bf>330-673-4970 or</FONT><BR></STRONG><FONT face="Arial, Helvetica, sans-serif" color=#ffffff size=2><A href="http://www.standingrock.net/" target=new_window><STRONG><FONT size=3><A href="http://www.standingrock.net/"><FONT color=#6000bf>w</FONT><A href="http://www.standingrock.netic/"><FONT color=#6000bf>ww.standingrock.net</FONT></FONT></STRONG></A></A> <BR>or </FONT><FONT face="Arial, Helvetica, sans-serif" color=#ffffff size=2> or 33b</FONT><FONT face="Arial, Helvetica, sans-serif" color=#ffffff size=2>estival.</FONT></P>
<P><FONT color=#ccccff></FONT><FONT face="Arial, Helvetica, sans-serif" color=#ffffff size=2><BR><BR>FOR MORE INFO CONTACT 330-673-4970</FONT></P></TD>
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<DIV><STRONG><FONT color=#111111><FONT size=3>The Kent Stage</FONT> is located at 175 East Main Street in downtown Kent, Ohio.  There is FREE parking behind the theater and on all city streets.  </FONT><FONT color=#8000ff>Advance tickets are available at Woodsy's Music and Spin-More Records in Kent, Little Mountain Music in Middlefield at </FONT></STRONG><A href="http://www.kentstage.org/" target=_blank><FONT color=#8000ff><STRONG>www.kentstage.org</STRONG></FONT></A><FONT color=#111111><STRONG><FONT size=3><FONT color=#0000bf><FONT color=#8000ff> or at 330-677-5005.</FONT>  </FONT><FONT color=#00007f>Tickets will also be available at the door.</FONT>  Doors open one hour before event time.  If you have any questions, please call 330-677-5005.</FONT></STRONG></FONT></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV></DIV><p>
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