[NEohioPAL]2005 BLACK MARIA FILM & VIDEO FESTIVAL program listing

[Timothy Harry]

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cinematheque
11141 East Boulevard      Cleveland, Ohio 44106

2005 BLACK MARIA FILM + VIDEO FESTIVAL PROGRAM LISTING
Friday, February 18, at 7:00 pm (at CMA) & 9:30 pm (at CIA)

Please join us for the latest selections from this year's festival 
including two Oscar nominees -- one in each program.  This year we will 
show the first program at The Cleveland Museum of Art and the second 
program at Cinematheque.  Each program costs $8, you can see both for 
$12.  Films will not be shown within each program in the order listed 
below but here is a sneak preview.

Program 1, 7:00 pm at The Cleveland Museum of Art (all Beta-SP, DVD, or 
VHS):

HARDWOOD - 28 min. video by Hubert Davis, Montreal, Canada - Academy 
Award Nominee
If you mix a Harlem Globetrotters basketball star, with having two 
families, of two different races, in two different cities, and a son 
with a camera, who has some questions to ask about the whole thing; you 
have a beautifully, honest personal documentary called "Hardwood."

ELECTROCUTE YOUR STARS - 8 min. 16mm film by Marie Losier, Brooklyn, NY
Marie Losier's piece playfully constructs an unconventional portrait on 
experimental terrible George Kuchar, including a blizzard of Oz and a 
safe, Ektachrome shower scene from the Kuchar's noted film "Hold Me 
While I'm Naked."  - RG

GETTING THROUGH TO THE PRESIDENT - 7.5 min. video by Emily and Sara 
Kunstler, Brooklyn, NY
A truly jolly, tongue in cheek work in the tradition of the vintage TV 
show Candid Camera. Randomly chosen people are invited to toss coins 
into a pay phone and ring up the President's Comment Line. They express 
their very diverse opinions on the politics and policies of the current 
administration. - JC

LAWN - 12 min. by video Monteith McCollum, Barton, NY
This elegant lyrical piece is an understated consideration of the 
culture of manicured  lawns and what it may reflect about our values. 
Images of a natural, undisiplined habitat plays off our impulse to 
civilize, subdue and circumscribe nature. - JC

A HOLE IN THE GROUND - 5 min.  video by  Eveline Ketterings, Amsterdam, 
Netherlands
A wacky, utterly renegade and outrageously parody of the American 
Western Film  played against energized  music and an insane and 
absurdist, satirical  tableau.-  JC

INDUSTRIOUS - 2:30 min video. by Guillaume Turpin, Arlington, VA
In this synchopated work made in a industrial hen house, thousands of 
chickens' eggs march to the rythms of a computer driven production 
schedule. - JC

LOVE MOM - 9 min. video by Ted Sperling, Astoria,NY
This is a fractured,  serio-comic musical, in which a mother's anxiety 
about her son's military service in the middle east is expressed through 
seemingly inconguous, lyrical but ultimately penetrating songs. - JC

MINI CINE TUPY - 20 min.video by Serfio Block, Buenas Aries,  Argentina,
MINI CINE TUPY is the real-life "Cinema Paradiso" and a love story about 
the magic of cinema and a junk collector's lifelong dream to build his 
own mini-movie theater. - RB

PAST AND PENDING - 5 min. video by Matt McCormick, co-director  Greg 
Brown, Portland, OR
This is a elegant and poignant music video featuring an expressive tune 
by the Shins. Images in suspended animation: an empty prairie homestead, 
a rusted and forgotten hulk of a boat, a lacy suspension bridge and an 
elder taking polaroids from an vintage Plymouth Valiant paint a 
thoughtful impression of a lost time. - JC

PLASMA - 12 min. video Mara Mattuschka, Vienna, Austria
A Freudian trip through a carnival fun house hall of mirrors by one of 
Europe's most noted independent filmmakers.- JC 

Total running time: 106 min.

Program 2, at 9:30 pm at the Cleveland Institute of Art Cinematheque 
(all 35mm or 16mm film):

RYAN - 14 min. 35mm film by Chris Landreth, Montreal, Canada - Academy 
Award Nominee
This stunning animation is a  tribute to Canadian animator Ryan Larkin.  
By combining hand-animated images with the latest in computer 
technology, director Chris Landreth pushes the boundaries of photo 
realism and creates an intriguing synthesis of documentary filmmaking 
and animation.

TWO MINUTES TO ZERO  - 1 min. 16mm film by  Lewis Klahr, Los Angeles, CA 
- Flaherty Filmmaker
This piece by noted  alternative filmmaker, Lewis Klahr, appropriates 
cops and robbers comic strip art and fragments the frames into cinematic 
closeups. Projecting the film on a screen results in a larger than life 
presentation which is not unrelated to Roy Lichtenstein's style. Klahr's 
almost melancholy embrace of  circa 1950s kitsch carries a more edgy 
sensibility than Lichtenstein's and which ricohets through and off the 
original story line. - JC

A.W.O.L . - 3:30 min. 35mm film by Robert Banks Jr., Cleveland, OH - 
Flaherty Filmmaker
Renegade filmmaker Robert Banks delivers a frenetic tornado of images in 
this film about protest in a key "red" state. - JC

HARMONY - 12 min. 16mm film by  Jim Trainor, Chicago, IL  - FUNKY FUNKY 
FUNKY
Harmony is the latest installment in a series of films called The 
Animals and their Limitations.  According to the filmmaker, "A male God 
bestows upon animals the gift of self-awareness, which they promptly use 
to express guilt for their behavior. This moral breakthrough is somewhat 
undermined by the appearance of humans, whose invention of magical 
belief systems degrades the whole of Nature. "- Jim Trainer

LOST MOTION - 4 min. 16mm film by Janie Geiser, Los Angeles, CA - 
Flaherty Filmmaker
LOST MOTION is the sumptuously told tale of a futile search. Draped in 
mystery.  Shadowy miniature play sets and model train tableaus are 
traversed by a male figure who is seeking an illusive goal. The 
filmmaker's images are evocative of a noir drama and a failed meeting, 
and are intertwined with a subtext about how our lushest dreams fail by 
virtue of their extravagance. - JC

S. P. I. C. THE STORYBOARD OF MY LIFE .  - 25 min. 16mm film, also on 
video  by Robert Castillo, Jersey City, NJ  Student Academy Award 
Winner.  This personal and revealing animated film uses drawing in the 
form of storyboards as a device to frame a series of life changing 
events experienced by the filmmaker.  The "cartoons" become hyper-real 
elements, almost larger than life, as they unfold as individual moments 
within a complex whole.-

NUEE ARDANTE - 3 min. 16mm film by Joyce Oates, Pittsburgh, PA  NOT SURE 
WE'LL HAVE THIS IN 16MM JUST YET
The filmmaker builds a multi-layered, dreamlike and rapid paced collage 
of flash frames, feathers,  a film frame of a anxious man, a chair, a 
locket with Christ's image, all seemingly in an absurdist juxtaposition 
yet quite resonant. - JC

THE BINDING OF ISSAC - 5.5 min.video by John Schnall, Bloomfield, NJ
A richly textured and evocative telling of a man's single-minded faith. 
Schnall's Abraham is not the pious, grief-stricken, humble servant of 
God in the Bible story.  This thought provoking and emotionally charged 
piece suggests that there is an emotional price to be paid for religious 
fanaticism.- JS

ELEMENTS OF LIGHT - 5 min. 35mm film in cinemascope by Richard Reeves, 
Calgary, Alberta, Canada
A handmade, cameraless film in which the photographic elmusion itself is 
a tactile  element of the piece. The surface is scratched, dyed and 
otherwise manipulated to create a rich textural pastiche of color and 
line. - JC

HAND MADE  - 3 min., 35mm film by Lauren Cook, Iowa City, IA
This experimental film is occassionally reminiscent of the 1924 Avant 
Gardé  film "Ballet Mechaniqué" by the ledgendary Cubist Fernand Léger. 
Hints of Vertov's 1929 masterpiece "Man With A Movie Camera"  seep in as 
well, yet the filmmaker brings a fresh energy to this reflexive montagé 
- JC

JOURS EN FLEURS - 4:30 min 35mm film by Louise Bourque, Malden, MA.  
Flaherty Filmmaker
The title of this film comes from the expression être dans ses fleurs, 
which Acadian girls use to refer to their menstrual cycles. Images of 
trees in springtime bloom are subjected to the ravages of blood over a 
period of several months, assuming a dark and kaleidoscopic beauty, a 
Baudelarean splendour of "monstrous flowers" both "formless and multiform."

LUKE  -  12 min. 35mm film by Michael Chaney, Savannah, GA
This compelling allegorical film tells the story of a soldier on the 
desolate sands of the middle east, as a war rages just beyond the 
horizon - JC

UNCLE - 3 min. 35mm film by Ray  Kosarin, Brooklyn, NY
Politically Radical schoolhouse rock?  "Uncle" is a whimsical high-speed 
music video reenactment of Uncle Sam's March to war and the spreading of 
freedom and democracy?  This animation juxtaposed Three cheers to the 
red white and blue with hundreds of Uncle Sam's, dropping bombs out of 
hot air balloons, balancing sadness with laughter the only way an 
animation can. Francis Scott Key would be proud. - TT

Total running time: 96 min.

-- 
Timothy Harry
Assistant Director, Cleveland Cinematheque 

at The Cleveland Institute of Art
(216) 421-7450 PHONE
(216) 754-3632 FAX
tharry at gate.cia.edu
www.cia.edu/cinematheque


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<div align="center"><img alt="cinematheque"
 src="cid:part1.02020605.02020106 at gate.cia.edu" height="81" width="335"><br>
<font face="Arial">11141 East Boulevard      Cleveland, Ohio 44106<br>
</font>
<div align="left"><i><br>
</i>
<div align="center"><big><font face="Arial"><b><big>2005 BLACK MARIA
FILM + VIDEO FESTIVAL PROGRAM LISTING</big><br>
Friday, February 18, at 7:00 pm (at CMA) & 9:30 pm (at CIA)<br>
<br>
</b></font></big>
<div align="left"><font face="Arial">Please join us for the latest
selections from this year's festival including two Oscar nominees --
one in each program.  This year we will show the first program at The
Cleveland Museum of Art and the second program at Cinematheque.  Each
program costs $8, you can see both for $12.  Films will not be shown
within each program in the order listed below but here is a sneak
preview.<b><br>
<br>
</b></font></div>
<big><font face="Arial"><b></b></font></big>
<div align="left"><big><font face="Arial"><u>Program 1, 7:00 pm at The
Cleveland Museum of Art (all Beta-SP, DVD, or VHS):</u><br>
<br>
<b><small>HARDWOOD - 28 min. video by Hubert Davis, Montreal, Canada - </small>Academy
Award Nominee<small><br>
If you mix a Harlem Globetrotters basketball star, with having two
families, of two different races, in two different cities, and a son
with a camera, who has some questions to ask about the whole thing; you
have a beautifully, honest personal documentary called “Hardwood.”</small><br>
</b><font color="#000000"><font size="3"><b><br>
ELECTROCUTE YOUR STARS </b></font></font></font></big><small><font
 face="arial,helvetica"><b><font face="Arial"><big><font
 family="SANSSERIF" color="#000000" size="3">- 8 min. 16mm film by
Marie Losier, Brooklyn, NY<br>
Marie Losier’s piece playfully constructs an unconventional portrait on
experimental </font><font family="SANSSERIF" color="#000000" size="3"><i>terrible
</i></font><font family="SANSSERIF" color="#000000" size="3"><b>George
Kuchar</b></font></big></font><font family="SANSSERIF" color="#000000"
 face="Geneva" size="3"><small><font face="Arial"><big>,
including a blizzard of Oz and a safe, Ektachrome shower scene from the
Kuchar’s noted film “Hold Me While I'm Naked.”  - RG<br>
<br>
GETTING THROUGH TO THE PRESIDENT - 7.5 min. video by Emily and Sara
Kunstler, Brooklyn, NY<br>
A truly jolly, tongue in cheek work in the tradition of the vintage TV
show Candid Camera. Randomly chosen people are invited to toss coins
into a pay phone and ring up the President’s Comment Line. They express
their very diverse opinions on the politics and policies of the current
administration. - JC<br>
<br>
LAWN - 12 min. by video Monteith McCollum, Barton, NY<br>
This elegant lyrical piece is an understated consideration of the
culture of manicured  lawns and what it may reflect about our values.
Images of a natural, undisiplined habitat plays off our impulse to
civilize, subdue and circumscribe nature. - JC<br>
<br>
A HOLE IN THE GROUND - 5 min.  video by  Eveline Ketterings, Amsterdam,
Netherlands<br>
A wacky, utterly renegade and outrageously parody of the American
Western Film  played against energized  music and an insane and
absurdist, satirical  tableau.-  JC<br>
<br>
INDUSTRIOUS - 2:30 min video. by Guillaume Turpin, Arlington, VA<br>
In this synchopated work made in a industrial hen house, thousands of
chickens’ eggs march to the rythms of a computer driven production
schedule. - JC<br>
<br>
LOVE MOM - 9 min. video by Ted Sperling, Astoria,NY<br>
This is a fractured,  serio-comic musical, in which a mother’s anxiety
about her son’s military service in the middle east is expressed
through seemingly inconguous, lyrical but ultimately penetrating songs.
- JC<br>
<br>
MINI CINE TUPY - 20 min.video by Serfio Block, Buenas Aries,  Argentina,<br>
MINI CINE TUPY is the real-life “Cinema Paradiso” and a love story
about the magic of cinema and a junk collector's lifelong dream to
build his own mini-movie theater. - RB <br>
<br>
PAST AND PENDING - 5 min. video by Matt McCormick, co-director  Greg
Brown, Portland, OR<br>
This is a elegant and poignant music video featuring an expressive tune
by the Shins. Images in suspended animation: an empty prairie
homestead, a rusted and forgotten hulk of a boat, a lacy suspension
bridge and an elder taking polaroids from an vintage Plymouth Valiant
paint a thoughtful impression of a lost time. - JC<br>
<br>
PLASMA - 12 min. video Mara Mattuschka, Vienna, Austria<br>
A Freudian trip through a carnival fun house hall of mirrors by one of
Europe’s most noted independent filmmakers.- JC  <br>
<br>
Total running time: 106 min.<br>
<br>
<u>Program 2, at 9:30 pm at the Cleveland Institute of Art Cinematheque
(all 35mm or 16mm film):<br>
<br>
</u>RYAN - 14 min. 35mm film by Chris Landreth, Montreal, Canada - <big>Academy
Award Nominee</big><br>
This stunning animation is a  tribute to Canadian animator Ryan
Larkin.  By combining hand-animated images with the latest in computer
technology, director Chris Landreth pushes the boundaries of photo
realism and creates an intriguing synthesis of documentary filmmaking
and animation.<br>
<br>
TWO MINUTES TO ZERO  - 1 min. 16mm film by  Lewis Klahr, Los Angeles,
CA - Flaherty Filmmaker<br>
This piece by noted  alternative filmmaker, Lewis Klahr, appropriates
cops and robbers comic strip art and fragments the frames into
cinematic closeups. Projecting the film on a screen results in a larger
than life presentation which is not unrelated to Roy Lichtenstein’s
style. Klahr’s almost melancholy embrace of  circa 1950s kitsch carries
a more edgy sensibility than Lichtenstein’s and which ricohets through
and off the original story line. - JC <br>
<br>
A.W.O.L . - 3:30 min. 35mm film by Robert Banks Jr., Cleveland, OH -
Flaherty Filmmaker<br>
Renegade filmmaker Robert Banks delivers a frenetic tornado of images
in this film about protest in a key “red” state. - JC<br>
<br>
HARMONY - 12 min. 16mm film by  Jim Trainor, Chicago, IL  - FUNKY FUNKY
FUNKY<br>
Harmony is the latest installment in a series of films called The
Animals and their Limitations.  According to the filmmaker, “A male God
bestows upon animals the gift of self-awareness, which they promptly
use to express guilt for their behavior. This moral breakthrough is
somewhat undermined by the appearance of humans, whose invention of
magical belief systems degrades the whole of Nature. “- Jim Trainer<br>
<br>
LOST MOTION - 4 min. 16mm film by Janie Geiser, Los Angeles, CA -
Flaherty Filmmaker<br>
LOST MOTION is the sumptuously told tale of a futile search. Draped in
mystery.  Shadowy miniature play sets and model train tableaus are
traversed by a male figure who is seeking an illusive goal. The
filmmaker’s images are evocative of a noir drama and a failed meeting,
and are intertwined with a subtext about how our lushest dreams fail by
virtue of their extravagance. - JC<br>
<br>
</big></font></small></font></b></font></small><big><font
 face="arial,helvetica"><b><font family="SANSSERIF" color="#000000"
 face="Geneva" size="3"><big><b></b></big></font><small><font
 face="Arial"><big><font color="#000000"><font size="3">S. P. I. C. THE
STORYBOARD OF MY LIFE .  - 25 min. 16mm film, also on video  by Robert
Castillo, Jersey City, NJ  <big>Student Academy Award Winner. </big> </font></font></big></font></small></b></font></big><big><font
 face="arial,helvetica"><b><small><font face="Arial"><big><font
 color="#000000"><font size="3">This
personal and revealing animated film uses drawing in the form of
storyboards as a device to frame a series of life changing events
experienced by the filmmaker.  The “cartoons” become hyper-real
elements, almost larger than life, as they unfold as individual moments
within a complex whole.-<br>
<br>
NUEE ARDANTE - 3 min. 16mm film by Joyce Oates, Pittsburgh, PA  NOT
SURE WE'LL HAVE THIS IN 16MM JUST YET<br>
The filmmaker builds a multi-layered, dreamlike and rapid paced collage
of flash frames, feathers,  a film frame of a anxious man, a chair, a
locket with Christ’s image, all seemingly in an absurdist juxtaposition
yet quite resonant. - JC<br>
<br>
THE BINDING OF ISSAC - 5.5 min.video by John Schnall, Bloomfield, NJ<br>
A richly textured and evocative telling of a man’s single-minded faith.
Schnall’s Abraham is not the pious, grief-stricken, humble servant of
God in the Bible story.  This thought provoking and emotionally charged
piece suggests that there is an emotional price to be paid for
religious fanaticism.- JS <br>
<br>
ELEMENTS OF LIGHT - 5 min. 35mm film in cinemascope by Richard Reeves,
Calgary, Alberta, Canada<br>
A handmade, cameraless film in which the photographic elmusion itself
is a tactile  element of the piece. The surface is scratched, dyed and
otherwise manipulated to create a rich textural pastiche of color and
line. - JC<br>
<br>
HAND MADE  - 3 min., 35mm film by Lauren Cook, Iowa City, IA<br>
This experimental film is occassionally reminiscent of the 1924 Avant
Gardé  film “Ballet Mechaniqué” by the ledgendary Cubist Fernand Léger.
Hints of Vertov’s 1929 masterpiece “Man With A Movie Camera”  seep in
as well, yet the filmmaker brings a fresh energy to this reflexive
montagé - JC <br>
<br>
JOURS EN FLEURS - 4:30 min 35mm film by Louise Bourque, Malden, MA. 
Flaherty Filmmaker<br>
The title of this film comes from the expression être dans ses fleurs,
which Acadian girls use to refer to their menstrual cycles. Images of
trees in springtime bloom are subjected to the ravages of blood over a
period of several months, assuming a dark and kaleidoscopic beauty, a
Baudelarean splendour of “monstrous flowers” both “formless and
multiform.”<br>
<br>
LUKE  -  12 min. 35mm film by Michael Chaney, Savannah, GA<br>
This compelling allegorical film tells the story of a soldier on the
desolate sands of the middle east, as a war rages just beyond the
horizon - JC<br>
<br>
UNCLE - 3 min. 35mm film by Ray  Kosarin, Brooklyn, NY<br>
Politically Radical schoolhouse rock?  “Uncle” is a whimsical
high-speed music video reenactment of Uncle Sam’s March to war and the
spreading of freedom and democracy?  This animation juxtaposed Three
cheers to the red white and blue with hundreds of Uncle Sam’s, dropping
bombs out of hot air balloons, balancing sadness with laughter the only
way an animation can. Francis Scott Key would be proud. - TT<br>
<br>
Total running time: 96 min.</font></font></big></font></small></b></font></big><big><font
 face="Arial"><br>
</font></big></div>
</div>
</div>
</div>
<pre class="moz-signature" cols="72">-- 
Timothy Harry
Assistant Director, Cleveland Cinematheque 
</pre>
<pre class="moz-signature" cols="72">at The Cleveland Institute of Art
(216) 421-7450 PHONE
(216) 754-3632 FAX
<a class="moz-txt-link-abbreviated" href="mailto:tharry at gate.cia.edu">tharry at gate.cia.edu</a>
<a class="moz-txt-link-abbreviated" href="http://www.cia.edu/cinematheque">www.cia.edu/cinematheque</a>
</pre>
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