From dafio at msn.com Thu Nov 24 20:35:09 2005 From: dafio at msn.com (Lynda) Date: Thu, 24 Nov 2005 23:35:09 -0500 Subject: [NEohioPAL]Murder Mysteries at Greystone Hall! Message-ID: <000001c5f179$9e4e5e00$d0ac0ccf@randomacts> This is a multi-part message in MIME format. ------=_NextPart_000_0001_01C5F14F.B579DCA0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Random Acts is thrilled to announce that we will be performing private parties at GREYSTONE HALL, a truly unique venue with amazing architecture, stunning staircases and fabulous food! http://www.random-acts.net ------=_NextPart_000_0001_01C5F14F.B579DCA0 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

Random Acts is thrilled to announce that we will be = performing private parties at GREYSTONE HALL, =

a truly unique venue with amazing architecture, = stunning staircases and fabulous food!

 

http://www.random-acts.net

 

 

------=_NextPart_000_0001_01C5F14F.B579DCA0-- From kmmk816 at yahoo.com Mon Nov 21 06:18:57 2005 From: kmmk816 at yahoo.com (Karen Kawolics) Date: Mon, 21 Nov 2005 06:18:57 -0800 (PST) Subject: [NEohioPAL]Guest Needed for Health TV show Message-ID: <20051121141858.43678.qmail@web34201.mail.mud.yahoo.com> Health and Fitness TV program looking for an in studio guest for a six minute interview. The television program "Mind, Body & Spirit" is looking for a guest to be interviewed for a program to be broadcast during the month of February in honor of Valentine's Day. The show will be shot on Tuesday, November 29th at 3:45PM in Macedonia at the Cable 9 studios. We are open to any topics related to love, relationships, heart health, food related topics - anything that will tie together health and romance. Please email any ideas. "MBS" is a health and fitness television program shot at Cable 9 studios in Macedonia and distributed to various cable outlets in the Cleveland and New York City area. Three female hosts each interview one guest for 7 minutes in studio. Guest will receive a copy of their interview. Please email any ideas to Karen Kawolics at kmmk816 at yahoo.com. Thank you, www.karenkawolics.com __________________________________ Yahoo! Mail - PC Magazine Editors' Choice 2005 http://mail.yahoo.com From dcurfman at akron.k12.oh.us Mon Nov 21 06:23:57 2005 From: dcurfman at akron.k12.oh.us (Donna Curfman) Date: Mon, 21 Nov 2005 09:23:57 -0500 (EST) Subject: [NEohioPAL]Keyboard player/organist position Message-ID: Christ United Methodist Church in West Akron is seeking a keyboard player/organist to accompany the choir and play a variety of music for the Sunday service. The position is paid and involves one rehearsal a week on Wednesday nights and one service on Sunday mornings. If interested or in need of additional information, please contact the church office at 330-836-5563 or Donna Curfman at 330-864-2040. From royberko at yahoo.com Mon Nov 21 06:33:29 2005 From: royberko at yahoo.com (Roy Berko) Date: Mon, 21 Nov 2005 06:33:29 -0800 (PST) Subject: [NEohioPAL]Berko review: OPAL (Kalliope) Message-ID: <20051121143329.20414.qmail@web33103.mail.mud.yahoo.com> KALLIOPE STAGE DOES AREA PREMIERE OF ?OPAL? Roy Berko (Member, American Theatre Critics Association) --THE TIMES NEWSPAPERS-- Lorain County Times--Westlaker Times--Lakewood News Times--Olmsted-Fairview Times ?OPAL,? the Richard Rodgers and AT&T Award-winning musical by Robert Lindsey Nassif, is getting its local premiere at Kalliope Stage. Nassif ,who penned the book, music and lyrics, is known to Cleveland audiences for his authorship of ?HONKY TONK HIGHWAY,? and ? ELIOT NESS IN CLEVELAND,? which had local productions. Opal is a full-length musical in one long act, that explores a young girl's attempt to "make earth glad" by helping those around her fulfill their needs and desires. Billed as the true story of Francoise D'Orleans, who, as a child, was shipwrecked off the Oregon coast. It is a bittersweet story that supposedly grew out of Francoise's own diary entries. The reality, however, was that ten months after the diary was published, D?Orleans was accused of fraud. Critics said she fabricated her biography, especially her claims that she was adopted by the Whiteleys and that her parents were actually French aristocracy. She was also accused of writing the diary as an adult, not when she was a child. After the untruthful revelations, Opal fled America and was found in England more than 20 years later wandering through the rubble and burned-out buildings left in the wake of World War II. She was committed to an insane asylum, identified as Schizophrenic, and remained there the rest of her life. She died in 1992, just weeks before the New York debut of the musical based on her writings. No matter the veracity of the tale, the bottom line is that Opal?s story is compelling, mysterious and tragic. The play opens with the shipwreck and illustrates what happens when Francoise is taken in by The Mamma, an embittered woman. The child, who believes her parents will come back one day, is given the name Opal, the same name as The Mamma?s dead daughter. To psychologically survive, Francoise creates a world of fantasy which includes naming things by cultural connections in her background. For example, she names her pet pig ?Peter Paul Rubens.? She gives nicknames to the people of the town: ?the thought-girl with far away look in her eyes,? ?the girl that has no seeing,? and ?the man that wears gray neckties.? Her extraordinary imagination affects the lives of those around her. This isn?t the traditional musical theatre feel-good fluff story with a neatly packaged happy ending. This is a story that is a mix of happiness and sorrow. Kalliope Stage?s production, under the adept directing of Paul F. Gurgol, is generally excellent. Gurgol does a masterful job of using the theatre?s small stage to its maximum. He has cast members linger around the stage, doing various tasks such as needle-point, knitting, and sawing wood to the best effect. The scenes flow well and transition effectively. The pacing is excellent. The opening storm scene is quite realistic and his creation of visual pictures, such as the human tree, is impressive. There are some very strong performances. Marla Berg as Sadie McKibben, the washer woman who befriends Opal, has a fine singing voice and develops a clear character. Kris Comer, the blind girl, creates a perfect image of a woman who is vulnerable and in need of love. Scott Posey has a powerful voice and also hits all the right acting notes as The Shy Man that Wears Gray Neckties. His future bride, The Thought-Girl with the Far Away Look in her Eyes, is nicely developed and sung by Jodi Brinkman. Each of the narrators is effective. On the other hand, Ayeshah Douglas as The Mamma fails to texture her role. Her lines often miss depth of meaning and she acts, rather than reacts to Opal and the other characters. Evaluating a play that has a child lead is often a difficult task. No matter the quality of character development and singing abilities, it is expected that the child, due to her age, is to be judged as ?wonderful.? However, I feel that it is unfair to use one criteria for the rest of the cast and another for child actors, especially ones in musicals like ?ANNIE,? ?OLIVER,? and ?OPAL? where they are the pivotal centers of the show. With that said, eleven year-old Dani Apple makes for an acceptable Opal. She has a nice singing voice. Her acting is not quite as good. She often says lines, rather than creating meanings. Her speaking voice sometimes gets into the high registers which is hard on the ears. Gurgol needed to work with her on emotional development which stretched beyond yelling when she was distraught, and looking directly into the eyes of other characters as she speaks. The choral work is excellent as are the musical sounds created by Brad Wyner and Anthony Ruggiero. Russ Borski?s set design is effective and Lance Switzer?s lighting works well. CAPSULE JUDGEMENT: ?OPAL? is an arresting play that gets a very good production at Kalliope Stage. The show runs through December 18 at Kalliope Stage, 2134 Lee Road. For tickets call 216-321-0870 or go on line to www.KalliopeStage.com. Kalliope Stage?s next production is ?COMING TO AMERICA? which will have its world premiere on February 9, 2006. Roy Berko's web page can be found at www.royberko.info. His theatre and dance reviews appear on NeOHIOpal, an on-line source. To subscribe to this free service via the World Wide Web, visit http://lists.fredsternfeld.com/mailman/listinfo/neohiopal. __________________________________ Yahoo! Mail - PC Magazine Editors' Choice 2005 http://mail.yahoo.com From scott at 1musicman.com Mon Nov 21 06:36:33 2005 From: scott at 1musicman.com (scott at 1musicman.com) Date: Mon, 21 Nov 2005 09:36:33 -0500 Subject: [NEohioPAL]Huge 1 day garage-moving sale-11/26! Message-ID: <200511211436.DTB24469@ms1.netsolmail.com> Dear NEOHIOPAL friends, The time has come to empty my house in order to make a move to California. I am selling furniture- sofas. end tables, chairs. I have many mic stands, cables,dj switchers and more. Also being sold is a 4 post auto lift, an 8 person hot tub, several sets of instrumental method books-Essential Elements. I have 2 small refrigerators and the house itself! (house showings can be arranged through our agent-Melinda Chamberlin- Keller-Williams) These goodies can be seen and bought 1 day only on Nov.26-,Sat.,8:30-5: 00p.m. at 476 Pierson Drive, Richmond Hts., OH (just off of Highland ,across from the police station.) I have other items in these categories so come over and check them out. I accept cash and cash or Paypal. Prices for these items are made to sell. Get a jump on your Holiday shopping.Pass the word-this is gonna be one heckuva' sale. Thank you for including my sale in your post turkey day plans. From dcurfman at akron.k12.oh.us Mon Nov 21 06:44:08 2005 From: dcurfman at akron.k12.oh.us (Donna Curfman) Date: Mon, 21 Nov 2005 09:44:08 -0500 (EST) Subject: [NEohioPAL]Keyboard player for Christmas Eve (fwd) Message-ID: Christ United Methodist Church in West Akron is in need of a keyboard player/organist for our Christmas Eve service at 7:00 p.m. This is a paid position and would require a rehearsal the Wednesday prior to the service (also paid). Please contact Donna Curfman at 330-864-2040 if you are interested and available. Thanks. From news at cvlt.org Mon Nov 21 07:16:11 2005 From: news at cvlt.org (Chris White) Date: Mon, 21 Nov 2005 10:16:11 -0500 Subject: [NEohioPAL]Chagrin Valley Little Theatre presents 'A Christmas Carol' The Musical Message-ID: <008001c5eeae$84158450$0600a8c0@cwhite> This is a multi-part message in MIME format. ------=_NextPart_000_007D_01C5EE84.98E1DD40 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Press Release Chagrin Valley Little Theatre Announces The Broadway Musical, A Christmas Carol =20 =20 November 21, 2005 : Charles Dickens' classic gets the full Broadway = treatment in Alan Menken's-Lynn Ahrens'-Mike Okrent's adaptation of A = Christmas Carol. This is the version that leaves New Yorkers and = tourists alike gasping in wonder and merriment every year as the story = unfolds on the stage at Madison Square Garden. In 2004, this version = became the basis of a NBC television spectacular featuring Kelsey = Grammer as Scrooge, surrounded by an array of stars including Jason = Alexander, Jesse L. Martin, Jane Krakowski, Geraldine Chaplin, Jennifer = Love Hewitt and Ruthie Henshall. Alan Menken (Little Shop Of Horrors) = and Lynn Ahrens (Ragtime The Musical, Once On This Island) have = collaborated on a score that is filled with beautiful melodies and = emotional lyrics. Their song "A Place Called Home" has become a holiday = standard. There are many adaptations of A Christmas Carol out there, but only one = Broadway version! Now this holiday treat can be seen at Chagrin Valley = Little Theatre =20 Director and Choreographer: Pierre-Jacques Brault =20 Music Director: Evie Morris=20 =20 Fridays & Saturdays @ 8 PM November 18 - December 18 Sundays @ 2pm November 20, 27 December 4, 18 (NEW - Corrected Dates) 40 River Street Chagrin Falls, Ohio 44022 Box Office: (440) 247-8955 Box Office Hours: 1 - 6 p.m. Monday - Saturday Tickets $16 - Adults $12 - for youth (under 18) and seniors (60 = and over) Please be sure to visit us at www.cvlt.org or www.chagrinfalls-ohio.com CVLT offers a very attractive dinner theater package with three of = Chagrin Falls' finest restaurants. Make your theater reservations = first, then call the restaurant of your choice to take advantage of = their special dinner theater offering. Call one of these fine = restaurants and enjoy dinner before the show. You should be prepared to = show your theater tickets prior to seating at the restaurant.=20 Enjoy wonderful cuisine plus an entertaining evening at The Chagrin = Valley Little Theatre Raintree 440-247-4800 Gamekeeper's Tavern 440-247-7744 Blake's Seafood Grille 440-893-9910 Chris White Corporate Controller M. Davis Management Services, Inc. 32100 Solon Road Suite 204 Solon, OH 44139 440-542-1724-Phone 440-542-1726-Fax ------=_NextPart_000_007D_01C5EE84.98E1DD40 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
 
Press=20 Release

Chagrin Valley Little Theatre

Announces  The Broadway Musical, = A Christmas=20 Carol  

 

November = 21, 2005=20 :  Charles Dickens' classic gets the full Broadway treatment in = Alan=20 Menken=92s-Lynn Ahrens=92-Mike Okrent's adaptation of A Christmas=20 Carol. This is the version that leaves New Yorkers and tourists = alike=20 gasping in wonder and merriment every year as the story unfolds on the = stage at=20 Madison Square Garden. In 2004, this version became the basis of a NBC=20 television spectacular featuring Kelsey Grammer as Scrooge, surrounded = by an=20 array of stars including Jason Alexander, Jesse L. Martin, Jane = Krakowski,=20 Geraldine Chaplin, Jennifer Love Hewitt and Ruthie Henshall. Alan Menken = (Little Shop Of Horrors) and Lynn Ahrens (Ragtime The Musical, = Once On=20 This Island) have collaborated on a score that is filled with = beautiful=20 melodies and emotional lyrics. Their song "A Place Called Home" has = become a=20 holiday standard.

 

There are many adaptations of A Christmas = Carol out=20 there, but only one Broadway version! Now this holiday treat can be = seen=20 at  Chagrin Valley = Little=20 Theatre

 

Director and=20 Choreographer:  Pierre-Jacques=20 Brault  
Music Director:  Evie=20 Morris 

 

Fridays=20 & Saturdays @ 8 PM

November=20 18 - December 18

Sundays=20 @ 2pm

November 20, 27  December 4, = 18

(NEW - Corrected Dates)

 

40=20 River Street    = Chagrin=20 Falls, Ohio 44022

Box=20 Office: (440)=20 247-8955
Box=20 Office Hours: = 1 - 6=20 p.m. Monday =96 Saturday

Tickets    $16 -=20 Adults     $12 - for youth (under 18)=20 and seniors (60 and over)

Please be sure to visit us = at

www.cvlt.org  or = www.chagrinfalls-ohio.com

CVLT offers a very attractive dinner theater package with three = of=20 Chagrin Falls' finest restaurants.  Make your theater reservations = first,=20 then call the restaurant of your choice to take advantage of their = special=20 dinner theater offering.  Call one of these fine restaurants and = enjoy=20 dinner before the show.  You should be prepared to show your = theater=20 tickets prior to seating at the restaurant. =

Enjoy wonderful cuisine plus an entertaining evening at The = Chagrin=20 Valley Little Theatre

Raintree    = 440-247-4800
Gamekeeper's Tavern   =20 440-247-7744
Blake's Seafood Grille    = 440-893-9910
 
 
 
 
 
Chris = White
Corporate Controller
M. Davis Management Services, = Inc.
32100=20 Solon Road  Suite 204
Solon, OH =20 44139
440-542-1724-Phone
440-542-1726-Fax
<= /HTML> ------=_NextPart_000_007D_01C5EE84.98E1DD40-- From artistschair2005 at aol.com Mon Nov 21 07:15:09 2005 From: artistschair2005 at aol.com (artistschair2005 at aol.com) Date: Mon, 21 Nov 2005 10:15:09 -0500 Subject: [NEohioPAL]Need a FREELANCE JOURNALIST? Lauren Muney & OTHER NEWS! Message-ID: <8C7BCC57F4C1794-1F08-7A89@MBLK-M02.sysops.aol.com> ----------MailBlocks_8C7BCC57F4C1794_1F08_75B1_MBLK-M02.sysops.aol.com Content-Type: text/plain; charset="us-ascii" ARTISTSCHAIR.COM'S "FEATURED ARTIST OF THE DAY" Freelance Journalist - Lauren Muney (Location: Laurel, Maryland) (November 21, 2005) To view Laurens profile, visit http://www.artistschair.com Latest Members' CONTEST Giveaway (November 18, 2005) The artistschair.com member that is chosen at random by the database to be the Wednesday, November 23 "Featured Artist of the Day" will win two passes, good for four admissions to the December 1 (7:30 pm) Loews Richmond Town Square advanced screening of "The Family Stone" featuring Claire Danes, Diane Keaton, Rachel McAdams, Dermot Mulroney, Craig T. Nelson, Sarah Jessica Parker and Luke Wilson. Take friends or take family, either way, GET OUT and SEE NORTHEAST OHIO! Not a member of artistschair.com yet? Join today for FREE! Networking EVENT & PARTY for Artists and Those that Hire Talent (November 10, 2005) A GREAT BIG THANK YOU to all who attended the November 9 artistschair.com Networking Event which took place at 1300 Gallery. Photos from the event will be posted to the artistschair.com directory soon. FIND an Artist! Make your event or project extra memorable. Find entertainers and technicians in our FREE and easy-to-use database featuring photos and profiles of local artists in more than 100 different talent fields. BE an Artist! Let your talents and services be known. Become a member for FREE and highlight all talent fields that apply to you. Upload photos of yourself and/or samples of your work, edit your own information and have your profiles viewed by those searching for your talents and services. Our MISSION Artistschair.com is committed to PROMOTING and RAISING AWARENESS of local artists, arts-related institutions and issues and the NORTHEAST OHIO REGION as well as serving the needs of those searching for CREATIVE TALENT and resources. ----------MailBlocks_8C7BCC57F4C1794_1F08_75B1_MBLK-M02.sysops.aol.com Content-Type: text/html; charset="us-ascii"
  
            ARTISTSCHAIR.COM'S "FEATURED ARTIST OF THE DAY"
Freelance Journalist - Lauren Muney (Location: Laurel, Maryland)
 
(November 21, 2005) To view Laurens profile, visit http://www.artistschair.com
 
Latest Members' CONTEST Giveaway
(November 18, 2005) The artistschair.com member that is chosen at random by the database to be the Wednesday, November 23 "Featured Artist of the Day" will win two passes, good for four admissions to the December 1 (7:30 pm) Loews Richmond Town Square advanced screening of "The Family Stone" featuring Claire Danes, Diane Keaton, Rachel McAdams, Dermot Mulroney, Craig T. Nelson, Sarah Jessica Parker and Luke Wilson.  
 
Take friends or take family, either way, GET OUT and SEE NORTHEAST OHIO! Not a member of artistschair.com yet? Join today for FREE!
 
Networking EVENT & PARTY for Artists and Those that Hire Talent
(November 10, 2005) A GREAT BIG THANK YOU to all who attended the November 9 artistschair.com Networking Event which took place at 1300 Gallery. Photos from the event will be posted to the artistschair.com directory soon.
  
FIND an Artist!
Make your event or project extra memorable. Find entertainers and technicians in our FREE and easy-to-use database featuring photos and profiles of local artists in more than 100 different talent fields.
 
BE an Artist!
Let your talents and services be known. Become a member for FREE and highlight all talent fields that apply to you. Upload photos of yourself and/or samples of your work, edit your own information and have your profiles viewed by those searching for your talents and services.
 
Our MISSION
Artistschair.com is committed to PROMOTING and RAISING AWARENESS of local artists, arts-related institutions and issues and the NORTHEAST OHIO REGION as well as serving the needs of those searching for CREATIVE TALENT and resources.
 
----------MailBlocks_8C7BCC57F4C1794_1F08_75B1_MBLK-M02.sysops.aol.com-- From news at cvlt.org Mon Nov 21 07:28:56 2005 From: news at cvlt.org (Chris White) Date: Mon, 21 Nov 2005 10:28:56 -0500 Subject: [NEohioPAL]A Holiday Show with Santa and His Friends, Traditional Gingerbread Tea at CVLT Message-ID: <004f01c5eeb0$4aba5f30$0600a8c0@cwhite> This is a multi-part message in MIME format. ------=_NextPart_000_004C_01C5EE86.60646DF0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Press Release Chagrin Valley Little Theatre Announces A Holiday Show with Santa and His Friends, Traditional = Gingerbread Tea at CVLT =20 =20 November 21, 2005 The happily anticipated holiday tradition, A Holiday Show with Santa and His Friends, Traditional Gingerbread Tea will be held at Chagrin Valley Little Theatre on Saturday Dec 10 and = Sunday December 11 The Tea is sponsored by the CVLT Women's Committee and features a visit = by Santa and his helpers. Refreshments are offered before and after each performance.=20 Photos with Santa will be available for a fee, or you are welcome to = bring your own camera Two shows each day at 1pm and 3pm (theatre auditorium seats 262) Gingerbread Tea seatings in the River Room are limited to 60 people, so = call for reservations soon! Tea Times are 12:30 and 1:30 for the 1pm show and 2:30 and 3:30 for the 3pm show Show Only $5 Show and Tea $7 Reservations & Information call 440-247-8955 Monday - Saturday 1-6pm Proceeds from this entertainment are used as a fund raising event for = the theatre. Chris White Corporate Controller M. Davis Management Services, Inc. 32100 Solon Road Suite 204 Solon, OH 44139 440-542-1724-Phone 440-542-1726-Fax ------=_NextPart_000_004C_01C5EE86.60646DF0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
 
Press=20 Release

Chagrin Valley Little Theatre

Announces  A=20 Holiday Show with Santa and His Friends, Traditional Gingerbread Tea at=20 CVLT  

 

November=20 21, 2005

 

The happily anticipated holiday=20 tradition,

A Holiday Show with Santa and His Friends, Traditional = Gingerbread=20 Tea

will be held at Chagrin Valley Little Theatre on Saturday Dec = 10 and=20 Sunday December 11

 

The Tea is sponsored by the CVLT Women's Committee and = features a=20 visit by Santa and his helpers.

 

Refreshments are offered before and after each=20 performance. 

 

Photos with Santa will be available for a fee, or you = are welcome=20 to bring your own camera

 

Two shows each day at 1pm and=20 3pm

(theatre auditorium seats = 262)

 

Gingerbread Tea seatings in the River Room are limited = to 60=20 people, so call for reservations soon!

 

Tea Times are 12:30 and 1:30 for the 1pm=20 show

and 2:30 and 3:30 for the 3pm=20 show

 

Show Only    = $5

Show and Tea   =20 $7

 

Reservations & = Information

call 440-247-8955

Monday - Saturday = 1-6pm

 

Proceeds from this entertainment are used as a fund raising = event for the=20 theatre.

 

 

 

 
 
 
 
Chris = White
Corporate Controller
M. Davis Management Services, = Inc.
32100=20 Solon Road  Suite 204
Solon, OH =20 44139
440-542-1724-Phone
440-542-1726-Fax
<= /HTML> ------=_NextPart_000_004C_01C5EE86.60646DF0-- From news at cvlt.org Mon Nov 21 07:42:04 2005 From: news at cvlt.org (Chris White) Date: Mon, 21 Nov 2005 10:42:04 -0500 Subject: [NEohioPAL]"Not Yet" - Annual New Year's Eve Benefit - Chagrin Valley Little Theatre Message-ID: <007b01c5eeb2$20b83660$0600a8c0@cwhite> This is a multi-part message in MIME format. ------=_NextPart_000_0078_01C5EE88.3651A350 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Press Release Chagrin Valley Little Theatre Announces "Not Yet!" - Annual New Year's Eve Benefit =20 =20 November 15, 2005 : What are you doing New Year's Eve? Why not ring in 2006 with Chagrin Valley Little Theatre! Join us for = 'Not Yet', a one night only benefit celebrating the shows thatCVLT has = not or cannot peform...yet.=20 Featuring: Eric Alan, Jackie Cassara, Carlos Cruz, Angela Lynard, Paula = Pike, Andrew and Greta Rothman. Musical Direction by Bob Day The show starts at 9pm on December 31st Special $25 ticket price includes entertainment and hors d'ouvres and a champagne toast at midnight! Cash Bar Available =20 40 River Street Chagrin Falls, Ohio 44022 Box Office: (440) 247-8955 Box Office Hours: 1 - 6 p.m. Monday - Saturday Please be sure to visit us at www.cvlt.org or www.chagrinfalls-ohio.com CVLT offers a very attractive dinner theater package with three of = Chagrin Falls' finest restaurants. Make your theater reservations = first, then call the restaurant of your choice to take advantage of = their special dinner theater offering. Call one of these fine = restaurants and enjoy dinner before the show. You should be prepared to = show your theater tickets prior to seating at the restaurant.=20 Enjoy wonderful cuisine plus an entertaining evening at The Chagrin = Valley Little Theatre Raintree 440-247-4800 Gamekeeper's Tavern 440-247-7744 Blake's Seafood Grille 440-893-9910 Chris White Corporate Controller M. Davis Management Services, Inc. 32100 Solon Road Suite 204 Solon, OH 44139 440-542-1724-Phone 440-542-1726-Fax ------=_NextPart_000_0078_01C5EE88.3651A350 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
 
Press=20 Release

Chagrin Valley Little Theatre

Announces  "Not Yet!" - Annual New Year's Eve=20 Benefit   

 

November = 15, 2005=20 :   What are you doing New Year's=20 Eve?

Why=20 not ring in 2006 with Chagrin Valley Little Theatre!  Join us for=20 'Not Yet', a one night only benefit celebrating the = shows=20 thatCVLT has not or cannot peform...yet.

 

Featuring:  Eric Alan, Jackie Cassara, Carlos Cruz, Angela = Lynard,=20 Paula Pike, Andrew and Greta Rothman.  Musical Direction by Bob=20 Day

 

The=20 show starts at 9pm on December 31st

Special $25 ticket price includes entertainment and hors=20 d'ouvres

and a champagne toast at=20 midnight!

Cash Bar Available

 

 

40=20 River Street    = Chagrin=20 Falls, Ohio 44022

Box=20 Office: (440)=20 247-8955
Box=20 Office Hours: = 1 - 6=20 p.m. Monday =96 Saturday

Please be sure to visit us = at

www.cvlt.org  or = www.chagrinfalls-ohio.com

CVLT offers a very attractive dinner theater package with three = of=20 Chagrin Falls' finest restaurants.  Make your theater reservations = first,=20 then call the restaurant of your choice to take advantage of their = special=20 dinner theater offering.  Call one of these fine restaurants and = enjoy=20 dinner before the show.  You should be prepared to show your = theater=20 tickets prior to seating at the restaurant. =

Enjoy wonderful cuisine plus an entertaining evening at The = Chagrin=20 Valley Little Theatre

Raintree    = 440-247-4800
Gamekeeper's Tavern   =20 440-247-7744
Blake's Seafood Grille    = 440-893-9910
 
 
 
 
 
Chris = White
Corporate Controller
M. Davis Management Services, = Inc.
32100=20 Solon Road  Suite 204
Solon, OH =20 44139
440-542-1724-Phone
440-542-1726-Fax
<= /HTML> ------=_NextPart_000_0078_01C5EE88.3651A350-- From kilbanedan at yahoo.com Mon Nov 21 08:01:36 2005 From: kilbanedan at yahoo.com (Dan Kilbane) Date: Mon, 21 Nov 2005 08:01:36 -0800 (PST) Subject: [NEohioPAL]Preview the Holiday Hotline: Nov. 23, 25, & 26; a new musical comedy revue! Message-ID: <20051121160136.77146.qmail@web60712.mail.yahoo.com> --0-437073766-1132588896=:76849 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit DETROIT AVE. ARTS PRODUCES THE WORLD PREMIERE MUSICAL REVUE HOLIDAY HOTLINE Previews November 23, 25 & 26, Running December 1 ? 23, 2005 A musical comedy revue! www.holiday-hotline.com Call the Holiday Hotline! 216.491.1709 James Levin?s Detroit Ave. Arts is proud to announce the world premiere of the irreverent HOLIDAY HOTLINE, a musical comedy revue with sketches and songs. HOLIDAY HOTLINE takes a demented look at all the things that drive us crazy about the Christmas holidays. The show, to run in the funky Orthodox, a former church, runs December 1 ? 23, with a preview week Wednesday, November 23, Friday, November 25, and Saturday, November 26. The show?s book is by Michael Sepesy; music by Linda Eisenstein; and lyrics by both. Linda Eisenstein and Michael Sepesy wreck the halls with this fast and funny collection of sketches and songs skewering the holiday season, from A CHRISTMAS CAROL to Kwanzaa. The piece is eclectic and irreverent, taking all holiday traditions prisoner with music styles ranging from country to polka to torch song. The world premiere HOLIDAY HOTLINE sends up everything from the mystery ingredients in the turkey stuffing to elf psychotherapy. Co-creator Michael Sepesy sums it up, ?The show is a cure for the Christmas crazies!? The cast includes local favorites Denise Astorino, Kim Aldrich-Ceja, Mark Cipra, Maryann Elder, Hester Lewellen, and Andrew Narten. The production?s staff is led by director Mindy Childress and musical director Michael Flohr. Set design is by Michael D. Sepesy, light design is by Trad A Burns, costume design is by Alison Hernan Garrigan, choreography is by Amy Pawlukiewicz and properties design is by Sharon Epstein. Nadia Tarnawsky is the production stage manager. The show previews Wednesday, November 23 and Friday, November 25 at 8:00 p.m. and Saturday, November 26 (8:00 and 10:30 p.m. shows). Opening night is December 1, with the production running through December 23. Performances are Thursdays, Fridays, Saturdays, and Sundays; Thursdays and Fridays at 8:00 p.m., Saturdays at 8:00 and 10:30 p.m., and Sundays at 3:00 p.m. Tickets can be purchased by calling 216.491.1709. Preview tickets are $10. For performances, Thursday, Sunday and Saturday 10:30 p.m. tickets are $10. Friday and Saturdays at 8:00 p.m. are $15. Orthodox is located at Detroit Avenue Arts, 6203 Detroit Ave., Cleveland, Ohio, 44102. Says Eisenstein about the genesis of the piece: ?Last year two of our buddies in the Playwrights' Unit came back from a holiday comedy and said: "You guys are way wackier that that. You need to write a Christmas show." Since then, Mike and I have been bringing sketches and songs from our work-in-progress to the Playwrights' Unit. We've also been performing them every month at The Dark Room, the new works cabaret sponsored by the Cleveland Theater Collective. It's been a great way to watch it develop in front of an audience.? --------------------------------- Yahoo! FareChase - Search multiple travel sites in one click. --0-437073766-1132588896=:76849 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
DETROIT AVE. ARTS PRODUCES THE WORLD PREMIERE MUSICAL REVUE
HOLIDAY HOTLINE
Previews November 23, 25 & 26, Running December 1 ? 23, 2005
A musical comedy revue!
 
www.holiday-hotline.com
Call the Holiday Hotline!  216.491.1709
 
James Levin?s Detroit Ave. Arts is proud to announce the world premiere of the irreverent HOLIDAY HOTLINE, a musical comedy revue with sketches and songs.  HOLIDAY HOTLINE takes a demented look at all the things that drive us crazy about the Christmas holidays.  The show, to run in the funky Orthodox, a former church, runs December 1 ? 23, with a preview week Wednesday, November 23, Friday, November 25, and Saturday, November 26.  The show?s book is by Michael Sepesy; music by Linda Eisenstein; and lyrics by both.
 
Linda Eisenstein and Michael Sepesy wreck the halls with this fast and funny collection of sketches and songs skewering the holiday season, from A CHRISTMAS CAROL to Kwanzaa.  The piece is eclectic and irreverent, taking all holiday traditions prisoner with music styles ranging from country to polka to torch song.  The world premiere HOLIDAY HOTLINE sends up everything from the mystery ingredients in the turkey stuffing to elf psychotherapy.  Co-creator Michael Sepesy sums it up, ?The show is a cure for the Christmas crazies!?
 
The cast includes local favorites Denise Astorino, Kim Aldrich-Ceja, Mark Cipra, Maryann Elder, Hester Lewellen, and Andrew Narten.
 
The production?s staff is led by director Mindy Childress and musical director Michael Flohr.  Set design is by Michael D. Sepesy, light design is by Trad A Burns, costume design is by Alison Hernan Garrigan, choreography is by Amy Pawlukiewicz and properties design is by Sharon Epstein.  Nadia Tarnawsky is the production stage manager.
 
The show previews Wednesday, November 23 and Friday, November 25 at 8:00 p.m. and Saturday, November 26 (8:00 and 10:30 p.m. shows).  Opening night is December 1, with the production running through December 23.  Performances are Thursdays, Fridays, Saturdays, and Sundays; Thursdays and Fridays at 8:00 p.m., Saturdays at 8:00 and 10:30 p.m., and Sundays at 3:00 p.m.
 
Tickets can be purchased by calling 216.491.1709.  Preview tickets are $10.  For performances, Thursday, Sunday and Saturday 10:30 p.m. tickets are $10.  Friday and Saturdays at 8:00 p.m. are $15. 
 
Orthodox is located at Detroit Avenue Arts, 6203 Detroit Ave., Cleveland, Ohio, 44102.
 
Says Eisenstein about the genesis of the piece:  ?Last year two of our buddies in the Playwrights' Unit came back from a holiday comedy and said: "You guys are way wackier that that.  You need to write a Christmas show."  Since then, Mike and I have been bringing sketches and songs from our work-in-progress to the Playwrights' Unit.  We've also been performing them every month at The Dark Room, the new works cabaret sponsored by the Cleveland Theater Collective.  It's been a great way to watch it develop in front of an audience.? 
 
 
  
 

Yahoo! FareChase - Search multiple travel sites in one click. --0-437073766-1132588896=:76849-- From edenvalley at centurytel.net Mon Nov 21 08:26:56 2005 From: edenvalley at centurytel.net (Eden Valley Enterprises) Date: Mon, 21 Nov 2005 11:26:56 -0500 Subject: [NEohioPAL]Get in the Holiday Spirit with STORIES FROM A CHRISTMAS PAST Message-ID: <000801c5eeba$3c371de0$1600000a@centurytel.net> Join us on December 6, 2005 at 7p.m. when STORIES FROM A CHRISTMAS PAST = will be presented at the Richfield Library; 3761 S. Grant St. in = Richfield, Ohio. Get in the holiday mood with these timeless tales and = find out about Cleveland's first Christmas Tree, Whistling Ben Hanby and = other stories in the spirit of the season. This program is FREE and open = to the public. For more information, call the Library at 330-659-4343 or = visit them at: http://www.akronlibrary.org/br-ric01.html To keep up with our complete schedule, go to = http://www.edenvalleyenterprises.org/calendar.html To arrange for a program for your group, send us an e-mail with your = request. To unsubscribe to this list, simply reply to this e-mail with your = request. Bette Lou Higgins Artistic Director Eden Valley Enterprises www.edenvalleyenterprises.org From KevinJosephKelly at aol.com Mon Nov 21 08:38:46 2005 From: KevinJosephKelly at aol.com (KevinJosephKelly at aol.com) Date: Mon, 21 Nov 2005 11:38:46 EST Subject: [NEohioPAL]Colin, Gilagamesh, Phillip, Jared, Kristen, Kevin, and Curtis have a tea party.. Message-ID: <2b8.199b63.30b35216@aol.com> -------------------------------1132591126 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Come see it and say hello afterwards!!!!!!!!!!!! Bring your little ones, they will love it! ALICE'S ADVENTURES IN WONDERLAND OPENS AT THE CLEVELAND PLAY HOUSE Nov. 19 - Dec. 11, 2005 10/25/2005 The production opens November 19 and runs through December 11, 2005, in the Studio One Theatre. Public performances are at 1:00 p.m. and 3:00 p.m. Saturdays and Sundays. Shows run 50 minutes and include a question-and-answer session with the cast. Cast: Kevin Joseph Kelly, Colin Cook, Gilgamesh Tagget, Jared Nichols, Phillip Carrol and Kristen O'Connor as Alice (Curtis L. Young is the understudy for Kevin Joseph Kelly on Sundays) Creative Team Eric Schmiedl (Playwright) Bill Hoffman (Director) Costume Design by Kim Castle; Scenic Design by Jenny Hitmar; Lighting Design by Maureen Patterson, Stage Manager: Donna Dziak. Ticket Information Tickets are $15 and can be purchased at The Cleveland Play House box office, in person or by calling (216) 795-7000 or online at _www.clevelandplayhouse.com_ (http://www.clevelandplayhouse.com/) . Phone orders have a $1 processing fee. For special pricing on groups of 10 or more, or information about student matinees for school groups of 10 or more weekdays at 10:00 a.m. and 11:30 a.m. beginning November 14, call (216) 795-7000 ext. 149 Sincerely, Kevin Joseph Kelly 216-269-3824 -------------------------------1132591126 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
Come see it and say hello afterwards!!!!!!!!!!!!
Bring your little ones, they will love it!

ALICE'S ADVENTURES IN=20 WONDERLAND
OPENS AT THE CLEVELAND PLAY HOUSE
No= v.=20 19 - Dec. 11, 2005 10/25/2005

The production opens November 19 and ru= ns=20 through December 11, 2005, in the Studio One Theatre. Public performances ar= e at=20 1:00 p.m. and 3:00 p.m. Saturdays and Sundays. Shows run 50 minutes and incl= ude=20 a question-and-answer session with the cast.

Cast:
Kev= in=20 Joseph Kelly, Colin Cook, Gilgamesh Tagget, Jared Nichols, Phillip Carrol an= d=20 Kristen O'Connor as Alice (Curtis L. Young is the understudy for Kevin Josep= h=20 Kelly on Sundays)

Creative=20 Team
Eric Schmiedl (Playwright)=20
Bill Hoffman (Director)
Costume Design by K= im=20 Castle; Scenic Design by Jenny Hitmar; Lighting De= sign=20 by Maureen Patterson, Stage Manager: Donna=20 Dziak.

Ticket Information
Tickets= are $15=20 and can be purchased at The Cleveland Play House box office, in person or by= =20 calling (216) 795-7000 or online at www.clevelandplayhouse.com.=20= Phone=20 orders have a $1 processing fee.
For special pricing on groups of 10 or m= ore,=20 or information about student matinees for school groups of 10 or more weekda= ys=20 at 10:00 a.m. and 11:30 a.m. beginning November 14, call (216) 795-7000 ext.= =20 149
 
Sincerely,
Kevin Joseph=20 Kelly
216-269-3824
<= /HTML> -------------------------------1132591126-- From patmazz at aol.com Mon Nov 21 08:39:29 2005 From: patmazz at aol.com (patmazz at aol.com) Date: Mon, 21 Nov 2005 11:39:29 -0500 Subject: [NEohioPAL]Ensemble Theatre presents BRAVO CARUSO Message-ID: <8C7BCD147310ECB-1E60-6F55@MBLK-R09.sysops.aol.com> ----------MailBlocks_8C7BCD147310ECB_1E60_6ABB_MBLK-R09.sysops.aol.com Content-Type: text/plain; charset="us-ascii" Ensemble Theatre will present BRAVO,CARUSO! at the Brooks Theatre of The Cleveland Play House Nov 26 - Dec.11 Written by William Luce Directed by Licia Colombi Starring Bernard Canepari as Caruso Pat Mazzarino as Mario Its Christmas Eve 1920 in The great opera singer's dressing room at The Metropolitan Opera House. His valet Mario is getting him ready for his performance in "LA JUIVE". Unknown to both men it will be his last performance before his death. Listen to WCPN, Tuesday Nov 22 at "Around Noon" with Dee Perry as she chats with Bernard Canepari, Pat Mazzarino and playwright William Luce. Tickets can be purchased by call the theatre box office at 216-321-2930 ----------MailBlocks_8C7BCD147310ECB_1E60_6ABB_MBLK-R09.sysops.aol.com Content-Type: text/html; charset="us-ascii"
Ensemble Theatre will present
 
BRAVO,CARUSO!
 
at the Brooks Theatre of The Cleveland Play House
 
Nov 26 - Dec.11
 
Written by William Luce
Directed by Licia Colombi
Starring
 
Bernard Canepari as Caruso
Pat Mazzarino as Mario
 
Its Christmas Eve 1920 in The great opera singer's dressing room
at The Metropolitan Opera House. His valet Mario is getting him ready for his performance in "LA JUIVE". Unknown to both men it will be his last performance before his death.
 
Listen to WCPN, Tuesday Nov 22 at "Around Noon" with Dee Perry as she chats with Bernard Canepari, Pat Mazzarino and playwright William Luce.
 
Tickets can be purchased by call the theatre box office at
216-321-2930
----------MailBlocks_8C7BCD147310ECB_1E60_6ABB_MBLK-R09.sysops.aol.com-- From mcmamahoo at yahoo.com Mon Nov 21 08:51:46 2005 From: mcmamahoo at yahoo.com (Cherie Lawrence) Date: Mon, 21 Nov 2005 08:51:46 -0800 (PST) Subject: [NEohioPAL]Christmas Spectacular 20th Anniversary@ Akron Civic Message-ID: <20051121165146.28736.qmail@web81710.mail.mud.yahoo.com> Spectacular Music Productions, recipient of the 2005 Zenith Award Best Theatre/Entertainment and top winner of ABJ "Best" Readers Poll, directed by Maestro Larry Wilgus, will present 4 shows of its 20th Anniversary Special New Edition 2-hr family holiday extravaganza. In addition to 145 vocalists, dance troupes, live professional orchestra, Victorian carolers and toy soldiers, this year features special guest 4th/5th-grade choirs from the Kent, Wadsworth, Akron and Green Local Schools, joining the chorus in "When I Hear Those Jingle Bells" and "Home for the Holidays." Also the all-male "Reindeer Boogie" dance troupe will reprise the number by popular demand from our 2004 patrons! FRI DEC 9 7.30pm SAT DEC 10 3PM AND 7.30PM SUN DEC 11 3PM Akron Civic Theatre 102 S Main St FREE PARKING Ticket Information: Adults $35/$31 Children $21 Akron Civic 330.253.2488 11am-5.30pm EJ Thomas Hall 330.972.7570 10.30am-6pm Ticketmaster Akron(330.954.9400) Youngstown(330.747.1212) Cleveland(216.941.5555)and Ticketmaster Kauffman's and select Giant Eagle locations,or www.ticketmaster.com Group Sales of 20+ ONLY-Call 330.966.0700 See www.spectacularmusic.org "What's New" to view the 30-sec tv commercial...and read about us in the Nov 2005 edition of Akron Life and Leisure, pp 50-51. Thanks to all for your past support. From theater at btots.org Mon Nov 21 10:39:13 2005 From: theater at btots.org (Brecksville Theater on the Square) Date: Mon, 21 Nov 2005 12:39:13 -0600 Subject: [NEohioPAL]Auditions for Let Your Hair Down, Rapunzel Message-ID: <001001c5eeca$df150b70$525a4b0c@D3YBLD11> This is a multi-part message in MIME format. ------=_NextPart_000_000D_01C5EE98.93B99560 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Brecksville Theater On The Square Announces Auditions for=20 Let Your Hair Down, Rapunzel Book by Karen Boettcher-Tate, Music & Lyrics by Scott Deturk =20 =20 =20 Brecksville Theater on the Square will hold auditions for Let Your Hair = Down, Rapunzel on Monday, November 28 and/or Tuesday, November 29. All = interested actors/actresses should arrive at 6:30 p.m. and be prepared = for movement. All roles are open for students in grades 4 - 9. =20 Please prepare a minimum of 16 measures of a song of your choice. An = accompanist will be provided. No a cappella auditions, and no recorded = music. Please choose material that displays your voice at its best. = Headshots and resumes welcomed. =20 =20 Production dates for Let Your Hair Down, Rapunzel are February 3-5 and = February 10-12, 2006 at Brecksville's Historic Old Town Hall. =20 Auditions will be held in Building 5 at the Blossom Hill Complex, 4450 = Oakes Road in Brecksville. For additional information, call Brecksville = Theater on the Square at 440-526-3443 ext 3. =20 Kimberly Bush directs and choreographs this production. =20 =20 =20 =20 The Ohio Arts Council helped fund this organization with state tax = dollars to encourage economic growth, educational excellence and = cultural enrichment for all Ohioans. =20 ------=_NextPart_000_000D_01C5EE98.93B99560 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable

Brecksville Theater On The Square Announces Auditions = for=20

Let Your Hair Down, Rapunzel

Book by = Karen=20 Boettcher-Tate, Music & Lyrics by Scott Deturk

 

 

 

Brecksville Theater on the Square will hold = auditions=20 for Let Your Hair Down, Rapunzel on Monday, November 28 = and/or=20 Tuesday, November 29.  All = interested actors/actresses should arrive at 6:30 p.m. and be = prepared for=20 movement.  All roles=20 are open for students in grades 4 =96 9.

 

Please prepare a minimum of 16 measures of a = song of=20 your choice.  An = accompanist will be=20 provided.  No a cappella = auditions,=20 and no recorded music.  = Please=20 choose material that displays your voice at its best.  Headshots and resumes = welcomed. 

 

Production dates for Let Your Hair Down, = Rapunzel are February 3-5 and February 10-12, 2006 at = Brecksville=92s=20 Historic Old Town Hall.

 

Auditions will be held in Building 5 at the = Blossom Hill=20 Complex, 4450 Oakes Road in Brecksville. For additional information, = call=20 Brecksville Theater on the Square at 440-526-3443 ext = 3.

 

Kimberly Bush directs and choreographs this=20 production. 

 

 

 

The Ohio Arts = Council helped=20 fund this organization with state tax dollars to encourage economic = growth,=20 educational excellence and cultural enrichment for all=20 Ohioans.

 
------=_NextPart_000_000D_01C5EE98.93B99560-- From rsvp at redbulltheater.com Mon Nov 21 09:40:26 2005 From: rsvp at redbulltheater.com (rsvp at redbulltheater.com) Date: Mon, 21 Nov 2005 12:40:26 -0500 Subject: [NEohioPAL]Revenge Begins this Sunday, November 27th Message-ID: <03e701c5eec2$d154aa20$6500a8c0@DBPCCF61> This is a multi-part message in MIME format. ------=_NextPart_000_03E8_01C5EE98.E87EA220 Content-Type: multipart/alternative; boundary="----=_NextPart_001_03E9_01C5EE98.E87EA220" ------=_NextPart_001_03E9_01C5EE98.E87EA220 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable =20 LIMITED ENGAGEMENT =97 THREE WEEKS ONLY! =20 To be sure you receive our e-mails, please add rsvp at redbulltheater.com = to your e-mail address book. =20 =20 =20 Red Bull Theater presents The Revenger's Tragedy November 27 =96 December 18 @ the Culture Project Tickets available now: www.theatermania.com =20 =20 =20 CAST Denis Butkus, Jason C. Brown, Aaron Clayton, Saudia Davis, Ryan Farley, Ty Jones, Daryl Lathon, Claire Lautier, Paul Niebanck, Chris Oden, Petronia Paley, William Peden, Naomi Peters, Matthew Rauch, Russ Salmon, Daniel Cameron Talbott, Haynes Thigpen, Marc Vietor, Yaegel Welch =20 DIRECTION and DESIGN Jesse Berger, Tracy Bersley, Renee Blinkwolt, J David Brimmer, Emily De Cola, Kimberly Dilts, Daniel Levy, Evan O=92Brient, Clint Ramos, Mary Vorrasi, Peter West =20 LOCATION The Culture Project 45 Bleecker Street & Lafayette Trains: 6, N/R/W, F/V www.45bleecker.com =20 =20 TICKETS Theatermania www.theatermania.com =20 212.352.3101 $15 =20 ABOUT THE PLAY The Revenger's Tragedy, a Jacobean thriller written a few years after Hamlet, is a searing examination of the need for justice and the desire = for vengeance. Vindice, the "Revenger," sets off a chain reaction of havoc = in a corrupt and decadent Venice, which exposes outrageous indulgences and government hypocrisy, and ends in a coup de th=E9=E2ter massacre of epic proportions. Part black comedy, part social satire, the play is a = gleefully macabre plot-twisting blender full of Shakespeare's greatest hits. = Written by Thomas Middleton, Cyril Tourneur, or Anonymous, the work is adapted = by Artistic Director Jesse Berger. =20 WHO WE ARE Red Bull Theater is a 501(c)(3) not-for-profit company dedicated to the presentation of vital and imaginative productions of heightened language plays and to the development of new plays written in a similar vein. = With a special focus on the Jacobean plays of Shakespeare and his = contemporaries, Red Bull Theater aspires to challenge the intellect and engage the imagination of today=92s theatergoers through language-based, = company-created, resonantly provocative stagings of great classic stories. =20 Donations to Red Bull Theater are fully tax-deductible to the extent permitted by law. =20 DONATE =20 To give to Red Bull Theater right now, click HERE =20 or go to www.redbulltheater.com/join =20 =20 MAILING LISTS Don=92t miss out on events that get announced by regular mail only: Send your mailing address to us at info at redbulltheater.com. =20 To Subscribe or Unsubscribe to our email announcements, click HERE . =20 =20 =20 =20 Jesse Berger Jessica Niebanck Artistic Director Producing Director www.redbulltheater.com info at redbulltheater.com PO Box 250863 NYC NY 10025 212.414.5168 =20 =20 =20 =20 ------=_NextPart_001_03E9_01C5EE98.E87EA220 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable

 

=A0LIMITED ENGAGEMENT — THREE WEEKS = ONLY!

 

=A0To be sure you receive our e-mails, please add rsvp at redbulltheater.com to = your e-mail address book.

 

 

 

Red Bull Theater presents

The Revenger's = Tragedy

November 27 – December 18 @ = the Culture Project

Tickets available now: www.the= atermania.com

 

 

CAS= T

=A0Jason C. Brown,=A0 = =A0Aaron = Clayton,

=A0=A0 = Ty = Jones,

=A0Claire Lautier,=A0=A0 Paul = Niebanck,

=A0=A0 Petronia Paley,=A0 = =A0William = Peden,

=A0=A0Matthew Rauch,=A0 = =A0Russ = Salmon,

=A0=A0 Haynes = Thigpen,

=A0=A0 Yaegel = Welch

&n= bsp;

DIR= ECTION and DESIGN

=A0=A0Tracy Bersley, = =A0=A0Renee Blinkwolt,

=A0=A0Kimberly = Dilts,

=A0Evan O’Brient,=A0=A0 = Clint Ramos,

=A0=A0Peter = West

&n= bsp;

LOC= ATION

45 Bleecker = Street & Lafayette

Trains: 6, N/R/W, = F/V

www.45bleecker.com

&n= bsp;

TICKETS

www.the= atermania.com

212.352.3101

$15<= /p>

 

ABO= UT THE PLAY

The Revenger's Tragedy, a Jacobean thriller written a few years after Hamlet, is a searing examination of the need for justice and the desire for = vengeance. Vindice, the "Revenger," sets off a chain reaction of havoc in a = corrupt and decadent Venice= , which exposes outrageous indulgences and = government hypocrisy, and ends in a coup de th=E9=E2ter massacre of epic = proportions. Part black comedy, part social satire, the play is a gleefully macabre = plot-twisting blender full of Shakespeare's greatest hits. Written by Thomas = Middleton, Cyril Tourneur, or Anonymous, the work is adapted by Artistic Director Jesse = Berger.

 

WHO= WE ARE

Red Bull Theater is a 501(c)(3) not-for-profit company dedicated to the presentation of vital and imaginative productions of = heightened language plays and to the development of new plays written in a similar vein.  With a special focus on the Jacobean plays of Shakespeare = and his contemporaries, Red Bull Theater aspires to challenge the intellect and = engage the imagination of today’s theatergoers through language-based, company-created, resonantly provocative stagings of great classic = stories.

 

Donations to Red Bull = Theater are fully tax-deductible to the extent permitted by = law.

&nb= sp;

DON= ATE

 

To give to Red Bull Theater right now, = click HERE

or go to www.redbulltheater.com/j= oin

 

MAI= LING LISTS

Don’t miss out on events that = get announced by regular mail only:

Send your mailing address to us at = info at redbulltheater.com.

 <= /b>

To Subscribe or Unsubscribe to = our email announcements, click HERE.

 

 

=A0

 

Jesse Berger=A0=A0 Jessica Niebanck

Artistic Director=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0 Producing = Director

www.redbulltheater.com

info at redbulltheater.com

PO Box 250863

NYC NY 10025

212.414.5168

 

 

 

 

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Date: Mon, 21 Nov 2005 13:32:36 -0500 Subject: [NEohioPAL]Oberlin Orchestra Embarks on a Tour of China Message-ID: --Boundary_(ID_OkuHotLURr4McbYHQrCW0A) Content-type: text/plain; charset=WINDOWS-1252; format=flowed Content-transfer-encoding: quoted-printable Media Contact Only: Marci Janas Director of Conservatory Media Relations 440-775-8328 marci.janas at oberlin.edu FOR IMMEDIATE RELEASE Orchestra from the Oberlin Conservatory of Music to Embark on a Tour of the People=92s Republic of China Nine-day tour covers six cities, with more than 60 students performing=20= 10 concerts OBERLIN, OHIO (Nov. 21, 2005) =97 Ten concerts, nine days, six = cities=97the=20 numbers add up to an intense tour schedule under ordinary=20 circumstances. But for student-musicians from the Oberlin Conservatory=20= of Music in Oberlin, Ohio, the intensity is heightened by the fact that=20= the six cities are in the People=92s Republic of China. The Oberlin Orchestra, an ensemble of 66 Conservatory students=20= selected by audition, leaves for China on Dec. 23, 2005, and will=20 perform in some of China=92s premier venues, including the Beijing Poly=20= Theater and the Shanghai Concert Hall. The tour begins with three concerts in Anshan, in central = Liaoning=20 Province, followed by a performance in Shenyang. =46rom there it=92s on = to=20 Dalian, at the southern tip of the province, for two concerts. Two=20 evening performances in Beijing are next on the itinerary, followed by=20= a concert in Tianjing. The tour concludes with a performance in=20 Shanghai. The musicians return home on Jan. 5, 2006. All of the members of the Oberlin Orchestra are undergraduates. = They=20 represent cities throughout the United States and Canada, as well as=20 South Korea, Bulgaria, Denmark, and Singapore. Bridget-Michaele=20 Reischl, music director of the Oberlin Orchestras, will conduct the=20 ensemble during the tour; J Freivogel of St. Louis, Missouri, is=20 concertmaster. Along with intensive rehearsal sessions, the student-musicians = are=20 preparing for the tour by taking a course, China Tour Preparation,=20 offered by the East Asian studies department of Oberlin College, the=20 Conservatory=92s liberal arts counterpart. Funding for the tour is being provided by the Liaoning = Performance=20 Company, a presenting company from China; Chinese businessman Sen Wang;=20= the Chinese Ministry of Culture; and the Oberlin Conservatory of Music. The concert program includes the overture to Mozart=92s The = Marriage of=20 Figaro, selections from Bizet=92s Carmen, Strauss=92 Blue Danube, = Brahms=92=20 Hungarian Dance No. 5, Dvor=E1k=92s Slavonic Dances Op. 46, Nos. 1, 3, = and=20 8, and Chinese folk songs. In addition, this core program will=20 alternate George Gershwin=92s Rhapsody in Blue with Igor Stravinsky=92s=20= Pulcinella Suite. Pianist Thomas Rosenkranz, a 1999 graduate of the=20 Oberlin Conservatory, will be the featured soloist for the Gershwin. The orchestra also will perform the official songs of Anshan, = Dalian,=20 and Beijing, respectively, during concerts in those cities. In Dalian,=20= the Oberlin Orchestra will perform under the baton of guest conductor=20 Fan Tao. Tao, a conductor with the China Broadcasting Performing-Arts=20 Troupe, was awarded a special prize at the 2000 Sibelius International=20= Conducting Competition in Helsinki, Finland. A trip to China made last spring by the dean of the Oberlin=20 Conservatory, David H. Stull, and several faculty members was the=20 genesis of this tour. The Oberlin contingent was invited by the=20 Szechuan Conservatory in Cheng du and visited major concert halls and=20 music schools, where they gave master classes. =93Our primary interest was to visit major schools to get a = sense of=20 their philosophy of teaching and to establish at least an informal=20 relationship with the leaders of those institutions,=94 says Stull. In=20= April, five members of the Szechuan Conservatory made a reciprocal=20 visit to Oberlin to explore the nuances of American conservatory=20 training. =93This China tour will be of immense educational benefit to = Oberlin=20 students,=94 says tour manager James Kalyn. =93In addition to the = musical=20 growth they will experience by performing the same pieces over and over=20= again=97something students in conservatory orchestras rarely get to=20 do=97they will be exposed to the culture of an emerging economic=20 superpower.=94 =93China now produces some of the world=92s finest musicians,=94 = adds Stull.=20 =93Many of these young people come to Oberlin to study. Of the 50=20 students enrolled in the Conservatory from countries in Asia, 15 are=20 from China. It is in our own students=92 best interest to explore the=20 educational and performance opportunities this country has to offer.=94 Bridget-Michaele Reischl, Music Director, Oberlin Orchestra Since becoming the first American to win Italy=92s Antonio Pedrotti=20 International Conducting Competition in 1995, Bridget-Michaele Reischl=20= has been an active guest conductor throughout the United States and=20 internationally. Besides being music director of the Oberlin Orchestras=20= and a member of Oberlin=92s conducting faculty, Reischl is music = director=20 of the Green Bay Symphony Orchestra in Green Bay, Wisconsin, a position=20= she has held since 2001. =46rom 1992 to 2004, she was music director of=20= the Lawrence Symphony Orchestra and associate professor of conducting=20 at the Lawrence University Conservatory of Music in Appleton,=20 Wisconsin. She is a graduate of the Eastman School of Music. As a=20 student of Robert Spano (a 1983 Oberlin graduate), she continued her=20 studies as a conducting fellow at both the Aspen and the Tanglewood=20 music festivals, where she worked with Seiji Ozawa, Murray Sidlin, and=20= David Zinman (also an Oberlin graduate, Class of 1958). She has=20 recorded on the Velut Luna, CRI, and Sea Breeze Record Company labels. Thomas Rosenkranz, piano soloist Thomas Rosenkranz has performed on four continents and has twice been=20 named an artistic ambassador, sponsored by the United States State=20 Department on tours of the Middle East and Africa to present recitals=20 of American music for television and radio broadcasts. He was recently=20= awarded the prestigious =93Classical Fellowship Award=94 from the = American=20 Pianists Association. He has given performances at Lincoln Center (New=20= York), the Miller Theatre (New York), the 92 Street Y (New York), the=20 Kennedy Center (D.C.), the Hilbert Circle Theatre (Indianapolis),=20 L=92Acropolium (Carthage), and Theatre de la Ville (Tunis). He toured=20 Japan and Taiwan with the Eastman Wind Ensemble and has been a featured=20= pianist at such notable festivals as the the Tabarka Jazz Festival=20 (Tunisia), Octobre Musical (Tunisia), the Kurt Weill Fest (Germany),=20 and the National MTNA Convention in Seattle. He has performed as=20 soloist with the National Orchestra of Beirut, the Orchestre=20 Symphonique Tunsien, the Indianapolis Chamber Orchestra, and the=20 Northwest Chamber Orchestra. A graduate of the Oberlin Conservatory=20 (Class of 1999) and the Eastman School of Music, his major teachers=20 include Robert Shannon, Nelita True, and Yvonne Loriod-Messiaen. He=20 lives in Honolulu, Hawaii, and is assistant professor of piano at the=20 University of Hawaii at Manoa. He will be artist-in-residence at the=20 Cortona Contemporary Festival in Italy this summer. J Freivogel, concertmaster Raised in a family of musicians, J Freivogel began playing violin at=20 the age of two. Now in his last year of Oberlin=92s double-degree=20 program, he studies violin with Marilyn McDonald and is pursuing=20 degrees in violin performance and politics. Named one of Northern Ohio=20= Live magazine=92s =93best and brightest=94 in 2004, Freivogel has=20 participated in critically acclaimed concerts at Carnegie=92s Weill=20 Recital Hall and Merkin Hall in New York City. He is first violinist of=20= the Jasper String Quartet. In the spring, he will return to New York to=20= perform Alban Berg=92s Kammerkonzerte and the world premiere of Lewis=20 Nielson=92s Violin Concerto. Freivogel is from St. Louis, Missouri. The Oberlin Orchestra and the Oberlin Conservatory of Music After Sir Simon Rattle conducted the Oberlin Chamber Orchestra in=20 December 2004, Plain Dealer music critic Donald Rosenberg wrote that=20 the concert was =93stamped by magnificence.=94 Indeed, Rosenberg = included=20 the Oberlin-Rattle performance of Mahler=92s Symphony No. 4, which he=20 described as =93uncommonly rich in poetry and drama,=94 in his list of = top=20 10 memorable events from the 2004 concert season. Magnificence has come to be synonymous with all aspects of the = Oberlin=20 Conservatory of Music, from its exacting standards for incoming=20 students to the excellence in teaching and performance expected of its=20= faculty and the notable careers of its alumni, who can be found=20 performing in every major orchestra and opera house and with many of=20 today=92s acclaimed chamber ensembles. Founded in 1865 and situated within the intellectual vitality of=20= Oberlin College since 1867, Oberlin is the oldest continuously=20 operating conservatory in the United States. An undergraduate=20 institution, Oberlin is renowned internationally as a professional=20 music school of the highest caliber and has been called a =93national=20 treasure=94 by the Washington Post. Past guest conductors of the Oberlin Orchestra have included Marin=20 Alsop, Pierre Boulez, Catherine Comet, Tan Dun, Eve Queler, Robert=20 Shaw, Oscar Shumsky, Igor Stravinsky, composer John Williams, and Hugh=20= Wolff. Upcoming appearances by the Oberlin Orchestra for the 2005-06 = season=20 include a performance at Cleveland=92s Severance Hall, home of the=20 Cleveland Orchestra, under the baton of music director and conductor=20 Bridget-Michaele Reischl. The 2006-07 season features a performance at=20= Carnegie Hall with Robert Spano conducting. For more information about the Oberlin Conservatory of Music, = please=20 visit www.oberlin.edu/con. Oberlin College=92s Historic Ties to China For more than a century, Oberlin College and China have benefited from=20= a mutually supportive relationship encompassing educational, social,=20 and cultural exchanges, beginning with the teaching work of Oberlin=20 graduates in the late 1800s. To commemorate the efforts of Oberlin=20 educators in China, the Oberlin Shansi Memorial Association was founded=20= in 1908, more than 50 years before the Peace Corps was begun. Today=20 Shansi is an independent non-profit organization on the Oberlin campus=20= that sponsors numerous educational exchanges, sending Oberlin students=20= to sites throughout Asia to work and to teach and bringing Asian=20 scholars to the College for the same purpose. Shansi has empowered=20 generations of participants to make constructive and useful=20 contributions to Asian and American institutions and communities. Another strong Oberlin-China connection can be found at the = Shanghai=20 Conservatory of Music, the oldest conservatory in China. Huang Tzu, a=20 1926 Oberlin graduate who is widely considered to be one of the=20 patriarchs of Western music education in modern China, was one of its=20 founding fathers. Tzu wrote the school=92s curriculum, which ultimately=20= became the platform for the professional study of music in China. =0C Concert Schedule December 25, 2005 Anshan Shengli Auditorium, 3 p.m. and 7 p.m. December 26, 2005 Anshan Shengli Auditorium, 7 p.m. December 27, 2005 Shenyang Nanfeng International Centre, 7 p.m. December 28, 2005 Dalian Dalian Broadcasting Centre, 7 p.m. December 29, 2005 Dalian Dalian Broadcasting Centre, 7 p.m. December 30, 2005 Beijing Poly Theatre, 7 p.m. December 31, 2005 Beijing Poly Theatre, 7 p.m. January 1, 2006 Tianjing Venue TBA, 7 p.m. January 2, 2006 Shanghai Shanghai Concert Hall, 7 p.m. # # # Marci Janas Director of Conservatory Media Relations Oberlin Conservatory of Music 39 West College Street Oberlin, OH 44074 www.oberlin.edu/con (P) 440-775-8328 (F) 440-775-5457 marci.janas at oberlin.edu= --Boundary_(ID_OkuHotLURr4McbYHQrCW0A) Content-type: text/enriched; charset=WINDOWS-1252 Content-transfer-encoding: quoted-printable Media Contact Only: Marci Janas Director of Conservatory Media Relations 440-775-8328 = 0000,0000,FFFCmarci.janas at oberlin.edu FOR IMMEDIATE RELEASE
Orchestra from the Oberlin Conservatory of Music=20 to Embark on a Tour of the People=92s Republic of China Nine-day tour covers six cities, with more than 60 students performing 10 concerts =
<
OBERLIN, OHIO (Nov. 21, 2005) =97 Ten concerts, nine days, six cities=97the numbers add up to an intense tour schedule under ordinary circumstances. But for student-musicians from the Oberlin Conservatory of Music in Oberlin, Ohio, the intensity is heightened by the fact that the six cities are in the People=92s Republic of China.=20 The Oberlin Orchestra, an ensemble of 66 Conservatory students selected by audition, leaves for China on Dec. 23, 2005, and will perform in some of China=92s premier venues, including the Beijing Poly Theater and the Shanghai Concert Hall.=20 The tour begins with three concerts in Anshan, in central = Liaoning Province, followed by a performance in Shenyang. =46rom there it=92s on = to Dalian, at the southern tip of the province, for two concerts. Two evening performances in Beijing are next on the itinerary, followed by a concert in Tianjing. The tour concludes with a performance in Shanghai. The musicians return home on Jan. 5, 2006. All of the members of the Oberlin Orchestra are undergraduates. = They represent cities throughout the United States and Canada, as well as South Korea, Bulgaria, Denmark, and Singapore. Bridget-Michaele Reischl, music director of the Oberlin Orchestras, will conduct the ensemble during the tour; J Freivogel of St. Louis, Missouri, is concertmaster. Along with intensive rehearsal sessions, the student-musicians = are preparing for the tour by taking a course, China Tour Preparation, offered by the East Asian studies department of Oberlin College, the Conservatory=92s liberal arts counterpart. Funding for the tour is being provided by the Liaoning = Performance Company, a presenting company from China; Chinese businessman Sen Wang; the Chinese Ministry of Culture; and the Oberlin Conservatory of Music. The concert program includes the overture to Mozart=92s = The Marriage of Figaro, selections from Bizet=92s Carmen, Strauss=92 Blue Danube, Brahms=92 Hungarian Dance No. 5, Dvor=E1k=92s Slavonic Dances Op. 46, Nos. 1, 3, and 8, and Chinese folk songs. In addition, this core program will alternate George Gershwin=92s Rhapsody in Blue with Igor Stravinsky=92s Pulcinella Suite. Pianist Thomas Rosenkranz, a 1999 graduate of the Oberlin Conservatory, will be the featured soloist for the Gershwin.=20 The orchestra also will perform the official songs of Anshan, = Dalian, and Beijing, respectively, during concerts in those cities. In Dalian, the Oberlin Orchestra will perform under the baton of guest conductor Fan Tao. Tao, a conductor with the China Broadcasting Performing-Arts Troupe, was awarded a special prize at the 2000 Sibelius International Conducting Competition in Helsinki, Finland. FFFC,0000,0000 A trip to China made last spring by the dean of the = Oberlin Conservatory, David H. Stull, and several faculty members was the genesis of this tour. The Oberlin contingent was invited by the Szechuan Conservatory in Cheng du and visited major concert halls and music schools, where they gave master classes. =93Our primary interest was to visit major schools to get a = sense of their philosophy of teaching and to establish at least an informal relationship with the leaders of those institutions,=94 says Stull. In April, five members of the Szechuan Conservatory made a reciprocal visit to Oberlin to explore the nuances of American conservatory training. =93This China tour will be of immense educational benefit to = Oberlin students,=94 says tour manager James Kalyn. =93In addition to the = musical growth they will experience by performing the same pieces over and over again=97something students in conservatory orchestras rarely get to do=97they will be exposed to the culture of an emerging economic superpower.=94 =93China now produces some of the world=92s finest musicians,=94 = adds Stull. =93Many of these young people come to Oberlin to study. Of the 50 students enrolled in the Conservatory from countries in Asia, 15 are from China. It is in our own students=92 best interest to explore the educational and performance opportunities this country has to offer.=94 Bridget-Michaele Reischl, Music Director, Oberlin Orchestra Since becoming the first American to win Italy=92s Antonio Pedrotti International Conducting Competition in 1995, Bridget-Michaele Reischl has been an active guest conductor throughout the United States and internationally. Besides being music director of the Oberlin Orchestras and a member of Oberlin=92s conducting faculty, Reischl is music director of the Green Bay Symphony Orchestra in Green Bay, Wisconsin, a position she has held since 2001. =46rom 1992 to 2004, she was music director of the Lawrence Symphony Orchestra and associate professor of conducting at the Lawrence University Conservatory of Music in Appleton, Wisconsin. She is a graduate of the Eastman School of Music. As a student of Robert Spano (a 1983 Oberlin graduate), she continued her studies as a conducting fellow at both the Aspen and the Tanglewood music festivals, where she worked with Seiji Ozawa, Murray Sidlin, and David Zinman (also an Oberlin graduate, Class of 1958). She has recorded on the Velut Luna, CRI, and Sea Breeze Record Company labels.=20 Thomas Rosenkranz, piano soloist Thomas Rosenkranz has performed on four continents and has twice been named an artistic ambassador, sponsored by the United States State Department on tours of the Middle East and Africa to present recitals of American music for television and radio broadcasts. He was recently awarded the prestigious =93Classical Fellowship Award=94 from the American Pianists Association. He has given performances at Lincoln Center (New York), the Miller Theatre (New York), the 92 Street Y (New York), the Kennedy Center (D.C.), the Hilbert Circle Theatre (Indianapolis), L=92Acropolium (Carthage), and Theatre de la Ville (Tunis). He toured Japan and Taiwan with the Eastman Wind Ensemble and has been a featured pianist at such notable festivals as the the Tabarka Jazz Festival (Tunisia), Octobre Musical (Tunisia), the Kurt Weill Fest (Germany), and the National MTNA Convention in Seattle. He has performed as soloist with the National Orchestra of Beirut, the Orchestre Symphonique Tunsien, the Indianapolis Chamber Orchestra, and the Northwest Chamber Orchestra. A graduate of the Oberlin Conservatory (Class of 1999) and the Eastman School of Music, his major teachers include Robert Shannon, Nelita True, and Yvonne Loriod-Messiaen. He lives in Honolulu, Hawaii, and is assistant professor of piano at the University of Hawaii at Manoa. He will be artist-in-residence at the Cortona Contemporary Festival in Italy this summer. J Freivogel, concertmaster Raised in a family of musicians, J Freivogel began playing violin at the age of two. Now in his last year of Oberlin=92s double-degree program, he studies violin with Marilyn McDonald and is pursuing degrees in violin performance and politics. Named one of Northern Ohio Live magazine=92s =93best and brightest=94 = in 2004, Freivogel has participated in critically acclaimed concerts at Carnegie=92s Weill Recital Hall and Merkin Hall in New York City. He is first violinist of the Jasper String Quartet. In the spring, he will return to New York to perform Alban Berg=92s Kammerkonzerte and the world premiere of Lewis Nielson=92s Violin Concerto. Freivogel is from St. Louis, Missouri. The Oberlin Orchestra and the Oberlin Conservatory of Music After Sir Simon Rattle conducted the Oberlin Chamber Orchestra in December 2004, Plain Dealer music critic Donald Rosenberg wrote that the concert was =93stamped by magnificence.=94 Indeed, Rosenberg included the Oberlin-Rattle performance of Mahler=92s Symphony No. 4, which he described as =93uncommonly rich in poetry and drama,=94 in his list of top 10 memorable events from the 2004 concert season. Magnificence has come to be synonymous with all aspects of the Oberlin Conservatory of Music, from its exacting standards for incoming students to the excellence in teaching and performance expected of its faculty and the notable careers of its alumni, who can be found performing in every major orchestra and opera house and with many of today=92s acclaimed chamber ensembles. Founded in 1865 and situated within the intellectual vitality of Oberlin College since 1867, Oberlin is the oldest continuously operating conservatory in the United States. An undergraduate institution, Oberlin is renowned internationally as a professional music school of the highest caliber and has been called a =93national treasure=94 by the Washington Post. Past guest conductors of the Oberlin Orchestra have included Marin Alsop, Pierre Boulez, Catherine Comet, Tan Dun, Eve Queler, Robert Shaw, Oscar Shumsky, Igor Stravinsky, composer John Williams, and Hugh Wolff. Upcoming appearances by the Oberlin Orchestra for the 2005-06 = season include a performance at Cleveland=92s Severance Hall, home of the Cleveland Orchestra, under the baton of music director and conductor Bridget-Michaele Reischl. The 2006-07 season features a performance at Carnegie Hall with Robert Spano conducting.=20 For more information about the Oberlin Conservatory of Music, = please visit = 0000,0000,FFFCwww.oberlin.edu/con= . Oberlin College=92s Historic Ties to China For more than a century, Oberlin College and China have benefited from a mutually supportive relationship encompassing educational, social, and cultural exchanges, beginning with the teaching work of Oberlin graduates in the late 1800s. To commemorate the efforts of Oberlin educators in China, the Oberlin Shansi Memorial Association was founded in 1908, more than 50 years before the Peace Corps was begun. Today Shansi is an independent non-profit organization on the Oberlin campus that sponsors numerous educational exchanges, sending Oberlin students to sites throughout Asia to work and to teach and bringing Asian scholars to the College for the same purpose. Shansi has empowered generations of participants to make constructive and useful contributions to Asian and American institutions and communities. Another strong Oberlin-China connection can be found at the = Shanghai Conservatory of Music, the oldest conservatory in China. Huang Tzu, a 1926 Oberlin graduate who is widely considered to be one of the patriarchs of Western music education in modern China, was one of its founding fathers. Tzu wrote the school=92s curriculum, which ultimately became the platform for the professional study of music in China. =0C Concert Schedule December 25, 2005 Anshan Shengli Auditorium, 3 p.m. and 7 p.m. December 26, 2005 Anshan Shengli Auditorium, 7 p.m. December 27, 2005 Shenyang Nanfeng International Centre, 7 p.m. December 28, 2005 Dalian Dalian Broadcasting Centre, 7 p.m. December 29, 2005 Dalian Dalian Broadcasting Centre, 7 p.m. December 30, 2005 Beijing Poly Theatre, 7 p.m. December 31, 2005 Beijing Poly Theatre, 7 p.m. January 1, 2006 Tianjing Venue TBA, 7 p.m. January 2, 2006 Shanghai Shanghai Concert Hall, 7 p.m.
# # #
Marci Janas Director of Conservatory Media Relations Oberlin Conservatory of Music 39 West College Street Oberlin, OH 44074 www.oberlin.edu/con (P) 440-775-8328 (F) 440-775-5457 marci.janas at oberlin.edu= --Boundary_(ID_OkuHotLURr4McbYHQrCW0A)-- From ncplayhouse at sbcglobal.net Mon Nov 21 10:58:50 2005 From: ncplayhouse at sbcglobal.net (North Canton Playhouse) Date: Mon, 21 Nov 2005 10:58:50 -0800 (PST) Subject: [NEohioPAL]Auditions - Cinderella - North Canton Playhouse Message-ID: <20051121185850.65433.qmail@web81103.mail.mud.yahoo.com> --0-1846585649-1132599530=:65113 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit AUDITION NOTICE Rodgers & Hammerstein?s Musical "CINDERELLA" WHEN: Monday, December 12 and Tuesday, December 13 at 7:00 p.m. WHERE: The North Canton Playhouse, 525 ? 7th St. NE, (adjacent to Hoover High School) NEEDED: 20 - 25 Male and Female actors - teen through adult (6 Men; 6 Women; Bits, Extras, Singers) Come prepared with a song (an accompanist will be provided) and to read from the script For more information call the NCP office at 330-494-1613 --0-1846585649-1132599530=:65113 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit

 

 

  


AUDITION NOTICE

 

Rodgers & Hammerstein?s Musical

 

"CINDERELLA"

 

  WHEN:   Monday, December 12 and

             Tuesday, December 13

 

at 7:00 p.m.

 

         WHERE:   The North Canton Playhouse, 525 ? 7th St. NE,    (adjacent to Hoover High School)

 

     NEEDED: 20 - 25 Male and Female actors - teen through adult

(6 Men; 6 Women; Bits, Extras, Singers)

 

Come prepared with a song (an accompanist will be provided) and to read from the script

 

For more information call the NCP office at 330-494-1613

--0-1846585649-1132599530=:65113-- From info at standingrock.net Mon Nov 21 11:51:59 2005 From: info at standingrock.net (Standing Rock Cultural Arts) Date: Mon, 21 Nov 2005 14:51:59 -0500 Subject: [NEohioPAL]Kent's Homegrown Music Concert at Kent Stage Message-ID: > This message is in MIME format. Since your mail reader does not understand this format, some or all of this message may not be legible. --MS_Mac_OE_3215429519_489028_MIME_Part Content-type: text/plain; charset="ISO-8859-1" Content-transfer-encoding: quoted-printable Greetings WHO: Standing Rock Cultural Arts WHAT: Kent=B9s Home Grown Music Concert -featuring Kent musicians Guy Pernetti, John Reynolds, Jack Delasandro, Rio Neon and friends. WHEN: December 9, 8pm WHERE: The Kent Stage, 175 E. Main St - (330) 677-5005 COST: $8.00 CONTACT: 330-903-2055 Kent=B9s Home Grown Music, the concert series 2005 Kent and Northeastern Ohio have a rich history in music. Names that we are familiar with, Joe Walsh, Chrissy Hynde, Devo, Glass Harp, 15-60-75 (the numbers band), Alex Bevin, Dink, and that is just a fraction of the bands that played in this area. Standing Rock Cultural Arts in cooperation with The Kent Stage will be bringing to The Kent Stage a concert series called =B3Kent=B9s Home Grown Music.=B2 It will feature musicians that have been playing music in and aroun= d Kent since the 1960=B9s. Some of you will be familiar with some of the artists and some will be new to you. One thing that you can count on is an evening of wonderful music and a sense of being part of history. The kick off concert will be at 8 o=B9clock in the evening at The Kent Stage, 175 E. Main St. downtown Kent on December 9th, 2005 tickets will be $8. The first show will feature Guy Pernetti, John Reynolds, Jack Delasandro, Rio Neon and friends. Each a joy as a solo performer but together, you will jus= t have to see for yourselves. So mark your calendars for December 9th, 2005 for the =8CKent=B9s Home Grown Music=B2 concert series. This will be a night of music for the whole family that you don=B9t want to miss. For further information contact Gary Lockwood, by phone at 330-903-2055 or by email at waagosh at neo.rr.com www.standingrock.net for updates Thank you for supporting the Arts, Standing Rock Cultural Arts 257 N. Water St. Kent, OH 44240 330-673-4970 info at standingrock.net --MS_Mac_OE_3215429519_489028_MIME_Part Content-type: text/html; charset="ISO-8859-1" Content-transfer-encoding: quoted-printable Kent's Homegrown Music Concert at Kent Stage

Greetings

WHO:  Standing Rock Cultural Arts

WHAT: Kent=B9s Home Grown Music Concert
-featuring Kent musicians Guy Pernetti, John Reynolds, Jack D= elasandro, Rio Neon and friends.


WHEN:  December 9, 8pm

WHERE:  The Kent Stage,  175 E. Main St

-  (330) 677-5005


COST:  $8.00

CONTACT:  330-903-2055


    &nb= sp;            &= nbsp;   Kent=B9s Home Grown Music, the concert series 2005


Kent and Northeastern Ohio have a rich history in music. Names that we are = familiar with, Joe Walsh, Chrissy Hynde, Devo, Glass Harp, 15-60-75 (the num= bers band), Alex Bevin, Dink, and that is just a fraction of the bands that = played in this area.

Standing Rock Cultural Arts in cooperation with The Kent Stage will be bri= nging to The Kent Stage a concert series called =B3Kent=B9s Home Grown Music.=B2 I= t will feature musicians that have been playing music in and around Kent sin= ce the 1960=B9s.  Some of you will be familiar with some of the artists a= nd some will be new to you. One thing that you can count on is an evening of= wonderful music and a sense of being part of history.

The kick off concert will be at 8 o=B9clock in the evening at The Kent Stage= , 175 E. Main St. downtown Kent on December 9th, 2005 tickets will be $8. Th= e first show will feature Guy Pernetti, John Reynolds, Jack Delasandro, Rio = Neon and friends. Each a joy as a solo performer but together, you will just= have to see for yourselves. So mark your calendars for December 9th, 2005 f= or the =8CKent=B9s Home Grown Music=B2 concert series. This will be a night of mus= ic for the whole family that you don=B9t want to miss.

For further information contact Gary Lockwood, by phone at 330-903-2055 or = by email at waagosh at neo.rr.com


www.standingrock.net for updates

Thank you for supporting the Arts,

Standing Rock Cultural Arts
257 N. Water St.
Kent, OH 44240
330-673-4970
info at standingrock.net

 --MS_Mac_OE_3215429519_489028_MIME_Part-- From jfogel at clevelandplayhouse.com Mon Nov 21 11:46:36 2005 From: jfogel at clevelandplayhouse.com (Julie Fogel) Date: Mon, 21 Nov 2005 14:46:36 -0500 Subject: [NEohioPAL]ONE-DAY Sale for "Wife" or "Christmas Story" Message-ID: This is a multi-part message in MIME format. ------=_NextPart_000_0044_01C5EEAA.5FE4AC40 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable THE CLEVELAND PLAY HOUSE WEB-ONLY SALE starts Tuesday, November 22!=20 Choose your deal: $10 tickets to the closing performance of Doug Wright's Tony-Winning = Drama I Am My Own Wife, starring Mark Nelson 7:00 p.m. Sunday, November 27th . = or=20 $10 tickets to the Opening Night performance of A Christmas Story, 7:30 = p.m. Wednesday, November 30th.=20 Don't want to choose? Don't bother=85buy $10 tickets to both shows, if = you like=85 A $3 per ticket handling fee applies. Not valid with other offers or discounts. And, there's NO LIMIT on the number of $10 tickets you order = to EITHER show!=20 Use the promotional code 'PAL' when ordering to get the discounted = ticket.=20 This WEB-ONLY offer is valid beginning Tuesday, November 22.=20 Ready, set...shop! Happy Thanksgiving All! Julie Fogel Associate Director of Communications & Marketing The Cleveland Play House 8500 Euclid Avenue Cleveland, Ohio 44106 (216) 795-7000 ext. 236 www.clevelandplayhouse.com ------=_NextPart_000_0044_01C5EEAA.5FE4AC40 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable ONE-DAY Sale for "Wife" or "Christmas = Story"

THE CLEVELAND PLAY HOUSE WEB-ONLY SALE = starts Tuesday, November 22!

Choose your deal:

$10 tickets to the closing performance of = Doug Wright's Tony-Winning Drama I Am My Own Wife, starring Mark = Nelson 7:00 p.m. Sunday, November  27th  .

or

$10 tickets to the Opening Night = performance of A Christmas Story, 7:30 p.m. Wednesday, November 30th. =

Don't want to choose? Don't = bother…buy $10 tickets to both shows, if you like…
A $3 per ticket handling fee applies. = Not valid with other offers or discounts.  And, there's NO LIMIT on = the number of $10 tickets you order to EITHER show!

Use the promotional code 'PAL' when = ordering to get the discounted ticket.

This WEB-ONLY offer is valid beginning = Tuesday, November 22.

Ready, set...shop!
Happy Thanksgiving All!
Julie = Fogel
Associate Director of = Communications & Marketing
The Cleveland Play = House
8500 Euclid Avenue
Cleveland, Ohio 44106
(216) 795-7000 ext. = 236
www.clevelandplayhouse.com

------=_NextPart_000_0044_01C5EEAA.5FE4AC40-- >From Jean Zarzour" This is a multi-part message in MIME format. ------=_NextPart_000_0270_01C5EEAE.7964DA60 Content-Type: multipart/alternative; boundary="----=_NextPart_001_0271_01C5EEAE.7964DA60" ------=_NextPart_001_0271_01C5EEAE.7964DA60 Content-Type: text/plain; charset="Windows-1252" Content-Transfer-Encoding: quoted-printable BlankDear Friends- Can't afford to Buy this charming Bungalow? Well it = is also for RENT until a buyer is found! The rent is $725/month. No = dogs. Deposit + References. =20 (Jean Zarzour is showing this home in conjunction with Next Home Realty, = on behalf of owner, Donald Squires, former Stage Manager of Menopause = The Musical. Donald is now Stage Managing MTM in Seattle, WA but is = available by phone if you have further questions. To See this home, = leave a message for Jean on the Next Home Voice Mail Box. Call = 440-808-3900 and enter 8056 when prompted or as soon as the recorded = tour begins. Jean will return your call promptly.) CLICK HERE TO SEE MLS WITH 6 PICTURES! (Though the house is now = empty) Buyer Full Page =20 (full profile is below for those with download challenges) Priced To Sell (was $98,900)=20 Now $93,900 FOR SALE BY OWNER 9622 South Highland Garfield Hts., Ohio 44125 Spacious, Exceptionally Maintained Bungalow on a quiet, safe street, = just 2 minutes from I-480! Off Turney, North of Granger. Has formal = dining room with bay window, large living room w/ ventless gas = fireplace* First floor master leads to deck* Central Air, newer roof on = home & garage* Extra shower* Updated electric, brand new carpeting = upstairs* All appliances*=20 Finished SqFt: 1220=20 Total SqFt: 1220=20 SqFt Source: Public Records Lot Dimensions: 40x125=20 Irregular: N=20 Acres: 0.11=20 Frontage: 40*=20 Construction: Existing=20 Zoning: Residential=20 Year Built: 1942*=20 Tax Amount 1/2 Yr: 1102 =20 School District: 1815/Garfield Heights City=20 # Rooms: 5=20 # Bedrooms: 2*=20 # Fireplaces: 1=20 # Stories: 1.5*=20 # Full Baths: 1=20 # Half Baths: 0=20 Total Baths: 1=20 Covered Parking: 1=20 Handicap Mod: No=20 Warranty: No =20 Heating: Forced Air=20 Heat Source: Gas=20 Available for Auction: No=20 Exterior: Vinyl=20 Cooling: Central Air=20 Owner/Agent: No=20 Style: Bungalow=20 Roof: Asphalt/Fiberglass=20 Basement: Full=20 Fence: Chain Link, Partial=20 Lot Desc: Level=20 Fixer Upper: N=20 View Desc:=20 Public Trans: 1 - 4 Blocks=20 Living 16x14 1 Fireplace, Window Treatment, Wood Floor - 1st Floor Dining 12x10 1 Window Treatment, Wood Floor - 1st Floor Kitchen 12x8 1 Vinyl Flooring, Window Treatment - 1st Floor Master Bdrm 11x10 1 Balcony/Deck, Window Treatment, Wood Floor - 1st = Floor Bdrm 2 14x12 2 Wall to Wall Carpet, Window Treatment - 2nd Floor Water/Sewer: Public Sewer, Public Water, Storm Sewer =20 Garage/Parking: 1 Car, Detached, Garage Door Opener=20 *Appliances/Equipment: Cable Electric Link, Dryer, Freezer, Gas Dryer = Connection, Range, Refrigerator, Satellite Dish, Security System, Washer = Exterior Features: Deck=20 Amenities: Health Club, Library, Medical Facilities, Park, Playground, = Pool, Shopping/Mall, Tennis Courts=20 BUT WAIT! THERE'S MORE! Brand New Roof w/30 Year Warranty 5 Year old Furnace with April Air Brand New Driveway & Front Steps =20 Beautiful Wood Floors on 1st floor =20 Ventless Fireplace in Living Room Throws Great HEAT Beautiful, New Carpet on 2nd Floor =20 Waterproofed/Finish-Ready Basement =20 All Appliances & BASEMENT FREEZER STAY Brand New Vinyl Windows =20 1 Car Garage w/Brand New Roof & Floor =20 New Electrical Box =20 =20 Currently Understudying 2 roles in Menopause The Musical at Playhouse = Sq.'s 14th St. Theater. Running since April 2004! Now Appearing as Power Woman Every Wednesday at 2 pm Also Nov. 5, 10, = 11, 13, 19, 25, 26, 27 Appearing as Earth Mother Dec. 3-11 Lipschtick =AE 2300 McKinley Ave. Lakewood, Ohio 44107=20 ph/fax: 216-521-3831 Also Founder of the GOT PAY? Organization Read an on line interview with Jean=20 www.lipschtick.com Comedy that lasts all day! ------=_NextPart_001_0271_01C5EEAE.7964DA60 Content-Type: text/html; charset="Windows-1252" Content-Transfer-Encoding: quoted-printable Blank
Dear Friends-  Can't afford to Buy this = charming=20 Bungalow? Well it is also for RENT until a buyer is = found!  =20 The rent = is=20 $725/month.  No dogs.  Deposit + = References.  =20
 
(Jean Zarzour is showing this home = in=20 conjunction with Next Home Realty, on behalf of owner, Donald = Squires,=20 former Stage Manager of Menopause The Musical.  Donald=20 is now Stage Managing MTM in Seattle, WA but is available = by=20 phone if you have further questions.  To See this home, leave a message for Jean on the = Next Home=20 Voice Mail Box.  Call 440-808-3900 = and enter=20 8056 when prompted or as soon as the recorded=20 tour begins.   Jean will = return your=20 call promptly.)

CLICK = HERE TO=20 SEE  MLS WITH 6=20 PICTURES!   (Though the house is now empty) =20 Buyer Full=20 Page  

(full profile is = below for those=20 with download challenges)

Priced To Sell (was $98,900) =
Now=20 $93,900
FOR SALE BY=20 OWNER
9622 South=20 Highland
Garfield Hts., = Ohio=20 44125
 
Spacious, = Exceptionally=20 Maintained Bungalow on a quiet, safe street, just 2 minutes = from I-480! Off=20 Turney, North of Granger. Has formal dining room with bay = window,=20 large living room w/ ventless gas fireplace* First floor master leads to = deck*=20 Central Air, newer roof on home & garage* Extra shower* Updated = electric, brand new carpeting upstairs* All=20 appliances* 
 
Finished SqFt: 1220
Total SqFt: = 1220=20
SqFt = Source: Public=20 Records
Lot=20 Dimensions: 40x125
Irregular: N=20
Acres: 0.11
Frontage: = 40*=20
Construction: Existing
Zoning:=20 Residential
Year = Built: 1942*=20
Tax Amount 1/2 = Yr:=20 1102  
School District: 1815/Garfield Heights City =
# = Rooms: 5=20
# Bedrooms: = 2*=20
# Fireplaces: = 1=20
# Stories: = 1.5*=20
# Full = Baths: 1=20
# Half Baths: = 0=20
Total Baths: = 1=20
Covered Parking: = 1=20
Handicap = Mod: No=20
Warranty: = No   
Heating: Forced Air
Heat Source: = Gas=20
Available for = Auction: No=20
Exterior:=20 Vinyl
Cooling: Central=20 Air
Owner/Agent: = No=20
Style:=20 Bungalow
Roof:=20 Asphalt/Fiberglass
Basement:=20 Full
Fence: Chain Link,=20 Partial
Lot Desc:=20 Level
Fixer Upper: = N=20
View Desc:=20
Public Trans:=20 1 - 4 Blocks
 
Living 16x14 1 Fireplace, = Window=20 Treatment, Wood Floor - 1st Floor
Dining = 12x10=20 1 Window Treatment, Wood Floor - 1st=20 Floor
Kitchen = 12x8=20 1 Vinyl Flooring, Window Treatment - 1st=20 Floor
Master Bdrm=20 11x10 1 Balcony/Deck, Window Treatment, Wood = Floor -=20 1st Floor
Bdrm 2 = 14x12=20 2 Wall to Wall Carpet, Window Treatment - 2nd=20 Floor
Water/Sewer: Public Sewer, Public Water, Storm = Sewer=20  
Garage/Parking: 1 Car, = Detached,=20 Garage Door Opener
*Appliances/Equipment:  Cable Electric Link, Dryer, = Freezer, Gas=20 Dryer Connection, Range, Refrigerator, Satellite Dish, Security System, = Washer=20 Exterior Features: Deck =
Amenities: Health Club,=20 Library, Medical Facilities, Park, Playground, Pool, Shopping/Mall, = Tennis=20 Courts
 
BUT WAIT!  THERE'S = MORE!
Brand New Roof = w/30=20 Year Warranty
5 Year old = Furnace with April=20 Air
Brand New = Driveway &=20 Front Steps   
Beautiful Wood = Floors on 1st=20 floor           &n= bsp;        
Ventless Fireplace in=20 Living Room Throws Great HEAT
Beautiful, New = Carpet on 2nd=20 Floor    
Waterproofed/Finish-Ready Basement   = ;           
All Appliances = & BASEMENT=20 FREEZER STAY
Brand New Vinyl = Windows           =             &= nbsp;       
1 Car Garage = w/Brand New Roof=20 & =20 Floor          
New = Electrical=20 Box=20             &= nbsp;         =20
  
 
 

3D""=20
Currently Understudying 2 roles in = Menopause = The=20 Musical  at Playhouse Sq.'s 14th = St.=20 Theater.  Running = since April=20 2004!
Now=20 Appearing as Power=20 Woman Every Wednesday at 2 pm   Also =20 Nov. 5, 10, 11, 13, 19, 25, 26, 27 Appearing as Earth=20 Mother Dec.=20 3-11
Lipschtick =AE
2300 McKinley = Ave.Lakewood, Ohio=20 44107
ph/fax:=20 216-521-3831
Also Founder of=20 the GOT PAY? Organization
Read an on line interview with Jean=20

3D""=20www.lipschtick.com<= /A>    =20 Comedy that lasts all = day!

 

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name="Blank Bkgrd.gif" Content-Transfer-Encoding: base64 Content-ID: <026f01c5eed8$622ead60$0302a8c0 at DD1WK941> R0lGODlhLQAtAID/AP////f39ywAAAAALQAtAEACcAxup8vtvxKQsFon6d02898pGkgiYoCm6sq2 7iqWcmzOsmeXeA7uPJd5CYdD2g9oPF58ygqz+XhCG9JpJGmlYrPXGlfr/Yo/VW45e7amp2tou/lW xo/zX513z+Vt+1n/tiX2pxP4NUhy2FM4xtjIUQAAOw== ------=_NextPart_000_0270_01C5EEAE.7964DA60-- From MChamberlain at beckcenter.org Mon Nov 21 12:35:53 2005 From: MChamberlain at beckcenter.org (Meg Chamberlain) Date: Mon, 21 Nov 2005 15:35:53 -0500 Subject: [NEohioPAL]4 FREE tickets to Menopause! Message-ID: <97CF2CB42902E345A929E3202369C84E02FDA7@beck-1.beckcenter.com> This is a multi-part message in MIME format. ------_=_NextPart_001_01C5EEDB.2AF9ECB2 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable If you haven't seen this show yet, you should! If you'd like to see it again, I understand! The first person to respond to this offer will receive 4 tickets to this = Saturday the 26th's 8pm show! Happy Holidays from all the folks at Menopause the Musical! Meg Chamberlain Dir of Theater Education Beck Center for the Arts 216 521 2540 x227 What's Happening at the = Beck Center! T.I.D.Y. A World Premiere in the Studio Theater November 18 through December 18 Coming Soon on the Main Stage Disney's Beauty and the Beast December 2 through 31 Youth Theater Presents A Christmas Peril December 3, 10 and 17 For show tickets, call 216-521-2540. Spring 2006 Class Catalog Available December 1st. Register online for classes in dance, music, theater, and visual arts at www.beckcenter.org or call 216-521-2540, ext. 222. =20 ------_=_NextPart_001_01C5EEDB.2AF9ECB2 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
If you haven't seen = this show=20 yet, you should!
If you'd like to = see it again,=20 I understand!
The first person to = respond to=20 this offer will receive 4 tickets to this Saturday the 26th's 8pm=20 show!
Happy Holidays from = all the=20 folks at Menopause the Musical!
Meg=20 Chamberlain
Dir of Theater = Education
Beck Center for the = Arts
216 521 2540 x227

 What's=20 Happening at the Beck = Center!<= /B>

 T.I.D.Y. A=20 World Premiere

in the = Studio=20 Theater

November 18 = through=20 December 18

 Coming Soon = on the=20 Main  Stage

Disney's=20 Beauty and the Beast

December 2 = through=20 31

 Youth = Theater=20 Presents

A=20 Christmas Peril

December 3, = 10 and=20 17

 For=20 show tickets, call 216-521-2540.

 Spring=20 2006 Class Catalog

Available=20 December 1st.

Register = online for=20 classes in dance, music,

theater, and = visual=20 arts at www.beckcenter.org

or call = 216-521-2540,=20 ext. 222.

 

------_=_NextPart_001_01C5EEDB.2AF9ECB2-- From csimon at convergence-continuum.org Mon Nov 21 13:08:14 2005 From: csimon at convergence-continuum.org (csimon at convergence-continuum.org) Date: Mon, 21 Nov 2005 16:08:14 -0500 (EST) Subject: [NEohioPAL]convergence-continuum opens States of Shock Dec. 2 Message-ID: <54981.65.43.230.42.1132607294.squirrel@mail.plainhost.com> CONVERGENCE-CONTINUUM WILL OPEN STATES OF SHOCK FRIDAY, DECEMBER 2, FOR A THREE-WEEK, LIMITED RUN AT THE LIMINIS IN TREMONT ?Tis the season for peace and goodwill. But at Danny?s family restaurant, populated by two disgruntled customers and a balance-challenged waitress, the calm is shattered by sounds of war and destruction. Hostilities escalate when the Colonel, in full military regalia, walks into the cafe to the rhythms of two live, on-stage percussionists. The Colonel is pushing a wheelchair in which sits a damaged young veteran. They have dropped by the restaurant to celebrate with a nice dessert while the war continues to rage on -- complete with singing, dancing, flying food, and a naughty encounter with some clam chowder. States of Shock is directed by convergence-continuum's Artistic Director Clyde Simon and features an ensemble cast that includes Lucy Bredeson-Smith, Geoff Hoffman, Steve Needham, Wes Shofner and Dawn Youngs, with percussionists Bill Lynn, Dino Osmanbegovic and guitarist Mark K. States of Shock opens Friday, December 2 and runs Thursdays, Fridays, and Saturdays through December 17 at the Liminis, 2438 Scranton Rd. in Cleveland's historic Tremont neighborhood. All performances begin at 8 pm. Tickets are $12 for general admission and $9 for students and seniors. For information and reservations, call 216-687-0074 or visit us on the web at www.convergence-continuum.org. From jbarlow at lorainccc.edu Mon Nov 21 14:06:28 2005 From: jbarlow at lorainccc.edu (Janet Barlow) Date: Mon, 21 Nov 2005 17:06:28 -0500 Subject: [NEohioPAL]RE: Give Stocker Tickets For The Holidays! Message-ID: <200511212206.jALM6Wbr065280@lc3ms1.lorainccc.edu> This is a multi-part message in MIME format. ------=_NextPart_000_0096_01C5EEBD.EC1620F0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit GIVE A MOOSE FOR THE HOLIDAYS!! OR HOW ABOUT THE AMERICAN FRONTIER?? Now that Thanksgiving is upon us. Are you starting to think about finding that perfect gift for loved ones and friends this holiday season? HOW ABOUT TICKETS FOR UPCOMING EVENTS AT STOCKER ARTS CENTER? There are so many different upcoming events you're bound to find something that will please all of those on your gift list!! Here's a sample of shows you can choose: Sunday, December 18, 2005 - 3:00pm - Great fun for the whole family! Mooseltoe, A New Moosical Book/Lyrics by Jim Semmelman, Music by George Kramer. Tickets $15.00/Adults; $10.00/Children 12 and under This is a story to see and to hear, of a moose who wants to fly with Santa's reindeer. He sets out on a quest, his mind on one thing, to seek and to find. the great wise Mooseking. Through trial and error, through friends and through foes, he continues his journey, he follows his nose. He's about to give up, he's reduced to tears, when suddenly one night, the great Mooseking appears! He teaches our hero, what we all can perceive, to look deep inside and learn to believe. The North Pole's in a panic and so is St. Nick, it's one of the reindeer, it's Blitzen. he's sick! I won't tell you more, suffice it to say, Mooseltoe is the hero, Mooseltoe saves the day! This hour-long odyssey of self-discovery has unforgettable costumed characters including snobby penguins, a walrus, a talking snowball, elves and Santa himself. Your entire family will embrace and cheer our lovable hero, Mooseltoe. Begin a new holiday tradition with this colorful and whimsical tale! Sunday, January 22, 2006 - 3:00pm - An inspirational afternoon of great music with great food available beforehand! Harlem Gospel Choir in Concert Concert Tickets $15.00/Adults; $10.00/Children 12 and under Gospel Brunch - Spitzer Conference Center at 1:15pm Brunch Tickets $15.00/Adults; $5.00/Children 12 and under Combined Concert/Brunch Tickets $29.00/Adults; $14.50/Children 12 and under The Harlem Gospel Choir was founded in 1986 by Allen Bailey. Made up of the finest singers and musicians from various Black Churches in Harlem, it has become one of the pre-eminent gospel choirs in the world. They have shared their message of love, peace and harmony with people from various nations, backgrounds and cultures, creating a better understanding of African-American culture and the inspirational music that is Gospel as it relates to the Black Church. Every performance strives to bring people and nations together while giving something back. Come for brunch and stay for the concert. It will feature songs that will touch the depths of your soul and raise your spirits to new heights! www.harlemgospelchoir.com Monday, February 13, 2006 (Series B) - 7:00pm - The show that changed the American musical forever! "Oklahoma!" Tickets $34.00/Orchestra; $27.00/Mezzanine Based on "Green Grow the Lilacs," a stage play by Lynn Riggs, "Oklahoma!" brought together for the first time composer Richard Rodgers and lyricist/librettist Oscar Hammerstein II. The duo would go on to write nine Broadway musicals together, but none would be as important for the development of American musical theatre as "Oklahoma!" Set soon after the beginning of the 20th century in the Indian territory now known as the state of Oklahoma, against a backdrop of the rivalry between cattlemen and farmers, the plot revolves mainly around the question of who will take farm girl Laurey Williams to the box social - the decent cowboy Curly McLain or the sinister farm hand Jud Fry. This sparkling new touring production is adapted from the Cameron Mackintosh presentation of the Royal National Theatre production that won the hearts of a new generation of theatergoers. "Oh, What a Beautiful Musical!" - NY Post The songs from "Oklahoma!" you'll recognize include: "Oh, What A Beautiful Morning'," "People Will Say We're in Love," "I Cain't Say No," and of course, the title song! Thursday, February 16, 2006 - 7:30pm - A variety show that will bring out the hip-hop in everyone! Illstyle and Peace Productions present "Same Spirit Different Movement" Tickets $15.00/Adults; $10.00/Children 12 and under Illstyle and Peace Productions is a multi-cultural male and female dance theatre company which fuses hip hop with various other styles of dance. They are committed to spreading unity, peace, love, respect, and fun through dance. This evening length theater/concert performance is a collaborative effort that brings various dance styles together. It includes vocal percussions, turntablism, spoken word, Popping, Locking, Breaking, Tap Dancing, DJing, Human Beat Boxing and various other styles. "Expect to see fabulous feats of spinning on the limbs and contorted body postures done with rhythm, speed, control and precision in both a choreographed and improvised manner." EPITOME MAGAZINE www.illstylerockers.net Wednesday, April 12, 2006 - 7:30pm - Shakespeare at his finest/funniest! National Players present "THE TAMING OF THE SHREW" Tickets $15.00/Adults; $10.00/Children 12 and under One of Shakespeare's most famous comedies, "THE TAMING OF THE SHREW" is a love story. It begins in Padua, where Lucentio arrives to attend the university, but his priorities change when he sees Bianca, a beautiful, mild young woman with whom he instantly falls in love. There are two problems: Bianca already has suitors; and her father, Baptista, has declared that no one may court her until her older sister, the ill-tempered Katherine, is married. Enter Petruchio, a brash young man from Verona, who arrives in Padua to marry a rich woman, and does not care what she is like as long as she brings him a fortune. He agrees to marry Katherine sight unseen. Do Petruchio and Katherine wed? Who gets "tamed?" Is it possible there is more than one "shrew" in the play? Come see this classic to find out the answers to these questions. www.nationalplayers.org Saturday, April 22, 2006 (Series B) - 7:30pm - Modern Dance at its best! Taylor 2 Dance Company Tickets $34.00/Orchestra; $27.00/Mezzanine Paul Taylor has been called a genius; a legend; a cultural icon. Time Magazine calls him "the reigning master of modern dance," and the New York Daily News declares him "the best choreographer in the world." Paul Taylor is the recipient of dozens of awards and honors. He was awarded the National Medal of the Arts by President Clinton in 1993, the same year he created Taylor 2, the junior ensemble of the Paul Taylor Dance Company. Working along with longtime colleague Linda Hodes, he established Taylor 2 to ensure that his works could be seen by audiences all over the world, unhindered by economic or logistical limitations. Mr. Taylor used the structure of his original company for Taylor 2: six professionals with a particular gift for his style who perform his masterworks in smaller venues throughout the world. The repertoire for Taylor 2 spans the broad spectrum of Mr. Taylor's work. Many of the dances performed by the company have been re-worked to enable the smaller ensemble of dancers in Taylor 2 to perform them. Critics and audiences alike cheer as Taylor 2 introduces the athleticism, humor and range of emotions found in Mr. Taylor's work. www.ptdc.org Besides the above mentioned events. there's also our 2006 Winter/Spring film series! If you decide tickets for Stocker Arts Center events and films are the perfect gift, please call the Stocker Arts Center Box Office, which is open from 12:00 noon to 6:00p.m. Mondays through Fridays and one-and-one-half hours before show time (PLEASE NOTE: The Box Office is closed November 24 & 25 and December 19, 2005 through January 1, 2006 - SO ACT NOW!!). The Box Office can be reached by calling (800) 995-5222 ext. 4040 or (440) 366-4040. The Stocker Arts Center is on the campus of Lorain County Community College, 1005 North Abbe Road, Elyria, Ohio 44035. For further information on the films and events and/or directions to Stocker, go to www.lorainccc.edu/stocker Please share all that we have to offer at the Stocker Arts Center with friends and family this holiday season! Janet Herman Barlow Director, Stocker Arts Center Lorain County Community College 1005 North Abbe Road Elyria, Ohio 44035 440.366.7105 or 1.800.995.5222 ext. 7105 440.366.4101 [fax] jbarlow at lorainccc.edu www.lorainccc.edu/stocker ------=_NextPart_000_0096_01C5EEBD.EC1620F0 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable

GIVE A MOOSE FOR THE HOLIDAYS!!  OR HOW ABOUT THE AMERICAN FRONTIER?? 

 

Now that = Thanksgiving is upon us…

Are you starting = to think about finding that perfect gift for loved ones and friends this holiday = season?

 

HOW ABOUT TICKETS FOR UPCOMING EVENTS AT = STOCKER = ARTS CENTER?<= /i>

 

There are so many different upcoming events = you’re bound to find something that will please all of those on your gift = list!!  Here’s a sample of shows you can = choose:

 

Sunday, December 18, 2005 – 3:00pm = – Great fun for the whole family!
Mooseltoe, A New = Moosical
Book/Lyrics by Jim Semmelman, Music by George Kramer.

Tickets $15.00/Adults; = $10.00/Children 12 and under

This is a story to see and to hear, of a moose who wants to fly with = Santa’s reindeer.  He sets out on a quest, his mind on one thing, to seek = and to find… the great wise Mooseking.  Through trial and error, = through friends and through foes, he continues his journey, he follows his = nose.  He’s about to give up, he’s reduced to tears, when suddenly = one night, the great Mooseking appears!  He teaches our hero, what we = all can perceive, to look deep inside and learn to believe.  The North Pole’s in a panic and so is St. Nick, it’s one of the = reindeer, it’s Blitzen… he’s sick!  I won’t tell you = more, suffice it to say, Mooseltoe is the hero, Mooseltoe saves the day!  = This hour-long odyssey of self-discovery has unforgettable costumed = characters including snobby penguins, a walrus, a talking snowball, elves and Santa himself.  Your entire family will embrace and cheer our lovable = hero, Mooseltoe.  Begin a new holiday tradition with this colorful and = whimsical tale! 

 

Sunday, January 22, 2006 – 3:00pm = – An inspirational afternoon of great music = with great food available beforehand!
Harlem Gospel Choir in Concert

Concert Tickets $15.00/Adults; $10.00/Children 12 = and under
Gospel Brunch - Spitzer Conference Center at = 1:15pm
Brunch Tickets $15.00/Adults; $5.00/Children 12 and under
Combined Concert/Brunch Tickets =
$29.00/Adu= lts; $14.50/Children 12 and under

The Harlem Gospel Choir was founded in 1986 by Allen Bailey.  Made up of the finest singers and musicians from various = Black Churches in Harlem, it has become one = of the pre-eminent gospel choirs in the world.  They have shared their = message of love, peace and harmony with people from various nations, backgrounds = and cultures, creating a better understanding of African-American culture = and the inspirational music that is Gospel as it relates to the Black Church.  Every performance strives to bring people and nations together while = giving something back.  Come for brunch and stay for the concert. It will = feature songs that will touch the depths of your soul and raise your spirits to = new heights!  www.harlemgospelchoir.com

 

Monday, = February 13, 2006 (Series B) – 7:00pm – The show that changed the American musical = forever!
"Oklahoma!”

Tickets $34.00/Orchestra; = $27.00/Mezzanine

Based on “Green Grow the Lilacs,” = a stage play by Lynn Riggs, “Oklahoma!” brought together for the first time composer Richard Rodgers and lyricist/librettist Oscar Hammerstein II.  The duo would go on to = write nine Broadway musicals together, but none would be as important for the development of American musical theatre as “Oklahoma!”  Set soon = after the beginning of the 20th century in the Indian territory now known as the = state of Oklahoma, against a backdrop of the rivalry between cattlemen and = farmers, the plot revolves mainly around the question of who will take farm girl = Laurey Williams to the box social – the decent cowboy Curly McLain or the sinister farm hand Jud Fry.  This sparkling new touring production = is adapted from the Cameron Mackintosh presentation of the Royal National = Theatre production that won the hearts of a new generation of = theatergoers.  “Oh, What a Beautiful Musical!” – NY = Post    The songs from “Oklahoma!” you’ll recognize include:  “Oh, What A Beautiful Morning’,” “People Will Say We’re in = Love,” “I Cain’t Say No,” and of course, the title = song!

 

Thursday, February 16, 2006 – 7:30pm = – A variety show that will bring out the hip-hop in = everyone!
Illstyle and Peace Productions = present “Sam= e Spirit Different Movement”

Tickets $15.00/Adults; $10.00/Children 12 and = under

Illstyle and Peace Productions is a multi-cultural male and female dance theatre company which fuses hip hop = with various other styles of dance.  They are committed to spreading = unity, peace, love, respect, and fun through dance.  This evening length = theater/concert performance is a collaborative effort that brings various dance styles together.  It includes vocal percussions, turntablism, spoken word, Popping, Locking, Breaking, Tap Dancing, DJing, Human Beat Boxing and = various other styles.  “Expect to see fabulous feats of spinning on the limbs and contorted body = postures done with rhythm, speed, control and precision in both a choreographed and improvised manner.”  EPITOME MAGAZINE   www.illstylerockers.net

 

Wednesday, April 12, 2006 – 7:30pm = – Shakespeare at his finest/funniest!
National = Players present "THE = TAMING OF THE SHREW”

Tickets $15.00/Adults; $10.00/Children 12 and under

One of Shakespeare’s most = famous comedies, “THE TAMING OF THE SHREW” is a love story.  = It begins in Padua, where Lucentio arrives to attend the university, but = his priorities change when he sees Bianca, a beautiful, mild young woman = with whom he instantly falls in love.  There are two problems: Bianca already = has suitors; and her father, Baptista, has declared that no one may court = her until her older sister, the ill-tempered Katherine, is married.  Enter Petruchio, a brash young man from Verona, who arrives in Padua to marry a rich woman, and does not care what she is like as long as she = brings him a fortune.  He agrees to marry Katherine sight unseen.  Do Petruchio and Katherine wed?  Who gets “tamed?”  = Is it possible there is more than one “shrew” in the play?  = Come see this classic to find out the answers to these questions.  www.nationalplayers.org

 

Saturday, April 22, 2006 (Series B) – 7:30pm = – Modern Dance at its = best!
Taylor 2 Dance Company

Tickets $34.00/Orchestra; = $27.00/Mezzanine =

Paul Taylor has been called a = genius; a legend; a cultural icon.  Time Magazine calls him “the reigning = master of modern dance,” and the New York Daily News declares him “the best choreographer in the world.”  Paul Taylor is the recipient of dozens of awards and honors.  He was awarded the National Medal of the Arts by President Clinton in 1993, the same year he created Taylor 2, the junior ensemble of the Paul Taylor Dance Company.  Working = along with longtime colleague Linda Hodes, he established Taylor 2 to ensure that his works = could be seen by audiences all over the world, unhindered by economic or = logistical limitations.  Mr. Taylor used the structure of his original company = for Taylor 2: six professionals with a particular gift for his style who perform his = masterworks in smaller venues throughout the world.  The repertoire for = Taylor 2 spans = the broad spectrum of Mr. Taylor’s work.  Many of the dances performed = by the company have been re-worked to enable the smaller ensemble of dancers in = Taylor 2 to = perform them.  Critics and audiences alike cheer as Taylor 2 introduces the athleticism, = humor and range of emotions found in Mr. Taylor’s work.  www.ptdc.org 

=

 =

Besides the = above mentioned events… there’s also our 2006 Winter/Spring film = series!

  =

If you decide tickets for Stocker Arts Center events and films are the perfect gift, please call the Stocker Arts = Center Box Office, which is open from 12:00 noon to 6:00p.m. Mondays through = Fridays and one-and-one-half hours before show time (PLEASE NOTE:  The Box = Office is closed November 24 & 25 and December 19, 2005 through January 1, = 2006 – SO ACT NOW!!).  The Box Office can be reached by calling (800) = 995-5222 ext. 4040 or (440) 366-4040.

 

The Stocker Arts Center is on the campus of Lorain County Community College, 1005 North Abbe Road, Elyria, Ohio  44035.  For further information on the films and events and/or directions = to Stocker, go to www.lorainccc.edu/stocker=

Please share all that we have to offer at the Stocker Arts Center with = friends and family this holiday season!

 

 

Janet Herman Barlow

Director, Stocker Arts Center

Lorain County  Community College

1005 North Abbe = Road

Elyria, Ohio  44035

440.366.7105 or

1.800.995.5222 ext. 7105

440.366.4101 [fax]

jbarlow at lorainccc.edu

www.lorainccc.edu/stocker

 

 

 

------=_NextPart_000_0096_01C5EEBD.EC1620F0-- From aj.higbee at sbcglobal.net Mon Nov 21 14:27:28 2005 From: aj.higbee at sbcglobal.net (Alan or Judith Higbee) Date: Mon, 21 Nov 2005 17:27:28 -0500 Subject: [NEohioPAL]East side church seeks bass section leader Message-ID: <000c01c5eeea$c2e5df90$0100a8c0@BABYLAPTOP> This is a multi-part message in MIME format. ------=_NextPart_000_0009_01C5EEC0.D8A09020 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Church of the Saviour in Cleveland Hts. is looking for a bass = soloist/section leader. =20 We have hired a tenor section leader for about 10 years and now are = adding a bass to the Chancel Choir. Rehearsals are on Thursdays from = 7:30-9:15 p.m. and the choir sings regularly at the 11:00 a.m. worship = service. We average about 30 singers on a Sunday morning and do = traditional repertoire of the past and music by living composers as = well. We are preparing to present Mozart's Coronation Mass in February. = For more information please contact: Judith Higbee Director of Music Church of the Saviour (United Methodist) 2537 Lee Road Cleveland Hts., OH 44118 216-321-8880 higbee at chsaviour.org ------=_NextPart_000_0009_01C5EEC0.D8A09020 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
Church of the = Saviour in=20 Cleveland Hts. is looking for a bass soloist/section=20 leader. 
We have hired a tenor section = leader for about=20 10 years and now are adding a bass to the Chancel Choir. Rehearsals = are on=20 Thursdays from 7:30-9:15 p.m. and the choir sings regularly at the 11:00 = a.m.=20 worship service. We average about 30 = singers on a=20 Sunday morning and do traditional repertoire of the past and music by = living=20 composers as well. We are = preparing to=20 present Mozart's Coronation Mass in February.  
 
For more information please = contact:
Judith Higbee
Director of Music
Church of the Saviour (United=20 Methodist)
2537 Lee Road
Cleveland Hts., OH 44118
216-321-8880
higbee at chsaviour.org
------=_NextPart_000_0009_01C5EEC0.D8A09020-- From aj.higbee at sbcglobal.net Mon Nov 21 14:39:00 2005 From: aj.higbee at sbcglobal.net (Alan or Judith Higbee) Date: Mon, 21 Nov 2005 17:39:00 -0500 Subject: [NEohioPAL]Auditions for The Crucible in Cleveland Hts. Message-ID: <002a01c5eeec$5f1c4d30$0100a8c0@BABYLAPTOP> This is a multi-part message in MIME format. ------=_NextPart_000_0027_01C5EEC2.74CFF8E0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable AUDITIONS FOR THE CRUCIBLE=20 Arts in the Cathedral of Church of the Saviour, 2537 Lee Road, Cleveland = Heights, announces auditions for Arthur Miller's play The Crucible on = Saturday, December 3, 2005 from 9 a.m. to noon. Cast includes 10 men = and 10 women. Some roles for younger females. One female role for = person of color from Barbados. =20 Set at the time of the Puritan witchcraft trials, Miller's masterpiece = retains its power as a parable of our contemporary society. It will be = done in period costume with minimal scenery as the author wished. = Actors should be familiar with the script and be willing to read for = different roles. =20 Performance dates are March 3, 4 at 8 p.m. and March 5, 2006 at 3 p.m. = Director is Dick Meadows who can be reached for details at 216-321-7698 = daytime. Dick's directing credits include Cain Park, The Jewish = Community Center, Theatre in the Valley, and Cuyahoga Community College. =20 For more information please contact Dick Meadows at 216-321-7698 = daytime or rnm34 at ohiohills.com Judith Higbee Director of Music Church of the Saviour 2537 Lee Road Cleveland Heights, OH 44118 higbee at chsaviour.org ------=_NextPart_000_0027_01C5EEC2.74CFF8E0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable

AUDITIONS=20 FOR THE CRUCIBLE

Arts=20 in the Cathedral of Church of the Saviour, 2537 Lee = Road, Cleveland=20 Heights, announces auditions = for=20 Arthur Miller=92s play The = Crucible on=20 Saturday, December 3,=20 2005=20 from 9=20 a.m.=20 to noon. =20 Cast includes 10 men and 10 women. =20 Some roles for younger females.  One female = role for=20 person of color from Barbados.
 
Set at the time of = the=20 Puritan witchcraft trials, Miller=92s masterpiece retains its power as a = parable=20 of our contemporary society.  = It=20 will be done in period costume with minimal scenery as the author = wished.  Actors should be familiar with = the=20 script and be willing to read for different = roles.
 
Performance dates = are March=20 3, 4 at 8 p.m. and March 5,=20 2006 at=20 3=20 p.m.  Director is = Dick = Meadows who can be reached for details at=20 216-321-7698 daytime.  = Dick=92s=20 directing credits include Cain Park, The Jewish Community Center, = Theatre in the=20 Valley, and Cuyahoga Community=20 College.
 
 For more information please contact = Dick=20 Meadows at 216-321-7698 daytime or rnm34 at ohiohills.com
 
 
Judith=20 Higbee
Director=20 of Music
Church=20 of the Saviour
2537=20 Lee Road
Cleveland=20 Heights,=20 OH = 44118
higbee at chsaviour.org
------=_NextPart_000_0027_01C5EEC2.74CFF8E0-- From bangandclatter at netzero.net Mon Nov 21 14:50:12 2005 From: bangandclatter at netzero.net (bangandclatter at netzero.net) Date: Mon, 21 Nov 2005 22:50:12 GMT Subject: [NEohioPAL]Bang and Clatter Auditions Message-ID: <20051121.145101.13019.6799@webmail05.lax.untd.com> ----__JWM__J3b0e.1b32S.3061M Content-Transfer-Encoding: quoted-printable Content-Disposition: inline Content-Type: text/plain The Bang & the Clatter Theatre Company Ohio's Newest Professional Theatre = Announces open auditions for it's second production. The Northeast Ohio premiere of = Patrick Marber's CLOSER Four lives intertwine over the course of four and a half years in this d= ensely plotted, stinging look at modern love and betrayal. Dan, an obitu= ary writer, meets Alice, a stripper, after an accident in the street. Ei= ghteen months later, they are a couple, and Dan has written a novel insp= ired by Alice. While posing for his book jacket cover, Dan meets Anna, a= photographer. He pursues her but she rejects his advances despite their= mutual attraction. Larry, a dermatologist, "meets" Dan in an internet c= hat room. Dan, obsessing over Anna, pretends to be her and has cybersex = with Larry. They arrange to meet the next day at an aquarium. Larry arri= ves and so too, coincidentally, does the real Anna. This sets up a serie= s of pass-the-lover scenes in which this quartet struggle to find intima= cy but can't seem to get closer. Thursday, December 1 and = Friday, December 2 @ 7 p.m. Summit ArtSpace 140 East Market Street Akron, OH 4 parts available (2m, 2w) early 20's to 40's. = Please prepare two monologues for the audition. Production runs January 12 - February 11, 2006 Call for 330-606-5317 for information & directions. = ----__JWM__J3b0e.1b32S.3061M Content-Transfer-Encoding: quoted-printable Content-Disposition: inline Content-Type: text/html

The Bang & the Clatte= r Theatre Company

Ohio's Newest Professional Theatre<= /EM>

Announces open auditions for it's second = production.

The Northeast Ohio premiere of

Patrick Marber's

CLOSER

Four lives intertwine over the course of four and = a half years in this densely plotted, stinging look at modern love and b= etrayal. Dan, an obituary writer, meets Alice, a stripper, after an acci= dent in the street. Eighteen months later, they are a couple, and Dan ha= s written a novel inspired by Alice. While posing for his book jacket co= ver, Dan meets Anna, a photographer. He pursues her but she rejects his = advances despite their mutual attraction. Larry, a dermatologist, "meets= " Dan in an internet chat room. Dan, obsessing over Anna, pretends to be= her and has cybersex with Larry. They arrange to meet the next day at a= n aquarium. Larry arrives and so too, coincidentally, does the real Anna= . This sets up a series of pass-the-lover scenes in which this quartet s= truggle to find intimacy but can't seem to get closer.

Thursday, December 1 and

Friday, December 2

@ 7 p.m.

Summit ArtSpace=

140 East Market Street

Akron, OH

4 parts available (2m, 2w) earl= y 20's to 40's.

Please prepare two monologues for the audition.

Production runs January 12 - Fe= bruary 11, 2006

Call for 330-606-5317 for infor= mation & directions.

 

----__JWM__J3b0e.1b32S.3061M-- From Artistschair2005 at aol.com Mon Nov 21 16:20:36 2005 From: Artistschair2005 at aol.com (Artistschair2005 at aol.com) Date: Mon, 21 Nov 2005 19:20:36 EST Subject: [NEohioPAL]Special CPT DISCOUNT for NEohioPAL Subscribers Message-ID: <62.614cfe1c.30b3be54@aol.com> -------------------------------1132618836 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Dear NEohioPAL Subscribers, Cleveland Public Theatre is pleased to offer YOU AND A GUEST a special discounted admission rate of $10 per ticket to the Wednesday and Friday evening preview performances of "The Santaland Diaries" and "Mrs. Bob Cratchit's Wild Christmas Binge." The Santaland Diaries, Wednesday, November 23 (7:30 pm) and Friday, November 25 (8 pm) Mrs. Bob Cratchit's Wild Christmas Binge, Wednesday, November 23 (7:30 pm) and Friday, November 25 (8 pm) To order your tickets, please call the CPT Box Office at (216) 631-2727 or visit _www.cptonline.org_ (http://www.cptonline.org) Can't make the previews, don't fret, you can binge on the holiday raucous through December 18! -------------------------------1132618836 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
Dear NEohioPAL Subscribers,
 
Cleveland Public Theatre is pleased to offer YOU AND A GUEST a special=20 discounted admission rate of $10 per ticket to the Wednesday and=20 Friday evening preview performances of "The Santaland Diaries" and "Mrs. Bob= =20 Cratchit's Wild Christmas Binge."
 
The Santaland Diaries, Wednesday, November 23 (7:30 pm) and Friday,=20 November 25 (8 pm)
 
Mrs. Bob Cratchit's Wild Christmas Binge, Wednesday, November 23 (7:30=20= pm)=20 and Friday, November 25 (8 pm)
 
To order your tickets, please call the CPT Box Office at (216) 631-2727= or=20 visit www.cptonline.org
 
Can't make the previews, don't fret, you can binge on the holiday rauco= us=20 through December 18!
 -------------------------------1132618836-- From hotcarl at adelphia.net Mon Nov 21 16:28:19 2005 From: hotcarl at adelphia.net (carlferrara) Date: Mon, 21 Nov 2005 19:28:19 -0500 Subject: [NEohioPAL]Hot Carl's 2nd annual Turkey Jam Stand Up Comedy Show Wed 23 @9pm Message-ID: <000c01c5eefb$a36f0090$d3ca4644@HOTCARLDESKTOP> This is a multi-part message in MIME format. ------=_NextPart_000_0009_01C5EED1.BA623120 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Wed. Nov 23=20 Comedy Showcase Hot Carl's 2nd Annual Turkey Jam At the=20 Cleveland Blackbox Theater (Cabaret Dada) 1210 West 6th street 9:00 P.M. Under the liquid/fusion Next to dive bar $10.00 4 comics Hot Carl Ferrara Ray DeVito Patrick Fisher MC Shawn Paul More info contact Hot Carl Ferrara 216-469-9077 carlferrara at earthlink.net ------=_NextPart_000_0009_01C5EED1.BA623120 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable

Wed. Nov 23

Comedy Showcase

Hot Carl=92s 2nd Annual = Turkey=20 Jam

At the

Cleveland Blackbox = Theater

(Cabaret Dada)

1210 West 6th street

9:00 P.M.

Under the liquid/fusion

Next to dive bar

$10.00

4 comics

Hot Carl Ferrara

Ray DeVito

Patrick Fisher

MC Shawn Paul

More info contact Hot Carl = Ferrara

216-469-9077

carlferrara at earthlink.net

------=_NextPart_000_0009_01C5EED1.BA623120-- From bnardi9 at hotmail.com Mon Nov 21 16:34:11 2005 From: bnardi9 at hotmail.com (billy nardi) Date: Tue, 22 Nov 2005 00:34:11 +0000 Subject: [NEohioPAL]Don't Be a Wallflower...HMMM?? Message-ID:

 

 

Billy Nardi invites:

All filmmakers, actors, musicians, writers, artists, friends, beautiful women, whatever your genre is?

Come to the bars to network. I am not one to hype things up, but before the night is over, you might be convinced that this is the best night to go to the bars all year long. I might be wrong, right?

 

WHAT: Time Warp Bar

WHERE: Westlake

WHEN: thWednesday Night

before Thanksgiving (11.23.2005)

AT: 10:00PM

 

ADDRESS:

Time Warp

26261 Center Ridge

Westlake, Ohio

 

 

 

On the corner of Canterbury/Center Ridge.

Take I-90 or 480.

Get there as early as possible, before it is packed, when the bar is full, you have to wait for others to leave to get in.

This a fairly small bar, with couches and a small dance floor...

Best advice I can give...Take A Cab Home Please!!

From mmiloro at adelphia.net Mon Nov 21 20:01:17 2005 From: mmiloro at adelphia.net (Mark Miloro) Date: Mon, 21 Nov 2005 23:01:17 -0500 Subject: [NEohioPAL]Auditions for Blithe Spirit at GLTG Message-ID: <011501c5ef19$640e3240$15d13218@owner4878dffa1> This is a multi-part message in MIME format. ------=_NextPart_000_0112_01C5EEEF.7B1204A0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Geauga Lyric Theater Guild Auditions: =20 Blithe Spirit Monday & Tuesday Dec 5 & 6=20 >From 7:oo to 9:00 p.m. At TheGeauga Theater=20 Located on Historic Chardon Square=20 Performance dates: Feb 10, 11, 12, 17, 18, 19 24, 25,26 Directed by Patricia Osredkar Written by Noel Coward, Blithe Spirit is a tale of "love everlasting" = which goes beyond the vow of "until death us do part." Charles, = socialite author, and his second wife, Ruth, are visited by some = eccentric guests and the ghost of Charles' first wife! Blithe Spirit = was one of the longest running comedies in the history of British = theatre and is still one of Coward's best-loved works, filled with his = trademark wit and slapstick comedy.=20 We are need in five women and two men for the following roles: Edith, the maid=20 Ruth, Charles' stylish second wife, middle 30s=20 Charles, around 40=20 Doctor Bradman, middle aged, pleasant=20 Mrs. Bradman, fair, rather faded=20 Madame Arcati, the medium, 45-65, mysterious=20 Elvira, ghost of Charles' departed first wife ------=_NextPart_000_0112_01C5EEEF.7B1204A0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
Geauga Lyric=20 Theater Guild Auditions:
 
Blithe=20 Spirit
 
Monday &=20 Tuesday  Dec 5 & 6
From 7:oo to 9:00 p.m.
At TheGeauga = Theater=20
Located on = Historic Chardon=20 Square

Performance dates:  Feb 10, 11, 12, 17, 18, 19 24,=20 25,26
 
Directed by Patricia = Osredkar

Written by=20 Noel Coward, Blithe Spirit = is a tale of=20 "love everlasting" which goes beyond the vow of "until death us do=20 part."  Charles,  socialite author, and his second = wife,=20 Ruth, are visited by some eccentric guests and the ghost of = Charles' first=20 wife!  Blithe Spirit was one of the = longest=20 running comedies in the history of British theatre and is still one of = Coward's=20 best-loved works, filled with his trademark wit and slapstick=20 comedy. 

We are need in five women and two men for = the=20 following roles:

Edith, the maid=20
Ruth, Charles' stylish second wife, middle 30s=20
Charles, around 40
Doctor = Bradman,=20 middle aged, pleasant
Mrs. Bradman, fair, rather = faded=20
Madame Arcati, the medium, 45-65, mysterious=20
Elvira, ghost of Charles' departed first wife=20
------=_NextPart_000_0112_01C5EEEF.7B1204A0-- From Grumio85 at aol.com Mon Nov 21 20:54:04 2005 From: Grumio85 at aol.com (Grumio85 at aol.com) Date: Mon, 21 Nov 2005 23:54:04 EST Subject: [NEohioPAL]Backstagers! Behold Beck's "Beauty" Message-ID: <27f.98ea3.30b3fe6c@aol.com> -------------------------------1132635244 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Backstage crew folk are still needed for Beck's upcoming run of... Beauty and the Beast The production runs basically the month of December, predominently on the weekends. Split shifts (ie Partial commitment) are possible in most positions. Still needed are follow spot operators and backstage crew (shift/props/dressers) These are volunteer positions. Crew receives 4 comp tickets for the run. Tech week begins Sunday, Nov. 27th. This promises to be a great show with an unforgetable backstage experience among a cast of amazing people. Sign on now! You'll be glad you did. Interested? More questions? Either reply to this e-mail, or call Scott at 216-521-2540 x239 -------------------------------1132635244 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
Backstage crew folk are still needed for Beck's upcoming run of= ...
 
Beauty and the Beast
 
The production runs basically the month of Decem= ber, predominently on the weekends. Split shifts (ie Partial commitment) are= possible in most positions. Still needed are follow spot operators and back= stage crew (shift/props/dressers)
 
These are volunteer positions. Crew receives 4 c= omp tickets for the run.
 
Tech week begins Sunday, Nov. 27th.
 
This promises to be a great show with an unforge= table backstage experience among a cast of amazing people. Sign on now! You'= ll be glad you did.
 
Interested? More questions? Either reply to this= e-mail, or call Scott at 216-521-2540 x239
-------------------------------1132635244-- From cinevid at yahoo.com Mon Nov 21 21:39:24 2005 From: cinevid at yahoo.com (Bill) Date: Mon, 21 Nov 2005 21:39:24 -0800 (PST) Subject: [NEohioPAL]"Left for Dead" gets reviewed by Filmthreat Message-ID: <20051122053924.96551.qmail@web60316.mail.yahoo.com> --0-1594652428-1132637964=:96366 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit THE WALL STREET JOURNAL NAMED FILMTHREAT ONE OF THE TOP FIVE MOVIE WEB SITES ON THE INTERNET! Filmthreat, one of the first websites to cater to independent films has just reviewed our short film, "Left for Dead" Check it out on the front page at www.Filmthreat.com or at this link: http://www.filmthreat.com/index.php?section=reviews&Id=8173 A special thanks to Eric Campos, Chris Gore's right hand man who took the time to write such a nice review. The site recieves nearly 500,000 visitors every month. --------------------------------- Yahoo! FareChase - Search multiple travel sites in one click. --0-1594652428-1132637964=:96366 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
THE WALL STREET JOURNAL NAMED FILMTHREAT ONE OF THE TOP FIVE MOVIE WEB SITES ON THE INTERNET!
Filmthreat, one of the first websites to cater to independent films has just reviewed our short film, "Left for Dead" Check it out on the front page at www.Filmthreat.com or at this link:
 
 
A special thanks to Eric Campos, Chris Gore's right hand man who took the time to write such a nice review. The site recieves nearly 500,000 visitors every month.
 

Yahoo! FareChase - Search multiple travel sites in one click. --0-1594652428-1132637964=:96366-- From mjr64 at adelphia.net Mon Nov 21 23:37:36 2005 From: mjr64 at adelphia.net (Michael Rubin ) Date: Tue, 22 Nov 2005 02:37:36 -0500 Subject: [NEohioPAL]Eric Mull and "Bob" the Dog Message-ID: <000601c5ef37$9bc89220$740fa8c0@mikescomputer> This is a multi-part message in MIME format. ------=_NextPart_000_0003_01C5EF0D.B2C07DA0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Kudos and ear scratches to Eric Mull Photography and his dog "Bob" for = hosting a great party for Aftra folks last night. Catered hot snacks,imported beer,genuine people,and a union dog made for = a fun and productive shindig. Yes,the union work here is far and few,but so are the egos. "Bob the Dog",what a player ! How come ladies never scratch my ear at = first hello? Thanks Guys Michael Rubin ------=_NextPart_000_0003_01C5EF0D.B2C07DA0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
Kudos and ear scratches to Eric Mull = Photography=20 and his dog "Bob" for hosting a great party for Aftra folks last=20 night.
Catered hot snacks,imported = beer,genuine people,and=20 a union dog made for a fun and productive shindig.
Yes,the union work here is far and = few,but so are=20 the egos.
"Bob the Dog",what a player ! How come = ladies never=20 scratch my ear at first hello?
Thanks Guys
Michael = Rubin
------=_NextPart_000_0003_01C5EF0D.B2C07DA0-- From KillingTimeLTD at aol.com Tue Nov 22 04:22:48 2005 From: KillingTimeLTD at aol.com (KillingTimeLTD at aol.com) Date: Tue, 22 Nov 2005 07:22:48 EST Subject: [NEohioPAL]ACTRESSES NEEDED 12/10 Message-ID: <279.f3432.30b46798@aol.com> -------------------------------1132662168 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Need two actresses for a murder mystery event being held on Saturday December 10 from 6-9 pm in North Ridgeville. Must be over 18 and able to stay in character. Improv training & comedic timing a plus but not a necessity. Must be able to memorize script. Pays $75. French Maid: age range 21-35, accent preferred but not necessary A Dizzy Blonde: age range 21-45, stereotypical, not-so-bright buxom blonde Please email resume and headshot to the address above (_killingtimeltd at aol.com_ (mailto:killingtimeltd at aol.com) ). -------------------------------1132662168 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
     Need two actresses for a murder myst= ery=20 event being held on Saturday December 10 from 6-9 pm in North=20 Ridgeville. Must be over 18 and able to stay in character.  Improv= =20 training & comedic timing a plus but not a necessity. Must be able to=20 memorize script. Pays $75.=20
 
French Maid: age range 21-35, accent preferred but not necessary
 
A Dizzy Blonde: age range 21-45, stereotypical, not-so-bright buxom=20 blonde
    
    Please email resume and headshot to the address= =20 above (killingtimeltd at aol.com).
 -------------------------------1132662168-- From popcycles at sbcglobal.net Tue Nov 22 05:35:11 2005 From: popcycles at sbcglobal.net (D. Budin) Date: Tue, 22 Nov 2005 05:35:11 -0800 (PST) Subject: [NEohioPAL]Benefit screening of "Spinal Tap" for Contemporary Youth Orchestra Message-ID: <20051122133511.40230.qmail@web81805.mail.mud.yahoo.com> --0-650749462-1132666511=:33857 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Contemporary Youth Orchestra Presents Benefit Screening of This Is Spinal Tap The Contemporary Youth Orchestra is celebrating its 11th season and CYO?s slogan for the season is ?Take It to Eleven!? ? inspired by the movie This Is Spinal Tap. In the movie ? Rob Reiner?s hilarious ?mockumentary? about the fictional rock band Spinal Tap ? the group gets amps that go to 11 because 10 is not loud enough. For CYO, it?s not about volume, but about going beyond what is expected and anticipated, which the orchestra continually does. CYO is composed of more than 100 of the best high school-age musicians in this region, representing more than 40 schools. To kick off this season, CYO is presenting a benefit screening of This Is Spinal Tap on Saturday, November 26 Cleveland State University?s Drinko Recital Hall ? in the Music and Communications Building at 2001 Euclid Avenue (the north-west corner of Euclid Avenue and E. 21st Street). The doors will open at 10:15 p.m., and the movie will be shown at 11 p.m. Donations of any amount will be accepted. The suggested donation is $11. Popcorn and soda will be provided. For more information, call 216-321-3525. --0-650749462-1132666511=:33857 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit

Contemporary Youth Orchestra Presents Benefit Screening of This Is Spinal Tap

 

The Contemporary Youth Orchestra is celebrating its 11th season and CYO?s slogan for the season is ?Take It to Eleven!? ? inspired by the movie This Is Spinal Tap. 

 

In the movie ? Rob Reiner?s hilarious ?mockumentary? about the fictional rock band Spinal Tap ? the group gets amps that go to 11 because 10 is not loud enough.  For CYO, it?s not about volume, but about going beyond what is expected and anticipated, which the orchestra continually does.

 

CYO is composed of more than 100 of the best high school-age musicians in this region, representing more than 40 schools.

 

To kick off this season, CYO is presenting a benefit screening of This Is Spinal Tap on Saturday, November 26 Cleveland State University?s Drinko Recital Hall ? in the Music and Communications Building at 2001 Euclid Avenue (the north-west corner of Euclid Avenue and E. 21st Street).  The doors will open at 10:15 p.m., and the movie will be shown at 11 p.m.

 

Donations of any amount will be accepted. The suggested donation is $11.  Popcorn and soda will be provided.

 

For more information, call 216-321-3525.

--0-650749462-1132666511=:33857-- From rockandroller1 at yahoo.com Tue Nov 22 06:15:37 2005 From: rockandroller1 at yahoo.com (Nina McCollum) Date: Tue, 22 Nov 2005 06:15:37 -0800 (PST) Subject: [NEohioPAL]New Orleans musicians benefit Message-ID: <20051122141537.30601.qmail@web50409.mail.yahoo.com> Passing along information about a benefit I thought the list folks might be interested in attending. 100% of the proceeds will benefit The Tipitina's Foundation, a coalition offering housing solutions for musicians affected by Hurricane Katrina. One of NE Ohio's most excellent bands, Kent's 15-60-75 ("The Numbers Band") will be on the bill, with some other great acts. >From the Tree City of Kent to the Crescent City of New Orleans, join people who love music and culture. NEW ORLEANS MUSICIANS RELIEF BENEFIT Music, Art, Food & Silent Auction Sunpie - w/Bruce Barnes, singer, zydeco accordionist, blues harmonica, piano, African drums The Numbers Band - blues/jazz originals The Prayer Warriors - award winning performing arts group Lester - 1920s jazz Pat Sweany - Kent's newest blues man Derek de Prator - blues guitarist WHEN: DECEMBER 10, 7pm. (doors at 6:30) WHERE: The Outpost, 4962 Rt. 43, Kent, Ohio TIX: $12 advance, $15 day of, $10 w/valid college ID. ticketweb.com, Woodsy's music (Kent) or Square Record Store (Highland Square) For more information: numbersband.com, outpostkent.com, or emailbrassfornola at yahoo.com __________________________________ Yahoo! FareChase: Search multiple travel sites in one click. http://farechase.yahoo.com From vwilson at karamu.com Tue Nov 22 06:36:16 2005 From: vwilson at karamu.com (vivian wilson) Date: Tue, 22 Nov 2005 09:36:16 -0500 Subject: [NEohioPAL]Black Nativity @ Karamu House Message-ID: Vivian C. Wilson Marketing Manager Phone: (216) 795-7070 x215 vwilson at karamu.com FOR IMMEDIATE RELEASE ? Monday - November 21, 2005 RE: BLACK NATIVITY & Holiday Events ?O Come all Yee Faithful? to the 20th years run of Karamu Performing Arts Theatre holiday favorite, Black Nativity written by Karamu Alumni, Langston Hughes, December 9 thru December 30, 2005, in the Jelliffe Theatre. Black Nativity continues to dazzle audiences of all ages with its rousing gospel music, superbly performed dance numbers, brilliant costumes and the majesty of Langston Hughes? poetry. This year?s production is directed and choreographed by Cleveland native Terence M. Greene, instructor at The Cleveland School of Performing Arts. Terence Greene was a member of The Dayton Contemporary Dance Company and has choreographed for some of the top dance companies in the country. He is Artistic Director for Foluke?. Terence?s brings to the table his many years of dance training, performance and teaching plus his performance experience in the role of Joseph. Returning again this year to lead the musical endeavors is Clifton D. Beasley who has skillfully blended the multi-talents of some of Cleveland?s finest gospel singers and performers to bring the nativity story to life. The roles of ?Mary and Joseph? are gracefully danced by Kathleen Turner and Michael Medcalf principles of The Cleveland Contemporary Dance Theatre. Student dancers from the Cleveland School of Arts complement the performance as angels, shepherds and ushers. This combination of seasoned vocalist, new talented soloist, experienced and youthful dancers make this season?s production another must see for The Greater Cleveland and surrounding areas. For a feel good, family friendly production, put Black Nativity at the top of your lists of things to do this holiday season. Regular performance times for Black Nativity are 8:00 p.m. on Thursday, Friday and Saturdays and 3:00 p.m. on Sundays. Tickets are $20, $25 and $30.00 From vwilson at karamu.com Tue Nov 22 06:38:23 2005 From: vwilson at karamu.com (vivian wilson) Date: Tue, 22 Nov 2005 09:38:23 -0500 Subject: [NEohioPAL]Karamu House Auditions - Youth Production- Little Rock Nine Message-ID: FOR IMMEDIATE RELEASE ? Tuesday, November 22, 2005 Re: AUDITIONS for Karamu Youth Theatre Production of the World Premier of Breaking Barriers: Little Rock Nine By Nicole C. Kearney Cooper Saturday December 3 and from 11:00 am to 1:00 pm December 10, 2005 Roles available for actors & actresses ages 14 to 60. Performers, regardless of race are encouraged to attend. All performers will receive complimentary tickets for some performances. Rehearsals 2 days/week starting December 28. Performances each Saturday and Sunday from February 11 through February 26. For additional details: contact Director, Kimberly Brown @ (216) 702-6803 Auditions will be held at Karamu House; 2355 East 89th Street, Cleveland, Ohio 44106 in the Concert Hall. Performances will be at 2:00 pm on Saturdays and Sundays in Karamu?s Jelliffe Theatre during Black History Month, February 11, 2006 thru March 5, 2006 BREAKING BARRIERS: LITTLE ROCK NINE (World Premier) is told from the perspective of the nine students who integrated Central High School, in Little Rock, Arkansas, in September, 1957, amid much violence, hatred and protest. Join these famous "nine" students, their parents, and their protector Ms. Daisy Bates as they meet for the first time after they are chosen. As these nine students bond over the common desire for a better education, they begin to realize the impact it has on American society. Hear personal perspectives from Little Rock and the nation as the drama unfolds for those nine young Black students. ******** From ytplayhouse at aol.com Tue Nov 22 06:50:53 2005 From: ytplayhouse at aol.com (ytplayhouse at aol.com) Date: Tue, 22 Nov 2005 09:50:53 -0500 Subject: [NEohioPAL]AUDITIONS - STEEL MAGNOLIAS Message-ID: <8C7BD8B45C98603-1154-947@mblk-d30.sysops.aol.com> ----------MailBlocks_8C7BD8B45BFFC9F_1154_8AB_mblk-d30.sysops.aol.com Content-Type: text/plain; charset="us-ascii" The Youngstown Playhouse presents STEEL MAGNOLIAS January 20 - February 5 Directed by Kathy Appulgiese AUDITIONS are scheduled for November 28th and 29th at 7:00 PM at The Youngstown Playhouse. Casting Needs: 6 women, age range of late teen through late 60's. For more information, contact: The Youngstown Playhouse 600 Playhouse Lane Youngstown, OH 44511 330-788-8739 www.youngstownplayhouse.com ----------MailBlocks_8C7BD8B45BFFC9F_1154_8AB_mblk-d30.sysops.aol.com Content-Type: text/html; charset="us-ascii"
The Youngstown Playhouse presents
 
STEEL MAGNOLIAS
January 20 - February 5
Directed by Kathy Appulgiese
 
AUDITIONS are scheduled for November 28th and 29th at 7:00 PM at The Youngstown Playhouse.
 
Casting Needs:  6 women, age range of late teen through late 60's.
 
 
For more information, contact:
 
The Youngstown Playhouse
600 Playhouse Lane
Youngstown, OH 44511
330-788-8739
 
 
 
----------MailBlocks_8C7BD8B45BFFC9F_1154_8AB_mblk-d30.sysops.aol.com-- From artistschair2005 at aol.com Tue Nov 22 07:07:40 2005 From: artistschair2005 at aol.com (artistschair2005 at aol.com) Date: Tue, 22 Nov 2005 10:07:40 -0500 Subject: [NEohioPAL]Need a COMMERCIALS/VIDEO PROMOTIONS DIRECTOR? Frank R. Mixson & OTHER NEWS! Message-ID: <8C7BD8D9E20EB6B-5FC-AA6@FWM-M28.sysops.aol.com> ----------MailBlocks_8C7BD8D9E20EB6B_5FC_8F0_FWM-M28.sysops.aol.com Content-Type: text/plain; charset="us-ascii" ARTISTSCHAIR.COM'S "FEATURED ARTIST OF THE DAY" Commercials/Video Promotions Director - Frank R. Mixson (Location: Cleveland, Ohio) (November 22, 2005) To view Frank's profile, visit http://www.artistschair.com Latest Members' CONTEST Giveaway (November 18, 2005) The artistschair.com member that is chosen at random by the database to be the Wednesday, November 23 "Featured Artist of the Day" will win two passes, good for four admissions to the December 1 (7:30 pm) Loews Richmond Town Square advanced screening of "The Family Stone" featuring Claire Danes, Diane Keaton, Rachel McAdams, Dermot Mulroney, Craig T. Nelson, Sarah Jessica Parker and Luke Wilson. Take friends or take family, either way, GET OUT and SEE NORTHEAST OHIO! Not a member of artistschair.com yet? Join today for FREE! Networking EVENT & PARTY for Artists and Those that Hire Talent (November 10, 2005) A GREAT BIG THANK YOU to all who attended the November 9 artistschair.com Networking Event which took place at 1300 Gallery. Photos from the event will be posted to the artistschair.com directory soon. FIND an Artist! Make your event or project extra memorable. Find entertainers and technicians in our FREE and easy-to-use database featuring photos and profiles of local artists in more than 100 different talent fields. BE an Artist! Let your talents and services be known. Become a member for FREE and highlight all talent fields that apply to you. Upload photos of yourself and/or samples of your work, edit your own information and have your profiles viewed by those searching for your talents and services. Our MISSION Artistschair.com is committed to PROMOTING and RAISING AWARENESS of local artists, arts-related institutions and issues and the NORTHEAST OHIO REGION as well as serving the needs of those searching for CREATIVE TALENT and resources. ----------MailBlocks_8C7BD8D9E20EB6B_5FC_8F0_FWM-M28.sysops.aol.com Content-Type: text/html; charset="us-ascii"
  
            ARTISTSCHAIR.COM'S "FEATURED ARTIST OF THE DAY"
Commercials/Video Promotions Director - Frank R. Mixson (Location: Cleveland, Ohio)
 
(November 22, 2005) To view Frank's profile, visit http://www.artistschair.com
 
Latest Members' CONTEST Giveaway
(November 18, 2005) The artistschair.com member that is chosen at random by the database to be the Wednesday, November 23 "Featured Artist of the Day" will win two passes, good for four admissions to the December 1 (7:30 pm) Loews Richmond Town Square advanced screening of "The Family Stone" featuring Claire Danes, Diane Keaton, Rachel McAdams, Dermot Mulroney, Craig T. Nelson, Sarah Jessica Parker and Luke Wilson.  
 
Take friends or take family, either way, GET OUT and SEE NORTHEAST OHIO! Not a member of artistschair.com yet? Join today for FREE!
 
Networking EVENT & PARTY for Artists and Those that Hire Talent
(November 10, 2005) A GREAT BIG THANK YOU to all who attended the November 9 artistschair.com Networking Event which took place at 1300 Gallery. Photos from the event will be posted to the artistschair.com directory soon.
  
FIND an Artist!
Make your event or project extra memorable. Find entertainers and technicians in our FREE and easy-to-use database featuring photos and profiles of local artists in more than 100 different talent fields.
 
BE an Artist!
Let your talents and services be known. Become a member for FREE and highlight all talent fields that apply to you. Upload photos of yourself and/or samples of your work, edit your own information and have your profiles viewed by those searching for your talents and services.
 
Our MISSION
Artistschair.com is committed to PROMOTING and RAISING AWARENESS of local artists, arts-related institutions and issues and the NORTHEAST OHIO REGION as well as serving the needs of those searching for CREATIVE TALENT and resources.
 
----------MailBlocks_8C7BD8D9E20EB6B_5FC_8F0_FWM-M28.sysops.aol.com-- From larry_goodpaster at sbcglobal.net Tue Nov 22 08:23:22 2005 From: larry_goodpaster at sbcglobal.net (Larry Goodpaster) Date: Tue, 22 Nov 2005 11:23:22 -0500 Subject: [NEohioPAL]Sound Board Operator Needed for Beauty and the Beast at the Beck Center Message-ID: <001a01c5ef81$0edd2200$230110ac@Fastone> This is a multi-part message in MIME format. ------=_NextPart_000_001B_01C5EF57.26071A00 Content-Type: multipart/alternative; boundary="----=_NextPart_001_001C_01C5EF57.26071A00" ------=_NextPart_001_001C_01C5EF57.26071A00 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit WANTED: SOUND BOARD OPERATOR The Beck Center for the Arts in Lakewood has an immediate opening for a sound board operator for the upcoming production of Beauty and the Beast November 27 - December 31 (specific dates will be provided) Prior experience desired. Modest stipend available. Please contact Larry Goodpaster @ 216-253-2077 or e-mail: larry_goodpaster at sbcglobal.net Larry Goodpaster larry_goodpaster at sbcglobal.net ------=_NextPart_001_001C_01C5EF57.26071A00 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

WANTED: SOUND BOARD = OPERATOR

 

The Beck Center for the = Arts in Lakewood has an immediate opening = for a sound board operator for the upcoming production of

 

Beauty = and = the Beast  = November 27 – December 31 = (specific dates will be provided)

 

Prior experience = desired.  Modest stipend available.

 

Please contact Larry = Goodpaster @ 216-253-2077 or

e-mail: = larry_goodpaster at sbcglobal.net

 

Larry = Goodpaster

larry_goodpaster at sbcglobal.net

 

------=_NextPart_001_001C_01C5EF57.26071A00-- ------=_NextPart_000_001B_01C5EF57.26071A00 Content-Type: image/gif; name="image001.gif" Content-Transfer-Encoding: base64 Content-ID: R0lGODlhQAYFAPQLAKfT/6/X/7fb/7/f/8fj/8/n/9fr/97u/+f0/+73//f8//////H3/+Lv/97w /9Dn/8Df/7DX/5/P/wECAwECAwECAwECAwECAwECAwECAwECAwECAwECAwECAwECAwECAyH/C01T T0ZGSUNFOS4wDQAAAAFzUkdCAK7OHOkAIf8LTVNPRkZJQ0U5LjAYAAAADG1zT1BNU09GRklDRTku MBObKZRkACH/C01TT0ZGSUNFOS4wGAAAAAxjbVBQSkNtcDA3MTICAAAJAtxSKQAsAAAAAEAGBQAA Bf+gJI6kBJhAqqYBELwwHAmBYN/2IAx8z0OEAWFIJBSMhWThYWg2D9BDA4FIKK6LrHbL7Xq/4LB4 TC6bz+i0es1uu9/wuHxOr9vv+Lx+z+/7/4CBgoOEhYaHiImKi4yNciWQJiIrlCwuMS80NTM4Nz4+ QQRARUdKSgZMTgcOVFUJVgqOsrO0tba3uLm6u7y9vr/AwcLDxMXGwJGQJ8uVL5cxEZk1nTk7Oz0Q PUWkSEkGBaoGUVSvsMfn6Onq6+zt7u/w8fLz9PX2vMkkJyiULSwt0GoIpKbjmo9sQ4Rw67bEmxNx UlwlYMAAy72LGDNq3Mixo8ePIEOKHOkx36RJzPoquXj2YsYmap50HAyicJuRbqkeRjlA7ooCBiSD Ch1KtKjRo0iTKl3KlE4IADs= ------=_NextPart_000_001B_01C5EF57.26071A00-- From cabaretdada at aztemail.com Tue Nov 22 08:55:24 2005 From: cabaretdada at aztemail.com (Cabaret Dada) Date: Tue, 22 Nov 2005 11:55:24 -0500 Subject: [NEohioPAL]Cabaret Dada Cures the Post-Thanksgiving Blahs Message-ID: <20051122-11552475-b9c-0@acc7> Often, as we look forward to the holidays, we forget about the PHBS (Post-Holiday Boredom Syndrome). Think about it. It's Friday after Thansgiving. You can't eat any more turkey. You've shopped until you've dropped. If you watch any more football your eyes will fall out of your head onto your engorged stomach. And as much fun as it is to stack things on grandpa until he wakes up, even that has lost its interest. How are you going to fight this horrible condition? With the help of your friends at Cabaret Dada, of course! Thanksgiving weekend is the perfect time to round up your buddies who are in from out of town, grab a few cold beverages, and head down to laugh your gut off. And being Thanksgiving weekend, its very possible some Dada alums may show up to play along. So call up your chums, take the spoon off grandma's nose, and come down to the Warehouse District this weekend. If you use the secret code word "TURKEY" (pretty clever, huh?) you'll get in for only ten bucks! That's two dollars off the regular admission. Make your post-turkey reservations today at http://www.cabaretdada.com, by phone at 216.696.HAHA (4242) or via email at somedada at aol.com. Show times for this weekend are: Friday, 11/25/05 10:30 PM Saturday, 11/26/05 8:00 PM and 10:30 PM Cabaret Dada 1210 West 6th Street In the Warehouse District 216.696.HAHA (4242) From MChamberlain at beckcenter.org Tue Nov 22 09:15:27 2005 From: MChamberlain at beckcenter.org (Meg Chamberlain) Date: Tue, 22 Nov 2005 12:15:27 -0500 Subject: [NEohioPAL]The FREE Menopause Tickets Message-ID: <97CF2CB42902E345A929E3202369C84E14A7A7@beck-1.beckcenter.com> This is a multi-part message in MIME format. ------_=_NextPart_001_01C5EF88.550B04ED Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Thanks to all of you who responded Norma Capocci is the lucky winner Next time I have extra tickets I will do this again Meg Chamberlain Production Stage Manager Menopause the Musical! Happy Thanksgiving ------_=_NextPart_001_01C5EF88.550B04ED Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable The FREE Menopause Tickets

Thanks to all of you who responded
Norma Capocci
is the lucky winner
Next time I have extra tickets I will do this again
Meg Chamberlain
Production Stage Manager
Menopause the Musical!
Happy Thanksgiving

------_=_NextPart_001_01C5EF88.550B04ED-- >From Greg Benedetto" This is a multi-part message in MIME format. ------=_NextPart_000_0054_01C5EF64.3FBAC520 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable My daughter urgently needs a used Texas Instruments TI-83 Graphing = Calculator for high school work. If you have one or know of one, please let me know. Thank you, Neopal = community. Email or phone, please. Greg Benedetto day phone - 216-751-1198 ------=_NextPart_000_0054_01C5EF64.3FBAC520 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
My daughter urgently needs = a used Texas=20 Instruments TI-83 Graphing Calculator
for high school = work.
If you have one or know of = one, please=20 let me know. Thank you, Neopal community.
Email or phone, = please.

Greg = Benedetto
day phone -=20 216-751-1198
------=_NextPart_000_0054_01C5EF64.3FBAC520-- From mattcook at studioof5rings.com Tue Nov 22 10:05:21 2005 From: mattcook at studioof5rings.com (Matt Cook) Date: Tue, 22 Nov 2005 13:05:21 -0500 Subject: [NEohioPAL]Stacy Chech Sneak Preview Message-ID: This is a multi-part message in MIME format. ------=_NextPart_000_0000_01C5EF65.6526BCA0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit Sneak Preview of Stacy Check's Collection After Thanksgiving Cleveland, OH - Nov. 20, 2005 - Need a respite from holiday shopping Thanksgiving weekend? The Studio of 5 Rings is having a Sneak Preview of the Stacy Chech collection Friday Nov. 25th and Saturday Nov. 26th. We are Downtown Cleveland's only Winery - we bring art and wine together the way they were meant to be. * This one-person show features an art collection with original charcoal and oil paintings. Stacy uses urban landscapes, many of which are centered on LTV Steel, to illustrate her personal growth and hope for Cleveland's future. * We offer low-sulfite wines that are hand-crafted right here in our gallery: * Merlot, Shiraz, Pinot Grigio, Chardonnay, Sweet Berry Red * Enjoy a glass in the gallery to unwind this weekend * Our wines make excellent gifts this season * Tucked away on the 2nd floor of the Futon Factory Bldg., we have free parking and a relaxing atmosphere. Our secret is our success. * Hours: * Fridays 5:00pm to Midnight * Saturdays 7:00pm to Midnight Matt Cook STUDIO OF 5 RINGS 2400 Superior Ave., #201 (2nd Floor of the Futon Factory) Cleveland, OH 44114 216-771-0830 www.studioof5rings.com ------=_NextPart_000_0000_01C5EF65.6526BCA0 Content-Type: application/ms-tnef; name="winmail.dat" Content-Transfer-Encoding: base64 Content-Disposition: attachment; filename="winmail.dat" eJ8+IhUSAQaQCAAEAAAAAAABAAEAAQeQBgAIAAAA5AQAAAAAAADoAAEIgAcAGAAAAElQTS5NaWNy b3NvZnQgTWFpbC5Ob3RlADEIAQ2ABAACAAAAAgACAAEGgAMADgAAANUHCwAWAA0ABQAAAAIAEQEB A5AGAHQJAAAlAAAACwACAAEAAAALACMAAAAAAAMAJgAAAAAACwApAAAAAAADADYAAAAAAB4AcAAB AAAAGgAAAFN0YWN5IENoZWNoIFNuZWFrIFByZXZpZXcAAAACAXEAAQAAABYAAAABxe+PTEAiCJjW A8lHqZa3B0sOj1enAAACAR0MAQAAACEAAABTTVRQOk1BVFRDT09LQFNUVURJT09GNVJJTkdTLkNP TQAAAAALAAEOAAAAAEAABg4A7gJBj+/FAQIBCg4BAAAAGAAAAAAAAAB1KoqayQ2lQY5XLxGvhnWC woAAAAsAHw4BAAAAAgEJEAEAAADuBAAA6gQAACcIAABMWkZ1HcOFhQMACgByY3BnMTI1FjIA+Atg bg4QMDMzTwH3AqQDYwIAY2gKwHPwZXQwIAdtAoMAUAPVvwcTAoMOUAPUEMkTSDMC490QxzIGAAbD AoB9CoAIyLQgOwlvMAKACoF2CJCkd2sLgGQ0DGBjAFCZCwNzYg9AAUBzYRryCwwwC7Q0BgBuZWFr jCBQGEAZoiBvZgYAQQGQY3kgQ2gFkGsmJwQgCFBsbAWQdGk/AiATMAGABJARYBDwbmv4c2dpGaAP IAogAUAKsSUKgEMeUHZlDwFkLCAgT0ggLQewb3acLiAB0CEQAdAwNSFSIQngZCBhIBhAc3BKaR7w IANSIGgG8GnUZGEdgHMjwHAjIA8gKR8rIHcJ4GsJ8GQ/5x8hI1AdQHVkHpAdAiJA3lIfwQQgBAAj sGElUyLQvRw/dCZBCNAAQB05aCmSdxFQCOEeVkYFECQCIYQ1fylgIsAaAAYBJoALICv3NjspYCGw VyNQCsAjUERvfncCMC7BHZAglh3xAiBsfR2AVwuABJAdgCFgJaAg/mIFECgCACAsswPwHEApULxv ZxEwHbAFwClidyQR/ylhHYAloC6BB4AAcAVALvC5MQBlLiAkCvMAAHACMIhleHQVkidCNwyCjQKR KjVxNXFsdmwCYD810DWAFaE1gBnxCfB0M/42AeE1gTXADDA2IRcwAgD0aS04cVwj4AHBGsofIaMn kQIgZS1wBJBzHqH7JEEH4GYcUC0hB5EDkTFyrysJA/AskQWwaR+QbgdA3yrwEPEFoD7RLMJvAxEK sN8LgB6AJ1EhsB1EdREgBCBdCHBiA5Eg0gTwYTuwc+8hEAOBHYAdEXc7MCqBLnIeYzhBM7E/sQOg TFRWex0xCeBsIRA0UQMQCkBz/HRyLRAjUDKSO7Q+0QnAPy7ALJUkUSNRBbEvSmZ1/zyiIbAgJDVv NnEuQR0QPHANCtFiQcAuwC1zdWz3OZAe8B/xICmUMfIEISrCTylgLRAuYx9BZC0FAGH3HuEisD6B aAVAMpEjUAuAvx0ACHBGwAdAHlAwkDpJRR81HzYvNz84TzlbMTQ0rTpMTQSQCQB0IRBTOzA1RbB6 IRBQC4BXgCBHfT6CbyEQHaALEQIgPsB5t1ehJaEFQEIEkDCRUiKhw0lfUidFbmpvHYAi0H5nC2AE EU/BKWJQNTRCdf5uMfEisClgJ5ElpVrfUhjeT1ABTQQAwCXQIFHAQ7D/HkE0IR+QAYAEIF7zESBd IP8eoVDPUd9S71P/VQ86DxFgvxpAJdAisTMSHqEpYjIs0e0O8G8FsSk1RkjgK4IA0IMu8DCRQmxk Zy4hEN8w4SfBI1IJ4EABchnhKBHXLNEi0gtgeCfzdARgIxD/T3IhsGFiESAFAFoRO0JxIl8aQEOw BBBJP2VZSAhhc/9Qr2UPZh9nL2g/Vf864iu0aQQgNTobAHAjoDRRTX8j8AMATzJyz3Y3LQYEIDf/ e+90yhKUAdAF0C0QBUAIUARvayAkU1RVREkKTyEgRicCSU5HU+cgJBwAOvFTdTuxHpAFwPZBILBt 4SMB0BpjCoEAoKED0DE2IChrskZsD71tFikMQAvFID8hQCBWQA4xekCDtYZALTc3MVAtMDgziOV3 jBAud0WQJpIdEDUxIkCQBaBtX4j0gGwOUIkDF0EAj2AAAAsAAYAIIAYAAAAAAMAAAAAAAABGAAAA AAOFAAAAAAAAAwAQgAggBgAAAAAAwAAAAAAAAEYAAAAAUoUAACdqAQAeABKACCAGAAAAAADAAAAA AAAARgAAAABUhQAAAQAAAAQAAAA5LjAAHgATgAggBgAAAAAAwAAAAAAAAEYAAAAANoUAAAEAAAAB AAAAAAAAAB4AFIAIIAYAAAAAAMAAAAAAAABGAAAAADeFAAABAAAAAQAAAAAAAAAeABWACCAGAAAA AADAAAAAAAAARgAAAAA4hQAAAQAAAAEAAAAAAAAACwAWgAggBgAAAAAAwAAAAAAAAEYAAAAAgoUA AAEAAAALAEOACCAGAAAAAADAAAAAAAAARgAAAAAOhQAAAAAAAAMARYAIIAYAAAAAAMAAAAAAAABG AAAAABCFAAAAAAAAAwBGgAggBgAAAAAAwAAAAAAAAEYAAAAAEYUAAAAAAAADAEeACCAGAAAAAADA AAAAAAAARgAAAAAYhQAAAAAAAAMAW4AIIAYAAAAAAMAAAAAAAABGAAAAAAGFAAAAAAAACwB5gAgg BgAAAAAAwAAAAAAAAEYAAAAABoUAAAAAAAACAfgPAQAAABAAAAB1KoqayQ2lQY5XLxGvhnWCAgH6 DwEAAAAQAAAAdSqKmskNpUGOVy8Rr4Z1ggIB+w8BAAAAnwAAAAAAAAA4obsQBeUQGqG7CAArKlbC AABQU1RQUlguRExMAAAAAAAAAABOSVRB+b+4AQCqADfZbgAAAEM6XERvY3VtZW50cyBhbmQgU2V0 dGluZ3NcQWRtaW5pc3RyYXRvclxMb2NhbCBTZXR0aW5nc1xBcHBsaWNhdGlvbiBEYXRhXE1pY3Jv c29mdFxPdXRsb29rXG91dGxvb2sucHN0AAADAP4PBQAAAAMADTT9NwAAAgF/AAEAAAA7AAAAPEtG RUJJT0ZIRktETENGQk1MTUlQRUVPQkNDQUEubWF0dGNvb2tAc3R1ZGlvb2Y1cmluZ3MuY29tPgAA AwAGEPyfNysDAAcQygMAAAMAEBAAAAAAAwAREAAAAAAeAAgQAQAAAGUAAABTTkVBS1BSRVZJRVdP RlNUQUNZQ0hFQ0tTQ09MTEVDVElPTkFGVEVSVEhBTktTR0lWSU5HQ0xFVkVMQU5ELE9ILU5PVjIw LDIwMDUtTkVFREFSRVNQSVRFRlJPTUhPTElEQVlTAAAAAFZh ------=_NextPart_000_0000_01C5EF65.6526BCA0-- From nate at groundfloortheater.com Tue Nov 22 10:08:12 2005 From: nate at groundfloortheater.com (nate at groundfloortheater.com) Date: Tue, 22 Nov 2005 18:08:12 +0000 Subject: [NEohioPAL]Talent Show Message-ID: ----=_vm_0011_W8282226842_753_1132682892 Content-Type: text/plain; charset="utf-8" Content-Transfer-Encoding: quoted-printable Talent Tightrope The Ground Floor Theatera comedy theater with a full service 170 seat ven= ue located in the historic Centrum Theater at 2781 Euclid Heights Blvd in= Cleveland Heights is pleased to announce it=E2=80=99s Tuesday night Tale= nt Tightrope. Tuesday nights are the time to prove your mettle in Ground Floor Theater=E2= =80=99s Talent Tightrope, an all encompassing talent show. Two contestant= s per week will advance to the semi =E2=80=93finals week five. Four conte= stants will move on to compete in the finals during week six. Contestants= can compete with any talent they possess for a cash prize. Contestants s= hould send a brief description of their act to talent at groundfloortheater.= com All Acts must be approved by management. Contestants under the age of 18 must be accompanied by an adult. The winn= ers will be determined by audience participation. The first Talent Tightr= ope begins Tuesday January 10th at 8:00 pm.All entries must be entered one week before each = competition. Thanks. Nate Cockerill Artistic Director Ground Floor Theater nate at groundfloortheater.com ----=_vm_0011_W8282226842_753_1132682892 Content-Type: text/html; charset="utf-8" Content-Transfer-Encoding: quoted-printable

  &nb= sp;           &nbs= p;            = ;            =    Talent Tightrope

The Ground Floor Theater  a comedy theater with a full service 170 seat venu= e located in the historic Centrum Theater at 2781 Euclid Heights Blvd in = Cleveland Heights is pleased to announce it=E2=80=99s Tuesday night Talen= t Tightrope. 

Tuesday nights are the time to prove your mettle in Gro= und Floor Theater=E2=80=99s Talent Tightrope, an all encompassing talent = show. Two contestants per week will advance to the semi =E2=80=93finals w= eek five. Four contestants will move on to compete in the finals during w= eek six. Contestants can compete with any talent they possess for a cash = prize. Contestants should send a brief description of their act to talent at groundfloortheater.com All Acts must be approved by management.<= /P>

Contestants under the age of 18 must be accompanied by = an adult. The winners will be determined by audience participation. The f= irst Talent Tightrope begins Tuesday

January 10th at 8:00 pm.  All entries must be entered one week before e= ach competition.

Thanks.

 

Nate Cockerill

Artistic Director

Ground Floor Theater

nate at groundfloortheater.com

 

   &nb= sp;           &nbs= p;  

----=_vm_0011_W8282226842_753_1132682892-- From w8inglong at yahoo.com Tue Nov 22 10:15:30 2005 From: w8inglong at yahoo.com (Joanne Popp) Date: Tue, 22 Nov 2005 10:15:30 -0800 (PST) Subject: [NEohioPAL]Concert tickets for sale. Message-ID: <20051122181530.24613.qmail@web32908.mail.mud.yahoo.com> --0-1498285244-1132683330=:24598 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Cleveland Philharmonic Orchestra "Special Holiday Concert in Artistic Historic Tremont!" Under the direction of William B. Slocum, Featuring Caroline Oltmanns, piano. Sunday, December 4, 2005 4:00 PM. Beethoven: Piano Concerto No. 5, ?Emperor? Selections from Handel?s Messiah Plus Seasonal Music for the Holidays! Zion UCC of Tremont 2716 West 14th Street, Cleveland, OH 44113 Tickets: $15.00/each or 2 for $25.00 I personally have tickets for sale for this event. I can be reached at 216-281-2992. God bless, Joanne M.Popp Adm. Assistant, Zion UCC of Tremont http://zionchurch.org Whosoever is everyone. --------------------------------- Yahoo! FareChase - Search multiple travel sites in one click. --0-1498285244-1132683330=:24598 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
 Cleveland Philharmonic  Orchestra 
"Special Holiday Concert in Artistic Historic Tremont!"
Under the direction of William B. Slocum,
Featuring Caroline Oltmanns, piano.
 
Sunday, December 4, 2005 4:00 PM.
Beethoven: Piano Concerto No. 5, ?Emperor?
Selections from Handel?s Messiah
Plus Seasonal Music for the Holidays!

Zion UCC of Tremont
2716 West 14th Street,
Cleveland, OH 44113
Tickets: $15.00/each or 2 for $25.00
 
I personally have tickets for sale for this event. I can be reached at 216-281-2992.
God bless,
Joanne M.Popp


Adm. Assistant,
Zion UCC of Tremont
Whosoever is everyone.

Yahoo! FareChase - Search multiple travel sites in one click. --0-1498285244-1132683330=:24598-- From jtl at zoominternet.net Tue Nov 22 12:35:05 2005 From: jtl at zoominternet.net (Judi Terrell Linden) Date: Tue, 22 Nov 2005 15:35:05 -0500 Subject: [NEohioPAL]Looking for acoustic guitar at a reasonable price Message-ID: <000f01c5efa4$38d67160$6401a8c0@moose> This is a multi-part message in MIME format. ------=_NextPart_000_0010_01C5EF7A.50006960 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Hello, My 14 year old daughter is interested in learning to play the guitar but her limited babysitting income does not allow her to purchase one new. If you have one that is in good condition and you'd like to sell it at a reasonable cost, please contact me at JudiT at zoominternet.net Thanks!!!!! ------=_NextPart_000_0010_01C5EF7A.50006960 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

Hello,

My 14 year old daughter is interested in learning to = play the guitar but her limited babysitting income does not allow her to = purchase one new.  If you have one = that is in good condition and you’d like to sell it at a reasonable cost, please = contact me at JudiT at zoominternet.net

 

Thanks!!!!!

------=_NextPart_000_0010_01C5EF7A.50006960-- From jfogel at clevelandplayhouse.com Tue Nov 22 12:56:16 2005 From: jfogel at clevelandplayhouse.com (Julie Fogel) Date: Tue, 22 Nov 2005 15:56:16 -0500 Subject: [NEohioPAL]Mambo on Saturday Only Message-ID: <9BF63EA8F64C40DEB06DF78B5A534A9B@clevelandplayhouse.net> This is a multi-part message in MIME format. ------=_NextPart_000_0022_01C5EF7D.45A77500 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit Please note this correction to a previous posting ("When You're Hot, You're Hot," 11/15/05) We've added another performance to The Play House Club Cabaret "Mambo Italiano" -- Saturday, November 26 at 9:00 p.m. To celebrate the extended run, we're offering $5 off tickets to the added performance, simply mention/enter the code "PAL" when ordering your tickets. The original email indicated there was also a Friday performance. We've added just the Saturday show -- thanks! Julie Fogel Associate Director of Communications & Marketing The Cleveland Play House 8500 Euclid Avenue Cleveland, Ohio 44106 (216) 795-7000 ext. 236 www.clevelandplayhouse.com ------=_NextPart_000_0022_01C5EF7D.45A77500 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Mambo on Saturday Only

Please note this correction to a previous = posting ("When You're Hot, You're Hot," 11/15/05)

We've added another performance to = The Play House Club Cabaret "Mambo Italiano" --  = Saturday, November 26 at 9:00 p.m. To celebrate the extended run, we're = offering $5 off tickets to the added performance, simply mention/enter = the code "PAL" when ordering your tickets.

The original email indicated there was = also a Friday performance. 
We've added just the Saturday show -- = thanks!


Julie = Fogel
Associate Director of = Communications & Marketing
The Cleveland Play = House
8500 Euclid Avenue
Cleveland, Ohio 44106
(216) 795-7000 ext. = 236
www.clevelandplayhouse.com

------=_NextPart_000_0022_01C5EF7D.45A77500-- From gbutiri at yahoo.com Tue Nov 22 13:01:53 2005 From: gbutiri at yahoo.com (George Butiri) Date: Tue, 22 Nov 2005 16:01:53 -0500 Subject: [NEohioPAL]Music Video Audition Message-ID: <00fb01c5efa7$f781e830$0302a8c0@inet> This is a multi-part message in MIME format. ------=_NextPart_000_00FC_01C5EF7E.0EABE030 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Video Shoot Directed by George Butiri: Cleveland's premiere Movie Maker Presents the Underground: G-ALI, JESS BLACK, NASTY NUT, JAG D Song: "Gimme" / "Throw your hands up" Video Vixen Audition "Gimme" / "Throw your hands up" December 3rd, 2005 Time: 3pm-6pm Location 4148 West Tuscarawas Canton, Ohio 44708 >>GOOGLE MAPS!<< (Inside Canton Centre Mall at the Underground Clothing Store) Video will be on BET, (we are in negotiation as we speak) For Contact Information: Underground Entertainment at: 330-479-0080 G-ALI at gabryel_ali at yahoo.com All beautiful women 18 and older inspiring models and actors are more than welcomed. All ethnics types If you feel like you have what it takes..... feel free to audition on December 3rd, 2005 ------=_NextPart_000_00FC_01C5EF7E.0EABE030 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

Video = Shoot

 

Directed = by George Butiri: Cleveland's premiere Movie = Maker

 

Presents = the Underground: G-ALI, JESS BLACK, NASTY NUT, = JAG D

Song: “Gimme” / “Throw your hands = up”

 

Video = Vixen Audition “Gimme” / ”= Throw your hands = up”

 

December 3rd, = 2005 Time: = = 3pm-6pm

 

Location

 

4148 = West = Tuscarawas

Canton, Ohio = 44708

 

>>GOOGLE MAPS!<<

 

(Inside = Canton Centre Mall at the Underground Clothing = Store)

 

Video = will be on BET, (we are in negotiation as we = speak)

 

For = Contact Information:

Underground Entertainment at: 330-479-0080

G-ALI at = gabryel_ali at yahoo.com<= /b>

 

All = beautiful women 18 and older inspiring = models and actors are more than welcomed.

All ethnics types

If you = feel like you have what it takes..... feel free to audition on December = 3rd, 2005

 

 

------=_NextPart_000_00FC_01C5EF7E.0EABE030-- From wwareham at fineartsassociation.org Tue Nov 22 13:20:19 2005 From: wwareham at fineartsassociation.org (Wanda Wareham) Date: Tue, 22 Nov 2005 16:20:19 -0500 Subject: [NEohioPAL]Faculty Positions Open at Fine Arts Association Message-ID: <2744EDEF40EB124FABA588C9E7F3EC6E01340C49@fa1.FineArts.Local> The Fine Arts Association, 38660 Mentor Avenue, Willoughby, 44094 has openings for the following faculty positions: =20 Theatre Teacher: Experienced theater teacher needed to work with children in grades 6-12 to teach a class based on the Harry Potter books. Class meets Mondays from 5:00-6:30 pm. The class begins March 27, 2006 and runs 8 weeks. Email resume to lwise at fineartsassociation.org if interested. =20 Guitar Instructor: Experienced guitar teacher to teach beginning through advanced students on Saturdays. Email resume to lwise at fineartsassociation.org . =20 Trumpet Instructor: to teach beginning through advanced students on Saturdays. Bachelor's degree required. Email resume to lwise at fineartsassociation.org . =20 =20 The Fine Arts Association is a non-profit organization operating the School of Fine Arts with classes in the disciplines of music, art, dance and drama. Fine Arts also offers a full season of theatre performances, recitals, art exhibits and cultural activities. Funding is received in part by the United Way and the Ohio Arts Council. For more information, contact Wanda Wareham, Director of Communications and Marketing at (440) 951-7500 x104. =20 From pr at clevelandplayhouse.com Tue Nov 22 13:20:35 2005 From: pr at clevelandplayhouse.com (Sarah Melton) Date: Tue, 22 Nov 2005 16:20:35 -0500 Subject: [NEohioPAL]New Education Curriculum to Focus on the Professional; CPH Production of A Christmas Story Extended Message-ID: <016d01c5efaa$947bd770$6000a8c0@clevelandplayhouse.net> This is a multi-part message in MIME format. ------=_NextPart_000_016E_01C5EF80.ABA5CF70 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Dear NEOHIOPAL: For Immediate Release. New Education Curriculum to Focus On the Professional Master Classes Elevate Program http://www.clevelandplayhouse.com/releases/release.asp?key=20051122i Cleveland Play House Production of A Christmas Story Extended Production Earns Highest Advance in Theatre's History http://www.clevelandplayhouse.com/releases/release.asp?key=20051122ii Contact: Julie Fogel, The Cleveland Play House, Associate Director of Communications and Marketing, 216/795-7000 x236 The Cleveland Play House 8500 Euclid Ave. Cleveland, OH 44106-0189 http://www.clevelandplayhouse.com ------=_NextPart_000_016E_01C5EF80.ABA5CF70 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable Looking for a way to spend quality time with your family

Dear = NEOHIOPAL:

 <= /p>

For Immediate = Release…

 <= /p>

 

New Education Curriculum to = Focus

On the = Professional

Master = Classes Elevate Program
http://www.clevelandplayhouse.com/releases/release.asp?key=3D20051= 122i

 

Cleveland<= /span> Play House Production = of

A = Christmas Story Extended

Production= Earns Highest Advance in Theatre’s = History
http://www.clevelandplayhouse.com/releases/release.asp?key=3D2005= 1122ii

 

Contact:

Julie Fogel, The = Cleveland Play = House, Associate Director of Communications and = Marketing, 216/795-7000 x236

 <= /p>

The Cleveland Play = House

8500 Euclid Ave.

Cleveland, OH  44106-0189

http://www.clevelandplayhouse.com

------=_NextPart_000_016E_01C5EF80.ABA5CF70-- From Gr8Juggler at zoominternet.net Tue Nov 22 14:36:25 2005 From: Gr8Juggler at zoominternet.net (Bruce Manners) Date: Tue, 22 Nov 2005 17:36:25 -0500 Subject: [NEohioPAL]Need a Comedy Juggler? Message-ID: If you are looking for a different twist on entertainment, then book Comedy & Juggling and Stuff with Bruce Manners. The show is a little bit Vaudeville, Circus and Las Vegas mixed up with audience participation. For more information, feel free to visit www.brucemanners.com. Bruce Comedy & Juggling and Stuff with Bruce Manners www.brucemanners.com From secylady66 at hotmail.com Tue Nov 22 15:19:38 2005 From: secylady66 at hotmail.com (Leigh Anderson) Date: Tue, 22 Nov 2005 18:19:38 -0500 Subject: [NEohioPAL]Need a custom designed murder mystery Message-ID: We would like a murder mystery custom designed for our company's clients and spouses. (approximatley 80 people) We would like it to involve our clients but not make them BE the actors. This is going to be a surprise so we need it to be GOOD! We are looking at a weeknight in February and we have a venue and food already. We also would like the humor to be clean so as not to offend anyone. _________________________________________________________________ Express yourself instantly with MSN Messenger! Download today - it's FREE! http://messenger.msn.click-url.com/go/onm00200471ave/direct/01/ From hiseas2 at aol.com Tue Nov 22 16:16:53 2005 From: hiseas2 at aol.com (hiseas2 at aol.com) Date: Tue, 22 Nov 2005 19:16:53 -0500 Subject: [NEohioPAL]Brigadoon Auditions Message-ID: <8C7BDDA575E8920-16B8-33F2@mblk-r13.sysops.aol.com> Mighty Goliath Productions (MGP) of Avon Lake will be holding auditions for "Brigadoon" on Friday, December 2 and Friday, December 9, both at 7:00 p.m. Auditions will take place at the Performing Arts Center of Avon Lake High School. All parts available. Bring a solo to sing - accompanist provided. There will be a movement audition for those interested in the role of Jeannie. There will also be a reading audition. Chorus members need not audition. All singers welcome. First rehearsal: January 6 at 7:00. All rehearsals are on Fridays until tech week. Production dates: March 24, 25, 26, 31 & April 1. Most recent shows include: "Titanic: The Musical" with a cast of 100, and "Music Man" with a cast of 120. Average chorus size for MGP is 60. MGP is a non-profit organization and is made up of volunteers - from the producer to the pit. All profits benefit the Performing Arts Groups of Avon Lake High School. For more information, visit www.geocities.com/mightygoliath. Or, contact Bernadette Hisey, Marketing Manager and Historian of MGP at HiSeas2 at aol.com From higbee at chsaviour.org Tue Nov 22 16:18:25 2005 From: higbee at chsaviour.org (Judith Higbee) Date: Tue, 22 Nov 2005 19:18:25 -0500 Subject: [NEohioPAL]Oberlin Choristers Concert Dec. 4th Message-ID: <00b101c5efc3$6c644920$80fea8c0@church.chsaviour.org> This is a multi-part message in MIME format. ------=_NextPart_000_00B2_01C5EF99.838E4120 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Arts in the Cathedral is pleased to announce the Oberlin Choristers Christmas Concert on Sunday December 4 at 3:00 p.m. in the lovely Gothic sanctuary of Church of the Saviour in Cleveland Heights. The program will be presented by the Touring Choir which consists of 45 singers in grades 6-10 and is the advanced treble choir of the Oberlin Choristers. Directed by Founder Katherine Plank, the program will include sacred Christmas pieces in classical and contemporary style as well as carols from several different countries. There will be a free-will offering at the concert. Church of the Saviour is located at 2537 Lee Road in Cleveland Hts., one block north of Fairmount Blvd. The church is handicapped-accessible and has plenty of free, lighted parking. Judith Higbee Director of Music Church of the Saviour 2537 Lee Road Cleveland Heights, OH 44118 higbee at chsaviour.org Trust in the Lord with all your heart and do not rely on your own insights. In all your ways acknowledge Him and He will make straight your paths. ------=_NextPart_000_00B2_01C5EF99.838E4120 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable

Arts in the = Cathedral is pleased to announce the Oberlin Choristers Christmas Concert on Sunday December 4 = at 3:00 p.m. in the = lovely Gothic sanctuary of Church of the Saviour in = Cleveland Heights. 

 

=

The program will be presented by = the Touring Choir which consists of 45 singers in grades 6-10 and is the = advanced treble choir of the Oberlin Choristers. Directed by Founder = Katherine Plank, the program will include = sacred Christmas pieces in classical and contemporary style as well as carols = from several different countries.

 

=

There will be a free-will offering = at the concert.

 

=

Church of the Saviour is located = at 2537 Lee Road in Cleveland Hts., one block north of Fairmount = Blvd.

 The church is = handicapped-accessible and has plenty of free, lighted parking.

 

=

Judith Higbee

Director of Music

Church of the Saviour

2537 Lee = Road

Cleveland = Heights, OH 44118

higbee at chsaviour.org

 

Trust in the Lord with all your heart and do not rely = on your own insights.

In all your ways acknowledge Him and He will make = straight your paths.

 

------=_NextPart_000_00B2_01C5EF99.838E4120-- From chloe at passportproject.org Tue Nov 22 16:40:38 2005 From: chloe at passportproject.org (=?iso-8859-1?Q?Chlo=EB_Hopson?=) Date: Tue, 22 Nov 2005 19:40:38 -0500 Subject: [NEohioPAL]Film/Music/Art event: nyc's Frequency Response/The Animated Adventures of Knox 11/29 Message-ID: <003801c5efc6$86bf1540$0201010a@dragonfly> This is a multi-part message in MIME format. ------=_NextPart_000_0039_01C5EF9C.9DE90D40 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable The Animated Adventures of Knox An emotional portrait in sound and image=20 Film/live music event: The Animated Adventures of Knox, an emotional portrait in sound and image. With live performance of the sound track by quintet, Frequency Response =20 Date/Time : Tuesday November 29, 2005, 8:00 pm =20 Venue: Passport Project Global Community Arts Center 12801 Buckeye Road (1 block southwest of Shaker Square) Cleveland, OH 44120=20 =20 Admission: $5-$15 Sliding Scale (You decide)=20 =20 More Information: www.passportproject.org ; =20 www.KnoxMovie.com: For video previews, mp3s, photos, graphic scores, director's notes and more; www.FrequencyResponse.info; www.482Music.com=20 For Interviews: JumpArtsMedia at gmail.com =20 =20 New York multi-instrumentalist Tom Abbs takes his band and new independent film on the road.=20 For video previews, mp3s, photos, graphic scores, director's notes and more go to www.KnoxMovie.com For interviews, press copies or any other press request contact JumpArtsMedia at gmail.com The Animated Adventures of Knox=20 An emotional portrait in sound and image Avant-Jazz meets cinema in this rare live rendition of the soundtrack=20 from their latest movie "The Animated Adventures of Knox". Tom Abbs & Frequency Response bring the spectacle of "Knox" to Cleveland OH (Nov.29th), for Passport Project=92s ongoing Vibrations Series* of creative music, dance, visual art, theater and spoken word. A movie by Tom Abbs featuring the music of Frequency Response=20 (in order of appearance) Geoff Mann percussion Tom Abbs bass, tuba, cello, flute=20 Oscar Noriega clarinets, alto saxophone Jean Cook violin=20 Alex Harding baritone Saxophone=20 Supporting their dvd movie/CD soundtrack set out November 29th on 482 Music =20 'The animated Adventures of Knox' An emotional portrait in sound and image=20 Starring Jack Armstrong, Marcus Holand, Michael Sanzone & Matthew Cleveland Produced, directed and edited by Tom Abbs Visual conception by Tom Abbs, M.P. Landis & Michael Sanzone Based on the narrative and video graphic score by Tom Abbs Art direction by M.P. Landis=20 Additional editing by Michael Sanzone Cinematography by Davin Reich, Michael Sanzone & M.P. Landis=20 A Jump Arts production distributed by 482 Music www.KnoxMovie.com www.FrequencyResponse.info www.482Music.com =20 =20 INFORMATION ABOUT PASSPORT PROJECT: Passport Project is a 501 (c) 3, non-profit organization that has been planting seeds of peace and acceptance since 1998. =20 Passport Project's mission is to provide exciting educational experiences that build community through the arts, encourage respect for diversity and rejection of racism and negative bias, and a passion for learning and the global community. =20 Passport Project offers multicultural programs and residencies at schools, at its Global Community Arts Center, and for the community to further this mission. Passport Project leads diversity training in the corporate setting. =20 * Begun in Summer, 2004, the Passport Project Vibrations Series features music, dance, visual art and poetry performances by local, national and international artists that inspire, challenge and break the molds that bind us. A reminder that every one and every thing possesses motion, VIBRATIONS supports art that stretches boundaries and explores connections.=20 =20 The Adventures of Knox Tour Schedule: Tuesday November 29th=20 Cleveland OH=20 Passport Project Global Community Arts Center=20 ( www.passportproject.org) 12801 Buckeye Road , Cleveland, Ohio 44120 (216) 721-1055. $5 =96 15 sliding scale - 8pm Wednesday November 30th Chicago IL=20 Chicago Cultural Center=20 Claudia Cassidy Theater (2nd FL),=20 ( www.chicagoculturalcenter.org) 78 E. Washington St.Chicago, IL 60602 (312) 744-6630=20 7:00pm - FREE=20 Thursday December 1 st =20 Lexington KY Mecca dance studio/gallery ( www.meccadance.com) 451 Chair Avenue Lexington, KY 40508 859/254-9790 8:30pm - $3 Friday December 2nd=20 Columbus OH=20 Acme Art Company ( www.iceboxshows.com) 1230 Courtland Ave. Columbus OH (614) 397-6185 10 pm, doors open at 9 with opening act - $8=20 Saturday December 3rd =20 Cincinnati OH=20 The Loft Society=20 ( www.loftsociety.com )=20 119 Calhoun Street Cincinnati OH 45219 (513) 559-9220 9pm Donation at Door Sunday December 4th =20 Ann Arbor MI=20 Canterbury house=20 ( www.canterburyhouse.org) 721 East Huron Street Ann Arbor, MI. 48104 (734) 665-0606=20 $7 - 9pm Monday December 5th=20 Pittsburgh PA=20 The Shadow Lounge=20 ( http://www.shadowlounge.net/) 5972 Baum Boulevard Pittsburgh, PA 15206 (412)-363-8277=20 Doors open at 8pm, Show at 9pm =20 Chlo=EB Hopson Passport Project, Director chloe at passportproject.org ph:: 216.721.1055 http://passportproject.org =20 =20 Passport Project's mission is to provide exciting educational experiences that build community through the arts, encourage respect for diversity and rejection of racism and negative bias, and a passion for learning and the global community. =20 Passport Project does multicultural programs and residencies at schools, at its Global Community Arts Center, and for the community to further this mission. Passport Project does diversity training in the corporate setting. =20 Passport Project is a 501 (c) 3, non-profit organization that has been planting seeds of peace and acceptance since 1998. =20 ------=_NextPart_000_0039_01C5EF9C.9DE90D40 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Message
The Animated = Adventures of Knox
An emotional portrait in = sound and=20 image=20
Chlo=EB  = Hopson
Passport Project, = Director
chloe at passportproject.org
ph:: 216.721.1055
http://passportproject.org
 
Passport Project's = mission is to=20 provide exciting educational experiences that build community through = the arts,=20 encourage respect for diversity and rejection of racism and negative = bias, and a=20 passion for learning and the global community.
 
Passport=20 Project does multicultural programs and residencies at = schools,=20 at its Global Community Arts Center, and for the community to further = this=20 mission. Passport Project does diversity training in the corporate=20 setting.
 
Passport Project is a = 501 (c) 3,=20 non-profit organization that has been planting seeds of peace and = acceptance=20 since 1998.
 
------=_NextPart_000_0039_01C5EF9C.9DE90D40-- From dolan at en.com Tue Nov 22 19:44:29 2005 From: dolan at en.com (Fred Dolan) Date: Tue, 22 Nov 2005 22:44:29 -0500 Subject: [NEohioPAL]Johnny Cash & Arlo Guthrie On Thanksgiving Night On WJCU References: <279.f3432.30b46798@aol.com> Message-ID: <007a01c5efe0$35d9b4e0$caa651d1@com> This is a multi-part message in MIME format. ------=_NextPart_000_0077_01C5EFB6.4C3A4260 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Seasons Greetings! Please tell everyone to join me Thanksgiving evening from 6:30 PM to = midnight for Special Holiday Programming. The main event is Johnny Cash: The Legend - a 4-hour radio special on = the life & music of Johnny Cash which will start promptly at 7:00PM & = run till 11:00PM - with No Commercials - I might add. Following shortly after 11:00 PM will be Arlo Guthrie's "Alice's = Restaurant." Still one of the greatest songs/monologues of all time!=20 The balance of the program will be some excellent acoustic vocals in the = spirit of Thanksgiving.=20 Tune in on 88.7 FM - WJCU - John Carroll University radio or=20 www.wjcu.org on the internet. Have a great Thanksgiving. Fred Dolan Visiting The Folks 88.7 - WJCU-FM & www.wjcu.org In addition to this Thursday, join me on Sunday nights from 9:00PM to = midnight. ------=_NextPart_000_0077_01C5EFB6.4C3A4260 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
 
Seasons Greetings!
Please tell everyone to join me Thanksgiving evening from 6:30 PM = to=20 midnight for Special Holiday Programming.
 
The main event is Johnny Cash: The Legend - a 4-hour radio special = on the=20 life & music of Johnny Cash which will start promptly at 7:00PM = & run=20 till 11:00PM - with No Commercials - I might add.
 
Following shortly after 11:00 PM will be Arlo Guthrie's = "Alice's=20 Restaurant." Still one of the greatest songs/monologues of all = time! 
 
The balance of the program will be some excellent acoustic = vocals in=20 the spirit of Thanksgiving. 
 
Tune in on 88.7 FM - WJCU - John Carroll University = radio or=20
www.wjcu.org on the = internet.
 
Have a great Thanksgiving.
 
Fred Dolan
Visiting The Folks
88.7 - WJCU-FM & www.wjcu.org
In addition to this Thursday, join me on Sunday nights from 9:00PM = to=20 midnight.
 
 
 
------=_NextPart_000_0077_01C5EFB6.4C3A4260-- From vmor75 at ameritech.net Tue Nov 22 19:53:03 2005 From: vmor75 at ameritech.net (V.Wms-Morris) Date: Tue, 22 Nov 2005 19:53:03 -0800 (PST) Subject: [NEohioPAL]Anthology & Contest In-Reply-To: <8C7AAA952D5F74B-838-4105@FWM-D34.sysops.aol.com> Message-ID: <20051123035303.88979.qmail@web81402.mail.mud.yahoo.com> --0-1512415206-1132717983=:88034 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Hello Everyone! My poem "Slide Back" is featured in the PWLGC "Cleveland in Prose and Poetry" anthology. You can view the Cleveland Plain Dealer write up on my site www.wilmorcreations.com. You can also enter to win a "Midnight Jazz" print and view "Holler At The Moon" entries. Vickie Williams-Morris www.wilmorcreations.com Please sign my guest book! --0-1512415206-1132717983=:88034 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit

Hello Everyone!

 

My poem "Slide Back" is featured in the PWLGC "Cleveland in Prose and Poetry" anthology.  You can view the Cleveland Plain Dealer write up on my site www.wilmorcreations.com.  You can also enter to win a "Midnight Jazz" print and view "Holler At The Moon" entries. 

 

Vickie Williams-Morris
www.wilmorcreations.com
Please sign my guest book!



--0-1512415206-1132717983=:88034-- From brendonconnelly at yahoo.co.uk Tue Nov 22 21:25:00 2005 From: brendonconnelly at yahoo.co.uk (Brendon Connelly) Date: Wed, 23 Nov 2005 05:25:00 +0000 (GMT) Subject: [NEohioPAL]Editors and Editing Message-ID: <20051123052500.64736.qmail@web25010.mail.ukl.yahoo.com> I have recently shot a short that needs to complete post production with an amazing degree of urgency to make a deadline. The arrangements I had in place have fallen through - somebody has taken a Thanksgiving holiday at the last minute - so I am looking for access to Final Cut Pro on a half-way decent (at least) Mac and a good DV deck/camera to capture the footage in from. The film is very brief with only four different set ups and few takes to be cut together. I anticipate a good long afternoon would be enough to do the job, though some extra time to give breathing space is a luxury I might like. Can anybody help me? Please reply ASAP. Thanks! ___________________________________________________________ To help you stay safe and secure online, we've developed the all new Yahoo! Security Centre. http://uk.security.yahoo.com From rainbowrep at neo.rr.com Tue Nov 22 22:06:38 2005 From: rainbowrep at neo.rr.com (Rainbow Repertory company) Date: Wed, 23 Nov 2005 01:06:38 -0500 Subject: [NEohioPAL]MAHALIA performances cancelled due to cast illness Message-ID: <084f01c5eff4$116a1230$a5e75d18@DJVLSZ01> This is a multi-part message in MIME format. ------=_NextPart_000_084C_01C5EFCA.285887D0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable We are sorry to announce that due to the illness of 2 cast members, we = have to cancel our performances of MAHALIA scheduled for Nov. 25-26 at = Umstattd Hall in Canton. We hope to re-schedule after the first of the = year. Please contact us if you want to receive an announcement of our = new dates. Lois DiGiacomo The Rainbow Repertory Company 330.456.7397 =20 ------=_NextPart_000_084C_01C5EFCA.285887D0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
We are sorry to=20 announce that due to the illness of 2 cast members, we have to cancel = our=20 performances of MAHALIA scheduled for Nov. 25-26 at Umstattd Hall in=20 Canton.  We hope to re-schedule after the first of the year.  = Please=20 contact us if you want to receive an announcement of our new=20 dates.
 
Lois=20 DiGiacomo
The Rainbow=20 Repertory Company
330.456.7397
 
 
          &nbs= p;            = ;         =20
------=_NextPart_000_084C_01C5EFCA.285887D0-- From fstorch at beckcenter.org Wed Nov 23 06:38:31 2005 From: fstorch at beckcenter.org (Fran Storch) Date: Wed, 23 Nov 2005 09:38:31 -0500 Subject: [NEohioPAL]Best of Beck Stand-Up Comedy Show Message-ID: <97CF2CB42902E345A929E3202369C84E3EB605@beck-1.beckcenter.com> This is a multi-part message in MIME format. ------_=_NextPart_001_01C5F03B.93C95F84 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: quoted-printable FOR IMMEDIATE RELEASE: =20 "Best of the Beck" Stand-Up Comedy Show Friday, December 9, 2005 =20 Lakewood, OH - The Beck Center for the Arts will host the "Best of the Beck" Stand-Up Comedy Show - featuring past graduates of the Beck Center's annual Comedy Class, along with comics from the Cleveland Comedy Kitchen on Friday, December 9th at 9:00 p.m. Doors open at 8:30 p.m. The evening will be hosted by comedian and Comedy Class instructor, John David Sidley. Sidley is the founder of The Cleveland Comedy Kitchen, a group of comedians who perform to raise money for hunger assistance. Special guest performers will include comics Rodney Bengston, Al Hohf and Mike Scanlon. This very funny show will take place in the Music-Armory Building located in the rear of the Beck Center campus. Admission is just $5 per person with cash bar and snacks available. Seating is limited and reservations are recommended. For reservations, call the Beck Center Box Office at 216-521-2540 or log on to www.beckcenter.org. The Beck Center for the Arts is located just ten minutes west of downtown Cleveland at 17801 Detroit Avenue in Lakewood. ### About the Comedy Class The Beck Center's eight week Comedy Class begins in February. Participants learn how to write and deliver their own comedy routine and explore the art of making people laugh. Whether an actor, salesperson or future comedian, participants benefit from learning skills that connect them to people in a whole new way. =20 =20 Yvette A. Hanzel Director of Marketing & External Affairs Beck Center for the Arts 216-521-2540, ext. 225 yvette at beckcenter.org www.beckcenter.org =20 =20 ------_=_NextPart_001_01C5F03B.93C95F84 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

FOR IMMEDIATE = RELEASE:

 

“Best of the Beck” Stand-Up Comedy = Show

Friday, December 9, = 2005

 

Lakewood, OH – The = Beck Center for the Arts will host = the "Best of the Beck" Stand-Up Comedy Show - featuring past graduates of the Beck Center’s = annual Comedy Class, along with comics from the Cleveland Comedy Kitchen on = Friday, December 9th at 9:00 p.m.  Doors open at 8:30 = p.m.

The evening will be hosted by comedian and Comedy Class instructor, = John David Sidley.  = Sidley is the founder of The Cleveland Comedy Kitchen, a group of comedians who = perform to raise money for hunger assistance.  Special guest performers will = include comics Rodney Bengston, Al Hohf and Mike = Scanlon.

This very funny show will take place in the Music-Armory Building located in the rear = of the Beck Center campus. = Admission is just $5 per person with cash bar and snacks available.  Seating is = limited and reservations are recommended.  For reservations, call the Beck = Center Box Office at 216-521-2540 or log on to www.beckcenter.org.   = The Beck Center for the Arts is = located just ten minutes west of downtown Cleveland at 17801 Detroit = Avenue in Lakewood.

=

###<= /p>

About the Comedy Class

The Beck Center’s = eight week Comedy Class begins in February.  Participants learn how to write = and deliver their own comedy routine and explore the art of making people laugh.  Whether an actor, salesperson or future comedian, = participants benefit from learning skills that connect them to people in a whole new = way.

 

 

Yvette A. = Hanzel

Director of = Marketing & External Affairs

Beck= Center= for the Arts

216-521-2540, = ext. 225

yvette at beckcenter.= org

www.beckcenter.org

 

------_=_NextPart_001_01C5F03B.93C95F84-- From artistschair2005 at aol.com Wed Nov 23 07:02:25 2005 From: artistschair2005 at aol.com (artistschair2005 at aol.com) Date: Wed, 23 Nov 2005 10:02:25 -0500 Subject: [NEohioPAL]Need a STAGE ACTOR? William M. Berry and OTHER NEWS! Message-ID: <8C7BE560C8EE1FC-105C-492B@mblk-d31.sysops.aol.com> ----------MailBlocks_8C7BE560C8EE1FC_105C_45E9_mblk-d31.sysops.aol.com Content-Type: text/plain; charset="us-ascii" ARTISTSCHAIR.COM'S "FEATURED ARTIST OF THE DAY" Stage Actor - William M. Berry (Location: Wadsworth, Ohio) (November 23, 2005) To view William's profile, visit http://www.artistschair.com Latest Members' CONTEST Giveaway (November 23, 2005) CONGRATULATIONS to Wadsworth-based stage actor William M. Berry for being chosen at random by the artistschair.com database to be the Wednesday, November 23 "Featured Artist of the Day" will winning two passes, good for four admissions to the December 1 (7:30 pm) Loews Richmond Town Square advanced screening of "The Family Stone" featuring Claire Danes, Diane Keaton, Rachel McAdams, Dermot Mulroney, Craig T. Nelson, Sarah Jessica Parker and Luke Wilson. Take friends or take family, either way, GET OUT and SEE NORTHEAST OHIO! Not a member of artistschair.com yet? Join today for FREE! Networking EVENT & PARTY for Artists and Those that Hire Talent (November 10, 2005) A GREAT BIG THANK YOU to all who attended the November 9 artistschair.com Networking Event which took place at 1300 Gallery. Photos from the event will be posted to the artistschair.com directory soon. FIND an Artist! Make your event or project extra memorable. Find entertainers and technicians in our FREE and easy-to-use database featuring photos and profiles of local artists in more than 100 different talent fields. BE an Artist! Let your talents and services be known. Become a member for FREE and highlight all talent fields that apply to you. Upload photos of yourself and/or samples of your work, edit your own information and have your profiles viewed by those searching for your talents and services. Our MISSION Artistschair.com is committed to PROMOTING and RAISING AWARENESS of local artists, arts-related institutions and issues and the NORTHEAST OHIO REGION as well as serving the needs of those searching for CREATIVE TALENT and resources. ----------MailBlocks_8C7BE560C8EE1FC_105C_45E9_mblk-d31.sysops.aol.com Content-Type: text/html; charset="us-ascii"
  
            ARTISTSCHAIR.COM'S "FEATURED ARTIST OF THE DAY"
Stage Actor - William M. Berry (Location: Wadsworth, Ohio)
 
(November 23, 2005) To view William's profile, visit http://www.artistschair.com
 
Latest Members' CONTEST Giveaway
(November 23, 2005) CONGRATULATIONS to Wadsworth-based stage actor William M. Berry for being chosen at random by the artistschair.com database to be the Wednesday, November 23 "Featured Artist of the Day" will winning two passes, good for four admissions to the December 1 (7:30 pm) Loews Richmond Town Square advanced screening of "The Family Stone" featuring Claire Danes, Diane Keaton, Rachel McAdams, Dermot Mulroney, Craig T. Nelson, Sarah Jessica Parker and Luke Wilson.  
 
Take friends or take family, either way, GET OUT and SEE NORTHEAST OHIO! Not a member of artistschair.com yet? Join today for FREE!
 
Networking EVENT & PARTY for Artists and Those that Hire Talent
(November 10, 2005) A GREAT BIG THANK YOU to all who attended the November 9 artistschair.com Networking Event which took place at 1300 Gallery. Photos from the event will be posted to the artistschair.com directory soon.
  
FIND an Artist!
Make your event or project extra memorable. Find entertainers and technicians in our FREE and easy-to-use database featuring photos and profiles of local artists in more than 100 different talent fields.
 
BE an Artist!
Let your talents and services be known. Become a member for FREE and highlight all talent fields that apply to you. Upload photos of yourself and/or samples of your work, edit your own information and have your profiles viewed by those searching for your talents and services.
 
Our MISSION
Artistschair.com is committed to PROMOTING and RAISING AWARENESS of local artists, arts-related institutions and issues and the NORTHEAST OHIO REGION as well as serving the needs of those searching for CREATIVE TALENT and resources.
 
----------MailBlocks_8C7BE560C8EE1FC_105C_45E9_mblk-d31.sysops.aol.com-- From dposner at universitycircle.org Wed Nov 23 08:11:32 2005 From: dposner at universitycircle.org (University Circle Incorporated) Date: Wed, 23 Nov 2005 11:11:32 -0500 Subject: [NEohioPAL]Holiday CircleFest - December 4 Message-ID: <898101c5f048$91d787a0$07fe10ac@tfhost1> This is a multi-part message in MIME format. ------=_NextPart_000_0001_01C5F01E.17E89210 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable =20 Holiday CircleFest=20 Sunday, December 4 1 to 5:30 pm* =20 * Cleveland Museum of Art's=20 Winter Lights Lantern Festival on=20 Wade Oval: 5:30-6 pm Twenty museums, gardens, galleries, churches, and schools will open = their doors, FREE of charge, for one amazing day of music, hands-on = activities and holiday shopping for all. Institutions offering FREE admission during Holiday CircleFest include: =B7 Case Western Reserve University's Thwing Center =B7 Children's Museum of Cleveland =B7 Church of the Covenant =B7 Cleveland Botanical Garden =B7 Cleveland Institute of Art =B7 Cleveland Institute of Music =B7 Cleveland Museum of Art - McCullough Center =B7 Cleveland Museum of Natural History =B7 Cleveland Play House - Festival of Trees =20 =B7 Cleveland Public Library - Martin Luther King, Jr. Branch=20 =B7 Epworth-Euclid United Methodist Church =B7 Euclid Avenue Congregational Church =B7 Glidden House =B7 HealthSpace Cleveland =B7 Judson Manor =B7 Magnolia Clubhouse, Inc. =B7 Mt. Zion Congregational Church =B7 Museum of Contemporary Art (MOCA) Cleveland =B7 Ronald McDonald House of Cleveland =B7 Temple-Tifereth Israel =B7 Western Reserve Historical Society Cleveland Music School Settlement, Cleveland School of the Arts and = ensembles from The Cleveland Orchestra Youth Orchestra will perform=20 at many of the above sites.=20 View a complete list of activities = (http://www.universitycircle.org/events/activitylist.htm) For more information=20 http://www.universitycircle.org=20 (216) 707-5033 Sponsored by: Cleveland Public Power Home Savings and Loan Additional Support by: The Plain Dealer WNWV 107.3FM The Wave WCPN 90.3FM ideastream Cleveland Magazine Sign-Lite http://www.universitycircle.org/email/265201.1/LU/ To forward this email to a friend use this link: = http://www.universitycircle.org/email/265201.1/FE/ ------=_NextPart_000_0001_01C5F01E.17E89210 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Untitled Document
=20 =20 =20 =20
=20

 

   =20

Holiday = CircleFest 
Sunday, December 4
1 to 5:30 = pm* 

* = Cleveland Museum of Art's
Winter Lights Lantern Festival on =
Wade Oval: 5:30-6 pm

3D"Harp

Twenty museums, gardens, = galleries, churches, and schools will open their = doors, FREE of charge, for one = amazing day of music, hands-on activities and holiday shopping for = all.  .

Institutions offering FREE admission = during Holiday CircleFest include:

=B7         = Case = Western Reserve = University's Thwing = Center

=B7         = Children's = Museum = of Cleveland

=B7         = Church of the = Covenant

=B7         = Cleveland = Botanical = Garden

=B7      Cleveland = Institute of Art

=B7         = Cleveland Institute = of Music

=B7         = Cleveland = Museum of Art - = McCullough Center

=B7         = Cleveland = Museum of Natural = History

=B7         = Cleveland Play House - Festival of = Trees         =

=B7         = Cleveland Public Library - Martin = Luther King, Jr. Branch

=B7         = Epworth-Euclid United Methodist = Church

=B7         = Euclid = Avenue Congregational Church

=B7         = Glidden House

=B7         = HealthSpace Cleveland

=B7         =  Judson Manor

=B7         = Magnolia Clubhouse, = Inc.

=B7         = Mt. Zion Congregational Church

=B7         = Museum of Contemporary Art (MOCA) = Cleveland

=B7         = Ronald McDonald House of Cleveland

=B7         = Temple-Tifereth Israel

=B7         = Western = Reserve = Historical Society

Cleveland Music School = Settlement, Cleveland School of the Arts and ensembles = from The Cleveland Orchestra Youth Orchestra will perform
at = many of the above sites.

View a complete list = of = activities

For more information =
www.universitycircle.org

(216) 707-5033

Sponsored by

3D"Cleveland3D"Home


3DPTCC_04Logo_PDResized3D"Cleveland

3D"WCPN3D"Sign3D"WNWV


Unsubscribe
To forward this email to a friend use this link: Forward To A = Friend
------=_NextPart_000_0001_01C5F01E.17E89210-- From chris at antonellic.com Wed Nov 23 08:53:55 2005 From: chris at antonellic.com (Chris White) Date: Wed, 23 Nov 2005 11:53:55 -0500 Subject: [NEohioPAL]Chagrin Valley Little Theatre - Audition Reminder for "King O' The Moon" Message-ID: <01bc01c5f04e$7d84d5e0$0600a8c0@cwhite> This is a multi-part message in MIME format. ------=_NextPart_000_01B9_01C5F024.948B1940 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Chagrin Valley Little Theatre Audition Reminder King O' the Moon by Tom Dudzkick Show Dates: Jan 20 - Feb 11 (Fridays & Saturdays @ 8pm) The second of Tom Dudzkick's trilogy of the Buffalo family's = tribulations. Following last season's award-winning Over the Tavern, it = largely concerns the now older Georgie and his escapades. The author = pokes fond fun at his Catholic upbringing. CVLT will be holding auditions on Monday the 29th and Tuesday the 30th = of November at 7:00 PM. Roles available for men and women. The theatre is located at 40 River St. in Chagrin Falls. No resumes or = photos are required to audition. Simply come prepared to read from the = script. Happy Thanksgiving! Chagrin Valley Little Theatre www.cvlt.org ------=_NextPart_000_01B9_01C5F024.948B1940 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
 
Chagrin Valley Little Theatre Audition Reminder
 
King O' the Moon
by Tom Dudzkick
Show Dates: Jan 20 - Feb 11 (Fridays & = Saturdays @=20 8pm)
 
The second of Tom Dudzkick's trilogy of the Buffalo family's = tribulations.=20 Following last season's award-winning Over the Tavern, it largely = concerns the=20 now older Georgie and his escapades. The author pokes fond fun at his = Catholic=20 upbringing.
CVLT will be holding auditions on Monday the 29th and = Tuesday the=20 30th of November at 7:00 PM.
Roles available for men and women.
 
The theatre is located at 40 River St. in Chagrin Falls.  No = resumes=20 or photos are required to audition.  Simply come prepared to = read from=20 the script.
 
Happy Thanksgiving!
 
Chagrin Valley Little Theatre
 
 
------=_NextPart_000_01B9_01C5F024.948B1940-- From alexcine at aol.com Wed Nov 23 09:10:47 2005 From: alexcine at aol.com (alexcine at aol.com) Date: Wed, 23 Nov 2005 12:10:47 -0500 Subject: [NEohioPAL]Film Czar seeks Feedback on making Cleveland a Movie City Message-ID: <8C7BE67FB7053BC-1A94-3EBE@FWM-R16.sysops.aol.com> Emmy winning writer and indie filmmaker Alex P. Michaels will be acting=20 as Cleveland's first Film Czar. It is a position Alex has thrust=20 himself into because he is not satisfied with the "powers that be" not=20 being supportive of the local community and that Cleveland does not do=20 as much as it can do to promote filmmaking here. Being involved in=20 independent films in Cleveland and shooting a TV Series based on his=20 Emmy winning movie, Alex has a unique perspective on how to bring=20 movies to the region and also how to support the filmmaking community. =20 Ironically a few years ago, Alex "divorced" himself from the film=20 community to work on building connections with the business community=20 and work on a proposal that is being shopped around to bring about an=20 incubator that will serve the local community and draw in productions.=20 Being Cleveland Film Czar is part of Alex's larger goal of making=20 Cleveland live up to its' potential and be a true part of the movie and=20 TV industry. The Film Czar would like some feedback on what this City truly needs to=20 make the local film community To get your feedback fill out the form at=20 http://www.prelude2cinema.com/filmczar.htm Thank you Sincerely, Alex Michaels ************************************** Prelude2Cinema "Movies That Make You Think." http://www.prelude2cinema.com ******************************************* From hotcarl at adelphia.net Wed Nov 23 09:14:08 2005 From: hotcarl at adelphia.net (carlferrara) Date: Wed, 23 Nov 2005 12:14:08 -0500 Subject: [NEohioPAL]HOT CARL'S 2ND ANNUAL TURKEY JAM STAND UP COMEDY SHOW TONIGHT @ 9:00 Message-ID: <000801c5f051$507c7c80$d3ca4644@HOTCARLDESKTOP> This is a multi-part message in MIME format. ------=_NextPart_000_0005_01C5F027.678298D0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Wed. Nov 23=20 Comedy Showcase Hot Carl's 2nd Annual Turkey Jam At the Cleveland Black Box Theatre (Cabaret Dada) 1210 West 6th street 9:00 P.M. Under the liquid/fusion Next to dive bar $10.00 4 comics Hot Carl Ferrara Ray DeVito Patrick Fisher MC Shawn Paul More info contact Hot Carl Ferrara 216-469-9077 carlferrara at earthlink.net ------=_NextPart_000_0005_01C5F027.678298D0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable

Wed. Nov 23

Comedy Showcase

Hot Carl=92s 2nd Annual = Turkey=20 Jam

At the Cleveland Black Box = Theatre

(Cabaret Dada)

1210 West 6th street

9:00 P.M.

Under the liquid/fusion

Next to dive bar

$10.00

4 comics

Hot Carl Ferrara

Ray DeVito

Patrick Fisher

MC Shawn Paul

More info contact Hot Carl = Ferrara

216-469-9077

carlferrara at earthlink.net

------=_NextPart_000_0005_01C5F027.678298D0-- From Kyra.Forrest at ticketmaster.com Wed Nov 23 10:07:02 2005 From: Kyra.Forrest at ticketmaster.com (Kyra Forrest Cleveland) Date: Wed, 23 Nov 2005 10:07:02 -0800 Subject: [NEohioPAL]COMP tickets for House of Blues Message-ID: <86224193B841EA49B71149F74043CE3F0BF4004C@chimail2.midwest.ticketmaster.com> This message is in MIME format. Since your mail reader does not understand this format, some or all of this message may not be legible. ------_=_NextPart_001_01C5F058.A4BCC23F Content-Type: text/plain > As a NEOhioPAL subscriber, you are being offered an exclusive > COMPLIMENTARY ticket offer for an upcoming show at House of Blues! Click > on the link below to access your password for comp tickets to Sinead > O'Connor on Dec. 2nd! > > http://www.ticketmaster.com/promo/22563 > > > > Kyra Forrest > Marketing Manager > Ticketmaster > 55 Public Square, STE. 1180 > Cleveland, OH 44113 > 216.241.4900 ext. 226 tel > 216.621.1867 fax > > ------_=_NextPart_001_01C5F058.A4BCC23F Content-Type: text/html Content-Transfer-Encoding: quoted-printable COMP tickets for House of Blues

As a NEOhioPAL subscriber, you are = being offered an exclusive COMPLIMENTARY ticket offer for an upcoming = show at House of Blues! Click on the link below to access your password = for comp tickets to Sinead O'Connor on Dec. 2nd!

http://www.ticketmaster.com/promo/22563


Kyra Forrest
Marketing = Manager
Ticketmaster
55 Public = Square, STE. 1180
Cleveland, OH = 44113
216.241.4900 = ext. 226 tel
216.621.1867 = fax


------_=_NextPart_001_01C5F058.A4BCC23F-- From eunhold at dscdo.org Wed Nov 23 10:46:16 2005 From: eunhold at dscdo.org (Eric Unhold) Date: Wed, 23 Nov 2005 13:46:16 -0500 Subject: [NEohioPAL]SEE FREE THEATER! Ushers needed for HOLIDAY HOTLINE Message-ID: This is a multi-part message in MIME format. ------=_NextPart_000_0028_01C5F034.46BD1690 Content-Type: multipart/alternative; boundary="----=_NextPart_001_0029_01C5F034.46BD1690" ------=_NextPart_001_0029_01C5F034.46BD1690 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Hello, Forwarded message below from Linda Eisenstein, co-creator of Holiday Hotline. To see this show for FREE by ushering (very simple time commitment and effort), please contact her (web address is below). Information about the show, and for ordering tickets, is also below. Thank you! Eric Unhold Administrative Director Gordon Square Arts District eunhold at dscdo.org 216-961-4242 x250 Dear cyberpals: Although I've had many things going on in the past few months, I'm dedicating this plugmobile to the opening of our new musical HOLIDAY HOTLINE. This quirky, irreverent musical comedy revue is dedicated to the things that drive us crazy during the holiday season. It begins previews this week and runs through Dec. 23 here in Cleveland, Ohio. It's co-written by me and Michael Sepesy -- both playwrights in the Cleveland Play House Playwrights' Unit -- and produced by James Levin, founder/former A.D. of Cleveland Public Theatre, at Detroit Avenue Arts. SEE! The amazing revenge of the retail peon! EXPERIENCE! That touching new holiday classic, "Kevin the Kwanzaa Moose"! THRILL! To those hair-raising words, "Some Assembly Required"! If you're in the NE Ohio area during the holiday season, please come and see it. It's going to be a lot of fun. 216-491-1709 for tickets. If you're interested in perusing the script for future production consideration let me know. Our cast CD and production script will be available in the next few weeks. Lots of info about the show, including dates, ticket info, synopsis and cast photos, at: www.holiday-hotline.com. Cheers, Linda Eisenstein www.lindaeisenstein.com ------=_NextPart_001_0029_01C5F034.46BD1690 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable
Hello,
Forwarded=20 message below from Linda Eisenstein, co-creator of Holiday = Hotline.  To see this show for FREE by ushering (very simple = time=20 commitment and effort), please contact her (web address is=20 below).  Information about the show, and for ordering = tickets, is=20 also below.
 
Thank=20 you!

Eric = Unhold
Administrative Director
Gordon=20 Square Arts District
eunhold at dscdo.org
216-961-4242=20 x250

 
 Dear = cyberpals:

Although=20 I've had many things going on in the past few months, I'm dedicating = this=20 plugmobile to the opening of our new musical HOLIDAY HOTLINE. This = quirky,=20 irreverent musical comedy revue is dedicated to the things that drive us = crazy=20 during the holiday season.  It begins previews this week and runs = through=20 Dec. 23 here in Cleveland, Ohio.

It's co-written by me and = Michael=20 Sepesy -- both playwrights in the Cleveland Play House Playwrights' Unit = -- and=20 produced by James Levin, founder/former A.D. of Cleveland Public = Theatre, at=20 Detroit Avenue Arts.

SEE!  The amazing revenge of the retail = peon!
EXPERIENCE!  That touching new holiday classic, "Kevin the = Kwanzaa=20 Moose"!
THRILL! To those hair-raising words, "Some Assembly=20 Required"!

If you're in the NE Ohio area during the holiday = season,=20 please come and see it. It's going to be a lot of fun.  = 216-491-1709 for=20 tickets.

If you're interested in perusing the script for future=20 production consideration let me know.  Our cast CD and production = script=20 will be available in the next few weeks. 

Lots of info = about the=20 show, including dates, ticket info, synopsis and cast photos, at: =
www.holiday-hotline.com.

Cheers,=
Linda=20 Eisenstein
www.lindaeisenstein.com

3Dholidayhotlineart700.jpg =
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dT3Ws3E4asEx1xOPRRgp/lzSzmsCrTGN/mxIboI9p3biQLi3tHN1PFyR3TneRogTNZztstrdhbb7 PDt+XPU5a93B0/ZwpAdTvnf6p1nygBgMkX8xJLBxDv8A3QAb+9a9/Dmqj/tC1fynw/ZPi9tIfpX/ AFY2yfNCAZk81vkjVm8phsLeX5gsD3+zrbvzdB3swOW9yrVp7zhPR60O7+ZZrf5W52iW9t1tL38O 3NGpid192dPRhRPqpYzJjZxeWdcxCrf9HHGhpyfMfzNzFwQe23aDzZrFbMA3Nx389/OHRz6U1Dmj Re39o8q75qrV7nq9Xuer1f/Z ------=_NextPart_000_0028_01C5F034.46BD1690-- From kilbanedan at yahoo.com Wed Nov 23 11:36:07 2005 From: kilbanedan at yahoo.com (Dan Kilbane) Date: Wed, 23 Nov 2005 11:36:07 -0800 (PST) Subject: [NEohioPAL]The Holiday Hotline is open! Nov. 23 - Dec. 23 Message-ID: <20051123193607.9608.qmail@web60719.mail.yahoo.com> --0-1815521035-1132774567=:88673 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit HOLIDAY HOTLINE is up and running! www.holiday-hotline.com 216.491.1709 See! The amazing revenge of the retail peon! Experience! That touching new holiday classic, "Kevin the Kwanzaa Moose!!" Thrill! To those hair-raising words, "Assembly required!!!" Previews begin tonight, Nov. 23 @ 8:00 p.m.! Continuing November 25 & 26 Running December 1 ? 23, 2005 A musical comedy revue James Levin?s Detroit Ave. Arts is proud to announce the world premiere of the irreverent HOLIDAY HOTLINE, a musical comedy revue with sketches and songs. HOLIDAY HOTLINE takes a demented look at all the things that drive us crazy about the Christmas holidays. The show, to run in the funky Orthodox, is written by Michael Sepesy; music by Linda Eisenstein; and lyrics by both. Linda Eisenstein and Michael Sepesy wreck the halls with this fast and funny collection of sketches and songs skewering the holiday season, from A CHRISTMAS CAROL to Kwanzaa. The piece is eclectic and irreverent, taking all holiday traditions prisoner with music styles ranging from country to polka to torch song. The world premiere HOLIDAY HOTLINE sends up everything from the mystery ingredients in the turkey stuffing to elf psychotherapy. Co-creator Michael Sepesy sums it up, ?The show is a cure for the Christmas crazies!? The cast includes local favorites Denise Astorino, Kim Aldrich-Ceja, Mark Cipra, Maryann Elder, Hester Lewellen, and Andrew Narten. The production?s staff is led by director Mindy Childress and musical director Michael Flohr. The show previews Wednesday, November 23 and Friday, November 25 at 8:00 p.m. and Saturday, November 26 (8:00 and 10:30 p.m. shows). Opening night is December 1, with the production running through December 23. Performances are Thursdays, Fridays, Saturdays, and Sundays; Thursdays and Fridays at 8:00 p.m., Saturdays at 8:00 and 10:30 p.m., and Sundays at 3:00 p.m. Tickets can be purchased by calling 216.491.1709. Preview tickets are $10. For performances, Thursday, Sunday and Saturday 10:30 p.m. tickets are $10. Friday and Saturdays at 8:00 p.m. are $15. Orthodox is located at Detroit Avenue Arts, 6203 Detroit Ave., Cleveland, Ohio, 44102. --------------------------------- Yahoo! FareChase - Search multiple travel sites in one click. --0-1815521035-1132774567=:88673 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
HOLIDAY HOTLINE
is up and running!
 
www.holiday-hotline.com
216.491.1709
 
See!  The amazing revenge of the retail peon!
 Experience!  That touching new holiday classic, "Kevin the Kwanzaa Moose!!"
 Thrill! To those hair-raising words, "Assembly required!!!"
 
Previews begin tonight, Nov. 23 @ 8:00 p.m.!  Continuing November 25 & 26
Running December 1 ? 23, 2005
A musical comedy revue
 
James Levin?s Detroit Ave. Arts is proud to announce the world premiere of the irreverent HOLIDAY HOTLINE, a musical comedy revue with sketches and songs.  HOLIDAY HOTLINE takes a demented look at all the things that drive us crazy about the Christmas holidays.  The show, to run in the funky Orthodox,  is written by Michael Sepesy; music by Linda Eisenstein; and lyrics by both.
 
Linda Eisenstein and Michael Sepesy wreck the halls with this fast and funny collection of sketches and songs skewering the holiday season, from A CHRISTMAS CAROL to Kwanzaa.  The piece is eclectic and irreverent, taking all holiday traditions prisoner with music styles ranging from country to polka to torch song.  The world premiere HOLIDAY HOTLINE sends up everything from the mystery ingredients in the turkey stuffing to elf psychotherapy.  Co-creator Michael Sepesy sums it up, ?The show is a cure for the Christmas crazies!?
 
The cast includes local favorites Denise Astorino, Kim Aldrich-Ceja, Mark Cipra, Maryann Elder, Hester Lewellen, and Andrew Narten.
 
The production?s staff is led by director Mindy Childress and musical director Michael Flohr.  
 
The show previews Wednesday, November 23 and Friday, November 25 at 8:00 p.m. and Saturday, November 26 (8:00 and 10:30 p.m. shows).  Opening night is December 1, with the production running through December 23.  Performances are Thursdays, Fridays, Saturdays, and Sundays; Thursdays and Fridays at 8:00 p.m., Saturdays at 8:00 and 10:30 p.m., and Sundays at 3:00 p.m.
 
Tickets can be purchased by calling 216.491.1709.  Preview tickets are $10.  For performances, Thursday, Sunday and Saturday 10:30 p.m. tickets are $10.  Friday and Saturdays at 8:00 p.m. are $15. 
 
Orthodox is located at Detroit Avenue Arts, 6203 Detroit Ave., Cleveland, Ohio, 44102.
 
 
 

Yahoo! FareChase - Search multiple travel sites in one click. --0-1815521035-1132774567=:88673-- >From Joe Cali" This is a multi-part message in MIME format. ------=_NextPart_000_0099_01C5F03D.02CA2280 Content-Type: text/plain; charset="Windows-1252" Content-Transfer-Encoding: quoted-printable Cleveland AFTRA's Freelance Organizing Committee (FLOC) presents the = next in its series of Conservatory Workshops: "USING EARPROMPT and TELEPROMPT" Join us Monday, December 5th from 6:30 - 9 p.m., at the AFTRA Office -- = 1468 West Ninth St., when our session will feature AFTRAN Mike Kraft = discussing the use of Earprompt, and Lorene Kulis of L-K Prompter = sharing her knowledge of Teleprompters. Participants are asked to bring = a recorder of any kind and an earphone (wired is fine). This workshop is limited to 20 AFTRA members in good standing. = Reservations for ALL participants are a must -- 216.781.2255, x12. FEES: $10 per participant =20 Conservatory Membership Annual Fee (provides admission to all events)=20 Must be an AFTRA member in good standing New Conservatory members: $25.00=20 Returning Conservatory members: $20.00 =20 Admission tickets =96 which will be emailed or sent via U.S. mail =96 or = a paid-up AFTRA membership card will be needed to gain entrance to the = building.=20 =20 Please send your check, made out to AFTRA with a notation = =91Conservatory Membership=92 on the memo line, along with your AFTRA = I.D.# and home or e-mail address, to: AFTRA -- 1468 W. 9th St., # 720 = -- Cleveland, OH 44113. =20 =20 Feel free to contact Conservatory Co-Chairs Cathy Albers (cla2 at case.edu) = or Nancy Telzerow (ntorq at aol.com) with questions or for further = information. ------=_NextPart_000_0099_01C5F03D.02CA2280 Content-Type: text/html; charset="Windows-1252" Content-Transfer-Encoding: quoted-printable
Cleveland AFTRA's Freelance Organizing Committee (FLOC) presents=20 the next in its series of Conservatory Workshops:
 
"USING EARPROMPT and=20 TELEPROMPT"
 
Join us Monday, December 5th from 6:30 - 9 p.m., = at the=20 AFTRA Office -- 1468 West Ninth St., when our session will = feature=20 AFTRAN Mike Kraft discussing the use of Earprompt, and Lorene Kulis = of L-K=20 Prompter sharing her knowledge of Teleprompters.  Participants are = asked to=20 bring a recorder of any kind and an earphone (wired is fine).
 
This workshop is limited to 20 AFTRA = members=20 in good standing.   Reservations for=20 ALL participants are a = must  --=20 216.781.2255, x12.
 

 

FEES:  $10 per = participant

 

Conservatory Membership Annual Fee=20 (provides admission to all events)=20

Must be an AFTRA member in good = standing

New Conservatory members: =20 $25.00=20

Returning Conservatory members: =20 $20.00

 

Admission tickets =96 which will be emailed or sent via U.S. = mail =96 or a=20 paid-up AFTRA membership card will be needed to gain entrance to the = building.=20

 

Please send your check, made out to AFTRA with a notation = =91Conservatory=20 Membership=92 on the memo line, along with your AFTRA I.D.# and home or = e-mail=20 address, to:  AFTRA -- 1468 W. 9th St., # 720 -- = Cleveland,=20 OH  44113. 

 

Feel free to contact Conservatory = Co-Chairs Cathy=20 Albers (cla2 at case.edu) or Nancy Telzerow (ntorq at aol.com) with questions or for further=20 information.

------=_NextPart_000_0099_01C5F03D.02CA2280-- From Jessica.Schuster at ideastream.org Wed Nov 23 12:27:07 2005 From: Jessica.Schuster at ideastream.org (Schuster, Jessica) Date: Wed, 23 Nov 2005 15:27:07 -0500 Subject: [NEohioPAL]The 90.3 WCPN "Around Noon" Program Schedule for the Week of November 28 Message-ID: <3658357796870A4FAD822731653E058544A193@ideacom.WVIZ.org> This is a multi-part message in MIME format. ------_=_NextPart_001_01C5F06C.4BA2E6B8 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: quoted-printable For Immediate Release Wednesday, November 23, 2005 Contact: Jessica Schuster, Communications Specialist, ideastream, 216.916.6134 "Around Noon" Schedule for the Week of November 28, 2005 Around Noon, weekdays from noon until 1pm on 90.3 WCPN ideastreamsm, keeps you current and connected with cultural affairs in Northeast Ohio. Through conversations with arts and entertainment luminaries; energetic, live performances; and eclectic, special features, host Dee Perry brings the world of arts and entertainment as close as your radio receiver. Following, is the Around Noon schedule for the week of November 28. Please note, all guests and programs are subject to change. Around Noon Schedule for the week of November 28, 2005 Monday, 11-28-05 Dee keeps things "Tidy" with local playwright Eric Coble, rolls along with Dancing Wheel's Snowman; and chats with the Cavani's Merry Peckham about the Cleveland Institute of Music's Chamber Music Festival. For additional information on today's show, visit the following websites: http://www.lkwdpl.org/beck/news.htm#tidy http://www.playscripts.com/author.php3?authorid=3D264 http://www.cavani.org/ http://www.cim.edu/colFaculty.php?div=3D2#MerryPeckham http://www.cim.edu/cimsplash.html http://www.cim.edu/conEvSeries.php Tuesday, 11-29-05 Dee enters the annual "Circlefest" in University Circle with the principal of the Cleveland School of the Arts; enjoys the "Elixir of Love" from Cleveland Opera; and learns to "Love Janis" at Playhouse Square. For additional information on today's show, visit the following websites: http://www.universitycircle.org/Events/hcf2005.htm http://www.universitycircle.org http://www.cmsdnet.net/csa/ http://www.clevelandopera.org/s30/elixir/ecover.html http://www.clevelandopera.org/ http://www.playhousesquare.com/Events/Events.aspx?EventID=3D842 http://www.playhousesquare.com/ Wednesday, 11-30-05 Today, Dee welcomes local food critics to suggest area restaurants for the holiday season. Joining Dee are: Elaine T. Cicora from Scene Magazine and Doug Trattner from the Free Times. For additional information on today's show, visit the following websites: http://www.clevescene.com/Issues/current/dining/index.html http://www.clevescene.com/ http://www.freetimes.com/modules.php?op=3Dmodload&name=3DNews&file=3Dinde= x&cat id=3D&topic=3D8 http://www.freetimes.com/ Thursday, 12-1-05 Dee gets in the holiday spirit with the offbeat productions "Santaland Diaries" and "Mrs. Bob Cratchit's Wild Christmas Binge" at Cleveland Public Theater; then dials the "Holiday Hotline" onstage at the Orthodox Theater.=20 For additional information on today's show, visit the following websites: http://www.cptonline.org/seasoncalendar/event.cfm?eventid=3D223&eventdate= i d=3D1573 http://www.cptonline.org/seasoncalendar/event.cfm?eventid=3D224&eventdate= i d=3D1553 http://www.cptonline.org/ http://www.holiday-hotline.com/ Friday, 12-2-05 Today, Dee is invited to "Lidia's Family Table" with Lidia Bastianich; ideastream's Jim Goldurs chats with comedian Greg Proops about the Drew Carey all-star comic revue; and we get the naked truth on the music of Barenaked Ladies. For additional information on today's show, visit the following websites: http://shopping.lidiasitaly.com/ProductDetails.aspx?productID=3D407 http://www.lidiasitaly.com/index2.htm http://www.gregproops.com/ http://www.bnlmusic.com/ ------_=_NextPart_001_01C5F06C.4BA2E6B8 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable The 90.3 WCPN "Around Noon" Program Schedule for the = Week of November 28

For = Immediate Release

Wednesday, = November 23, 2005

Contact: = Jessica Schuster, Communications Specialist, ideastream, = 216.916.6134


“Around Noon” Schedule for the Week of = November 28, 2005

Around Noon, weekdays from noon until = 1pm on 90.3 WCPN ideastreamsm, keeps you current and connected = with cultural affairs in Northeast Ohio. Through conversations with arts = and entertainment luminaries; energetic, live performances; and = eclectic, special features, host Dee Perry brings the world of arts and = entertainment as close as your radio receiver.

Following, = is the Around Noon schedule for the week of = November 28. Please note, all guests and programs are subject to = change.


Around Noon Schedule for the week of November 28, = 2005

Monday, = 11-28-05

Dee keeps = things “Tidy” with local playwright Eric = Coble, = rolls along with Dancing Wheel’s Snowman; and chats with the Cavani’s Merry = Peckham = about the Cleveland Institute of Music’s Chamber Music = Festival.

For = additional information on today’s show, visit the following = websites:

http://www.lkwdpl.org/beck/news.htm#tidy

http://www.playscripts.com/author.php3?authorid=3D264

http://www.cavani.org/

http://www.cim.edu/colFaculty.php?div=3D2#MerryPeckham<= /FONT>

http://www.cim.edu/cimsplash.html

http://www.cim.edu/conEvSeries.php


Tuesday, = 11-29-05

Dee enters = the annual “Circlefest” in University Circle with the principal of = the Cleveland School of the Arts; enjoys the = “Elixir of Love” from Cleveland = Opera; = and learns to “Love Janis” at Playhouse Square.

For = additional information on today’s show, visit the following = websites:

http://www.universitycircle.org/Events/hcf2005.htm

http://www.universitycircle.org

http://www.cmsdnet.net/csa/

http://www.clevelandopera.org/s30/elixir/ecover.html

http://www.clevelandopera.org/

= http://www.playhousesquare.com/Events/Events.aspx?Event= ID=3D842

http://www.playhousesquare.com/


Wednesday, 11-30-05

Today, Dee = welcomes local food critics to suggest area restaurants for the holiday = season.  Joining Dee are: = Elaine T. Cicora from Scene = Magazine = and Doug = Trattner = from the Free Times.

For = additional information on today’s show, visit the following = websites:

http://www.clevescene.com/Issues/current/dining/index.h= tml

http://www.clevescene.com/

http://www.freetimes.com/modules.php?op=3Dmodload&n= ame=3DNews&file=3Dindex&catid=3D&topic=3D8<= SPAN LANG=3D"en-us">

http://www.freetimes.com/


Thursday, 12-1-05

Dee gets in = the holiday spirit with the offbeat productions = “Santaland Diaries” and = “Mrs. Bob Cratchit’s Wild Christmas = Binge” at Cleveland Public Theater; then dials the = “Holiday Hotline” onstage at the Orthodox = Theater.

For = additional information on today’s show, visit the following = websites:

http://www.cptonline.org/seasoncalendar/event.cfm?event= id=3D223&eventdateid=3D1573

http://www.cptonline.org/seasoncalendar/event.cfm?event= id=3D224&eventdateid=3D1553

http://www.cptonline.org/

http://www.holiday-hotline.com/


Friday, = 12-2-05

Today, Dee = is invited to “Lidia’s Family Table” with Lidia = Bastianich; ideastream’s Jim Goldurs chats with = comedian Greg Proops about the Drew Carey all-star = comic revue; and we get the naked truth on the music = of Barenaked Ladies.

For = additional information on today’s show, visit the following = websites:

http://shopping.lidiasitaly.com/ProductDetails.aspx?pro= ductID=3D407

http://www.lidiasitaly.com/index2.htm=

http://www.gregproops.com/

http://www.bnlmusic.com/























------_=_NextPart_001_01C5F06C.4BA2E6B8-- From FGVlinda at aol.com Wed Nov 23 16:53:07 2005 From: FGVlinda at aol.com (FGVlinda at aol.com) Date: Wed, 23 Nov 2005 19:53:07 EST Subject: [NEohioPAL]A Place For Us Develp. Inc. survey is extended until end of 2005 Message-ID: <1fd.e4119fc.30b668f3@aol.com> -------------------------------1132793587 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Date of survey for market study information is needed for A Place For Us Development, Inc. at "Park District" West 9th in Warehouse District. We have extended the date until end of 2005 for the survey. Please visit website: Aplace4us.org At this time, we are marketing for this one-of-its-kind project in the nation. The design and plans are to serve a multigenerational community. Our desire is to have a self-contained community that will include on-site health care and social services, educational programming, cultural outreach and retail. This project will be open to all; therefore, we are inviting all those who are supportive of such diversity. Yet, it is within our mission to sell at least 50% of the units to the glbt community. We are hoping for a formation of residential assocation. This association would take ownership of the facility. We feel it is important for the major decision policies and management be controlled by the residential community glbt members. No longer do we want to be excluded in making our long-term decisions and care. A Place For Us Development, Inc., a non-profit gay, lesbian, bisexual and transgender organization, whose mission for the past eight years has been to provide a planned community with various services ranging from health care, cultural, spiritual, social and educational, proudly announces the unanimous vote of its board members to join efforts with Marous Development in developing a housing project designed and dedicated to multigenerational gay, lesbian, bisexual, transgender individuals and inclusive of all those supportive of such diversity. Our immediate goal is to market and sell these condominium units (a 15-year tax abatement) to gay, lesbian, bisexual, and transgendered individuals and to those of the wider community. The proposed site is located in the Warehouse District of downtown Cleveland, on West 9th Street between the 250 unit National Terminal Building to the north and the newly renovated 340 unit Bingham Building to the South. Linda Krasienko, President, A Place For Us Development, Inc. _FGVlinda at aol.com_ (mailto:FGVlinda at aol.com) -------------------------------1132793587 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
Date of survey for market study information is needed for A Pla= ce=20 For Us Development, Inc.  at "Park District" West 9th=20= in=20 Warehouse District.
 
We have extended the date until end of 2005 for the survey.  Pl= ease=20 visit website:
Aplace4us.org
 
At this time, we are marketing for this one-of-its-kind=20 project in the nation. The design and plans are to serve=20 a multigenerational community. Our desire is to have a=20 self-contained community that will include on-site health care and= =20 social services, educational programming, cultural outreach and retail. = ;=20
 
This project will be open to all; therefore, we are inviting=20= all=20 those who are supportive of such diversity.  Yet, it is=20 within our mission to sell at least 50% of the units to the glbt=20 community.  We are hoping for a formation=20 of residential assocation.  This association would=20 take ownership of the facility.  We feel it is=20 important for the major decision policies and=20 management be controlled by the residential community gl= bt=20 members. No longer do we want to be excluded in making our long-term=20 decisions and care. 
 
 
A Place For Us Development,=20 Inc., a non-profit gay, lesbian, bisexual and transgender= =20 organization, whose mission for the past eight years has been = ;to=20 provide a planned community with various services ranging from health care,=20 cultural, spiritual, social=20 and educational, proudly announces = the=20 unanimous vote of  its board members to join efforts with Mar= ous=20 Development in developing a housing project designed and=20 dedicated to multigenerational gay, lesbian, bisexual, transgend= er=20 individuals and inclusive of all those supportive of such=20 diversity.=20
 
Our immediate goal is to market and sell these condominium=20 units (a 15-year tax abatement) to gay, lesbian, bisexual, and=20 transgendered individuals and to those of the wider  community. Th= e=20 proposed site is located in the Warehouse District of downtown Cleveland, on= =20 West 9th Street between the 250 unit National Termin= al=20 Building to the north and the newly renovated 340 unit Bingham Building to t= he=20 South.
 
Linda Krasienko, President, A Place For Us Development,=20 Inc.
FGVlinda at aol.com
 
 -------------------------------1132793587-- From dhineline at neo.rr.com Wed Nov 23 17:00:22 2005 From: dhineline at neo.rr.com (Dave Hineline) Date: Wed, 23 Nov 2005 20:00:22 -0500 Subject: [NEohioPAL]Looking For Singer/Lyrisist to complete band and recording. Message-ID: <001b01c5f092$72a27cb0$47dbbd41@D3HRHB71> This is a multi-part message in MIME format. ------=_NextPart_000_0018_01C5F068.89A64F10 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Band needs a vocalist/lyricist. We are Carbon Thread a hard rock band in the process of recording our = first full length CD, " Seven Responces of Conscienceness" We need a dramatic person who can be the voice of our powerfully = melodic, edgy rock sound. If you have vocal talent and can climb inside = our music and give it meaning through your voice and interpretation, = than this could be the chance you have been looking for. Our record = contains an anthem that grabs peoples attention and has a very positive = feel and will be a concert classic. The song "Hope", could best be = described as Pink Floyds "Run Like Hell" meets U2s "Streets with No = Name" not because we tried to sound like that, its just the best way to = describe this song. If you are interested than we will send a copy of the song and come to = the studio to try out. Please respond or forward to someone who you = might know who would be interested. Please, if you have talent and want to make a great record contact me at = dhineline at neo.rr.com. ------=_NextPart_000_0018_01C5F068.89A64F10 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
Band needs a = vocalist/lyricist.
We are Carbon Thread a hard rock band in the process of recording our first full = length=20 CD, " Seven Responces of Conscienceness"
We need a dramatic person who can be = the voice of=20 our powerfully melodic, edgy rock sound. If you have vocal = talent and=20 can climb inside our music and give it meaning through your voice and=20 interpretation, than this could be the chance you have been looking for. = Our record contains an anthem that = grabs peoples=20 attention and has a very positive feel and will be a concert = classic.=20 The song "Hope", could best be described as Pink Floyds "Run Like = Hell"=20 meets U2s "Streets with No Name" not because we tried to sound like = that, its=20 just the best way to describe this song.
If you are interested than we will send = a copy of=20 the song and come to the studio to try out. Please respond or forward to someone who you might know = who would be=20 interested.
 

Film/live music event:   The Animated=20 Adventures of Knox, an = emotional=20 portrait in sound and image. = With live=20 performance of the sound track by quintet, Frequency = Response

 

Date/Time=20 :=20  Tuesday November = 29,=20 2005, 8:00 pm

 

Venue: Passport Project = Global=20 Community=20 Arts=20 Center

           =20  12801 Buckeye=20 Road (1 block = southwest of=20 Shaker=20 Square)

           =20  Cleveland, = OH=20 44120 

        =20

Admission:  $5-$15 Sliding Scale  (You=20 decide) 

 

More=20 Information:        www.passportproject.org; =          

www.KnoxMovie.com:=20 For=20 video previews, mp3s, photos, graphic scores, director's notes and = more;          =20  www.FrequencyResponse.info;=20 www.482Music.com=20

For=20 Interviews: JumpArtsMedia at gmail.com

 

 

New=20 York=20 multi-instrumentalist=20 Tom=20 Abbs takes=20 his band and new independent film on the road.
For=20 video previews, mp3s, photos, graphic scores, director's notes and more = go to=20 www.KnoxMovie.com

For=20 interviews, press copies or any other press request contact JumpArtsMedia at gmail.com

The=20 Animated Adventures of Knox

An=20 emotional portrait in sound and image

Avant-Jazz meets=20 cinema in this rare live = rendition=20 of the soundtrack
from their latest movie   "The Animated=20 Adventures of Knox". Tom=20 Abbs &=20 Frequency Response bring = the=20 spectacle of "Knox" to Cleveland=20 OH=20 (Nov.29th), for Passport=20 Project’s ongoing = Vibrations=20 Series* of = creative music,=20 dance, visual art, theater and spoken word.

A=20 movie by Tom=20 Abbs=20 featuring the music of Frequency=20 Response

(in=20 order of appearance)  = Geoff=20 Mann=20 percussion Tom=20 Abbs   bass, tuba, cello, flute =

Oscar=20 Noriega   clarinets, alto = saxophone  Jean=20 Cook=20 violin

Alex=20 Harding=20 baritone Saxophone=20


  Supporting their dvd = movie/CD=20 soundtrack set out November 29th on 482=20 Music  

'The=20 animated Adventures of Knox' An=20 emotional portrait in sound and image

Starring  Jack Armstrong, Marcus = Holand,=20 Michael Sanzone & Matthew Cleveland

Produced,=20 directed and edited by Tom Abbs Visual conception by Tom Abbs, = M.P.=20 Landis & Michael Sanzone

Based=20 on the narrative and video graphic score by Tom Abbs Art = direction by=20 M.P. Landis
Additional editing by Michael Sanzone=20 Cinematography by Davin Reich, Michael Sanzone &  M.P. Landis =

A=20 Jump Arts production distributed by 482 Music



www.KnoxMovie.com           =20  www.FrequencyResponse.info           &n= bsp;  =20 www.482Music.com 


 

INFORMATION ABOUT=20 PASSPORT PROJECT:

Passport = Project is a 501=20 (c) 3, non-profit organization that has been planting seeds of peace and = acceptance since 1998.
 
Passport Project's mission is to = provide=20 exciting educational experiences that build community through the arts,=20 encourage respect for diversity and rejection of racism and negative = bias, and a=20 passion for learning and the global community.
 
Passport Project offers multicultural programs and = residencies at schools, at its Global Community Arts Center, and = for the=20 community to further this mission. Passport Project leads diversity training in the = corporate=20 setting.
 
* Begun in Summer,=20 2004, the Passport Project = Vibrations Series=20 features music, dance, visual art and poetry performances by local, = national=20 and international artists that inspire, challenge and = break=20 the molds that bind us. A = reminder that=20 every one and every thing possesses motion, VIBRATIONS supports art that stretches boundaries and = explores=20 connections.=20

 


The=20 Adventures of Knox Tour Schedule:


Tuesday=20 November 29th=20
Cleveland=20 OH=20
Passport=20 Project Global Community Arts Center=20
(=20 www.passportproject.org)

12801=20 Buckeye Road=20 , Cleveland,=20 Ohio=20 44120=20 (216) 721-1055.

$5=20 – 15 sliding scale - 8pm


Wednesday=20 November 30th
Chicago=20 IL=20
Chicago=20 Cultural Center=20
Claudia=20 Cassidy Theater (2nd FL),
(www.chicagoculturalcenter.org)
78=20 E. Washington St.Chicago, IL 60602 (312) 744-6630
7:00pm=20 - FREE

Thursday=20 December 1 st  
Lexington KY
Mecca dance=20 studio/gallery
 (=20 www.meccadance.com)
451=20 Chair Avenue Lexington, KY 40508 859/254-9790
8:30pm - = $3

Friday=20 December 2nd=20
Columbus OH
Acme Art=20 Company
 (=20 www.iceboxshows.com)
1230=20 Courtland Ave. Columbus OH (614) 397-6185
10 pm, doors open at 9 with = opening=20 act - $8

Saturday=20 December 3rd=20  
 Cincinnati OH
The = Loft=20 Society
(www.loftsociety.com ) =
119=20 Calhoun Street Cincinnati OH 45219 (513) 559-9220
9pm Donation at=20 Door

Sunday=20 December 4th 
 Ann Arbor MI
Canterbury=20 house
(=20 www.canterburyhouse.org)
721=20 East Huron Street Ann Arbor, MI. 48104=20 (734)=20 665-0606
$7 - 9pm


Monday=20 December 5th=20
 Pittsburgh=20 PA=20
The=20 Shadow=20 Lounge=20
(=20 http://www.shadowlounge.net/)
5972=20 Baum=20 Boulevard=20 Pittsburgh,=20 PA=20 15206=20 (412)-363-8277=20

       &nbs= p;            = ;            =            =20 Doors open at 8pm,=20 Show at 9pm
 
Please, if you have talent and = want to make a=20 great record contact me at dhineline at neo.rr.com. ------=_NextPart_000_0018_01C5F068.89A64F10-- From KABBW at aol.com Wed Nov 23 18:17:43 2005 From: KABBW at aol.com (KABBW at aol.com) Date: Wed, 23 Nov 2005 21:17:43 EST Subject: [NEohioPAL]Sinatra or Dean Martin impersonator needed Message-ID: <29a.d63b2.30b67cc7@aol.com> -------------------------------1132798663 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit I know it's short notice, but ... Do you know anyone who does a Sinatra or Dean Martin impersonation? Preferably a singer, but just appearance would be more than we have now. It's for a dinner Wed, November 30th, in Lorain, from 5-7 p.m. and can be paid. More information on request. Thanks!! Kathy Whitmore "In a time of universal deceit, telling the truth is a revolutionary act." -- George Orwell -------------------------------1132798663 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
I know it's short notice, but ...
 
Do you know anyone who does a Sinatra or Dean Martin impersonation?&nbs= p;
<= ?param 0000,0000,FFFF>Preferably=20 a singer, but just appearance would be more than we have now.
It's=20 for a dinner Wed, November 30th, in Lorain, from 5-7 p.m. and can be=20 paid.
 
More information on request.
 
Thanks!!
 
Kathy Whitmore
 

"In a time of universal deceit, tel= ling the=20 truth is a revolutionary act." -- George Orwell

-------------------------------1132798663-- From dolan at en.com Wed Nov 23 18:45:48 2005 From: dolan at en.com (Fred Dolan) Date: Wed, 23 Nov 2005 21:45:48 -0500 Subject: [NEohioPAL]Don't Forget: Johnny Cash & Arlo Guthrie On Thanksgiving Night on WJCU References: <20051122133511.40230.qmail@web81805.mail.mud.yahoo.com> Message-ID: <00dc01c5f0a1$3b128ec0$27a651d1@com> This is a multi-part message in MIME format. ------=_NextPart_000_00D9_01C5F077.441F3EC0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable This is your last chance! Everyone knows at least a few Johnny Cash = fans, so please tell them to join me Thanksgiving evening from 6:30 PM = to midnight for=20 Johnny Cash: The Legend - a 4-hour radio special that=20 covers the entire life and recording career of Johnny Cash in his own = words and also the people who knew him in 4 one-hour segments: Ring Of Fire - Johnny Cash: The American Dream How Great Thou Art - Johnny Cash's spiritual quest. The Man In Black - Johnny Cash's politics and influence The World Needs A Melody - Johnny Cash the Storyteller It will run from 7:00 PM to 11:00PM on Thanksgiving evening without = commercial interruption. Following shortly after 11:00 PM will be Arlo Guthrie's "Alice's = Restaurant." Still one of the greatest songs/monologues of all time!=20 The balance of the program will be some excellent acoustic vocals in the = spirit of Thanksgiving.=20 Tune in on 88.7 FM - WJCU - John Carroll University radio or=20 www.wjcu.org on the internet. Have a great Thanksgiving. Fred Dolan Visiting The Folks 88.7 - WJCU-FM & www.wjcu.org In addition to Thursday night, join me on Sunday nights from 9:00PM to = midnight. ------=_NextPart_000_00D9_01C5F077.441F3EC0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
This is your last chance! Everyone knows at least a few Johnny Cash = fans,=20 so please tell them to join me Thanksgiving evening from 6:30 PM to = midnight for 
Johnny Cash: The Legend - a 4-hour radio special that
covers the entire life and recording career of Johnny Cash in his = own words=20 and also the people who knew him in 4 one-hour segments:
Ring Of Fire = -=20 Johnny Cash: The American Dream
How Great Thou Art - Johnny Cash's = spiritual=20 quest.
The Man In Black - Johnny Cash's politics and influence
The = World=20 Needs A Melody - Johnny Cash the Storyteller
It will run from 7:00 PM = to=20 11:00PM on Thanksgiving evening without commercial = interruption.
Following shortly after 11:00 PM will be Arlo Guthrie's = "Alice's=20 Restaurant." Still one of the greatest songs/monologues of all = time! 
 
The balance of the program will be some excellent acoustic = vocals in=20 the spirit of Thanksgiving. 
 
Tune in on 88.7 FM - WJCU - John Carroll University = radio or=20
www.wjcu.org on the = internet.
 
Have a great Thanksgiving.
 
Fred Dolan
Visiting The Folks
88.7 - WJCU-FM & www.wjcu.org
In addition to Thursday night, join me on Sunday nights from 9:00PM = to=20 midnight.
------=_NextPart_000_00D9_01C5F077.441F3EC0-- From performingarts at karamu.com Wed Nov 23 19:21:11 2005 From: performingarts at karamu.com (Performing Arts) Date: Wed, 23 Nov 2005 22:21:11 -0500 Subject: [NEohioPAL]Come on down to see "A Theatre Grows in Cleveland" & "Going To School" during the holiday weekend at Karamu Message-ID: <025701c5f0a6$1f348460$5701a8c0@karamu.com> This is a multi-part message in MIME format. ------=_NextPart_000_0254_01C5F07C.35D83560 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable "A Theatre Grows in Cleveland" by Hannah Stofan and Alex Phillips This ten minute two-character piece placed fifth in the nation in the = National History Day contest two years ago. It will celebrate Karamu's = 90th anniversary for the Youth Theatre program. Written and performed by = Alexander Phillips and Hannah Stofan from Birchwood School in Ohio, the = original title was "A Theatre Grows in Cleveland: Exploring Racial = Equality Through the Dramatic Arts." It depicts the colorful life of = Russell and Rowena Jelliffe who founded the Playhouse Settlement in 1915 = that later relocated in the 1940's and was renamed Karamu House.=20 "Going To School" by Ed Monk Nick is going off to college for the first time. The only problem is, = his family is taking him -- his mother worries he will starve to death, = his father forgot his tuition check, his teenage sister doesn't see why = she has to go, his younger sister just wants to go to her ballet = recital, and his grandmother "don't hear so good no more." It's going to = be a fun day.=20 November 19 - December 10, 2005. Saturdays and Sundays @ 2pm (Arena Theatre) Adults: $8 Kids: $6=20 For more information, please call Karamu's box office at 216-795-7077. Karamu House 2355 East 89th Cleveland, OH 44106 ------=_NextPart_000_0254_01C5F07C.35D83560 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable

 

"A Theatre Grows in Cleveland" by = Hannah=20 Stofan and Alex Phillips

This ten minute two-character piece placed = fifth in the=20 nation in the National History Day contest two years = ago. It will=20 celebrate Karamu's 90th anniversary for the Youth Theatre program. = Written and=20 performed by Alexander Phillips and Hannah Stofan from Birchwood School = in Ohio,=20 the original title was "A Theatre Grows in = Cleveland:=20 Exploring Racial Equality Through the Dramatic Arts."  It = depicts=20 the colorful life of Russell and Rowena Jelliffe who founded the = Playhouse=20 Settlement in 1915 that later relocated in the 1940's and was renamed = Karamu=20 House.

"Going=20 To School" by Ed Monk

Nick is = going off to=20 college for the first time. The only problem is, his family is taking = him -- his=20 mother worries he will starve to death, his father forgot his tuition = check, his=20 teenage sister doesn't see why she has to go, his younger sister just = wants to=20 go to her ballet recital, and his grandmother "don't hear so good no = more." It's=20 going to be a fun day. 
 
November 19 - December 10,=20 2005.
 
Saturdays and Sundays @=20 2pm (Arena=20 Theatre)
Adults: $8
Kids:=20 $6 
 
For=20 more information, please call Karamu's box office at=20 216-795-7077.
 
 
Karamu=20 House
2355=20 East 89th
Cleveland, OH=20 44106
------=_NextPart_000_0254_01C5F07C.35D83560-- From maheshwari_tiiu at yahoo.com Wed Nov 23 19:47:02 2005 From: maheshwari_tiiu at yahoo.com (Tiiu Gennert) Date: Wed, 23 Nov 2005 19:47:02 -0800 (PST) Subject: [NEohioPAL]Happy Thanksgiving! (Studio 11's Holiday Class Schedule) Message-ID: <20051124034702.36106.qmail@web51103.mail.yahoo.com> --0-1039229413-1132804022=:28161 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Join Studio 11 Thanksgiving Day November 24th for Classical Yoga Time: 10:00 am ? Noon Price: $15 Celebrate Thanksgiving Day with Kate & Tiiu for 2 Hours of Yoga (including cleansing yoga postures, energizing breath exercises & an extended relaxation) {Note: Regularly scheduled classes will not be held in honor of the Holiday} No Sunrise Yoga Class on Friday Morning, Nov. 25th Extra Special Karma Yoga "Happy Hour" ... Extended Version Featuring Special Guest Instructor Neel Kulkarni this Friday, November 25th 6:00-8:00 pm (with 10 min. break at 7:00 pm) More details to follow .... Studio 11 Yoga, Pilates & Thai Yoga Massage 2337 West 11th Street Cleveland, OH 44113 216.621.8179 www.studio11tremont.com info at studio11tremont.com --0-1039229413-1132804022=:28161 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
Join Studio 11
 Thanksgiving Day November 24th
for
Classical Yoga
Time: 10:00 am ? Noon
Price: $15
 Celebrate Thanksgiving Day with
Kate & Tiiu for
2 Hours of Yoga
(including cleansing yoga postures, energizing breath exercises & an extended relaxation)
 {Note:  Regularly scheduled classes will not be held in honor of the Holiday}
No Sunrise Yoga Class on Friday Morning, Nov. 25th
Extra Special Karma Yoga "Happy Hour" ... Extended Version
Featuring Special Guest Instructor Neel Kulkarni this Friday, November 25th
6:00-8:00 pm
(with 10 min. break at 7:00 pm)
More details to follow ....


Studio 11
Yoga, Pilates & Thai Yoga Massage
2337 West 11th Street
Cleveland, OH 44113
216.621.8179
www.studio11tremont.com
info at studio11tremont.com
--0-1039229413-1132804022=:28161-- From kaimei at earthlink.net Wed Nov 23 17:35:43 2005 From: kaimei at earthlink.net (Christopher) Date: Wed, 23 Nov 2005 20:35:43 -0500 Subject: [NEohioPAL]Film bi-czar References: <8C7BE67FB7053BC-1A94-3EBE@FWM-R16.sysops.aol.com> Message-ID: <438518EE.EBFC1C27@earthlink.net> Wow! Where to begin... I know I'm supposed to fill out the feedback form, but I suspect it was born with dust on it. Everybody who cares in the slightest for Northeast Ohio's film and video community at least knows someone whose cousin subscribes to NEohioPAL, so my words, frazzled by ever-decreasing creative empathy and sprinkled with a dash of hypocrisy as they may be, are in good hands. As far as I can tell from the expansive view provided by my basement studio's glass block windows, there are three base problems holding back this media arts community. 1. Homogenization of the community's organizational bodies 2. Underappreciation for a team-oriented work ethic 3. Absence of quality control on the parts of area producers If this list elicits a big "hell yeah" from readers, then they can save themselves some time and stop here, you're just going to agree with everything else. The less you agree, the more you should read. Until these issues are not just addressed (ahhhhgain), but solved, the pursuit of a NEO film community is like mankind's pursuit of expansion into space. Untold and uncomprehendable benefits await us as we ready ourselves to explore the final frontier, but none of that's of any use if we try to rush into the next phase as a trainwreck of a society. We've got to handle the mess in our backyard lest we pollute someone else's, in this case, with cliquish, fractured organization; productions that had to take shortcuts or fail altogether because of unprofessionalism and steaming piles of sloppily produced attempts at legitimizing sociopathic predilections. Nobody's being specifically attacked here. If you agree with me, say "amen" to your computer screen. If the shoe finds itself fitting all too comfortably, then make sure it's tied on tight so we can't smell what you've got hiding in there. If you don't see these problems in our community, then you're just not in the community. Maybe you're better off, because weez gotz major problems standing between "us" (the NEO film community) and "them" (an audience outside of people who still think making shoestring movies is a neat novelty). Care to read more? I've got solutions, or at least ideas if anybody's listening. But before we go there, you may be wondering, "why does this guy think he knows all about what's wrong here and how to fix it?" The answer is simple. Having been buffeted by complacency, then uppercutted by unsubstantiated egos and finally kicked by addictions to mediocrity while I was down, I've taken on alot of ya'll's bad habits. I'm becoming part of the problem. I was Director of Operations for a long-defunct organization you may remember called The Alliance, which was supposed to be a pool of film, television and theatrical artists. The brainchild of this organization started their own production company and inexplicably started treating The Alliance as competition, withholding audition announcements, badmouthing our board and trustees, etc. So I was front row for the demolition derby that was watching a fully incorporated 501 c 3 non profit organization fall victim to a proverbial scat-porn fest under the very people who created it. I don't know the problems that must have festered in the Cleveland Film Society or other organizations, but none of them have substantively helped anybody I know. And having been around for longer than I care to admit, I know many. I've watched myself cut corners just to finish core scenes when cast and crew threaten to bail on us. I've worked with people I had doubts about just because the ones I want to work with shuffle off to California without notice, and my product has suffered. Anybody who claims to be or says they can introduce me to the "next big name" in this biz, usually has me running for the hills. But other people are only a fraction of blame. I mean, who reading this doesn't get complete erectile dysfunction over the thought of the unoriginality that runs rampant, or the "big deal" our local news agencies make of any Hollywood film that graces us with its presence, then hits the big screen like a big wet spitwad we want to wipe off to see the real movie underneath? Add to that factors we can't control like the most unpredictable weather in the United States; locations that build up and tear down without notice; "artistes" who instead of giving us their leadership, look down their noses at us; and a sociopathy whose indecision between whether to be a belt of bibles made of rust or vice versa, only makes certain that independent voices get revised into fourth grade English with "values," (without asking "whose values?") and I find myself in a working environment where I get one feature completed for every two that go into production, and countless more that I would start, but can't even get off the ground. Even so, with an average of one feature length production that gets screened at major national and international film festivals every year for the last sixteen years, I am one of the most productive producers of narrative cinema in the Midwest. I'm far away however from being comfortable writing about myself in the third person except in press releases. So to try to wrap this up, here are my ideas for solutions in (as) brief (as possible). If the Film Czar agrees with me, maybe he can help institute some of them. His administration can reap the benefits, but remember, you heard it here first: 1. Start a large bodied organization by making its mission statement something that a majority can agree with. Does everybody want to be famous? Does everybody want Northeast Ohio to be the next Hollywood? Not from what I've heard, and I mean that with sincerity. Not everybody who is interested in local film even wants to actually produce movies, let alone produce them here. What is a thread common to the most people with interests related to making movies in this area? The lagging economy? The need for creative growth? What are the issues that would bring artists, professionals and beginners to the table regardless of clique or perceived experience? We've tried espousing Cleveland as a diverse location for production, but our diverse weather shat that one down. We've tried marketing the talent in the area, but the only productions we have to show for it are ones that local audiences find to be too "edgy" or "controversial," while more cosmopolitan markets outside of Ohio think we're a bunch of poseurs. Said organization may not be able to be as ambitious as getting movies made, but some smaller component of the lifestyle, if it's to draw as diverse a crowd as possible to beef up its networking opportunity street cred. The organization has to address issues relevant to all who are interested in this field, regardless of what kind of production is being made, what the individual's expected role is, or the intended audience. I know I sound like I contradicted myself just now with an earlier sentence about sociopathic predilections, but hold on to your britches. I'm not hatin', I'm just sayin'. The closest to doing this now is IndieCleveland, but I'm talking about something that has sway with community leaders. 2. Create a reward/accountability system for those who want to be considered a pillar of this area's creative media community. Start a website, for instance: www.auteurorposeur.com and model it after Ebay's feedback system. An artist voluntarily posts a profile, a filmography, the like, and others can post feedback- positive and negative. Of course, the artist can retort negative feedback on the message board. I know this smacks of turning into an extension of the good vibrations we all read on NEohioPAL once in a while-often, but something has to draw attention to the infectious lack of work ethic that often even ensnares me, exhausting me to the point where I don't even have the energy to return phone calls. When I meet cast and crew who haven't been exposed to some of the attitudes of the NEO film community, I'm often embarrassed for our community when faced with the proposition that they soon will get such a dose, that they often relocate. I mean a producer or professional actor can only work opposite so much indecision, "my boy/girlfriend won't let me act," or other sudden objections to the material you've all been working with for the last three months just because half way through production, they got around to reading your screenplay. But why should they help us producers with THEIR professionalism when area producers need to: 3. Stop trying to force their fantasy lives down your throats while acting shocked when you don't know how to react to some of the strange demands that they put on you during all processes of the production. Now am I getting my morality panties all in a bunch? No way! One of my current productions plays like John Waters directing an episode of Law & Order SVU, but I'm up front with people about what it is, and as long as they actually read the material before they say yes, then there are no hard feelings, and only mutual respect if and when they say no. But too many producers try to sneak it in on ya and then make you feel like you've got the shortcoming when you question doing material that wasn't in the script. It's got to feel like you got your picture taken by someone who was pretending to not take a picture of you, but of something else. That bait and switch hurts cast and crew relations, but (to me) more importantly, it compromises a production a) by risking its failure due to walk out, and b) wincing in the face of intellectual confrontation. You've got something ballsy to put out there? Let us check it out, if you sound like you know what you want and why, there are alot of actors here who will back your play. I know, I've worked with and am working with artists who help me take on some of the most controversial subjects a regional film has taken on, at least with sincerity. Worse still are the ones who pull punches and hope we don't notice. Do the films that feel right, and do them the way you feel they should be done, because people smell distrust, and if you don't trust them with your material, they're not going to trust you. That is, in my humble opinion, the biggest obstacle stopping films made in this area from being some of the greatest films made in any area. I know one attracts more flies with honey than vinegar, but I prefer to think of what I have to say as bittersweet. And besides... attract flies? I'm not trying to imitate a pile of...... purchasable film awards... Christopher K. Young www.shallowfocus.com alexcine at aol.com wrote: > Emmy winning writer and indie filmmaker Alex P. Michaels will be acting > as Cleveland's first Film Czar. It is a position Alex has thrust > himself into because he is not satisfied with the "powers that be" not > being supportive of the local community and that Cleveland does not do > as much as it can do to promote filmmaking here. Being involved in > independent films in Cleveland and shooting a TV Series based on his > Emmy winning movie, Alex has a unique perspective on how to bring > movies to the region and also how to support the filmmaking community. > Ironically a few years ago, Alex "divorced" himself from the film > community to work on building connections with the business community > and work on a proposal that is being shopped around to bring about an > incubator that will serve the local community and draw in productions. > Being Cleveland Film Czar is part of Alex's larger goal of making > Cleveland live up to its' potential and be a true part of the movie and > TV industry. > > The Film Czar would like some feedback on what this City truly needs to > make the local film community > To get your feedback fill out the form at > http://www.prelude2cinema.com/filmczar.htm > > Thank you > > Sincerely, > Alex Michaels From m.ozimek at sbcglobal.net Wed Nov 23 22:14:41 2005 From: m.ozimek at sbcglobal.net (Mary Lou Ozimek) Date: Thu, 24 Nov 2005 01:14:41 -0500 Subject: [NEohioPAL]Ohio Boychoir Concert Announcements Message-ID: <20051124061451.CF6514CE49@braxton.siteprotect.com> This is a multi-part message in MIME format. ------=_NextPart_000_0075_01C5F094.72C02BF0 Content-Type: multipart/alternative; boundary="----=_NextPart_001_0076_01C5F094.72C02BF0" ------=_NextPart_001_0076_01C5F094.72C02BF0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit ------=_NextPart_001_0076_01C5F094.72C02BF0 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable THIS IS A TEST: LET ME KNOW IF THIS WILL WORK FOR YOU, = SARAH

 

 

 

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0AqwvelXNJjM678O6Vd28kBs4oRIqIzwRqjbVIKrnHIGBweKdH4f0mK0gtBp1s0MCgRq8SttwAM5 I64Uc+w9K0CQOKTcPekMo2WhaXp9qlrb2FusSJs5iUlhgA7jjkkAZJ64psWkWUNnJZGBZ4JZGklW cCTzWZtzFs9Tn+laBcdqjLUAVX0nTZN+/TrRvMVUfMCncq/dB45AwMDtgU9dK08xLCbG28lCWWPy V2gkYJAxjpx9KmU5NTcYxQBk3nh7S7mCSA2MESSRiJzDGqM0Y/gyBnaehHpViaytbiaKaa2hllhy YneMM0ef7pPT8Ktv1pFGaYiFLOD90BDGBCMRjYPkGMcenHHHaop9J06WIQzWNrJEFVAjQqVCrnaM EdBk4HbNXWYIOKqTT44zRuBDLp+nyRRQyWVs8cB3RI0KlYz6qMcfhUTaXprzGdtPtWlJJMhgUsSe pzjPOTn60/zT+FKJKdhXK/8AYWk+UIhplmIlIIT7Om0EEkHGPUn8zSjSrCG4+1R2cMc+WPmIgViW wGJI6k471MZsVG0xNNIRXGnWKtK4s7cNKwaRvKXLt6njk8nr61DJZ2EcflrZ2wQIYwoiXG0nJXGO hODj1qaabA461Rd3kz1rRIlshkt9NYrvsLRtgAXMKnaBgDHHsPyqyINPnKSS2Vs7xkMjNCpKnjkH HH3R+Q9KovbyFiQKsxQukfNW4qxCbuF7qAVuDS2F00rDnrWReqzyYrU0mErgmqcUo3C92f/Z ------=_NextPart_000_0075_01C5F094.72C02BF0-- From maheshwari_tiiu at yahoo.com Wed Nov 23 23:00:34 2005 From: maheshwari_tiiu at yahoo.com (Tiiu Gennert) Date: Wed, 23 Nov 2005 23:00:34 -0800 (PST) Subject: [NEohioPAL]Extra Special Karma Yoga Class at Studio 11 Message-ID: <20051124070034.88968.qmail@web51109.mail.yahoo.com> --0-220855679-1132815634=:87094 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Extra Special Karma Yoga "Happy Hour" ... Extended Version Featuring Guest Instructor Neel Kulkarni this Friday, November 25th 6:00-8:00 pm (w/10 minute break at 7:00 pm) Neel Kulkarni, born and brought up in a yoga family of India, is a grand parenting level yoga teacher, residing in Virginia. He has studied and taught Yoga in a classical style for 30 years. His work can be seen on www.authenticyoga.org. Neel is here in Cleveland visiting family over the Thanksgiving holiday & we are honored to have him share his practice with us. Neel's class is designed to cover several topics including Yoga Asana, Meditation, Philosophy & Chanting. There will also be time for a Question & Answer Session. His knowledge base of yoga is vast, so take advantage of the time he is with us. In the first few minutes of class, Neel will gather the wishes/intentions of the students to form a specialized agenda. Then, he will provide detailed instruction on the requested topics. The class will finish with chanting (Kirtan) of the first chapter of Shree Patanlayogadarshanam (Yoga Sutras of Patanjali). We recommend that you stay for the entire 2 hour class session, but if you need to go at 7pm, there will be a 10 minute break at that time. Om Shanti-Om Shanti-Om Shanti-Om. Studio 11 Yoga, Pilates & Thai Yoga Massage 2337 West 11th Street Cleveland, OH 44113 216.621.8179 www.studio11tremont.com info at studio11tremont.com --0-220855679-1132815634=:87094 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
Extra Special Karma Yoga "Happy Hour" ... Extended Version
Featuring Guest Instructor Neel Kulkarni this Friday, November 25th
6:00-8:00 pm
(w/10 minute break at 7:00 pm)
 
Neel Kulkarni, born and brought up in a yoga family of India, is a grand parenting level yoga teacher, residing in Virginia. He has studied and taught Yoga in a classical style for 30 years.  His work can be seen on www.authenticyoga.org.

Neel is here in Cleveland visiting family over the Thanksgiving holiday & we are honored to have him share his practice with us. Neel's class is designed to cover several topics including Yoga Asana, Meditation, Philosophy & Chanting. There will also be time for a Question & Answer Session. His knowledge base of yoga is vast, so take advantage of the time he is with us.
In the first few minutes of class, Neel will gather the wishes/intentions of the students to form a specialized agenda. Then, he will provide detailed instruction on the requested topics. The class will finish with chanting (Kirtan) of the first chapter of Shree Patanlayogadarshanam (Yoga Sutras of Patanjali). We recommend that you stay for the entire 2 hour class session, but if you need to go at 7pm, there will be a 10 minute break at that time. Om Shanti-Om Shanti-Om Shanti-Om.


Studio 11
Yoga, Pilates & Thai Yoga Massage
2337 West 11th Street
Cleveland, OH 44113
216.621.8179
www.studio11tremont.com
info at studio11tremont.com
--0-220855679-1132815634=:87094-- From cinevid at yahoo.com Thu Nov 24 00:57:18 2005 From: cinevid at yahoo.com (Bill) Date: Thu, 24 Nov 2005 00:57:18 -0800 (PST) Subject: [NEohioPAL]All Hail Film Czar and Film Prophet In-Reply-To: <20051124060306.C205C61F8A@mailman.siteprotect.com> Message-ID: <20051124085718.86417.qmail@web60323.mail.yahoo.com> --0-1853990415-1132822638=:84088 Content-Type: multipart/alternative; boundary="0-265274245-1132822638=:84088" --0-265274245-1132822638=:84088 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit All Hail Film Czar and Film Prophet You know, most of the time I sit with calm amusement as I read the various ramblings as to why Cleveland isn't 'on the map' when it comes to motion picture film and TV production. However, these latest posts are just too funny to ignore... A self proclaimed Film Czar? What the hell is that? Alex, I thought you were joking! And Christopher, you seem to have so much intelligence and yet you completely miss the point. Ya wanna know the reason why we can't all just get along and make movies together? Well here it is. There's too much crap!!! And widely varying degrees of crap. One of the only reasons our monthly Indieclub meetings are successful is because we're not trying to create a consortium; we're not trying to unite our resources, we're not even trying to improve eachother's work. We're just watching videos. And guess what? We see a lot of crap. We see some good stuff too, but mostly we see Learners, Yearners and Burners. Now, Learners are novice filmmakers who make crap because it's their first film and rather than learn the trade first, they go ahead and make a movie as practice and hopefully they'll improve. We sit politely and smile, wishing they had thought about lighting, sound, acting, dialogue, and camera work before making us sit through their experiments. Yearners are filmmakers who really want to make good films, so they use everything at their disposal to make the best possible film they can. However, they're still somewhat plagued by compromise and the results are never what they hoped for, nor what a real distributor will buy. Much easier to sit through though. Burners are the worst. These are filmmakers (usually prolific) who make crap every time out of the gate. Their camera work is mostly hand-hell shaky cam. Their lighting is barely more than ambient and they often use the on-camera mic to capture dialogue. The acting is wooden and undirected; the stories are either so deep you need waders, or so shallow you can't find a point; and to top it off, they're fully convinced they are great filmmakers. But why do I call them Burners you ask? Well, because they burn the bridges that sincere Yearners might someday want to use. They burn bridges with actors who get soured against indie filmmakers because they have nothing decent to show for all their hard work (not even copy). They burn bridges with locations because they are so unorganized that they overstay their welcomes, mess up property and never send copies of the video, like they promise to do. They burn bridges with investors because the investor never sees a dime of their money back. They burn bridges with the legitimate film commission, because, as I said before they make crap and what film commission is going to support and encourage more crap??? Yet that's not the reason why we don't need a film czar or film prophet or any other coordinating force. The real reason is no one wants to work on someone else's film. You see, most of the people that comprise the indie scene here in Cleveland are writer/producer/directors and we're all working on our own projects. And guess what. I'm not all that interested in spending my valuable time working on someone's project which I consider to be crappier than my own. I can just as easily be spending my time and resources creating my own crap. Sure everyone would like to think there's a benevolent brotherhood of filmmakers; a selfless society where everyone submits ideas and work samples and then the members vote on what script to do and who to direct it. The community is presented with the proposal and since it bears the backing of so many filmmakers, the businesses get involved and support the project with services and finances. The best actors come from all around to have a part in the project and a glorious motion picture is produced that wins the Oscar for Impossible Dream... That would be a good plot for a fantasy picture, but in the real world, writers will lose interest if their script isn't picked. Directors will bail if they can't direct and actors will walk away if they can't be the lead. And you guessed it the end product would probably be... well, I don't need to say it again. (though I really want to) Bill Johns crappy writer/producer/and director www.cinevidproductions.com P.S - I guess I'm in a sour mood because just yesterday I lost a serious investor (producer of two features in LA) because she said the acting in one of the scenes I sent her wasn't very good. I knew it when I shot it that I was compromising, and even though we're reshooting that scene, it's too late to regain that contact... ah CRAP! --------------------------------- Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --0-265274245-1132822638=:84088 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
All Hail Film Czar and Film Prophet
 
You know, most of the time I sit with calm amusement as I read the various ramblings as to why Cleveland isn't 'on the map' when it comes to motion picture film and TV production. However, these latest posts are just too funny to ignore... A self proclaimed Film Czar? What the hell is that? Alex, I thought you were joking! And Christopher, you seem to have so much intelligence and yet you completely miss the point.
 
Ya wanna know the reason why we can't all just get along and make movies together? Well here it is. There's too much crap!!! And widely varying degrees of crap. One of the only reasons our monthly Indieclub meetings are successful is because we're not trying to create a consortium; we're not trying to unite our resources, we're not even trying to improve eachother's work. We're just watching videos. And guess what? We see a lot of crap. We see some good stuff too, but mostly we see Learners, Yearners and Burners.
 
Now, Learners are novice filmmakers who make crap because it's their first film and rather than learn the trade first, they go ahead and make a movie as practice and hopefully they'll improve. We sit politely and smile, wishing they had thought about lighting, sound, acting, dialogue, and camera work before making us sit through their experiments.
 
Yearners are filmmakers who really want to make good films, so they use everything at their disposal to make the best possible film they can. However, they're still somewhat plagued by compromise and the results are never what they hoped for, nor what a real distributor will buy. Much easier to sit through though.
 
Burners are the worst. These are filmmakers (usually prolific) who make crap every time out of the gate. Their camera work is mostly hand-hell shaky cam. Their lighting is barely more than ambient and they often use the on-camera mic to capture dialogue. The acting is wooden and undirected; the stories are either so deep you need waders, or so shallow you can't find a point; and to top it off, they're fully convinced they are great filmmakers.
 
But why do I call them Burners you ask? Well, because they burn the bridges that sincere Yearners might someday want to use. They burn bridges with actors who get soured against indie filmmakers because they have nothing decent to show for all their hard work (not even copy). They burn bridges with locations because they are so unorganized that they overstay their welcomes, mess up property and never send copies of the video, like they promise to do. They burn bridges with investors because the investor never sees a dime of their money back. They burn bridges with the legitimate film commission, because, as I said before they make crap and what film commission is going to support and encourage more crap???
 
Yet that's not the reason why we don't need a film czar or film prophet or any other coordinating force. The real reason is no one wants to work on someone else's film. You see, most of the people that comprise the indie scene here in Cleveland are writer/producer/directors and we're all working on our own projects. And guess what. I'm not all that interested in spending my valuable time working on someone's project which I consider to be crappier than my own. I can just as easily be spending my time and resources creating my own crap.
 
Sure everyone would like to think there's a benevolent brotherhood of filmmakers; a selfless society where everyone submits ideas and work samples and then the members vote on what script to do and who to direct it. The community is presented with the proposal and since it bears the backing of so many filmmakers, the businesses get involved and support the project with services and finances. The best actors come from all around to have a part in the project and a glorious motion picture is produced that wins the Oscar for Impossible Dream...
 
That would be a good plot for a fantasy picture, but in the real world, writers will lose interest if their script isn't picked. Directors will bail if they can't direct and actors will walk away if they can't be the lead. And you guessed it the end product would probably be... well, I don't need to say it again. (though I really want to)
 
Bill Johns
crappy writer/producer/and director
 
P.S - I guess I'm in a sour mood because just yesterday I lost a serious investor (producer of two features in LA) because she said the acting in one of the scenes I sent her wasn't very good. I knew it when I shot it that I was compromising, and even though we're reshooting that scene, it's too late to regain that contact... ah CRAP!

Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --0-265274245-1132822638=:84088-- --0-1853990415-1132822638=:84088-- From alitivity at yahoo.com Thu Nov 24 04:10:41 2005 From: alitivity at yahoo.com (Al Diamond Phillips) Date: Thu, 24 Nov 2005 04:10:41 -0800 (PST) Subject: [NEohioPAL]Happy Thanksgiving from the Al Diamond Phillips Christmas Variety Spectacular Message-ID: <20051124121041.41885.qmail@web50602.mail.yahoo.com> Hope everyone has a nice holiday. For ticketets to the show Dec 17th call Williams on the Lake 330-722-6766 Ext 11 __________________________________ Yahoo! Mail - PC Magazine Editors' Choice 2005 http://mail.yahoo.com From memakefilm at yahoo.com Thu Nov 24 05:32:29 2005 From: memakefilm at yahoo.com (Jamey Mixson) Date: Thu, 24 Nov 2005 05:32:29 -0800 (PST) Subject: [NEohioPAL]Film bi-czar In-Reply-To: <438518EE.EBFC1C27@earthlink.net> Message-ID: <20051124133229.19398.qmail@web36201.mail.mud.yahoo.com> --0-269190289-1132839149=:19396 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Chris (you have a lot of time on your hands...help me clean the gutters huh) *Joke! Bravo for standing against the machine! After reading the Fidel Castro-ism of one individuals demand to be the CZAR of the City, I personally felt "Oh Please-ish". This rings like the sound of a horse wrangler running FEMA. To quote Dr. Phil: "how's that working out for ya". I'm an implant, I live here by choice (ok my wife made me but so what). This community, collectively, is weak to the strength and endorse needed to make a major film. Further most of the upstarts lack knowledge of the system, sadly even I as a card carrying rebel stick to the system. Which, in other communities has a sincere political backing. Gary, Indiana (I believe or was the case some few years ago) will bend over a chair (no kiss, no dinner, no flowers) for film production. I'm not beating up on Mr. Alex of the Emmy but we'd (I...we makes it feel robust) feel more confortable with an individual/ organization elect by and for the people. I too have a person project I'm pushing "buy my book, buy my book" but that will not be my political stance on the future of the community; me then us, well me...if time allows us as well. HINT* Contact Mr. Jackson's Office...maybe they'll be for it. Fire the Czar, I need no self righted leader. Ranting is always welcome Happy Holiday Jamey memakefilm at yahoo.com Christopher wrote: Wow! Where to begin... I know I'm supposed to fill out the feedback form, but I suspect it was born with dust on it. Everybody who cares in the slightest for Northeast Ohio's film and video community at least knows someone whose cousin subscribes to NEohioPAL, so my words, frazzled by ever-decreasing creative empathy and sprinkled with a dash of hypocrisy as they may be, are in good hands. As far as I can tell from the expansive view provided by my basement studio's glass block windows, there are three base problems holding back this media arts community. 1. Homogenization of the community's organizational bodies 2. Underappreciation for a team-oriented work ethic 3. Absence of quality control on the parts of area producers If this list elicits a big "hell yeah" from readers, then they can save themselves some time and stop here, you're just going to agree with everything else. The less you agree, the more you should read. Until these issues are not just addressed (ahhhhgain), but solved, the pursuit of a NEO film community is like mankind's pursuit of expansion into space. Untold and uncomprehendable benefits await us as we ready ourselves to explore the final frontier, but none of that's of any use if we try to rush into the next phase as a trainwreck of a society. We've got to handle the mess in our backyard lest we pollute someone else's, in this case, with cliquish, fractured organization; productions that had to take shortcuts or fail altogether because of unprofessionalism and steaming piles of sloppily produced attempts at legitimizing sociopathic predilections. Nobody's being specifically attacked here. If you agree with me, say "amen" to your computer screen. If the shoe finds itself fitting all too comfortably, then make sure it's tied on tight so we can't smell what you've got hiding in there. If you don't see these problems in our community, then you're just not in the community. Maybe you're better off, because weez gotz major problems standing between "us" (the NEO film community) and "them" (an audience outside of people who still think making shoestring movies is a neat novelty). Care to read more? I've got solutions, or at least ideas if anybody's listening. But before we go there, you may be wondering, "why does this guy think he knows all about what's wrong here and how to fix it?" The answer is simple. Having been buffeted by complacency, then uppercutted by unsubstantiated egos and finally kicked by addictions to mediocrity while I was down, I've taken on alot of ya'll's bad habits. I'm becoming part of the problem. I was Director of Operations for a long-defunct organization you may remember called The Alliance, which was supposed to be a pool of film, television and theatrical artists. The brainchild of this organization started their own production company and inexplicably started treating The Alliance as competition, withholding audition announcements, badmouthing our board and trustees, etc. So I was front row for the demolition derby that was watching a fully incorporated 501 c 3 non profit organization fall victim to a proverbial scat-porn fest under the very people who created it. I don't know the problems that must have festered in the Cleveland Film Society or other organizations, but none of them have substantively helped anybody I know. And having been around for longer than I care to admit, I know many. I've watched myself cut corners just to finish core scenes when cast and crew threaten to bail on us. I've worked with people I had doubts about just because the ones I want to work with shuffle off to California without notice, and my product has suffered. Anybody who claims to be or says they can introduce me to the "next big name" in this biz, usually has me running for the hills. But other people are only a fraction of blame. I mean, who reading this doesn't get complete erectile dysfunction over the thought of the unoriginality that runs rampant, or the "big deal" our local news agencies make of any Hollywood film that graces us with its presence, then hits the big screen like a big wet spitwad we want to wipe off to see the real movie underneath? Add to that factors we can't control like the most unpredictable weather in the United States; locations that build up and tear down without notice; "artistes" who instead of giving us their leadership, look down their noses at us; and a sociopathy whose indecision between whether to be a belt of bibles made of rust or vice versa, only makes certain that independent voices get revised into fourth grade English with "values," (without asking "whose values?") and I find myself in a working environment where I get one feature completed for every two that go into production, and countless more that I would start, but can't even get off the ground. Even so, with an average of one feature length production that gets screened at major national and international film festivals every year for the last sixteen years, I am one of the most productive producers of narrative cinema in the Midwest. I'm far away however from being comfortable writing about myself in the third person except in press releases. So to try to wrap this up, here are my ideas for solutions in (as) brief (as possible). If the Film Czar agrees with me, maybe he can help institute some of them. His administration can reap the benefits, but remember, you heard it here first: 1. Start a large bodied organization by making its mission statement something that a majority can agree with. Does everybody want to be famous? Does everybody want Northeast Ohio to be the next Hollywood? Not from what I've heard, and I mean that with sincerity. Not everybody who is interested in local film even wants to actually produce movies, let alone produce them here. What is a thread common to the most people with interests related to making movies in this area? The lagging economy? The need for creative growth? What are the issues that would bring artists, professionals and beginners to the table regardless of clique or perceived experience? We've tried espousing Cleveland as a diverse location for production, but our diverse weather shat that one down. We've tried marketing the talent in the area, but the only productions we have to show for it are ones that local audiences find to be too "edgy" or "controversial," while more cosmopolitan markets outside of Ohio think we're a bunch of poseurs. Said organization may not be able to be as ambitious as getting movies made, but some smaller component of the lifestyle, if it's to draw as diverse a crowd as possible to beef up its networking opportunity street cred. The organization has to address issues relevant to all who are interested in this field, regardless of what kind of production is being made, what the individual's expected role is, or the intended audience. I know I sound like I contradicted myself just now with an earlier sentence about sociopathic predilections, but hold on to your britches. I'm not hatin', I'm just sayin'. The closest to doing this now is IndieCleveland, but I'm talking about something that has sway with community leaders. 2. Create a reward/accountability system for those who want to be considered a pillar of this area's creative media community. Start a website, for instance: www.auteurorposeur.com and model it after Ebay's feedback system. An artist voluntarily posts a profile, a filmography, the like, and others can post feedback- positive and negative. Of course, the artist can retort negative feedback on the message board. I know this smacks of turning into an extension of the good vibrations we all read on NEohioPAL once in a while-often, but something has to draw attention to the infectious lack of work ethic that often even ensnares me, exhausting me to the point where I don't even have the energy to return phone calls. When I meet cast and crew who haven't been exposed to some of the attitudes of the NEO film community, I'm often embarrassed for our community when faced with the proposition that they soon will get such a dose, that they often relocate. I mean a producer or professional actor can only work opposite so much indecision, "my boy/girlfriend won't let me act," or other sudden objections to the material you've all been working with for the last three months just because half way through production, they got around to reading your screenplay. But why should they help us producers with THEIR professionalism when area producers need to: 3. Stop trying to force their fantasy lives down your throats while acting shocked when you don't know how to react to some of the strange demands that they put on you during all processes of the production. Now am I getting my morality panties all in a bunch? No way! One of my current productions plays like John Waters directing an episode of Law & Order SVU, but I'm up front with people about what it is, and as long as they actually read the material before they say yes, then there are no hard feelings, and only mutual respect if and when they say no. But too many producers try to sneak it in on ya and then make you feel like you've got the shortcoming when you question doing material that wasn't in the script. It's got to feel like you got your picture taken by someone who was pretending to not take a picture of you, but of something else. That bait and switch hurts cast and crew relations, but (to me) more importantly, it compromises a production a) by risking its failure due to walk out, and b) wincing in the face of intellectual confrontation. You've got something ballsy to put out there? Let us check it out, if you sound like you know what you want and why, there are alot of actors here who will back your play. I know, I've worked with and am working with artists who help me take on some of the most controversial subjects a regional film has taken on, at least with sincerity. Worse still are the ones who pull punches and hope we don't notice. Do the films that feel right, and do them the way you feel they should be done, because people smell distrust, and if you don't trust them with your material, they're not going to trust you. That is, in my humble opinion, the biggest obstacle stopping films made in this area from being some of the greatest films made in any area. I know one attracts more flies with honey than vinegar, but I prefer to think of what I have to say as bittersweet. And besides... attract flies? I'm not trying to imitate a pile of...... purchasable film awards... Christopher K. Young www.shallowfocus.com alexcine at aol.com wrote: > Emmy winning writer and indie filmmaker Alex P. Michaels will be acting > as Cleveland's first Film Czar. It is a position Alex has thrust > himself into because he is not satisfied with the "powers that be" not > being supportive of the local community and that Cleveland does not do > as much as it can do to promote filmmaking here. Being involved in > independent films in Cleveland and shooting a TV Series based on his > Emmy winning movie, Alex has a unique perspective on how to bring > movies to the region and also how to support the filmmaking community. > Ironically a few years ago, Alex "divorced" himself from the film > community to work on building connections with the business community > and work on a proposal that is being shopped around to bring about an > incubator that will serve the local community and draw in productions. > Being Cleveland Film Czar is part of Alex's larger goal of making > Cleveland live up to its' potential and be a true part of the movie and > TV industry. > > The Film Czar would like some feedback on what this City truly needs to > make the local film community > To get your feedback fill out the form at > http://www.prelude2cinema.com/filmczar.htm > > Thank you > > Sincerely, > Alex Michaels ______________________________________ Disney's "BEAUTY AND THE BEAST" at Beck Center 12/2-12/31. 216-521-2540. http://www.fredsternfeld.com/beautyandthebeast.htm _______________________________________ There is a sister site to this list called the "NEoPAL Bulletin Board." Occasionally when "hot-button" discussions go on more than a day or two, the bulletin board is used. The Neopal bulletin board also has some other terrific features, like a searchable database for you to put your personal information, a place to post pictures and a chat room with a nightly 11pm gathering to discuss hot topics: http://groups.yahoo.com/group/neopal/ _______________________________________ Disclaimer: The facts and/or opinions expressed in this message are solely those of the person in the "from" or "reply-to" header. The fact that this message is posted should in no way be taken as an endorsement by the administrator of this list. Subscribers should perform due diligence for all goods, services and activities promoted on NEohioPAL. NEohioPAL mailing list NEohioPAL at lists.fredsternfeld.com http://lists.fredsternfeld.com/mailman/listinfo/neohiopal http://www.fredsternfeld.com --0-269190289-1132839149=:19396 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
Chris (you have a lot of time on your hands...help me clean the gutters huh) *Joke!
Bravo for standing against the machine!
 
After reading the Fidel Castro-ism of one individuals demand to be the CZAR of the City, I personally felt "Oh Please-ish". This rings like the sound of a horse wrangler running FEMA. To quote Dr. Phil: "how's that working out for ya".
 
I'm an implant, I live here by choice (ok my wife made me but so what). This community, collectively, is weak to the strength and endorse needed to make a major film. Further most of the upstarts lack knowledge of the system, sadly even I as a card carrying rebel stick to the system. Which, in other communities has a sincere political backing. Gary, Indiana (I believe or was the case some few years ago) will bend over a chair (no kiss, no dinner, no flowers) for film production.
 
I'm not beating up on Mr. Alex of the Emmy but we'd (I...we makes it feel robust) feel more confortable with an individual/ organization elect by and for the people. I too have a person project I'm pushing "buy my book, buy my book" but that will not be my political stance on the future of the community; me then us, well me...if time allows us as well.
 
HINT*
Contact Mr. Jackson's Office...maybe they'll be for it.
Fire the Czar, I need no self righted leader.
 
Ranting is always welcome
Happy Holiday
Jamey
 
 
 
 


Christopher <kaimei at earthlink.net> wrote:
Wow! Where to begin...

I know I'm supposed to fill out the feedback form, but I suspect it was born with dust on it. Everybody who cares in the slightest for Northeast Ohio's film and video community at least knows someone whose cousin subscribes to NEohioPAL, so my words, frazzled by ever-decreasing creative empathy and sprinkled with a dash of hypocrisy as they may be, are in good hands.

As far as I can tell from the expansive view provided by my basement studio's glass block windows, there are three base problems holding back this media arts community.

1. Homogenization of the community's organizational bodies

2. Underappreciation for a team-oriented work ethic

3. Absence of quality control on the parts of area producers

If this list elicits a big "hell yeah" from readers, then they can save themselves some time and stop here, you're just going to agree with everything else. The less you agree, the more you should read.

Until these issues are not just addressed (ahhhhgain), but solved, the pursuit of a NEO film community is like mankind's pursuit of expansion into space. Untold and uncomprehendable benefits await us as we ready ourselves to explore the final frontier, but none of that's of any use if we try to rush into the next phase as a trainwreck of a society. We've got to handle the mess in our backyard lest we pollute someone else's, in this
case, with cliquish, fractured organization; productions that had to take shortcuts or fail altogether because of unprofessionalism and steaming piles of sloppily produced attempts at legitimizing sociopathic predilections. Nobody's being specifically attacked here. If you agree with me, say "amen" to your computer screen. If the shoe finds itself fitting all too comfortably, then make sure it's tied on tight so we can't smell what
you've got hiding in there. If you don't see these problems in our community, then you're just not in the community. Maybe you're better off, because weez gotz major problems standing between "us" (the NEO film community) and "them" (an audience outside of people who still think making shoestring movies is a neat novelty).

Care to read more? I've got solutions, or at least ideas if anybody's listening.

But before we go there, you may be wondering, "why does this guy think he knows all about what's wrong here and how to fix it?"

The answer is simple. Having been buffeted by complacency, then uppercutted by unsubstantiated egos and finally kicked by addictions to mediocrity while I was down, I've taken on alot of ya'll's bad habits. I'm becoming part of the problem.

I was Director of Operations for a long-defunct organization you may remember called The Alliance, which was supposed to be a pool of film, television and theatrical artists. The brainchild of this organization started their own production company and inexplicably started treating The Alliance as competition, withholding audition announcements, badmouthing our board and trustees, etc. So I was front row for the demolition derby that
was watching a fully incorporated 501 c 3 non profit organization fall victim to a proverbial scat-porn fest under the very people who created it. I don't know the problems that must have festered in the Cleveland Film Society or other organizations, but none of them have substantively helped anybody I know. And having been around for longer than I care to admit, I know many.

I've watched myself cut corners just to finish core scenes when cast and crew threaten to bail on us. I've worked with people I had doubts about just because the ones I want to work with shuffle off to California without notice, and my product has suffered. Anybody who claims to be or says they can introduce me to the "next big name" in this biz, usually has me running for the hills. But other people are only a fraction of blame.

I mean, who reading this doesn't get complete erectile dysfunction over the thought of the unoriginality that runs rampant, or the "big deal" our local news agencies make of any Hollywood film that graces us with its presence, then hits the big screen like a big wet spitwad we want to wipe off to see the real movie underneath? Add to that factors we can't control like the most unpredictable weather in the United States; locations that
build up and tear down without notice; "artistes" who instead of giving us their leadership, look down their noses at us; and a sociopathy whose indecision between whether to be a belt of bibles made of rust or vice versa, only makes certain that independent voices get revised into fourth grade English with "values," (without asking "whose values?") and I find myself in a working environment where I get one feature completed for every
two that go into production, and countless more that I would start, but can't even get off the ground. Even so, with an average of one feature length production that gets screened at major national and international film festivals every year for the last sixteen years, I am one of the most productive producers of narrative cinema in the Midwest. I'm far away however from being comfortable writing about myself in the third person except
in press releases.

So to try to wrap this up, here are my ideas for solutions in (as) brief (as possible). If the Film Czar agrees with me, maybe he can help institute some of them. His administration can reap the benefits, but remember, you heard it here first:

1. Start a large bodied organization by making its mission statement something that a majority can agree with. Does everybody want to be famous? Does everybody want Northeast Ohio to be the next Hollywood? Not from what I've heard, and I mean that with sincerity. Not everybody who is interested in local film even wants to actually produce movies, let alone produce them here. What is a thread common to the most people with interests
related to making movies in this area? The lagging economy? The need for creative growth? What are the issues that would bring artists, professionals and beginners to the table regardless of clique or perceived experience? We've tried espousing Cleveland as a diverse location for production, but our diverse weather shat that one down. We've tried marketing the talent in the area, but the only productions we have to show for it are
ones that local audiences find to be too "edgy" or "controversial," while more cosmopolitan markets outside of Ohio think we're a bunch of poseurs. Said organization may not be able to be as ambitious as getting movies made, but some smaller component of the lifestyle, if it's to draw as diverse a crowd as possible to beef up its networking opportunity street cred. The organization has to address issues relevant to all who are
interested in this field, regardless of what kind of production is being made, what the individual's expected role is, or the intended audience. I know I sound like I contradicted myself just now with an earlier sentence about sociopathic predilections, but hold on to your britches. I'm not hatin', I'm just sayin'. The closest to doing this now is IndieCleveland, but I'm talking about something that has sway with community leaders.

2. Create a reward/accountability system for those who want to be considered a pillar of this area's creative media community. Start a website, for instance: www.auteurorposeur.com and model it after Ebay's feedback system. An artist voluntarily posts a profile, a filmography, the like, and others can post feedback- positive and negative. Of course, the artist can retort negative feedback on the message board. I know this smacks of
turning into an extension of the good vibrations we all read on NEohioPAL once in a while-often, but something has to draw attention to the infectious lack of work ethic that often even ensnares me, exhausting me to the point where I don't even have the energy to return phone calls. When I meet cast and crew who haven't been exposed to some of the attitudes of the NEO film community, I'm often embarrassed for our community when faced
with the proposition that they soon will get such a dose, that they often relocate. I mean a producer or professional actor can only work opposite so much indecision, "my boy/girlfriend won't let me act," or other sudden objections to the material you've all been working with for the last three months just because half way through production, they got around to reading your screenplay. But why should they help us producers with THEIR
professionalism when area producers need to:

3. Stop trying to force their fantasy lives down your throats while acting shocked when you don't know how to react to some of the strange demands that they put on you during all processes of the production. Now am I getting my morality panties all in a bunch? No way! One of my current productions plays like John Waters directing an episode of Law & Order SVU, but I'm up front with people about what it is, and as long as they
actually read the material before they say yes, then there are no hard feelings, and only mutual respect if and when they say no. But too many producers try to sneak it in on ya and then make you feel like you've got the shortcoming when you question doing material that wasn't in the script. It's got to feel like you got your picture taken by someone who was pretending to not take a picture of you, but of something else. That bait and
switch hurts cast and crew relations, but (to me) more importantly, it compromises a production a) by risking its failure due to walk out, and b) wincing in the face of intellectual confrontation. You've got something ballsy to put out there? Let us check it out, if you sound like you know what you want and why, there are alot of actors here who will back your play. I know, I've worked with and am working with artists who help me take
on some of the most controversial subjects a regional film has taken on, at least with sincerity. Worse still are the ones who pull punches and hope we don't notice. Do the films that feel right, and do them the way you feel they should be done, because people smell distrust, and if you don't trust them with your material, they're not going to trust you. That is, in my humble opinion, the biggest obstacle stopping films made in this
area from being some of the greatest films made in any area.

I know one attracts more flies with honey than vinegar, but I prefer to think of what I have to say as bittersweet. And besides... attract flies? I'm not trying to imitate a pile of...... purchasable film awards...

Christopher K. Young
www.shallowfocus.com



alexcine at aol.com wrote:

> Emmy winning writer and indie filmmaker Alex P. Michaels will be acting
> as Cleveland's first Film Czar. It is a position Alex has thrust
> himself into because he is not satisfied with the "powers that be" not
> being supportive of the local community and that Cleveland does not do
> as much as it can do to promote filmmaking here. Being involved in
> independent films in Cleveland and shooting a TV Series based on his
> Emmy winning movie, Alex has a unique perspective on how to bring
> movies to the region and also how to support the filmmaking community.
> Ironically a few years ago, Alex "divorced" himself from the film
> community to work on building connections with the business community
> and work on a proposal that is being shopped around to bring about an
> incubator that will serve the local community and draw in productions.
> Being Cleveland Film Czar is part of Alex's larger goal of making
> Cleveland live up to its' potential and be a true part of the movie and
> TV industry.
>
> The Film Czar would like some feedback on what this City truly needs to
> make the local film community
> To get your feedback fill out the form at
> http://www.prelude2cinema.com/filmczar.htm
>
> Thank you
>
> Sincerely,
> Alex Michaels

______________________________________
Disney's "BEAUTY AND THE BEAST" at Beck Center 12/2-12/31. 216-521-2540. http://www.fredsternfeld.com/beautyandthebeast.htm
_______________________________________
There is a sister site to this list called the "NEoPAL Bulletin Board." Occasionally when "hot-button" discussions go on more than a day or two, the bulletin board is used. The Neopal bulletin board also has some other terrific features, like a searchable database for you to put your personal information, a place to post pictures and a chat room with a nightly 11pm gathering to discuss hot topics: http://groups.yahoo.com/group/neopal/
_______________________________________
Disclaimer: The facts and/or opinions expressed in this message are solely those of the person in the "from" or "reply-to" header. The fact that this message is posted should in no way be taken as an endorsement by the administrator of this list. Subscribers should perform due diligence for all goods, services and activities promoted on NEohioPAL.

NEohioPAL mailing list
NEohioPAL at lists.fredsternfeld.com
http://lists.fredsternfeld.com/mailman/listinfo/neohiopal
http://www.fredsternfeld.com

--0-269190289-1132839149=:19396-- From Moviemanandy at aol.com Thu Nov 24 08:44:19 2005 From: Moviemanandy at aol.com (Moviemanandy at aol.com) Date: Thu, 24 Nov 2005 11:44:19 EST Subject: [NEohioPAL]Happy Thanksgiving !!! Message-ID: <23f.23f7ed3.30b747e3@aol.com> --part1_23f.23f7ed3.30b747e3_boundary Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit I just wanted to take a moment to wish everyone on this list and there families and friends a safe and Happy Thanksgiving ! I also wanted to thank everyone involved with the wonderful A.F.T.R.A. talent production guide party. It was wonderful to see friends I haven't seen in ages and to meet new friends. Also, for anyone that may be interested there is a new arts magazine out. It is called Artist Review Today. It is a local arts magazine dealing with everyone from sculptors to painters and even actors and producers. I happen to have a short article in the current issue.Also, there is an article on "Madness" the feature film Bill Johns is currently doing. I want to thank all my friends and family for continuing my growth and education and awareness in this industry. So, thank you one and all and again Happy Thanksgiving ! Respectfully, Andy Schofield www.moviemanandy.com --part1_23f.23f7ed3.30b747e3_boundary Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
    
      I just wanted to take a moment to wish everyo= ne on this list and there families and friends a safe and Happy Thanksgiving= !

I also wanted to thank everyone involved with the wonderful A.F.T.R.A. talen= t production guide party. It was wonderful to see friends I haven't seen in=20= ages and to meet new friends.

Also, for anyone that may be interested there is a new arts magazine out. It= is called Artist Review Today. It is a local arts magazine dealing with eve= ryone from sculptors to painters and even actors and producers. I happen to=20= have a short article in the current issue.Also, there is an article on "Madn= ess" the feature film Bill Johns is currently doing.

I want to thank all my friends and family for continuing my growth and educa= tion and awareness in this industry.

So, thank you one and all and again Happy Thanksgiving !

Respectfully, Andy Schofield

www.moviemanandy.com --part1_23f.23f7ed3.30b747e3_boundary-- From broadview-heights-spotlights at cox.net Thu Nov 24 08:44:55 2005 From: broadview-heights-spotlights at cox.net (broadview-heights-spotlights at cox.net) Date: Thu, 24 Nov 2005 11:44:55 -0500 Subject: [NEohioPAL]BROADVIEW HEIGHTS SPOTLIGHTS: Christmas Concert Dec. 3 Message-ID: <20051124164654.ZJJE14098.eastrmmtao05.cox.net@[172.18.52.8]> MAKE YOUR RESERVATIONS NOW! Box Office Phone: (440) 526-4404 SPOTLIGHTS CHRISTMAS CONCERT Featuring the Spotlights Costumed Carolers Saturday, December 3 8:00 PM -- Broadview Heights Cultural Arts Building General Admission: $6 SPOTLIGHTS PRESENT "COSTUMED CAROLERS," CONCERT The Broadview Heights Spotlights Community Theater is pleased to present its annual holiday favorite, the Spotlights Costumed Carolers. The harmonious, Dickens-esque carolers are ready to entertain at your next Christmas function. The group, resplendent in flowing skirts, capes, and top hats, will add a "touch of class" to your business open house or party. Interested parties may also invite the Costumed Carolers to entertain family and friends; the group is sure to add nostalgic warmth to any family holiday gathering. For a donation to the Broadview Heights Spotlights Community Theater, patrons will enjoy the sights and sounds of a by-gone era as portrayed by our talented Carolers. New in 2005, the Spotlights Costumed Carolers will also be hosting a public concert to kick off the holiday season. The concert will be held on Saturday, December 3 at the Broadview Heights Cultural Arts Center, located on the Broadview Center campus at 9543 Broadview Road (1/2 mile South of Route 82). The concert begins at 8:00 PM. General admission is $6 per person. To book the Spotlights Costumed Carolers for your event, or for ticket reservations or other inquiries, interested parties may contact the Broadview Heights Spotlights Community Theater Box Office by phone at (440) 526-4404, by email at broadview-heights-spotlights at cox.net, or on the web at www.broadview-heights-spotlights.org. From clevearttheatre at sbcglobal.net Thu Nov 24 08:51:37 2005 From: clevearttheatre at sbcglobal.net (Cleveland Art Theatre) Date: Thu, 24 Nov 2005 08:51:37 -0800 (PST) Subject: [NEohioPAL]What is "Christmas Gif'"? - Get the Answer and Spread the News!! Message-ID: <20051124165137.33583.qmail@web80804.mail.yahoo.com> --0-4694903-1132851097=:32705 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit What is "Christmas Gif'"?. It's Cleveland Art Theatre's Annual Holiday Musical Presentation! "CHRISTMAS GIF'" is written and directed by Margaret Ford-Taylor. The wonderful, familiar Holiday tunes are arranged and directed by Maestro Glenn Bracken. THE FOLKS IN THIS DELIGHTFUL COMMUNITY WELCOME YOU TO THEIR CHRISTMAS CELEBRATION. THEY WANT YOU TO LAUGH, SING AND ENJOY THEIR TOWN AND THE SEASON.. It's a play for every child and every adult who is still a child at heart! December 2 - December 18, 2005 Fri & Sat 8 pm - Sunday Matinees 4:00 pm at CSU's Factory Theatre East 24th between Chester & Payne Avenues. Bring All The Kids Adults $15.00 - Children 12 and under $7.50 Group rates are available. Call (216)229-9718 for further information --0-4694903-1132851097=:32705 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
What is "Christmas Gif'"?.  It's Cleveland Art Theatre's Annual Holiday Musical Presentation! 
 

 "CHRISTMAS GIF'" is written and directed by Margaret Ford-Taylor.  The wonderful, familiar Holiday tunes are arranged and directed by Maestro Glenn Bracken. 

 

THE FOLKS IN THIS DELIGHTFUL COMMUNITY WELCOME YOU TO THEIR  CHRISTMAS CELEBRATION. THEY WANT YOU TO LAUGH, SING AND ENJOY THEIR TOWN AND THE SEASON..

 

It's a play for every child and every adult who is still a child at heart!   

      December 2 - December 18, 2005

Fri & Sat 8 pm - Sunday Matinees 4:00 pm

         at CSU's Factory Theatre

East 24th between Chester & Payne Avenues.

             Bring All The Kids

Adults $15.00 - Children 12 and under $7.50

Group rates are available.  Call (216)229-9718 for further information

 

--0-4694903-1132851097=:32705-- From mikeanthnort at aol.com Thu Nov 24 10:35:05 2005 From: mikeanthnort at aol.com (mikeanthnort at aol.com) Date: Thu, 24 Nov 2005 13:35:05 -0500 Subject: [NEohioPAL]Re:All Hail RENT! In-Reply-To: <20051124085718.86417.qmail@web60323.mail.yahoo.com> Message-ID: <8C7BF3CEC31683F-1BE8-2CE3@FWM-D08.sysops.aol.com> Film Czar...where do these folks get such charged material? It's gotta be Shaker Heights, right? The reason I ask is because I am completely awash in a reality based purely in Hollywood. Really. Who won the "Battle of Shaker Heights"? The Film Czar? The Turkey Czar? John Crapper? Speaking of crap, Bill, I've got to say, there's a lotta crap because there's A LOT of opinions--and you know what they say about opinions? Never mind, it's Turkey Day! Pass the gravy, already!! Speaking of opinions, with your triage classification of the filmic species in Cleveland, I suppose with regard to my last film project, I'm a burner. But is it possible to be obliged to be a burner if the story contained on the screen is that of a scarce and ambiguous landscape (not to mention the audible difficulties)? I dunno; to Learners, Yearners, and Burners, I would add Avante-Gardesmen, Feminists, Surrealists, Hyper-Montagues, Mise-en-scenities, Verisimilidudes, Sci-Files, and Imports. Finally, go see "RENT" everyone! Delicious! Extra-extraordinary cast! Made me live in thoughts of age-old friends, artistes, loves, and, with any luck, the inspiration spilled over by its power of music will help concerned members of at least this community put together some sort of legitimate Vaccine-to-Beat-AIDS-by-2010 Campaign for the world. We've got the tech to do it; we've got TODAY to do it.... Happy Plancksgiving and Thanksgiving, everyone. Even to this Film Czar guy, may you find a nice film studio in St. Petersburg or Havana :) XO, Mike -----Original Message----- From: Bill To: neohiopal at lists.fredsternfeld.com Sent: Thu, 24 Nov 2005 00:57:18 -0800 (PST) Subject: [NEohioPAL]All Hail Film Czar and Film Prophet All Hail Film Czar and Film Prophet You know, most of the time I sit with calm amusement as I read the various ramblings as to why Cleveland isn't 'on the map' when it comes to motion picture film and TV production. However, these latest posts are just too funny to ignore... A self proclaimed Film Czar? What the hell is that? Alex, I thought you were joking! And Christopher, you seem to have so much intelligence and yet you completely miss the point. Ya wanna know the reason why we can't all just get along and make movies together? Well here it is. There's too much crap!!! And widely varying degrees of crap. One of the only reasons our monthly Indieclub meetings are successful is because we're not trying to create a consortium; we're not trying to unite our resources, we're not even trying to improve eachother's work. We're j ust watching videos. And guess what? We see a lot of crap. We see some good stuff too, but mostly we see Learners, Yearners and Burners. Now, Learners are novice filmmakers who make crap because it's their first film and rather than learn the trade first, they go ahead and make a movie as practice and hopefully they'll improve. We sit politely and smile, wishing they had thought about lighting, sound, acting, dialogue, and camera work before making us sit through their experiments. Yearners are filmmakers who really want to make good films, so they use everything at their disposal to make the best possible film they can. However, they're still somewhat plagued by compromise and the results are never what they hoped for, nor what a real distributor will buy. Much easier to sit through though. Burners are the worst. These are filmmakers (u sually prolific) who make crap every time out of the gate. Their camera work is mostly hand-hell shaky cam. Their lighting is barely more than ambient and they often use the on-camera mic to capture dialogue. The acting is wooden and undirected; the stories are either so deep you need waders, or so shallow you can't find a point; and to top it off, they're fully convinced they are great filmmakers. But why do I call them Burners you ask? Well, because they burn the bridges that sincere Yearners might someday want to use. They burn bridges with actors who get soured against indie filmmakers because they have nothing decent to show for all their hard work (not even copy). They burn bridges with locations because they are so unorganized that they overstay their welcomes, mess up property and never send copies of the video, like they promise to do. They burn bridges with investors because the investor never sees a dime of their money back. They burn bridges with the legitimate film commission, because, as I said before they make crap and what film commission is going to support and encourage more crap??? Yet that's not the reason why we don't need a film czar or film prophet or any other coordinating force. The real reason is no one wants to work on someone else's film. You see, most of the people that comprise the indie scene here in Cleveland are writer/producer/directors and we're all working on our own projects. And guess what. I'm not all that interested in spending my valuable time working on someone's project which I consider to be crappier than my own. I can just as easily be spending my time and resources creating my own crap. Sure everyone would like to think there's a benevolent brotherhood of filmmakers; a selfless society where everyone submits ideas and work samples and then the members vote on what script to do and who to direct it. The commu nity is presented with the proposal and since it bears the backing of so many filmmakers, the businesses get involved and support the project with services and finances. The best actors come from all around to have a part in the project and a glorious motion picture is produced that wins the Oscar for Impossible Dream... That would be a good plot for a fantasy picture, but in the real world, writers will lose interest if their script isn't picked. Directors will bail if they can't direct and actors will walk away if they can't be the lead. And you guessed it the end product would probably be... well, I don't need to say it again. (though I really want to) Bill Johns crappy writer/producer/and director www.cinevidproductions.com P.S - I guess I'm in a sour mood because just yesterday I lost a serious investor (producer of two features in LA) because she said the acting in one of the scenes I sent her wasn't very good. I knew it when I shot it that I was compromising, and even though we're reshooting that scene, it's too late to regain that contact... ah CRAP! -------- Yahoo! Music Unlimited - Access over 1 million songs. Try it free. From wvannostran at neo.rr.com Thu Nov 24 11:08:22 2005 From: wvannostran at neo.rr.com (Bill Van Nostran) Date: Thu, 24 Nov 2005 14:08:22 -0500 Subject: [NEohioPAL]Film Czar seeks Feedback on making Cleveland a Movie City References: <8C7BE67FB7053BC-1A94-3EBE@FWM-R16.sysops.aol.com> Message-ID: <006201c5f12a$709a2d80$640fa8c0@vanornbygqljoh> As the adage goes, if it ain't on the page, it ain't on the stage. Same goes for motion pictures. The good ones all start with a compelling story well told. So one simple way to encourage new work, foster a supportive environment, and help individuals gain feedback on their work could come from a group focused on helping local filmmakers develop and polish material. A monthly group giving individual writers an opportunity to hear scenes from an emerging draft read aloud, then receive feedback from others, is a small, but perhaps important step in developing a local environment to foster NEO talent. Perhaps twice a year, local actors might be persuaded to participate in readings of screenplays nearing completion--showcasing them to a larger audience. Bill Van Nostran ----- Original Message ----- From: To: Sent: Wednesday, November 23, 2005 12:10 PM Subject: [NEohioPAL]Film Czar seeks Feedback on making Cleveland a Movie City Emmy winning writer and indie filmmaker Alex P. Michaels will be acting as Cleveland's first Film Czar. It is a position Alex has thrust himself into because he is not satisfied with the "powers that be" not being supportive of the local community and that Cleveland does not do as much as it can do to promote filmmaking here. Being involved in independent films in Cleveland and shooting a TV Series based on his Emmy winning movie, Alex has a unique perspective on how to bring movies to the region and also how to support the filmmaking community. Ironically a few years ago, Alex "divorced" himself from the film community to work on building connections with the business community and work on a proposal that is being shopped around to bring about an incubator that will serve the local community and draw in productions. Being Cleveland Film Czar is part of Alex's larger goal of making Cleveland live up to its' potential and be a true part of the movie and TV industry. The Film Czar would like some feedback on what this City truly needs to make the local film community To get your feedback fill out the form at http://www.prelude2cinema.com/filmczar.htm Thank you Sincerely, Alex Michaels ************************************** Prelude2Cinema "Movies That Make You Think." http://www.prelude2cinema.com ******************************************* ______________________________________ Disney's "BEAUTY AND THE BEAST" at Beck Center 12/2-12/31. 216-521-2540. http://www.fredsternfeld.com/beautyandthebeast.htm _______________________________________ There is a sister site to this list called the "NEoPAL Bulletin Board." Occasionally when "hot-button" discussions go on more than a day or two, the bulletin board is used. The Neopal bulletin board also has some other terrific features, like a searchable database for you to put your personal information, a place to post pictures and a chat room with a nightly 11pm gathering to discuss hot topics: http://groups.yahoo.com/group/neopal/ _______________________________________ Disclaimer: The facts and/or opinions expressed in this message are solely those of the person in the "from" or "reply-to" header. The fact that this message is posted should in no way be taken as an endorsement by the administrator of this list. Subscribers should perform due diligence for all goods, services and activities promoted on NEohioPAL. NEohioPAL mailing list NEohioPAL at lists.fredsternfeld.com http://lists.fredsternfeld.com/mailman/listinfo/neohiopal http://www.fredsternfeld.com From kym4639 at yahoo.com Thu Nov 24 11:34:01 2005 From: kym4639 at yahoo.com (K Brown) Date: Thu, 24 Nov 2005 11:34:01 -0800 (PST) Subject: [NEohioPAL]Karamu holds AUDITIONS for "Breaking Barriers: Little Rock Nine" Message-ID: <20051124193402.67263.qmail@web34308.mail.mud.yahoo.com> --0-1077121374-1132860841=:64114 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Auditions are being held at Karamu for the World Premier of ?Breaking Barriers: Little Rock Nine?, by Nicole C. Kearney Cooper. Karamu Performing Arts Theater 2355 East 89th Street Cleveland, 44106 (For more information, call (216) 702-6803) Roles available for Caucasian and African American actors & actresses ages 14 to 60. AUDITION DATES & TIMES Saturday December 3 11am to 1pm Sunday December 4 2pm to 4pm Saturday December 10 11am to 1pm Sunday December 11 2pm to 4pm CASTING NEEDS 5 Caucasian adult men 6 African American teen girls 3 African American teen boys 1 Caucasian teen girl 1 Caucasian teen boy 2 African American adult women 1 African America adult man REHEARSAL & PERFORMANCE DATES Rehearsals 2 days/week starting December 28. Performances each Saturday and Sunday from February 11 through February 26. For details: (216) 702-6803 ABOUT THE PLAY "Breaking Barriers: Little Rock Nine" is told from the perspective of the nine students who integrated Central High School, in Little Rock, Arkansas, in September, 1957, amid much violence, hatred and protest. Join these famous "nine" students, their parents, and their protector Ms. Daisy Bates as they meet for the first time after they are chosen. As these nine students bond over the common desire for a better education, they begin to realize the impact it has on American society. Hear personal perspectives from Little Rock and the nation as the drama unfolds for those nine young Black students. --------------------------------- Yahoo! Personals Single? There's someone we'd like you to meet. Lot's of someone's, actually. Yahoo! Personals --0-1077121374-1132860841=:64114 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
Auditions are being held at Karamu for the World Premier of  ?Breaking Barriers:  Little Rock Nine?, by Nicole C. Kearney Cooper.
 
Karamu Performing Arts Theater
2355 East 89th Street
Cleveland, 44106
(For more information, call (216) 702-6803)
 
Roles available for Caucasian and African American actors & actresses ages 14 to 60.
 
AUDITION DATES & TIMES 
Saturday December 3               11am to 1pm
Sunday December 4                 2pm to 4pm
 
Saturday December 10             11am to 1pm
Sunday December 11               2pm to 4pm
 
CASTING NEEDS
5 Caucasian adult men
6 African American teen girls
3 African American teen boys
1 Caucasian teen girl
1 Caucasian teen boy
2 African American adult women
1 African America adult man
 
REHEARSAL & PERFORMANCE DATES
Rehearsals 2 days/week starting December 28.
Performances each Saturday and Sunday from February 11 through February 26.
 
For details:  (216) 702-6803
 
ABOUT THE PLAY
"Breaking Barriers: Little Rock Nine" is told from the perspective of the nine students who integrated Central High School, in Little Rock, Arkansas, in September, 1957, amid much violence, hatred and protest. Join these famous "nine" students, their parents, and their protector Ms. Daisy Bates as they meet for the first time after they are chosen. As these nine students bond over the common desire for a better education, they begin to realize the impact it has on American society.  Hear personal perspectives from Little Rock and the nation as the drama unfolds for those nine young Black students. 
 
 

Yahoo! Personals
Single? There's someone we'd like you to meet.
Lot's of someone's, actually. Yahoo! Personals --0-1077121374-1132860841=:64114-- From kaimei at earthlink.net Thu Nov 24 12:06:36 2005 From: kaimei at earthlink.net (Christopher) Date: Thu, 24 Nov 2005 15:06:36 -0500 Subject: [NEohioPAL]All Hail Film Czar and Film Prophet References: <20051124085718.86417.qmail@web60323.mail.yahoo.com> Message-ID: <43861D4C.48CBA613@earthlink.net> --------------2F538E000E2A9ADB2ED64FF6 Content-Type: text/plain; charset=us-ascii; x-mac-type="54455854"; x-mac-creator="4D4F5353" Content-Transfer-Encoding: 7bit I see an attempt at buying some goodwill with the acting and crew community here, but if we shift ALL the blame on the filmmakers, then we will be ignoring the suffering of those majority of actors and crew who ARE professional enough to show up and try to finish scenes and projects in spite of the few who disappear and stop returning calls until they've settled into their Venice Beach apartments or found religion, or whatever excuse they give until one posts another audition notice. Then, they resurface and send their headshots and resumes as if you won't remember them from the last burn, and to add insult to injury, some of them even put the picture they bailed on or got fired from ON THEIR RESUME! Maybe if we all resigned ourselves to making short films that only have one or two locations, then the impact of this kind of behavior could be minimized. But for those of us who dare to make feature films with multiple locations and scenes with significant cast interplay, then this work ethic, left unaddressed, will STAY the norm for a minority, but significant percentage of actors and crew in this area, thereby throwing a wrench not only into a director's work, but the work of the other actors and crew as well. It only takes one actor doing this to shut down a film. Ask around. I have first hand experience with the phenomenon, and when filmmakers start to get a little ambitious around here, so will they. And while I haven't been to an Indieclub meeting in a long time, I thought I was giving it the benefit of the doubt in my initial posting. But if they're not networking their resources or helping each other improve their work, then what the hell are those guys doing there? I hope it's not all about listening to someone who memorized an article out of videomaker magazine or congratulating each other for sticking it out in Cleveland for as long as they have. Don't get me wrong! This isn't a commentary on Indieclub! I imagine that someone conversant with Indieclub's mission can articulate its significance with great ease. The last meeting I attended (almost two years ago) was very helpful. But if it's true that they no longer provide a resource pool and a constructively critical forum, then that which I hope it isn't, must be exactly what it is. I'll attend one as soon as possible, with the hopes that we're both wrong. But, all that aside, sway with city leaders is a necessary next step for Indieclub, or any organization that takes Cleveland's position in the greater media arts community to heart. I mean, what's a film community if the COMMUNITY isn't involved? Perhaps this is already underway, again, I haven't been attending. But an US and THEM attitude won't help anybody, because THEY have the power to make US unwelcome... even more so than we already are from a socio-cultural standpoint. One other issue I need to take on is the idea that Cleveland's indie scene is mostly made up of writers, producers and directors. While it's true that most directors are also writers and producers, and all the other combinations therein, it's more than safe to say that the vast majority of those who consider themselves in the indie scene have little to no interest in writing and/or producing and/or directing a picture of their own. Ask yourself, what's the largest number of actors you've had answer a casting call of yours? My largest number is about 130, I imagine yours are similar, if not higher since you often cast on the coattails of success from a previous project. This kind of turn out is not uncommon. Now how many area filmmakers have you ever seen in one place locally, at one time? Actual filmmakers with one or more credits in the above mentioned categories? Even add those who aspire to have a credit and the number's still pretty small. The reason I bring up this otherwise picayune issue is because it's symptomatic of a trend this community has, and I've been guilty of too: leaving out actors and crew in the dialogue over the needs of this film community. Because when you include those people in the mix, then we see that in fact, a vast majority of this community DOES WANT to work on someone else's film. They're just waiting for something they can believe in. Some find it, many don't, and some are just easy to please. You know us creative types are an unorganized lot with major attention deficit, so one more time. What was the point? Christopher K. Young www.shallowfocus.com P.S.: Amen to your last two paragraphs Bill wrote: > All Hail Film Czar and Film Prophet You know, most of the time I sit > with calm amusement as I read the various ramblings as to why > Cleveland isn't 'on the map' when it comes to motion picture film and > TV production. However, these latest posts are just too funny to > ignore... A self proclaimed Film Czar? What the hell is that? Alex, I > thought you were joking! And Christopher, you seem to have so much > intelligence and yet you completely miss the point. Ya wanna know the > reason why we can't all just get along and make movies together? Well > here it is. There's too much crap!!! And widely varying degrees of > crap. One of the only reasons our monthly Indieclub meetings are > successful is because we're not trying to create a consortium; we're > not trying to unite our resources, we're not even trying to improve > eachother's work. We're j ust watching videos. And guess what? We see > a lot of crap. We see some good stuff too, but mostly we see Learners, > Yearners and Burners. Now, Learners are novice filmmakers who make > crap because it's their first film and rather than learn the trade > first, they go ahead and make a movie as practice and hopefully > they'll improve. We sit politely and smile, wishing they had thought > about lighting, sound, acting, dialogue, and camera work before making > us sit through their experiments. Yearners are filmmakers who really > want to make good films, so they use everything at their disposal to > make the best possible film they can. However, they're still somewhat > plagued by compromise and the results are never what they hoped for, > nor what a real distributor will buy. Much easier to sit through > though. Burners are the worst. These are filmmakers (u sually > prolific) who make crap every time out of the gate. Their camera work > is mostly hand-hell shaky cam. Their lighting is barely more than > ambient and they often use the on-camera mic to capture dialogue. The > acting is wooden and undirected; the stories are either so deep you > need waders, or so shallow you can't find a point; and to top it off, > they're fully convinced they are great filmmakers. But why do I call > them Burners you ask? Well, because they burn the bridges that sincere > Yearners might someday want to use. They burn bridges with actors who > get soured against indie filmmakers because they have nothing decent > to show for all their hard work (not even copy). They burn bridges > with locations because they are so unorganized that they overstay > their welcomes, mess up property and never send copies of the video, > like they promise to do. They burn bridges with investors because the > investor never sees a dime of their money back. They burn bridges with > the legitimate film commission, because, as I said before they make > crap and what film commission is going to support and encourage more > crap??? Yet that's not the reason why we don't need a film czar or > film prophet or any other coordinating force. The real reason is no > one wants to work on someone else's film. You see, most of the people > that comprise the indie scene here in Cleveland are > writer/producer/directors and we're all working on our own projects. > And guess what. I'm not all that interested in spending my valuable > time working on someone's project which I consider to be crappier than > my own. I can just as easily be spending my time and resources > creating my own crap. Sure everyone would like to think there's a > benevolent brotherhood of filmmakers; a selfless society where > everyone submits ideas and work samples and then the members vote on > what script to do and who to direct it. The commu nity is presented > with the proposal and since it bears the backing of so many > filmmakers, the businesses get involved and support the project with > services and finances. The best actors come from all around to have a > part in the project and a glorious motion picture is produced that > wins the Oscar for Impossible Dream... That would be a good plot for a > fantasy picture, but in the real world, writers will lose interest if > their script isn't picked. Directors will bail if they can't direct > and actors will walk away if they can't be the lead. And you guessed > it the end product would probably be... well, I don't need to say it > again. (though I really want to) Bill Johnscrappy writer/producer/and > directorwww.cinevidproductions.com P.S - I guess I'm in a sour mood > because just yesterday I lost a serious investor (producer of two > features in LA) because she said the acting in one of the scenes I > sent her wasn't very good. I knew it when I shot it that I was > compromising, and even though we're reshooting that scene, it's too > late to regain that contact... ah CRAP! > ----------------------------------------------------------------------- > Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --------------2F538E000E2A9ADB2ED64FF6 Content-Type: text/html; charset=us-ascii Content-Transfer-Encoding: 7bit I see an attempt at buying some goodwill with the acting and crew community here, but if we shift ALL the blame on the filmmakers, then we will be ignoring the suffering of those majority of actors and crew who ARE professional enough to show up and try to finish scenes and projects in spite of the few who disappear and stop returning calls until they've settled into their Venice Beach apartments or found religion, or whatever excuse they give until one posts another audition notice.  Then, they resurface and send their headshots and resumes as if you won't remember them from the last burn, and to add insult to injury, some of them even put the picture they bailed on or got fired from ON THEIR RESUME!

Maybe if we all resigned ourselves to making short films that only have one or two locations, then the impact of this kind of behavior could be minimized.  But for those of us who dare to make feature films with multiple locations and scenes with significant cast interplay, then this work ethic, left unaddressed, will STAY the norm for a minority, but significant percentage of actors and crew in this area, thereby throwing a wrench not only into a director's work, but the work of the other actors and crew as well.  It only takes one actor doing this to shut down a film.  Ask around.  I have first hand experience with the phenomenon, and when filmmakers start to get a little ambitious around here, so will they.

And while I haven't been to an Indieclub meeting in a long time, I thought I was giving it the benefit of the doubt in my initial posting.  But if they're not networking their resources or helping each other improve their work, then what the hell are those guys doing there?  I hope it's not all about listening to someone who memorized an article out of videomaker magazine or congratulating each other for sticking it out in Cleveland for as long as they have.  Don't get me wrong!  This isn't a commentary on Indieclub!  I imagine that someone conversant with Indieclub's mission can articulate its significance with great ease.  The last meeting I attended (almost two years ago) was very helpful.  But if it's true that they no longer provide a resource pool and a constructively critical forum, then that which I hope it isn't, must be exactly what it is.  I'll attend one as soon as possible, with the hopes that we're both wrong.  But, all that aside, sway with city leaders is a necessary next step for Indieclub, or any organization that takes Cleveland's position in the greater media arts community to heart.  I mean, what's a film community if the COMMUNITY isn't involved?  Perhaps this is already underway, again, I haven't been attending.  But an US and THEM attitude won't help anybody, because THEY have the power to make US unwelcome... even more so than we already are from a socio-cultural standpoint.

One other issue I need to take on is the idea that Cleveland's indie scene is mostly made up of writers, producers and directors.  While it's true that most directors are also writers and producers, and all the other combinations therein, it's more than safe to say that the vast majority of those who consider themselves in the indie scene have little to no interest in writing and/or producing and/or directing a picture of their own.  Ask yourself, what's the largest number of actors you've had answer a casting call of yours?  My largest number is about 130, I imagine yours are similar, if not higher since you often cast on the coattails of success from a previous project.  This kind of turn out is not uncommon.

Now how many area filmmakers have you ever seen in one place locally, at one time?  Actual filmmakers with one or more credits in the above mentioned categories?  Even add those who aspire to have a credit and the number's still pretty small.  The reason I bring up this otherwise picayune issue is because it's symptomatic of a trend this community has, and I've been guilty of too:  leaving out actors and crew in the dialogue over the needs of this film community.  Because when you include those people in the mix, then we see that in fact, a vast majority of this community DOES WANT to work on someone else's film.  They're just waiting for something they can believe in.

Some find it, many don't, and some are just easy to please.

You know us creative types are an unorganized lot with major attention deficit, so one more time.  What was the point?

Christopher K. Young
www.shallowfocus.com

P.S.: Amen to your last two paragraphs
 
 

Bill wrote:

All Hail Film Czar and Film Prophet You know, most of the time I sit with calm amusement as I read the various ramblings as to why Cleveland isn't 'on the map' when it comes to motion picture film and TV production. However, these latest posts are just too funny to ignore... A self proclaimed Film Czar? What the hell is that? Alex, I thought you were joking! And Christopher, you seem to have so much intelligence and yet you completely miss the point. Ya wanna know the reason why we can't all just get along and make movies together? Well here it is. There's too much crap!!! And widely varying degrees of crap. One of the only reasons our monthly Indieclub meetings are successful is because we're not trying to create a consortium; we're not trying to unite our resources, we're not even trying to improve eachother's work. We're j ust watching videos. And guess what? We see a lot of crap. We see some good stuff too, but mostly we see Learners, Yearners and Burners. Now, Learners are novice filmmakers who make crap because it's their first film and rather than learn the trade first, they go ahead and make a movie as practice and hopefully they'll improve. We sit politely and smile, wishing they had thought about lighting, sound, acting, dialogue, and camera work before making us sit through their experiments. Yearners are filmmakers who really want to make good films, so they use everything at their disposal to make the best possible film they can. However, they're still somewhat plagued by compromise and the results are never what they hoped for, nor what a real distributor will buy. Much easier to sit through though. Burners are the worst. These are filmmakers (u sually prolific) who make crap every time out of the gate. Their camera work is mostly hand-hell shaky cam. Their lighting is barely more than ambient and they often use the on-camera mic to capture dialogue. The acting is wooden and undirected; the stories are either so deep you need waders, or so shallow you can't find a point; and to top it off, they're fully convinced they are great filmmakers. But why do I call them Burners you ask? Well, because they burn the bridges that sincere Yearners might someday want to use. They burn bridges with actors who get soured against indie filmmakers because they have nothing decent to show for all their hard work (not even copy). They burn bridges with locations because they are so unorganized that they overstay their welcomes, mess up property and never send copies of the video, like they promise to do. They burn bridges with investors because the investor never sees a dime of their money back. They burn bridges with the legitimate film commission, because, as I said before they make crap and what film commission is going to support and encourage more crap??? Yet that's not the reason why we don't need a film czar or film prophet or any other coordinating force. The real reason is no one wants to work on someone else's film. You see, most of the people that comprise the indie scene here in Cleveland are writer/producer/directors and we're all working on our own projects. And guess what. I'm not all that interested in spending my valuable time working on someone's project which I consider to be crappier than my own. I can just as easily be spending my time and resources creating my own crap. Sure everyone would like to think there's a benevolent brotherhood of filmmakers; a selfless society where everyone submits ideas and work samples and then the members vote on what script to do and who to direct it. The commu nity is presented with the proposal and since it bears the backing of so many filmmakers, the businesses get involved and support the project with services and finances. The best actors come from all around to have a part in the project and a glorious motion picture is produced that wins the Oscar for Impossible Dream... That would be a good plot for a fantasy picture, but in the real world, writers will lose interest if their script isn't picked. Directors will bail if they can't direct and actors will walk away if they can't be the lead. And you guessed it the end product would probably be... well, I don't need to say it again. (though I really want to) Bill Johnscrappy writer/producer/and directorwww.cinevidproductions.com P.S - I guess I'm in a sour mood because just yesterday I lost a serious investor (producer of two features in LA) because she said the acting in one of the scenes I sent her wasn't very good. I knew it when I shot it that I was compromising, and even though we're reshooting that scene, it's too late to regain that contact... ah CRAP!
Yahoo! Music Unlimited - Access over 1 million songs. Try it free.
--------------2F538E000E2A9ADB2ED64FF6-- From PatrickJCarroll at aol.com Thu Nov 24 19:25:22 2005 From: PatrickJCarroll at aol.com (PatrickJCarroll at aol.com) Date: Thu, 24 Nov 2005 22:25:22 EST Subject: [NEohioPAL]Christmas Massage Therapy Gift Certificates Message-ID: <202.e9b2aa4.30b7de22@aol.com> --part1_202.e9b2aa4.30b7de22_boundary Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit TO MY FELLOW PERFORMERS: Today starts the official Christmas Season! Why not give your loved one (or yourself ;-) ) something that will actually improve their health and or state of mind. MASSAGE! Whether you need a serious therapeutic deep tissue massage or just want to enjoy the bliss of total relaxation. Give a Massage Therapy Gift Certificate. Your Christmas shopping can be as easy as a phone call or a click of the reply button to this email! I offer a 20% discount to all Neohiopal subscribers. Happy Holidays to all! Patrick J. Carroll, L.M.T. 216-544-6001 --part1_202.e9b2aa4.30b7de22_boundary Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable

TO MY FELLOW PERFORMERS:


Today starts the official Christmas Season!

Why not give your loved one (or yourself ;-) ) something that will
actually improve their health and or state of mind.

MASSAGE!

Whether you need a serious therapeutic deep ti= ssue massage or just want to enjoy the bliss of total relaxation.

Give a Massage Therapy Gift Certificate.


Your Christmas shopping can be as easy as a phone call or a= click of the reply button to this email!

I offer a 20% discount to all Neohiopal subscribers.

Happy Holidays to all!

Patrick J. Carroll, L.M.T= .
216-544-6001

--part1_202.e9b2aa4.30b7de22_boundary-- From impuffinstuff at yahoo.com Thu Nov 24 20:58:24 2005 From: impuffinstuff at yahoo.com (Lynda Rodriguez) Date: Thu, 24 Nov 2005 20:58:24 -0800 (PST) Subject: [NEohioPAL]Murder Mystery Recommendation Message-ID: <20051125045824.74391.qmail@web35304.mail.mud.yahoo.com> --0-358964142-1132894704=:73315 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Thank you Random Acts for doing a CLEAN and FUNNY show! The interaction was hilarious and the music was spectacular! We made the right decision hiring Random Acts and I would recommend them to anyone looking for entertainment! HAPPY HOLIDAYS! --------------------------------- Yahoo! Personals Single? There's someone we'd like you to meet. Lot's of someone's, actually. Try Yahoo! Personals --0-358964142-1132894704=:73315 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
Thank you Random Acts for doing a CLEAN and FUNNY show!  The interaction was hilarious and the music was spectacular!  We made the right decision hiring Random Acts and I would recommend them to anyone looking for entertainment!  
 
HAPPY HOLIDAYS!

Yahoo! Personals
Single? There's someone we'd like you to meet.
Lot's of someone's, actually. Try Yahoo! Personals --0-358964142-1132894704=:73315-- From likely_suspect_99 at yahoo.com Thu Nov 24 21:43:03 2005 From: likely_suspect_99 at yahoo.com (Likely Suspect) Date: Thu, 24 Nov 2005 21:43:03 -0800 (PST) Subject: [NEohioPAL]Weathervane Playhouse presents an audience participation comic murder mystery Message-ID: <20051125054303.40645.qmail@web32714.mail.mud.yahoo.com> --0-146157991-1132897383=:37600 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit NEWS RELEASE Contact: Janis L. Harcar (330) 836-2323 (not for publication) Weathervane Ticket Office (330) 8362626 WEATHERVANE PLAYHOUSE presents An audience participation comic murder mystery by Mysteries by Moushey BLACK AND WHITE AND DEAD ALL OVER (November 1, 2005 Akron, Ohio?For Immediate Release) Weathervane Playhouse takes the ?mystery? out of what to do after the last of the turkey has been consumed! The Women?s Board of the Playhouse invites you and your guests to join them on November 26 for an evening of dastardly deeds and comic crime when they sponsor ?Black and White and Dead All Over?. The audience participation mystery will be presented by Mysteries by Moushey. Teams of amateur detectives will witness nefarious acts, search for clues, interrogate suspects, and offer their own solutions to ?whodunit.? The color scheme is?what else??black and white or any combination thereof, so use your imagination when dressing. Prizes will be awarded for costumes as well as Most Creative, Most Outrageous, and Most Clueless solutions to the mystery. Additional prizes will be awarded by drawing from the correct solutions. Cost of the event is $25 per person which includes the mystery, clue hunt, snacks, soft drinks and beer. The first beer is included with the ticket. Groups of 6-8 get a team discount. Specially created baskets of gifts will be raffled. (Get ahead on your holiday shopping!) The evening?s schedule: 7:00 p.m. Doors open. Mystery actors mingle in main lobby. 7:30 p.m. Mystery begins in auditorium. General admission seating. 8:30 p.m. Clue hunt begins. Snack buffet opens. 9:15 p.m. Solution is shared. Cast introduced. Prizes awarded. Black and White and Dead All Over is presented as a fundraiser for the Weathervane Women?s Board on Saturday, November 26, 2005. Charge by phone at Weathervane?s Ticket Office at 330-326-2626. Call between 10 a.m. and 5:30 p.m. Tuesday through Friday. Sponsored by Weathervane Women?s Board. --------------------------------- Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --0-146157991-1132897383=:37600 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
NEWS RELEASE      
Contact:  Janis L. Harcar
(330) 836-2323 (not for publication)
Weathervane Ticket Office (330) 8362626
 
                                    WEATHERVANE PLAYHOUSE presents
            An audience participation comic murder mystery by Mysteries by Moushey
     BLACK AND WHITE AND DEAD ALL OVER
 
(November 1, 2005 Akron, Ohio?For Immediate Release)  Weathervane Playhouse takes the ?mystery? out of what to do after the last of the turkey has been consumed!  The Women?s Board of the Playhouse invites you and your guests to join them on November 26 for an evening of dastardly deeds and comic crime when they sponsor ?Black and White and Dead All Over?.  The audience participation mystery will be presented by Mysteries by Moushey. 
            Teams of amateur detectives will witness nefarious acts, search for clues, interrogate suspects, and offer their own solutions to ?whodunit.?  The color scheme is?what else??black and white or any combination thereof, so use your imagination when dressing.  Prizes will be awarded for costumes as well as Most Creative, Most Outrageous, and Most Clueless solutions to the mystery.  Additional prizes will be awarded by drawing from the correct solutions. 
Cost of the event is $25 per person which includes the mystery, clue hunt, snacks, soft drinks and beer.  The first beer is included with the ticket.  Groups of 6-8 get a team discount.  Specially created baskets of gifts will be raffled.  (Get ahead on your holiday shopping!)
The evening?s schedule:
            7:00 p.m.          Doors open.  Mystery actors mingle in main lobby. 
            7:30 p.m.          Mystery begins in auditorium.  General admission seating.
8:30 p.m.          Clue hunt begins.  Snack buffet opens.
9:15 p.m.          Solution is shared.  Cast introduced.  Prizes awarded.
 
            Black and White and Dead All Over is presented as a fundraiser for the Weathervane Women?s Board on Saturday, November 26, 2005.  Charge by phone at Weathervane?s Ticket Office at 330-326-2626.  Call between 10 a.m. and 5:30 p.m. Tuesday through Friday.
                        Sponsored by Weathervane Women?s Board.
 

Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --0-146157991-1132897383=:37600-- From popcycles at sbcglobal.net Fri Nov 25 05:45:41 2005 From: popcycles at sbcglobal.net (D. Budin) Date: Fri, 25 Nov 2005 05:45:41 -0800 (PST) Subject: [NEohioPAL]'Spinal Tap' benefit screening for Contemporary Youth Orchestra Message-ID: <20051125134542.31588.qmail@web81802.mail.mud.yahoo.com> --0-580039208-1132926341=:30301 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Contemporary Youth Orchestra Presents Benefit Screening of This Is Spinal Tap See the classic satire This Is Spinal Tap ? a parody of rock bands and rock documentaries ? and support a great cause, this Saturday at 11 p.m. The Contemporary Youth Orchestra is celebrating its 11th season and CYO?s slogan for the season is ?Take It to Eleven!? ? inspired by the movie This Is Spinal Tap. In the movie ? Rob Reiner?s hilarious ?mockumentary? about the fictional rock band Spinal Tap ? the group gets amps that go to 11 because 10 is not loud enough. For CYO, it?s not about volume, but about going beyond what is expected and anticipated, which the orchestra continually does. CYO is composed of more than 100 of the best high school-age musicians in this region, representing more than 40 schools. To kick off this season, CYO is presenting a benefit screening of This Is Spinal Tap on Saturday, November 26 Cleveland State University?s Drinko Recital Hall ? in the Music and Communications Building at 2001 Euclid Avenue (the north-west corner of Euclid Avenue and E. 21st Street). The doors will open at 10:15 p.m., and the movie will be shown at 11 p.m. Donations of any amount will be accepted. The suggested donation is $11. Popcorn and soda will be provided. For more information, call CYO at 216-321-3525, or David Budin at 216-791-5149. --0-580039208-1132926341=:30301 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit

Contemporary Youth Orchestra Presents Benefit Screening of This Is Spinal Tap

 

See the classic satire This Is Spinal Tap ? a parody of rock bands and rock documentaries ? and support a great cause, this Saturday at 11 p.m.

 

The Contemporary Youth Orchestra is celebrating its 11th season and CYO?s slogan for the season is ?Take It to Eleven!? ? inspired by the movie This Is Spinal Tap. 

 

In the movie ? Rob Reiner?s hilarious ?mockumentary? about the fictional rock band Spinal Tap ? the group gets amps that go to 11 because 10 is not loud enough.  For CYO, it?s not about volume, but about going beyond what is expected and anticipated, which the orchestra continually does.

 

CYO is composed of more than 100 of the best high school-age musicians in this region, representing more than 40 schools.

 

To kick off this season, CYO is presenting a benefit screening of This Is Spinal Tap on Saturday, November 26 Cleveland State University?s Drinko Recital Hall ? in the Music and Communications Building at 2001 Euclid Avenue (the north-west corner of Euclid Avenue and E. 21st Street).  The doors will open at 10:15 p.m., and the movie will be shown at 11 p.m.

 

Donations of any amount will be accepted. The suggested donation is $11.  Popcorn and soda will be provided.

 

For more information, call CYO at 216-321-3525, or David Budin at 216-791-5149.

--0-580039208-1132926341=:30301-- From LNRoo at aol.com Fri Nov 25 05:48:40 2005 From: LNRoo at aol.com (LNRoo at aol.com) Date: Fri, 25 Nov 2005 08:48:40 EST Subject: [NEohioPAL]Two Issues for Feedback on Film in Cleveland Message-ID: <2b2.844601.30b87038@aol.com> -------------------------------1132926520 Content-Type: text/plain; charset="UTF-8" Content-Transfer-Encoding: quoted-printable Content-Language: en Film is traditionally an apprentice/mentor trade. Cleveland needs to look at= =20 success if it wants success. Hollywood production has been crippled by =E2= =80=9C run-away=E2=80=9D production for the past decade. Why? Because LA taxed TV a= nd film=20 productions into the red. Where did they run to? Not Cleveland ... Canada. =20= Where the=20 weather is just as bad. =20 1) Study what Toronto and Vancouver did to entice Hollywood runaway=20 productions. =20 2) What is the best film school in Cleveland? Make it better. If Cleveland=20 had a world class film school it would do the unthinkable =E2=80=93 attract=20= talent.=20 =20 Urban Film Legend has it that Spielberg was rejected by USC, one of the best= =20 film schools in the world. After his success he went back to USC bought them= a=20 film building and put his name on it. Where did Spielberg end up going to=20 school? Not Cleveland.=20 =20 Ellen Rooney -------------------------------1132926520 Content-Type: text/html; charset="UTF-8" Content-Transfer-Encoding: quoted-printable Content-Language: en

Film is traditionally an apprentice/mentor trade. <= st1:place>Cleveland needs to look at success if it wa= nts success. Hollywood production has been crippled b= y =E2=80=9Crun-away=E2=80=9D production for the past decade. Why? Because LA= taxed TV and film productions into the red. Where did they run to? Not Cleveland ... Canada.  Where the weather is just as bad.

 

1) Study what Toronto and Vancouver did to entice= Hollywood runaway productions.

 

2) What is the best film school in Cleve= land? Make it better. If Clevela= nd had a world class film school it would do the unth= inkable =E2=80=93 attract talent.

 

Urban Film Legend has it that Spielberg was rejected by USC,&= nbsp;one of the best film schools in the world. After his success he we= nt back to USC bought them a film building and put his name on it. Where did= Spielberg end up going to school? Not Cleveland.

 


Ellen Rooney

-------------------------------1132926520-- From Demeerusty at aol.com Fri Nov 25 07:34:35 2005 From: Demeerusty at aol.com (Demeerusty at aol.com) Date: Fri, 25 Nov 2005 10:34:35 EST Subject: [NEohioPAL]A Raisin In The Sun Message-ID: <22c.26ddcfe.30b8890b@aol.com> -------------------------------1132932875 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit The University of Akron's premiere organization for campus events The Zips Programming Network will be putting on the production of A Raisin In The Sun by Lorraine Hansberry in February for Black History Month. We are looking for FULL PRODUCTION CAST AND CREW. All POSITIONS will be PAID. Auditions will be December 1-3 please RSVP 330-972-7014 or tga2 at uakron.edu Timothy G. Avant Diversity Chair Zips Programming Network The University of Akron -------------------------------1132932875 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
The University of Akron's premiere organization for campus events The Z= ips=20 Programming Network will be putting on the production of A Raisin In Th= e=20 Sun by Lorraine Hansberry in February for Black History Month. We are=20 looking for  FULL PRODUCTION CAST AND CREW. All POSITIONS will be PAID.= =20 Auditions will be December 1-3 please RSVP 330-972-7014 or tga2 at uakron.edu
Timothy G. Avant
Diversity Chair
Zips Programming Network
The University of Akron
 -------------------------------1132932875-- From artistic at playersguildtheatre.com Fri Nov 25 08:42:34 2005 From: artistic at playersguildtheatre.com (Wendy Temple) Date: Fri, 25 Nov 2005 11:42:34 -0500 Subject: [NEohioPAL]Players Guild Adult Alternative to Christmas Message-ID: <000001c5f1df$3ccebd30$0101000a@office.playersguildtheatre.com> This is a multi-part message in MIME format. ------=_NextPart_000_0001_01C5F1B5.53F8B530 Content-Type: multipart/alternative; boundary="----=_NextPart_001_0002_01C5F1B5.53F8B530" ------=_NextPart_001_0002_01C5F1B5.53F8B530 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Players Guild Adult-Only Christmas Canton, Ohio- Nov. 2005 - What's more fun and festive than a pitcher of candy cane-flavored Daiquiris? An evening of rollicking, irreverent holiday humor courtesy of David Sedaris! The NPR commentator, author and humorist strikes gold with two one-act plays, Santaland Diaries and Season's Greetings. Santaland features a sordid (and sometimes just plain silly) behind-the-scenes peek at working for Santa at the Macy's NYC department store. Your guide is a world-weary, jaded "Elf" (David Sponhour). You'll never look at "The Big Guy's" mall display the same way again! "Season's Greetings" introduces you to a on the surface picture-perfect suburban Mom, (Denise Robb) as she shares the family's annual brag-fest report aka the Holiday Newsletter. It's "shock-full" of fun and surprises! Take a break from shopping among the hordes, overdosing on sugar plums and fa-la-la's! Treat yourself to this delightful, adults-only evening of naughty wit not to be missed! The Players Guild Theatre's presentation of David's Sedaris's Santaland Diaries and Season Greetings begins December 5th -7th, and 12th -14th in the Arena Theatre. Monday, Tuesday and Wednesday performances begin at 8 :00 p.m. and all Tickets are $10.00 general admissision at the door. The Players Guild production of Santaland Diaries and Season Greetings is sponsored by Canton Repository, and Aultman Hospital. All Players Guild productions are produced with the generous support of the Canton community through Arts in Stark and Ohio Arts Council. # # # 1001 Market Ave. North, Canton, Ohio 44702 Phone: 330-453-7619 Fax: 330-453-8568 ------=_NextPart_001_0002_01C5F1B5.53F8B530 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

Players Guild Adult-Only = Christmas

 

 

        = ;    Canton, = Ohio– Nov. 2005 – What's more fun and festive = than a pitcher of candy cane-flavored Daiquiris?  An evening of rollicking, irreverent holiday humor courtesy of = David Sedaris!  The NPR = commentator, author and humorist strikes gold with two one-act plays, Santaland = Diaries and Season's Greetings.  = Santaland features a sordid (and = sometimes just plain silly) behind-the-scenes peek at working for Santa at the Macy's = NYC department store.  Your guide is a = world-weary, jaded "Elf" (David Sponhour).  You'll never look at "The = Big Guy's" mall display the same way again! "Season's = Greetings" introduces you to a on the surface picture-perfect suburban Mom, (Denise Robb) as = she shares the family's annual brag-fest report aka the Holiday Newsletter.  It's "shock-full" of fun and surprises! Take a break from shopping = among the hordes, overdosing on sugar plums and fa-la-la's!  = Treat yourself to this delightful, adults-only evening of naughty wit not to = be missed!

The Players Guild Theatre’s presentation of David’s Sedaris’s Santaland Diaries and Season<= /span> Greetings  begins December 5th = -7th, and 12th -14th in the = Arena Theatre. Monday, Tuesday and Wednesday performances begin at 8 :00 p.m. and all Tickets are $10.00 = general admissision = at the door. 

The Players Guild production of Santaland Diaries and Season<= /span> Greetings is sponsored by Canton Repository, and Aultman = Hospital.  = All Players Guild productions are produced with the generous support of the Canton community through Arts in Stark and Ohio Arts Council. =

# # = #

1001 Market Ave. = North, Canton, Ohio 44702

=

Phone: 330-453-7619 Fax: = 330-453-8568

 
 
 

 

------=_NextPart_001_0002_01C5F1B5.53F8B530-- ------=_NextPart_000_0001_01C5F1B5.53F8B530 Content-Type: text/html; name="header.htm" Content-Transfer-Encoding: quoted-printable Content-ID:

EMPLOYMENT AGREEMENT

The Players Guild of Canton, Inc.

=A0Amy Sima

September 1, = 2001 - = June 30, 2002

Page 2 of = 3

 

------=_NextPart_000_0001_01C5F1B5.53F8B530-- From Artistschair2005 at aol.com Fri Nov 25 08:45:04 2005 From: Artistschair2005 at aol.com (Artistschair2005 at aol.com) Date: Fri, 25 Nov 2005 11:45:04 EST Subject: [NEohioPAL]Need a STAGE ACTOR? Christine H. Winsberg & OTHER NEWS! Message-ID: <21f.3c13055.30b89990@aol.com> -------------------------------1132937104 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit ARTISTSCHAIR.COM'S "FEATURED ARTIST OF THE DAY" Stage Actor - Christine H. Winsberg (Location: Cleveland Heights, Ohio) (November 25, 2005) To view Christine's profile, visit _http://www.artistschair.com_ (http://www.artistschair.com/) Latest Members' CONTEST Giveaway (November 23, 2005) CONGRATULATIONS to Wadsworth-based stage actor William M. Berry for being chosen at random by the artistschair.com database to be the Wednesday, November 23 "Featured Artist of the Day" will winning two passes, good for four admissions to the December 1 (7:30 pm) Loews Richmond Town Square advanced screening of "The Family Stone" featuring Claire Danes, Diane Keaton, Rachel McAdams, Dermot Mulroney, Craig T. Nelson, Sarah Jessica Parker and Luke Wilson. Take friends or take family, either way, GET OUT and SEE NORTHEAST OHIO! Not a member of artistschair.com yet? Join today for FREE! Networking EVENT & PARTY for Artists and Those that Hire Talent (November 10, 2005) A GREAT BIG THANK YOU to all who attended the November 9 artistschair.com Networking Event which took place at 1300 Gallery. Photos from the event will be posted to the artistschair.com directory soon. FIND an Artist! Make your event or project extra memorable. Find entertainers and technicians in our FREE and easy-to-use database featuring photos and profiles of local artists in more than 100 different talent fields. BE an Artist! Let your talents and services be known. Become a member for FREE and highlight all talent fields that apply to you. Upload photos of yourself and/or samples of your work, edit your own information and have your profiles viewed by those searching for your talents and services. Our MISSION Artistschair.com is committed to PROMOTING and RAISING AWARENESS of local artists, arts-related institutions and issues and the NORTHEAST OHIO REGION as well as serving the needs of those searching for CREATIVE TALENT and resources. -------------------------------1132937104 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
  =20
            ARTISTSCHAIR.COM'S "FEATURED ARTIST OF THE=20 DAY"
Stage=20 Actor - Christine H.=20 Winsberg (Location: Cleveland He= ights,=20 Ohio)
 
(November 25, 2005) To=20 view Christine's profile, visit http://www.artistschair.com
 
Latest Me= mbers'=20 CONTEST Giveaway
(November 23,=20 2005) CONGRATULATIONS to Wadsworth-based stage actor=20 William M. Berry for being chosen at random by the=20 artistschair.com database to be the Wednesday, November 23=20 "Featured Artist of the Day" will winning two passes, good=20= for=20 four admissions to the December 1 (7:30 pm) Loews Richmond Town Square advan= ced=20 screening of "The Family Stone" featuring Claire Danes, Dia= ne=20 Keaton, Rachel McAdams, Dermot Mulroney, Craig T. Nelson, Sarah Jessica Park= er=20 and Luke Wilson.  
 
Take friends or t= ake=20 family, either way, GET OUT and SEE NORTHEAST OHIO! Not a member of artistschair.com yet? Join today for=20 FREE!
 
Networking&nbs= p;EVENT=20 & PARTY for Artists and Those that Hire Talent=20
(November 10, 2005) A=20 GREAT BIG THANK YOU to all who attended the November 9=20 artistschair.com Networking=20 Event which took place at 1300 Gallery. Photo= s=20 from the event will be posted to the artistschair.com directory=20 soon.
  
=
FIND=20= an=20 Artist!
Make=20= your=20 event or project extra memorable. Find entertainers and technicia= ns=20 in our FREE and easy-to-use databa= se=20 featuring photos and profiles of local artists in more than 100 different ta= lent=20 fields.
BE an= =20 Artist!
Let y= our=20 talents and services be known. Become a member=20 for=20 FREE and highlight all talent fields that apply to you. Upload phot= os=20 of yourself and/or samples of your work, edit your own information and have=20= your=20 profiles viewed by those searching for your talents and=20 services.
Our MISSION<= /DIV>
Artistschair.com is committed to=20 PROMOTING and RAISING AWARENESS of local artists,=20 arts-related institutions and issues and the NORTHEAST OHIO=20 REGION as well as serving the needs of those searching for=20 CREATIVE TALENT and resources.
 
-------------------------------1132937104-- From ddanza at clevelandplayhouse.com Fri Nov 25 08:51:38 2005 From: ddanza at clevelandplayhouse.com (Domenick Danza) Date: Fri, 25 Nov 2005 11:51:38 -0500 Subject: [NEohioPAL]Master Class for the Actor at The Cleveland Play House - Last chance to submit your resume! Message-ID: This is a multi-part message in MIME format. ------=_NextPart_000_000E_01C5F1B6.98B8B1B0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit The Cleveland Play House Master Class for the Actor Consecutive Mondays, 6:00-9:00 PM, starting January 16, 2006 Session Length: 8 weeks Fee: $200 Instructors: Seth Gordon & Mark Alan Gordon, with Guest Instructors, including Michael Bloom, Artistic Director This master class is a scene study laboratory for the advanced and professional artist. It is not a class for beginners, but rather a unique opportunity in Cleveland for working professionals to hone their craft with other professionals from The Cleveland Play House Artistic Staff who have substantial national professional experience. It is designed to make good actors better. With a class limit of 14, there will be many opportunities to work. BY AUDITION ONLY. For an audition appointment send your picture and resume by December 1 to Domenick Danza, Education Director, The Cleveland Play House, 8500 Euclid Ave, Cleveland, OH 44106-0189. Auditions will be the week of December 12, 2005. ------=_NextPart_000_000E_01C5F1B6.98B8B1B0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Master Class for the Actor at The Cleveland Play House - Last = chance to submit your resume!

    The Cleveland Play = House

    Master Class for the = Actor

    Consecutive = Mondays, 6:00-9:00 PM, starting January 16, 2006

    Session = Length:  8 = weeks
    Fee:  $200
    Instructors:  Seth Gordon & Mark Alan Gordon, with Guest = Instructors, including Michael Bloom, Artistic Director

    This master class is a scene = study laboratory for the advanced and professional artist.  It is = not a class for beginners, but rather a unique opportunity in Cleveland = for working professionals to hone their craft with other professionals = from The Cleveland Play House Artistic Staff who have substantial = national professional experience.  It is designed to make good = actors better.  With a class limit of 14, there will be many = opportunities to work.  BY AUDITION ONLY.

       For an audition = appointment send your picture and resume by December 1 to Domenick = Danza, Education
       Director, The = Cleveland Play House, 8500 Euclid Ave, Cleveland, OH 44106-0189.  = Auditions will be the
       week of December 12, = 2005.

------=_NextPart_000_000E_01C5F1B6.98B8B1B0-- From shootfilmordie at yahoo.com Fri Nov 25 08:52:42 2005 From: shootfilmordie at yahoo.com (Jay Johnson) Date: Fri, 25 Nov 2005 08:52:42 -0800 (PST) Subject: [NEohioPAL]"Will Work For Food" Opens DV Festival Message-ID: <20051125165242.1920.qmail@web54512.mail.yahoo.com> --0-890654653-1132937562=:97005 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit "Will Work For Food" an independently produced feature here in Cleveland has been chosen to open the DV Film Festival in Los Angeles on December 7th. The DV Festival is conjunction with the DV Expo West, a convention centering on the technology of Digital Video. www.dvexp.com/filmfest "Will Work For Food" premiered at the 2005 Cleveland International Film Festival where it sold out two shows. We just screened it in New York last week as part of the New York Film and Video Festival. Many cast and crew on the movie were discovered and networked through the Neohiopal list. I was the Director, Writer and Editor of "WWFF" and I have worked in Cleveland for 15 years as a director, shooter and Avid editor of commercials, corporate videos and entertainment projects. I have just gone independent from my staff postion as Creative Director at a video production company to further my career in production. Nick Koesters, the producer and one of the leads is a SAG and Equity actor in the Cleveland area. David Lemoyne, the lead, is a working stage actor in Cleveland, and works in Video production and photography. This is the kind of thing that helps promote filmmaking in Cleveland. People working together to do great work. Hopefully, this will be a trend for the people involved with "Will Work For Food" and the entire area. "Will Work For Food" is a feature that was completely produced, casted, crewed and finished in the Cleveland area. Thanks to all who were involved with this project. Jay Johnson --0-890654653-1132937562=:97005 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
"Will Work For Food" an independently produced feature here in Cleveland has been chosen to open the DV Film Festival in Los Angeles on December 7th.  The DV Festival is conjunction with the DV Expo West, a convention centering on the technology of Digital Video. www.dvexp.com/filmfest
 
"Will Work For Food" premiered at the 2005 Cleveland International Film Festival where it sold out two shows.
 
We just screened it in New York last week as part of the New York Film and Video Festival.
 
Many cast and crew on the movie were discovered and networked through the Neohiopal list. 
 
I was the Director, Writer and Editor of "WWFF" and I have worked in Cleveland for 15 years as a director, shooter and Avid editor of commercials, corporate videos and entertainment projects.  I have just gone independent from my staff postion as Creative Director at a video production company to further my career in production.
 
Nick Koesters, the producer and one of the leads is a SAG and Equity actor in the Cleveland area.
 
David Lemoyne, the lead, is a working stage actor in Cleveland, and works in Video production and photography.
 
This is the kind of thing that helps promote filmmaking in Cleveland.  People working together to do great work.  Hopefully, this will be a trend for the people involved with "Will Work For Food" and the entire area.  "Will Work For Food" is a feature that was completely produced, casted, crewed and finished in the Cleveland area.
 
Thanks to all who were involved with this project.
 
Jay Johnson
 
 
 
 
--0-890654653-1132937562=:97005-- From newfangled02 at yahoo.com Fri Nov 25 09:51:49 2005 From: newfangled02 at yahoo.com (Newfangled Productions) Date: Fri, 25 Nov 2005 09:51:49 -0800 (PST) Subject: [NEohioPAL]LAST CALL for STEVE LYNCH letters Message-ID: <20051125175149.74522.qmail@web35212.mail.mud.yahoo.com> This is the last call for letters for Peace Corps volunteer Steve Lynch. Please help us make this Christmas a special one. If you haven't already written your letter, take a few minutes right now before you get back to what you were doing. ALL LETTERS MUST BE RECEIVED BY DECEMBER 1ST! Below you should find the instructions if you need to refresh your memory. Oliver Corrigan Artistic Director Newfangled Productions ***** Dear friends, Please join Newfangled Productions in a very special project. Some of you may know our friend Steve Lynch. Some of you may not. But either way, please take a moment to read his story: Steve Lynch is as 23 year old native of Bainbridge, Ohio and graduate of Ohio State University. He was a very active member of Newfangled Productions in our first three years - in fact, he was there right at the beginning singing and playing at our very first event - The First Starving Artists? Ball. A year ago Steve left his home, his friends and his family to join the Peace Corps. He is currently stationed in Turkmenistan, a former soviet country in central Asia. He has dedicated two years of his life to service and hardship. Many of us talk about working for peace from the comfort of our homes, but Steve has made a great sacrifice - leaving everything he has ever known to travel to a country where the people are impoverished, where electricity and hot water are considered luxuries and where the ?president for life? squanders what little his people have on self-glorification and statues in his honor. There must be many days when Steve feels alone and forgotten, but we have not forgotten him. He is far from home but he is never far from our hearts. And with that in mind, please help us to create a very special gift for Steve. Our intention is to create a book of letters from as many people as we can to send to Steve for Christmas. We hope to collect letters from those of you who know Steve and from those of you who do not, but are still touched by his story. If you are his friend, now is the time to remind him, to tell him how much you miss him and how proud you are of him. If you?ve never met him, now is the chance to introduce yourself, to thank him for proving that in a world that sometimes seems full of selfishness and violence that there are people like him working for peace and humility. Please email your letter to newfangled02 at yahoo.com by December 1st with the following information: Your name Where you live You occupation or some other one-line distinctive description of yourself Example: Dear Steve, Thank you so much for all that you are doing. You are an example to us all. Johnny Newfangled Akron, Ohio Sprocket salesman for ?Newfangled Sprocket Company? Your letter can be as short or as long as you would like - a couple of sentences or a full-length letter. It is up to you. But what?s important is that you say something - that we can show in a small way that no matter how far away Steve is he is never alone. Also, please provide us with a way to contact you, whether through email, phone or a mailing address (all three would be preferable). Once the letters are collected and the book is produced we would love to make copies available for all of you - so we can all share in the celebration of this remarkable person. Finally, think of this book as a ?surprise party.? It is so much more fun if Steve doesn?t know about this until he receives the book. We encourage you to make copies of this letter, to send it to your friends, family and coworkers - to post it on mailing lists and on coffee shop bulletin boards, but if you post it on the internet, try not to post it someplace where Steve is likely to see it. (Steve has limited internet access through the Peace Corps to communicate with home and to post letters.) If you have any questions, comments or want to help in any additional way please feel free to email us at newfangled02 at yahoo.com or call (330)620-9686. Yours, Oliver Corrigan Artistic Director Newfangled Productions (330)620-9686 newfangled02 at yahoo.com http://www.geocities.com/newfangledwebsite P.S. To read about Steve?s experiences in his own words please read http://goodprovider.diaryland.com. P.P.S. To learn more about the Peace Corps read http://www.peacecorps.gov. P.P.P.S. To learn more about Turkmenistan start with http://en.wikipedia.org/wiki/Turkmenistan. __________________________________ Start your day with Yahoo! - Make it your home page! http://www.yahoo.com/r/hs From royberko at yahoo.com Fri Nov 25 10:02:25 2005 From: royberko at yahoo.com (Roy Berko) Date: Fri, 25 Nov 2005 10:02:25 -0800 (PST) Subject: [NEohioPAL]Berko review: T.I.D.Y. (Beck Center) Message-ID: <20051125180225.43987.qmail@web33106.mail.mud.yahoo.com> ?T.I.D.Y.? has some funny moments at Beck Roy Berko (Member, American Theatre Critics Association) --THE TIMES NEWSPAPERS-- Lorain County Times--Westlaker Times--Lakewood News Times--Olmsted-Fairview Times Eric Coble, considered by many to be the local playwright laureate, has hit the big time. He?s an entry in ?Wikipedia,? the on-line encyclopedia. You can also probe him for personal information on ?Answers.com.? Theatre Communications Group honored him in their article ?Seven Playwrights to Watch.? Coble, whose newest play ?T.I.D.Y.? is being staged at Beck Center, is a member of the Playwrights' Unit of the Cleveland Play House. His past works include: ?TEN MINUTES FROM CLEVELAND? (which premiered at Dobama Theater), ?SOUND BITING,? ?ISOLATED INCIDENTS,? ?BRIGHT IDEAS? (which had a New York off Broadway production, as well as a Cleveland run), ?PINOCCHIO 3.5,? ?CINDERELLA CONFIDENTIAL,? ?SACAGAWEA,? ?VIRTUAL DEVOTION,? ?TRUTH: THE TESTIMONIAL OF SOJOURNER TRUTH,? ?IN A GROVE: FOUR JAPANESE GHOST STORIES,? and ?NIGHTFALL WITH EDGAR ALLAN POE.? Coble, who has an affinity for storytelling, often displays a wonderful spirited creativity. Some of this may have come from his upbringing on the Navaho and Ute reservations of New Mexico and Colorado where he spent time wandering around in what he once described as an ?Indiana Jones setting,? which encouraged his imagination to run wild. Anyone who has seen Coble?s ?BRIGHT IDEAS,? which tells the tale of parents who will stop at nothing to enroll their child in the ?perfect? preschool, realizes his off-the-wall thought processes and an ability to play with words. Coble often turns to classic sources as well as fairy tales and social issues and political intrigue for his inspiration. ?T.I.D.Y.? has a conspiracy base, which works perfectly in this year?s political atmosphere of who outed an FBI agent, was the public misled by G. W. Bush?s ?evil empire? and the neo-cons about the existence of weapons of mass destruction in Iraq, or their tie to the terrorism that destroyed the World Trade Center. The basic story centers on Emily Danbert, a computer geek, whose quiet life is totally thrown into chaos when T.I.D.Y., a program she developed, becomes the center of a global conspiracy. Matters really get out of hand when her ?sweet? old mother, her husband, her best friend and a mysterious confident all get involved in the intrigue. The concept is a delight. Unfortunately, the play and the production don?t live up to the premise. Though filled with some delightful moments, the play?s pieces-parts don?t always flow together well. There are segments where the action zooms right along, others where there are lulls. Some of the problem lies with director Roger Truesdell, who has paced the production much too slowly. This has to be a Marx Brothers romp, a farce on speed. Instead, we get a car race followed by a pony trot, followed by acceleration, and then more plodding. The cast is generally excellent. Sarah Morton develops a nice textured roll as the obsessive compulsive left-brained nerd whose personal and professional life lacks much excitement until she becomes the center of an international conspiracy plot. Kevin Joseph Kelly plays multi-roles with comic delight. His highlight is a portrayal of an ice cream salesman who can hardly contain his exasperation while Morton?s character continually changes her order. Rhoda Rosen, as the mother turned international hit man, is hysterical. She gives a perfect Ethel Mertz impersonation. Nicholas Koesters makes for a fine ex-husband trying hard to come back into his former wife?s life. Tracey Field could have had more fun and exaggerated her role of the mysterious confident, as could have Alison Garrigan as the friendly fellow worker turned bad. Don McBride?s multi-level set design basically works, but the constant need to move furniture around slowed down the show?s pace. As the program states, ?Anyone in the United Sates today who isn?t paranoid must be crazy.? After watching ?T.I.D.Y? you?ll be even more paranoid. Or, as the bumper sticker on my car says, ?If you aren?t appalled, you haven?t been paying attention. CAPSULE JUDGEMENT: ?T.I.D.Y.? isn?t up to Coble?s ?BRIGHT IDEAS,? but it has some good laughs. Too bad both the script and pacing couldn?t have had a little more ?oomph.? For tickets to ?T.I.D.Y.? which runs through December 18 at the Beck Center for the Arts, call 216-521-2540. Roy Berko's web page can be found at www.royberko.info. His theatre and dance reviews appear on NeOHIOpal, an on-line source. To subscribe to this free service via the World Wide Web, visit http://lists.fredsternfeld.com/mailman/listinfo/neohiopal. __________________________________ Yahoo! Mail - PC Magazine Editors' Choice 2005 http://mail.yahoo.com From cinevid at yahoo.com Fri Nov 25 10:32:45 2005 From: cinevid at yahoo.com (Bill) Date: Fri, 25 Nov 2005 10:32:45 -0800 (PST) Subject: [NEohioPAL]Indie Filmmaking - re: Christopher and Bill Van Nostran In-Reply-To: <20051125060211.3C4A861DC2@mailman.siteprotect.com> Message-ID: <20051125183245.98752.qmail@web60311.mail.yahoo.com> --0-1474271259-1132943565=:97988 Content-Type: multipart/alternative; boundary="0-2081382362-1132943565=:97988" --0-2081382362-1132943565=:97988 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Christopher K. Young and Bill Van Nostran, Hey guys, good input, however the very things that you mention, (that a lot of people mention) have been tried before, without success sad to say. Bill, there is actually a screenwriting group that meets once a month at CSU called, Second Shift Screenwriters and they post here and at clevelandfilmmaking at yahoogroups.com. I'm not sure if they are critiquing their work or creating a master work or what. I want to attend but haven't as of yet. You can contact Christine for more info: christinednfr at yahoo.com Also, Bill and Chris, way back when The Film Society sponsored Cleveland Filmmakers, I suggested that we pool our talents. All writers submit their scripts, all shooters submit their reels, all directors, well you get the idea. Then the whole group would vote on the best of the best, hone it down to even better, then approach the city, businesses, etc. to get it financed and produced. Well, either no one felt confident enough about their own work, or they didn't want their doubts exposed to an open forum, or they were just too busy, but the idea got a lot of kudos and praise, but very quickly fell into oblivion. Eventually the entire group was disbanded, probably for lack of involvement. Then along came another organization that held great promise; a creative alliance of artists that would be a force to be reckoned with, that too failed. I even tried to give an intensive two day seminar on DV Filmmaking to help raise the quality bar. I got one attendee, thanks Christine! Chris, you mentioned that there are lots of people who want to work on other people's films and if you mean actors, sure, that only makes sense, but there aren't that many aspiring boom operators who's goal in life is to carry the crossarm of the indominable soundman. Even all the people who eagerly wanted to work on my feature, Madness have other aspirations besides crew work. And you're right they came to me, based on the quality of my previous works (thanks for your part in those successes by the way). However, I really hate using people for any great length of time for no-pay, so I kept the crew very small and they were and are very committed. I guess what I'm trying to articulate is we don't need a Film Czar or Commissioner for the indie film scene. It pretty much takes care of itself. If you are willing to really take the time and make your work stand out for quality in all areas, the community of actors, crew, businesses and local governments, will respond and support your efforts. I had cast and crew come for a full time, two week long shoot, for no pay, from as far away as Canton, Youngstown, and North Olmsted, to shoot in a million dollar house that didn't charge us a thing, all because they believed the experience would be worth it. My biggest gripe is that in so many productions quality gets shoved to the bottom of the list and I walk into a landscape of burning bridges trying to find the few resources who haven't been burned or are willing to take a chance on one more independent film. As far as Cleveland Indieclub goes, we do network, but critiquing is forbidden. Attendance would drop to nothing if everyone worried their work wasn't good enough to please fellow filmmakers. One can only hope that as they see better work, they will incorporate that effort and ethic into their own projects. Thanks Fred for allowing this diatribe. I hope it gives the whole list some insight into the minds of indie filmmakers... For those actors interested in some guidelines when auditioning for Independent Film projects here are some tips: http://www.cinevidproductions.com/seminars/resources/AuditionTips.htm Thanks, Bill Johns www.cinevidproductions.com From: "Bill Van Nostran" To: , Subject: Re: [NEohioPAL]Film Czar seeks Feedback on making Cleveland a Movie City Date: Thu, 24 Nov 2005 14:08:22 -0500 As the adage goes, if it ain't on the page, it ain't on the stage. Same goes for motion pictures. The good ones all start with a compelling story well told. So one simple way to encourage new work, foster a supportive environment, and help individuals gain feedback on their work could come from a group focused on helping local filmmakers develop and polish material. A monthly group giving individual writers an opportunity to hear scenes from an emerging draft read aloud, then receive feedback from others, is a small, but perhaps important step in developing a local environment to foster NEO talent. Perhaps twice a year, local actors might be persuaded to participate in readings of screenplays nearing completion--showcasing them to a larger audience. Bill Van Nostran From: Christopher To: neohiopal at lists.fredsternfeld.com Subject: Re: [NEohioPAL]All Hail Film Czar and Film Prophet I see an attempt at buying some goodwill with the acting and crew community here, but if we shift ALL the blame on the filmmakers, then we will be ignoring the suffering of those majority of actors and crew who ARE professional enough to show up and try to finish scenes and projects in spite of the few who disappear and stop returning calls until they've settled into their Venice Beach apartments or found religion, or whatever excuse they give until one posts another audition notice. Then, they resurface and send their headshots and resumes as if you won't remember them from the last burn, and to add insult to injury, some of them even put the picture they bailed on or got fired from ON THEIR RESUME! Maybe if we all resigned ourselves to making short films that only have one or two locations, then the impact of this kind of behavior could be minimized. But for those of us who dare to make feature films with multiple locations and scenes with significant cast interplay, then this work ethic, left unaddressed, will STAY the norm for a minority, but significant percentage of actors and crew in this area, thereby throwing a wrench not only into a director's work, but the work of the other actors and crew as well. It only takes one actor doing this to shut down a film. Ask around. I have first hand experience with the phenomenon, and when filmmakers start to get a little ambitious around here, so will they. And while I haven't been to an Indieclub meeting in a long time, I thought I was giving it the benefit of the doubt in my initial posting. But if they're not networking their resources or helping each other improve their work, then what the hell are those guys doing there? I hope it's not all about listening to someone who memorized an article out of videomaker magazine or congratulating each other for sticking it out in Cleveland for as long as they have. Don't get me wrong! This isn't a commentary on Indieclub! I imagine that someone conversant with Indieclub's mission can articulate its significance with great ease. The last meeting I attended (almost two years ago) was very helpful. But if it's true that they no longer provide a resource pool and a constructively critical forum, then that which I hope it isn't, must be exactly what it is. I'll attend one as soon as possible, with the hopes that we're both wrong. But, all that aside, sway with city leaders is a necessary next step for Indieclub, or any organization that takes Cleveland's position in the greater media arts community to heart. I mean, what's a film community if the COMMUNITY isn't involved? Perhaps this is already underway, again, I haven't been attending. But an US and THEM attitude won't help anybody, because THEY have the power to make US unwelcome... even more so than we already are from a socio-cultural standpoint. One other issue I need to take on is the idea that Cleveland's indie scene is mostly made up of writers, producers and directors. While it's true that most directors are also writers and producers, and all the other combinations therein, it's more than safe to say that the vast majority of those who consider themselves in the indie scene have little to no interest in writing and/or producing and/or directing a picture of their own. Ask yourself, what's the largest number of actors you've had answer a casting call of yours? My largest number is about 130, I imagine yours are similar, if not higher since you often cast on the coattails of success from a previous project. This kind of turn out is not uncommon. Now how many area filmmakers have you ever seen in one place locally, at one time? Actual filmmakers with one or more credits in the above mentioned categories? Even add those who aspire to have a credit and the number's still pretty small. The reason I bring up this otherwise picayune issue is because it's symptomatic of a trend this community has, and I've been guilty of too: leaving out actors and crew in the dialogue over the needs of this film community. Because when you include those people in the mix, then we see that in fact, a vast majority of this community DOES WANT to work on someone else's film. They're just waiting for something they can believe in. Some find it, many don't, and some are just easy to please. You know us creative types are an unorganized lot with major attention deficit, so one more time. What was the point? Christopher K. Young www.shallowfocus.com P.S.: Amen to your last two paragraphs Bill wrote: All Hail Film Czar and Film Prophet You know, most of the time I sit with calm amusement as I read the various ramblings as to why Cleveland isn't 'on the map' when it comes to motion picture film and TV production. However, these latest posts are just too funny to ignore... A self proclaimed Film Czar? What the hell is that? Alex, I thought you were joking! And Christopher, you seem to have so much intelligence and yet you completely miss the point. Ya wanna know the reason why we can't all just get along and make movies together? Well here it is. There's too much crap!!! And widely varying degrees of crap. One of the only reasons our monthly Indieclub meetings are successful is because we're not trying to create a consortium; we're not trying to unite our resources, we're not even trying to improve eachother's work. We're j ust watching videos. And guess what? We see a lot of crap. We see some good stuff too, but mostly we see Learners, Yearners and Burners. Now, Learners are novice filmmakers who make crap because it's their first film and rather than learn the trade first, they go ahead and make a movie as practice and hopefully they'll improve. We sit politely and smile, wishing they had thought about lighting, sound, acting, dialogue, and camera work before making us sit through their experiments. Yearners are filmmakers who really want to make good films, so they use everything at their disposal to make the best possible film they can. However, they're still somewhat plagued by compromise and the results are never what they hoped for, nor what a real distributor will buy. Much easier to sit through though. Burners are the worst. These are filmmakers (u sually prolific) who make crap every time out of the gate. Their camera work is mostly hand-hell shaky cam. Their lighting is barely more than ambient and they often use the on-camera mic to capture dialogue. The acting is wooden and undirected; the stories are either so deep you need waders, or so shallow you can't find a point; and to top it off, they're fully convinced they are great filmmakers. But why do I call them Burners you ask? Well, because they burn the bridges that sincere Yearners might someday want to use. They burn bridges with actors who get soured against indie filmmakers because they have nothing decent to show for all their hard work (not even copy). They burn bridges with locations because they are so unorganized that they overstay their welcomes, mess up property and never send copies of the video, like they promise to do. They burn bridges with investors because the investor never sees a dime of their money back. They burn bridges with the legitimate film commission, because, as I said before they make crap and what film commission is going to support and encourage more crap??? Yet that's not the reason why we don't need a film czar or film prophet or any other coordinating force. The real reason is no one wants to work on someone else's film. You see, most of the people that comprise the indie scene here in Cleveland are writer/producer/directors and we're all working on our own projects. And guess what. I'm not all that interested in spending my valuable time working on someone's project which I consider to be crappier than my own. I can just as easily be spending my time and resources creating my own crap. Sure everyone would like to think there's a benevolent brotherhood of filmmakers; a selfless society where everyone submits ideas and work samples and then the members vote on what script to do and who to direct it. The commu nity is presented with the proposal and since it bears the backing of so many filmmakers, the businesses get involved and support the project with services and finances. The best actors come from all around to have a part in the project and a glorious motion picture is produced that wins the Oscar for Impossible Dream... That would be a good plot for a fantasy picture, but in the real world, writers will lose interest if their script isn't picked. Directors will bail if they can't direct and actors will walk away if they can't be the lead. And you guessed it the end product would probably be... well, I don't need to say it again. (though I really want to) Bill Johnscrappy writer/producer/and directorwww.cinevidproductions.com P.S - I guess I'm in a sour mood because just yesterday I lost a serious investor (producer of two features in LA) because she said the acting in one of the scenes I sent her wasn't very good. I knew it when I shot it that I was compromising, and even though we're reshooting that scene, it's too late to regain that contact... ah CRAP! --------------------------------- Yahoo! Music Unlimited - Access over 1 million songs. Try it free.From: PatrickJCarroll at aol.com Date: Thu, 24 Nov 2005 22:25:22 EST To: neohiopal at lists.fredsternfeld.com Subject: [NEohioPAL]Christmas Massage Therapy Gift Certificates TO MY FELLOW PERFORMERS: Today starts the official Christmas Season! Why not give your loved one (or yourself ;-) ) something that will actually improve their health and or state of mind. MASSAGE! Whether you need a serious therapeutic deep tissue massage or just want to enjoy the bliss of total relaxation. Give a Massage Therapy Gift Certificate. Your Christmas shopping can be as easy as a phone call or a click of the reply button to this email! I offer a 20% discount to all Neohiopal subscribers. Happy Holidays to all! Patrick J. Carroll, L.M.T. 216-544-6001 ______________________________________ Disney's "BEAUTY AND THE BEAST" at Beck Center 12/2-12/31. 216-521-2540. http://www.fredsternfeld.com/beautyandthebeast.htm _______________________________________ There is also a sister site to this list called the "NEoPAL Bulletin Board." Occasionally when "hot-button" discussions go on more than a day or two, the bulletin board is used. The Neopal bulletin board also has some other terrific features, like a searchable database for you to put your personal information, a place to post pictures and a chat room with a nightly 11pm gathering to discuss hot topics: http://groups.yahoo.com/group/neopal/ ______________________________________ Disclaimer: The facts and/or opinions expressed in each message are solely those of the person in the "from" or "reply-to" header. The fact that these messages are posted should in no way be taken as an endorsement by the administrator of this list. Subscribers should perform due diligence for all goods, services and activities promoted on NEohioPAL. _______________________________________ NEohioPAL mailing list NEohioPAL at lists.fredsternfeld.com http://lists.fredsternfeld.com/mailman/listinfo/neohiopal http://www.fredsternfeld.com --------------------------------- Yahoo! Personals Single? There's someone we'd like you to meet. Lot's of someone's, actually. Try Yahoo! Personals --0-2081382362-1132943565=:97988 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
Christopher K. Young and Bill Van Nostran,
 
Hey guys, good input, however the very things that you mention, (that a lot of people mention) have been tried before, without success sad to say.
 
Bill, there is actually a screenwriting group that meets once a month at CSU called, Second Shift Screenwriters and they post here and at clevelandfilmmaking at yahoogroups.com. I'm not sure if they are critiquing their work or creating a master work or what. I want to attend but haven't as of yet. You can contact Christine for more info: christinednfr at yahoo.com
 
Also, Bill and Chris, way back when The Film Society sponsored Cleveland Filmmakers, I suggested that we pool our talents. All writers submit their scripts, all shooters submit their reels, all directors, well you get the idea. Then the whole group would vote on the best of the best, hone it down to even better, then approach the city, businesses, etc. to get it financed and produced.
 
Well, either no one felt confident enough about their own work, or they didn't want their doubts exposed to an open forum, or they were just too busy, but the idea got a lot of kudos and praise, but very quickly fell into oblivion. Eventually the entire group was disbanded, probably for lack of involvement. Then along came another organization that held great promise; a creative alliance of artists that would be a force to be reckoned with, that too failed. I even tried to give an intensive two day seminar on DV Filmmaking to help raise the quality bar. I got one attendee, thanks Christine! 
 
Chris, you mentioned that there are lots of people who want to work on other people's films and if you mean actors, sure, that only makes sense, but there aren't that many aspiring boom operators who's goal in life is to carry the crossarm of the indominable soundman. Even all the people who eagerly wanted to work on my feature, Madness have other aspirations besides crew work. And you're right they came to me, based on the quality of my previous works (thanks for your part in those successes by the way). However, I really hate using people for any great length of time for no-pay, so I kept the crew very small and they were and are very committed.
 
I guess what I'm trying to articulate is we don't need a Film Czar or Commissioner for the indie film scene. It pretty much takes care of itself. If you are willing to really take the time and make your work stand out for quality in all areas, the community of actors, crew, businesses and local governments, will respond and support your efforts. I had cast and crew come for a full time, two week long shoot, for no pay, from as far away as Canton, Youngstown, and North Olmsted, to shoot in a million dollar house that didn't charge us a thing, all because they believed the experience would be worth it.

My biggest gripe is that in so many productions quality gets shoved to the bottom of the list and I walk into a landscape of burning bridges trying to find the few resources who haven't been burned or are willing to take a chance on one more independent film.
 
As far as Cleveland Indieclub goes, we do network, but critiquing is forbidden. Attendance would drop to nothing if everyone worried their work wasn't good enough to please fellow filmmakers. One can only hope that as they see better work, they will incorporate that effort and ethic into their own projects.
 
Thanks Fred for allowing this diatribe. I hope it gives the whole list some insight into the minds of indie filmmakers...
 
For those actors interested in some guidelines when auditioning for Independent Film projects here are some tips:
 
Thanks,
Bill Johns
 
 
 
 



From: "Bill Van Nostran" <wvannostran at neo.rr.com>
To: <alexcine at aol.com>, <neohiopal at lists.fredsternfeld.com>
Subject: Re: [NEohioPAL]Film Czar seeks Feedback on making Cleveland a Movie City
Date: Thu, 24 Nov 2005 14:08:22 -0500

As the adage goes, if it ain't on the page, it ain't on the stage. Same goes
for motion pictures. The good ones all start with a compelling story well
told. So one simple way to encourage new work, foster a supportive
environment, and help individuals gain feedback on their work could come
from a group focused on helping local filmmakers develop and polish
material. A monthly group giving individual writers an opportunity to hear
scenes from an emerging draft read aloud, then receive feedback from others,
is a small, but perhaps important step in developing a local environment to
foster NEO talent. Perhaps twice a year, local actors might be persuaded to
participate in readings of screenplays nearing completion--showcasing them
to a larger audience.

Bill Van Nostran

From: Christopher <kaimei at earthlink.net>
To: neohiopal at lists.fredsternfeld.com
Subject: Re: [NEohioPAL]All Hail Film Czar and Film Prophet

I see an attempt at buying some goodwill with the acting and crew community here, but if we shift ALL the blame on the filmmakers, then we will be ignoring the suffering of those majority of actors and crew who ARE professional enough to show up and try to finish scenes and projects in spite of the few who disappear and stop returning calls until they've settled into their Venice Beach apartments or found religion, or whatever excuse they give until one posts another audition notice.  Then, they resurface and send their headshots and resumes as if you won't remember them from the last burn, and to add insult to injury, some of them even put the picture they bailed on or got fired from ON THEIR RESUME!
Maybe if we all resigned ourselves to making short films that only have one or two locations, then the impact of this kind of behavior could be minimized.  But for those of us who dare to make feature films with multiple locations and scenes with significant cast interplay, then this work ethic, left unaddressed, will STAY the norm for a minority, but significant percentage of actors and crew in this area, thereby throwing a wrench not only into a director's work, but the work of the other actors and crew as well.  It only takes one actor doing this to shut down a film.  Ask around.  I have first hand experience with the phenomenon, and when filmmakers start to get a little ambitious around here, so will they.
And while I haven't been to an Indieclub meeting in a long time, I thought I was giving it the benefit of the doubt in my initial posting.  But if they're not networking their resources or helping each other improve their work, then what the hell are those guys doing there?  I hope it's not all about listening to someone who memorized an article out of videomaker magazine or congratulating each other for sticking it out in Cleveland for as long as they have.  Don't get me wrong!  This isn't a commentary on Indieclub!  I imagine that someone conversant with Indieclub's mission can articulate its significance with great ease.  The last meeting I attended (almost two years ago) was very helpful.  But if it's true that they no longer provide a resource pool and a constructively critical forum, then that which I hope it isn't, must be exactly what it is.  I'll attend one as soon as possible, with the hopes that we're both wrong.  But, all that aside, sway with city leaders is a necessary next step for Indieclub, or any organization that takes Cleveland's position in the greater media arts community to heart.  I mean, what's a film community if the COMMUNITY isn't involved?  Perhaps this is already underway, again, I haven't been attending.  But an US and THEM attitude won't help anybody, because THEY have the power to make US unwelcome... even more so than we already are from a socio-cultural standpoint.
One other issue I need to take on is the idea that Cleveland's indie scene is mostly made up of writers, producers and directors.  While it's true that most directors are also writers and producers, and all the other combinations therein, it's more than safe to say that the vast majority of those who consider themselves in the indie scene have little to no interest in writing and/or producing and/or directing a picture of their own.  Ask yourself, what's the largest number of actors you've had answer a casting call of yours?  My largest number is about 130, I imagine yours are similar, if not higher since you often cast on the coattails of success from a previous project.  This kind of turn out is not uncommon.
Now how many area filmmakers have you ever seen in one place locally, at one time?  Actual filmmakers with one or more credits in the above mentioned categories?  Even add those who aspire to have a credit and the number's still pretty small.  The reason I bring up this otherwise picayune issue is because it's symptomatic of a trend this community has, and I've been guilty of too:  leaving out actors and crew in the dialogue over the needs of this film community.  Because when you include those people in the mix, then we see that in fact, a vast majority of this community DOES WANT to work on someone else's film.  They're just waiting for something they can believe in.
Some find it, many don't, and some are just easy to please.
You know us creative types are an unorganized lot with major attention deficit, so one more time.  What was the point?
Christopher K. Young
www.shallowfocus.com
P.S.: Amen to your last two paragraphs
 
 
Bill wrote:
All Hail Film Czar and Film Prophet You know, most of the time I sit with calm amusement as I read the various ramblings as to why Cleveland isn't 'on the map' when it comes to motion picture film and TV production. However, these latest posts are just too funny to ignore... A self proclaimed Film Czar? What the hell is that? Alex, I thought you were joking! And Christopher, you seem to have so much intelligence and yet you completely miss the point. Ya wanna know the reason why we can't all just get along and make movies together? Well here it is. There's too much crap!!! And widely varying degrees of crap. One of the only reasons our monthly Indieclub meetings are successful is because we're not trying to create a consortium; we're not trying to unite our resources, we're not even trying to improve eachother's work. We're j ust watching videos. And guess what? We see a lot of crap. We see some good stuff too, but mostly we see Learners, Yearners and Burners. Now, Learners are novice filmmakers who make crap because it's their first film and rather than learn the trade first, they go ahead and make a movie as practice and hopefully they'll improve. We sit politely and smile, wishing they had thought about lighting, sound, acting, dialogue, and camera work before making us sit through their experiments. Yearners are filmmakers who really want to make good films, so they use everything at their disposal to make the best possible film they can. However, they're still somewhat plagued by compromise and the results are never what they hoped for, nor what a real distributor will buy. Much easier to sit through though. Burners are the worst. These are filmmakers (u sually prolific) who make crap every time out of the gate. Their camera work is mostly hand-hell shaky cam. Their lighting is barely more than ambient and they often use the on-camera mic to capture dialogue. The acting is wooden and undirected; the stories are either so deep you need waders, or so shallow you can't find a point; and to top it off, they're fully convinced they are great filmmakers. But why do I call them Burners you ask? Well, because they burn the bridges that sincere Yearners might someday want to use. They burn bridges with actors who get soured against indie filmmakers because they have nothing decent to show for all their hard work (not even copy). They burn bridges with locations because they are so unorganized that they overstay their welcomes, mess up property and never send copies of the video, like they promise to do. They burn bridges with investors because the investor never sees a dime of their money back. They burn bridges with the legitimate film commission, because, as I said before they make crap and what film commission is going to support and encourage more crap??? Yet that's not the reason why we don't need a film czar or film prophet or any other coordinating force. The real reason is no one wants to work on someone else's film. You see, most of the people that comprise the indie scene here in Cleveland are writer/producer/directors and we're all working on our own projects. And guess what. I'm not all that interested in spending my valuable time working on someone's project which I consider to be crappier than my own. I can just as easily be spending my time and resources creating my own crap. Sure everyone would like to think there's a benevolent brotherhood of filmmakers; a selfless society where everyone submits ideas and work samples and then the members vote on what script to do and who to direct it. The commu nity is presented with the proposal and since it bears the backing of so many filmmakers, the businesses get involved and support the project with services and finances. The best actors come from all around to have a part in the project and a glorious motion picture is produced that wins the Oscar for Impossible Dream... That would be a good plot for a fantasy picture, but in the real world, writers will lose interest if their script isn't picked. Directors will bail if they can't direct and actors will walk away if they can't be the lead. And you guessed it the end product would probably be... well, I don't need to say it again. (though I really want to) Bill Johnscrappy writer/producer/and directorwww.cinevidproductions.com P.S - I guess I'm in a sour mood because just yesterday I lost a serious investor (producer of two features in LA) because she said the acting in one of the scenes I sent her wasn't very good. I knew it when I shot it that I was compromising, and even though we're reshooting that scene, it's too late to regain that contact... ah CRAP!
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From: PatrickJCarroll at aol.com
Date: Thu, 24 Nov 2005 22:25:22 EST
To: neohiopal at lists.fredsternfeld.com
Subject: [NEohioPAL]Christmas Massage Therapy Gift Certificates

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______________________________________
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There is also a sister site to this list called the "NEoPAL Bulletin Board." Occasionally when "hot-button" discussions go on more than a day or two, the bulletin board is used. The Neopal bulletin board also has some other terrific features, like a searchable database for you to put your personal information, a place to post pictures and a chat room with a nightly 11pm gathering to discuss hot topics: http://groups.yahoo.com/group/neopal/
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Yahoo! Personals
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Lot's of someone's, actually. Try Yahoo! Personals --0-2081382362-1132943565=:97988-- --0-1474271259-1132943565=:97988-- From lilith at cros.net Fri Nov 25 11:30:04 2005 From: lilith at cros.net (lilith) Date: Fri, 25 Nov 2005 14:30:04 -0500 Subject: [NEohioPAL]Cleveland IndieClub Message-ID: <200511251430.AA102433106@cros.net> Christopher, Alex, Bill, etal: As an ardent "learner" and IndieClub attendee, I feel compelled to respond. IndieClub is not only thriving, it has outgrown its first location at Talkies and moved to the larger Hyacinth Lofts. Even then, the meetings are often standing room only. What used to be a 3 hour meeting has expanded to over 4 hours. This was done for one reason only as far as I know- so that we would all have the time to NETWORK! We were so busy screening work and having in really good speakers (like this month's Phil Garrett, previously of Dreamworks!) that we had run out of time to fish the talent pool for people to work on our shoots. >From my association with Cleveland IndieClub, I have worked on 11 projects in the last 3 years. 2 of those were my own, with a third to shoot next weekend. I have done everything I could. My 20+ years expertise is in wardrobe and make up, so I have done alot of that. But I have worked as an extra and PA and moved through the ranks to script supervise, write, direct and produce. To be sure, when I started seriously in film, I knew very little. I learned by volunteering to work on others' projects- yes, even the bad ones. You learn as much, if not more, on a bad shoot than a good one. Because I have a good work ethic, show up and do my job with the most professional attitude I have, I get asked back and recruited for other work. I am lucky enough that now I am regularly paid to work on films (yes, indies can pay!). Of course, I care a lot about the work and have studied everything I can get my hands on about filmmaking. The only thing IndieClubbers lack as a whole, is the same thing every indie struggles with- MONEY. We need to learn how to raise it and spend it wisely to produce distributable product. My next shoot is next weekend, and is entirely crewed by INDIECLUBBERS! Actors, crew, pa's- all from Indieclub. Some of these people honor me completely by agreeing to come work on my shoot, others are like I was a few years ago, hungry to learn. Why do I share all of this? Because my personal story is just one of many- A great many Indieclubbers are just like me, and we survive becasue we work together. My product improves with every new technique I learn and I never tire of learning. Just one modest success story from IndieCleveland. Hope to see you all at the next meeting. Christine Chapman lilith at cros.net From Wakeup4664 at aol.com Fri Nov 25 11:35:53 2005 From: Wakeup4664 at aol.com (Wakeup4664 at aol.com) Date: Fri, 25 Nov 2005 14:35:53 EST Subject: [NEohioPAL]Great Bargain for your Craft: "Tricks of the Trade. . . " On-Camera Reminder Message-ID: <1da.48ac7e37.30b8c199@aol.com> --part1_1da.48ac7e37.30b8c199_boundary Content-Type: text/plain; charset="ISO-8859-1" Content-Transfer-Encoding: quoted-printable Great Bargain on Learning / Honing Your Craft! "Tricks of the Trade. . . " On-Camera Reminder . Mon.=A0 11/28: "Tricks of the Trade: On-camera Skills and Monologues" 2005 Will be Over, Soon, so Get Your Last "Tricks of the Trade" for . . .=20 Auditions, On-Camera & Voiceover Be Ready for the New Year! Sue Johnson and WAKE UP And LIVE's Actors' Studio are conducting a series of= =20 special "Tricks of the Trade: Craft, Career and Professional Development"=20 Sessions,=20 Mondays, November 21st & 28th, & December 5th & 12th. =A0 7:00 -8:30 P. Shaker Heights, OH & Adelphia Locations. To register for classes for Actors & Other Performing Artists, email:=20 wakeup4664 at aol.com.=20 Did You Miss Mon.=A0 11/21: "Tricks of the Trade: Audition Techniques for St= age=20 and On-camera?" Then, Contact us to make Special Arrangements for=20 Individual Coaching Session . . . There's a difference between acting techniques on stage and on-camera. This=20 session will show you how to adapt your stage skills to be successful for=20 on-camera auditions and jobs. Learn the Do's & Don'ts of audition techniques.=A0 You will learn how auditi= ons=20 work, how to prepare for them, and where to find them.=A0 Be prepared for th= e=20 different scenarios: Monologues vs. Reading from the Script. Monologues,=20 commercial, film & industrial scripts. Get feedback on how you look, speak &= act=20 on-stage & on- camera.=20 . Mon.=A0 11/28: "Tricks of the Trade: On-camera Skills and Monologues" Practice on-camera skills with commercial, film & industrial copy.=A0 See=20 yourself as talent agents, producers, clients & casting agents see you.=A0 L= earn how=20 your facial expressions, gestures/mannerisms, body language/movement & voice= =20 project on-camera. Enhance the way you look, speak & act to get work. . Mon.=A0 12/5:=A0 "Tricks of the Trade: Voiceover Skills, Diction, Dialogue= and=20 Speaking Techniques for Performing Artists" Hear how you sound to listeners.=A0 Are you clear, articulate & interesting?= =A0=20 Do you 'Swallow' your words?=A0 Have you been called a 'Mush Mouth?'=A0 Have= you=20 been asked to 'Slow down?'=A0 Professional voiceover talent & public speaker= s pay=20 attention to the details - pacing, "t's, d's, & ings," etc.=A0 Learn to play= =20 with language and your voice: enunciation, articulation, intonation, inflect= ion,=20 and more, to give your characters & performances more flavor. Great session=20 for singers & comedians, too. . Mon. 12/12:=A0 "Tricks of the Trade: Creating Your Voiceover Demo in Conte= nt & Format" Great voiceover talent uses multiple basic 'actors' tools' to get & keep the= =20 listener's attention, sell the product, and solve the problem.=A0 Design you= r=20 Commercial, Industrial, PSA's, Story Telling & Narration copy which require=20 unique voiceover abilities.=A0 Find out why creating a demo and voiceover wo= rk=20 aren't easy as they look. . Workshop Fees: $20.00, each session. (November &=A0 December, only) . Private Coaching: $30.00, each=A0 session. (November &=A0=A0 December, onl= y) =A0 Credit Cards are accepted. [Note: Attend a workshop or coaching, now.=A0 Get a discount on your 1st=20 session scheduled in 2006. Ask for details.] Prefer Private Coaching? Then . . . Choose a Private Coaching session, on the above topics (or, other topics of=20 your choice),=20 by appointment. Pre-payment required. For more details, and to register, please reply to: wakeup4664 at aol.com Make Checks Payable & Mail to: Sue Johnson, Director WAKE UP And LIVE's Actors' Studio P.O. Box 201524 Shaker Heights, OH 44120 http://carolirvin.com/wakeup.htm --part1_1da.48ac7e37.30b8c199_boundary Content-Type: text/html; charset="ISO-8859-1" Content-Transfer-Encoding: quoted-printable

Great Bargain=20= on Learning / Honing Your Craft!
"Tricks of the Trade. . . " On-Camera Reminder

. Mon.=A0 11/28: "Tricks of the Trade: On-camera Skills and Monologues"<= BR>
2005 Will be Over, Soon, so Get Your Last
"Tricks of the Trade" for . . .
Auditions, On-Camera & Voiceover

Be Ready for the New Year!


Sue Johnson and WAKE UP And LIVE's Actors' Studi= o are conducting a series of special "Tricks of the Trade: Craft,= Career and Professional Development" Sessions,

Mondays, November 21st & 28th, & December 5th & 12th.
=A0 7:00 -8:30 P.
Shaker Heights, OH & Adelphia Locations.

To register for classes for Actors & Other Performing Artists, email: wa= keup4664 at aol.com.


Did You Miss Mon.=A0 11/21: "Tricks of the Trade: Audition Techniques f= or Stage and On-camera?"   Then, Contact us to make Special= Arrangements for Individual Coaching Session . . .

There's a difference between acting techniques on stage and on-camera. This=20= session will show you how to adapt your stage skills to be successful for on= -camera auditions and jobs.
Learn the Do's & Don'ts of audition techniques.=A0 You will learn how au= ditions work, how to prepare for them, and where to find them.=A0 Be prepare= d for the different scenarios: Monologues vs. Reading from the Script. Monol= ogues, commercial, film & industrial scripts. Get feedback on how you lo= ok, speak & act on-stage & on- camera.

. Mon.=A0 11/28: "Tricks of the Trade: On-camera Skills and Monologue= s"
Practice on-camera skills with commercial, film & industrial copy.=A0 Se= e yourself as talent agents, producers, clients & casting agents see you= .=A0 Learn how your facial expressions, gestures/mannerisms, body language/m= ovement & voice project on-camera. Enhance the way you look, speak &= act to get work.

. Mon.=A0 12/5:=A0 "Tricks of the Trade: Voiceover Skills, Diction, Dia= logue and Speaking Techniques for Performing Artists"
Hear how you sound to listeners.=A0 Are you clear, articulate & interest= ing?=A0 Do you 'Swallow' your words?=A0 Have you been called a 'Mush Mouth?'= =A0 Have you been asked to 'Slow down?'=A0 Professional voiceover talent &am= p; public speakers pay attention to the details - pacing, "t's, d's, = & ings," etc.=A0 Learn to play with language and your voice: enun= ciation, articulation, intonation, inflection, and more, to give your charac= ters & performances more flavor. Great session for singers & comedia= ns, too.

. Mon. 12/12:=A0 "Tricks of the Trade: Creating Your Voiceover Demo i= n Content & Format"
Great voiceover talent uses multiple basic 'actors' tools' to get & keep= the listener's attention, sell the product, and solve the problem.=A0 Desig= n your Commercial, Industrial, PSA's, Story Telling & Narration copy whi= ch require unique voiceover abilities.=A0 Find out why creating a demo and v= oiceover work aren't easy as they look.

. Workshop Fees: $20.00, each session. (November &=A0 December= , only)
. Private Coaching: $30.00, each=A0 session. (November &=A0=A0 Decemb= er, only)
=A0 Credit Cards are accepted.
[Note: Attend a workshop or coaching, now.=A0 Get a discount on your 1st=20= session scheduled in 2006. Ask for details.]

Prefer Private Coaching? Then . . .
Choose a Private Coaching session, on the above topics (or, other topics of=20= your choice),
by appointment. Pre-payment required.

For more details, and to register, please reply to: wakeup4664 at aol.com

Make Checks Payable & Mail to:
Sue Johnson, Director
WAKE UP And LIVE's Actors' Studio
P.O. Box 201524
Shaker Heights, OH 44120



http://carolirvin.com/wakeup.htm









--part1_1da.48ac7e37.30b8c199_boundary-- From Wakeup4664 at aol.com Fri Nov 25 11:48:49 2005 From: Wakeup4664 at aol.com (Wakeup4664 at aol.com) Date: Fri, 25 Nov 2005 14:48:49 EST Subject: [NEohioPAL]Another Invitation to Attend:"Tricks of the Trade" WAKE UP And LIVE w/ the ARTS Message-ID: <271.8a812a.30b8c4a1@aol.com> --part1_271.8a812a.30b8c4a1_boundary Content-Type: text/plain; charset="ISO-8859-1" Content-Transfer-Encoding: quoted-printable Another Invitation to Attend . . .=20 "Tricks of the Trade" =20 WAKE UP And LIVE w/ the ARTS There's Still Time to be our Guest=20 this Thursday, 12/1 on=20 WAKE UP And LIVE with the ARTS, TV Program Email your RSVP, by Tues. 11/29. See below for complete details Join us for . . . "Tricks of the Trade: Craft, Career and Professional Development" Series on=20 WAKE UP And LIVE with the ARTS . Would you like to . . . =A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0 .=A0 hone your craft and showcase your=20= talent at the same time? =A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0 .=A0 be involved with a TV production t= o showcase your talent? . Here's your chance . . . Sue Johnson and WAKE UP And LIVE's Actors' Studio are conducting a series of= =20 special "Tricks of the Trade: Craft, Career and Professional Development"=20 Sessions on upcoming WAKE UP And LIVE with the ARTS TV programs. . Here's how it will work . . . You are invited to be a participant and attend a taping(s), of your choice,=20 of WAKE UP And LIVE with the ARTS on:=20 =A0=A0=A0=A0=A0=A0=A0 . Thursdays, Dec.=A0 1st, and Dec. 15th.=A0=20 =A0=A0=A0=A0=A0=A0=A0 . approx. 7:30 P - 8:45 P. Adelphia Studios. . The topics for each session are . . . . Thurs. 12/1:=A0=A0 "Tricks of the Trade: On-camera Skills with Monologues and Scenes" . Thurs. 12/15:=A0 "Tricks of the Trade: Voiceover Skills and Diction, Dialogue & Speaking=20 =A0=A0 Techniques" We will tape the sessions.=A0 They will be shown as WAKE UP And LIVE with th= e=20 ARTS half-hour programs later, on Adelphia, Cox and Cleveland Access channel= s. You will have the chance to participate in practicing your craft, discussion= ,=20 questions and answers. Space is limited. RSVP's will be accepted on a first-come, basis. These=20 sessions are Complimentary.=A0=20 However, in order to attend the Complimentary sessions, you must contact us=20 by Sunday, 11/27 and register for at least of the 3 "Tricks of the Trade:=20 Craft, Career and Professional Development" Workshops scheduled for . . .=20 "Tricks of the Trade "=A0 workshop sessions, 7:00 -8:30 P. Shaker Heights, O= H. =A0 =A0=A0 . Mon.=A0 11/28:=A0=A0 On-camera Skills and Monologues =A0=A0 . Mon.=A0 12/5:=A0=A0=A0 Voiceover Skills, Diction, Dialogue & Speaki= ng Techniques =A0=A0=A0=A0 for Performing Artists =A0=A0 . Mon. 12/12:=A0 Creating Your Voiceover Demo in Content & Format" Or, you can choose a Private Coaching session, on the above topics (or, othe= r=20 topics of your choice), by appointment. Pre-payment required by NOVEMBER=20 15th. . Workshop Fees: $35.00, two sessions. $20.00, each additional session. (November &=A0December, only) . Private Coaching: $45.00, two sessions. $25.00, each additional session.=20 (November & December, only) For more details, to RSVP and to register, please reply to: Sue Johnson, Director WAKE UP And LIVE's Actors' Studio Wakeup4664 at aol.com P.O. Box 201524 Shaker Heights, OH 44120 . . . About Sue Johnson . . . Sue Johnson, Director of the WAKE UP And LIVE's Actors' Studio, is an actor,= =20 director, producer and talent coach whose professional credits include recen= t=20 appearances in Cleveland area theatres, including Agents and Assets, an LAPD= =20 production at Cleveland Public Theater. She has directed My Big Fat=20 Dysfunctional Office, a commissioned play, numerous "PlayActs" Performances=20= and Jim=20 Spriggs' Terror on Biddle Street, a staged reading, for Karamu's Arenafest.=20= TV=20 credits include A & E's 100 Centre Street, and films, Antwone Fisher directe= d by=20 Denzel Washington, and The Year That Trembled, Jay Craven, Director. Her tal= ent=20 resume lists numerous TV commercials, industrials, and voiceovers.=20 She produces, directs and co-hosts WAKE UP And LIVE with the ARTS with Chris= =20 Fortunato. The performing & cultural arts program airs Wednesdays, 7:30 P &=20 Saturdays, 7:00 P on Adelphia Cable, ch. 21, eastern suburbs and ch. 23, wes= tern=20 suburbs. The show also airs on Cox Cable, ch. 45, Wednesdays 7:30 P &=20 Saturdays, 7:00 P, and Cleveland Access, ch. 25, Wednesdays, 7:00 P.=A0 Her=20= "Tricks of=20 the Trade: Craft, Career & Professional Development" Series, and "Tricks of=20 the Trade: Acting Seminars for Business & Leadership Training" workshops are= =20 well-known throughout the performing arts and corporate community.=20 http://carolirvin.com/wakeup.htm --part1_271.8a812a.30b8c4a1_boundary Content-Type: text/html; charset="ISO-8859-1" Content-Transfer-Encoding: quoted-printable

Another Invitation=20= to Attend . . .
"Tricks of the Trade" 
WAKE UP And LIVE w/ the ARTS

There's Still Time to be our Guest
this Thursday, 12/1
on
WAKE UP And LIVE with the ARTS,
TV Program
Email your RSVP, by Tues. 11/29.
See below for complete details

Join us for . . .


"Tricks of the Trade: Craft, Career and Professional Development" Series=
on
WAKE UP And LIVE with the ARTS


. Would you like to . . .
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0 .=A0 hone your craft and showca= se your talent at the same time?
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0 .=A0 be involved with a TV produ= ction to showcase your talent?

. Here's your chance . . .
Sue Johnson and WAKE UP And LIVE's Actors' Studio are conducti= ng a series of special "Tricks of the Trade: Craft, Career and Profession= al Development" Sessions on upcoming WAKE UP And LIVE with the ART= S TV programs.

. Here's how it will work . . .

You are invited to be a participant and attend a taping(s), of your choice,=20= of WAKE UP And LIVE with the ARTS on:
=A0=A0=A0=A0=A0=A0=A0 . Thursdays,  Dec.=A0 1st, and Dec. 15t= h.=A0
=A0=A0=A0=A0=A0=A0=A0 . approx. 7:30 P - 8:45 P. Adelphia Studios.
. The topics for each session are . . .

. Thurs. 12/1:=A0=A0
"Tricks of the Trade: On-camera Skills with Monologues and Scenes"

. Thurs. 12/15:=A0
"Tricks of the Trade: Voiceover Skills and Diction, Dialogue & Speaking=20=
=A0=A0 Techniques"

We will tape the sessions.=A0 They will be shown as WAKE UP And LIVE w= ith the ARTS half-hour programs later, on Adelphia, Cox and Clevelan= d Access channels.

You will have the chance to participate in practicing your craft, discussion= , questions and answers.

Space is limited. RSVP's will be accepted on a first-come, basis. These sess= ions are Complimentary.=A0

However, in order to attend the Complimentary sessions= , you must contact us by Sunday, 11/27 and register for at least of t= he 3 "Tricks of the Trade: Craft, Career and Professional Development" Workshops scheduled for . . .

"Tricks of the Trade "=A0 workshop sessions, 7:00 -8:30 P. Shaker Height= s, OH.
=A0
=A0=A0 . Mon.=A0 11/28:=A0=A0 On-camera Skills and Monologues

=A0=A0 . Mon.=A0 12/5:=A0=A0=A0 Voiceover Skills, Diction, Dialogue & Sp= eaking Techniques
=A0=A0=A0=A0 for Performing Artists

=A0=A0 . Mon. 12/12:=A0 Creating Your Voiceover Demo in Content & Format= "

Or, you can choose a Private Coaching session, on the above topics (o= r, other topics of your choice), by appointment. Pre-payment required by = NOVEMBER 15th.

. Workshop Fees: $35.00, two sessions. $20.00, each additional= session.
(November &=A0December, only)
. Private Coaching: $45.00, two sessions. $25.00, each additio= nal session.
(November & December, only)

For more details, to RSVP and to register, please reply to:
Sue Johnson, Director
WAKE UP And LIVE's Actors' Studio
Wakeup4664 at aol.com
P.O. Box 201524
Shaker Heights, OH 44120

. . . About Sue Johnson . . .

Sue Johnson, Director of the WAKE UP And LIVE's Actors' Studio, is an actor, director, producer and talent coach whose professional credit= s include recent appearances in Cleveland area theatres, including Agents= and Assets, an LAPD production at Cleveland Public Theater. She has dir= ected My Big Fat Dysfunctional Office, a commissioned play, numerous=20= "PlayActs" Performances and Jim Spriggs' Terror on Biddle Street, a staged reading, for Karamu's Arenafest. TV credits include A & E's= 100 Centre Street, and films, Antwone Fisher directed by Denz= el Washington, and The Year That Trembled, Jay Craven, Director. Her=20= talent resume lists numerous TV commercials, industrials, and voiceovers.
She produces, directs and co-hosts WAKE UP And LIVE with the ARTS<= /I> with Chris Fortunato. The performing & cultural arts program airs We= dnesdays, 7:30 P & Saturdays, 7:00 P on Adelphia Cable, ch. 21, eastern=20= suburbs and ch. 23, western suburbs. The show also airs on Cox Cable, ch. 45= , Wednesdays 7:30 P & Saturdays, 7:00 P, and Cleveland Access, ch. 25, W= ednesdays, 7:00 P.=A0 Her "Tricks of the Trade: Craft, Career & Profe= ssional Development" Series, and "Tricks of the Trade: Acting Seminar= s for Business & Leadership Training" workshops are well-known throu= ghout the performing arts and corporate community.


http://carolirvin.com/wakeup.htm

--part1_271.8a812a.30b8c4a1_boundary-- From lucia9577 at yahoo.com Fri Nov 25 10:14:00 2005 From: lucia9577 at yahoo.com (Lucia DiVieste) Date: Fri, 25 Nov 2005 10:14:00 -0800 (PST) Subject: [NEohioPAL]Italian American Art Exhibit Message-ID: <20051125181400.74914.qmail@web60811.mail.yahoo.com> --0-385054868-1132942440=:70491 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Art Show Featuring Illustrations of Italian-American Life By...Mauro DiVieste Location: Little Peppino's Restaraunt 728 North State Street Girard, OH 44420 When: December 10, 2005; 3pm - 9pm Illustrations for sale. All sold illustrations will be available for pickup between 7-8pm at Little Peppino's. --------------------------------- Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --0-385054868-1132942440=:70491 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
Art Show
 
Featuring Illustrations of Italian-American Life
 
By...Mauro DiVieste
 
Location: Little Peppino's Restaraunt
               728 North State Street
               Girard, OH 44420
 
When: December 10, 2005;  3pm - 9pm
 
Illustrations for sale.  All sold illustrations will be available for pickup between 7-8pm at Little Peppino's. 

Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --0-385054868-1132942440=:70491-- From Wakeup4664 at aol.com Fri Nov 25 12:43:46 2005 From: Wakeup4664 at aol.com (Wakeup4664 at aol.com) Date: Fri, 25 Nov 2005 15:43:46 EST Subject: [NEohioPAL]Look Who's on WAKE UP And LIVE with the ARTS, Now! Adelphia, Cox & Cleveland Message-ID: <291.4e203b.30b8d182@aol.com> --part1_291.4e203b.30b8d182_boundary Content-Type: text/plain; charset="ISO-8859-1" Content-Transfer-Encoding: quoted-printable Look Who's on WAKE UP And LIVE with the ARTS, Now! . Tune into . . .=A0 WAKE UP And LIVE with the ARTS=20 on=20 Adelphia Cox Cable &=20 Cleveland Access. with Chris Fortunato and Sue Johnson, co-hosts,=20 a locally produced performing and cultural arts TV show, which continues to=20 showcase area talent.=A0 Be sure to check out "local cable access listings o= n=20 neohiopal" throughout November and December, to see how local "stars" are=20 lighting up your TV viewing. . on Adelphia, ch. 23, eastern & ch. 21, western Suburbs =A0=A0 Wednesdays, 7:30 P. Saturdays, 7:00 P . Wed. 11/30 & Sat. 12/3: A discussion of "Tricks of the Trade: Audition Techniques for Stage and=20 On-camera, "=A0part 1,=A0 with co-hosts, Sue Johnson & Chris Fortunato, feat= uring=20 Rollin "Mac" Michael & Anne Fusco, actors, Ruby Fox, playwright, & Bob Sega= l,=20 comedian & jazz clarinetist. Wed. 12/7 & Sat. 12/10: A part II, discussion of "Tricks of the Trade: Audition Techniques for Stage= =20 and On-camera, "=A0,=A0 with co-hosts, Sue Johnson & Chris Fortunato, featur= ing=20 Rollin "Mac" Michael & Anne Fusco, actors, Ruby Fox, playwright, & Bob Sega= l,=20 comedian & jazz clarinetist. Here's a recap of recent shows aired on Adelphia in November. Wed. 11/9 & Sat. 11/12:=20 . Harriett Logan, owner, Loganberry Books, celebrating its 10th Anniversary= =A0=A0=20 Angelia Lee, Actor/Author/Vocalist, and Gary Webster, Playwright. Wed. 11/16 & Sat. 11/19: . Jim Levin and Thomas Mulready from iNGENUiTY and=20 Cool Cleveland.com, discussing the arts scene in Cleveland and next year's=20 iNGENUiTY with Gary Webster, actor & playwright, Angelia Lee, actor, singer= ,=20 playwright & Harriett Logan, owner, Loganberry Books Coming Soon . . . on Adelphia, channels 21 and 23=A0 . . .=20 . Hal Wyant and his TransAfrica Rhythms band . New "PlayActs" Performances featuring local playwrights and actors,=20 =A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0= =A0 - - - and - - - . "Tricks of the Trade: Craft, Career and Professional Development"=20 discussions. November . . . on Cox Cable, ch. 45. . . Wednesdays, 7:30 P, Saturdays, 7:00 P. Wed/ 11/2 & Sat. 11/5 . Alphonzo G. Smith, Jr., and his new band, Stratos, blowing the roof off=20 with their vocal and music eclectic mix of jazz, blues, and contemporary=20 selections.=A0 Brenda Smith, Spokesperson, shares the story of the band's or= igins,=20 dreams and special events, while Iris Tucker-Berry gets "carried away" by th= e music=20 and starts "jammin'" with an impromptu "cabaret smooth groove" dance. Wed. 11/9 & Sat. 11/12 . Jennifer Hoffman, former WAKE UP and LIVE's Actors' Studio student, who ha= s=20 graduated from Point Park College, PA and is now back home setting up her=20 professional musical theater career, and private coaching and classes, while= =20 working at Solon Center for the Arts.=A0=20 -- and -- . Bob Segal and Steve Samuel, of the Bob and Steve Duo, blowing some "mean"=20 jazz standards through their clarinets.=A0 Both Segal, who performs Klezmer=20 music,=A0 and Samuel are also well known for their teaching affiliations wit= h=20 Cleveland schools and the Music Institute. Also, in November . . . .Our "PlayActs" series of auditions for the TV show, rehearsals and=20 performances for "PlayActs" featuring 4 fun short plays written by=20 Playwrights-in-Residence, Ruby Fox and Gary Webster. The WAKE UP And LIVE's=20= Actors' Studio team of=20 Rollin "Mac" Michael, Sapphire DeFranco, Lauren Skirbunt, James McGilbray,=20 Gary Webster, Marvin L. Mallory, Mary Lu Franks, Beverly Kristy,=20 Iris-Tucker-Berry, and Lynna Metrisin reprise or create their roles in Celib= acy Odyssey,=20 Forever Milly, Is This How Frankie and Annette Got Started?, and We Want to=20= be in=20 Pictures . . . Or on TV . . . Or, the Stage . . . But We'd=20 Settle for Radio. Wed. 11/16 & Sat. 11/19 . "PlayActs" Is This How Frankie & Annette Got Started? by Gary Webster,=20 featuring James McGilbray, Lauren Skirbunt,=A0 & Gary Webster Wed. 11/23 & Sat. 11/26 . "PlayActs" We Want to be in Movies, TV . . . by Gary Webster, featuring= =A0=20 Marvin L. Mallory, Mary Lu Franks, Beverly Kristy,=A0 & Iris Tucker-Berry. Wed. 11/30 & Sat. 12/3 . "PlayActs" Celibacy Odyssey, by Ruby Fox, featuring Lynna Metrisin, Rollin= =20 "Mac" Michael & Gary Webster Wed. 12/7 & Sat. 12/10 . Hue People, II,=A0 vocal group, with steven e.boyd, Anita Rose Banks, Ceco= =20 Selinas & Brother Afi-Nur, whose performances are becoming standard features= at=20 many public, private and corporate events around northeast Ohio. .on Cleveland Access Channel, ch. 25. . . Wednesdays, 6:00 P. Wed. 11/9 & Wed. 11/16 . Kelly Chapman, Inspirational Recording Artist, Real CD & Heal Me, Wed. 11/23 & Wed. 11/30 . Alex Worthington, Author, Frankie McBeans and the Tickle Monster Wed. 12/7 & Wed. 12/14 . "PlayActs" Auditions, I. Area actors, Liz Bauer, Sonia N. Bishop, Allen=20 Branstein, , Mary Lu Franks, Norman King, and Ubu Zurub participating in "Tr= icks=20 of the Trade" on-camera auditions with monologues, vocal selections, solo=20 pieces and scene readings. Maureen J. Carey, local playwright, "auditioning"= =20 excerpts from her "The Lesson of the Butterfly," with Ruby Fox, veteran play= wright=20 observing the action. Wed. 12/21 & Wed. 12/28 . David Johnson & Daoud's Puppets, a discussion and demonstration on how to=20 craft hand puppets in quick and easy ways. Wed. 1/4 &=A0 Wed. 1/11/06 . Ed Niam, Founder, Self Healing Institute, a TaiQiGong Fitness System,=20 discussing and demonstrating the power of a unique program which recharges m= ental,=20 physical and spiritual health. Coming, soon, to Cox Cable and Cleveland Access. Damion Fontaine and Scott Brotherton as=A0 "Rat Pack" duo, Frank Sinatra and= =20 Dean Martin, with a special appearance by "Ed Sullivan." Scott and Damion cr= oon=20 some of Frankie & Dino's best known tunes. LaVar Arnold, poet, actor and aspiring Nobel Prize winner, performing=20 selections of his original poetry which can be heard at Cleveland Art Theate= r at=20 Monday night poetry readings. . Terrence Spivey, Artistic Director, Karamu Theatre, with Norma Powell,=20 co-host,=A0 and Ruby Fox, playwright, discussing Karamu's upcoming 90th Anni= versary=20 season, which kicks off October 14th with the female version of The Odd=20 Couple, directed by Jean Hawkins.=A0=20 Keep Tuning in to learn about Our . . . .=A0 "Giggles, Chuckles and Hardy Ha! Ha's!," the new Laughter CD, being=20 introduced the our viewers. Created by Mac Michael, with Lester Bryant, "Gig= gles . .=20 . " is voiced and produced by the entire WAKE UP And LIVE's Actors' Studio=20 artistic, production and technical team. This CD will take your mind off you= r=20 "troubles" for a few minutes and light up your life with healing and humor.=20= For=20 "kids" of all ages, just for fun, and for those who need upliftment to help=20 see them through challenging times. "Giggles, Chuckles and Hardy Ha! Ha's!" Great for your fundraising and gift=20 ideas. $5.00 per CD.=A0 Discounts on multiple copies. For order information, email: wakeup4664 at aol.com. If you, your performing or cultural arts organization, would like to appear=20 on WAKE UP And LIVE with the ARTS, contact us . . . email: wakeup4664 at aol.co= m WAKE UP And LIVE with the ARTS, with Chris Fortunato and Sue Johnson,=20 co-hosts, is a locally produced performing and cultural arts TV show, which=20= continues=20 to showcase area talent.=A0 Be sure to check out "local cable access listing= s=20 on neohiopal" throughout November to see how local "stars" are lighting up y= our=20 TV viewing. - Wed. 7:30 P &=A0 Sat., 7:00 P.=A0=A0 Adelphia Cable, ch. 21, East suburbs =A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0= =A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0 Adelphia Cab= le, ch. 23,=A0 West=20 suburbs - Wed. 7:30 P & Sat., 7:00 P.=A0=A0 Cox Cable ch. 45 - Wed. 6:00 P.=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0= =A0=A0=A0=A0 Adelphia-Cleveland.=A0 ch. 25:=20 (Please note. Air dates are subject to change.) Sue H. Johnson, Director Chris Fortunato, Assoc. Director WAKE UP And LIVE's Actors' Studio=20 WAKE UP And LIVE with the ARTS P.O. Box 201524=A0 .=A0 Shaker Heights, OH 44120 wakeup4664 at aol.com http://carolirvin.com/wakeup.htm --part1_291.4e203b.30b8d182_boundary Content-Type: text/html; charset="ISO-8859-1" Content-Transfer-Encoding: quoted-printable

Look Who's=20= on WAKE UP And LIVE with the ARTS, Now!

. Tune into . . .=A0 WAKE UP And LIVE with the ARTS on
Adelphia
Cox Cable
&
Cleveland Access.
with
Chris Fortunato and Sue Johnson, co-hosts,
a locally produced performing and cultural arts TV show, which continues to=20= showcase area talent.=A0 Be sure to check out "local cable access listings o= n neohiopal" throughout November and December, to see how local "stars" are=20= lighting up your TV viewing.


. on Adelphia, ch. 23, eastern & ch. 21, western Subu= rbs
=A0=A0 Wednesdays, 7:30 P. Saturdays, 7:00 P

. Wed. 11/30 & Sat. 12/3:
A discussion of "Tricks of the Trade: Audition Techniques for Sta= ge and On-camera, "=A0part 1,=A0 with co-hosts, Sue John= son & Chris Fortunato, featuring Rollin "Mac" Michael & Anne Fusco, actors, Ruby Fox, playwright,  & Bob Sega= l, comedian & jazz clarinetist.

Wed. 12/7 & Sat. 12/10:
A part II, discussion of "Tricks of the Trade: Audition Techniques= for Stage and On-camera, "=A0,=A0 with co-hosts, Sue Jo= hnson & Chris Fortunato, featuring Rollin "Mac" Michael & Anne Fusco, actors, Ruby Fox, playwright,  & Bob Sega= l, comedian & jazz clarinetist.


Here's a recap of recent shows aired on Adelphia in November.

Wed. 11/9 & Sat. 11/12:
. Harriett Logan, owner, Loganberry Books, celebrating its 1= 0th Anniversary=A0=A0 Angelia Lee, Actor/Author/Vocalist, and = Gary Webster, Playwright.


Wed. 11/16 & Sat. 11/19: . Jim Levin and Thomas=20= Mulready from iNGENUiTY and Cool Cleveland.com, discussing the arts scene=20= in Cleveland and next year's iNGENUiTY with Gary Webster, actor &= ; playwright,  Angelia Lee, actor, singer, playwright &=20= Harriett Logan, owner, Loganberry Books

Coming Soon . . . on Adelphia, channels 21 and 23=A0 . . .

. Hal Wyant and his TransAfrica Rhythms band

. New "PlayActs" Performances featuring local playwrights and= actors,
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0= =A0 - - - and - - -
. "Tricks of the Trade: Craft, Career and Professional Development" <= /FONT>= discussions.


November . . . on Cox Cable, ch. 45. . .
Wednesdays, 7:30 P, Saturdays, 7:00 P.

Wed/ 11/2 & Sat. 11/5
. Alphonzo G. Smith, Jr., and his new band, Stratos,=20= blowing the roof off with their vocal and music eclectic mix of jazz, blues,= and contemporary selections.=A0 Brenda Smith, Spokesperson, shares the stor= y of the band's origins, dreams and special events, while Iris Tucker-Berry=20= gets "carried away" by the music and starts "jammin'" with an impromptu "cab= aret smooth groove" dance.

Wed. 11/9 & Sat. 11/12
. Jennifer Hoffman, former WAKE UP and LIVE's Actors' Studio= student, who has graduated from Point Park College, PA and is now back=20= home setting up her professional musical theater career, and private coachin= g and classes, while working at Solon Center for the Arts.=A0

-- and --

. Bob Segal and Steve Samuel, of the Bob and St= eve Duo, blowing some "mean" jazz standards through their clarinets.=A0 Both= Segal, who performs Klezmer music,=A0 and Samuel are also well known for th= eir teaching affiliations with Cleveland schools and the Music Institute.=

Also, in November . . .
.Our "PlayActs" series of auditions for the TV show, rehearsals and=20= performances for "PlayActs" featuring 4 fun short plays written by Pl= aywrights-in-Residence, Ruby Fox and Gary Webster. The WAKE UP And LIVE's= Actors' Studio team of Rollin "Mac" Michael, Sapphire DeFranco,=20= Lauren Skirbunt, James McGilbray, Gary Webster, Marvin L. Mallory, Mary Lu F= ranks, Beverly Kristy, Iris-Tucker-Berry, and Lynna Metrisin reprise or crea= te their roles in Celibacy Odyssey, Forever Milly, Is This How Frankie an= d Annette Got Started?, and We Want to be in Pictures . . . Or on TV=20= . . . Or, the Stage . . . But We'd
Settle for Radio.

Wed. 11/16 & Sat. 11/19
. "PlayActs" Is This How Frankie & Annette Got Started?<= /FONT>= by Gary Webster, featuring James McGilbray, Lauren Skirbunt,=A0 & G= ary Webster

Wed. 11/23 & Sat. 11/26
. "PlayActs" We Want to be in Movies, TV . . . by Gary= Webster, featuring=A0 Marvin L. Mallory, Mary Lu Franks, Beverly Kristy,= =A0 & Iris Tucker-Berry.

Wed. 11/30 & Sat. 12/3
. "PlayActs" Celibacy Odyssey, by Ruby Fox, featuring=20= Lynna Metrisin, Rollin "Mac" Michael & Gary Webster

Wed. 12/7 & Sat. 12/10
. Hue People, II,=A0 vocal group, with steven e.boyd= , Anita Rose Banks, Ceco Selinas & Brother Afi-Nur, whose performances a= re becoming standard features at many public, private and corporate events a= round northeast Ohio.

.on Cleveland Access Channel, ch. 25. . .
Wednesdays, 6:00 P.

Wed. 11/9 & Wed. 11/16
. Kelly Chapman, Inspirational Recording Artist, Real= CD & Heal Me,

Wed. 11/23 & Wed. 11/30
. Alex Worthington, Author, Frankie McBeans and the T= ickle Monster

Wed. 12/7 & Wed. 12/14
. "PlayActs" Auditions, I. Area actors, Liz B= auer, Sonia N. Bishop, Allen Branstein, , Mary Lu Franks, Norman King, and U= bu Zurub participating in "Tricks of the Trade" on-camera auditions w= ith monologues, vocal selections, solo pieces and scene readings. Maureen J.= Carey, local playwright, "auditioning" excerpts from her "The Lesson of=20= the Butterfly," with Ruby Fox, veteran playwright observing the action.<= B>

Wed. 12/21 & Wed. 12/28
. David Johnson & Daoud's Puppets, a discussion and demonstratio= n on how to craft hand puppets in quick and easy ways.

Wed. 1/4 &=A0 Wed. 1/11/06
. Ed Niam, Founder, Self Healing Institute, a TaiQiGong= Fitness System, discussing and demonstrating the power of a unique program=20= which recharges mental, physical and spiritual health.

Coming, soon, to Cox Cable and Cleveland Access.

Damion Fontaine and Scott Brotherton as=A0 "Rat Pack" duo, Frank Sinatra and Dean Martin, with a special appearance by= "Ed Sullivan." Scott and Damion croon some of Frankie & Dino's best kno= wn tunes.

LaVar Arnold, poet, actor and aspiring Nobel Prize winner, performi= ng selections of his original poetry which can be heard at Cleveland Art The= ater at Monday night poetry readings.

. Terrence Spivey, Artistic Director, Karamu Theatre,= with Norma Powell, co-host,=A0 and Ruby Fox, playwright, discussing Karamu'= s upcoming 90th Anniversary season, which kicks off October 14th with the fe= male version of The Odd Couple, directed by Jean Hawkins.=A0

Keep Tuning in to learn about Our . . .

.=A0 "Giggles, Chuckles and Hardy Ha! Ha's!," the new Lau= ghter CD, being introduced the our viewers. Created by Mac Michael, with Les= ter Bryant, "Giggles . . . " is voiced and produced by the entire <= B>WAKE UP And LIVE's Actors' Studio artistic, production and tech= nical team. This CD will take your mind off your "troubles" for a few minute= s and light up your life with healing and humor. For "kids" of all ages, jus= t for fun, and for those who need upliftment to help see them through challe= nging times.

"Giggles, Chuckles and Hardy Ha! Ha's!" Great for your fundraisi= ng and gift ideas.
$5.00 per CD.=A0 Discounts on multiple copies.
For order information, email: wakeup4664 at aol.com.

If you, your performing or cultural arts organization, would like to appear=20= on WAKE UP And LIVE with the ARTS, contact us . . . email: wak= eup4664 at aol.com

WAKE UP And LIVE with the ARTS, with Chris Fortunato and Sue J= ohnson, co-hosts, is a locally produced performing and cultural arts TV show= , which continues to showcase area talent.=A0 Be sure to check out "local ca= ble access listings on neohiopal" throughout November to see how local "star= s" are lighting up your TV viewing.

- Wed. 7:30 P &=A0 Sat., 7:00 P.=A0=A0 Adelphia Cable, ch. 21, East s= uburbs
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0= =A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0 Adelphia Cab= le, ch. 23,=A0 West suburbs
- Wed. 7:30 P & Sat., 7:00 P.=A0=A0 Cox Cable ch. 45
- Wed. 6:00 P.=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0= =A0=A0=A0=A0 Adelphia-Cleveland.=A0 ch. 25:
(Please note. Air dates are subject to change.)

Sue H. Johnson, Director
Chris Fortunato, Assoc. Director
WAKE UP And LIVE's Actors' Studio
WAKE UP And LIVE with the ARTS
P.O. Box 201524=A0 .=A0 Shaker Heights, OH 44120
wakeup4664 at aol.com



http://carolirvin.com/wakeup.htm



















--part1_291.4e203b.30b8d182_boundary-- From jtl at zoominternet.net Fri Nov 25 13:25:07 2005 From: jtl at zoominternet.net (Judi Terrell Linden) Date: Fri, 25 Nov 2005 16:25:07 -0500 Subject: [NEohioPAL]Thanks to everyone who replied to my request for an acoustic guitar Message-ID: <001501c5f206$b589f510$6401a8c0@moose> This is a multi-part message in MIME format. ------=_NextPart_000_0016_01C5F1DC.CCB3ED10 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Thanks so much to everyone who replied with advice and offers to my posting about purchasing an acoustic guitar. Thanks to one of the many generous folks on this list, I have a happy teenager who is in possession of a guitar she was able to purchase herself! The people on this list are wonderful! Judi ------=_NextPart_000_0016_01C5F1DC.CCB3ED10 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

Thanks so much to everyone who replied with advice = and offers to my posting about purchasing an acoustic guitar.  Thanks to one of the many = generous folks on this list, I have a happy teenager who is in possession of a guitar she = was able to purchase herself!  =

 

The people on this list are = wonderful!

Judi  =

------=_NextPart_000_0016_01C5F1DC.CCB3ED10-- From Allenkel at comcast.net Fri Nov 25 13:53:09 2005 From: Allenkel at comcast.net (Allen Kellogg) Date: Fri, 25 Nov 2005 16:53:09 -0500 Subject: [NEohioPAL]Stand in for two movies! In-Reply-To: <438518EE.EBFC1C27@earthlink.net> Message-ID: <00d101c5f20a$ad211b70$6401a8c0@SLAPPY> Waterstreet Productions is currently looking for a stand in for two feature length movies to be shot starting next Monday and going to December 22nd. We will be shooting in Cleveland and in Youngstown so one person from each area would be ideal. Unfortunately there is no compensation at this time; however, our last stand-ins did get to play bit parts in the last production. I can promise a great work environment and a great opportunity to network with some of the best industry professionals in the area. Right now we are looking for a female around 5'2" and about 110 pounds with long brown hair. There will be more calls in the near future. Please send a head shot and resume ASAP to allenkel at comcast.net. Allen Kellogg 1st AD From Evelyn.Ward at cpl.org Fri Nov 25 13:56:40 2005 From: Evelyn.Ward at cpl.org (Evelyn Ward) Date: Fri, 25 Nov 2005 16:56:40 -0500 Subject: [NEohioPAL]Dickens' Christmas Carol at Cleveland Public Library Message-ID: <3574453541f0.3541f0357445@clevnet.org>

Just a reminder -- if you're coming downtown Saturday for the Lighting Ceremony, come a little earlier and enjoy this delightful adaptation of Dickens' Christmas Carol, enacted by the PD's television critic Mark Dawidziak as Charles Dickens, with Tom Stephan as Scrooge and Sara Showman as Almost Everybody Else.  The show starts at 4 p.m. in the Louis Stokes Wing Auditorium at Superior and East Sixth Street, and it's free! 

Hope to see you there!

Evelyn M. Ward
Literature Department
Cleveland Public Library
325 E. Superior Ave.
Cleveland, OH 44114
Phone: 216-902-4947
Fax: 216-623-7050

From Frank at Time-LineProductions.com Fri Nov 25 14:42:48 2005 From: Frank at Time-LineProductions.com (Frank Mixson) Date: Fri, 25 Nov 2005 14:42:48 -0800 (PST) Subject: [NEohioPAL]Cleveland IndieClub In-Reply-To: <200511251430.AA102433106@cros.net> Message-ID: <20051125224248.45033.qmail@web81508.mail.mud.yahoo.com> --0-2018859710-1132958568=:45004 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Wow.. Christine you're very fortunate. Congratulations.. Due to transportation problems, I have not been able to attend the mtgs regularly, heck, I've even suspended the taping of the show I produce, until I get in that in order.. But one thing I've noticed is some clique'y'ness in the community.. Some people seem to not have any problems getting some help with their projects but others.. like myself.. cannot get any responses when I have asked for help.. I've done so several times at the meetings.. I've shown a music video, documentary trailers, and some of you might have even seen the tv show I produce. I've always gotten good feedback on my work, even as I continue to study and learn the tools and techniques for this craft, but do I ever get any help from the club members? One actor has shown up regularly to help out... and trust I appreciate his help a lot. Now I know someone will say that you should volunteer to help others, first. I have answered some calls on this list and there was no follow up from the originator of the posting, or just one, in one case. I attributed it to the fact that they were already in production, and that I'm sure it was kinda crazy at that time. I told others who I knew were doing things that if they needed my help to let me know.. I know how that goes.. I learned much volunteering on the set of movies I was acting in and that I would show up for and lend my time to on days I wasn't the scene. From finding and providing locations, to telephone calls for scheduling cast, to camera work, etc, believe me, I've paid my dues, and I continue to (I can name names and movies if you think I'm making this up). I've done PA work on some movies that I've had no part in, as well. I sometimes have heard negative gossip about filmmakers or someone else in the community at some of our events.. I try real hard not to pass along negative gossip.. But I've seen someone walk in the meeting and then immediately overheard people at the next table telling someone something negative about the person... another time, someone who I used associate with one particular person in the community came to me and told me not work with that person, and then proceeded to tell me how they fell out.. and so forth, basically trying to dissuade me from using that person and their resources for what I was trying to accomplish. I know we, as humans, are prone to gossip, lol. Just the nature of the beast, I suppost. We are also prone to clique'y'ness, and those two traits work to help some, but at the disadvantage of others. Just my experience... Frank Mixson Time-LineProductions.com th at cros.net> wrote: Christopher, Alex, Bill, etal: As an ardent "learner" and IndieClub attendee, I feel compelled to respond. IndieClub is not only thriving, it has outgrown its first location at Talkies and moved to the larger Hyacinth Lofts. Even then, the meetings are often standing room only. What used to be a 3 hour meeting has expanded to over 4 hours. This was done for one reason only as far as I know- so that we would all have the time to NETWORK! We were so busy screening work and having in really good speakers (like this month's Phil Garrett, previously of Dreamworks!) that we had run out of time to fish the talent pool for people to work on our shoots. >From my association with Cleveland IndieClub, I have worked on 11 projects in the last 3 years. 2 of those were my own, with a third to shoot next weekend. I have done everything I could. My 20+ years expertise is in wardrobe and make up, so I have done alot of that. But I have worked as an extra and PA and moved through the ranks to script supervise, write, direct and produce. To be sure, when I started seriously in film, I knew very little. I learned by volunteering to work on others' projects- yes, even the bad ones. You learn as much, if not more, on a bad shoot than a good one. Because I have a good work ethic, show up and do my job with the most professional attitude I have, I get asked back and recruited for other work. I am lucky enough that now I am regularly paid to work on films (yes, indies can pay!). Of course, I care a lot about the work and have studied everything I can get my hands on about filmmaking. The only thing IndieClubbers lack as a whole, is the same thing every indie struggles with- MONEY. We need to learn how to raise it and spend it wisely to produce distributable product. My next shoot is next weekend, and is entirely crewed by INDIECLUBBERS! Actors, crew, pa's- all from Indieclub. Some of these people honor me completely by agreeing to come work on my shoot, others are like I was a few years ago, hungry to learn. Why do I share all of this? Because my personal story is just one of many- A great many Indieclubbers are just like me, and we survive becasue we work together. My product improves with every new technique I learn and I never tire of learning. Just one modest success story from IndieCleveland. Hope to see you all at the next meeting. Christine Chapman lilith at cros.net ______________________________________ Disney's "BEAUTY AND THE BEAST" at Beck Center 12/2-12/31. 216-521-2540. http://www.fredsternfeld.com/beautyandthebeast.htm _______________________________________ There is a sister site to this list called the "NEoPAL Bulletin Board." Occasionally when "hot-button" discussions go on more than a day or two, the bulletin board is used. The Neopal bulletin board also has some other terrific features, like a searchable database for you to put your personal information, a place to post pictures and a chat room with a nightly 11pm gathering to discuss hot topics: http://groups.yahoo.com/group/neopal/ _______________________________________ Disclaimer: The facts and/or opinions expressed in this message are solely those of the person in the "from" or "reply-to" header. The fact that this message is posted should in no way be taken as an endorsement by the administrator of this list. Subscribers should perform due diligence for all goods, services and activities promoted on NEohioPAL. NEohioPAL mailing list NEohioPAL at lists.fredsternfeld.com http://lists.fredsternfeld.com/mailman/listinfo/neohiopal http://www.fredsternfeld.com --0-2018859710-1132958568=:45004 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
Wow..  Christine you're very fortunate.  Congratulations..   Due to transportation problems, I have not been able to attend the mtgs regularly, heck, I've even suspended the taping of the show I produce, until I get in that in  order..   But one thing I've noticed is some clique'y'ness in the community..   Some people seem to not have any problems getting some help with their projects but others.. like myself.. cannot get any responses when I have asked for help.. I've done so several times at the meetings..  I've shown a music video, documentary trailers, and some of you might have even seen the tv show I produce.  I've always gotten good feedback on my work, even as I continue to study and learn the tools and techniques for this craft, but do I ever get any help from the club members?  One actor has shown up regularly to help out... and trust I appreciate his help a lot.
 
Now I know someone will say that you should volunteer to help others, first. I have answered some calls on this list and there was no  follow up from the originator of the posting, or just one, in one case.  I attributed it to the fact that they were already in production, and that I'm sure it was kinda crazy at that time.   I told others who I knew were doing things that if they needed my help to let me know..    I know how that goes.. I learned much volunteering  on the set of movies I was acting in and that I would show up for and lend my time to on days I wasn't the scene.  From finding and providing locations, to telephone calls for scheduling cast, to camera work, etc, believe me, I've paid my dues, and I continue to (I can name names and movies if you think I'm making this up). I've done PA work on some movies that I've had no part in, as well.
 
I sometimes have heard negative gossip about filmmakers or someone else in the community at some of our events..  I try real hard not to pass along negative gossip..  But I've seen someone walk in the meeting and then immediately overheard people at the next table telling someone something negative about the person... another time, someone who I used associate with one particular person in the community came to me and told me not work with  that person, and then proceeded to tell me how they fell out..   and so forth, basically trying to dissuade  me  from using that person and their resources for what I was trying to accomplish.
 
I know we, as humans, are prone to gossip, lol.  Just the nature of the beast, I suppost.  We are also prone to clique'y'ness,  and those two traits work to help some, but at the disadvantage of others. 
 
Just my experience...
 
Frank Mixson
Time-LineProductions.com
 
 
 
 

th at cros.net> wrote:
Christopher, Alex, Bill, etal:

As an ardent "learner" and IndieClub attendee, I feel compelled to respond.

IndieClub is not only thriving, it has outgrown its first location at Talkies and moved to the larger Hyacinth Lofts. Even then, the meetings are often standing room only.

What used to be a 3 hour meeting has expanded to over 4 hours. This was done for one reason only as far as I know- so that we would all have the time to NETWORK! We were so busy screening work and having in really good speakers (like this month's Phil Garrett, previously of Dreamworks!) that we had run out of time to fish the talent pool for people to work on our shoots.

>From my association with Cleveland IndieClub, I have worked on 11 projects in the last 3 years. 2 of those were my own, with a third to shoot next weekend. I have done everything I could. My 20+ years expertise is in wardrobe and make up, so I have done alot of that. But I have worked as an extra and PA and moved through the ranks to script supervise, write, direct and produce.

To be sure, when I started seriously in film, I knew very little. I learned by volunteering to work on others' projects- yes, even the bad ones. You learn as much, if not more, on a bad shoot than a good one. Because I have a good work ethic, show up and do my job with the most professional attitude I have, I get asked back and recruited for other work. I am lucky enough that now I am regularly paid to work on films (yes, indies can pay!). Of course, I care a lot about the work and have studied everything I can get my hands on about filmmaking.

The only thing IndieClubbers lack as a whole, is the same thing every indie struggles with- MONEY. We need to learn how to raise it and spend it wisely to produce distributable product.

My next shoot is next weekend, and is entirely crewed by INDIECLUBBERS! Actors, crew, pa's- all from Indieclub. Some of these people honor me completely by agreeing to come work on my shoot, others are like I was a few years ago, hungry to learn.

Why do I share all of this? Because my personal story is just one of many- A great many Indieclubbers are just like me, and we survive becasue we work together. My product improves with every new technique I learn and I never tire of learning.

Just one modest success story from IndieCleveland. Hope to see you all at the next meeting.

Christine Chapman
lilith at cros.net





______________________________________
Disney's "BEAUTY AND THE BEAST" at Beck Center 12/2-12/31. 216-521-2540. http://www.fredsternfeld.com/beautyandthebeast.htm
_______________________________________
There is a sister site to this list called the "NEoPAL Bulletin Board." Occasionally when "hot-button" discussions go on more than a day or two, the bulletin board is used. The Neopal bulletin board also has some other terrific features, like a searchable database for you to put your personal information, a place to post pictures and a chat room with a nightly 11pm gathering to discuss hot topics: http://groups.yahoo.com/group/neopal/
_______________________________________
Disclaimer: The facts and/or opinions expressed in this message are solely those of the person in the "from" or "reply-to" header. The fact that this message is posted should in no way be taken as an endorsement by the administrator of this list. Subscribers should perform due diligence for all goods, services and activities promoted on NEohioPAL.

NEohioPAL mailing list
NEohioPAL at lists.fredsternfeld.com
http://lists.fredsternfeld.com/mailman/listinfo/neohiopal
http://www.fredsternfeld.com
--0-2018859710-1132958568=:45004-- From jharris at hlcommunications.com Fri Nov 25 14:46:58 2005 From: jharris at hlcommunications.com (James Harris) Date: Fri, 25 Nov 2005 17:46:58 -0500 Subject: [NEohioPAL]The Poinsettia Party, Dec 2, only $10 Message-ID: This is a multi-part message in MIME format. ------=_NextPart_000_0030_01C5F1E8.3D37F030 Content-Type: multipart/alternative; boundary="----=_NextPart_001_0031_01C5F1E8.3D37F030" ------=_NextPart_001_0031_01C5F1E8.3D37F030 Content-Type: text/plain; charset="windows-1250" Content-Transfer-Encoding: quoted-printable =20 =20 =20 =20 =20 =20 =20 =20 =20 =20 =93The Poinsettia Party=94=20 Celebrates Rockefeller Greenhouse Centennial,=20 Friday, Dec 2 =20 =20 WHERE: The Rockefeller Greenhouse, 750 E. 88th St., Cleveland. =20 WHEN: Dec 2, Friday, 6 pm - 8:30 pm =20 WHAT: The Poinsettia Party is the traditional winter open = house for Friends of Greenhouse supporting its various programs. The benefit = opens the facility=92s popular Poinsettia Display and is the only time the Greenhouse is open to the public at night. 2005 also marks the greenhouse=92s centennial. =20 INCLUDES: Free parking, light refreshments and appetizers, desserts, = wine, music, holiday poinsettias for sale, and silent auction. =20 COST: $10 a ticket. For more information, call = 216.664.3103 or go to HYPERLINK "http://www.rockefellergreenhouse.org/"www.rockefellergreenhouse.org, =93Coming Attractions=94 for ticket order form. Paid reservations are = requested by Tuesday, Nov. 29. =20 =20 --=20 No virus found in this outgoing message. Checked by AVG Free Edition. Version: 7.1.362 / Virus Database: 267.13.7/182 - Release Date: = 11/24/2005 =20 =20 ------=_NextPart_001_0031_01C5F1E8.3D37F030 Content-Type: text/html; charset="windows-1250" Content-Transfer-Encoding: quoted-printable

 

=

 

        &nbs= p;            = ;       

 

 

 

 

 

 

 

“The Poinsettia Party”

Celebrates Rockefeller Greenhouse Centennial,

Friday, Dec 2

 

=

 

=

WHERE:        The Rockefeller Greenhouse, 750 E. 88th St., Cleveland.         = ;            =             &= nbsp;         =

 

WHEN:          = ; Dec 2, Friday, 6 pm - 8:30 = pm

 

=

WHAT:         = ;   The Poinsettia = Party is the traditional winter open house for Friends of Greenhouse = supporting its various programs. The benefit opens the facility’s popular = Poinsettia Display and is the only time the Greenhouse is open to the public at  = night.  2005 also marks the = greenhouse’s centennial.

        = ;            =    

INCLUDES:   Free parking, light refreshments and appetizers, = desserts, wine, music, holiday poinsettias for sale, and silent = auction.

 

COST:           = ; $10 a ticket.  = For more information, call    = 216.664.3103 or go to www.rockefellergreenhouse.= org, “Coming Attractions” for ticket order form.  Paid reservations are requested = by Tuesday, Nov. 29.

 

 

=

--
No virus found in this outgoing message.
Checked by AVG Free Edition.
Version: 7.1.362 / Virus Database: 267.13.7/182 - Release Date: = 11/24/2005

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LnI9wc8g1av7Jb+0MDuyHcrq69VZTkH8xVqigLGY+lTTQ3iTXrM10gTITATAIyBk8nNNOiJ/Z1xY JMVhnbIUqCE5yQPYnnHvWrRQFkZU2jGayjtvOjRY5xKAsChTg527anOmrJDHDMySRIjIyeWArA9s dqvUUBZGU2ig2MFo108iwzibdKoYuAchT/LPXikOgxGO7QTFPPuFuEKIF8plC4x6/dH61rUUBZGY 2ji4juvtc5lkuofJZ1XbtTngDn1Jp8WnzrFJ594JpXjEYfygAoH+z361oUUBYx28PxGwe1SRI/Mm SZtkICEqQcbOgHArSt4fIt0iJB2DHyqFH4AdKmooCx//2Q== ------=_NextPart_000_0030_01C5F1E8.3D37F030-- From jayrossishow at yahoo.com Fri Nov 25 16:13:46 2005 From: jayrossishow at yahoo.com (Jay Rossi) Date: Fri, 25 Nov 2005 16:13:46 -0800 (PST) Subject: [NEohioPAL]NEOPAL Discount For the Holidays.... Message-ID: <20051126001346.18588.qmail@web33411.mail.mud.yahoo.com> --0-1017677881-1132964026=:17554 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Through the first week of 2006, I'm offering a 20% discount for NEOPAL members, for any of the following services: * Studio Recording (albums, singles, soundtracks, kareoke, etc.) * CD or DVD labels (designed according to your specifications and liking) * Looping (for film or TV) * Website creating or editing * Song or Video clip uploading ( for on-line playing ) Please contact me at thefreelanceshop at yahoo.com or 330-410-0488 The Jay Rossi Project JayRossiShow at yahoo.com http://tv.groups.yahoo.com/group/jayrossishow/ Also Visit www.JayRossi.s5.com Respond soon! I want to hear from you! --------------------------------- Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --0-1017677881-1132964026=:17554 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
Through the first week of 2006, I'm offering a 20% discount for NEOPAL members, for any of the following services:
 
* Studio Recording (albums, singles, soundtracks, kareoke, etc.)
* CD or DVD labels (designed according to your specifications and liking)
* Looping (for film or TV)
* Website creating or editing
* Song or Video clip uploading ( for on-line playing )
 
Please contact me at thefreelanceshop at yahoo.com or 330-410-0488
 
 


The Jay Rossi Project
Respond soon! I want to hear from you!
 
 

Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --0-1017677881-1132964026=:17554-- From thesingersart at att.net Fri Nov 25 16:40:22 2005 From: thesingersart at att.net (thesingersart at att.net) Date: Sat, 26 Nov 2005 00:40:22 +0000 Subject: [NEohioPAL]Immediate openings-Clay Aiken tour! Message-ID: <112620050040.24881.4387AEF4000BA7870000613121602807410A0C020A9D990E040D0E@att.net> --NextPart_Webmail_9m3u9jl4l_24881_1132965622_0 Content-Type: text/plain Content-Transfer-Encoding: 8bit IMMEDIATE OPENINGS: Clay Aiken Joyful Noise Christmas Tour needs 12 actor/singers to perform this sunday Nov.27 in Youngstown, Ohio. See the following age/gender breakdown and respond only if you are experienced and can pick up SIMPLE staging quickly and learn words to a song REALLY fast. There will be a rehearsal with us on the afternoon of the 27th from 3-5pm and the show starts at 7:30pm. The performance is at the Convocation Center in Youngstown on the 27th....this sunday. If interested, please call Alison Lawrence at (919)601-3344 immediately!!!! Please look at the age breakdown.... 1 male 1 female looks age 55 or older 2 male 2 female look 35 and up 1 male 1 female ages 18-25 1 male 1 female ages 10-13 1 male 1 female ages 5-8 Thank-you. Alison Lawrence Theatre Liason Clay Aiken "Joyful Noise" Tour 2005 (919)601-3344 thesingersart at att.net --NextPart_Webmail_9m3u9jl4l_24881_1132965622_0 Content-Type: text/html Content-Transfer-Encoding: 8bit
IMMEDIATE OPENINGS: Clay Aiken Joyful Noise Christmas Tour needs 12 actor/singers to perform this sunday Nov.27 in Youngstown, Ohio. See the following age/gender breakdown and respond only if you are experienced and can pick up SIMPLE staging quickly and learn words to a song REALLY fast.
There will be a rehearsal with us on the afternoon of the 27th from 3-5pm and the show starts at 7:30pm.
The performance is at the Convocation Center in Youngstown on the 27th....this sunday.
If interested, please call Alison Lawrence at (919)601-3344 immediately!!!! Please look at the age breakdown....
  1 male 1 female looks age 55 or older
  2 male 2 female  look 35 and up
  1 male 1 female ages 18-25
  1 male 1 female ages 10-13
  1 male 1 female ages 5-8
Thank-you.
Alison Lawrence
Theatre Liason
Clay Aiken "Joyful Noise" Tour 2005
(919)601-3344
thesingersart at att.net
--NextPart_Webmail_9m3u9jl4l_24881_1132965622_0-- From rmontgom at neo.rr.com Fri Nov 25 17:12:45 2005 From: rmontgom at neo.rr.com (Rick Montgomery Jr.) Date: Fri, 25 Nov 2005 20:12:45 -0500 Subject: [NEohioPAL]All Hail Film Czar and Film Prophet Message-ID: <00af01c5f226$82909680$030aa8c0@DELL> This is a multi-part message in MIME format. ------=_NextPart_000_00B0_01C5F1FC.99BA8E80 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable Bill Johns wrote: =20 The real reason is no one wants to work on someone else's film. You see, most of the people that comprise the indie scene here in Cleveland are writer/producer/directors and we're all working on our own projects. And guess what. I'm not all that interested in spending my valuable time = working on someone's project which I consider to be crappier than my own. I can = just as easily be spending my time and resources creating my own crap. =20 Sure everyone would like to think there's a benevolent brotherhood of filmmakers; a selfless society where everyone submits ideas and work = samples and then the members vote on what script to do and who to direct it. The community is presented with the proposal and since it bears the backing = of so many filmmakers, the businesses get involved and support the project = with services and finances. The best actors come from all around to have a = part in the project and a glorious motion picture is produced that wins the = Oscar for Impossible Dream...=20 =20 That would be a good plot for a fantasy picture, but in the real world, writers will lose interest if their script isn't picked. Directors will = bail if they can't direct and actors will walk away if they can't be the = lead. And you guessed it the end product would probably be... well, I don't = need to say it again. (though I really want to) =20 Usually, I don't write to these groups because I usually insert my foot = into my mouth.. BUT =20 One reason I like Bill is I've found him to be honest and to the point.=20 =20 But what gets my goat is that the Club has the talent and the resources = to do what they want. I have never been able to attend because I am usually working somewhere on something (surprising I know), but I know the group = has all the ingredients (I know many of you). You have the flour (writers), = and you have the eggs (talent). You have the milk (costumers, make-up), and = you have the butter (the crew). You have flavoring (fx) and you have stove (directors), BUT it seems no one knows WHAT to make. cake, brownies, a = pie. =20 TOO MANY COOKS. TOO MANY EGOS. =20 To be successful in anything we have to 'win' (I know I'm not PC. I = believe in competition as a tool for improvement). In REAL life. there ARE = winners and there ARE losers. the losers 'quit' while the winners NEVER do). We = have to be willing to 'lose' and to 'learn' by growing from our mistakes. =20 I'm far from being the actor I want to be. and I constantly throw myself against those who are far superior. I lose roles to them. I DON"T LIKE losing but I keep doing it. =20 WHY? =20 My motivation is selfish. I want to surpass them. I want the roles they = get. I learn from them. I take classes to learn. I read to learn. I work to learn. My desire is to learn and work hard enough that the next time our paths cross . I win the role. I EARNED the role. =20 One director I truly admire once told me, "If a person wants to be a = better tennis player, they 'play' with better tennis players. If you want to be = a better actor (in my case). work with better actors." =20 If you can't play with better players because it 'hurts', maybe your = heart, your passion is not where it should be and you should question why = you're doing what you're doing in the first place. =20 NOW. =20 There are three types of 'COOKS' in the arts, those who does it for = 'arts' sake, those who do it for 'rewards' and then those who do it for both = (which I'm part). =20 Those who do it for the 'art', from my experience, DO NOT CARE what = anyone else thinks. It is their project and they may share it (if they do) but = not for our 'approval'. =20 Those who do it for 'reward', do it for recognition, money, fame. = whatever 'reward' motivates them. =20 And the last 'group'. or why I do it. because we don't want to do = anything else (need of the 'art') but have responsibilities (need of the = 'reward'). I think most of us fit here. =20 Having retired from the 'business' world after 30 years, and knowing I = need to pay a mortgage, need to feed two small sons who eat like they're 19, = and need to afford a tank of gas, 'reward' plays a REALLY BIG part. I need = to improve to meet my obligations. =20 Now the 'business' of 'reward' changes the equation.=20 =20 A company, person, or persons who want to invest money expects to get return. Even if it's an investment in an unknown (example: research and development), they want to see that return. =20 Which means. they want the best! =20 WE ALL CAN'T BE THE BEST! The question is how 'we' get BETTER, to make ourselves the logical choice. =20 My opinion for the IndieClub.? =20 First work as a 'group'. even if the 'group' sets itself up as a = corporation or LLC. =20 Find the BEST screenplay (that actually CAN be produced. no "LORD of the RINGS stuff) from your group, select the BEST director for that type of screenplay from your group, find the BEST actors for that type of = screenplay and director from the group, find the BEST everything.. AND DO IT! =20 Those who were not the BEST at that moment. swallow your pride. work = with those who were determined to be the BEST (if you wish) for THAT = particular project and 'learn'. Learn from the strengths and weaknesses observed. =20 But the BEST always needs to listen and learn from the others. you might = be surprised what is learned. No one knows more than everyone else. =20 The President/CEO at the corporation I worked (over $500 million/year = in sales) told me once, that he still talked with the janitor every day. = Why? Because the janitor knew what was going on. he saw the trash every day. heard what people were talking about (Oh. he's just the janitor). Every person at every position is important. NO ONE is more/less important = than another. We just have different jobs and responsibilities. =20 Then do it for 'arts' sake or for 'reward'. whatever. =20 BUT if the project succeeds. EVERYONE DOES at some level. Then start = another project.=20 =20 If the projects fails. no one does. everyone learned. Then start another project. =20 The network becomes stronger, trust becomes stronger. the work becomes better BECAUSE everyone has learned something about the business. about themselves. =20 Find a good 'cook', a good 'captain', a good LEADER. Have faith in your choices in theirs, work hard, and learn.=20 =20 If nothing else comes of the project. you'll be better. =20 Put the egos away, take pride in the work. Learn everything you can, but = be willing to teach.=20 =20 GAWD!!! I sound like a 'parent' =20 With deepest respect to you all, Rick =20 ------=_NextPart_000_00B0_01C5F1FC.99BA8E80 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable

Bill Johns wrote:

 

The real reason is no one wants to work on someone else's film. = You see, most of the people that comprise the indie scene here in = Cleveland are writer/producer/directors and we're all working on our own projects. = And guess what. I'm not all that interested in spending my valuable time = working on someone's project which I consider to be crappier than my own. I = can just as easily be spending my time and resources creating my own = crap.

 

Sure everyone would like to think there's a benevolent = brotherhood of filmmakers; a selfless society where everyone submits ideas and work = samples and then the members vote on what script to do and who to direct it. The community is presented with the proposal and since it bears the backing = of so many filmmakers, the businesses get involved and support the project = with services and finances. The best actors come from all around to have a = part in the project and a glorious motion picture is produced that wins the = Oscar for Impossible Dream...

 

That would be a good plot for a fantasy picture, but in the real = world, writers will lose interest if their script isn't picked. Directors will = bail if they can't direct and actors will walk away if they can't be the lead. = And you guessed it the end product would probably be... well, I don't need to = say it again. (though I really want to)

 

Usually, I don’t write to = these groups because I usually insert my foot into my mouth…. = BUT

 

One reason I like Bill is = I’ve found him to be honest and to the point.

 

But what gets my goat is that the = Club has the talent and the resources to do what they want. I have never been = able to attend because I am usually working somewhere on something (surprising I = know), but I know the group has all the ingredients (I know many of you)… = You have the flour (writers), and you have the eggs (talent). You have the = milk (costumers, make-up), and you have the butter (the crew). You have = flavoring (fx) and you have stove (directors), BUT it seems no one knows WHAT to = make… cake, brownies, a pie…

 

TOO MANY COOKS… TOO MANY = EGOS…

 

To be successful in anything we = have to ‘win’ (I know I’m not PC… I believe in = competition as a tool for improvement). In REAL life… there ARE winners and there = ARE losers… the losers ‘quit’ while the winners NEVER do). = We have to be willing to ‘lose’ and to ‘learn’ by = growing from our mistakes.

 

I’m far from being the actor = I want to be… and I constantly throw myself against those who are far = superior. I lose roles to them… I DON”T LIKE losing but I keep doing = it.

 

WHY?

 

My motivation is selfish. I want = to surpass them. I want the roles they get. I learn from them. I take classes to = learn. I read to learn. I work to learn. My desire is to learn and work hard = enough that the next time our paths cross … I win the role. I EARNED the = role.

 

One director I truly admire once = told me, “If a person wants to be a better tennis player, they = ‘play’ with better tennis players. If you want to be a better actor (in my case)… work with better actors.”

 

If you can’t play with = better players because it ‘hurts’, maybe your heart, your passion is not = where it should be and you should question why you’re doing what = you’re doing in the first place.

 

NOW…

 

 There are three types of ‘COOKS’ in the arts, those who does it for = ‘arts’ sake, those who do it for ‘rewards’ and then those who do it for = both (which I’m part).

 

Those who do it for the = ‘art’, from my experience, DO NOT CARE what anyone else thinks. It is their = project and they may share it (if they do) but not for our = ‘approval’.

 

Those who do it for = ‘reward’, do it for recognition, money, fame… whatever ‘reward’ motivates them.

 

And the last = ‘group’… or why I do it… because we don’t want to do anything else (need = of the ‘art’) but have responsibilities (need of the ‘reward’). I think most of us fit here.

 

Having retired from the = ‘business’ world after 30 years, and knowing I need to pay a mortgage, need to feed = two small sons who eat like they’re 19, and need to afford a tank of = gas, ‘reward’ plays a REALLY BIG part. I need to improve to meet = my obligations.

 

Now the ‘business’ of ‘reward’ changes the equation.

 

A company, person, or persons who = want to invest money expects to get return. Even if it’s an investment in = an unknown (example: research and development), they want to see that = return.

 

Which means… they want the = best!

 

WE ALL CAN’T BE THE BEST! = The question is how ‘we’ get BETTER, to make ourselves the = logical choice.

 

My opinion for the = IndieClub…?

 

First work as a = ‘group’… even if the ‘group’ sets itself up as a corporation or = LLC.

 

Find the BEST screenplay (that = actually CAN be produced… no “LORD of the RINGS stuff) from your group, = select the BEST director for that type of screenplay from your group, find the = BEST actors for that type of screenplay and director from the group, find the = BEST everything…. AND DO IT!

 

Those who were not the BEST at = that moment… swallow your pride… work with those who were = determined to be the BEST (if you wish) for THAT particular project and = ‘learn’. Learn from the strengths and weaknesses observed.

 

But the BEST always needs to = listen and learn from the others… you might be surprised what is learned. No = one knows more than everyone else.

 

 The President/CEO at the = corporation I worked (over $500 million/year in sales) told me once, that he still = talked with the janitor every day. Why? Because the janitor knew what was going on… he saw the trash every day… heard what people were = talking about (Oh… he’s just the janitor)… Every person = at every position is important. NO ONE is more/less important than another. = We just have different jobs and responsibilities.

 

Then do it for ‘arts’ = sake or for ‘reward’… whatever.

 

BUT if the project succeeds… = EVERYONE DOES at some level. Then start another project…

 

If the projects fails… no = one does… everyone learned. Then start another = project…

 

The network becomes stronger, = trust becomes stronger… the work becomes better BECAUSE everyone has learned = something about the business… about themselves.

 

Find a good ‘cook’, a = good ‘captain’, a good LEADER. Have faith in your choices in = theirs, work hard, and learn…

 

If nothing else comes of the = project… you’ll be better.

 

Put the egos away, take pride in = the work. Learn everything you can, but be willing to teach… =

 

GAWD!!! I sound like a = ‘parent’

 

With deepest respect to you = all,

Rick

 

------=_NextPart_000_00B0_01C5F1FC.99BA8E80-- From performingarts at karamu.com Fri Nov 25 18:44:32 2005 From: performingarts at karamu.com (Performing Arts) Date: Fri, 25 Nov 2005 21:44:32 -0500 Subject: [NEohioPAL]=?iso-8859-1?Q?Scene_from_=22Before_It_Hits_Home=22_by_Cheryl_L._West_at_?= =?iso-8859-1?Q?AIDS_Taskforce_of_Greater_Cleveland_December_2?= Message-ID: <03b201c5f233$54c556c0$5701a8c0@karamu.com> This is a multi-part message in MIME format. ------=_NextPart_000_03AF_01C5F209.6B82F860 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Friday, December 2 Karamu Performing Arts Theatre will present = a fifteen minute scene from the Spring production = of "Before It Hits Home" by Cheryl = L. West. Wendell Bailey, a jazz saxophonist is stricken with AIDS. He must = confront his pregnant fiance, his lover, his twelve year old son and his = parents. Time: 12 Noon @ AIDS Taskforce of Greater Cleveland The Spectrum (an art exhibit), benefit for AIDS Taskforce of Greater = Cleveland and Ohio AIDS Coalition, organized by people with or affected = by HIV, featuring the Cleveland Contemporary Dance Theater, Nightsweats = and T-Cells, Vincent Moorman, Chris Sweiger and artists who have been = lost to AIDS, 11:30 am to 5 pm, $10, free to Taskforce clients, AIDS = Taskforce, 3210 Euclid Ave, 216-621-0766. "Before It Hits Home" by Cheryl L. West March 10 - April 9th, 2006 Karamu Performing Arts Theatre For tickets and group sales, please call 216-795-7077 =20 ------=_NextPart_000_03AF_01C5F209.6B82F860 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable

Friday, December 2

Karamu = Performing Arts=20 Theatre will=20 present           =             &= nbsp;           &n= bsp;           &nb= sp; =20 a=20 fifteen minute scene from the Spring=20 production          &nb= sp;           &nbs= p;            = ;      =20 of=20 =93Before It Hits Home=94 by Cheryl L. West.

Wendell Bailey, = a jazz=20 saxophonist is stricken with AIDS. He must confront his pregnant = fiance,=20 his lover, his twelve year old son and his = parents.

Time: 12 Noon @ = AIDS=20 Taskforce of Greater Cleveland

The Spectrum (an = art=20 exhibit), benefit for AIDS Taskforce of Greater Cleveland and Ohio = AIDS=20 Coalition, organized by people with or affected by HIV, featuring the = Cleveland=20 Contemporary Dance Theater, Nightsweats and T-Cells, Vincent Moorman, = Chris=20 Sweiger and artists who have been lost to AIDS, 11:30 am to = 5 pm, $10,=20 free to Taskforce clients, AIDS Taskforce, 3210 Euclid Ave,=20 216-621‑0766.

 

 

=93Before It Hits Home=94 by Cheryl L.=20 West

March 10 =96 April 9th,=20 2006

Karamu Performing Arts=20 Theatre

For tickets and group sales, please = call=20 216-795-7077  =20

------=_NextPart_000_03AF_01C5F209.6B82F860-- From memakefilm at yahoo.com Fri Nov 25 19:14:50 2005 From: memakefilm at yahoo.com (Jamey Mixson) Date: Fri, 25 Nov 2005 19:14:50 -0800 (PST) Subject: [NEohioPAL]Book Release Party/ Signing Saturday the 26th @ 5PM Message-ID: <20051126031450.46478.qmail@web36211.mail.mud.yahoo.com> --0-1454590413-1132974890=:26855 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit ALL of NEOHPAL is invited To the Book Release Party and Signing HEAVY ROTATION A Contemporary Novel by F. Jamey Mixson November 26th, 2005 Arabica Coffee House 20630 N Park Blvd Shaker Heights, OH 44118 5PM to 8PM Local self published author, Jamey, will be on hand to discuss and sign EVERY copy of the book *Juicy excerpts from Heavy Rotation will be read at 6PM by local talent. As all are invited please bring a friend or more. Copies of the novel are $20. --0-1454590413-1132974890=:26855 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
ALL of NEOHPAL is invited
To the Book Release Party and Signing
HEAVY ROTATION
A Contemporary Novel by F. Jamey Mixson
November 26th, 2005
Arabica Coffee House
20630 N Park Blvd
Shaker Heights, OH 44118
5PM to 8PM
 
 
 
Local self published author, Jamey, will be on hand to discuss and sign EVERY copy of the book *Juicy excerpts from Heavy Rotation will be read at 6PM by local talent.
As all are invited please bring a friend or more.
Copies of the novel are $20.
--0-1454590413-1132974890=:26855-- From finearts at core.com Fri Nov 25 20:01:06 2005 From: finearts at core.com (Your Name) Date: Fri, 25 Nov 2005 23:01:06 -0500 Subject: [NEohioPAL]Production Photos of "A CHRISTMAS CAROL" Message-ID: <200511260401.jAQ415FL018428@mail1.mx.voyager.net> A Christmas Carol runs 4 weeks at CHagrin Valley Little Theatre. Click Here to see the photos. Eric Skarl www.FineartsPhotography.com -- CoreComm Webmail. http://home.core.com From streamliners at alltel.net Sat Nov 26 05:10:24 2005 From: streamliners at alltel.net (streamliners) Date: Sat, 26 Nov 2005 08:10:24 -0500 Subject: [NEohioPAL]4 Sale Message-ID: <000c01c5f28a$c383ca90$6701a8c0@donna> This is a multi-part message in MIME format. ------=_NextPart_000_0009_01C5F260.DA76D410 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable We have some things we are looking to sell as we do not use them nor = have the space to store them any longer.=20 1) Full Ankle Length Wolf/Coyote Fur - Excellent condition. Rarely worn. = Size 10-12. Pelts are numbered. Inner monogram initials can easily be = adjusted with a Furrier.=20 2) Body Solid Exercise Unit - This thing is huge. We just don't have the = time to use it and it has been in storage for several years. It also is = in top notch condition as it was rarely used from purchase date. Great = aspirations/no time. =20 3) An antique stove. It needs to be refurbished. Most probably it dates = back to the 30-40's or there abouts. It appears to be a caning stove of = some sort. We need to sell it as it sits in a rental property of ours = that is soon to be sold.=20 If your interested: Email Donna/Dale at streamliners at alltel.net. We are = located in Chagrin Falls/East Side Cleveland. Stove and Body Solid are = located right now in the West End of Cleveland. ------=_NextPart_000_0009_01C5F260.DA76D410 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
We have some things we are looking to = sell as we do=20 not use them nor have the space to store them any longer.
 
1) Full Ankle Length Wolf/Coyote Fur - = Excellent=20 condition. Rarely worn. Size 10-12. Pelts are numbered. Inner monogram = initials=20 can easily be adjusted with a Furrier.
 
2) Body Solid Exercise Unit - This = thing is huge.=20 We just don't have the time to use it and it has been in storage for = several=20 years. It also is in top notch condition as it was rarely used from = purchase=20 date. Great aspirations/no time.  
 
3) An antique stove. It needs to be = refurbished.=20 Most probably it dates back to the 30-40's or there abouts. It appears = to be a=20 caning stove of some sort. We need to sell it as it sits in a rental = property of=20 ours that is soon to be sold.
 
If your interested: Email Donna/Dale at = streamliners at alltel.net. We = are=20 located in Chagrin Falls/East Side Cleveland. Stove and Body Solid are = located=20 right now in the West End of Cleveland.
------=_NextPart_000_0009_01C5F260.DA76D410-- From Frank at Time-LineProductions.com Sat Nov 26 06:34:10 2005 From: Frank at Time-LineProductions.com (Frank Mixson) Date: Sat, 26 Nov 2005 06:34:10 -0800 (PST) Subject: [NEohioPAL]Visitors to the "Slavery in New York" exhibition are recording reactions and creating snapshot reflections (from NYTimes) Message-ID: <20051126143410.44540.qmail@web81502.mail.mud.yahoo.com> --0-276414156-1133015650=:42646 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit They have the awkwardness of amateur home videos: background noise, long silences, people looking away from the camera. But inside a booth at the New-York Historical Society, visitors to the exhibition "Slavery in New York" are recording their reactions, creating snapshot reflections on race and history in the nation's largest city. "It allows our young people to understand, really, how this city was born and who carried the brunt of the prosperity that we see in New York, not only then but now," a black man from "Harlem, New York," said of the show, the largest in the museum's 201-year history. The man, who appeared to be in his 30's, said he wanted to know what businesses in the city today derived profits in the past from selling human beings. A white lawyer went into the booth twice to sort out his feelings. "This has just been devastating," he said. As he looked at the exhibition's array of documents, he said, he realized that the some of the laws used to isolate and dehumanize enslaved black New Yorkers became custom after the laws vanished and "contributed to the way whites look at blacks," even today. "It's striking for any of us who are New Yorkers to realize that the ground we touch, every institution, is affected by slavery," he said. Two young African-American brothers crammed into the booth together. "Slavery in New York was bad, and it's how New York became the richest city in the world," one of them declared. The exhibition, which illustrates the centrality of 200 years of slavery to the growth of New York City, opened on Oct. 7 and runs through March 5. The very idea of slaves walking the streets of what is now SoHo or of slave auction blocks in Lower Manhattan - in a city known for tolerance and diversity - has attracted people of varied races and ages. There are no specific attendance figures yet, but museum officials said the exhibition galleries had been packed and attendance was up 83 percent over the same period last year, when the museum presented an exhibition on Alexander Hamilton. The $5 million slavery exhibition features more than 400 artifacts, documents, paintings and maps spanning 9,000 square feet in 10 galleries. Visitors can see advertisements for runaway slaves and "negroes, to be sold"; caricatured drawings of blacks; items like chairs and cribs made by slave hands; and a 1644 document granting slaves "half freedom" and land around what is now Washington Square. The visitor response booth is at the end of the exhibition. There, visitors touch a blue-screened computer asking questions about what they have seen: their overall impression, how it added to or altered their knowledge on the subject, what they found noteworthy. They then look at the camera and speak their answers. "This is a much more qualitative way of knowing who's coming to the museum," said Richard Rabinowitz, the show's curator. "We really wanted to let people talk and think through things. We wanted people to frame a meaning for this as they leave." Museum officials plan to use those responses to figure out what and how people learn from such exhibitions. So far, about 400 responses have been videotaped. Some will become part of the "visitor reaction" monitors now in three galleries, which showcase selected people who previewed the show. In one, for example, a middle-aged white woman says the exhibition can make a difference. "A difference when you look at a black person on a subway train," she says, "or you're working next to a black person, that you have a little more empathy and understanding and also praising for how far so many people came." In the raw videotape, the names given are not clear, one has to guess at ages and there is no consensus on what people found most noteworthy about the show. Some said they were shocked to learn that some slaves fought with the British during the Revolutionary War (in a bid for freedom); others said they had discovered that George Washington owned slaves; and some mused that New York City slavery was no more benign than the Southern variety. After all, slaves in New York worked sunup to sundown. Slaves helped build the wall on Wall Street (and were sold there) and built the first City Hall and Trinity Church. Slavery was the lifeline for hundreds of city businesses. During British rule, about 40 percent of the city's households owned slaves. Institutional exhibitions about America's slave-holding past are relatively new and help foster a national conversation about race, said James Oliver Horton, the chief historian for "Slavery." This show's size and location facilitate that dialogue, he said. "Back in the 90's, when Bill Clinton asked for a national conversation about race, most people didn't have the context in which to have the conversation," said Dr. Horton, a professor of American studies and history at George Washington University. "This exhibition will help Americans have such a historical context. It will help people start with a common experience." Skip to next paragraph Forum: Artists and Exhibitions One commonality that emerges from viewing five hours of the visitor videotapes is how much people do not know. Many were unaware of the existence or extent of slavery in New York, which lasted until 1827, longer than in any other Northern state except New Jersey. "It's terrible to know that the city that I love was part of the slave trade," said a middle-aged white woman from New Jersey. "I'm shocked to hear about it." An African-American man in the booth with his young daughter said: "It's just a constant reminder that here in New York, like in other places in the United States, we were nothing more than cattle in the eyes of the owners and were treated that way. It's just amazing that people were able to survive and thrive after that." An elderly white woman who said she had two college degrees said, "I never knew until I walked in here about slavery in New York." Now, she said, "It just breaks my heart." An African-American woman who identified herself as a graduate of Cornell University said, "I've actually had people tell me that black people in New York had no history." "I can now feel that I have information I can share," she said. A middle-aged white woman who said she lived down the street from the museum noted that her daughter's advanced placement courses in history included only one hour about slavery. "It made me realize how history doesn't go away," the mother said of the exhibition. "These burdens are carried through generations." Clearly, schools are failing to educate students about slavery, said Louise Mirrer, the society's president. Dr. Mirrer said she would be gratified to see the public schools use the educational materials developed by the society for "Slavery." While most visitors are admirers, the exhibition comes in for some criticism, too. Some said it was saturated with facts but failed to convey slavery's brutality. One woman wondered why she did not see a single shackle. Dr. Rabinowitz said it was an informed decision to let the facts speak, without graphic depictions of beatings or family separations. But in the reaction booth, a young black man from Harlem argued that the show should be enraging. "Why are there ghettos in New York City? Because of slavery," he said. He learned many facts from the show, he added, but wanted explicit connections between race and class. "The ramifications of slavery still affect the world," he said. "It's not something to be put in the past, like dinosaurs or fossils." An African-American woman from Washington complained, "The soul of it was completely gone." She added, "It was spoken about as if it was any economic phenomenon instead of human." But some people caught on camera said the show had certainly made them think harder about skin color and the echoes of the past. A woman from Chicago, who described herself as an artist and a second-generation Slovakian, said the exhibition helped her in that way. She watched two African-American children playing in the museum, and it dawned on her that in another time they would have been slaves. "They had no choice," she said. "They had no power." And after learning that at one time 20 percent of New Yorkers were enslaved, the artist said, she went to the lobby of the grand Historical Society building and began imagining the past. "I'd look around and look around," she said, "and one in five people would be a slave." --0-276414156-1133015650=:42646 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit

They have the awkwardness of amateur home videos: background noise, long silences, people looking away from the camera. But inside a booth at the New-York Historical Society, visitors to the exhibition "Slavery in New York" are recording their reactions, creating snapshot reflections on race and history in the nation's largest city.

 
"It allows our young people to understand, really, how this city was born and who carried the brunt of the prosperity that we see in New York, not only then but now," a black man from "Harlem, New York," said of the show, the largest in the museum's 201-year history. The man, who appeared to be in his 30's, said he wanted to know what businesses in the city today derived profits in the past from selling human beings. 
 

A white lawyer went into the booth twice to sort out his feelings. "This has just been devastating," he said. As he looked at the exhibition's array of documents, he said, he realized that the some of the laws used to isolate and dehumanize enslaved black New Yorkers became custom after the laws vanished and "contributed to the way whites look at blacks," even today.

 

"It's striking for any of us who are New Yorkers to realize that the ground we touch, every institution, is affected by slavery," he said.

 

Two young African-American brothers crammed into the booth together. "Slavery in New York was bad, and it's how New York became the richest city in the world," one of them declared.

The exhibition, which illustrates the centrality of 200 years of slavery to the growth of New York City, opened on Oct. 7 and runs through March 5. The very idea of slaves walking the streets of what is now SoHo or of slave auction blocks in Lower Manhattan - in a city known for tolerance and diversity - has attracted people of varied races and ages. There are no specific attendance figures yet, but museum officials said the exhibition galleries had been packed and attendance was up 83 percent over the same period last year, when the museum presented an exhibition on Alexander Hamilton.

 

The $5 million slavery exhibition features more than 400 artifacts, documents, paintings and maps spanning 9,000 square feet in 10 galleries. Visitors can see advertisements for runaway slaves and "negroes, to be sold"; caricatured drawings of blacks; items like chairs and cribs made by slave hands; and a 1644 document granting slaves "half freedom" and land around what is now Washington Square.

 

The visitor response booth is at the end of the exhibition. There, visitors touch a blue-screened computer asking questions about what they have seen: their overall impression, how it added to or altered their knowledge on the subject, what they found noteworthy. They then look at the camera and speak their answers.

 

"This is a much more qualitative way of knowing who's coming to the museum," said Richard Rabinowitz, the show's curator. "We really wanted to let people talk and think through things. We wanted people to frame a meaning for this as they leave." Museum officials plan to use those responses to figure out what and how people learn from such exhibitions.

So far, about 400 responses have been videotaped. Some will become part of the "visitor reaction" monitors now in three galleries, which showcase selected people who previewed the show.

 

In one, for example, a middle-aged white woman says the exhibition can make a difference. "A difference when you look at a black person on a subway train," she says, "or you're working next to a black person, that you have a little more empathy and understanding and also praising for how far so many people came."

 

In the raw videotape, the names given are not clear, one has to guess at ages and there is no consensus on what people found most noteworthy about the show. Some said they were shocked to learn that some slaves fought with the British during the Revolutionary War (in a bid for freedom); others said they had discovered that George Washington owned slaves; and some mused that New York City slavery was no more benign than the Southern variety.

After all, slaves in New York worked sunup to sundown. Slaves helped build the wall on Wall Street (and were sold there) and built the first City Hall and Trinity Church. Slavery was the lifeline for hundreds of city businesses. During British rule, about 40 percent of the city's households owned slaves. Institutional exhibitions about America's slave-holding past are relatively new and help foster a national conversation about race, said James Oliver Horton, the chief historian for "Slavery." This show's size and location facilitate that dialogue, he said.

 

"Back in the 90's, when Bill Clinton asked for a national conversation about race, most people didn't have the context in which to have the conversation," said Dr. Horton, a professor of American studies and history at George Washington University. "This exhibition will help Americans have such a historical context. It will help people start with a common experience."

One commonality that emerges from viewing five hours of the visitor videotapes is how much people do not know. Many were unaware of the existence or extent of slavery in New York, which lasted until 1827, longer than in any other Northern state except New Jersey.

"It's terrible to know that the city that I love was part of the slave trade," said a middle-aged white woman from New Jersey. "I'm shocked to hear about it."

 

An African-American man in the booth with his young daughter said: "It's just a constant reminder that here in New York, like in other places in the United States, we were nothing more than cattle in the eyes of the owners and were treated that way. It's just amazing that people were able to survive and thrive after that."

 

An elderly white woman who said she had two college degrees said, "I never knew until I walked in here about slavery in New York." Now, she said, "It just breaks my heart."

An African-American woman who identified herself as a graduate of Cornell University said, "I've actually had people tell me that black people in New York had no history."

"I can now feel that I have information I can share," she said.

 

A middle-aged white woman who said she lived down the street from the museum noted that her daughter's advanced placement courses in history included only one hour about slavery. "It made me realize how history doesn't go away," the mother said of the exhibition. "These burdens are carried through generations."

 

Clearly, schools are failing to educate students about slavery, said Louise Mirrer, the society's president. Dr. Mirrer said she would be gratified to see the public schools use the educational materials developed by the society for "Slavery."

 

While most visitors are admirers, the exhibition comes in for some criticism, too. Some said it was saturated with facts but failed to convey slavery's brutality. One woman wondered why she did not see a single shackle. Dr. Rabinowitz said it was an informed decision to let the facts speak, without graphic depictions of beatings or family separations.

 

But in the reaction booth, a young black man from Harlem argued that the show should be enraging. "Why are there ghettos in New York City? Because of slavery," he said. He learned many facts from the show, he added, but wanted explicit connections between race and class. "The ramifications of slavery still affect the world," he said. "It's not something to be put in the past, like dinosaurs or fossils."

 

An African-American woman from Washington complained, "The soul of it was completely gone." She added, "It was spoken about as if it was any economic phenomenon instead of human."

 

But some people caught on camera said the show had certainly made them think harder about skin color and the echoes of the past.

 

A woman from Chicago, who described herself as an artist and a second-generation Slovakian, said the exhibition helped her in that way. She watched two African-American children playing in the museum, and it dawned on her that in another time they would have been slaves. "They had no choice," she said. "They had no power."

 

And after learning that at one time 20 percent of New Yorkers were enslaved, the artist said, she went to the lobby of the grand Historical Society building and began imagining the past. "I'd look around and look around," she said, "and one in five people would be a slave."

 

 

 

 

--0-276414156-1133015650=:42646-- From Huntheatre at aol.com Sat Nov 26 06:54:19 2005 From: Huntheatre at aol.com (Huntheatre at aol.com) Date: Sat, 26 Nov 2005 09:54:19 EST Subject: [NEohioPAL]Huntington Playhouse Announces 2006 Season Message-ID: <24e.21dbea9.30b9d11b@aol.com> -------------------------------1133016859 Content-Type: text/plain; charset="UTF-8" Content-Transfer-Encoding: quoted-printable Content-Language: en =20 FOR IMMEDIATE RELEASE=20 Huntington Playhouse Announces 2006 Season=20 Huntington Playhouse announced their 2006 season on the opening night of=20 their current production, =E2=80=9CThe Best Christmas Pageant Ever=E2=80= =9D. Managing=20 Director, Tom Meyrose, said in his remarks that the 2006 season will be the= theatre=E2=80=99s=20 47th season and will include the possibilities of a world premier show, the= =20 expansion of its children=E2=80=99s theatre program, and some adjustments t= o the=20 production schedule.=20 The theatre will open on May 11, 2006, a week later than in the past, wit= h=20 the comedy =E2=80=9CNoises Off=E2=80=9D. It will then do =E2=80=9CThe Fanta= sticks=E2=80=9D, =E2=80=9CSweet Charity=E2=80=9D , and =E2=80=9CMy Way- A Musical Tribute to Frank Sinatra=E2=80=9D. These=20= three musicals=20 will be followed by the comedy =E2=80=9CArt=E2=80=9D and Agatha Christie= =E2=80=99s =E2=80=9CThe Spider Web=E2=80=9D.=20 The season will conclude with the possibility of a world premier play=20 adapted from a Dick Feagler holiday column, =E2=80=9CChristmas at Aunt Ida= =E2=80=99s=E2=80=9D. =E2=80=9CWe=E2=80=99ve=20 been working with Feagler for the past year on this project and are hopeful= we=E2=80=99 ll have a solid show to produce for our patrons.=E2=80=9D said Meyrose.=20 They will also continue their summer classes for children and expand their=20 fall program which was initiated this past October.=20 Super Seven Flex Passes and gift certificates are now on sale for the 2006=20 season. The Flex Pass offers 7 admissions for $95.00 and gift certificates= =20 for individuals are on sale for $17.00 per admission. =20 For information on the 2006 season or to reserve tickets for the current=20 holiday show-=E2=80=9CThe Best Christmas Pageant Ever=E2=80=9D, contact the= box office at=20 440-871-8333 or visit the Huntington Playhouse web site,=20 _www.huntingtonplayhouse.com_ (http://www.huntingtonplayhouse.com/) .=20 Huntington Playhouse is located at 28601 Lake Road in Bay Village and is=20= a=20 licensed affiliate of the Cleveland Metroparks. =20 -------------------------------1133016859 Content-Type: text/html; charset="UTF-8" Content-Transfer-Encoding: quoted-printable Content-Language: en

FOR IMMEDIATE=20 RELEASE

 =

= Huntington= =20 Playhouse Announces 2006 Season

 =

 =

Huntington Playho= use=20 announced their 2006 season on the opening night of their current production= ,=20 =E2=80=9CThe Best Christmas Pageant Ever=E2=80=9D. =20 Managing Director, Tom Meyrose, said in his remarks that the 2006 sea= son=20 will be the theatre=E2=80=99s 47th season and will include the po= ssibilities=20 of a world premier show, the expansion of its children=E2=80=99s theatre pro= gram, and=20 some adjustments to the production schedule.

 =

The theatre will=20= open=20 on May 11,=20 2006, a week later th= an in=20 the past, with the comedy =E2=80=9CNoises Off=E2=80=9D. =20 It will then do =E2=80=9CThe Fantasticks=E2=80=9D, =E2=80=9CSweet Cha= rity=E2=80=9D, and =E2=80=9CMy Way- A=20 Musical Tribute to Frank Sinatra=E2=80=9D.=  =20 These three musicals will be followed by the comedy =E2=80=9CArt=E2= =80=9D and Agatha=20 Christie=E2=80=99s =E2=80=9CThe Spider Web=E2=80=9D.

 =

The season will=20 conclude with the possibility of a world premier play adapted from a Dick=20 Feagler holiday column, =E2=80=9CChristmas at Aunt Ida=E2=80=99s=E2=80=9D.   =E2=80=9CWe=E2=80=99ve been=20= working with Feagler=20 for the past year on this project and are hopeful we=E2=80=99ll have a solid= show to=20 produce for our patrons.=E2=80=9D  said=20 Meyrose.

 =

They will also co= ntinue=20 their summer classes for children and expand their fall program which was=20 initiated this past October.

 =

Super<= /st1:PlaceName>=20 Seven<= /st1:PlaceName>=20 Flex=20 Passes= and gift certifi= cates=20 are now on sale for the 2006 season. = =20 The Flex=20 Pass offers 7 admissi= ons=20 for $95.00 and gift certificates for individuals are on sale for $17.00 per=20 admission.

 =

For information o= n the=20 2006 season or to reserve tickets for the current holiday show-=E2=80=9CThe=20= Best=20 Christmas Pageant Ever=E2=80=9D, contact the box office at 440-871-8333 or v= isit the=20 Huntington= Playhouse web si= te, www.huntingtonplayhouse.com= .

 =

Huntington= Playhouse is loc= ated=20 at 28601 Lake=20 Road in=20 Bay=20 Village and is a license= d=20 affiliate of the Cleveland<= /B> Metroparks. 

 

-------------------------------1133016859-- From alitivity at yahoo.com Sat Nov 26 09:08:30 2005 From: alitivity at yahoo.com (Al Diamond Phillips) Date: Sat, 26 Nov 2005 09:08:30 -0800 (PST) Subject: [NEohioPAL]Al Diamond Phillips with Clay Aiken Message-ID: <20051126170831.54993.qmail@web50602.mail.yahoo.com> Members of the Al Diamond Phillips Christmas Variety Spectacular will be performing with Clay Aiken in Youngstown Nov 27th. Dont forget to get your tickets for our show Dec 17th at Williams on the Lake 330-726766 Ext 11 __________________________________ Yahoo! Mail - PC Magazine Editors' Choice 2005 http://mail.yahoo.com From DCaudill at lec.edu Sat Nov 26 09:50:34 2005 From: DCaudill at lec.edu (Caudill Deanna) Date: Sat, 26 Nov 2005 12:50:34 -0500 Subject: [NEohioPAL]trailer for sale Message-ID: <594B40408FE8474297C548F9A095C9F7AAB1C9@lecmail1.lec.edu> My husband has a 4 x 8 trailer made by haulin for sale. This trailer is = great for hauling props, furniture, lawn mowers, motorcycles, ATV's etc. =20 Details: new inner and outer bearings on both sides =20 2 foot high wood sides =20 new wiring and lights =20 all new tires and wheels =20 brand new spare tire and wheel=20 =20 new set of bearing buddies (enables you to grease wheel bearing without = taking wheels and bearings out) =20 1-7/8 ball =20 tarp includes to cover top of trailer =20 manual winch on front of trailer =20 =20 =20 =20 =20 =20 =20 Asking $450.00 =20 Contact Ron at 440-382-8089 for more information From johnny at mdifilm.com Sat Nov 26 10:00:41 2005 From: johnny at mdifilm.com (Johnny Wu) Date: Sat, 26 Nov 2005 13:00:41 -0500 Subject: [NEohioPAL]Cleveland IndieClub December 18 Meeting - Free to Public Message-ID: <008801c5f2b3$5209d110$0400000a@johnny5> Cleveland IndieClub FREE Monthly Networking Meeting - December 18, 2005 The Cleveland IndieClub meets every month, free of charge, for those who have the passion for making movies using film or video (whether it is in acting, directing, producing, writing, lighting or any other skill) and are looking for others who have similar interests. Cleveland IndieClub is administrated by Johnny K. Wu and generally hosted each month by their members, which offers each an opportunity to create a variety of interest and topic. Cleveland IndieClub official website: www.clevelandindieclub.com Sunday, December 18, 1pm to 4pm at The Hyacinth Lofts 3030 East 63rd Street Cleveland, Ohio, 44127 Please park on the street and enter from front of the building. Dial 022 to be buzzed in Hosted by Bill Johns, Cinevid Productions Guest speaker: Maureen Dempsey, LA Acting Coach Topic: Transforming your good film into great film through the performances of your actors Originally from Cleveland she spent more than 10 years working in the industry in Los Angeles. In Decembers meeting she will discuss ways in which you can take your "good" film and make it "great" through the performances of the actors. She will cover what to look for in the audition process and point out the key signals of a great actor. Then she will cover what to do to get the best performance possible out of any cast. Filmmakers have a lot of responsibilities and so much time and money are spent on the technical side of the process and oftentimes the actors get the least amount of attention yet the performances, especially in low budget movies, are the make or break factor. There is a fine line between cheesy and awesome. In addition, Cleveland IndieClub will screen and discusss short films, scenes, and trailers from: - 16mm Scratch and Sniff film loop with live-time alterations, a collaboration between Jerry Mann and Zack Hay - Tony Samangy's behind the scene footages for 3:18 (15 mins) - The Pain Within by Johnathon Portman (7 mins) - Cleveland Classic Cinemas from Nick D'Amico - NBTV Pilot Episode (29 mins) - Bill Johns' latest feature film Madness scenes Raffle for DVDs from your local filmmakers For more information about Cleveland IndieClub, visit Cleveland IndieClub @ http://www.clevelandindieclub.com Organized and sponsored by Johnny K. Wu & Media Design Imaging (www.mdifilm.com). Co-sponsored by Michael Balas & Media Group Studios (www.mediagroupstudios.com), David Perkowski & The Hyacinth Lofts (www.thehyacinthlofts.com), Bill Johns & Cinevid Productions (www.cinevidproductions.com), the Cleveland IndieClub members, and the current monthly host. For the past first 2 years, Cleveland IndieClub was also co-sponsored by Talkies Movie & Coffee Bar (www.talkiescoffee.com) located at Ohio City. Next meeting is scheduled for Sunday, January 22, 2006, host by Johnny K. Wu with special guest MaryEllen Tomazic, Entertainment Attorney. Topic: Intellectual Property for Visual Artists NOTE: If you have a movie on dvd that you would like to have it raffled, bring it to the meeting to have it raffled off to the participants. We have monthly attendees of around 60 people, if you have short films (no longer than 30 mins) that you would like to present and talk about it for February and on meetings, please email me at johnny at mdifilm.com (first come first serve) ================================== Media Design Imaging innovates and break the molds of visual creation http://www.mdifilm.com 216.373.3278 President (2004 & 2005) Organization of Chinese American of Greater Cleveland OCAGC http://www.ocagc.org Wu Jia Quan Shu (Art of Wu Family System) 2800 years old Family Style Martial Arts http://www.wujiaquan.com From Jacqiloewy at aol.com Sat Nov 26 10:21:41 2005 From: Jacqiloewy at aol.com (Jacqiloewy at aol.com) Date: Sat, 26 Nov 2005 13:21:41 EST Subject: [NEohioPAL]FREE STUFF & need help! Message-ID: --part1_dc.32a7922a.30ba01b5_boundary Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Okay guys - here's the deal. I have to be out of my huge house by Wednesday night and have rooms full of stuff to GIVE AWAY or sell real cheap! There are a few nice antique things for sale, but mostly I am giving anything to anybody who can take it out of here. Bring boxes or bags. Hours: Sunday: 10am until noon Monday: 9am until 11am Tuesday: 9am until noon Chairs, dishes, glasses, twin beds, old dressers, some clothes, books, misc. I have spent waaaay to many years being a pack rat and am turning over a new leaf! :-) 1630 South Belvoir South Euclid 1/2 mile south of Mayfield or 1 mile north of Cedar on west side of street 216-469-9160 or respond to this if you like. Also ... need to hire 2 strong people to help me move a few pieces of furniture on Tuesday afternoon from 3-6pm. Thanks!! Jacqi PS - If you want, in exchange for lots of free stuff, you could donate five or ten dollars to Charenton ... just a thought ;-) --part1_dc.32a7922a.30ba01b5_boundary Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable Okay guys - here's the deal. =20= I have to be out of my huge house by Wednesday night and have rooms full of=20= stuff to GIVE AWAY or sell real cheap!  There are a few nice antique th= ings for sale, but mostly I am giving anything to anybody who can take it ou= t of here. Bring boxes or bags.

Hours: Sunday: 10am until noon
           Monday: 9am unt= il 11am
            Tuesday:=20= 9am until noon

Chairs, dishes, glasses, twin beds, old dressers, some clothes, books, misc.= I have spent waaaay to many years being a pack rat and am turning over a ne= w leaf! :-)

1630 South Belvoir
South Euclid
1/2 mile south of Mayfield or 1 mile north of Cedar on west side of street
216-469-9160 or respond to this if you like.
Also ... need to hire 2 strong people to help me move a few pieces of= furniture on Tuesday afternoon from 3-6pm.

Thanks!!
Jacqi
PS - If you want, in exchange for lots of free stuff, you could donate five=20= or ten dollars to Charenton ... just a thought ;-)




 --part1_dc.32a7922a.30ba01b5_boundary-- From Parmarita at aol.com Sat Nov 26 10:38:48 2005 From: Parmarita at aol.com (Parmarita at aol.com) Date: Sat, 26 Nov 2005 13:38:48 EST Subject: [NEohioPAL]RE: Christmas Specials Message-ID: <28c.838640.30ba05b8@aol.com> --part1_28c.838640.30ba05b8_boundary Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit The Cassidy Theatre Guild will hold special performance fund raisers for the childrens theatre. On December 12th at 7:30PM one performance only the Singing Angels will appear with their Christmas Show. All tickets are $10.00 each. Order early as tickets are going fast. On Dec. 21, 22 and 23rd at 7:30 PM Dianns Dance will present "The Nutcracker" a memorable production for the entire family. Tickets for this production are also $10.00 per person. The Cassidy Theatre is located in The Greenbrier Commons, 6200 Pearl Road, in Parma Heights. Phone 440-842-4600 for reservations and more ticket information. --part1_28c.838640.30ba05b8_boundary Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable The Cassidy Theatre Guild will hold= special performance fund raisers for the childrens theatre.  On Decemb= er 12th at 7:30PM  one performance only the Singing Angels will appear=20= with their Christmas Show.  All tickets are $10.00 each. Order early as= tickets are going fast.  On Dec. 21, 22 and 23rd at 7:30 PM Dianns Dan= ce will present "The Nutcracker" a memorable production for the entire famil= y.  Tickets for this production are also $10.00  per person. =   The Cassidy Theatre is located in The Greenbrier Commons, 6200 Pearl=20= Road, in Parma Heights.  Phone 440-842-4600 for reservations and more t= icket information. --part1_28c.838640.30ba05b8_boundary-- From mcmamahoo at yahoo.com Sat Nov 26 11:59:49 2005 From: mcmamahoo at yahoo.com (Cherie Lawrence) Date: Sat, 26 Nov 2005 11:59:49 -0800 (PST) Subject: [NEohioPAL]Christmas Spectacular on PBS Tonight! Message-ID: <20051126195949.91197.qmail@web81705.mail.mud.yahoo.com> Spectacular Music Productions proudly announces the TV broadcast schedule for last year's Christmas Show, an edited version. PBS 45/49 Sat Nov 26 6pm Sun Nov 27 5pm Wed Nov 30 10pm Thanks call-in number 330.677.4549 PBS WVIZ Sat Dec 24 6pm Sun Dec 25 2&6AM Thanks call-in number 216.398.2800 Time Warner Cable Ch 23 Nov 26-Dec 25 Fridays 10pm; Sats and Suns 4pm Thanks call-in number 330.633.9203 Direct TV World Harvest Network Ch 321 All US/Europe Sat Nov 26 6pm EST Sat Dec 10 6pm EST Order dvd toll-free Nov 26-Dec 31 1.800.555.1148 To order tickets for the new 2005 Christmas Spectacular 20th Anniversary Special at the Akron Civic, please visit our web site www.spectacularmusic.org "What's New" link to download the ad and email to family/friends for further information. THANK YOU for your support, and hope to see you again this year! From Demeerusty at aol.com Sat Nov 26 13:26:06 2005 From: Demeerusty at aol.com (Demeerusty at aol.com) Date: Sat, 26 Nov 2005 16:26:06 EST Subject: [NEohioPAL]A Raisin In The Sun Message-ID: <236.25de78b.30ba2cee@aol.com> -------------------------------1133040366 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit The University of Akron's premier organization for campus events The Zips Programming Network, will be putting on the production of A Raisin In The Sun by Lorraine Hansberry on February 3-5 for Black History Month. We are looking for FULL PRODUCTION CAST AND CREW. ALL positions will be PAID. Auditions will be December 1 at 6:30pm-8:00pm room 314 December 2 at 6:00pm-8:00pm room 321 and December 3 at 1:00pm-4:00pm room 314 in the Student Union. To RSVP call 330-972-7014. Timothy G. Avant Diversity Chair The University of Akron The Zips Programming Network _tga2 at uakron.edu_ (mailto:tga2 at uakron.edu) -------------------------------1133040366 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
The University of Akron's premier organization for campus events The Zi= ps=20 Programming Network, will be putting on the production of A Raisin In T= he=20 Sun by Lorraine Hansberry on February 3-5 for Black History Month. We are=20 looking for  FULL PRODUCTION CAST AND CREW. ALL positions will be PAID.= =20 Auditions will be December 1 at 6:30pm-8:00pm room 314 December 2 at=20 6:00pm-8:00pm room 321 and December 3 at 1:00pm-4:00pm room 314 in= the=20 Student Union. To RSVP call 330-972-7014.
Timothy G. Avant
Diversity Chair
The University of Akron
The Zips Programming Network
tga2 at uakron.edu 
 -------------------------------1133040366-- From ehanic at kent.edu Sat Nov 26 19:05:42 2005 From: ehanic at kent.edu (ehanic at kent.edu) Date: Sat, 26 Nov 2005 22:05:42 -0500 Subject: [NEohioPAL]Voice Lessons! Message-ID: <2e97a682e9561d.2e9561d2e97a68@kent.edu> I am a college music major who is currently accepting students who love singing and want to reach their full potential. I possess several years of vocal training and performance experience. I am accepting students of all ages and all levels. I am located in the Canal Fulton/Manchester area. For more information, please contact me at ehanic at kent.edu Have a GREAT day! :-) From John at clevelandirish.org Sat Nov 26 19:24:51 2005 From: John at clevelandirish.org (John O'Brien) Date: Sat, 26 Nov 2005 22:24:51 -0500 Subject: [NEohioPAL]Santa Claus available Message-ID: <000601c5f302$218e3860$6400a8c0@gateway553926b> This is a multi-part message in MIME format. ------=_NextPart_000_0003_01C5F2D8.37F18500 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Hi All, If you need a Santa Claus for a function I am available, with a lot of = experience and full costume. Good with kids, seniors, and professional = functions. Reasonable rates. Thanks, John O'Brien (330) 321-6174 John at clevelandirish.org I expect to pass through this life but once, If, therefore, there be any = kindness I can show or any good thing I can do to any fellow being, let = me do it now. Let me not defer nor neglect it, for I shall not pass this = way again - W. Penn ------=_NextPart_000_0003_01C5F2D8.37F18500 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
Hi All,
 
If you need a Santa Claus for a = function I am=20 available, with a lot of experience and full costume.  Good with = kids,=20 seniors, and professional functions.
Reasonable rates.
 
Thanks,
 
John O'Brien
(330) 321-6174
John at clevelandirish.org
 
I expect to pass through this life but = once, If,=20 therefore, there be any kindness I can show or any good thing I can do = to any=20 fellow being, let me do it now. Let me not defer nor neglect it, for I = shall not=20 pass this way again - W. Penn
------=_NextPart_000_0003_01C5F2D8.37F18500-- From nick_d2003 at sbcglobal.net Sat Nov 26 19:35:28 2005 From: nick_d2003 at sbcglobal.net (Nicholas D'Amico) Date: Sat, 26 Nov 2005 22:35:28 -0500 Subject: [NEohioPAL]ATTENTION! ATTENTION! ATTENTION! Message-ID: <43892980.1080405@sbcglobal.net> This is a multi-part message in MIME format. --------------040301040300020401020901 Content-Type: text/plain; charset=ISO-8859-1; format=flowed Content-Transfer-Encoding: 7bit I have just assumed the mantel of Imperial Grand Poobah of Cleveland Independent filmmaking. I have appointed Al Tuskes Minister of Propaganda and Donna Williams head of the Filmic Enforcement. Our manifesto, authored by your exalted Grand Poobah and your esteemed Minister of Propaganda is as follows: 1) Under no circumstances will anything shot on lower video lifeforms such as VHS, VHS-C, S-VHS, 8mm, Hi-8, or other mongrel formats be shot or shown in the Northeast Ohio area, nor will any projects shot on cameras with less than three image chips. 2) If, during screening by the Ms. Williams, the Head of Filmic Enforcement, anyone in the audience leans over and says, "/What/ did they say?" the project will be immediately burned upon the Fire of Incompetence and the creators will be forced to enter the Columbia School of Broadcast. 3) All scripts will be submitted to the Poobah before pre-production, and, if the content is found to be beyond the reach of the proposed budget (i.e., a space epic, an action film involving car chases and/or explosions, period pieces involving swooping over vistas of clashing armies, etc.), the author will be assigned to write jokes for America's Funniest Home Videos until he is deemed ready to pen a realistic screenplay. 4) All actors who beg for a lead part, get it, and subsequently desert the production and/or join AFTRA will be hunted down and forced to watch the entire first season of /Stacked/ in perpetuity. 5) Any film foisting the personal beliefs of the maker on the captive audience of the Indie Club must submit to the Equal Time law in which opposing viewpoints will be forced upon them via "Very Special" Ross & Rachel episodes of /Friends/. 6) All members of the People's Republic of Indie Club (PRIC) will be expected to have several controls disabled on their cameras, as no true professional would ever rely on these controls anyway. These include, but are not limited to: Auto-exposure/auto-iris, sound limiters, auto-focus, zooming controls, on-camera microphones. If tempted to use any of these devices, please hie thee to the main branch of the Cleveland Public Library downtown, sequester yourself in the Periodicals section, and peruse every page of every issue of American Cinematographer or Millimeter magazine until you find mention of a professional who relied on /any/ of these controls while shooting a real movie. 7) Before you hand somebody your "script", saying that "everybody who has seen it, thinks it's the best they've ever read", please consider discounting the opinions any of the /everybody/ if they are: A - Your mother or father. After all, they want you to move out of the house at some point. B - Your significant other. They lie to you all the time anyway, just to spare your feelings. C - The local actors who would sacrifice a limb or genitalia to be in something, /anything/, that could possibly give them a shot at the big time, no matter how unrealistic the possibility (/Dead Planet/ comes to mind...) D - Anybody who hasn't actually read a script before. E - Anybody who would make a financial gain, should you actually go into production, such as insurance salesmen, equipment mongers, casting agents, lawyers, etc. 8) Any attempt at "Kevin Williamson-sonian" sly-knowing-wink-to-the-audience things, "Tarentino-esqe" cool-situations-strung-together-with-hipster-antiheroes-invoking-esoteric-comic book-geek speak or including references to pop culture icons in screenplays will result in the offender being immediately sentenced to Remedial Screenwriting 101. 9) The LCD viewfinder on the side of your camera. This means that out of focus shots, bad lighting, unbalanced lighting, mike booms in the shot, etc. will no longer be tolerated. If any of these events occur, realize that tape is cheap, so you can get a second take, or even rewind the tape to get a second take should you choose to do so. If you choose not to, your video camera will be deposited into the Fire of Incompetence. 10) If a citizen of PRIC buys a digital video camera and insists on referring to themselves as a filmmaker, director, or a producer owing to this purchase, they will be tossed onto the Fire of Incompetence without trial./ /This also applies to those who, after the purchase of screenwriting software, refer to themselves as a/ /screenwriter. 11) If a citizen's sole qualification for calling themselves a filmmaker is saying "I could do better than /that!/" repeatedly/ /while watching projects, said citizen will be immediately taken to the re-education camp where they will be forced to watch projects created by people who thought the same thing of themselves. Additions to the manifesto will be added as required. Now sleep the sleep of the just knowing that your loving Grand Poobah is watching over you all. Nick --------------040301040300020401020901 Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit

I have just assumed the mantel of Imperial Grand Poobah of Cleveland Independent filmmaking. I have appointed Al Tuskes Minister of Propaganda and Donna Williams head of the Filmic Enforcement. Our manifesto, authored by your exalted Grand Poobah and your esteemed Minister of Propaganda is as follows:

1) Under no circumstances will anything shot on lower video lifeforms such as VHS, VHS-C, S-VHS, 8mm, Hi-8, or other mongrel formats be shot or shown in the Northeast Ohio area, nor will any projects shot on cameras with less than three image chips.

2) If, during screening by the Ms. Williams, the Head of Filmic Enforcement, anyone in the audience leans over and says, "What did they say?" the project will be immediately burned upon the Fire of Incompetence and the creators will be forced to enter the Columbia School of Broadcast.

3) All scripts will be submitted to the Poobah before pre-production, and, if the content is found to be beyond the reach of the proposed budget (i.e., a space epic, an action film involving car chases and/or explosions, period pieces involving swooping over vistas of clashing armies,  etc.), the author will be assigned to write jokes for America's Funniest Home Videos until he is deemed ready to pen a realistic screenplay.

4) All actors who beg for a lead part, get it, and subsequently desert the production and/or join AFTRA will be hunted down and forced to watch the entire first season of Stacked in perpetuity.

5) Any film foisting the personal beliefs of the maker on the captive audience of the Indie Club must submit to the Equal Time law in which opposing viewpoints will be forced upon them via "Very Special" Ross & Rachel episodes of Friends.

 
6) All members of the People’s Republic of Indie Club (PRIC) will be expected to have several controls disabled on their cameras, as no true professional would ever rely on these controls anyway. These include, but are not limited to: Auto-exposure/auto-iris, sound limiters, auto-focus, zooming controls, on-camera microphones. If tempted to use any of these devices, please hie thee to the main branch of the Cleveland Public Library downtown, sequester yourself in the Periodicals section, and peruse every page of every issue of American Cinematographer or Millimeter magazine until you find mention of a professional who relied on any of these controls while shooting a real movie.

 7) Before you hand somebody your “script”, saying that “everybody who has seen it, thinks it’s the best they’ve ever read”, please consider discounting the opinions any of the everybody if they are:

            A – Your mother or father. After all, they want you to move out of the house at some point.

            B – Your significant other. They lie to you all the time anyway, just to spare your feelings.

C – The local actors who would sacrifice a limb or genitalia to be in something, anything, that could possibly give them a shot at the big time, no matter how unrealistic the possibility (Dead Planet comes to mind…)

D – Anybody who hasn’t actually read a script before.

E – Anybody who would make a financial gain, should you actually go into production, such as insurance salesmen, equipment mongers, casting agents, lawyers, etc.

 8) Any attempt at “Kevin Williamson-sonian” sly-knowing-wink-to-the-audience things, “Tarentino-esqe” cool-situations-strung-together-with-hipster-antiheroes-invoking-esoteric-comic book-geek speak or including references to pop culture icons in screenplays will result in the offender being immediately sentenced to Remedial Screenwriting 101.

9) The LCD viewfinder on the side of your camera. This means that out of focus shots, bad lighting, unbalanced lighting, mike booms in the shot, etc. will no longer be tolerated. If any of these events occur, realize that tape is cheap, so you can get a second take, or even rewind the tape to get a second take should you choose to do so. If you choose not to, your video camera will be deposited into the Fire of Incompetence.

10) If a citizen of PRIC buys a digital video camera and insists on referring to themselves as a filmmaker, director, or a producer owing to this purchase, they will be tossed onto the Fire of Incompetence without trial. This also applies to those who, after the purchase of screenwriting software, refer to themselves as a screenwriter.

11) If a citizen's sole qualification for calling themselves a filmmaker is saying "I could do better than that!" repeatedly while watching projects, said citizen will be immediately taken to the re-education camp where they will be forced to watch projects created by people who thought the same thing of themselves.

Additions to the manifesto will be added as required. Now sleep the sleep of the just knowing that your loving Grand Poobah is watching over you all.

   Nick

   --------------040301040300020401020901-- From sharonmxg at cox.net Sat Nov 26 21:20:31 2005 From: sharonmxg at cox.net (sharonmxg) Date: Sun, 27 Nov 2005 00:20:31 -0500 Subject: [NEohioPAL]I need a duck Message-ID: <004c01c5f312$49f374e0$4372bf46@MistressSharon> This is a multi-part message in MIME format. ------=_NextPart_000_0049_01C5F2E8.60C7ABC0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Hi NEOPalers, Beck Center is looking for a duck to be used in the upcoming production = of Beauty & the Beast (directed by Fred Sternfeld, opens Friday, = December 2nd) We need a fairly realistic looking, fake duck that will fall to the = stage each performance. If you happen to have (or can suggest where I might find inexpensively) = a decoy like duck (rubber or plush, not wood) please reply to this eMail = or call me directly at the number below. Thanks for your help! Sharon Epstein Prop Master ~ Beck Center 440-452-4831=20 >^..^< Life is not measured by the number of breaths we take, but by the moments that take our breath away. --George Carlin ------=_NextPart_000_0049_01C5F2E8.60C7ABC0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
Hi NEOPalers,
 
Beck Center is looking for a = duck to be=20 used in the upcoming production of Beauty & the Beast = (directed by=20 Fred Sternfeld, opens Friday, December 2nd)
 
We need a fairly realistic = looking, fake=20 duck that will fall to the stage each performance.
 
If you happen to have (or can = suggest=20 where I might find inexpensively) a decoy like duck (rubber or = plush, not=20 wood) please reply to this eMail or call me directly at the number=20 below.
 
Thanks for your = help!
 
Sharon Epstein
Prop Master ~ Beck = Center
440-452-4831 
 
>^..^<
Life is not = measured by=20 the number of breaths we take,
but by the moments that take our = breath=20 away.
 
--George=20 Carlin
------=_NextPart_000_0049_01C5F2E8.60C7ABC0-- From MeatFree32 at aol.com Sat Nov 26 21:39:47 2005 From: MeatFree32 at aol.com (MeatFree32 at aol.com) Date: Sun, 27 Nov 2005 00:39:47 EST Subject: [NEohioPAL]Start 2006 with Improv Classes: Cleveland Improv Institute! Message-ID: <294.498d24.30baa0a3@aol.com> --part1_294.498d24.30baa0a3_boundary Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit CLEVELAND IMPROV INSTITUTE SESSION 6 IMPROV CLASSES JAN 9th - MAR 2nd Start the New Year off with an exciting, fun and challenging improv class! The Cleveland Improv Institute, home of the "10 Keys " training program will be offering 3 classes this coming session. Classes include: 1. Beginning Improvisation Date: Wednesday Evenings (Jan 11th - Mar 1st) Time: 7pm to 9:30pm Place: The Hermit Club Cost: $160/8 week class Instructor: Marc Moritz 2. Intermediate Improvisation Date: Thursday Evenings (Jan 12th - Mar 2nd) Time: 7pm to 9:30pm Place: The Hermit Club Cost: $160/8 week class Instructor: Marc Moritz 3. Cleveland Improv Conservatory Date: Monday Evenings (Jan 9th - Feb 27th) Time: 7pm to 9:30pm Place: The Hermit Club Cost: $160/8 week class Instructor: Jeffrey Lyn Hall **PAYMENT FOR ALL CLASSES IS DUE BY JANUARY 6TH.** TO REQUEST AN INFORMATIONAL BROCHURE ABOUT THIS EXCITING SESSION OF IMPROV CLASSES, BE PLACED ON OUR MAILING LIST OR TO REGISTER FOR A CLASS YOU CAN CALL US AT: (216) 479-3353 OR EMAIL US AT: treeblanch at aol.com ALS O CHECK US OUT ON THE WEB AT: www.clevelandimprovinstitute.com FOR COMPLETE COURSE OUTLINES, DESCRIPTION OF OUR TRAINING PROGRAM, INSTRUCTOR BIOS AND ALL OTHER INFORMATION ABOUT THE CLEVELAND IMPROV INSTITUTE! --part1_294.498d24.30baa0a3_boundary Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable

CLEVELAND IMPROV INSTI= TUTE=20
SESSION 6 IMPROV CLASSES=20
JAN 9th - MAR 2nd

Start the New Year off with an exciting, fun and challenging imp= rov class!=20

The Cleveland Improv Institute, home of the "10 Keys "  tr= aining program will be offering 3 classes this coming session.

Classes include:=20

1. Beginning Improvisation   
Date:  Wednesday Evenings (Jan 11th - Mar 1st)=20
Time: 7pm to 9:30pm=20
Place: The Hermit Club=20
Cost: $160/8 week class
Instructor: Marc Moritz

2.  Intermediate Improvisation  
Date: Thursday Evenings (Jan 12th - Mar 2nd)=20
Time: 7pm to 9:30pm=20
Place: The Hermit Club=20
Cost: $160/8 week class
Instructor: Marc Moritz=20

3. Cleveland Improv Conservatory  
Date: Monday Evenings (Jan 9th - Feb 27th)=20
Time: 7pm to 9:30pm=20
Place: The Hermit Club=20
Cost: $160/8 week class=20
Instructor: Jeffrey Lyn Hall

**PAYMENT FOR ALL CLASSES IS DUE BY=20
JANUARY 6TH.**

TO REQUEST AN INFORMATIONAL BROCHURE ABOUT THIS EXCITING SESSION OF IMPRO= V CLASSES, BE PLACED ON OUR MAILING LIST OR TO REGISTER FOR A CLASS YOU CAN=20= CALL US AT:
(216) 479-3353 OR EMAIL US AT: treeblanch at aol.com=20

ALS O CHECK US OUT ON THE WEB AT: www.clevelandimprovinstitute.com
FOR COMPLETE COURSE OUTLINES, DESCRIPTION OF OUR TRAINING PROGRAM, &nb= sp; INSTRUCTOR BIOS AND ALL OTHER INFORMATION ABOUT THE CLEVELAND IMPRO= V INSTITUTE!














--part1_294.498d24.30baa0a3_boundary-- From royberko at yahoo.com Sun Nov 27 09:12:22 2005 From: royberko at yahoo.com (Roy Berko) Date: Sun, 27 Nov 2005 09:12:22 -0800 (PST) Subject: [NEohioPAL]Berko review: 'LOVE, JANIS' (Hanna Theatre) Message-ID: <20051127171223.66018.qmail@web33108.mail.mud.yahoo.com> Love Rock and Roll? ?Love, Janis? is your thing! Roy Berko (Member, American Theatre Critics Association) --THE TIMES NEWSPAPERS-- Lorain County Times--Westlaker Times--Lakewood News Times--Olmsted-Fairview Times "Some people live, some survive. I'm a survivor. I plan to be around for a long time." Those were the words of legendary rock singer Janis Joplin, whose life story, ?LOVE, JANIS? is now on stage at the Hanna Theatre. As it turned out, Joplin was wrong. She died before her twenty-eighth birthday of an overdose of morphine and heroin. Noted for her wailing blues sound, Janis Joplin broke the mold of traditionally pretty band singers, so prevalent during the 50s and early 60s, to become one of the icons of rock music. But in spite of her fame, she couldn?t overcome her self-destructive instincts Born Janis Lyn Joplin on January 19, 1943 in Port Arthur, Texas, a small Southern petroleum industry town, she proved early in life to be a rebel. She broke with local social traditions during the tense days of racial integration, standing up for the rights of African Americans whose segregated status in her hometown conflicted with Janis?s youthful ideals. She, along with fellow beatnik-leaning high school friends, pursued the non-traditional via arts and literature, especially music. She found her voice and was soon playing in coffee houses in the small towns of Texas. After a short stint in college her big break came. Chet Helms, a Lone Star state friend who was living in San Francisco, called to offer her a singing audition with an up-and-coming local group. Janis accepted, went to California and became the lead singer for "Big Brother and the Holding Company.? And, as the saying goes, ?the rest is history.? ?LOVE, JANIS? was created by Joplin?s sister, Laura, whose goal was to show a side of the legendary singer that her fans may not have known. Through the use of pictures, letters that Janis wrote to her parents, and her songs, we learn of the star?s life. Or, at least the life her sister wants us to see. The performance piece has an interesting premise. There are two Janises. One, the performer who puts on a face and a voice for the world, and the private Janis who wrote letters which indicated her successes and self doubts. Both Janises appear on stage, sometimes solely, sometimes together. This is accomplished by having two actresses portray the single person. One sings, the other speaks. The present Cleveland production (in 1999 the Cleveland Play House mounted a very successful version) has two casts. I saw the duo of Katrina Chester as the singing Janis and Helen Coxe as the speaking Janis. Chester has a big voice. She sings with gusto and lets loose with ease. I, at points, found her voice shrill and the song interpretations to be words rather than meanings, stressing the emotion rather than the meanings. A woman who shared my table at the performance, and who is a Janis fanatic, indicated that Chester, though good, didn?t have the audience-commanding presence of the original star. I found Helen Coxe, who played the speaking role, unimpressive. She was constantly fiddling with her hair, seemed uncertain on stage and failed to develop a textured character. She simply didn?t display the emotional core of the character. She was missing the inner fire of a woman in chaos. Local Cleveland favorite, Paul Floriano, is the off-stage voice who questions Janis and makes transitional comments. On the way into the theatre the usher handed me a pair of ear plugs. She said, ?Believe me, honey, you?ll need these.? She was right. Sitting in the first row, immediately in front of a huge speaker, my chair actually vibrated from the base notes. After a while the sound so overshadowed the singing, that I was hearing ?boom, boom, boom,? not words. I wish that bands would realize they are playing backup to the singer and if we can?t hear the lyrics, there is no sense in having a singer. CAPSULE JUDGEMENT: If you love rock and roll, if you are a Janis Joplin fan, you?ll like the concert segments of ?LOVE, JANIS.? If you have sensitive ears and aren?t into rock, there are probably shows around town that will be more to your liking. For tickets to ?LOVE, JANIS,? which is in an open ended run at the Hanna Theatre, 2067 East 14th Street, call 216-241-6000, 800-766-6048 or go on-line to www.playhousesquare.com. Roy Berko's web page can be found at www.royberko.info. His theatre and dance reviews appear on NeOHIOpal, an on-line source. To subscribe to this free service via the World Wide Web, visit http://lists.fredsternfeld.com/mailman/listinfo/neohiopal. __________________________________ Yahoo! Music Unlimited Access over 1 million songs. Try it free. http://music.yahoo.com/unlimited/ From MeatFree32 at aol.com Sun Nov 27 10:32:09 2005 From: MeatFree32 at aol.com (MeatFree32 at aol.com) Date: Sun, 27 Nov 2005 13:32:09 EST Subject: [NEohioPAL]Session 6 Instructors:Cleveland Improv Institute Message-ID: <6b.52680412.30bb55a9@aol.com> --part1_6b.52680412.30bb55a9_boundary Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit CLEVELAND IMPROV INSTITUTE The Cleveland Improv Institute announces its 6th Session, running January 9th through March 2nd. We are proud to introduce you to our Session 6 instructors: Marc Moritz and Jeffrey Lyn Hall. We invite you to take a moment to learn more about these incredible instructors! Marc Moritz - Master Teacher Marc originated the role of Talk Show Host in the original Broadway production of the Sondheim/Prince musical Merrily We Roll Along. Theaters worked in include: The Cleveland Playhouse, Long Wharf, Goodman, New Harmony, Cain Park, Dobama and many more. Marc was the Founder/Director of the Cleveland based Giant Portions Improv Troupe. His improv training includes stints at ImprovOlympic and extensive workshops with Paul Sills, Del Close and Charna Halpern. He currently teaches acting at Lakeland Community College as well as Improv at Beck Center and is on staff at Chicago's Second City Training Center. Marc is also a Guest Artist with The University Circle Early Educational Enrichment Program - bringing Improv and other Creative Dramatics into area schools (COURSES OFFERED FOR SESSION 6) Beginning Improvisation This class introduces and addresses keys 1 through 5 of our "10 Keys" Training Program. Games and exercises are utilized in the development of the vital skills required for improvisation. These 5 keys include: building trust/breaking down sub-conscious walls & barriers, physical action, environment creation, object reality and truth in the moment. Fun and challenging mental/physical exercises utilizing these 5 keys will be the focus of the training for this class. All Are Welcome To Participate Intermediate Improvisation This class introduces and addresses keys 6 through 10 of our "10 Keys" Training Program. These 5 keys include: character development, relationship creation, yes and, emotional commitment and give and take. The use of fun and challenging ensemble mental/physical games and exercises utilizing these 5 keys while incorporating the first 5 keys within the class curriculum will be the focus of the training for this class. PreReq:Beginning Improvisation ______________________________________________________ Jeffrey Lyn Hall- Instructor Having started his career in Italian Commedia del Arte at the Teatro Arsenale in Milan, Italy, Jeffrey Lyn Hall has spent the last 27 years in professional study, teaching and performance. With degrees in theatre from Geneva College, the University of Akron and Theatre of Louisville, Jeffrey has worked as an actor, director, acrobat, clown and standup comic. In 1979, Jeffrey has the rare opportunity to study improvisation in Chicago with the legendary Del Close and performed under the direction of Betty Thomas in the Improv Olympic group Orphaned Babies. Jeffrey is currently the Artistic Director of Beatnik Lingo Entertainment, an improv comedy organization that has staged the immensely popular improv/sketch comedy shows BEATNIK and VINE and the short form improv show BEAT OFF-BEAT! Jeffrey has taught classes in improv/acting/directing at Geneva College, University of Akron, University of Louisville as well as being a former faculty member of The Second City (Cleveland), where he taught all levels of students. (COURSE OFFERED FOR SESSION 6) Cleveland Improv Conservatory Students must have successfully completed the Scene Construction Intensive class or be able to demonstrate comprehensive knowledge of those skills listed in the Advanced and Scene Construction syllabus including: scene structure, performance games, 10 Keys of Improv, long form and short form creation and improvisation. Emphasis will be placed on the development of performance skills, the construction of the "ensemble" within specific forms (short and longform)and the ability to work within and demonstrate knowledge pertaining to said specific forms (short and longform). PreReq:Scene Construction If you would like to have an informational brouchure sent to you, be put on our mailing list or register for a class you can email us at: treeblanch at aol.com or call us: 216-479-3353 Check us out on the web at: www.clevelandimprovinstitute.com --part1_6b.52680412.30bb55a9_boundary Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable

CLEVELAND IMPROV IN= STITUTE


The Cleveland Improv Institute announces its 6th Session, running Januar= y 9th through March 2nd.  We are proud to introduce you to our Session=20= 6 instructors: Marc Moritz and Jeffrey Lyn Hall.  We invite you to take= a moment to learn more about these incredible instructors!   &nbs= p;   

Marc Moritz - Master Teacher
Marc originated the role of Talk Show Host in the original Broadway prod= uction of the Sondheim/Prince musical Merrily We Roll Along. Theaters worked= in include: The Cleveland Playhouse, Long Wharf, Goodman, New Harmony, Cain= Park, Dobama and many more. Marc was the Founder/Director of the Cleveland=20= based Giant Portions Improv Troupe. His improv training includes stints at I= mprovOlympic and extensive workshops with Paul Sills, Del Close and Charna H= alpern. He currently teaches acting at Lakeland Community College as well as= Improv at Beck Center and is on staff at Chicago's Second City Training Cen= ter. Marc is also a Guest Artist with The University Circle Early Educationa= l Enrichment Program - bringing Improv and other Creative Dramatics into are= a schools

(COURSES OFFERED FOR SESSION 6)
Beginning Improvisation
This class introduces and addresses keys 1 through 5 of our "10 Ke= ys" Training Program. Games and exercises are utilized in the developmen= t of the vital skills required for improvisation. These 5 keys include: buil= ding trust/breaking down sub-conscious walls & barriers, physical action= , environment creation, object reality and truth in the moment. Fun and chal= lenging mental/physical exercises utilizing these 5 keys will be the focus o= f the training for this class. All Are Welcome To Participate=20

Intermediate Improvisation
This class introduces and addresses keys 6 through 10 of our "10 K= eys" Training Program. These 5 keys include: character development, rela= tionship creation, yes and, emotional commitment and give and take. The use=20= of fun and challenging ensemble mental/physical games and exercises utilizin= g these 5 keys while incorporating the first 5 keys within the class curricu= lum will be the focus of the training for this class. PreReq:Beginnin= g Improvisation =20
=20

______________________________________________________


Jeffrey Lyn Hall- Instructor
Having started his career in Italian Commedia del Arte at the Teatro Ars= enale in Milan, Italy, Jeffrey Lyn Hall has spent the last 27 years in profe= ssional study, teaching and performance. With degrees in theatre from Geneva= College, the University of Akron and Theatre of Louisville, Jeffrey has wor= ked as an actor, director, acrobat, clown and standup comic. In 1979, Jeffre= y has the rare opportunity to study improvisation in Chicago with the legend= ary Del Close and performed under the direction of Betty Thomas in the Impro= v Olympic group Orphaned Babies. Jeffrey is currently the Artistic Director=20= of Beatnik Lingo Entertainment, an improv comedy organization that has stage= d the immensely popular improv/sketch comedy shows BEATNIK and VINE and the=20= short form improv show BEAT OFF-BEAT! Jeffrey has taught classes in improv/a= cting/directing at Geneva College, University of Akron, University of Louisv= ille as well as being a former faculty member of The Second City (Cleveland)= , where he taught all levels of students.

(COURSE OFFERED FOR SESSION 6)
Cleveland Improv Conservatory
Students must have successfully completed the Scene Construction Inte= nsive class or be able to demonstrate comprehensive knowledge of those skill= s listed in the Advanced and Scene Construction syllabus including: scene st= ructure, performance games, 10 Keys of Improv, long form and short form crea= tion and improvisation. Emphasis will be placed on the development of perfor= mance skills, the construction of the "ensemble" within specific forms (shor= t and longform)and the ability to work within and demonstrate knowledge pert= aining to said specific forms (short and longform).
PreReq:Scene Construction=20


If you would like to have an informational brouchur= e sent to you, be put on our mailing list or register for a class you can em= ail us at:
treeblanch at aol.com  or call us: 216-479-3353
Check us out on the web at:
www.clevelandimprovinstitute.com

=20
=20
=20

=20
=20
=20
=20

--part1_6b.52680412.30bb55a9_boundary-- From secylady66 at hotmail.com Sun Nov 27 10:36:06 2005 From: secylady66 at hotmail.com (Leigh Anderson) Date: Sun, 27 Nov 2005 13:36:06 -0500 Subject: [NEohioPAL]Need a custom designed murder mystery Message-ID:
We've had a few replies but we're still looking for the right fit.  We would like a company who is established and used to doing this sort of show. 
 
We would like a murder mystery custom designed for our company's clients and spouses.  (approximately 80 people)  We would like it to involve our clients but not make them BE the actors.  This is going to be a surprise so we need it to be GOOD!  We are looking at a weeknight in February and we have a venue and food already.  We also would like the humor to be clean so as not to offend anyone.

Find just what you're after with the new, more precise MSN Search - try it now! From pjsings at sbcglobal.net Sun Nov 27 11:16:41 2005 From: pjsings at sbcglobal.net (Patrick Clement) Date: Sun, 27 Nov 2005 11:16:41 -0800 (PST) Subject: [NEohioPAL]I need a job Message-ID: <20051127191641.60394.qmail@web82007.mail.mud.yahoo.com> --0-1547616902-1133119001=:60386 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Happy Holidays everyone! I'm sending out a post for a job....I need a job for December...anything offers or ideas would be great!! Even not theatre related wold be great....I just need the extra cash this year.Thanks and stay fabulous! Best, Patrick Clement --0-1547616902-1133119001=:60386 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
Happy Holidays everyone! I'm sending out a post for a job....I need a job for December...anything offers or ideas would be great!!  Even not theatre related wold be great....I just need the extra cash this year.Thanks and stay fabulous!
 
Best,
Patrick Clement
--0-1547616902-1133119001=:60386-- From PierogiProductOH at aol.com Sun Nov 27 12:43:46 2005 From: PierogiProductOH at aol.com (PierogiProductOH at aol.com) Date: Sun, 27 Nov 2005 15:43:46 -0500 Subject: [NEohioPAL]Shameless self promotion Message-ID: <1698BC1B.18B3C369.6350EC03@aol.com> In case any of you read the Sunday edition of the Plain Dealer, Nutty, our spokes-puppet for Natural Bridges LLC & NB Puppets is featured in the PDQ section on the second page underthe "They Love" heading. Thank you. Kirk Lawrence Maynard President & Puppet Director Natural Bridges LLC PO Box 30688 Cleveland, Ohio 44130 Phone: 1-888-866-4877 Email: ?? President at thenaturalbridges.com Web: ?? ?? www.thenaturalbridges.com ???If you can dream it, we can create it.??? From higbee at chsaviour.org Sun Nov 27 13:33:35 2005 From: higbee at chsaviour.org (Judith Higbee) Date: Sun, 27 Nov 2005 16:33:35 -0500 Subject: [NEohioPAL]East side church seeks bass soloist/section leader Message-ID: <002e01c5f39a$3950b1b0$80fea8c0@church.chsaviour.org> This is a multi-part message in MIME format. ------=_NextPart_000_002F_01C5F370.507AA9B0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Church of the Saviour in Cleveland Hts. is looking for a bass soloist/section leader. We have hired a tenor section leader for about 10 years and now are adding a bass to the Chancel Choir. Rehearsals are on Thursdays from 7:30-9:15 p.m. and the choir sings regularly at the 11:00 a.m. worship service. We average about 30 singers on a Sunday morning and do traditional repertoire of the past and music by living composers as well. We are preparing to present Mozart's Coronation Mass in February. For more information please contact: Judith Higbee Director of Music Church of the Saviour (United Methodist) 2537 Lee Road Cleveland Hts., OH 44118 216-321-8880 higbee at chsaviour.org ------=_NextPart_000_002F_01C5F370.507AA9B0 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

Church of the Saviour in = Cleveland Hts. is looking for a bass soloist/section = leader.  =

We have hired a tenor section leader for about = 10 years and now are adding a bass to the Chancel Choir. Rehearsals are on Thursdays from 7:30-9:15 = p.m. and the choir sings regularly at the 11:00 = a.m. worship service. We average about 30 singers on a Sunday morning and do = traditional repertoire of the past and music by living composers as well. We = are preparing to present Mozart's Coronation Mass in = February.  

 

For more information please = contact:

Judith Higbee

Director of Music

Church of the Saviour (United = Methodist)

2537 Lee = Road

Cleveland = Hts., = OH= = 44118

216-321-8880

higbee at chsaviour.org

 

=

 

=

 

------=_NextPart_000_002F_01C5F370.507AA9B0-- From sgyorki at sbcglobal.net Sun Nov 27 14:00:24 2005 From: sgyorki at sbcglobal.net (Sarah Gyorki) Date: Sun, 27 Nov 2005 14:00:24 -0800 (PST) Subject: [NEohioPAL]Arts Collinwood gallery - new glass show Message-ID: <20051127220024.77696.qmail@web81202.mail.mud.yahoo.com> --0-809975209-1133128824=:77257 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Contact(216)692-9500 www.artscollinwood.org Board Zachary Coleman, Chair Nancy Kennedy, President Cynthia Szafraniec, Secretary/Treasurer Kathy Baker Cindy Barber Martha Ferrazza Melanie Fioritto Brian Friedman Fred Kreiner Nancy Prudic Executive Director Sarah Gyorki Arts Collinwood would like to thank Councilman Michael Polensek. Neighborhood Connections (a small grants program of the Cleveland Foundation), HOPE, Immanuel Presbyterian Church, the Collinwood Golden Age Center, Memorial Nottingham library, our artist and resident members, and the supporting merchants of North Collinwood for helping to make these programs possible. Arts Collinwood Gallery Contacts: Sarah Gyorki 216-692-9500 216-383-1465 (home) Opening Reception for the Glass and Ceramics Exhibit (Through the end of December) Friday December 2, 2005 6pm-10pm 15605 Waterloo Road Cleveland, Ohio (near I-90 at the E. 156th Street exit) Gallery Hours Thurs -Fri. 6-9pm Sat.-Sun. 1-5pm Various artists including: Michael Mikula Rene Culler Patty Kozorevski Susan Gallagher Sue Barry Jack Rotar ? and others --0-809975209-1133128824=:77257 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit

Contact

(216)692-9500

www.artscollinwood.org

 

 

 

 

Board

Zachary Coleman,
Chair

Nancy Kennedy,
President

Cynthia Szafraniec, Secretary/Treasurer

Kathy Baker

Cindy Barber

Martha Ferrazza

Melanie Fioritto

Brian Friedman

Fred Kreiner

Nancy Prudic

 

 

 

 

Executive Director

Sarah Gyorki

 

 

 

 

 

Arts Collinwood would like to thank Councilman Michael Polensek. Neighborhood Connections (a small grants program of the Cleveland Foundation), HOPE, Immanuel Presbyterian Church, the Collinwood Golden Age Center, Memorial Nottingham library, our artist and resident members, and the supporting merchants of North Collinwood for helping to make these programs possible.

 

 

 

 


 

 

 


Arts Collinwood Gallery

Contacts:

Sarah Gyorki   216-692-9500
                        216-383-1465 (home)

 

Opening Reception for the

 

Glass and Ceramics Exhibit

(Through the end of December)

 

Friday December 2, 2005

6pm-10pm

 

15605 Waterloo Road

Cleveland, Ohio

(near I-90 at the E. 156th Street exit)

 

 

Gallery Hours  Thurs -Fri.  6-9pm

Sat.-Sun.  1-5pm

 

Various artists including:

Michael Mikula

Rene Culler

Patty Kozorevski

Susan Gallagher

Sue Barry

Jack Rotar

? and others

 

 

 

 

 

--0-809975209-1133128824=:77257-- From bjbowers4584 at yahoo.com Sun Nov 27 15:03:21 2005 From: bjbowers4584 at yahoo.com (Brian Bowers) Date: Sun, 27 Nov 2005 15:03:21 -0800 (PST) Subject: [NEohioPAL]Great health discounts for artists! Message-ID: <20051127230321.40438.qmail@web35014.mail.mud.yahoo.com> --0-2043590955-1133132601=:40219 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Hey guys, I just found a great deal for anyone with little or no health insurance. AmeriPlan offers several options including Dental, Prescription, Eyeglass, and Chiropractic discounts for less than $12 a month for an individual?they also have a full health program including doctor visits, specialists, and lab work for under $50 a month. This is a great deal for artists who may not have insurance through a union or their full-time jobs. AmeriPlan has been around for over 12 years and is in good standing with the Better Business Bureau. There are tons of providers in the area?I just found out about them, and highly recommend them. Also, it?s a discount program (as opposed to regular insurance) so they take everyone, there are no claim forms to deal with, and no deductibles! Best of all?if you join before November 30th, your first month is half price! That means you can get the Dental, Prescription, Eyeglass, and Chiropractic plan for just $5.95 the first month, or the full Health Plan for just $24.99 the first month! Check out www.deliveringonthepromise.com/40303314 and click on the link that says ?Save Money? for more information. Find out about business opportunities by clicking on the ?Make Money? link. (I liked what I heard so much I?m working for them part time!) I can answer further questions by email at BBowers at ameriplan.net or by phone at 216-288-7743. Happy Holidays! Brian Bowers AmeriPlan, Independent Broker --------------------------------- Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --------------------------------- Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --0-2043590955-1133132601=:40219 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
 
Hey guys, I just found a great deal for anyone with little or no health insurance.  AmeriPlan offers several options including Dental, Prescription, Eyeglass, and Chiropractic discounts for less than $12 a month for an individual?they also have a full health program including doctor visits, specialists, and lab work for under $50 a month.  This is a great deal for artists who may not have insurance through a union or their full-time jobs.  AmeriPlan has been around for over 12 years and is in good standing with the Better Business Bureau.  There are tons of providers in the area?I just found out about them, and highly recommend them.  Also, it?s a discount program (as opposed to regular insurance) so they take everyone, there are no claim forms to deal with, and no deductibles!
 
Best of all?if you join before November 30th, your first month is half price!  That means you can get the Dental, Prescription, Eyeglass, and Chiropractic plan for just $5.95 the first month, or the full Health Plan for just $24.99 the first month!
 
Check out www.deliveringonthepromise.com/40303314 and click on the link that says ?Save Money? for more information.  Find out about business opportunities by clicking on the ?Make Money? link.  (I liked what I heard so much I?m working for them part time!)  I can answer further questions by email at BBowers at ameriplan.net or by phone at 216-288-7743. 
 
Happy Holidays!
 
Brian Bowers
AmeriPlan, Independent Broker

Yahoo! Music Unlimited - Access over 1 million songs. Try it free.

Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --0-2043590955-1133132601=:40219-- From higbee at chsaviour.org Sun Nov 27 13:41:11 2005 From: higbee at chsaviour.org (Judith Higbee) Date: Sun, 27 Nov 2005 16:41:11 -0500 Subject: [NEohioPAL]Auditions for The Crucible Message-ID: <003d01c5f39b$491831d0$80fea8c0@church.chsaviour.org> This is a multi-part message in MIME format. ------=_NextPart_000_003E_01C5F371.604229D0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Arts in the Cathedral of Church of the Saviour, 2537 Lee Road, Cleveland Heights, announces auditions for Arthur Miller's play The Crucible on Saturday, December 3, 2005 from 9 a.m. to noon. Cast includes 10 men and 10 women. Some roles are available for younger females and there is one female role for person of color from Barbados. Set at the time of the Puritan witchcraft trials, Miller's masterpiece retains its power as a parable of our contemporary society. It will be done in period costume with minimal scenery as the author wished. Actors should be familiar with the script and be willing to read for different roles. Performance dates are March 3, 4 at 8 p.m. and March 5, 2006 at 3 p.m. Director is Dick Meadows who can be reached for details at 216-321-7698 daytime. Dick's directing credits include Cain Park, The Jewish Community Center, Theatre in the Valley, and Cuyahoga Community College. Contact: Dick or Marilyn Meadows 216-321-7698 Judith Higbee, Director of Music 216-321-8880 November 10, 2005 Judith Higbee Director of Music Church of the Saviour 2537 Lee Road Cleveland Heights, OH 44118 higbee at chsaviour.org ------=_NextPart_000_003E_01C5F371.604229D0 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

 

=

Arts in the Cathedral of Church of the = Saviour, 2537 Lee Road, Cleveland Heights, = announces auditions for Arthur Miller's play The Crucible on Saturday, December 3, 2005 from 9 a.m. to noon.  Cast includes 10 men and 10 women.  Some roles are available for younger females and there is one = female role for person of color from = Barbados.

 

Set at the time of the Puritan witchcraft trials, Miller's masterpiece retains its power as a parable of our contemporary = society.  It will be done in period = costume with minimal scenery as the author wished. Actors should be familiar with the = script and be willing to read for different roles.

 

Performance dates are March 3, 4 at 8 p.m. and = March 5, = 2006 at 3 p.m. Director is = Dick Meadows who can be reached for details at 216-321-7698 daytime.  Dick's directing credits = include Cain = Park, The Jewish Community Center, Theatre in the Valley, and = Cuyahoga = Community College.

 

Contact: Dick or Marilyn Meadows  = 216-321-7698

 

Judith Higbee, Director of Music = 216-321-8880

 

November 10, = 2005

 

 

Judith Higbee

Director of Music

Church of the Saviour

2537 Lee = Road

Cleveland Heights, = OH = 44118

higbee at chsaviour.org

 

 

=

 

------=_NextPart_000_003E_01C5F371.604229D0-- From tcgofohio at hotmail.com Sun Nov 27 11:39:09 2005 From: tcgofohio at hotmail.com (Cohen Robert) Date: Sun, 27 Nov 2005 14:39:09 -0500 Subject: [NEohioPAL]TCG of Ohio - "Best of" Message-ID: Theatre Communications Group of Ohio (TCG) is a newly formed Arts Agency based in Columbus, Ohio. TCG's mission: to strengthen, nurture and promote Northeast Ohio not-for-profit Theatre Arts.. TCG believes that theatre arts plays a significant role on the culture of Northeast Ohio and as a strong public and cultural advocate of theatre, TCG's prime directive is to promote a meaningful role for theatre arts in the lives of Northeast Ohio individuals, families and communities. Through strategic planning, data collection and audience surveys, TCG has developed the Member Audience Foundation. MAF's primary goal is to administer a range of audience development programs that will encourage attendance, assistance and education for theatre arts. TCG's Member Audience Foundation is also designed to allow it's audience members to pay tribute to individuals and organizations for outstanding achievements, contributions and service to Northeast Ohio Theatre Arts. At this time TCG would like to recognize the outstanding achievements and efforts of the following organizations and individuals: Best Musical - RAGTIME, produced by The Jewish Community Center of Cleveland in Association with Cuyahoga Community College East Campus Theatre Arts. RAGTIME was the blockbuster of the year! Best Play - The Exonerated, produced by the Dobama Theatre Company. Simple, eloquent and incredibly powerful. Best Director - Fred Sternfeld, RAGTIME. Mr. Sternfeld's best work! Stunning! Best Actress - Elizabeth Ann Townsend - THE EXONERATED. A gifted actress who's performance demonstrated humanity, dignity, courage and strength. Best Actor - Brian Zoldessy, TO KNOW HIM. One of the best performances by an actor this city has seen. Rich, detailed, powerful and very moving. Best Theatre Company - THE GREAT LAKES THEATRE FESTIVAL. Under the direction of Charles Fee, GLTF has become a truly fine theatre company, providing entertaining and delightful productions. _________________________________________________________________ Express yourself instantly with MSN Messenger! Download today - it's FREE! http://messenger.msn.click-url.com/go/onm00200471ave/direct/01/ From Grumio85 at aol.com Sun Nov 27 16:06:03 2005 From: Grumio85 at aol.com (Grumio85 at aol.com) Date: Sun, 27 Nov 2005 19:06:03 EST Subject: [NEohioPAL]Beck Center--- Seeks laborer Message-ID: <26a.c8a6a6.30bba3eb@aol.com> -------------------------------1133136363 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Beck Center is seeking someone with day hours (9AM to 6PM) this week to assist on final preparations for our production of "Beauty and the Beast". The ideal candidate will possess some carpentry and light painting skills--- basically a jack-of-all-trades! Compensation negotiable. Looking for some temp work? Reply to this message at your earliest convenience. :) Thank You! Scott Spence Beck Center -------------------------------1133136363 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
Beck Center is seeking someone with day hours (9AM to 6PM) this we= ek to assist on final preparations for our production of "Beauty and the= Beast". The ideal candidate will possess some carpentry and light pain= ting skills--- basically a jack-of-all-trades! Compensation negotiable.
 
Looking for some temp work? Reply to this message at your earliest conv= enience. :)
 
Thank You!
 
Scott Spence
Beck Center
-------------------------------1133136363-- From Bailarte at aol.com Sun Nov 27 16:24:08 2005 From: Bailarte at aol.com (Bailarte at aol.com) Date: Sun, 27 Nov 2005 19:24:08 EST Subject: [NEohioPAL]Latin-American Dance Styles Workshops by...SUSANA Message-ID: <200.e8370ee.30bba828@aol.com> -------------------------------1133137448 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Greetings! (What better than a workout that changes your body, mantains your waist-line, brings your stamina up, conserves or raises your inmune system, and of all work outs out there, Latin-American dance...( well done ) is the one that keeps your body looking great, plus the fun and delight of the authentic Afro-Caribbean and American music is UNIQUE!) I will be teaching a 3 week workshop in fundamental Afro-Latin-American dance rhythms, ( no partner necessary) I use various techniques in all my classes, but I am focused on the integrity of the Latin Styles when I teach Salsa, Merengue, Cumbia, Ruma, Samba etc.etc. Please if you are interested and would like to make a commitment, let me know. These set of workshop will be held on January,thursdays at 7PM, ( will announce asap the exact dates). Where? at Shore Cultural Centre in Euclid (299 East 222nd Street, room 243 .....right in front of the Euclid Value City, dept. store) Please respond to this message or you can call me at: (216) 269-6985 The cost will be prepaid $45 "...Susana Weingarten de Evert is a world class teacher whose energy is contagious. When she is teaching Latin-American rhythms her enthusiasm and happiness is obvious and one can not resist the enjoyment and happiness of the fabulous music that she uses, the flow of movement and the way her body moves...she is an inspiration to all her students...." The Chicago Tribune.....June 2004 -------------------------------1133137448 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable    Greetings!= =20
(What better=20= than a workout that changes your body, mantains your waist-line, brings your= stamina up, conserves or raises your inmune system, and of all work ou= ts out there, Latin-American dance...( well done ) is the one that keeps you= r body looking great, plus the fun and delight of the authentic Afro-Cari= bbean and American music is UNIQUE!)
 
I will be teachin= g a 3 week workshop in fundamental Afro-Latin-American dance rhythms, (= no partner necessary)
 
 
I use various tec= hniques in all my classes, but I am focused on the integrity of the Lat= in Styles when I teach Salsa, Merengue, Cumbia, Ruma, Samba etc.etc= .
 
Please if you= are interested and would like to make a commitment, let me know.
<= /STRONG> 
 These = set of workshop will be held on January,thursdays at 7PM,  ( w= ill announce asap the exact dates).
<= /STRONG> 
Where? at Shore Cultural Centre in Euclid (299 Eas= t 222nd Street, room 243 .....right in front of the Euclid Value City, dept. store)
&= nbsp;
Please respon= d to this message or you can call me at:
(216) 269-6985
&= nbsp;
The cost will= be prepaid
$45
"...Susana Weingarten de Evert is a world class teacher whose e= nergy is contagi= ous. When she is teaching Latin-American rhyt= hms her enthusiasm and happiness is obvious and one can not resist the enjoyment and happiness of the fa= bulous music that she uses, the flow of movement and the way her body moves.= ..she is an inspiration to all her students...."=
The Chicago Tr= ibune.....June 2004
-------------------------------1133137448-- From performingarts at karamu.com Sun Nov 27 16:58:31 2005 From: performingarts at karamu.com (Performing Arts) Date: Sun, 27 Nov 2005 19:58:31 -0500 Subject: [NEohioPAL]AUDITIONS for one of the hippest plays to ever come through Karamu's TOPS outreach program. Message-ID: <047d01c5f3b6$dac88920$5701a8c0@karamu.com> This is a multi-part message in MIME format. ------=_NextPart_000_047A_01C5F38C.F1184DC0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable A HIP HOP AESOP by Je Franklin Told through hip hop with a grooving beat, this new, original and = facinating piece is written by legendary Black Arts Movement and New = York playwright J e Franklin. Author of works such as the classic = Off-Broadway play "Black Girl," (also film directed by the late Ossie = Davis) and "Grey Panthers: Coming to the Mercy Seat."=20 Seeking a multiracial cast of six actors/actresses ages 19 or older, who = can move and groove to the hip hop beat. Must be available during school = hours. Sides will be provided with music. Slam poets are also welcome. = Actors will also be considered for the outreach production of "Langston = Listens to America", dramatized poems written by late Karamu alum = Langston Hughes. The outreach program will tour the Cleveland area and = beyond starting Winter 2006. Audition Dates: Friday, December 9th (Please call for audition = appointment) December 10th, 10AM - 1PM = Where: Karamu House, = 2355 East 89th=20 =20 A HIP HOP AESOP is an adaptation of the ancient fables of Aesop in the = form of Three-Minute plays written in unforgettable hip hop rhythms and = accompanied by catchy musical numbers. The works stay true to the = ancient wisdom of Aesop, who used fables to point out our human foibles, = as Jesus would later use parables to teach his disciples. Aesop was a = Greek-born slave of Ethiopian ancestry, born deformed and unable to = speak, until the Priestess Isis, rewarding him for some deed he = performed, miraculously restored his speech. He lived 600 years before = Christ. For audition appointments for Friday, December 9th, please call = 216-795-7070 ext. 242. =20 ------=_NextPart_000_047A_01C5F38C.F1184DC0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable

A HIP HOP=20 AESOP by Je Franklin

Told through = hip hop=20 with a grooving beat, this new, original and facinating piece is = written by=20 legendary Black Arts Movement and New=20 York playwright J e Franklin. Author of works such as the = classic=20 Off-Broadway play "Black Girl," (also film directed by the late = Ossie=20 Davis) and "Grey Panthers: Coming to the Mercy=20 Seat." 

Seeking a=20 multiracial cast of six actors/actresses ages 19 or older, = who can move and groove to the hip hop=20 beat. Must be available during school hours. Sides will be = provided=20 with music. Slam poets are also welcome. Actors will also be considered = for the=20 outreach production of "Langston Listens to America", dramatized poems = written=20 by late Karamu alum Langston Hughes.  The outreach program will = tour the=20 Cleveland area and beyond starting Winter 2006.

Audition = Dates:=20 Friday, December=20 9th (Please call for audition=20 appointment)          = December=20 10th, 10AM -=20 1PM           &nbs= p;            = ;            =             &= nbsp;           &n= bsp;           &nb= sp;   =20 Where: Karamu House, 2355 East 89th 

           =             &= nbsp;           &n= bsp;           &nb= sp;   =20

A HIP HOP = AESOP is an=20 adaptation of the ancient fables of Aesop in the form of Three-Minute = plays=20 written in unforgettable hip hop rhythms and accompanied by catchy = musical=20 numbers.  The works stay true to the ancient wisdom of Aesop, who = used=20 fables to point out our human foibles, as Jesus would later use parables = to=20 teach his disciples.  Aesop was a Greek-born slave of Ethiopian = ancestry,=20 born deformed and unable to speak, until the Priestess Isis, rewarding = him for=20 some deed he performed, miraculously restored his speech. He lived 600 = years=20 before Christ.

For audition = appointments for Friday, December 9th, please call 216-795-7070 ext.=20 242.


 


------=_NextPart_000_047A_01C5F38C.F1184DC0-- From performingarts at karamu.com Sun Nov 27 17:16:45 2005 From: performingarts at karamu.com (Performing Arts) Date: Sun, 27 Nov 2005 20:16:45 -0500 Subject: [NEohioPAL]Auditions for the third production of Karamu's "Raising The Roof Revival" season: THE COLORED MUSEUMolored Message-ID: <048c01c5f3b9$66bba500$5701a8c0@karamu.com> This is a multi-part message in MIME format. ------=_NextPart_000_0489_01C5F38F.7D0241E0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable THE COLORED MUSEUM by George C. Wolfe (Comedy Satire) This is the classic that placed Wolfe, former Artistic Director for the = Public Theatre in New York City, on the map as a playwright. It was = first produced in 1986 in New Brunswick, New Jersey at Crossroads = Theatre. It is one of the most original and sought out plays in American = Theatre. Wolfe pulls no punches or kicks to the ribs, heart or funny = bone as he views Black history through a satirical microscope; exploring = a series of eleven exhibits such as "Git on Board", "Cookin' With Aunt = Ethel", "The Last Mama-On-The-Couch Play", and the scathing "Soldier = with a Secret". This museum is funky and outrageous. Caroline = Jackson-Smith, Director Seeking 3 women, African American 2 men, African American Cast Age Range: 20's - 40's Auditioners can come with prepared monologues and/or read from sides = which will be available at the audition. When: Saturday, December 10th- 2PM - 4PM Monday, December 12th- 5PM - 8PM Where: Karamu House, 2355 East 89th Street Rehearsals start date TBA at auditions. The production opens January = 27- February 19, 2006 in the 100 seat Arena. =20 For more information, please call 216-795-7070 ext. 242 ------=_NextPart_000_0489_01C5F38F.7D0241E0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable

THE COLORED MUSEUM by = George C.=20 Wolfe (Comedy Satire)
This is the classic that = placed=20 Wolfe, former Artistic Director for the Public Theatre in New York City, = on the=20 map as a playwright.  It was first produced in 1986 in New = Brunswick, New=20 Jersey at Crossroads Theatre. It is one of the most original and sought = out=20 plays in American Theatre. Wolfe pulls no punches or kicks to the ribs, = heart or=20 funny bone as he views Black history through a satirical microscope; = exploring a=20 series of eleven exhibits such as "Git on Board", "Cookin' With Aunt = Ethel",=20 "The Last Mama-On-The-Couch Play", and the scathing "Soldier with a = Secret".=20 This museum is funky and outrageous. Caroline Jackson-Smith, = Director

 

Seeking

 

3 women, African = American

2 men, African = American

Cast Age Range: 20's -=20 40's

 

Auditioners can come = with=20 prepared monologues and/or read from sides which will be available at = the=20 audition.

 

When: Saturday, = December 10th-=20 2PM - 4PM

           = Monday, December 12th- 5PM - 8PM

Where: Karamu House, = 2355 East=20 89th Street

 

Rehearsals start date = TBA at=20 auditions.  The production opens January 27- February 19, 2006 in = the 100=20 seat Arena.

 

For more information, = please=20 call 216-795-7070 ext. 242


------=_NextPart_000_0489_01C5F38F.7D0241E0-- From pnrsusan at hotmail.com Sun Nov 27 17:39:44 2005 From: pnrsusan at hotmail.com (Susan From PNRImprov) Date: Mon, 28 Nov 2005 01:39:44 +0000 Subject: [NEohioPAL]We're back and ready to help! Message-ID:

In this season of giving, please consider helping us give to those who are suffering.

 

PNR Improv will be donating all of the proceeds from all of its shows for the rest of 2005 to the

American Red Cross to help the victims of

Hurricane Katrina.

Your $5.00 will be doing more than buying you an evening of family-friendly comedy?

you?ll be helping out people in need.

 

Please join us for smoke-free, alcohol-free

improv comedy in the style of

?Whose Line Is It Anyway??

Together we can help our fellow Americans. Thank you.

 

2005 Schedule

 

Saturday, December 3

Saturday, December 17

 

All shows start at 7:30pm

Admission: $5.00 at the door (to be donated to the

American Red Cross Disaster Response Fund)

Where: Quirk Cultural Center, 3rd Floor (?Newell Theatre?)

1201 Grant Street, Cuyahoga Falls

 

For more information, contact me at PNRSusan at hotmail.com, or visit our website at http://www.PNRImprov.org.

 

To be removed from our mailing list, reply to this message and type

?Remove? in the subject line.


Find just what you're after with the new, more precise MSN Search - try it now! From blueizeinfo at yahoo.com Sun Nov 27 17:48:09 2005 From: blueizeinfo at yahoo.com (Blue~ize Magazine) Date: Sun, 27 Nov 2005 17:48:09 -0800 (PST) Subject: [NEohioPAL]DECEMBER ISSUE BLUE~IZE MAGAZINE AVAILABLE NOW Message-ID: <20051128014810.1628.qmail@web51515.mail.yahoo.com> --0-1772887066-1133142489=:1377 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit DECEMBER ISSUE OF BLUE~IZE THE PERFORMING ARTS MAGAZINE AVAILABLE NOW! PACKED WITH VALUABLE INFORMATION YOU CAN TRUST... GET STARTED ON YOUR ARTS CAREER TODAY! CONCERT & THEATER LINKS AUDITIONS RISING STAR INTERVIEWS ANNOUNCEMENTS NEWS INDIE FILMS EXPERT ADVICE FROM THE PROS MATTHEW JAMES MURPHY REFLECTS ON "RENT" INTERVIEW WITH JOLENE MCPHERSON, DANCE INSTRUCTOR AN INTERVIEW WITH DEBBIE GIFFORD, VOCALIST CHRISTMAS AT MAXWELL'S FEATURE FILM BY WILLIAM LAUFER MARY ELLEN TOMAZIC, ENTERTAINMENT LAWYER MTV29 BOYS FROM MADISON HIGH SCHOOL MARY FAKTOR SERIES ADVICE ABOUT YOUR ARTS CAREER SUE JOHNSON SHARES "TRICKS OF THE TRADE" SEND JANUARY AUDITION LISTINGS TO US BY DEC 15TH FOR FREE ! ATTENTION ALL ACTING, DANCE, & VOICE COACHES: NEW CLASSIFIED 4 LINE LISTING FOR ONLY $25/MONTH PLEASE REPORT MAGAZINE OUTAGES DON'T MISS AN ISSUE! REQUEST A SUBSCRIPTION FORM Blue~ize Magazine The Ultimate Guide for Young Talent Mike Ross, Editor Barbara Ross, Producer 7285 Center St. Mentor, OH 44060 PH: 440-478-7500 --0-1772887066-1133142489=:1377 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
DECEMBER ISSUE OF
BLUE~IZE
 THE PERFORMING ARTS MAGAZINE
 AVAILABLE NOW!
 
 
PACKED WITH VALUABLE INFORMATION YOU CAN TRUST...
 
GET STARTED ON YOUR ARTS CAREER TODAY!
 
CONCERT & THEATER LINKS AUDITIONS RISING STAR INTERVIEWS ANNOUNCEMENTS NEWS INDIE FILMS
 
EXPERT ADVICE FROM THE PROS
 
MATTHEW JAMES MURPHY REFLECTS ON "RENT"
 
INTERVIEW WITH JOLENE MCPHERSON, DANCE INSTRUCTOR
 
AN INTERVIEW WITH DEBBIE GIFFORD, VOCALIST
 
CHRISTMAS AT MAXWELL'S
FEATURE FILM BY WILLIAM LAUFER
 
 
MARY ELLEN TOMAZIC, ENTERTAINMENT LAWYER
 
MTV29 BOYS FROM MADISON HIGH SCHOOL
 
MARY FAKTOR
SERIES ADVICE ABOUT YOUR ARTS CAREER
 
SUE JOHNSON SHARES "TRICKS OF THE TRADE"
 
 
  • SEND JANUARY AUDITION LISTINGS TO US BY DEC 15TH FOR FREE !
  • ATTENTION ALL ACTING, DANCE, & VOICE COACHES:  NEW CLASSIFIED 4 LINE LISTING FOR ONLY $25/MONTH
PLEASE REPORT MAGAZINE OUTAGES
 
DON'T MISS AN ISSUE!
REQUEST A SUBSCRIPTION FORM


Blue~ize Magazine
The Ultimate Guide for Young Talent 
 
Mike Ross, Editor
Barbara Ross, Producer
7285 Center St.
Mentor, OH 44060
PH: 440-478-7500
--0-1772887066-1133142489=:1377-- From royberko at yahoo.com Sun Nov 27 18:32:10 2005 From: royberko at yahoo.com (Roy Berko) Date: Sun, 27 Nov 2005 18:32:10 -0800 (PST) Subject: [NEohioPAL]Berko review: BRAVO, CARUSO (Ensemble) Message-ID: <20051128023211.39422.qmail@web33103.mail.mud.yahoo.com> ?BRAVO, CARUSO!? OFF KEY AT ENSEMBLE Roy Berko (Member, American Theatre Critics Association) --THE TIMES NEWSPAPERS-- Lorain County Times--Westlaker Times--Lakewood News Times--Olmsted-Fairview Times Playwright William Luce is famous for his one-person scripts. His subjects have included Emily Dickenson, Charlotte Bronte, Zelda Fitzgerald, Lillian Hellman and John Barrymore. In ?BRAVO, CARUSO!,? now being staged by Ensemble Theatre, Luce takes on Enrico Caruso, considered by many opera aficionados to be the greatest tenor of all time, in a two-character script. Caruso was born into a working-class family in Naples, the 18th of 21 children. Early-on his mother was convinced that he had singing talent. By the time he was 10, the young Enrico's singing voice was receiving serious critical attention. Caruso became a favorite at New York?s Metropolitan Opera, where he performed 37 roles in 607 performances. Since his career coincided with the development of the phonograph, he became one of the early recording stars. Earthy, and something of a clown, the singer was extremely popular, not only as a singer, but as a personality. In 1921, when he died at the age of 48, he was greatly mourned. "BRAVO, CARUSO!" takes us into the tenor's dressing room at the Met on Christmas Eve, 1920. No one knows that he is about to sing his last performance. As the tale unfolds, we see the eccentric, preoccupied and brilliant Caruso manipulating his devoted dresser, Fantini, into giving him the adoration the performer so desperately needs. Any theatre choosing this script has to have two superb actors to play the roles. This is not a script for the ordinary performer. It also requires a director who has the inventive nature to work with the performers to hold the attention of an audience with a script that has little action, is very wordy and is two acts in length. There also has to be a sensitivity to developing the needed humor and pathos. Unfortunately, Ensemble misses on all counts. Though they try hard, Bernard Canepari and Pat Mazzarino can?t pull off the difficult roles. Neither is totally believable in their performances. Canepari seems so pre-occupied with remembering his lines that he fails to develop a textured character. The humor and the drama get melded together. Mazzarino plays at being fay and endearing, but never reaches down into the real Fantini. We never understand why he is so devoted to his master and why he is willing to be the brunt of the manipulation. They are not helped by Licia Colombi?s directing, which consists of coming up with shticks and gimmicks rather than creating a unified feeling, using the humor and drama of the script. How many times can we be amused by an ironing board being taken out and put away? Does having Mazzarino mincing around the stage really help him develop a meaningful character? Why weren?t real food and cigarettes used? The faking was just too obvious, especially in a play that has to be real. Ron Newell?s fragmented set, Michael Beyers? lighting and Casey Jones?s sound effects all work well. Too bad the rest of the production doesn?t live up to the technical aspects. CAPSULE JUDGEMENT: One of the most difficult reviews for a critic to write is one that is generally negative. Unfortunately, every once in while, it is my unfortunate duty to have to do so. In choosing a difficult script to perform a theatre has to be sure they have the talent to direct and perform the intent and purpose of the script. Ensemble was over its head in selecting ?BRAVO, CARUSO!? ?BRAVO, CARUSO!? continues at Ensemble Theatre, located in the Brooks Theatre in the Cleveland Play House complex through December 11. For ticket information call 216-321-2930. Roy Berko's web page can be found at www.royberko.info. His theatre and dance reviews appear on NeOHIOpal, an on-line source. To subscribe to this free service via the World Wide Web, visit http://lists.fredsternfeld.com/mailman/listinfo/neohiopal. __________________________________ Yahoo! Mail - PC Magazine Editors' Choice 2005 http://mail.yahoo.com From secylady66 at hotmail.com Sun Nov 27 21:06:20 2005 From: secylady66 at hotmail.com (Leigh Anderson) Date: Mon, 28 Nov 2005 00:06:20 -0500 Subject: [NEohioPAL]Harassing Sales Tactics Message-ID:

There is a certain murder mystery producer who won?t take NO for an answer.  Just like a REAL gangster I guess so his company name is VERY appropriate! 

 

He keeps E-mailing me, insisting I give him my home number and asking me to call him in the middle of the night if I happen to answer him while he?s online. 

 

Now he is also calling me names and telling me I?m on drugs!  This guy is nuts and he?s making me think twice about even hiring a murder mystery group.  I am SO glad I did not give him my number!

 

Harassing and insulting them is NOT the way to win clients over.

 

Leigh Anderson...

(Thinking Twice)


Find e-mail, documents and more on your PC instantly with Windows Desktop Search?FREE! From dafio at msn.com Thu Nov 24 20:35:09 2005 From: dafio at msn.com (Lynda) Date: Thu, 24 Nov 2005 23:35:09 -0500 Subject: [NEohioPAL]Murder Mysteries at Greystone Hall! Message-ID: <000001c5f179$9e4e5e00$d0ac0ccf@randomacts> This is a multi-part message in MIME format. ------=_NextPart_000_0001_01C5F14F.B579DCA0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Random Acts is thrilled to announce that we will be performing private parties at GREYSTONE HALL, a truly unique venue with amazing architecture, stunning staircases and fabulous food! http://www.random-acts.net ------=_NextPart_000_0001_01C5F14F.B579DCA0 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

Random Acts is thrilled to announce that we will be = performing private parties at GREYSTONE HALL, =

a truly unique venue with amazing architecture, = stunning staircases and fabulous food!

 

http://www.random-acts.net

 

 

------=_NextPart_000_0001_01C5F14F.B579DCA0-- From kmmk816 at yahoo.com Mon Nov 21 06:18:57 2005 From: kmmk816 at yahoo.com (Karen Kawolics) Date: Mon, 21 Nov 2005 06:18:57 -0800 (PST) Subject: [NEohioPAL]Guest Needed for Health TV show Message-ID: <20051121141858.43678.qmail@web34201.mail.mud.yahoo.com> Health and Fitness TV program looking for an in studio guest for a six minute interview. The television program "Mind, Body & Spirit" is looking for a guest to be interviewed for a program to be broadcast during the month of February in honor of Valentine's Day. The show will be shot on Tuesday, November 29th at 3:45PM in Macedonia at the Cable 9 studios. We are open to any topics related to love, relationships, heart health, food related topics - anything that will tie together health and romance. Please email any ideas. "MBS" is a health and fitness television program shot at Cable 9 studios in Macedonia and distributed to various cable outlets in the Cleveland and New York City area. Three female hosts each interview one guest for 7 minutes in studio. Guest will receive a copy of their interview. Please email any ideas to Karen Kawolics at kmmk816 at yahoo.com. Thank you, www.karenkawolics.com __________________________________ Yahoo! Mail - PC Magazine Editors' Choice 2005 http://mail.yahoo.com From dcurfman at akron.k12.oh.us Mon Nov 21 06:23:57 2005 From: dcurfman at akron.k12.oh.us (Donna Curfman) Date: Mon, 21 Nov 2005 09:23:57 -0500 (EST) Subject: [NEohioPAL]Keyboard player/organist position Message-ID: Christ United Methodist Church in West Akron is seeking a keyboard player/organist to accompany the choir and play a variety of music for the Sunday service. The position is paid and involves one rehearsal a week on Wednesday nights and one service on Sunday mornings. If interested or in need of additional information, please contact the church office at 330-836-5563 or Donna Curfman at 330-864-2040. From royberko at yahoo.com Mon Nov 21 06:33:29 2005 From: royberko at yahoo.com (Roy Berko) Date: Mon, 21 Nov 2005 06:33:29 -0800 (PST) Subject: [NEohioPAL]Berko review: OPAL (Kalliope) Message-ID: <20051121143329.20414.qmail@web33103.mail.mud.yahoo.com> KALLIOPE STAGE DOES AREA PREMIERE OF ?OPAL? Roy Berko (Member, American Theatre Critics Association) --THE TIMES NEWSPAPERS-- Lorain County Times--Westlaker Times--Lakewood News Times--Olmsted-Fairview Times ?OPAL,? the Richard Rodgers and AT&T Award-winning musical by Robert Lindsey Nassif, is getting its local premiere at Kalliope Stage. Nassif ,who penned the book, music and lyrics, is known to Cleveland audiences for his authorship of ?HONKY TONK HIGHWAY,? and ? ELIOT NESS IN CLEVELAND,? which had local productions. Opal is a full-length musical in one long act, that explores a young girl's attempt to "make earth glad" by helping those around her fulfill their needs and desires. Billed as the true story of Francoise D'Orleans, who, as a child, was shipwrecked off the Oregon coast. It is a bittersweet story that supposedly grew out of Francoise's own diary entries. The reality, however, was that ten months after the diary was published, D?Orleans was accused of fraud. Critics said she fabricated her biography, especially her claims that she was adopted by the Whiteleys and that her parents were actually French aristocracy. She was also accused of writing the diary as an adult, not when she was a child. After the untruthful revelations, Opal fled America and was found in England more than 20 years later wandering through the rubble and burned-out buildings left in the wake of World War II. She was committed to an insane asylum, identified as Schizophrenic, and remained there the rest of her life. She died in 1992, just weeks before the New York debut of the musical based on her writings. No matter the veracity of the tale, the bottom line is that Opal?s story is compelling, mysterious and tragic. The play opens with the shipwreck and illustrates what happens when Francoise is taken in by The Mamma, an embittered woman. The child, who believes her parents will come back one day, is given the name Opal, the same name as The Mamma?s dead daughter. To psychologically survive, Francoise creates a world of fantasy which includes naming things by cultural connections in her background. For example, she names her pet pig ?Peter Paul Rubens.? She gives nicknames to the people of the town: ?the thought-girl with far away look in her eyes,? ?the girl that has no seeing,? and ?the man that wears gray neckties.? Her extraordinary imagination affects the lives of those around her. This isn?t the traditional musical theatre feel-good fluff story with a neatly packaged happy ending. This is a story that is a mix of happiness and sorrow. Kalliope Stage?s production, under the adept directing of Paul F. Gurgol, is generally excellent. Gurgol does a masterful job of using the theatre?s small stage to its maximum. He has cast members linger around the stage, doing various tasks such as needle-point, knitting, and sawing wood to the best effect. The scenes flow well and transition effectively. The pacing is excellent. The opening storm scene is quite realistic and his creation of visual pictures, such as the human tree, is impressive. There are some very strong performances. Marla Berg as Sadie McKibben, the washer woman who befriends Opal, has a fine singing voice and develops a clear character. Kris Comer, the blind girl, creates a perfect image of a woman who is vulnerable and in need of love. Scott Posey has a powerful voice and also hits all the right acting notes as The Shy Man that Wears Gray Neckties. His future bride, The Thought-Girl with the Far Away Look in her Eyes, is nicely developed and sung by Jodi Brinkman. Each of the narrators is effective. On the other hand, Ayeshah Douglas as The Mamma fails to texture her role. Her lines often miss depth of meaning and she acts, rather than reacts to Opal and the other characters. Evaluating a play that has a child lead is often a difficult task. No matter the quality of character development and singing abilities, it is expected that the child, due to her age, is to be judged as ?wonderful.? However, I feel that it is unfair to use one criteria for the rest of the cast and another for child actors, especially ones in musicals like ?ANNIE,? ?OLIVER,? and ?OPAL? where they are the pivotal centers of the show. With that said, eleven year-old Dani Apple makes for an acceptable Opal. She has a nice singing voice. Her acting is not quite as good. She often says lines, rather than creating meanings. Her speaking voice sometimes gets into the high registers which is hard on the ears. Gurgol needed to work with her on emotional development which stretched beyond yelling when she was distraught, and looking directly into the eyes of other characters as she speaks. The choral work is excellent as are the musical sounds created by Brad Wyner and Anthony Ruggiero. Russ Borski?s set design is effective and Lance Switzer?s lighting works well. CAPSULE JUDGEMENT: ?OPAL? is an arresting play that gets a very good production at Kalliope Stage. The show runs through December 18 at Kalliope Stage, 2134 Lee Road. For tickets call 216-321-0870 or go on line to www.KalliopeStage.com. Kalliope Stage?s next production is ?COMING TO AMERICA? which will have its world premiere on February 9, 2006. Roy Berko's web page can be found at www.royberko.info. His theatre and dance reviews appear on NeOHIOpal, an on-line source. To subscribe to this free service via the World Wide Web, visit http://lists.fredsternfeld.com/mailman/listinfo/neohiopal. __________________________________ Yahoo! Mail - PC Magazine Editors' Choice 2005 http://mail.yahoo.com From scott at 1musicman.com Mon Nov 21 06:36:33 2005 From: scott at 1musicman.com (scott at 1musicman.com) Date: Mon, 21 Nov 2005 09:36:33 -0500 Subject: [NEohioPAL]Huge 1 day garage-moving sale-11/26! Message-ID: <200511211436.DTB24469@ms1.netsolmail.com> Dear NEOHIOPAL friends, The time has come to empty my house in order to make a move to California. I am selling furniture- sofas. end tables, chairs. I have many mic stands, cables,dj switchers and more. Also being sold is a 4 post auto lift, an 8 person hot tub, several sets of instrumental method books-Essential Elements. I have 2 small refrigerators and the house itself! (house showings can be arranged through our agent-Melinda Chamberlin- Keller-Williams) These goodies can be seen and bought 1 day only on Nov.26-,Sat.,8:30-5: 00p.m. at 476 Pierson Drive, Richmond Hts., OH (just off of Highland ,across from the police station.) I have other items in these categories so come over and check them out. I accept cash and cash or Paypal. Prices for these items are made to sell. Get a jump on your Holiday shopping.Pass the word-this is gonna be one heckuva' sale. Thank you for including my sale in your post turkey day plans. From dcurfman at akron.k12.oh.us Mon Nov 21 06:44:08 2005 From: dcurfman at akron.k12.oh.us (Donna Curfman) Date: Mon, 21 Nov 2005 09:44:08 -0500 (EST) Subject: [NEohioPAL]Keyboard player for Christmas Eve (fwd) Message-ID: Christ United Methodist Church in West Akron is in need of a keyboard player/organist for our Christmas Eve service at 7:00 p.m. This is a paid position and would require a rehearsal the Wednesday prior to the service (also paid). Please contact Donna Curfman at 330-864-2040 if you are interested and available. Thanks. From news at cvlt.org Mon Nov 21 07:16:11 2005 From: news at cvlt.org (Chris White) Date: Mon, 21 Nov 2005 10:16:11 -0500 Subject: [NEohioPAL]Chagrin Valley Little Theatre presents 'A Christmas Carol' The Musical Message-ID: <008001c5eeae$84158450$0600a8c0@cwhite> This is a multi-part message in MIME format. ------=_NextPart_000_007D_01C5EE84.98E1DD40 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Press Release Chagrin Valley Little Theatre Announces The Broadway Musical, A Christmas Carol =20 =20 November 21, 2005 : Charles Dickens' classic gets the full Broadway = treatment in Alan Menken's-Lynn Ahrens'-Mike Okrent's adaptation of A = Christmas Carol. This is the version that leaves New Yorkers and = tourists alike gasping in wonder and merriment every year as the story = unfolds on the stage at Madison Square Garden. In 2004, this version = became the basis of a NBC television spectacular featuring Kelsey = Grammer as Scrooge, surrounded by an array of stars including Jason = Alexander, Jesse L. Martin, Jane Krakowski, Geraldine Chaplin, Jennifer = Love Hewitt and Ruthie Henshall. Alan Menken (Little Shop Of Horrors) = and Lynn Ahrens (Ragtime The Musical, Once On This Island) have = collaborated on a score that is filled with beautiful melodies and = emotional lyrics. Their song "A Place Called Home" has become a holiday = standard. There are many adaptations of A Christmas Carol out there, but only one = Broadway version! Now this holiday treat can be seen at Chagrin Valley = Little Theatre =20 Director and Choreographer: Pierre-Jacques Brault =20 Music Director: Evie Morris=20 =20 Fridays & Saturdays @ 8 PM November 18 - December 18 Sundays @ 2pm November 20, 27 December 4, 18 (NEW - Corrected Dates) 40 River Street Chagrin Falls, Ohio 44022 Box Office: (440) 247-8955 Box Office Hours: 1 - 6 p.m. Monday - Saturday Tickets $16 - Adults $12 - for youth (under 18) and seniors (60 = and over) Please be sure to visit us at www.cvlt.org or www.chagrinfalls-ohio.com CVLT offers a very attractive dinner theater package with three of = Chagrin Falls' finest restaurants. Make your theater reservations = first, then call the restaurant of your choice to take advantage of = their special dinner theater offering. Call one of these fine = restaurants and enjoy dinner before the show. You should be prepared to = show your theater tickets prior to seating at the restaurant.=20 Enjoy wonderful cuisine plus an entertaining evening at The Chagrin = Valley Little Theatre Raintree 440-247-4800 Gamekeeper's Tavern 440-247-7744 Blake's Seafood Grille 440-893-9910 Chris White Corporate Controller M. Davis Management Services, Inc. 32100 Solon Road Suite 204 Solon, OH 44139 440-542-1724-Phone 440-542-1726-Fax ------=_NextPart_000_007D_01C5EE84.98E1DD40 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
 
Press=20 Release
Director and=20 Choreographer:  Pierre-Jacques=20 Brault  
Music Director:  Evie=20 Morris 

 

Fridays=20 & Saturdays @ 8 PM

November=20 18 - December 18

Sundays=20 @ 2pm

November 20, 27  December 4, = 18

(NEW - Corrected Dates)

 

40=20 River Street    = Chagrin=20 Falls, Ohio 44022

Box=20 Office: (440)=20 247-8955
Box=20 Office Hours: = 1 - 6=20 p.m. Monday =96 Saturday

Tickets    $16 -=20 Adults     $12 - for youth (under 18)=20 and seniors (60 and over)

Please be sure to visit us = at

www.cvlt.org  or = www.chagrinfalls-ohio.com

CVLT offers a very attractive dinner theater package with three = of=20 Chagrin Falls' finest restaurants.  Make your theater reservations = first,=20 then call the restaurant of your choice to take advantage of their = special=20 dinner theater offering.  Call one of these fine restaurants and = enjoy=20 dinner before the show.  You should be prepared to show your = theater=20 tickets prior to seating at the restaurant. =

Enjoy wonderful cuisine plus an entertaining evening at The = Chagrin=20 Valley Little Theatre

Raintree    = 440-247-4800
Gamekeeper's Tavern   =20 440-247-7744
Blake's Seafood Grille    = 440-893-9910
 
 
 
 
 
Chris = White
Corporate Controller
M. Davis Management Services, = Inc.
32100=20 Solon Road  Suite 204
Solon, OH =20 44139
440-542-1724-Phone
440-542-1726-Fax
<= /HTML> ------=_NextPart_000_007D_01C5EE84.98E1DD40-- From artistschair2005 at aol.com Mon Nov 21 07:15:09 2005 From: artistschair2005 at aol.com (artistschair2005 at aol.com) Date: Mon, 21 Nov 2005 10:15:09 -0500 Subject: [NEohioPAL]Need a FREELANCE JOURNALIST? Lauren Muney & OTHER NEWS! Message-ID: <8C7BCC57F4C1794-1F08-7A89@MBLK-M02.sysops.aol.com> ----------MailBlocks_8C7BCC57F4C1794_1F08_75B1_MBLK-M02.sysops.aol.com Content-Type: text/plain; charset="us-ascii" ARTISTSCHAIR.COM'S "FEATURED ARTIST OF THE DAY" Freelance Journalist - Lauren Muney (Location: Laurel, Maryland) (November 21, 2005) To view Laurens profile, visit http://www.artistschair.com Latest Members' CONTEST Giveaway (November 18, 2005) The artistschair.com member that is chosen at random by the database to be the Wednesday, November 23 "Featured Artist of the Day" will win two passes, good for four admissions to the December 1 (7:30 pm) Loews Richmond Town Square advanced screening of "The Family Stone" featuring Claire Danes, Diane Keaton, Rachel McAdams, Dermot Mulroney, Craig T. Nelson, Sarah Jessica Parker and Luke Wilson. Take friends or take family, either way, GET OUT and SEE NORTHEAST OHIO! Not a member of artistschair.com yet? Join today for FREE! Networking EVENT & PARTY for Artists and Those that Hire Talent (November 10, 2005) A GREAT BIG THANK YOU to all who attended the November 9 artistschair.com Networking Event which took place at 1300 Gallery. Photos from the event will be posted to the artistschair.com directory soon. FIND an Artist! Make your event or project extra memorable. Find entertainers and technicians in our FREE and easy-to-use database featuring photos and profiles of local artists in more than 100 different talent fields. BE an Artist! Let your talents and services be known. Become a member for FREE and highlight all talent fields that apply to you. Upload photos of yourself and/or samples of your work, edit your own information and have your profiles viewed by those searching for your talents and services. Our MISSION Artistschair.com is committed to PROMOTING and RAISING AWARENESS of local artists, arts-related institutions and issues and the NORTHEAST OHIO REGION as well as serving the needs of those searching for CREATIVE TALENT and resources. ----------MailBlocks_8C7BCC57F4C1794_1F08_75B1_MBLK-M02.sysops.aol.com Content-Type: text/html; charset="us-ascii"
  
            ARTISTSCHAIR.COM'S "FEATURED ARTIST OF THE DAY"
Freelance Journalist - Lauren Muney (Location: Laurel, Maryland)
 
(November 21, 2005) To view Laurens profile, visit http://www.artistschair.com
 
Latest Members' CONTEST Giveaway
(November 18, 2005) The artistschair.com member that is chosen at random by the database to be the Wednesday, November 23 "Featured Artist of the Day" will win two passes, good for four admissions to the December 1 (7:30 pm) Loews Richmond Town Square advanced screening of "The Family Stone" featuring Claire Danes, Diane Keaton, Rachel McAdams, Dermot Mulroney, Craig T. Nelson, Sarah Jessica Parker and Luke Wilson.  
 
Take friends or take family, either way, GET OUT and SEE NORTHEAST OHIO! Not a member of artistschair.com yet? Join today for FREE!
 
Networking EVENT & PARTY for Artists and Those that Hire Talent
(November 10, 2005) A GREAT BIG THANK YOU to all who attended the November 9 artistschair.com Networking Event which took place at 1300 Gallery. Photos from the event will be posted to the artistschair.com directory soon.
  
FIND an Artist!
Make your event or project extra memorable. Find entertainers and technicians in our FREE and easy-to-use database featuring photos and profiles of local artists in more than 100 different talent fields.
 
BE an Artist!
Let your talents and services be known. Become a member for FREE and highlight all talent fields that apply to you. Upload photos of yourself and/or samples of your work, edit your own information and have your profiles viewed by those searching for your talents and services.
 
Our MISSION
Artistschair.com is committed to PROMOTING and RAISING AWARENESS of local artists, arts-related institutions and issues and the NORTHEAST OHIO REGION as well as serving the needs of those searching for CREATIVE TALENT and resources.
 
----------MailBlocks_8C7BCC57F4C1794_1F08_75B1_MBLK-M02.sysops.aol.com-- From news at cvlt.org Mon Nov 21 07:28:56 2005 From: news at cvlt.org (Chris White) Date: Mon, 21 Nov 2005 10:28:56 -0500 Subject: [NEohioPAL]A Holiday Show with Santa and His Friends, Traditional Gingerbread Tea at CVLT Message-ID: <004f01c5eeb0$4aba5f30$0600a8c0@cwhite> This is a multi-part message in MIME format. ------=_NextPart_000_004C_01C5EE86.60646DF0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Press Release Chagrin Valley Little Theatre Announces A Holiday Show with Santa and His Friends, Traditional = Gingerbread Tea at CVLT =20 =20 November 21, 2005 The happily anticipated holiday tradition, A Holiday Show with Santa and His Friends, Traditional Gingerbread Tea will be held at Chagrin Valley Little Theatre on Saturday Dec 10 and = Sunday December 11 The Tea is sponsored by the CVLT Women's Committee and features a visit = by Santa and his helpers. Refreshments are offered before and after each performance.=20 Photos with Santa will be available for a fee, or you are welcome to = bring your own camera Two shows each day at 1pm and 3pm (theatre auditorium seats 262) Gingerbread Tea seatings in the River Room are limited to 60 people, so = call for reservations soon! Tea Times are 12:30 and 1:30 for the 1pm show and 2:30 and 3:30 for the 3pm show Show Only $5 Show and Tea $7 Reservations & Information call 440-247-8955 Monday - Saturday 1-6pm Proceeds from this entertainment are used as a fund raising event for = the theatre. Chris White Corporate Controller M. Davis Management Services, Inc. 32100 Solon Road Suite 204 Solon, OH 44139 440-542-1724-Phone 440-542-1726-Fax ------=_NextPart_000_004C_01C5EE86.60646DF0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
 
Press=20 Release

Chagrin Valley Little Theatre

Announces  A=20 Holiday Show with Santa and His Friends, Traditional Gingerbread Tea at=20 CVLT  

 

November=20 21, 2005

 

The happily anticipated holiday=20 tradition,

A Holiday Show with Santa and His Friends, Traditional = Gingerbread=20 Tea

will be held at Chagrin Valley Little Theatre on Saturday Dec = 10 and=20 Sunday December 11

 

The Tea is sponsored by the CVLT Women's Committee and = features a=20 visit by Santa and his helpers.

 

Refreshments are offered before and after each=20 performance. 

 

Photos with Santa will be available for a fee, or you = are welcome=20 to bring your own camera

 

Two shows each day at 1pm and=20 3pm

(theatre auditorium seats = 262)

 

Gingerbread Tea seatings in the River Room are limited = to 60=20 people, so call for reservations soon!

 

Tea Times are 12:30 and 1:30 for the 1pm=20 show

and 2:30 and 3:30 for the 3pm=20 show

 

Show Only    = $5

Show and Tea   =20 $7

 

Reservations & = Information

call 440-247-8955

Monday - Saturday = 1-6pm

 

Proceeds from this entertainment are used as a fund raising = event for the=20 theatre.

 

 

 

 
 
 
 
Chris = White
Corporate Controller
M. Davis Management Services, = Inc.
32100=20 Solon Road  Suite 204
Solon, OH =20 44139
440-542-1724-Phone
440-542-1726-Fax
<= /HTML> ------=_NextPart_000_004C_01C5EE86.60646DF0-- From news at cvlt.org Mon Nov 21 07:42:04 2005 From: news at cvlt.org (Chris White) Date: Mon, 21 Nov 2005 10:42:04 -0500 Subject: [NEohioPAL]"Not Yet" - Annual New Year's Eve Benefit - Chagrin Valley Little Theatre Message-ID: <007b01c5eeb2$20b83660$0600a8c0@cwhite> This is a multi-part message in MIME format. ------=_NextPart_000_0078_01C5EE88.3651A350 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Press Release Chagrin Valley Little Theatre Announces "Not Yet!" - Annual New Year's Eve Benefit =20 =20 November 15, 2005 : What are you doing New Year's Eve? Why not ring in 2006 with Chagrin Valley Little Theatre! Join us for = 'Not Yet', a one night only benefit celebrating the shows thatCVLT has = not or cannot peform...yet.=20 Featuring: Eric Alan, Jackie Cassara, Carlos Cruz, Angela Lynard, Paula = Pike, Andrew and Greta Rothman. Musical Direction by Bob Day The show starts at 9pm on December 31st Special $25 ticket price includes entertainment and hors d'ouvres and a champagne toast at midnight! Cash Bar Available =20 40 River Street Chagrin Falls, Ohio 44022 Box Office: (440) 247-8955 Box Office Hours: 1 - 6 p.m. Monday - Saturday Please be sure to visit us at www.cvlt.org or www.chagrinfalls-ohio.com CVLT offers a very attractive dinner theater package with three of = Chagrin Falls' finest restaurants. Make your theater reservations = first, then call the restaurant of your choice to take advantage of = their special dinner theater offering. Call one of these fine = restaurants and enjoy dinner before the show. You should be prepared to = show your theater tickets prior to seating at the restaurant.=20 Enjoy wonderful cuisine plus an entertaining evening at The Chagrin = Valley Little Theatre Raintree 440-247-4800 Gamekeeper's Tavern 440-247-7744 Blake's Seafood Grille 440-893-9910 Chris White Corporate Controller M. Davis Management Services, Inc. 32100 Solon Road Suite 204 Solon, OH 44139 440-542-1724-Phone 440-542-1726-Fax ------=_NextPart_000_0078_01C5EE88.3651A350 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
 
Press=20 Release

Chagrin Valley Little Theatre

Announces  "Not Yet!" - Annual New Year's Eve=20 Benefit   

 

November = 15, 2005=20 :   What are you doing New Year's=20 Eve?

Why=20 not ring in 2006 with Chagrin Valley Little Theatre!  Join us for=20 'Not Yet', a one night only benefit celebrating the = shows=20 thatCVLT has not or cannot peform...yet.

 

Featuring:  Eric Alan, Jackie Cassara, Carlos Cruz, Angela = Lynard,=20 Paula Pike, Andrew and Greta Rothman.  Musical Direction by Bob=20 Day

 

The=20 show starts at 9pm on December 31st

Special $25 ticket price includes entertainment and hors=20 d'ouvres

and a champagne toast at=20 midnight!

Cash Bar Available

 

 

40=20 River Street    = Chagrin=20 Falls, Ohio 44022

Box=20 Office: (440)=20 247-8955
Box=20 Office Hours: = 1 - 6=20 p.m. Monday =96 Saturday

Please be sure to visit us = at

www.cvlt.org  or = www.chagrinfalls-ohio.com

CVLT offers a very attractive dinner theater package with three = of=20 Chagrin Falls' finest restaurants.  Make your theater reservations = first,=20 then call the restaurant of your choice to take advantage of their = special=20 dinner theater offering.  Call one of these fine restaurants and = enjoy=20 dinner before the show.  You should be prepared to show your = theater=20 tickets prior to seating at the restaurant. =

Enjoy wonderful cuisine plus an entertaining evening at The = Chagrin=20 Valley Little Theatre

Raintree    = 440-247-4800
Gamekeeper's Tavern   =20 440-247-7744
Blake's Seafood Grille    = 440-893-9910
 
 
 
 
 
Chris = White
Corporate Controller
M. Davis Management Services, = Inc.
32100=20 Solon Road  Suite 204
Solon, OH =20 44139
440-542-1724-Phone
440-542-1726-Fax
<= /HTML> ------=_NextPart_000_0078_01C5EE88.3651A350-- From kilbanedan at yahoo.com Mon Nov 21 08:01:36 2005 From: kilbanedan at yahoo.com (Dan Kilbane) Date: Mon, 21 Nov 2005 08:01:36 -0800 (PST) Subject: [NEohioPAL]Preview the Holiday Hotline: Nov. 23, 25, & 26; a new musical comedy revue! Message-ID: <20051121160136.77146.qmail@web60712.mail.yahoo.com> --0-437073766-1132588896=:76849 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit DETROIT AVE. ARTS PRODUCES THE WORLD PREMIERE MUSICAL REVUE HOLIDAY HOTLINE Previews November 23, 25 & 26, Running December 1 ? 23, 2005 A musical comedy revue! www.holiday-hotline.com Call the Holiday Hotline! 216.491.1709 James Levin?s Detroit Ave. Arts is proud to announce the world premiere of the irreverent HOLIDAY HOTLINE, a musical comedy revue with sketches and songs. HOLIDAY HOTLINE takes a demented look at all the things that drive us crazy about the Christmas holidays. The show, to run in the funky Orthodox, a former church, runs December 1 ? 23, with a preview week Wednesday, November 23, Friday, November 25, and Saturday, November 26. The show?s book is by Michael Sepesy; music by Linda Eisenstein; and lyrics by both. Linda Eisenstein and Michael Sepesy wreck the halls with this fast and funny collection of sketches and songs skewering the holiday season, from A CHRISTMAS CAROL to Kwanzaa. The piece is eclectic and irreverent, taking all holiday traditions prisoner with music styles ranging from country to polka to torch song. The world premiere HOLIDAY HOTLINE sends up everything from the mystery ingredients in the turkey stuffing to elf psychotherapy. Co-creator Michael Sepesy sums it up, ?The show is a cure for the Christmas crazies!? The cast includes local favorites Denise Astorino, Kim Aldrich-Ceja, Mark Cipra, Maryann Elder, Hester Lewellen, and Andrew Narten. The production?s staff is led by director Mindy Childress and musical director Michael Flohr. Set design is by Michael D. Sepesy, light design is by Trad A Burns, costume design is by Alison Hernan Garrigan, choreography is by Amy Pawlukiewicz and properties design is by Sharon Epstein. Nadia Tarnawsky is the production stage manager. The show previews Wednesday, November 23 and Friday, November 25 at 8:00 p.m. and Saturday, November 26 (8:00 and 10:30 p.m. shows). Opening night is December 1, with the production running through December 23. Performances are Thursdays, Fridays, Saturdays, and Sundays; Thursdays and Fridays at 8:00 p.m., Saturdays at 8:00 and 10:30 p.m., and Sundays at 3:00 p.m. Tickets can be purchased by calling 216.491.1709. Preview tickets are $10. For performances, Thursday, Sunday and Saturday 10:30 p.m. tickets are $10. Friday and Saturdays at 8:00 p.m. are $15. Orthodox is located at Detroit Avenue Arts, 6203 Detroit Ave., Cleveland, Ohio, 44102. Says Eisenstein about the genesis of the piece: ?Last year two of our buddies in the Playwrights' Unit came back from a holiday comedy and said: "You guys are way wackier that that. You need to write a Christmas show." Since then, Mike and I have been bringing sketches and songs from our work-in-progress to the Playwrights' Unit. We've also been performing them every month at The Dark Room, the new works cabaret sponsored by the Cleveland Theater Collective. It's been a great way to watch it develop in front of an audience.? --------------------------------- Yahoo! FareChase - Search multiple travel sites in one click. --0-437073766-1132588896=:76849 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
DETROIT AVE. ARTS PRODUCES THE WORLD PREMIERE MUSICAL REVUE
HOLIDAY HOTLINE
Previews November 23, 25 & 26, Running December 1 ? 23, 2005
A musical comedy revue!
 
www.holiday-hotline.com
Call the Holiday Hotline!  216.491.1709
 
James Levin?s Detroit Ave. Arts is proud to announce the world premiere of the irreverent HOLIDAY HOTLINE, a musical comedy revue with sketches and songs.  HOLIDAY HOTLINE takes a demented look at all the things that drive us crazy about the Christmas holidays.  The show, to run in the funky Orthodox, a former church, runs December 1 ? 23, with a preview week Wednesday, November 23, Friday, November 25, and Saturday, November 26.  The show?s book is by Michael Sepesy; music by Linda Eisenstein; and lyrics by both.
 
Linda Eisenstein and Michael Sepesy wreck the halls with this fast and funny collection of sketches and songs skewering the holiday season, from A CHRISTMAS CAROL to Kwanzaa.  The piece is eclectic and irreverent, taking all holiday traditions prisoner with music styles ranging from country to polka to torch song.  The world premiere HOLIDAY HOTLINE sends up everything from the mystery ingredients in the turkey stuffing to elf psychotherapy.  Co-creator Michael Sepesy sums it up, ?The show is a cure for the Christmas crazies!?
 
The cast includes local favorites Denise Astorino, Kim Aldrich-Ceja, Mark Cipra, Maryann Elder, Hester Lewellen, and Andrew Narten.
 
The production?s staff is led by director Mindy Childress and musical director Michael Flohr.  Set design is by Michael D. Sepesy, light design is by Trad A Burns, costume design is by Alison Hernan Garrigan, choreography is by Amy Pawlukiewicz and properties design is by Sharon Epstein.  Nadia Tarnawsky is the production stage manager.
 
The show previews Wednesday, November 23 and Friday, November 25 at 8:00 p.m. and Saturday, November 26 (8:00 and 10:30 p.m. shows).  Opening night is December 1, with the production running through December 23.  Performances are Thursdays, Fridays, Saturdays, and Sundays; Thursdays and Fridays at 8:00 p.m., Saturdays at 8:00 and 10:30 p.m., and Sundays at 3:00 p.m.
 
Tickets can be purchased by calling 216.491.1709.  Preview tickets are $10.  For performances, Thursday, Sunday and Saturday 10:30 p.m. tickets are $10.  Friday and Saturdays at 8:00 p.m. are $15. 
 
Orthodox is located at Detroit Avenue Arts, 6203 Detroit Ave., Cleveland, Ohio, 44102.
 
Says Eisenstein about the genesis of the piece:  ?Last year two of our buddies in the Playwrights' Unit came back from a holiday comedy and said: "You guys are way wackier that that.  You need to write a Christmas show."  Since then, Mike and I have been bringing sketches and songs from our work-in-progress to the Playwrights' Unit.  We've also been performing them every month at The Dark Room, the new works cabaret sponsored by the Cleveland Theater Collective.  It's been a great way to watch it develop in front of an audience.? 
 
 
  
 

Yahoo! FareChase - Search multiple travel sites in one click. --0-437073766-1132588896=:76849-- From edenvalley at centurytel.net Mon Nov 21 08:26:56 2005 From: edenvalley at centurytel.net (Eden Valley Enterprises) Date: Mon, 21 Nov 2005 11:26:56 -0500 Subject: [NEohioPAL]Get in the Holiday Spirit with STORIES FROM A CHRISTMAS PAST Message-ID: <000801c5eeba$3c371de0$1600000a@centurytel.net> Join us on December 6, 2005 at 7p.m. when STORIES FROM A CHRISTMAS PAST = will be presented at the Richfield Library; 3761 S. Grant St. in = Richfield, Ohio. Get in the holiday mood with these timeless tales and = find out about Cleveland's first Christmas Tree, Whistling Ben Hanby and = other stories in the spirit of the season. This program is FREE and open = to the public. For more information, call the Library at 330-659-4343 or = visit them at: http://www.akronlibrary.org/br-ric01.html To keep up with our complete schedule, go to = http://www.edenvalleyenterprises.org/calendar.html To arrange for a program for your group, send us an e-mail with your = request. To unsubscribe to this list, simply reply to this e-mail with your = request. Bette Lou Higgins Artistic Director Eden Valley Enterprises www.edenvalleyenterprises.org From KevinJosephKelly at aol.com Mon Nov 21 08:38:46 2005 From: KevinJosephKelly at aol.com (KevinJosephKelly at aol.com) Date: Mon, 21 Nov 2005 11:38:46 EST Subject: [NEohioPAL]Colin, Gilagamesh, Phillip, Jared, Kristen, Kevin, and Curtis have a tea party.. Message-ID: <2b8.199b63.30b35216@aol.com> -------------------------------1132591126 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Come see it and say hello afterwards!!!!!!!!!!!! Bring your little ones, they will love it! ALICE'S ADVENTURES IN WONDERLAND OPENS AT THE CLEVELAND PLAY HOUSE Nov. 19 - Dec. 11, 2005 10/25/2005 The production opens November 19 and runs through December 11, 2005, in the Studio One Theatre. Public performances are at 1:00 p.m. and 3:00 p.m. Saturdays and Sundays. Shows run 50 minutes and include a question-and-answer session with the cast. Cast: Kevin Joseph Kelly, Colin Cook, Gilgamesh Tagget, Jared Nichols, Phillip Carrol and Kristen O'Connor as Alice (Curtis L. Young is the understudy for Kevin Joseph Kelly on Sundays) Creative Team Eric Schmiedl (Playwright) Bill Hoffman (Director) Costume Design by Kim Castle; Scenic Design by Jenny Hitmar; Lighting Design by Maureen Patterson, Stage Manager: Donna Dziak. Ticket Information Tickets are $15 and can be purchased at The Cleveland Play House box office, in person or by calling (216) 795-7000 or online at _www.clevelandplayhouse.com_ (http://www.clevelandplayhouse.com/) . Phone orders have a $1 processing fee. For special pricing on groups of 10 or more, or information about student matinees for school groups of 10 or more weekdays at 10:00 a.m. and 11:30 a.m. beginning November 14, call (216) 795-7000 ext. 149 Sincerely, Kevin Joseph Kelly 216-269-3824 -------------------------------1132591126 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
Come see it and say hello afterwards!!!!!!!!!!!!
Bring your little ones, they will love it!

ALICE'S ADVENTURES IN=20 WONDERLAND
OPENS AT THE CLEVELAND PLAY HOUSE
No= v.=20 19 - Dec. 11, 2005 10/25/2005

The production opens November 19 and ru= ns=20 through December 11, 2005, in the Studio One Theatre. Public performances ar= e at=20 1:00 p.m. and 3:00 p.m. Saturdays and Sundays. Shows run 50 minutes and incl= ude=20 a question-and-answer session with the cast.

Cast:
Kev= in=20 Joseph Kelly, Colin Cook, Gilgamesh Tagget, Jared Nichols, Phillip Carrol an= d=20 Kristen O'Connor as Alice (Curtis L. Young is the understudy for Kevin Josep= h=20 Kelly on Sundays)

Creative=20 Team
Eric Schmiedl (Playwright)=20
Bill Hoffman (Director)
Costume Design by K= im=20 Castle; Scenic Design by Jenny Hitmar; Lighting De= sign=20 by Maureen Patterson, Stage Manager: Donna=20 Dziak.

Ticket Information
Tickets= are $15=20 and can be purchased at The Cleveland Play House box office, in person or by= =20 calling (216) 795-7000 or online at www.clevelandplayhouse.com.=20= Phone=20 orders have a $1 processing fee.
For special pricing on groups of 10 or m= ore,=20 or information about student matinees for school groups of 10 or more weekda= ys=20 at 10:00 a.m. and 11:30 a.m. beginning November 14, call (216) 795-7000 ext.= =20 149
 
Sincerely,
Kevin Joseph=20 Kelly
216-269-3824
<= /HTML> -------------------------------1132591126-- From patmazz at aol.com Mon Nov 21 08:39:29 2005 From: patmazz at aol.com (patmazz at aol.com) Date: Mon, 21 Nov 2005 11:39:29 -0500 Subject: [NEohioPAL]Ensemble Theatre presents BRAVO CARUSO Message-ID: <8C7BCD147310ECB-1E60-6F55@MBLK-R09.sysops.aol.com> ----------MailBlocks_8C7BCD147310ECB_1E60_6ABB_MBLK-R09.sysops.aol.com Content-Type: text/plain; charset="us-ascii" Ensemble Theatre will present BRAVO,CARUSO! at the Brooks Theatre of The Cleveland Play House Nov 26 - Dec.11 Written by William Luce Directed by Licia Colombi Starring Bernard Canepari as Caruso Pat Mazzarino as Mario Its Christmas Eve 1920 in The great opera singer's dressing room at The Metropolitan Opera House. His valet Mario is getting him ready for his performance in "LA JUIVE". Unknown to both men it will be his last performance before his death. Listen to WCPN, Tuesday Nov 22 at "Around Noon" with Dee Perry as she chats with Bernard Canepari, Pat Mazzarino and playwright William Luce. Tickets can be purchased by call the theatre box office at 216-321-2930 ----------MailBlocks_8C7BCD147310ECB_1E60_6ABB_MBLK-R09.sysops.aol.com Content-Type: text/html; charset="us-ascii"
Ensemble Theatre will present
 
BRAVO,CARUSO!
 
at the Brooks Theatre of The Cleveland Play House
 
Nov 26 - Dec.11
 
Written by William Luce
Directed by Licia Colombi
Starring
 
Bernard Canepari as Caruso
Pat Mazzarino as Mario
 
Its Christmas Eve 1920 in The great opera singer's dressing room
at The Metropolitan Opera House. His valet Mario is getting him ready for his performance in "LA JUIVE". Unknown to both men it will be his last performance before his death.
 
Listen to WCPN, Tuesday Nov 22 at "Around Noon" with Dee Perry as she chats with Bernard Canepari, Pat Mazzarino and playwright William Luce.
 
Tickets can be purchased by call the theatre box office at
216-321-2930
----------MailBlocks_8C7BCD147310ECB_1E60_6ABB_MBLK-R09.sysops.aol.com-- From mcmamahoo at yahoo.com Mon Nov 21 08:51:46 2005 From: mcmamahoo at yahoo.com (Cherie Lawrence) Date: Mon, 21 Nov 2005 08:51:46 -0800 (PST) Subject: [NEohioPAL]Christmas Spectacular 20th Anniversary@ Akron Civic Message-ID: <20051121165146.28736.qmail@web81710.mail.mud.yahoo.com> Spectacular Music Productions, recipient of the 2005 Zenith Award Best Theatre/Entertainment and top winner of ABJ "Best" Readers Poll, directed by Maestro Larry Wilgus, will present 4 shows of its 20th Anniversary Special New Edition 2-hr family holiday extravaganza. In addition to 145 vocalists, dance troupes, live professional orchestra, Victorian carolers and toy soldiers, this year features special guest 4th/5th-grade choirs from the Kent, Wadsworth, Akron and Green Local Schools, joining the chorus in "When I Hear Those Jingle Bells" and "Home for the Holidays." Also the all-male "Reindeer Boogie" dance troupe will reprise the number by popular demand from our 2004 patrons! FRI DEC 9 7.30pm SAT DEC 10 3PM AND 7.30PM SUN DEC 11 3PM Akron Civic Theatre 102 S Main St FREE PARKING Ticket Information: Adults $35/$31 Children $21 Akron Civic 330.253.2488 11am-5.30pm EJ Thomas Hall 330.972.7570 10.30am-6pm Ticketmaster Akron(330.954.9400) Youngstown(330.747.1212) Cleveland(216.941.5555)and Ticketmaster Kauffman's and select Giant Eagle locations,or www.ticketmaster.com Group Sales of 20+ ONLY-Call 330.966.0700 See www.spectacularmusic.org "What's New" to view the 30-sec tv commercial...and read about us in the Nov 2005 edition of Akron Life and Leisure, pp 50-51. Thanks to all for your past support. From theater at btots.org Mon Nov 21 10:39:13 2005 From: theater at btots.org (Brecksville Theater on the Square) Date: Mon, 21 Nov 2005 12:39:13 -0600 Subject: [NEohioPAL]Auditions for Let Your Hair Down, Rapunzel Message-ID: <001001c5eeca$df150b70$525a4b0c@D3YBLD11> This is a multi-part message in MIME format. ------=_NextPart_000_000D_01C5EE98.93B99560 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Brecksville Theater On The Square Announces Auditions for=20 Let Your Hair Down, Rapunzel Book by Karen Boettcher-Tate, Music & Lyrics by Scott Deturk =20 =20 =20 Brecksville Theater on the Square will hold auditions for Let Your Hair = Down, Rapunzel on Monday, November 28 and/or Tuesday, November 29. All = interested actors/actresses should arrive at 6:30 p.m. and be prepared = for movement. All roles are open for students in grades 4 - 9. =20 Please prepare a minimum of 16 measures of a song of your choice. An = accompanist will be provided. No a cappella auditions, and no recorded = music. Please choose material that displays your voice at its best. = Headshots and resumes welcomed. =20 =20 Production dates for Let Your Hair Down, Rapunzel are February 3-5 and = February 10-12, 2006 at Brecksville's Historic Old Town Hall. =20 Auditions will be held in Building 5 at the Blossom Hill Complex, 4450 = Oakes Road in Brecksville. For additional information, call Brecksville = Theater on the Square at 440-526-3443 ext 3. =20 Kimberly Bush directs and choreographs this production. =20 =20 =20 =20 The Ohio Arts Council helped fund this organization with state tax = dollars to encourage economic growth, educational excellence and = cultural enrichment for all Ohioans. =20 ------=_NextPart_000_000D_01C5EE98.93B99560 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable

Brecksville Theater On The Square Announces Auditions = for=20

Let Your Hair Down, Rapunzel

Book by = Karen=20 Boettcher-Tate, Music & Lyrics by Scott Deturk

 

 

 

Brecksville Theater on the Square will hold = auditions=20 for Let Your Hair Down, Rapunzel on Monday, November 28 = and/or=20 Tuesday, November 29.  All = interested actors/actresses should arrive at 6:30 p.m. and be = prepared for=20 movement.  All roles=20 are open for students in grades 4 =96 9.

 

Please prepare a minimum of 16 measures of a = song of=20 your choice.  An = accompanist will be=20 provided.  No a cappella = auditions,=20 and no recorded music.  = Please=20 choose material that displays your voice at its best.  Headshots and resumes = welcomed. 

 

Production dates for Let Your Hair Down, = Rapunzel are February 3-5 and February 10-12, 2006 at = Brecksville=92s=20 Historic Old Town Hall.

 

Auditions will be held in Building 5 at the = Blossom Hill=20 Complex, 4450 Oakes Road in Brecksville. For additional information, = call=20 Brecksville Theater on the Square at 440-526-3443 ext = 3.

 

Kimberly Bush directs and choreographs this=20 production. 

 

 

 

The Ohio Arts = Council helped=20 fund this organization with state tax dollars to encourage economic = growth,=20 educational excellence and cultural enrichment for all=20 Ohioans.

 
------=_NextPart_000_000D_01C5EE98.93B99560-- From rsvp at redbulltheater.com Mon Nov 21 09:40:26 2005 From: rsvp at redbulltheater.com (rsvp at redbulltheater.com) Date: Mon, 21 Nov 2005 12:40:26 -0500 Subject: [NEohioPAL]Revenge Begins this Sunday, November 27th Message-ID: <03e701c5eec2$d154aa20$6500a8c0@DBPCCF61> This is a multi-part message in MIME format. ------=_NextPart_000_03E8_01C5EE98.E87EA220 Content-Type: multipart/alternative; boundary="----=_NextPart_001_03E9_01C5EE98.E87EA220" ------=_NextPart_001_03E9_01C5EE98.E87EA220 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable =20 LIMITED ENGAGEMENT =97 THREE WEEKS ONLY! =20 To be sure you receive our e-mails, please add rsvp at redbulltheater.com = to your e-mail address book. =20 =20 =20 Red Bull Theater presents The Revenger's Tragedy November 27 =96 December 18 @ the Culture Project Tickets available now: www.theatermania.com =20 =20 =20 CAST Denis Butkus, Jason C. Brown, Aaron Clayton, Saudia Davis, Ryan Farley, Ty Jones, Daryl Lathon, Claire Lautier, Paul Niebanck, Chris Oden, Petronia Paley, William Peden, Naomi Peters, Matthew Rauch, Russ Salmon, Daniel Cameron Talbott, Haynes Thigpen, Marc Vietor, Yaegel Welch =20 DIRECTION and DESIGN Jesse Berger, Tracy Bersley, Renee Blinkwolt, J David Brimmer, Emily De Cola, Kimberly Dilts, Daniel Levy, Evan O=92Brient, Clint Ramos, Mary Vorrasi, Peter West =20 LOCATION The Culture Project 45 Bleecker Street & Lafayette Trains: 6, N/R/W, F/V www.45bleecker.com =20 =20 TICKETS Theatermania www.theatermania.com =20 212.352.3101 $15 =20 ABOUT THE PLAY The Revenger's Tragedy, a Jacobean thriller written a few years after Hamlet, is a searing examination of the need for justice and the desire = for vengeance. Vindice, the "Revenger," sets off a chain reaction of havoc = in a corrupt and decadent Venice, which exposes outrageous indulgences and government hypocrisy, and ends in a coup de th=E9=E2ter massacre of epic proportions. Part black comedy, part social satire, the play is a = gleefully macabre plot-twisting blender full of Shakespeare's greatest hits. = Written by Thomas Middleton, Cyril Tourneur, or Anonymous, the work is adapted = by Artistic Director Jesse Berger. =20 WHO WE ARE Red Bull Theater is a 501(c)(3) not-for-profit company dedicated to the presentation of vital and imaginative productions of heightened language plays and to the development of new plays written in a similar vein. = With a special focus on the Jacobean plays of Shakespeare and his = contemporaries, Red Bull Theater aspires to challenge the intellect and engage the imagination of today=92s theatergoers through language-based, = company-created, resonantly provocative stagings of great classic stories. =20 Donations to Red Bull Theater are fully tax-deductible to the extent permitted by law. =20 DONATE =20 To give to Red Bull Theater right now, click HERE =20 or go to www.redbulltheater.com/join =20 =20 MAILING LISTS Don=92t miss out on events that get announced by regular mail only: Send your mailing address to us at info at redbulltheater.com. =20 To Subscribe or Unsubscribe to our email announcements, click HERE . =20 =20 =20 =20 Jesse Berger Jessica Niebanck Artistic Director Producing Director www.redbulltheater.com info at redbulltheater.com PO Box 250863 NYC NY 10025 212.414.5168 =20 =20 =20 =20 ------=_NextPart_001_03E9_01C5EE98.E87EA220 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable

 

=A0LIMITED ENGAGEMENT — THREE WEEKS = ONLY!

 

=A0To be sure you receive our e-mails, please add rsvp at redbulltheater.com to = your e-mail address book.

 

 

 

Red Bull Theater presents

The Revenger's = Tragedy

November 27 – December 18 @ = the Culture Project

Tickets available now: www.the= atermania.com

 

 

CAS= T

=A0Jason C. Brown,=A0 = =A0Aaron = Clayton,

=A0=A0 = Ty = Jones,

=A0Claire Lautier,=A0=A0 Paul = Niebanck,

=A0=A0 Petronia Paley,=A0 = =A0William = Peden,

=A0=A0Matthew Rauch,=A0 = =A0Russ = Salmon,

=A0=A0 Haynes = Thigpen,

=A0=A0 Yaegel = Welch

&n= bsp;

DIR= ECTION and DESIGN

=A0=A0Tracy Bersley, = =A0=A0Renee Blinkwolt,

=A0=A0Kimberly = Dilts,

=A0Evan O’Brient,=A0=A0 = Clint Ramos,

=A0=A0Peter = West

&n= bsp;

LOC= ATION

45 Bleecker = Street & Lafayette

Trains: 6, N/R/W, = F/V

www.45bleecker.com

&n= bsp;

TICKETS

www.the= atermania.com

212.352.3101

$15<= /p>

 

ABO= UT THE PLAY

The Revenger's Tragedy, a Jacobean thriller written a few years after Hamlet, is a searing examination of the need for justice and the desire for = vengeance. Vindice, the "Revenger," sets off a chain reaction of havoc in a = corrupt and decadent Venice= , which exposes outrageous indulgences and = government hypocrisy, and ends in a coup de th=E9=E2ter massacre of epic = proportions. Part black comedy, part social satire, the play is a gleefully macabre = plot-twisting blender full of Shakespeare's greatest hits. Written by Thomas = Middleton, Cyril Tourneur, or Anonymous, the work is adapted by Artistic Director Jesse = Berger.

 

WHO= WE ARE

Red Bull Theater is a 501(c)(3) not-for-profit company dedicated to the presentation of vital and imaginative productions of = heightened language plays and to the development of new plays written in a similar vein.  With a special focus on the Jacobean plays of Shakespeare = and his contemporaries, Red Bull Theater aspires to challenge the intellect and = engage the imagination of today’s theatergoers through language-based, company-created, resonantly provocative stagings of great classic = stories.

 

Donations to Red Bull = Theater are fully tax-deductible to the extent permitted by = law.

&nb= sp;

DON= ATE

 

To give to Red Bull Theater right now, = click HERE

or go to www.redbulltheater.com/j= oin

 

MAI= LING LISTS

Don’t miss out on events that = get announced by regular mail only:

Send your mailing address to us at = info at redbulltheater.com.

 <= /b>

To Subscribe or Unsubscribe to = our email announcements, click HERE.

 

 

=A0

 

Jesse Berger=A0=A0 Jessica Niebanck

Artistic Director=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0 Producing = Director

www.redbulltheater.com

info at redbulltheater.com

PO Box 250863

NYC NY 10025

212.414.5168

 

 

 

 

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Date: Mon, 21 Nov 2005 13:32:36 -0500 Subject: [NEohioPAL]Oberlin Orchestra Embarks on a Tour of China Message-ID: --Boundary_(ID_OkuHotLURr4McbYHQrCW0A) Content-type: text/plain; charset=WINDOWS-1252; format=flowed Content-transfer-encoding: quoted-printable Media Contact Only: Marci Janas Director of Conservatory Media Relations 440-775-8328 marci.janas at oberlin.edu FOR IMMEDIATE RELEASE Orchestra from the Oberlin Conservatory of Music to Embark on a Tour of the People=92s Republic of China Nine-day tour covers six cities, with more than 60 students performing=20= 10 concerts OBERLIN, OHIO (Nov. 21, 2005) =97 Ten concerts, nine days, six = cities=97the=20 numbers add up to an intense tour schedule under ordinary=20 circumstances. But for student-musicians from the Oberlin Conservatory=20= of Music in Oberlin, Ohio, the intensity is heightened by the fact that=20= the six cities are in the People=92s Republic of China. The Oberlin Orchestra, an ensemble of 66 Conservatory students=20= selected by audition, leaves for China on Dec. 23, 2005, and will=20 perform in some of China=92s premier venues, including the Beijing Poly=20= Theater and the Shanghai Concert Hall. The tour begins with three concerts in Anshan, in central = Liaoning=20 Province, followed by a performance in Shenyang. =46rom there it=92s on = to=20 Dalian, at the southern tip of the province, for two concerts. Two=20 evening performances in Beijing are next on the itinerary, followed by=20= a concert in Tianjing. The tour concludes with a performance in=20 Shanghai. The musicians return home on Jan. 5, 2006. All of the members of the Oberlin Orchestra are undergraduates. = They=20 represent cities throughout the United States and Canada, as well as=20 South Korea, Bulgaria, Denmark, and Singapore. Bridget-Michaele=20 Reischl, music director of the Oberlin Orchestras, will conduct the=20 ensemble during the tour; J Freivogel of St. Louis, Missouri, is=20 concertmaster. Along with intensive rehearsal sessions, the student-musicians = are=20 preparing for the tour by taking a course, China Tour Preparation,=20 offered by the East Asian studies department of Oberlin College, the=20 Conservatory=92s liberal arts counterpart. Funding for the tour is being provided by the Liaoning = Performance=20 Company, a presenting company from China; Chinese businessman Sen Wang;=20= the Chinese Ministry of Culture; and the Oberlin Conservatory of Music. The concert program includes the overture to Mozart=92s The = Marriage of=20 Figaro, selections from Bizet=92s Carmen, Strauss=92 Blue Danube, = Brahms=92=20 Hungarian Dance No. 5, Dvor=E1k=92s Slavonic Dances Op. 46, Nos. 1, 3, = and=20 8, and Chinese folk songs. In addition, this core program will=20 alternate George Gershwin=92s Rhapsody in Blue with Igor Stravinsky=92s=20= Pulcinella Suite. Pianist Thomas Rosenkranz, a 1999 graduate of the=20 Oberlin Conservatory, will be the featured soloist for the Gershwin. The orchestra also will perform the official songs of Anshan, = Dalian,=20 and Beijing, respectively, during concerts in those cities. In Dalian,=20= the Oberlin Orchestra will perform under the baton of guest conductor=20 Fan Tao. Tao, a conductor with the China Broadcasting Performing-Arts=20 Troupe, was awarded a special prize at the 2000 Sibelius International=20= Conducting Competition in Helsinki, Finland. A trip to China made last spring by the dean of the Oberlin=20 Conservatory, David H. Stull, and several faculty members was the=20 genesis of this tour. The Oberlin contingent was invited by the=20 Szechuan Conservatory in Cheng du and visited major concert halls and=20 music schools, where they gave master classes. =93Our primary interest was to visit major schools to get a = sense of=20 their philosophy of teaching and to establish at least an informal=20 relationship with the leaders of those institutions,=94 says Stull. In=20= April, five members of the Szechuan Conservatory made a reciprocal=20 visit to Oberlin to explore the nuances of American conservatory=20 training. =93This China tour will be of immense educational benefit to = Oberlin=20 students,=94 says tour manager James Kalyn. =93In addition to the = musical=20 growth they will experience by performing the same pieces over and over=20= again=97something students in conservatory orchestras rarely get to=20 do=97they will be exposed to the culture of an emerging economic=20 superpower.=94 =93China now produces some of the world=92s finest musicians,=94 = adds Stull.=20 =93Many of these young people come to Oberlin to study. Of the 50=20 students enrolled in the Conservatory from countries in Asia, 15 are=20 from China. It is in our own students=92 best interest to explore the=20 educational and performance opportunities this country has to offer.=94 Bridget-Michaele Reischl, Music Director, Oberlin Orchestra Since becoming the first American to win Italy=92s Antonio Pedrotti=20 International Conducting Competition in 1995, Bridget-Michaele Reischl=20= has been an active guest conductor throughout the United States and=20 internationally. Besides being music director of the Oberlin Orchestras=20= and a member of Oberlin=92s conducting faculty, Reischl is music = director=20 of the Green Bay Symphony Orchestra in Green Bay, Wisconsin, a position=20= she has held since 2001. =46rom 1992 to 2004, she was music director of=20= the Lawrence Symphony Orchestra and associate professor of conducting=20 at the Lawrence University Conservatory of Music in Appleton,=20 Wisconsin. She is a graduate of the Eastman School of Music. As a=20 student of Robert Spano (a 1983 Oberlin graduate), she continued her=20 studies as a conducting fellow at both the Aspen and the Tanglewood=20 music festivals, where she worked with Seiji Ozawa, Murray Sidlin, and=20= David Zinman (also an Oberlin graduate, Class of 1958). She has=20 recorded on the Velut Luna, CRI, and Sea Breeze Record Company labels. Thomas Rosenkranz, piano soloist Thomas Rosenkranz has performed on four continents and has twice been=20 named an artistic ambassador, sponsored by the United States State=20 Department on tours of the Middle East and Africa to present recitals=20 of American music for television and radio broadcasts. He was recently=20= awarded the prestigious =93Classical Fellowship Award=94 from the = American=20 Pianists Association. He has given performances at Lincoln Center (New=20= York), the Miller Theatre (New York), the 92 Street Y (New York), the=20 Kennedy Center (D.C.), the Hilbert Circle Theatre (Indianapolis),=20 L=92Acropolium (Carthage), and Theatre de la Ville (Tunis). He toured=20 Japan and Taiwan with the Eastman Wind Ensemble and has been a featured=20= pianist at such notable festivals as the the Tabarka Jazz Festival=20 (Tunisia), Octobre Musical (Tunisia), the Kurt Weill Fest (Germany),=20 and the National MTNA Convention in Seattle. He has performed as=20 soloist with the National Orchestra of Beirut, the Orchestre=20 Symphonique Tunsien, the Indianapolis Chamber Orchestra, and the=20 Northwest Chamber Orchestra. A graduate of the Oberlin Conservatory=20 (Class of 1999) and the Eastman School of Music, his major teachers=20 include Robert Shannon, Nelita True, and Yvonne Loriod-Messiaen. He=20 lives in Honolulu, Hawaii, and is assistant professor of piano at the=20 University of Hawaii at Manoa. He will be artist-in-residence at the=20 Cortona Contemporary Festival in Italy this summer. J Freivogel, concertmaster Raised in a family of musicians, J Freivogel began playing violin at=20 the age of two. Now in his last year of Oberlin=92s double-degree=20 program, he studies violin with Marilyn McDonald and is pursuing=20 degrees in violin performance and politics. Named one of Northern Ohio=20= Live magazine=92s =93best and brightest=94 in 2004, Freivogel has=20 participated in critically acclaimed concerts at Carnegie=92s Weill=20 Recital Hall and Merkin Hall in New York City. He is first violinist of=20= the Jasper String Quartet. In the spring, he will return to New York to=20= perform Alban Berg=92s Kammerkonzerte and the world premiere of Lewis=20 Nielson=92s Violin Concerto. Freivogel is from St. Louis, Missouri. The Oberlin Orchestra and the Oberlin Conservatory of Music After Sir Simon Rattle conducted the Oberlin Chamber Orchestra in=20 December 2004, Plain Dealer music critic Donald Rosenberg wrote that=20 the concert was =93stamped by magnificence.=94 Indeed, Rosenberg = included=20 the Oberlin-Rattle performance of Mahler=92s Symphony No. 4, which he=20 described as =93uncommonly rich in poetry and drama,=94 in his list of = top=20 10 memorable events from the 2004 concert season. Magnificence has come to be synonymous with all aspects of the = Oberlin=20 Conservatory of Music, from its exacting standards for incoming=20 students to the excellence in teaching and performance expected of its=20= faculty and the notable careers of its alumni, who can be found=20 performing in every major orchestra and opera house and with many of=20 today=92s acclaimed chamber ensembles. Founded in 1865 and situated within the intellectual vitality of=20= Oberlin College since 1867, Oberlin is the oldest continuously=20 operating conservatory in the United States. An undergraduate=20 institution, Oberlin is renowned internationally as a professional=20 music school of the highest caliber and has been called a =93national=20 treasure=94 by the Washington Post. Past guest conductors of the Oberlin Orchestra have included Marin=20 Alsop, Pierre Boulez, Catherine Comet, Tan Dun, Eve Queler, Robert=20 Shaw, Oscar Shumsky, Igor Stravinsky, composer John Williams, and Hugh=20= Wolff. Upcoming appearances by the Oberlin Orchestra for the 2005-06 = season=20 include a performance at Cleveland=92s Severance Hall, home of the=20 Cleveland Orchestra, under the baton of music director and conductor=20 Bridget-Michaele Reischl. The 2006-07 season features a performance at=20= Carnegie Hall with Robert Spano conducting. For more information about the Oberlin Conservatory of Music, = please=20 visit www.oberlin.edu/con. Oberlin College=92s Historic Ties to China For more than a century, Oberlin College and China have benefited from=20= a mutually supportive relationship encompassing educational, social,=20 and cultural exchanges, beginning with the teaching work of Oberlin=20 graduates in the late 1800s. To commemorate the efforts of Oberlin=20 educators in China, the Oberlin Shansi Memorial Association was founded=20= in 1908, more than 50 years before the Peace Corps was begun. Today=20 Shansi is an independent non-profit organization on the Oberlin campus=20= that sponsors numerous educational exchanges, sending Oberlin students=20= to sites throughout Asia to work and to teach and bringing Asian=20 scholars to the College for the same purpose. Shansi has empowered=20 generations of participants to make constructive and useful=20 contributions to Asian and American institutions and communities. Another strong Oberlin-China connection can be found at the = Shanghai=20 Conservatory of Music, the oldest conservatory in China. Huang Tzu, a=20 1926 Oberlin graduate who is widely considered to be one of the=20 patriarchs of Western music education in modern China, was one of its=20 founding fathers. Tzu wrote the school=92s curriculum, which ultimately=20= became the platform for the professional study of music in China. =0C Concert Schedule December 25, 2005 Anshan Shengli Auditorium, 3 p.m. and 7 p.m. December 26, 2005 Anshan Shengli Auditorium, 7 p.m. December 27, 2005 Shenyang Nanfeng International Centre, 7 p.m. December 28, 2005 Dalian Dalian Broadcasting Centre, 7 p.m. December 29, 2005 Dalian Dalian Broadcasting Centre, 7 p.m. December 30, 2005 Beijing Poly Theatre, 7 p.m. December 31, 2005 Beijing Poly Theatre, 7 p.m. January 1, 2006 Tianjing Venue TBA, 7 p.m. January 2, 2006 Shanghai Shanghai Concert Hall, 7 p.m. # # # Marci Janas Director of Conservatory Media Relations Oberlin Conservatory of Music 39 West College Street Oberlin, OH 44074 www.oberlin.edu/con (P) 440-775-8328 (F) 440-775-5457 marci.janas at oberlin.edu= --Boundary_(ID_OkuHotLURr4McbYHQrCW0A) Content-type: text/enriched; charset=WINDOWS-1252 Content-transfer-encoding: quoted-printable Media Contact Only: Marci Janas Director of Conservatory Media Relations 440-775-8328 = 0000,0000,FFFCmarci.janas at oberlin.edu FOR IMMEDIATE RELEASE
Orchestra from the Oberlin Conservatory of Music=20 to Embark on a Tour of the People=92s Republic of China Nine-day tour covers six cities, with more than 60 students performing 10 concerts =
<
OBERLIN, OHIO (Nov. 21, 2005) =97 Ten concerts, nine days, six cities=97the numbers add up to an intense tour schedule under ordinary circumstances. But for student-musicians from the Oberlin Conservatory of Music in Oberlin, Ohio, the intensity is heightened by the fact that the six cities are in the People=92s Republic of China.=20 The Oberlin Orchestra, an ensemble of 66 Conservatory students selected by audition, leaves for China on Dec. 23, 2005, and will perform in some of China=92s premier venues, including the Beijing Poly Theater and the Shanghai Concert Hall.=20 The tour begins with three concerts in Anshan, in central = Liaoning Province, followed by a performance in Shenyang. =46rom there it=92s on = to Dalian, at the southern tip of the province, for two concerts. Two evening performances in Beijing are next on the itinerary, followed by a concert in Tianjing. The tour concludes with a performance in Shanghai. The musicians return home on Jan. 5, 2006. All of the members of the Oberlin Orchestra are undergraduates. = They represent cities throughout the United States and Canada, as well as South Korea, Bulgaria, Denmark, and Singapore. Bridget-Michaele Reischl, music director of the Oberlin Orchestras, will conduct the ensemble during the tour; J Freivogel of St. Louis, Missouri, is concertmaster. Along with intensive rehearsal sessions, the student-musicians = are preparing for the tour by taking a course, China Tour Preparation, offered by the East Asian studies department of Oberlin College, the Conservatory=92s liberal arts counterpart. Funding for the tour is being provided by the Liaoning = Performance Company, a presenting company from China; Chinese businessman Sen Wang; the Chinese Ministry of Culture; and the Oberlin Conservatory of Music. The concert program includes the overture to Mozart=92s = The Marriage of Figaro, selections from Bizet=92s Carmen, Strauss=92 Blue Danube, Brahms=92 Hungarian Dance No. 5, Dvor=E1k=92s Slavonic Dances Op. 46, Nos. 1, 3, and 8, and Chinese folk songs. In addition, this core program will alternate George Gershwin=92s Rhapsody in Blue with Igor Stravinsky=92s Pulcinella Suite. Pianist Thomas Rosenkranz, a 1999 graduate of the Oberlin Conservatory, will be the featured soloist for the Gershwin.=20 The orchestra also will perform the official songs of Anshan, = Dalian, and Beijing, respectively, during concerts in those cities. In Dalian, the Oberlin Orchestra will perform under the baton of guest conductor Fan Tao. Tao, a conductor with the China Broadcasting Performing-Arts Troupe, was awarded a special prize at the 2000 Sibelius International Conducting Competition in Helsinki, Finland. FFFC,0000,0000 A trip to China made last spring by the dean of the = Oberlin Conservatory, David H. Stull, and several faculty members was the genesis of this tour. The Oberlin contingent was invited by the Szechuan Conservatory in Cheng du and visited major concert halls and music schools, where they gave master classes. =93Our primary interest was to visit major schools to get a = sense of their philosophy of teaching and to establish at least an informal relationship with the leaders of those institutions,=94 says Stull. In April, five members of the Szechuan Conservatory made a reciprocal visit to Oberlin to explore the nuances of American conservatory training. =93This China tour will be of immense educational benefit to = Oberlin students,=94 says tour manager James Kalyn. =93In addition to the = musical growth they will experience by performing the same pieces over and over again=97something students in conservatory orchestras rarely get to do=97they will be exposed to the culture of an emerging economic superpower.=94 =93China now produces some of the world=92s finest musicians,=94 = adds Stull. =93Many of these young people come to Oberlin to study. Of the 50 students enrolled in the Conservatory from countries in Asia, 15 are from China. It is in our own students=92 best interest to explore the educational and performance opportunities this country has to offer.=94 Bridget-Michaele Reischl, Music Director, Oberlin Orchestra Since becoming the first American to win Italy=92s Antonio Pedrotti International Conducting Competition in 1995, Bridget-Michaele Reischl has been an active guest conductor throughout the United States and internationally. Besides being music director of the Oberlin Orchestras and a member of Oberlin=92s conducting faculty, Reischl is music director of the Green Bay Symphony Orchestra in Green Bay, Wisconsin, a position she has held since 2001. =46rom 1992 to 2004, she was music director of the Lawrence Symphony Orchestra and associate professor of conducting at the Lawrence University Conservatory of Music in Appleton, Wisconsin. She is a graduate of the Eastman School of Music. As a student of Robert Spano (a 1983 Oberlin graduate), she continued her studies as a conducting fellow at both the Aspen and the Tanglewood music festivals, where she worked with Seiji Ozawa, Murray Sidlin, and David Zinman (also an Oberlin graduate, Class of 1958). She has recorded on the Velut Luna, CRI, and Sea Breeze Record Company labels.=20 Thomas Rosenkranz, piano soloist Thomas Rosenkranz has performed on four continents and has twice been named an artistic ambassador, sponsored by the United States State Department on tours of the Middle East and Africa to present recitals of American music for television and radio broadcasts. He was recently awarded the prestigious =93Classical Fellowship Award=94 from the American Pianists Association. He has given performances at Lincoln Center (New York), the Miller Theatre (New York), the 92 Street Y (New York), the Kennedy Center (D.C.), the Hilbert Circle Theatre (Indianapolis), L=92Acropolium (Carthage), and Theatre de la Ville (Tunis). He toured Japan and Taiwan with the Eastman Wind Ensemble and has been a featured pianist at such notable festivals as the the Tabarka Jazz Festival (Tunisia), Octobre Musical (Tunisia), the Kurt Weill Fest (Germany), and the National MTNA Convention in Seattle. He has performed as soloist with the National Orchestra of Beirut, the Orchestre Symphonique Tunsien, the Indianapolis Chamber Orchestra, and the Northwest Chamber Orchestra. A graduate of the Oberlin Conservatory (Class of 1999) and the Eastman School of Music, his major teachers include Robert Shannon, Nelita True, and Yvonne Loriod-Messiaen. He lives in Honolulu, Hawaii, and is assistant professor of piano at the University of Hawaii at Manoa. He will be artist-in-residence at the Cortona Contemporary Festival in Italy this summer. J Freivogel, concertmaster Raised in a family of musicians, J Freivogel began playing violin at the age of two. Now in his last year of Oberlin=92s double-degree program, he studies violin with Marilyn McDonald and is pursuing degrees in violin performance and politics. Named one of Northern Ohio Live magazine=92s =93best and brightest=94 = in 2004, Freivogel has participated in critically acclaimed concerts at Carnegie=92s Weill Recital Hall and Merkin Hall in New York City. He is first violinist of the Jasper String Quartet. In the spring, he will return to New York to perform Alban Berg=92s Kammerkonzerte and the world premiere of Lewis Nielson=92s Violin Concerto. Freivogel is from St. Louis, Missouri. The Oberlin Orchestra and the Oberlin Conservatory of Music After Sir Simon Rattle conducted the Oberlin Chamber Orchestra in December 2004, Plain Dealer music critic Donald Rosenberg wrote that the concert was =93stamped by magnificence.=94 Indeed, Rosenberg included the Oberlin-Rattle performance of Mahler=92s Symphony No. 4, which he described as =93uncommonly rich in poetry and drama,=94 in his list of top 10 memorable events from the 2004 concert season. Magnificence has come to be synonymous with all aspects of the Oberlin Conservatory of Music, from its exacting standards for incoming students to the excellence in teaching and performance expected of its faculty and the notable careers of its alumni, who can be found performing in every major orchestra and opera house and with many of today=92s acclaimed chamber ensembles. Founded in 1865 and situated within the intellectual vitality of Oberlin College since 1867, Oberlin is the oldest continuously operating conservatory in the United States. An undergraduate institution, Oberlin is renowned internationally as a professional music school of the highest caliber and has been called a =93national treasure=94 by the Washington Post. Past guest conductors of the Oberlin Orchestra have included Marin Alsop, Pierre Boulez, Catherine Comet, Tan Dun, Eve Queler, Robert Shaw, Oscar Shumsky, Igor Stravinsky, composer John Williams, and Hugh Wolff. Upcoming appearances by the Oberlin Orchestra for the 2005-06 = season include a performance at Cleveland=92s Severance Hall, home of the Cleveland Orchestra, under the baton of music director and conductor Bridget-Michaele Reischl. The 2006-07 season features a performance at Carnegie Hall with Robert Spano conducting.=20 For more information about the Oberlin Conservatory of Music, = please visit = 0000,0000,FFFCwww.oberlin.edu/con= . Oberlin College=92s Historic Ties to China For more than a century, Oberlin College and China have benefited from a mutually supportive relationship encompassing educational, social, and cultural exchanges, beginning with the teaching work of Oberlin graduates in the late 1800s. To commemorate the efforts of Oberlin educators in China, the Oberlin Shansi Memorial Association was founded in 1908, more than 50 years before the Peace Corps was begun. Today Shansi is an independent non-profit organization on the Oberlin campus that sponsors numerous educational exchanges, sending Oberlin students to sites throughout Asia to work and to teach and bringing Asian scholars to the College for the same purpose. Shansi has empowered generations of participants to make constructive and useful contributions to Asian and American institutions and communities. Another strong Oberlin-China connection can be found at the = Shanghai Conservatory of Music, the oldest conservatory in China. Huang Tzu, a 1926 Oberlin graduate who is widely considered to be one of the patriarchs of Western music education in modern China, was one of its founding fathers. Tzu wrote the school=92s curriculum, which ultimately became the platform for the professional study of music in China. =0C Concert Schedule December 25, 2005 Anshan Shengli Auditorium, 3 p.m. and 7 p.m. December 26, 2005 Anshan Shengli Auditorium, 7 p.m. December 27, 2005 Shenyang Nanfeng International Centre, 7 p.m. December 28, 2005 Dalian Dalian Broadcasting Centre, 7 p.m. December 29, 2005 Dalian Dalian Broadcasting Centre, 7 p.m. December 30, 2005 Beijing Poly Theatre, 7 p.m. December 31, 2005 Beijing Poly Theatre, 7 p.m. January 1, 2006 Tianjing Venue TBA, 7 p.m. January 2, 2006 Shanghai Shanghai Concert Hall, 7 p.m.
# # #
Marci Janas Director of Conservatory Media Relations Oberlin Conservatory of Music 39 West College Street Oberlin, OH 44074 www.oberlin.edu/con (P) 440-775-8328 (F) 440-775-5457 marci.janas at oberlin.edu= --Boundary_(ID_OkuHotLURr4McbYHQrCW0A)-- From ncplayhouse at sbcglobal.net Mon Nov 21 10:58:50 2005 From: ncplayhouse at sbcglobal.net (North Canton Playhouse) Date: Mon, 21 Nov 2005 10:58:50 -0800 (PST) Subject: [NEohioPAL]Auditions - Cinderella - North Canton Playhouse Message-ID: <20051121185850.65433.qmail@web81103.mail.mud.yahoo.com> --0-1846585649-1132599530=:65113 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit AUDITION NOTICE Rodgers & Hammerstein?s Musical "CINDERELLA" WHEN: Monday, December 12 and Tuesday, December 13 at 7:00 p.m. WHERE: The North Canton Playhouse, 525 ? 7th St. NE, (adjacent to Hoover High School) NEEDED: 20 - 25 Male and Female actors - teen through adult (6 Men; 6 Women; Bits, Extras, Singers) Come prepared with a song (an accompanist will be provided) and to read from the script For more information call the NCP office at 330-494-1613 --0-1846585649-1132599530=:65113 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit

 

 

  


AUDITION NOTICE

 

Rodgers & Hammerstein?s Musical

 

"CINDERELLA"

 

  WHEN:   Monday, December 12 and

             Tuesday, December 13

 

at 7:00 p.m.

 

         WHERE:   The North Canton Playhouse, 525 ? 7th St. NE,    (adjacent to Hoover High School)

 

     NEEDED: 20 - 25 Male and Female actors - teen through adult

(6 Men; 6 Women; Bits, Extras, Singers)

 

Come prepared with a song (an accompanist will be provided) and to read from the script

 

For more information call the NCP office at 330-494-1613

--0-1846585649-1132599530=:65113-- From info at standingrock.net Mon Nov 21 11:51:59 2005 From: info at standingrock.net (Standing Rock Cultural Arts) Date: Mon, 21 Nov 2005 14:51:59 -0500 Subject: [NEohioPAL]Kent's Homegrown Music Concert at Kent Stage Message-ID: > This message is in MIME format. Since your mail reader does not understand this format, some or all of this message may not be legible. --MS_Mac_OE_3215429519_489028_MIME_Part Content-type: text/plain; charset="ISO-8859-1" Content-transfer-encoding: quoted-printable Greetings WHO: Standing Rock Cultural Arts WHAT: Kent=B9s Home Grown Music Concert -featuring Kent musicians Guy Pernetti, John Reynolds, Jack Delasandro, Rio Neon and friends. WHEN: December 9, 8pm WHERE: The Kent Stage, 175 E. Main St - (330) 677-5005 COST: $8.00 CONTACT: 330-903-2055 Kent=B9s Home Grown Music, the concert series 2005 Kent and Northeastern Ohio have a rich history in music. Names that we are familiar with, Joe Walsh, Chrissy Hynde, Devo, Glass Harp, 15-60-75 (the numbers band), Alex Bevin, Dink, and that is just a fraction of the bands that played in this area. Standing Rock Cultural Arts in cooperation with The Kent Stage will be bringing to The Kent Stage a concert series called =B3Kent=B9s Home Grown Music.=B2 It will feature musicians that have been playing music in and aroun= d Kent since the 1960=B9s. Some of you will be familiar with some of the artists and some will be new to you. One thing that you can count on is an evening of wonderful music and a sense of being part of history. The kick off concert will be at 8 o=B9clock in the evening at The Kent Stage, 175 E. Main St. downtown Kent on December 9th, 2005 tickets will be $8. The first show will feature Guy Pernetti, John Reynolds, Jack Delasandro, Rio Neon and friends. Each a joy as a solo performer but together, you will jus= t have to see for yourselves. So mark your calendars for December 9th, 2005 for the =8CKent=B9s Home Grown Music=B2 concert series. This will be a night of music for the whole family that you don=B9t want to miss. For further information contact Gary Lockwood, by phone at 330-903-2055 or by email at waagosh at neo.rr.com www.standingrock.net for updates Thank you for supporting the Arts, Standing Rock Cultural Arts 257 N. Water St. Kent, OH 44240 330-673-4970 info at standingrock.net --MS_Mac_OE_3215429519_489028_MIME_Part Content-type: text/html; charset="ISO-8859-1" Content-transfer-encoding: quoted-printable Kent's Homegrown Music Concert at Kent Stage

Greetings

WHO:  Standing Rock Cultural Arts

WHAT: Kent=B9s Home Grown Music Concert
-featuring Kent musicians Guy Pernetti, John Reynolds, Jack D= elasandro, Rio Neon and friends.


WHEN:  December 9, 8pm

WHERE:  The Kent Stage,  175 E. Main St

-  (330) 677-5005


COST:  $8.00

CONTACT:  330-903-2055


    &nb= sp;            &= nbsp;   Kent=B9s Home Grown Music, the concert series 2005


Kent and Northeastern Ohio have a rich history in music. Names that we are = familiar with, Joe Walsh, Chrissy Hynde, Devo, Glass Harp, 15-60-75 (the num= bers band), Alex Bevin, Dink, and that is just a fraction of the bands that = played in this area.

Standing Rock Cultural Arts in cooperation with The Kent Stage will be bri= nging to The Kent Stage a concert series called =B3Kent=B9s Home Grown Music.=B2 I= t will feature musicians that have been playing music in and around Kent sin= ce the 1960=B9s.  Some of you will be familiar with some of the artists a= nd some will be new to you. One thing that you can count on is an evening of= wonderful music and a sense of being part of history.

The kick off concert will be at 8 o=B9clock in the evening at The Kent Stage= , 175 E. Main St. downtown Kent on December 9th, 2005 tickets will be $8. Th= e first show will feature Guy Pernetti, John Reynolds, Jack Delasandro, Rio = Neon and friends. Each a joy as a solo performer but together, you will just= have to see for yourselves. So mark your calendars for December 9th, 2005 f= or the =8CKent=B9s Home Grown Music=B2 concert series. This will be a night of mus= ic for the whole family that you don=B9t want to miss.

For further information contact Gary Lockwood, by phone at 330-903-2055 or = by email at waagosh at neo.rr.com


www.standingrock.net for updates

Thank you for supporting the Arts,

Standing Rock Cultural Arts
257 N. Water St.
Kent, OH 44240
330-673-4970
info at standingrock.net

 --MS_Mac_OE_3215429519_489028_MIME_Part-- From jfogel at clevelandplayhouse.com Mon Nov 21 11:46:36 2005 From: jfogel at clevelandplayhouse.com (Julie Fogel) Date: Mon, 21 Nov 2005 14:46:36 -0500 Subject: [NEohioPAL]ONE-DAY Sale for "Wife" or "Christmas Story" Message-ID: This is a multi-part message in MIME format. ------=_NextPart_000_0044_01C5EEAA.5FE4AC40 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable THE CLEVELAND PLAY HOUSE WEB-ONLY SALE starts Tuesday, November 22!=20 Choose your deal: $10 tickets to the closing performance of Doug Wright's Tony-Winning = Drama I Am My Own Wife, starring Mark Nelson 7:00 p.m. Sunday, November 27th . = or=20 $10 tickets to the Opening Night performance of A Christmas Story, 7:30 = p.m. Wednesday, November 30th.=20 Don't want to choose? Don't bother=85buy $10 tickets to both shows, if = you like=85 A $3 per ticket handling fee applies. Not valid with other offers or discounts. And, there's NO LIMIT on the number of $10 tickets you order = to EITHER show!=20 Use the promotional code 'PAL' when ordering to get the discounted = ticket.=20 This WEB-ONLY offer is valid beginning Tuesday, November 22.=20 Ready, set...shop! Happy Thanksgiving All! Julie Fogel Associate Director of Communications & Marketing The Cleveland Play House 8500 Euclid Avenue Cleveland, Ohio 44106 (216) 795-7000 ext. 236 www.clevelandplayhouse.com ------=_NextPart_000_0044_01C5EEAA.5FE4AC40 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable ONE-DAY Sale for "Wife" or "Christmas = Story"

THE CLEVELAND PLAY HOUSE WEB-ONLY SALE = starts Tuesday, November 22!

Choose your deal:

$10 tickets to the closing performance of = Doug Wright's Tony-Winning Drama I Am My Own Wife, starring Mark = Nelson 7:00 p.m. Sunday, November  27th  .

or

$10 tickets to the Opening Night = performance of A Christmas Story, 7:30 p.m. Wednesday, November 30th. =

Don't want to choose? Don't = bother…buy $10 tickets to both shows, if you like…
A $3 per ticket handling fee applies. = Not valid with other offers or discounts.  And, there's NO LIMIT on = the number of $10 tickets you order to EITHER show!

Use the promotional code 'PAL' when = ordering to get the discounted ticket.

This WEB-ONLY offer is valid beginning = Tuesday, November 22.

Ready, set...shop!
Happy Thanksgiving All!
Julie = Fogel
Associate Director of = Communications & Marketing
The Cleveland Play = House
8500 Euclid Avenue
Cleveland, Ohio 44106
(216) 795-7000 ext. = 236
www.clevelandplayhouse.com

------=_NextPart_000_0044_01C5EEAA.5FE4AC40-- >From Jean Zarzour" This is a multi-part message in MIME format. ------=_NextPart_000_0270_01C5EEAE.7964DA60 Content-Type: multipart/alternative; boundary="----=_NextPart_001_0271_01C5EEAE.7964DA60" ------=_NextPart_001_0271_01C5EEAE.7964DA60 Content-Type: text/plain; charset="Windows-1252" Content-Transfer-Encoding: quoted-printable BlankDear Friends- Can't afford to Buy this charming Bungalow? Well it = is also for RENT until a buyer is found! The rent is $725/month. No = dogs. Deposit + References. =20 (Jean Zarzour is showing this home in conjunction with Next Home Realty, = on behalf of owner, Donald Squires, former Stage Manager of Menopause = The Musical. Donald is now Stage Managing MTM in Seattle, WA but is = available by phone if you have further questions. To See this home, = leave a message for Jean on the Next Home Voice Mail Box. Call = 440-808-3900 and enter 8056 when prompted or as soon as the recorded = tour begins. Jean will return your call promptly.) CLICK HERE TO SEE MLS WITH 6 PICTURES! (Though the house is now = empty) Buyer Full Page =20 (full profile is below for those with download challenges) Priced To Sell (was $98,900)=20 Now $93,900 FOR SALE BY OWNER 9622 South Highland Garfield Hts., Ohio 44125 Spacious, Exceptionally Maintained Bungalow on a quiet, safe street, = just 2 minutes from I-480! Off Turney, North of Granger. Has formal = dining room with bay window, large living room w/ ventless gas = fireplace* First floor master leads to deck* Central Air, newer roof on = home & garage* Extra shower* Updated electric, brand new carpeting = upstairs* All appliances*=20 Finished SqFt: 1220=20 Total SqFt: 1220=20 SqFt Source: Public Records Lot Dimensions: 40x125=20 Irregular: N=20 Acres: 0.11=20 Frontage: 40*=20 Construction: Existing=20 Zoning: Residential=20 Year Built: 1942*=20 Tax Amount 1/2 Yr: 1102 =20 School District: 1815/Garfield Heights City=20 # Rooms: 5=20 # Bedrooms: 2*=20 # Fireplaces: 1=20 # Stories: 1.5*=20 # Full Baths: 1=20 # Half Baths: 0=20 Total Baths: 1=20 Covered Parking: 1=20 Handicap Mod: No=20 Warranty: No =20 Heating: Forced Air=20 Heat Source: Gas=20 Available for Auction: No=20 Exterior: Vinyl=20 Cooling: Central Air=20 Owner/Agent: No=20 Style: Bungalow=20 Roof: Asphalt/Fiberglass=20 Basement: Full=20 Fence: Chain Link, Partial=20 Lot Desc: Level=20 Fixer Upper: N=20 View Desc:=20 Public Trans: 1 - 4 Blocks=20 Living 16x14 1 Fireplace, Window Treatment, Wood Floor - 1st Floor Dining 12x10 1 Window Treatment, Wood Floor - 1st Floor Kitchen 12x8 1 Vinyl Flooring, Window Treatment - 1st Floor Master Bdrm 11x10 1 Balcony/Deck, Window Treatment, Wood Floor - 1st = Floor Bdrm 2 14x12 2 Wall to Wall Carpet, Window Treatment - 2nd Floor Water/Sewer: Public Sewer, Public Water, Storm Sewer =20 Garage/Parking: 1 Car, Detached, Garage Door Opener=20 *Appliances/Equipment: Cable Electric Link, Dryer, Freezer, Gas Dryer = Connection, Range, Refrigerator, Satellite Dish, Security System, Washer = Exterior Features: Deck=20 Amenities: Health Club, Library, Medical Facilities, Park, Playground, = Pool, Shopping/Mall, Tennis Courts=20 BUT WAIT! THERE'S MORE! Brand New Roof w/30 Year Warranty 5 Year old Furnace with April Air Brand New Driveway & Front Steps =20 Beautiful Wood Floors on 1st floor =20 Ventless Fireplace in Living Room Throws Great HEAT Beautiful, New Carpet on 2nd Floor =20 Waterproofed/Finish-Ready Basement =20 All Appliances & BASEMENT FREEZER STAY Brand New Vinyl Windows =20 1 Car Garage w/Brand New Roof & Floor =20 New Electrical Box =20 =20 Currently Understudying 2 roles in Menopause The Musical at Playhouse = Sq.'s 14th St. Theater. Running since April 2004! Now Appearing as Power Woman Every Wednesday at 2 pm Also Nov. 5, 10, = 11, 13, 19, 25, 26, 27 Appearing as Earth Mother Dec. 3-11 Lipschtick =AE 2300 McKinley Ave. Lakewood, Ohio 44107=20 ph/fax: 216-521-3831 Also Founder of the GOT PAY? Organization Read an on line interview with Jean=20 www.lipschtick.com Comedy that lasts all day! ------=_NextPart_001_0271_01C5EEAE.7964DA60 Content-Type: text/html; charset="Windows-1252" Content-Transfer-Encoding: quoted-printable Blank
Dear Friends-  Can't afford to Buy this = charming=20 Bungalow? Well it is also for RENT until a buyer is = found!  =20 The rent = is=20 $725/month.  No dogs.  Deposit + = References.  =20
 
(Jean Zarzour is showing this home = in=20 conjunction with Next Home Realty, on behalf of owner, Donald = Squires,=20 former Stage Manager of Menopause The Musical.  Donald=20 is now Stage Managing MTM in Seattle, WA but is available = by=20 phone if you have further questions.  To See this home, leave a message for Jean on the = Next Home=20 Voice Mail Box.  Call 440-808-3900 = and enter=20 8056 when prompted or as soon as the recorded=20 tour begins.   Jean will = return your=20 call promptly.)

Chagrin Valley Little Theatre

Announces  The Broadway Musical, = A Christmas=20 Carol  

 

November = 21, 2005=20 :  Charles Dickens' classic gets the full Broadway treatment in = Alan=20 Menken=92s-Lynn Ahrens=92-Mike Okrent's adaptation of A Christmas=20 Carol. This is the version that leaves New Yorkers and tourists = alike=20 gasping in wonder and merriment every year as the story unfolds on the = stage at=20 Madison Square Garden. In 2004, this version became the basis of a NBC=20 television spectacular featuring Kelsey Grammer as Scrooge, surrounded = by an=20 array of stars including Jason Alexander, Jesse L. Martin, Jane = Krakowski,=20 Geraldine Chaplin, Jennifer Love Hewitt and Ruthie Henshall. Alan Menken = (Little Shop Of Horrors) and Lynn Ahrens (Ragtime The Musical, = Once On=20 This Island) have collaborated on a score that is filled with = beautiful=20 melodies and emotional lyrics. Their song "A Place Called Home" has = become a=20 holiday standard.

 

There are many adaptations of A Christmas = Carol out=20 there, but only one Broadway version! Now this holiday treat can be = seen=20 at  Chagrin Valley = Little=20 Theatre

 

CLICK = HERE TO=20 SEE  MLS WITH 6=20 PICTURES!   (Though the house is now empty) =20 Buyer Full=20 Page  

(full profile is = below for those=20 with download challenges)

Priced To Sell (was $98,900) =
Now=20 $93,900
FOR SALE BY=20 OWNER
9622 South=20 Highland
Garfield Hts., = Ohio=20 44125
 
Spacious, = Exceptionally=20 Maintained Bungalow on a quiet, safe street, just 2 minutes = from I-480! Off=20 Turney, North of Granger. Has formal dining room with bay = window,=20 large living room w/ ventless gas fireplace* First floor master leads to = deck*=20 Central Air, newer roof on home & garage* Extra shower* Updated = electric, brand new carpeting upstairs* All=20 appliances* 
 
Finished SqFt: 1220
Total SqFt: = 1220=20
SqFt = Source: Public=20 Records
Lot=20 Dimensions: 40x125
Irregular: N=20
Acres: 0.11
Frontage: = 40*=20
Construction: Existing
Zoning:=20 Residential
Year = Built: 1942*=20
Tax Amount 1/2 = Yr:=20 1102  
School District: 1815/Garfield Heights City =
# = Rooms: 5=20
# Bedrooms: = 2*=20
# Fireplaces: = 1=20
# Stories: = 1.5*=20
# Full = Baths: 1=20
# Half Baths: = 0=20
Total Baths: = 1=20
Covered Parking: = 1=20
Handicap = Mod: No=20
Warranty: = No   
Heating: Forced Air
Heat Source: = Gas=20
Available for = Auction: No=20
Exterior:=20 Vinyl
Cooling: Central=20 Air
Owner/Agent: = No=20
Style:=20 Bungalow
Roof:=20 Asphalt/Fiberglass
Basement:=20 Full
Fence: Chain Link,=20 Partial
Lot Desc:=20 Level
Fixer Upper: = N=20
View Desc:=20
Public Trans:=20 1 - 4 Blocks
 
Living 16x14 1 Fireplace, = Window=20 Treatment, Wood Floor - 1st Floor
Dining = 12x10=20 1 Window Treatment, Wood Floor - 1st=20 Floor
Kitchen = 12x8=20 1 Vinyl Flooring, Window Treatment - 1st=20 Floor
Master Bdrm=20 11x10 1 Balcony/Deck, Window Treatment, Wood = Floor -=20 1st Floor
Bdrm 2 = 14x12=20 2 Wall to Wall Carpet, Window Treatment - 2nd=20 Floor
Water/Sewer: Public Sewer, Public Water, Storm = Sewer=20  
Garage/Parking: 1 Car, = Detached,=20 Garage Door Opener
*Appliances/Equipment:  Cable Electric Link, Dryer, = Freezer, Gas=20 Dryer Connection, Range, Refrigerator, Satellite Dish, Security System, = Washer=20 Exterior Features: Deck =
Amenities: Health Club,=20 Library, Medical Facilities, Park, Playground, Pool, Shopping/Mall, = Tennis=20 Courts
 
BUT WAIT!  THERE'S = MORE!
Brand New Roof = w/30=20 Year Warranty
5 Year old = Furnace with April=20 Air
Brand New = Driveway &=20 Front Steps   
Beautiful Wood = Floors on 1st=20 floor           &n= bsp;        
Ventless Fireplace in=20 Living Room Throws Great HEAT
Beautiful, New = Carpet on 2nd=20 Floor    
Waterproofed/Finish-Ready Basement   = ;           
All Appliances = & BASEMENT=20 FREEZER STAY
Brand New Vinyl = Windows           =             &= nbsp;       
1 Car Garage = w/Brand New Roof=20 & =20 Floor          
New = Electrical=20 Box=20             &= nbsp;         =20
  
 
 

3D""=20
Currently Understudying 2 roles in = Menopause = The=20 Musical  at Playhouse Sq.'s 14th = St.=20 Theater.  Running = since April=20 2004!
Now=20 Appearing as Power=20 Woman Every Wednesday at 2 pm   Also =20 Nov. 5, 10, 11, 13, 19, 25, 26, 27 Appearing as Earth=20 Mother Dec.=20 3-11
Lipschtick =AE
2300 McKinley = Ave.Lakewood, Ohio=20 44107
ph/fax:=20 216-521-3831
Also Founder of=20 the GOT PAY? Organization
Read an on line interview with Jean=20

3D""=20www.lipschtick.com<= /A>    =20 Comedy that lasts all = day!

 

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name="Blank Bkgrd.gif" Content-Transfer-Encoding: base64 Content-ID: <026f01c5eed8$622ead60$0302a8c0 at DD1WK941> R0lGODlhLQAtAID/AP////f39ywAAAAALQAtAEACcAxup8vtvxKQsFon6d02898pGkgiYoCm6sq2 7iqWcmzOsmeXeA7uPJd5CYdD2g9oPF58ygqz+XhCG9JpJGmlYrPXGlfr/Yo/VW45e7amp2tou/lW xo/zX513z+Vt+1n/tiX2pxP4NUhy2FM4xtjIUQAAOw== ------=_NextPart_000_0270_01C5EEAE.7964DA60-- From MChamberlain at beckcenter.org Mon Nov 21 12:35:53 2005 From: MChamberlain at beckcenter.org (Meg Chamberlain) Date: Mon, 21 Nov 2005 15:35:53 -0500 Subject: [NEohioPAL]4 FREE tickets to Menopause! Message-ID: <97CF2CB42902E345A929E3202369C84E02FDA7@beck-1.beckcenter.com> This is a multi-part message in MIME format. ------_=_NextPart_001_01C5EEDB.2AF9ECB2 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable If you haven't seen this show yet, you should! If you'd like to see it again, I understand! The first person to respond to this offer will receive 4 tickets to this = Saturday the 26th's 8pm show! Happy Holidays from all the folks at Menopause the Musical! Meg Chamberlain Dir of Theater Education Beck Center for the Arts 216 521 2540 x227 What's Happening at the = Beck Center! T.I.D.Y. A World Premiere in the Studio Theater November 18 through December 18 Coming Soon on the Main Stage Disney's Beauty and the Beast December 2 through 31 Youth Theater Presents A Christmas Peril December 3, 10 and 17 For show tickets, call 216-521-2540. Spring 2006 Class Catalog Available December 1st. Register online for classes in dance, music, theater, and visual arts at www.beckcenter.org or call 216-521-2540, ext. 222. =20 ------_=_NextPart_001_01C5EEDB.2AF9ECB2 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
If you haven't seen = this show=20 yet, you should!
If you'd like to = see it again,=20 I understand!
The first person to = respond to=20 this offer will receive 4 tickets to this Saturday the 26th's 8pm=20 show!
Happy Holidays from = all the=20 folks at Menopause the Musical!
Meg=20 Chamberlain
Dir of Theater = Education
Beck Center for the = Arts
216 521 2540 x227

 What's=20 Happening at the Beck = Center!<= /B>

 T.I.D.Y. A=20 World Premiere

in the = Studio=20 Theater

November 18 = through=20 December 18

 Coming Soon = on the=20 Main  Stage

Disney's=20 Beauty and the Beast

December 2 = through=20 31

 Youth = Theater=20 Presents

A=20 Christmas Peril

December 3, = 10 and=20 17

 For=20 show tickets, call 216-521-2540.

 Spring=20 2006 Class Catalog

Available=20 December 1st.

Register = online for=20 classes in dance, music,

theater, and = visual=20 arts at www.beckcenter.org

or call = 216-521-2540,=20 ext. 222.

 

------_=_NextPart_001_01C5EEDB.2AF9ECB2-- From csimon at convergence-continuum.org Mon Nov 21 13:08:14 2005 From: csimon at convergence-continuum.org (csimon at convergence-continuum.org) Date: Mon, 21 Nov 2005 16:08:14 -0500 (EST) Subject: [NEohioPAL]convergence-continuum opens States of Shock Dec. 2 Message-ID: <54981.65.43.230.42.1132607294.squirrel@mail.plainhost.com> CONVERGENCE-CONTINUUM WILL OPEN STATES OF SHOCK FRIDAY, DECEMBER 2, FOR A THREE-WEEK, LIMITED RUN AT THE LIMINIS IN TREMONT ?Tis the season for peace and goodwill. But at Danny?s family restaurant, populated by two disgruntled customers and a balance-challenged waitress, the calm is shattered by sounds of war and destruction. Hostilities escalate when the Colonel, in full military regalia, walks into the cafe to the rhythms of two live, on-stage percussionists. The Colonel is pushing a wheelchair in which sits a damaged young veteran. They have dropped by the restaurant to celebrate with a nice dessert while the war continues to rage on -- complete with singing, dancing, flying food, and a naughty encounter with some clam chowder. States of Shock is directed by convergence-continuum's Artistic Director Clyde Simon and features an ensemble cast that includes Lucy Bredeson-Smith, Geoff Hoffman, Steve Needham, Wes Shofner and Dawn Youngs, with percussionists Bill Lynn, Dino Osmanbegovic and guitarist Mark K. States of Shock opens Friday, December 2 and runs Thursdays, Fridays, and Saturdays through December 17 at the Liminis, 2438 Scranton Rd. in Cleveland's historic Tremont neighborhood. All performances begin at 8 pm. Tickets are $12 for general admission and $9 for students and seniors. For information and reservations, call 216-687-0074 or visit us on the web at www.convergence-continuum.org. From jbarlow at lorainccc.edu Mon Nov 21 14:06:28 2005 From: jbarlow at lorainccc.edu (Janet Barlow) Date: Mon, 21 Nov 2005 17:06:28 -0500 Subject: [NEohioPAL]RE: Give Stocker Tickets For The Holidays! Message-ID: <200511212206.jALM6Wbr065280@lc3ms1.lorainccc.edu> This is a multi-part message in MIME format. ------=_NextPart_000_0096_01C5EEBD.EC1620F0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit GIVE A MOOSE FOR THE HOLIDAYS!! OR HOW ABOUT THE AMERICAN FRONTIER?? Now that Thanksgiving is upon us. Are you starting to think about finding that perfect gift for loved ones and friends this holiday season? HOW ABOUT TICKETS FOR UPCOMING EVENTS AT STOCKER ARTS CENTER? There are so many different upcoming events you're bound to find something that will please all of those on your gift list!! Here's a sample of shows you can choose: Sunday, December 18, 2005 - 3:00pm - Great fun for the whole family! Mooseltoe, A New Moosical Book/Lyrics by Jim Semmelman, Music by George Kramer. Tickets $15.00/Adults; $10.00/Children 12 and under This is a story to see and to hear, of a moose who wants to fly with Santa's reindeer. He sets out on a quest, his mind on one thing, to seek and to find. the great wise Mooseking. Through trial and error, through friends and through foes, he continues his journey, he follows his nose. He's about to give up, he's reduced to tears, when suddenly one night, the great Mooseking appears! He teaches our hero, what we all can perceive, to look deep inside and learn to believe. The North Pole's in a panic and so is St. Nick, it's one of the reindeer, it's Blitzen. he's sick! I won't tell you more, suffice it to say, Mooseltoe is the hero, Mooseltoe saves the day! This hour-long odyssey of self-discovery has unforgettable costumed characters including snobby penguins, a walrus, a talking snowball, elves and Santa himself. Your entire family will embrace and cheer our lovable hero, Mooseltoe. Begin a new holiday tradition with this colorful and whimsical tale! Sunday, January 22, 2006 - 3:00pm - An inspirational afternoon of great music with great food available beforehand! Harlem Gospel Choir in Concert Concert Tickets $15.00/Adults; $10.00/Children 12 and under Gospel Brunch - Spitzer Conference Center at 1:15pm Brunch Tickets $15.00/Adults; $5.00/Children 12 and under Combined Concert/Brunch Tickets $29.00/Adults; $14.50/Children 12 and under The Harlem Gospel Choir was founded in 1986 by Allen Bailey. Made up of the finest singers and musicians from various Black Churches in Harlem, it has become one of the pre-eminent gospel choirs in the world. They have shared their message of love, peace and harmony with people from various nations, backgrounds and cultures, creating a better understanding of African-American culture and the inspirational music that is Gospel as it relates to the Black Church. Every performance strives to bring people and nations together while giving something back. Come for brunch and stay for the concert. It will feature songs that will touch the depths of your soul and raise your spirits to new heights! www.harlemgospelchoir.com Monday, February 13, 2006 (Series B) - 7:00pm - The show that changed the American musical forever! "Oklahoma!" Tickets $34.00/Orchestra; $27.00/Mezzanine Based on "Green Grow the Lilacs," a stage play by Lynn Riggs, "Oklahoma!" brought together for the first time composer Richard Rodgers and lyricist/librettist Oscar Hammerstein II. The duo would go on to write nine Broadway musicals together, but none would be as important for the development of American musical theatre as "Oklahoma!" Set soon after the beginning of the 20th century in the Indian territory now known as the state of Oklahoma, against a backdrop of the rivalry between cattlemen and farmers, the plot revolves mainly around the question of who will take farm girl Laurey Williams to the box social - the decent cowboy Curly McLain or the sinister farm hand Jud Fry. This sparkling new touring production is adapted from the Cameron Mackintosh presentation of the Royal National Theatre production that won the hearts of a new generation of theatergoers. "Oh, What a Beautiful Musical!" - NY Post The songs from "Oklahoma!" you'll recognize include: "Oh, What A Beautiful Morning'," "People Will Say We're in Love," "I Cain't Say No," and of course, the title song! Thursday, February 16, 2006 - 7:30pm - A variety show that will bring out the hip-hop in everyone! Illstyle and Peace Productions present "Same Spirit Different Movement" Tickets $15.00/Adults; $10.00/Children 12 and under Illstyle and Peace Productions is a multi-cultural male and female dance theatre company which fuses hip hop with various other styles of dance. They are committed to spreading unity, peace, love, respect, and fun through dance. This evening length theater/concert performance is a collaborative effort that brings various dance styles together. It includes vocal percussions, turntablism, spoken word, Popping, Locking, Breaking, Tap Dancing, DJing, Human Beat Boxing and various other styles. "Expect to see fabulous feats of spinning on the limbs and contorted body postures done with rhythm, speed, control and precision in both a choreographed and improvised manner." EPITOME MAGAZINE www.illstylerockers.net Wednesday, April 12, 2006 - 7:30pm - Shakespeare at his finest/funniest! National Players present "THE TAMING OF THE SHREW" Tickets $15.00/Adults; $10.00/Children 12 and under One of Shakespeare's most famous comedies, "THE TAMING OF THE SHREW" is a love story. It begins in Padua, where Lucentio arrives to attend the university, but his priorities change when he sees Bianca, a beautiful, mild young woman with whom he instantly falls in love. There are two problems: Bianca already has suitors; and her father, Baptista, has declared that no one may court her until her older sister, the ill-tempered Katherine, is married. Enter Petruchio, a brash young man from Verona, who arrives in Padua to marry a rich woman, and does not care what she is like as long as she brings him a fortune. He agrees to marry Katherine sight unseen. Do Petruchio and Katherine wed? Who gets "tamed?" Is it possible there is more than one "shrew" in the play? Come see this classic to find out the answers to these questions. www.nationalplayers.org Saturday, April 22, 2006 (Series B) - 7:30pm - Modern Dance at its best! Taylor 2 Dance Company Tickets $34.00/Orchestra; $27.00/Mezzanine Paul Taylor has been called a genius; a legend; a cultural icon. Time Magazine calls him "the reigning master of modern dance," and the New York Daily News declares him "the best choreographer in the world." Paul Taylor is the recipient of dozens of awards and honors. He was awarded the National Medal of the Arts by President Clinton in 1993, the same year he created Taylor 2, the junior ensemble of the Paul Taylor Dance Company. Working along with longtime colleague Linda Hodes, he established Taylor 2 to ensure that his works could be seen by audiences all over the world, unhindered by economic or logistical limitations. Mr. Taylor used the structure of his original company for Taylor 2: six professionals with a particular gift for his style who perform his masterworks in smaller venues throughout the world. The repertoire for Taylor 2 spans the broad spectrum of Mr. Taylor's work. Many of the dances performed by the company have been re-worked to enable the smaller ensemble of dancers in Taylor 2 to perform them. Critics and audiences alike cheer as Taylor 2 introduces the athleticism, humor and range of emotions found in Mr. Taylor's work. www.ptdc.org Besides the above mentioned events. there's also our 2006 Winter/Spring film series! If you decide tickets for Stocker Arts Center events and films are the perfect gift, please call the Stocker Arts Center Box Office, which is open from 12:00 noon to 6:00p.m. Mondays through Fridays and one-and-one-half hours before show time (PLEASE NOTE: The Box Office is closed November 24 & 25 and December 19, 2005 through January 1, 2006 - SO ACT NOW!!). The Box Office can be reached by calling (800) 995-5222 ext. 4040 or (440) 366-4040. The Stocker Arts Center is on the campus of Lorain County Community College, 1005 North Abbe Road, Elyria, Ohio 44035. For further information on the films and events and/or directions to Stocker, go to www.lorainccc.edu/stocker Please share all that we have to offer at the Stocker Arts Center with friends and family this holiday season! Janet Herman Barlow Director, Stocker Arts Center Lorain County Community College 1005 North Abbe Road Elyria, Ohio 44035 440.366.7105 or 1.800.995.5222 ext. 7105 440.366.4101 [fax] jbarlow at lorainccc.edu www.lorainccc.edu/stocker ------=_NextPart_000_0096_01C5EEBD.EC1620F0 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable

GIVE A MOOSE FOR THE HOLIDAYS!!  OR HOW ABOUT THE AMERICAN FRONTIER?? 

 

Now that = Thanksgiving is upon us…

Are you starting = to think about finding that perfect gift for loved ones and friends this holiday = season?

 

HOW ABOUT TICKETS FOR UPCOMING EVENTS AT = STOCKER = ARTS CENTER?<= /i>

 

There are so many different upcoming events = you’re bound to find something that will please all of those on your gift = list!!  Here’s a sample of shows you can = choose:

 

Sunday, December 18, 2005 – 3:00pm = – Great fun for the whole family!
Mooseltoe, A New = Moosical
Book/Lyrics by Jim Semmelman, Music by George Kramer.

Tickets $15.00/Adults; = $10.00/Children 12 and under

This is a story to see and to hear, of a moose who wants to fly with = Santa’s reindeer.  He sets out on a quest, his mind on one thing, to seek = and to find… the great wise Mooseking.  Through trial and error, = through friends and through foes, he continues his journey, he follows his = nose.  He’s about to give up, he’s reduced to tears, when suddenly = one night, the great Mooseking appears!  He teaches our hero, what we = all can perceive, to look deep inside and learn to believe.  The North Pole’s in a panic and so is St. Nick, it’s one of the = reindeer, it’s Blitzen… he’s sick!  I won’t tell you = more, suffice it to say, Mooseltoe is the hero, Mooseltoe saves the day!  = This hour-long odyssey of self-discovery has unforgettable costumed = characters including snobby penguins, a walrus, a talking snowball, elves and Santa himself.  Your entire family will embrace and cheer our lovable = hero, Mooseltoe.  Begin a new holiday tradition with this colorful and = whimsical tale! 

 

Sunday, January 22, 2006 – 3:00pm = – An inspirational afternoon of great music = with great food available beforehand!
Harlem Gospel Choir in Concert

Concert Tickets $15.00/Adults; $10.00/Children 12 = and under
Gospel Brunch - Spitzer Conference Center at = 1:15pm
Brunch Tickets $15.00/Adults; $5.00/Children 12 and under
Combined Concert/Brunch Tickets =
$29.00/Adu= lts; $14.50/Children 12 and under

The Harlem Gospel Choir was founded in 1986 by Allen Bailey.  Made up of the finest singers and musicians from various = Black Churches in Harlem, it has become one = of the pre-eminent gospel choirs in the world.  They have shared their = message of love, peace and harmony with people from various nations, backgrounds = and cultures, creating a better understanding of African-American culture = and the inspirational music that is Gospel as it relates to the Black Church.  Every performance strives to bring people and nations together while = giving something back.  Come for brunch and stay for the concert. It will = feature songs that will touch the depths of your soul and raise your spirits to = new heights!  www.harlemgospelchoir.com

 

Monday, = February 13, 2006 (Series B) – 7:00pm – The show that changed the American musical = forever!
"Oklahoma!”

Tickets $34.00/Orchestra; = $27.00/Mezzanine

Based on “Green Grow the Lilacs,” = a stage play by Lynn Riggs, “Oklahoma!” brought together for the first time composer Richard Rodgers and lyricist/librettist Oscar Hammerstein II.  The duo would go on to = write nine Broadway musicals together, but none would be as important for the development of American musical theatre as “Oklahoma!”  Set soon = after the beginning of the 20th century in the Indian territory now known as the = state of Oklahoma, against a backdrop of the rivalry between cattlemen and = farmers, the plot revolves mainly around the question of who will take farm girl = Laurey Williams to the box social – the decent cowboy Curly McLain or the sinister farm hand Jud Fry.  This sparkling new touring production = is adapted from the Cameron Mackintosh presentation of the Royal National = Theatre production that won the hearts of a new generation of = theatergoers.  “Oh, What a Beautiful Musical!” – NY = Post    The songs from “Oklahoma!” you’ll recognize include:  “Oh, What A Beautiful Morning’,” “People Will Say We’re in = Love,” “I Cain’t Say No,” and of course, the title = song!

 

Thursday, February 16, 2006 – 7:30pm = – A variety show that will bring out the hip-hop in = everyone!
Illstyle and Peace Productions = present “Sam= e Spirit Different Movement”

Tickets $15.00/Adults; $10.00/Children 12 and = under

Illstyle and Peace Productions is a multi-cultural male and female dance theatre company which fuses hip hop = with various other styles of dance.  They are committed to spreading = unity, peace, love, respect, and fun through dance.  This evening length = theater/concert performance is a collaborative effort that brings various dance styles together.  It includes vocal percussions, turntablism, spoken word, Popping, Locking, Breaking, Tap Dancing, DJing, Human Beat Boxing and = various other styles.  “Expect to see fabulous feats of spinning on the limbs and contorted body = postures done with rhythm, speed, control and precision in both a choreographed and improvised manner.”  EPITOME MAGAZINE   www.illstylerockers.net

 

Wednesday, April 12, 2006 – 7:30pm = – Shakespeare at his finest/funniest!
National = Players present "THE = TAMING OF THE SHREW”

Tickets $15.00/Adults; $10.00/Children 12 and under

One of Shakespeare’s most = famous comedies, “THE TAMING OF THE SHREW” is a love story.  = It begins in Padua, where Lucentio arrives to attend the university, but = his priorities change when he sees Bianca, a beautiful, mild young woman = with whom he instantly falls in love.  There are two problems: Bianca already = has suitors; and her father, Baptista, has declared that no one may court = her until her older sister, the ill-tempered Katherine, is married.  Enter Petruchio, a brash young man from Verona, who arrives in Padua to marry a rich woman, and does not care what she is like as long as she = brings him a fortune.  He agrees to marry Katherine sight unseen.  Do Petruchio and Katherine wed?  Who gets “tamed?”  = Is it possible there is more than one “shrew” in the play?  = Come see this classic to find out the answers to these questions.  www.nationalplayers.org

 

Saturday, April 22, 2006 (Series B) – 7:30pm = – Modern Dance at its = best!
Taylor 2 Dance Company

Tickets $34.00/Orchestra; = $27.00/Mezzanine =

Paul Taylor has been called a = genius; a legend; a cultural icon.  Time Magazine calls him “the reigning = master of modern dance,” and the New York Daily News declares him “the best choreographer in the world.”  Paul Taylor is the recipient of dozens of awards and honors.  He was awarded the National Medal of the Arts by President Clinton in 1993, the same year he created Taylor 2, the junior ensemble of the Paul Taylor Dance Company.  Working = along with longtime colleague Linda Hodes, he established Taylor 2 to ensure that his works = could be seen by audiences all over the world, unhindered by economic or = logistical limitations.  Mr. Taylor used the structure of his original company = for Taylor 2: six professionals with a particular gift for his style who perform his = masterworks in smaller venues throughout the world.  The repertoire for = Taylor 2 spans = the broad spectrum of Mr. Taylor’s work.  Many of the dances performed = by the company have been re-worked to enable the smaller ensemble of dancers in = Taylor 2 to = perform them.  Critics and audiences alike cheer as Taylor 2 introduces the athleticism, = humor and range of emotions found in Mr. Taylor’s work.  www.ptdc.org 

=

 =

Besides the = above mentioned events… there’s also our 2006 Winter/Spring film = series!

  =

If you decide tickets for Stocker Arts Center events and films are the perfect gift, please call the Stocker Arts = Center Box Office, which is open from 12:00 noon to 6:00p.m. Mondays through = Fridays and one-and-one-half hours before show time (PLEASE NOTE:  The Box = Office is closed November 24 & 25 and December 19, 2005 through January 1, = 2006 – SO ACT NOW!!).  The Box Office can be reached by calling (800) = 995-5222 ext. 4040 or (440) 366-4040.

 

The Stocker Arts Center is on the campus of Lorain County Community College, 1005 North Abbe Road, Elyria, Ohio  44035.  For further information on the films and events and/or directions = to Stocker, go to www.lorainccc.edu/stocker=

Please share all that we have to offer at the Stocker Arts Center with = friends and family this holiday season!

 

 

Janet Herman Barlow

Director, Stocker Arts Center

Lorain County  Community College

1005 North Abbe = Road

Elyria, Ohio  44035

440.366.7105 or

1.800.995.5222 ext. 7105

440.366.4101 [fax]

jbarlow at lorainccc.edu

www.lorainccc.edu/stocker

 

 

 

------=_NextPart_000_0096_01C5EEBD.EC1620F0-- From aj.higbee at sbcglobal.net Mon Nov 21 14:27:28 2005 From: aj.higbee at sbcglobal.net (Alan or Judith Higbee) Date: Mon, 21 Nov 2005 17:27:28 -0500 Subject: [NEohioPAL]East side church seeks bass section leader Message-ID: <000c01c5eeea$c2e5df90$0100a8c0@BABYLAPTOP> This is a multi-part message in MIME format. ------=_NextPart_000_0009_01C5EEC0.D8A09020 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Church of the Saviour in Cleveland Hts. is looking for a bass = soloist/section leader. =20 We have hired a tenor section leader for about 10 years and now are = adding a bass to the Chancel Choir. Rehearsals are on Thursdays from = 7:30-9:15 p.m. and the choir sings regularly at the 11:00 a.m. worship = service. We average about 30 singers on a Sunday morning and do = traditional repertoire of the past and music by living composers as = well. We are preparing to present Mozart's Coronation Mass in February. = For more information please contact: Judith Higbee Director of Music Church of the Saviour (United Methodist) 2537 Lee Road Cleveland Hts., OH 44118 216-321-8880 higbee at chsaviour.org ------=_NextPart_000_0009_01C5EEC0.D8A09020 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
Church of the = Saviour in=20 Cleveland Hts. is looking for a bass soloist/section=20 leader. 
We have hired a tenor section = leader for about=20 10 years and now are adding a bass to the Chancel Choir. Rehearsals = are on=20 Thursdays from 7:30-9:15 p.m. and the choir sings regularly at the 11:00 = a.m.=20 worship service. We average about 30 = singers on a=20 Sunday morning and do traditional repertoire of the past and music by = living=20 composers as well. We are = preparing to=20 present Mozart's Coronation Mass in February.  
 
For more information please = contact:
Judith Higbee
Director of Music
Church of the Saviour (United=20 Methodist)
2537 Lee Road
Cleveland Hts., OH 44118
216-321-8880
higbee at chsaviour.org
------=_NextPart_000_0009_01C5EEC0.D8A09020-- From aj.higbee at sbcglobal.net Mon Nov 21 14:39:00 2005 From: aj.higbee at sbcglobal.net (Alan or Judith Higbee) Date: Mon, 21 Nov 2005 17:39:00 -0500 Subject: [NEohioPAL]Auditions for The Crucible in Cleveland Hts. Message-ID: <002a01c5eeec$5f1c4d30$0100a8c0@BABYLAPTOP> This is a multi-part message in MIME format. ------=_NextPart_000_0027_01C5EEC2.74CFF8E0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable AUDITIONS FOR THE CRUCIBLE=20 Arts in the Cathedral of Church of the Saviour, 2537 Lee Road, Cleveland = Heights, announces auditions for Arthur Miller's play The Crucible on = Saturday, December 3, 2005 from 9 a.m. to noon. Cast includes 10 men = and 10 women. Some roles for younger females. One female role for = person of color from Barbados. =20 Set at the time of the Puritan witchcraft trials, Miller's masterpiece = retains its power as a parable of our contemporary society. It will be = done in period costume with minimal scenery as the author wished. = Actors should be familiar with the script and be willing to read for = different roles. =20 Performance dates are March 3, 4 at 8 p.m. and March 5, 2006 at 3 p.m. = Director is Dick Meadows who can be reached for details at 216-321-7698 = daytime. Dick's directing credits include Cain Park, The Jewish = Community Center, Theatre in the Valley, and Cuyahoga Community College. =20 For more information please contact Dick Meadows at 216-321-7698 = daytime or rnm34 at ohiohills.com Judith Higbee Director of Music Church of the Saviour 2537 Lee Road Cleveland Heights, OH 44118 higbee at chsaviour.org ------=_NextPart_000_0027_01C5EEC2.74CFF8E0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable

AUDITIONS=20 FOR THE CRUCIBLE

Arts=20 in the Cathedral of Church of the Saviour, 2537 Lee = Road, Cleveland=20 Heights, announces auditions = for=20 Arthur Miller=92s play The = Crucible on=20 Saturday, December 3,=20 2005=20 from 9=20 a.m.=20 to noon. =20 Cast includes 10 men and 10 women. =20 Some roles for younger females.  One female = role for=20 person of color from Barbados.
 
Set at the time of = the=20 Puritan witchcraft trials, Miller=92s masterpiece retains its power as a = parable=20 of our contemporary society.  = It=20 will be done in period costume with minimal scenery as the author = wished.  Actors should be familiar with = the=20 script and be willing to read for different = roles.
 
Performance dates = are March=20 3, 4 at 8 p.m. and March 5,=20 2006 at=20 3=20 p.m.  Director is = Dick = Meadows who can be reached for details at=20 216-321-7698 daytime.  = Dick=92s=20 directing credits include Cain Park, The Jewish Community Center, = Theatre in the=20 Valley, and Cuyahoga Community=20 College.
 
 For more information please contact = Dick=20 Meadows at 216-321-7698 daytime or rnm34 at ohiohills.com
 
 
Judith=20 Higbee
Director=20 of Music
Church=20 of the Saviour
2537=20 Lee Road
Cleveland=20 Heights,=20 OH = 44118
higbee at chsaviour.org
------=_NextPart_000_0027_01C5EEC2.74CFF8E0-- From bangandclatter at netzero.net Mon Nov 21 14:50:12 2005 From: bangandclatter at netzero.net (bangandclatter at netzero.net) Date: Mon, 21 Nov 2005 22:50:12 GMT Subject: [NEohioPAL]Bang and Clatter Auditions Message-ID: <20051121.145101.13019.6799@webmail05.lax.untd.com> ----__JWM__J3b0e.1b32S.3061M Content-Transfer-Encoding: quoted-printable Content-Disposition: inline Content-Type: text/plain The Bang & the Clatter Theatre Company Ohio's Newest Professional Theatre = Announces open auditions for it's second production. The Northeast Ohio premiere of = Patrick Marber's CLOSER Four lives intertwine over the course of four and a half years in this d= ensely plotted, stinging look at modern love and betrayal. Dan, an obitu= ary writer, meets Alice, a stripper, after an accident in the street. Ei= ghteen months later, they are a couple, and Dan has written a novel insp= ired by Alice. While posing for his book jacket cover, Dan meets Anna, a= photographer. He pursues her but she rejects his advances despite their= mutual attraction. Larry, a dermatologist, "meets" Dan in an internet c= hat room. Dan, obsessing over Anna, pretends to be her and has cybersex = with Larry. They arrange to meet the next day at an aquarium. Larry arri= ves and so too, coincidentally, does the real Anna. This sets up a serie= s of pass-the-lover scenes in which this quartet struggle to find intima= cy but can't seem to get closer. Thursday, December 1 and = Friday, December 2 @ 7 p.m. Summit ArtSpace 140 East Market Street Akron, OH 4 parts available (2m, 2w) early 20's to 40's. = Please prepare two monologues for the audition. Production runs January 12 - February 11, 2006 Call for 330-606-5317 for information & directions. = ----__JWM__J3b0e.1b32S.3061M Content-Transfer-Encoding: quoted-printable Content-Disposition: inline Content-Type: text/html

The Bang & the Clatte= r Theatre Company

Ohio's Newest Professional Theatre<= /EM>

Announces open auditions for it's second = production.

The Northeast Ohio premiere of

Patrick Marber's

CLOSER

Four lives intertwine over the course of four and = a half years in this densely plotted, stinging look at modern love and b= etrayal. Dan, an obituary writer, meets Alice, a stripper, after an acci= dent in the street. Eighteen months later, they are a couple, and Dan ha= s written a novel inspired by Alice. While posing for his book jacket co= ver, Dan meets Anna, a photographer. He pursues her but she rejects his = advances despite their mutual attraction. Larry, a dermatologist, "meets= " Dan in an internet chat room. Dan, obsessing over Anna, pretends to be= her and has cybersex with Larry. They arrange to meet the next day at a= n aquarium. Larry arrives and so too, coincidentally, does the real Anna= . This sets up a series of pass-the-lover scenes in which this quartet s= truggle to find intimacy but can't seem to get closer.

Thursday, December 1 and

Friday, December 2

@ 7 p.m.

Summit ArtSpace=

140 East Market Street

Akron, OH

4 parts available (2m, 2w) earl= y 20's to 40's.

Please prepare two monologues for the audition.

Production runs January 12 - Fe= bruary 11, 2006

Call for 330-606-5317 for infor= mation & directions.

 

----__JWM__J3b0e.1b32S.3061M-- From Artistschair2005 at aol.com Mon Nov 21 16:20:36 2005 From: Artistschair2005 at aol.com (Artistschair2005 at aol.com) Date: Mon, 21 Nov 2005 19:20:36 EST Subject: [NEohioPAL]Special CPT DISCOUNT for NEohioPAL Subscribers Message-ID: <62.614cfe1c.30b3be54@aol.com> -------------------------------1132618836 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Dear NEohioPAL Subscribers, Cleveland Public Theatre is pleased to offer YOU AND A GUEST a special discounted admission rate of $10 per ticket to the Wednesday and Friday evening preview performances of "The Santaland Diaries" and "Mrs. Bob Cratchit's Wild Christmas Binge." The Santaland Diaries, Wednesday, November 23 (7:30 pm) and Friday, November 25 (8 pm) Mrs. Bob Cratchit's Wild Christmas Binge, Wednesday, November 23 (7:30 pm) and Friday, November 25 (8 pm) To order your tickets, please call the CPT Box Office at (216) 631-2727 or visit _www.cptonline.org_ (http://www.cptonline.org) Can't make the previews, don't fret, you can binge on the holiday raucous through December 18! -------------------------------1132618836 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
Dear NEohioPAL Subscribers,
 
Cleveland Public Theatre is pleased to offer YOU AND A GUEST a special=20 discounted admission rate of $10 per ticket to the Wednesday and=20 Friday evening preview performances of "The Santaland Diaries" and "Mrs. Bob= =20 Cratchit's Wild Christmas Binge."
 
The Santaland Diaries, Wednesday, November 23 (7:30 pm) and Friday,=20 November 25 (8 pm)
 
Mrs. Bob Cratchit's Wild Christmas Binge, Wednesday, November 23 (7:30=20= pm)=20 and Friday, November 25 (8 pm)
 
To order your tickets, please call the CPT Box Office at (216) 631-2727= or=20 visit www.cptonline.org
 
Can't make the previews, don't fret, you can binge on the holiday rauco= us=20 through December 18!
 -------------------------------1132618836-- From hotcarl at adelphia.net Mon Nov 21 16:28:19 2005 From: hotcarl at adelphia.net (carlferrara) Date: Mon, 21 Nov 2005 19:28:19 -0500 Subject: [NEohioPAL]Hot Carl's 2nd annual Turkey Jam Stand Up Comedy Show Wed 23 @9pm Message-ID: <000c01c5eefb$a36f0090$d3ca4644@HOTCARLDESKTOP> This is a multi-part message in MIME format. ------=_NextPart_000_0009_01C5EED1.BA623120 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Wed. Nov 23=20 Comedy Showcase Hot Carl's 2nd Annual Turkey Jam At the=20 Cleveland Blackbox Theater (Cabaret Dada) 1210 West 6th street 9:00 P.M. Under the liquid/fusion Next to dive bar $10.00 4 comics Hot Carl Ferrara Ray DeVito Patrick Fisher MC Shawn Paul More info contact Hot Carl Ferrara 216-469-9077 carlferrara at earthlink.net ------=_NextPart_000_0009_01C5EED1.BA623120 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable

Wed. Nov 23

Comedy Showcase

Hot Carl=92s 2nd Annual = Turkey=20 Jam

At the

Cleveland Blackbox = Theater

(Cabaret Dada)

1210 West 6th street

9:00 P.M.

Under the liquid/fusion

Next to dive bar

$10.00

4 comics

Hot Carl Ferrara

Ray DeVito

Patrick Fisher

MC Shawn Paul

More info contact Hot Carl = Ferrara

216-469-9077

carlferrara at earthlink.net

------=_NextPart_000_0009_01C5EED1.BA623120-- From bnardi9 at hotmail.com Mon Nov 21 16:34:11 2005 From: bnardi9 at hotmail.com (billy nardi) Date: Tue, 22 Nov 2005 00:34:11 +0000 Subject: [NEohioPAL]Don't Be a Wallflower...HMMM?? Message-ID:

 

 

Billy Nardi invites:

All filmmakers, actors, musicians, writers, artists, friends, beautiful women, whatever your genre is?

Come to the bars to network. I am not one to hype things up, but before the night is over, you might be convinced that this is the best night to go to the bars all year long. I might be wrong, right?

 

WHAT: Time Warp Bar

WHERE: Westlake

WHEN: thWednesday Night

before Thanksgiving (11.23.2005)

AT: 10:00PM

 

ADDRESS:

Time Warp

26261 Center Ridge

Westlake, Ohio

 

 

 

On the corner of Canterbury/Center Ridge.

Take I-90 or 480.

Get there as early as possible, before it is packed, when the bar is full, you have to wait for others to leave to get in.

This a fairly small bar, with couches and a small dance floor...

Best advice I can give...Take A Cab Home Please!!

From mmiloro at adelphia.net Mon Nov 21 20:01:17 2005 From: mmiloro at adelphia.net (Mark Miloro) Date: Mon, 21 Nov 2005 23:01:17 -0500 Subject: [NEohioPAL]Auditions for Blithe Spirit at GLTG Message-ID: <011501c5ef19$640e3240$15d13218@owner4878dffa1> This is a multi-part message in MIME format. ------=_NextPart_000_0112_01C5EEEF.7B1204A0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Geauga Lyric Theater Guild Auditions: =20 Blithe Spirit Monday & Tuesday Dec 5 & 6=20 >From 7:oo to 9:00 p.m. At TheGeauga Theater=20 Located on Historic Chardon Square=20 Performance dates: Feb 10, 11, 12, 17, 18, 19 24, 25,26 Directed by Patricia Osredkar Written by Noel Coward, Blithe Spirit is a tale of "love everlasting" = which goes beyond the vow of "until death us do part." Charles, = socialite author, and his second wife, Ruth, are visited by some = eccentric guests and the ghost of Charles' first wife! Blithe Spirit = was one of the longest running comedies in the history of British = theatre and is still one of Coward's best-loved works, filled with his = trademark wit and slapstick comedy.=20 We are need in five women and two men for the following roles: Edith, the maid=20 Ruth, Charles' stylish second wife, middle 30s=20 Charles, around 40=20 Doctor Bradman, middle aged, pleasant=20 Mrs. Bradman, fair, rather faded=20 Madame Arcati, the medium, 45-65, mysterious=20 Elvira, ghost of Charles' departed first wife ------=_NextPart_000_0112_01C5EEEF.7B1204A0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
Geauga Lyric=20 Theater Guild Auditions:
 
Blithe=20 Spirit
 
Monday &=20 Tuesday  Dec 5 & 6
From 7:oo to 9:00 p.m.
At TheGeauga = Theater=20
Located on = Historic Chardon=20 Square

Performance dates:  Feb 10, 11, 12, 17, 18, 19 24,=20 25,26
 
Directed by Patricia = Osredkar

Written by=20 Noel Coward, Blithe Spirit = is a tale of=20 "love everlasting" which goes beyond the vow of "until death us do=20 part."  Charles,  socialite author, and his second = wife,=20 Ruth, are visited by some eccentric guests and the ghost of = Charles' first=20 wife!  Blithe Spirit was one of the = longest=20 running comedies in the history of British theatre and is still one of = Coward's=20 best-loved works, filled with his trademark wit and slapstick=20 comedy. 

We are need in five women and two men for = the=20 following roles:

Edith, the maid=20
Ruth, Charles' stylish second wife, middle 30s=20
Charles, around 40
Doctor = Bradman,=20 middle aged, pleasant
Mrs. Bradman, fair, rather = faded=20
Madame Arcati, the medium, 45-65, mysterious=20
Elvira, ghost of Charles' departed first wife=20
------=_NextPart_000_0112_01C5EEEF.7B1204A0-- From Grumio85 at aol.com Mon Nov 21 20:54:04 2005 From: Grumio85 at aol.com (Grumio85 at aol.com) Date: Mon, 21 Nov 2005 23:54:04 EST Subject: [NEohioPAL]Backstagers! Behold Beck's "Beauty" Message-ID: <27f.98ea3.30b3fe6c@aol.com> -------------------------------1132635244 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Backstage crew folk are still needed for Beck's upcoming run of... Beauty and the Beast The production runs basically the month of December, predominently on the weekends. Split shifts (ie Partial commitment) are possible in most positions. Still needed are follow spot operators and backstage crew (shift/props/dressers) These are volunteer positions. Crew receives 4 comp tickets for the run. Tech week begins Sunday, Nov. 27th. This promises to be a great show with an unforgetable backstage experience among a cast of amazing people. Sign on now! You'll be glad you did. Interested? More questions? Either reply to this e-mail, or call Scott at 216-521-2540 x239 -------------------------------1132635244 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
Backstage crew folk are still needed for Beck's upcoming run of= ...
 
Beauty and the Beast
 
The production runs basically the month of Decem= ber, predominently on the weekends. Split shifts (ie Partial commitment) are= possible in most positions. Still needed are follow spot operators and back= stage crew (shift/props/dressers)
 
These are volunteer positions. Crew receives 4 c= omp tickets for the run.
 
Tech week begins Sunday, Nov. 27th.
 
This promises to be a great show with an unforge= table backstage experience among a cast of amazing people. Sign on now! You'= ll be glad you did.
 
Interested? More questions? Either reply to this= e-mail, or call Scott at 216-521-2540 x239
-------------------------------1132635244-- From cinevid at yahoo.com Mon Nov 21 21:39:24 2005 From: cinevid at yahoo.com (Bill) Date: Mon, 21 Nov 2005 21:39:24 -0800 (PST) Subject: [NEohioPAL]"Left for Dead" gets reviewed by Filmthreat Message-ID: <20051122053924.96551.qmail@web60316.mail.yahoo.com> --0-1594652428-1132637964=:96366 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit THE WALL STREET JOURNAL NAMED FILMTHREAT ONE OF THE TOP FIVE MOVIE WEB SITES ON THE INTERNET! Filmthreat, one of the first websites to cater to independent films has just reviewed our short film, "Left for Dead" Check it out on the front page at www.Filmthreat.com or at this link: http://www.filmthreat.com/index.php?section=reviews&Id=8173 A special thanks to Eric Campos, Chris Gore's right hand man who took the time to write such a nice review. The site recieves nearly 500,000 visitors every month. --------------------------------- Yahoo! FareChase - Search multiple travel sites in one click. --0-1594652428-1132637964=:96366 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
THE WALL STREET JOURNAL NAMED FILMTHREAT ONE OF THE TOP FIVE MOVIE WEB SITES ON THE INTERNET!
Filmthreat, one of the first websites to cater to independent films has just reviewed our short film, "Left for Dead" Check it out on the front page at www.Filmthreat.com or at this link:
 
 
A special thanks to Eric Campos, Chris Gore's right hand man who took the time to write such a nice review. The site recieves nearly 500,000 visitors every month.
 

Yahoo! FareChase - Search multiple travel sites in one click. --0-1594652428-1132637964=:96366-- From mjr64 at adelphia.net Mon Nov 21 23:37:36 2005 From: mjr64 at adelphia.net (Michael Rubin ) Date: Tue, 22 Nov 2005 02:37:36 -0500 Subject: [NEohioPAL]Eric Mull and "Bob" the Dog Message-ID: <000601c5ef37$9bc89220$740fa8c0@mikescomputer> This is a multi-part message in MIME format. ------=_NextPart_000_0003_01C5EF0D.B2C07DA0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Kudos and ear scratches to Eric Mull Photography and his dog "Bob" for = hosting a great party for Aftra folks last night. Catered hot snacks,imported beer,genuine people,and a union dog made for = a fun and productive shindig. Yes,the union work here is far and few,but so are the egos. "Bob the Dog",what a player ! How come ladies never scratch my ear at = first hello? Thanks Guys Michael Rubin ------=_NextPart_000_0003_01C5EF0D.B2C07DA0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
Kudos and ear scratches to Eric Mull = Photography=20 and his dog "Bob" for hosting a great party for Aftra folks last=20 night.
Catered hot snacks,imported = beer,genuine people,and=20 a union dog made for a fun and productive shindig.
Yes,the union work here is far and = few,but so are=20 the egos.
"Bob the Dog",what a player ! How come = ladies never=20 scratch my ear at first hello?
Thanks Guys
Michael = Rubin
------=_NextPart_000_0003_01C5EF0D.B2C07DA0-- From KillingTimeLTD at aol.com Tue Nov 22 04:22:48 2005 From: KillingTimeLTD at aol.com (KillingTimeLTD at aol.com) Date: Tue, 22 Nov 2005 07:22:48 EST Subject: [NEohioPAL]ACTRESSES NEEDED 12/10 Message-ID: <279.f3432.30b46798@aol.com> -------------------------------1132662168 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Need two actresses for a murder mystery event being held on Saturday December 10 from 6-9 pm in North Ridgeville. Must be over 18 and able to stay in character. Improv training & comedic timing a plus but not a necessity. Must be able to memorize script. Pays $75. French Maid: age range 21-35, accent preferred but not necessary A Dizzy Blonde: age range 21-45, stereotypical, not-so-bright buxom blonde Please email resume and headshot to the address above (_killingtimeltd at aol.com_ (mailto:killingtimeltd at aol.com) ). -------------------------------1132662168 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
     Need two actresses for a murder myst= ery=20 event being held on Saturday December 10 from 6-9 pm in North=20 Ridgeville. Must be over 18 and able to stay in character.  Improv= =20 training & comedic timing a plus but not a necessity. Must be able to=20 memorize script. Pays $75.=20
 
French Maid: age range 21-35, accent preferred but not necessary
 
A Dizzy Blonde: age range 21-45, stereotypical, not-so-bright buxom=20 blonde
    
    Please email resume and headshot to the address= =20 above (killingtimeltd at aol.com).
 -------------------------------1132662168-- From popcycles at sbcglobal.net Tue Nov 22 05:35:11 2005 From: popcycles at sbcglobal.net (D. Budin) Date: Tue, 22 Nov 2005 05:35:11 -0800 (PST) Subject: [NEohioPAL]Benefit screening of "Spinal Tap" for Contemporary Youth Orchestra Message-ID: <20051122133511.40230.qmail@web81805.mail.mud.yahoo.com> --0-650749462-1132666511=:33857 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Contemporary Youth Orchestra Presents Benefit Screening of This Is Spinal Tap The Contemporary Youth Orchestra is celebrating its 11th season and CYO?s slogan for the season is ?Take It to Eleven!? ? inspired by the movie This Is Spinal Tap. In the movie ? Rob Reiner?s hilarious ?mockumentary? about the fictional rock band Spinal Tap ? the group gets amps that go to 11 because 10 is not loud enough. For CYO, it?s not about volume, but about going beyond what is expected and anticipated, which the orchestra continually does. CYO is composed of more than 100 of the best high school-age musicians in this region, representing more than 40 schools. To kick off this season, CYO is presenting a benefit screening of This Is Spinal Tap on Saturday, November 26 Cleveland State University?s Drinko Recital Hall ? in the Music and Communications Building at 2001 Euclid Avenue (the north-west corner of Euclid Avenue and E. 21st Street). The doors will open at 10:15 p.m., and the movie will be shown at 11 p.m. Donations of any amount will be accepted. The suggested donation is $11. Popcorn and soda will be provided. For more information, call 216-321-3525. --0-650749462-1132666511=:33857 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit

Contemporary Youth Orchestra Presents Benefit Screening of This Is Spinal Tap

 

The Contemporary Youth Orchestra is celebrating its 11th season and CYO?s slogan for the season is ?Take It to Eleven!? ? inspired by the movie This Is Spinal Tap. 

 

In the movie ? Rob Reiner?s hilarious ?mockumentary? about the fictional rock band Spinal Tap ? the group gets amps that go to 11 because 10 is not loud enough.  For CYO, it?s not about volume, but about going beyond what is expected and anticipated, which the orchestra continually does.

 

CYO is composed of more than 100 of the best high school-age musicians in this region, representing more than 40 schools.

 

To kick off this season, CYO is presenting a benefit screening of This Is Spinal Tap on Saturday, November 26 Cleveland State University?s Drinko Recital Hall ? in the Music and Communications Building at 2001 Euclid Avenue (the north-west corner of Euclid Avenue and E. 21st Street).  The doors will open at 10:15 p.m., and the movie will be shown at 11 p.m.

 

Donations of any amount will be accepted. The suggested donation is $11.  Popcorn and soda will be provided.

 

For more information, call 216-321-3525.

--0-650749462-1132666511=:33857-- From rockandroller1 at yahoo.com Tue Nov 22 06:15:37 2005 From: rockandroller1 at yahoo.com (Nina McCollum) Date: Tue, 22 Nov 2005 06:15:37 -0800 (PST) Subject: [NEohioPAL]New Orleans musicians benefit Message-ID: <20051122141537.30601.qmail@web50409.mail.yahoo.com> Passing along information about a benefit I thought the list folks might be interested in attending. 100% of the proceeds will benefit The Tipitina's Foundation, a coalition offering housing solutions for musicians affected by Hurricane Katrina. One of NE Ohio's most excellent bands, Kent's 15-60-75 ("The Numbers Band") will be on the bill, with some other great acts. >From the Tree City of Kent to the Crescent City of New Orleans, join people who love music and culture. NEW ORLEANS MUSICIANS RELIEF BENEFIT Music, Art, Food & Silent Auction Sunpie - w/Bruce Barnes, singer, zydeco accordionist, blues harmonica, piano, African drums The Numbers Band - blues/jazz originals The Prayer Warriors - award winning performing arts group Lester - 1920s jazz Pat Sweany - Kent's newest blues man Derek de Prator - blues guitarist WHEN: DECEMBER 10, 7pm. (doors at 6:30) WHERE: The Outpost, 4962 Rt. 43, Kent, Ohio TIX: $12 advance, $15 day of, $10 w/valid college ID. ticketweb.com, Woodsy's music (Kent) or Square Record Store (Highland Square) For more information: numbersband.com, outpostkent.com, or emailbrassfornola at yahoo.com __________________________________ Yahoo! FareChase: Search multiple travel sites in one click. http://farechase.yahoo.com From vwilson at karamu.com Tue Nov 22 06:36:16 2005 From: vwilson at karamu.com (vivian wilson) Date: Tue, 22 Nov 2005 09:36:16 -0500 Subject: [NEohioPAL]Black Nativity @ Karamu House Message-ID: Vivian C. Wilson Marketing Manager Phone: (216) 795-7070 x215 vwilson at karamu.com FOR IMMEDIATE RELEASE ? Monday - November 21, 2005 RE: BLACK NATIVITY & Holiday Events ?O Come all Yee Faithful? to the 20th years run of Karamu Performing Arts Theatre holiday favorite, Black Nativity written by Karamu Alumni, Langston Hughes, December 9 thru December 30, 2005, in the Jelliffe Theatre. Black Nativity continues to dazzle audiences of all ages with its rousing gospel music, superbly performed dance numbers, brilliant costumes and the majesty of Langston Hughes? poetry. This year?s production is directed and choreographed by Cleveland native Terence M. Greene, instructor at The Cleveland School of Performing Arts. Terence Greene was a member of The Dayton Contemporary Dance Company and has choreographed for some of the top dance companies in the country. He is Artistic Director for Foluke?. Terence?s brings to the table his many years of dance training, performance and teaching plus his performance experience in the role of Joseph. Returning again this year to lead the musical endeavors is Clifton D. Beasley who has skillfully blended the multi-talents of some of Cleveland?s finest gospel singers and performers to bring the nativity story to life. The roles of ?Mary and Joseph? are gracefully danced by Kathleen Turner and Michael Medcalf principles of The Cleveland Contemporary Dance Theatre. Student dancers from the Cleveland School of Arts complement the performance as angels, shepherds and ushers. This combination of seasoned vocalist, new talented soloist, experienced and youthful dancers make this season?s production another must see for The Greater Cleveland and surrounding areas. For a feel good, family friendly production, put Black Nativity at the top of your lists of things to do this holiday season. Regular performance times for Black Nativity are 8:00 p.m. on Thursday, Friday and Saturdays and 3:00 p.m. on Sundays. Tickets are $20, $25 and $30.00 From vwilson at karamu.com Tue Nov 22 06:38:23 2005 From: vwilson at karamu.com (vivian wilson) Date: Tue, 22 Nov 2005 09:38:23 -0500 Subject: [NEohioPAL]Karamu House Auditions - Youth Production- Little Rock Nine Message-ID: FOR IMMEDIATE RELEASE ? Tuesday, November 22, 2005 Re: AUDITIONS for Karamu Youth Theatre Production of the World Premier of Breaking Barriers: Little Rock Nine By Nicole C. Kearney Cooper Saturday December 3 and from 11:00 am to 1:00 pm December 10, 2005 Roles available for actors & actresses ages 14 to 60. Performers, regardless of race are encouraged to attend. All performers will receive complimentary tickets for some performances. Rehearsals 2 days/week starting December 28. Performances each Saturday and Sunday from February 11 through February 26. For additional details: contact Director, Kimberly Brown @ (216) 702-6803 Auditions will be held at Karamu House; 2355 East 89th Street, Cleveland, Ohio 44106 in the Concert Hall. Performances will be at 2:00 pm on Saturdays and Sundays in Karamu?s Jelliffe Theatre during Black History Month, February 11, 2006 thru March 5, 2006 BREAKING BARRIERS: LITTLE ROCK NINE (World Premier) is told from the perspective of the nine students who integrated Central High School, in Little Rock, Arkansas, in September, 1957, amid much violence, hatred and protest. Join these famous "nine" students, their parents, and their protector Ms. Daisy Bates as they meet for the first time after they are chosen. As these nine students bond over the common desire for a better education, they begin to realize the impact it has on American society. Hear personal perspectives from Little Rock and the nation as the drama unfolds for those nine young Black students. ******** From ytplayhouse at aol.com Tue Nov 22 06:50:53 2005 From: ytplayhouse at aol.com (ytplayhouse at aol.com) Date: Tue, 22 Nov 2005 09:50:53 -0500 Subject: [NEohioPAL]AUDITIONS - STEEL MAGNOLIAS Message-ID: <8C7BD8B45C98603-1154-947@mblk-d30.sysops.aol.com> ----------MailBlocks_8C7BD8B45BFFC9F_1154_8AB_mblk-d30.sysops.aol.com Content-Type: text/plain; charset="us-ascii" The Youngstown Playhouse presents STEEL MAGNOLIAS January 20 - February 5 Directed by Kathy Appulgiese AUDITIONS are scheduled for November 28th and 29th at 7:00 PM at The Youngstown Playhouse. Casting Needs: 6 women, age range of late teen through late 60's. For more information, contact: The Youngstown Playhouse 600 Playhouse Lane Youngstown, OH 44511 330-788-8739 www.youngstownplayhouse.com ----------MailBlocks_8C7BD8B45BFFC9F_1154_8AB_mblk-d30.sysops.aol.com Content-Type: text/html; charset="us-ascii"
The Youngstown Playhouse presents
 
STEEL MAGNOLIAS
January 20 - February 5
Directed by Kathy Appulgiese
 
AUDITIONS are scheduled for November 28th and 29th at 7:00 PM at The Youngstown Playhouse.
 
Casting Needs:  6 women, age range of late teen through late 60's.
 
 
For more information, contact:
 
The Youngstown Playhouse
600 Playhouse Lane
Youngstown, OH 44511
330-788-8739
 
 
 
----------MailBlocks_8C7BD8B45BFFC9F_1154_8AB_mblk-d30.sysops.aol.com-- From artistschair2005 at aol.com Tue Nov 22 07:07:40 2005 From: artistschair2005 at aol.com (artistschair2005 at aol.com) Date: Tue, 22 Nov 2005 10:07:40 -0500 Subject: [NEohioPAL]Need a COMMERCIALS/VIDEO PROMOTIONS DIRECTOR? Frank R. Mixson & OTHER NEWS! Message-ID: <8C7BD8D9E20EB6B-5FC-AA6@FWM-M28.sysops.aol.com> ----------MailBlocks_8C7BD8D9E20EB6B_5FC_8F0_FWM-M28.sysops.aol.com Content-Type: text/plain; charset="us-ascii" ARTISTSCHAIR.COM'S "FEATURED ARTIST OF THE DAY" Commercials/Video Promotions Director - Frank R. Mixson (Location: Cleveland, Ohio) (November 22, 2005) To view Frank's profile, visit http://www.artistschair.com Latest Members' CONTEST Giveaway (November 18, 2005) The artistschair.com member that is chosen at random by the database to be the Wednesday, November 23 "Featured Artist of the Day" will win two passes, good for four admissions to the December 1 (7:30 pm) Loews Richmond Town Square advanced screening of "The Family Stone" featuring Claire Danes, Diane Keaton, Rachel McAdams, Dermot Mulroney, Craig T. Nelson, Sarah Jessica Parker and Luke Wilson. Take friends or take family, either way, GET OUT and SEE NORTHEAST OHIO! Not a member of artistschair.com yet? Join today for FREE! Networking EVENT & PARTY for Artists and Those that Hire Talent (November 10, 2005) A GREAT BIG THANK YOU to all who attended the November 9 artistschair.com Networking Event which took place at 1300 Gallery. Photos from the event will be posted to the artistschair.com directory soon. FIND an Artist! Make your event or project extra memorable. Find entertainers and technicians in our FREE and easy-to-use database featuring photos and profiles of local artists in more than 100 different talent fields. BE an Artist! Let your talents and services be known. Become a member for FREE and highlight all talent fields that apply to you. Upload photos of yourself and/or samples of your work, edit your own information and have your profiles viewed by those searching for your talents and services. Our MISSION Artistschair.com is committed to PROMOTING and RAISING AWARENESS of local artists, arts-related institutions and issues and the NORTHEAST OHIO REGION as well as serving the needs of those searching for CREATIVE TALENT and resources. ----------MailBlocks_8C7BD8D9E20EB6B_5FC_8F0_FWM-M28.sysops.aol.com Content-Type: text/html; charset="us-ascii"
  
            ARTISTSCHAIR.COM'S "FEATURED ARTIST OF THE DAY"
Commercials/Video Promotions Director - Frank R. Mixson (Location: Cleveland, Ohio)
 
(November 22, 2005) To view Frank's profile, visit http://www.artistschair.com
 
Latest Members' CONTEST Giveaway
(November 18, 2005) The artistschair.com member that is chosen at random by the database to be the Wednesday, November 23 "Featured Artist of the Day" will win two passes, good for four admissions to the December 1 (7:30 pm) Loews Richmond Town Square advanced screening of "The Family Stone" featuring Claire Danes, Diane Keaton, Rachel McAdams, Dermot Mulroney, Craig T. Nelson, Sarah Jessica Parker and Luke Wilson.  
 
Take friends or take family, either way, GET OUT and SEE NORTHEAST OHIO! Not a member of artistschair.com yet? Join today for FREE!
 
Networking EVENT & PARTY for Artists and Those that Hire Talent
(November 10, 2005) A GREAT BIG THANK YOU to all who attended the November 9 artistschair.com Networking Event which took place at 1300 Gallery. Photos from the event will be posted to the artistschair.com directory soon.
  
FIND an Artist!
Make your event or project extra memorable. Find entertainers and technicians in our FREE and easy-to-use database featuring photos and profiles of local artists in more than 100 different talent fields.
 
BE an Artist!
Let your talents and services be known. Become a member for FREE and highlight all talent fields that apply to you. Upload photos of yourself and/or samples of your work, edit your own information and have your profiles viewed by those searching for your talents and services.
 
Our MISSION
Artistschair.com is committed to PROMOTING and RAISING AWARENESS of local artists, arts-related institutions and issues and the NORTHEAST OHIO REGION as well as serving the needs of those searching for CREATIVE TALENT and resources.
 
----------MailBlocks_8C7BD8D9E20EB6B_5FC_8F0_FWM-M28.sysops.aol.com-- From larry_goodpaster at sbcglobal.net Tue Nov 22 08:23:22 2005 From: larry_goodpaster at sbcglobal.net (Larry Goodpaster) Date: Tue, 22 Nov 2005 11:23:22 -0500 Subject: [NEohioPAL]Sound Board Operator Needed for Beauty and the Beast at the Beck Center Message-ID: <001a01c5ef81$0edd2200$230110ac@Fastone> This is a multi-part message in MIME format. ------=_NextPart_000_001B_01C5EF57.26071A00 Content-Type: multipart/alternative; boundary="----=_NextPart_001_001C_01C5EF57.26071A00" ------=_NextPart_001_001C_01C5EF57.26071A00 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit WANTED: SOUND BOARD OPERATOR The Beck Center for the Arts in Lakewood has an immediate opening for a sound board operator for the upcoming production of Beauty and the Beast November 27 - December 31 (specific dates will be provided) Prior experience desired. Modest stipend available. Please contact Larry Goodpaster @ 216-253-2077 or e-mail: larry_goodpaster at sbcglobal.net Larry Goodpaster larry_goodpaster at sbcglobal.net ------=_NextPart_001_001C_01C5EF57.26071A00 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

WANTED: SOUND BOARD = OPERATOR

 

The Beck Center for the = Arts in Lakewood has an immediate opening = for a sound board operator for the upcoming production of

 

Beauty = and = the Beast  = November 27 – December 31 = (specific dates will be provided)

 

Prior experience = desired.  Modest stipend available.

 

Please contact Larry = Goodpaster @ 216-253-2077 or

e-mail: = larry_goodpaster at sbcglobal.net

 

Larry = Goodpaster

larry_goodpaster at sbcglobal.net

 

------=_NextPart_001_001C_01C5EF57.26071A00-- ------=_NextPart_000_001B_01C5EF57.26071A00 Content-Type: image/gif; name="image001.gif" Content-Transfer-Encoding: base64 Content-ID: R0lGODlhQAYFAPQLAKfT/6/X/7fb/7/f/8fj/8/n/9fr/97u/+f0/+73//f8//////H3/+Lv/97w /9Dn/8Df/7DX/5/P/wECAwECAwECAwECAwECAwECAwECAwECAwECAwECAwECAwECAwECAyH/C01T T0ZGSUNFOS4wDQAAAAFzUkdCAK7OHOkAIf8LTVNPRkZJQ0U5LjAYAAAADG1zT1BNU09GRklDRTku MBObKZRkACH/C01TT0ZGSUNFOS4wGAAAAAxjbVBQSkNtcDA3MTICAAAJAtxSKQAsAAAAAEAGBQAA Bf+gJI6kBJhAqqYBELwwHAmBYN/2IAx8z0OEAWFIJBSMhWThYWg2D9BDA4FIKK6LrHbL7Xq/4LB4 TC6bz+i0es1uu9/wuHxOr9vv+Lx+z+/7/4CBgoOEhYaHiImKi4yNciWQJiIrlCwuMS80NTM4Nz4+ QQRARUdKSgZMTgcOVFUJVgqOsrO0tba3uLm6u7y9vr/AwcLDxMXGwJGQJ8uVL5cxEZk1nTk7Oz0Q PUWkSEkGBaoGUVSvsMfn6Onq6+zt7u/w8fLz9PX2vMkkJyiULSwt0GoIpKbjmo9sQ4Rw67bEmxNx UlwlYMAAy72LGDNq3Mixo8ePIEOKHOkx36RJzPoquXj2YsYmap50HAyicJuRbqkeRjlA7ooCBiSD Ch1KtKjRo0iTKl3KlE4IADs= ------=_NextPart_000_001B_01C5EF57.26071A00-- From cabaretdada at aztemail.com Tue Nov 22 08:55:24 2005 From: cabaretdada at aztemail.com (Cabaret Dada) Date: Tue, 22 Nov 2005 11:55:24 -0500 Subject: [NEohioPAL]Cabaret Dada Cures the Post-Thanksgiving Blahs Message-ID: <20051122-11552475-b9c-0@acc7> Often, as we look forward to the holidays, we forget about the PHBS (Post-Holiday Boredom Syndrome). Think about it. It's Friday after Thansgiving. You can't eat any more turkey. You've shopped until you've dropped. If you watch any more football your eyes will fall out of your head onto your engorged stomach. And as much fun as it is to stack things on grandpa until he wakes up, even that has lost its interest. How are you going to fight this horrible condition? With the help of your friends at Cabaret Dada, of course! Thanksgiving weekend is the perfect time to round up your buddies who are in from out of town, grab a few cold beverages, and head down to laugh your gut off. And being Thanksgiving weekend, its very possible some Dada alums may show up to play along. So call up your chums, take the spoon off grandma's nose, and come down to the Warehouse District this weekend. If you use the secret code word "TURKEY" (pretty clever, huh?) you'll get in for only ten bucks! That's two dollars off the regular admission. Make your post-turkey reservations today at http://www.cabaretdada.com, by phone at 216.696.HAHA (4242) or via email at somedada at aol.com. Show times for this weekend are: Friday, 11/25/05 10:30 PM Saturday, 11/26/05 8:00 PM and 10:30 PM Cabaret Dada 1210 West 6th Street In the Warehouse District 216.696.HAHA (4242) From MChamberlain at beckcenter.org Tue Nov 22 09:15:27 2005 From: MChamberlain at beckcenter.org (Meg Chamberlain) Date: Tue, 22 Nov 2005 12:15:27 -0500 Subject: [NEohioPAL]The FREE Menopause Tickets Message-ID: <97CF2CB42902E345A929E3202369C84E14A7A7@beck-1.beckcenter.com> This is a multi-part message in MIME format. ------_=_NextPart_001_01C5EF88.550B04ED Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Thanks to all of you who responded Norma Capocci is the lucky winner Next time I have extra tickets I will do this again Meg Chamberlain Production Stage Manager Menopause the Musical! Happy Thanksgiving ------_=_NextPart_001_01C5EF88.550B04ED Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable The FREE Menopause Tickets

Thanks to all of you who responded
Norma Capocci
is the lucky winner
Next time I have extra tickets I will do this again
Meg Chamberlain
Production Stage Manager
Menopause the Musical!
Happy Thanksgiving

------_=_NextPart_001_01C5EF88.550B04ED-- >From Greg Benedetto" This is a multi-part message in MIME format. ------=_NextPart_000_0054_01C5EF64.3FBAC520 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable My daughter urgently needs a used Texas Instruments TI-83 Graphing = Calculator for high school work. If you have one or know of one, please let me know. Thank you, Neopal = community. Email or phone, please. Greg Benedetto day phone - 216-751-1198 ------=_NextPart_000_0054_01C5EF64.3FBAC520 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
My daughter urgently needs = a used Texas=20 Instruments TI-83 Graphing Calculator
for high school = work.
If you have one or know of = one, please=20 let me know. Thank you, Neopal community.
Email or phone, = please.

Greg = Benedetto
day phone -=20 216-751-1198
------=_NextPart_000_0054_01C5EF64.3FBAC520-- From mattcook at studioof5rings.com Tue Nov 22 10:05:21 2005 From: mattcook at studioof5rings.com (Matt Cook) Date: Tue, 22 Nov 2005 13:05:21 -0500 Subject: [NEohioPAL]Stacy Chech Sneak Preview Message-ID: This is a multi-part message in MIME format. ------=_NextPart_000_0000_01C5EF65.6526BCA0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit Sneak Preview of Stacy Check's Collection After Thanksgiving Cleveland, OH - Nov. 20, 2005 - Need a respite from holiday shopping Thanksgiving weekend? The Studio of 5 Rings is having a Sneak Preview of the Stacy Chech collection Friday Nov. 25th and Saturday Nov. 26th. We are Downtown Cleveland's only Winery - we bring art and wine together the way they were meant to be. * This one-person show features an art collection with original charcoal and oil paintings. Stacy uses urban landscapes, many of which are centered on LTV Steel, to illustrate her personal growth and hope for Cleveland's future. * We offer low-sulfite wines that are hand-crafted right here in our gallery: * Merlot, Shiraz, Pinot Grigio, Chardonnay, Sweet Berry Red * Enjoy a glass in the gallery to unwind this weekend * Our wines make excellent gifts this season * Tucked away on the 2nd floor of the Futon Factory Bldg., we have free parking and a relaxing atmosphere. Our secret is our success. * Hours: * Fridays 5:00pm to Midnight * Saturdays 7:00pm to Midnight Matt Cook STUDIO OF 5 RINGS 2400 Superior Ave., #201 (2nd Floor of the Futon Factory) Cleveland, OH 44114 216-771-0830 www.studioof5rings.com ------=_NextPart_000_0000_01C5EF65.6526BCA0 Content-Type: application/ms-tnef; name="winmail.dat" Content-Transfer-Encoding: base64 Content-Disposition: attachment; filename="winmail.dat" eJ8+IhUSAQaQCAAEAAAAAAABAAEAAQeQBgAIAAAA5AQAAAAAAADoAAEIgAcAGAAAAElQTS5NaWNy b3NvZnQgTWFpbC5Ob3RlADEIAQ2ABAACAAAAAgACAAEGgAMADgAAANUHCwAWAA0ABQAAAAIAEQEB A5AGAHQJAAAlAAAACwACAAEAAAALACMAAAAAAAMAJgAAAAAACwApAAAAAAADADYAAAAAAB4AcAAB AAAAGgAAAFN0YWN5IENoZWNoIFNuZWFrIFByZXZpZXcAAAACAXEAAQAAABYAAAABxe+PTEAiCJjW A8lHqZa3B0sOj1enAAACAR0MAQAAACEAAABTTVRQOk1BVFRDT09LQFNUVURJT09GNVJJTkdTLkNP TQAAAAALAAEOAAAAAEAABg4A7gJBj+/FAQIBCg4BAAAAGAAAAAAAAAB1KoqayQ2lQY5XLxGvhnWC woAAAAsAHw4BAAAAAgEJEAEAAADuBAAA6gQAACcIAABMWkZ1HcOFhQMACgByY3BnMTI1FjIA+Atg bg4QMDMzTwH3AqQDYwIAY2gKwHPwZXQwIAdtAoMAUAPVvwcTAoMOUAPUEMkTSDMC490QxzIGAAbD AoB9CoAIyLQgOwlvMAKACoF2CJCkd2sLgGQ0DGBjAFCZCwNzYg9AAUBzYRryCwwwC7Q0BgBuZWFr jCBQGEAZoiBvZgYAQQGQY3kgQ2gFkGsmJwQgCFBsbAWQdGk/AiATMAGABJARYBDwbmv4c2dpGaAP IAogAUAKsSUKgEMeUHZlDwFkLCAgT0ggLQewb3acLiAB0CEQAdAwNSFSIQngZCBhIBhAc3BKaR7w IANSIGgG8GnUZGEdgHMjwHAjIA8gKR8rIHcJ4GsJ8GQ/5x8hI1AdQHVkHpAdAiJA3lIfwQQgBAAj sGElUyLQvRw/dCZBCNAAQB05aCmSdxFQCOEeVkYFECQCIYQ1fylgIsAaAAYBJoALICv3NjspYCGw VyNQCsAjUERvfncCMC7BHZAglh3xAiBsfR2AVwuABJAdgCFgJaAg/mIFECgCACAsswPwHEApULxv ZxEwHbAFwClidyQR/ylhHYAloC6BB4AAcAVALvC5MQBlLiAkCvMAAHACMIhleHQVkidCNwyCjQKR KjVxNXFsdmwCYD810DWAFaE1gBnxCfB0M/42AeE1gTXADDA2IRcwAgD0aS04cVwj4AHBGsofIaMn kQIgZS1wBJBzHqH7JEEH4GYcUC0hB5EDkTFyrysJA/AskQWwaR+QbgdA3yrwEPEFoD7RLMJvAxEK sN8LgB6AJ1EhsB1EdREgBCBdCHBiA5Eg0gTwYTuwc+8hEAOBHYAdEXc7MCqBLnIeYzhBM7E/sQOg TFRWex0xCeBsIRA0UQMQCkBz/HRyLRAjUDKSO7Q+0QnAPy7ALJUkUSNRBbEvSmZ1/zyiIbAgJDVv NnEuQR0QPHANCtFiQcAuwC1zdWz3OZAe8B/xICmUMfIEISrCTylgLRAuYx9BZC0FAGH3HuEisD6B aAVAMpEjUAuAvx0ACHBGwAdAHlAwkDpJRR81HzYvNz84TzlbMTQ0rTpMTQSQCQB0IRBTOzA1RbB6 IRBQC4BXgCBHfT6CbyEQHaALEQIgPsB5t1ehJaEFQEIEkDCRUiKhw0lfUidFbmpvHYAi0H5nC2AE EU/BKWJQNTRCdf5uMfEisClgJ5ElpVrfUhjeT1ABTQQAwCXQIFHAQ7D/HkE0IR+QAYAEIF7zESBd IP8eoVDPUd9S71P/VQ86DxFgvxpAJdAisTMSHqEpYjIs0e0O8G8FsSk1RkjgK4IA0IMu8DCRQmxk Zy4hEN8w4SfBI1IJ4EABchnhKBHXLNEi0gtgeCfzdARgIxD/T3IhsGFiESAFAFoRO0JxIl8aQEOw BBBJP2VZSAhhc/9Qr2UPZh9nL2g/Vf864iu0aQQgNTobAHAjoDRRTX8j8AMATzJyz3Y3LQYEIDf/ e+90yhKUAdAF0C0QBUAIUARvayAkU1RVREkKTyEgRicCSU5HU+cgJBwAOvFTdTuxHpAFwPZBILBt 4SMB0BpjCoEAoKED0DE2IChrskZsD71tFikMQAvFID8hQCBWQA4xekCDtYZALTc3MVAtMDgziOV3 jBAud0WQJpIdEDUxIkCQBaBtX4j0gGwOUIkDF0EAj2AAAAsAAYAIIAYAAAAAAMAAAAAAAABGAAAA AAOFAAAAAAAAAwAQgAggBgAAAAAAwAAAAAAAAEYAAAAAUoUAACdqAQAeABKACCAGAAAAAADAAAAA AAAARgAAAABUhQAAAQAAAAQAAAA5LjAAHgATgAggBgAAAAAAwAAAAAAAAEYAAAAANoUAAAEAAAAB AAAAAAAAAB4AFIAIIAYAAAAAAMAAAAAAAABGAAAAADeFAAABAAAAAQAAAAAAAAAeABWACCAGAAAA AADAAAAAAAAARgAAAAA4hQAAAQAAAAEAAAAAAAAACwAWgAggBgAAAAAAwAAAAAAAAEYAAAAAgoUA AAEAAAALAEOACCAGAAAAAADAAAAAAAAARgAAAAAOhQAAAAAAAAMARYAIIAYAAAAAAMAAAAAAAABG AAAAABCFAAAAAAAAAwBGgAggBgAAAAAAwAAAAAAAAEYAAAAAEYUAAAAAAAADAEeACCAGAAAAAADA AAAAAAAARgAAAAAYhQAAAAAAAAMAW4AIIAYAAAAAAMAAAAAAAABGAAAAAAGFAAAAAAAACwB5gAgg BgAAAAAAwAAAAAAAAEYAAAAABoUAAAAAAAACAfgPAQAAABAAAAB1KoqayQ2lQY5XLxGvhnWCAgH6 DwEAAAAQAAAAdSqKmskNpUGOVy8Rr4Z1ggIB+w8BAAAAnwAAAAAAAAA4obsQBeUQGqG7CAArKlbC AABQU1RQUlguRExMAAAAAAAAAABOSVRB+b+4AQCqADfZbgAAAEM6XERvY3VtZW50cyBhbmQgU2V0 dGluZ3NcQWRtaW5pc3RyYXRvclxMb2NhbCBTZXR0aW5nc1xBcHBsaWNhdGlvbiBEYXRhXE1pY3Jv c29mdFxPdXRsb29rXG91dGxvb2sucHN0AAADAP4PBQAAAAMADTT9NwAAAgF/AAEAAAA7AAAAPEtG RUJJT0ZIRktETENGQk1MTUlQRUVPQkNDQUEubWF0dGNvb2tAc3R1ZGlvb2Y1cmluZ3MuY29tPgAA AwAGEPyfNysDAAcQygMAAAMAEBAAAAAAAwAREAAAAAAeAAgQAQAAAGUAAABTTkVBS1BSRVZJRVdP RlNUQUNZQ0hFQ0tTQ09MTEVDVElPTkFGVEVSVEhBTktTR0lWSU5HQ0xFVkVMQU5ELE9ILU5PVjIw LDIwMDUtTkVFREFSRVNQSVRFRlJPTUhPTElEQVlTAAAAAFZh ------=_NextPart_000_0000_01C5EF65.6526BCA0-- From nate at groundfloortheater.com Tue Nov 22 10:08:12 2005 From: nate at groundfloortheater.com (nate at groundfloortheater.com) Date: Tue, 22 Nov 2005 18:08:12 +0000 Subject: [NEohioPAL]Talent Show Message-ID: ----=_vm_0011_W8282226842_753_1132682892 Content-Type: text/plain; charset="utf-8" Content-Transfer-Encoding: quoted-printable Talent Tightrope The Ground Floor Theatera comedy theater with a full service 170 seat ven= ue located in the historic Centrum Theater at 2781 Euclid Heights Blvd in= Cleveland Heights is pleased to announce it=E2=80=99s Tuesday night Tale= nt Tightrope. Tuesday nights are the time to prove your mettle in Ground Floor Theater=E2= =80=99s Talent Tightrope, an all encompassing talent show. Two contestant= s per week will advance to the semi =E2=80=93finals week five. Four conte= stants will move on to compete in the finals during week six. Contestants= can compete with any talent they possess for a cash prize. Contestants s= hould send a brief description of their act to talent at groundfloortheater.= com All Acts must be approved by management. Contestants under the age of 18 must be accompanied by an adult. The winn= ers will be determined by audience participation. The first Talent Tightr= ope begins Tuesday January 10th at 8:00 pm.All entries must be entered one week before each = competition. Thanks. Nate Cockerill Artistic Director Ground Floor Theater nate at groundfloortheater.com ----=_vm_0011_W8282226842_753_1132682892 Content-Type: text/html; charset="utf-8" Content-Transfer-Encoding: quoted-printable

  &nb= sp;           &nbs= p;            = ;            =    Talent Tightrope

The Ground Floor Theater  a comedy theater with a full service 170 seat venu= e located in the historic Centrum Theater at 2781 Euclid Heights Blvd in = Cleveland Heights is pleased to announce it=E2=80=99s Tuesday night Talen= t Tightrope. 

Tuesday nights are the time to prove your mettle in Gro= und Floor Theater=E2=80=99s Talent Tightrope, an all encompassing talent = show. Two contestants per week will advance to the semi =E2=80=93finals w= eek five. Four contestants will move on to compete in the finals during w= eek six. Contestants can compete with any talent they possess for a cash = prize. Contestants should send a brief description of their act to talent at groundfloortheater.com All Acts must be approved by management.<= /P>

Contestants under the age of 18 must be accompanied by = an adult. The winners will be determined by audience participation. The f= irst Talent Tightrope begins Tuesday

January 10th at 8:00 pm.  All entries must be entered one week before e= ach competition.

Thanks.

 

Nate Cockerill

Artistic Director

Ground Floor Theater

nate at groundfloortheater.com

 

   &nb= sp;           &nbs= p;  

----=_vm_0011_W8282226842_753_1132682892-- From w8inglong at yahoo.com Tue Nov 22 10:15:30 2005 From: w8inglong at yahoo.com (Joanne Popp) Date: Tue, 22 Nov 2005 10:15:30 -0800 (PST) Subject: [NEohioPAL]Concert tickets for sale. Message-ID: <20051122181530.24613.qmail@web32908.mail.mud.yahoo.com> --0-1498285244-1132683330=:24598 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Cleveland Philharmonic Orchestra "Special Holiday Concert in Artistic Historic Tremont!" Under the direction of William B. Slocum, Featuring Caroline Oltmanns, piano. Sunday, December 4, 2005 4:00 PM. Beethoven: Piano Concerto No. 5, ?Emperor? Selections from Handel?s Messiah Plus Seasonal Music for the Holidays! Zion UCC of Tremont 2716 West 14th Street, Cleveland, OH 44113 Tickets: $15.00/each or 2 for $25.00 I personally have tickets for sale for this event. I can be reached at 216-281-2992. God bless, Joanne M.Popp Adm. Assistant, Zion UCC of Tremont http://zionchurch.org Whosoever is everyone. --------------------------------- Yahoo! FareChase - Search multiple travel sites in one click. --0-1498285244-1132683330=:24598 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
 Cleveland Philharmonic  Orchestra 
"Special Holiday Concert in Artistic Historic Tremont!"
Under the direction of William B. Slocum,
Featuring Caroline Oltmanns, piano.
 
Sunday, December 4, 2005 4:00 PM.
Beethoven: Piano Concerto No. 5, ?Emperor?
Selections from Handel?s Messiah
Plus Seasonal Music for the Holidays!

Zion UCC of Tremont
2716 West 14th Street,
Cleveland, OH 44113
Tickets: $15.00/each or 2 for $25.00
 
I personally have tickets for sale for this event. I can be reached at 216-281-2992.
God bless,
Joanne M.Popp


Adm. Assistant,
Zion UCC of Tremont
Whosoever is everyone.

Yahoo! FareChase - Search multiple travel sites in one click. --0-1498285244-1132683330=:24598-- From jtl at zoominternet.net Tue Nov 22 12:35:05 2005 From: jtl at zoominternet.net (Judi Terrell Linden) Date: Tue, 22 Nov 2005 15:35:05 -0500 Subject: [NEohioPAL]Looking for acoustic guitar at a reasonable price Message-ID: <000f01c5efa4$38d67160$6401a8c0@moose> This is a multi-part message in MIME format. ------=_NextPart_000_0010_01C5EF7A.50006960 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Hello, My 14 year old daughter is interested in learning to play the guitar but her limited babysitting income does not allow her to purchase one new. If you have one that is in good condition and you'd like to sell it at a reasonable cost, please contact me at JudiT at zoominternet.net Thanks!!!!! ------=_NextPart_000_0010_01C5EF7A.50006960 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

Hello,

My 14 year old daughter is interested in learning to = play the guitar but her limited babysitting income does not allow her to = purchase one new.  If you have one = that is in good condition and you’d like to sell it at a reasonable cost, please = contact me at JudiT at zoominternet.net

 

Thanks!!!!!

------=_NextPart_000_0010_01C5EF7A.50006960-- From jfogel at clevelandplayhouse.com Tue Nov 22 12:56:16 2005 From: jfogel at clevelandplayhouse.com (Julie Fogel) Date: Tue, 22 Nov 2005 15:56:16 -0500 Subject: [NEohioPAL]Mambo on Saturday Only Message-ID: <9BF63EA8F64C40DEB06DF78B5A534A9B@clevelandplayhouse.net> This is a multi-part message in MIME format. ------=_NextPart_000_0022_01C5EF7D.45A77500 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit Please note this correction to a previous posting ("When You're Hot, You're Hot," 11/15/05) We've added another performance to The Play House Club Cabaret "Mambo Italiano" -- Saturday, November 26 at 9:00 p.m. To celebrate the extended run, we're offering $5 off tickets to the added performance, simply mention/enter the code "PAL" when ordering your tickets. The original email indicated there was also a Friday performance. We've added just the Saturday show -- thanks! Julie Fogel Associate Director of Communications & Marketing The Cleveland Play House 8500 Euclid Avenue Cleveland, Ohio 44106 (216) 795-7000 ext. 236 www.clevelandplayhouse.com ------=_NextPart_000_0022_01C5EF7D.45A77500 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Mambo on Saturday Only

Please note this correction to a previous = posting ("When You're Hot, You're Hot," 11/15/05)

We've added another performance to = The Play House Club Cabaret "Mambo Italiano" --  = Saturday, November 26 at 9:00 p.m. To celebrate the extended run, we're = offering $5 off tickets to the added performance, simply mention/enter = the code "PAL" when ordering your tickets.

The original email indicated there was = also a Friday performance. 
We've added just the Saturday show -- = thanks!


Julie = Fogel
Associate Director of = Communications & Marketing
The Cleveland Play = House
8500 Euclid Avenue
Cleveland, Ohio 44106
(216) 795-7000 ext. = 236
www.clevelandplayhouse.com

------=_NextPart_000_0022_01C5EF7D.45A77500-- From gbutiri at yahoo.com Tue Nov 22 13:01:53 2005 From: gbutiri at yahoo.com (George Butiri) Date: Tue, 22 Nov 2005 16:01:53 -0500 Subject: [NEohioPAL]Music Video Audition Message-ID: <00fb01c5efa7$f781e830$0302a8c0@inet> This is a multi-part message in MIME format. ------=_NextPart_000_00FC_01C5EF7E.0EABE030 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Video Shoot Directed by George Butiri: Cleveland's premiere Movie Maker Presents the Underground: G-ALI, JESS BLACK, NASTY NUT, JAG D Song: "Gimme" / "Throw your hands up" Video Vixen Audition "Gimme" / "Throw your hands up" December 3rd, 2005 Time: 3pm-6pm Location 4148 West Tuscarawas Canton, Ohio 44708 >>GOOGLE MAPS!<< (Inside Canton Centre Mall at the Underground Clothing Store) Video will be on BET, (we are in negotiation as we speak) For Contact Information: Underground Entertainment at: 330-479-0080 G-ALI at gabryel_ali at yahoo.com All beautiful women 18 and older inspiring models and actors are more than welcomed. All ethnics types If you feel like you have what it takes..... feel free to audition on December 3rd, 2005 ------=_NextPart_000_00FC_01C5EF7E.0EABE030 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

Video = Shoot

 

Directed = by George Butiri: Cleveland's premiere Movie = Maker

 

Presents = the Underground: G-ALI, JESS BLACK, NASTY NUT, = JAG D

Song: “Gimme” / “Throw your hands = up”

 

Video = Vixen Audition “Gimme” / ”= Throw your hands = up”

 

December 3rd, = 2005 Time: = = 3pm-6pm

 

Location

 

4148 = West = Tuscarawas

Canton, Ohio = 44708

 

>>GOOGLE MAPS!<<

 

(Inside = Canton Centre Mall at the Underground Clothing = Store)

 

Video = will be on BET, (we are in negotiation as we = speak)

 

For = Contact Information:

Underground Entertainment at: 330-479-0080

G-ALI at = gabryel_ali at yahoo.com<= /b>

 

All = beautiful women 18 and older inspiring = models and actors are more than welcomed.

All ethnics types

If you = feel like you have what it takes..... feel free to audition on December = 3rd, 2005

 

 

------=_NextPart_000_00FC_01C5EF7E.0EABE030-- From wwareham at fineartsassociation.org Tue Nov 22 13:20:19 2005 From: wwareham at fineartsassociation.org (Wanda Wareham) Date: Tue, 22 Nov 2005 16:20:19 -0500 Subject: [NEohioPAL]Faculty Positions Open at Fine Arts Association Message-ID: <2744EDEF40EB124FABA588C9E7F3EC6E01340C49@fa1.FineArts.Local> The Fine Arts Association, 38660 Mentor Avenue, Willoughby, 44094 has openings for the following faculty positions: =20 Theatre Teacher: Experienced theater teacher needed to work with children in grades 6-12 to teach a class based on the Harry Potter books. Class meets Mondays from 5:00-6:30 pm. The class begins March 27, 2006 and runs 8 weeks. Email resume to lwise at fineartsassociation.org if interested. =20 Guitar Instructor: Experienced guitar teacher to teach beginning through advanced students on Saturdays. Email resume to lwise at fineartsassociation.org . =20 Trumpet Instructor: to teach beginning through advanced students on Saturdays. Bachelor's degree required. Email resume to lwise at fineartsassociation.org . =20 =20 The Fine Arts Association is a non-profit organization operating the School of Fine Arts with classes in the disciplines of music, art, dance and drama. Fine Arts also offers a full season of theatre performances, recitals, art exhibits and cultural activities. Funding is received in part by the United Way and the Ohio Arts Council. For more information, contact Wanda Wareham, Director of Communications and Marketing at (440) 951-7500 x104. =20 From pr at clevelandplayhouse.com Tue Nov 22 13:20:35 2005 From: pr at clevelandplayhouse.com (Sarah Melton) Date: Tue, 22 Nov 2005 16:20:35 -0500 Subject: [NEohioPAL]New Education Curriculum to Focus on the Professional; CPH Production of A Christmas Story Extended Message-ID: <016d01c5efaa$947bd770$6000a8c0@clevelandplayhouse.net> This is a multi-part message in MIME format. ------=_NextPart_000_016E_01C5EF80.ABA5CF70 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Dear NEOHIOPAL: For Immediate Release. New Education Curriculum to Focus On the Professional Master Classes Elevate Program http://www.clevelandplayhouse.com/releases/release.asp?key=20051122i Cleveland Play House Production of A Christmas Story Extended Production Earns Highest Advance in Theatre's History http://www.clevelandplayhouse.com/releases/release.asp?key=20051122ii Contact: Julie Fogel, The Cleveland Play House, Associate Director of Communications and Marketing, 216/795-7000 x236 The Cleveland Play House 8500 Euclid Ave. Cleveland, OH 44106-0189 http://www.clevelandplayhouse.com ------=_NextPart_000_016E_01C5EF80.ABA5CF70 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable Looking for a way to spend quality time with your family

Dear = NEOHIOPAL:

 <= /p>

For Immediate = Release…

 <= /p>

 

New Education Curriculum to = Focus

On the = Professional

Master = Classes Elevate Program
http://www.clevelandplayhouse.com/releases/release.asp?key=3D20051= 122i

 

Cleveland<= /span> Play House Production = of

A = Christmas Story Extended

Production= Earns Highest Advance in Theatre’s = History
http://www.clevelandplayhouse.com/releases/release.asp?key=3D2005= 1122ii

 

Contact:

Julie Fogel, The = Cleveland Play = House, Associate Director of Communications and = Marketing, 216/795-7000 x236

 <= /p>

The Cleveland Play = House

8500 Euclid Ave.

Cleveland, OH  44106-0189

http://www.clevelandplayhouse.com

------=_NextPart_000_016E_01C5EF80.ABA5CF70-- From Gr8Juggler at zoominternet.net Tue Nov 22 14:36:25 2005 From: Gr8Juggler at zoominternet.net (Bruce Manners) Date: Tue, 22 Nov 2005 17:36:25 -0500 Subject: [NEohioPAL]Need a Comedy Juggler? Message-ID: If you are looking for a different twist on entertainment, then book Comedy & Juggling and Stuff with Bruce Manners. The show is a little bit Vaudeville, Circus and Las Vegas mixed up with audience participation. For more information, feel free to visit www.brucemanners.com. Bruce Comedy & Juggling and Stuff with Bruce Manners www.brucemanners.com From secylady66 at hotmail.com Tue Nov 22 15:19:38 2005 From: secylady66 at hotmail.com (Leigh Anderson) Date: Tue, 22 Nov 2005 18:19:38 -0500 Subject: [NEohioPAL]Need a custom designed murder mystery Message-ID: We would like a murder mystery custom designed for our company's clients and spouses. (approximatley 80 people) We would like it to involve our clients but not make them BE the actors. This is going to be a surprise so we need it to be GOOD! We are looking at a weeknight in February and we have a venue and food already. We also would like the humor to be clean so as not to offend anyone. _________________________________________________________________ Express yourself instantly with MSN Messenger! Download today - it's FREE! http://messenger.msn.click-url.com/go/onm00200471ave/direct/01/ From hiseas2 at aol.com Tue Nov 22 16:16:53 2005 From: hiseas2 at aol.com (hiseas2 at aol.com) Date: Tue, 22 Nov 2005 19:16:53 -0500 Subject: [NEohioPAL]Brigadoon Auditions Message-ID: <8C7BDDA575E8920-16B8-33F2@mblk-r13.sysops.aol.com> Mighty Goliath Productions (MGP) of Avon Lake will be holding auditions for "Brigadoon" on Friday, December 2 and Friday, December 9, both at 7:00 p.m. Auditions will take place at the Performing Arts Center of Avon Lake High School. All parts available. Bring a solo to sing - accompanist provided. There will be a movement audition for those interested in the role of Jeannie. There will also be a reading audition. Chorus members need not audition. All singers welcome. First rehearsal: January 6 at 7:00. All rehearsals are on Fridays until tech week. Production dates: March 24, 25, 26, 31 & April 1. Most recent shows include: "Titanic: The Musical" with a cast of 100, and "Music Man" with a cast of 120. Average chorus size for MGP is 60. MGP is a non-profit organization and is made up of volunteers - from the producer to the pit. All profits benefit the Performing Arts Groups of Avon Lake High School. For more information, visit www.geocities.com/mightygoliath. Or, contact Bernadette Hisey, Marketing Manager and Historian of MGP at HiSeas2 at aol.com From higbee at chsaviour.org Tue Nov 22 16:18:25 2005 From: higbee at chsaviour.org (Judith Higbee) Date: Tue, 22 Nov 2005 19:18:25 -0500 Subject: [NEohioPAL]Oberlin Choristers Concert Dec. 4th Message-ID: <00b101c5efc3$6c644920$80fea8c0@church.chsaviour.org> This is a multi-part message in MIME format. ------=_NextPart_000_00B2_01C5EF99.838E4120 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Arts in the Cathedral is pleased to announce the Oberlin Choristers Christmas Concert on Sunday December 4 at 3:00 p.m. in the lovely Gothic sanctuary of Church of the Saviour in Cleveland Heights. The program will be presented by the Touring Choir which consists of 45 singers in grades 6-10 and is the advanced treble choir of the Oberlin Choristers. Directed by Founder Katherine Plank, the program will include sacred Christmas pieces in classical and contemporary style as well as carols from several different countries. There will be a free-will offering at the concert. Church of the Saviour is located at 2537 Lee Road in Cleveland Hts., one block north of Fairmount Blvd. The church is handicapped-accessible and has plenty of free, lighted parking. Judith Higbee Director of Music Church of the Saviour 2537 Lee Road Cleveland Heights, OH 44118 higbee at chsaviour.org Trust in the Lord with all your heart and do not rely on your own insights. In all your ways acknowledge Him and He will make straight your paths. ------=_NextPart_000_00B2_01C5EF99.838E4120 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable

Arts in the = Cathedral is pleased to announce the Oberlin Choristers Christmas Concert on Sunday December 4 = at 3:00 p.m. in the = lovely Gothic sanctuary of Church of the Saviour in = Cleveland Heights. 

 

=

The program will be presented by = the Touring Choir which consists of 45 singers in grades 6-10 and is the = advanced treble choir of the Oberlin Choristers. Directed by Founder = Katherine Plank, the program will include = sacred Christmas pieces in classical and contemporary style as well as carols = from several different countries.

 

=

There will be a free-will offering = at the concert.

 

=

Church of the Saviour is located = at 2537 Lee Road in Cleveland Hts., one block north of Fairmount = Blvd.

 The church is = handicapped-accessible and has plenty of free, lighted parking.

 

=

Judith Higbee

Director of Music

Church of the Saviour

2537 Lee = Road

Cleveland = Heights, OH 44118

higbee at chsaviour.org

 

Trust in the Lord with all your heart and do not rely = on your own insights.

In all your ways acknowledge Him and He will make = straight your paths.

 

------=_NextPart_000_00B2_01C5EF99.838E4120-- From chloe at passportproject.org Tue Nov 22 16:40:38 2005 From: chloe at passportproject.org (=?iso-8859-1?Q?Chlo=EB_Hopson?=) Date: Tue, 22 Nov 2005 19:40:38 -0500 Subject: [NEohioPAL]Film/Music/Art event: nyc's Frequency Response/The Animated Adventures of Knox 11/29 Message-ID: <003801c5efc6$86bf1540$0201010a@dragonfly> This is a multi-part message in MIME format. ------=_NextPart_000_0039_01C5EF9C.9DE90D40 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable The Animated Adventures of Knox An emotional portrait in sound and image=20 Film/live music event: The Animated Adventures of Knox, an emotional portrait in sound and image. With live performance of the sound track by quintet, Frequency Response =20 Date/Time : Tuesday November 29, 2005, 8:00 pm =20 Venue: Passport Project Global Community Arts Center 12801 Buckeye Road (1 block southwest of Shaker Square) Cleveland, OH 44120=20 =20 Admission: $5-$15 Sliding Scale (You decide)=20 =20 More Information: www.passportproject.org ; =20 www.KnoxMovie.com: For video previews, mp3s, photos, graphic scores, director's notes and more; www.FrequencyResponse.info; www.482Music.com=20 For Interviews: JumpArtsMedia at gmail.com =20 =20 New York multi-instrumentalist Tom Abbs takes his band and new independent film on the road.=20 For video previews, mp3s, photos, graphic scores, director's notes and more go to www.KnoxMovie.com For interviews, press copies or any other press request contact JumpArtsMedia at gmail.com The Animated Adventures of Knox=20 An emotional portrait in sound and image Avant-Jazz meets cinema in this rare live rendition of the soundtrack=20 from their latest movie "The Animated Adventures of Knox". Tom Abbs & Frequency Response bring the spectacle of "Knox" to Cleveland OH (Nov.29th), for Passport Project=92s ongoing Vibrations Series* of creative music, dance, visual art, theater and spoken word. A movie by Tom Abbs featuring the music of Frequency Response=20 (in order of appearance) Geoff Mann percussion Tom Abbs bass, tuba, cello, flute=20 Oscar Noriega clarinets, alto saxophone Jean Cook violin=20 Alex Harding baritone Saxophone=20 Supporting their dvd movie/CD soundtrack set out November 29th on 482 Music =20 'The animated Adventures of Knox' An emotional portrait in sound and image=20 Starring Jack Armstrong, Marcus Holand, Michael Sanzone & Matthew Cleveland Produced, directed and edited by Tom Abbs Visual conception by Tom Abbs, M.P. Landis & Michael Sanzone Based on the narrative and video graphic score by Tom Abbs Art direction by M.P. Landis=20 Additional editing by Michael Sanzone Cinematography by Davin Reich, Michael Sanzone & M.P. Landis=20 A Jump Arts production distributed by 482 Music www.KnoxMovie.com www.FrequencyResponse.info www.482Music.com =20 =20 INFORMATION ABOUT PASSPORT PROJECT: Passport Project is a 501 (c) 3, non-profit organization that has been planting seeds of peace and acceptance since 1998. =20 Passport Project's mission is to provide exciting educational experiences that build community through the arts, encourage respect for diversity and rejection of racism and negative bias, and a passion for learning and the global community. =20 Passport Project offers multicultural programs and residencies at schools, at its Global Community Arts Center, and for the community to further this mission. Passport Project leads diversity training in the corporate setting. =20 * Begun in Summer, 2004, the Passport Project Vibrations Series features music, dance, visual art and poetry performances by local, national and international artists that inspire, challenge and break the molds that bind us. A reminder that every one and every thing possesses motion, VIBRATIONS supports art that stretches boundaries and explores connections.=20 =20 The Adventures of Knox Tour Schedule: Tuesday November 29th=20 Cleveland OH=20 Passport Project Global Community Arts Center=20 ( www.passportproject.org) 12801 Buckeye Road , Cleveland, Ohio 44120 (216) 721-1055. $5 =96 15 sliding scale - 8pm Wednesday November 30th Chicago IL=20 Chicago Cultural Center=20 Claudia Cassidy Theater (2nd FL),=20 ( www.chicagoculturalcenter.org) 78 E. Washington St.Chicago, IL 60602 (312) 744-6630=20 7:00pm - FREE=20 Thursday December 1 st =20 Lexington KY Mecca dance studio/gallery ( www.meccadance.com) 451 Chair Avenue Lexington, KY 40508 859/254-9790 8:30pm - $3 Friday December 2nd=20 Columbus OH=20 Acme Art Company ( www.iceboxshows.com) 1230 Courtland Ave. Columbus OH (614) 397-6185 10 pm, doors open at 9 with opening act - $8=20 Saturday December 3rd =20 Cincinnati OH=20 The Loft Society=20 ( www.loftsociety.com )=20 119 Calhoun Street Cincinnati OH 45219 (513) 559-9220 9pm Donation at Door Sunday December 4th =20 Ann Arbor MI=20 Canterbury house=20 ( www.canterburyhouse.org) 721 East Huron Street Ann Arbor, MI. 48104 (734) 665-0606=20 $7 - 9pm Monday December 5th=20 Pittsburgh PA=20 The Shadow Lounge=20 ( http://www.shadowlounge.net/) 5972 Baum Boulevard Pittsburgh, PA 15206 (412)-363-8277=20 Doors open at 8pm, Show at 9pm =20 Chlo=EB Hopson Passport Project, Director chloe at passportproject.org ph:: 216.721.1055 http://passportproject.org =20 =20 Passport Project's mission is to provide exciting educational experiences that build community through the arts, encourage respect for diversity and rejection of racism and negative bias, and a passion for learning and the global community. =20 Passport Project does multicultural programs and residencies at schools, at its Global Community Arts Center, and for the community to further this mission. Passport Project does diversity training in the corporate setting. =20 Passport Project is a 501 (c) 3, non-profit organization that has been planting seeds of peace and acceptance since 1998. =20 ------=_NextPart_000_0039_01C5EF9C.9DE90D40 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Message
The Animated = Adventures of Knox
An emotional portrait in = sound and=20 image=20

Film/live music event:   The Animated=20 Adventures of Knox, an = emotional=20 portrait in sound and image. = With live=20 performance of the sound track by quintet, Frequency = Response

 

Date/Time=20 :=20  Tuesday November = 29,=20 2005, 8:00 pm

 

Venue: Passport Project = Global=20 Community=20 Arts=20 Center

           =20  12801 Buckeye=20 Road (1 block = southwest of=20 Shaker=20 Square)

           =20  Cleveland, = OH=20 44120 

        =20

Admission:  $5-$15 Sliding Scale  (You=20 decide) 

 

More=20 Information:        www.passportproject.org; =          

www.KnoxMovie.com:=20 For=20 video previews, mp3s, photos, graphic scores, director's notes and = more;          =20  www.FrequencyResponse.info;=20 www.482Music.com=20

For=20 Interviews: JumpArtsMedia at gmail.com

 

 

New=20 York=20 multi-instrumentalist=20 Tom=20 Abbs takes=20 his band and new independent film on the road.
For=20 video previews, mp3s, photos, graphic scores, director's notes and more = go to=20 www.KnoxMovie.com

For=20 interviews, press copies or any other press request contact JumpArtsMedia at gmail.com

The=20 Animated Adventures of Knox

An=20 emotional portrait in sound and image

Avant-Jazz meets=20 cinema in this rare live = rendition=20 of the soundtrack
from their latest movie   "The Animated=20 Adventures of Knox". Tom=20 Abbs &=20 Frequency Response bring = the=20 spectacle of "Knox" to Cleveland=20 OH=20 (Nov.29th), for Passport=20 Project’s ongoing = Vibrations=20 Series* of = creative music,=20 dance, visual art, theater and spoken word.

A=20 movie by Tom=20 Abbs=20 featuring the music of Frequency=20 Response

(in=20 order of appearance)  = Geoff=20 Mann=20 percussion Tom=20 Abbs   bass, tuba, cello, flute =

Oscar=20 Noriega   clarinets, alto = saxophone  Jean=20 Cook=20 violin

Alex=20 Harding=20 baritone Saxophone=20


  Supporting their dvd = movie/CD=20 soundtrack set out November 29th on 482=20 Music  

'The=20 animated Adventures of Knox' An=20 emotional portrait in sound and image

Starring  Jack Armstrong, Marcus = Holand,=20 Michael Sanzone & Matthew Cleveland

Produced,=20 directed and edited by Tom Abbs Visual conception by Tom Abbs, = M.P.=20 Landis & Michael Sanzone

Based=20 on the narrative and video graphic score by Tom Abbs Art = direction by=20 M.P. Landis
Additional editing by Michael Sanzone=20 Cinematography by Davin Reich, Michael Sanzone &  M.P. Landis =

A=20 Jump Arts production distributed by 482 Music



www.KnoxMovie.com           =20  www.FrequencyResponse.info           &n= bsp;  =20 www.482Music.com 


 

INFORMATION ABOUT=20 PASSPORT PROJECT:

Passport = Project is a 501=20 (c) 3, non-profit organization that has been planting seeds of peace and = acceptance since 1998.
 
Passport Project's mission is to = provide=20 exciting educational experiences that build community through the arts,=20 encourage respect for diversity and rejection of racism and negative = bias, and a=20 passion for learning and the global community.
 
Passport Project offers multicultural programs and = residencies at schools, at its Global Community Arts Center, and = for the=20 community to further this mission. Passport Project leads diversity training in the = corporate=20 setting.
 
* Begun in Summer,=20 2004, the Passport Project = Vibrations Series=20 features music, dance, visual art and poetry performances by local, = national=20 and international artists that inspire, challenge and = break=20 the molds that bind us. A = reminder that=20 every one and every thing possesses motion, VIBRATIONS supports art that stretches boundaries and = explores=20 connections.=20

 


The=20 Adventures of Knox Tour Schedule:


Tuesday=20 November 29th=20
Cleveland=20 OH=20
Passport=20 Project Global Community Arts Center=20
(=20 www.passportproject.org)

12801=20 Buckeye Road=20 , Cleveland,=20 Ohio=20 44120=20 (216) 721-1055.

$5=20 – 15 sliding scale - 8pm


Wednesday=20 November 30th
Chicago=20 IL=20
Chicago=20 Cultural Center=20
Claudia=20 Cassidy Theater (2nd FL),
(www.chicagoculturalcenter.org)
78=20 E. Washington St.Chicago, IL 60602 (312) 744-6630
7:00pm=20 - FREE

Thursday=20 December 1 st  
Lexington KY
Mecca dance=20 studio/gallery
 (=20 www.meccadance.com)
451=20 Chair Avenue Lexington, KY 40508 859/254-9790
8:30pm - = $3

Friday=20 December 2nd=20
Columbus OH
Acme Art=20 Company
 (=20 www.iceboxshows.com)
1230=20 Courtland Ave. Columbus OH (614) 397-6185
10 pm, doors open at 9 with = opening=20 act - $8

Saturday=20 December 3rd=20  
 Cincinnati OH
The = Loft=20 Society
(www.loftsociety.com ) =
119=20 Calhoun Street Cincinnati OH 45219 (513) 559-9220
9pm Donation at=20 Door

Sunday=20 December 4th 
 Ann Arbor MI
Canterbury=20 house
(=20 www.canterburyhouse.org)
721=20 East Huron Street Ann Arbor, MI. 48104=20 (734)=20 665-0606
$7 - 9pm


Monday=20 December 5th=20
 Pittsburgh=20 PA=20
The=20 Shadow=20 Lounge=20
(=20 http://www.shadowlounge.net/)
5972=20 Baum=20 Boulevard=20 Pittsburgh,=20 PA=20 15206=20 (412)-363-8277=20

       &nbs= p;            = ;            =            =20 Doors open at 8pm,=20 Show at 9pm
 
Chlo=EB  = Hopson
Passport Project, = Director
chloe at passportproject.org
ph:: 216.721.1055
http://passportproject.org
 
Passport Project's = mission is to=20 provide exciting educational experiences that build community through = the arts,=20 encourage respect for diversity and rejection of racism and negative = bias, and a=20 passion for learning and the global community.
 
Passport=20 Project does multicultural programs and residencies at = schools,=20 at its Global Community Arts Center, and for the community to further = this=20 mission. Passport Project does diversity training in the corporate=20 setting.
 
Passport Project is a = 501 (c) 3,=20 non-profit organization that has been planting seeds of peace and = acceptance=20 since 1998.
 
------=_NextPart_000_0039_01C5EF9C.9DE90D40-- From dolan at en.com Tue Nov 22 19:44:29 2005 From: dolan at en.com (Fred Dolan) Date: Tue, 22 Nov 2005 22:44:29 -0500 Subject: [NEohioPAL]Johnny Cash & Arlo Guthrie On Thanksgiving Night On WJCU References: <279.f3432.30b46798@aol.com> Message-ID: <007a01c5efe0$35d9b4e0$caa651d1@com> This is a multi-part message in MIME format. ------=_NextPart_000_0077_01C5EFB6.4C3A4260 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Seasons Greetings! Please tell everyone to join me Thanksgiving evening from 6:30 PM to = midnight for Special Holiday Programming. The main event is Johnny Cash: The Legend - a 4-hour radio special on = the life & music of Johnny Cash which will start promptly at 7:00PM & = run till 11:00PM - with No Commercials - I might add. Following shortly after 11:00 PM will be Arlo Guthrie's "Alice's = Restaurant." Still one of the greatest songs/monologues of all time!=20 The balance of the program will be some excellent acoustic vocals in the = spirit of Thanksgiving.=20 Tune in on 88.7 FM - WJCU - John Carroll University radio or=20 www.wjcu.org on the internet. Have a great Thanksgiving. Fred Dolan Visiting The Folks 88.7 - WJCU-FM & www.wjcu.org In addition to this Thursday, join me on Sunday nights from 9:00PM to = midnight. ------=_NextPart_000_0077_01C5EFB6.4C3A4260 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
 
Seasons Greetings!
Please tell everyone to join me Thanksgiving evening from 6:30 PM = to=20 midnight for Special Holiday Programming.
 
The main event is Johnny Cash: The Legend - a 4-hour radio special = on the=20 life & music of Johnny Cash which will start promptly at 7:00PM = & run=20 till 11:00PM - with No Commercials - I might add.
 
Following shortly after 11:00 PM will be Arlo Guthrie's = "Alice's=20 Restaurant." Still one of the greatest songs/monologues of all = time! 
 
The balance of the program will be some excellent acoustic = vocals in=20 the spirit of Thanksgiving. 
 
Tune in on 88.7 FM - WJCU - John Carroll University = radio or=20
www.wjcu.org on the = internet.
 
Have a great Thanksgiving.
 
Fred Dolan
Visiting The Folks
88.7 - WJCU-FM & www.wjcu.org
In addition to this Thursday, join me on Sunday nights from 9:00PM = to=20 midnight.
 
 
 
------=_NextPart_000_0077_01C5EFB6.4C3A4260-- From vmor75 at ameritech.net Tue Nov 22 19:53:03 2005 From: vmor75 at ameritech.net (V.Wms-Morris) Date: Tue, 22 Nov 2005 19:53:03 -0800 (PST) Subject: [NEohioPAL]Anthology & Contest In-Reply-To: <8C7AAA952D5F74B-838-4105@FWM-D34.sysops.aol.com> Message-ID: <20051123035303.88979.qmail@web81402.mail.mud.yahoo.com> --0-1512415206-1132717983=:88034 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Hello Everyone! My poem "Slide Back" is featured in the PWLGC "Cleveland in Prose and Poetry" anthology. You can view the Cleveland Plain Dealer write up on my site www.wilmorcreations.com. You can also enter to win a "Midnight Jazz" print and view "Holler At The Moon" entries. Vickie Williams-Morris www.wilmorcreations.com Please sign my guest book! --0-1512415206-1132717983=:88034 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit

Hello Everyone!

 

My poem "Slide Back" is featured in the PWLGC "Cleveland in Prose and Poetry" anthology.  You can view the Cleveland Plain Dealer write up on my site www.wilmorcreations.com.  You can also enter to win a "Midnight Jazz" print and view "Holler At The Moon" entries. 

 

Vickie Williams-Morris
www.wilmorcreations.com
Please sign my guest book!



--0-1512415206-1132717983=:88034-- From brendonconnelly at yahoo.co.uk Tue Nov 22 21:25:00 2005 From: brendonconnelly at yahoo.co.uk (Brendon Connelly) Date: Wed, 23 Nov 2005 05:25:00 +0000 (GMT) Subject: [NEohioPAL]Editors and Editing Message-ID: <20051123052500.64736.qmail@web25010.mail.ukl.yahoo.com> I have recently shot a short that needs to complete post production with an amazing degree of urgency to make a deadline. The arrangements I had in place have fallen through - somebody has taken a Thanksgiving holiday at the last minute - so I am looking for access to Final Cut Pro on a half-way decent (at least) Mac and a good DV deck/camera to capture the footage in from. The film is very brief with only four different set ups and few takes to be cut together. I anticipate a good long afternoon would be enough to do the job, though some extra time to give breathing space is a luxury I might like. Can anybody help me? Please reply ASAP. Thanks! ___________________________________________________________ To help you stay safe and secure online, we've developed the all new Yahoo! Security Centre. http://uk.security.yahoo.com From rainbowrep at neo.rr.com Tue Nov 22 22:06:38 2005 From: rainbowrep at neo.rr.com (Rainbow Repertory company) Date: Wed, 23 Nov 2005 01:06:38 -0500 Subject: [NEohioPAL]MAHALIA performances cancelled due to cast illness Message-ID: <084f01c5eff4$116a1230$a5e75d18@DJVLSZ01> This is a multi-part message in MIME format. ------=_NextPart_000_084C_01C5EFCA.285887D0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable We are sorry to announce that due to the illness of 2 cast members, we = have to cancel our performances of MAHALIA scheduled for Nov. 25-26 at = Umstattd Hall in Canton. We hope to re-schedule after the first of the = year. Please contact us if you want to receive an announcement of our = new dates. Lois DiGiacomo The Rainbow Repertory Company 330.456.7397 =20 ------=_NextPart_000_084C_01C5EFCA.285887D0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
We are sorry to=20 announce that due to the illness of 2 cast members, we have to cancel = our=20 performances of MAHALIA scheduled for Nov. 25-26 at Umstattd Hall in=20 Canton.  We hope to re-schedule after the first of the year.  = Please=20 contact us if you want to receive an announcement of our new=20 dates.
 
Lois=20 DiGiacomo
The Rainbow=20 Repertory Company
330.456.7397
 
 
          &nbs= p;            = ;         =20
------=_NextPart_000_084C_01C5EFCA.285887D0-- From fstorch at beckcenter.org Wed Nov 23 06:38:31 2005 From: fstorch at beckcenter.org (Fran Storch) Date: Wed, 23 Nov 2005 09:38:31 -0500 Subject: [NEohioPAL]Best of Beck Stand-Up Comedy Show Message-ID: <97CF2CB42902E345A929E3202369C84E3EB605@beck-1.beckcenter.com> This is a multi-part message in MIME format. ------_=_NextPart_001_01C5F03B.93C95F84 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: quoted-printable FOR IMMEDIATE RELEASE: =20 "Best of the Beck" Stand-Up Comedy Show Friday, December 9, 2005 =20 Lakewood, OH - The Beck Center for the Arts will host the "Best of the Beck" Stand-Up Comedy Show - featuring past graduates of the Beck Center's annual Comedy Class, along with comics from the Cleveland Comedy Kitchen on Friday, December 9th at 9:00 p.m. Doors open at 8:30 p.m. The evening will be hosted by comedian and Comedy Class instructor, John David Sidley. Sidley is the founder of The Cleveland Comedy Kitchen, a group of comedians who perform to raise money for hunger assistance. Special guest performers will include comics Rodney Bengston, Al Hohf and Mike Scanlon. This very funny show will take place in the Music-Armory Building located in the rear of the Beck Center campus. Admission is just $5 per person with cash bar and snacks available. Seating is limited and reservations are recommended. For reservations, call the Beck Center Box Office at 216-521-2540 or log on to www.beckcenter.org. The Beck Center for the Arts is located just ten minutes west of downtown Cleveland at 17801 Detroit Avenue in Lakewood. ### About the Comedy Class The Beck Center's eight week Comedy Class begins in February. Participants learn how to write and deliver their own comedy routine and explore the art of making people laugh. Whether an actor, salesperson or future comedian, participants benefit from learning skills that connect them to people in a whole new way. =20 =20 Yvette A. Hanzel Director of Marketing & External Affairs Beck Center for the Arts 216-521-2540, ext. 225 yvette at beckcenter.org www.beckcenter.org =20 =20 ------_=_NextPart_001_01C5F03B.93C95F84 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

FOR IMMEDIATE = RELEASE:

 

“Best of the Beck” Stand-Up Comedy = Show

Friday, December 9, = 2005

 

Lakewood, OH – The = Beck Center for the Arts will host = the "Best of the Beck" Stand-Up Comedy Show - featuring past graduates of the Beck Center’s = annual Comedy Class, along with comics from the Cleveland Comedy Kitchen on = Friday, December 9th at 9:00 p.m.  Doors open at 8:30 = p.m.

The evening will be hosted by comedian and Comedy Class instructor, = John David Sidley.  = Sidley is the founder of The Cleveland Comedy Kitchen, a group of comedians who = perform to raise money for hunger assistance.  Special guest performers will = include comics Rodney Bengston, Al Hohf and Mike = Scanlon.

This very funny show will take place in the Music-Armory Building located in the rear = of the Beck Center campus. = Admission is just $5 per person with cash bar and snacks available.  Seating is = limited and reservations are recommended.  For reservations, call the Beck = Center Box Office at 216-521-2540 or log on to www.beckcenter.org.   = The Beck Center for the Arts is = located just ten minutes west of downtown Cleveland at 17801 Detroit = Avenue in Lakewood.

=

###<= /p>

About the Comedy Class

The Beck Center’s = eight week Comedy Class begins in February.  Participants learn how to write = and deliver their own comedy routine and explore the art of making people laugh.  Whether an actor, salesperson or future comedian, = participants benefit from learning skills that connect them to people in a whole new = way.

 

 

Yvette A. = Hanzel

Director of = Marketing & External Affairs

Beck= Center= for the Arts

216-521-2540, = ext. 225

yvette at beckcenter.= org

www.beckcenter.org

 

------_=_NextPart_001_01C5F03B.93C95F84-- From artistschair2005 at aol.com Wed Nov 23 07:02:25 2005 From: artistschair2005 at aol.com (artistschair2005 at aol.com) Date: Wed, 23 Nov 2005 10:02:25 -0500 Subject: [NEohioPAL]Need a STAGE ACTOR? William M. Berry and OTHER NEWS! Message-ID: <8C7BE560C8EE1FC-105C-492B@mblk-d31.sysops.aol.com> ----------MailBlocks_8C7BE560C8EE1FC_105C_45E9_mblk-d31.sysops.aol.com Content-Type: text/plain; charset="us-ascii" ARTISTSCHAIR.COM'S "FEATURED ARTIST OF THE DAY" Stage Actor - William M. Berry (Location: Wadsworth, Ohio) (November 23, 2005) To view William's profile, visit http://www.artistschair.com Latest Members' CONTEST Giveaway (November 23, 2005) CONGRATULATIONS to Wadsworth-based stage actor William M. Berry for being chosen at random by the artistschair.com database to be the Wednesday, November 23 "Featured Artist of the Day" will winning two passes, good for four admissions to the December 1 (7:30 pm) Loews Richmond Town Square advanced screening of "The Family Stone" featuring Claire Danes, Diane Keaton, Rachel McAdams, Dermot Mulroney, Craig T. Nelson, Sarah Jessica Parker and Luke Wilson. Take friends or take family, either way, GET OUT and SEE NORTHEAST OHIO! Not a member of artistschair.com yet? Join today for FREE! Networking EVENT & PARTY for Artists and Those that Hire Talent (November 10, 2005) A GREAT BIG THANK YOU to all who attended the November 9 artistschair.com Networking Event which took place at 1300 Gallery. Photos from the event will be posted to the artistschair.com directory soon. FIND an Artist! Make your event or project extra memorable. Find entertainers and technicians in our FREE and easy-to-use database featuring photos and profiles of local artists in more than 100 different talent fields. BE an Artist! Let your talents and services be known. Become a member for FREE and highlight all talent fields that apply to you. Upload photos of yourself and/or samples of your work, edit your own information and have your profiles viewed by those searching for your talents and services. Our MISSION Artistschair.com is committed to PROMOTING and RAISING AWARENESS of local artists, arts-related institutions and issues and the NORTHEAST OHIO REGION as well as serving the needs of those searching for CREATIVE TALENT and resources. ----------MailBlocks_8C7BE560C8EE1FC_105C_45E9_mblk-d31.sysops.aol.com Content-Type: text/html; charset="us-ascii"
  
            ARTISTSCHAIR.COM'S "FEATURED ARTIST OF THE DAY"
Stage Actor - William M. Berry (Location: Wadsworth, Ohio)
 
(November 23, 2005) To view William's profile, visit http://www.artistschair.com
 
Latest Members' CONTEST Giveaway
(November 23, 2005) CONGRATULATIONS to Wadsworth-based stage actor William M. Berry for being chosen at random by the artistschair.com database to be the Wednesday, November 23 "Featured Artist of the Day" will winning two passes, good for four admissions to the December 1 (7:30 pm) Loews Richmond Town Square advanced screening of "The Family Stone" featuring Claire Danes, Diane Keaton, Rachel McAdams, Dermot Mulroney, Craig T. Nelson, Sarah Jessica Parker and Luke Wilson.  
 
Take friends or take family, either way, GET OUT and SEE NORTHEAST OHIO! Not a member of artistschair.com yet? Join today for FREE!
 
Networking EVENT & PARTY for Artists and Those that Hire Talent
(November 10, 2005) A GREAT BIG THANK YOU to all who attended the November 9 artistschair.com Networking Event which took place at 1300 Gallery. Photos from the event will be posted to the artistschair.com directory soon.
  
FIND an Artist!
Make your event or project extra memorable. Find entertainers and technicians in our FREE and easy-to-use database featuring photos and profiles of local artists in more than 100 different talent fields.
 
BE an Artist!
Let your talents and services be known. Become a member for FREE and highlight all talent fields that apply to you. Upload photos of yourself and/or samples of your work, edit your own information and have your profiles viewed by those searching for your talents and services.
 
Our MISSION
Artistschair.com is committed to PROMOTING and RAISING AWARENESS of local artists, arts-related institutions and issues and the NORTHEAST OHIO REGION as well as serving the needs of those searching for CREATIVE TALENT and resources.
 
----------MailBlocks_8C7BE560C8EE1FC_105C_45E9_mblk-d31.sysops.aol.com-- From dposner at universitycircle.org Wed Nov 23 08:11:32 2005 From: dposner at universitycircle.org (University Circle Incorporated) Date: Wed, 23 Nov 2005 11:11:32 -0500 Subject: [NEohioPAL]Holiday CircleFest - December 4 Message-ID: <898101c5f048$91d787a0$07fe10ac@tfhost1> This is a multi-part message in MIME format. ------=_NextPart_000_0001_01C5F01E.17E89210 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable =20 Holiday CircleFest=20 Sunday, December 4 1 to 5:30 pm* =20 * Cleveland Museum of Art's=20 Winter Lights Lantern Festival on=20 Wade Oval: 5:30-6 pm Twenty museums, gardens, galleries, churches, and schools will open = their doors, FREE of charge, for one amazing day of music, hands-on = activities and holiday shopping for all. Institutions offering FREE admission during Holiday CircleFest include: =B7 Case Western Reserve University's Thwing Center =B7 Children's Museum of Cleveland =B7 Church of the Covenant =B7 Cleveland Botanical Garden =B7 Cleveland Institute of Art =B7 Cleveland Institute of Music =B7 Cleveland Museum of Art - McCullough Center =B7 Cleveland Museum of Natural History =B7 Cleveland Play House - Festival of Trees =20 =B7 Cleveland Public Library - Martin Luther King, Jr. Branch=20 =B7 Epworth-Euclid United Methodist Church =B7 Euclid Avenue Congregational Church =B7 Glidden House =B7 HealthSpace Cleveland =B7 Judson Manor =B7 Magnolia Clubhouse, Inc. =B7 Mt. Zion Congregational Church =B7 Museum of Contemporary Art (MOCA) Cleveland =B7 Ronald McDonald House of Cleveland =B7 Temple-Tifereth Israel =B7 Western Reserve Historical Society Cleveland Music School Settlement, Cleveland School of the Arts and = ensembles from The Cleveland Orchestra Youth Orchestra will perform=20 at many of the above sites.=20 View a complete list of activities = (http://www.universitycircle.org/events/activitylist.htm) For more information=20 http://www.universitycircle.org=20 (216) 707-5033 Sponsored by: Cleveland Public Power Home Savings and Loan Additional Support by: The Plain Dealer WNWV 107.3FM The Wave WCPN 90.3FM ideastream Cleveland Magazine Sign-Lite http://www.universitycircle.org/email/265201.1/LU/ To forward this email to a friend use this link: = http://www.universitycircle.org/email/265201.1/FE/ ------=_NextPart_000_0001_01C5F01E.17E89210 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Untitled Document
=20 =20 =20 =20
=20

 

   =20

Holiday = CircleFest 
Sunday, December 4
1 to 5:30 = pm* 

* = Cleveland Museum of Art's
Winter Lights Lantern Festival on =
Wade Oval: 5:30-6 pm

3D"Harp

Twenty museums, gardens, = galleries, churches, and schools will open their = doors, FREE of charge, for one = amazing day of music, hands-on activities and holiday shopping for = all.  .

Institutions offering FREE admission = during Holiday CircleFest include:

=B7         = Case = Western Reserve = University's Thwing = Center

=B7         = Children's = Museum = of Cleveland

=B7         = Church of the = Covenant

=B7         = Cleveland = Botanical = Garden

=B7      Cleveland = Institute of Art

=B7         = Cleveland Institute = of Music

=B7         = Cleveland = Museum of Art - = McCullough Center

=B7         = Cleveland = Museum of Natural = History

=B7         = Cleveland Play House - Festival of = Trees         =

=B7         = Cleveland Public Library - Martin = Luther King, Jr. Branch

=B7         = Epworth-Euclid United Methodist = Church

=B7         = Euclid = Avenue Congregational Church

=B7         = Glidden House

=B7         = HealthSpace Cleveland

=B7         =  Judson Manor

=B7         = Magnolia Clubhouse, = Inc.

=B7         = Mt. Zion Congregational Church

=B7         = Museum of Contemporary Art (MOCA) = Cleveland

=B7         = Ronald McDonald House of Cleveland

=B7         = Temple-Tifereth Israel

=B7         = Western = Reserve = Historical Society

Cleveland Music School = Settlement, Cleveland School of the Arts and ensembles = from The Cleveland Orchestra Youth Orchestra will perform
at = many of the above sites.

View a complete list = of = activities

For more information =
www.universitycircle.org

(216) 707-5033

Sponsored by

3D"Cleveland3D"Home


3DPTCC_04Logo_PDResized3D"Cleveland

3D"WCPN3D"Sign3D"WNWV


Unsubscribe
To forward this email to a friend use this link: Forward To A = Friend
------=_NextPart_000_0001_01C5F01E.17E89210-- From chris at antonellic.com Wed Nov 23 08:53:55 2005 From: chris at antonellic.com (Chris White) Date: Wed, 23 Nov 2005 11:53:55 -0500 Subject: [NEohioPAL]Chagrin Valley Little Theatre - Audition Reminder for "King O' The Moon" Message-ID: <01bc01c5f04e$7d84d5e0$0600a8c0@cwhite> This is a multi-part message in MIME format. ------=_NextPart_000_01B9_01C5F024.948B1940 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Chagrin Valley Little Theatre Audition Reminder King O' the Moon by Tom Dudzkick Show Dates: Jan 20 - Feb 11 (Fridays & Saturdays @ 8pm) The second of Tom Dudzkick's trilogy of the Buffalo family's = tribulations. Following last season's award-winning Over the Tavern, it = largely concerns the now older Georgie and his escapades. The author = pokes fond fun at his Catholic upbringing. CVLT will be holding auditions on Monday the 29th and Tuesday the 30th = of November at 7:00 PM. Roles available for men and women. The theatre is located at 40 River St. in Chagrin Falls. No resumes or = photos are required to audition. Simply come prepared to read from the = script. Happy Thanksgiving! Chagrin Valley Little Theatre www.cvlt.org ------=_NextPart_000_01B9_01C5F024.948B1940 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
 
Chagrin Valley Little Theatre Audition Reminder
 
King O' the Moon
by Tom Dudzkick
Show Dates: Jan 20 - Feb 11 (Fridays & = Saturdays @=20 8pm)
 
The second of Tom Dudzkick's trilogy of the Buffalo family's = tribulations.=20 Following last season's award-winning Over the Tavern, it largely = concerns the=20 now older Georgie and his escapades. The author pokes fond fun at his = Catholic=20 upbringing.
CVLT will be holding auditions on Monday the 29th and = Tuesday the=20 30th of November at 7:00 PM.
Roles available for men and women.
 
The theatre is located at 40 River St. in Chagrin Falls.  No = resumes=20 or photos are required to audition.  Simply come prepared to = read from=20 the script.
 
Happy Thanksgiving!
 
Chagrin Valley Little Theatre
 
 
------=_NextPart_000_01B9_01C5F024.948B1940-- From alexcine at aol.com Wed Nov 23 09:10:47 2005 From: alexcine at aol.com (alexcine at aol.com) Date: Wed, 23 Nov 2005 12:10:47 -0500 Subject: [NEohioPAL]Film Czar seeks Feedback on making Cleveland a Movie City Message-ID: <8C7BE67FB7053BC-1A94-3EBE@FWM-R16.sysops.aol.com> Emmy winning writer and indie filmmaker Alex P. Michaels will be acting=20 as Cleveland's first Film Czar. It is a position Alex has thrust=20 himself into because he is not satisfied with the "powers that be" not=20 being supportive of the local community and that Cleveland does not do=20 as much as it can do to promote filmmaking here. Being involved in=20 independent films in Cleveland and shooting a TV Series based on his=20 Emmy winning movie, Alex has a unique perspective on how to bring=20 movies to the region and also how to support the filmmaking community. =20 Ironically a few years ago, Alex "divorced" himself from the film=20 community to work on building connections with the business community=20 and work on a proposal that is being shopped around to bring about an=20 incubator that will serve the local community and draw in productions.=20 Being Cleveland Film Czar is part of Alex's larger goal of making=20 Cleveland live up to its' potential and be a true part of the movie and=20 TV industry. The Film Czar would like some feedback on what this City truly needs to=20 make the local film community To get your feedback fill out the form at=20 http://www.prelude2cinema.com/filmczar.htm Thank you Sincerely, Alex Michaels ************************************** Prelude2Cinema "Movies That Make You Think." http://www.prelude2cinema.com ******************************************* From hotcarl at adelphia.net Wed Nov 23 09:14:08 2005 From: hotcarl at adelphia.net (carlferrara) Date: Wed, 23 Nov 2005 12:14:08 -0500 Subject: [NEohioPAL]HOT CARL'S 2ND ANNUAL TURKEY JAM STAND UP COMEDY SHOW TONIGHT @ 9:00 Message-ID: <000801c5f051$507c7c80$d3ca4644@HOTCARLDESKTOP> This is a multi-part message in MIME format. ------=_NextPart_000_0005_01C5F027.678298D0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Wed. Nov 23=20 Comedy Showcase Hot Carl's 2nd Annual Turkey Jam At the Cleveland Black Box Theatre (Cabaret Dada) 1210 West 6th street 9:00 P.M. Under the liquid/fusion Next to dive bar $10.00 4 comics Hot Carl Ferrara Ray DeVito Patrick Fisher MC Shawn Paul More info contact Hot Carl Ferrara 216-469-9077 carlferrara at earthlink.net ------=_NextPart_000_0005_01C5F027.678298D0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable

Wed. Nov 23

Comedy Showcase

Hot Carl=92s 2nd Annual = Turkey=20 Jam

At the Cleveland Black Box = Theatre

(Cabaret Dada)

1210 West 6th street

9:00 P.M.

Under the liquid/fusion

Next to dive bar

$10.00

4 comics

Hot Carl Ferrara

Ray DeVito

Patrick Fisher

MC Shawn Paul

More info contact Hot Carl = Ferrara

216-469-9077

carlferrara at earthlink.net

------=_NextPart_000_0005_01C5F027.678298D0-- From Kyra.Forrest at ticketmaster.com Wed Nov 23 10:07:02 2005 From: Kyra.Forrest at ticketmaster.com (Kyra Forrest Cleveland) Date: Wed, 23 Nov 2005 10:07:02 -0800 Subject: [NEohioPAL]COMP tickets for House of Blues Message-ID: <86224193B841EA49B71149F74043CE3F0BF4004C@chimail2.midwest.ticketmaster.com> This message is in MIME format. Since your mail reader does not understand this format, some or all of this message may not be legible. ------_=_NextPart_001_01C5F058.A4BCC23F Content-Type: text/plain > As a NEOhioPAL subscriber, you are being offered an exclusive > COMPLIMENTARY ticket offer for an upcoming show at House of Blues! Click > on the link below to access your password for comp tickets to Sinead > O'Connor on Dec. 2nd! > > http://www.ticketmaster.com/promo/22563 > > > > Kyra Forrest > Marketing Manager > Ticketmaster > 55 Public Square, STE. 1180 > Cleveland, OH 44113 > 216.241.4900 ext. 226 tel > 216.621.1867 fax > > ------_=_NextPart_001_01C5F058.A4BCC23F Content-Type: text/html Content-Transfer-Encoding: quoted-printable COMP tickets for House of Blues

As a NEOhioPAL subscriber, you are = being offered an exclusive COMPLIMENTARY ticket offer for an upcoming = show at House of Blues! Click on the link below to access your password = for comp tickets to Sinead O'Connor on Dec. 2nd!

http://www.ticketmaster.com/promo/22563


Kyra Forrest
Marketing = Manager
Ticketmaster
55 Public = Square, STE. 1180
Cleveland, OH = 44113
216.241.4900 = ext. 226 tel
216.621.1867 = fax


------_=_NextPart_001_01C5F058.A4BCC23F-- From eunhold at dscdo.org Wed Nov 23 10:46:16 2005 From: eunhold at dscdo.org (Eric Unhold) Date: Wed, 23 Nov 2005 13:46:16 -0500 Subject: [NEohioPAL]SEE FREE THEATER! Ushers needed for HOLIDAY HOTLINE Message-ID: This is a multi-part message in MIME format. ------=_NextPart_000_0028_01C5F034.46BD1690 Content-Type: multipart/alternative; boundary="----=_NextPart_001_0029_01C5F034.46BD1690" ------=_NextPart_001_0029_01C5F034.46BD1690 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Hello, Forwarded message below from Linda Eisenstein, co-creator of Holiday Hotline. To see this show for FREE by ushering (very simple time commitment and effort), please contact her (web address is below). Information about the show, and for ordering tickets, is also below. Thank you! Eric Unhold Administrative Director Gordon Square Arts District eunhold at dscdo.org 216-961-4242 x250 Dear cyberpals: Although I've had many things going on in the past few months, I'm dedicating this plugmobile to the opening of our new musical HOLIDAY HOTLINE. This quirky, irreverent musical comedy revue is dedicated to the things that drive us crazy during the holiday season. It begins previews this week and runs through Dec. 23 here in Cleveland, Ohio. It's co-written by me and Michael Sepesy -- both playwrights in the Cleveland Play House Playwrights' Unit -- and produced by James Levin, founder/former A.D. of Cleveland Public Theatre, at Detroit Avenue Arts. SEE! The amazing revenge of the retail peon! EXPERIENCE! That touching new holiday classic, "Kevin the Kwanzaa Moose"! THRILL! To those hair-raising words, "Some Assembly Required"! If you're in the NE Ohio area during the holiday season, please come and see it. It's going to be a lot of fun. 216-491-1709 for tickets. If you're interested in perusing the script for future production consideration let me know. Our cast CD and production script will be available in the next few weeks. Lots of info about the show, including dates, ticket info, synopsis and cast photos, at: www.holiday-hotline.com. Cheers, Linda Eisenstein www.lindaeisenstein.com ------=_NextPart_001_0029_01C5F034.46BD1690 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable
Hello,
Forwarded=20 message below from Linda Eisenstein, co-creator of Holiday = Hotline.  To see this show for FREE by ushering (very simple = time=20 commitment and effort), please contact her (web address is=20 below).  Information about the show, and for ordering = tickets, is=20 also below.
 
Thank=20 you!

Eric = Unhold
Administrative Director
Gordon=20 Square Arts District
eunhold at dscdo.org
216-961-4242=20 x250

 
 Dear = cyberpals:

Although=20 I've had many things going on in the past few months, I'm dedicating = this=20 plugmobile to the opening of our new musical HOLIDAY HOTLINE. This = quirky,=20 irreverent musical comedy revue is dedicated to the things that drive us = crazy=20 during the holiday season.  It begins previews this week and runs = through=20 Dec. 23 here in Cleveland, Ohio.

It's co-written by me and = Michael=20 Sepesy -- both playwrights in the Cleveland Play House Playwrights' Unit = -- and=20 produced by James Levin, founder/former A.D. of Cleveland Public = Theatre, at=20 Detroit Avenue Arts.

SEE!  The amazing revenge of the retail = peon!
EXPERIENCE!  That touching new holiday classic, "Kevin the = Kwanzaa=20 Moose"!
THRILL! To those hair-raising words, "Some Assembly=20 Required"!

If you're in the NE Ohio area during the holiday = season,=20 please come and see it. It's going to be a lot of fun.  = 216-491-1709 for=20 tickets.

If you're interested in perusing the script for future=20 production consideration let me know.  Our cast CD and production = script=20 will be available in the next few weeks. 

Lots of info = about the=20 show, including dates, ticket info, synopsis and cast photos, at: =
www.holiday-hotline.com.

Cheers,=
Linda=20 Eisenstein
www.lindaeisenstein.com

3Dholidayhotlineart700.jpg =
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dT3Ws3E4asEx1xOPRRgp/lzSzmsCrTGN/mxIboI9p3biQLi3tHN1PFyR3TneRogTNZztstrdhbb7 PDt+XPU5a93B0/ZwpAdTvnf6p1nygBgMkX8xJLBxDv8A3QAb+9a9/Dmqj/tC1fynw/ZPi9tIfpX/ AFY2yfNCAZk81vkjVm8phsLeX5gsD3+zrbvzdB3swOW9yrVp7zhPR60O7+ZZrf5W52iW9t1tL38O 3NGpid192dPRhRPqpYzJjZxeWdcxCrf9HHGhpyfMfzNzFwQe23aDzZrFbMA3Nx389/OHRz6U1Dmj Re39o8q75qrV7nq9Xuer1f/Z ------=_NextPart_000_0028_01C5F034.46BD1690-- From kilbanedan at yahoo.com Wed Nov 23 11:36:07 2005 From: kilbanedan at yahoo.com (Dan Kilbane) Date: Wed, 23 Nov 2005 11:36:07 -0800 (PST) Subject: [NEohioPAL]The Holiday Hotline is open! Nov. 23 - Dec. 23 Message-ID: <20051123193607.9608.qmail@web60719.mail.yahoo.com> --0-1815521035-1132774567=:88673 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit HOLIDAY HOTLINE is up and running! www.holiday-hotline.com 216.491.1709 See! The amazing revenge of the retail peon! Experience! That touching new holiday classic, "Kevin the Kwanzaa Moose!!" Thrill! To those hair-raising words, "Assembly required!!!" Previews begin tonight, Nov. 23 @ 8:00 p.m.! Continuing November 25 & 26 Running December 1 ? 23, 2005 A musical comedy revue James Levin?s Detroit Ave. Arts is proud to announce the world premiere of the irreverent HOLIDAY HOTLINE, a musical comedy revue with sketches and songs. HOLIDAY HOTLINE takes a demented look at all the things that drive us crazy about the Christmas holidays. The show, to run in the funky Orthodox, is written by Michael Sepesy; music by Linda Eisenstein; and lyrics by both. Linda Eisenstein and Michael Sepesy wreck the halls with this fast and funny collection of sketches and songs skewering the holiday season, from A CHRISTMAS CAROL to Kwanzaa. The piece is eclectic and irreverent, taking all holiday traditions prisoner with music styles ranging from country to polka to torch song. The world premiere HOLIDAY HOTLINE sends up everything from the mystery ingredients in the turkey stuffing to elf psychotherapy. Co-creator Michael Sepesy sums it up, ?The show is a cure for the Christmas crazies!? The cast includes local favorites Denise Astorino, Kim Aldrich-Ceja, Mark Cipra, Maryann Elder, Hester Lewellen, and Andrew Narten. The production?s staff is led by director Mindy Childress and musical director Michael Flohr. The show previews Wednesday, November 23 and Friday, November 25 at 8:00 p.m. and Saturday, November 26 (8:00 and 10:30 p.m. shows). Opening night is December 1, with the production running through December 23. Performances are Thursdays, Fridays, Saturdays, and Sundays; Thursdays and Fridays at 8:00 p.m., Saturdays at 8:00 and 10:30 p.m., and Sundays at 3:00 p.m. Tickets can be purchased by calling 216.491.1709. Preview tickets are $10. For performances, Thursday, Sunday and Saturday 10:30 p.m. tickets are $10. Friday and Saturdays at 8:00 p.m. are $15. Orthodox is located at Detroit Avenue Arts, 6203 Detroit Ave., Cleveland, Ohio, 44102. --------------------------------- Yahoo! FareChase - Search multiple travel sites in one click. --0-1815521035-1132774567=:88673 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
HOLIDAY HOTLINE
is up and running!
 
www.holiday-hotline.com
216.491.1709
 
See!  The amazing revenge of the retail peon!
 Experience!  That touching new holiday classic, "Kevin the Kwanzaa Moose!!"
 Thrill! To those hair-raising words, "Assembly required!!!"
 
Previews begin tonight, Nov. 23 @ 8:00 p.m.!  Continuing November 25 & 26
Running December 1 ? 23, 2005
A musical comedy revue
 
James Levin?s Detroit Ave. Arts is proud to announce the world premiere of the irreverent HOLIDAY HOTLINE, a musical comedy revue with sketches and songs.  HOLIDAY HOTLINE takes a demented look at all the things that drive us crazy about the Christmas holidays.  The show, to run in the funky Orthodox,  is written by Michael Sepesy; music by Linda Eisenstein; and lyrics by both.
 
Linda Eisenstein and Michael Sepesy wreck the halls with this fast and funny collection of sketches and songs skewering the holiday season, from A CHRISTMAS CAROL to Kwanzaa.  The piece is eclectic and irreverent, taking all holiday traditions prisoner with music styles ranging from country to polka to torch song.  The world premiere HOLIDAY HOTLINE sends up everything from the mystery ingredients in the turkey stuffing to elf psychotherapy.  Co-creator Michael Sepesy sums it up, ?The show is a cure for the Christmas crazies!?
 
The cast includes local favorites Denise Astorino, Kim Aldrich-Ceja, Mark Cipra, Maryann Elder, Hester Lewellen, and Andrew Narten.
 
The production?s staff is led by director Mindy Childress and musical director Michael Flohr.  
 
The show previews Wednesday, November 23 and Friday, November 25 at 8:00 p.m. and Saturday, November 26 (8:00 and 10:30 p.m. shows).  Opening night is December 1, with the production running through December 23.  Performances are Thursdays, Fridays, Saturdays, and Sundays; Thursdays and Fridays at 8:00 p.m., Saturdays at 8:00 and 10:30 p.m., and Sundays at 3:00 p.m.
 
Tickets can be purchased by calling 216.491.1709.  Preview tickets are $10.  For performances, Thursday, Sunday and Saturday 10:30 p.m. tickets are $10.  Friday and Saturdays at 8:00 p.m. are $15. 
 
Orthodox is located at Detroit Avenue Arts, 6203 Detroit Ave., Cleveland, Ohio, 44102.
 
 
 

Yahoo! FareChase - Search multiple travel sites in one click. --0-1815521035-1132774567=:88673-- >From Joe Cali" This is a multi-part message in MIME format. ------=_NextPart_000_0099_01C5F03D.02CA2280 Content-Type: text/plain; charset="Windows-1252" Content-Transfer-Encoding: quoted-printable Cleveland AFTRA's Freelance Organizing Committee (FLOC) presents the = next in its series of Conservatory Workshops: "USING EARPROMPT and TELEPROMPT" Join us Monday, December 5th from 6:30 - 9 p.m., at the AFTRA Office -- = 1468 West Ninth St., when our session will feature AFTRAN Mike Kraft = discussing the use of Earprompt, and Lorene Kulis of L-K Prompter = sharing her knowledge of Teleprompters. Participants are asked to bring = a recorder of any kind and an earphone (wired is fine). This workshop is limited to 20 AFTRA members in good standing. = Reservations for ALL participants are a must -- 216.781.2255, x12. FEES: $10 per participant =20 Conservatory Membership Annual Fee (provides admission to all events)=20 Must be an AFTRA member in good standing New Conservatory members: $25.00=20 Returning Conservatory members: $20.00 =20 Admission tickets =96 which will be emailed or sent via U.S. mail =96 or = a paid-up AFTRA membership card will be needed to gain entrance to the = building.=20 =20 Please send your check, made out to AFTRA with a notation = =91Conservatory Membership=92 on the memo line, along with your AFTRA = I.D.# and home or e-mail address, to: AFTRA -- 1468 W. 9th St., # 720 = -- Cleveland, OH 44113. =20 =20 Feel free to contact Conservatory Co-Chairs Cathy Albers (cla2 at case.edu) = or Nancy Telzerow (ntorq at aol.com) with questions or for further = information. ------=_NextPart_000_0099_01C5F03D.02CA2280 Content-Type: text/html; charset="Windows-1252" Content-Transfer-Encoding: quoted-printable
Cleveland AFTRA's Freelance Organizing Committee (FLOC) presents=20 the next in its series of Conservatory Workshops:
 
"USING EARPROMPT and=20 TELEPROMPT"
 
Join us Monday, December 5th from 6:30 - 9 p.m., = at the=20 AFTRA Office -- 1468 West Ninth St., when our session will = feature=20 AFTRAN Mike Kraft discussing the use of Earprompt, and Lorene Kulis = of L-K=20 Prompter sharing her knowledge of Teleprompters.  Participants are = asked to=20 bring a recorder of any kind and an earphone (wired is fine).
 
This workshop is limited to 20 AFTRA = members=20 in good standing.   Reservations for=20 ALL participants are a = must  --=20 216.781.2255, x12.
 

 

FEES:  $10 per = participant

 

Conservatory Membership Annual Fee=20 (provides admission to all events)=20

Must be an AFTRA member in good = standing

New Conservatory members: =20 $25.00=20

Returning Conservatory members: =20 $20.00

 

Admission tickets =96 which will be emailed or sent via U.S. = mail =96 or a=20 paid-up AFTRA membership card will be needed to gain entrance to the = building.=20

 

Please send your check, made out to AFTRA with a notation = =91Conservatory=20 Membership=92 on the memo line, along with your AFTRA I.D.# and home or = e-mail=20 address, to:  AFTRA -- 1468 W. 9th St., # 720 -- = Cleveland,=20 OH  44113. 

 

Feel free to contact Conservatory = Co-Chairs Cathy=20 Albers (cla2 at case.edu) or Nancy Telzerow (ntorq at aol.com) with questions or for further=20 information.

------=_NextPart_000_0099_01C5F03D.02CA2280-- From Jessica.Schuster at ideastream.org Wed Nov 23 12:27:07 2005 From: Jessica.Schuster at ideastream.org (Schuster, Jessica) Date: Wed, 23 Nov 2005 15:27:07 -0500 Subject: [NEohioPAL]The 90.3 WCPN "Around Noon" Program Schedule for the Week of November 28 Message-ID: <3658357796870A4FAD822731653E058544A193@ideacom.WVIZ.org> This is a multi-part message in MIME format. ------_=_NextPart_001_01C5F06C.4BA2E6B8 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: quoted-printable For Immediate Release Wednesday, November 23, 2005 Contact: Jessica Schuster, Communications Specialist, ideastream, 216.916.6134 "Around Noon" Schedule for the Week of November 28, 2005 Around Noon, weekdays from noon until 1pm on 90.3 WCPN ideastreamsm, keeps you current and connected with cultural affairs in Northeast Ohio. Through conversations with arts and entertainment luminaries; energetic, live performances; and eclectic, special features, host Dee Perry brings the world of arts and entertainment as close as your radio receiver. Following, is the Around Noon schedule for the week of November 28. Please note, all guests and programs are subject to change. Around Noon Schedule for the week of November 28, 2005 Monday, 11-28-05 Dee keeps things "Tidy" with local playwright Eric Coble, rolls along with Dancing Wheel's Snowman; and chats with the Cavani's Merry Peckham about the Cleveland Institute of Music's Chamber Music Festival. For additional information on today's show, visit the following websites: http://www.lkwdpl.org/beck/news.htm#tidy http://www.playscripts.com/author.php3?authorid=3D264 http://www.cavani.org/ http://www.cim.edu/colFaculty.php?div=3D2#MerryPeckham http://www.cim.edu/cimsplash.html http://www.cim.edu/conEvSeries.php Tuesday, 11-29-05 Dee enters the annual "Circlefest" in University Circle with the principal of the Cleveland School of the Arts; enjoys the "Elixir of Love" from Cleveland Opera; and learns to "Love Janis" at Playhouse Square. For additional information on today's show, visit the following websites: http://www.universitycircle.org/Events/hcf2005.htm http://www.universitycircle.org http://www.cmsdnet.net/csa/ http://www.clevelandopera.org/s30/elixir/ecover.html http://www.clevelandopera.org/ http://www.playhousesquare.com/Events/Events.aspx?EventID=3D842 http://www.playhousesquare.com/ Wednesday, 11-30-05 Today, Dee welcomes local food critics to suggest area restaurants for the holiday season. Joining Dee are: Elaine T. Cicora from Scene Magazine and Doug Trattner from the Free Times. For additional information on today's show, visit the following websites: http://www.clevescene.com/Issues/current/dining/index.html http://www.clevescene.com/ http://www.freetimes.com/modules.php?op=3Dmodload&name=3DNews&file=3Dinde= x&cat id=3D&topic=3D8 http://www.freetimes.com/ Thursday, 12-1-05 Dee gets in the holiday spirit with the offbeat productions "Santaland Diaries" and "Mrs. Bob Cratchit's Wild Christmas Binge" at Cleveland Public Theater; then dials the "Holiday Hotline" onstage at the Orthodox Theater.=20 For additional information on today's show, visit the following websites: http://www.cptonline.org/seasoncalendar/event.cfm?eventid=3D223&eventdate= i d=3D1573 http://www.cptonline.org/seasoncalendar/event.cfm?eventid=3D224&eventdate= i d=3D1553 http://www.cptonline.org/ http://www.holiday-hotline.com/ Friday, 12-2-05 Today, Dee is invited to "Lidia's Family Table" with Lidia Bastianich; ideastream's Jim Goldurs chats with comedian Greg Proops about the Drew Carey all-star comic revue; and we get the naked truth on the music of Barenaked Ladies. For additional information on today's show, visit the following websites: http://shopping.lidiasitaly.com/ProductDetails.aspx?productID=3D407 http://www.lidiasitaly.com/index2.htm http://www.gregproops.com/ http://www.bnlmusic.com/ ------_=_NextPart_001_01C5F06C.4BA2E6B8 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable The 90.3 WCPN "Around Noon" Program Schedule for the = Week of November 28

For = Immediate Release

Wednesday, = November 23, 2005

Contact: = Jessica Schuster, Communications Specialist, ideastream, = 216.916.6134


“Around Noon” Schedule for the Week of = November 28, 2005

Around Noon, weekdays from noon until = 1pm on 90.3 WCPN ideastreamsm, keeps you current and connected = with cultural affairs in Northeast Ohio. Through conversations with arts = and entertainment luminaries; energetic, live performances; and = eclectic, special features, host Dee Perry brings the world of arts and = entertainment as close as your radio receiver.

Following, = is the Around Noon schedule for the week of = November 28. Please note, all guests and programs are subject to = change.


Around Noon Schedule for the week of November 28, = 2005

Monday, = 11-28-05

Dee keeps = things “Tidy” with local playwright Eric = Coble, = rolls along with Dancing Wheel’s Snowman; and chats with the Cavani’s Merry = Peckham = about the Cleveland Institute of Music’s Chamber Music = Festival.

For = additional information on today’s show, visit the following = websites:

http://www.lkwdpl.org/beck/news.htm#tidy

http://www.playscripts.com/author.php3?authorid=3D264

http://www.cavani.org/

http://www.cim.edu/colFaculty.php?div=3D2#MerryPeckham<= /FONT>

http://www.cim.edu/cimsplash.html

http://www.cim.edu/conEvSeries.php


Tuesday, = 11-29-05

Dee enters = the annual “Circlefest” in University Circle with the principal of = the Cleveland School of the Arts; enjoys the = “Elixir of Love” from Cleveland = Opera; = and learns to “Love Janis” at Playhouse Square.

For = additional information on today’s show, visit the following = websites:

http://www.universitycircle.org/Events/hcf2005.htm

http://www.universitycircle.org

http://www.cmsdnet.net/csa/

http://www.clevelandopera.org/s30/elixir/ecover.html

http://www.clevelandopera.org/

= http://www.playhousesquare.com/Events/Events.aspx?Event= ID=3D842

http://www.playhousesquare.com/


Wednesday, 11-30-05

Today, Dee = welcomes local food critics to suggest area restaurants for the holiday = season.  Joining Dee are: = Elaine T. Cicora from Scene = Magazine = and Doug = Trattner = from the Free Times.

For = additional information on today’s show, visit the following = websites:

http://www.clevescene.com/Issues/current/dining/index.h= tml

http://www.clevescene.com/

http://www.freetimes.com/modules.php?op=3Dmodload&n= ame=3DNews&file=3Dindex&catid=3D&topic=3D8<= SPAN LANG=3D"en-us">

http://www.freetimes.com/


Thursday, 12-1-05

Dee gets in = the holiday spirit with the offbeat productions = “Santaland Diaries” and = “Mrs. Bob Cratchit’s Wild Christmas = Binge” at Cleveland Public Theater; then dials the = “Holiday Hotline” onstage at the Orthodox = Theater.

For = additional information on today’s show, visit the following = websites:

http://www.cptonline.org/seasoncalendar/event.cfm?event= id=3D223&eventdateid=3D1573

http://www.cptonline.org/seasoncalendar/event.cfm?event= id=3D224&eventdateid=3D1553

http://www.cptonline.org/

http://www.holiday-hotline.com/


Friday, = 12-2-05

Today, Dee = is invited to “Lidia’s Family Table” with Lidia = Bastianich; ideastream’s Jim Goldurs chats with = comedian Greg Proops about the Drew Carey all-star = comic revue; and we get the naked truth on the music = of Barenaked Ladies.

For = additional information on today’s show, visit the following = websites:

http://shopping.lidiasitaly.com/ProductDetails.aspx?pro= ductID=3D407

http://www.lidiasitaly.com/index2.htm=

http://www.gregproops.com/

http://www.bnlmusic.com/























------_=_NextPart_001_01C5F06C.4BA2E6B8-- From FGVlinda at aol.com Wed Nov 23 16:53:07 2005 From: FGVlinda at aol.com (FGVlinda at aol.com) Date: Wed, 23 Nov 2005 19:53:07 EST Subject: [NEohioPAL]A Place For Us Develp. Inc. survey is extended until end of 2005 Message-ID: <1fd.e4119fc.30b668f3@aol.com> -------------------------------1132793587 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Date of survey for market study information is needed for A Place For Us Development, Inc. at "Park District" West 9th in Warehouse District. We have extended the date until end of 2005 for the survey. Please visit website: Aplace4us.org At this time, we are marketing for this one-of-its-kind project in the nation. The design and plans are to serve a multigenerational community. Our desire is to have a self-contained community that will include on-site health care and social services, educational programming, cultural outreach and retail. This project will be open to all; therefore, we are inviting all those who are supportive of such diversity. Yet, it is within our mission to sell at least 50% of the units to the glbt community. We are hoping for a formation of residential assocation. This association would take ownership of the facility. We feel it is important for the major decision policies and management be controlled by the residential community glbt members. No longer do we want to be excluded in making our long-term decisions and care. A Place For Us Development, Inc., a non-profit gay, lesbian, bisexual and transgender organization, whose mission for the past eight years has been to provide a planned community with various services ranging from health care, cultural, spiritual, social and educational, proudly announces the unanimous vote of its board members to join efforts with Marous Development in developing a housing project designed and dedicated to multigenerational gay, lesbian, bisexual, transgender individuals and inclusive of all those supportive of such diversity. Our immediate goal is to market and sell these condominium units (a 15-year tax abatement) to gay, lesbian, bisexual, and transgendered individuals and to those of the wider community. The proposed site is located in the Warehouse District of downtown Cleveland, on West 9th Street between the 250 unit National Terminal Building to the north and the newly renovated 340 unit Bingham Building to the South. Linda Krasienko, President, A Place For Us Development, Inc. _FGVlinda at aol.com_ (mailto:FGVlinda at aol.com) -------------------------------1132793587 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
Date of survey for market study information is needed for A Pla= ce=20 For Us Development, Inc.  at "Park District" West 9th=20= in=20 Warehouse District.
 
We have extended the date until end of 2005 for the survey.  Pl= ease=20 visit website:
Aplace4us.org
 
At this time, we are marketing for this one-of-its-kind=20 project in the nation. The design and plans are to serve=20 a multigenerational community. Our desire is to have a=20 self-contained community that will include on-site health care and= =20 social services, educational programming, cultural outreach and retail. = ;=20
 
This project will be open to all; therefore, we are inviting=20= all=20 those who are supportive of such diversity.  Yet, it is=20 within our mission to sell at least 50% of the units to the glbt=20 community.  We are hoping for a formation=20 of residential assocation.  This association would=20 take ownership of the facility.  We feel it is=20 important for the major decision policies and=20 management be controlled by the residential community gl= bt=20 members. No longer do we want to be excluded in making our long-term=20 decisions and care. 
 
 
A Place For Us Development,=20 Inc., a non-profit gay, lesbian, bisexual and transgender= =20 organization, whose mission for the past eight years has been = ;to=20 provide a planned community with various services ranging from health care,=20 cultural, spiritual, social=20 and educational, proudly announces = the=20 unanimous vote of  its board members to join efforts with Mar= ous=20 Development in developing a housing project designed and=20 dedicated to multigenerational gay, lesbian, bisexual, transgend= er=20 individuals and inclusive of all those supportive of such=20 diversity.=20
 
Our immediate goal is to market and sell these condominium=20 units (a 15-year tax abatement) to gay, lesbian, bisexual, and=20 transgendered individuals and to those of the wider  community. Th= e=20 proposed site is located in the Warehouse District of downtown Cleveland, on= =20 West 9th Street between the 250 unit National Termin= al=20 Building to the north and the newly renovated 340 unit Bingham Building to t= he=20 South.
 
Linda Krasienko, President, A Place For Us Development,=20 Inc.
FGVlinda at aol.com
 
 -------------------------------1132793587-- From dhineline at neo.rr.com Wed Nov 23 17:00:22 2005 From: dhineline at neo.rr.com (Dave Hineline) Date: Wed, 23 Nov 2005 20:00:22 -0500 Subject: [NEohioPAL]Looking For Singer/Lyrisist to complete band and recording. Message-ID: <001b01c5f092$72a27cb0$47dbbd41@D3HRHB71> This is a multi-part message in MIME format. ------=_NextPart_000_0018_01C5F068.89A64F10 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Band needs a vocalist/lyricist. We are Carbon Thread a hard rock band in the process of recording our = first full length CD, " Seven Responces of Conscienceness" We need a dramatic person who can be the voice of our powerfully = melodic, edgy rock sound. If you have vocal talent and can climb inside = our music and give it meaning through your voice and interpretation, = than this could be the chance you have been looking for. Our record = contains an anthem that grabs peoples attention and has a very positive = feel and will be a concert classic. The song "Hope", could best be = described as Pink Floyds "Run Like Hell" meets U2s "Streets with No = Name" not because we tried to sound like that, its just the best way to = describe this song. If you are interested than we will send a copy of the song and come to = the studio to try out. Please respond or forward to someone who you = might know who would be interested. Please, if you have talent and want to make a great record contact me at = dhineline at neo.rr.com. ------=_NextPart_000_0018_01C5F068.89A64F10 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
Band needs a = vocalist/lyricist.
We are Carbon Thread a hard rock band in the process of recording our first full = length=20 CD, " Seven Responces of Conscienceness"
We need a dramatic person who can be = the voice of=20 our powerfully melodic, edgy rock sound. If you have vocal = talent and=20 can climb inside our music and give it meaning through your voice and=20 interpretation, than this could be the chance you have been looking for. = Our record contains an anthem that = grabs peoples=20 attention and has a very positive feel and will be a concert = classic.=20 The song "Hope", could best be described as Pink Floyds "Run Like = Hell"=20 meets U2s "Streets with No Name" not because we tried to sound like = that, its=20 just the best way to describe this song.
If you are interested than we will send = a copy of=20 the song and come to the studio to try out. Please respond or forward to someone who you might know = who would be=20 interested.
 
Please, if you have talent and = want to make a=20 great record contact me at dhineline at neo.rr.com. ------=_NextPart_000_0018_01C5F068.89A64F10-- From KABBW at aol.com Wed Nov 23 18:17:43 2005 From: KABBW at aol.com (KABBW at aol.com) Date: Wed, 23 Nov 2005 21:17:43 EST Subject: [NEohioPAL]Sinatra or Dean Martin impersonator needed Message-ID: <29a.d63b2.30b67cc7@aol.com> -------------------------------1132798663 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit I know it's short notice, but ... Do you know anyone who does a Sinatra or Dean Martin impersonation? Preferably a singer, but just appearance would be more than we have now. It's for a dinner Wed, November 30th, in Lorain, from 5-7 p.m. and can be paid. More information on request. Thanks!! Kathy Whitmore "In a time of universal deceit, telling the truth is a revolutionary act." -- George Orwell -------------------------------1132798663 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
I know it's short notice, but ...
 
Do you know anyone who does a Sinatra or Dean Martin impersonation?&nbs= p;
<= ?param 0000,0000,FFFF>Preferably=20 a singer, but just appearance would be more than we have now.
It's=20 for a dinner Wed, November 30th, in Lorain, from 5-7 p.m. and can be=20 paid.
 
More information on request.
 
Thanks!!
 
Kathy Whitmore
 

"In a time of universal deceit, tel= ling the=20 truth is a revolutionary act." -- George Orwell

-------------------------------1132798663-- From dolan at en.com Wed Nov 23 18:45:48 2005 From: dolan at en.com (Fred Dolan) Date: Wed, 23 Nov 2005 21:45:48 -0500 Subject: [NEohioPAL]Don't Forget: Johnny Cash & Arlo Guthrie On Thanksgiving Night on WJCU References: <20051122133511.40230.qmail@web81805.mail.mud.yahoo.com> Message-ID: <00dc01c5f0a1$3b128ec0$27a651d1@com> This is a multi-part message in MIME format. ------=_NextPart_000_00D9_01C5F077.441F3EC0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable This is your last chance! Everyone knows at least a few Johnny Cash = fans, so please tell them to join me Thanksgiving evening from 6:30 PM = to midnight for=20 Johnny Cash: The Legend - a 4-hour radio special that=20 covers the entire life and recording career of Johnny Cash in his own = words and also the people who knew him in 4 one-hour segments: Ring Of Fire - Johnny Cash: The American Dream How Great Thou Art - Johnny Cash's spiritual quest. The Man In Black - Johnny Cash's politics and influence The World Needs A Melody - Johnny Cash the Storyteller It will run from 7:00 PM to 11:00PM on Thanksgiving evening without = commercial interruption. Following shortly after 11:00 PM will be Arlo Guthrie's "Alice's = Restaurant." Still one of the greatest songs/monologues of all time!=20 The balance of the program will be some excellent acoustic vocals in the = spirit of Thanksgiving.=20 Tune in on 88.7 FM - WJCU - John Carroll University radio or=20 www.wjcu.org on the internet. Have a great Thanksgiving. Fred Dolan Visiting The Folks 88.7 - WJCU-FM & www.wjcu.org In addition to Thursday night, join me on Sunday nights from 9:00PM to = midnight. ------=_NextPart_000_00D9_01C5F077.441F3EC0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
This is your last chance! Everyone knows at least a few Johnny Cash = fans,=20 so please tell them to join me Thanksgiving evening from 6:30 PM to = midnight for 
Johnny Cash: The Legend - a 4-hour radio special that
covers the entire life and recording career of Johnny Cash in his = own words=20 and also the people who knew him in 4 one-hour segments:
Ring Of Fire = -=20 Johnny Cash: The American Dream
How Great Thou Art - Johnny Cash's = spiritual=20 quest.
The Man In Black - Johnny Cash's politics and influence
The = World=20 Needs A Melody - Johnny Cash the Storyteller
It will run from 7:00 PM = to=20 11:00PM on Thanksgiving evening without commercial = interruption.
Following shortly after 11:00 PM will be Arlo Guthrie's = "Alice's=20 Restaurant." Still one of the greatest songs/monologues of all = time! 
 
The balance of the program will be some excellent acoustic = vocals in=20 the spirit of Thanksgiving. 
 
Tune in on 88.7 FM - WJCU - John Carroll University = radio or=20
www.wjcu.org on the = internet.
 
Have a great Thanksgiving.
 
Fred Dolan
Visiting The Folks
88.7 - WJCU-FM & www.wjcu.org
In addition to Thursday night, join me on Sunday nights from 9:00PM = to=20 midnight.
------=_NextPart_000_00D9_01C5F077.441F3EC0-- From performingarts at karamu.com Wed Nov 23 19:21:11 2005 From: performingarts at karamu.com (Performing Arts) Date: Wed, 23 Nov 2005 22:21:11 -0500 Subject: [NEohioPAL]Come on down to see "A Theatre Grows in Cleveland" & "Going To School" during the holiday weekend at Karamu Message-ID: <025701c5f0a6$1f348460$5701a8c0@karamu.com> This is a multi-part message in MIME format. ------=_NextPart_000_0254_01C5F07C.35D83560 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable "A Theatre Grows in Cleveland" by Hannah Stofan and Alex Phillips This ten minute two-character piece placed fifth in the nation in the = National History Day contest two years ago. It will celebrate Karamu's = 90th anniversary for the Youth Theatre program. Written and performed by = Alexander Phillips and Hannah Stofan from Birchwood School in Ohio, the = original title was "A Theatre Grows in Cleveland: Exploring Racial = Equality Through the Dramatic Arts." It depicts the colorful life of = Russell and Rowena Jelliffe who founded the Playhouse Settlement in 1915 = that later relocated in the 1940's and was renamed Karamu House.=20 "Going To School" by Ed Monk Nick is going off to college for the first time. The only problem is, = his family is taking him -- his mother worries he will starve to death, = his father forgot his tuition check, his teenage sister doesn't see why = she has to go, his younger sister just wants to go to her ballet = recital, and his grandmother "don't hear so good no more." It's going to = be a fun day.=20 November 19 - December 10, 2005. Saturdays and Sundays @ 2pm (Arena Theatre) Adults: $8 Kids: $6=20 For more information, please call Karamu's box office at 216-795-7077. Karamu House 2355 East 89th Cleveland, OH 44106 ------=_NextPart_000_0254_01C5F07C.35D83560 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable

 

"A Theatre Grows in Cleveland" by = Hannah=20 Stofan and Alex Phillips

This ten minute two-character piece placed = fifth in the=20 nation in the National History Day contest two years = ago. It will=20 celebrate Karamu's 90th anniversary for the Youth Theatre program. = Written and=20 performed by Alexander Phillips and Hannah Stofan from Birchwood School = in Ohio,=20 the original title was "A Theatre Grows in = Cleveland:=20 Exploring Racial Equality Through the Dramatic Arts."  It = depicts=20 the colorful life of Russell and Rowena Jelliffe who founded the = Playhouse=20 Settlement in 1915 that later relocated in the 1940's and was renamed = Karamu=20 House.

"Going=20 To School" by Ed Monk

Nick is = going off to=20 college for the first time. The only problem is, his family is taking = him -- his=20 mother worries he will starve to death, his father forgot his tuition = check, his=20 teenage sister doesn't see why she has to go, his younger sister just = wants to=20 go to her ballet recital, and his grandmother "don't hear so good no = more." It's=20 going to be a fun day. 
 
November 19 - December 10,=20 2005.
 
Saturdays and Sundays @=20 2pm (Arena=20 Theatre)
Adults: $8
Kids:=20 $6 
 
For=20 more information, please call Karamu's box office at=20 216-795-7077.
 
 
Karamu=20 House
2355=20 East 89th
Cleveland, OH=20 44106
------=_NextPart_000_0254_01C5F07C.35D83560-- From maheshwari_tiiu at yahoo.com Wed Nov 23 19:47:02 2005 From: maheshwari_tiiu at yahoo.com (Tiiu Gennert) Date: Wed, 23 Nov 2005 19:47:02 -0800 (PST) Subject: [NEohioPAL]Happy Thanksgiving! (Studio 11's Holiday Class Schedule) Message-ID: <20051124034702.36106.qmail@web51103.mail.yahoo.com> --0-1039229413-1132804022=:28161 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Join Studio 11 Thanksgiving Day November 24th for Classical Yoga Time: 10:00 am ? Noon Price: $15 Celebrate Thanksgiving Day with Kate & Tiiu for 2 Hours of Yoga (including cleansing yoga postures, energizing breath exercises & an extended relaxation) {Note: Regularly scheduled classes will not be held in honor of the Holiday} No Sunrise Yoga Class on Friday Morning, Nov. 25th Extra Special Karma Yoga "Happy Hour" ... Extended Version Featuring Special Guest Instructor Neel Kulkarni this Friday, November 25th 6:00-8:00 pm (with 10 min. break at 7:00 pm) More details to follow .... Studio 11 Yoga, Pilates & Thai Yoga Massage 2337 West 11th Street Cleveland, OH 44113 216.621.8179 www.studio11tremont.com info at studio11tremont.com --0-1039229413-1132804022=:28161 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
Join Studio 11
 Thanksgiving Day November 24th
for
Classical Yoga
Time: 10:00 am ? Noon
Price: $15
 Celebrate Thanksgiving Day with
Kate & Tiiu for
2 Hours of Yoga
(including cleansing yoga postures, energizing breath exercises & an extended relaxation)
 {Note:  Regularly scheduled classes will not be held in honor of the Holiday}
No Sunrise Yoga Class on Friday Morning, Nov. 25th
Extra Special Karma Yoga "Happy Hour" ... Extended Version
Featuring Special Guest Instructor Neel Kulkarni this Friday, November 25th
6:00-8:00 pm
(with 10 min. break at 7:00 pm)
More details to follow ....


Studio 11
Yoga, Pilates & Thai Yoga Massage
2337 West 11th Street
Cleveland, OH 44113
216.621.8179
www.studio11tremont.com
info at studio11tremont.com
--0-1039229413-1132804022=:28161-- From kaimei at earthlink.net Wed Nov 23 17:35:43 2005 From: kaimei at earthlink.net (Christopher) Date: Wed, 23 Nov 2005 20:35:43 -0500 Subject: [NEohioPAL]Film bi-czar References: <8C7BE67FB7053BC-1A94-3EBE@FWM-R16.sysops.aol.com> Message-ID: <438518EE.EBFC1C27@earthlink.net> Wow! Where to begin... I know I'm supposed to fill out the feedback form, but I suspect it was born with dust on it. Everybody who cares in the slightest for Northeast Ohio's film and video community at least knows someone whose cousin subscribes to NEohioPAL, so my words, frazzled by ever-decreasing creative empathy and sprinkled with a dash of hypocrisy as they may be, are in good hands. As far as I can tell from the expansive view provided by my basement studio's glass block windows, there are three base problems holding back this media arts community. 1. Homogenization of the community's organizational bodies 2. Underappreciation for a team-oriented work ethic 3. Absence of quality control on the parts of area producers If this list elicits a big "hell yeah" from readers, then they can save themselves some time and stop here, you're just going to agree with everything else. The less you agree, the more you should read. Until these issues are not just addressed (ahhhhgain), but solved, the pursuit of a NEO film community is like mankind's pursuit of expansion into space. Untold and uncomprehendable benefits await us as we ready ourselves to explore the final frontier, but none of that's of any use if we try to rush into the next phase as a trainwreck of a society. We've got to handle the mess in our backyard lest we pollute someone else's, in this case, with cliquish, fractured organization; productions that had to take shortcuts or fail altogether because of unprofessionalism and steaming piles of sloppily produced attempts at legitimizing sociopathic predilections. Nobody's being specifically attacked here. If you agree with me, say "amen" to your computer screen. If the shoe finds itself fitting all too comfortably, then make sure it's tied on tight so we can't smell what you've got hiding in there. If you don't see these problems in our community, then you're just not in the community. Maybe you're better off, because weez gotz major problems standing between "us" (the NEO film community) and "them" (an audience outside of people who still think making shoestring movies is a neat novelty). Care to read more? I've got solutions, or at least ideas if anybody's listening. But before we go there, you may be wondering, "why does this guy think he knows all about what's wrong here and how to fix it?" The answer is simple. Having been buffeted by complacency, then uppercutted by unsubstantiated egos and finally kicked by addictions to mediocrity while I was down, I've taken on alot of ya'll's bad habits. I'm becoming part of the problem. I was Director of Operations for a long-defunct organization you may remember called The Alliance, which was supposed to be a pool of film, television and theatrical artists. The brainchild of this organization started their own production company and inexplicably started treating The Alliance as competition, withholding audition announcements, badmouthing our board and trustees, etc. So I was front row for the demolition derby that was watching a fully incorporated 501 c 3 non profit organization fall victim to a proverbial scat-porn fest under the very people who created it. I don't know the problems that must have festered in the Cleveland Film Society or other organizations, but none of them have substantively helped anybody I know. And having been around for longer than I care to admit, I know many. I've watched myself cut corners just to finish core scenes when cast and crew threaten to bail on us. I've worked with people I had doubts about just because the ones I want to work with shuffle off to California without notice, and my product has suffered. Anybody who claims to be or says they can introduce me to the "next big name" in this biz, usually has me running for the hills. But other people are only a fraction of blame. I mean, who reading this doesn't get complete erectile dysfunction over the thought of the unoriginality that runs rampant, or the "big deal" our local news agencies make of any Hollywood film that graces us with its presence, then hits the big screen like a big wet spitwad we want to wipe off to see the real movie underneath? Add to that factors we can't control like the most unpredictable weather in the United States; locations that build up and tear down without notice; "artistes" who instead of giving us their leadership, look down their noses at us; and a sociopathy whose indecision between whether to be a belt of bibles made of rust or vice versa, only makes certain that independent voices get revised into fourth grade English with "values," (without asking "whose values?") and I find myself in a working environment where I get one feature completed for every two that go into production, and countless more that I would start, but can't even get off the ground. Even so, with an average of one feature length production that gets screened at major national and international film festivals every year for the last sixteen years, I am one of the most productive producers of narrative cinema in the Midwest. I'm far away however from being comfortable writing about myself in the third person except in press releases. So to try to wrap this up, here are my ideas for solutions in (as) brief (as possible). If the Film Czar agrees with me, maybe he can help institute some of them. His administration can reap the benefits, but remember, you heard it here first: 1. Start a large bodied organization by making its mission statement something that a majority can agree with. Does everybody want to be famous? Does everybody want Northeast Ohio to be the next Hollywood? Not from what I've heard, and I mean that with sincerity. Not everybody who is interested in local film even wants to actually produce movies, let alone produce them here. What is a thread common to the most people with interests related to making movies in this area? The lagging economy? The need for creative growth? What are the issues that would bring artists, professionals and beginners to the table regardless of clique or perceived experience? We've tried espousing Cleveland as a diverse location for production, but our diverse weather shat that one down. We've tried marketing the talent in the area, but the only productions we have to show for it are ones that local audiences find to be too "edgy" or "controversial," while more cosmopolitan markets outside of Ohio think we're a bunch of poseurs. Said organization may not be able to be as ambitious as getting movies made, but some smaller component of the lifestyle, if it's to draw as diverse a crowd as possible to beef up its networking opportunity street cred. The organization has to address issues relevant to all who are interested in this field, regardless of what kind of production is being made, what the individual's expected role is, or the intended audience. I know I sound like I contradicted myself just now with an earlier sentence about sociopathic predilections, but hold on to your britches. I'm not hatin', I'm just sayin'. The closest to doing this now is IndieCleveland, but I'm talking about something that has sway with community leaders. 2. Create a reward/accountability system for those who want to be considered a pillar of this area's creative media community. Start a website, for instance: www.auteurorposeur.com and model it after Ebay's feedback system. An artist voluntarily posts a profile, a filmography, the like, and others can post feedback- positive and negative. Of course, the artist can retort negative feedback on the message board. I know this smacks of turning into an extension of the good vibrations we all read on NEohioPAL once in a while-often, but something has to draw attention to the infectious lack of work ethic that often even ensnares me, exhausting me to the point where I don't even have the energy to return phone calls. When I meet cast and crew who haven't been exposed to some of the attitudes of the NEO film community, I'm often embarrassed for our community when faced with the proposition that they soon will get such a dose, that they often relocate. I mean a producer or professional actor can only work opposite so much indecision, "my boy/girlfriend won't let me act," or other sudden objections to the material you've all been working with for the last three months just because half way through production, they got around to reading your screenplay. But why should they help us producers with THEIR professionalism when area producers need to: 3. Stop trying to force their fantasy lives down your throats while acting shocked when you don't know how to react to some of the strange demands that they put on you during all processes of the production. Now am I getting my morality panties all in a bunch? No way! One of my current productions plays like John Waters directing an episode of Law & Order SVU, but I'm up front with people about what it is, and as long as they actually read the material before they say yes, then there are no hard feelings, and only mutual respect if and when they say no. But too many producers try to sneak it in on ya and then make you feel like you've got the shortcoming when you question doing material that wasn't in the script. It's got to feel like you got your picture taken by someone who was pretending to not take a picture of you, but of something else. That bait and switch hurts cast and crew relations, but (to me) more importantly, it compromises a production a) by risking its failure due to walk out, and b) wincing in the face of intellectual confrontation. You've got something ballsy to put out there? Let us check it out, if you sound like you know what you want and why, there are alot of actors here who will back your play. I know, I've worked with and am working with artists who help me take on some of the most controversial subjects a regional film has taken on, at least with sincerity. Worse still are the ones who pull punches and hope we don't notice. Do the films that feel right, and do them the way you feel they should be done, because people smell distrust, and if you don't trust them with your material, they're not going to trust you. That is, in my humble opinion, the biggest obstacle stopping films made in this area from being some of the greatest films made in any area. I know one attracts more flies with honey than vinegar, but I prefer to think of what I have to say as bittersweet. And besides... attract flies? I'm not trying to imitate a pile of...... purchasable film awards... Christopher K. Young www.shallowfocus.com alexcine at aol.com wrote: > Emmy winning writer and indie filmmaker Alex P. Michaels will be acting > as Cleveland's first Film Czar. It is a position Alex has thrust > himself into because he is not satisfied with the "powers that be" not > being supportive of the local community and that Cleveland does not do > as much as it can do to promote filmmaking here. Being involved in > independent films in Cleveland and shooting a TV Series based on his > Emmy winning movie, Alex has a unique perspective on how to bring > movies to the region and also how to support the filmmaking community. > Ironically a few years ago, Alex "divorced" himself from the film > community to work on building connections with the business community > and work on a proposal that is being shopped around to bring about an > incubator that will serve the local community and draw in productions. > Being Cleveland Film Czar is part of Alex's larger goal of making > Cleveland live up to its' potential and be a true part of the movie and > TV industry. > > The Film Czar would like some feedback on what this City truly needs to > make the local film community > To get your feedback fill out the form at > http://www.prelude2cinema.com/filmczar.htm > > Thank you > > Sincerely, > Alex Michaels From m.ozimek at sbcglobal.net Wed Nov 23 22:14:41 2005 From: m.ozimek at sbcglobal.net (Mary Lou Ozimek) Date: Thu, 24 Nov 2005 01:14:41 -0500 Subject: [NEohioPAL]Ohio Boychoir Concert Announcements Message-ID: <20051124061451.CF6514CE49@braxton.siteprotect.com> This is a multi-part message in MIME format. ------=_NextPart_000_0075_01C5F094.72C02BF0 Content-Type: multipart/alternative; boundary="----=_NextPart_001_0076_01C5F094.72C02BF0" ------=_NextPart_001_0076_01C5F094.72C02BF0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit ------=_NextPart_001_0076_01C5F094.72C02BF0 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable THIS IS A TEST: LET ME KNOW IF THIS WILL WORK FOR YOU, = SARAH

 

 

 

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0AqwvelXNJjM678O6Vd28kBs4oRIqIzwRqjbVIKrnHIGBweKdH4f0mK0gtBp1s0MCgRq8SttwAM5 I64Uc+w9K0CQOKTcPekMo2WhaXp9qlrb2FusSJs5iUlhgA7jjkkAZJ64psWkWUNnJZGBZ4JZGklW cCTzWZtzFs9Tn+laBcdqjLUAVX0nTZN+/TrRvMVUfMCncq/dB45AwMDtgU9dK08xLCbG28lCWWPy V2gkYJAxjpx9KmU5NTcYxQBk3nh7S7mCSA2MESSRiJzDGqM0Y/gyBnaehHpViaytbiaKaa2hllhy YneMM0ef7pPT8Ktv1pFGaYiFLOD90BDGBCMRjYPkGMcenHHHaop9J06WIQzWNrJEFVAjQqVCrnaM EdBk4HbNXWYIOKqTT44zRuBDLp+nyRRQyWVs8cB3RI0KlYz6qMcfhUTaXprzGdtPtWlJJMhgUsSe pzjPOTn60/zT+FKJKdhXK/8AYWk+UIhplmIlIIT7Om0EEkHGPUn8zSjSrCG4+1R2cMc+WPmIgViW wGJI6k471MZsVG0xNNIRXGnWKtK4s7cNKwaRvKXLt6njk8nr61DJZ2EcflrZ2wQIYwoiXG0nJXGO hODj1qaabA461Rd3kz1rRIlshkt9NYrvsLRtgAXMKnaBgDHHsPyqyINPnKSS2Vs7xkMjNCpKnjkH HH3R+Q9KovbyFiQKsxQukfNW4qxCbuF7qAVuDS2F00rDnrWReqzyYrU0mErgmqcUo3C92f/Z ------=_NextPart_000_0075_01C5F094.72C02BF0-- From maheshwari_tiiu at yahoo.com Wed Nov 23 23:00:34 2005 From: maheshwari_tiiu at yahoo.com (Tiiu Gennert) Date: Wed, 23 Nov 2005 23:00:34 -0800 (PST) Subject: [NEohioPAL]Extra Special Karma Yoga Class at Studio 11 Message-ID: <20051124070034.88968.qmail@web51109.mail.yahoo.com> --0-220855679-1132815634=:87094 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Extra Special Karma Yoga "Happy Hour" ... Extended Version Featuring Guest Instructor Neel Kulkarni this Friday, November 25th 6:00-8:00 pm (w/10 minute break at 7:00 pm) Neel Kulkarni, born and brought up in a yoga family of India, is a grand parenting level yoga teacher, residing in Virginia. He has studied and taught Yoga in a classical style for 30 years. His work can be seen on www.authenticyoga.org. Neel is here in Cleveland visiting family over the Thanksgiving holiday & we are honored to have him share his practice with us. Neel's class is designed to cover several topics including Yoga Asana, Meditation, Philosophy & Chanting. There will also be time for a Question & Answer Session. His knowledge base of yoga is vast, so take advantage of the time he is with us. In the first few minutes of class, Neel will gather the wishes/intentions of the students to form a specialized agenda. Then, he will provide detailed instruction on the requested topics. The class will finish with chanting (Kirtan) of the first chapter of Shree Patanlayogadarshanam (Yoga Sutras of Patanjali). We recommend that you stay for the entire 2 hour class session, but if you need to go at 7pm, there will be a 10 minute break at that time. Om Shanti-Om Shanti-Om Shanti-Om. Studio 11 Yoga, Pilates & Thai Yoga Massage 2337 West 11th Street Cleveland, OH 44113 216.621.8179 www.studio11tremont.com info at studio11tremont.com --0-220855679-1132815634=:87094 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
Extra Special Karma Yoga "Happy Hour" ... Extended Version
Featuring Guest Instructor Neel Kulkarni this Friday, November 25th
6:00-8:00 pm
(w/10 minute break at 7:00 pm)
 
Neel Kulkarni, born and brought up in a yoga family of India, is a grand parenting level yoga teacher, residing in Virginia. He has studied and taught Yoga in a classical style for 30 years.  His work can be seen on www.authenticyoga.org.

Neel is here in Cleveland visiting family over the Thanksgiving holiday & we are honored to have him share his practice with us. Neel's class is designed to cover several topics including Yoga Asana, Meditation, Philosophy & Chanting. There will also be time for a Question & Answer Session. His knowledge base of yoga is vast, so take advantage of the time he is with us.
In the first few minutes of class, Neel will gather the wishes/intentions of the students to form a specialized agenda. Then, he will provide detailed instruction on the requested topics. The class will finish with chanting (Kirtan) of the first chapter of Shree Patanlayogadarshanam (Yoga Sutras of Patanjali). We recommend that you stay for the entire 2 hour class session, but if you need to go at 7pm, there will be a 10 minute break at that time. Om Shanti-Om Shanti-Om Shanti-Om.


Studio 11
Yoga, Pilates & Thai Yoga Massage
2337 West 11th Street
Cleveland, OH 44113
216.621.8179
www.studio11tremont.com
info at studio11tremont.com
--0-220855679-1132815634=:87094-- From cinevid at yahoo.com Thu Nov 24 00:57:18 2005 From: cinevid at yahoo.com (Bill) Date: Thu, 24 Nov 2005 00:57:18 -0800 (PST) Subject: [NEohioPAL]All Hail Film Czar and Film Prophet In-Reply-To: <20051124060306.C205C61F8A@mailman.siteprotect.com> Message-ID: <20051124085718.86417.qmail@web60323.mail.yahoo.com> --0-1853990415-1132822638=:84088 Content-Type: multipart/alternative; boundary="0-265274245-1132822638=:84088" --0-265274245-1132822638=:84088 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit All Hail Film Czar and Film Prophet You know, most of the time I sit with calm amusement as I read the various ramblings as to why Cleveland isn't 'on the map' when it comes to motion picture film and TV production. However, these latest posts are just too funny to ignore... A self proclaimed Film Czar? What the hell is that? Alex, I thought you were joking! And Christopher, you seem to have so much intelligence and yet you completely miss the point. Ya wanna know the reason why we can't all just get along and make movies together? Well here it is. There's too much crap!!! And widely varying degrees of crap. One of the only reasons our monthly Indieclub meetings are successful is because we're not trying to create a consortium; we're not trying to unite our resources, we're not even trying to improve eachother's work. We're just watching videos. And guess what? We see a lot of crap. We see some good stuff too, but mostly we see Learners, Yearners and Burners. Now, Learners are novice filmmakers who make crap because it's their first film and rather than learn the trade first, they go ahead and make a movie as practice and hopefully they'll improve. We sit politely and smile, wishing they had thought about lighting, sound, acting, dialogue, and camera work before making us sit through their experiments. Yearners are filmmakers who really want to make good films, so they use everything at their disposal to make the best possible film they can. However, they're still somewhat plagued by compromise and the results are never what they hoped for, nor what a real distributor will buy. Much easier to sit through though. Burners are the worst. These are filmmakers (usually prolific) who make crap every time out of the gate. Their camera work is mostly hand-hell shaky cam. Their lighting is barely more than ambient and they often use the on-camera mic to capture dialogue. The acting is wooden and undirected; the stories are either so deep you need waders, or so shallow you can't find a point; and to top it off, they're fully convinced they are great filmmakers. But why do I call them Burners you ask? Well, because they burn the bridges that sincere Yearners might someday want to use. They burn bridges with actors who get soured against indie filmmakers because they have nothing decent to show for all their hard work (not even copy). They burn bridges with locations because they are so unorganized that they overstay their welcomes, mess up property and never send copies of the video, like they promise to do. They burn bridges with investors because the investor never sees a dime of their money back. They burn bridges with the legitimate film commission, because, as I said before they make crap and what film commission is going to support and encourage more crap??? Yet that's not the reason why we don't need a film czar or film prophet or any other coordinating force. The real reason is no one wants to work on someone else's film. You see, most of the people that comprise the indie scene here in Cleveland are writer/producer/directors and we're all working on our own projects. And guess what. I'm not all that interested in spending my valuable time working on someone's project which I consider to be crappier than my own. I can just as easily be spending my time and resources creating my own crap. Sure everyone would like to think there's a benevolent brotherhood of filmmakers; a selfless society where everyone submits ideas and work samples and then the members vote on what script to do and who to direct it. The community is presented with the proposal and since it bears the backing of so many filmmakers, the businesses get involved and support the project with services and finances. The best actors come from all around to have a part in the project and a glorious motion picture is produced that wins the Oscar for Impossible Dream... That would be a good plot for a fantasy picture, but in the real world, writers will lose interest if their script isn't picked. Directors will bail if they can't direct and actors will walk away if they can't be the lead. And you guessed it the end product would probably be... well, I don't need to say it again. (though I really want to) Bill Johns crappy writer/producer/and director www.cinevidproductions.com P.S - I guess I'm in a sour mood because just yesterday I lost a serious investor (producer of two features in LA) because she said the acting in one of the scenes I sent her wasn't very good. I knew it when I shot it that I was compromising, and even though we're reshooting that scene, it's too late to regain that contact... ah CRAP! --------------------------------- Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --0-265274245-1132822638=:84088 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
All Hail Film Czar and Film Prophet
 
You know, most of the time I sit with calm amusement as I read the various ramblings as to why Cleveland isn't 'on the map' when it comes to motion picture film and TV production. However, these latest posts are just too funny to ignore... A self proclaimed Film Czar? What the hell is that? Alex, I thought you were joking! And Christopher, you seem to have so much intelligence and yet you completely miss the point.
 
Ya wanna know the reason why we can't all just get along and make movies together? Well here it is. There's too much crap!!! And widely varying degrees of crap. One of the only reasons our monthly Indieclub meetings are successful is because we're not trying to create a consortium; we're not trying to unite our resources, we're not even trying to improve eachother's work. We're just watching videos. And guess what? We see a lot of crap. We see some good stuff too, but mostly we see Learners, Yearners and Burners.
 
Now, Learners are novice filmmakers who make crap because it's their first film and rather than learn the trade first, they go ahead and make a movie as practice and hopefully they'll improve. We sit politely and smile, wishing they had thought about lighting, sound, acting, dialogue, and camera work before making us sit through their experiments.
 
Yearners are filmmakers who really want to make good films, so they use everything at their disposal to make the best possible film they can. However, they're still somewhat plagued by compromise and the results are never what they hoped for, nor what a real distributor will buy. Much easier to sit through though.
 
Burners are the worst. These are filmmakers (usually prolific) who make crap every time out of the gate. Their camera work is mostly hand-hell shaky cam. Their lighting is barely more than ambient and they often use the on-camera mic to capture dialogue. The acting is wooden and undirected; the stories are either so deep you need waders, or so shallow you can't find a point; and to top it off, they're fully convinced they are great filmmakers.
 
But why do I call them Burners you ask? Well, because they burn the bridges that sincere Yearners might someday want to use. They burn bridges with actors who get soured against indie filmmakers because they have nothing decent to show for all their hard work (not even copy). They burn bridges with locations because they are so unorganized that they overstay their welcomes, mess up property and never send copies of the video, like they promise to do. They burn bridges with investors because the investor never sees a dime of their money back. They burn bridges with the legitimate film commission, because, as I said before they make crap and what film commission is going to support and encourage more crap???
 
Yet that's not the reason why we don't need a film czar or film prophet or any other coordinating force. The real reason is no one wants to work on someone else's film. You see, most of the people that comprise the indie scene here in Cleveland are writer/producer/directors and we're all working on our own projects. And guess what. I'm not all that interested in spending my valuable time working on someone's project which I consider to be crappier than my own. I can just as easily be spending my time and resources creating my own crap.
 
Sure everyone would like to think there's a benevolent brotherhood of filmmakers; a selfless society where everyone submits ideas and work samples and then the members vote on what script to do and who to direct it. The community is presented with the proposal and since it bears the backing of so many filmmakers, the businesses get involved and support the project with services and finances. The best actors come from all around to have a part in the project and a glorious motion picture is produced that wins the Oscar for Impossible Dream...
 
That would be a good plot for a fantasy picture, but in the real world, writers will lose interest if their script isn't picked. Directors will bail if they can't direct and actors will walk away if they can't be the lead. And you guessed it the end product would probably be... well, I don't need to say it again. (though I really want to)
 
Bill Johns
crappy writer/producer/and director
 
P.S - I guess I'm in a sour mood because just yesterday I lost a serious investor (producer of two features in LA) because she said the acting in one of the scenes I sent her wasn't very good. I knew it when I shot it that I was compromising, and even though we're reshooting that scene, it's too late to regain that contact... ah CRAP!

Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --0-265274245-1132822638=:84088-- --0-1853990415-1132822638=:84088-- From alitivity at yahoo.com Thu Nov 24 04:10:41 2005 From: alitivity at yahoo.com (Al Diamond Phillips) Date: Thu, 24 Nov 2005 04:10:41 -0800 (PST) Subject: [NEohioPAL]Happy Thanksgiving from the Al Diamond Phillips Christmas Variety Spectacular Message-ID: <20051124121041.41885.qmail@web50602.mail.yahoo.com> Hope everyone has a nice holiday. For ticketets to the show Dec 17th call Williams on the Lake 330-722-6766 Ext 11 __________________________________ Yahoo! Mail - PC Magazine Editors' Choice 2005 http://mail.yahoo.com From memakefilm at yahoo.com Thu Nov 24 05:32:29 2005 From: memakefilm at yahoo.com (Jamey Mixson) Date: Thu, 24 Nov 2005 05:32:29 -0800 (PST) Subject: [NEohioPAL]Film bi-czar In-Reply-To: <438518EE.EBFC1C27@earthlink.net> Message-ID: <20051124133229.19398.qmail@web36201.mail.mud.yahoo.com> --0-269190289-1132839149=:19396 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Chris (you have a lot of time on your hands...help me clean the gutters huh) *Joke! Bravo for standing against the machine! After reading the Fidel Castro-ism of one individuals demand to be the CZAR of the City, I personally felt "Oh Please-ish". This rings like the sound of a horse wrangler running FEMA. To quote Dr. Phil: "how's that working out for ya". I'm an implant, I live here by choice (ok my wife made me but so what). This community, collectively, is weak to the strength and endorse needed to make a major film. Further most of the upstarts lack knowledge of the system, sadly even I as a card carrying rebel stick to the system. Which, in other communities has a sincere political backing. Gary, Indiana (I believe or was the case some few years ago) will bend over a chair (no kiss, no dinner, no flowers) for film production. I'm not beating up on Mr. Alex of the Emmy but we'd (I...we makes it feel robust) feel more confortable with an individual/ organization elect by and for the people. I too have a person project I'm pushing "buy my book, buy my book" but that will not be my political stance on the future of the community; me then us, well me...if time allows us as well. HINT* Contact Mr. Jackson's Office...maybe they'll be for it. Fire the Czar, I need no self righted leader. Ranting is always welcome Happy Holiday Jamey memakefilm at yahoo.com Christopher wrote: Wow! Where to begin... I know I'm supposed to fill out the feedback form, but I suspect it was born with dust on it. Everybody who cares in the slightest for Northeast Ohio's film and video community at least knows someone whose cousin subscribes to NEohioPAL, so my words, frazzled by ever-decreasing creative empathy and sprinkled with a dash of hypocrisy as they may be, are in good hands. As far as I can tell from the expansive view provided by my basement studio's glass block windows, there are three base problems holding back this media arts community. 1. Homogenization of the community's organizational bodies 2. Underappreciation for a team-oriented work ethic 3. Absence of quality control on the parts of area producers If this list elicits a big "hell yeah" from readers, then they can save themselves some time and stop here, you're just going to agree with everything else. The less you agree, the more you should read. Until these issues are not just addressed (ahhhhgain), but solved, the pursuit of a NEO film community is like mankind's pursuit of expansion into space. Untold and uncomprehendable benefits await us as we ready ourselves to explore the final frontier, but none of that's of any use if we try to rush into the next phase as a trainwreck of a society. We've got to handle the mess in our backyard lest we pollute someone else's, in this case, with cliquish, fractured organization; productions that had to take shortcuts or fail altogether because of unprofessionalism and steaming piles of sloppily produced attempts at legitimizing sociopathic predilections. Nobody's being specifically attacked here. If you agree with me, say "amen" to your computer screen. If the shoe finds itself fitting all too comfortably, then make sure it's tied on tight so we can't smell what you've got hiding in there. If you don't see these problems in our community, then you're just not in the community. Maybe you're better off, because weez gotz major problems standing between "us" (the NEO film community) and "them" (an audience outside of people who still think making shoestring movies is a neat novelty). Care to read more? I've got solutions, or at least ideas if anybody's listening. But before we go there, you may be wondering, "why does this guy think he knows all about what's wrong here and how to fix it?" The answer is simple. Having been buffeted by complacency, then uppercutted by unsubstantiated egos and finally kicked by addictions to mediocrity while I was down, I've taken on alot of ya'll's bad habits. I'm becoming part of the problem. I was Director of Operations for a long-defunct organization you may remember called The Alliance, which was supposed to be a pool of film, television and theatrical artists. The brainchild of this organization started their own production company and inexplicably started treating The Alliance as competition, withholding audition announcements, badmouthing our board and trustees, etc. So I was front row for the demolition derby that was watching a fully incorporated 501 c 3 non profit organization fall victim to a proverbial scat-porn fest under the very people who created it. I don't know the problems that must have festered in the Cleveland Film Society or other organizations, but none of them have substantively helped anybody I know. And having been around for longer than I care to admit, I know many. I've watched myself cut corners just to finish core scenes when cast and crew threaten to bail on us. I've worked with people I had doubts about just because the ones I want to work with shuffle off to California without notice, and my product has suffered. Anybody who claims to be or says they can introduce me to the "next big name" in this biz, usually has me running for the hills. But other people are only a fraction of blame. I mean, who reading this doesn't get complete erectile dysfunction over the thought of the unoriginality that runs rampant, or the "big deal" our local news agencies make of any Hollywood film that graces us with its presence, then hits the big screen like a big wet spitwad we want to wipe off to see the real movie underneath? Add to that factors we can't control like the most unpredictable weather in the United States; locations that build up and tear down without notice; "artistes" who instead of giving us their leadership, look down their noses at us; and a sociopathy whose indecision between whether to be a belt of bibles made of rust or vice versa, only makes certain that independent voices get revised into fourth grade English with "values," (without asking "whose values?") and I find myself in a working environment where I get one feature completed for every two that go into production, and countless more that I would start, but can't even get off the ground. Even so, with an average of one feature length production that gets screened at major national and international film festivals every year for the last sixteen years, I am one of the most productive producers of narrative cinema in the Midwest. I'm far away however from being comfortable writing about myself in the third person except in press releases. So to try to wrap this up, here are my ideas for solutions in (as) brief (as possible). If the Film Czar agrees with me, maybe he can help institute some of them. His administration can reap the benefits, but remember, you heard it here first: 1. Start a large bodied organization by making its mission statement something that a majority can agree with. Does everybody want to be famous? Does everybody want Northeast Ohio to be the next Hollywood? Not from what I've heard, and I mean that with sincerity. Not everybody who is interested in local film even wants to actually produce movies, let alone produce them here. What is a thread common to the most people with interests related to making movies in this area? The lagging economy? The need for creative growth? What are the issues that would bring artists, professionals and beginners to the table regardless of clique or perceived experience? We've tried espousing Cleveland as a diverse location for production, but our diverse weather shat that one down. We've tried marketing the talent in the area, but the only productions we have to show for it are ones that local audiences find to be too "edgy" or "controversial," while more cosmopolitan markets outside of Ohio think we're a bunch of poseurs. Said organization may not be able to be as ambitious as getting movies made, but some smaller component of the lifestyle, if it's to draw as diverse a crowd as possible to beef up its networking opportunity street cred. The organization has to address issues relevant to all who are interested in this field, regardless of what kind of production is being made, what the individual's expected role is, or the intended audience. I know I sound like I contradicted myself just now with an earlier sentence about sociopathic predilections, but hold on to your britches. I'm not hatin', I'm just sayin'. The closest to doing this now is IndieCleveland, but I'm talking about something that has sway with community leaders. 2. Create a reward/accountability system for those who want to be considered a pillar of this area's creative media community. Start a website, for instance: www.auteurorposeur.com and model it after Ebay's feedback system. An artist voluntarily posts a profile, a filmography, the like, and others can post feedback- positive and negative. Of course, the artist can retort negative feedback on the message board. I know this smacks of turning into an extension of the good vibrations we all read on NEohioPAL once in a while-often, but something has to draw attention to the infectious lack of work ethic that often even ensnares me, exhausting me to the point where I don't even have the energy to return phone calls. When I meet cast and crew who haven't been exposed to some of the attitudes of the NEO film community, I'm often embarrassed for our community when faced with the proposition that they soon will get such a dose, that they often relocate. I mean a producer or professional actor can only work opposite so much indecision, "my boy/girlfriend won't let me act," or other sudden objections to the material you've all been working with for the last three months just because half way through production, they got around to reading your screenplay. But why should they help us producers with THEIR professionalism when area producers need to: 3. Stop trying to force their fantasy lives down your throats while acting shocked when you don't know how to react to some of the strange demands that they put on you during all processes of the production. Now am I getting my morality panties all in a bunch? No way! One of my current productions plays like John Waters directing an episode of Law & Order SVU, but I'm up front with people about what it is, and as long as they actually read the material before they say yes, then there are no hard feelings, and only mutual respect if and when they say no. But too many producers try to sneak it in on ya and then make you feel like you've got the shortcoming when you question doing material that wasn't in the script. It's got to feel like you got your picture taken by someone who was pretending to not take a picture of you, but of something else. That bait and switch hurts cast and crew relations, but (to me) more importantly, it compromises a production a) by risking its failure due to walk out, and b) wincing in the face of intellectual confrontation. You've got something ballsy to put out there? Let us check it out, if you sound like you know what you want and why, there are alot of actors here who will back your play. I know, I've worked with and am working with artists who help me take on some of the most controversial subjects a regional film has taken on, at least with sincerity. Worse still are the ones who pull punches and hope we don't notice. Do the films that feel right, and do them the way you feel they should be done, because people smell distrust, and if you don't trust them with your material, they're not going to trust you. That is, in my humble opinion, the biggest obstacle stopping films made in this area from being some of the greatest films made in any area. I know one attracts more flies with honey than vinegar, but I prefer to think of what I have to say as bittersweet. And besides... attract flies? I'm not trying to imitate a pile of...... purchasable film awards... Christopher K. Young www.shallowfocus.com alexcine at aol.com wrote: > Emmy winning writer and indie filmmaker Alex P. Michaels will be acting > as Cleveland's first Film Czar. It is a position Alex has thrust > himself into because he is not satisfied with the "powers that be" not > being supportive of the local community and that Cleveland does not do > as much as it can do to promote filmmaking here. Being involved in > independent films in Cleveland and shooting a TV Series based on his > Emmy winning movie, Alex has a unique perspective on how to bring > movies to the region and also how to support the filmmaking community. > Ironically a few years ago, Alex "divorced" himself from the film > community to work on building connections with the business community > and work on a proposal that is being shopped around to bring about an > incubator that will serve the local community and draw in productions. > Being Cleveland Film Czar is part of Alex's larger goal of making > Cleveland live up to its' potential and be a true part of the movie and > TV industry. > > The Film Czar would like some feedback on what this City truly needs to > make the local film community > To get your feedback fill out the form at > http://www.prelude2cinema.com/filmczar.htm > > Thank you > > Sincerely, > Alex Michaels ______________________________________ Disney's "BEAUTY AND THE BEAST" at Beck Center 12/2-12/31. 216-521-2540. http://www.fredsternfeld.com/beautyandthebeast.htm _______________________________________ There is a sister site to this list called the "NEoPAL Bulletin Board." Occasionally when "hot-button" discussions go on more than a day or two, the bulletin board is used. The Neopal bulletin board also has some other terrific features, like a searchable database for you to put your personal information, a place to post pictures and a chat room with a nightly 11pm gathering to discuss hot topics: http://groups.yahoo.com/group/neopal/ _______________________________________ Disclaimer: The facts and/or opinions expressed in this message are solely those of the person in the "from" or "reply-to" header. The fact that this message is posted should in no way be taken as an endorsement by the administrator of this list. Subscribers should perform due diligence for all goods, services and activities promoted on NEohioPAL. NEohioPAL mailing list NEohioPAL at lists.fredsternfeld.com http://lists.fredsternfeld.com/mailman/listinfo/neohiopal http://www.fredsternfeld.com --0-269190289-1132839149=:19396 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
Chris (you have a lot of time on your hands...help me clean the gutters huh) *Joke!
Bravo for standing against the machine!
 
After reading the Fidel Castro-ism of one individuals demand to be the CZAR of the City, I personally felt "Oh Please-ish". This rings like the sound of a horse wrangler running FEMA. To quote Dr. Phil: "how's that working out for ya".
 
I'm an implant, I live here by choice (ok my wife made me but so what). This community, collectively, is weak to the strength and endorse needed to make a major film. Further most of the upstarts lack knowledge of the system, sadly even I as a card carrying rebel stick to the system. Which, in other communities has a sincere political backing. Gary, Indiana (I believe or was the case some few years ago) will bend over a chair (no kiss, no dinner, no flowers) for film production.
 
I'm not beating up on Mr. Alex of the Emmy but we'd (I...we makes it feel robust) feel more confortable with an individual/ organization elect by and for the people. I too have a person project I'm pushing "buy my book, buy my book" but that will not be my political stance on the future of the community; me then us, well me...if time allows us as well.
 
HINT*
Contact Mr. Jackson's Office...maybe they'll be for it.
Fire the Czar, I need no self righted leader.
 
Ranting is always welcome
Happy Holiday
Jamey
 
 
 
 


Christopher <kaimei at earthlink.net> wrote:
Wow! Where to begin...

I know I'm supposed to fill out the feedback form, but I suspect it was born with dust on it. Everybody who cares in the slightest for Northeast Ohio's film and video community at least knows someone whose cousin subscribes to NEohioPAL, so my words, frazzled by ever-decreasing creative empathy and sprinkled with a dash of hypocrisy as they may be, are in good hands.

As far as I can tell from the expansive view provided by my basement studio's glass block windows, there are three base problems holding back this media arts community.

1. Homogenization of the community's organizational bodies

2. Underappreciation for a team-oriented work ethic

3. Absence of quality control on the parts of area producers

If this list elicits a big "hell yeah" from readers, then they can save themselves some time and stop here, you're just going to agree with everything else. The less you agree, the more you should read.

Until these issues are not just addressed (ahhhhgain), but solved, the pursuit of a NEO film community is like mankind's pursuit of expansion into space. Untold and uncomprehendable benefits await us as we ready ourselves to explore the final frontier, but none of that's of any use if we try to rush into the next phase as a trainwreck of a society. We've got to handle the mess in our backyard lest we pollute someone else's, in this
case, with cliquish, fractured organization; productions that had to take shortcuts or fail altogether because of unprofessionalism and steaming piles of sloppily produced attempts at legitimizing sociopathic predilections. Nobody's being specifically attacked here. If you agree with me, say "amen" to your computer screen. If the shoe finds itself fitting all too comfortably, then make sure it's tied on tight so we can't smell what
you've got hiding in there. If you don't see these problems in our community, then you're just not in the community. Maybe you're better off, because weez gotz major problems standing between "us" (the NEO film community) and "them" (an audience outside of people who still think making shoestring movies is a neat novelty).

Care to read more? I've got solutions, or at least ideas if anybody's listening.

But before we go there, you may be wondering, "why does this guy think he knows all about what's wrong here and how to fix it?"

The answer is simple. Having been buffeted by complacency, then uppercutted by unsubstantiated egos and finally kicked by addictions to mediocrity while I was down, I've taken on alot of ya'll's bad habits. I'm becoming part of the problem.

I was Director of Operations for a long-defunct organization you may remember called The Alliance, which was supposed to be a pool of film, television and theatrical artists. The brainchild of this organization started their own production company and inexplicably started treating The Alliance as competition, withholding audition announcements, badmouthing our board and trustees, etc. So I was front row for the demolition derby that
was watching a fully incorporated 501 c 3 non profit organization fall victim to a proverbial scat-porn fest under the very people who created it. I don't know the problems that must have festered in the Cleveland Film Society or other organizations, but none of them have substantively helped anybody I know. And having been around for longer than I care to admit, I know many.

I've watched myself cut corners just to finish core scenes when cast and crew threaten to bail on us. I've worked with people I had doubts about just because the ones I want to work with shuffle off to California without notice, and my product has suffered. Anybody who claims to be or says they can introduce me to the "next big name" in this biz, usually has me running for the hills. But other people are only a fraction of blame.

I mean, who reading this doesn't get complete erectile dysfunction over the thought of the unoriginality that runs rampant, or the "big deal" our local news agencies make of any Hollywood film that graces us with its presence, then hits the big screen like a big wet spitwad we want to wipe off to see the real movie underneath? Add to that factors we can't control like the most unpredictable weather in the United States; locations that
build up and tear down without notice; "artistes" who instead of giving us their leadership, look down their noses at us; and a sociopathy whose indecision between whether to be a belt of bibles made of rust or vice versa, only makes certain that independent voices get revised into fourth grade English with "values," (without asking "whose values?") and I find myself in a working environment where I get one feature completed for every
two that go into production, and countless more that I would start, but can't even get off the ground. Even so, with an average of one feature length production that gets screened at major national and international film festivals every year for the last sixteen years, I am one of the most productive producers of narrative cinema in the Midwest. I'm far away however from being comfortable writing about myself in the third person except
in press releases.

So to try to wrap this up, here are my ideas for solutions in (as) brief (as possible). If the Film Czar agrees with me, maybe he can help institute some of them. His administration can reap the benefits, but remember, you heard it here first:

1. Start a large bodied organization by making its mission statement something that a majority can agree with. Does everybody want to be famous? Does everybody want Northeast Ohio to be the next Hollywood? Not from what I've heard, and I mean that with sincerity. Not everybody who is interested in local film even wants to actually produce movies, let alone produce them here. What is a thread common to the most people with interests
related to making movies in this area? The lagging economy? The need for creative growth? What are the issues that would bring artists, professionals and beginners to the table regardless of clique or perceived experience? We've tried espousing Cleveland as a diverse location for production, but our diverse weather shat that one down. We've tried marketing the talent in the area, but the only productions we have to show for it are
ones that local audiences find to be too "edgy" or "controversial," while more cosmopolitan markets outside of Ohio think we're a bunch of poseurs. Said organization may not be able to be as ambitious as getting movies made, but some smaller component of the lifestyle, if it's to draw as diverse a crowd as possible to beef up its networking opportunity street cred. The organization has to address issues relevant to all who are
interested in this field, regardless of what kind of production is being made, what the individual's expected role is, or the intended audience. I know I sound like I contradicted myself just now with an earlier sentence about sociopathic predilections, but hold on to your britches. I'm not hatin', I'm just sayin'. The closest to doing this now is IndieCleveland, but I'm talking about something that has sway with community leaders.

2. Create a reward/accountability system for those who want to be considered a pillar of this area's creative media community. Start a website, for instance: www.auteurorposeur.com and model it after Ebay's feedback system. An artist voluntarily posts a profile, a filmography, the like, and others can post feedback- positive and negative. Of course, the artist can retort negative feedback on the message board. I know this smacks of
turning into an extension of the good vibrations we all read on NEohioPAL once in a while-often, but something has to draw attention to the infectious lack of work ethic that often even ensnares me, exhausting me to the point where I don't even have the energy to return phone calls. When I meet cast and crew who haven't been exposed to some of the attitudes of the NEO film community, I'm often embarrassed for our community when faced
with the proposition that they soon will get such a dose, that they often relocate. I mean a producer or professional actor can only work opposite so much indecision, "my boy/girlfriend won't let me act," or other sudden objections to the material you've all been working with for the last three months just because half way through production, they got around to reading your screenplay. But why should they help us producers with THEIR
professionalism when area producers need to:

3. Stop trying to force their fantasy lives down your throats while acting shocked when you don't know how to react to some of the strange demands that they put on you during all processes of the production. Now am I getting my morality panties all in a bunch? No way! One of my current productions plays like John Waters directing an episode of Law & Order SVU, but I'm up front with people about what it is, and as long as they
actually read the material before they say yes, then there are no hard feelings, and only mutual respect if and when they say no. But too many producers try to sneak it in on ya and then make you feel like you've got the shortcoming when you question doing material that wasn't in the script. It's got to feel like you got your picture taken by someone who was pretending to not take a picture of you, but of something else. That bait and
switch hurts cast and crew relations, but (to me) more importantly, it compromises a production a) by risking its failure due to walk out, and b) wincing in the face of intellectual confrontation. You've got something ballsy to put out there? Let us check it out, if you sound like you know what you want and why, there are alot of actors here who will back your play. I know, I've worked with and am working with artists who help me take
on some of the most controversial subjects a regional film has taken on, at least with sincerity. Worse still are the ones who pull punches and hope we don't notice. Do the films that feel right, and do them the way you feel they should be done, because people smell distrust, and if you don't trust them with your material, they're not going to trust you. That is, in my humble opinion, the biggest obstacle stopping films made in this
area from being some of the greatest films made in any area.

I know one attracts more flies with honey than vinegar, but I prefer to think of what I have to say as bittersweet. And besides... attract flies? I'm not trying to imitate a pile of...... purchasable film awards...

Christopher K. Young
www.shallowfocus.com



alexcine at aol.com wrote:

> Emmy winning writer and indie filmmaker Alex P. Michaels will be acting
> as Cleveland's first Film Czar. It is a position Alex has thrust
> himself into because he is not satisfied with the "powers that be" not
> being supportive of the local community and that Cleveland does not do
> as much as it can do to promote filmmaking here. Being involved in
> independent films in Cleveland and shooting a TV Series based on his
> Emmy winning movie, Alex has a unique perspective on how to bring
> movies to the region and also how to support the filmmaking community.
> Ironically a few years ago, Alex "divorced" himself from the film
> community to work on building connections with the business community
> and work on a proposal that is being shopped around to bring about an
> incubator that will serve the local community and draw in productions.
> Being Cleveland Film Czar is part of Alex's larger goal of making
> Cleveland live up to its' potential and be a true part of the movie and
> TV industry.
>
> The Film Czar would like some feedback on what this City truly needs to
> make the local film community
> To get your feedback fill out the form at
> http://www.prelude2cinema.com/filmczar.htm
>
> Thank you
>
> Sincerely,
> Alex Michaels

______________________________________
Disney's "BEAUTY AND THE BEAST" at Beck Center 12/2-12/31. 216-521-2540. http://www.fredsternfeld.com/beautyandthebeast.htm
_______________________________________
There is a sister site to this list called the "NEoPAL Bulletin Board." Occasionally when "hot-button" discussions go on more than a day or two, the bulletin board is used. The Neopal bulletin board also has some other terrific features, like a searchable database for you to put your personal information, a place to post pictures and a chat room with a nightly 11pm gathering to discuss hot topics: http://groups.yahoo.com/group/neopal/
_______________________________________
Disclaimer: The facts and/or opinions expressed in this message are solely those of the person in the "from" or "reply-to" header. The fact that this message is posted should in no way be taken as an endorsement by the administrator of this list. Subscribers should perform due diligence for all goods, services and activities promoted on NEohioPAL.

NEohioPAL mailing list
NEohioPAL at lists.fredsternfeld.com
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--0-269190289-1132839149=:19396-- From Moviemanandy at aol.com Thu Nov 24 08:44:19 2005 From: Moviemanandy at aol.com (Moviemanandy at aol.com) Date: Thu, 24 Nov 2005 11:44:19 EST Subject: [NEohioPAL]Happy Thanksgiving !!! Message-ID: <23f.23f7ed3.30b747e3@aol.com> --part1_23f.23f7ed3.30b747e3_boundary Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit I just wanted to take a moment to wish everyone on this list and there families and friends a safe and Happy Thanksgiving ! I also wanted to thank everyone involved with the wonderful A.F.T.R.A. talent production guide party. It was wonderful to see friends I haven't seen in ages and to meet new friends. Also, for anyone that may be interested there is a new arts magazine out. It is called Artist Review Today. It is a local arts magazine dealing with everyone from sculptors to painters and even actors and producers. I happen to have a short article in the current issue.Also, there is an article on "Madness" the feature film Bill Johns is currently doing. I want to thank all my friends and family for continuing my growth and education and awareness in this industry. So, thank you one and all and again Happy Thanksgiving ! Respectfully, Andy Schofield www.moviemanandy.com --part1_23f.23f7ed3.30b747e3_boundary Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
    
      I just wanted to take a moment to wish everyo= ne on this list and there families and friends a safe and Happy Thanksgiving= !

I also wanted to thank everyone involved with the wonderful A.F.T.R.A. talen= t production guide party. It was wonderful to see friends I haven't seen in=20= ages and to meet new friends.

Also, for anyone that may be interested there is a new arts magazine out. It= is called Artist Review Today. It is a local arts magazine dealing with eve= ryone from sculptors to painters and even actors and producers. I happen to=20= have a short article in the current issue.Also, there is an article on "Madn= ess" the feature film Bill Johns is currently doing.

I want to thank all my friends and family for continuing my growth and educa= tion and awareness in this industry.

So, thank you one and all and again Happy Thanksgiving !

Respectfully, Andy Schofield

www.moviemanandy.com --part1_23f.23f7ed3.30b747e3_boundary-- From broadview-heights-spotlights at cox.net Thu Nov 24 08:44:55 2005 From: broadview-heights-spotlights at cox.net (broadview-heights-spotlights at cox.net) Date: Thu, 24 Nov 2005 11:44:55 -0500 Subject: [NEohioPAL]BROADVIEW HEIGHTS SPOTLIGHTS: Christmas Concert Dec. 3 Message-ID: <20051124164654.ZJJE14098.eastrmmtao05.cox.net@[172.18.52.8]> MAKE YOUR RESERVATIONS NOW! Box Office Phone: (440) 526-4404 SPOTLIGHTS CHRISTMAS CONCERT Featuring the Spotlights Costumed Carolers Saturday, December 3 8:00 PM -- Broadview Heights Cultural Arts Building General Admission: $6 SPOTLIGHTS PRESENT "COSTUMED CAROLERS," CONCERT The Broadview Heights Spotlights Community Theater is pleased to present its annual holiday favorite, the Spotlights Costumed Carolers. The harmonious, Dickens-esque carolers are ready to entertain at your next Christmas function. The group, resplendent in flowing skirts, capes, and top hats, will add a "touch of class" to your business open house or party. Interested parties may also invite the Costumed Carolers to entertain family and friends; the group is sure to add nostalgic warmth to any family holiday gathering. For a donation to the Broadview Heights Spotlights Community Theater, patrons will enjoy the sights and sounds of a by-gone era as portrayed by our talented Carolers. New in 2005, the Spotlights Costumed Carolers will also be hosting a public concert to kick off the holiday season. The concert will be held on Saturday, December 3 at the Broadview Heights Cultural Arts Center, located on the Broadview Center campus at 9543 Broadview Road (1/2 mile South of Route 82). The concert begins at 8:00 PM. General admission is $6 per person. To book the Spotlights Costumed Carolers for your event, or for ticket reservations or other inquiries, interested parties may contact the Broadview Heights Spotlights Community Theater Box Office by phone at (440) 526-4404, by email at broadview-heights-spotlights at cox.net, or on the web at www.broadview-heights-spotlights.org. From clevearttheatre at sbcglobal.net Thu Nov 24 08:51:37 2005 From: clevearttheatre at sbcglobal.net (Cleveland Art Theatre) Date: Thu, 24 Nov 2005 08:51:37 -0800 (PST) Subject: [NEohioPAL]What is "Christmas Gif'"? - Get the Answer and Spread the News!! Message-ID: <20051124165137.33583.qmail@web80804.mail.yahoo.com> --0-4694903-1132851097=:32705 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit What is "Christmas Gif'"?. It's Cleveland Art Theatre's Annual Holiday Musical Presentation! "CHRISTMAS GIF'" is written and directed by Margaret Ford-Taylor. The wonderful, familiar Holiday tunes are arranged and directed by Maestro Glenn Bracken. THE FOLKS IN THIS DELIGHTFUL COMMUNITY WELCOME YOU TO THEIR CHRISTMAS CELEBRATION. THEY WANT YOU TO LAUGH, SING AND ENJOY THEIR TOWN AND THE SEASON.. It's a play for every child and every adult who is still a child at heart! December 2 - December 18, 2005 Fri & Sat 8 pm - Sunday Matinees 4:00 pm at CSU's Factory Theatre East 24th between Chester & Payne Avenues. Bring All The Kids Adults $15.00 - Children 12 and under $7.50 Group rates are available. Call (216)229-9718 for further information --0-4694903-1132851097=:32705 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
What is "Christmas Gif'"?.  It's Cleveland Art Theatre's Annual Holiday Musical Presentation! 
 

 "CHRISTMAS GIF'" is written and directed by Margaret Ford-Taylor.  The wonderful, familiar Holiday tunes are arranged and directed by Maestro Glenn Bracken. 

 

THE FOLKS IN THIS DELIGHTFUL COMMUNITY WELCOME YOU TO THEIR  CHRISTMAS CELEBRATION. THEY WANT YOU TO LAUGH, SING AND ENJOY THEIR TOWN AND THE SEASON..

 

It's a play for every child and every adult who is still a child at heart!   

      December 2 - December 18, 2005

Fri & Sat 8 pm - Sunday Matinees 4:00 pm

         at CSU's Factory Theatre

East 24th between Chester & Payne Avenues.

             Bring All The Kids

Adults $15.00 - Children 12 and under $7.50

Group rates are available.  Call (216)229-9718 for further information

 

--0-4694903-1132851097=:32705-- From mikeanthnort at aol.com Thu Nov 24 10:35:05 2005 From: mikeanthnort at aol.com (mikeanthnort at aol.com) Date: Thu, 24 Nov 2005 13:35:05 -0500 Subject: [NEohioPAL]Re:All Hail RENT! In-Reply-To: <20051124085718.86417.qmail@web60323.mail.yahoo.com> Message-ID: <8C7BF3CEC31683F-1BE8-2CE3@FWM-D08.sysops.aol.com> Film Czar...where do these folks get such charged material? It's gotta be Shaker Heights, right? The reason I ask is because I am completely awash in a reality based purely in Hollywood. Really. Who won the "Battle of Shaker Heights"? The Film Czar? The Turkey Czar? John Crapper? Speaking of crap, Bill, I've got to say, there's a lotta crap because there's A LOT of opinions--and you know what they say about opinions? Never mind, it's Turkey Day! Pass the gravy, already!! Speaking of opinions, with your triage classification of the filmic species in Cleveland, I suppose with regard to my last film project, I'm a burner. But is it possible to be obliged to be a burner if the story contained on the screen is that of a scarce and ambiguous landscape (not to mention the audible difficulties)? I dunno; to Learners, Yearners, and Burners, I would add Avante-Gardesmen, Feminists, Surrealists, Hyper-Montagues, Mise-en-scenities, Verisimilidudes, Sci-Files, and Imports. Finally, go see "RENT" everyone! Delicious! Extra-extraordinary cast! Made me live in thoughts of age-old friends, artistes, loves, and, with any luck, the inspiration spilled over by its power of music will help concerned members of at least this community put together some sort of legitimate Vaccine-to-Beat-AIDS-by-2010 Campaign for the world. We've got the tech to do it; we've got TODAY to do it.... Happy Plancksgiving and Thanksgiving, everyone. Even to this Film Czar guy, may you find a nice film studio in St. Petersburg or Havana :) XO, Mike -----Original Message----- From: Bill To: neohiopal at lists.fredsternfeld.com Sent: Thu, 24 Nov 2005 00:57:18 -0800 (PST) Subject: [NEohioPAL]All Hail Film Czar and Film Prophet All Hail Film Czar and Film Prophet You know, most of the time I sit with calm amusement as I read the various ramblings as to why Cleveland isn't 'on the map' when it comes to motion picture film and TV production. However, these latest posts are just too funny to ignore... A self proclaimed Film Czar? What the hell is that? Alex, I thought you were joking! And Christopher, you seem to have so much intelligence and yet you completely miss the point. Ya wanna know the reason why we can't all just get along and make movies together? Well here it is. There's too much crap!!! And widely varying degrees of crap. One of the only reasons our monthly Indieclub meetings are successful is because we're not trying to create a consortium; we're not trying to unite our resources, we're not even trying to improve eachother's work. We're j ust watching videos. And guess what? We see a lot of crap. We see some good stuff too, but mostly we see Learners, Yearners and Burners. Now, Learners are novice filmmakers who make crap because it's their first film and rather than learn the trade first, they go ahead and make a movie as practice and hopefully they'll improve. We sit politely and smile, wishing they had thought about lighting, sound, acting, dialogue, and camera work before making us sit through their experiments. Yearners are filmmakers who really want to make good films, so they use everything at their disposal to make the best possible film they can. However, they're still somewhat plagued by compromise and the results are never what they hoped for, nor what a real distributor will buy. Much easier to sit through though. Burners are the worst. These are filmmakers (u sually prolific) who make crap every time out of the gate. Their camera work is mostly hand-hell shaky cam. Their lighting is barely more than ambient and they often use the on-camera mic to capture dialogue. The acting is wooden and undirected; the stories are either so deep you need waders, or so shallow you can't find a point; and to top it off, they're fully convinced they are great filmmakers. But why do I call them Burners you ask? Well, because they burn the bridges that sincere Yearners might someday want to use. They burn bridges with actors who get soured against indie filmmakers because they have nothing decent to show for all their hard work (not even copy). They burn bridges with locations because they are so unorganized that they overstay their welcomes, mess up property and never send copies of the video, like they promise to do. They burn bridges with investors because the investor never sees a dime of their money back. They burn bridges with the legitimate film commission, because, as I said before they make crap and what film commission is going to support and encourage more crap??? Yet that's not the reason why we don't need a film czar or film prophet or any other coordinating force. The real reason is no one wants to work on someone else's film. You see, most of the people that comprise the indie scene here in Cleveland are writer/producer/directors and we're all working on our own projects. And guess what. I'm not all that interested in spending my valuable time working on someone's project which I consider to be crappier than my own. I can just as easily be spending my time and resources creating my own crap. Sure everyone would like to think there's a benevolent brotherhood of filmmakers; a selfless society where everyone submits ideas and work samples and then the members vote on what script to do and who to direct it. The commu nity is presented with the proposal and since it bears the backing of so many filmmakers, the businesses get involved and support the project with services and finances. The best actors come from all around to have a part in the project and a glorious motion picture is produced that wins the Oscar for Impossible Dream... That would be a good plot for a fantasy picture, but in the real world, writers will lose interest if their script isn't picked. Directors will bail if they can't direct and actors will walk away if they can't be the lead. And you guessed it the end product would probably be... well, I don't need to say it again. (though I really want to) Bill Johns crappy writer/producer/and director www.cinevidproductions.com P.S - I guess I'm in a sour mood because just yesterday I lost a serious investor (producer of two features in LA) because she said the acting in one of the scenes I sent her wasn't very good. I knew it when I shot it that I was compromising, and even though we're reshooting that scene, it's too late to regain that contact... ah CRAP! -------- Yahoo! Music Unlimited - Access over 1 million songs. Try it free. From wvannostran at neo.rr.com Thu Nov 24 11:08:22 2005 From: wvannostran at neo.rr.com (Bill Van Nostran) Date: Thu, 24 Nov 2005 14:08:22 -0500 Subject: [NEohioPAL]Film Czar seeks Feedback on making Cleveland a Movie City References: <8C7BE67FB7053BC-1A94-3EBE@FWM-R16.sysops.aol.com> Message-ID: <006201c5f12a$709a2d80$640fa8c0@vanornbygqljoh> As the adage goes, if it ain't on the page, it ain't on the stage. Same goes for motion pictures. The good ones all start with a compelling story well told. So one simple way to encourage new work, foster a supportive environment, and help individuals gain feedback on their work could come from a group focused on helping local filmmakers develop and polish material. A monthly group giving individual writers an opportunity to hear scenes from an emerging draft read aloud, then receive feedback from others, is a small, but perhaps important step in developing a local environment to foster NEO talent. Perhaps twice a year, local actors might be persuaded to participate in readings of screenplays nearing completion--showcasing them to a larger audience. Bill Van Nostran ----- Original Message ----- From: To: Sent: Wednesday, November 23, 2005 12:10 PM Subject: [NEohioPAL]Film Czar seeks Feedback on making Cleveland a Movie City Emmy winning writer and indie filmmaker Alex P. Michaels will be acting as Cleveland's first Film Czar. It is a position Alex has thrust himself into because he is not satisfied with the "powers that be" not being supportive of the local community and that Cleveland does not do as much as it can do to promote filmmaking here. Being involved in independent films in Cleveland and shooting a TV Series based on his Emmy winning movie, Alex has a unique perspective on how to bring movies to the region and also how to support the filmmaking community. Ironically a few years ago, Alex "divorced" himself from the film community to work on building connections with the business community and work on a proposal that is being shopped around to bring about an incubator that will serve the local community and draw in productions. Being Cleveland Film Czar is part of Alex's larger goal of making Cleveland live up to its' potential and be a true part of the movie and TV industry. The Film Czar would like some feedback on what this City truly needs to make the local film community To get your feedback fill out the form at http://www.prelude2cinema.com/filmczar.htm Thank you Sincerely, Alex Michaels ************************************** Prelude2Cinema "Movies That Make You Think." http://www.prelude2cinema.com ******************************************* ______________________________________ Disney's "BEAUTY AND THE BEAST" at Beck Center 12/2-12/31. 216-521-2540. http://www.fredsternfeld.com/beautyandthebeast.htm _______________________________________ There is a sister site to this list called the "NEoPAL Bulletin Board." Occasionally when "hot-button" discussions go on more than a day or two, the bulletin board is used. The Neopal bulletin board also has some other terrific features, like a searchable database for you to put your personal information, a place to post pictures and a chat room with a nightly 11pm gathering to discuss hot topics: http://groups.yahoo.com/group/neopal/ _______________________________________ Disclaimer: The facts and/or opinions expressed in this message are solely those of the person in the "from" or "reply-to" header. The fact that this message is posted should in no way be taken as an endorsement by the administrator of this list. Subscribers should perform due diligence for all goods, services and activities promoted on NEohioPAL. NEohioPAL mailing list NEohioPAL at lists.fredsternfeld.com http://lists.fredsternfeld.com/mailman/listinfo/neohiopal http://www.fredsternfeld.com From kym4639 at yahoo.com Thu Nov 24 11:34:01 2005 From: kym4639 at yahoo.com (K Brown) Date: Thu, 24 Nov 2005 11:34:01 -0800 (PST) Subject: [NEohioPAL]Karamu holds AUDITIONS for "Breaking Barriers: Little Rock Nine" Message-ID: <20051124193402.67263.qmail@web34308.mail.mud.yahoo.com> --0-1077121374-1132860841=:64114 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Auditions are being held at Karamu for the World Premier of ?Breaking Barriers: Little Rock Nine?, by Nicole C. Kearney Cooper. Karamu Performing Arts Theater 2355 East 89th Street Cleveland, 44106 (For more information, call (216) 702-6803) Roles available for Caucasian and African American actors & actresses ages 14 to 60. AUDITION DATES & TIMES Saturday December 3 11am to 1pm Sunday December 4 2pm to 4pm Saturday December 10 11am to 1pm Sunday December 11 2pm to 4pm CASTING NEEDS 5 Caucasian adult men 6 African American teen girls 3 African American teen boys 1 Caucasian teen girl 1 Caucasian teen boy 2 African American adult women 1 African America adult man REHEARSAL & PERFORMANCE DATES Rehearsals 2 days/week starting December 28. Performances each Saturday and Sunday from February 11 through February 26. For details: (216) 702-6803 ABOUT THE PLAY "Breaking Barriers: Little Rock Nine" is told from the perspective of the nine students who integrated Central High School, in Little Rock, Arkansas, in September, 1957, amid much violence, hatred and protest. Join these famous "nine" students, their parents, and their protector Ms. Daisy Bates as they meet for the first time after they are chosen. As these nine students bond over the common desire for a better education, they begin to realize the impact it has on American society. Hear personal perspectives from Little Rock and the nation as the drama unfolds for those nine young Black students. --------------------------------- Yahoo! Personals Single? There's someone we'd like you to meet. Lot's of someone's, actually. Yahoo! Personals --0-1077121374-1132860841=:64114 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
Auditions are being held at Karamu for the World Premier of  ?Breaking Barriers:  Little Rock Nine?, by Nicole C. Kearney Cooper.
 
Karamu Performing Arts Theater
2355 East 89th Street
Cleveland, 44106
(For more information, call (216) 702-6803)
 
Roles available for Caucasian and African American actors & actresses ages 14 to 60.
 
AUDITION DATES & TIMES 
Saturday December 3               11am to 1pm
Sunday December 4                 2pm to 4pm
 
Saturday December 10             11am to 1pm
Sunday December 11               2pm to 4pm
 
CASTING NEEDS
5 Caucasian adult men
6 African American teen girls
3 African American teen boys
1 Caucasian teen girl
1 Caucasian teen boy
2 African American adult women
1 African America adult man
 
REHEARSAL & PERFORMANCE DATES
Rehearsals 2 days/week starting December 28.
Performances each Saturday and Sunday from February 11 through February 26.
 
For details:  (216) 702-6803
 
ABOUT THE PLAY
"Breaking Barriers: Little Rock Nine" is told from the perspective of the nine students who integrated Central High School, in Little Rock, Arkansas, in September, 1957, amid much violence, hatred and protest. Join these famous "nine" students, their parents, and their protector Ms. Daisy Bates as they meet for the first time after they are chosen. As these nine students bond over the common desire for a better education, they begin to realize the impact it has on American society.  Hear personal perspectives from Little Rock and the nation as the drama unfolds for those nine young Black students. 
 
 

Yahoo! Personals
Single? There's someone we'd like you to meet.
Lot's of someone's, actually. Yahoo! Personals --0-1077121374-1132860841=:64114-- From kaimei at earthlink.net Thu Nov 24 12:06:36 2005 From: kaimei at earthlink.net (Christopher) Date: Thu, 24 Nov 2005 15:06:36 -0500 Subject: [NEohioPAL]All Hail Film Czar and Film Prophet References: <20051124085718.86417.qmail@web60323.mail.yahoo.com> Message-ID: <43861D4C.48CBA613@earthlink.net> --------------2F538E000E2A9ADB2ED64FF6 Content-Type: text/plain; charset=us-ascii; x-mac-type="54455854"; x-mac-creator="4D4F5353" Content-Transfer-Encoding: 7bit I see an attempt at buying some goodwill with the acting and crew community here, but if we shift ALL the blame on the filmmakers, then we will be ignoring the suffering of those majority of actors and crew who ARE professional enough to show up and try to finish scenes and projects in spite of the few who disappear and stop returning calls until they've settled into their Venice Beach apartments or found religion, or whatever excuse they give until one posts another audition notice. Then, they resurface and send their headshots and resumes as if you won't remember them from the last burn, and to add insult to injury, some of them even put the picture they bailed on or got fired from ON THEIR RESUME! Maybe if we all resigned ourselves to making short films that only have one or two locations, then the impact of this kind of behavior could be minimized. But for those of us who dare to make feature films with multiple locations and scenes with significant cast interplay, then this work ethic, left unaddressed, will STAY the norm for a minority, but significant percentage of actors and crew in this area, thereby throwing a wrench not only into a director's work, but the work of the other actors and crew as well. It only takes one actor doing this to shut down a film. Ask around. I have first hand experience with the phenomenon, and when filmmakers start to get a little ambitious around here, so will they. And while I haven't been to an Indieclub meeting in a long time, I thought I was giving it the benefit of the doubt in my initial posting. But if they're not networking their resources or helping each other improve their work, then what the hell are those guys doing there? I hope it's not all about listening to someone who memorized an article out of videomaker magazine or congratulating each other for sticking it out in Cleveland for as long as they have. Don't get me wrong! This isn't a commentary on Indieclub! I imagine that someone conversant with Indieclub's mission can articulate its significance with great ease. The last meeting I attended (almost two years ago) was very helpful. But if it's true that they no longer provide a resource pool and a constructively critical forum, then that which I hope it isn't, must be exactly what it is. I'll attend one as soon as possible, with the hopes that we're both wrong. But, all that aside, sway with city leaders is a necessary next step for Indieclub, or any organization that takes Cleveland's position in the greater media arts community to heart. I mean, what's a film community if the COMMUNITY isn't involved? Perhaps this is already underway, again, I haven't been attending. But an US and THEM attitude won't help anybody, because THEY have the power to make US unwelcome... even more so than we already are from a socio-cultural standpoint. One other issue I need to take on is the idea that Cleveland's indie scene is mostly made up of writers, producers and directors. While it's true that most directors are also writers and producers, and all the other combinations therein, it's more than safe to say that the vast majority of those who consider themselves in the indie scene have little to no interest in writing and/or producing and/or directing a picture of their own. Ask yourself, what's the largest number of actors you've had answer a casting call of yours? My largest number is about 130, I imagine yours are similar, if not higher since you often cast on the coattails of success from a previous project. This kind of turn out is not uncommon. Now how many area filmmakers have you ever seen in one place locally, at one time? Actual filmmakers with one or more credits in the above mentioned categories? Even add those who aspire to have a credit and the number's still pretty small. The reason I bring up this otherwise picayune issue is because it's symptomatic of a trend this community has, and I've been guilty of too: leaving out actors and crew in the dialogue over the needs of this film community. Because when you include those people in the mix, then we see that in fact, a vast majority of this community DOES WANT to work on someone else's film. They're just waiting for something they can believe in. Some find it, many don't, and some are just easy to please. You know us creative types are an unorganized lot with major attention deficit, so one more time. What was the point? Christopher K. Young www.shallowfocus.com P.S.: Amen to your last two paragraphs Bill wrote: > All Hail Film Czar and Film Prophet You know, most of the time I sit > with calm amusement as I read the various ramblings as to why > Cleveland isn't 'on the map' when it comes to motion picture film and > TV production. However, these latest posts are just too funny to > ignore... A self proclaimed Film Czar? What the hell is that? Alex, I > thought you were joking! And Christopher, you seem to have so much > intelligence and yet you completely miss the point. Ya wanna know the > reason why we can't all just get along and make movies together? Well > here it is. There's too much crap!!! And widely varying degrees of > crap. One of the only reasons our monthly Indieclub meetings are > successful is because we're not trying to create a consortium; we're > not trying to unite our resources, we're not even trying to improve > eachother's work. We're j ust watching videos. And guess what? We see > a lot of crap. We see some good stuff too, but mostly we see Learners, > Yearners and Burners. Now, Learners are novice filmmakers who make > crap because it's their first film and rather than learn the trade > first, they go ahead and make a movie as practice and hopefully > they'll improve. We sit politely and smile, wishing they had thought > about lighting, sound, acting, dialogue, and camera work before making > us sit through their experiments. Yearners are filmmakers who really > want to make good films, so they use everything at their disposal to > make the best possible film they can. However, they're still somewhat > plagued by compromise and the results are never what they hoped for, > nor what a real distributor will buy. Much easier to sit through > though. Burners are the worst. These are filmmakers (u sually > prolific) who make crap every time out of the gate. Their camera work > is mostly hand-hell shaky cam. Their lighting is barely more than > ambient and they often use the on-camera mic to capture dialogue. The > acting is wooden and undirected; the stories are either so deep you > need waders, or so shallow you can't find a point; and to top it off, > they're fully convinced they are great filmmakers. But why do I call > them Burners you ask? Well, because they burn the bridges that sincere > Yearners might someday want to use. They burn bridges with actors who > get soured against indie filmmakers because they have nothing decent > to show for all their hard work (not even copy). They burn bridges > with locations because they are so unorganized that they overstay > their welcomes, mess up property and never send copies of the video, > like they promise to do. They burn bridges with investors because the > investor never sees a dime of their money back. They burn bridges with > the legitimate film commission, because, as I said before they make > crap and what film commission is going to support and encourage more > crap??? Yet that's not the reason why we don't need a film czar or > film prophet or any other coordinating force. The real reason is no > one wants to work on someone else's film. You see, most of the people > that comprise the indie scene here in Cleveland are > writer/producer/directors and we're all working on our own projects. > And guess what. I'm not all that interested in spending my valuable > time working on someone's project which I consider to be crappier than > my own. I can just as easily be spending my time and resources > creating my own crap. Sure everyone would like to think there's a > benevolent brotherhood of filmmakers; a selfless society where > everyone submits ideas and work samples and then the members vote on > what script to do and who to direct it. The commu nity is presented > with the proposal and since it bears the backing of so many > filmmakers, the businesses get involved and support the project with > services and finances. The best actors come from all around to have a > part in the project and a glorious motion picture is produced that > wins the Oscar for Impossible Dream... That would be a good plot for a > fantasy picture, but in the real world, writers will lose interest if > their script isn't picked. Directors will bail if they can't direct > and actors will walk away if they can't be the lead. And you guessed > it the end product would probably be... well, I don't need to say it > again. (though I really want to) Bill Johnscrappy writer/producer/and > directorwww.cinevidproductions.com P.S - I guess I'm in a sour mood > because just yesterday I lost a serious investor (producer of two > features in LA) because she said the acting in one of the scenes I > sent her wasn't very good. I knew it when I shot it that I was > compromising, and even though we're reshooting that scene, it's too > late to regain that contact... ah CRAP! > ----------------------------------------------------------------------- > Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --------------2F538E000E2A9ADB2ED64FF6 Content-Type: text/html; charset=us-ascii Content-Transfer-Encoding: 7bit I see an attempt at buying some goodwill with the acting and crew community here, but if we shift ALL the blame on the filmmakers, then we will be ignoring the suffering of those majority of actors and crew who ARE professional enough to show up and try to finish scenes and projects in spite of the few who disappear and stop returning calls until they've settled into their Venice Beach apartments or found religion, or whatever excuse they give until one posts another audition notice.  Then, they resurface and send their headshots and resumes as if you won't remember them from the last burn, and to add insult to injury, some of them even put the picture they bailed on or got fired from ON THEIR RESUME!

Maybe if we all resigned ourselves to making short films that only have one or two locations, then the impact of this kind of behavior could be minimized.  But for those of us who dare to make feature films with multiple locations and scenes with significant cast interplay, then this work ethic, left unaddressed, will STAY the norm for a minority, but significant percentage of actors and crew in this area, thereby throwing a wrench not only into a director's work, but the work of the other actors and crew as well.  It only takes one actor doing this to shut down a film.  Ask around.  I have first hand experience with the phenomenon, and when filmmakers start to get a little ambitious around here, so will they.

And while I haven't been to an Indieclub meeting in a long time, I thought I was giving it the benefit of the doubt in my initial posting.  But if they're not networking their resources or helping each other improve their work, then what the hell are those guys doing there?  I hope it's not all about listening to someone who memorized an article out of videomaker magazine or congratulating each other for sticking it out in Cleveland for as long as they have.  Don't get me wrong!  This isn't a commentary on Indieclub!  I imagine that someone conversant with Indieclub's mission can articulate its significance with great ease.  The last meeting I attended (almost two years ago) was very helpful.  But if it's true that they no longer provide a resource pool and a constructively critical forum, then that which I hope it isn't, must be exactly what it is.  I'll attend one as soon as possible, with the hopes that we're both wrong.  But, all that aside, sway with city leaders is a necessary next step for Indieclub, or any organization that takes Cleveland's position in the greater media arts community to heart.  I mean, what's a film community if the COMMUNITY isn't involved?  Perhaps this is already underway, again, I haven't been attending.  But an US and THEM attitude won't help anybody, because THEY have the power to make US unwelcome... even more so than we already are from a socio-cultural standpoint.

One other issue I need to take on is the idea that Cleveland's indie scene is mostly made up of writers, producers and directors.  While it's true that most directors are also writers and producers, and all the other combinations therein, it's more than safe to say that the vast majority of those who consider themselves in the indie scene have little to no interest in writing and/or producing and/or directing a picture of their own.  Ask yourself, what's the largest number of actors you've had answer a casting call of yours?  My largest number is about 130, I imagine yours are similar, if not higher since you often cast on the coattails of success from a previous project.  This kind of turn out is not uncommon.

Now how many area filmmakers have you ever seen in one place locally, at one time?  Actual filmmakers with one or more credits in the above mentioned categories?  Even add those who aspire to have a credit and the number's still pretty small.  The reason I bring up this otherwise picayune issue is because it's symptomatic of a trend this community has, and I've been guilty of too:  leaving out actors and crew in the dialogue over the needs of this film community.  Because when you include those people in the mix, then we see that in fact, a vast majority of this community DOES WANT to work on someone else's film.  They're just waiting for something they can believe in.

Some find it, many don't, and some are just easy to please.

You know us creative types are an unorganized lot with major attention deficit, so one more time.  What was the point?

Christopher K. Young
www.shallowfocus.com

P.S.: Amen to your last two paragraphs
 
 

Bill wrote:

All Hail Film Czar and Film Prophet You know, most of the time I sit with calm amusement as I read the various ramblings as to why Cleveland isn't 'on the map' when it comes to motion picture film and TV production. However, these latest posts are just too funny to ignore... A self proclaimed Film Czar? What the hell is that? Alex, I thought you were joking! And Christopher, you seem to have so much intelligence and yet you completely miss the point. Ya wanna know the reason why we can't all just get along and make movies together? Well here it is. There's too much crap!!! And widely varying degrees of crap. One of the only reasons our monthly Indieclub meetings are successful is because we're not trying to create a consortium; we're not trying to unite our resources, we're not even trying to improve eachother's work. We're j ust watching videos. And guess what? We see a lot of crap. We see some good stuff too, but mostly we see Learners, Yearners and Burners. Now, Learners are novice filmmakers who make crap because it's their first film and rather than learn the trade first, they go ahead and make a movie as practice and hopefully they'll improve. We sit politely and smile, wishing they had thought about lighting, sound, acting, dialogue, and camera work before making us sit through their experiments. Yearners are filmmakers who really want to make good films, so they use everything at their disposal to make the best possible film they can. However, they're still somewhat plagued by compromise and the results are never what they hoped for, nor what a real distributor will buy. Much easier to sit through though. Burners are the worst. These are filmmakers (u sually prolific) who make crap every time out of the gate. Their camera work is mostly hand-hell shaky cam. Their lighting is barely more than ambient and they often use the on-camera mic to capture dialogue. The acting is wooden and undirected; the stories are either so deep you need waders, or so shallow you can't find a point; and to top it off, they're fully convinced they are great filmmakers. But why do I call them Burners you ask? Well, because they burn the bridges that sincere Yearners might someday want to use. They burn bridges with actors who get soured against indie filmmakers because they have nothing decent to show for all their hard work (not even copy). They burn bridges with locations because they are so unorganized that they overstay their welcomes, mess up property and never send copies of the video, like they promise to do. They burn bridges with investors because the investor never sees a dime of their money back. They burn bridges with the legitimate film commission, because, as I said before they make crap and what film commission is going to support and encourage more crap??? Yet that's not the reason why we don't need a film czar or film prophet or any other coordinating force. The real reason is no one wants to work on someone else's film. You see, most of the people that comprise the indie scene here in Cleveland are writer/producer/directors and we're all working on our own projects. And guess what. I'm not all that interested in spending my valuable time working on someone's project which I consider to be crappier than my own. I can just as easily be spending my time and resources creating my own crap. Sure everyone would like to think there's a benevolent brotherhood of filmmakers; a selfless society where everyone submits ideas and work samples and then the members vote on what script to do and who to direct it. The commu nity is presented with the proposal and since it bears the backing of so many filmmakers, the businesses get involved and support the project with services and finances. The best actors come from all around to have a part in the project and a glorious motion picture is produced that wins the Oscar for Impossible Dream... That would be a good plot for a fantasy picture, but in the real world, writers will lose interest if their script isn't picked. Directors will bail if they can't direct and actors will walk away if they can't be the lead. And you guessed it the end product would probably be... well, I don't need to say it again. (though I really want to) Bill Johnscrappy writer/producer/and directorwww.cinevidproductions.com P.S - I guess I'm in a sour mood because just yesterday I lost a serious investor (producer of two features in LA) because she said the acting in one of the scenes I sent her wasn't very good. I knew it when I shot it that I was compromising, and even though we're reshooting that scene, it's too late to regain that contact... ah CRAP!
Yahoo! Music Unlimited - Access over 1 million songs. Try it free.
--------------2F538E000E2A9ADB2ED64FF6-- From PatrickJCarroll at aol.com Thu Nov 24 19:25:22 2005 From: PatrickJCarroll at aol.com (PatrickJCarroll at aol.com) Date: Thu, 24 Nov 2005 22:25:22 EST Subject: [NEohioPAL]Christmas Massage Therapy Gift Certificates Message-ID: <202.e9b2aa4.30b7de22@aol.com> --part1_202.e9b2aa4.30b7de22_boundary Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit TO MY FELLOW PERFORMERS: Today starts the official Christmas Season! Why not give your loved one (or yourself ;-) ) something that will actually improve their health and or state of mind. MASSAGE! Whether you need a serious therapeutic deep tissue massage or just want to enjoy the bliss of total relaxation. Give a Massage Therapy Gift Certificate. Your Christmas shopping can be as easy as a phone call or a click of the reply button to this email! I offer a 20% discount to all Neohiopal subscribers. Happy Holidays to all! Patrick J. Carroll, L.M.T. 216-544-6001 --part1_202.e9b2aa4.30b7de22_boundary Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable

TO MY FELLOW PERFORMERS:


Today starts the official Christmas Season!

Why not give your loved one (or yourself ;-) ) something that will
actually improve their health and or state of mind.

MASSAGE!

Whether you need a serious therapeutic deep ti= ssue massage or just want to enjoy the bliss of total relaxation.

Give a Massage Therapy Gift Certificate.


Your Christmas shopping can be as easy as a phone call or a= click of the reply button to this email!

I offer a 20% discount to all Neohiopal subscribers.

Happy Holidays to all!

Patrick J. Carroll, L.M.T= .
216-544-6001

--part1_202.e9b2aa4.30b7de22_boundary-- From impuffinstuff at yahoo.com Thu Nov 24 20:58:24 2005 From: impuffinstuff at yahoo.com (Lynda Rodriguez) Date: Thu, 24 Nov 2005 20:58:24 -0800 (PST) Subject: [NEohioPAL]Murder Mystery Recommendation Message-ID: <20051125045824.74391.qmail@web35304.mail.mud.yahoo.com> --0-358964142-1132894704=:73315 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Thank you Random Acts for doing a CLEAN and FUNNY show! The interaction was hilarious and the music was spectacular! We made the right decision hiring Random Acts and I would recommend them to anyone looking for entertainment! HAPPY HOLIDAYS! --------------------------------- Yahoo! Personals Single? There's someone we'd like you to meet. Lot's of someone's, actually. Try Yahoo! Personals --0-358964142-1132894704=:73315 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
Thank you Random Acts for doing a CLEAN and FUNNY show!  The interaction was hilarious and the music was spectacular!  We made the right decision hiring Random Acts and I would recommend them to anyone looking for entertainment!  
 
HAPPY HOLIDAYS!

Yahoo! Personals
Single? There's someone we'd like you to meet.
Lot's of someone's, actually. Try Yahoo! Personals --0-358964142-1132894704=:73315-- From likely_suspect_99 at yahoo.com Thu Nov 24 21:43:03 2005 From: likely_suspect_99 at yahoo.com (Likely Suspect) Date: Thu, 24 Nov 2005 21:43:03 -0800 (PST) Subject: [NEohioPAL]Weathervane Playhouse presents an audience participation comic murder mystery Message-ID: <20051125054303.40645.qmail@web32714.mail.mud.yahoo.com> --0-146157991-1132897383=:37600 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit NEWS RELEASE Contact: Janis L. Harcar (330) 836-2323 (not for publication) Weathervane Ticket Office (330) 8362626 WEATHERVANE PLAYHOUSE presents An audience participation comic murder mystery by Mysteries by Moushey BLACK AND WHITE AND DEAD ALL OVER (November 1, 2005 Akron, Ohio?For Immediate Release) Weathervane Playhouse takes the ?mystery? out of what to do after the last of the turkey has been consumed! The Women?s Board of the Playhouse invites you and your guests to join them on November 26 for an evening of dastardly deeds and comic crime when they sponsor ?Black and White and Dead All Over?. The audience participation mystery will be presented by Mysteries by Moushey. Teams of amateur detectives will witness nefarious acts, search for clues, interrogate suspects, and offer their own solutions to ?whodunit.? The color scheme is?what else??black and white or any combination thereof, so use your imagination when dressing. Prizes will be awarded for costumes as well as Most Creative, Most Outrageous, and Most Clueless solutions to the mystery. Additional prizes will be awarded by drawing from the correct solutions. Cost of the event is $25 per person which includes the mystery, clue hunt, snacks, soft drinks and beer. The first beer is included with the ticket. Groups of 6-8 get a team discount. Specially created baskets of gifts will be raffled. (Get ahead on your holiday shopping!) The evening?s schedule: 7:00 p.m. Doors open. Mystery actors mingle in main lobby. 7:30 p.m. Mystery begins in auditorium. General admission seating. 8:30 p.m. Clue hunt begins. Snack buffet opens. 9:15 p.m. Solution is shared. Cast introduced. Prizes awarded. Black and White and Dead All Over is presented as a fundraiser for the Weathervane Women?s Board on Saturday, November 26, 2005. Charge by phone at Weathervane?s Ticket Office at 330-326-2626. Call between 10 a.m. and 5:30 p.m. Tuesday through Friday. Sponsored by Weathervane Women?s Board. --------------------------------- Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --0-146157991-1132897383=:37600 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
NEWS RELEASE      
Contact:  Janis L. Harcar
(330) 836-2323 (not for publication)
Weathervane Ticket Office (330) 8362626
 
                                    WEATHERVANE PLAYHOUSE presents
            An audience participation comic murder mystery by Mysteries by Moushey
     BLACK AND WHITE AND DEAD ALL OVER
 
(November 1, 2005 Akron, Ohio?For Immediate Release)  Weathervane Playhouse takes the ?mystery? out of what to do after the last of the turkey has been consumed!  The Women?s Board of the Playhouse invites you and your guests to join them on November 26 for an evening of dastardly deeds and comic crime when they sponsor ?Black and White and Dead All Over?.  The audience participation mystery will be presented by Mysteries by Moushey. 
            Teams of amateur detectives will witness nefarious acts, search for clues, interrogate suspects, and offer their own solutions to ?whodunit.?  The color scheme is?what else??black and white or any combination thereof, so use your imagination when dressing.  Prizes will be awarded for costumes as well as Most Creative, Most Outrageous, and Most Clueless solutions to the mystery.  Additional prizes will be awarded by drawing from the correct solutions. 
Cost of the event is $25 per person which includes the mystery, clue hunt, snacks, soft drinks and beer.  The first beer is included with the ticket.  Groups of 6-8 get a team discount.  Specially created baskets of gifts will be raffled.  (Get ahead on your holiday shopping!)
The evening?s schedule:
            7:00 p.m.          Doors open.  Mystery actors mingle in main lobby. 
            7:30 p.m.          Mystery begins in auditorium.  General admission seating.
8:30 p.m.          Clue hunt begins.  Snack buffet opens.
9:15 p.m.          Solution is shared.  Cast introduced.  Prizes awarded.
 
            Black and White and Dead All Over is presented as a fundraiser for the Weathervane Women?s Board on Saturday, November 26, 2005.  Charge by phone at Weathervane?s Ticket Office at 330-326-2626.  Call between 10 a.m. and 5:30 p.m. Tuesday through Friday.
                        Sponsored by Weathervane Women?s Board.
 

Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --0-146157991-1132897383=:37600-- From popcycles at sbcglobal.net Fri Nov 25 05:45:41 2005 From: popcycles at sbcglobal.net (D. Budin) Date: Fri, 25 Nov 2005 05:45:41 -0800 (PST) Subject: [NEohioPAL]'Spinal Tap' benefit screening for Contemporary Youth Orchestra Message-ID: <20051125134542.31588.qmail@web81802.mail.mud.yahoo.com> --0-580039208-1132926341=:30301 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Contemporary Youth Orchestra Presents Benefit Screening of This Is Spinal Tap See the classic satire This Is Spinal Tap ? a parody of rock bands and rock documentaries ? and support a great cause, this Saturday at 11 p.m. The Contemporary Youth Orchestra is celebrating its 11th season and CYO?s slogan for the season is ?Take It to Eleven!? ? inspired by the movie This Is Spinal Tap. In the movie ? Rob Reiner?s hilarious ?mockumentary? about the fictional rock band Spinal Tap ? the group gets amps that go to 11 because 10 is not loud enough. For CYO, it?s not about volume, but about going beyond what is expected and anticipated, which the orchestra continually does. CYO is composed of more than 100 of the best high school-age musicians in this region, representing more than 40 schools. To kick off this season, CYO is presenting a benefit screening of This Is Spinal Tap on Saturday, November 26 Cleveland State University?s Drinko Recital Hall ? in the Music and Communications Building at 2001 Euclid Avenue (the north-west corner of Euclid Avenue and E. 21st Street). The doors will open at 10:15 p.m., and the movie will be shown at 11 p.m. Donations of any amount will be accepted. The suggested donation is $11. Popcorn and soda will be provided. For more information, call CYO at 216-321-3525, or David Budin at 216-791-5149. --0-580039208-1132926341=:30301 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit

Contemporary Youth Orchestra Presents Benefit Screening of This Is Spinal Tap

 

See the classic satire This Is Spinal Tap ? a parody of rock bands and rock documentaries ? and support a great cause, this Saturday at 11 p.m.

 

The Contemporary Youth Orchestra is celebrating its 11th season and CYO?s slogan for the season is ?Take It to Eleven!? ? inspired by the movie This Is Spinal Tap. 

 

In the movie ? Rob Reiner?s hilarious ?mockumentary? about the fictional rock band Spinal Tap ? the group gets amps that go to 11 because 10 is not loud enough.  For CYO, it?s not about volume, but about going beyond what is expected and anticipated, which the orchestra continually does.

 

CYO is composed of more than 100 of the best high school-age musicians in this region, representing more than 40 schools.

 

To kick off this season, CYO is presenting a benefit screening of This Is Spinal Tap on Saturday, November 26 Cleveland State University?s Drinko Recital Hall ? in the Music and Communications Building at 2001 Euclid Avenue (the north-west corner of Euclid Avenue and E. 21st Street).  The doors will open at 10:15 p.m., and the movie will be shown at 11 p.m.

 

Donations of any amount will be accepted. The suggested donation is $11.  Popcorn and soda will be provided.

 

For more information, call CYO at 216-321-3525, or David Budin at 216-791-5149.

--0-580039208-1132926341=:30301-- From LNRoo at aol.com Fri Nov 25 05:48:40 2005 From: LNRoo at aol.com (LNRoo at aol.com) Date: Fri, 25 Nov 2005 08:48:40 EST Subject: [NEohioPAL]Two Issues for Feedback on Film in Cleveland Message-ID: <2b2.844601.30b87038@aol.com> -------------------------------1132926520 Content-Type: text/plain; charset="UTF-8" Content-Transfer-Encoding: quoted-printable Content-Language: en Film is traditionally an apprentice/mentor trade. Cleveland needs to look at= =20 success if it wants success. Hollywood production has been crippled by =E2= =80=9C run-away=E2=80=9D production for the past decade. Why? Because LA taxed TV a= nd film=20 productions into the red. Where did they run to? Not Cleveland ... Canada. =20= Where the=20 weather is just as bad. =20 1) Study what Toronto and Vancouver did to entice Hollywood runaway=20 productions. =20 2) What is the best film school in Cleveland? Make it better. If Cleveland=20 had a world class film school it would do the unthinkable =E2=80=93 attract=20= talent.=20 =20 Urban Film Legend has it that Spielberg was rejected by USC, one of the best= =20 film schools in the world. After his success he went back to USC bought them= a=20 film building and put his name on it. Where did Spielberg end up going to=20 school? Not Cleveland.=20 =20 Ellen Rooney -------------------------------1132926520 Content-Type: text/html; charset="UTF-8" Content-Transfer-Encoding: quoted-printable Content-Language: en

Film is traditionally an apprentice/mentor trade. <= st1:place>Cleveland needs to look at success if it wa= nts success. Hollywood production has been crippled b= y =E2=80=9Crun-away=E2=80=9D production for the past decade. Why? Because LA= taxed TV and film productions into the red. Where did they run to? Not Cleveland ... Canada.  Where the weather is just as bad.

 

1) Study what Toronto and Vancouver did to entice= Hollywood runaway productions.

 

2) What is the best film school in Cleve= land? Make it better. If Clevela= nd had a world class film school it would do the unth= inkable =E2=80=93 attract talent.

 

Urban Film Legend has it that Spielberg was rejected by USC,&= nbsp;one of the best film schools in the world. After his success he we= nt back to USC bought them a film building and put his name on it. Where did= Spielberg end up going to school? Not Cleveland.

 


Ellen Rooney

-------------------------------1132926520-- From Demeerusty at aol.com Fri Nov 25 07:34:35 2005 From: Demeerusty at aol.com (Demeerusty at aol.com) Date: Fri, 25 Nov 2005 10:34:35 EST Subject: [NEohioPAL]A Raisin In The Sun Message-ID: <22c.26ddcfe.30b8890b@aol.com> -------------------------------1132932875 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit The University of Akron's premiere organization for campus events The Zips Programming Network will be putting on the production of A Raisin In The Sun by Lorraine Hansberry in February for Black History Month. We are looking for FULL PRODUCTION CAST AND CREW. All POSITIONS will be PAID. Auditions will be December 1-3 please RSVP 330-972-7014 or tga2 at uakron.edu Timothy G. Avant Diversity Chair Zips Programming Network The University of Akron -------------------------------1132932875 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
The University of Akron's premiere organization for campus events The Z= ips=20 Programming Network will be putting on the production of A Raisin In Th= e=20 Sun by Lorraine Hansberry in February for Black History Month. We are=20 looking for  FULL PRODUCTION CAST AND CREW. All POSITIONS will be PAID.= =20 Auditions will be December 1-3 please RSVP 330-972-7014 or tga2 at uakron.edu
Timothy G. Avant
Diversity Chair
Zips Programming Network
The University of Akron
 -------------------------------1132932875-- From artistic at playersguildtheatre.com Fri Nov 25 08:42:34 2005 From: artistic at playersguildtheatre.com (Wendy Temple) Date: Fri, 25 Nov 2005 11:42:34 -0500 Subject: [NEohioPAL]Players Guild Adult Alternative to Christmas Message-ID: <000001c5f1df$3ccebd30$0101000a@office.playersguildtheatre.com> This is a multi-part message in MIME format. ------=_NextPart_000_0001_01C5F1B5.53F8B530 Content-Type: multipart/alternative; boundary="----=_NextPart_001_0002_01C5F1B5.53F8B530" ------=_NextPart_001_0002_01C5F1B5.53F8B530 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Players Guild Adult-Only Christmas Canton, Ohio- Nov. 2005 - What's more fun and festive than a pitcher of candy cane-flavored Daiquiris? An evening of rollicking, irreverent holiday humor courtesy of David Sedaris! The NPR commentator, author and humorist strikes gold with two one-act plays, Santaland Diaries and Season's Greetings. Santaland features a sordid (and sometimes just plain silly) behind-the-scenes peek at working for Santa at the Macy's NYC department store. Your guide is a world-weary, jaded "Elf" (David Sponhour). You'll never look at "The Big Guy's" mall display the same way again! "Season's Greetings" introduces you to a on the surface picture-perfect suburban Mom, (Denise Robb) as she shares the family's annual brag-fest report aka the Holiday Newsletter. It's "shock-full" of fun and surprises! Take a break from shopping among the hordes, overdosing on sugar plums and fa-la-la's! Treat yourself to this delightful, adults-only evening of naughty wit not to be missed! The Players Guild Theatre's presentation of David's Sedaris's Santaland Diaries and Season Greetings begins December 5th -7th, and 12th -14th in the Arena Theatre. Monday, Tuesday and Wednesday performances begin at 8 :00 p.m. and all Tickets are $10.00 general admissision at the door. The Players Guild production of Santaland Diaries and Season Greetings is sponsored by Canton Repository, and Aultman Hospital. All Players Guild productions are produced with the generous support of the Canton community through Arts in Stark and Ohio Arts Council. # # # 1001 Market Ave. North, Canton, Ohio 44702 Phone: 330-453-7619 Fax: 330-453-8568 ------=_NextPart_001_0002_01C5F1B5.53F8B530 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

Players Guild Adult-Only = Christmas

 

 

        = ;    Canton, = Ohio– Nov. 2005 – What's more fun and festive = than a pitcher of candy cane-flavored Daiquiris?  An evening of rollicking, irreverent holiday humor courtesy of = David Sedaris!  The NPR = commentator, author and humorist strikes gold with two one-act plays, Santaland = Diaries and Season's Greetings.  = Santaland features a sordid (and = sometimes just plain silly) behind-the-scenes peek at working for Santa at the Macy's = NYC department store.  Your guide is a = world-weary, jaded "Elf" (David Sponhour).  You'll never look at "The = Big Guy's" mall display the same way again! "Season's = Greetings" introduces you to a on the surface picture-perfect suburban Mom, (Denise Robb) as = she shares the family's annual brag-fest report aka the Holiday Newsletter.  It's "shock-full" of fun and surprises! Take a break from shopping = among the hordes, overdosing on sugar plums and fa-la-la's!  = Treat yourself to this delightful, adults-only evening of naughty wit not to = be missed!

The Players Guild Theatre’s presentation of David’s Sedaris’s Santaland Diaries and Season<= /span> Greetings  begins December 5th = -7th, and 12th -14th in the = Arena Theatre. Monday, Tuesday and Wednesday performances begin at 8 :00 p.m. and all Tickets are $10.00 = general admissision = at the door. 

The Players Guild production of Santaland Diaries and Season<= /span> Greetings is sponsored by Canton Repository, and Aultman = Hospital.  = All Players Guild productions are produced with the generous support of the Canton community through Arts in Stark and Ohio Arts Council. =

# # = #

1001 Market Ave. = North, Canton, Ohio 44702

=

Phone: 330-453-7619 Fax: = 330-453-8568

 
 
 

 

------=_NextPart_001_0002_01C5F1B5.53F8B530-- ------=_NextPart_000_0001_01C5F1B5.53F8B530 Content-Type: text/html; name="header.htm" Content-Transfer-Encoding: quoted-printable Content-ID:

EMPLOYMENT AGREEMENT

The Players Guild of Canton, Inc.

=A0Amy Sima

September 1, = 2001 - = June 30, 2002

Page 2 of = 3

 

------=_NextPart_000_0001_01C5F1B5.53F8B530-- From Artistschair2005 at aol.com Fri Nov 25 08:45:04 2005 From: Artistschair2005 at aol.com (Artistschair2005 at aol.com) Date: Fri, 25 Nov 2005 11:45:04 EST Subject: [NEohioPAL]Need a STAGE ACTOR? Christine H. Winsberg & OTHER NEWS! Message-ID: <21f.3c13055.30b89990@aol.com> -------------------------------1132937104 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit ARTISTSCHAIR.COM'S "FEATURED ARTIST OF THE DAY" Stage Actor - Christine H. Winsberg (Location: Cleveland Heights, Ohio) (November 25, 2005) To view Christine's profile, visit _http://www.artistschair.com_ (http://www.artistschair.com/) Latest Members' CONTEST Giveaway (November 23, 2005) CONGRATULATIONS to Wadsworth-based stage actor William M. Berry for being chosen at random by the artistschair.com database to be the Wednesday, November 23 "Featured Artist of the Day" will winning two passes, good for four admissions to the December 1 (7:30 pm) Loews Richmond Town Square advanced screening of "The Family Stone" featuring Claire Danes, Diane Keaton, Rachel McAdams, Dermot Mulroney, Craig T. Nelson, Sarah Jessica Parker and Luke Wilson. Take friends or take family, either way, GET OUT and SEE NORTHEAST OHIO! Not a member of artistschair.com yet? Join today for FREE! Networking EVENT & PARTY for Artists and Those that Hire Talent (November 10, 2005) A GREAT BIG THANK YOU to all who attended the November 9 artistschair.com Networking Event which took place at 1300 Gallery. Photos from the event will be posted to the artistschair.com directory soon. FIND an Artist! Make your event or project extra memorable. Find entertainers and technicians in our FREE and easy-to-use database featuring photos and profiles of local artists in more than 100 different talent fields. BE an Artist! Let your talents and services be known. Become a member for FREE and highlight all talent fields that apply to you. Upload photos of yourself and/or samples of your work, edit your own information and have your profiles viewed by those searching for your talents and services. Our MISSION Artistschair.com is committed to PROMOTING and RAISING AWARENESS of local artists, arts-related institutions and issues and the NORTHEAST OHIO REGION as well as serving the needs of those searching for CREATIVE TALENT and resources. -------------------------------1132937104 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
  =20
            ARTISTSCHAIR.COM'S "FEATURED ARTIST OF THE=20 DAY"
Stage=20 Actor - Christine H.=20 Winsberg (Location: Cleveland He= ights,=20 Ohio)
 
(November 25, 2005) To=20 view Christine's profile, visit http://www.artistschair.com
 
Latest Me= mbers'=20 CONTEST Giveaway
(November 23,=20 2005) CONGRATULATIONS to Wadsworth-based stage actor=20 William M. Berry for being chosen at random by the=20 artistschair.com database to be the Wednesday, November 23=20 "Featured Artist of the Day" will winning two passes, good=20= for=20 four admissions to the December 1 (7:30 pm) Loews Richmond Town Square advan= ced=20 screening of "The Family Stone" featuring Claire Danes, Dia= ne=20 Keaton, Rachel McAdams, Dermot Mulroney, Craig T. Nelson, Sarah Jessica Park= er=20 and Luke Wilson.  
 
Take friends or t= ake=20 family, either way, GET OUT and SEE NORTHEAST OHIO! Not a member of artistschair.com yet? Join today for=20 FREE!
 
Networking&nbs= p;EVENT=20 & PARTY for Artists and Those that Hire Talent=20
(November 10, 2005) A=20 GREAT BIG THANK YOU to all who attended the November 9=20 artistschair.com Networking=20 Event which took place at 1300 Gallery. Photo= s=20 from the event will be posted to the artistschair.com directory=20 soon.
  
=
FIND=20= an=20 Artist!
Make=20= your=20 event or project extra memorable. Find entertainers and technicia= ns=20 in our FREE and easy-to-use databa= se=20 featuring photos and profiles of local artists in more than 100 different ta= lent=20 fields.
BE an= =20 Artist!
Let y= our=20 talents and services be known. Become a member=20 for=20 FREE and highlight all talent fields that apply to you. Upload phot= os=20 of yourself and/or samples of your work, edit your own information and have=20= your=20 profiles viewed by those searching for your talents and=20 services.
Our MISSION<= /DIV>
Artistschair.com is committed to=20 PROMOTING and RAISING AWARENESS of local artists,=20 arts-related institutions and issues and the NORTHEAST OHIO=20 REGION as well as serving the needs of those searching for=20 CREATIVE TALENT and resources.
 
-------------------------------1132937104-- From ddanza at clevelandplayhouse.com Fri Nov 25 08:51:38 2005 From: ddanza at clevelandplayhouse.com (Domenick Danza) Date: Fri, 25 Nov 2005 11:51:38 -0500 Subject: [NEohioPAL]Master Class for the Actor at The Cleveland Play House - Last chance to submit your resume! Message-ID: This is a multi-part message in MIME format. ------=_NextPart_000_000E_01C5F1B6.98B8B1B0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit The Cleveland Play House Master Class for the Actor Consecutive Mondays, 6:00-9:00 PM, starting January 16, 2006 Session Length: 8 weeks Fee: $200 Instructors: Seth Gordon & Mark Alan Gordon, with Guest Instructors, including Michael Bloom, Artistic Director This master class is a scene study laboratory for the advanced and professional artist. It is not a class for beginners, but rather a unique opportunity in Cleveland for working professionals to hone their craft with other professionals from The Cleveland Play House Artistic Staff who have substantial national professional experience. It is designed to make good actors better. With a class limit of 14, there will be many opportunities to work. BY AUDITION ONLY. For an audition appointment send your picture and resume by December 1 to Domenick Danza, Education Director, The Cleveland Play House, 8500 Euclid Ave, Cleveland, OH 44106-0189. Auditions will be the week of December 12, 2005. ------=_NextPart_000_000E_01C5F1B6.98B8B1B0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Master Class for the Actor at The Cleveland Play House - Last = chance to submit your resume!

    The Cleveland Play = House

    Master Class for the = Actor

    Consecutive = Mondays, 6:00-9:00 PM, starting January 16, 2006

    Session = Length:  8 = weeks
    Fee:  $200
    Instructors:  Seth Gordon & Mark Alan Gordon, with Guest = Instructors, including Michael Bloom, Artistic Director

    This master class is a scene = study laboratory for the advanced and professional artist.  It is = not a class for beginners, but rather a unique opportunity in Cleveland = for working professionals to hone their craft with other professionals = from The Cleveland Play House Artistic Staff who have substantial = national professional experience.  It is designed to make good = actors better.  With a class limit of 14, there will be many = opportunities to work.  BY AUDITION ONLY.

       For an audition = appointment send your picture and resume by December 1 to Domenick = Danza, Education
       Director, The = Cleveland Play House, 8500 Euclid Ave, Cleveland, OH 44106-0189.  = Auditions will be the
       week of December 12, = 2005.

------=_NextPart_000_000E_01C5F1B6.98B8B1B0-- From shootfilmordie at yahoo.com Fri Nov 25 08:52:42 2005 From: shootfilmordie at yahoo.com (Jay Johnson) Date: Fri, 25 Nov 2005 08:52:42 -0800 (PST) Subject: [NEohioPAL]"Will Work For Food" Opens DV Festival Message-ID: <20051125165242.1920.qmail@web54512.mail.yahoo.com> --0-890654653-1132937562=:97005 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit "Will Work For Food" an independently produced feature here in Cleveland has been chosen to open the DV Film Festival in Los Angeles on December 7th. The DV Festival is conjunction with the DV Expo West, a convention centering on the technology of Digital Video. www.dvexp.com/filmfest "Will Work For Food" premiered at the 2005 Cleveland International Film Festival where it sold out two shows. We just screened it in New York last week as part of the New York Film and Video Festival. Many cast and crew on the movie were discovered and networked through the Neohiopal list. I was the Director, Writer and Editor of "WWFF" and I have worked in Cleveland for 15 years as a director, shooter and Avid editor of commercials, corporate videos and entertainment projects. I have just gone independent from my staff postion as Creative Director at a video production company to further my career in production. Nick Koesters, the producer and one of the leads is a SAG and Equity actor in the Cleveland area. David Lemoyne, the lead, is a working stage actor in Cleveland, and works in Video production and photography. This is the kind of thing that helps promote filmmaking in Cleveland. People working together to do great work. Hopefully, this will be a trend for the people involved with "Will Work For Food" and the entire area. "Will Work For Food" is a feature that was completely produced, casted, crewed and finished in the Cleveland area. Thanks to all who were involved with this project. Jay Johnson --0-890654653-1132937562=:97005 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
"Will Work For Food" an independently produced feature here in Cleveland has been chosen to open the DV Film Festival in Los Angeles on December 7th.  The DV Festival is conjunction with the DV Expo West, a convention centering on the technology of Digital Video. www.dvexp.com/filmfest
 
"Will Work For Food" premiered at the 2005 Cleveland International Film Festival where it sold out two shows.
 
We just screened it in New York last week as part of the New York Film and Video Festival.
 
Many cast and crew on the movie were discovered and networked through the Neohiopal list. 
 
I was the Director, Writer and Editor of "WWFF" and I have worked in Cleveland for 15 years as a director, shooter and Avid editor of commercials, corporate videos and entertainment projects.  I have just gone independent from my staff postion as Creative Director at a video production company to further my career in production.
 
Nick Koesters, the producer and one of the leads is a SAG and Equity actor in the Cleveland area.
 
David Lemoyne, the lead, is a working stage actor in Cleveland, and works in Video production and photography.
 
This is the kind of thing that helps promote filmmaking in Cleveland.  People working together to do great work.  Hopefully, this will be a trend for the people involved with "Will Work For Food" and the entire area.  "Will Work For Food" is a feature that was completely produced, casted, crewed and finished in the Cleveland area.
 
Thanks to all who were involved with this project.
 
Jay Johnson
 
 
 
 
--0-890654653-1132937562=:97005-- From newfangled02 at yahoo.com Fri Nov 25 09:51:49 2005 From: newfangled02 at yahoo.com (Newfangled Productions) Date: Fri, 25 Nov 2005 09:51:49 -0800 (PST) Subject: [NEohioPAL]LAST CALL for STEVE LYNCH letters Message-ID: <20051125175149.74522.qmail@web35212.mail.mud.yahoo.com> This is the last call for letters for Peace Corps volunteer Steve Lynch. Please help us make this Christmas a special one. If you haven't already written your letter, take a few minutes right now before you get back to what you were doing. ALL LETTERS MUST BE RECEIVED BY DECEMBER 1ST! Below you should find the instructions if you need to refresh your memory. Oliver Corrigan Artistic Director Newfangled Productions ***** Dear friends, Please join Newfangled Productions in a very special project. Some of you may know our friend Steve Lynch. Some of you may not. But either way, please take a moment to read his story: Steve Lynch is as 23 year old native of Bainbridge, Ohio and graduate of Ohio State University. He was a very active member of Newfangled Productions in our first three years - in fact, he was there right at the beginning singing and playing at our very first event - The First Starving Artists? Ball. A year ago Steve left his home, his friends and his family to join the Peace Corps. He is currently stationed in Turkmenistan, a former soviet country in central Asia. He has dedicated two years of his life to service and hardship. Many of us talk about working for peace from the comfort of our homes, but Steve has made a great sacrifice - leaving everything he has ever known to travel to a country where the people are impoverished, where electricity and hot water are considered luxuries and where the ?president for life? squanders what little his people have on self-glorification and statues in his honor. There must be many days when Steve feels alone and forgotten, but we have not forgotten him. He is far from home but he is never far from our hearts. And with that in mind, please help us to create a very special gift for Steve. Our intention is to create a book of letters from as many people as we can to send to Steve for Christmas. We hope to collect letters from those of you who know Steve and from those of you who do not, but are still touched by his story. If you are his friend, now is the time to remind him, to tell him how much you miss him and how proud you are of him. If you?ve never met him, now is the chance to introduce yourself, to thank him for proving that in a world that sometimes seems full of selfishness and violence that there are people like him working for peace and humility. Please email your letter to newfangled02 at yahoo.com by December 1st with the following information: Your name Where you live You occupation or some other one-line distinctive description of yourself Example: Dear Steve, Thank you so much for all that you are doing. You are an example to us all. Johnny Newfangled Akron, Ohio Sprocket salesman for ?Newfangled Sprocket Company? Your letter can be as short or as long as you would like - a couple of sentences or a full-length letter. It is up to you. But what?s important is that you say something - that we can show in a small way that no matter how far away Steve is he is never alone. Also, please provide us with a way to contact you, whether through email, phone or a mailing address (all three would be preferable). Once the letters are collected and the book is produced we would love to make copies available for all of you - so we can all share in the celebration of this remarkable person. Finally, think of this book as a ?surprise party.? It is so much more fun if Steve doesn?t know about this until he receives the book. We encourage you to make copies of this letter, to send it to your friends, family and coworkers - to post it on mailing lists and on coffee shop bulletin boards, but if you post it on the internet, try not to post it someplace where Steve is likely to see it. (Steve has limited internet access through the Peace Corps to communicate with home and to post letters.) If you have any questions, comments or want to help in any additional way please feel free to email us at newfangled02 at yahoo.com or call (330)620-9686. Yours, Oliver Corrigan Artistic Director Newfangled Productions (330)620-9686 newfangled02 at yahoo.com http://www.geocities.com/newfangledwebsite P.S. To read about Steve?s experiences in his own words please read http://goodprovider.diaryland.com. P.P.S. To learn more about the Peace Corps read http://www.peacecorps.gov. P.P.P.S. To learn more about Turkmenistan start with http://en.wikipedia.org/wiki/Turkmenistan. __________________________________ Start your day with Yahoo! - Make it your home page! http://www.yahoo.com/r/hs From royberko at yahoo.com Fri Nov 25 10:02:25 2005 From: royberko at yahoo.com (Roy Berko) Date: Fri, 25 Nov 2005 10:02:25 -0800 (PST) Subject: [NEohioPAL]Berko review: T.I.D.Y. (Beck Center) Message-ID: <20051125180225.43987.qmail@web33106.mail.mud.yahoo.com> ?T.I.D.Y.? has some funny moments at Beck Roy Berko (Member, American Theatre Critics Association) --THE TIMES NEWSPAPERS-- Lorain County Times--Westlaker Times--Lakewood News Times--Olmsted-Fairview Times Eric Coble, considered by many to be the local playwright laureate, has hit the big time. He?s an entry in ?Wikipedia,? the on-line encyclopedia. You can also probe him for personal information on ?Answers.com.? Theatre Communications Group honored him in their article ?Seven Playwrights to Watch.? Coble, whose newest play ?T.I.D.Y.? is being staged at Beck Center, is a member of the Playwrights' Unit of the Cleveland Play House. His past works include: ?TEN MINUTES FROM CLEVELAND? (which premiered at Dobama Theater), ?SOUND BITING,? ?ISOLATED INCIDENTS,? ?BRIGHT IDEAS? (which had a New York off Broadway production, as well as a Cleveland run), ?PINOCCHIO 3.5,? ?CINDERELLA CONFIDENTIAL,? ?SACAGAWEA,? ?VIRTUAL DEVOTION,? ?TRUTH: THE TESTIMONIAL OF SOJOURNER TRUTH,? ?IN A GROVE: FOUR JAPANESE GHOST STORIES,? and ?NIGHTFALL WITH EDGAR ALLAN POE.? Coble, who has an affinity for storytelling, often displays a wonderful spirited creativity. Some of this may have come from his upbringing on the Navaho and Ute reservations of New Mexico and Colorado where he spent time wandering around in what he once described as an ?Indiana Jones setting,? which encouraged his imagination to run wild. Anyone who has seen Coble?s ?BRIGHT IDEAS,? which tells the tale of parents who will stop at nothing to enroll their child in the ?perfect? preschool, realizes his off-the-wall thought processes and an ability to play with words. Coble often turns to classic sources as well as fairy tales and social issues and political intrigue for his inspiration. ?T.I.D.Y.? has a conspiracy base, which works perfectly in this year?s political atmosphere of who outed an FBI agent, was the public misled by G. W. Bush?s ?evil empire? and the neo-cons about the existence of weapons of mass destruction in Iraq, or their tie to the terrorism that destroyed the World Trade Center. The basic story centers on Emily Danbert, a computer geek, whose quiet life is totally thrown into chaos when T.I.D.Y., a program she developed, becomes the center of a global conspiracy. Matters really get out of hand when her ?sweet? old mother, her husband, her best friend and a mysterious confident all get involved in the intrigue. The concept is a delight. Unfortunately, the play and the production don?t live up to the premise. Though filled with some delightful moments, the play?s pieces-parts don?t always flow together well. There are segments where the action zooms right along, others where there are lulls. Some of the problem lies with director Roger Truesdell, who has paced the production much too slowly. This has to be a Marx Brothers romp, a farce on speed. Instead, we get a car race followed by a pony trot, followed by acceleration, and then more plodding. The cast is generally excellent. Sarah Morton develops a nice textured roll as the obsessive compulsive left-brained nerd whose personal and professional life lacks much excitement until she becomes the center of an international conspiracy plot. Kevin Joseph Kelly plays multi-roles with comic delight. His highlight is a portrayal of an ice cream salesman who can hardly contain his exasperation while Morton?s character continually changes her order. Rhoda Rosen, as the mother turned international hit man, is hysterical. She gives a perfect Ethel Mertz impersonation. Nicholas Koesters makes for a fine ex-husband trying hard to come back into his former wife?s life. Tracey Field could have had more fun and exaggerated her role of the mysterious confident, as could have Alison Garrigan as the friendly fellow worker turned bad. Don McBride?s multi-level set design basically works, but the constant need to move furniture around slowed down the show?s pace. As the program states, ?Anyone in the United Sates today who isn?t paranoid must be crazy.? After watching ?T.I.D.Y? you?ll be even more paranoid. Or, as the bumper sticker on my car says, ?If you aren?t appalled, you haven?t been paying attention. CAPSULE JUDGEMENT: ?T.I.D.Y.? isn?t up to Coble?s ?BRIGHT IDEAS,? but it has some good laughs. Too bad both the script and pacing couldn?t have had a little more ?oomph.? For tickets to ?T.I.D.Y.? which runs through December 18 at the Beck Center for the Arts, call 216-521-2540. Roy Berko's web page can be found at www.royberko.info. His theatre and dance reviews appear on NeOHIOpal, an on-line source. To subscribe to this free service via the World Wide Web, visit http://lists.fredsternfeld.com/mailman/listinfo/neohiopal. __________________________________ Yahoo! Mail - PC Magazine Editors' Choice 2005 http://mail.yahoo.com From cinevid at yahoo.com Fri Nov 25 10:32:45 2005 From: cinevid at yahoo.com (Bill) Date: Fri, 25 Nov 2005 10:32:45 -0800 (PST) Subject: [NEohioPAL]Indie Filmmaking - re: Christopher and Bill Van Nostran In-Reply-To: <20051125060211.3C4A861DC2@mailman.siteprotect.com> Message-ID: <20051125183245.98752.qmail@web60311.mail.yahoo.com> --0-1474271259-1132943565=:97988 Content-Type: multipart/alternative; boundary="0-2081382362-1132943565=:97988" --0-2081382362-1132943565=:97988 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Christopher K. Young and Bill Van Nostran, Hey guys, good input, however the very things that you mention, (that a lot of people mention) have been tried before, without success sad to say. Bill, there is actually a screenwriting group that meets once a month at CSU called, Second Shift Screenwriters and they post here and at clevelandfilmmaking at yahoogroups.com. I'm not sure if they are critiquing their work or creating a master work or what. I want to attend but haven't as of yet. You can contact Christine for more info: christinednfr at yahoo.com Also, Bill and Chris, way back when The Film Society sponsored Cleveland Filmmakers, I suggested that we pool our talents. All writers submit their scripts, all shooters submit their reels, all directors, well you get the idea. Then the whole group would vote on the best of the best, hone it down to even better, then approach the city, businesses, etc. to get it financed and produced. Well, either no one felt confident enough about their own work, or they didn't want their doubts exposed to an open forum, or they were just too busy, but the idea got a lot of kudos and praise, but very quickly fell into oblivion. Eventually the entire group was disbanded, probably for lack of involvement. Then along came another organization that held great promise; a creative alliance of artists that would be a force to be reckoned with, that too failed. I even tried to give an intensive two day seminar on DV Filmmaking to help raise the quality bar. I got one attendee, thanks Christine! Chris, you mentioned that there are lots of people who want to work on other people's films and if you mean actors, sure, that only makes sense, but there aren't that many aspiring boom operators who's goal in life is to carry the crossarm of the indominable soundman. Even all the people who eagerly wanted to work on my feature, Madness have other aspirations besides crew work. And you're right they came to me, based on the quality of my previous works (thanks for your part in those successes by the way). However, I really hate using people for any great length of time for no-pay, so I kept the crew very small and they were and are very committed. I guess what I'm trying to articulate is we don't need a Film Czar or Commissioner for the indie film scene. It pretty much takes care of itself. If you are willing to really take the time and make your work stand out for quality in all areas, the community of actors, crew, businesses and local governments, will respond and support your efforts. I had cast and crew come for a full time, two week long shoot, for no pay, from as far away as Canton, Youngstown, and North Olmsted, to shoot in a million dollar house that didn't charge us a thing, all because they believed the experience would be worth it. My biggest gripe is that in so many productions quality gets shoved to the bottom of the list and I walk into a landscape of burning bridges trying to find the few resources who haven't been burned or are willing to take a chance on one more independent film. As far as Cleveland Indieclub goes, we do network, but critiquing is forbidden. Attendance would drop to nothing if everyone worried their work wasn't good enough to please fellow filmmakers. One can only hope that as they see better work, they will incorporate that effort and ethic into their own projects. Thanks Fred for allowing this diatribe. I hope it gives the whole list some insight into the minds of indie filmmakers... For those actors interested in some guidelines when auditioning for Independent Film projects here are some tips: http://www.cinevidproductions.com/seminars/resources/AuditionTips.htm Thanks, Bill Johns www.cinevidproductions.com From: "Bill Van Nostran" To: , Subject: Re: [NEohioPAL]Film Czar seeks Feedback on making Cleveland a Movie City Date: Thu, 24 Nov 2005 14:08:22 -0500 As the adage goes, if it ain't on the page, it ain't on the stage. Same goes for motion pictures. The good ones all start with a compelling story well told. So one simple way to encourage new work, foster a supportive environment, and help individuals gain feedback on their work could come from a group focused on helping local filmmakers develop and polish material. A monthly group giving individual writers an opportunity to hear scenes from an emerging draft read aloud, then receive feedback from others, is a small, but perhaps important step in developing a local environment to foster NEO talent. Perhaps twice a year, local actors might be persuaded to participate in readings of screenplays nearing completion--showcasing them to a larger audience. Bill Van Nostran From: Christopher To: neohiopal at lists.fredsternfeld.com Subject: Re: [NEohioPAL]All Hail Film Czar and Film Prophet I see an attempt at buying some goodwill with the acting and crew community here, but if we shift ALL the blame on the filmmakers, then we will be ignoring the suffering of those majority of actors and crew who ARE professional enough to show up and try to finish scenes and projects in spite of the few who disappear and stop returning calls until they've settled into their Venice Beach apartments or found religion, or whatever excuse they give until one posts another audition notice. Then, they resurface and send their headshots and resumes as if you won't remember them from the last burn, and to add insult to injury, some of them even put the picture they bailed on or got fired from ON THEIR RESUME! Maybe if we all resigned ourselves to making short films that only have one or two locations, then the impact of this kind of behavior could be minimized. But for those of us who dare to make feature films with multiple locations and scenes with significant cast interplay, then this work ethic, left unaddressed, will STAY the norm for a minority, but significant percentage of actors and crew in this area, thereby throwing a wrench not only into a director's work, but the work of the other actors and crew as well. It only takes one actor doing this to shut down a film. Ask around. I have first hand experience with the phenomenon, and when filmmakers start to get a little ambitious around here, so will they. And while I haven't been to an Indieclub meeting in a long time, I thought I was giving it the benefit of the doubt in my initial posting. But if they're not networking their resources or helping each other improve their work, then what the hell are those guys doing there? I hope it's not all about listening to someone who memorized an article out of videomaker magazine or congratulating each other for sticking it out in Cleveland for as long as they have. Don't get me wrong! This isn't a commentary on Indieclub! I imagine that someone conversant with Indieclub's mission can articulate its significance with great ease. The last meeting I attended (almost two years ago) was very helpful. But if it's true that they no longer provide a resource pool and a constructively critical forum, then that which I hope it isn't, must be exactly what it is. I'll attend one as soon as possible, with the hopes that we're both wrong. But, all that aside, sway with city leaders is a necessary next step for Indieclub, or any organization that takes Cleveland's position in the greater media arts community to heart. I mean, what's a film community if the COMMUNITY isn't involved? Perhaps this is already underway, again, I haven't been attending. But an US and THEM attitude won't help anybody, because THEY have the power to make US unwelcome... even more so than we already are from a socio-cultural standpoint. One other issue I need to take on is the idea that Cleveland's indie scene is mostly made up of writers, producers and directors. While it's true that most directors are also writers and producers, and all the other combinations therein, it's more than safe to say that the vast majority of those who consider themselves in the indie scene have little to no interest in writing and/or producing and/or directing a picture of their own. Ask yourself, what's the largest number of actors you've had answer a casting call of yours? My largest number is about 130, I imagine yours are similar, if not higher since you often cast on the coattails of success from a previous project. This kind of turn out is not uncommon. Now how many area filmmakers have you ever seen in one place locally, at one time? Actual filmmakers with one or more credits in the above mentioned categories? Even add those who aspire to have a credit and the number's still pretty small. The reason I bring up this otherwise picayune issue is because it's symptomatic of a trend this community has, and I've been guilty of too: leaving out actors and crew in the dialogue over the needs of this film community. Because when you include those people in the mix, then we see that in fact, a vast majority of this community DOES WANT to work on someone else's film. They're just waiting for something they can believe in. Some find it, many don't, and some are just easy to please. You know us creative types are an unorganized lot with major attention deficit, so one more time. What was the point? Christopher K. Young www.shallowfocus.com P.S.: Amen to your last two paragraphs Bill wrote: All Hail Film Czar and Film Prophet You know, most of the time I sit with calm amusement as I read the various ramblings as to why Cleveland isn't 'on the map' when it comes to motion picture film and TV production. However, these latest posts are just too funny to ignore... A self proclaimed Film Czar? What the hell is that? Alex, I thought you were joking! And Christopher, you seem to have so much intelligence and yet you completely miss the point. Ya wanna know the reason why we can't all just get along and make movies together? Well here it is. There's too much crap!!! And widely varying degrees of crap. One of the only reasons our monthly Indieclub meetings are successful is because we're not trying to create a consortium; we're not trying to unite our resources, we're not even trying to improve eachother's work. We're j ust watching videos. And guess what? We see a lot of crap. We see some good stuff too, but mostly we see Learners, Yearners and Burners. Now, Learners are novice filmmakers who make crap because it's their first film and rather than learn the trade first, they go ahead and make a movie as practice and hopefully they'll improve. We sit politely and smile, wishing they had thought about lighting, sound, acting, dialogue, and camera work before making us sit through their experiments. Yearners are filmmakers who really want to make good films, so they use everything at their disposal to make the best possible film they can. However, they're still somewhat plagued by compromise and the results are never what they hoped for, nor what a real distributor will buy. Much easier to sit through though. Burners are the worst. These are filmmakers (u sually prolific) who make crap every time out of the gate. Their camera work is mostly hand-hell shaky cam. Their lighting is barely more than ambient and they often use the on-camera mic to capture dialogue. The acting is wooden and undirected; the stories are either so deep you need waders, or so shallow you can't find a point; and to top it off, they're fully convinced they are great filmmakers. But why do I call them Burners you ask? Well, because they burn the bridges that sincere Yearners might someday want to use. They burn bridges with actors who get soured against indie filmmakers because they have nothing decent to show for all their hard work (not even copy). They burn bridges with locations because they are so unorganized that they overstay their welcomes, mess up property and never send copies of the video, like they promise to do. They burn bridges with investors because the investor never sees a dime of their money back. They burn bridges with the legitimate film commission, because, as I said before they make crap and what film commission is going to support and encourage more crap??? Yet that's not the reason why we don't need a film czar or film prophet or any other coordinating force. The real reason is no one wants to work on someone else's film. You see, most of the people that comprise the indie scene here in Cleveland are writer/producer/directors and we're all working on our own projects. And guess what. I'm not all that interested in spending my valuable time working on someone's project which I consider to be crappier than my own. I can just as easily be spending my time and resources creating my own crap. Sure everyone would like to think there's a benevolent brotherhood of filmmakers; a selfless society where everyone submits ideas and work samples and then the members vote on what script to do and who to direct it. The commu nity is presented with the proposal and since it bears the backing of so many filmmakers, the businesses get involved and support the project with services and finances. The best actors come from all around to have a part in the project and a glorious motion picture is produced that wins the Oscar for Impossible Dream... That would be a good plot for a fantasy picture, but in the real world, writers will lose interest if their script isn't picked. Directors will bail if they can't direct and actors will walk away if they can't be the lead. And you guessed it the end product would probably be... well, I don't need to say it again. (though I really want to) Bill Johnscrappy writer/producer/and directorwww.cinevidproductions.com P.S - I guess I'm in a sour mood because just yesterday I lost a serious investor (producer of two features in LA) because she said the acting in one of the scenes I sent her wasn't very good. I knew it when I shot it that I was compromising, and even though we're reshooting that scene, it's too late to regain that contact... ah CRAP! --------------------------------- Yahoo! Music Unlimited - Access over 1 million songs. Try it free.From: PatrickJCarroll at aol.com Date: Thu, 24 Nov 2005 22:25:22 EST To: neohiopal at lists.fredsternfeld.com Subject: [NEohioPAL]Christmas Massage Therapy Gift Certificates TO MY FELLOW PERFORMERS: Today starts the official Christmas Season! Why not give your loved one (or yourself ;-) ) something that will actually improve their health and or state of mind. MASSAGE! Whether you need a serious therapeutic deep tissue massage or just want to enjoy the bliss of total relaxation. Give a Massage Therapy Gift Certificate. Your Christmas shopping can be as easy as a phone call or a click of the reply button to this email! I offer a 20% discount to all Neohiopal subscribers. Happy Holidays to all! Patrick J. Carroll, L.M.T. 216-544-6001 ______________________________________ Disney's "BEAUTY AND THE BEAST" at Beck Center 12/2-12/31. 216-521-2540. http://www.fredsternfeld.com/beautyandthebeast.htm _______________________________________ There is also a sister site to this list called the "NEoPAL Bulletin Board." Occasionally when "hot-button" discussions go on more than a day or two, the bulletin board is used. The Neopal bulletin board also has some other terrific features, like a searchable database for you to put your personal information, a place to post pictures and a chat room with a nightly 11pm gathering to discuss hot topics: http://groups.yahoo.com/group/neopal/ ______________________________________ Disclaimer: The facts and/or opinions expressed in each message are solely those of the person in the "from" or "reply-to" header. The fact that these messages are posted should in no way be taken as an endorsement by the administrator of this list. Subscribers should perform due diligence for all goods, services and activities promoted on NEohioPAL. _______________________________________ NEohioPAL mailing list NEohioPAL at lists.fredsternfeld.com http://lists.fredsternfeld.com/mailman/listinfo/neohiopal http://www.fredsternfeld.com --------------------------------- Yahoo! Personals Single? There's someone we'd like you to meet. Lot's of someone's, actually. Try Yahoo! Personals --0-2081382362-1132943565=:97988 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
Christopher K. Young and Bill Van Nostran,
 
Hey guys, good input, however the very things that you mention, (that a lot of people mention) have been tried before, without success sad to say.
 
Bill, there is actually a screenwriting group that meets once a month at CSU called, Second Shift Screenwriters and they post here and at clevelandfilmmaking at yahoogroups.com. I'm not sure if they are critiquing their work or creating a master work or what. I want to attend but haven't as of yet. You can contact Christine for more info: christinednfr at yahoo.com
 
Also, Bill and Chris, way back when The Film Society sponsored Cleveland Filmmakers, I suggested that we pool our talents. All writers submit their scripts, all shooters submit their reels, all directors, well you get the idea. Then the whole group would vote on the best of the best, hone it down to even better, then approach the city, businesses, etc. to get it financed and produced.
 
Well, either no one felt confident enough about their own work, or they didn't want their doubts exposed to an open forum, or they were just too busy, but the idea got a lot of kudos and praise, but very quickly fell into oblivion. Eventually the entire group was disbanded, probably for lack of involvement. Then along came another organization that held great promise; a creative alliance of artists that would be a force to be reckoned with, that too failed. I even tried to give an intensive two day seminar on DV Filmmaking to help raise the quality bar. I got one attendee, thanks Christine! 
 
Chris, you mentioned that there are lots of people who want to work on other people's films and if you mean actors, sure, that only makes sense, but there aren't that many aspiring boom operators who's goal in life is to carry the crossarm of the indominable soundman. Even all the people who eagerly wanted to work on my feature, Madness have other aspirations besides crew work. And you're right they came to me, based on the quality of my previous works (thanks for your part in those successes by the way). However, I really hate using people for any great length of time for no-pay, so I kept the crew very small and they were and are very committed.
 
I guess what I'm trying to articulate is we don't need a Film Czar or Commissioner for the indie film scene. It pretty much takes care of itself. If you are willing to really take the time and make your work stand out for quality in all areas, the community of actors, crew, businesses and local governments, will respond and support your efforts. I had cast and crew come for a full time, two week long shoot, for no pay, from as far away as Canton, Youngstown, and North Olmsted, to shoot in a million dollar house that didn't charge us a thing, all because they believed the experience would be worth it.

My biggest gripe is that in so many productions quality gets shoved to the bottom of the list and I walk into a landscape of burning bridges trying to find the few resources who haven't been burned or are willing to take a chance on one more independent film.
 
As far as Cleveland Indieclub goes, we do network, but critiquing is forbidden. Attendance would drop to nothing if everyone worried their work wasn't good enough to please fellow filmmakers. One can only hope that as they see better work, they will incorporate that effort and ethic into their own projects.
 
Thanks Fred for allowing this diatribe. I hope it gives the whole list some insight into the minds of indie filmmakers...
 
For those actors interested in some guidelines when auditioning for Independent Film projects here are some tips:
 
Thanks,
Bill Johns
 
 
 
 



From: "Bill Van Nostran" <wvannostran at neo.rr.com>
To: <alexcine at aol.com>, <neohiopal at lists.fredsternfeld.com>
Subject: Re: [NEohioPAL]Film Czar seeks Feedback on making Cleveland a Movie City
Date: Thu, 24 Nov 2005 14:08:22 -0500

As the adage goes, if it ain't on the page, it ain't on the stage. Same goes
for motion pictures. The good ones all start with a compelling story well
told. So one simple way to encourage new work, foster a supportive
environment, and help individuals gain feedback on their work could come
from a group focused on helping local filmmakers develop and polish
material. A monthly group giving individual writers an opportunity to hear
scenes from an emerging draft read aloud, then receive feedback from others,
is a small, but perhaps important step in developing a local environment to
foster NEO talent. Perhaps twice a year, local actors might be persuaded to
participate in readings of screenplays nearing completion--showcasing them
to a larger audience.

Bill Van Nostran

From: Christopher <kaimei at earthlink.net>
To: neohiopal at lists.fredsternfeld.com
Subject: Re: [NEohioPAL]All Hail Film Czar and Film Prophet

I see an attempt at buying some goodwill with the acting and crew community here, but if we shift ALL the blame on the filmmakers, then we will be ignoring the suffering of those majority of actors and crew who ARE professional enough to show up and try to finish scenes and projects in spite of the few who disappear and stop returning calls until they've settled into their Venice Beach apartments or found religion, or whatever excuse they give until one posts another audition notice.  Then, they resurface and send their headshots and resumes as if you won't remember them from the last burn, and to add insult to injury, some of them even put the picture they bailed on or got fired from ON THEIR RESUME!
Maybe if we all resigned ourselves to making short films that only have one or two locations, then the impact of this kind of behavior could be minimized.  But for those of us who dare to make feature films with multiple locations and scenes with significant cast interplay, then this work ethic, left unaddressed, will STAY the norm for a minority, but significant percentage of actors and crew in this area, thereby throwing a wrench not only into a director's work, but the work of the other actors and crew as well.  It only takes one actor doing this to shut down a film.  Ask around.  I have first hand experience with the phenomenon, and when filmmakers start to get a little ambitious around here, so will they.
And while I haven't been to an Indieclub meeting in a long time, I thought I was giving it the benefit of the doubt in my initial posting.  But if they're not networking their resources or helping each other improve their work, then what the hell are those guys doing there?  I hope it's not all about listening to someone who memorized an article out of videomaker magazine or congratulating each other for sticking it out in Cleveland for as long as they have.  Don't get me wrong!  This isn't a commentary on Indieclub!  I imagine that someone conversant with Indieclub's mission can articulate its significance with great ease.  The last meeting I attended (almost two years ago) was very helpful.  But if it's true that they no longer provide a resource pool and a constructively critical forum, then that which I hope it isn't, must be exactly what it is.  I'll attend one as soon as possible, with the hopes that we're both wrong.  But, all that aside, sway with city leaders is a necessary next step for Indieclub, or any organization that takes Cleveland's position in the greater media arts community to heart.  I mean, what's a film community if the COMMUNITY isn't involved?  Perhaps this is already underway, again, I haven't been attending.  But an US and THEM attitude won't help anybody, because THEY have the power to make US unwelcome... even more so than we already are from a socio-cultural standpoint.
One other issue I need to take on is the idea that Cleveland's indie scene is mostly made up of writers, producers and directors.  While it's true that most directors are also writers and producers, and all the other combinations therein, it's more than safe to say that the vast majority of those who consider themselves in the indie scene have little to no interest in writing and/or producing and/or directing a picture of their own.  Ask yourself, what's the largest number of actors you've had answer a casting call of yours?  My largest number is about 130, I imagine yours are similar, if not higher since you often cast on the coattails of success from a previous project.  This kind of turn out is not uncommon.
Now how many area filmmakers have you ever seen in one place locally, at one time?  Actual filmmakers with one or more credits in the above mentioned categories?  Even add those who aspire to have a credit and the number's still pretty small.  The reason I bring up this otherwise picayune issue is because it's symptomatic of a trend this community has, and I've been guilty of too:  leaving out actors and crew in the dialogue over the needs of this film community.  Because when you include those people in the mix, then we see that in fact, a vast majority of this community DOES WANT to work on someone else's film.  They're just waiting for something they can believe in.
Some find it, many don't, and some are just easy to please.
You know us creative types are an unorganized lot with major attention deficit, so one more time.  What was the point?
Christopher K. Young
www.shallowfocus.com
P.S.: Amen to your last two paragraphs
 
 
Bill wrote:
All Hail Film Czar and Film Prophet You know, most of the time I sit with calm amusement as I read the various ramblings as to why Cleveland isn't 'on the map' when it comes to motion picture film and TV production. However, these latest posts are just too funny to ignore... A self proclaimed Film Czar? What the hell is that? Alex, I thought you were joking! And Christopher, you seem to have so much intelligence and yet you completely miss the point. Ya wanna know the reason why we can't all just get along and make movies together? Well here it is. There's too much crap!!! And widely varying degrees of crap. One of the only reasons our monthly Indieclub meetings are successful is because we're not trying to create a consortium; we're not trying to unite our resources, we're not even trying to improve eachother's work. We're j ust watching videos. And guess what? We see a lot of crap. We see some good stuff too, but mostly we see Learners, Yearners and Burners. Now, Learners are novice filmmakers who make crap because it's their first film and rather than learn the trade first, they go ahead and make a movie as practice and hopefully they'll improve. We sit politely and smile, wishing they had thought about lighting, sound, acting, dialogue, and camera work before making us sit through their experiments. Yearners are filmmakers who really want to make good films, so they use everything at their disposal to make the best possible film they can. However, they're still somewhat plagued by compromise and the results are never what they hoped for, nor what a real distributor will buy. Much easier to sit through though. Burners are the worst. These are filmmakers (u sually prolific) who make crap every time out of the gate. Their camera work is mostly hand-hell shaky cam. Their lighting is barely more than ambient and they often use the on-camera mic to capture dialogue. The acting is wooden and undirected; the stories are either so deep you need waders, or so shallow you can't find a point; and to top it off, they're fully convinced they are great filmmakers. But why do I call them Burners you ask? Well, because they burn the bridges that sincere Yearners might someday want to use. They burn bridges with actors who get soured against indie filmmakers because they have nothing decent to show for all their hard work (not even copy). They burn bridges with locations because they are so unorganized that they overstay their welcomes, mess up property and never send copies of the video, like they promise to do. They burn bridges with investors because the investor never sees a dime of their money back. They burn bridges with the legitimate film commission, because, as I said before they make crap and what film commission is going to support and encourage more crap??? Yet that's not the reason why we don't need a film czar or film prophet or any other coordinating force. The real reason is no one wants to work on someone else's film. You see, most of the people that comprise the indie scene here in Cleveland are writer/producer/directors and we're all working on our own projects. And guess what. I'm not all that interested in spending my valuable time working on someone's project which I consider to be crappier than my own. I can just as easily be spending my time and resources creating my own crap. Sure everyone would like to think there's a benevolent brotherhood of filmmakers; a selfless society where everyone submits ideas and work samples and then the members vote on what script to do and who to direct it. The commu nity is presented with the proposal and since it bears the backing of so many filmmakers, the businesses get involved and support the project with services and finances. The best actors come from all around to have a part in the project and a glorious motion picture is produced that wins the Oscar for Impossible Dream... That would be a good plot for a fantasy picture, but in the real world, writers will lose interest if their script isn't picked. Directors will bail if they can't direct and actors will walk away if they can't be the lead. And you guessed it the end product would probably be... well, I don't need to say it again. (though I really want to) Bill Johnscrappy writer/producer/and directorwww.cinevidproductions.com P.S - I guess I'm in a sour mood because just yesterday I lost a serious investor (producer of two features in LA) because she said the acting in one of the scenes I sent her wasn't very good. I knew it when I shot it that I was compromising, and even though we're reshooting that scene, it's too late to regain that contact... ah CRAP!
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Date: Thu, 24 Nov 2005 22:25:22 EST
To: neohiopal at lists.fredsternfeld.com
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Lot's of someone's, actually. Try Yahoo! Personals --0-2081382362-1132943565=:97988-- --0-1474271259-1132943565=:97988-- From lilith at cros.net Fri Nov 25 11:30:04 2005 From: lilith at cros.net (lilith) Date: Fri, 25 Nov 2005 14:30:04 -0500 Subject: [NEohioPAL]Cleveland IndieClub Message-ID: <200511251430.AA102433106@cros.net> Christopher, Alex, Bill, etal: As an ardent "learner" and IndieClub attendee, I feel compelled to respond. IndieClub is not only thriving, it has outgrown its first location at Talkies and moved to the larger Hyacinth Lofts. Even then, the meetings are often standing room only. What used to be a 3 hour meeting has expanded to over 4 hours. This was done for one reason only as far as I know- so that we would all have the time to NETWORK! We were so busy screening work and having in really good speakers (like this month's Phil Garrett, previously of Dreamworks!) that we had run out of time to fish the talent pool for people to work on our shoots. >From my association with Cleveland IndieClub, I have worked on 11 projects in the last 3 years. 2 of those were my own, with a third to shoot next weekend. I have done everything I could. My 20+ years expertise is in wardrobe and make up, so I have done alot of that. But I have worked as an extra and PA and moved through the ranks to script supervise, write, direct and produce. To be sure, when I started seriously in film, I knew very little. I learned by volunteering to work on others' projects- yes, even the bad ones. You learn as much, if not more, on a bad shoot than a good one. Because I have a good work ethic, show up and do my job with the most professional attitude I have, I get asked back and recruited for other work. I am lucky enough that now I am regularly paid to work on films (yes, indies can pay!). Of course, I care a lot about the work and have studied everything I can get my hands on about filmmaking. The only thing IndieClubbers lack as a whole, is the same thing every indie struggles with- MONEY. We need to learn how to raise it and spend it wisely to produce distributable product. My next shoot is next weekend, and is entirely crewed by INDIECLUBBERS! Actors, crew, pa's- all from Indieclub. Some of these people honor me completely by agreeing to come work on my shoot, others are like I was a few years ago, hungry to learn. Why do I share all of this? Because my personal story is just one of many- A great many Indieclubbers are just like me, and we survive becasue we work together. My product improves with every new technique I learn and I never tire of learning. Just one modest success story from IndieCleveland. Hope to see you all at the next meeting. Christine Chapman lilith at cros.net From Wakeup4664 at aol.com Fri Nov 25 11:35:53 2005 From: Wakeup4664 at aol.com (Wakeup4664 at aol.com) Date: Fri, 25 Nov 2005 14:35:53 EST Subject: [NEohioPAL]Great Bargain for your Craft: "Tricks of the Trade. . . " On-Camera Reminder Message-ID: <1da.48ac7e37.30b8c199@aol.com> --part1_1da.48ac7e37.30b8c199_boundary Content-Type: text/plain; charset="ISO-8859-1" Content-Transfer-Encoding: quoted-printable Great Bargain on Learning / Honing Your Craft! "Tricks of the Trade. . . " On-Camera Reminder . Mon.=A0 11/28: "Tricks of the Trade: On-camera Skills and Monologues" 2005 Will be Over, Soon, so Get Your Last "Tricks of the Trade" for . . .=20 Auditions, On-Camera & Voiceover Be Ready for the New Year! Sue Johnson and WAKE UP And LIVE's Actors' Studio are conducting a series of= =20 special "Tricks of the Trade: Craft, Career and Professional Development"=20 Sessions,=20 Mondays, November 21st & 28th, & December 5th & 12th. =A0 7:00 -8:30 P. Shaker Heights, OH & Adelphia Locations. To register for classes for Actors & Other Performing Artists, email:=20 wakeup4664 at aol.com.=20 Did You Miss Mon.=A0 11/21: "Tricks of the Trade: Audition Techniques for St= age=20 and On-camera?" Then, Contact us to make Special Arrangements for=20 Individual Coaching Session . . . There's a difference between acting techniques on stage and on-camera. This=20 session will show you how to adapt your stage skills to be successful for=20 on-camera auditions and jobs. Learn the Do's & Don'ts of audition techniques.=A0 You will learn how auditi= ons=20 work, how to prepare for them, and where to find them.=A0 Be prepared for th= e=20 different scenarios: Monologues vs. Reading from the Script. Monologues,=20 commercial, film & industrial scripts. Get feedback on how you look, speak &= act=20 on-stage & on- camera.=20 . Mon.=A0 11/28: "Tricks of the Trade: On-camera Skills and Monologues" Practice on-camera skills with commercial, film & industrial copy.=A0 See=20 yourself as talent agents, producers, clients & casting agents see you.=A0 L= earn how=20 your facial expressions, gestures/mannerisms, body language/movement & voice= =20 project on-camera. Enhance the way you look, speak & act to get work. . Mon.=A0 12/5:=A0 "Tricks of the Trade: Voiceover Skills, Diction, Dialogue= and=20 Speaking Techniques for Performing Artists" Hear how you sound to listeners.=A0 Are you clear, articulate & interesting?= =A0=20 Do you 'Swallow' your words?=A0 Have you been called a 'Mush Mouth?'=A0 Have= you=20 been asked to 'Slow down?'=A0 Professional voiceover talent & public speaker= s pay=20 attention to the details - pacing, "t's, d's, & ings," etc.=A0 Learn to play= =20 with language and your voice: enunciation, articulation, intonation, inflect= ion,=20 and more, to give your characters & performances more flavor. Great session=20 for singers & comedians, too. . Mon. 12/12:=A0 "Tricks of the Trade: Creating Your Voiceover Demo in Conte= nt & Format" Great voiceover talent uses multiple basic 'actors' tools' to get & keep the= =20 listener's attention, sell the product, and solve the problem.=A0 Design you= r=20 Commercial, Industrial, PSA's, Story Telling & Narration copy which require=20 unique voiceover abilities.=A0 Find out why creating a demo and voiceover wo= rk=20 aren't easy as they look. . Workshop Fees: $20.00, each session. (November &=A0 December, only) . Private Coaching: $30.00, each=A0 session. (November &=A0=A0 December, onl= y) =A0 Credit Cards are accepted. [Note: Attend a workshop or coaching, now.=A0 Get a discount on your 1st=20 session scheduled in 2006. Ask for details.] Prefer Private Coaching? Then . . . Choose a Private Coaching session, on the above topics (or, other topics of=20 your choice),=20 by appointment. Pre-payment required. For more details, and to register, please reply to: wakeup4664 at aol.com Make Checks Payable & Mail to: Sue Johnson, Director WAKE UP And LIVE's Actors' Studio P.O. Box 201524 Shaker Heights, OH 44120 http://carolirvin.com/wakeup.htm --part1_1da.48ac7e37.30b8c199_boundary Content-Type: text/html; charset="ISO-8859-1" Content-Transfer-Encoding: quoted-printable

Great Bargain=20= on Learning / Honing Your Craft!
"Tricks of the Trade. . . " On-Camera Reminder

. Mon.=A0 11/28: "Tricks of the Trade: On-camera Skills and Monologues"<= BR>
2005 Will be Over, Soon, so Get Your Last
"Tricks of the Trade" for . . .
Auditions, On-Camera & Voiceover

Be Ready for the New Year!


Sue Johnson and WAKE UP And LIVE's Actors' Studi= o are conducting a series of special "Tricks of the Trade: Craft,= Career and Professional Development" Sessions,

Mondays, November 21st & 28th, & December 5th & 12th.
=A0 7:00 -8:30 P.
Shaker Heights, OH & Adelphia Locations.

To register for classes for Actors & Other Performing Artists, email: wa= keup4664 at aol.com.


Did You Miss Mon.=A0 11/21: "Tricks of the Trade: Audition Techniques f= or Stage and On-camera?"   Then, Contact us to make Special= Arrangements for Individual Coaching Session . . .

There's a difference between acting techniques on stage and on-camera. This=20= session will show you how to adapt your stage skills to be successful for on= -camera auditions and jobs.
Learn the Do's & Don'ts of audition techniques.=A0 You will learn how au= ditions work, how to prepare for them, and where to find them.=A0 Be prepare= d for the different scenarios: Monologues vs. Reading from the Script. Monol= ogues, commercial, film & industrial scripts. Get feedback on how you lo= ok, speak & act on-stage & on- camera.

. Mon.=A0 11/28: "Tricks of the Trade: On-camera Skills and Monologue= s"
Practice on-camera skills with commercial, film & industrial copy.=A0 Se= e yourself as talent agents, producers, clients & casting agents see you= .=A0 Learn how your facial expressions, gestures/mannerisms, body language/m= ovement & voice project on-camera. Enhance the way you look, speak &= act to get work.

. Mon.=A0 12/5:=A0 "Tricks of the Trade: Voiceover Skills, Diction, Dia= logue and Speaking Techniques for Performing Artists"
Hear how you sound to listeners.=A0 Are you clear, articulate & interest= ing?=A0 Do you 'Swallow' your words?=A0 Have you been called a 'Mush Mouth?'= =A0 Have you been asked to 'Slow down?'=A0 Professional voiceover talent &am= p; public speakers pay attention to the details - pacing, "t's, d's, = & ings," etc.=A0 Learn to play with language and your voice: enun= ciation, articulation, intonation, inflection, and more, to give your charac= ters & performances more flavor. Great session for singers & comedia= ns, too.

. Mon. 12/12:=A0 "Tricks of the Trade: Creating Your Voiceover Demo i= n Content & Format"
Great voiceover talent uses multiple basic 'actors' tools' to get & keep= the listener's attention, sell the product, and solve the problem.=A0 Desig= n your Commercial, Industrial, PSA's, Story Telling & Narration copy whi= ch require unique voiceover abilities.=A0 Find out why creating a demo and v= oiceover work aren't easy as they look.

. Workshop Fees: $20.00, each session. (November &=A0 December= , only)
. Private Coaching: $30.00, each=A0 session. (November &=A0=A0 Decemb= er, only)
=A0 Credit Cards are accepted.
[Note: Attend a workshop or coaching, now.=A0 Get a discount on your 1st=20= session scheduled in 2006. Ask for details.]

Prefer Private Coaching? Then . . .
Choose a Private Coaching session, on the above topics (or, other topics of=20= your choice),
by appointment. Pre-payment required.

For more details, and to register, please reply to: wakeup4664 at aol.com

Make Checks Payable & Mail to:
Sue Johnson, Director
WAKE UP And LIVE's Actors' Studio
P.O. Box 201524
Shaker Heights, OH 44120



http://carolirvin.com/wakeup.htm









--part1_1da.48ac7e37.30b8c199_boundary-- From Wakeup4664 at aol.com Fri Nov 25 11:48:49 2005 From: Wakeup4664 at aol.com (Wakeup4664 at aol.com) Date: Fri, 25 Nov 2005 14:48:49 EST Subject: [NEohioPAL]Another Invitation to Attend:"Tricks of the Trade" WAKE UP And LIVE w/ the ARTS Message-ID: <271.8a812a.30b8c4a1@aol.com> --part1_271.8a812a.30b8c4a1_boundary Content-Type: text/plain; charset="ISO-8859-1" Content-Transfer-Encoding: quoted-printable Another Invitation to Attend . . .=20 "Tricks of the Trade" =20 WAKE UP And LIVE w/ the ARTS There's Still Time to be our Guest=20 this Thursday, 12/1 on=20 WAKE UP And LIVE with the ARTS, TV Program Email your RSVP, by Tues. 11/29. See below for complete details Join us for . . . "Tricks of the Trade: Craft, Career and Professional Development" Series on=20 WAKE UP And LIVE with the ARTS . Would you like to . . . =A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0 .=A0 hone your craft and showcase your=20= talent at the same time? =A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0 .=A0 be involved with a TV production t= o showcase your talent? . Here's your chance . . . Sue Johnson and WAKE UP And LIVE's Actors' Studio are conducting a series of= =20 special "Tricks of the Trade: Craft, Career and Professional Development"=20 Sessions on upcoming WAKE UP And LIVE with the ARTS TV programs. . Here's how it will work . . . You are invited to be a participant and attend a taping(s), of your choice,=20 of WAKE UP And LIVE with the ARTS on:=20 =A0=A0=A0=A0=A0=A0=A0 . Thursdays, Dec.=A0 1st, and Dec. 15th.=A0=20 =A0=A0=A0=A0=A0=A0=A0 . approx. 7:30 P - 8:45 P. Adelphia Studios. . The topics for each session are . . . . Thurs. 12/1:=A0=A0 "Tricks of the Trade: On-camera Skills with Monologues and Scenes" . Thurs. 12/15:=A0 "Tricks of the Trade: Voiceover Skills and Diction, Dialogue & Speaking=20 =A0=A0 Techniques" We will tape the sessions.=A0 They will be shown as WAKE UP And LIVE with th= e=20 ARTS half-hour programs later, on Adelphia, Cox and Cleveland Access channel= s. You will have the chance to participate in practicing your craft, discussion= ,=20 questions and answers. Space is limited. RSVP's will be accepted on a first-come, basis. These=20 sessions are Complimentary.=A0=20 However, in order to attend the Complimentary sessions, you must contact us=20 by Sunday, 11/27 and register for at least of the 3 "Tricks of the Trade:=20 Craft, Career and Professional Development" Workshops scheduled for . . .=20 "Tricks of the Trade "=A0 workshop sessions, 7:00 -8:30 P. Shaker Heights, O= H. =A0 =A0=A0 . Mon.=A0 11/28:=A0=A0 On-camera Skills and Monologues =A0=A0 . Mon.=A0 12/5:=A0=A0=A0 Voiceover Skills, Diction, Dialogue & Speaki= ng Techniques =A0=A0=A0=A0 for Performing Artists =A0=A0 . Mon. 12/12:=A0 Creating Your Voiceover Demo in Content & Format" Or, you can choose a Private Coaching session, on the above topics (or, othe= r=20 topics of your choice), by appointment. Pre-payment required by NOVEMBER=20 15th. . Workshop Fees: $35.00, two sessions. $20.00, each additional session. (November &=A0December, only) . Private Coaching: $45.00, two sessions. $25.00, each additional session.=20 (November & December, only) For more details, to RSVP and to register, please reply to: Sue Johnson, Director WAKE UP And LIVE's Actors' Studio Wakeup4664 at aol.com P.O. Box 201524 Shaker Heights, OH 44120 . . . About Sue Johnson . . . Sue Johnson, Director of the WAKE UP And LIVE's Actors' Studio, is an actor,= =20 director, producer and talent coach whose professional credits include recen= t=20 appearances in Cleveland area theatres, including Agents and Assets, an LAPD= =20 production at Cleveland Public Theater. She has directed My Big Fat=20 Dysfunctional Office, a commissioned play, numerous "PlayActs" Performances=20= and Jim=20 Spriggs' Terror on Biddle Street, a staged reading, for Karamu's Arenafest.=20= TV=20 credits include A & E's 100 Centre Street, and films, Antwone Fisher directe= d by=20 Denzel Washington, and The Year That Trembled, Jay Craven, Director. Her tal= ent=20 resume lists numerous TV commercials, industrials, and voiceovers.=20 She produces, directs and co-hosts WAKE UP And LIVE with the ARTS with Chris= =20 Fortunato. The performing & cultural arts program airs Wednesdays, 7:30 P &=20 Saturdays, 7:00 P on Adelphia Cable, ch. 21, eastern suburbs and ch. 23, wes= tern=20 suburbs. The show also airs on Cox Cable, ch. 45, Wednesdays 7:30 P &=20 Saturdays, 7:00 P, and Cleveland Access, ch. 25, Wednesdays, 7:00 P.=A0 Her=20= "Tricks of=20 the Trade: Craft, Career & Professional Development" Series, and "Tricks of=20 the Trade: Acting Seminars for Business & Leadership Training" workshops are= =20 well-known throughout the performing arts and corporate community.=20 http://carolirvin.com/wakeup.htm --part1_271.8a812a.30b8c4a1_boundary Content-Type: text/html; charset="ISO-8859-1" Content-Transfer-Encoding: quoted-printable

Another Invitation=20= to Attend . . .
"Tricks of the Trade" 
WAKE UP And LIVE w/ the ARTS

There's Still Time to be our Guest
this Thursday, 12/1
on
WAKE UP And LIVE with the ARTS,
TV Program
Email your RSVP, by Tues. 11/29.
See below for complete details

Join us for . . .


"Tricks of the Trade: Craft, Career and Professional Development" Series=
on
WAKE UP And LIVE with the ARTS


. Would you like to . . .
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0 .=A0 hone your craft and showca= se your talent at the same time?
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0 .=A0 be involved with a TV produ= ction to showcase your talent?

. Here's your chance . . .
Sue Johnson and WAKE UP And LIVE's Actors' Studio are conducti= ng a series of special "Tricks of the Trade: Craft, Career and Profession= al Development" Sessions on upcoming WAKE UP And LIVE with the ART= S TV programs.

. Here's how it will work . . .

You are invited to be a participant and attend a taping(s), of your choice,=20= of WAKE UP And LIVE with the ARTS on:
=A0=A0=A0=A0=A0=A0=A0 . Thursdays,  Dec.=A0 1st, and Dec. 15t= h.=A0
=A0=A0=A0=A0=A0=A0=A0 . approx. 7:30 P - 8:45 P. Adelphia Studios.
. The topics for each session are . . .

. Thurs. 12/1:=A0=A0
"Tricks of the Trade: On-camera Skills with Monologues and Scenes"

. Thurs. 12/15:=A0
"Tricks of the Trade: Voiceover Skills and Diction, Dialogue & Speaking=20=
=A0=A0 Techniques"

We will tape the sessions.=A0 They will be shown as WAKE UP And LIVE w= ith the ARTS half-hour programs later, on Adelphia, Cox and Clevelan= d Access channels.

You will have the chance to participate in practicing your craft, discussion= , questions and answers.

Space is limited. RSVP's will be accepted on a first-come, basis. These sess= ions are Complimentary.=A0

However, in order to attend the Complimentary sessions= , you must contact us by Sunday, 11/27 and register for at least of t= he 3 "Tricks of the Trade: Craft, Career and Professional Development" Workshops scheduled for . . .

"Tricks of the Trade "=A0 workshop sessions, 7:00 -8:30 P. Shaker Height= s, OH.
=A0
=A0=A0 . Mon.=A0 11/28:=A0=A0 On-camera Skills and Monologues

=A0=A0 . Mon.=A0 12/5:=A0=A0=A0 Voiceover Skills, Diction, Dialogue & Sp= eaking Techniques
=A0=A0=A0=A0 for Performing Artists

=A0=A0 . Mon. 12/12:=A0 Creating Your Voiceover Demo in Content & Format= "

Or, you can choose a Private Coaching session, on the above topics (o= r, other topics of your choice), by appointment. Pre-payment required by = NOVEMBER 15th.

. Workshop Fees: $35.00, two sessions. $20.00, each additional= session.
(November &=A0December, only)
. Private Coaching: $45.00, two sessions. $25.00, each additio= nal session.
(November & December, only)

For more details, to RSVP and to register, please reply to:
Sue Johnson, Director
WAKE UP And LIVE's Actors' Studio
Wakeup4664 at aol.com
P.O. Box 201524
Shaker Heights, OH 44120

. . . About Sue Johnson . . .

Sue Johnson, Director of the WAKE UP And LIVE's Actors' Studio, is an actor, director, producer and talent coach whose professional credit= s include recent appearances in Cleveland area theatres, including Agents= and Assets, an LAPD production at Cleveland Public Theater. She has dir= ected My Big Fat Dysfunctional Office, a commissioned play, numerous=20= "PlayActs" Performances and Jim Spriggs' Terror on Biddle Street, a staged reading, for Karamu's Arenafest. TV credits include A & E's= 100 Centre Street, and films, Antwone Fisher directed by Denz= el Washington, and The Year That Trembled, Jay Craven, Director. Her=20= talent resume lists numerous TV commercials, industrials, and voiceovers.
She produces, directs and co-hosts WAKE UP And LIVE with the ARTS<= /I> with Chris Fortunato. The performing & cultural arts program airs We= dnesdays, 7:30 P & Saturdays, 7:00 P on Adelphia Cable, ch. 21, eastern=20= suburbs and ch. 23, western suburbs. The show also airs on Cox Cable, ch. 45= , Wednesdays 7:30 P & Saturdays, 7:00 P, and Cleveland Access, ch. 25, W= ednesdays, 7:00 P.=A0 Her "Tricks of the Trade: Craft, Career & Profe= ssional Development" Series, and "Tricks of the Trade: Acting Seminar= s for Business & Leadership Training" workshops are well-known throu= ghout the performing arts and corporate community.


http://carolirvin.com/wakeup.htm

--part1_271.8a812a.30b8c4a1_boundary-- From lucia9577 at yahoo.com Fri Nov 25 10:14:00 2005 From: lucia9577 at yahoo.com (Lucia DiVieste) Date: Fri, 25 Nov 2005 10:14:00 -0800 (PST) Subject: [NEohioPAL]Italian American Art Exhibit Message-ID: <20051125181400.74914.qmail@web60811.mail.yahoo.com> --0-385054868-1132942440=:70491 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Art Show Featuring Illustrations of Italian-American Life By...Mauro DiVieste Location: Little Peppino's Restaraunt 728 North State Street Girard, OH 44420 When: December 10, 2005; 3pm - 9pm Illustrations for sale. All sold illustrations will be available for pickup between 7-8pm at Little Peppino's. --------------------------------- Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --0-385054868-1132942440=:70491 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
Art Show
 
Featuring Illustrations of Italian-American Life
 
By...Mauro DiVieste
 
Location: Little Peppino's Restaraunt
               728 North State Street
               Girard, OH 44420
 
When: December 10, 2005;  3pm - 9pm
 
Illustrations for sale.  All sold illustrations will be available for pickup between 7-8pm at Little Peppino's. 

Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --0-385054868-1132942440=:70491-- From Wakeup4664 at aol.com Fri Nov 25 12:43:46 2005 From: Wakeup4664 at aol.com (Wakeup4664 at aol.com) Date: Fri, 25 Nov 2005 15:43:46 EST Subject: [NEohioPAL]Look Who's on WAKE UP And LIVE with the ARTS, Now! Adelphia, Cox & Cleveland Message-ID: <291.4e203b.30b8d182@aol.com> --part1_291.4e203b.30b8d182_boundary Content-Type: text/plain; charset="ISO-8859-1" Content-Transfer-Encoding: quoted-printable Look Who's on WAKE UP And LIVE with the ARTS, Now! . Tune into . . .=A0 WAKE UP And LIVE with the ARTS=20 on=20 Adelphia Cox Cable &=20 Cleveland Access. with Chris Fortunato and Sue Johnson, co-hosts,=20 a locally produced performing and cultural arts TV show, which continues to=20 showcase area talent.=A0 Be sure to check out "local cable access listings o= n=20 neohiopal" throughout November and December, to see how local "stars" are=20 lighting up your TV viewing. . on Adelphia, ch. 23, eastern & ch. 21, western Suburbs =A0=A0 Wednesdays, 7:30 P. Saturdays, 7:00 P . Wed. 11/30 & Sat. 12/3: A discussion of "Tricks of the Trade: Audition Techniques for Stage and=20 On-camera, "=A0part 1,=A0 with co-hosts, Sue Johnson & Chris Fortunato, feat= uring=20 Rollin "Mac" Michael & Anne Fusco, actors, Ruby Fox, playwright, & Bob Sega= l,=20 comedian & jazz clarinetist. Wed. 12/7 & Sat. 12/10: A part II, discussion of "Tricks of the Trade: Audition Techniques for Stage= =20 and On-camera, "=A0,=A0 with co-hosts, Sue Johnson & Chris Fortunato, featur= ing=20 Rollin "Mac" Michael & Anne Fusco, actors, Ruby Fox, playwright, & Bob Sega= l,=20 comedian & jazz clarinetist. Here's a recap of recent shows aired on Adelphia in November. Wed. 11/9 & Sat. 11/12:=20 . Harriett Logan, owner, Loganberry Books, celebrating its 10th Anniversary= =A0=A0=20 Angelia Lee, Actor/Author/Vocalist, and Gary Webster, Playwright. Wed. 11/16 & Sat. 11/19: . Jim Levin and Thomas Mulready from iNGENUiTY and=20 Cool Cleveland.com, discussing the arts scene in Cleveland and next year's=20 iNGENUiTY with Gary Webster, actor & playwright, Angelia Lee, actor, singer= ,=20 playwright & Harriett Logan, owner, Loganberry Books Coming Soon . . . on Adelphia, channels 21 and 23=A0 . . .=20 . Hal Wyant and his TransAfrica Rhythms band . New "PlayActs" Performances featuring local playwrights and actors,=20 =A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0= =A0 - - - and - - - . "Tricks of the Trade: Craft, Career and Professional Development"=20 discussions. November . . . on Cox Cable, ch. 45. . . Wednesdays, 7:30 P, Saturdays, 7:00 P. Wed/ 11/2 & Sat. 11/5 . Alphonzo G. Smith, Jr., and his new band, Stratos, blowing the roof off=20 with their vocal and music eclectic mix of jazz, blues, and contemporary=20 selections.=A0 Brenda Smith, Spokesperson, shares the story of the band's or= igins,=20 dreams and special events, while Iris Tucker-Berry gets "carried away" by th= e music=20 and starts "jammin'" with an impromptu "cabaret smooth groove" dance. Wed. 11/9 & Sat. 11/12 . Jennifer Hoffman, former WAKE UP and LIVE's Actors' Studio student, who ha= s=20 graduated from Point Park College, PA and is now back home setting up her=20 professional musical theater career, and private coaching and classes, while= =20 working at Solon Center for the Arts.=A0=20 -- and -- . Bob Segal and Steve Samuel, of the Bob and Steve Duo, blowing some "mean"=20 jazz standards through their clarinets.=A0 Both Segal, who performs Klezmer=20 music,=A0 and Samuel are also well known for their teaching affiliations wit= h=20 Cleveland schools and the Music Institute. Also, in November . . . .Our "PlayActs" series of auditions for the TV show, rehearsals and=20 performances for "PlayActs" featuring 4 fun short plays written by=20 Playwrights-in-Residence, Ruby Fox and Gary Webster. The WAKE UP And LIVE's=20= Actors' Studio team of=20 Rollin "Mac" Michael, Sapphire DeFranco, Lauren Skirbunt, James McGilbray,=20 Gary Webster, Marvin L. Mallory, Mary Lu Franks, Beverly Kristy,=20 Iris-Tucker-Berry, and Lynna Metrisin reprise or create their roles in Celib= acy Odyssey,=20 Forever Milly, Is This How Frankie and Annette Got Started?, and We Want to=20= be in=20 Pictures . . . Or on TV . . . Or, the Stage . . . But We'd=20 Settle for Radio. Wed. 11/16 & Sat. 11/19 . "PlayActs" Is This How Frankie & Annette Got Started? by Gary Webster,=20 featuring James McGilbray, Lauren Skirbunt,=A0 & Gary Webster Wed. 11/23 & Sat. 11/26 . "PlayActs" We Want to be in Movies, TV . . . by Gary Webster, featuring= =A0=20 Marvin L. Mallory, Mary Lu Franks, Beverly Kristy,=A0 & Iris Tucker-Berry. Wed. 11/30 & Sat. 12/3 . "PlayActs" Celibacy Odyssey, by Ruby Fox, featuring Lynna Metrisin, Rollin= =20 "Mac" Michael & Gary Webster Wed. 12/7 & Sat. 12/10 . Hue People, II,=A0 vocal group, with steven e.boyd, Anita Rose Banks, Ceco= =20 Selinas & Brother Afi-Nur, whose performances are becoming standard features= at=20 many public, private and corporate events around northeast Ohio. .on Cleveland Access Channel, ch. 25. . . Wednesdays, 6:00 P. Wed. 11/9 & Wed. 11/16 . Kelly Chapman, Inspirational Recording Artist, Real CD & Heal Me, Wed. 11/23 & Wed. 11/30 . Alex Worthington, Author, Frankie McBeans and the Tickle Monster Wed. 12/7 & Wed. 12/14 . "PlayActs" Auditions, I. Area actors, Liz Bauer, Sonia N. Bishop, Allen=20 Branstein, , Mary Lu Franks, Norman King, and Ubu Zurub participating in "Tr= icks=20 of the Trade" on-camera auditions with monologues, vocal selections, solo=20 pieces and scene readings. Maureen J. Carey, local playwright, "auditioning"= =20 excerpts from her "The Lesson of the Butterfly," with Ruby Fox, veteran play= wright=20 observing the action. Wed. 12/21 & Wed. 12/28 . David Johnson & Daoud's Puppets, a discussion and demonstration on how to=20 craft hand puppets in quick and easy ways. Wed. 1/4 &=A0 Wed. 1/11/06 . Ed Niam, Founder, Self Healing Institute, a TaiQiGong Fitness System,=20 discussing and demonstrating the power of a unique program which recharges m= ental,=20 physical and spiritual health. Coming, soon, to Cox Cable and Cleveland Access. Damion Fontaine and Scott Brotherton as=A0 "Rat Pack" duo, Frank Sinatra and= =20 Dean Martin, with a special appearance by "Ed Sullivan." Scott and Damion cr= oon=20 some of Frankie & Dino's best known tunes. LaVar Arnold, poet, actor and aspiring Nobel Prize winner, performing=20 selections of his original poetry which can be heard at Cleveland Art Theate= r at=20 Monday night poetry readings. . Terrence Spivey, Artistic Director, Karamu Theatre, with Norma Powell,=20 co-host,=A0 and Ruby Fox, playwright, discussing Karamu's upcoming 90th Anni= versary=20 season, which kicks off October 14th with the female version of The Odd=20 Couple, directed by Jean Hawkins.=A0=20 Keep Tuning in to learn about Our . . . .=A0 "Giggles, Chuckles and Hardy Ha! Ha's!," the new Laughter CD, being=20 introduced the our viewers. Created by Mac Michael, with Lester Bryant, "Gig= gles . .=20 . " is voiced and produced by the entire WAKE UP And LIVE's Actors' Studio=20 artistic, production and technical team. This CD will take your mind off you= r=20 "troubles" for a few minutes and light up your life with healing and humor.=20= For=20 "kids" of all ages, just for fun, and for those who need upliftment to help=20 see them through challenging times. "Giggles, Chuckles and Hardy Ha! Ha's!" Great for your fundraising and gift=20 ideas. $5.00 per CD.=A0 Discounts on multiple copies. For order information, email: wakeup4664 at aol.com. If you, your performing or cultural arts organization, would like to appear=20 on WAKE UP And LIVE with the ARTS, contact us . . . email: wakeup4664 at aol.co= m WAKE UP And LIVE with the ARTS, with Chris Fortunato and Sue Johnson,=20 co-hosts, is a locally produced performing and cultural arts TV show, which=20= continues=20 to showcase area talent.=A0 Be sure to check out "local cable access listing= s=20 on neohiopal" throughout November to see how local "stars" are lighting up y= our=20 TV viewing. - Wed. 7:30 P &=A0 Sat., 7:00 P.=A0=A0 Adelphia Cable, ch. 21, East suburbs =A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0= =A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0 Adelphia Cab= le, ch. 23,=A0 West=20 suburbs - Wed. 7:30 P & Sat., 7:00 P.=A0=A0 Cox Cable ch. 45 - Wed. 6:00 P.=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0= =A0=A0=A0=A0 Adelphia-Cleveland.=A0 ch. 25:=20 (Please note. Air dates are subject to change.) Sue H. Johnson, Director Chris Fortunato, Assoc. Director WAKE UP And LIVE's Actors' Studio=20 WAKE UP And LIVE with the ARTS P.O. Box 201524=A0 .=A0 Shaker Heights, OH 44120 wakeup4664 at aol.com http://carolirvin.com/wakeup.htm --part1_291.4e203b.30b8d182_boundary Content-Type: text/html; charset="ISO-8859-1" Content-Transfer-Encoding: quoted-printable

Look Who's=20= on WAKE UP And LIVE with the ARTS, Now!

. Tune into . . .=A0 WAKE UP And LIVE with the ARTS on
Adelphia
Cox Cable
&
Cleveland Access.
with
Chris Fortunato and Sue Johnson, co-hosts,
a locally produced performing and cultural arts TV show, which continues to=20= showcase area talent.=A0 Be sure to check out "local cable access listings o= n neohiopal" throughout November and December, to see how local "stars" are=20= lighting up your TV viewing.


. on Adelphia, ch. 23, eastern & ch. 21, western Subu= rbs
=A0=A0 Wednesdays, 7:30 P. Saturdays, 7:00 P

. Wed. 11/30 & Sat. 12/3:
A discussion of "Tricks of the Trade: Audition Techniques for Sta= ge and On-camera, "=A0part 1,=A0 with co-hosts, Sue John= son & Chris Fortunato, featuring Rollin "Mac" Michael & Anne Fusco, actors, Ruby Fox, playwright,  & Bob Sega= l, comedian & jazz clarinetist.

Wed. 12/7 & Sat. 12/10:
A part II, discussion of "Tricks of the Trade: Audition Techniques= for Stage and On-camera, "=A0,=A0 with co-hosts, Sue Jo= hnson & Chris Fortunato, featuring Rollin "Mac" Michael & Anne Fusco, actors, Ruby Fox, playwright,  & Bob Sega= l, comedian & jazz clarinetist.


Here's a recap of recent shows aired on Adelphia in November.

Wed. 11/9 & Sat. 11/12:
. Harriett Logan, owner, Loganberry Books, celebrating its 1= 0th Anniversary=A0=A0 Angelia Lee, Actor/Author/Vocalist, and = Gary Webster, Playwright.


Wed. 11/16 & Sat. 11/19: . Jim Levin and Thomas=20= Mulready from iNGENUiTY and Cool Cleveland.com, discussing the arts scene=20= in Cleveland and next year's iNGENUiTY with Gary Webster, actor &= ; playwright,  Angelia Lee, actor, singer, playwright &=20= Harriett Logan, owner, Loganberry Books

Coming Soon . . . on Adelphia, channels 21 and 23=A0 . . .

. Hal Wyant and his TransAfrica Rhythms band

. New "PlayActs" Performances featuring local playwrights and= actors,
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0= =A0 - - - and - - -
. "Tricks of the Trade: Craft, Career and Professional Development" <= /FONT>= discussions.


November . . . on Cox Cable, ch. 45. . .
Wednesdays, 7:30 P, Saturdays, 7:00 P.

Wed/ 11/2 & Sat. 11/5
. Alphonzo G. Smith, Jr., and his new band, Stratos,=20= blowing the roof off with their vocal and music eclectic mix of jazz, blues,= and contemporary selections.=A0 Brenda Smith, Spokesperson, shares the stor= y of the band's origins, dreams and special events, while Iris Tucker-Berry=20= gets "carried away" by the music and starts "jammin'" with an impromptu "cab= aret smooth groove" dance.

Wed. 11/9 & Sat. 11/12
. Jennifer Hoffman, former WAKE UP and LIVE's Actors' Studio= student, who has graduated from Point Park College, PA and is now back=20= home setting up her professional musical theater career, and private coachin= g and classes, while working at Solon Center for the Arts.=A0

-- and --

. Bob Segal and Steve Samuel, of the Bob and St= eve Duo, blowing some "mean" jazz standards through their clarinets.=A0 Both= Segal, who performs Klezmer music,=A0 and Samuel are also well known for th= eir teaching affiliations with Cleveland schools and the Music Institute.=

Also, in November . . .
.Our "PlayActs" series of auditions for the TV show, rehearsals and=20= performances for "PlayActs" featuring 4 fun short plays written by Pl= aywrights-in-Residence, Ruby Fox and Gary Webster. The WAKE UP And LIVE's= Actors' Studio team of Rollin "Mac" Michael, Sapphire DeFranco,=20= Lauren Skirbunt, James McGilbray, Gary Webster, Marvin L. Mallory, Mary Lu F= ranks, Beverly Kristy, Iris-Tucker-Berry, and Lynna Metrisin reprise or crea= te their roles in Celibacy Odyssey, Forever Milly, Is This How Frankie an= d Annette Got Started?, and We Want to be in Pictures . . . Or on TV=20= . . . Or, the Stage . . . But We'd
Settle for Radio.

Wed. 11/16 & Sat. 11/19
. "PlayActs" Is This How Frankie & Annette Got Started?<= /FONT>= by Gary Webster, featuring James McGilbray, Lauren Skirbunt,=A0 & G= ary Webster

Wed. 11/23 & Sat. 11/26
. "PlayActs" We Want to be in Movies, TV . . . by Gary= Webster, featuring=A0 Marvin L. Mallory, Mary Lu Franks, Beverly Kristy,= =A0 & Iris Tucker-Berry.

Wed. 11/30 & Sat. 12/3
. "PlayActs" Celibacy Odyssey, by Ruby Fox, featuring=20= Lynna Metrisin, Rollin "Mac" Michael & Gary Webster

Wed. 12/7 & Sat. 12/10
. Hue People, II,=A0 vocal group, with steven e.boyd= , Anita Rose Banks, Ceco Selinas & Brother Afi-Nur, whose performances a= re becoming standard features at many public, private and corporate events a= round northeast Ohio.

.on Cleveland Access Channel, ch. 25. . .
Wednesdays, 6:00 P.

Wed. 11/9 & Wed. 11/16
. Kelly Chapman, Inspirational Recording Artist, Real= CD & Heal Me,

Wed. 11/23 & Wed. 11/30
. Alex Worthington, Author, Frankie McBeans and the T= ickle Monster

Wed. 12/7 & Wed. 12/14
. "PlayActs" Auditions, I. Area actors, Liz B= auer, Sonia N. Bishop, Allen Branstein, , Mary Lu Franks, Norman King, and U= bu Zurub participating in "Tricks of the Trade" on-camera auditions w= ith monologues, vocal selections, solo pieces and scene readings. Maureen J.= Carey, local playwright, "auditioning" excerpts from her "The Lesson of=20= the Butterfly," with Ruby Fox, veteran playwright observing the action.<= B>

Wed. 12/21 & Wed. 12/28
. David Johnson & Daoud's Puppets, a discussion and demonstratio= n on how to craft hand puppets in quick and easy ways.

Wed. 1/4 &=A0 Wed. 1/11/06
. Ed Niam, Founder, Self Healing Institute, a TaiQiGong= Fitness System, discussing and demonstrating the power of a unique program=20= which recharges mental, physical and spiritual health.

Coming, soon, to Cox Cable and Cleveland Access.

Damion Fontaine and Scott Brotherton as=A0 "Rat Pack" duo, Frank Sinatra and Dean Martin, with a special appearance by= "Ed Sullivan." Scott and Damion croon some of Frankie & Dino's best kno= wn tunes.

LaVar Arnold, poet, actor and aspiring Nobel Prize winner, performi= ng selections of his original poetry which can be heard at Cleveland Art The= ater at Monday night poetry readings.

. Terrence Spivey, Artistic Director, Karamu Theatre,= with Norma Powell, co-host,=A0 and Ruby Fox, playwright, discussing Karamu'= s upcoming 90th Anniversary season, which kicks off October 14th with the fe= male version of The Odd Couple, directed by Jean Hawkins.=A0

Keep Tuning in to learn about Our . . .

.=A0 "Giggles, Chuckles and Hardy Ha! Ha's!," the new Lau= ghter CD, being introduced the our viewers. Created by Mac Michael, with Les= ter Bryant, "Giggles . . . " is voiced and produced by the entire <= B>WAKE UP And LIVE's Actors' Studio artistic, production and tech= nical team. This CD will take your mind off your "troubles" for a few minute= s and light up your life with healing and humor. For "kids" of all ages, jus= t for fun, and for those who need upliftment to help see them through challe= nging times.

"Giggles, Chuckles and Hardy Ha! Ha's!" Great for your fundraisi= ng and gift ideas.
$5.00 per CD.=A0 Discounts on multiple copies.
For order information, email: wakeup4664 at aol.com.

If you, your performing or cultural arts organization, would like to appear=20= on WAKE UP And LIVE with the ARTS, contact us . . . email: wak= eup4664 at aol.com

WAKE UP And LIVE with the ARTS, with Chris Fortunato and Sue J= ohnson, co-hosts, is a locally produced performing and cultural arts TV show= , which continues to showcase area talent.=A0 Be sure to check out "local ca= ble access listings on neohiopal" throughout November to see how local "star= s" are lighting up your TV viewing.

- Wed. 7:30 P &=A0 Sat., 7:00 P.=A0=A0 Adelphia Cable, ch. 21, East s= uburbs
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0= =A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0 Adelphia Cab= le, ch. 23,=A0 West suburbs
- Wed. 7:30 P & Sat., 7:00 P.=A0=A0 Cox Cable ch. 45
- Wed. 6:00 P.=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0= =A0=A0=A0=A0 Adelphia-Cleveland.=A0 ch. 25:
(Please note. Air dates are subject to change.)

Sue H. Johnson, Director
Chris Fortunato, Assoc. Director
WAKE UP And LIVE's Actors' Studio
WAKE UP And LIVE with the ARTS
P.O. Box 201524=A0 .=A0 Shaker Heights, OH 44120
wakeup4664 at aol.com



http://carolirvin.com/wakeup.htm



















--part1_291.4e203b.30b8d182_boundary-- From jtl at zoominternet.net Fri Nov 25 13:25:07 2005 From: jtl at zoominternet.net (Judi Terrell Linden) Date: Fri, 25 Nov 2005 16:25:07 -0500 Subject: [NEohioPAL]Thanks to everyone who replied to my request for an acoustic guitar Message-ID: <001501c5f206$b589f510$6401a8c0@moose> This is a multi-part message in MIME format. ------=_NextPart_000_0016_01C5F1DC.CCB3ED10 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Thanks so much to everyone who replied with advice and offers to my posting about purchasing an acoustic guitar. Thanks to one of the many generous folks on this list, I have a happy teenager who is in possession of a guitar she was able to purchase herself! The people on this list are wonderful! Judi ------=_NextPart_000_0016_01C5F1DC.CCB3ED10 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

Thanks so much to everyone who replied with advice = and offers to my posting about purchasing an acoustic guitar.  Thanks to one of the many = generous folks on this list, I have a happy teenager who is in possession of a guitar she = was able to purchase herself!  =

 

The people on this list are = wonderful!

Judi  =

------=_NextPart_000_0016_01C5F1DC.CCB3ED10-- From Allenkel at comcast.net Fri Nov 25 13:53:09 2005 From: Allenkel at comcast.net (Allen Kellogg) Date: Fri, 25 Nov 2005 16:53:09 -0500 Subject: [NEohioPAL]Stand in for two movies! In-Reply-To: <438518EE.EBFC1C27@earthlink.net> Message-ID: <00d101c5f20a$ad211b70$6401a8c0@SLAPPY> Waterstreet Productions is currently looking for a stand in for two feature length movies to be shot starting next Monday and going to December 22nd. We will be shooting in Cleveland and in Youngstown so one person from each area would be ideal. Unfortunately there is no compensation at this time; however, our last stand-ins did get to play bit parts in the last production. I can promise a great work environment and a great opportunity to network with some of the best industry professionals in the area. Right now we are looking for a female around 5'2" and about 110 pounds with long brown hair. There will be more calls in the near future. Please send a head shot and resume ASAP to allenkel at comcast.net. Allen Kellogg 1st AD From Evelyn.Ward at cpl.org Fri Nov 25 13:56:40 2005 From: Evelyn.Ward at cpl.org (Evelyn Ward) Date: Fri, 25 Nov 2005 16:56:40 -0500 Subject: [NEohioPAL]Dickens' Christmas Carol at Cleveland Public Library Message-ID: <3574453541f0.3541f0357445@clevnet.org>

Just a reminder -- if you're coming downtown Saturday for the Lighting Ceremony, come a little earlier and enjoy this delightful adaptation of Dickens' Christmas Carol, enacted by the PD's television critic Mark Dawidziak as Charles Dickens, with Tom Stephan as Scrooge and Sara Showman as Almost Everybody Else.  The show starts at 4 p.m. in the Louis Stokes Wing Auditorium at Superior and East Sixth Street, and it's free! 

Hope to see you there!

Evelyn M. Ward
Literature Department
Cleveland Public Library
325 E. Superior Ave.
Cleveland, OH 44114
Phone: 216-902-4947
Fax: 216-623-7050

From Frank at Time-LineProductions.com Fri Nov 25 14:42:48 2005 From: Frank at Time-LineProductions.com (Frank Mixson) Date: Fri, 25 Nov 2005 14:42:48 -0800 (PST) Subject: [NEohioPAL]Cleveland IndieClub In-Reply-To: <200511251430.AA102433106@cros.net> Message-ID: <20051125224248.45033.qmail@web81508.mail.mud.yahoo.com> --0-2018859710-1132958568=:45004 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Wow.. Christine you're very fortunate. Congratulations.. Due to transportation problems, I have not been able to attend the mtgs regularly, heck, I've even suspended the taping of the show I produce, until I get in that in order.. But one thing I've noticed is some clique'y'ness in the community.. Some people seem to not have any problems getting some help with their projects but others.. like myself.. cannot get any responses when I have asked for help.. I've done so several times at the meetings.. I've shown a music video, documentary trailers, and some of you might have even seen the tv show I produce. I've always gotten good feedback on my work, even as I continue to study and learn the tools and techniques for this craft, but do I ever get any help from the club members? One actor has shown up regularly to help out... and trust I appreciate his help a lot. Now I know someone will say that you should volunteer to help others, first. I have answered some calls on this list and there was no follow up from the originator of the posting, or just one, in one case. I attributed it to the fact that they were already in production, and that I'm sure it was kinda crazy at that time. I told others who I knew were doing things that if they needed my help to let me know.. I know how that goes.. I learned much volunteering on the set of movies I was acting in and that I would show up for and lend my time to on days I wasn't the scene. From finding and providing locations, to telephone calls for scheduling cast, to camera work, etc, believe me, I've paid my dues, and I continue to (I can name names and movies if you think I'm making this up). I've done PA work on some movies that I've had no part in, as well. I sometimes have heard negative gossip about filmmakers or someone else in the community at some of our events.. I try real hard not to pass along negative gossip.. But I've seen someone walk in the meeting and then immediately overheard people at the next table telling someone something negative about the person... another time, someone who I used associate with one particular person in the community came to me and told me not work with that person, and then proceeded to tell me how they fell out.. and so forth, basically trying to dissuade me from using that person and their resources for what I was trying to accomplish. I know we, as humans, are prone to gossip, lol. Just the nature of the beast, I suppost. We are also prone to clique'y'ness, and those two traits work to help some, but at the disadvantage of others. Just my experience... Frank Mixson Time-LineProductions.com th at cros.net> wrote: Christopher, Alex, Bill, etal: As an ardent "learner" and IndieClub attendee, I feel compelled to respond. IndieClub is not only thriving, it has outgrown its first location at Talkies and moved to the larger Hyacinth Lofts. Even then, the meetings are often standing room only. What used to be a 3 hour meeting has expanded to over 4 hours. This was done for one reason only as far as I know- so that we would all have the time to NETWORK! We were so busy screening work and having in really good speakers (like this month's Phil Garrett, previously of Dreamworks!) that we had run out of time to fish the talent pool for people to work on our shoots. >From my association with Cleveland IndieClub, I have worked on 11 projects in the last 3 years. 2 of those were my own, with a third to shoot next weekend. I have done everything I could. My 20+ years expertise is in wardrobe and make up, so I have done alot of that. But I have worked as an extra and PA and moved through the ranks to script supervise, write, direct and produce. To be sure, when I started seriously in film, I knew very little. I learned by volunteering to work on others' projects- yes, even the bad ones. You learn as much, if not more, on a bad shoot than a good one. Because I have a good work ethic, show up and do my job with the most professional attitude I have, I get asked back and recruited for other work. I am lucky enough that now I am regularly paid to work on films (yes, indies can pay!). Of course, I care a lot about the work and have studied everything I can get my hands on about filmmaking. The only thing IndieClubbers lack as a whole, is the same thing every indie struggles with- MONEY. We need to learn how to raise it and spend it wisely to produce distributable product. My next shoot is next weekend, and is entirely crewed by INDIECLUBBERS! Actors, crew, pa's- all from Indieclub. Some of these people honor me completely by agreeing to come work on my shoot, others are like I was a few years ago, hungry to learn. Why do I share all of this? Because my personal story is just one of many- A great many Indieclubbers are just like me, and we survive becasue we work together. My product improves with every new technique I learn and I never tire of learning. Just one modest success story from IndieCleveland. Hope to see you all at the next meeting. Christine Chapman lilith at cros.net ______________________________________ Disney's "BEAUTY AND THE BEAST" at Beck Center 12/2-12/31. 216-521-2540. http://www.fredsternfeld.com/beautyandthebeast.htm _______________________________________ There is a sister site to this list called the "NEoPAL Bulletin Board." Occasionally when "hot-button" discussions go on more than a day or two, the bulletin board is used. The Neopal bulletin board also has some other terrific features, like a searchable database for you to put your personal information, a place to post pictures and a chat room with a nightly 11pm gathering to discuss hot topics: http://groups.yahoo.com/group/neopal/ _______________________________________ Disclaimer: The facts and/or opinions expressed in this message are solely those of the person in the "from" or "reply-to" header. The fact that this message is posted should in no way be taken as an endorsement by the administrator of this list. Subscribers should perform due diligence for all goods, services and activities promoted on NEohioPAL. NEohioPAL mailing list NEohioPAL at lists.fredsternfeld.com http://lists.fredsternfeld.com/mailman/listinfo/neohiopal http://www.fredsternfeld.com --0-2018859710-1132958568=:45004 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
Wow..  Christine you're very fortunate.  Congratulations..   Due to transportation problems, I have not been able to attend the mtgs regularly, heck, I've even suspended the taping of the show I produce, until I get in that in  order..   But one thing I've noticed is some clique'y'ness in the community..   Some people seem to not have any problems getting some help with their projects but others.. like myself.. cannot get any responses when I have asked for help.. I've done so several times at the meetings..  I've shown a music video, documentary trailers, and some of you might have even seen the tv show I produce.  I've always gotten good feedback on my work, even as I continue to study and learn the tools and techniques for this craft, but do I ever get any help from the club members?  One actor has shown up regularly to help out... and trust I appreciate his help a lot.
 
Now I know someone will say that you should volunteer to help others, first. I have answered some calls on this list and there was no  follow up from the originator of the posting, or just one, in one case.  I attributed it to the fact that they were already in production, and that I'm sure it was kinda crazy at that time.   I told others who I knew were doing things that if they needed my help to let me know..    I know how that goes.. I learned much volunteering  on the set of movies I was acting in and that I would show up for and lend my time to on days I wasn't the scene.  From finding and providing locations, to telephone calls for scheduling cast, to camera work, etc, believe me, I've paid my dues, and I continue to (I can name names and movies if you think I'm making this up). I've done PA work on some movies that I've had no part in, as well.
 
I sometimes have heard negative gossip about filmmakers or someone else in the community at some of our events..  I try real hard not to pass along negative gossip..  But I've seen someone walk in the meeting and then immediately overheard people at the next table telling someone something negative about the person... another time, someone who I used associate with one particular person in the community came to me and told me not work with  that person, and then proceeded to tell me how they fell out..   and so forth, basically trying to dissuade  me  from using that person and their resources for what I was trying to accomplish.
 
I know we, as humans, are prone to gossip, lol.  Just the nature of the beast, I suppost.  We are also prone to clique'y'ness,  and those two traits work to help some, but at the disadvantage of others. 
 
Just my experience...
 
Frank Mixson
Time-LineProductions.com
 
 
 
 

th at cros.net> wrote:
Christopher, Alex, Bill, etal:

As an ardent "learner" and IndieClub attendee, I feel compelled to respond.

IndieClub is not only thriving, it has outgrown its first location at Talkies and moved to the larger Hyacinth Lofts. Even then, the meetings are often standing room only.

What used to be a 3 hour meeting has expanded to over 4 hours. This was done for one reason only as far as I know- so that we would all have the time to NETWORK! We were so busy screening work and having in really good speakers (like this month's Phil Garrett, previously of Dreamworks!) that we had run out of time to fish the talent pool for people to work on our shoots.

>From my association with Cleveland IndieClub, I have worked on 11 projects in the last 3 years. 2 of those were my own, with a third to shoot next weekend. I have done everything I could. My 20+ years expertise is in wardrobe and make up, so I have done alot of that. But I have worked as an extra and PA and moved through the ranks to script supervise, write, direct and produce.

To be sure, when I started seriously in film, I knew very little. I learned by volunteering to work on others' projects- yes, even the bad ones. You learn as much, if not more, on a bad shoot than a good one. Because I have a good work ethic, show up and do my job with the most professional attitude I have, I get asked back and recruited for other work. I am lucky enough that now I am regularly paid to work on films (yes, indies can pay!). Of course, I care a lot about the work and have studied everything I can get my hands on about filmmaking.

The only thing IndieClubbers lack as a whole, is the same thing every indie struggles with- MONEY. We need to learn how to raise it and spend it wisely to produce distributable product.

My next shoot is next weekend, and is entirely crewed by INDIECLUBBERS! Actors, crew, pa's- all from Indieclub. Some of these people honor me completely by agreeing to come work on my shoot, others are like I was a few years ago, hungry to learn.

Why do I share all of this? Because my personal story is just one of many- A great many Indieclubbers are just like me, and we survive becasue we work together. My product improves with every new technique I learn and I never tire of learning.

Just one modest success story from IndieCleveland. Hope to see you all at the next meeting.

Christine Chapman
lilith at cros.net





______________________________________
Disney's "BEAUTY AND THE BEAST" at Beck Center 12/2-12/31. 216-521-2540. http://www.fredsternfeld.com/beautyandthebeast.htm
_______________________________________
There is a sister site to this list called the "NEoPAL Bulletin Board." Occasionally when "hot-button" discussions go on more than a day or two, the bulletin board is used. The Neopal bulletin board also has some other terrific features, like a searchable database for you to put your personal information, a place to post pictures and a chat room with a nightly 11pm gathering to discuss hot topics: http://groups.yahoo.com/group/neopal/
_______________________________________
Disclaimer: The facts and/or opinions expressed in this message are solely those of the person in the "from" or "reply-to" header. The fact that this message is posted should in no way be taken as an endorsement by the administrator of this list. Subscribers should perform due diligence for all goods, services and activities promoted on NEohioPAL.

NEohioPAL mailing list
NEohioPAL at lists.fredsternfeld.com
http://lists.fredsternfeld.com/mailman/listinfo/neohiopal
http://www.fredsternfeld.com
--0-2018859710-1132958568=:45004-- From jharris at hlcommunications.com Fri Nov 25 14:46:58 2005 From: jharris at hlcommunications.com (James Harris) Date: Fri, 25 Nov 2005 17:46:58 -0500 Subject: [NEohioPAL]The Poinsettia Party, Dec 2, only $10 Message-ID: This is a multi-part message in MIME format. ------=_NextPart_000_0030_01C5F1E8.3D37F030 Content-Type: multipart/alternative; boundary="----=_NextPart_001_0031_01C5F1E8.3D37F030" ------=_NextPart_001_0031_01C5F1E8.3D37F030 Content-Type: text/plain; charset="windows-1250" Content-Transfer-Encoding: quoted-printable =20 =20 =20 =20 =20 =20 =20 =20 =20 =20 =93The Poinsettia Party=94=20 Celebrates Rockefeller Greenhouse Centennial,=20 Friday, Dec 2 =20 =20 WHERE: The Rockefeller Greenhouse, 750 E. 88th St., Cleveland. =20 WHEN: Dec 2, Friday, 6 pm - 8:30 pm =20 WHAT: The Poinsettia Party is the traditional winter open = house for Friends of Greenhouse supporting its various programs. The benefit = opens the facility=92s popular Poinsettia Display and is the only time the Greenhouse is open to the public at night. 2005 also marks the greenhouse=92s centennial. =20 INCLUDES: Free parking, light refreshments and appetizers, desserts, = wine, music, holiday poinsettias for sale, and silent auction. =20 COST: $10 a ticket. For more information, call = 216.664.3103 or go to HYPERLINK "http://www.rockefellergreenhouse.org/"www.rockefellergreenhouse.org, =93Coming Attractions=94 for ticket order form. Paid reservations are = requested by Tuesday, Nov. 29. =20 =20 --=20 No virus found in this outgoing message. Checked by AVG Free Edition. Version: 7.1.362 / Virus Database: 267.13.7/182 - Release Date: = 11/24/2005 =20 =20 ------=_NextPart_001_0031_01C5F1E8.3D37F030 Content-Type: text/html; charset="windows-1250" Content-Transfer-Encoding: quoted-printable

 

=

 

        &nbs= p;            = ;       

 

 

 

 

 

 

 

“The Poinsettia Party”

Celebrates Rockefeller Greenhouse Centennial,

Friday, Dec 2

 

=

 

=

WHERE:        The Rockefeller Greenhouse, 750 E. 88th St., Cleveland.         = ;            =             &= nbsp;         =

 

WHEN:          = ; Dec 2, Friday, 6 pm - 8:30 = pm

 

=

WHAT:         = ;   The Poinsettia = Party is the traditional winter open house for Friends of Greenhouse = supporting its various programs. The benefit opens the facility’s popular = Poinsettia Display and is the only time the Greenhouse is open to the public at  = night.  2005 also marks the = greenhouse’s centennial.

        = ;            =    

INCLUDES:   Free parking, light refreshments and appetizers, = desserts, wine, music, holiday poinsettias for sale, and silent = auction.

 

COST:           = ; $10 a ticket.  = For more information, call    = 216.664.3103 or go to www.rockefellergreenhouse.= org, “Coming Attractions” for ticket order form.  Paid reservations are requested = by Tuesday, Nov. 29.

 

 

=

--
No virus found in this outgoing message.
Checked by AVG Free Edition.
Version: 7.1.362 / Virus Database: 267.13.7/182 - Release Date: = 11/24/2005

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LnI9wc8g1av7Jb+0MDuyHcrq69VZTkH8xVqigLGY+lTTQ3iTXrM10gTITATAIyBk8nNNOiJ/Z1xY JMVhnbIUqCE5yQPYnnHvWrRQFkZU2jGayjtvOjRY5xKAsChTg527anOmrJDHDMySRIjIyeWArA9s dqvUUBZGU2ig2MFo108iwzibdKoYuAchT/LPXikOgxGO7QTFPPuFuEKIF8plC4x6/dH61rUUBZGY 2ji4juvtc5lkuofJZ1XbtTngDn1Jp8WnzrFJ594JpXjEYfygAoH+z361oUUBYx28PxGwe1SRI/Mm SZtkICEqQcbOgHArSt4fIt0iJB2DHyqFH4AdKmooCx//2Q== ------=_NextPart_000_0030_01C5F1E8.3D37F030-- From jayrossishow at yahoo.com Fri Nov 25 16:13:46 2005 From: jayrossishow at yahoo.com (Jay Rossi) Date: Fri, 25 Nov 2005 16:13:46 -0800 (PST) Subject: [NEohioPAL]NEOPAL Discount For the Holidays.... Message-ID: <20051126001346.18588.qmail@web33411.mail.mud.yahoo.com> --0-1017677881-1132964026=:17554 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Through the first week of 2006, I'm offering a 20% discount for NEOPAL members, for any of the following services: * Studio Recording (albums, singles, soundtracks, kareoke, etc.) * CD or DVD labels (designed according to your specifications and liking) * Looping (for film or TV) * Website creating or editing * Song or Video clip uploading ( for on-line playing ) Please contact me at thefreelanceshop at yahoo.com or 330-410-0488 The Jay Rossi Project JayRossiShow at yahoo.com http://tv.groups.yahoo.com/group/jayrossishow/ Also Visit www.JayRossi.s5.com Respond soon! I want to hear from you! --------------------------------- Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --0-1017677881-1132964026=:17554 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
Through the first week of 2006, I'm offering a 20% discount for NEOPAL members, for any of the following services:
 
* Studio Recording (albums, singles, soundtracks, kareoke, etc.)
* CD or DVD labels (designed according to your specifications and liking)
* Looping (for film or TV)
* Website creating or editing
* Song or Video clip uploading ( for on-line playing )
 
Please contact me at thefreelanceshop at yahoo.com or 330-410-0488
 
 


The Jay Rossi Project
Respond soon! I want to hear from you!
 
 

Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --0-1017677881-1132964026=:17554-- From thesingersart at att.net Fri Nov 25 16:40:22 2005 From: thesingersart at att.net (thesingersart at att.net) Date: Sat, 26 Nov 2005 00:40:22 +0000 Subject: [NEohioPAL]Immediate openings-Clay Aiken tour! Message-ID: <112620050040.24881.4387AEF4000BA7870000613121602807410A0C020A9D990E040D0E@att.net> --NextPart_Webmail_9m3u9jl4l_24881_1132965622_0 Content-Type: text/plain Content-Transfer-Encoding: 8bit IMMEDIATE OPENINGS: Clay Aiken Joyful Noise Christmas Tour needs 12 actor/singers to perform this sunday Nov.27 in Youngstown, Ohio. See the following age/gender breakdown and respond only if you are experienced and can pick up SIMPLE staging quickly and learn words to a song REALLY fast. There will be a rehearsal with us on the afternoon of the 27th from 3-5pm and the show starts at 7:30pm. The performance is at the Convocation Center in Youngstown on the 27th....this sunday. If interested, please call Alison Lawrence at (919)601-3344 immediately!!!! Please look at the age breakdown.... 1 male 1 female looks age 55 or older 2 male 2 female look 35 and up 1 male 1 female ages 18-25 1 male 1 female ages 10-13 1 male 1 female ages 5-8 Thank-you. Alison Lawrence Theatre Liason Clay Aiken "Joyful Noise" Tour 2005 (919)601-3344 thesingersart at att.net --NextPart_Webmail_9m3u9jl4l_24881_1132965622_0 Content-Type: text/html Content-Transfer-Encoding: 8bit
IMMEDIATE OPENINGS: Clay Aiken Joyful Noise Christmas Tour needs 12 actor/singers to perform this sunday Nov.27 in Youngstown, Ohio. See the following age/gender breakdown and respond only if you are experienced and can pick up SIMPLE staging quickly and learn words to a song REALLY fast.
There will be a rehearsal with us on the afternoon of the 27th from 3-5pm and the show starts at 7:30pm.
The performance is at the Convocation Center in Youngstown on the 27th....this sunday.
If interested, please call Alison Lawrence at (919)601-3344 immediately!!!! Please look at the age breakdown....
  1 male 1 female looks age 55 or older
  2 male 2 female  look 35 and up
  1 male 1 female ages 18-25
  1 male 1 female ages 10-13
  1 male 1 female ages 5-8
Thank-you.
Alison Lawrence
Theatre Liason
Clay Aiken "Joyful Noise" Tour 2005
(919)601-3344
thesingersart at att.net
--NextPart_Webmail_9m3u9jl4l_24881_1132965622_0-- From rmontgom at neo.rr.com Fri Nov 25 17:12:45 2005 From: rmontgom at neo.rr.com (Rick Montgomery Jr.) Date: Fri, 25 Nov 2005 20:12:45 -0500 Subject: [NEohioPAL]All Hail Film Czar and Film Prophet Message-ID: <00af01c5f226$82909680$030aa8c0@DELL> This is a multi-part message in MIME format. ------=_NextPart_000_00B0_01C5F1FC.99BA8E80 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable Bill Johns wrote: =20 The real reason is no one wants to work on someone else's film. You see, most of the people that comprise the indie scene here in Cleveland are writer/producer/directors and we're all working on our own projects. And guess what. I'm not all that interested in spending my valuable time = working on someone's project which I consider to be crappier than my own. I can = just as easily be spending my time and resources creating my own crap. =20 Sure everyone would like to think there's a benevolent brotherhood of filmmakers; a selfless society where everyone submits ideas and work = samples and then the members vote on what script to do and who to direct it. The community is presented with the proposal and since it bears the backing = of so many filmmakers, the businesses get involved and support the project = with services and finances. The best actors come from all around to have a = part in the project and a glorious motion picture is produced that wins the = Oscar for Impossible Dream...=20 =20 That would be a good plot for a fantasy picture, but in the real world, writers will lose interest if their script isn't picked. Directors will = bail if they can't direct and actors will walk away if they can't be the = lead. And you guessed it the end product would probably be... well, I don't = need to say it again. (though I really want to) =20 Usually, I don't write to these groups because I usually insert my foot = into my mouth.. BUT =20 One reason I like Bill is I've found him to be honest and to the point.=20 =20 But what gets my goat is that the Club has the talent and the resources = to do what they want. I have never been able to attend because I am usually working somewhere on something (surprising I know), but I know the group = has all the ingredients (I know many of you). You have the flour (writers), = and you have the eggs (talent). You have the milk (costumers, make-up), and = you have the butter (the crew). You have flavoring (fx) and you have stove (directors), BUT it seems no one knows WHAT to make. cake, brownies, a = pie. =20 TOO MANY COOKS. TOO MANY EGOS. =20 To be successful in anything we have to 'win' (I know I'm not PC. I = believe in competition as a tool for improvement). In REAL life. there ARE = winners and there ARE losers. the losers 'quit' while the winners NEVER do). We = have to be willing to 'lose' and to 'learn' by growing from our mistakes. =20 I'm far from being the actor I want to be. and I constantly throw myself against those who are far superior. I lose roles to them. I DON"T LIKE losing but I keep doing it. =20 WHY? =20 My motivation is selfish. I want to surpass them. I want the roles they = get. I learn from them. I take classes to learn. I read to learn. I work to learn. My desire is to learn and work hard enough that the next time our paths cross . I win the role. I EARNED the role. =20 One director I truly admire once told me, "If a person wants to be a = better tennis player, they 'play' with better tennis players. If you want to be = a better actor (in my case). work with better actors." =20 If you can't play with better players because it 'hurts', maybe your = heart, your passion is not where it should be and you should question why = you're doing what you're doing in the first place. =20 NOW. =20 There are three types of 'COOKS' in the arts, those who does it for = 'arts' sake, those who do it for 'rewards' and then those who do it for both = (which I'm part). =20 Those who do it for the 'art', from my experience, DO NOT CARE what = anyone else thinks. It is their project and they may share it (if they do) but = not for our 'approval'. =20 Those who do it for 'reward', do it for recognition, money, fame. = whatever 'reward' motivates them. =20 And the last 'group'. or why I do it. because we don't want to do = anything else (need of the 'art') but have responsibilities (need of the = 'reward'). I think most of us fit here. =20 Having retired from the 'business' world after 30 years, and knowing I = need to pay a mortgage, need to feed two small sons who eat like they're 19, = and need to afford a tank of gas, 'reward' plays a REALLY BIG part. I need = to improve to meet my obligations. =20 Now the 'business' of 'reward' changes the equation.=20 =20 A company, person, or persons who want to invest money expects to get return. Even if it's an investment in an unknown (example: research and development), they want to see that return. =20 Which means. they want the best! =20 WE ALL CAN'T BE THE BEST! The question is how 'we' get BETTER, to make ourselves the logical choice. =20 My opinion for the IndieClub.? =20 First work as a 'group'. even if the 'group' sets itself up as a = corporation or LLC. =20 Find the BEST screenplay (that actually CAN be produced. no "LORD of the RINGS stuff) from your group, select the BEST director for that type of screenplay from your group, find the BEST actors for that type of = screenplay and director from the group, find the BEST everything.. AND DO IT! =20 Those who were not the BEST at that moment. swallow your pride. work = with those who were determined to be the BEST (if you wish) for THAT = particular project and 'learn'. Learn from the strengths and weaknesses observed. =20 But the BEST always needs to listen and learn from the others. you might = be surprised what is learned. No one knows more than everyone else. =20 The President/CEO at the corporation I worked (over $500 million/year = in sales) told me once, that he still talked with the janitor every day. = Why? Because the janitor knew what was going on. he saw the trash every day. heard what people were talking about (Oh. he's just the janitor). Every person at every position is important. NO ONE is more/less important = than another. We just have different jobs and responsibilities. =20 Then do it for 'arts' sake or for 'reward'. whatever. =20 BUT if the project succeeds. EVERYONE DOES at some level. Then start = another project.=20 =20 If the projects fails. no one does. everyone learned. Then start another project. =20 The network becomes stronger, trust becomes stronger. the work becomes better BECAUSE everyone has learned something about the business. about themselves. =20 Find a good 'cook', a good 'captain', a good LEADER. Have faith in your choices in theirs, work hard, and learn.=20 =20 If nothing else comes of the project. you'll be better. =20 Put the egos away, take pride in the work. Learn everything you can, but = be willing to teach.=20 =20 GAWD!!! I sound like a 'parent' =20 With deepest respect to you all, Rick =20 ------=_NextPart_000_00B0_01C5F1FC.99BA8E80 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable

Bill Johns wrote:

 

The real reason is no one wants to work on someone else's film. = You see, most of the people that comprise the indie scene here in = Cleveland are writer/producer/directors and we're all working on our own projects. = And guess what. I'm not all that interested in spending my valuable time = working on someone's project which I consider to be crappier than my own. I = can just as easily be spending my time and resources creating my own = crap.

 

Sure everyone would like to think there's a benevolent = brotherhood of filmmakers; a selfless society where everyone submits ideas and work = samples and then the members vote on what script to do and who to direct it. The community is presented with the proposal and since it bears the backing = of so many filmmakers, the businesses get involved and support the project = with services and finances. The best actors come from all around to have a = part in the project and a glorious motion picture is produced that wins the = Oscar for Impossible Dream...

 

That would be a good plot for a fantasy picture, but in the real = world, writers will lose interest if their script isn't picked. Directors will = bail if they can't direct and actors will walk away if they can't be the lead. = And you guessed it the end product would probably be... well, I don't need to = say it again. (though I really want to)

 

Usually, I don’t write to = these groups because I usually insert my foot into my mouth…. = BUT

 

One reason I like Bill is = I’ve found him to be honest and to the point.

 

But what gets my goat is that the = Club has the talent and the resources to do what they want. I have never been = able to attend because I am usually working somewhere on something (surprising I = know), but I know the group has all the ingredients (I know many of you)… = You have the flour (writers), and you have the eggs (talent). You have the = milk (costumers, make-up), and you have the butter (the crew). You have = flavoring (fx) and you have stove (directors), BUT it seems no one knows WHAT to = make… cake, brownies, a pie…

 

TOO MANY COOKS… TOO MANY = EGOS…

 

To be successful in anything we = have to ‘win’ (I know I’m not PC… I believe in = competition as a tool for improvement). In REAL life… there ARE winners and there = ARE losers… the losers ‘quit’ while the winners NEVER do). = We have to be willing to ‘lose’ and to ‘learn’ by = growing from our mistakes.

 

I’m far from being the actor = I want to be… and I constantly throw myself against those who are far = superior. I lose roles to them… I DON”T LIKE losing but I keep doing = it.

 

WHY?

 

My motivation is selfish. I want = to surpass them. I want the roles they get. I learn from them. I take classes to = learn. I read to learn. I work to learn. My desire is to learn and work hard = enough that the next time our paths cross … I win the role. I EARNED the = role.

 

One director I truly admire once = told me, “If a person wants to be a better tennis player, they = ‘play’ with better tennis players. If you want to be a better actor (in my case)… work with better actors.”

 

If you can’t play with = better players because it ‘hurts’, maybe your heart, your passion is not = where it should be and you should question why you’re doing what = you’re doing in the first place.

 

NOW…

 

 There are three types of ‘COOKS’ in the arts, those who does it for = ‘arts’ sake, those who do it for ‘rewards’ and then those who do it for = both (which I’m part).

 

Those who do it for the = ‘art’, from my experience, DO NOT CARE what anyone else thinks. It is their = project and they may share it (if they do) but not for our = ‘approval’.

 

Those who do it for = ‘reward’, do it for recognition, money, fame… whatever ‘reward’ motivates them.

 

And the last = ‘group’… or why I do it… because we don’t want to do anything else (need = of the ‘art’) but have responsibilities (need of the ‘reward’). I think most of us fit here.

 

Having retired from the = ‘business’ world after 30 years, and knowing I need to pay a mortgage, need to feed = two small sons who eat like they’re 19, and need to afford a tank of = gas, ‘reward’ plays a REALLY BIG part. I need to improve to meet = my obligations.

 

Now the ‘business’ of ‘reward’ changes the equation.

 

A company, person, or persons who = want to invest money expects to get return. Even if it’s an investment in = an unknown (example: research and development), they want to see that = return.

 

Which means… they want the = best!

 

WE ALL CAN’T BE THE BEST! = The question is how ‘we’ get BETTER, to make ourselves the = logical choice.

 

My opinion for the = IndieClub…?

 

First work as a = ‘group’… even if the ‘group’ sets itself up as a corporation or = LLC.

 

Find the BEST screenplay (that = actually CAN be produced… no “LORD of the RINGS stuff) from your group, = select the BEST director for that type of screenplay from your group, find the = BEST actors for that type of screenplay and director from the group, find the = BEST everything…. AND DO IT!

 

Those who were not the BEST at = that moment… swallow your pride… work with those who were = determined to be the BEST (if you wish) for THAT particular project and = ‘learn’. Learn from the strengths and weaknesses observed.

 

But the BEST always needs to = listen and learn from the others… you might be surprised what is learned. No = one knows more than everyone else.

 

 The President/CEO at the = corporation I worked (over $500 million/year in sales) told me once, that he still = talked with the janitor every day. Why? Because the janitor knew what was going on… he saw the trash every day… heard what people were = talking about (Oh… he’s just the janitor)… Every person = at every position is important. NO ONE is more/less important than another. = We just have different jobs and responsibilities.

 

Then do it for ‘arts’ = sake or for ‘reward’… whatever.

 

BUT if the project succeeds… = EVERYONE DOES at some level. Then start another project…

 

If the projects fails… no = one does… everyone learned. Then start another = project…

 

The network becomes stronger, = trust becomes stronger… the work becomes better BECAUSE everyone has learned = something about the business… about themselves.

 

Find a good ‘cook’, a = good ‘captain’, a good LEADER. Have faith in your choices in = theirs, work hard, and learn…

 

If nothing else comes of the = project… you’ll be better.

 

Put the egos away, take pride in = the work. Learn everything you can, but be willing to teach… =

 

GAWD!!! I sound like a = ‘parent’

 

With deepest respect to you = all,

Rick

 

------=_NextPart_000_00B0_01C5F1FC.99BA8E80-- From performingarts at karamu.com Fri Nov 25 18:44:32 2005 From: performingarts at karamu.com (Performing Arts) Date: Fri, 25 Nov 2005 21:44:32 -0500 Subject: [NEohioPAL]=?iso-8859-1?Q?Scene_from_=22Before_It_Hits_Home=22_by_Cheryl_L._West_at_?= =?iso-8859-1?Q?AIDS_Taskforce_of_Greater_Cleveland_December_2?= Message-ID: <03b201c5f233$54c556c0$5701a8c0@karamu.com> This is a multi-part message in MIME format. ------=_NextPart_000_03AF_01C5F209.6B82F860 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Friday, December 2 Karamu Performing Arts Theatre will present = a fifteen minute scene from the Spring production = of "Before It Hits Home" by Cheryl = L. West. Wendell Bailey, a jazz saxophonist is stricken with AIDS. He must = confront his pregnant fiance, his lover, his twelve year old son and his = parents. Time: 12 Noon @ AIDS Taskforce of Greater Cleveland The Spectrum (an art exhibit), benefit for AIDS Taskforce of Greater = Cleveland and Ohio AIDS Coalition, organized by people with or affected = by HIV, featuring the Cleveland Contemporary Dance Theater, Nightsweats = and T-Cells, Vincent Moorman, Chris Sweiger and artists who have been = lost to AIDS, 11:30 am to 5 pm, $10, free to Taskforce clients, AIDS = Taskforce, 3210 Euclid Ave, 216-621-0766. "Before It Hits Home" by Cheryl L. West March 10 - April 9th, 2006 Karamu Performing Arts Theatre For tickets and group sales, please call 216-795-7077 =20 ------=_NextPart_000_03AF_01C5F209.6B82F860 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable

Friday, December 2

Karamu = Performing Arts=20 Theatre will=20 present           =             &= nbsp;           &n= bsp;           &nb= sp; =20 a=20 fifteen minute scene from the Spring=20 production          &nb= sp;           &nbs= p;            = ;      =20 of=20 =93Before It Hits Home=94 by Cheryl L. West.

Wendell Bailey, = a jazz=20 saxophonist is stricken with AIDS. He must confront his pregnant = fiance,=20 his lover, his twelve year old son and his = parents.

Time: 12 Noon @ = AIDS=20 Taskforce of Greater Cleveland

The Spectrum (an = art=20 exhibit), benefit for AIDS Taskforce of Greater Cleveland and Ohio = AIDS=20 Coalition, organized by people with or affected by HIV, featuring the = Cleveland=20 Contemporary Dance Theater, Nightsweats and T-Cells, Vincent Moorman, = Chris=20 Sweiger and artists who have been lost to AIDS, 11:30 am to = 5 pm, $10,=20 free to Taskforce clients, AIDS Taskforce, 3210 Euclid Ave,=20 216-621‑0766.

 

 

=93Before It Hits Home=94 by Cheryl L.=20 West

March 10 =96 April 9th,=20 2006

Karamu Performing Arts=20 Theatre

For tickets and group sales, please = call=20 216-795-7077  =20

------=_NextPart_000_03AF_01C5F209.6B82F860-- From memakefilm at yahoo.com Fri Nov 25 19:14:50 2005 From: memakefilm at yahoo.com (Jamey Mixson) Date: Fri, 25 Nov 2005 19:14:50 -0800 (PST) Subject: [NEohioPAL]Book Release Party/ Signing Saturday the 26th @ 5PM Message-ID: <20051126031450.46478.qmail@web36211.mail.mud.yahoo.com> --0-1454590413-1132974890=:26855 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit ALL of NEOHPAL is invited To the Book Release Party and Signing HEAVY ROTATION A Contemporary Novel by F. Jamey Mixson November 26th, 2005 Arabica Coffee House 20630 N Park Blvd Shaker Heights, OH 44118 5PM to 8PM Local self published author, Jamey, will be on hand to discuss and sign EVERY copy of the book *Juicy excerpts from Heavy Rotation will be read at 6PM by local talent. As all are invited please bring a friend or more. Copies of the novel are $20. --0-1454590413-1132974890=:26855 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
ALL of NEOHPAL is invited
To the Book Release Party and Signing
HEAVY ROTATION
A Contemporary Novel by F. Jamey Mixson
November 26th, 2005
Arabica Coffee House
20630 N Park Blvd
Shaker Heights, OH 44118
5PM to 8PM
 
 
 
Local self published author, Jamey, will be on hand to discuss and sign EVERY copy of the book *Juicy excerpts from Heavy Rotation will be read at 6PM by local talent.
As all are invited please bring a friend or more.
Copies of the novel are $20.
--0-1454590413-1132974890=:26855-- From finearts at core.com Fri Nov 25 20:01:06 2005 From: finearts at core.com (Your Name) Date: Fri, 25 Nov 2005 23:01:06 -0500 Subject: [NEohioPAL]Production Photos of "A CHRISTMAS CAROL" Message-ID: <200511260401.jAQ415FL018428@mail1.mx.voyager.net> A Christmas Carol runs 4 weeks at CHagrin Valley Little Theatre. Click Here to see the photos. Eric Skarl www.FineartsPhotography.com -- CoreComm Webmail. http://home.core.com From streamliners at alltel.net Sat Nov 26 05:10:24 2005 From: streamliners at alltel.net (streamliners) Date: Sat, 26 Nov 2005 08:10:24 -0500 Subject: [NEohioPAL]4 Sale Message-ID: <000c01c5f28a$c383ca90$6701a8c0@donna> This is a multi-part message in MIME format. ------=_NextPart_000_0009_01C5F260.DA76D410 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable We have some things we are looking to sell as we do not use them nor = have the space to store them any longer.=20 1) Full Ankle Length Wolf/Coyote Fur - Excellent condition. Rarely worn. = Size 10-12. Pelts are numbered. Inner monogram initials can easily be = adjusted with a Furrier.=20 2) Body Solid Exercise Unit - This thing is huge. We just don't have the = time to use it and it has been in storage for several years. It also is = in top notch condition as it was rarely used from purchase date. Great = aspirations/no time. =20 3) An antique stove. It needs to be refurbished. Most probably it dates = back to the 30-40's or there abouts. It appears to be a caning stove of = some sort. We need to sell it as it sits in a rental property of ours = that is soon to be sold.=20 If your interested: Email Donna/Dale at streamliners at alltel.net. We are = located in Chagrin Falls/East Side Cleveland. Stove and Body Solid are = located right now in the West End of Cleveland. ------=_NextPart_000_0009_01C5F260.DA76D410 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
We have some things we are looking to = sell as we do=20 not use them nor have the space to store them any longer.
 
1) Full Ankle Length Wolf/Coyote Fur - = Excellent=20 condition. Rarely worn. Size 10-12. Pelts are numbered. Inner monogram = initials=20 can easily be adjusted with a Furrier.
 
2) Body Solid Exercise Unit - This = thing is huge.=20 We just don't have the time to use it and it has been in storage for = several=20 years. It also is in top notch condition as it was rarely used from = purchase=20 date. Great aspirations/no time.  
 
3) An antique stove. It needs to be = refurbished.=20 Most probably it dates back to the 30-40's or there abouts. It appears = to be a=20 caning stove of some sort. We need to sell it as it sits in a rental = property of=20 ours that is soon to be sold.
 
If your interested: Email Donna/Dale at = streamliners at alltel.net. We = are=20 located in Chagrin Falls/East Side Cleveland. Stove and Body Solid are = located=20 right now in the West End of Cleveland.
------=_NextPart_000_0009_01C5F260.DA76D410-- From Frank at Time-LineProductions.com Sat Nov 26 06:34:10 2005 From: Frank at Time-LineProductions.com (Frank Mixson) Date: Sat, 26 Nov 2005 06:34:10 -0800 (PST) Subject: [NEohioPAL]Visitors to the "Slavery in New York" exhibition are recording reactions and creating snapshot reflections (from NYTimes) Message-ID: <20051126143410.44540.qmail@web81502.mail.mud.yahoo.com> --0-276414156-1133015650=:42646 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit They have the awkwardness of amateur home videos: background noise, long silences, people looking away from the camera. But inside a booth at the New-York Historical Society, visitors to the exhibition "Slavery in New York" are recording their reactions, creating snapshot reflections on race and history in the nation's largest city. "It allows our young people to understand, really, how this city was born and who carried the brunt of the prosperity that we see in New York, not only then but now," a black man from "Harlem, New York," said of the show, the largest in the museum's 201-year history. The man, who appeared to be in his 30's, said he wanted to know what businesses in the city today derived profits in the past from selling human beings. A white lawyer went into the booth twice to sort out his feelings. "This has just been devastating," he said. As he looked at the exhibition's array of documents, he said, he realized that the some of the laws used to isolate and dehumanize enslaved black New Yorkers became custom after the laws vanished and "contributed to the way whites look at blacks," even today. "It's striking for any of us who are New Yorkers to realize that the ground we touch, every institution, is affected by slavery," he said. Two young African-American brothers crammed into the booth together. "Slavery in New York was bad, and it's how New York became the richest city in the world," one of them declared. The exhibition, which illustrates the centrality of 200 years of slavery to the growth of New York City, opened on Oct. 7 and runs through March 5. The very idea of slaves walking the streets of what is now SoHo or of slave auction blocks in Lower Manhattan - in a city known for tolerance and diversity - has attracted people of varied races and ages. There are no specific attendance figures yet, but museum officials said the exhibition galleries had been packed and attendance was up 83 percent over the same period last year, when the museum presented an exhibition on Alexander Hamilton. The $5 million slavery exhibition features more than 400 artifacts, documents, paintings and maps spanning 9,000 square feet in 10 galleries. Visitors can see advertisements for runaway slaves and "negroes, to be sold"; caricatured drawings of blacks; items like chairs and cribs made by slave hands; and a 1644 document granting slaves "half freedom" and land around what is now Washington Square. The visitor response booth is at the end of the exhibition. There, visitors touch a blue-screened computer asking questions about what they have seen: their overall impression, how it added to or altered their knowledge on the subject, what they found noteworthy. They then look at the camera and speak their answers. "This is a much more qualitative way of knowing who's coming to the museum," said Richard Rabinowitz, the show's curator. "We really wanted to let people talk and think through things. We wanted people to frame a meaning for this as they leave." Museum officials plan to use those responses to figure out what and how people learn from such exhibitions. So far, about 400 responses have been videotaped. Some will become part of the "visitor reaction" monitors now in three galleries, which showcase selected people who previewed the show. In one, for example, a middle-aged white woman says the exhibition can make a difference. "A difference when you look at a black person on a subway train," she says, "or you're working next to a black person, that you have a little more empathy and understanding and also praising for how far so many people came." In the raw videotape, the names given are not clear, one has to guess at ages and there is no consensus on what people found most noteworthy about the show. Some said they were shocked to learn that some slaves fought with the British during the Revolutionary War (in a bid for freedom); others said they had discovered that George Washington owned slaves; and some mused that New York City slavery was no more benign than the Southern variety. After all, slaves in New York worked sunup to sundown. Slaves helped build the wall on Wall Street (and were sold there) and built the first City Hall and Trinity Church. Slavery was the lifeline for hundreds of city businesses. During British rule, about 40 percent of the city's households owned slaves. Institutional exhibitions about America's slave-holding past are relatively new and help foster a national conversation about race, said James Oliver Horton, the chief historian for "Slavery." This show's size and location facilitate that dialogue, he said. "Back in the 90's, when Bill Clinton asked for a national conversation about race, most people didn't have the context in which to have the conversation," said Dr. Horton, a professor of American studies and history at George Washington University. "This exhibition will help Americans have such a historical context. It will help people start with a common experience." Skip to next paragraph Forum: Artists and Exhibitions One commonality that emerges from viewing five hours of the visitor videotapes is how much people do not know. Many were unaware of the existence or extent of slavery in New York, which lasted until 1827, longer than in any other Northern state except New Jersey. "It's terrible to know that the city that I love was part of the slave trade," said a middle-aged white woman from New Jersey. "I'm shocked to hear about it." An African-American man in the booth with his young daughter said: "It's just a constant reminder that here in New York, like in other places in the United States, we were nothing more than cattle in the eyes of the owners and were treated that way. It's just amazing that people were able to survive and thrive after that." An elderly white woman who said she had two college degrees said, "I never knew until I walked in here about slavery in New York." Now, she said, "It just breaks my heart." An African-American woman who identified herself as a graduate of Cornell University said, "I've actually had people tell me that black people in New York had no history." "I can now feel that I have information I can share," she said. A middle-aged white woman who said she lived down the street from the museum noted that her daughter's advanced placement courses in history included only one hour about slavery. "It made me realize how history doesn't go away," the mother said of the exhibition. "These burdens are carried through generations." Clearly, schools are failing to educate students about slavery, said Louise Mirrer, the society's president. Dr. Mirrer said she would be gratified to see the public schools use the educational materials developed by the society for "Slavery." While most visitors are admirers, the exhibition comes in for some criticism, too. Some said it was saturated with facts but failed to convey slavery's brutality. One woman wondered why she did not see a single shackle. Dr. Rabinowitz said it was an informed decision to let the facts speak, without graphic depictions of beatings or family separations. But in the reaction booth, a young black man from Harlem argued that the show should be enraging. "Why are there ghettos in New York City? Because of slavery," he said. He learned many facts from the show, he added, but wanted explicit connections between race and class. "The ramifications of slavery still affect the world," he said. "It's not something to be put in the past, like dinosaurs or fossils." An African-American woman from Washington complained, "The soul of it was completely gone." She added, "It was spoken about as if it was any economic phenomenon instead of human." But some people caught on camera said the show had certainly made them think harder about skin color and the echoes of the past. A woman from Chicago, who described herself as an artist and a second-generation Slovakian, said the exhibition helped her in that way. She watched two African-American children playing in the museum, and it dawned on her that in another time they would have been slaves. "They had no choice," she said. "They had no power." And after learning that at one time 20 percent of New Yorkers were enslaved, the artist said, she went to the lobby of the grand Historical Society building and began imagining the past. "I'd look around and look around," she said, "and one in five people would be a slave." --0-276414156-1133015650=:42646 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit

They have the awkwardness of amateur home videos: background noise, long silences, people looking away from the camera. But inside a booth at the New-York Historical Society, visitors to the exhibition "Slavery in New York" are recording their reactions, creating snapshot reflections on race and history in the nation's largest city.

 
"It allows our young people to understand, really, how this city was born and who carried the brunt of the prosperity that we see in New York, not only then but now," a black man from "Harlem, New York," said of the show, the largest in the museum's 201-year history. The man, who appeared to be in his 30's, said he wanted to know what businesses in the city today derived profits in the past from selling human beings. 
 

A white lawyer went into the booth twice to sort out his feelings. "This has just been devastating," he said. As he looked at the exhibition's array of documents, he said, he realized that the some of the laws used to isolate and dehumanize enslaved black New Yorkers became custom after the laws vanished and "contributed to the way whites look at blacks," even today.

 

"It's striking for any of us who are New Yorkers to realize that the ground we touch, every institution, is affected by slavery," he said.

 

Two young African-American brothers crammed into the booth together. "Slavery in New York was bad, and it's how New York became the richest city in the world," one of them declared.

The exhibition, which illustrates the centrality of 200 years of slavery to the growth of New York City, opened on Oct. 7 and runs through March 5. The very idea of slaves walking the streets of what is now SoHo or of slave auction blocks in Lower Manhattan - in a city known for tolerance and diversity - has attracted people of varied races and ages. There are no specific attendance figures yet, but museum officials said the exhibition galleries had been packed and attendance was up 83 percent over the same period last year, when the museum presented an exhibition on Alexander Hamilton.

 

The $5 million slavery exhibition features more than 400 artifacts, documents, paintings and maps spanning 9,000 square feet in 10 galleries. Visitors can see advertisements for runaway slaves and "negroes, to be sold"; caricatured drawings of blacks; items like chairs and cribs made by slave hands; and a 1644 document granting slaves "half freedom" and land around what is now Washington Square.

 

The visitor response booth is at the end of the exhibition. There, visitors touch a blue-screened computer asking questions about what they have seen: their overall impression, how it added to or altered their knowledge on the subject, what they found noteworthy. They then look at the camera and speak their answers.

 

"This is a much more qualitative way of knowing who's coming to the museum," said Richard Rabinowitz, the show's curator. "We really wanted to let people talk and think through things. We wanted people to frame a meaning for this as they leave." Museum officials plan to use those responses to figure out what and how people learn from such exhibitions.

So far, about 400 responses have been videotaped. Some will become part of the "visitor reaction" monitors now in three galleries, which showcase selected people who previewed the show.

 

In one, for example, a middle-aged white woman says the exhibition can make a difference. "A difference when you look at a black person on a subway train," she says, "or you're working next to a black person, that you have a little more empathy and understanding and also praising for how far so many people came."

 

In the raw videotape, the names given are not clear, one has to guess at ages and there is no consensus on what people found most noteworthy about the show. Some said they were shocked to learn that some slaves fought with the British during the Revolutionary War (in a bid for freedom); others said they had discovered that George Washington owned slaves; and some mused that New York City slavery was no more benign than the Southern variety.

After all, slaves in New York worked sunup to sundown. Slaves helped build the wall on Wall Street (and were sold there) and built the first City Hall and Trinity Church. Slavery was the lifeline for hundreds of city businesses. During British rule, about 40 percent of the city's households owned slaves. Institutional exhibitions about America's slave-holding past are relatively new and help foster a national conversation about race, said James Oliver Horton, the chief historian for "Slavery." This show's size and location facilitate that dialogue, he said.

 

"Back in the 90's, when Bill Clinton asked for a national conversation about race, most people didn't have the context in which to have the conversation," said Dr. Horton, a professor of American studies and history at George Washington University. "This exhibition will help Americans have such a historical context. It will help people start with a common experience."

One commonality that emerges from viewing five hours of the visitor videotapes is how much people do not know. Many were unaware of the existence or extent of slavery in New York, which lasted until 1827, longer than in any other Northern state except New Jersey.

"It's terrible to know that the city that I love was part of the slave trade," said a middle-aged white woman from New Jersey. "I'm shocked to hear about it."

 

An African-American man in the booth with his young daughter said: "It's just a constant reminder that here in New York, like in other places in the United States, we were nothing more than cattle in the eyes of the owners and were treated that way. It's just amazing that people were able to survive and thrive after that."

 

An elderly white woman who said she had two college degrees said, "I never knew until I walked in here about slavery in New York." Now, she said, "It just breaks my heart."

An African-American woman who identified herself as a graduate of Cornell University said, "I've actually had people tell me that black people in New York had no history."

"I can now feel that I have information I can share," she said.

 

A middle-aged white woman who said she lived down the street from the museum noted that her daughter's advanced placement courses in history included only one hour about slavery. "It made me realize how history doesn't go away," the mother said of the exhibition. "These burdens are carried through generations."

 

Clearly, schools are failing to educate students about slavery, said Louise Mirrer, the society's president. Dr. Mirrer said she would be gratified to see the public schools use the educational materials developed by the society for "Slavery."

 

While most visitors are admirers, the exhibition comes in for some criticism, too. Some said it was saturated with facts but failed to convey slavery's brutality. One woman wondered why she did not see a single shackle. Dr. Rabinowitz said it was an informed decision to let the facts speak, without graphic depictions of beatings or family separations.

 

But in the reaction booth, a young black man from Harlem argued that the show should be enraging. "Why are there ghettos in New York City? Because of slavery," he said. He learned many facts from the show, he added, but wanted explicit connections between race and class. "The ramifications of slavery still affect the world," he said. "It's not something to be put in the past, like dinosaurs or fossils."

 

An African-American woman from Washington complained, "The soul of it was completely gone." She added, "It was spoken about as if it was any economic phenomenon instead of human."

 

But some people caught on camera said the show had certainly made them think harder about skin color and the echoes of the past.

 

A woman from Chicago, who described herself as an artist and a second-generation Slovakian, said the exhibition helped her in that way. She watched two African-American children playing in the museum, and it dawned on her that in another time they would have been slaves. "They had no choice," she said. "They had no power."

 

And after learning that at one time 20 percent of New Yorkers were enslaved, the artist said, she went to the lobby of the grand Historical Society building and began imagining the past. "I'd look around and look around," she said, "and one in five people would be a slave."

 

 

 

 

--0-276414156-1133015650=:42646-- From Huntheatre at aol.com Sat Nov 26 06:54:19 2005 From: Huntheatre at aol.com (Huntheatre at aol.com) Date: Sat, 26 Nov 2005 09:54:19 EST Subject: [NEohioPAL]Huntington Playhouse Announces 2006 Season Message-ID: <24e.21dbea9.30b9d11b@aol.com> -------------------------------1133016859 Content-Type: text/plain; charset="UTF-8" Content-Transfer-Encoding: quoted-printable Content-Language: en =20 FOR IMMEDIATE RELEASE=20 Huntington Playhouse Announces 2006 Season=20 Huntington Playhouse announced their 2006 season on the opening night of=20 their current production, =E2=80=9CThe Best Christmas Pageant Ever=E2=80= =9D. Managing=20 Director, Tom Meyrose, said in his remarks that the 2006 season will be the= theatre=E2=80=99s=20 47th season and will include the possibilities of a world premier show, the= =20 expansion of its children=E2=80=99s theatre program, and some adjustments t= o the=20 production schedule.=20 The theatre will open on May 11, 2006, a week later than in the past, wit= h=20 the comedy =E2=80=9CNoises Off=E2=80=9D. It will then do =E2=80=9CThe Fanta= sticks=E2=80=9D, =E2=80=9CSweet Charity=E2=80=9D , and =E2=80=9CMy Way- A Musical Tribute to Frank Sinatra=E2=80=9D. These=20= three musicals=20 will be followed by the comedy =E2=80=9CArt=E2=80=9D and Agatha Christie= =E2=80=99s =E2=80=9CThe Spider Web=E2=80=9D.=20 The season will conclude with the possibility of a world premier play=20 adapted from a Dick Feagler holiday column, =E2=80=9CChristmas at Aunt Ida= =E2=80=99s=E2=80=9D. =E2=80=9CWe=E2=80=99ve=20 been working with Feagler for the past year on this project and are hopeful= we=E2=80=99 ll have a solid show to produce for our patrons.=E2=80=9D said Meyrose.=20 They will also continue their summer classes for children and expand their=20 fall program which was initiated this past October.=20 Super Seven Flex Passes and gift certificates are now on sale for the 2006=20 season. The Flex Pass offers 7 admissions for $95.00 and gift certificates= =20 for individuals are on sale for $17.00 per admission. =20 For information on the 2006 season or to reserve tickets for the current=20 holiday show-=E2=80=9CThe Best Christmas Pageant Ever=E2=80=9D, contact the= box office at=20 440-871-8333 or visit the Huntington Playhouse web site,=20 _www.huntingtonplayhouse.com_ (http://www.huntingtonplayhouse.com/) .=20 Huntington Playhouse is located at 28601 Lake Road in Bay Village and is=20= a=20 licensed affiliate of the Cleveland Metroparks. =20 -------------------------------1133016859 Content-Type: text/html; charset="UTF-8" Content-Transfer-Encoding: quoted-printable Content-Language: en

FOR IMMEDIATE=20 RELEASE

 =

= Huntington= =20 Playhouse Announces 2006 Season

 =

 =

Huntington Playho= use=20 announced their 2006 season on the opening night of their current production= ,=20 =E2=80=9CThe Best Christmas Pageant Ever=E2=80=9D. =20 Managing Director, Tom Meyrose, said in his remarks that the 2006 sea= son=20 will be the theatre=E2=80=99s 47th season and will include the po= ssibilities=20 of a world premier show, the expansion of its children=E2=80=99s theatre pro= gram, and=20 some adjustments to the production schedule.

 =

The theatre will=20= open=20 on May 11,=20 2006, a week later th= an in=20 the past, with the comedy =E2=80=9CNoises Off=E2=80=9D. =20 It will then do =E2=80=9CThe Fantasticks=E2=80=9D, =E2=80=9CSweet Cha= rity=E2=80=9D, and =E2=80=9CMy Way- A=20 Musical Tribute to Frank Sinatra=E2=80=9D.=  =20 These three musicals will be followed by the comedy =E2=80=9CArt=E2= =80=9D and Agatha=20 Christie=E2=80=99s =E2=80=9CThe Spider Web=E2=80=9D.

 =

The season will=20 conclude with the possibility of a world premier play adapted from a Dick=20 Feagler holiday column, =E2=80=9CChristmas at Aunt Ida=E2=80=99s=E2=80=9D.   =E2=80=9CWe=E2=80=99ve been=20= working with Feagler=20 for the past year on this project and are hopeful we=E2=80=99ll have a solid= show to=20 produce for our patrons.=E2=80=9D  said=20 Meyrose.

 =

They will also co= ntinue=20 their summer classes for children and expand their fall program which was=20 initiated this past October.

 =

Super<= /st1:PlaceName>=20 Seven<= /st1:PlaceName>=20 Flex=20 Passes= and gift certifi= cates=20 are now on sale for the 2006 season. = =20 The Flex=20 Pass offers 7 admissi= ons=20 for $95.00 and gift certificates for individuals are on sale for $17.00 per=20 admission.

 =

For information o= n the=20 2006 season or to reserve tickets for the current holiday show-=E2=80=9CThe=20= Best=20 Christmas Pageant Ever=E2=80=9D, contact the box office at 440-871-8333 or v= isit the=20 Huntington= Playhouse web si= te, www.huntingtonplayhouse.com= .

 =

Huntington= Playhouse is loc= ated=20 at 28601 Lake=20 Road in=20 Bay=20 Village and is a license= d=20 affiliate of the Cleveland<= /B> Metroparks. 

 

-------------------------------1133016859-- From alitivity at yahoo.com Sat Nov 26 09:08:30 2005 From: alitivity at yahoo.com (Al Diamond Phillips) Date: Sat, 26 Nov 2005 09:08:30 -0800 (PST) Subject: [NEohioPAL]Al Diamond Phillips with Clay Aiken Message-ID: <20051126170831.54993.qmail@web50602.mail.yahoo.com> Members of the Al Diamond Phillips Christmas Variety Spectacular will be performing with Clay Aiken in Youngstown Nov 27th. Dont forget to get your tickets for our show Dec 17th at Williams on the Lake 330-726766 Ext 11 __________________________________ Yahoo! Mail - PC Magazine Editors' Choice 2005 http://mail.yahoo.com From DCaudill at lec.edu Sat Nov 26 09:50:34 2005 From: DCaudill at lec.edu (Caudill Deanna) Date: Sat, 26 Nov 2005 12:50:34 -0500 Subject: [NEohioPAL]trailer for sale Message-ID: <594B40408FE8474297C548F9A095C9F7AAB1C9@lecmail1.lec.edu> My husband has a 4 x 8 trailer made by haulin for sale. This trailer is = great for hauling props, furniture, lawn mowers, motorcycles, ATV's etc. =20 Details: new inner and outer bearings on both sides =20 2 foot high wood sides =20 new wiring and lights =20 all new tires and wheels =20 brand new spare tire and wheel=20 =20 new set of bearing buddies (enables you to grease wheel bearing without = taking wheels and bearings out) =20 1-7/8 ball =20 tarp includes to cover top of trailer =20 manual winch on front of trailer =20 =20 =20 =20 =20 =20 =20 Asking $450.00 =20 Contact Ron at 440-382-8089 for more information From johnny at mdifilm.com Sat Nov 26 10:00:41 2005 From: johnny at mdifilm.com (Johnny Wu) Date: Sat, 26 Nov 2005 13:00:41 -0500 Subject: [NEohioPAL]Cleveland IndieClub December 18 Meeting - Free to Public Message-ID: <008801c5f2b3$5209d110$0400000a@johnny5> Cleveland IndieClub FREE Monthly Networking Meeting - December 18, 2005 The Cleveland IndieClub meets every month, free of charge, for those who have the passion for making movies using film or video (whether it is in acting, directing, producing, writing, lighting or any other skill) and are looking for others who have similar interests. Cleveland IndieClub is administrated by Johnny K. Wu and generally hosted each month by their members, which offers each an opportunity to create a variety of interest and topic. Cleveland IndieClub official website: www.clevelandindieclub.com Sunday, December 18, 1pm to 4pm at The Hyacinth Lofts 3030 East 63rd Street Cleveland, Ohio, 44127 Please park on the street and enter from front of the building. Dial 022 to be buzzed in Hosted by Bill Johns, Cinevid Productions Guest speaker: Maureen Dempsey, LA Acting Coach Topic: Transforming your good film into great film through the performances of your actors Originally from Cleveland she spent more than 10 years working in the industry in Los Angeles. In Decembers meeting she will discuss ways in which you can take your "good" film and make it "great" through the performances of the actors. She will cover what to look for in the audition process and point out the key signals of a great actor. Then she will cover what to do to get the best performance possible out of any cast. Filmmakers have a lot of responsibilities and so much time and money are spent on the technical side of the process and oftentimes the actors get the least amount of attention yet the performances, especially in low budget movies, are the make or break factor. There is a fine line between cheesy and awesome. In addition, Cleveland IndieClub will screen and discusss short films, scenes, and trailers from: - 16mm Scratch and Sniff film loop with live-time alterations, a collaboration between Jerry Mann and Zack Hay - Tony Samangy's behind the scene footages for 3:18 (15 mins) - The Pain Within by Johnathon Portman (7 mins) - Cleveland Classic Cinemas from Nick D'Amico - NBTV Pilot Episode (29 mins) - Bill Johns' latest feature film Madness scenes Raffle for DVDs from your local filmmakers For more information about Cleveland IndieClub, visit Cleveland IndieClub @ http://www.clevelandindieclub.com Organized and sponsored by Johnny K. Wu & Media Design Imaging (www.mdifilm.com). Co-sponsored by Michael Balas & Media Group Studios (www.mediagroupstudios.com), David Perkowski & The Hyacinth Lofts (www.thehyacinthlofts.com), Bill Johns & Cinevid Productions (www.cinevidproductions.com), the Cleveland IndieClub members, and the current monthly host. For the past first 2 years, Cleveland IndieClub was also co-sponsored by Talkies Movie & Coffee Bar (www.talkiescoffee.com) located at Ohio City. Next meeting is scheduled for Sunday, January 22, 2006, host by Johnny K. Wu with special guest MaryEllen Tomazic, Entertainment Attorney. Topic: Intellectual Property for Visual Artists NOTE: If you have a movie on dvd that you would like to have it raffled, bring it to the meeting to have it raffled off to the participants. We have monthly attendees of around 60 people, if you have short films (no longer than 30 mins) that you would like to present and talk about it for February and on meetings, please email me at johnny at mdifilm.com (first come first serve) ================================== Media Design Imaging innovates and break the molds of visual creation http://www.mdifilm.com 216.373.3278 President (2004 & 2005) Organization of Chinese American of Greater Cleveland OCAGC http://www.ocagc.org Wu Jia Quan Shu (Art of Wu Family System) 2800 years old Family Style Martial Arts http://www.wujiaquan.com From Jacqiloewy at aol.com Sat Nov 26 10:21:41 2005 From: Jacqiloewy at aol.com (Jacqiloewy at aol.com) Date: Sat, 26 Nov 2005 13:21:41 EST Subject: [NEohioPAL]FREE STUFF & need help! Message-ID: --part1_dc.32a7922a.30ba01b5_boundary Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Okay guys - here's the deal. I have to be out of my huge house by Wednesday night and have rooms full of stuff to GIVE AWAY or sell real cheap! There are a few nice antique things for sale, but mostly I am giving anything to anybody who can take it out of here. Bring boxes or bags. Hours: Sunday: 10am until noon Monday: 9am until 11am Tuesday: 9am until noon Chairs, dishes, glasses, twin beds, old dressers, some clothes, books, misc. I have spent waaaay to many years being a pack rat and am turning over a new leaf! :-) 1630 South Belvoir South Euclid 1/2 mile south of Mayfield or 1 mile north of Cedar on west side of street 216-469-9160 or respond to this if you like. Also ... need to hire 2 strong people to help me move a few pieces of furniture on Tuesday afternoon from 3-6pm. Thanks!! Jacqi PS - If you want, in exchange for lots of free stuff, you could donate five or ten dollars to Charenton ... just a thought ;-) --part1_dc.32a7922a.30ba01b5_boundary Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable Okay guys - here's the deal. =20= I have to be out of my huge house by Wednesday night and have rooms full of=20= stuff to GIVE AWAY or sell real cheap!  There are a few nice antique th= ings for sale, but mostly I am giving anything to anybody who can take it ou= t of here. Bring boxes or bags.

Hours: Sunday: 10am until noon
           Monday: 9am unt= il 11am
            Tuesday:=20= 9am until noon

Chairs, dishes, glasses, twin beds, old dressers, some clothes, books, misc.= I have spent waaaay to many years being a pack rat and am turning over a ne= w leaf! :-)

1630 South Belvoir
South Euclid
1/2 mile south of Mayfield or 1 mile north of Cedar on west side of street
216-469-9160 or respond to this if you like.
Also ... need to hire 2 strong people to help me move a few pieces of= furniture on Tuesday afternoon from 3-6pm.

Thanks!!
Jacqi
PS - If you want, in exchange for lots of free stuff, you could donate five=20= or ten dollars to Charenton ... just a thought ;-)




 --part1_dc.32a7922a.30ba01b5_boundary-- From Parmarita at aol.com Sat Nov 26 10:38:48 2005 From: Parmarita at aol.com (Parmarita at aol.com) Date: Sat, 26 Nov 2005 13:38:48 EST Subject: [NEohioPAL]RE: Christmas Specials Message-ID: <28c.838640.30ba05b8@aol.com> --part1_28c.838640.30ba05b8_boundary Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit The Cassidy Theatre Guild will hold special performance fund raisers for the childrens theatre. On December 12th at 7:30PM one performance only the Singing Angels will appear with their Christmas Show. All tickets are $10.00 each. Order early as tickets are going fast. On Dec. 21, 22 and 23rd at 7:30 PM Dianns Dance will present "The Nutcracker" a memorable production for the entire family. Tickets for this production are also $10.00 per person. The Cassidy Theatre is located in The Greenbrier Commons, 6200 Pearl Road, in Parma Heights. Phone 440-842-4600 for reservations and more ticket information. --part1_28c.838640.30ba05b8_boundary Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable The Cassidy Theatre Guild will hold= special performance fund raisers for the childrens theatre.  On Decemb= er 12th at 7:30PM  one performance only the Singing Angels will appear=20= with their Christmas Show.  All tickets are $10.00 each. Order early as= tickets are going fast.  On Dec. 21, 22 and 23rd at 7:30 PM Dianns Dan= ce will present "The Nutcracker" a memorable production for the entire famil= y.  Tickets for this production are also $10.00  per person. =   The Cassidy Theatre is located in The Greenbrier Commons, 6200 Pearl=20= Road, in Parma Heights.  Phone 440-842-4600 for reservations and more t= icket information. --part1_28c.838640.30ba05b8_boundary-- From mcmamahoo at yahoo.com Sat Nov 26 11:59:49 2005 From: mcmamahoo at yahoo.com (Cherie Lawrence) Date: Sat, 26 Nov 2005 11:59:49 -0800 (PST) Subject: [NEohioPAL]Christmas Spectacular on PBS Tonight! Message-ID: <20051126195949.91197.qmail@web81705.mail.mud.yahoo.com> Spectacular Music Productions proudly announces the TV broadcast schedule for last year's Christmas Show, an edited version. PBS 45/49 Sat Nov 26 6pm Sun Nov 27 5pm Wed Nov 30 10pm Thanks call-in number 330.677.4549 PBS WVIZ Sat Dec 24 6pm Sun Dec 25 2&6AM Thanks call-in number 216.398.2800 Time Warner Cable Ch 23 Nov 26-Dec 25 Fridays 10pm; Sats and Suns 4pm Thanks call-in number 330.633.9203 Direct TV World Harvest Network Ch 321 All US/Europe Sat Nov 26 6pm EST Sat Dec 10 6pm EST Order dvd toll-free Nov 26-Dec 31 1.800.555.1148 To order tickets for the new 2005 Christmas Spectacular 20th Anniversary Special at the Akron Civic, please visit our web site www.spectacularmusic.org "What's New" link to download the ad and email to family/friends for further information. THANK YOU for your support, and hope to see you again this year! From Demeerusty at aol.com Sat Nov 26 13:26:06 2005 From: Demeerusty at aol.com (Demeerusty at aol.com) Date: Sat, 26 Nov 2005 16:26:06 EST Subject: [NEohioPAL]A Raisin In The Sun Message-ID: <236.25de78b.30ba2cee@aol.com> -------------------------------1133040366 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit The University of Akron's premier organization for campus events The Zips Programming Network, will be putting on the production of A Raisin In The Sun by Lorraine Hansberry on February 3-5 for Black History Month. We are looking for FULL PRODUCTION CAST AND CREW. ALL positions will be PAID. Auditions will be December 1 at 6:30pm-8:00pm room 314 December 2 at 6:00pm-8:00pm room 321 and December 3 at 1:00pm-4:00pm room 314 in the Student Union. To RSVP call 330-972-7014. Timothy G. Avant Diversity Chair The University of Akron The Zips Programming Network _tga2 at uakron.edu_ (mailto:tga2 at uakron.edu) -------------------------------1133040366 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
The University of Akron's premier organization for campus events The Zi= ps=20 Programming Network, will be putting on the production of A Raisin In T= he=20 Sun by Lorraine Hansberry on February 3-5 for Black History Month. We are=20 looking for  FULL PRODUCTION CAST AND CREW. ALL positions will be PAID.= =20 Auditions will be December 1 at 6:30pm-8:00pm room 314 December 2 at=20 6:00pm-8:00pm room 321 and December 3 at 1:00pm-4:00pm room 314 in= the=20 Student Union. To RSVP call 330-972-7014.
Timothy G. Avant
Diversity Chair
The University of Akron
The Zips Programming Network
tga2 at uakron.edu 
 -------------------------------1133040366-- From ehanic at kent.edu Sat Nov 26 19:05:42 2005 From: ehanic at kent.edu (ehanic at kent.edu) Date: Sat, 26 Nov 2005 22:05:42 -0500 Subject: [NEohioPAL]Voice Lessons! Message-ID: <2e97a682e9561d.2e9561d2e97a68@kent.edu> I am a college music major who is currently accepting students who love singing and want to reach their full potential. I possess several years of vocal training and performance experience. I am accepting students of all ages and all levels. I am located in the Canal Fulton/Manchester area. For more information, please contact me at ehanic at kent.edu Have a GREAT day! :-) From John at clevelandirish.org Sat Nov 26 19:24:51 2005 From: John at clevelandirish.org (John O'Brien) Date: Sat, 26 Nov 2005 22:24:51 -0500 Subject: [NEohioPAL]Santa Claus available Message-ID: <000601c5f302$218e3860$6400a8c0@gateway553926b> This is a multi-part message in MIME format. ------=_NextPart_000_0003_01C5F2D8.37F18500 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Hi All, If you need a Santa Claus for a function I am available, with a lot of = experience and full costume. Good with kids, seniors, and professional = functions. Reasonable rates. Thanks, John O'Brien (330) 321-6174 John at clevelandirish.org I expect to pass through this life but once, If, therefore, there be any = kindness I can show or any good thing I can do to any fellow being, let = me do it now. Let me not defer nor neglect it, for I shall not pass this = way again - W. Penn ------=_NextPart_000_0003_01C5F2D8.37F18500 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
Hi All,
 
If you need a Santa Claus for a = function I am=20 available, with a lot of experience and full costume.  Good with = kids,=20 seniors, and professional functions.
Reasonable rates.
 
Thanks,
 
John O'Brien
(330) 321-6174
John at clevelandirish.org
 
I expect to pass through this life but = once, If,=20 therefore, there be any kindness I can show or any good thing I can do = to any=20 fellow being, let me do it now. Let me not defer nor neglect it, for I = shall not=20 pass this way again - W. Penn
------=_NextPart_000_0003_01C5F2D8.37F18500-- From nick_d2003 at sbcglobal.net Sat Nov 26 19:35:28 2005 From: nick_d2003 at sbcglobal.net (Nicholas D'Amico) Date: Sat, 26 Nov 2005 22:35:28 -0500 Subject: [NEohioPAL]ATTENTION! ATTENTION! ATTENTION! Message-ID: <43892980.1080405@sbcglobal.net> This is a multi-part message in MIME format. --------------040301040300020401020901 Content-Type: text/plain; charset=ISO-8859-1; format=flowed Content-Transfer-Encoding: 7bit I have just assumed the mantel of Imperial Grand Poobah of Cleveland Independent filmmaking. I have appointed Al Tuskes Minister of Propaganda and Donna Williams head of the Filmic Enforcement. Our manifesto, authored by your exalted Grand Poobah and your esteemed Minister of Propaganda is as follows: 1) Under no circumstances will anything shot on lower video lifeforms such as VHS, VHS-C, S-VHS, 8mm, Hi-8, or other mongrel formats be shot or shown in the Northeast Ohio area, nor will any projects shot on cameras with less than three image chips. 2) If, during screening by the Ms. Williams, the Head of Filmic Enforcement, anyone in the audience leans over and says, "/What/ did they say?" the project will be immediately burned upon the Fire of Incompetence and the creators will be forced to enter the Columbia School of Broadcast. 3) All scripts will be submitted to the Poobah before pre-production, and, if the content is found to be beyond the reach of the proposed budget (i.e., a space epic, an action film involving car chases and/or explosions, period pieces involving swooping over vistas of clashing armies, etc.), the author will be assigned to write jokes for America's Funniest Home Videos until he is deemed ready to pen a realistic screenplay. 4) All actors who beg for a lead part, get it, and subsequently desert the production and/or join AFTRA will be hunted down and forced to watch the entire first season of /Stacked/ in perpetuity. 5) Any film foisting the personal beliefs of the maker on the captive audience of the Indie Club must submit to the Equal Time law in which opposing viewpoints will be forced upon them via "Very Special" Ross & Rachel episodes of /Friends/. 6) All members of the People's Republic of Indie Club (PRIC) will be expected to have several controls disabled on their cameras, as no true professional would ever rely on these controls anyway. These include, but are not limited to: Auto-exposure/auto-iris, sound limiters, auto-focus, zooming controls, on-camera microphones. If tempted to use any of these devices, please hie thee to the main branch of the Cleveland Public Library downtown, sequester yourself in the Periodicals section, and peruse every page of every issue of American Cinematographer or Millimeter magazine until you find mention of a professional who relied on /any/ of these controls while shooting a real movie. 7) Before you hand somebody your "script", saying that "everybody who has seen it, thinks it's the best they've ever read", please consider discounting the opinions any of the /everybody/ if they are: A - Your mother or father. After all, they want you to move out of the house at some point. B - Your significant other. They lie to you all the time anyway, just to spare your feelings. C - The local actors who would sacrifice a limb or genitalia to be in something, /anything/, that could possibly give them a shot at the big time, no matter how unrealistic the possibility (/Dead Planet/ comes to mind...) D - Anybody who hasn't actually read a script before. E - Anybody who would make a financial gain, should you actually go into production, such as insurance salesmen, equipment mongers, casting agents, lawyers, etc. 8) Any attempt at "Kevin Williamson-sonian" sly-knowing-wink-to-the-audience things, "Tarentino-esqe" cool-situations-strung-together-with-hipster-antiheroes-invoking-esoteric-comic book-geek speak or including references to pop culture icons in screenplays will result in the offender being immediately sentenced to Remedial Screenwriting 101. 9) The LCD viewfinder on the side of your camera. This means that out of focus shots, bad lighting, unbalanced lighting, mike booms in the shot, etc. will no longer be tolerated. If any of these events occur, realize that tape is cheap, so you can get a second take, or even rewind the tape to get a second take should you choose to do so. If you choose not to, your video camera will be deposited into the Fire of Incompetence. 10) If a citizen of PRIC buys a digital video camera and insists on referring to themselves as a filmmaker, director, or a producer owing to this purchase, they will be tossed onto the Fire of Incompetence without trial./ /This also applies to those who, after the purchase of screenwriting software, refer to themselves as a/ /screenwriter. 11) If a citizen's sole qualification for calling themselves a filmmaker is saying "I could do better than /that!/" repeatedly/ /while watching projects, said citizen will be immediately taken to the re-education camp where they will be forced to watch projects created by people who thought the same thing of themselves. Additions to the manifesto will be added as required. Now sleep the sleep of the just knowing that your loving Grand Poobah is watching over you all. Nick --------------040301040300020401020901 Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit

I have just assumed the mantel of Imperial Grand Poobah of Cleveland Independent filmmaking. I have appointed Al Tuskes Minister of Propaganda and Donna Williams head of the Filmic Enforcement. Our manifesto, authored by your exalted Grand Poobah and your esteemed Minister of Propaganda is as follows:

1) Under no circumstances will anything shot on lower video lifeforms such as VHS, VHS-C, S-VHS, 8mm, Hi-8, or other mongrel formats be shot or shown in the Northeast Ohio area, nor will any projects shot on cameras with less than three image chips.

2) If, during screening by the Ms. Williams, the Head of Filmic Enforcement, anyone in the audience leans over and says, "What did they say?" the project will be immediately burned upon the Fire of Incompetence and the creators will be forced to enter the Columbia School of Broadcast.

3) All scripts will be submitted to the Poobah before pre-production, and, if the content is found to be beyond the reach of the proposed budget (i.e., a space epic, an action film involving car chases and/or explosions, period pieces involving swooping over vistas of clashing armies,  etc.), the author will be assigned to write jokes for America's Funniest Home Videos until he is deemed ready to pen a realistic screenplay.

4) All actors who beg for a lead part, get it, and subsequently desert the production and/or join AFTRA will be hunted down and forced to watch the entire first season of Stacked in perpetuity.

5) Any film foisting the personal beliefs of the maker on the captive audience of the Indie Club must submit to the Equal Time law in which opposing viewpoints will be forced upon them via "Very Special" Ross & Rachel episodes of Friends.

 
6) All members of the People’s Republic of Indie Club (PRIC) will be expected to have several controls disabled on their cameras, as no true professional would ever rely on these controls anyway. These include, but are not limited to: Auto-exposure/auto-iris, sound limiters, auto-focus, zooming controls, on-camera microphones. If tempted to use any of these devices, please hie thee to the main branch of the Cleveland Public Library downtown, sequester yourself in the Periodicals section, and peruse every page of every issue of American Cinematographer or Millimeter magazine until you find mention of a professional who relied on any of these controls while shooting a real movie.

 7) Before you hand somebody your “script”, saying that “everybody who has seen it, thinks it’s the best they’ve ever read”, please consider discounting the opinions any of the everybody if they are:

            A – Your mother or father. After all, they want you to move out of the house at some point.

            B – Your significant other. They lie to you all the time anyway, just to spare your feelings.

C – The local actors who would sacrifice a limb or genitalia to be in something, anything, that could possibly give them a shot at the big time, no matter how unrealistic the possibility (Dead Planet comes to mind…)

D – Anybody who hasn’t actually read a script before.

E – Anybody who would make a financial gain, should you actually go into production, such as insurance salesmen, equipment mongers, casting agents, lawyers, etc.

 8) Any attempt at “Kevin Williamson-sonian” sly-knowing-wink-to-the-audience things, “Tarentino-esqe” cool-situations-strung-together-with-hipster-antiheroes-invoking-esoteric-comic book-geek speak or including references to pop culture icons in screenplays will result in the offender being immediately sentenced to Remedial Screenwriting 101.

9) The LCD viewfinder on the side of your camera. This means that out of focus shots, bad lighting, unbalanced lighting, mike booms in the shot, etc. will no longer be tolerated. If any of these events occur, realize that tape is cheap, so you can get a second take, or even rewind the tape to get a second take should you choose to do so. If you choose not to, your video camera will be deposited into the Fire of Incompetence.

10) If a citizen of PRIC buys a digital video camera and insists on referring to themselves as a filmmaker, director, or a producer owing to this purchase, they will be tossed onto the Fire of Incompetence without trial. This also applies to those who, after the purchase of screenwriting software, refer to themselves as a screenwriter.

11) If a citizen's sole qualification for calling themselves a filmmaker is saying "I could do better than that!" repeatedly while watching projects, said citizen will be immediately taken to the re-education camp where they will be forced to watch projects created by people who thought the same thing of themselves.

Additions to the manifesto will be added as required. Now sleep the sleep of the just knowing that your loving Grand Poobah is watching over you all.

   Nick

   --------------040301040300020401020901-- From sharonmxg at cox.net Sat Nov 26 21:20:31 2005 From: sharonmxg at cox.net (sharonmxg) Date: Sun, 27 Nov 2005 00:20:31 -0500 Subject: [NEohioPAL]I need a duck Message-ID: <004c01c5f312$49f374e0$4372bf46@MistressSharon> This is a multi-part message in MIME format. ------=_NextPart_000_0049_01C5F2E8.60C7ABC0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Hi NEOPalers, Beck Center is looking for a duck to be used in the upcoming production = of Beauty & the Beast (directed by Fred Sternfeld, opens Friday, = December 2nd) We need a fairly realistic looking, fake duck that will fall to the = stage each performance. If you happen to have (or can suggest where I might find inexpensively) = a decoy like duck (rubber or plush, not wood) please reply to this eMail = or call me directly at the number below. Thanks for your help! Sharon Epstein Prop Master ~ Beck Center 440-452-4831=20 >^..^< Life is not measured by the number of breaths we take, but by the moments that take our breath away. --George Carlin ------=_NextPart_000_0049_01C5F2E8.60C7ABC0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
Hi NEOPalers,
 
Beck Center is looking for a = duck to be=20 used in the upcoming production of Beauty & the Beast = (directed by=20 Fred Sternfeld, opens Friday, December 2nd)
 
We need a fairly realistic = looking, fake=20 duck that will fall to the stage each performance.
 
If you happen to have (or can = suggest=20 where I might find inexpensively) a decoy like duck (rubber or = plush, not=20 wood) please reply to this eMail or call me directly at the number=20 below.
 
Thanks for your = help!
 
Sharon Epstein
Prop Master ~ Beck = Center
440-452-4831 
 
>^..^<
Life is not = measured by=20 the number of breaths we take,
but by the moments that take our = breath=20 away.
 
--George=20 Carlin
------=_NextPart_000_0049_01C5F2E8.60C7ABC0-- From MeatFree32 at aol.com Sat Nov 26 21:39:47 2005 From: MeatFree32 at aol.com (MeatFree32 at aol.com) Date: Sun, 27 Nov 2005 00:39:47 EST Subject: [NEohioPAL]Start 2006 with Improv Classes: Cleveland Improv Institute! Message-ID: <294.498d24.30baa0a3@aol.com> --part1_294.498d24.30baa0a3_boundary Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit CLEVELAND IMPROV INSTITUTE SESSION 6 IMPROV CLASSES JAN 9th - MAR 2nd Start the New Year off with an exciting, fun and challenging improv class! The Cleveland Improv Institute, home of the "10 Keys " training program will be offering 3 classes this coming session. Classes include: 1. Beginning Improvisation Date: Wednesday Evenings (Jan 11th - Mar 1st) Time: 7pm to 9:30pm Place: The Hermit Club Cost: $160/8 week class Instructor: Marc Moritz 2. Intermediate Improvisation Date: Thursday Evenings (Jan 12th - Mar 2nd) Time: 7pm to 9:30pm Place: The Hermit Club Cost: $160/8 week class Instructor: Marc Moritz 3. Cleveland Improv Conservatory Date: Monday Evenings (Jan 9th - Feb 27th) Time: 7pm to 9:30pm Place: The Hermit Club Cost: $160/8 week class Instructor: Jeffrey Lyn Hall **PAYMENT FOR ALL CLASSES IS DUE BY JANUARY 6TH.** TO REQUEST AN INFORMATIONAL BROCHURE ABOUT THIS EXCITING SESSION OF IMPROV CLASSES, BE PLACED ON OUR MAILING LIST OR TO REGISTER FOR A CLASS YOU CAN CALL US AT: (216) 479-3353 OR EMAIL US AT: treeblanch at aol.com ALS O CHECK US OUT ON THE WEB AT: www.clevelandimprovinstitute.com FOR COMPLETE COURSE OUTLINES, DESCRIPTION OF OUR TRAINING PROGRAM, INSTRUCTOR BIOS AND ALL OTHER INFORMATION ABOUT THE CLEVELAND IMPROV INSTITUTE! --part1_294.498d24.30baa0a3_boundary Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable

CLEVELAND IMPROV INSTI= TUTE=20
SESSION 6 IMPROV CLASSES=20
JAN 9th - MAR 2nd

Start the New Year off with an exciting, fun and challenging imp= rov class!=20

The Cleveland Improv Institute, home of the "10 Keys "  tr= aining program will be offering 3 classes this coming session.

Classes include:=20

1. Beginning Improvisation   
Date:  Wednesday Evenings (Jan 11th - Mar 1st)=20
Time: 7pm to 9:30pm=20
Place: The Hermit Club=20
Cost: $160/8 week class
Instructor: Marc Moritz

2.  Intermediate Improvisation  
Date: Thursday Evenings (Jan 12th - Mar 2nd)=20
Time: 7pm to 9:30pm=20
Place: The Hermit Club=20
Cost: $160/8 week class
Instructor: Marc Moritz=20

3. Cleveland Improv Conservatory  
Date: Monday Evenings (Jan 9th - Feb 27th)=20
Time: 7pm to 9:30pm=20
Place: The Hermit Club=20
Cost: $160/8 week class=20
Instructor: Jeffrey Lyn Hall

**PAYMENT FOR ALL CLASSES IS DUE BY=20
JANUARY 6TH.**

TO REQUEST AN INFORMATIONAL BROCHURE ABOUT THIS EXCITING SESSION OF IMPRO= V CLASSES, BE PLACED ON OUR MAILING LIST OR TO REGISTER FOR A CLASS YOU CAN=20= CALL US AT:
(216) 479-3353 OR EMAIL US AT: treeblanch at aol.com=20

ALS O CHECK US OUT ON THE WEB AT: www.clevelandimprovinstitute.com
FOR COMPLETE COURSE OUTLINES, DESCRIPTION OF OUR TRAINING PROGRAM, &nb= sp; INSTRUCTOR BIOS AND ALL OTHER INFORMATION ABOUT THE CLEVELAND IMPRO= V INSTITUTE!














--part1_294.498d24.30baa0a3_boundary-- From royberko at yahoo.com Sun Nov 27 09:12:22 2005 From: royberko at yahoo.com (Roy Berko) Date: Sun, 27 Nov 2005 09:12:22 -0800 (PST) Subject: [NEohioPAL]Berko review: 'LOVE, JANIS' (Hanna Theatre) Message-ID: <20051127171223.66018.qmail@web33108.mail.mud.yahoo.com> Love Rock and Roll? ?Love, Janis? is your thing! Roy Berko (Member, American Theatre Critics Association) --THE TIMES NEWSPAPERS-- Lorain County Times--Westlaker Times--Lakewood News Times--Olmsted-Fairview Times "Some people live, some survive. I'm a survivor. I plan to be around for a long time." Those were the words of legendary rock singer Janis Joplin, whose life story, ?LOVE, JANIS? is now on stage at the Hanna Theatre. As it turned out, Joplin was wrong. She died before her twenty-eighth birthday of an overdose of morphine and heroin. Noted for her wailing blues sound, Janis Joplin broke the mold of traditionally pretty band singers, so prevalent during the 50s and early 60s, to become one of the icons of rock music. But in spite of her fame, she couldn?t overcome her self-destructive instincts Born Janis Lyn Joplin on January 19, 1943 in Port Arthur, Texas, a small Southern petroleum industry town, she proved early in life to be a rebel. She broke with local social traditions during the tense days of racial integration, standing up for the rights of African Americans whose segregated status in her hometown conflicted with Janis?s youthful ideals. She, along with fellow beatnik-leaning high school friends, pursued the non-traditional via arts and literature, especially music. She found her voice and was soon playing in coffee houses in the small towns of Texas. After a short stint in college her big break came. Chet Helms, a Lone Star state friend who was living in San Francisco, called to offer her a singing audition with an up-and-coming local group. Janis accepted, went to California and became the lead singer for "Big Brother and the Holding Company.? And, as the saying goes, ?the rest is history.? ?LOVE, JANIS? was created by Joplin?s sister, Laura, whose goal was to show a side of the legendary singer that her fans may not have known. Through the use of pictures, letters that Janis wrote to her parents, and her songs, we learn of the star?s life. Or, at least the life her sister wants us to see. The performance piece has an interesting premise. There are two Janises. One, the performer who puts on a face and a voice for the world, and the private Janis who wrote letters which indicated her successes and self doubts. Both Janises appear on stage, sometimes solely, sometimes together. This is accomplished by having two actresses portray the single person. One sings, the other speaks. The present Cleveland production (in 1999 the Cleveland Play House mounted a very successful version) has two casts. I saw the duo of Katrina Chester as the singing Janis and Helen Coxe as the speaking Janis. Chester has a big voice. She sings with gusto and lets loose with ease. I, at points, found her voice shrill and the song interpretations to be words rather than meanings, stressing the emotion rather than the meanings. A woman who shared my table at the performance, and who is a Janis fanatic, indicated that Chester, though good, didn?t have the audience-commanding presence of the original star. I found Helen Coxe, who played the speaking role, unimpressive. She was constantly fiddling with her hair, seemed uncertain on stage and failed to develop a textured character. She simply didn?t display the emotional core of the character. She was missing the inner fire of a woman in chaos. Local Cleveland favorite, Paul Floriano, is the off-stage voice who questions Janis and makes transitional comments. On the way into the theatre the usher handed me a pair of ear plugs. She said, ?Believe me, honey, you?ll need these.? She was right. Sitting in the first row, immediately in front of a huge speaker, my chair actually vibrated from the base notes. After a while the sound so overshadowed the singing, that I was hearing ?boom, boom, boom,? not words. I wish that bands would realize they are playing backup to the singer and if we can?t hear the lyrics, there is no sense in having a singer. CAPSULE JUDGEMENT: If you love rock and roll, if you are a Janis Joplin fan, you?ll like the concert segments of ?LOVE, JANIS.? If you have sensitive ears and aren?t into rock, there are probably shows around town that will be more to your liking. For tickets to ?LOVE, JANIS,? which is in an open ended run at the Hanna Theatre, 2067 East 14th Street, call 216-241-6000, 800-766-6048 or go on-line to www.playhousesquare.com. Roy Berko's web page can be found at www.royberko.info. His theatre and dance reviews appear on NeOHIOpal, an on-line source. To subscribe to this free service via the World Wide Web, visit http://lists.fredsternfeld.com/mailman/listinfo/neohiopal. __________________________________ Yahoo! Music Unlimited Access over 1 million songs. Try it free. http://music.yahoo.com/unlimited/ From MeatFree32 at aol.com Sun Nov 27 10:32:09 2005 From: MeatFree32 at aol.com (MeatFree32 at aol.com) Date: Sun, 27 Nov 2005 13:32:09 EST Subject: [NEohioPAL]Session 6 Instructors:Cleveland Improv Institute Message-ID: <6b.52680412.30bb55a9@aol.com> --part1_6b.52680412.30bb55a9_boundary Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit CLEVELAND IMPROV INSTITUTE The Cleveland Improv Institute announces its 6th Session, running January 9th through March 2nd. We are proud to introduce you to our Session 6 instructors: Marc Moritz and Jeffrey Lyn Hall. We invite you to take a moment to learn more about these incredible instructors! Marc Moritz - Master Teacher Marc originated the role of Talk Show Host in the original Broadway production of the Sondheim/Prince musical Merrily We Roll Along. Theaters worked in include: The Cleveland Playhouse, Long Wharf, Goodman, New Harmony, Cain Park, Dobama and many more. Marc was the Founder/Director of the Cleveland based Giant Portions Improv Troupe. His improv training includes stints at ImprovOlympic and extensive workshops with Paul Sills, Del Close and Charna Halpern. He currently teaches acting at Lakeland Community College as well as Improv at Beck Center and is on staff at Chicago's Second City Training Center. Marc is also a Guest Artist with The University Circle Early Educational Enrichment Program - bringing Improv and other Creative Dramatics into area schools (COURSES OFFERED FOR SESSION 6) Beginning Improvisation This class introduces and addresses keys 1 through 5 of our "10 Keys" Training Program. Games and exercises are utilized in the development of the vital skills required for improvisation. These 5 keys include: building trust/breaking down sub-conscious walls & barriers, physical action, environment creation, object reality and truth in the moment. Fun and challenging mental/physical exercises utilizing these 5 keys will be the focus of the training for this class. All Are Welcome To Participate Intermediate Improvisation This class introduces and addresses keys 6 through 10 of our "10 Keys" Training Program. These 5 keys include: character development, relationship creation, yes and, emotional commitment and give and take. The use of fun and challenging ensemble mental/physical games and exercises utilizing these 5 keys while incorporating the first 5 keys within the class curriculum will be the focus of the training for this class. PreReq:Beginning Improvisation ______________________________________________________ Jeffrey Lyn Hall- Instructor Having started his career in Italian Commedia del Arte at the Teatro Arsenale in Milan, Italy, Jeffrey Lyn Hall has spent the last 27 years in professional study, teaching and performance. With degrees in theatre from Geneva College, the University of Akron and Theatre of Louisville, Jeffrey has worked as an actor, director, acrobat, clown and standup comic. In 1979, Jeffrey has the rare opportunity to study improvisation in Chicago with the legendary Del Close and performed under the direction of Betty Thomas in the Improv Olympic group Orphaned Babies. Jeffrey is currently the Artistic Director of Beatnik Lingo Entertainment, an improv comedy organization that has staged the immensely popular improv/sketch comedy shows BEATNIK and VINE and the short form improv show BEAT OFF-BEAT! Jeffrey has taught classes in improv/acting/directing at Geneva College, University of Akron, University of Louisville as well as being a former faculty member of The Second City (Cleveland), where he taught all levels of students. (COURSE OFFERED FOR SESSION 6) Cleveland Improv Conservatory Students must have successfully completed the Scene Construction Intensive class or be able to demonstrate comprehensive knowledge of those skills listed in the Advanced and Scene Construction syllabus including: scene structure, performance games, 10 Keys of Improv, long form and short form creation and improvisation. Emphasis will be placed on the development of performance skills, the construction of the "ensemble" within specific forms (short and longform)and the ability to work within and demonstrate knowledge pertaining to said specific forms (short and longform). PreReq:Scene Construction If you would like to have an informational brouchure sent to you, be put on our mailing list or register for a class you can email us at: treeblanch at aol.com or call us: 216-479-3353 Check us out on the web at: www.clevelandimprovinstitute.com --part1_6b.52680412.30bb55a9_boundary Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable

CLEVELAND IMPROV IN= STITUTE


The Cleveland Improv Institute announces its 6th Session, running Januar= y 9th through March 2nd.  We are proud to introduce you to our Session=20= 6 instructors: Marc Moritz and Jeffrey Lyn Hall.  We invite you to take= a moment to learn more about these incredible instructors!   &nbs= p;   

Marc Moritz - Master Teacher
Marc originated the role of Talk Show Host in the original Broadway prod= uction of the Sondheim/Prince musical Merrily We Roll Along. Theaters worked= in include: The Cleveland Playhouse, Long Wharf, Goodman, New Harmony, Cain= Park, Dobama and many more. Marc was the Founder/Director of the Cleveland=20= based Giant Portions Improv Troupe. His improv training includes stints at I= mprovOlympic and extensive workshops with Paul Sills, Del Close and Charna H= alpern. He currently teaches acting at Lakeland Community College as well as= Improv at Beck Center and is on staff at Chicago's Second City Training Cen= ter. Marc is also a Guest Artist with The University Circle Early Educationa= l Enrichment Program - bringing Improv and other Creative Dramatics into are= a schools

(COURSES OFFERED FOR SESSION 6)
Beginning Improvisation
This class introduces and addresses keys 1 through 5 of our "10 Ke= ys" Training Program. Games and exercises are utilized in the developmen= t of the vital skills required for improvisation. These 5 keys include: buil= ding trust/breaking down sub-conscious walls & barriers, physical action= , environment creation, object reality and truth in the moment. Fun and chal= lenging mental/physical exercises utilizing these 5 keys will be the focus o= f the training for this class. All Are Welcome To Participate=20

Intermediate Improvisation
This class introduces and addresses keys 6 through 10 of our "10 K= eys" Training Program. These 5 keys include: character development, rela= tionship creation, yes and, emotional commitment and give and take. The use=20= of fun and challenging ensemble mental/physical games and exercises utilizin= g these 5 keys while incorporating the first 5 keys within the class curricu= lum will be the focus of the training for this class. PreReq:Beginnin= g Improvisation =20
=20

______________________________________________________


Jeffrey Lyn Hall- Instructor
Having started his career in Italian Commedia del Arte at the Teatro Ars= enale in Milan, Italy, Jeffrey Lyn Hall has spent the last 27 years in profe= ssional study, teaching and performance. With degrees in theatre from Geneva= College, the University of Akron and Theatre of Louisville, Jeffrey has wor= ked as an actor, director, acrobat, clown and standup comic. In 1979, Jeffre= y has the rare opportunity to study improvisation in Chicago with the legend= ary Del Close and performed under the direction of Betty Thomas in the Impro= v Olympic group Orphaned Babies. Jeffrey is currently the Artistic Director=20= of Beatnik Lingo Entertainment, an improv comedy organization that has stage= d the immensely popular improv/sketch comedy shows BEATNIK and VINE and the=20= short form improv show BEAT OFF-BEAT! Jeffrey has taught classes in improv/a= cting/directing at Geneva College, University of Akron, University of Louisv= ille as well as being a former faculty member of The Second City (Cleveland)= , where he taught all levels of students.

(COURSE OFFERED FOR SESSION 6)
Cleveland Improv Conservatory
Students must have successfully completed the Scene Construction Inte= nsive class or be able to demonstrate comprehensive knowledge of those skill= s listed in the Advanced and Scene Construction syllabus including: scene st= ructure, performance games, 10 Keys of Improv, long form and short form crea= tion and improvisation. Emphasis will be placed on the development of perfor= mance skills, the construction of the "ensemble" within specific forms (shor= t and longform)and the ability to work within and demonstrate knowledge pert= aining to said specific forms (short and longform).
PreReq:Scene Construction=20


If you would like to have an informational brouchur= e sent to you, be put on our mailing list or register for a class you can em= ail us at:
treeblanch at aol.com  or call us: 216-479-3353
Check us out on the web at:
www.clevelandimprovinstitute.com

=20
=20
=20

=20
=20
=20
=20

--part1_6b.52680412.30bb55a9_boundary-- From secylady66 at hotmail.com Sun Nov 27 10:36:06 2005 From: secylady66 at hotmail.com (Leigh Anderson) Date: Sun, 27 Nov 2005 13:36:06 -0500 Subject: [NEohioPAL]Need a custom designed murder mystery Message-ID:
We've had a few replies but we're still looking for the right fit.  We would like a company who is established and used to doing this sort of show. 
 
We would like a murder mystery custom designed for our company's clients and spouses.  (approximately 80 people)  We would like it to involve our clients but not make them BE the actors.  This is going to be a surprise so we need it to be GOOD!  We are looking at a weeknight in February and we have a venue and food already.  We also would like the humor to be clean so as not to offend anyone.

Find just what you're after with the new, more precise MSN Search - try it now! From pjsings at sbcglobal.net Sun Nov 27 11:16:41 2005 From: pjsings at sbcglobal.net (Patrick Clement) Date: Sun, 27 Nov 2005 11:16:41 -0800 (PST) Subject: [NEohioPAL]I need a job Message-ID: <20051127191641.60394.qmail@web82007.mail.mud.yahoo.com> --0-1547616902-1133119001=:60386 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Happy Holidays everyone! I'm sending out a post for a job....I need a job for December...anything offers or ideas would be great!! Even not theatre related wold be great....I just need the extra cash this year.Thanks and stay fabulous! Best, Patrick Clement --0-1547616902-1133119001=:60386 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
Happy Holidays everyone! I'm sending out a post for a job....I need a job for December...anything offers or ideas would be great!!  Even not theatre related wold be great....I just need the extra cash this year.Thanks and stay fabulous!
 
Best,
Patrick Clement
--0-1547616902-1133119001=:60386-- From PierogiProductOH at aol.com Sun Nov 27 12:43:46 2005 From: PierogiProductOH at aol.com (PierogiProductOH at aol.com) Date: Sun, 27 Nov 2005 15:43:46 -0500 Subject: [NEohioPAL]Shameless self promotion Message-ID: <1698BC1B.18B3C369.6350EC03@aol.com> In case any of you read the Sunday edition of the Plain Dealer, Nutty, our spokes-puppet for Natural Bridges LLC & NB Puppets is featured in the PDQ section on the second page underthe "They Love" heading. Thank you. Kirk Lawrence Maynard President & Puppet Director Natural Bridges LLC PO Box 30688 Cleveland, Ohio 44130 Phone: 1-888-866-4877 Email: ?? President at thenaturalbridges.com Web: ?? ?? www.thenaturalbridges.com ???If you can dream it, we can create it.??? From higbee at chsaviour.org Sun Nov 27 13:33:35 2005 From: higbee at chsaviour.org (Judith Higbee) Date: Sun, 27 Nov 2005 16:33:35 -0500 Subject: [NEohioPAL]East side church seeks bass soloist/section leader Message-ID: <002e01c5f39a$3950b1b0$80fea8c0@church.chsaviour.org> This is a multi-part message in MIME format. ------=_NextPart_000_002F_01C5F370.507AA9B0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Church of the Saviour in Cleveland Hts. is looking for a bass soloist/section leader. We have hired a tenor section leader for about 10 years and now are adding a bass to the Chancel Choir. Rehearsals are on Thursdays from 7:30-9:15 p.m. and the choir sings regularly at the 11:00 a.m. worship service. We average about 30 singers on a Sunday morning and do traditional repertoire of the past and music by living composers as well. We are preparing to present Mozart's Coronation Mass in February. For more information please contact: Judith Higbee Director of Music Church of the Saviour (United Methodist) 2537 Lee Road Cleveland Hts., OH 44118 216-321-8880 higbee at chsaviour.org ------=_NextPart_000_002F_01C5F370.507AA9B0 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

Church of the Saviour in = Cleveland Hts. is looking for a bass soloist/section = leader.  =

We have hired a tenor section leader for about = 10 years and now are adding a bass to the Chancel Choir. Rehearsals are on Thursdays from 7:30-9:15 = p.m. and the choir sings regularly at the 11:00 = a.m. worship service. We average about 30 singers on a Sunday morning and do = traditional repertoire of the past and music by living composers as well. We = are preparing to present Mozart's Coronation Mass in = February.  

 

For more information please = contact:

Judith Higbee

Director of Music

Church of the Saviour (United = Methodist)

2537 Lee = Road

Cleveland = Hts., = OH= = 44118

216-321-8880

higbee at chsaviour.org

 

=

 

=

 

------=_NextPart_000_002F_01C5F370.507AA9B0-- From sgyorki at sbcglobal.net Sun Nov 27 14:00:24 2005 From: sgyorki at sbcglobal.net (Sarah Gyorki) Date: Sun, 27 Nov 2005 14:00:24 -0800 (PST) Subject: [NEohioPAL]Arts Collinwood gallery - new glass show Message-ID: <20051127220024.77696.qmail@web81202.mail.mud.yahoo.com> --0-809975209-1133128824=:77257 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Contact(216)692-9500 www.artscollinwood.org Board Zachary Coleman, Chair Nancy Kennedy, President Cynthia Szafraniec, Secretary/Treasurer Kathy Baker Cindy Barber Martha Ferrazza Melanie Fioritto Brian Friedman Fred Kreiner Nancy Prudic Executive Director Sarah Gyorki Arts Collinwood would like to thank Councilman Michael Polensek. Neighborhood Connections (a small grants program of the Cleveland Foundation), HOPE, Immanuel Presbyterian Church, the Collinwood Golden Age Center, Memorial Nottingham library, our artist and resident members, and the supporting merchants of North Collinwood for helping to make these programs possible. Arts Collinwood Gallery Contacts: Sarah Gyorki 216-692-9500 216-383-1465 (home) Opening Reception for the Glass and Ceramics Exhibit (Through the end of December) Friday December 2, 2005 6pm-10pm 15605 Waterloo Road Cleveland, Ohio (near I-90 at the E. 156th Street exit) Gallery Hours Thurs -Fri. 6-9pm Sat.-Sun. 1-5pm Various artists including: Michael Mikula Rene Culler Patty Kozorevski Susan Gallagher Sue Barry Jack Rotar ? and others --0-809975209-1133128824=:77257 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit

Contact

(216)692-9500

www.artscollinwood.org

 

 

 

 

Board

Zachary Coleman,
Chair

Nancy Kennedy,
President

Cynthia Szafraniec, Secretary/Treasurer

Kathy Baker

Cindy Barber

Martha Ferrazza

Melanie Fioritto

Brian Friedman

Fred Kreiner

Nancy Prudic

 

 

 

 

Executive Director

Sarah Gyorki

 

 

 

 

 

Arts Collinwood would like to thank Councilman Michael Polensek. Neighborhood Connections (a small grants program of the Cleveland Foundation), HOPE, Immanuel Presbyterian Church, the Collinwood Golden Age Center, Memorial Nottingham library, our artist and resident members, and the supporting merchants of North Collinwood for helping to make these programs possible.

 

 

 

 


 

 

 


Arts Collinwood Gallery

Contacts:

Sarah Gyorki   216-692-9500
                        216-383-1465 (home)

 

Opening Reception for the

 

Glass and Ceramics Exhibit

(Through the end of December)

 

Friday December 2, 2005

6pm-10pm

 

15605 Waterloo Road

Cleveland, Ohio

(near I-90 at the E. 156th Street exit)

 

 

Gallery Hours  Thurs -Fri.  6-9pm

Sat.-Sun.  1-5pm

 

Various artists including:

Michael Mikula

Rene Culler

Patty Kozorevski

Susan Gallagher

Sue Barry

Jack Rotar

? and others

 

 

 

 

 

--0-809975209-1133128824=:77257-- From bjbowers4584 at yahoo.com Sun Nov 27 15:03:21 2005 From: bjbowers4584 at yahoo.com (Brian Bowers) Date: Sun, 27 Nov 2005 15:03:21 -0800 (PST) Subject: [NEohioPAL]Great health discounts for artists! Message-ID: <20051127230321.40438.qmail@web35014.mail.mud.yahoo.com> --0-2043590955-1133132601=:40219 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Hey guys, I just found a great deal for anyone with little or no health insurance. AmeriPlan offers several options including Dental, Prescription, Eyeglass, and Chiropractic discounts for less than $12 a month for an individual?they also have a full health program including doctor visits, specialists, and lab work for under $50 a month. This is a great deal for artists who may not have insurance through a union or their full-time jobs. AmeriPlan has been around for over 12 years and is in good standing with the Better Business Bureau. There are tons of providers in the area?I just found out about them, and highly recommend them. Also, it?s a discount program (as opposed to regular insurance) so they take everyone, there are no claim forms to deal with, and no deductibles! Best of all?if you join before November 30th, your first month is half price! That means you can get the Dental, Prescription, Eyeglass, and Chiropractic plan for just $5.95 the first month, or the full Health Plan for just $24.99 the first month! Check out www.deliveringonthepromise.com/40303314 and click on the link that says ?Save Money? for more information. Find out about business opportunities by clicking on the ?Make Money? link. (I liked what I heard so much I?m working for them part time!) I can answer further questions by email at BBowers at ameriplan.net or by phone at 216-288-7743. Happy Holidays! Brian Bowers AmeriPlan, Independent Broker --------------------------------- Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --------------------------------- Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --0-2043590955-1133132601=:40219 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
 
Hey guys, I just found a great deal for anyone with little or no health insurance.  AmeriPlan offers several options including Dental, Prescription, Eyeglass, and Chiropractic discounts for less than $12 a month for an individual?they also have a full health program including doctor visits, specialists, and lab work for under $50 a month.  This is a great deal for artists who may not have insurance through a union or their full-time jobs.  AmeriPlan has been around for over 12 years and is in good standing with the Better Business Bureau.  There are tons of providers in the area?I just found out about them, and highly recommend them.  Also, it?s a discount program (as opposed to regular insurance) so they take everyone, there are no claim forms to deal with, and no deductibles!
 
Best of all?if you join before November 30th, your first month is half price!  That means you can get the Dental, Prescription, Eyeglass, and Chiropractic plan for just $5.95 the first month, or the full Health Plan for just $24.99 the first month!
 
Check out www.deliveringonthepromise.com/40303314 and click on the link that says ?Save Money? for more information.  Find out about business opportunities by clicking on the ?Make Money? link.  (I liked what I heard so much I?m working for them part time!)  I can answer further questions by email at BBowers at ameriplan.net or by phone at 216-288-7743. 
 
Happy Holidays!
 
Brian Bowers
AmeriPlan, Independent Broker

Yahoo! Music Unlimited - Access over 1 million songs. Try it free.

Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --0-2043590955-1133132601=:40219-- From higbee at chsaviour.org Sun Nov 27 13:41:11 2005 From: higbee at chsaviour.org (Judith Higbee) Date: Sun, 27 Nov 2005 16:41:11 -0500 Subject: [NEohioPAL]Auditions for The Crucible Message-ID: <003d01c5f39b$491831d0$80fea8c0@church.chsaviour.org> This is a multi-part message in MIME format. ------=_NextPart_000_003E_01C5F371.604229D0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Arts in the Cathedral of Church of the Saviour, 2537 Lee Road, Cleveland Heights, announces auditions for Arthur Miller's play The Crucible on Saturday, December 3, 2005 from 9 a.m. to noon. Cast includes 10 men and 10 women. Some roles are available for younger females and there is one female role for person of color from Barbados. Set at the time of the Puritan witchcraft trials, Miller's masterpiece retains its power as a parable of our contemporary society. It will be done in period costume with minimal scenery as the author wished. Actors should be familiar with the script and be willing to read for different roles. Performance dates are March 3, 4 at 8 p.m. and March 5, 2006 at 3 p.m. Director is Dick Meadows who can be reached for details at 216-321-7698 daytime. Dick's directing credits include Cain Park, The Jewish Community Center, Theatre in the Valley, and Cuyahoga Community College. Contact: Dick or Marilyn Meadows 216-321-7698 Judith Higbee, Director of Music 216-321-8880 November 10, 2005 Judith Higbee Director of Music Church of the Saviour 2537 Lee Road Cleveland Heights, OH 44118 higbee at chsaviour.org ------=_NextPart_000_003E_01C5F371.604229D0 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

 

=

Arts in the Cathedral of Church of the = Saviour, 2537 Lee Road, Cleveland Heights, = announces auditions for Arthur Miller's play The Crucible on Saturday, December 3, 2005 from 9 a.m. to noon.  Cast includes 10 men and 10 women.  Some roles are available for younger females and there is one = female role for person of color from = Barbados.

 

Set at the time of the Puritan witchcraft trials, Miller's masterpiece retains its power as a parable of our contemporary = society.  It will be done in period = costume with minimal scenery as the author wished. Actors should be familiar with the = script and be willing to read for different roles.

 

Performance dates are March 3, 4 at 8 p.m. and = March 5, = 2006 at 3 p.m. Director is = Dick Meadows who can be reached for details at 216-321-7698 daytime.  Dick's directing credits = include Cain = Park, The Jewish Community Center, Theatre in the Valley, and = Cuyahoga = Community College.

 

Contact: Dick or Marilyn Meadows  = 216-321-7698

 

Judith Higbee, Director of Music = 216-321-8880

 

November 10, = 2005

 

 

Judith Higbee

Director of Music

Church of the Saviour

2537 Lee = Road

Cleveland Heights, = OH = 44118

higbee at chsaviour.org

 

 

=

 

------=_NextPart_000_003E_01C5F371.604229D0-- From tcgofohio at hotmail.com Sun Nov 27 11:39:09 2005 From: tcgofohio at hotmail.com (Cohen Robert) Date: Sun, 27 Nov 2005 14:39:09 -0500 Subject: [NEohioPAL]TCG of Ohio - "Best of" Message-ID: Theatre Communications Group of Ohio (TCG) is a newly formed Arts Agency based in Columbus, Ohio. TCG's mission: to strengthen, nurture and promote Northeast Ohio not-for-profit Theatre Arts.. TCG believes that theatre arts plays a significant role on the culture of Northeast Ohio and as a strong public and cultural advocate of theatre, TCG's prime directive is to promote a meaningful role for theatre arts in the lives of Northeast Ohio individuals, families and communities. Through strategic planning, data collection and audience surveys, TCG has developed the Member Audience Foundation. MAF's primary goal is to administer a range of audience development programs that will encourage attendance, assistance and education for theatre arts. TCG's Member Audience Foundation is also designed to allow it's audience members to pay tribute to individuals and organizations for outstanding achievements, contributions and service to Northeast Ohio Theatre Arts. At this time TCG would like to recognize the outstanding achievements and efforts of the following organizations and individuals: Best Musical - RAGTIME, produced by The Jewish Community Center of Cleveland in Association with Cuyahoga Community College East Campus Theatre Arts. RAGTIME was the blockbuster of the year! Best Play - The Exonerated, produced by the Dobama Theatre Company. Simple, eloquent and incredibly powerful. Best Director - Fred Sternfeld, RAGTIME. Mr. Sternfeld's best work! Stunning! Best Actress - Elizabeth Ann Townsend - THE EXONERATED. A gifted actress who's performance demonstrated humanity, dignity, courage and strength. Best Actor - Brian Zoldessy, TO KNOW HIM. One of the best performances by an actor this city has seen. Rich, detailed, powerful and very moving. Best Theatre Company - THE GREAT LAKES THEATRE FESTIVAL. Under the direction of Charles Fee, GLTF has become a truly fine theatre company, providing entertaining and delightful productions. _________________________________________________________________ Express yourself instantly with MSN Messenger! Download today - it's FREE! http://messenger.msn.click-url.com/go/onm00200471ave/direct/01/ From Grumio85 at aol.com Sun Nov 27 16:06:03 2005 From: Grumio85 at aol.com (Grumio85 at aol.com) Date: Sun, 27 Nov 2005 19:06:03 EST Subject: [NEohioPAL]Beck Center--- Seeks laborer Message-ID: <26a.c8a6a6.30bba3eb@aol.com> -------------------------------1133136363 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Beck Center is seeking someone with day hours (9AM to 6PM) this week to assist on final preparations for our production of "Beauty and the Beast". The ideal candidate will possess some carpentry and light painting skills--- basically a jack-of-all-trades! Compensation negotiable. Looking for some temp work? Reply to this message at your earliest convenience. :) Thank You! Scott Spence Beck Center -------------------------------1133136363 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
Beck Center is seeking someone with day hours (9AM to 6PM) this we= ek to assist on final preparations for our production of "Beauty and the= Beast". The ideal candidate will possess some carpentry and light pain= ting skills--- basically a jack-of-all-trades! Compensation negotiable.
 
Looking for some temp work? Reply to this message at your earliest conv= enience. :)
 
Thank You!
 
Scott Spence
Beck Center
-------------------------------1133136363-- From Bailarte at aol.com Sun Nov 27 16:24:08 2005 From: Bailarte at aol.com (Bailarte at aol.com) Date: Sun, 27 Nov 2005 19:24:08 EST Subject: [NEohioPAL]Latin-American Dance Styles Workshops by...SUSANA Message-ID: <200.e8370ee.30bba828@aol.com> -------------------------------1133137448 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Greetings! (What better than a workout that changes your body, mantains your waist-line, brings your stamina up, conserves or raises your inmune system, and of all work outs out there, Latin-American dance...( well done ) is the one that keeps your body looking great, plus the fun and delight of the authentic Afro-Caribbean and American music is UNIQUE!) I will be teaching a 3 week workshop in fundamental Afro-Latin-American dance rhythms, ( no partner necessary) I use various techniques in all my classes, but I am focused on the integrity of the Latin Styles when I teach Salsa, Merengue, Cumbia, Ruma, Samba etc.etc. Please if you are interested and would like to make a commitment, let me know. These set of workshop will be held on January,thursdays at 7PM, ( will announce asap the exact dates). Where? at Shore Cultural Centre in Euclid (299 East 222nd Street, room 243 .....right in front of the Euclid Value City, dept. store) Please respond to this message or you can call me at: (216) 269-6985 The cost will be prepaid $45 "...Susana Weingarten de Evert is a world class teacher whose energy is contagious. When she is teaching Latin-American rhythms her enthusiasm and happiness is obvious and one can not resist the enjoyment and happiness of the fabulous music that she uses, the flow of movement and the way her body moves...she is an inspiration to all her students...." The Chicago Tribune.....June 2004 -------------------------------1133137448 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable    Greetings!= =20
(What better=20= than a workout that changes your body, mantains your waist-line, brings your= stamina up, conserves or raises your inmune system, and of all work ou= ts out there, Latin-American dance...( well done ) is the one that keeps you= r body looking great, plus the fun and delight of the authentic Afro-Cari= bbean and American music is UNIQUE!)
 
I will be teachin= g a 3 week workshop in fundamental Afro-Latin-American dance rhythms, (= no partner necessary)
 
 
I use various tec= hniques in all my classes, but I am focused on the integrity of the Lat= in Styles when I teach Salsa, Merengue, Cumbia, Ruma, Samba etc.etc= .
 
Please if you= are interested and would like to make a commitment, let me know.
<= /STRONG> 
 These = set of workshop will be held on January,thursdays at 7PM,  ( w= ill announce asap the exact dates).
<= /STRONG> 
Where? at Shore Cultural Centre in Euclid (299 Eas= t 222nd Street, room 243 .....right in front of the Euclid Value City, dept. store)
&= nbsp;
Please respon= d to this message or you can call me at:
(216) 269-6985
&= nbsp;
The cost will= be prepaid
$45
"...Susana Weingarten de Evert is a world class teacher whose e= nergy is contagi= ous. When she is teaching Latin-American rhyt= hms her enthusiasm and happiness is obvious and one can not resist the enjoyment and happiness of the fa= bulous music that she uses, the flow of movement and the way her body moves.= ..she is an inspiration to all her students...."=
The Chicago Tr= ibune.....June 2004
-------------------------------1133137448-- From performingarts at karamu.com Sun Nov 27 16:58:31 2005 From: performingarts at karamu.com (Performing Arts) Date: Sun, 27 Nov 2005 19:58:31 -0500 Subject: [NEohioPAL]AUDITIONS for one of the hippest plays to ever come through Karamu's TOPS outreach program. Message-ID: <047d01c5f3b6$dac88920$5701a8c0@karamu.com> This is a multi-part message in MIME format. ------=_NextPart_000_047A_01C5F38C.F1184DC0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable A HIP HOP AESOP by Je Franklin Told through hip hop with a grooving beat, this new, original and = facinating piece is written by legendary Black Arts Movement and New = York playwright J e Franklin. Author of works such as the classic = Off-Broadway play "Black Girl," (also film directed by the late Ossie = Davis) and "Grey Panthers: Coming to the Mercy Seat."=20 Seeking a multiracial cast of six actors/actresses ages 19 or older, who = can move and groove to the hip hop beat. Must be available during school = hours. Sides will be provided with music. Slam poets are also welcome. = Actors will also be considered for the outreach production of "Langston = Listens to America", dramatized poems written by late Karamu alum = Langston Hughes. The outreach program will tour the Cleveland area and = beyond starting Winter 2006. Audition Dates: Friday, December 9th (Please call for audition = appointment) December 10th, 10AM - 1PM = Where: Karamu House, = 2355 East 89th=20 =20 A HIP HOP AESOP is an adaptation of the ancient fables of Aesop in the = form of Three-Minute plays written in unforgettable hip hop rhythms and = accompanied by catchy musical numbers. The works stay true to the = ancient wisdom of Aesop, who used fables to point out our human foibles, = as Jesus would later use parables to teach his disciples. Aesop was a = Greek-born slave of Ethiopian ancestry, born deformed and unable to = speak, until the Priestess Isis, rewarding him for some deed he = performed, miraculously restored his speech. He lived 600 years before = Christ. For audition appointments for Friday, December 9th, please call = 216-795-7070 ext. 242. =20 ------=_NextPart_000_047A_01C5F38C.F1184DC0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable

A HIP HOP=20 AESOP by Je Franklin

Told through = hip hop=20 with a grooving beat, this new, original and facinating piece is = written by=20 legendary Black Arts Movement and New=20 York playwright J e Franklin. Author of works such as the = classic=20 Off-Broadway play "Black Girl," (also film directed by the late = Ossie=20 Davis) and "Grey Panthers: Coming to the Mercy=20 Seat." 

Seeking a=20 multiracial cast of six actors/actresses ages 19 or older, = who can move and groove to the hip hop=20 beat. Must be available during school hours. Sides will be = provided=20 with music. Slam poets are also welcome. Actors will also be considered = for the=20 outreach production of "Langston Listens to America", dramatized poems = written=20 by late Karamu alum Langston Hughes.  The outreach program will = tour the=20 Cleveland area and beyond starting Winter 2006.

Audition = Dates:=20 Friday, December=20 9th (Please call for audition=20 appointment)          = December=20 10th, 10AM -=20 1PM           &nbs= p;            = ;            =             &= nbsp;           &n= bsp;           &nb= sp;   =20 Where: Karamu House, 2355 East 89th 

           =             &= nbsp;           &n= bsp;           &nb= sp;   =20

A HIP HOP = AESOP is an=20 adaptation of the ancient fables of Aesop in the form of Three-Minute = plays=20 written in unforgettable hip hop rhythms and accompanied by catchy = musical=20 numbers.  The works stay true to the ancient wisdom of Aesop, who = used=20 fables to point out our human foibles, as Jesus would later use parables = to=20 teach his disciples.  Aesop was a Greek-born slave of Ethiopian = ancestry,=20 born deformed and unable to speak, until the Priestess Isis, rewarding = him for=20 some deed he performed, miraculously restored his speech. He lived 600 = years=20 before Christ.

For audition = appointments for Friday, December 9th, please call 216-795-7070 ext.=20 242.


 


------=_NextPart_000_047A_01C5F38C.F1184DC0-- From performingarts at karamu.com Sun Nov 27 17:16:45 2005 From: performingarts at karamu.com (Performing Arts) Date: Sun, 27 Nov 2005 20:16:45 -0500 Subject: [NEohioPAL]Auditions for the third production of Karamu's "Raising The Roof Revival" season: THE COLORED MUSEUMolored Message-ID: <048c01c5f3b9$66bba500$5701a8c0@karamu.com> This is a multi-part message in MIME format. ------=_NextPart_000_0489_01C5F38F.7D0241E0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable THE COLORED MUSEUM by George C. Wolfe (Comedy Satire) This is the classic that placed Wolfe, former Artistic Director for the = Public Theatre in New York City, on the map as a playwright. It was = first produced in 1986 in New Brunswick, New Jersey at Crossroads = Theatre. It is one of the most original and sought out plays in American = Theatre. Wolfe pulls no punches or kicks to the ribs, heart or funny = bone as he views Black history through a satirical microscope; exploring = a series of eleven exhibits such as "Git on Board", "Cookin' With Aunt = Ethel", "The Last Mama-On-The-Couch Play", and the scathing "Soldier = with a Secret". This museum is funky and outrageous. Caroline = Jackson-Smith, Director Seeking 3 women, African American 2 men, African American Cast Age Range: 20's - 40's Auditioners can come with prepared monologues and/or read from sides = which will be available at the audition. When: Saturday, December 10th- 2PM - 4PM Monday, December 12th- 5PM - 8PM Where: Karamu House, 2355 East 89th Street Rehearsals start date TBA at auditions. The production opens January = 27- February 19, 2006 in the 100 seat Arena. =20 For more information, please call 216-795-7070 ext. 242 ------=_NextPart_000_0489_01C5F38F.7D0241E0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable

THE COLORED MUSEUM by = George C.=20 Wolfe (Comedy Satire)
This is the classic that = placed=20 Wolfe, former Artistic Director for the Public Theatre in New York City, = on the=20 map as a playwright.  It was first produced in 1986 in New = Brunswick, New=20 Jersey at Crossroads Theatre. It is one of the most original and sought = out=20 plays in American Theatre. Wolfe pulls no punches or kicks to the ribs, = heart or=20 funny bone as he views Black history through a satirical microscope; = exploring a=20 series of eleven exhibits such as "Git on Board", "Cookin' With Aunt = Ethel",=20 "The Last Mama-On-The-Couch Play", and the scathing "Soldier with a = Secret".=20 This museum is funky and outrageous. Caroline Jackson-Smith, = Director

 

Seeking

 

3 women, African = American

2 men, African = American

Cast Age Range: 20's -=20 40's

 

Auditioners can come = with=20 prepared monologues and/or read from sides which will be available at = the=20 audition.

 

When: Saturday, = December 10th-=20 2PM - 4PM

           = Monday, December 12th- 5PM - 8PM

Where: Karamu House, = 2355 East=20 89th Street

 

Rehearsals start date = TBA at=20 auditions.  The production opens January 27- February 19, 2006 in = the 100=20 seat Arena.

 

For more information, = please=20 call 216-795-7070 ext. 242


------=_NextPart_000_0489_01C5F38F.7D0241E0-- From pnrsusan at hotmail.com Sun Nov 27 17:39:44 2005 From: pnrsusan at hotmail.com (Susan From PNRImprov) Date: Mon, 28 Nov 2005 01:39:44 +0000 Subject: [NEohioPAL]We're back and ready to help! Message-ID:

In this season of giving, please consider helping us give to those who are suffering.

 

PNR Improv will be donating all of the proceeds from all of its shows for the rest of 2005 to the

American Red Cross to help the victims of

Hurricane Katrina.

Your $5.00 will be doing more than buying you an evening of family-friendly comedy?

you?ll be helping out people in need.

 

Please join us for smoke-free, alcohol-free

improv comedy in the style of

?Whose Line Is It Anyway??

Together we can help our fellow Americans. Thank you.

 

2005 Schedule

 

Saturday, December 3

Saturday, December 17

 

All shows start at 7:30pm

Admission: $5.00 at the door (to be donated to the

American Red Cross Disaster Response Fund)

Where: Quirk Cultural Center, 3rd Floor (?Newell Theatre?)

1201 Grant Street, Cuyahoga Falls

 

For more information, contact me at PNRSusan at hotmail.com, or visit our website at http://www.PNRImprov.org.

 

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Find just what you're after with the new, more precise MSN Search - try it now! From blueizeinfo at yahoo.com Sun Nov 27 17:48:09 2005 From: blueizeinfo at yahoo.com (Blue~ize Magazine) Date: Sun, 27 Nov 2005 17:48:09 -0800 (PST) Subject: [NEohioPAL]DECEMBER ISSUE BLUE~IZE MAGAZINE AVAILABLE NOW Message-ID: <20051128014810.1628.qmail@web51515.mail.yahoo.com> --0-1772887066-1133142489=:1377 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit DECEMBER ISSUE OF BLUE~IZE THE PERFORMING ARTS MAGAZINE AVAILABLE NOW! PACKED WITH VALUABLE INFORMATION YOU CAN TRUST... GET STARTED ON YOUR ARTS CAREER TODAY! CONCERT & THEATER LINKS AUDITIONS RISING STAR INTERVIEWS ANNOUNCEMENTS NEWS INDIE FILMS EXPERT ADVICE FROM THE PROS MATTHEW JAMES MURPHY REFLECTS ON "RENT" INTERVIEW WITH JOLENE MCPHERSON, DANCE INSTRUCTOR AN INTERVIEW WITH DEBBIE GIFFORD, VOCALIST CHRISTMAS AT MAXWELL'S FEATURE FILM BY WILLIAM LAUFER MARY ELLEN TOMAZIC, ENTERTAINMENT LAWYER MTV29 BOYS FROM MADISON HIGH SCHOOL MARY FAKTOR SERIES ADVICE ABOUT YOUR ARTS CAREER SUE JOHNSON SHARES "TRICKS OF THE TRADE" SEND JANUARY AUDITION LISTINGS TO US BY DEC 15TH FOR FREE ! ATTENTION ALL ACTING, DANCE, & VOICE COACHES: NEW CLASSIFIED 4 LINE LISTING FOR ONLY $25/MONTH PLEASE REPORT MAGAZINE OUTAGES DON'T MISS AN ISSUE! REQUEST A SUBSCRIPTION FORM Blue~ize Magazine The Ultimate Guide for Young Talent Mike Ross, Editor Barbara Ross, Producer 7285 Center St. Mentor, OH 44060 PH: 440-478-7500 --0-1772887066-1133142489=:1377 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
DECEMBER ISSUE OF
BLUE~IZE
 THE PERFORMING ARTS MAGAZINE
 AVAILABLE NOW!
 
 
PACKED WITH VALUABLE INFORMATION YOU CAN TRUST...
 
GET STARTED ON YOUR ARTS CAREER TODAY!
 
CONCERT & THEATER LINKS AUDITIONS RISING STAR INTERVIEWS ANNOUNCEMENTS NEWS INDIE FILMS
 
EXPERT ADVICE FROM THE PROS
 
MATTHEW JAMES MURPHY REFLECTS ON "RENT"
 
INTERVIEW WITH JOLENE MCPHERSON, DANCE INSTRUCTOR
 
AN INTERVIEW WITH DEBBIE GIFFORD, VOCALIST
 
CHRISTMAS AT MAXWELL'S
FEATURE FILM BY WILLIAM LAUFER
 
 
MARY ELLEN TOMAZIC, ENTERTAINMENT LAWYER
 
MTV29 BOYS FROM MADISON HIGH SCHOOL
 
MARY FAKTOR
SERIES ADVICE ABOUT YOUR ARTS CAREER
 
SUE JOHNSON SHARES "TRICKS OF THE TRADE"
 
 
  • SEND JANUARY AUDITION LISTINGS TO US BY DEC 15TH FOR FREE !
  • ATTENTION ALL ACTING, DANCE, & VOICE COACHES:  NEW CLASSIFIED 4 LINE LISTING FOR ONLY $25/MONTH
PLEASE REPORT MAGAZINE OUTAGES
 
DON'T MISS AN ISSUE!
REQUEST A SUBSCRIPTION FORM


Blue~ize Magazine
The Ultimate Guide for Young Talent 
 
Mike Ross, Editor
Barbara Ross, Producer
7285 Center St.
Mentor, OH 44060
PH: 440-478-7500
--0-1772887066-1133142489=:1377-- From royberko at yahoo.com Sun Nov 27 18:32:10 2005 From: royberko at yahoo.com (Roy Berko) Date: Sun, 27 Nov 2005 18:32:10 -0800 (PST) Subject: [NEohioPAL]Berko review: BRAVO, CARUSO (Ensemble) Message-ID: <20051128023211.39422.qmail@web33103.mail.mud.yahoo.com> ?BRAVO, CARUSO!? OFF KEY AT ENSEMBLE Roy Berko (Member, American Theatre Critics Association) --THE TIMES NEWSPAPERS-- Lorain County Times--Westlaker Times--Lakewood News Times--Olmsted-Fairview Times Playwright William Luce is famous for his one-person scripts. His subjects have included Emily Dickenson, Charlotte Bronte, Zelda Fitzgerald, Lillian Hellman and John Barrymore. In ?BRAVO, CARUSO!,? now being staged by Ensemble Theatre, Luce takes on Enrico Caruso, considered by many opera aficionados to be the greatest tenor of all time, in a two-character script. Caruso was born into a working-class family in Naples, the 18th of 21 children. Early-on his mother was convinced that he had singing talent. By the time he was 10, the young Enrico's singing voice was receiving serious critical attention. Caruso became a favorite at New York?s Metropolitan Opera, where he performed 37 roles in 607 performances. Since his career coincided with the development of the phonograph, he became one of the early recording stars. Earthy, and something of a clown, the singer was extremely popular, not only as a singer, but as a personality. In 1921, when he died at the age of 48, he was greatly mourned. "BRAVO, CARUSO!" takes us into the tenor's dressing room at the Met on Christmas Eve, 1920. No one knows that he is about to sing his last performance. As the tale unfolds, we see the eccentric, preoccupied and brilliant Caruso manipulating his devoted dresser, Fantini, into giving him the adoration the performer so desperately needs. Any theatre choosing this script has to have two superb actors to play the roles. This is not a script for the ordinary performer. It also requires a director who has the inventive nature to work with the performers to hold the attention of an audience with a script that has little action, is very wordy and is two acts in length. There also has to be a sensitivity to developing the needed humor and pathos. Unfortunately, Ensemble misses on all counts. Though they try hard, Bernard Canepari and Pat Mazzarino can?t pull off the difficult roles. Neither is totally believable in their performances. Canepari seems so pre-occupied with remembering his lines that he fails to develop a textured character. The humor and the drama get melded together. Mazzarino plays at being fay and endearing, but never reaches down into the real Fantini. We never understand why he is so devoted to his master and why he is willing to be the brunt of the manipulation. They are not helped by Licia Colombi?s directing, which consists of coming up with shticks and gimmicks rather than creating a unified feeling, using the humor and drama of the script. How many times can we be amused by an ironing board being taken out and put away? Does having Mazzarino mincing around the stage really help him develop a meaningful character? Why weren?t real food and cigarettes used? The faking was just too obvious, especially in a play that has to be real. Ron Newell?s fragmented set, Michael Beyers? lighting and Casey Jones?s sound effects all work well. Too bad the rest of the production doesn?t live up to the technical aspects. CAPSULE JUDGEMENT: One of the most difficult reviews for a critic to write is one that is generally negative. Unfortunately, every once in while, it is my unfortunate duty to have to do so. In choosing a difficult script to perform a theatre has to be sure they have the talent to direct and perform the intent and purpose of the script. Ensemble was over its head in selecting ?BRAVO, CARUSO!? ?BRAVO, CARUSO!? continues at Ensemble Theatre, located in the Brooks Theatre in the Cleveland Play House complex through December 11. For ticket information call 216-321-2930. Roy Berko's web page can be found at www.royberko.info. His theatre and dance reviews appear on NeOHIOpal, an on-line source. To subscribe to this free service via the World Wide Web, visit http://lists.fredsternfeld.com/mailman/listinfo/neohiopal. __________________________________ Yahoo! Mail - PC Magazine Editors' Choice 2005 http://mail.yahoo.com From secylady66 at hotmail.com Sun Nov 27 21:06:20 2005 From: secylady66 at hotmail.com (Leigh Anderson) Date: Mon, 28 Nov 2005 00:06:20 -0500 Subject: [NEohioPAL]Harassing Sales Tactics Message-ID:

There is a certain murder mystery producer who won?t take NO for an answer.  Just like a REAL gangster I guess so his company name is VERY appropriate! 

 

He keeps E-mailing me, insisting I give him my home number and asking me to call him in the middle of the night if I happen to answer him while he?s online. 

 

Now he is also calling me names and telling me I?m on drugs!  This guy is nuts and he?s making me think twice about even hiring a murder mystery group.  I am SO glad I did not give him my number!

 

Harassing and insulting them is NOT the way to win clients over.

 

Leigh Anderson...

(Thinking Twice)


Find e-mail, documents and more on your PC instantly with Windows Desktop Search?FREE! From dafio at msn.com Thu Nov 24 20:35:09 2005 From: dafio at msn.com (Lynda) Date: Thu, 24 Nov 2005 23:35:09 -0500 Subject: [NEohioPAL]Murder Mysteries at Greystone Hall! Message-ID: <000001c5f179$9e4e5e00$d0ac0ccf@randomacts> This is a multi-part message in MIME format. ------=_NextPart_000_0001_01C5F14F.B579DCA0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Random Acts is thrilled to announce that we will be performing private parties at GREYSTONE HALL, a truly unique venue with amazing architecture, stunning staircases and fabulous food! http://www.random-acts.net ------=_NextPart_000_0001_01C5F14F.B579DCA0 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

Random Acts is thrilled to announce that we will be = performing private parties at GREYSTONE HALL, =

a truly unique venue with amazing architecture, = stunning staircases and fabulous food!

 

http://www.random-acts.net

 

 

------=_NextPart_000_0001_01C5F14F.B579DCA0-- From kmmk816 at yahoo.com Mon Nov 21 06:18:57 2005 From: kmmk816 at yahoo.com (Karen Kawolics) Date: Mon, 21 Nov 2005 06:18:57 -0800 (PST) Subject: [NEohioPAL]Guest Needed for Health TV show Message-ID: <20051121141858.43678.qmail@web34201.mail.mud.yahoo.com> Health and Fitness TV program looking for an in studio guest for a six minute interview. The television program "Mind, Body & Spirit" is looking for a guest to be interviewed for a program to be broadcast during the month of February in honor of Valentine's Day. The show will be shot on Tuesday, November 29th at 3:45PM in Macedonia at the Cable 9 studios. We are open to any topics related to love, relationships, heart health, food related topics - anything that will tie together health and romance. Please email any ideas. "MBS" is a health and fitness television program shot at Cable 9 studios in Macedonia and distributed to various cable outlets in the Cleveland and New York City area. Three female hosts each interview one guest for 7 minutes in studio. Guest will receive a copy of their interview. Please email any ideas to Karen Kawolics at kmmk816 at yahoo.com. Thank you, www.karenkawolics.com __________________________________ Yahoo! Mail - PC Magazine Editors' Choice 2005 http://mail.yahoo.com From dcurfman at akron.k12.oh.us Mon Nov 21 06:23:57 2005 From: dcurfman at akron.k12.oh.us (Donna Curfman) Date: Mon, 21 Nov 2005 09:23:57 -0500 (EST) Subject: [NEohioPAL]Keyboard player/organist position Message-ID: Christ United Methodist Church in West Akron is seeking a keyboard player/organist to accompany the choir and play a variety of music for the Sunday service. The position is paid and involves one rehearsal a week on Wednesday nights and one service on Sunday mornings. If interested or in need of additional information, please contact the church office at 330-836-5563 or Donna Curfman at 330-864-2040. From royberko at yahoo.com Mon Nov 21 06:33:29 2005 From: royberko at yahoo.com (Roy Berko) Date: Mon, 21 Nov 2005 06:33:29 -0800 (PST) Subject: [NEohioPAL]Berko review: OPAL (Kalliope) Message-ID: <20051121143329.20414.qmail@web33103.mail.mud.yahoo.com> KALLIOPE STAGE DOES AREA PREMIERE OF ?OPAL? Roy Berko (Member, American Theatre Critics Association) --THE TIMES NEWSPAPERS-- Lorain County Times--Westlaker Times--Lakewood News Times--Olmsted-Fairview Times ?OPAL,? the Richard Rodgers and AT&T Award-winning musical by Robert Lindsey Nassif, is getting its local premiere at Kalliope Stage. Nassif ,who penned the book, music and lyrics, is known to Cleveland audiences for his authorship of ?HONKY TONK HIGHWAY,? and ? ELIOT NESS IN CLEVELAND,? which had local productions. Opal is a full-length musical in one long act, that explores a young girl's attempt to "make earth glad" by helping those around her fulfill their needs and desires. Billed as the true story of Francoise D'Orleans, who, as a child, was shipwrecked off the Oregon coast. It is a bittersweet story that supposedly grew out of Francoise's own diary entries. The reality, however, was that ten months after the diary was published, D?Orleans was accused of fraud. Critics said she fabricated her biography, especially her claims that she was adopted by the Whiteleys and that her parents were actually French aristocracy. She was also accused of writing the diary as an adult, not when she was a child. After the untruthful revelations, Opal fled America and was found in England more than 20 years later wandering through the rubble and burned-out buildings left in the wake of World War II. She was committed to an insane asylum, identified as Schizophrenic, and remained there the rest of her life. She died in 1992, just weeks before the New York debut of the musical based on her writings. No matter the veracity of the tale, the bottom line is that Opal?s story is compelling, mysterious and tragic. The play opens with the shipwreck and illustrates what happens when Francoise is taken in by The Mamma, an embittered woman. The child, who believes her parents will come back one day, is given the name Opal, the same name as The Mamma?s dead daughter. To psychologically survive, Francoise creates a world of fantasy which includes naming things by cultural connections in her background. For example, she names her pet pig ?Peter Paul Rubens.? She gives nicknames to the people of the town: ?the thought-girl with far away look in her eyes,? ?the girl that has no seeing,? and ?the man that wears gray neckties.? Her extraordinary imagination affects the lives of those around her. This isn?t the traditional musical theatre feel-good fluff story with a neatly packaged happy ending. This is a story that is a mix of happiness and sorrow. Kalliope Stage?s production, under the adept directing of Paul F. Gurgol, is generally excellent. Gurgol does a masterful job of using the theatre?s small stage to its maximum. He has cast members linger around the stage, doing various tasks such as needle-point, knitting, and sawing wood to the best effect. The scenes flow well and transition effectively. The pacing is excellent. The opening storm scene is quite realistic and his creation of visual pictures, such as the human tree, is impressive. There are some very strong performances. Marla Berg as Sadie McKibben, the washer woman who befriends Opal, has a fine singing voice and develops a clear character. Kris Comer, the blind girl, creates a perfect image of a woman who is vulnerable and in need of love. Scott Posey has a powerful voice and also hits all the right acting notes as The Shy Man that Wears Gray Neckties. His future bride, The Thought-Girl with the Far Away Look in her Eyes, is nicely developed and sung by Jodi Brinkman. Each of the narrators is effective. On the other hand, Ayeshah Douglas as The Mamma fails to texture her role. Her lines often miss depth of meaning and she acts, rather than reacts to Opal and the other characters. Evaluating a play that has a child lead is often a difficult task. No matter the quality of character development and singing abilities, it is expected that the child, due to her age, is to be judged as ?wonderful.? However, I feel that it is unfair to use one criteria for the rest of the cast and another for child actors, especially ones in musicals like ?ANNIE,? ?OLIVER,? and ?OPAL? where they are the pivotal centers of the show. With that said, eleven year-old Dani Apple makes for an acceptable Opal. She has a nice singing voice. Her acting is not quite as good. She often says lines, rather than creating meanings. Her speaking voice sometimes gets into the high registers which is hard on the ears. Gurgol needed to work with her on emotional development which stretched beyond yelling when she was distraught, and looking directly into the eyes of other characters as she speaks. The choral work is excellent as are the musical sounds created by Brad Wyner and Anthony Ruggiero. Russ Borski?s set design is effective and Lance Switzer?s lighting works well. CAPSULE JUDGEMENT: ?OPAL? is an arresting play that gets a very good production at Kalliope Stage. The show runs through December 18 at Kalliope Stage, 2134 Lee Road. For tickets call 216-321-0870 or go on line to www.KalliopeStage.com. Kalliope Stage?s next production is ?COMING TO AMERICA? which will have its world premiere on February 9, 2006. Roy Berko's web page can be found at www.royberko.info. His theatre and dance reviews appear on NeOHIOpal, an on-line source. To subscribe to this free service via the World Wide Web, visit http://lists.fredsternfeld.com/mailman/listinfo/neohiopal. __________________________________ Yahoo! Mail - PC Magazine Editors' Choice 2005 http://mail.yahoo.com From scott at 1musicman.com Mon Nov 21 06:36:33 2005 From: scott at 1musicman.com (scott at 1musicman.com) Date: Mon, 21 Nov 2005 09:36:33 -0500 Subject: [NEohioPAL]Huge 1 day garage-moving sale-11/26! Message-ID: <200511211436.DTB24469@ms1.netsolmail.com> Dear NEOHIOPAL friends, The time has come to empty my house in order to make a move to California. I am selling furniture- sofas. end tables, chairs. I have many mic stands, cables,dj switchers and more. Also being sold is a 4 post auto lift, an 8 person hot tub, several sets of instrumental method books-Essential Elements. I have 2 small refrigerators and the house itself! (house showings can be arranged through our agent-Melinda Chamberlin- Keller-Williams) These goodies can be seen and bought 1 day only on Nov.26-,Sat.,8:30-5: 00p.m. at 476 Pierson Drive, Richmond Hts., OH (just off of Highland ,across from the police station.) I have other items in these categories so come over and check them out. I accept cash and cash or Paypal. Prices for these items are made to sell. Get a jump on your Holiday shopping.Pass the word-this is gonna be one heckuva' sale. Thank you for including my sale in your post turkey day plans. From dcurfman at akron.k12.oh.us Mon Nov 21 06:44:08 2005 From: dcurfman at akron.k12.oh.us (Donna Curfman) Date: Mon, 21 Nov 2005 09:44:08 -0500 (EST) Subject: [NEohioPAL]Keyboard player for Christmas Eve (fwd) Message-ID: Christ United Methodist Church in West Akron is in need of a keyboard player/organist for our Christmas Eve service at 7:00 p.m. This is a paid position and would require a rehearsal the Wednesday prior to the service (also paid). Please contact Donna Curfman at 330-864-2040 if you are interested and available. Thanks. From news at cvlt.org Mon Nov 21 07:16:11 2005 From: news at cvlt.org (Chris White) Date: Mon, 21 Nov 2005 10:16:11 -0500 Subject: [NEohioPAL]Chagrin Valley Little Theatre presents 'A Christmas Carol' The Musical Message-ID: <008001c5eeae$84158450$0600a8c0@cwhite> This is a multi-part message in MIME format. ------=_NextPart_000_007D_01C5EE84.98E1DD40 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Press Release Chagrin Valley Little Theatre Announces The Broadway Musical, A Christmas Carol =20 =20 November 21, 2005 : Charles Dickens' classic gets the full Broadway = treatment in Alan Menken's-Lynn Ahrens'-Mike Okrent's adaptation of A = Christmas Carol. This is the version that leaves New Yorkers and = tourists alike gasping in wonder and merriment every year as the story = unfolds on the stage at Madison Square Garden. In 2004, this version = became the basis of a NBC television spectacular featuring Kelsey = Grammer as Scrooge, surrounded by an array of stars including Jason = Alexander, Jesse L. Martin, Jane Krakowski, Geraldine Chaplin, Jennifer = Love Hewitt and Ruthie Henshall. Alan Menken (Little Shop Of Horrors) = and Lynn Ahrens (Ragtime The Musical, Once On This Island) have = collaborated on a score that is filled with beautiful melodies and = emotional lyrics. Their song "A Place Called Home" has become a holiday = standard. There are many adaptations of A Christmas Carol out there, but only one = Broadway version! Now this holiday treat can be seen at Chagrin Valley = Little Theatre =20 Director and Choreographer: Pierre-Jacques Brault =20 Music Director: Evie Morris=20 =20 Fridays & Saturdays @ 8 PM November 18 - December 18 Sundays @ 2pm November 20, 27 December 4, 18 (NEW - Corrected Dates) 40 River Street Chagrin Falls, Ohio 44022 Box Office: (440) 247-8955 Box Office Hours: 1 - 6 p.m. Monday - Saturday Tickets $16 - Adults $12 - for youth (under 18) and seniors (60 = and over) Please be sure to visit us at www.cvlt.org or www.chagrinfalls-ohio.com CVLT offers a very attractive dinner theater package with three of = Chagrin Falls' finest restaurants. Make your theater reservations = first, then call the restaurant of your choice to take advantage of = their special dinner theater offering. Call one of these fine = restaurants and enjoy dinner before the show. You should be prepared to = show your theater tickets prior to seating at the restaurant.=20 Enjoy wonderful cuisine plus an entertaining evening at The Chagrin = Valley Little Theatre Raintree 440-247-4800 Gamekeeper's Tavern 440-247-7744 Blake's Seafood Grille 440-893-9910 Chris White Corporate Controller M. Davis Management Services, Inc. 32100 Solon Road Suite 204 Solon, OH 44139 440-542-1724-Phone 440-542-1726-Fax ------=_NextPart_000_007D_01C5EE84.98E1DD40 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
 
Press=20 Release
Director and=20 Choreographer:  Pierre-Jacques=20 Brault  
Music Director:  Evie=20 Morris 

 

Fridays=20 & Saturdays @ 8 PM

November=20 18 - December 18

Sundays=20 @ 2pm

November 20, 27  December 4, = 18

(NEW - Corrected Dates)

 

40=20 River Street    = Chagrin=20 Falls, Ohio 44022

Box=20 Office: (440)=20 247-8955
Box=20 Office Hours: = 1 - 6=20 p.m. Monday =96 Saturday

Tickets    $16 -=20 Adults     $12 - for youth (under 18)=20 and seniors (60 and over)

Please be sure to visit us = at

www.cvlt.org  or = www.chagrinfalls-ohio.com

CVLT offers a very attractive dinner theater package with three = of=20 Chagrin Falls' finest restaurants.  Make your theater reservations = first,=20 then call the restaurant of your choice to take advantage of their = special=20 dinner theater offering.  Call one of these fine restaurants and = enjoy=20 dinner before the show.  You should be prepared to show your = theater=20 tickets prior to seating at the restaurant. =

Enjoy wonderful cuisine plus an entertaining evening at The = Chagrin=20 Valley Little Theatre

Raintree    = 440-247-4800
Gamekeeper's Tavern   =20 440-247-7744
Blake's Seafood Grille    = 440-893-9910
 
 
 
 
 
Chris = White
Corporate Controller
M. Davis Management Services, = Inc.
32100=20 Solon Road  Suite 204
Solon, OH =20 44139
440-542-1724-Phone
440-542-1726-Fax
<= /HTML> ------=_NextPart_000_007D_01C5EE84.98E1DD40-- From artistschair2005 at aol.com Mon Nov 21 07:15:09 2005 From: artistschair2005 at aol.com (artistschair2005 at aol.com) Date: Mon, 21 Nov 2005 10:15:09 -0500 Subject: [NEohioPAL]Need a FREELANCE JOURNALIST? Lauren Muney & OTHER NEWS! Message-ID: <8C7BCC57F4C1794-1F08-7A89@MBLK-M02.sysops.aol.com> ----------MailBlocks_8C7BCC57F4C1794_1F08_75B1_MBLK-M02.sysops.aol.com Content-Type: text/plain; charset="us-ascii" ARTISTSCHAIR.COM'S "FEATURED ARTIST OF THE DAY" Freelance Journalist - Lauren Muney (Location: Laurel, Maryland) (November 21, 2005) To view Laurens profile, visit http://www.artistschair.com Latest Members' CONTEST Giveaway (November 18, 2005) The artistschair.com member that is chosen at random by the database to be the Wednesday, November 23 "Featured Artist of the Day" will win two passes, good for four admissions to the December 1 (7:30 pm) Loews Richmond Town Square advanced screening of "The Family Stone" featuring Claire Danes, Diane Keaton, Rachel McAdams, Dermot Mulroney, Craig T. Nelson, Sarah Jessica Parker and Luke Wilson. Take friends or take family, either way, GET OUT and SEE NORTHEAST OHIO! Not a member of artistschair.com yet? Join today for FREE! Networking EVENT & PARTY for Artists and Those that Hire Talent (November 10, 2005) A GREAT BIG THANK YOU to all who attended the November 9 artistschair.com Networking Event which took place at 1300 Gallery. Photos from the event will be posted to the artistschair.com directory soon. FIND an Artist! Make your event or project extra memorable. Find entertainers and technicians in our FREE and easy-to-use database featuring photos and profiles of local artists in more than 100 different talent fields. BE an Artist! Let your talents and services be known. Become a member for FREE and highlight all talent fields that apply to you. Upload photos of yourself and/or samples of your work, edit your own information and have your profiles viewed by those searching for your talents and services. Our MISSION Artistschair.com is committed to PROMOTING and RAISING AWARENESS of local artists, arts-related institutions and issues and the NORTHEAST OHIO REGION as well as serving the needs of those searching for CREATIVE TALENT and resources. ----------MailBlocks_8C7BCC57F4C1794_1F08_75B1_MBLK-M02.sysops.aol.com Content-Type: text/html; charset="us-ascii"
  
            ARTISTSCHAIR.COM'S "FEATURED ARTIST OF THE DAY"
Freelance Journalist - Lauren Muney (Location: Laurel, Maryland)
 
(November 21, 2005) To view Laurens profile, visit http://www.artistschair.com
 
Latest Members' CONTEST Giveaway
(November 18, 2005) The artistschair.com member that is chosen at random by the database to be the Wednesday, November 23 "Featured Artist of the Day" will win two passes, good for four admissions to the December 1 (7:30 pm) Loews Richmond Town Square advanced screening of "The Family Stone" featuring Claire Danes, Diane Keaton, Rachel McAdams, Dermot Mulroney, Craig T. Nelson, Sarah Jessica Parker and Luke Wilson.  
 
Take friends or take family, either way, GET OUT and SEE NORTHEAST OHIO! Not a member of artistschair.com yet? Join today for FREE!
 
Networking EVENT & PARTY for Artists and Those that Hire Talent
(November 10, 2005) A GREAT BIG THANK YOU to all who attended the November 9 artistschair.com Networking Event which took place at 1300 Gallery. Photos from the event will be posted to the artistschair.com directory soon.
  
FIND an Artist!
Make your event or project extra memorable. Find entertainers and technicians in our FREE and easy-to-use database featuring photos and profiles of local artists in more than 100 different talent fields.
 
BE an Artist!
Let your talents and services be known. Become a member for FREE and highlight all talent fields that apply to you. Upload photos of yourself and/or samples of your work, edit your own information and have your profiles viewed by those searching for your talents and services.
 
Our MISSION
Artistschair.com is committed to PROMOTING and RAISING AWARENESS of local artists, arts-related institutions and issues and the NORTHEAST OHIO REGION as well as serving the needs of those searching for CREATIVE TALENT and resources.
 
----------MailBlocks_8C7BCC57F4C1794_1F08_75B1_MBLK-M02.sysops.aol.com-- From news at cvlt.org Mon Nov 21 07:28:56 2005 From: news at cvlt.org (Chris White) Date: Mon, 21 Nov 2005 10:28:56 -0500 Subject: [NEohioPAL]A Holiday Show with Santa and His Friends, Traditional Gingerbread Tea at CVLT Message-ID: <004f01c5eeb0$4aba5f30$0600a8c0@cwhite> This is a multi-part message in MIME format. ------=_NextPart_000_004C_01C5EE86.60646DF0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Press Release Chagrin Valley Little Theatre Announces A Holiday Show with Santa and His Friends, Traditional = Gingerbread Tea at CVLT =20 =20 November 21, 2005 The happily anticipated holiday tradition, A Holiday Show with Santa and His Friends, Traditional Gingerbread Tea will be held at Chagrin Valley Little Theatre on Saturday Dec 10 and = Sunday December 11 The Tea is sponsored by the CVLT Women's Committee and features a visit = by Santa and his helpers. Refreshments are offered before and after each performance.=20 Photos with Santa will be available for a fee, or you are welcome to = bring your own camera Two shows each day at 1pm and 3pm (theatre auditorium seats 262) Gingerbread Tea seatings in the River Room are limited to 60 people, so = call for reservations soon! Tea Times are 12:30 and 1:30 for the 1pm show and 2:30 and 3:30 for the 3pm show Show Only $5 Show and Tea $7 Reservations & Information call 440-247-8955 Monday - Saturday 1-6pm Proceeds from this entertainment are used as a fund raising event for = the theatre. Chris White Corporate Controller M. Davis Management Services, Inc. 32100 Solon Road Suite 204 Solon, OH 44139 440-542-1724-Phone 440-542-1726-Fax ------=_NextPart_000_004C_01C5EE86.60646DF0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
 
Press=20 Release

Chagrin Valley Little Theatre

Announces  A=20 Holiday Show with Santa and His Friends, Traditional Gingerbread Tea at=20 CVLT  

 

November=20 21, 2005

 

The happily anticipated holiday=20 tradition,

A Holiday Show with Santa and His Friends, Traditional = Gingerbread=20 Tea

will be held at Chagrin Valley Little Theatre on Saturday Dec = 10 and=20 Sunday December 11

 

The Tea is sponsored by the CVLT Women's Committee and = features a=20 visit by Santa and his helpers.

 

Refreshments are offered before and after each=20 performance. 

 

Photos with Santa will be available for a fee, or you = are welcome=20 to bring your own camera

 

Two shows each day at 1pm and=20 3pm

(theatre auditorium seats = 262)

 

Gingerbread Tea seatings in the River Room are limited = to 60=20 people, so call for reservations soon!

 

Tea Times are 12:30 and 1:30 for the 1pm=20 show

and 2:30 and 3:30 for the 3pm=20 show

 

Show Only    = $5

Show and Tea   =20 $7

 

Reservations & = Information

call 440-247-8955

Monday - Saturday = 1-6pm

 

Proceeds from this entertainment are used as a fund raising = event for the=20 theatre.

 

 

 

 
 
 
 
Chris = White
Corporate Controller
M. Davis Management Services, = Inc.
32100=20 Solon Road  Suite 204
Solon, OH =20 44139
440-542-1724-Phone
440-542-1726-Fax
<= /HTML> ------=_NextPart_000_004C_01C5EE86.60646DF0-- From news at cvlt.org Mon Nov 21 07:42:04 2005 From: news at cvlt.org (Chris White) Date: Mon, 21 Nov 2005 10:42:04 -0500 Subject: [NEohioPAL]"Not Yet" - Annual New Year's Eve Benefit - Chagrin Valley Little Theatre Message-ID: <007b01c5eeb2$20b83660$0600a8c0@cwhite> This is a multi-part message in MIME format. ------=_NextPart_000_0078_01C5EE88.3651A350 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Press Release Chagrin Valley Little Theatre Announces "Not Yet!" - Annual New Year's Eve Benefit =20 =20 November 15, 2005 : What are you doing New Year's Eve? Why not ring in 2006 with Chagrin Valley Little Theatre! Join us for = 'Not Yet', a one night only benefit celebrating the shows thatCVLT has = not or cannot peform...yet.=20 Featuring: Eric Alan, Jackie Cassara, Carlos Cruz, Angela Lynard, Paula = Pike, Andrew and Greta Rothman. Musical Direction by Bob Day The show starts at 9pm on December 31st Special $25 ticket price includes entertainment and hors d'ouvres and a champagne toast at midnight! Cash Bar Available =20 40 River Street Chagrin Falls, Ohio 44022 Box Office: (440) 247-8955 Box Office Hours: 1 - 6 p.m. Monday - Saturday Please be sure to visit us at www.cvlt.org or www.chagrinfalls-ohio.com CVLT offers a very attractive dinner theater package with three of = Chagrin Falls' finest restaurants. Make your theater reservations = first, then call the restaurant of your choice to take advantage of = their special dinner theater offering. Call one of these fine = restaurants and enjoy dinner before the show. You should be prepared to = show your theater tickets prior to seating at the restaurant.=20 Enjoy wonderful cuisine plus an entertaining evening at The Chagrin = Valley Little Theatre Raintree 440-247-4800 Gamekeeper's Tavern 440-247-7744 Blake's Seafood Grille 440-893-9910 Chris White Corporate Controller M. Davis Management Services, Inc. 32100 Solon Road Suite 204 Solon, OH 44139 440-542-1724-Phone 440-542-1726-Fax ------=_NextPart_000_0078_01C5EE88.3651A350 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
 
Press=20 Release

Chagrin Valley Little Theatre

Announces  "Not Yet!" - Annual New Year's Eve=20 Benefit   

 

November = 15, 2005=20 :   What are you doing New Year's=20 Eve?

Why=20 not ring in 2006 with Chagrin Valley Little Theatre!  Join us for=20 'Not Yet', a one night only benefit celebrating the = shows=20 thatCVLT has not or cannot peform...yet.

 

Featuring:  Eric Alan, Jackie Cassara, Carlos Cruz, Angela = Lynard,=20 Paula Pike, Andrew and Greta Rothman.  Musical Direction by Bob=20 Day

 

The=20 show starts at 9pm on December 31st

Special $25 ticket price includes entertainment and hors=20 d'ouvres

and a champagne toast at=20 midnight!

Cash Bar Available

 

 

40=20 River Street    = Chagrin=20 Falls, Ohio 44022

Box=20 Office: (440)=20 247-8955
Box=20 Office Hours: = 1 - 6=20 p.m. Monday =96 Saturday

Please be sure to visit us = at

www.cvlt.org  or = www.chagrinfalls-ohio.com

CVLT offers a very attractive dinner theater package with three = of=20 Chagrin Falls' finest restaurants.  Make your theater reservations = first,=20 then call the restaurant of your choice to take advantage of their = special=20 dinner theater offering.  Call one of these fine restaurants and = enjoy=20 dinner before the show.  You should be prepared to show your = theater=20 tickets prior to seating at the restaurant. =

Enjoy wonderful cuisine plus an entertaining evening at The = Chagrin=20 Valley Little Theatre

Raintree    = 440-247-4800
Gamekeeper's Tavern   =20 440-247-7744
Blake's Seafood Grille    = 440-893-9910
 
 
 
 
 
Chris = White
Corporate Controller
M. Davis Management Services, = Inc.
32100=20 Solon Road  Suite 204
Solon, OH =20 44139
440-542-1724-Phone
440-542-1726-Fax
<= /HTML> ------=_NextPart_000_0078_01C5EE88.3651A350-- From kilbanedan at yahoo.com Mon Nov 21 08:01:36 2005 From: kilbanedan at yahoo.com (Dan Kilbane) Date: Mon, 21 Nov 2005 08:01:36 -0800 (PST) Subject: [NEohioPAL]Preview the Holiday Hotline: Nov. 23, 25, & 26; a new musical comedy revue! Message-ID: <20051121160136.77146.qmail@web60712.mail.yahoo.com> --0-437073766-1132588896=:76849 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit DETROIT AVE. ARTS PRODUCES THE WORLD PREMIERE MUSICAL REVUE HOLIDAY HOTLINE Previews November 23, 25 & 26, Running December 1 ? 23, 2005 A musical comedy revue! www.holiday-hotline.com Call the Holiday Hotline! 216.491.1709 James Levin?s Detroit Ave. Arts is proud to announce the world premiere of the irreverent HOLIDAY HOTLINE, a musical comedy revue with sketches and songs. HOLIDAY HOTLINE takes a demented look at all the things that drive us crazy about the Christmas holidays. The show, to run in the funky Orthodox, a former church, runs December 1 ? 23, with a preview week Wednesday, November 23, Friday, November 25, and Saturday, November 26. The show?s book is by Michael Sepesy; music by Linda Eisenstein; and lyrics by both. Linda Eisenstein and Michael Sepesy wreck the halls with this fast and funny collection of sketches and songs skewering the holiday season, from A CHRISTMAS CAROL to Kwanzaa. The piece is eclectic and irreverent, taking all holiday traditions prisoner with music styles ranging from country to polka to torch song. The world premiere HOLIDAY HOTLINE sends up everything from the mystery ingredients in the turkey stuffing to elf psychotherapy. Co-creator Michael Sepesy sums it up, ?The show is a cure for the Christmas crazies!? The cast includes local favorites Denise Astorino, Kim Aldrich-Ceja, Mark Cipra, Maryann Elder, Hester Lewellen, and Andrew Narten. The production?s staff is led by director Mindy Childress and musical director Michael Flohr. Set design is by Michael D. Sepesy, light design is by Trad A Burns, costume design is by Alison Hernan Garrigan, choreography is by Amy Pawlukiewicz and properties design is by Sharon Epstein. Nadia Tarnawsky is the production stage manager. The show previews Wednesday, November 23 and Friday, November 25 at 8:00 p.m. and Saturday, November 26 (8:00 and 10:30 p.m. shows). Opening night is December 1, with the production running through December 23. Performances are Thursdays, Fridays, Saturdays, and Sundays; Thursdays and Fridays at 8:00 p.m., Saturdays at 8:00 and 10:30 p.m., and Sundays at 3:00 p.m. Tickets can be purchased by calling 216.491.1709. Preview tickets are $10. For performances, Thursday, Sunday and Saturday 10:30 p.m. tickets are $10. Friday and Saturdays at 8:00 p.m. are $15. Orthodox is located at Detroit Avenue Arts, 6203 Detroit Ave., Cleveland, Ohio, 44102. Says Eisenstein about the genesis of the piece: ?Last year two of our buddies in the Playwrights' Unit came back from a holiday comedy and said: "You guys are way wackier that that. You need to write a Christmas show." Since then, Mike and I have been bringing sketches and songs from our work-in-progress to the Playwrights' Unit. We've also been performing them every month at The Dark Room, the new works cabaret sponsored by the Cleveland Theater Collective. It's been a great way to watch it develop in front of an audience.? --------------------------------- Yahoo! FareChase - Search multiple travel sites in one click. --0-437073766-1132588896=:76849 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
DETROIT AVE. ARTS PRODUCES THE WORLD PREMIERE MUSICAL REVUE
HOLIDAY HOTLINE
Previews November 23, 25 & 26, Running December 1 ? 23, 2005
A musical comedy revue!
 
www.holiday-hotline.com
Call the Holiday Hotline!  216.491.1709
 
James Levin?s Detroit Ave. Arts is proud to announce the world premiere of the irreverent HOLIDAY HOTLINE, a musical comedy revue with sketches and songs.  HOLIDAY HOTLINE takes a demented look at all the things that drive us crazy about the Christmas holidays.  The show, to run in the funky Orthodox, a former church, runs December 1 ? 23, with a preview week Wednesday, November 23, Friday, November 25, and Saturday, November 26.  The show?s book is by Michael Sepesy; music by Linda Eisenstein; and lyrics by both.
 
Linda Eisenstein and Michael Sepesy wreck the halls with this fast and funny collection of sketches and songs skewering the holiday season, from A CHRISTMAS CAROL to Kwanzaa.  The piece is eclectic and irreverent, taking all holiday traditions prisoner with music styles ranging from country to polka to torch song.  The world premiere HOLIDAY HOTLINE sends up everything from the mystery ingredients in the turkey stuffing to elf psychotherapy.  Co-creator Michael Sepesy sums it up, ?The show is a cure for the Christmas crazies!?
 
The cast includes local favorites Denise Astorino, Kim Aldrich-Ceja, Mark Cipra, Maryann Elder, Hester Lewellen, and Andrew Narten.
 
The production?s staff is led by director Mindy Childress and musical director Michael Flohr.  Set design is by Michael D. Sepesy, light design is by Trad A Burns, costume design is by Alison Hernan Garrigan, choreography is by Amy Pawlukiewicz and properties design is by Sharon Epstein.  Nadia Tarnawsky is the production stage manager.
 
The show previews Wednesday, November 23 and Friday, November 25 at 8:00 p.m. and Saturday, November 26 (8:00 and 10:30 p.m. shows).  Opening night is December 1, with the production running through December 23.  Performances are Thursdays, Fridays, Saturdays, and Sundays; Thursdays and Fridays at 8:00 p.m., Saturdays at 8:00 and 10:30 p.m., and Sundays at 3:00 p.m.
 
Tickets can be purchased by calling 216.491.1709.  Preview tickets are $10.  For performances, Thursday, Sunday and Saturday 10:30 p.m. tickets are $10.  Friday and Saturdays at 8:00 p.m. are $15. 
 
Orthodox is located at Detroit Avenue Arts, 6203 Detroit Ave., Cleveland, Ohio, 44102.
 
Says Eisenstein about the genesis of the piece:  ?Last year two of our buddies in the Playwrights' Unit came back from a holiday comedy and said: "You guys are way wackier that that.  You need to write a Christmas show."  Since then, Mike and I have been bringing sketches and songs from our work-in-progress to the Playwrights' Unit.  We've also been performing them every month at The Dark Room, the new works cabaret sponsored by the Cleveland Theater Collective.  It's been a great way to watch it develop in front of an audience.? 
 
 
  
 

Yahoo! FareChase - Search multiple travel sites in one click. --0-437073766-1132588896=:76849-- From edenvalley at centurytel.net Mon Nov 21 08:26:56 2005 From: edenvalley at centurytel.net (Eden Valley Enterprises) Date: Mon, 21 Nov 2005 11:26:56 -0500 Subject: [NEohioPAL]Get in the Holiday Spirit with STORIES FROM A CHRISTMAS PAST Message-ID: <000801c5eeba$3c371de0$1600000a@centurytel.net> Join us on December 6, 2005 at 7p.m. when STORIES FROM A CHRISTMAS PAST = will be presented at the Richfield Library; 3761 S. Grant St. in = Richfield, Ohio. Get in the holiday mood with these timeless tales and = find out about Cleveland's first Christmas Tree, Whistling Ben Hanby and = other stories in the spirit of the season. This program is FREE and open = to the public. For more information, call the Library at 330-659-4343 or = visit them at: http://www.akronlibrary.org/br-ric01.html To keep up with our complete schedule, go to = http://www.edenvalleyenterprises.org/calendar.html To arrange for a program for your group, send us an e-mail with your = request. To unsubscribe to this list, simply reply to this e-mail with your = request. Bette Lou Higgins Artistic Director Eden Valley Enterprises www.edenvalleyenterprises.org From KevinJosephKelly at aol.com Mon Nov 21 08:38:46 2005 From: KevinJosephKelly at aol.com (KevinJosephKelly at aol.com) Date: Mon, 21 Nov 2005 11:38:46 EST Subject: [NEohioPAL]Colin, Gilagamesh, Phillip, Jared, Kristen, Kevin, and Curtis have a tea party.. Message-ID: <2b8.199b63.30b35216@aol.com> -------------------------------1132591126 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Come see it and say hello afterwards!!!!!!!!!!!! Bring your little ones, they will love it! ALICE'S ADVENTURES IN WONDERLAND OPENS AT THE CLEVELAND PLAY HOUSE Nov. 19 - Dec. 11, 2005 10/25/2005 The production opens November 19 and runs through December 11, 2005, in the Studio One Theatre. Public performances are at 1:00 p.m. and 3:00 p.m. Saturdays and Sundays. Shows run 50 minutes and include a question-and-answer session with the cast. Cast: Kevin Joseph Kelly, Colin Cook, Gilgamesh Tagget, Jared Nichols, Phillip Carrol and Kristen O'Connor as Alice (Curtis L. Young is the understudy for Kevin Joseph Kelly on Sundays) Creative Team Eric Schmiedl (Playwright) Bill Hoffman (Director) Costume Design by Kim Castle; Scenic Design by Jenny Hitmar; Lighting Design by Maureen Patterson, Stage Manager: Donna Dziak. Ticket Information Tickets are $15 and can be purchased at The Cleveland Play House box office, in person or by calling (216) 795-7000 or online at _www.clevelandplayhouse.com_ (http://www.clevelandplayhouse.com/) . Phone orders have a $1 processing fee. For special pricing on groups of 10 or more, or information about student matinees for school groups of 10 or more weekdays at 10:00 a.m. and 11:30 a.m. beginning November 14, call (216) 795-7000 ext. 149 Sincerely, Kevin Joseph Kelly 216-269-3824 -------------------------------1132591126 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
Come see it and say hello afterwards!!!!!!!!!!!!
Bring your little ones, they will love it!

ALICE'S ADVENTURES IN=20 WONDERLAND
OPENS AT THE CLEVELAND PLAY HOUSE
No= v.=20 19 - Dec. 11, 2005 10/25/2005

The production opens November 19 and ru= ns=20 through December 11, 2005, in the Studio One Theatre. Public performances ar= e at=20 1:00 p.m. and 3:00 p.m. Saturdays and Sundays. Shows run 50 minutes and incl= ude=20 a question-and-answer session with the cast.

Cast:
Kev= in=20 Joseph Kelly, Colin Cook, Gilgamesh Tagget, Jared Nichols, Phillip Carrol an= d=20 Kristen O'Connor as Alice (Curtis L. Young is the understudy for Kevin Josep= h=20 Kelly on Sundays)

Creative=20 Team
Eric Schmiedl (Playwright)=20
Bill Hoffman (Director)
Costume Design by K= im=20 Castle; Scenic Design by Jenny Hitmar; Lighting De= sign=20 by Maureen Patterson, Stage Manager: Donna=20 Dziak.

Ticket Information
Tickets= are $15=20 and can be purchased at The Cleveland Play House box office, in person or by= =20 calling (216) 795-7000 or online at www.clevelandplayhouse.com.=20= Phone=20 orders have a $1 processing fee.
For special pricing on groups of 10 or m= ore,=20 or information about student matinees for school groups of 10 or more weekda= ys=20 at 10:00 a.m. and 11:30 a.m. beginning November 14, call (216) 795-7000 ext.= =20 149
 
Sincerely,
Kevin Joseph=20 Kelly
216-269-3824
<= /HTML> -------------------------------1132591126-- From patmazz at aol.com Mon Nov 21 08:39:29 2005 From: patmazz at aol.com (patmazz at aol.com) Date: Mon, 21 Nov 2005 11:39:29 -0500 Subject: [NEohioPAL]Ensemble Theatre presents BRAVO CARUSO Message-ID: <8C7BCD147310ECB-1E60-6F55@MBLK-R09.sysops.aol.com> ----------MailBlocks_8C7BCD147310ECB_1E60_6ABB_MBLK-R09.sysops.aol.com Content-Type: text/plain; charset="us-ascii" Ensemble Theatre will present BRAVO,CARUSO! at the Brooks Theatre of The Cleveland Play House Nov 26 - Dec.11 Written by William Luce Directed by Licia Colombi Starring Bernard Canepari as Caruso Pat Mazzarino as Mario Its Christmas Eve 1920 in The great opera singer's dressing room at The Metropolitan Opera House. His valet Mario is getting him ready for his performance in "LA JUIVE". Unknown to both men it will be his last performance before his death. Listen to WCPN, Tuesday Nov 22 at "Around Noon" with Dee Perry as she chats with Bernard Canepari, Pat Mazzarino and playwright William Luce. Tickets can be purchased by call the theatre box office at 216-321-2930 ----------MailBlocks_8C7BCD147310ECB_1E60_6ABB_MBLK-R09.sysops.aol.com Content-Type: text/html; charset="us-ascii"
Ensemble Theatre will present
 
BRAVO,CARUSO!
 
at the Brooks Theatre of The Cleveland Play House
 
Nov 26 - Dec.11
 
Written by William Luce
Directed by Licia Colombi
Starring
 
Bernard Canepari as Caruso
Pat Mazzarino as Mario
 
Its Christmas Eve 1920 in The great opera singer's dressing room
at The Metropolitan Opera House. His valet Mario is getting him ready for his performance in "LA JUIVE". Unknown to both men it will be his last performance before his death.
 
Listen to WCPN, Tuesday Nov 22 at "Around Noon" with Dee Perry as she chats with Bernard Canepari, Pat Mazzarino and playwright William Luce.
 
Tickets can be purchased by call the theatre box office at
216-321-2930
----------MailBlocks_8C7BCD147310ECB_1E60_6ABB_MBLK-R09.sysops.aol.com-- From mcmamahoo at yahoo.com Mon Nov 21 08:51:46 2005 From: mcmamahoo at yahoo.com (Cherie Lawrence) Date: Mon, 21 Nov 2005 08:51:46 -0800 (PST) Subject: [NEohioPAL]Christmas Spectacular 20th Anniversary@ Akron Civic Message-ID: <20051121165146.28736.qmail@web81710.mail.mud.yahoo.com> Spectacular Music Productions, recipient of the 2005 Zenith Award Best Theatre/Entertainment and top winner of ABJ "Best" Readers Poll, directed by Maestro Larry Wilgus, will present 4 shows of its 20th Anniversary Special New Edition 2-hr family holiday extravaganza. In addition to 145 vocalists, dance troupes, live professional orchestra, Victorian carolers and toy soldiers, this year features special guest 4th/5th-grade choirs from the Kent, Wadsworth, Akron and Green Local Schools, joining the chorus in "When I Hear Those Jingle Bells" and "Home for the Holidays." Also the all-male "Reindeer Boogie" dance troupe will reprise the number by popular demand from our 2004 patrons! FRI DEC 9 7.30pm SAT DEC 10 3PM AND 7.30PM SUN DEC 11 3PM Akron Civic Theatre 102 S Main St FREE PARKING Ticket Information: Adults $35/$31 Children $21 Akron Civic 330.253.2488 11am-5.30pm EJ Thomas Hall 330.972.7570 10.30am-6pm Ticketmaster Akron(330.954.9400) Youngstown(330.747.1212) Cleveland(216.941.5555)and Ticketmaster Kauffman's and select Giant Eagle locations,or www.ticketmaster.com Group Sales of 20+ ONLY-Call 330.966.0700 See www.spectacularmusic.org "What's New" to view the 30-sec tv commercial...and read about us in the Nov 2005 edition of Akron Life and Leisure, pp 50-51. Thanks to all for your past support. From theater at btots.org Mon Nov 21 10:39:13 2005 From: theater at btots.org (Brecksville Theater on the Square) Date: Mon, 21 Nov 2005 12:39:13 -0600 Subject: [NEohioPAL]Auditions for Let Your Hair Down, Rapunzel Message-ID: <001001c5eeca$df150b70$525a4b0c@D3YBLD11> This is a multi-part message in MIME format. ------=_NextPart_000_000D_01C5EE98.93B99560 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Brecksville Theater On The Square Announces Auditions for=20 Let Your Hair Down, Rapunzel Book by Karen Boettcher-Tate, Music & Lyrics by Scott Deturk =20 =20 =20 Brecksville Theater on the Square will hold auditions for Let Your Hair = Down, Rapunzel on Monday, November 28 and/or Tuesday, November 29. All = interested actors/actresses should arrive at 6:30 p.m. and be prepared = for movement. All roles are open for students in grades 4 - 9. =20 Please prepare a minimum of 16 measures of a song of your choice. An = accompanist will be provided. No a cappella auditions, and no recorded = music. Please choose material that displays your voice at its best. = Headshots and resumes welcomed. =20 =20 Production dates for Let Your Hair Down, Rapunzel are February 3-5 and = February 10-12, 2006 at Brecksville's Historic Old Town Hall. =20 Auditions will be held in Building 5 at the Blossom Hill Complex, 4450 = Oakes Road in Brecksville. For additional information, call Brecksville = Theater on the Square at 440-526-3443 ext 3. =20 Kimberly Bush directs and choreographs this production. =20 =20 =20 =20 The Ohio Arts Council helped fund this organization with state tax = dollars to encourage economic growth, educational excellence and = cultural enrichment for all Ohioans. =20 ------=_NextPart_000_000D_01C5EE98.93B99560 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable

Brecksville Theater On The Square Announces Auditions = for=20

Let Your Hair Down, Rapunzel

Book by = Karen=20 Boettcher-Tate, Music & Lyrics by Scott Deturk

 

 

 

Brecksville Theater on the Square will hold = auditions=20 for Let Your Hair Down, Rapunzel on Monday, November 28 = and/or=20 Tuesday, November 29.  All = interested actors/actresses should arrive at 6:30 p.m. and be = prepared for=20 movement.  All roles=20 are open for students in grades 4 =96 9.

 

Please prepare a minimum of 16 measures of a = song of=20 your choice.  An = accompanist will be=20 provided.  No a cappella = auditions,=20 and no recorded music.  = Please=20 choose material that displays your voice at its best.  Headshots and resumes = welcomed. 

 

Production dates for Let Your Hair Down, = Rapunzel are February 3-5 and February 10-12, 2006 at = Brecksville=92s=20 Historic Old Town Hall.

 

Auditions will be held in Building 5 at the = Blossom Hill=20 Complex, 4450 Oakes Road in Brecksville. For additional information, = call=20 Brecksville Theater on the Square at 440-526-3443 ext = 3.

 

Kimberly Bush directs and choreographs this=20 production. 

 

 

 

The Ohio Arts = Council helped=20 fund this organization with state tax dollars to encourage economic = growth,=20 educational excellence and cultural enrichment for all=20 Ohioans.

 
------=_NextPart_000_000D_01C5EE98.93B99560-- From rsvp at redbulltheater.com Mon Nov 21 09:40:26 2005 From: rsvp at redbulltheater.com (rsvp at redbulltheater.com) Date: Mon, 21 Nov 2005 12:40:26 -0500 Subject: [NEohioPAL]Revenge Begins this Sunday, November 27th Message-ID: <03e701c5eec2$d154aa20$6500a8c0@DBPCCF61> This is a multi-part message in MIME format. ------=_NextPart_000_03E8_01C5EE98.E87EA220 Content-Type: multipart/alternative; boundary="----=_NextPart_001_03E9_01C5EE98.E87EA220" ------=_NextPart_001_03E9_01C5EE98.E87EA220 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable =20 LIMITED ENGAGEMENT =97 THREE WEEKS ONLY! =20 To be sure you receive our e-mails, please add rsvp at redbulltheater.com = to your e-mail address book. =20 =20 =20 Red Bull Theater presents The Revenger's Tragedy November 27 =96 December 18 @ the Culture Project Tickets available now: www.theatermania.com =20 =20 =20 CAST Denis Butkus, Jason C. Brown, Aaron Clayton, Saudia Davis, Ryan Farley, Ty Jones, Daryl Lathon, Claire Lautier, Paul Niebanck, Chris Oden, Petronia Paley, William Peden, Naomi Peters, Matthew Rauch, Russ Salmon, Daniel Cameron Talbott, Haynes Thigpen, Marc Vietor, Yaegel Welch =20 DIRECTION and DESIGN Jesse Berger, Tracy Bersley, Renee Blinkwolt, J David Brimmer, Emily De Cola, Kimberly Dilts, Daniel Levy, Evan O=92Brient, Clint Ramos, Mary Vorrasi, Peter West =20 LOCATION The Culture Project 45 Bleecker Street & Lafayette Trains: 6, N/R/W, F/V www.45bleecker.com =20 =20 TICKETS Theatermania www.theatermania.com =20 212.352.3101 $15 =20 ABOUT THE PLAY The Revenger's Tragedy, a Jacobean thriller written a few years after Hamlet, is a searing examination of the need for justice and the desire = for vengeance. Vindice, the "Revenger," sets off a chain reaction of havoc = in a corrupt and decadent Venice, which exposes outrageous indulgences and government hypocrisy, and ends in a coup de th=E9=E2ter massacre of epic proportions. Part black comedy, part social satire, the play is a = gleefully macabre plot-twisting blender full of Shakespeare's greatest hits. = Written by Thomas Middleton, Cyril Tourneur, or Anonymous, the work is adapted = by Artistic Director Jesse Berger. =20 WHO WE ARE Red Bull Theater is a 501(c)(3) not-for-profit company dedicated to the presentation of vital and imaginative productions of heightened language plays and to the development of new plays written in a similar vein. = With a special focus on the Jacobean plays of Shakespeare and his = contemporaries, Red Bull Theater aspires to challenge the intellect and engage the imagination of today=92s theatergoers through language-based, = company-created, resonantly provocative stagings of great classic stories. =20 Donations to Red Bull Theater are fully tax-deductible to the extent permitted by law. =20 DONATE =20 To give to Red Bull Theater right now, click HERE =20 or go to www.redbulltheater.com/join =20 =20 MAILING LISTS Don=92t miss out on events that get announced by regular mail only: Send your mailing address to us at info at redbulltheater.com. =20 To Subscribe or Unsubscribe to our email announcements, click HERE . =20 =20 =20 =20 Jesse Berger Jessica Niebanck Artistic Director Producing Director www.redbulltheater.com info at redbulltheater.com PO Box 250863 NYC NY 10025 212.414.5168 =20 =20 =20 =20 ------=_NextPart_001_03E9_01C5EE98.E87EA220 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable

 

=A0LIMITED ENGAGEMENT — THREE WEEKS = ONLY!

 

=A0To be sure you receive our e-mails, please add rsvp at redbulltheater.com to = your e-mail address book.

 

 

 

Red Bull Theater presents

The Revenger's = Tragedy

November 27 – December 18 @ = the Culture Project

Tickets available now: www.the= atermania.com

 

 

CAS= T

=A0Jason C. Brown,=A0 = =A0Aaron = Clayton,

=A0=A0 = Ty = Jones,

=A0Claire Lautier,=A0=A0 Paul = Niebanck,

=A0=A0 Petronia Paley,=A0 = =A0William = Peden,

=A0=A0Matthew Rauch,=A0 = =A0Russ = Salmon,

=A0=A0 Haynes = Thigpen,

=A0=A0 Yaegel = Welch

&n= bsp;

DIR= ECTION and DESIGN

=A0=A0Tracy Bersley, = =A0=A0Renee Blinkwolt,

=A0=A0Kimberly = Dilts,

=A0Evan O’Brient,=A0=A0 = Clint Ramos,

=A0=A0Peter = West

&n= bsp;

LOC= ATION

45 Bleecker = Street & Lafayette

Trains: 6, N/R/W, = F/V

www.45bleecker.com

&n= bsp;

TICKETS

www.the= atermania.com

212.352.3101

$15<= /p>

 

ABO= UT THE PLAY

The Revenger's Tragedy, a Jacobean thriller written a few years after Hamlet, is a searing examination of the need for justice and the desire for = vengeance. Vindice, the "Revenger," sets off a chain reaction of havoc in a = corrupt and decadent Venice= , which exposes outrageous indulgences and = government hypocrisy, and ends in a coup de th=E9=E2ter massacre of epic = proportions. Part black comedy, part social satire, the play is a gleefully macabre = plot-twisting blender full of Shakespeare's greatest hits. Written by Thomas = Middleton, Cyril Tourneur, or Anonymous, the work is adapted by Artistic Director Jesse = Berger.

 

WHO= WE ARE

Red Bull Theater is a 501(c)(3) not-for-profit company dedicated to the presentation of vital and imaginative productions of = heightened language plays and to the development of new plays written in a similar vein.  With a special focus on the Jacobean plays of Shakespeare = and his contemporaries, Red Bull Theater aspires to challenge the intellect and = engage the imagination of today’s theatergoers through language-based, company-created, resonantly provocative stagings of great classic = stories.

 

Donations to Red Bull = Theater are fully tax-deductible to the extent permitted by = law.

&nb= sp;

DON= ATE

 

To give to Red Bull Theater right now, = click HERE

or go to www.redbulltheater.com/j= oin

 

MAI= LING LISTS

Don’t miss out on events that = get announced by regular mail only:

Send your mailing address to us at = info at redbulltheater.com.

 <= /b>

To Subscribe or Unsubscribe to = our email announcements, click HERE.

 

 

=A0

 

Jesse Berger=A0=A0 Jessica Niebanck

Artistic Director=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0 Producing = Director

www.redbulltheater.com

info at redbulltheater.com

PO Box 250863

NYC NY 10025

212.414.5168

 

 

 

 

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Date: Mon, 21 Nov 2005 13:32:36 -0500 Subject: [NEohioPAL]Oberlin Orchestra Embarks on a Tour of China Message-ID: --Boundary_(ID_OkuHotLURr4McbYHQrCW0A) Content-type: text/plain; charset=WINDOWS-1252; format=flowed Content-transfer-encoding: quoted-printable Media Contact Only: Marci Janas Director of Conservatory Media Relations 440-775-8328 marci.janas at oberlin.edu FOR IMMEDIATE RELEASE Orchestra from the Oberlin Conservatory of Music to Embark on a Tour of the People=92s Republic of China Nine-day tour covers six cities, with more than 60 students performing=20= 10 concerts OBERLIN, OHIO (Nov. 21, 2005) =97 Ten concerts, nine days, six = cities=97the=20 numbers add up to an intense tour schedule under ordinary=20 circumstances. But for student-musicians from the Oberlin Conservatory=20= of Music in Oberlin, Ohio, the intensity is heightened by the fact that=20= the six cities are in the People=92s Republic of China. The Oberlin Orchestra, an ensemble of 66 Conservatory students=20= selected by audition, leaves for China on Dec. 23, 2005, and will=20 perform in some of China=92s premier venues, including the Beijing Poly=20= Theater and the Shanghai Concert Hall. The tour begins with three concerts in Anshan, in central = Liaoning=20 Province, followed by a performance in Shenyang. =46rom there it=92s on = to=20 Dalian, at the southern tip of the province, for two concerts. Two=20 evening performances in Beijing are next on the itinerary, followed by=20= a concert in Tianjing. The tour concludes with a performance in=20 Shanghai. The musicians return home on Jan. 5, 2006. All of the members of the Oberlin Orchestra are undergraduates. = They=20 represent cities throughout the United States and Canada, as well as=20 South Korea, Bulgaria, Denmark, and Singapore. Bridget-Michaele=20 Reischl, music director of the Oberlin Orchestras, will conduct the=20 ensemble during the tour; J Freivogel of St. Louis, Missouri, is=20 concertmaster. Along with intensive rehearsal sessions, the student-musicians = are=20 preparing for the tour by taking a course, China Tour Preparation,=20 offered by the East Asian studies department of Oberlin College, the=20 Conservatory=92s liberal arts counterpart. Funding for the tour is being provided by the Liaoning = Performance=20 Company, a presenting company from China; Chinese businessman Sen Wang;=20= the Chinese Ministry of Culture; and the Oberlin Conservatory of Music. The concert program includes the overture to Mozart=92s The = Marriage of=20 Figaro, selections from Bizet=92s Carmen, Strauss=92 Blue Danube, = Brahms=92=20 Hungarian Dance No. 5, Dvor=E1k=92s Slavonic Dances Op. 46, Nos. 1, 3, = and=20 8, and Chinese folk songs. In addition, this core program will=20 alternate George Gershwin=92s Rhapsody in Blue with Igor Stravinsky=92s=20= Pulcinella Suite. Pianist Thomas Rosenkranz, a 1999 graduate of the=20 Oberlin Conservatory, will be the featured soloist for the Gershwin. The orchestra also will perform the official songs of Anshan, = Dalian,=20 and Beijing, respectively, during concerts in those cities. In Dalian,=20= the Oberlin Orchestra will perform under the baton of guest conductor=20 Fan Tao. Tao, a conductor with the China Broadcasting Performing-Arts=20 Troupe, was awarded a special prize at the 2000 Sibelius International=20= Conducting Competition in Helsinki, Finland. A trip to China made last spring by the dean of the Oberlin=20 Conservatory, David H. Stull, and several faculty members was the=20 genesis of this tour. The Oberlin contingent was invited by the=20 Szechuan Conservatory in Cheng du and visited major concert halls and=20 music schools, where they gave master classes. =93Our primary interest was to visit major schools to get a = sense of=20 their philosophy of teaching and to establish at least an informal=20 relationship with the leaders of those institutions,=94 says Stull. In=20= April, five members of the Szechuan Conservatory made a reciprocal=20 visit to Oberlin to explore the nuances of American conservatory=20 training. =93This China tour will be of immense educational benefit to = Oberlin=20 students,=94 says tour manager James Kalyn. =93In addition to the = musical=20 growth they will experience by performing the same pieces over and over=20= again=97something students in conservatory orchestras rarely get to=20 do=97they will be exposed to the culture of an emerging economic=20 superpower.=94 =93China now produces some of the world=92s finest musicians,=94 = adds Stull.=20 =93Many of these young people come to Oberlin to study. Of the 50=20 students enrolled in the Conservatory from countries in Asia, 15 are=20 from China. It is in our own students=92 best interest to explore the=20 educational and performance opportunities this country has to offer.=94 Bridget-Michaele Reischl, Music Director, Oberlin Orchestra Since becoming the first American to win Italy=92s Antonio Pedrotti=20 International Conducting Competition in 1995, Bridget-Michaele Reischl=20= has been an active guest conductor throughout the United States and=20 internationally. Besides being music director of the Oberlin Orchestras=20= and a member of Oberlin=92s conducting faculty, Reischl is music = director=20 of the Green Bay Symphony Orchestra in Green Bay, Wisconsin, a position=20= she has held since 2001. =46rom 1992 to 2004, she was music director of=20= the Lawrence Symphony Orchestra and associate professor of conducting=20 at the Lawrence University Conservatory of Music in Appleton,=20 Wisconsin. She is a graduate of the Eastman School of Music. As a=20 student of Robert Spano (a 1983 Oberlin graduate), she continued her=20 studies as a conducting fellow at both the Aspen and the Tanglewood=20 music festivals, where she worked with Seiji Ozawa, Murray Sidlin, and=20= David Zinman (also an Oberlin graduate, Class of 1958). She has=20 recorded on the Velut Luna, CRI, and Sea Breeze Record Company labels. Thomas Rosenkranz, piano soloist Thomas Rosenkranz has performed on four continents and has twice been=20 named an artistic ambassador, sponsored by the United States State=20 Department on tours of the Middle East and Africa to present recitals=20 of American music for television and radio broadcasts. He was recently=20= awarded the prestigious =93Classical Fellowship Award=94 from the = American=20 Pianists Association. He has given performances at Lincoln Center (New=20= York), the Miller Theatre (New York), the 92 Street Y (New York), the=20 Kennedy Center (D.C.), the Hilbert Circle Theatre (Indianapolis),=20 L=92Acropolium (Carthage), and Theatre de la Ville (Tunis). He toured=20 Japan and Taiwan with the Eastman Wind Ensemble and has been a featured=20= pianist at such notable festivals as the the Tabarka Jazz Festival=20 (Tunisia), Octobre Musical (Tunisia), the Kurt Weill Fest (Germany),=20 and the National MTNA Convention in Seattle. He has performed as=20 soloist with the National Orchestra of Beirut, the Orchestre=20 Symphonique Tunsien, the Indianapolis Chamber Orchestra, and the=20 Northwest Chamber Orchestra. A graduate of the Oberlin Conservatory=20 (Class of 1999) and the Eastman School of Music, his major teachers=20 include Robert Shannon, Nelita True, and Yvonne Loriod-Messiaen. He=20 lives in Honolulu, Hawaii, and is assistant professor of piano at the=20 University of Hawaii at Manoa. He will be artist-in-residence at the=20 Cortona Contemporary Festival in Italy this summer. J Freivogel, concertmaster Raised in a family of musicians, J Freivogel began playing violin at=20 the age of two. Now in his last year of Oberlin=92s double-degree=20 program, he studies violin with Marilyn McDonald and is pursuing=20 degrees in violin performance and politics. Named one of Northern Ohio=20= Live magazine=92s =93best and brightest=94 in 2004, Freivogel has=20 participated in critically acclaimed concerts at Carnegie=92s Weill=20 Recital Hall and Merkin Hall in New York City. He is first violinist of=20= the Jasper String Quartet. In the spring, he will return to New York to=20= perform Alban Berg=92s Kammerkonzerte and the world premiere of Lewis=20 Nielson=92s Violin Concerto. Freivogel is from St. Louis, Missouri. The Oberlin Orchestra and the Oberlin Conservatory of Music After Sir Simon Rattle conducted the Oberlin Chamber Orchestra in=20 December 2004, Plain Dealer music critic Donald Rosenberg wrote that=20 the concert was =93stamped by magnificence.=94 Indeed, Rosenberg = included=20 the Oberlin-Rattle performance of Mahler=92s Symphony No. 4, which he=20 described as =93uncommonly rich in poetry and drama,=94 in his list of = top=20 10 memorable events from the 2004 concert season. Magnificence has come to be synonymous with all aspects of the = Oberlin=20 Conservatory of Music, from its exacting standards for incoming=20 students to the excellence in teaching and performance expected of its=20= faculty and the notable careers of its alumni, who can be found=20 performing in every major orchestra and opera house and with many of=20 today=92s acclaimed chamber ensembles. Founded in 1865 and situated within the intellectual vitality of=20= Oberlin College since 1867, Oberlin is the oldest continuously=20 operating conservatory in the United States. An undergraduate=20 institution, Oberlin is renowned internationally as a professional=20 music school of the highest caliber and has been called a =93national=20 treasure=94 by the Washington Post. Past guest conductors of the Oberlin Orchestra have included Marin=20 Alsop, Pierre Boulez, Catherine Comet, Tan Dun, Eve Queler, Robert=20 Shaw, Oscar Shumsky, Igor Stravinsky, composer John Williams, and Hugh=20= Wolff. Upcoming appearances by the Oberlin Orchestra for the 2005-06 = season=20 include a performance at Cleveland=92s Severance Hall, home of the=20 Cleveland Orchestra, under the baton of music director and conductor=20 Bridget-Michaele Reischl. The 2006-07 season features a performance at=20= Carnegie Hall with Robert Spano conducting. For more information about the Oberlin Conservatory of Music, = please=20 visit www.oberlin.edu/con. Oberlin College=92s Historic Ties to China For more than a century, Oberlin College and China have benefited from=20= a mutually supportive relationship encompassing educational, social,=20 and cultural exchanges, beginning with the teaching work of Oberlin=20 graduates in the late 1800s. To commemorate the efforts of Oberlin=20 educators in China, the Oberlin Shansi Memorial Association was founded=20= in 1908, more than 50 years before the Peace Corps was begun. Today=20 Shansi is an independent non-profit organization on the Oberlin campus=20= that sponsors numerous educational exchanges, sending Oberlin students=20= to sites throughout Asia to work and to teach and bringing Asian=20 scholars to the College for the same purpose. Shansi has empowered=20 generations of participants to make constructive and useful=20 contributions to Asian and American institutions and communities. Another strong Oberlin-China connection can be found at the = Shanghai=20 Conservatory of Music, the oldest conservatory in China. Huang Tzu, a=20 1926 Oberlin graduate who is widely considered to be one of the=20 patriarchs of Western music education in modern China, was one of its=20 founding fathers. Tzu wrote the school=92s curriculum, which ultimately=20= became the platform for the professional study of music in China. =0C Concert Schedule December 25, 2005 Anshan Shengli Auditorium, 3 p.m. and 7 p.m. December 26, 2005 Anshan Shengli Auditorium, 7 p.m. December 27, 2005 Shenyang Nanfeng International Centre, 7 p.m. December 28, 2005 Dalian Dalian Broadcasting Centre, 7 p.m. December 29, 2005 Dalian Dalian Broadcasting Centre, 7 p.m. December 30, 2005 Beijing Poly Theatre, 7 p.m. December 31, 2005 Beijing Poly Theatre, 7 p.m. January 1, 2006 Tianjing Venue TBA, 7 p.m. January 2, 2006 Shanghai Shanghai Concert Hall, 7 p.m. # # # Marci Janas Director of Conservatory Media Relations Oberlin Conservatory of Music 39 West College Street Oberlin, OH 44074 www.oberlin.edu/con (P) 440-775-8328 (F) 440-775-5457 marci.janas at oberlin.edu= --Boundary_(ID_OkuHotLURr4McbYHQrCW0A) Content-type: text/enriched; charset=WINDOWS-1252 Content-transfer-encoding: quoted-printable Media Contact Only: Marci Janas Director of Conservatory Media Relations 440-775-8328 = 0000,0000,FFFCmarci.janas at oberlin.edu FOR IMMEDIATE RELEASE
Orchestra from the Oberlin Conservatory of Music=20 to Embark on a Tour of the People=92s Republic of China Nine-day tour covers six cities, with more than 60 students performing 10 concerts =
<
OBERLIN, OHIO (Nov. 21, 2005) =97 Ten concerts, nine days, six cities=97the numbers add up to an intense tour schedule under ordinary circumstances. But for student-musicians from the Oberlin Conservatory of Music in Oberlin, Ohio, the intensity is heightened by the fact that the six cities are in the People=92s Republic of China.=20 The Oberlin Orchestra, an ensemble of 66 Conservatory students selected by audition, leaves for China on Dec. 23, 2005, and will perform in some of China=92s premier venues, including the Beijing Poly Theater and the Shanghai Concert Hall.=20 The tour begins with three concerts in Anshan, in central = Liaoning Province, followed by a performance in Shenyang. =46rom there it=92s on = to Dalian, at the southern tip of the province, for two concerts. Two evening performances in Beijing are next on the itinerary, followed by a concert in Tianjing. The tour concludes with a performance in Shanghai. The musicians return home on Jan. 5, 2006. All of the members of the Oberlin Orchestra are undergraduates. = They represent cities throughout the United States and Canada, as well as South Korea, Bulgaria, Denmark, and Singapore. Bridget-Michaele Reischl, music director of the Oberlin Orchestras, will conduct the ensemble during the tour; J Freivogel of St. Louis, Missouri, is concertmaster. Along with intensive rehearsal sessions, the student-musicians = are preparing for the tour by taking a course, China Tour Preparation, offered by the East Asian studies department of Oberlin College, the Conservatory=92s liberal arts counterpart. Funding for the tour is being provided by the Liaoning = Performance Company, a presenting company from China; Chinese businessman Sen Wang; the Chinese Ministry of Culture; and the Oberlin Conservatory of Music. The concert program includes the overture to Mozart=92s = The Marriage of Figaro, selections from Bizet=92s Carmen, Strauss=92 Blue Danube, Brahms=92 Hungarian Dance No. 5, Dvor=E1k=92s Slavonic Dances Op. 46, Nos. 1, 3, and 8, and Chinese folk songs. In addition, this core program will alternate George Gershwin=92s Rhapsody in Blue with Igor Stravinsky=92s Pulcinella Suite. Pianist Thomas Rosenkranz, a 1999 graduate of the Oberlin Conservatory, will be the featured soloist for the Gershwin.=20 The orchestra also will perform the official songs of Anshan, = Dalian, and Beijing, respectively, during concerts in those cities. In Dalian, the Oberlin Orchestra will perform under the baton of guest conductor Fan Tao. Tao, a conductor with the China Broadcasting Performing-Arts Troupe, was awarded a special prize at the 2000 Sibelius International Conducting Competition in Helsinki, Finland. FFFC,0000,0000 A trip to China made last spring by the dean of the = Oberlin Conservatory, David H. Stull, and several faculty members was the genesis of this tour. The Oberlin contingent was invited by the Szechuan Conservatory in Cheng du and visited major concert halls and music schools, where they gave master classes. =93Our primary interest was to visit major schools to get a = sense of their philosophy of teaching and to establish at least an informal relationship with the leaders of those institutions,=94 says Stull. In April, five members of the Szechuan Conservatory made a reciprocal visit to Oberlin to explore the nuances of American conservatory training. =93This China tour will be of immense educational benefit to = Oberlin students,=94 says tour manager James Kalyn. =93In addition to the = musical growth they will experience by performing the same pieces over and over again=97something students in conservatory orchestras rarely get to do=97they will be exposed to the culture of an emerging economic superpower.=94 =93China now produces some of the world=92s finest musicians,=94 = adds Stull. =93Many of these young people come to Oberlin to study. Of the 50 students enrolled in the Conservatory from countries in Asia, 15 are from China. It is in our own students=92 best interest to explore the educational and performance opportunities this country has to offer.=94 Bridget-Michaele Reischl, Music Director, Oberlin Orchestra Since becoming the first American to win Italy=92s Antonio Pedrotti International Conducting Competition in 1995, Bridget-Michaele Reischl has been an active guest conductor throughout the United States and internationally. Besides being music director of the Oberlin Orchestras and a member of Oberlin=92s conducting faculty, Reischl is music director of the Green Bay Symphony Orchestra in Green Bay, Wisconsin, a position she has held since 2001. =46rom 1992 to 2004, she was music director of the Lawrence Symphony Orchestra and associate professor of conducting at the Lawrence University Conservatory of Music in Appleton, Wisconsin. She is a graduate of the Eastman School of Music. As a student of Robert Spano (a 1983 Oberlin graduate), she continued her studies as a conducting fellow at both the Aspen and the Tanglewood music festivals, where she worked with Seiji Ozawa, Murray Sidlin, and David Zinman (also an Oberlin graduate, Class of 1958). She has recorded on the Velut Luna, CRI, and Sea Breeze Record Company labels.=20 Thomas Rosenkranz, piano soloist Thomas Rosenkranz has performed on four continents and has twice been named an artistic ambassador, sponsored by the United States State Department on tours of the Middle East and Africa to present recitals of American music for television and radio broadcasts. He was recently awarded the prestigious =93Classical Fellowship Award=94 from the American Pianists Association. He has given performances at Lincoln Center (New York), the Miller Theatre (New York), the 92 Street Y (New York), the Kennedy Center (D.C.), the Hilbert Circle Theatre (Indianapolis), L=92Acropolium (Carthage), and Theatre de la Ville (Tunis). He toured Japan and Taiwan with the Eastman Wind Ensemble and has been a featured pianist at such notable festivals as the the Tabarka Jazz Festival (Tunisia), Octobre Musical (Tunisia), the Kurt Weill Fest (Germany), and the National MTNA Convention in Seattle. He has performed as soloist with the National Orchestra of Beirut, the Orchestre Symphonique Tunsien, the Indianapolis Chamber Orchestra, and the Northwest Chamber Orchestra. A graduate of the Oberlin Conservatory (Class of 1999) and the Eastman School of Music, his major teachers include Robert Shannon, Nelita True, and Yvonne Loriod-Messiaen. He lives in Honolulu, Hawaii, and is assistant professor of piano at the University of Hawaii at Manoa. He will be artist-in-residence at the Cortona Contemporary Festival in Italy this summer. J Freivogel, concertmaster Raised in a family of musicians, J Freivogel began playing violin at the age of two. Now in his last year of Oberlin=92s double-degree program, he studies violin with Marilyn McDonald and is pursuing degrees in violin performance and politics. Named one of Northern Ohio Live magazine=92s =93best and brightest=94 = in 2004, Freivogel has participated in critically acclaimed concerts at Carnegie=92s Weill Recital Hall and Merkin Hall in New York City. He is first violinist of the Jasper String Quartet. In the spring, he will return to New York to perform Alban Berg=92s Kammerkonzerte and the world premiere of Lewis Nielson=92s Violin Concerto. Freivogel is from St. Louis, Missouri. The Oberlin Orchestra and the Oberlin Conservatory of Music After Sir Simon Rattle conducted the Oberlin Chamber Orchestra in December 2004, Plain Dealer music critic Donald Rosenberg wrote that the concert was =93stamped by magnificence.=94 Indeed, Rosenberg included the Oberlin-Rattle performance of Mahler=92s Symphony No. 4, which he described as =93uncommonly rich in poetry and drama,=94 in his list of top 10 memorable events from the 2004 concert season. Magnificence has come to be synonymous with all aspects of the Oberlin Conservatory of Music, from its exacting standards for incoming students to the excellence in teaching and performance expected of its faculty and the notable careers of its alumni, who can be found performing in every major orchestra and opera house and with many of today=92s acclaimed chamber ensembles. Founded in 1865 and situated within the intellectual vitality of Oberlin College since 1867, Oberlin is the oldest continuously operating conservatory in the United States. An undergraduate institution, Oberlin is renowned internationally as a professional music school of the highest caliber and has been called a =93national treasure=94 by the Washington Post. Past guest conductors of the Oberlin Orchestra have included Marin Alsop, Pierre Boulez, Catherine Comet, Tan Dun, Eve Queler, Robert Shaw, Oscar Shumsky, Igor Stravinsky, composer John Williams, and Hugh Wolff. Upcoming appearances by the Oberlin Orchestra for the 2005-06 = season include a performance at Cleveland=92s Severance Hall, home of the Cleveland Orchestra, under the baton of music director and conductor Bridget-Michaele Reischl. The 2006-07 season features a performance at Carnegie Hall with Robert Spano conducting.=20 For more information about the Oberlin Conservatory of Music, = please visit = 0000,0000,FFFCwww.oberlin.edu/con= . Oberlin College=92s Historic Ties to China For more than a century, Oberlin College and China have benefited from a mutually supportive relationship encompassing educational, social, and cultural exchanges, beginning with the teaching work of Oberlin graduates in the late 1800s. To commemorate the efforts of Oberlin educators in China, the Oberlin Shansi Memorial Association was founded in 1908, more than 50 years before the Peace Corps was begun. Today Shansi is an independent non-profit organization on the Oberlin campus that sponsors numerous educational exchanges, sending Oberlin students to sites throughout Asia to work and to teach and bringing Asian scholars to the College for the same purpose. Shansi has empowered generations of participants to make constructive and useful contributions to Asian and American institutions and communities. Another strong Oberlin-China connection can be found at the = Shanghai Conservatory of Music, the oldest conservatory in China. Huang Tzu, a 1926 Oberlin graduate who is widely considered to be one of the patriarchs of Western music education in modern China, was one of its founding fathers. Tzu wrote the school=92s curriculum, which ultimately became the platform for the professional study of music in China. =0C Concert Schedule December 25, 2005 Anshan Shengli Auditorium, 3 p.m. and 7 p.m. December 26, 2005 Anshan Shengli Auditorium, 7 p.m. December 27, 2005 Shenyang Nanfeng International Centre, 7 p.m. December 28, 2005 Dalian Dalian Broadcasting Centre, 7 p.m. December 29, 2005 Dalian Dalian Broadcasting Centre, 7 p.m. December 30, 2005 Beijing Poly Theatre, 7 p.m. December 31, 2005 Beijing Poly Theatre, 7 p.m. January 1, 2006 Tianjing Venue TBA, 7 p.m. January 2, 2006 Shanghai Shanghai Concert Hall, 7 p.m.
# # #
Marci Janas Director of Conservatory Media Relations Oberlin Conservatory of Music 39 West College Street Oberlin, OH 44074 www.oberlin.edu/con (P) 440-775-8328 (F) 440-775-5457 marci.janas at oberlin.edu= --Boundary_(ID_OkuHotLURr4McbYHQrCW0A)-- From ncplayhouse at sbcglobal.net Mon Nov 21 10:58:50 2005 From: ncplayhouse at sbcglobal.net (North Canton Playhouse) Date: Mon, 21 Nov 2005 10:58:50 -0800 (PST) Subject: [NEohioPAL]Auditions - Cinderella - North Canton Playhouse Message-ID: <20051121185850.65433.qmail@web81103.mail.mud.yahoo.com> --0-1846585649-1132599530=:65113 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit AUDITION NOTICE Rodgers & Hammerstein?s Musical "CINDERELLA" WHEN: Monday, December 12 and Tuesday, December 13 at 7:00 p.m. WHERE: The North Canton Playhouse, 525 ? 7th St. NE, (adjacent to Hoover High School) NEEDED: 20 - 25 Male and Female actors - teen through adult (6 Men; 6 Women; Bits, Extras, Singers) Come prepared with a song (an accompanist will be provided) and to read from the script For more information call the NCP office at 330-494-1613 --0-1846585649-1132599530=:65113 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit

 

 

  


AUDITION NOTICE

 

Rodgers & Hammerstein?s Musical

 

"CINDERELLA"

 

  WHEN:   Monday, December 12 and

             Tuesday, December 13

 

at 7:00 p.m.

 

         WHERE:   The North Canton Playhouse, 525 ? 7th St. NE,    (adjacent to Hoover High School)

 

     NEEDED: 20 - 25 Male and Female actors - teen through adult

(6 Men; 6 Women; Bits, Extras, Singers)

 

Come prepared with a song (an accompanist will be provided) and to read from the script

 

For more information call the NCP office at 330-494-1613

--0-1846585649-1132599530=:65113-- From info at standingrock.net Mon Nov 21 11:51:59 2005 From: info at standingrock.net (Standing Rock Cultural Arts) Date: Mon, 21 Nov 2005 14:51:59 -0500 Subject: [NEohioPAL]Kent's Homegrown Music Concert at Kent Stage Message-ID: > This message is in MIME format. Since your mail reader does not understand this format, some or all of this message may not be legible. --MS_Mac_OE_3215429519_489028_MIME_Part Content-type: text/plain; charset="ISO-8859-1" Content-transfer-encoding: quoted-printable Greetings WHO: Standing Rock Cultural Arts WHAT: Kent=B9s Home Grown Music Concert -featuring Kent musicians Guy Pernetti, John Reynolds, Jack Delasandro, Rio Neon and friends. WHEN: December 9, 8pm WHERE: The Kent Stage, 175 E. Main St - (330) 677-5005 COST: $8.00 CONTACT: 330-903-2055 Kent=B9s Home Grown Music, the concert series 2005 Kent and Northeastern Ohio have a rich history in music. Names that we are familiar with, Joe Walsh, Chrissy Hynde, Devo, Glass Harp, 15-60-75 (the numbers band), Alex Bevin, Dink, and that is just a fraction of the bands that played in this area. Standing Rock Cultural Arts in cooperation with The Kent Stage will be bringing to The Kent Stage a concert series called =B3Kent=B9s Home Grown Music.=B2 It will feature musicians that have been playing music in and aroun= d Kent since the 1960=B9s. Some of you will be familiar with some of the artists and some will be new to you. One thing that you can count on is an evening of wonderful music and a sense of being part of history. The kick off concert will be at 8 o=B9clock in the evening at The Kent Stage, 175 E. Main St. downtown Kent on December 9th, 2005 tickets will be $8. The first show will feature Guy Pernetti, John Reynolds, Jack Delasandro, Rio Neon and friends. Each a joy as a solo performer but together, you will jus= t have to see for yourselves. So mark your calendars for December 9th, 2005 for the =8CKent=B9s Home Grown Music=B2 concert series. This will be a night of music for the whole family that you don=B9t want to miss. For further information contact Gary Lockwood, by phone at 330-903-2055 or by email at waagosh at neo.rr.com www.standingrock.net for updates Thank you for supporting the Arts, Standing Rock Cultural Arts 257 N. Water St. Kent, OH 44240 330-673-4970 info at standingrock.net --MS_Mac_OE_3215429519_489028_MIME_Part Content-type: text/html; charset="ISO-8859-1" Content-transfer-encoding: quoted-printable Kent's Homegrown Music Concert at Kent Stage

Greetings

WHO:  Standing Rock Cultural Arts

WHAT: Kent=B9s Home Grown Music Concert
-featuring Kent musicians Guy Pernetti, John Reynolds, Jack D= elasandro, Rio Neon and friends.


WHEN:  December 9, 8pm

WHERE:  The Kent Stage,  175 E. Main St

-  (330) 677-5005


COST:  $8.00

CONTACT:  330-903-2055


    &nb= sp;            &= nbsp;   Kent=B9s Home Grown Music, the concert series 2005


Kent and Northeastern Ohio have a rich history in music. Names that we are = familiar with, Joe Walsh, Chrissy Hynde, Devo, Glass Harp, 15-60-75 (the num= bers band), Alex Bevin, Dink, and that is just a fraction of the bands that = played in this area.

Standing Rock Cultural Arts in cooperation with The Kent Stage will be bri= nging to The Kent Stage a concert series called =B3Kent=B9s Home Grown Music.=B2 I= t will feature musicians that have been playing music in and around Kent sin= ce the 1960=B9s.  Some of you will be familiar with some of the artists a= nd some will be new to you. One thing that you can count on is an evening of= wonderful music and a sense of being part of history.

The kick off concert will be at 8 o=B9clock in the evening at The Kent Stage= , 175 E. Main St. downtown Kent on December 9th, 2005 tickets will be $8. Th= e first show will feature Guy Pernetti, John Reynolds, Jack Delasandro, Rio = Neon and friends. Each a joy as a solo performer but together, you will just= have to see for yourselves. So mark your calendars for December 9th, 2005 f= or the =8CKent=B9s Home Grown Music=B2 concert series. This will be a night of mus= ic for the whole family that you don=B9t want to miss.

For further information contact Gary Lockwood, by phone at 330-903-2055 or = by email at waagosh at neo.rr.com


www.standingrock.net for updates

Thank you for supporting the Arts,

Standing Rock Cultural Arts
257 N. Water St.
Kent, OH 44240
330-673-4970
info at standingrock.net

 --MS_Mac_OE_3215429519_489028_MIME_Part-- From jfogel at clevelandplayhouse.com Mon Nov 21 11:46:36 2005 From: jfogel at clevelandplayhouse.com (Julie Fogel) Date: Mon, 21 Nov 2005 14:46:36 -0500 Subject: [NEohioPAL]ONE-DAY Sale for "Wife" or "Christmas Story" Message-ID: This is a multi-part message in MIME format. ------=_NextPart_000_0044_01C5EEAA.5FE4AC40 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable THE CLEVELAND PLAY HOUSE WEB-ONLY SALE starts Tuesday, November 22!=20 Choose your deal: $10 tickets to the closing performance of Doug Wright's Tony-Winning = Drama I Am My Own Wife, starring Mark Nelson 7:00 p.m. Sunday, November 27th . = or=20 $10 tickets to the Opening Night performance of A Christmas Story, 7:30 = p.m. Wednesday, November 30th.=20 Don't want to choose? Don't bother=85buy $10 tickets to both shows, if = you like=85 A $3 per ticket handling fee applies. Not valid with other offers or discounts. And, there's NO LIMIT on the number of $10 tickets you order = to EITHER show!=20 Use the promotional code 'PAL' when ordering to get the discounted = ticket.=20 This WEB-ONLY offer is valid beginning Tuesday, November 22.=20 Ready, set...shop! Happy Thanksgiving All! Julie Fogel Associate Director of Communications & Marketing The Cleveland Play House 8500 Euclid Avenue Cleveland, Ohio 44106 (216) 795-7000 ext. 236 www.clevelandplayhouse.com ------=_NextPart_000_0044_01C5EEAA.5FE4AC40 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable ONE-DAY Sale for "Wife" or "Christmas = Story"

THE CLEVELAND PLAY HOUSE WEB-ONLY SALE = starts Tuesday, November 22!

Choose your deal:

$10 tickets to the closing performance of = Doug Wright's Tony-Winning Drama I Am My Own Wife, starring Mark = Nelson 7:00 p.m. Sunday, November  27th  .

or

$10 tickets to the Opening Night = performance of A Christmas Story, 7:30 p.m. Wednesday, November 30th. =

Don't want to choose? Don't = bother…buy $10 tickets to both shows, if you like…
A $3 per ticket handling fee applies. = Not valid with other offers or discounts.  And, there's NO LIMIT on = the number of $10 tickets you order to EITHER show!

Use the promotional code 'PAL' when = ordering to get the discounted ticket.

This WEB-ONLY offer is valid beginning = Tuesday, November 22.

Ready, set...shop!
Happy Thanksgiving All!
Julie = Fogel
Associate Director of = Communications & Marketing
The Cleveland Play = House
8500 Euclid Avenue
Cleveland, Ohio 44106
(216) 795-7000 ext. = 236
www.clevelandplayhouse.com

------=_NextPart_000_0044_01C5EEAA.5FE4AC40-- >From Jean Zarzour" This is a multi-part message in MIME format. ------=_NextPart_000_0270_01C5EEAE.7964DA60 Content-Type: multipart/alternative; boundary="----=_NextPart_001_0271_01C5EEAE.7964DA60" ------=_NextPart_001_0271_01C5EEAE.7964DA60 Content-Type: text/plain; charset="Windows-1252" Content-Transfer-Encoding: quoted-printable BlankDear Friends- Can't afford to Buy this charming Bungalow? Well it = is also for RENT until a buyer is found! The rent is $725/month. No = dogs. Deposit + References. =20 (Jean Zarzour is showing this home in conjunction with Next Home Realty, = on behalf of owner, Donald Squires, former Stage Manager of Menopause = The Musical. Donald is now Stage Managing MTM in Seattle, WA but is = available by phone if you have further questions. To See this home, = leave a message for Jean on the Next Home Voice Mail Box. Call = 440-808-3900 and enter 8056 when prompted or as soon as the recorded = tour begins. Jean will return your call promptly.) CLICK HERE TO SEE MLS WITH 6 PICTURES! (Though the house is now = empty) Buyer Full Page =20 (full profile is below for those with download challenges) Priced To Sell (was $98,900)=20 Now $93,900 FOR SALE BY OWNER 9622 South Highland Garfield Hts., Ohio 44125 Spacious, Exceptionally Maintained Bungalow on a quiet, safe street, = just 2 minutes from I-480! Off Turney, North of Granger. Has formal = dining room with bay window, large living room w/ ventless gas = fireplace* First floor master leads to deck* Central Air, newer roof on = home & garage* Extra shower* Updated electric, brand new carpeting = upstairs* All appliances*=20 Finished SqFt: 1220=20 Total SqFt: 1220=20 SqFt Source: Public Records Lot Dimensions: 40x125=20 Irregular: N=20 Acres: 0.11=20 Frontage: 40*=20 Construction: Existing=20 Zoning: Residential=20 Year Built: 1942*=20 Tax Amount 1/2 Yr: 1102 =20 School District: 1815/Garfield Heights City=20 # Rooms: 5=20 # Bedrooms: 2*=20 # Fireplaces: 1=20 # Stories: 1.5*=20 # Full Baths: 1=20 # Half Baths: 0=20 Total Baths: 1=20 Covered Parking: 1=20 Handicap Mod: No=20 Warranty: No =20 Heating: Forced Air=20 Heat Source: Gas=20 Available for Auction: No=20 Exterior: Vinyl=20 Cooling: Central Air=20 Owner/Agent: No=20 Style: Bungalow=20 Roof: Asphalt/Fiberglass=20 Basement: Full=20 Fence: Chain Link, Partial=20 Lot Desc: Level=20 Fixer Upper: N=20 View Desc:=20 Public Trans: 1 - 4 Blocks=20 Living 16x14 1 Fireplace, Window Treatment, Wood Floor - 1st Floor Dining 12x10 1 Window Treatment, Wood Floor - 1st Floor Kitchen 12x8 1 Vinyl Flooring, Window Treatment - 1st Floor Master Bdrm 11x10 1 Balcony/Deck, Window Treatment, Wood Floor - 1st = Floor Bdrm 2 14x12 2 Wall to Wall Carpet, Window Treatment - 2nd Floor Water/Sewer: Public Sewer, Public Water, Storm Sewer =20 Garage/Parking: 1 Car, Detached, Garage Door Opener=20 *Appliances/Equipment: Cable Electric Link, Dryer, Freezer, Gas Dryer = Connection, Range, Refrigerator, Satellite Dish, Security System, Washer = Exterior Features: Deck=20 Amenities: Health Club, Library, Medical Facilities, Park, Playground, = Pool, Shopping/Mall, Tennis Courts=20 BUT WAIT! THERE'S MORE! Brand New Roof w/30 Year Warranty 5 Year old Furnace with April Air Brand New Driveway & Front Steps =20 Beautiful Wood Floors on 1st floor =20 Ventless Fireplace in Living Room Throws Great HEAT Beautiful, New Carpet on 2nd Floor =20 Waterproofed/Finish-Ready Basement =20 All Appliances & BASEMENT FREEZER STAY Brand New Vinyl Windows =20 1 Car Garage w/Brand New Roof & Floor =20 New Electrical Box =20 =20 Currently Understudying 2 roles in Menopause The Musical at Playhouse = Sq.'s 14th St. Theater. Running since April 2004! Now Appearing as Power Woman Every Wednesday at 2 pm Also Nov. 5, 10, = 11, 13, 19, 25, 26, 27 Appearing as Earth Mother Dec. 3-11 Lipschtick =AE 2300 McKinley Ave. Lakewood, Ohio 44107=20 ph/fax: 216-521-3831 Also Founder of the GOT PAY? Organization Read an on line interview with Jean=20 www.lipschtick.com Comedy that lasts all day! ------=_NextPart_001_0271_01C5EEAE.7964DA60 Content-Type: text/html; charset="Windows-1252" Content-Transfer-Encoding: quoted-printable Blank
Dear Friends-  Can't afford to Buy this = charming=20 Bungalow? Well it is also for RENT until a buyer is = found!  =20 The rent = is=20 $725/month.  No dogs.  Deposit + = References.  =20
 
(Jean Zarzour is showing this home = in=20 conjunction with Next Home Realty, on behalf of owner, Donald = Squires,=20 former Stage Manager of Menopause The Musical.  Donald=20 is now Stage Managing MTM in Seattle, WA but is available = by=20 phone if you have further questions.  To See this home, leave a message for Jean on the = Next Home=20 Voice Mail Box.  Call 440-808-3900 = and enter=20 8056 when prompted or as soon as the recorded=20 tour begins.   Jean will = return your=20 call promptly.)

Chagrin Valley Little Theatre

Announces  The Broadway Musical, = A Christmas=20 Carol  

 

November = 21, 2005=20 :  Charles Dickens' classic gets the full Broadway treatment in = Alan=20 Menken=92s-Lynn Ahrens=92-Mike Okrent's adaptation of A Christmas=20 Carol. This is the version that leaves New Yorkers and tourists = alike=20 gasping in wonder and merriment every year as the story unfolds on the = stage at=20 Madison Square Garden. In 2004, this version became the basis of a NBC=20 television spectacular featuring Kelsey Grammer as Scrooge, surrounded = by an=20 array of stars including Jason Alexander, Jesse L. Martin, Jane = Krakowski,=20 Geraldine Chaplin, Jennifer Love Hewitt and Ruthie Henshall. Alan Menken = (Little Shop Of Horrors) and Lynn Ahrens (Ragtime The Musical, = Once On=20 This Island) have collaborated on a score that is filled with = beautiful=20 melodies and emotional lyrics. Their song "A Place Called Home" has = become a=20 holiday standard.

 

There are many adaptations of A Christmas = Carol out=20 there, but only one Broadway version! Now this holiday treat can be = seen=20 at  Chagrin Valley = Little=20 Theatre

 

CLICK = HERE TO=20 SEE  MLS WITH 6=20 PICTURES!   (Though the house is now empty) =20 Buyer Full=20 Page  

(full profile is = below for those=20 with download challenges)

Priced To Sell (was $98,900) =
Now=20 $93,900
FOR SALE BY=20 OWNER
9622 South=20 Highland
Garfield Hts., = Ohio=20 44125
 
Spacious, = Exceptionally=20 Maintained Bungalow on a quiet, safe street, just 2 minutes = from I-480! Off=20 Turney, North of Granger. Has formal dining room with bay = window,=20 large living room w/ ventless gas fireplace* First floor master leads to = deck*=20 Central Air, newer roof on home & garage* Extra shower* Updated = electric, brand new carpeting upstairs* All=20 appliances* 
 
Finished SqFt: 1220
Total SqFt: = 1220=20
SqFt = Source: Public=20 Records
Lot=20 Dimensions: 40x125
Irregular: N=20
Acres: 0.11
Frontage: = 40*=20
Construction: Existing
Zoning:=20 Residential
Year = Built: 1942*=20
Tax Amount 1/2 = Yr:=20 1102  
School District: 1815/Garfield Heights City =
# = Rooms: 5=20
# Bedrooms: = 2*=20
# Fireplaces: = 1=20
# Stories: = 1.5*=20
# Full = Baths: 1=20
# Half Baths: = 0=20
Total Baths: = 1=20
Covered Parking: = 1=20
Handicap = Mod: No=20
Warranty: = No   
Heating: Forced Air
Heat Source: = Gas=20
Available for = Auction: No=20
Exterior:=20 Vinyl
Cooling: Central=20 Air
Owner/Agent: = No=20
Style:=20 Bungalow
Roof:=20 Asphalt/Fiberglass
Basement:=20 Full
Fence: Chain Link,=20 Partial
Lot Desc:=20 Level
Fixer Upper: = N=20
View Desc:=20
Public Trans:=20 1 - 4 Blocks
 
Living 16x14 1 Fireplace, = Window=20 Treatment, Wood Floor - 1st Floor
Dining = 12x10=20 1 Window Treatment, Wood Floor - 1st=20 Floor
Kitchen = 12x8=20 1 Vinyl Flooring, Window Treatment - 1st=20 Floor
Master Bdrm=20 11x10 1 Balcony/Deck, Window Treatment, Wood = Floor -=20 1st Floor
Bdrm 2 = 14x12=20 2 Wall to Wall Carpet, Window Treatment - 2nd=20 Floor
Water/Sewer: Public Sewer, Public Water, Storm = Sewer=20  
Garage/Parking: 1 Car, = Detached,=20 Garage Door Opener
*Appliances/Equipment:  Cable Electric Link, Dryer, = Freezer, Gas=20 Dryer Connection, Range, Refrigerator, Satellite Dish, Security System, = Washer=20 Exterior Features: Deck =
Amenities: Health Club,=20 Library, Medical Facilities, Park, Playground, Pool, Shopping/Mall, = Tennis=20 Courts
 
BUT WAIT!  THERE'S = MORE!
Brand New Roof = w/30=20 Year Warranty
5 Year old = Furnace with April=20 Air
Brand New = Driveway &=20 Front Steps   
Beautiful Wood = Floors on 1st=20 floor           &n= bsp;        
Ventless Fireplace in=20 Living Room Throws Great HEAT
Beautiful, New = Carpet on 2nd=20 Floor    
Waterproofed/Finish-Ready Basement   = ;           
All Appliances = & BASEMENT=20 FREEZER STAY
Brand New Vinyl = Windows           =             &= nbsp;       
1 Car Garage = w/Brand New Roof=20 & =20 Floor          
New = Electrical=20 Box=20             &= nbsp;         =20
  
 
 

3D""=20
Currently Understudying 2 roles in = Menopause = The=20 Musical  at Playhouse Sq.'s 14th = St.=20 Theater.  Running = since April=20 2004!
Now=20 Appearing as Power=20 Woman Every Wednesday at 2 pm   Also =20 Nov. 5, 10, 11, 13, 19, 25, 26, 27 Appearing as Earth=20 Mother Dec.=20 3-11
Lipschtick =AE
2300 McKinley = Ave.Lakewood, Ohio=20 44107
ph/fax:=20 216-521-3831
Also Founder of=20 the GOT PAY? Organization
Read an on line interview with Jean=20

3D""=20www.lipschtick.com<= /A>    =20 Comedy that lasts all = day!

 

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name="Blank Bkgrd.gif" Content-Transfer-Encoding: base64 Content-ID: <026f01c5eed8$622ead60$0302a8c0 at DD1WK941> R0lGODlhLQAtAID/AP////f39ywAAAAALQAtAEACcAxup8vtvxKQsFon6d02898pGkgiYoCm6sq2 7iqWcmzOsmeXeA7uPJd5CYdD2g9oPF58ygqz+XhCG9JpJGmlYrPXGlfr/Yo/VW45e7amp2tou/lW xo/zX513z+Vt+1n/tiX2pxP4NUhy2FM4xtjIUQAAOw== ------=_NextPart_000_0270_01C5EEAE.7964DA60-- From MChamberlain at beckcenter.org Mon Nov 21 12:35:53 2005 From: MChamberlain at beckcenter.org (Meg Chamberlain) Date: Mon, 21 Nov 2005 15:35:53 -0500 Subject: [NEohioPAL]4 FREE tickets to Menopause! Message-ID: <97CF2CB42902E345A929E3202369C84E02FDA7@beck-1.beckcenter.com> This is a multi-part message in MIME format. ------_=_NextPart_001_01C5EEDB.2AF9ECB2 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable If you haven't seen this show yet, you should! If you'd like to see it again, I understand! The first person to respond to this offer will receive 4 tickets to this = Saturday the 26th's 8pm show! Happy Holidays from all the folks at Menopause the Musical! Meg Chamberlain Dir of Theater Education Beck Center for the Arts 216 521 2540 x227 What's Happening at the = Beck Center! T.I.D.Y. A World Premiere in the Studio Theater November 18 through December 18 Coming Soon on the Main Stage Disney's Beauty and the Beast December 2 through 31 Youth Theater Presents A Christmas Peril December 3, 10 and 17 For show tickets, call 216-521-2540. Spring 2006 Class Catalog Available December 1st. Register online for classes in dance, music, theater, and visual arts at www.beckcenter.org or call 216-521-2540, ext. 222. =20 ------_=_NextPart_001_01C5EEDB.2AF9ECB2 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
If you haven't seen = this show=20 yet, you should!
If you'd like to = see it again,=20 I understand!
The first person to = respond to=20 this offer will receive 4 tickets to this Saturday the 26th's 8pm=20 show!
Happy Holidays from = all the=20 folks at Menopause the Musical!
Meg=20 Chamberlain
Dir of Theater = Education
Beck Center for the = Arts
216 521 2540 x227

 What's=20 Happening at the Beck = Center!<= /B>

 T.I.D.Y. A=20 World Premiere

in the = Studio=20 Theater

November 18 = through=20 December 18

 Coming Soon = on the=20 Main  Stage

Disney's=20 Beauty and the Beast

December 2 = through=20 31

 Youth = Theater=20 Presents

A=20 Christmas Peril

December 3, = 10 and=20 17

 For=20 show tickets, call 216-521-2540.

 Spring=20 2006 Class Catalog

Available=20 December 1st.

Register = online for=20 classes in dance, music,

theater, and = visual=20 arts at www.beckcenter.org

or call = 216-521-2540,=20 ext. 222.

 

------_=_NextPart_001_01C5EEDB.2AF9ECB2-- From csimon at convergence-continuum.org Mon Nov 21 13:08:14 2005 From: csimon at convergence-continuum.org (csimon at convergence-continuum.org) Date: Mon, 21 Nov 2005 16:08:14 -0500 (EST) Subject: [NEohioPAL]convergence-continuum opens States of Shock Dec. 2 Message-ID: <54981.65.43.230.42.1132607294.squirrel@mail.plainhost.com> CONVERGENCE-CONTINUUM WILL OPEN STATES OF SHOCK FRIDAY, DECEMBER 2, FOR A THREE-WEEK, LIMITED RUN AT THE LIMINIS IN TREMONT ?Tis the season for peace and goodwill. But at Danny?s family restaurant, populated by two disgruntled customers and a balance-challenged waitress, the calm is shattered by sounds of war and destruction. Hostilities escalate when the Colonel, in full military regalia, walks into the cafe to the rhythms of two live, on-stage percussionists. The Colonel is pushing a wheelchair in which sits a damaged young veteran. They have dropped by the restaurant to celebrate with a nice dessert while the war continues to rage on -- complete with singing, dancing, flying food, and a naughty encounter with some clam chowder. States of Shock is directed by convergence-continuum's Artistic Director Clyde Simon and features an ensemble cast that includes Lucy Bredeson-Smith, Geoff Hoffman, Steve Needham, Wes Shofner and Dawn Youngs, with percussionists Bill Lynn, Dino Osmanbegovic and guitarist Mark K. States of Shock opens Friday, December 2 and runs Thursdays, Fridays, and Saturdays through December 17 at the Liminis, 2438 Scranton Rd. in Cleveland's historic Tremont neighborhood. All performances begin at 8 pm. Tickets are $12 for general admission and $9 for students and seniors. For information and reservations, call 216-687-0074 or visit us on the web at www.convergence-continuum.org. From jbarlow at lorainccc.edu Mon Nov 21 14:06:28 2005 From: jbarlow at lorainccc.edu (Janet Barlow) Date: Mon, 21 Nov 2005 17:06:28 -0500 Subject: [NEohioPAL]RE: Give Stocker Tickets For The Holidays! Message-ID: <200511212206.jALM6Wbr065280@lc3ms1.lorainccc.edu> This is a multi-part message in MIME format. ------=_NextPart_000_0096_01C5EEBD.EC1620F0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit GIVE A MOOSE FOR THE HOLIDAYS!! OR HOW ABOUT THE AMERICAN FRONTIER?? Now that Thanksgiving is upon us. Are you starting to think about finding that perfect gift for loved ones and friends this holiday season? HOW ABOUT TICKETS FOR UPCOMING EVENTS AT STOCKER ARTS CENTER? There are so many different upcoming events you're bound to find something that will please all of those on your gift list!! Here's a sample of shows you can choose: Sunday, December 18, 2005 - 3:00pm - Great fun for the whole family! Mooseltoe, A New Moosical Book/Lyrics by Jim Semmelman, Music by George Kramer. Tickets $15.00/Adults; $10.00/Children 12 and under This is a story to see and to hear, of a moose who wants to fly with Santa's reindeer. He sets out on a quest, his mind on one thing, to seek and to find. the great wise Mooseking. Through trial and error, through friends and through foes, he continues his journey, he follows his nose. He's about to give up, he's reduced to tears, when suddenly one night, the great Mooseking appears! He teaches our hero, what we all can perceive, to look deep inside and learn to believe. The North Pole's in a panic and so is St. Nick, it's one of the reindeer, it's Blitzen. he's sick! I won't tell you more, suffice it to say, Mooseltoe is the hero, Mooseltoe saves the day! This hour-long odyssey of self-discovery has unforgettable costumed characters including snobby penguins, a walrus, a talking snowball, elves and Santa himself. Your entire family will embrace and cheer our lovable hero, Mooseltoe. Begin a new holiday tradition with this colorful and whimsical tale! Sunday, January 22, 2006 - 3:00pm - An inspirational afternoon of great music with great food available beforehand! Harlem Gospel Choir in Concert Concert Tickets $15.00/Adults; $10.00/Children 12 and under Gospel Brunch - Spitzer Conference Center at 1:15pm Brunch Tickets $15.00/Adults; $5.00/Children 12 and under Combined Concert/Brunch Tickets $29.00/Adults; $14.50/Children 12 and under The Harlem Gospel Choir was founded in 1986 by Allen Bailey. Made up of the finest singers and musicians from various Black Churches in Harlem, it has become one of the pre-eminent gospel choirs in the world. They have shared their message of love, peace and harmony with people from various nations, backgrounds and cultures, creating a better understanding of African-American culture and the inspirational music that is Gospel as it relates to the Black Church. Every performance strives to bring people and nations together while giving something back. Come for brunch and stay for the concert. It will feature songs that will touch the depths of your soul and raise your spirits to new heights! www.harlemgospelchoir.com Monday, February 13, 2006 (Series B) - 7:00pm - The show that changed the American musical forever! "Oklahoma!" Tickets $34.00/Orchestra; $27.00/Mezzanine Based on "Green Grow the Lilacs," a stage play by Lynn Riggs, "Oklahoma!" brought together for the first time composer Richard Rodgers and lyricist/librettist Oscar Hammerstein II. The duo would go on to write nine Broadway musicals together, but none would be as important for the development of American musical theatre as "Oklahoma!" Set soon after the beginning of the 20th century in the Indian territory now known as the state of Oklahoma, against a backdrop of the rivalry between cattlemen and farmers, the plot revolves mainly around the question of who will take farm girl Laurey Williams to the box social - the decent cowboy Curly McLain or the sinister farm hand Jud Fry. This sparkling new touring production is adapted from the Cameron Mackintosh presentation of the Royal National Theatre production that won the hearts of a new generation of theatergoers. "Oh, What a Beautiful Musical!" - NY Post The songs from "Oklahoma!" you'll recognize include: "Oh, What A Beautiful Morning'," "People Will Say We're in Love," "I Cain't Say No," and of course, the title song! Thursday, February 16, 2006 - 7:30pm - A variety show that will bring out the hip-hop in everyone! Illstyle and Peace Productions present "Same Spirit Different Movement" Tickets $15.00/Adults; $10.00/Children 12 and under Illstyle and Peace Productions is a multi-cultural male and female dance theatre company which fuses hip hop with various other styles of dance. They are committed to spreading unity, peace, love, respect, and fun through dance. This evening length theater/concert performance is a collaborative effort that brings various dance styles together. It includes vocal percussions, turntablism, spoken word, Popping, Locking, Breaking, Tap Dancing, DJing, Human Beat Boxing and various other styles. "Expect to see fabulous feats of spinning on the limbs and contorted body postures done with rhythm, speed, control and precision in both a choreographed and improvised manner." EPITOME MAGAZINE www.illstylerockers.net Wednesday, April 12, 2006 - 7:30pm - Shakespeare at his finest/funniest! National Players present "THE TAMING OF THE SHREW" Tickets $15.00/Adults; $10.00/Children 12 and under One of Shakespeare's most famous comedies, "THE TAMING OF THE SHREW" is a love story. It begins in Padua, where Lucentio arrives to attend the university, but his priorities change when he sees Bianca, a beautiful, mild young woman with whom he instantly falls in love. There are two problems: Bianca already has suitors; and her father, Baptista, has declared that no one may court her until her older sister, the ill-tempered Katherine, is married. Enter Petruchio, a brash young man from Verona, who arrives in Padua to marry a rich woman, and does not care what she is like as long as she brings him a fortune. He agrees to marry Katherine sight unseen. Do Petruchio and Katherine wed? Who gets "tamed?" Is it possible there is more than one "shrew" in the play? Come see this classic to find out the answers to these questions. www.nationalplayers.org Saturday, April 22, 2006 (Series B) - 7:30pm - Modern Dance at its best! Taylor 2 Dance Company Tickets $34.00/Orchestra; $27.00/Mezzanine Paul Taylor has been called a genius; a legend; a cultural icon. Time Magazine calls him "the reigning master of modern dance," and the New York Daily News declares him "the best choreographer in the world." Paul Taylor is the recipient of dozens of awards and honors. He was awarded the National Medal of the Arts by President Clinton in 1993, the same year he created Taylor 2, the junior ensemble of the Paul Taylor Dance Company. Working along with longtime colleague Linda Hodes, he established Taylor 2 to ensure that his works could be seen by audiences all over the world, unhindered by economic or logistical limitations. Mr. Taylor used the structure of his original company for Taylor 2: six professionals with a particular gift for his style who perform his masterworks in smaller venues throughout the world. The repertoire for Taylor 2 spans the broad spectrum of Mr. Taylor's work. Many of the dances performed by the company have been re-worked to enable the smaller ensemble of dancers in Taylor 2 to perform them. Critics and audiences alike cheer as Taylor 2 introduces the athleticism, humor and range of emotions found in Mr. Taylor's work. www.ptdc.org Besides the above mentioned events. there's also our 2006 Winter/Spring film series! If you decide tickets for Stocker Arts Center events and films are the perfect gift, please call the Stocker Arts Center Box Office, which is open from 12:00 noon to 6:00p.m. Mondays through Fridays and one-and-one-half hours before show time (PLEASE NOTE: The Box Office is closed November 24 & 25 and December 19, 2005 through January 1, 2006 - SO ACT NOW!!). The Box Office can be reached by calling (800) 995-5222 ext. 4040 or (440) 366-4040. The Stocker Arts Center is on the campus of Lorain County Community College, 1005 North Abbe Road, Elyria, Ohio 44035. For further information on the films and events and/or directions to Stocker, go to www.lorainccc.edu/stocker Please share all that we have to offer at the Stocker Arts Center with friends and family this holiday season! Janet Herman Barlow Director, Stocker Arts Center Lorain County Community College 1005 North Abbe Road Elyria, Ohio 44035 440.366.7105 or 1.800.995.5222 ext. 7105 440.366.4101 [fax] jbarlow at lorainccc.edu www.lorainccc.edu/stocker ------=_NextPart_000_0096_01C5EEBD.EC1620F0 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable

GIVE A MOOSE FOR THE HOLIDAYS!!  OR HOW ABOUT THE AMERICAN FRONTIER?? 

 

Now that = Thanksgiving is upon us…

Are you starting = to think about finding that perfect gift for loved ones and friends this holiday = season?

 

HOW ABOUT TICKETS FOR UPCOMING EVENTS AT = STOCKER = ARTS CENTER?<= /i>

 

There are so many different upcoming events = you’re bound to find something that will please all of those on your gift = list!!  Here’s a sample of shows you can = choose:

 

Sunday, December 18, 2005 – 3:00pm = – Great fun for the whole family!
Mooseltoe, A New = Moosical
Book/Lyrics by Jim Semmelman, Music by George Kramer.

Tickets $15.00/Adults; = $10.00/Children 12 and under

This is a story to see and to hear, of a moose who wants to fly with = Santa’s reindeer.  He sets out on a quest, his mind on one thing, to seek = and to find… the great wise Mooseking.  Through trial and error, = through friends and through foes, he continues his journey, he follows his = nose.  He’s about to give up, he’s reduced to tears, when suddenly = one night, the great Mooseking appears!  He teaches our hero, what we = all can perceive, to look deep inside and learn to believe.  The North Pole’s in a panic and so is St. Nick, it’s one of the = reindeer, it’s Blitzen… he’s sick!  I won’t tell you = more, suffice it to say, Mooseltoe is the hero, Mooseltoe saves the day!  = This hour-long odyssey of self-discovery has unforgettable costumed = characters including snobby penguins, a walrus, a talking snowball, elves and Santa himself.  Your entire family will embrace and cheer our lovable = hero, Mooseltoe.  Begin a new holiday tradition with this colorful and = whimsical tale! 

 

Sunday, January 22, 2006 – 3:00pm = – An inspirational afternoon of great music = with great food available beforehand!
Harlem Gospel Choir in Concert

Concert Tickets $15.00/Adults; $10.00/Children 12 = and under
Gospel Brunch - Spitzer Conference Center at = 1:15pm
Brunch Tickets $15.00/Adults; $5.00/Children 12 and under
Combined Concert/Brunch Tickets =
$29.00/Adu= lts; $14.50/Children 12 and under

The Harlem Gospel Choir was founded in 1986 by Allen Bailey.  Made up of the finest singers and musicians from various = Black Churches in Harlem, it has become one = of the pre-eminent gospel choirs in the world.  They have shared their = message of love, peace and harmony with people from various nations, backgrounds = and cultures, creating a better understanding of African-American culture = and the inspirational music that is Gospel as it relates to the Black Church.  Every performance strives to bring people and nations together while = giving something back.  Come for brunch and stay for the concert. It will = feature songs that will touch the depths of your soul and raise your spirits to = new heights!  www.harlemgospelchoir.com

 

Monday, = February 13, 2006 (Series B) – 7:00pm – The show that changed the American musical = forever!
"Oklahoma!”

Tickets $34.00/Orchestra; = $27.00/Mezzanine

Based on “Green Grow the Lilacs,” = a stage play by Lynn Riggs, “Oklahoma!” brought together for the first time composer Richard Rodgers and lyricist/librettist Oscar Hammerstein II.  The duo would go on to = write nine Broadway musicals together, but none would be as important for the development of American musical theatre as “Oklahoma!”  Set soon = after the beginning of the 20th century in the Indian territory now known as the = state of Oklahoma, against a backdrop of the rivalry between cattlemen and = farmers, the plot revolves mainly around the question of who will take farm girl = Laurey Williams to the box social – the decent cowboy Curly McLain or the sinister farm hand Jud Fry.  This sparkling new touring production = is adapted from the Cameron Mackintosh presentation of the Royal National = Theatre production that won the hearts of a new generation of = theatergoers.  “Oh, What a Beautiful Musical!” – NY = Post    The songs from “Oklahoma!” you’ll recognize include:  “Oh, What A Beautiful Morning’,” “People Will Say We’re in = Love,” “I Cain’t Say No,” and of course, the title = song!

 

Thursday, February 16, 2006 – 7:30pm = – A variety show that will bring out the hip-hop in = everyone!
Illstyle and Peace Productions = present “Sam= e Spirit Different Movement”

Tickets $15.00/Adults; $10.00/Children 12 and = under

Illstyle and Peace Productions is a multi-cultural male and female dance theatre company which fuses hip hop = with various other styles of dance.  They are committed to spreading = unity, peace, love, respect, and fun through dance.  This evening length = theater/concert performance is a collaborative effort that brings various dance styles together.  It includes vocal percussions, turntablism, spoken word, Popping, Locking, Breaking, Tap Dancing, DJing, Human Beat Boxing and = various other styles.  “Expect to see fabulous feats of spinning on the limbs and contorted body = postures done with rhythm, speed, control and precision in both a choreographed and improvised manner.”  EPITOME MAGAZINE   www.illstylerockers.net

 

Wednesday, April 12, 2006 – 7:30pm = – Shakespeare at his finest/funniest!
National = Players present "THE = TAMING OF THE SHREW”

Tickets $15.00/Adults; $10.00/Children 12 and under

One of Shakespeare’s most = famous comedies, “THE TAMING OF THE SHREW” is a love story.  = It begins in Padua, where Lucentio arrives to attend the university, but = his priorities change when he sees Bianca, a beautiful, mild young woman = with whom he instantly falls in love.  There are two problems: Bianca already = has suitors; and her father, Baptista, has declared that no one may court = her until her older sister, the ill-tempered Katherine, is married.  Enter Petruchio, a brash young man from Verona, who arrives in Padua to marry a rich woman, and does not care what she is like as long as she = brings him a fortune.  He agrees to marry Katherine sight unseen.  Do Petruchio and Katherine wed?  Who gets “tamed?”  = Is it possible there is more than one “shrew” in the play?  = Come see this classic to find out the answers to these questions.  www.nationalplayers.org

 

Saturday, April 22, 2006 (Series B) – 7:30pm = – Modern Dance at its = best!
Taylor 2 Dance Company

Tickets $34.00/Orchestra; = $27.00/Mezzanine =

Paul Taylor has been called a = genius; a legend; a cultural icon.  Time Magazine calls him “the reigning = master of modern dance,” and the New York Daily News declares him “the best choreographer in the world.”  Paul Taylor is the recipient of dozens of awards and honors.  He was awarded the National Medal of the Arts by President Clinton in 1993, the same year he created Taylor 2, the junior ensemble of the Paul Taylor Dance Company.  Working = along with longtime colleague Linda Hodes, he established Taylor 2 to ensure that his works = could be seen by audiences all over the world, unhindered by economic or = logistical limitations.  Mr. Taylor used the structure of his original company = for Taylor 2: six professionals with a particular gift for his style who perform his = masterworks in smaller venues throughout the world.  The repertoire for = Taylor 2 spans = the broad spectrum of Mr. Taylor’s work.  Many of the dances performed = by the company have been re-worked to enable the smaller ensemble of dancers in = Taylor 2 to = perform them.  Critics and audiences alike cheer as Taylor 2 introduces the athleticism, = humor and range of emotions found in Mr. Taylor’s work.  www.ptdc.org 

=

 =

Besides the = above mentioned events… there’s also our 2006 Winter/Spring film = series!

  =

If you decide tickets for Stocker Arts Center events and films are the perfect gift, please call the Stocker Arts = Center Box Office, which is open from 12:00 noon to 6:00p.m. Mondays through = Fridays and one-and-one-half hours before show time (PLEASE NOTE:  The Box = Office is closed November 24 & 25 and December 19, 2005 through January 1, = 2006 – SO ACT NOW!!).  The Box Office can be reached by calling (800) = 995-5222 ext. 4040 or (440) 366-4040.

 

The Stocker Arts Center is on the campus of Lorain County Community College, 1005 North Abbe Road, Elyria, Ohio  44035.  For further information on the films and events and/or directions = to Stocker, go to www.lorainccc.edu/stocker=

Please share all that we have to offer at the Stocker Arts Center with = friends and family this holiday season!

 

 

Janet Herman Barlow

Director, Stocker Arts Center

Lorain County  Community College

1005 North Abbe = Road

Elyria, Ohio  44035

440.366.7105 or

1.800.995.5222 ext. 7105

440.366.4101 [fax]

jbarlow at lorainccc.edu

www.lorainccc.edu/stocker

 

 

 

------=_NextPart_000_0096_01C5EEBD.EC1620F0-- From aj.higbee at sbcglobal.net Mon Nov 21 14:27:28 2005 From: aj.higbee at sbcglobal.net (Alan or Judith Higbee) Date: Mon, 21 Nov 2005 17:27:28 -0500 Subject: [NEohioPAL]East side church seeks bass section leader Message-ID: <000c01c5eeea$c2e5df90$0100a8c0@BABYLAPTOP> This is a multi-part message in MIME format. ------=_NextPart_000_0009_01C5EEC0.D8A09020 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Church of the Saviour in Cleveland Hts. is looking for a bass = soloist/section leader. =20 We have hired a tenor section leader for about 10 years and now are = adding a bass to the Chancel Choir. Rehearsals are on Thursdays from = 7:30-9:15 p.m. and the choir sings regularly at the 11:00 a.m. worship = service. We average about 30 singers on a Sunday morning and do = traditional repertoire of the past and music by living composers as = well. We are preparing to present Mozart's Coronation Mass in February. = For more information please contact: Judith Higbee Director of Music Church of the Saviour (United Methodist) 2537 Lee Road Cleveland Hts., OH 44118 216-321-8880 higbee at chsaviour.org ------=_NextPart_000_0009_01C5EEC0.D8A09020 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
Church of the = Saviour in=20 Cleveland Hts. is looking for a bass soloist/section=20 leader. 
We have hired a tenor section = leader for about=20 10 years and now are adding a bass to the Chancel Choir. Rehearsals = are on=20 Thursdays from 7:30-9:15 p.m. and the choir sings regularly at the 11:00 = a.m.=20 worship service. We average about 30 = singers on a=20 Sunday morning and do traditional repertoire of the past and music by = living=20 composers as well. We are = preparing to=20 present Mozart's Coronation Mass in February.  
 
For more information please = contact:
Judith Higbee
Director of Music
Church of the Saviour (United=20 Methodist)
2537 Lee Road
Cleveland Hts., OH 44118
216-321-8880
higbee at chsaviour.org
------=_NextPart_000_0009_01C5EEC0.D8A09020-- From aj.higbee at sbcglobal.net Mon Nov 21 14:39:00 2005 From: aj.higbee at sbcglobal.net (Alan or Judith Higbee) Date: Mon, 21 Nov 2005 17:39:00 -0500 Subject: [NEohioPAL]Auditions for The Crucible in Cleveland Hts. Message-ID: <002a01c5eeec$5f1c4d30$0100a8c0@BABYLAPTOP> This is a multi-part message in MIME format. ------=_NextPart_000_0027_01C5EEC2.74CFF8E0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable AUDITIONS FOR THE CRUCIBLE=20 Arts in the Cathedral of Church of the Saviour, 2537 Lee Road, Cleveland = Heights, announces auditions for Arthur Miller's play The Crucible on = Saturday, December 3, 2005 from 9 a.m. to noon. Cast includes 10 men = and 10 women. Some roles for younger females. One female role for = person of color from Barbados. =20 Set at the time of the Puritan witchcraft trials, Miller's masterpiece = retains its power as a parable of our contemporary society. It will be = done in period costume with minimal scenery as the author wished. = Actors should be familiar with the script and be willing to read for = different roles. =20 Performance dates are March 3, 4 at 8 p.m. and March 5, 2006 at 3 p.m. = Director is Dick Meadows who can be reached for details at 216-321-7698 = daytime. Dick's directing credits include Cain Park, The Jewish = Community Center, Theatre in the Valley, and Cuyahoga Community College. =20 For more information please contact Dick Meadows at 216-321-7698 = daytime or rnm34 at ohiohills.com Judith Higbee Director of Music Church of the Saviour 2537 Lee Road Cleveland Heights, OH 44118 higbee at chsaviour.org ------=_NextPart_000_0027_01C5EEC2.74CFF8E0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable

AUDITIONS=20 FOR THE CRUCIBLE

Arts=20 in the Cathedral of Church of the Saviour, 2537 Lee = Road, Cleveland=20 Heights, announces auditions = for=20 Arthur Miller=92s play The = Crucible on=20 Saturday, December 3,=20 2005=20 from 9=20 a.m.=20 to noon. =20 Cast includes 10 men and 10 women. =20 Some roles for younger females.  One female = role for=20 person of color from Barbados.
 
Set at the time of = the=20 Puritan witchcraft trials, Miller=92s masterpiece retains its power as a = parable=20 of our contemporary society.  = It=20 will be done in period costume with minimal scenery as the author = wished.  Actors should be familiar with = the=20 script and be willing to read for different = roles.
 
Performance dates = are March=20 3, 4 at 8 p.m. and March 5,=20 2006 at=20 3=20 p.m.  Director is = Dick = Meadows who can be reached for details at=20 216-321-7698 daytime.  = Dick=92s=20 directing credits include Cain Park, The Jewish Community Center, = Theatre in the=20 Valley, and Cuyahoga Community=20 College.
 
 For more information please contact = Dick=20 Meadows at 216-321-7698 daytime or rnm34 at ohiohills.com
 
 
Judith=20 Higbee
Director=20 of Music
Church=20 of the Saviour
2537=20 Lee Road
Cleveland=20 Heights,=20 OH = 44118
higbee at chsaviour.org
------=_NextPart_000_0027_01C5EEC2.74CFF8E0-- From bangandclatter at netzero.net Mon Nov 21 14:50:12 2005 From: bangandclatter at netzero.net (bangandclatter at netzero.net) Date: Mon, 21 Nov 2005 22:50:12 GMT Subject: [NEohioPAL]Bang and Clatter Auditions Message-ID: <20051121.145101.13019.6799@webmail05.lax.untd.com> ----__JWM__J3b0e.1b32S.3061M Content-Transfer-Encoding: quoted-printable Content-Disposition: inline Content-Type: text/plain The Bang & the Clatter Theatre Company Ohio's Newest Professional Theatre = Announces open auditions for it's second production. The Northeast Ohio premiere of = Patrick Marber's CLOSER Four lives intertwine over the course of four and a half years in this d= ensely plotted, stinging look at modern love and betrayal. Dan, an obitu= ary writer, meets Alice, a stripper, after an accident in the street. Ei= ghteen months later, they are a couple, and Dan has written a novel insp= ired by Alice. While posing for his book jacket cover, Dan meets Anna, a= photographer. He pursues her but she rejects his advances despite their= mutual attraction. Larry, a dermatologist, "meets" Dan in an internet c= hat room. Dan, obsessing over Anna, pretends to be her and has cybersex = with Larry. They arrange to meet the next day at an aquarium. Larry arri= ves and so too, coincidentally, does the real Anna. This sets up a serie= s of pass-the-lover scenes in which this quartet struggle to find intima= cy but can't seem to get closer. Thursday, December 1 and = Friday, December 2 @ 7 p.m. Summit ArtSpace 140 East Market Street Akron, OH 4 parts available (2m, 2w) early 20's to 40's. = Please prepare two monologues for the audition. Production runs January 12 - February 11, 2006 Call for 330-606-5317 for information & directions. = ----__JWM__J3b0e.1b32S.3061M Content-Transfer-Encoding: quoted-printable Content-Disposition: inline Content-Type: text/html

The Bang & the Clatte= r Theatre Company

Ohio's Newest Professional Theatre<= /EM>

Announces open auditions for it's second = production.

The Northeast Ohio premiere of

Patrick Marber's

CLOSER

Four lives intertwine over the course of four and = a half years in this densely plotted, stinging look at modern love and b= etrayal. Dan, an obituary writer, meets Alice, a stripper, after an acci= dent in the street. Eighteen months later, they are a couple, and Dan ha= s written a novel inspired by Alice. While posing for his book jacket co= ver, Dan meets Anna, a photographer. He pursues her but she rejects his = advances despite their mutual attraction. Larry, a dermatologist, "meets= " Dan in an internet chat room. Dan, obsessing over Anna, pretends to be= her and has cybersex with Larry. They arrange to meet the next day at a= n aquarium. Larry arrives and so too, coincidentally, does the real Anna= . This sets up a series of pass-the-lover scenes in which this quartet s= truggle to find intimacy but can't seem to get closer.

Thursday, December 1 and

Friday, December 2

@ 7 p.m.

Summit ArtSpace=

140 East Market Street

Akron, OH

4 parts available (2m, 2w) earl= y 20's to 40's.

Please prepare two monologues for the audition.

Production runs January 12 - Fe= bruary 11, 2006

Call for 330-606-5317 for infor= mation & directions.

 

----__JWM__J3b0e.1b32S.3061M-- From Artistschair2005 at aol.com Mon Nov 21 16:20:36 2005 From: Artistschair2005 at aol.com (Artistschair2005 at aol.com) Date: Mon, 21 Nov 2005 19:20:36 EST Subject: [NEohioPAL]Special CPT DISCOUNT for NEohioPAL Subscribers Message-ID: <62.614cfe1c.30b3be54@aol.com> -------------------------------1132618836 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Dear NEohioPAL Subscribers, Cleveland Public Theatre is pleased to offer YOU AND A GUEST a special discounted admission rate of $10 per ticket to the Wednesday and Friday evening preview performances of "The Santaland Diaries" and "Mrs. Bob Cratchit's Wild Christmas Binge." The Santaland Diaries, Wednesday, November 23 (7:30 pm) and Friday, November 25 (8 pm) Mrs. Bob Cratchit's Wild Christmas Binge, Wednesday, November 23 (7:30 pm) and Friday, November 25 (8 pm) To order your tickets, please call the CPT Box Office at (216) 631-2727 or visit _www.cptonline.org_ (http://www.cptonline.org) Can't make the previews, don't fret, you can binge on the holiday raucous through December 18! -------------------------------1132618836 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
Dear NEohioPAL Subscribers,
 
Cleveland Public Theatre is pleased to offer YOU AND A GUEST a special=20 discounted admission rate of $10 per ticket to the Wednesday and=20 Friday evening preview performances of "The Santaland Diaries" and "Mrs. Bob= =20 Cratchit's Wild Christmas Binge."
 
The Santaland Diaries, Wednesday, November 23 (7:30 pm) and Friday,=20 November 25 (8 pm)
 
Mrs. Bob Cratchit's Wild Christmas Binge, Wednesday, November 23 (7:30=20= pm)=20 and Friday, November 25 (8 pm)
 
To order your tickets, please call the CPT Box Office at (216) 631-2727= or=20 visit www.cptonline.org
 
Can't make the previews, don't fret, you can binge on the holiday rauco= us=20 through December 18!
 -------------------------------1132618836-- From hotcarl at adelphia.net Mon Nov 21 16:28:19 2005 From: hotcarl at adelphia.net (carlferrara) Date: Mon, 21 Nov 2005 19:28:19 -0500 Subject: [NEohioPAL]Hot Carl's 2nd annual Turkey Jam Stand Up Comedy Show Wed 23 @9pm Message-ID: <000c01c5eefb$a36f0090$d3ca4644@HOTCARLDESKTOP> This is a multi-part message in MIME format. ------=_NextPart_000_0009_01C5EED1.BA623120 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Wed. Nov 23=20 Comedy Showcase Hot Carl's 2nd Annual Turkey Jam At the=20 Cleveland Blackbox Theater (Cabaret Dada) 1210 West 6th street 9:00 P.M. Under the liquid/fusion Next to dive bar $10.00 4 comics Hot Carl Ferrara Ray DeVito Patrick Fisher MC Shawn Paul More info contact Hot Carl Ferrara 216-469-9077 carlferrara at earthlink.net ------=_NextPart_000_0009_01C5EED1.BA623120 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable

Wed. Nov 23

Comedy Showcase

Hot Carl=92s 2nd Annual = Turkey=20 Jam

At the

Cleveland Blackbox = Theater

(Cabaret Dada)

1210 West 6th street

9:00 P.M.

Under the liquid/fusion

Next to dive bar

$10.00

4 comics

Hot Carl Ferrara

Ray DeVito

Patrick Fisher

MC Shawn Paul

More info contact Hot Carl = Ferrara

216-469-9077

carlferrara at earthlink.net

------=_NextPart_000_0009_01C5EED1.BA623120-- From bnardi9 at hotmail.com Mon Nov 21 16:34:11 2005 From: bnardi9 at hotmail.com (billy nardi) Date: Tue, 22 Nov 2005 00:34:11 +0000 Subject: [NEohioPAL]Don't Be a Wallflower...HMMM?? Message-ID:

 

 

Billy Nardi invites:

All filmmakers, actors, musicians, writers, artists, friends, beautiful women, whatever your genre is?

Come to the bars to network. I am not one to hype things up, but before the night is over, you might be convinced that this is the best night to go to the bars all year long. I might be wrong, right?

 

WHAT: Time Warp Bar

WHERE: Westlake

WHEN: thWednesday Night

before Thanksgiving (11.23.2005)

AT: 10:00PM

 

ADDRESS:

Time Warp

26261 Center Ridge

Westlake, Ohio

 

 

 

On the corner of Canterbury/Center Ridge.

Take I-90 or 480.

Get there as early as possible, before it is packed, when the bar is full, you have to wait for others to leave to get in.

This a fairly small bar, with couches and a small dance floor...

Best advice I can give...Take A Cab Home Please!!

From mmiloro at adelphia.net Mon Nov 21 20:01:17 2005 From: mmiloro at adelphia.net (Mark Miloro) Date: Mon, 21 Nov 2005 23:01:17 -0500 Subject: [NEohioPAL]Auditions for Blithe Spirit at GLTG Message-ID: <011501c5ef19$640e3240$15d13218@owner4878dffa1> This is a multi-part message in MIME format. ------=_NextPart_000_0112_01C5EEEF.7B1204A0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Geauga Lyric Theater Guild Auditions: =20 Blithe Spirit Monday & Tuesday Dec 5 & 6=20 >From 7:oo to 9:00 p.m. At TheGeauga Theater=20 Located on Historic Chardon Square=20 Performance dates: Feb 10, 11, 12, 17, 18, 19 24, 25,26 Directed by Patricia Osredkar Written by Noel Coward, Blithe Spirit is a tale of "love everlasting" = which goes beyond the vow of "until death us do part." Charles, = socialite author, and his second wife, Ruth, are visited by some = eccentric guests and the ghost of Charles' first wife! Blithe Spirit = was one of the longest running comedies in the history of British = theatre and is still one of Coward's best-loved works, filled with his = trademark wit and slapstick comedy.=20 We are need in five women and two men for the following roles: Edith, the maid=20 Ruth, Charles' stylish second wife, middle 30s=20 Charles, around 40=20 Doctor Bradman, middle aged, pleasant=20 Mrs. Bradman, fair, rather faded=20 Madame Arcati, the medium, 45-65, mysterious=20 Elvira, ghost of Charles' departed first wife ------=_NextPart_000_0112_01C5EEEF.7B1204A0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
Geauga Lyric=20 Theater Guild Auditions:
 
Blithe=20 Spirit
 
Monday &=20 Tuesday  Dec 5 & 6
From 7:oo to 9:00 p.m.
At TheGeauga = Theater=20
Located on = Historic Chardon=20 Square

Performance dates:  Feb 10, 11, 12, 17, 18, 19 24,=20 25,26
 
Directed by Patricia = Osredkar

Written by=20 Noel Coward, Blithe Spirit = is a tale of=20 "love everlasting" which goes beyond the vow of "until death us do=20 part."  Charles,  socialite author, and his second = wife,=20 Ruth, are visited by some eccentric guests and the ghost of = Charles' first=20 wife!  Blithe Spirit was one of the = longest=20 running comedies in the history of British theatre and is still one of = Coward's=20 best-loved works, filled with his trademark wit and slapstick=20 comedy. 

We are need in five women and two men for = the=20 following roles:

Edith, the maid=20
Ruth, Charles' stylish second wife, middle 30s=20
Charles, around 40
Doctor = Bradman,=20 middle aged, pleasant
Mrs. Bradman, fair, rather = faded=20
Madame Arcati, the medium, 45-65, mysterious=20
Elvira, ghost of Charles' departed first wife=20
------=_NextPart_000_0112_01C5EEEF.7B1204A0-- From Grumio85 at aol.com Mon Nov 21 20:54:04 2005 From: Grumio85 at aol.com (Grumio85 at aol.com) Date: Mon, 21 Nov 2005 23:54:04 EST Subject: [NEohioPAL]Backstagers! Behold Beck's "Beauty" Message-ID: <27f.98ea3.30b3fe6c@aol.com> -------------------------------1132635244 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Backstage crew folk are still needed for Beck's upcoming run of... Beauty and the Beast The production runs basically the month of December, predominently on the weekends. Split shifts (ie Partial commitment) are possible in most positions. Still needed are follow spot operators and backstage crew (shift/props/dressers) These are volunteer positions. Crew receives 4 comp tickets for the run. Tech week begins Sunday, Nov. 27th. This promises to be a great show with an unforgetable backstage experience among a cast of amazing people. Sign on now! You'll be glad you did. Interested? More questions? Either reply to this e-mail, or call Scott at 216-521-2540 x239 -------------------------------1132635244 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
Backstage crew folk are still needed for Beck's upcoming run of= ...
 
Beauty and the Beast
 
The production runs basically the month of Decem= ber, predominently on the weekends. Split shifts (ie Partial commitment) are= possible in most positions. Still needed are follow spot operators and back= stage crew (shift/props/dressers)
 
These are volunteer positions. Crew receives 4 c= omp tickets for the run.
 
Tech week begins Sunday, Nov. 27th.
 
This promises to be a great show with an unforge= table backstage experience among a cast of amazing people. Sign on now! You'= ll be glad you did.
 
Interested? More questions? Either reply to this= e-mail, or call Scott at 216-521-2540 x239
-------------------------------1132635244-- From cinevid at yahoo.com Mon Nov 21 21:39:24 2005 From: cinevid at yahoo.com (Bill) Date: Mon, 21 Nov 2005 21:39:24 -0800 (PST) Subject: [NEohioPAL]"Left for Dead" gets reviewed by Filmthreat Message-ID: <20051122053924.96551.qmail@web60316.mail.yahoo.com> --0-1594652428-1132637964=:96366 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit THE WALL STREET JOURNAL NAMED FILMTHREAT ONE OF THE TOP FIVE MOVIE WEB SITES ON THE INTERNET! Filmthreat, one of the first websites to cater to independent films has just reviewed our short film, "Left for Dead" Check it out on the front page at www.Filmthreat.com or at this link: http://www.filmthreat.com/index.php?section=reviews&Id=8173 A special thanks to Eric Campos, Chris Gore's right hand man who took the time to write such a nice review. The site recieves nearly 500,000 visitors every month. --------------------------------- Yahoo! FareChase - Search multiple travel sites in one click. --0-1594652428-1132637964=:96366 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
THE WALL STREET JOURNAL NAMED FILMTHREAT ONE OF THE TOP FIVE MOVIE WEB SITES ON THE INTERNET!
Filmthreat, one of the first websites to cater to independent films has just reviewed our short film, "Left for Dead" Check it out on the front page at www.Filmthreat.com or at this link:
 
 
A special thanks to Eric Campos, Chris Gore's right hand man who took the time to write such a nice review. The site recieves nearly 500,000 visitors every month.
 

Yahoo! FareChase - Search multiple travel sites in one click. --0-1594652428-1132637964=:96366-- From mjr64 at adelphia.net Mon Nov 21 23:37:36 2005 From: mjr64 at adelphia.net (Michael Rubin ) Date: Tue, 22 Nov 2005 02:37:36 -0500 Subject: [NEohioPAL]Eric Mull and "Bob" the Dog Message-ID: <000601c5ef37$9bc89220$740fa8c0@mikescomputer> This is a multi-part message in MIME format. ------=_NextPart_000_0003_01C5EF0D.B2C07DA0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Kudos and ear scratches to Eric Mull Photography and his dog "Bob" for = hosting a great party for Aftra folks last night. Catered hot snacks,imported beer,genuine people,and a union dog made for = a fun and productive shindig. Yes,the union work here is far and few,but so are the egos. "Bob the Dog",what a player ! How come ladies never scratch my ear at = first hello? Thanks Guys Michael Rubin ------=_NextPart_000_0003_01C5EF0D.B2C07DA0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
Kudos and ear scratches to Eric Mull = Photography=20 and his dog "Bob" for hosting a great party for Aftra folks last=20 night.
Catered hot snacks,imported = beer,genuine people,and=20 a union dog made for a fun and productive shindig.
Yes,the union work here is far and = few,but so are=20 the egos.
"Bob the Dog",what a player ! How come = ladies never=20 scratch my ear at first hello?
Thanks Guys
Michael = Rubin
------=_NextPart_000_0003_01C5EF0D.B2C07DA0-- From KillingTimeLTD at aol.com Tue Nov 22 04:22:48 2005 From: KillingTimeLTD at aol.com (KillingTimeLTD at aol.com) Date: Tue, 22 Nov 2005 07:22:48 EST Subject: [NEohioPAL]ACTRESSES NEEDED 12/10 Message-ID: <279.f3432.30b46798@aol.com> -------------------------------1132662168 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Need two actresses for a murder mystery event being held on Saturday December 10 from 6-9 pm in North Ridgeville. Must be over 18 and able to stay in character. Improv training & comedic timing a plus but not a necessity. Must be able to memorize script. Pays $75. French Maid: age range 21-35, accent preferred but not necessary A Dizzy Blonde: age range 21-45, stereotypical, not-so-bright buxom blonde Please email resume and headshot to the address above (_killingtimeltd at aol.com_ (mailto:killingtimeltd at aol.com) ). -------------------------------1132662168 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
     Need two actresses for a murder myst= ery=20 event being held on Saturday December 10 from 6-9 pm in North=20 Ridgeville. Must be over 18 and able to stay in character.  Improv= =20 training & comedic timing a plus but not a necessity. Must be able to=20 memorize script. Pays $75.=20
 
French Maid: age range 21-35, accent preferred but not necessary
 
A Dizzy Blonde: age range 21-45, stereotypical, not-so-bright buxom=20 blonde
    
    Please email resume and headshot to the address= =20 above (killingtimeltd at aol.com).
 -------------------------------1132662168-- From popcycles at sbcglobal.net Tue Nov 22 05:35:11 2005 From: popcycles at sbcglobal.net (D. Budin) Date: Tue, 22 Nov 2005 05:35:11 -0800 (PST) Subject: [NEohioPAL]Benefit screening of "Spinal Tap" for Contemporary Youth Orchestra Message-ID: <20051122133511.40230.qmail@web81805.mail.mud.yahoo.com> --0-650749462-1132666511=:33857 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Contemporary Youth Orchestra Presents Benefit Screening of This Is Spinal Tap The Contemporary Youth Orchestra is celebrating its 11th season and CYO?s slogan for the season is ?Take It to Eleven!? ? inspired by the movie This Is Spinal Tap. In the movie ? Rob Reiner?s hilarious ?mockumentary? about the fictional rock band Spinal Tap ? the group gets amps that go to 11 because 10 is not loud enough. For CYO, it?s not about volume, but about going beyond what is expected and anticipated, which the orchestra continually does. CYO is composed of more than 100 of the best high school-age musicians in this region, representing more than 40 schools. To kick off this season, CYO is presenting a benefit screening of This Is Spinal Tap on Saturday, November 26 Cleveland State University?s Drinko Recital Hall ? in the Music and Communications Building at 2001 Euclid Avenue (the north-west corner of Euclid Avenue and E. 21st Street). The doors will open at 10:15 p.m., and the movie will be shown at 11 p.m. Donations of any amount will be accepted. The suggested donation is $11. Popcorn and soda will be provided. For more information, call 216-321-3525. --0-650749462-1132666511=:33857 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit

Contemporary Youth Orchestra Presents Benefit Screening of This Is Spinal Tap

 

The Contemporary Youth Orchestra is celebrating its 11th season and CYO?s slogan for the season is ?Take It to Eleven!? ? inspired by the movie This Is Spinal Tap. 

 

In the movie ? Rob Reiner?s hilarious ?mockumentary? about the fictional rock band Spinal Tap ? the group gets amps that go to 11 because 10 is not loud enough.  For CYO, it?s not about volume, but about going beyond what is expected and anticipated, which the orchestra continually does.

 

CYO is composed of more than 100 of the best high school-age musicians in this region, representing more than 40 schools.

 

To kick off this season, CYO is presenting a benefit screening of This Is Spinal Tap on Saturday, November 26 Cleveland State University?s Drinko Recital Hall ? in the Music and Communications Building at 2001 Euclid Avenue (the north-west corner of Euclid Avenue and E. 21st Street).  The doors will open at 10:15 p.m., and the movie will be shown at 11 p.m.

 

Donations of any amount will be accepted. The suggested donation is $11.  Popcorn and soda will be provided.

 

For more information, call 216-321-3525.

--0-650749462-1132666511=:33857-- From rockandroller1 at yahoo.com Tue Nov 22 06:15:37 2005 From: rockandroller1 at yahoo.com (Nina McCollum) Date: Tue, 22 Nov 2005 06:15:37 -0800 (PST) Subject: [NEohioPAL]New Orleans musicians benefit Message-ID: <20051122141537.30601.qmail@web50409.mail.yahoo.com> Passing along information about a benefit I thought the list folks might be interested in attending. 100% of the proceeds will benefit The Tipitina's Foundation, a coalition offering housing solutions for musicians affected by Hurricane Katrina. One of NE Ohio's most excellent bands, Kent's 15-60-75 ("The Numbers Band") will be on the bill, with some other great acts. >From the Tree City of Kent to the Crescent City of New Orleans, join people who love music and culture. NEW ORLEANS MUSICIANS RELIEF BENEFIT Music, Art, Food & Silent Auction Sunpie - w/Bruce Barnes, singer, zydeco accordionist, blues harmonica, piano, African drums The Numbers Band - blues/jazz originals The Prayer Warriors - award winning performing arts group Lester - 1920s jazz Pat Sweany - Kent's newest blues man Derek de Prator - blues guitarist WHEN: DECEMBER 10, 7pm. (doors at 6:30) WHERE: The Outpost, 4962 Rt. 43, Kent, Ohio TIX: $12 advance, $15 day of, $10 w/valid college ID. ticketweb.com, Woodsy's music (Kent) or Square Record Store (Highland Square) For more information: numbersband.com, outpostkent.com, or emailbrassfornola at yahoo.com __________________________________ Yahoo! FareChase: Search multiple travel sites in one click. http://farechase.yahoo.com From vwilson at karamu.com Tue Nov 22 06:36:16 2005 From: vwilson at karamu.com (vivian wilson) Date: Tue, 22 Nov 2005 09:36:16 -0500 Subject: [NEohioPAL]Black Nativity @ Karamu House Message-ID: Vivian C. Wilson Marketing Manager Phone: (216) 795-7070 x215 vwilson at karamu.com FOR IMMEDIATE RELEASE ? Monday - November 21, 2005 RE: BLACK NATIVITY & Holiday Events ?O Come all Yee Faithful? to the 20th years run of Karamu Performing Arts Theatre holiday favorite, Black Nativity written by Karamu Alumni, Langston Hughes, December 9 thru December 30, 2005, in the Jelliffe Theatre. Black Nativity continues to dazzle audiences of all ages with its rousing gospel music, superbly performed dance numbers, brilliant costumes and the majesty of Langston Hughes? poetry. This year?s production is directed and choreographed by Cleveland native Terence M. Greene, instructor at The Cleveland School of Performing Arts. Terence Greene was a member of The Dayton Contemporary Dance Company and has choreographed for some of the top dance companies in the country. He is Artistic Director for Foluke?. Terence?s brings to the table his many years of dance training, performance and teaching plus his performance experience in the role of Joseph. Returning again this year to lead the musical endeavors is Clifton D. Beasley who has skillfully blended the multi-talents of some of Cleveland?s finest gospel singers and performers to bring the nativity story to life. The roles of ?Mary and Joseph? are gracefully danced by Kathleen Turner and Michael Medcalf principles of The Cleveland Contemporary Dance Theatre. Student dancers from the Cleveland School of Arts complement the performance as angels, shepherds and ushers. This combination of seasoned vocalist, new talented soloist, experienced and youthful dancers make this season?s production another must see for The Greater Cleveland and surrounding areas. For a feel good, family friendly production, put Black Nativity at the top of your lists of things to do this holiday season. Regular performance times for Black Nativity are 8:00 p.m. on Thursday, Friday and Saturdays and 3:00 p.m. on Sundays. Tickets are $20, $25 and $30.00 From vwilson at karamu.com Tue Nov 22 06:38:23 2005 From: vwilson at karamu.com (vivian wilson) Date: Tue, 22 Nov 2005 09:38:23 -0500 Subject: [NEohioPAL]Karamu House Auditions - Youth Production- Little Rock Nine Message-ID: FOR IMMEDIATE RELEASE ? Tuesday, November 22, 2005 Re: AUDITIONS for Karamu Youth Theatre Production of the World Premier of Breaking Barriers: Little Rock Nine By Nicole C. Kearney Cooper Saturday December 3 and from 11:00 am to 1:00 pm December 10, 2005 Roles available for actors & actresses ages 14 to 60. Performers, regardless of race are encouraged to attend. All performers will receive complimentary tickets for some performances. Rehearsals 2 days/week starting December 28. Performances each Saturday and Sunday from February 11 through February 26. For additional details: contact Director, Kimberly Brown @ (216) 702-6803 Auditions will be held at Karamu House; 2355 East 89th Street, Cleveland, Ohio 44106 in the Concert Hall. Performances will be at 2:00 pm on Saturdays and Sundays in Karamu?s Jelliffe Theatre during Black History Month, February 11, 2006 thru March 5, 2006 BREAKING BARRIERS: LITTLE ROCK NINE (World Premier) is told from the perspective of the nine students who integrated Central High School, in Little Rock, Arkansas, in September, 1957, amid much violence, hatred and protest. Join these famous "nine" students, their parents, and their protector Ms. Daisy Bates as they meet for the first time after they are chosen. As these nine students bond over the common desire for a better education, they begin to realize the impact it has on American society. Hear personal perspectives from Little Rock and the nation as the drama unfolds for those nine young Black students. ******** From ytplayhouse at aol.com Tue Nov 22 06:50:53 2005 From: ytplayhouse at aol.com (ytplayhouse at aol.com) Date: Tue, 22 Nov 2005 09:50:53 -0500 Subject: [NEohioPAL]AUDITIONS - STEEL MAGNOLIAS Message-ID: <8C7BD8B45C98603-1154-947@mblk-d30.sysops.aol.com> ----------MailBlocks_8C7BD8B45BFFC9F_1154_8AB_mblk-d30.sysops.aol.com Content-Type: text/plain; charset="us-ascii" The Youngstown Playhouse presents STEEL MAGNOLIAS January 20 - February 5 Directed by Kathy Appulgiese AUDITIONS are scheduled for November 28th and 29th at 7:00 PM at The Youngstown Playhouse. Casting Needs: 6 women, age range of late teen through late 60's. For more information, contact: The Youngstown Playhouse 600 Playhouse Lane Youngstown, OH 44511 330-788-8739 www.youngstownplayhouse.com ----------MailBlocks_8C7BD8B45BFFC9F_1154_8AB_mblk-d30.sysops.aol.com Content-Type: text/html; charset="us-ascii"
The Youngstown Playhouse presents
 
STEEL MAGNOLIAS
January 20 - February 5
Directed by Kathy Appulgiese
 
AUDITIONS are scheduled for November 28th and 29th at 7:00 PM at The Youngstown Playhouse.
 
Casting Needs:  6 women, age range of late teen through late 60's.
 
 
For more information, contact:
 
The Youngstown Playhouse
600 Playhouse Lane
Youngstown, OH 44511
330-788-8739
 
 
 
----------MailBlocks_8C7BD8B45BFFC9F_1154_8AB_mblk-d30.sysops.aol.com-- From artistschair2005 at aol.com Tue Nov 22 07:07:40 2005 From: artistschair2005 at aol.com (artistschair2005 at aol.com) Date: Tue, 22 Nov 2005 10:07:40 -0500 Subject: [NEohioPAL]Need a COMMERCIALS/VIDEO PROMOTIONS DIRECTOR? Frank R. Mixson & OTHER NEWS! Message-ID: <8C7BD8D9E20EB6B-5FC-AA6@FWM-M28.sysops.aol.com> ----------MailBlocks_8C7BD8D9E20EB6B_5FC_8F0_FWM-M28.sysops.aol.com Content-Type: text/plain; charset="us-ascii" ARTISTSCHAIR.COM'S "FEATURED ARTIST OF THE DAY" Commercials/Video Promotions Director - Frank R. Mixson (Location: Cleveland, Ohio) (November 22, 2005) To view Frank's profile, visit http://www.artistschair.com Latest Members' CONTEST Giveaway (November 18, 2005) The artistschair.com member that is chosen at random by the database to be the Wednesday, November 23 "Featured Artist of the Day" will win two passes, good for four admissions to the December 1 (7:30 pm) Loews Richmond Town Square advanced screening of "The Family Stone" featuring Claire Danes, Diane Keaton, Rachel McAdams, Dermot Mulroney, Craig T. Nelson, Sarah Jessica Parker and Luke Wilson. Take friends or take family, either way, GET OUT and SEE NORTHEAST OHIO! Not a member of artistschair.com yet? Join today for FREE! Networking EVENT & PARTY for Artists and Those that Hire Talent (November 10, 2005) A GREAT BIG THANK YOU to all who attended the November 9 artistschair.com Networking Event which took place at 1300 Gallery. Photos from the event will be posted to the artistschair.com directory soon. FIND an Artist! Make your event or project extra memorable. Find entertainers and technicians in our FREE and easy-to-use database featuring photos and profiles of local artists in more than 100 different talent fields. BE an Artist! Let your talents and services be known. Become a member for FREE and highlight all talent fields that apply to you. Upload photos of yourself and/or samples of your work, edit your own information and have your profiles viewed by those searching for your talents and services. Our MISSION Artistschair.com is committed to PROMOTING and RAISING AWARENESS of local artists, arts-related institutions and issues and the NORTHEAST OHIO REGION as well as serving the needs of those searching for CREATIVE TALENT and resources. ----------MailBlocks_8C7BD8D9E20EB6B_5FC_8F0_FWM-M28.sysops.aol.com Content-Type: text/html; charset="us-ascii"
  
            ARTISTSCHAIR.COM'S "FEATURED ARTIST OF THE DAY"
Commercials/Video Promotions Director - Frank R. Mixson (Location: Cleveland, Ohio)
 
(November 22, 2005) To view Frank's profile, visit http://www.artistschair.com
 
Latest Members' CONTEST Giveaway
(November 18, 2005) The artistschair.com member that is chosen at random by the database to be the Wednesday, November 23 "Featured Artist of the Day" will win two passes, good for four admissions to the December 1 (7:30 pm) Loews Richmond Town Square advanced screening of "The Family Stone" featuring Claire Danes, Diane Keaton, Rachel McAdams, Dermot Mulroney, Craig T. Nelson, Sarah Jessica Parker and Luke Wilson.  
 
Take friends or take family, either way, GET OUT and SEE NORTHEAST OHIO! Not a member of artistschair.com yet? Join today for FREE!
 
Networking EVENT & PARTY for Artists and Those that Hire Talent
(November 10, 2005) A GREAT BIG THANK YOU to all who attended the November 9 artistschair.com Networking Event which took place at 1300 Gallery. Photos from the event will be posted to the artistschair.com directory soon.
  
FIND an Artist!
Make your event or project extra memorable. Find entertainers and technicians in our FREE and easy-to-use database featuring photos and profiles of local artists in more than 100 different talent fields.
 
BE an Artist!
Let your talents and services be known. Become a member for FREE and highlight all talent fields that apply to you. Upload photos of yourself and/or samples of your work, edit your own information and have your profiles viewed by those searching for your talents and services.
 
Our MISSION
Artistschair.com is committed to PROMOTING and RAISING AWARENESS of local artists, arts-related institutions and issues and the NORTHEAST OHIO REGION as well as serving the needs of those searching for CREATIVE TALENT and resources.
 
----------MailBlocks_8C7BD8D9E20EB6B_5FC_8F0_FWM-M28.sysops.aol.com-- From larry_goodpaster at sbcglobal.net Tue Nov 22 08:23:22 2005 From: larry_goodpaster at sbcglobal.net (Larry Goodpaster) Date: Tue, 22 Nov 2005 11:23:22 -0500 Subject: [NEohioPAL]Sound Board Operator Needed for Beauty and the Beast at the Beck Center Message-ID: <001a01c5ef81$0edd2200$230110ac@Fastone> This is a multi-part message in MIME format. ------=_NextPart_000_001B_01C5EF57.26071A00 Content-Type: multipart/alternative; boundary="----=_NextPart_001_001C_01C5EF57.26071A00" ------=_NextPart_001_001C_01C5EF57.26071A00 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit WANTED: SOUND BOARD OPERATOR The Beck Center for the Arts in Lakewood has an immediate opening for a sound board operator for the upcoming production of Beauty and the Beast November 27 - December 31 (specific dates will be provided) Prior experience desired. Modest stipend available. Please contact Larry Goodpaster @ 216-253-2077 or e-mail: larry_goodpaster at sbcglobal.net Larry Goodpaster larry_goodpaster at sbcglobal.net ------=_NextPart_001_001C_01C5EF57.26071A00 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

WANTED: SOUND BOARD = OPERATOR

 

The Beck Center for the = Arts in Lakewood has an immediate opening = for a sound board operator for the upcoming production of

 

Beauty = and = the Beast  = November 27 – December 31 = (specific dates will be provided)

 

Prior experience = desired.  Modest stipend available.

 

Please contact Larry = Goodpaster @ 216-253-2077 or

e-mail: = larry_goodpaster at sbcglobal.net

 

Larry = Goodpaster

larry_goodpaster at sbcglobal.net

 

------=_NextPart_001_001C_01C5EF57.26071A00-- ------=_NextPart_000_001B_01C5EF57.26071A00 Content-Type: image/gif; name="image001.gif" Content-Transfer-Encoding: base64 Content-ID: R0lGODlhQAYFAPQLAKfT/6/X/7fb/7/f/8fj/8/n/9fr/97u/+f0/+73//f8//////H3/+Lv/97w /9Dn/8Df/7DX/5/P/wECAwECAwECAwECAwECAwECAwECAwECAwECAwECAwECAwECAwECAyH/C01T T0ZGSUNFOS4wDQAAAAFzUkdCAK7OHOkAIf8LTVNPRkZJQ0U5LjAYAAAADG1zT1BNU09GRklDRTku MBObKZRkACH/C01TT0ZGSUNFOS4wGAAAAAxjbVBQSkNtcDA3MTICAAAJAtxSKQAsAAAAAEAGBQAA Bf+gJI6kBJhAqqYBELwwHAmBYN/2IAx8z0OEAWFIJBSMhWThYWg2D9BDA4FIKK6LrHbL7Xq/4LB4 TC6bz+i0es1uu9/wuHxOr9vv+Lx+z+/7/4CBgoOEhYaHiImKi4yNciWQJiIrlCwuMS80NTM4Nz4+ QQRARUdKSgZMTgcOVFUJVgqOsrO0tba3uLm6u7y9vr/AwcLDxMXGwJGQJ8uVL5cxEZk1nTk7Oz0Q PUWkSEkGBaoGUVSvsMfn6Onq6+zt7u/w8fLz9PX2vMkkJyiULSwt0GoIpKbjmo9sQ4Rw67bEmxNx UlwlYMAAy72LGDNq3Mixo8ePIEOKHOkx36RJzPoquXj2YsYmap50HAyicJuRbqkeRjlA7ooCBiSD Ch1KtKjRo0iTKl3KlE4IADs= ------=_NextPart_000_001B_01C5EF57.26071A00-- From cabaretdada at aztemail.com Tue Nov 22 08:55:24 2005 From: cabaretdada at aztemail.com (Cabaret Dada) Date: Tue, 22 Nov 2005 11:55:24 -0500 Subject: [NEohioPAL]Cabaret Dada Cures the Post-Thanksgiving Blahs Message-ID: <20051122-11552475-b9c-0@acc7> Often, as we look forward to the holidays, we forget about the PHBS (Post-Holiday Boredom Syndrome). Think about it. It's Friday after Thansgiving. You can't eat any more turkey. You've shopped until you've dropped. If you watch any more football your eyes will fall out of your head onto your engorged stomach. And as much fun as it is to stack things on grandpa until he wakes up, even that has lost its interest. How are you going to fight this horrible condition? With the help of your friends at Cabaret Dada, of course! Thanksgiving weekend is the perfect time to round up your buddies who are in from out of town, grab a few cold beverages, and head down to laugh your gut off. And being Thanksgiving weekend, its very possible some Dada alums may show up to play along. So call up your chums, take the spoon off grandma's nose, and come down to the Warehouse District this weekend. If you use the secret code word "TURKEY" (pretty clever, huh?) you'll get in for only ten bucks! That's two dollars off the regular admission. Make your post-turkey reservations today at http://www.cabaretdada.com, by phone at 216.696.HAHA (4242) or via email at somedada at aol.com. Show times for this weekend are: Friday, 11/25/05 10:30 PM Saturday, 11/26/05 8:00 PM and 10:30 PM Cabaret Dada 1210 West 6th Street In the Warehouse District 216.696.HAHA (4242) From MChamberlain at beckcenter.org Tue Nov 22 09:15:27 2005 From: MChamberlain at beckcenter.org (Meg Chamberlain) Date: Tue, 22 Nov 2005 12:15:27 -0500 Subject: [NEohioPAL]The FREE Menopause Tickets Message-ID: <97CF2CB42902E345A929E3202369C84E14A7A7@beck-1.beckcenter.com> This is a multi-part message in MIME format. ------_=_NextPart_001_01C5EF88.550B04ED Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Thanks to all of you who responded Norma Capocci is the lucky winner Next time I have extra tickets I will do this again Meg Chamberlain Production Stage Manager Menopause the Musical! Happy Thanksgiving ------_=_NextPart_001_01C5EF88.550B04ED Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable The FREE Menopause Tickets

Thanks to all of you who responded
Norma Capocci
is the lucky winner
Next time I have extra tickets I will do this again
Meg Chamberlain
Production Stage Manager
Menopause the Musical!
Happy Thanksgiving

------_=_NextPart_001_01C5EF88.550B04ED-- >From Greg Benedetto" This is a multi-part message in MIME format. ------=_NextPart_000_0054_01C5EF64.3FBAC520 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable My daughter urgently needs a used Texas Instruments TI-83 Graphing = Calculator for high school work. If you have one or know of one, please let me know. Thank you, Neopal = community. Email or phone, please. Greg Benedetto day phone - 216-751-1198 ------=_NextPart_000_0054_01C5EF64.3FBAC520 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
My daughter urgently needs = a used Texas=20 Instruments TI-83 Graphing Calculator
for high school = work.
If you have one or know of = one, please=20 let me know. Thank you, Neopal community.
Email or phone, = please.

Greg = Benedetto
day phone -=20 216-751-1198
------=_NextPart_000_0054_01C5EF64.3FBAC520-- From mattcook at studioof5rings.com Tue Nov 22 10:05:21 2005 From: mattcook at studioof5rings.com (Matt Cook) Date: Tue, 22 Nov 2005 13:05:21 -0500 Subject: [NEohioPAL]Stacy Chech Sneak Preview Message-ID: This is a multi-part message in MIME format. ------=_NextPart_000_0000_01C5EF65.6526BCA0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit Sneak Preview of Stacy Check's Collection After Thanksgiving Cleveland, OH - Nov. 20, 2005 - Need a respite from holiday shopping Thanksgiving weekend? The Studio of 5 Rings is having a Sneak Preview of the Stacy Chech collection Friday Nov. 25th and Saturday Nov. 26th. We are Downtown Cleveland's only Winery - we bring art and wine together the way they were meant to be. * This one-person show features an art collection with original charcoal and oil paintings. Stacy uses urban landscapes, many of which are centered on LTV Steel, to illustrate her personal growth and hope for Cleveland's future. * We offer low-sulfite wines that are hand-crafted right here in our gallery: * Merlot, Shiraz, Pinot Grigio, Chardonnay, Sweet Berry Red * Enjoy a glass in the gallery to unwind this weekend * Our wines make excellent gifts this season * Tucked away on the 2nd floor of the Futon Factory Bldg., we have free parking and a relaxing atmosphere. Our secret is our success. * Hours: * Fridays 5:00pm to Midnight * Saturdays 7:00pm to Midnight Matt Cook STUDIO OF 5 RINGS 2400 Superior Ave., #201 (2nd Floor of the Futon Factory) Cleveland, OH 44114 216-771-0830 www.studioof5rings.com ------=_NextPart_000_0000_01C5EF65.6526BCA0 Content-Type: application/ms-tnef; name="winmail.dat" Content-Transfer-Encoding: base64 Content-Disposition: attachment; filename="winmail.dat" eJ8+IhUSAQaQCAAEAAAAAAABAAEAAQeQBgAIAAAA5AQAAAAAAADoAAEIgAcAGAAAAElQTS5NaWNy b3NvZnQgTWFpbC5Ob3RlADEIAQ2ABAACAAAAAgACAAEGgAMADgAAANUHCwAWAA0ABQAAAAIAEQEB A5AGAHQJAAAlAAAACwACAAEAAAALACMAAAAAAAMAJgAAAAAACwApAAAAAAADADYAAAAAAB4AcAAB AAAAGgAAAFN0YWN5IENoZWNoIFNuZWFrIFByZXZpZXcAAAACAXEAAQAAABYAAAABxe+PTEAiCJjW A8lHqZa3B0sOj1enAAACAR0MAQAAACEAAABTTVRQOk1BVFRDT09LQFNUVURJT09GNVJJTkdTLkNP TQAAAAALAAEOAAAAAEAABg4A7gJBj+/FAQIBCg4BAAAAGAAAAAAAAAB1KoqayQ2lQY5XLxGvhnWC woAAAAsAHw4BAAAAAgEJEAEAAADuBAAA6gQAACcIAABMWkZ1HcOFhQMACgByY3BnMTI1FjIA+Atg bg4QMDMzTwH3AqQDYwIAY2gKwHPwZXQwIAdtAoMAUAPVvwcTAoMOUAPUEMkTSDMC490QxzIGAAbD AoB9CoAIyLQgOwlvMAKACoF2CJCkd2sLgGQ0DGBjAFCZCwNzYg9AAUBzYRryCwwwC7Q0BgBuZWFr jCBQGEAZoiBvZgYAQQGQY3kgQ2gFkGsmJwQgCFBsbAWQdGk/AiATMAGABJARYBDwbmv4c2dpGaAP IAogAUAKsSUKgEMeUHZlDwFkLCAgT0ggLQewb3acLiAB0CEQAdAwNSFSIQngZCBhIBhAc3BKaR7w IANSIGgG8GnUZGEdgHMjwHAjIA8gKR8rIHcJ4GsJ8GQ/5x8hI1AdQHVkHpAdAiJA3lIfwQQgBAAj sGElUyLQvRw/dCZBCNAAQB05aCmSdxFQCOEeVkYFECQCIYQ1fylgIsAaAAYBJoALICv3NjspYCGw VyNQCsAjUERvfncCMC7BHZAglh3xAiBsfR2AVwuABJAdgCFgJaAg/mIFECgCACAsswPwHEApULxv ZxEwHbAFwClidyQR/ylhHYAloC6BB4AAcAVALvC5MQBlLiAkCvMAAHACMIhleHQVkidCNwyCjQKR KjVxNXFsdmwCYD810DWAFaE1gBnxCfB0M/42AeE1gTXADDA2IRcwAgD0aS04cVwj4AHBGsofIaMn kQIgZS1wBJBzHqH7JEEH4GYcUC0hB5EDkTFyrysJA/AskQWwaR+QbgdA3yrwEPEFoD7RLMJvAxEK sN8LgB6AJ1EhsB1EdREgBCBdCHBiA5Eg0gTwYTuwc+8hEAOBHYAdEXc7MCqBLnIeYzhBM7E/sQOg TFRWex0xCeBsIRA0UQMQCkBz/HRyLRAjUDKSO7Q+0QnAPy7ALJUkUSNRBbEvSmZ1/zyiIbAgJDVv NnEuQR0QPHANCtFiQcAuwC1zdWz3OZAe8B/xICmUMfIEISrCTylgLRAuYx9BZC0FAGH3HuEisD6B aAVAMpEjUAuAvx0ACHBGwAdAHlAwkDpJRR81HzYvNz84TzlbMTQ0rTpMTQSQCQB0IRBTOzA1RbB6 IRBQC4BXgCBHfT6CbyEQHaALEQIgPsB5t1ehJaEFQEIEkDCRUiKhw0lfUidFbmpvHYAi0H5nC2AE EU/BKWJQNTRCdf5uMfEisClgJ5ElpVrfUhjeT1ABTQQAwCXQIFHAQ7D/HkE0IR+QAYAEIF7zESBd IP8eoVDPUd9S71P/VQ86DxFgvxpAJdAisTMSHqEpYjIs0e0O8G8FsSk1RkjgK4IA0IMu8DCRQmxk Zy4hEN8w4SfBI1IJ4EABchnhKBHXLNEi0gtgeCfzdARgIxD/T3IhsGFiESAFAFoRO0JxIl8aQEOw BBBJP2VZSAhhc/9Qr2UPZh9nL2g/Vf864iu0aQQgNTobAHAjoDRRTX8j8AMATzJyz3Y3LQYEIDf/ e+90yhKUAdAF0C0QBUAIUARvayAkU1RVREkKTyEgRicCSU5HU+cgJBwAOvFTdTuxHpAFwPZBILBt 4SMB0BpjCoEAoKED0DE2IChrskZsD71tFikMQAvFID8hQCBWQA4xekCDtYZALTc3MVAtMDgziOV3 jBAud0WQJpIdEDUxIkCQBaBtX4j0gGwOUIkDF0EAj2AAAAsAAYAIIAYAAAAAAMAAAAAAAABGAAAA AAOFAAAAAAAAAwAQgAggBgAAAAAAwAAAAAAAAEYAAAAAUoUAACdqAQAeABKACCAGAAAAAADAAAAA AAAARgAAAABUhQAAAQAAAAQAAAA5LjAAHgATgAggBgAAAAAAwAAAAAAAAEYAAAAANoUAAAEAAAAB AAAAAAAAAB4AFIAIIAYAAAAAAMAAAAAAAABGAAAAADeFAAABAAAAAQAAAAAAAAAeABWACCAGAAAA AADAAAAAAAAARgAAAAA4hQAAAQAAAAEAAAAAAAAACwAWgAggBgAAAAAAwAAAAAAAAEYAAAAAgoUA AAEAAAALAEOACCAGAAAAAADAAAAAAAAARgAAAAAOhQAAAAAAAAMARYAIIAYAAAAAAMAAAAAAAABG AAAAABCFAAAAAAAAAwBGgAggBgAAAAAAwAAAAAAAAEYAAAAAEYUAAAAAAAADAEeACCAGAAAAAADA AAAAAAAARgAAAAAYhQAAAAAAAAMAW4AIIAYAAAAAAMAAAAAAAABGAAAAAAGFAAAAAAAACwB5gAgg BgAAAAAAwAAAAAAAAEYAAAAABoUAAAAAAAACAfgPAQAAABAAAAB1KoqayQ2lQY5XLxGvhnWCAgH6 DwEAAAAQAAAAdSqKmskNpUGOVy8Rr4Z1ggIB+w8BAAAAnwAAAAAAAAA4obsQBeUQGqG7CAArKlbC AABQU1RQUlguRExMAAAAAAAAAABOSVRB+b+4AQCqADfZbgAAAEM6XERvY3VtZW50cyBhbmQgU2V0 dGluZ3NcQWRtaW5pc3RyYXRvclxMb2NhbCBTZXR0aW5nc1xBcHBsaWNhdGlvbiBEYXRhXE1pY3Jv c29mdFxPdXRsb29rXG91dGxvb2sucHN0AAADAP4PBQAAAAMADTT9NwAAAgF/AAEAAAA7AAAAPEtG RUJJT0ZIRktETENGQk1MTUlQRUVPQkNDQUEubWF0dGNvb2tAc3R1ZGlvb2Y1cmluZ3MuY29tPgAA AwAGEPyfNysDAAcQygMAAAMAEBAAAAAAAwAREAAAAAAeAAgQAQAAAGUAAABTTkVBS1BSRVZJRVdP RlNUQUNZQ0hFQ0tTQ09MTEVDVElPTkFGVEVSVEhBTktTR0lWSU5HQ0xFVkVMQU5ELE9ILU5PVjIw LDIwMDUtTkVFREFSRVNQSVRFRlJPTUhPTElEQVlTAAAAAFZh ------=_NextPart_000_0000_01C5EF65.6526BCA0-- From nate at groundfloortheater.com Tue Nov 22 10:08:12 2005 From: nate at groundfloortheater.com (nate at groundfloortheater.com) Date: Tue, 22 Nov 2005 18:08:12 +0000 Subject: [NEohioPAL]Talent Show Message-ID: ----=_vm_0011_W8282226842_753_1132682892 Content-Type: text/plain; charset="utf-8" Content-Transfer-Encoding: quoted-printable Talent Tightrope The Ground Floor Theatera comedy theater with a full service 170 seat ven= ue located in the historic Centrum Theater at 2781 Euclid Heights Blvd in= Cleveland Heights is pleased to announce it=E2=80=99s Tuesday night Tale= nt Tightrope. Tuesday nights are the time to prove your mettle in Ground Floor Theater=E2= =80=99s Talent Tightrope, an all encompassing talent show. Two contestant= s per week will advance to the semi =E2=80=93finals week five. Four conte= stants will move on to compete in the finals during week six. Contestants= can compete with any talent they possess for a cash prize. Contestants s= hould send a brief description of their act to talent at groundfloortheater.= com All Acts must be approved by management. Contestants under the age of 18 must be accompanied by an adult. The winn= ers will be determined by audience participation. The first Talent Tightr= ope begins Tuesday January 10th at 8:00 pm.All entries must be entered one week before each = competition. Thanks. Nate Cockerill Artistic Director Ground Floor Theater nate at groundfloortheater.com ----=_vm_0011_W8282226842_753_1132682892 Content-Type: text/html; charset="utf-8" Content-Transfer-Encoding: quoted-printable

  &nb= sp;           &nbs= p;            = ;            =    Talent Tightrope

The Ground Floor Theater  a comedy theater with a full service 170 seat venu= e located in the historic Centrum Theater at 2781 Euclid Heights Blvd in = Cleveland Heights is pleased to announce it=E2=80=99s Tuesday night Talen= t Tightrope. 

Tuesday nights are the time to prove your mettle in Gro= und Floor Theater=E2=80=99s Talent Tightrope, an all encompassing talent = show. Two contestants per week will advance to the semi =E2=80=93finals w= eek five. Four contestants will move on to compete in the finals during w= eek six. Contestants can compete with any talent they possess for a cash = prize. Contestants should send a brief description of their act to talent at groundfloortheater.com All Acts must be approved by management.<= /P>

Contestants under the age of 18 must be accompanied by = an adult. The winners will be determined by audience participation. The f= irst Talent Tightrope begins Tuesday

January 10th at 8:00 pm.  All entries must be entered one week before e= ach competition.

Thanks.

 

Nate Cockerill

Artistic Director

Ground Floor Theater

nate at groundfloortheater.com

 

   &nb= sp;           &nbs= p;  

----=_vm_0011_W8282226842_753_1132682892-- From w8inglong at yahoo.com Tue Nov 22 10:15:30 2005 From: w8inglong at yahoo.com (Joanne Popp) Date: Tue, 22 Nov 2005 10:15:30 -0800 (PST) Subject: [NEohioPAL]Concert tickets for sale. Message-ID: <20051122181530.24613.qmail@web32908.mail.mud.yahoo.com> --0-1498285244-1132683330=:24598 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Cleveland Philharmonic Orchestra "Special Holiday Concert in Artistic Historic Tremont!" Under the direction of William B. Slocum, Featuring Caroline Oltmanns, piano. Sunday, December 4, 2005 4:00 PM. Beethoven: Piano Concerto No. 5, ?Emperor? Selections from Handel?s Messiah Plus Seasonal Music for the Holidays! Zion UCC of Tremont 2716 West 14th Street, Cleveland, OH 44113 Tickets: $15.00/each or 2 for $25.00 I personally have tickets for sale for this event. I can be reached at 216-281-2992. God bless, Joanne M.Popp Adm. Assistant, Zion UCC of Tremont http://zionchurch.org Whosoever is everyone. --------------------------------- Yahoo! FareChase - Search multiple travel sites in one click. --0-1498285244-1132683330=:24598 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
 Cleveland Philharmonic  Orchestra 
"Special Holiday Concert in Artistic Historic Tremont!"
Under the direction of William B. Slocum,
Featuring Caroline Oltmanns, piano.
 
Sunday, December 4, 2005 4:00 PM.
Beethoven: Piano Concerto No. 5, ?Emperor?
Selections from Handel?s Messiah
Plus Seasonal Music for the Holidays!

Zion UCC of Tremont
2716 West 14th Street,
Cleveland, OH 44113
Tickets: $15.00/each or 2 for $25.00
 
I personally have tickets for sale for this event. I can be reached at 216-281-2992.
God bless,
Joanne M.Popp


Adm. Assistant,
Zion UCC of Tremont
Whosoever is everyone.

Yahoo! FareChase - Search multiple travel sites in one click. --0-1498285244-1132683330=:24598-- From jtl at zoominternet.net Tue Nov 22 12:35:05 2005 From: jtl at zoominternet.net (Judi Terrell Linden) Date: Tue, 22 Nov 2005 15:35:05 -0500 Subject: [NEohioPAL]Looking for acoustic guitar at a reasonable price Message-ID: <000f01c5efa4$38d67160$6401a8c0@moose> This is a multi-part message in MIME format. ------=_NextPart_000_0010_01C5EF7A.50006960 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Hello, My 14 year old daughter is interested in learning to play the guitar but her limited babysitting income does not allow her to purchase one new. If you have one that is in good condition and you'd like to sell it at a reasonable cost, please contact me at JudiT at zoominternet.net Thanks!!!!! ------=_NextPart_000_0010_01C5EF7A.50006960 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

Hello,

My 14 year old daughter is interested in learning to = play the guitar but her limited babysitting income does not allow her to = purchase one new.  If you have one = that is in good condition and you’d like to sell it at a reasonable cost, please = contact me at JudiT at zoominternet.net

 

Thanks!!!!!

------=_NextPart_000_0010_01C5EF7A.50006960-- From jfogel at clevelandplayhouse.com Tue Nov 22 12:56:16 2005 From: jfogel at clevelandplayhouse.com (Julie Fogel) Date: Tue, 22 Nov 2005 15:56:16 -0500 Subject: [NEohioPAL]Mambo on Saturday Only Message-ID: <9BF63EA8F64C40DEB06DF78B5A534A9B@clevelandplayhouse.net> This is a multi-part message in MIME format. ------=_NextPart_000_0022_01C5EF7D.45A77500 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit Please note this correction to a previous posting ("When You're Hot, You're Hot," 11/15/05) We've added another performance to The Play House Club Cabaret "Mambo Italiano" -- Saturday, November 26 at 9:00 p.m. To celebrate the extended run, we're offering $5 off tickets to the added performance, simply mention/enter the code "PAL" when ordering your tickets. The original email indicated there was also a Friday performance. We've added just the Saturday show -- thanks! Julie Fogel Associate Director of Communications & Marketing The Cleveland Play House 8500 Euclid Avenue Cleveland, Ohio 44106 (216) 795-7000 ext. 236 www.clevelandplayhouse.com ------=_NextPart_000_0022_01C5EF7D.45A77500 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Mambo on Saturday Only

Please note this correction to a previous = posting ("When You're Hot, You're Hot," 11/15/05)

We've added another performance to = The Play House Club Cabaret "Mambo Italiano" --  = Saturday, November 26 at 9:00 p.m. To celebrate the extended run, we're = offering $5 off tickets to the added performance, simply mention/enter = the code "PAL" when ordering your tickets.

The original email indicated there was = also a Friday performance. 
We've added just the Saturday show -- = thanks!


Julie = Fogel
Associate Director of = Communications & Marketing
The Cleveland Play = House
8500 Euclid Avenue
Cleveland, Ohio 44106
(216) 795-7000 ext. = 236
www.clevelandplayhouse.com

------=_NextPart_000_0022_01C5EF7D.45A77500-- From gbutiri at yahoo.com Tue Nov 22 13:01:53 2005 From: gbutiri at yahoo.com (George Butiri) Date: Tue, 22 Nov 2005 16:01:53 -0500 Subject: [NEohioPAL]Music Video Audition Message-ID: <00fb01c5efa7$f781e830$0302a8c0@inet> This is a multi-part message in MIME format. ------=_NextPart_000_00FC_01C5EF7E.0EABE030 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Video Shoot Directed by George Butiri: Cleveland's premiere Movie Maker Presents the Underground: G-ALI, JESS BLACK, NASTY NUT, JAG D Song: "Gimme" / "Throw your hands up" Video Vixen Audition "Gimme" / "Throw your hands up" December 3rd, 2005 Time: 3pm-6pm Location 4148 West Tuscarawas Canton, Ohio 44708 >>GOOGLE MAPS!<< (Inside Canton Centre Mall at the Underground Clothing Store) Video will be on BET, (we are in negotiation as we speak) For Contact Information: Underground Entertainment at: 330-479-0080 G-ALI at gabryel_ali at yahoo.com All beautiful women 18 and older inspiring models and actors are more than welcomed. All ethnics types If you feel like you have what it takes..... feel free to audition on December 3rd, 2005 ------=_NextPart_000_00FC_01C5EF7E.0EABE030 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

Video = Shoot

 

Directed = by George Butiri: Cleveland's premiere Movie = Maker

 

Presents = the Underground: G-ALI, JESS BLACK, NASTY NUT, = JAG D

Song: “Gimme” / “Throw your hands = up”

 

Video = Vixen Audition “Gimme” / ”= Throw your hands = up”

 

December 3rd, = 2005 Time: = = 3pm-6pm

 

Location

 

4148 = West = Tuscarawas

Canton, Ohio = 44708

 

>>GOOGLE MAPS!<<

 

(Inside = Canton Centre Mall at the Underground Clothing = Store)

 

Video = will be on BET, (we are in negotiation as we = speak)

 

For = Contact Information:

Underground Entertainment at: 330-479-0080

G-ALI at = gabryel_ali at yahoo.com<= /b>

 

All = beautiful women 18 and older inspiring = models and actors are more than welcomed.

All ethnics types

If you = feel like you have what it takes..... feel free to audition on December = 3rd, 2005

 

 

------=_NextPart_000_00FC_01C5EF7E.0EABE030-- From wwareham at fineartsassociation.org Tue Nov 22 13:20:19 2005 From: wwareham at fineartsassociation.org (Wanda Wareham) Date: Tue, 22 Nov 2005 16:20:19 -0500 Subject: [NEohioPAL]Faculty Positions Open at Fine Arts Association Message-ID: <2744EDEF40EB124FABA588C9E7F3EC6E01340C49@fa1.FineArts.Local> The Fine Arts Association, 38660 Mentor Avenue, Willoughby, 44094 has openings for the following faculty positions: =20 Theatre Teacher: Experienced theater teacher needed to work with children in grades 6-12 to teach a class based on the Harry Potter books. Class meets Mondays from 5:00-6:30 pm. The class begins March 27, 2006 and runs 8 weeks. Email resume to lwise at fineartsassociation.org if interested. =20 Guitar Instructor: Experienced guitar teacher to teach beginning through advanced students on Saturdays. Email resume to lwise at fineartsassociation.org . =20 Trumpet Instructor: to teach beginning through advanced students on Saturdays. Bachelor's degree required. Email resume to lwise at fineartsassociation.org . =20 =20 The Fine Arts Association is a non-profit organization operating the School of Fine Arts with classes in the disciplines of music, art, dance and drama. Fine Arts also offers a full season of theatre performances, recitals, art exhibits and cultural activities. Funding is received in part by the United Way and the Ohio Arts Council. For more information, contact Wanda Wareham, Director of Communications and Marketing at (440) 951-7500 x104. =20 From pr at clevelandplayhouse.com Tue Nov 22 13:20:35 2005 From: pr at clevelandplayhouse.com (Sarah Melton) Date: Tue, 22 Nov 2005 16:20:35 -0500 Subject: [NEohioPAL]New Education Curriculum to Focus on the Professional; CPH Production of A Christmas Story Extended Message-ID: <016d01c5efaa$947bd770$6000a8c0@clevelandplayhouse.net> This is a multi-part message in MIME format. ------=_NextPart_000_016E_01C5EF80.ABA5CF70 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Dear NEOHIOPAL: For Immediate Release. New Education Curriculum to Focus On the Professional Master Classes Elevate Program http://www.clevelandplayhouse.com/releases/release.asp?key=20051122i Cleveland Play House Production of A Christmas Story Extended Production Earns Highest Advance in Theatre's History http://www.clevelandplayhouse.com/releases/release.asp?key=20051122ii Contact: Julie Fogel, The Cleveland Play House, Associate Director of Communications and Marketing, 216/795-7000 x236 The Cleveland Play House 8500 Euclid Ave. Cleveland, OH 44106-0189 http://www.clevelandplayhouse.com ------=_NextPart_000_016E_01C5EF80.ABA5CF70 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable Looking for a way to spend quality time with your family

Dear = NEOHIOPAL:

 <= /p>

For Immediate = Release…

 <= /p>

 

New Education Curriculum to = Focus

On the = Professional

Master = Classes Elevate Program
http://www.clevelandplayhouse.com/releases/release.asp?key=3D20051= 122i

 

Cleveland<= /span> Play House Production = of

A = Christmas Story Extended

Production= Earns Highest Advance in Theatre’s = History
http://www.clevelandplayhouse.com/releases/release.asp?key=3D2005= 1122ii

 

Contact:

Julie Fogel, The = Cleveland Play = House, Associate Director of Communications and = Marketing, 216/795-7000 x236

 <= /p>

The Cleveland Play = House

8500 Euclid Ave.

Cleveland, OH  44106-0189

http://www.clevelandplayhouse.com

------=_NextPart_000_016E_01C5EF80.ABA5CF70-- From Gr8Juggler at zoominternet.net Tue Nov 22 14:36:25 2005 From: Gr8Juggler at zoominternet.net (Bruce Manners) Date: Tue, 22 Nov 2005 17:36:25 -0500 Subject: [NEohioPAL]Need a Comedy Juggler? Message-ID: If you are looking for a different twist on entertainment, then book Comedy & Juggling and Stuff with Bruce Manners. The show is a little bit Vaudeville, Circus and Las Vegas mixed up with audience participation. For more information, feel free to visit www.brucemanners.com. Bruce Comedy & Juggling and Stuff with Bruce Manners www.brucemanners.com From secylady66 at hotmail.com Tue Nov 22 15:19:38 2005 From: secylady66 at hotmail.com (Leigh Anderson) Date: Tue, 22 Nov 2005 18:19:38 -0500 Subject: [NEohioPAL]Need a custom designed murder mystery Message-ID: We would like a murder mystery custom designed for our company's clients and spouses. (approximatley 80 people) We would like it to involve our clients but not make them BE the actors. This is going to be a surprise so we need it to be GOOD! We are looking at a weeknight in February and we have a venue and food already. We also would like the humor to be clean so as not to offend anyone. _________________________________________________________________ Express yourself instantly with MSN Messenger! Download today - it's FREE! http://messenger.msn.click-url.com/go/onm00200471ave/direct/01/ From hiseas2 at aol.com Tue Nov 22 16:16:53 2005 From: hiseas2 at aol.com (hiseas2 at aol.com) Date: Tue, 22 Nov 2005 19:16:53 -0500 Subject: [NEohioPAL]Brigadoon Auditions Message-ID: <8C7BDDA575E8920-16B8-33F2@mblk-r13.sysops.aol.com> Mighty Goliath Productions (MGP) of Avon Lake will be holding auditions for "Brigadoon" on Friday, December 2 and Friday, December 9, both at 7:00 p.m. Auditions will take place at the Performing Arts Center of Avon Lake High School. All parts available. Bring a solo to sing - accompanist provided. There will be a movement audition for those interested in the role of Jeannie. There will also be a reading audition. Chorus members need not audition. All singers welcome. First rehearsal: January 6 at 7:00. All rehearsals are on Fridays until tech week. Production dates: March 24, 25, 26, 31 & April 1. Most recent shows include: "Titanic: The Musical" with a cast of 100, and "Music Man" with a cast of 120. Average chorus size for MGP is 60. MGP is a non-profit organization and is made up of volunteers - from the producer to the pit. All profits benefit the Performing Arts Groups of Avon Lake High School. For more information, visit www.geocities.com/mightygoliath. Or, contact Bernadette Hisey, Marketing Manager and Historian of MGP at HiSeas2 at aol.com From higbee at chsaviour.org Tue Nov 22 16:18:25 2005 From: higbee at chsaviour.org (Judith Higbee) Date: Tue, 22 Nov 2005 19:18:25 -0500 Subject: [NEohioPAL]Oberlin Choristers Concert Dec. 4th Message-ID: <00b101c5efc3$6c644920$80fea8c0@church.chsaviour.org> This is a multi-part message in MIME format. ------=_NextPart_000_00B2_01C5EF99.838E4120 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Arts in the Cathedral is pleased to announce the Oberlin Choristers Christmas Concert on Sunday December 4 at 3:00 p.m. in the lovely Gothic sanctuary of Church of the Saviour in Cleveland Heights. The program will be presented by the Touring Choir which consists of 45 singers in grades 6-10 and is the advanced treble choir of the Oberlin Choristers. Directed by Founder Katherine Plank, the program will include sacred Christmas pieces in classical and contemporary style as well as carols from several different countries. There will be a free-will offering at the concert. Church of the Saviour is located at 2537 Lee Road in Cleveland Hts., one block north of Fairmount Blvd. The church is handicapped-accessible and has plenty of free, lighted parking. Judith Higbee Director of Music Church of the Saviour 2537 Lee Road Cleveland Heights, OH 44118 higbee at chsaviour.org Trust in the Lord with all your heart and do not rely on your own insights. In all your ways acknowledge Him and He will make straight your paths. ------=_NextPart_000_00B2_01C5EF99.838E4120 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable

Arts in the = Cathedral is pleased to announce the Oberlin Choristers Christmas Concert on Sunday December 4 = at 3:00 p.m. in the = lovely Gothic sanctuary of Church of the Saviour in = Cleveland Heights. 

 

=

The program will be presented by = the Touring Choir which consists of 45 singers in grades 6-10 and is the = advanced treble choir of the Oberlin Choristers. Directed by Founder = Katherine Plank, the program will include = sacred Christmas pieces in classical and contemporary style as well as carols = from several different countries.

 

=

There will be a free-will offering = at the concert.

 

=

Church of the Saviour is located = at 2537 Lee Road in Cleveland Hts., one block north of Fairmount = Blvd.

 The church is = handicapped-accessible and has plenty of free, lighted parking.

 

=

Judith Higbee

Director of Music

Church of the Saviour

2537 Lee = Road

Cleveland = Heights, OH 44118

higbee at chsaviour.org

 

Trust in the Lord with all your heart and do not rely = on your own insights.

In all your ways acknowledge Him and He will make = straight your paths.

 

------=_NextPart_000_00B2_01C5EF99.838E4120-- From chloe at passportproject.org Tue Nov 22 16:40:38 2005 From: chloe at passportproject.org (=?iso-8859-1?Q?Chlo=EB_Hopson?=) Date: Tue, 22 Nov 2005 19:40:38 -0500 Subject: [NEohioPAL]Film/Music/Art event: nyc's Frequency Response/The Animated Adventures of Knox 11/29 Message-ID: <003801c5efc6$86bf1540$0201010a@dragonfly> This is a multi-part message in MIME format. ------=_NextPart_000_0039_01C5EF9C.9DE90D40 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable The Animated Adventures of Knox An emotional portrait in sound and image=20 Film/live music event: The Animated Adventures of Knox, an emotional portrait in sound and image. With live performance of the sound track by quintet, Frequency Response =20 Date/Time : Tuesday November 29, 2005, 8:00 pm =20 Venue: Passport Project Global Community Arts Center 12801 Buckeye Road (1 block southwest of Shaker Square) Cleveland, OH 44120=20 =20 Admission: $5-$15 Sliding Scale (You decide)=20 =20 More Information: www.passportproject.org ; =20 www.KnoxMovie.com: For video previews, mp3s, photos, graphic scores, director's notes and more; www.FrequencyResponse.info; www.482Music.com=20 For Interviews: JumpArtsMedia at gmail.com =20 =20 New York multi-instrumentalist Tom Abbs takes his band and new independent film on the road.=20 For video previews, mp3s, photos, graphic scores, director's notes and more go to www.KnoxMovie.com For interviews, press copies or any other press request contact JumpArtsMedia at gmail.com The Animated Adventures of Knox=20 An emotional portrait in sound and image Avant-Jazz meets cinema in this rare live rendition of the soundtrack=20 from their latest movie "The Animated Adventures of Knox". Tom Abbs & Frequency Response bring the spectacle of "Knox" to Cleveland OH (Nov.29th), for Passport Project=92s ongoing Vibrations Series* of creative music, dance, visual art, theater and spoken word. A movie by Tom Abbs featuring the music of Frequency Response=20 (in order of appearance) Geoff Mann percussion Tom Abbs bass, tuba, cello, flute=20 Oscar Noriega clarinets, alto saxophone Jean Cook violin=20 Alex Harding baritone Saxophone=20 Supporting their dvd movie/CD soundtrack set out November 29th on 482 Music =20 'The animated Adventures of Knox' An emotional portrait in sound and image=20 Starring Jack Armstrong, Marcus Holand, Michael Sanzone & Matthew Cleveland Produced, directed and edited by Tom Abbs Visual conception by Tom Abbs, M.P. Landis & Michael Sanzone Based on the narrative and video graphic score by Tom Abbs Art direction by M.P. Landis=20 Additional editing by Michael Sanzone Cinematography by Davin Reich, Michael Sanzone & M.P. Landis=20 A Jump Arts production distributed by 482 Music www.KnoxMovie.com www.FrequencyResponse.info www.482Music.com =20 =20 INFORMATION ABOUT PASSPORT PROJECT: Passport Project is a 501 (c) 3, non-profit organization that has been planting seeds of peace and acceptance since 1998. =20 Passport Project's mission is to provide exciting educational experiences that build community through the arts, encourage respect for diversity and rejection of racism and negative bias, and a passion for learning and the global community. =20 Passport Project offers multicultural programs and residencies at schools, at its Global Community Arts Center, and for the community to further this mission. Passport Project leads diversity training in the corporate setting. =20 * Begun in Summer, 2004, the Passport Project Vibrations Series features music, dance, visual art and poetry performances by local, national and international artists that inspire, challenge and break the molds that bind us. A reminder that every one and every thing possesses motion, VIBRATIONS supports art that stretches boundaries and explores connections.=20 =20 The Adventures of Knox Tour Schedule: Tuesday November 29th=20 Cleveland OH=20 Passport Project Global Community Arts Center=20 ( www.passportproject.org) 12801 Buckeye Road , Cleveland, Ohio 44120 (216) 721-1055. $5 =96 15 sliding scale - 8pm Wednesday November 30th Chicago IL=20 Chicago Cultural Center=20 Claudia Cassidy Theater (2nd FL),=20 ( www.chicagoculturalcenter.org) 78 E. Washington St.Chicago, IL 60602 (312) 744-6630=20 7:00pm - FREE=20 Thursday December 1 st =20 Lexington KY Mecca dance studio/gallery ( www.meccadance.com) 451 Chair Avenue Lexington, KY 40508 859/254-9790 8:30pm - $3 Friday December 2nd=20 Columbus OH=20 Acme Art Company ( www.iceboxshows.com) 1230 Courtland Ave. Columbus OH (614) 397-6185 10 pm, doors open at 9 with opening act - $8=20 Saturday December 3rd =20 Cincinnati OH=20 The Loft Society=20 ( www.loftsociety.com )=20 119 Calhoun Street Cincinnati OH 45219 (513) 559-9220 9pm Donation at Door Sunday December 4th =20 Ann Arbor MI=20 Canterbury house=20 ( www.canterburyhouse.org) 721 East Huron Street Ann Arbor, MI. 48104 (734) 665-0606=20 $7 - 9pm Monday December 5th=20 Pittsburgh PA=20 The Shadow Lounge=20 ( http://www.shadowlounge.net/) 5972 Baum Boulevard Pittsburgh, PA 15206 (412)-363-8277=20 Doors open at 8pm, Show at 9pm =20 Chlo=EB Hopson Passport Project, Director chloe at passportproject.org ph:: 216.721.1055 http://passportproject.org =20 =20 Passport Project's mission is to provide exciting educational experiences that build community through the arts, encourage respect for diversity and rejection of racism and negative bias, and a passion for learning and the global community. =20 Passport Project does multicultural programs and residencies at schools, at its Global Community Arts Center, and for the community to further this mission. Passport Project does diversity training in the corporate setting. =20 Passport Project is a 501 (c) 3, non-profit organization that has been planting seeds of peace and acceptance since 1998. =20 ------=_NextPart_000_0039_01C5EF9C.9DE90D40 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Message
The Animated = Adventures of Knox
An emotional portrait in = sound and=20 image=20

Film/live music event:   The Animated=20 Adventures of Knox, an = emotional=20 portrait in sound and image. = With live=20 performance of the sound track by quintet, Frequency = Response

 

Date/Time=20 :=20  Tuesday November = 29,=20 2005, 8:00 pm

 

Venue: Passport Project = Global=20 Community=20 Arts=20 Center

           =20  12801 Buckeye=20 Road (1 block = southwest of=20 Shaker=20 Square)

           =20  Cleveland, = OH=20 44120 

        =20

Admission:  $5-$15 Sliding Scale  (You=20 decide) 

 

More=20 Information:        www.passportproject.org; =          

www.KnoxMovie.com:=20 For=20 video previews, mp3s, photos, graphic scores, director's notes and = more;          =20  www.FrequencyResponse.info;=20 www.482Music.com=20

For=20 Interviews: JumpArtsMedia at gmail.com

 

 

New=20 York=20 multi-instrumentalist=20 Tom=20 Abbs takes=20 his band and new independent film on the road.
For=20 video previews, mp3s, photos, graphic scores, director's notes and more = go to=20 www.KnoxMovie.com

For=20 interviews, press copies or any other press request contact JumpArtsMedia at gmail.com

The=20 Animated Adventures of Knox

An=20 emotional portrait in sound and image

Avant-Jazz meets=20 cinema in this rare live = rendition=20 of the soundtrack
from their latest movie   "The Animated=20 Adventures of Knox". Tom=20 Abbs &=20 Frequency Response bring = the=20 spectacle of "Knox" to Cleveland=20 OH=20 (Nov.29th), for Passport=20 Project’s ongoing = Vibrations=20 Series* of = creative music,=20 dance, visual art, theater and spoken word.

A=20 movie by Tom=20 Abbs=20 featuring the music of Frequency=20 Response

(in=20 order of appearance)  = Geoff=20 Mann=20 percussion Tom=20 Abbs   bass, tuba, cello, flute =

Oscar=20 Noriega   clarinets, alto = saxophone  Jean=20 Cook=20 violin

Alex=20 Harding=20 baritone Saxophone=20


  Supporting their dvd = movie/CD=20 soundtrack set out November 29th on 482=20 Music  

'The=20 animated Adventures of Knox' An=20 emotional portrait in sound and image

Starring  Jack Armstrong, Marcus = Holand,=20 Michael Sanzone & Matthew Cleveland

Produced,=20 directed and edited by Tom Abbs Visual conception by Tom Abbs, = M.P.=20 Landis & Michael Sanzone

Based=20 on the narrative and video graphic score by Tom Abbs Art = direction by=20 M.P. Landis
Additional editing by Michael Sanzone=20 Cinematography by Davin Reich, Michael Sanzone &  M.P. Landis =

A=20 Jump Arts production distributed by 482 Music



www.KnoxMovie.com           =20  www.FrequencyResponse.info           &n= bsp;  =20 www.482Music.com 


 

INFORMATION ABOUT=20 PASSPORT PROJECT:

Passport = Project is a 501=20 (c) 3, non-profit organization that has been planting seeds of peace and = acceptance since 1998.
 
Passport Project's mission is to = provide=20 exciting educational experiences that build community through the arts,=20 encourage respect for diversity and rejection of racism and negative = bias, and a=20 passion for learning and the global community.
 
Passport Project offers multicultural programs and = residencies at schools, at its Global Community Arts Center, and = for the=20 community to further this mission. Passport Project leads diversity training in the = corporate=20 setting.
 
* Begun in Summer,=20 2004, the Passport Project = Vibrations Series=20 features music, dance, visual art and poetry performances by local, = national=20 and international artists that inspire, challenge and = break=20 the molds that bind us. A = reminder that=20 every one and every thing possesses motion, VIBRATIONS supports art that stretches boundaries and = explores=20 connections.=20

 


The=20 Adventures of Knox Tour Schedule:


Tuesday=20 November 29th=20
Cleveland=20 OH=20
Passport=20 Project Global Community Arts Center=20
(=20 www.passportproject.org)

12801=20 Buckeye Road=20 , Cleveland,=20 Ohio=20 44120=20 (216) 721-1055.

$5=20 – 15 sliding scale - 8pm


Wednesday=20 November 30th
Chicago=20 IL=20
Chicago=20 Cultural Center=20
Claudia=20 Cassidy Theater (2nd FL),
(www.chicagoculturalcenter.org)
78=20 E. Washington St.Chicago, IL 60602 (312) 744-6630
7:00pm=20 - FREE

Thursday=20 December 1 st  
Lexington KY
Mecca dance=20 studio/gallery
 (=20 www.meccadance.com)
451=20 Chair Avenue Lexington, KY 40508 859/254-9790
8:30pm - = $3

Friday=20 December 2nd=20
Columbus OH
Acme Art=20 Company
 (=20 www.iceboxshows.com)
1230=20 Courtland Ave. Columbus OH (614) 397-6185
10 pm, doors open at 9 with = opening=20 act - $8

Saturday=20 December 3rd=20  
 Cincinnati OH
The = Loft=20 Society
(www.loftsociety.com ) =
119=20 Calhoun Street Cincinnati OH 45219 (513) 559-9220
9pm Donation at=20 Door

Sunday=20 December 4th 
 Ann Arbor MI
Canterbury=20 house
(=20 www.canterburyhouse.org)
721=20 East Huron Street Ann Arbor, MI. 48104=20 (734)=20 665-0606
$7 - 9pm


Monday=20 December 5th=20
 Pittsburgh=20 PA=20
The=20 Shadow=20 Lounge=20
(=20 http://www.shadowlounge.net/)
5972=20 Baum=20 Boulevard=20 Pittsburgh,=20 PA=20 15206=20 (412)-363-8277=20

       &nbs= p;            = ;            =            =20 Doors open at 8pm,=20 Show at 9pm
 
Chlo=EB  = Hopson
Passport Project, = Director
chloe at passportproject.org
ph:: 216.721.1055
http://passportproject.org
 
Passport Project's = mission is to=20 provide exciting educational experiences that build community through = the arts,=20 encourage respect for diversity and rejection of racism and negative = bias, and a=20 passion for learning and the global community.
 
Passport=20 Project does multicultural programs and residencies at = schools,=20 at its Global Community Arts Center, and for the community to further = this=20 mission. Passport Project does diversity training in the corporate=20 setting.
 
Passport Project is a = 501 (c) 3,=20 non-profit organization that has been planting seeds of peace and = acceptance=20 since 1998.
 
------=_NextPart_000_0039_01C5EF9C.9DE90D40-- From dolan at en.com Tue Nov 22 19:44:29 2005 From: dolan at en.com (Fred Dolan) Date: Tue, 22 Nov 2005 22:44:29 -0500 Subject: [NEohioPAL]Johnny Cash & Arlo Guthrie On Thanksgiving Night On WJCU References: <279.f3432.30b46798@aol.com> Message-ID: <007a01c5efe0$35d9b4e0$caa651d1@com> This is a multi-part message in MIME format. ------=_NextPart_000_0077_01C5EFB6.4C3A4260 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Seasons Greetings! Please tell everyone to join me Thanksgiving evening from 6:30 PM to = midnight for Special Holiday Programming. The main event is Johnny Cash: The Legend - a 4-hour radio special on = the life & music of Johnny Cash which will start promptly at 7:00PM & = run till 11:00PM - with No Commercials - I might add. Following shortly after 11:00 PM will be Arlo Guthrie's "Alice's = Restaurant." Still one of the greatest songs/monologues of all time!=20 The balance of the program will be some excellent acoustic vocals in the = spirit of Thanksgiving.=20 Tune in on 88.7 FM - WJCU - John Carroll University radio or=20 www.wjcu.org on the internet. Have a great Thanksgiving. Fred Dolan Visiting The Folks 88.7 - WJCU-FM & www.wjcu.org In addition to this Thursday, join me on Sunday nights from 9:00PM to = midnight. ------=_NextPart_000_0077_01C5EFB6.4C3A4260 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
 
Seasons Greetings!
Please tell everyone to join me Thanksgiving evening from 6:30 PM = to=20 midnight for Special Holiday Programming.
 
The main event is Johnny Cash: The Legend - a 4-hour radio special = on the=20 life & music of Johnny Cash which will start promptly at 7:00PM = & run=20 till 11:00PM - with No Commercials - I might add.
 
Following shortly after 11:00 PM will be Arlo Guthrie's = "Alice's=20 Restaurant." Still one of the greatest songs/monologues of all = time! 
 
The balance of the program will be some excellent acoustic = vocals in=20 the spirit of Thanksgiving. 
 
Tune in on 88.7 FM - WJCU - John Carroll University = radio or=20
www.wjcu.org on the = internet.
 
Have a great Thanksgiving.
 
Fred Dolan
Visiting The Folks
88.7 - WJCU-FM & www.wjcu.org
In addition to this Thursday, join me on Sunday nights from 9:00PM = to=20 midnight.
 
 
 
------=_NextPart_000_0077_01C5EFB6.4C3A4260-- From vmor75 at ameritech.net Tue Nov 22 19:53:03 2005 From: vmor75 at ameritech.net (V.Wms-Morris) Date: Tue, 22 Nov 2005 19:53:03 -0800 (PST) Subject: [NEohioPAL]Anthology & Contest In-Reply-To: <8C7AAA952D5F74B-838-4105@FWM-D34.sysops.aol.com> Message-ID: <20051123035303.88979.qmail@web81402.mail.mud.yahoo.com> --0-1512415206-1132717983=:88034 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Hello Everyone! My poem "Slide Back" is featured in the PWLGC "Cleveland in Prose and Poetry" anthology. You can view the Cleveland Plain Dealer write up on my site www.wilmorcreations.com. You can also enter to win a "Midnight Jazz" print and view "Holler At The Moon" entries. Vickie Williams-Morris www.wilmorcreations.com Please sign my guest book! --0-1512415206-1132717983=:88034 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit

Hello Everyone!

 

My poem "Slide Back" is featured in the PWLGC "Cleveland in Prose and Poetry" anthology.  You can view the Cleveland Plain Dealer write up on my site www.wilmorcreations.com.  You can also enter to win a "Midnight Jazz" print and view "Holler At The Moon" entries. 

 

Vickie Williams-Morris
www.wilmorcreations.com
Please sign my guest book!



--0-1512415206-1132717983=:88034-- From brendonconnelly at yahoo.co.uk Tue Nov 22 21:25:00 2005 From: brendonconnelly at yahoo.co.uk (Brendon Connelly) Date: Wed, 23 Nov 2005 05:25:00 +0000 (GMT) Subject: [NEohioPAL]Editors and Editing Message-ID: <20051123052500.64736.qmail@web25010.mail.ukl.yahoo.com> I have recently shot a short that needs to complete post production with an amazing degree of urgency to make a deadline. The arrangements I had in place have fallen through - somebody has taken a Thanksgiving holiday at the last minute - so I am looking for access to Final Cut Pro on a half-way decent (at least) Mac and a good DV deck/camera to capture the footage in from. The film is very brief with only four different set ups and few takes to be cut together. I anticipate a good long afternoon would be enough to do the job, though some extra time to give breathing space is a luxury I might like. Can anybody help me? Please reply ASAP. Thanks! ___________________________________________________________ To help you stay safe and secure online, we've developed the all new Yahoo! Security Centre. http://uk.security.yahoo.com From rainbowrep at neo.rr.com Tue Nov 22 22:06:38 2005 From: rainbowrep at neo.rr.com (Rainbow Repertory company) Date: Wed, 23 Nov 2005 01:06:38 -0500 Subject: [NEohioPAL]MAHALIA performances cancelled due to cast illness Message-ID: <084f01c5eff4$116a1230$a5e75d18@DJVLSZ01> This is a multi-part message in MIME format. ------=_NextPart_000_084C_01C5EFCA.285887D0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable We are sorry to announce that due to the illness of 2 cast members, we = have to cancel our performances of MAHALIA scheduled for Nov. 25-26 at = Umstattd Hall in Canton. We hope to re-schedule after the first of the = year. Please contact us if you want to receive an announcement of our = new dates. Lois DiGiacomo The Rainbow Repertory Company 330.456.7397 =20 ------=_NextPart_000_084C_01C5EFCA.285887D0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
We are sorry to=20 announce that due to the illness of 2 cast members, we have to cancel = our=20 performances of MAHALIA scheduled for Nov. 25-26 at Umstattd Hall in=20 Canton.  We hope to re-schedule after the first of the year.  = Please=20 contact us if you want to receive an announcement of our new=20 dates.
 
Lois=20 DiGiacomo
The Rainbow=20 Repertory Company
330.456.7397
 
 
          &nbs= p;            = ;         =20
------=_NextPart_000_084C_01C5EFCA.285887D0-- From fstorch at beckcenter.org Wed Nov 23 06:38:31 2005 From: fstorch at beckcenter.org (Fran Storch) Date: Wed, 23 Nov 2005 09:38:31 -0500 Subject: [NEohioPAL]Best of Beck Stand-Up Comedy Show Message-ID: <97CF2CB42902E345A929E3202369C84E3EB605@beck-1.beckcenter.com> This is a multi-part message in MIME format. ------_=_NextPart_001_01C5F03B.93C95F84 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: quoted-printable FOR IMMEDIATE RELEASE: =20 "Best of the Beck" Stand-Up Comedy Show Friday, December 9, 2005 =20 Lakewood, OH - The Beck Center for the Arts will host the "Best of the Beck" Stand-Up Comedy Show - featuring past graduates of the Beck Center's annual Comedy Class, along with comics from the Cleveland Comedy Kitchen on Friday, December 9th at 9:00 p.m. Doors open at 8:30 p.m. The evening will be hosted by comedian and Comedy Class instructor, John David Sidley. Sidley is the founder of The Cleveland Comedy Kitchen, a group of comedians who perform to raise money for hunger assistance. Special guest performers will include comics Rodney Bengston, Al Hohf and Mike Scanlon. This very funny show will take place in the Music-Armory Building located in the rear of the Beck Center campus. Admission is just $5 per person with cash bar and snacks available. Seating is limited and reservations are recommended. For reservations, call the Beck Center Box Office at 216-521-2540 or log on to www.beckcenter.org. The Beck Center for the Arts is located just ten minutes west of downtown Cleveland at 17801 Detroit Avenue in Lakewood. ### About the Comedy Class The Beck Center's eight week Comedy Class begins in February. Participants learn how to write and deliver their own comedy routine and explore the art of making people laugh. Whether an actor, salesperson or future comedian, participants benefit from learning skills that connect them to people in a whole new way. =20 =20 Yvette A. Hanzel Director of Marketing & External Affairs Beck Center for the Arts 216-521-2540, ext. 225 yvette at beckcenter.org www.beckcenter.org =20 =20 ------_=_NextPart_001_01C5F03B.93C95F84 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

FOR IMMEDIATE = RELEASE:

 

“Best of the Beck” Stand-Up Comedy = Show

Friday, December 9, = 2005

 

Lakewood, OH – The = Beck Center for the Arts will host = the "Best of the Beck" Stand-Up Comedy Show - featuring past graduates of the Beck Center’s = annual Comedy Class, along with comics from the Cleveland Comedy Kitchen on = Friday, December 9th at 9:00 p.m.  Doors open at 8:30 = p.m.

The evening will be hosted by comedian and Comedy Class instructor, = John David Sidley.  = Sidley is the founder of The Cleveland Comedy Kitchen, a group of comedians who = perform to raise money for hunger assistance.  Special guest performers will = include comics Rodney Bengston, Al Hohf and Mike = Scanlon.

This very funny show will take place in the Music-Armory Building located in the rear = of the Beck Center campus. = Admission is just $5 per person with cash bar and snacks available.  Seating is = limited and reservations are recommended.  For reservations, call the Beck = Center Box Office at 216-521-2540 or log on to www.beckcenter.org.   = The Beck Center for the Arts is = located just ten minutes west of downtown Cleveland at 17801 Detroit = Avenue in Lakewood.

=

###<= /p>

About the Comedy Class

The Beck Center’s = eight week Comedy Class begins in February.  Participants learn how to write = and deliver their own comedy routine and explore the art of making people laugh.  Whether an actor, salesperson or future comedian, = participants benefit from learning skills that connect them to people in a whole new = way.

 

 

Yvette A. = Hanzel

Director of = Marketing & External Affairs

Beck= Center= for the Arts

216-521-2540, = ext. 225

yvette at beckcenter.= org

www.beckcenter.org

 

------_=_NextPart_001_01C5F03B.93C95F84-- From artistschair2005 at aol.com Wed Nov 23 07:02:25 2005 From: artistschair2005 at aol.com (artistschair2005 at aol.com) Date: Wed, 23 Nov 2005 10:02:25 -0500 Subject: [NEohioPAL]Need a STAGE ACTOR? William M. Berry and OTHER NEWS! Message-ID: <8C7BE560C8EE1FC-105C-492B@mblk-d31.sysops.aol.com> ----------MailBlocks_8C7BE560C8EE1FC_105C_45E9_mblk-d31.sysops.aol.com Content-Type: text/plain; charset="us-ascii" ARTISTSCHAIR.COM'S "FEATURED ARTIST OF THE DAY" Stage Actor - William M. Berry (Location: Wadsworth, Ohio) (November 23, 2005) To view William's profile, visit http://www.artistschair.com Latest Members' CONTEST Giveaway (November 23, 2005) CONGRATULATIONS to Wadsworth-based stage actor William M. Berry for being chosen at random by the artistschair.com database to be the Wednesday, November 23 "Featured Artist of the Day" will winning two passes, good for four admissions to the December 1 (7:30 pm) Loews Richmond Town Square advanced screening of "The Family Stone" featuring Claire Danes, Diane Keaton, Rachel McAdams, Dermot Mulroney, Craig T. Nelson, Sarah Jessica Parker and Luke Wilson. Take friends or take family, either way, GET OUT and SEE NORTHEAST OHIO! Not a member of artistschair.com yet? Join today for FREE! Networking EVENT & PARTY for Artists and Those that Hire Talent (November 10, 2005) A GREAT BIG THANK YOU to all who attended the November 9 artistschair.com Networking Event which took place at 1300 Gallery. Photos from the event will be posted to the artistschair.com directory soon. FIND an Artist! Make your event or project extra memorable. Find entertainers and technicians in our FREE and easy-to-use database featuring photos and profiles of local artists in more than 100 different talent fields. BE an Artist! Let your talents and services be known. Become a member for FREE and highlight all talent fields that apply to you. Upload photos of yourself and/or samples of your work, edit your own information and have your profiles viewed by those searching for your talents and services. Our MISSION Artistschair.com is committed to PROMOTING and RAISING AWARENESS of local artists, arts-related institutions and issues and the NORTHEAST OHIO REGION as well as serving the needs of those searching for CREATIVE TALENT and resources. ----------MailBlocks_8C7BE560C8EE1FC_105C_45E9_mblk-d31.sysops.aol.com Content-Type: text/html; charset="us-ascii"
  
            ARTISTSCHAIR.COM'S "FEATURED ARTIST OF THE DAY"
Stage Actor - William M. Berry (Location: Wadsworth, Ohio)
 
(November 23, 2005) To view William's profile, visit http://www.artistschair.com
 
Latest Members' CONTEST Giveaway
(November 23, 2005) CONGRATULATIONS to Wadsworth-based stage actor William M. Berry for being chosen at random by the artistschair.com database to be the Wednesday, November 23 "Featured Artist of the Day" will winning two passes, good for four admissions to the December 1 (7:30 pm) Loews Richmond Town Square advanced screening of "The Family Stone" featuring Claire Danes, Diane Keaton, Rachel McAdams, Dermot Mulroney, Craig T. Nelson, Sarah Jessica Parker and Luke Wilson.  
 
Take friends or take family, either way, GET OUT and SEE NORTHEAST OHIO! Not a member of artistschair.com yet? Join today for FREE!
 
Networking EVENT & PARTY for Artists and Those that Hire Talent
(November 10, 2005) A GREAT BIG THANK YOU to all who attended the November 9 artistschair.com Networking Event which took place at 1300 Gallery. Photos from the event will be posted to the artistschair.com directory soon.
  
FIND an Artist!
Make your event or project extra memorable. Find entertainers and technicians in our FREE and easy-to-use database featuring photos and profiles of local artists in more than 100 different talent fields.
 
BE an Artist!
Let your talents and services be known. Become a member for FREE and highlight all talent fields that apply to you. Upload photos of yourself and/or samples of your work, edit your own information and have your profiles viewed by those searching for your talents and services.
 
Our MISSION
Artistschair.com is committed to PROMOTING and RAISING AWARENESS of local artists, arts-related institutions and issues and the NORTHEAST OHIO REGION as well as serving the needs of those searching for CREATIVE TALENT and resources.
 
----------MailBlocks_8C7BE560C8EE1FC_105C_45E9_mblk-d31.sysops.aol.com-- From dposner at universitycircle.org Wed Nov 23 08:11:32 2005 From: dposner at universitycircle.org (University Circle Incorporated) Date: Wed, 23 Nov 2005 11:11:32 -0500 Subject: [NEohioPAL]Holiday CircleFest - December 4 Message-ID: <898101c5f048$91d787a0$07fe10ac@tfhost1> This is a multi-part message in MIME format. ------=_NextPart_000_0001_01C5F01E.17E89210 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable =20 Holiday CircleFest=20 Sunday, December 4 1 to 5:30 pm* =20 * Cleveland Museum of Art's=20 Winter Lights Lantern Festival on=20 Wade Oval: 5:30-6 pm Twenty museums, gardens, galleries, churches, and schools will open = their doors, FREE of charge, for one amazing day of music, hands-on = activities and holiday shopping for all. Institutions offering FREE admission during Holiday CircleFest include: =B7 Case Western Reserve University's Thwing Center =B7 Children's Museum of Cleveland =B7 Church of the Covenant =B7 Cleveland Botanical Garden =B7 Cleveland Institute of Art =B7 Cleveland Institute of Music =B7 Cleveland Museum of Art - McCullough Center =B7 Cleveland Museum of Natural History =B7 Cleveland Play House - Festival of Trees =20 =B7 Cleveland Public Library - Martin Luther King, Jr. Branch=20 =B7 Epworth-Euclid United Methodist Church =B7 Euclid Avenue Congregational Church =B7 Glidden House =B7 HealthSpace Cleveland =B7 Judson Manor =B7 Magnolia Clubhouse, Inc. =B7 Mt. Zion Congregational Church =B7 Museum of Contemporary Art (MOCA) Cleveland =B7 Ronald McDonald House of Cleveland =B7 Temple-Tifereth Israel =B7 Western Reserve Historical Society Cleveland Music School Settlement, Cleveland School of the Arts and = ensembles from The Cleveland Orchestra Youth Orchestra will perform=20 at many of the above sites.=20 View a complete list of activities = (http://www.universitycircle.org/events/activitylist.htm) For more information=20 http://www.universitycircle.org=20 (216) 707-5033 Sponsored by: Cleveland Public Power Home Savings and Loan Additional Support by: The Plain Dealer WNWV 107.3FM The Wave WCPN 90.3FM ideastream Cleveland Magazine Sign-Lite http://www.universitycircle.org/email/265201.1/LU/ To forward this email to a friend use this link: = http://www.universitycircle.org/email/265201.1/FE/ ------=_NextPart_000_0001_01C5F01E.17E89210 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Untitled Document
=20 =20 =20 =20
=20

 

   =20

Holiday = CircleFest 
Sunday, December 4
1 to 5:30 = pm* 

* = Cleveland Museum of Art's
Winter Lights Lantern Festival on =
Wade Oval: 5:30-6 pm

3D"Harp

Twenty museums, gardens, = galleries, churches, and schools will open their = doors, FREE of charge, for one = amazing day of music, hands-on activities and holiday shopping for = all.  .

Institutions offering FREE admission = during Holiday CircleFest include:

=B7         = Case = Western Reserve = University's Thwing = Center

=B7         = Children's = Museum = of Cleveland

=B7         = Church of the = Covenant

=B7         = Cleveland = Botanical = Garden

=B7      Cleveland = Institute of Art

=B7         = Cleveland Institute = of Music

=B7         = Cleveland = Museum of Art - = McCullough Center

=B7         = Cleveland = Museum of Natural = History

=B7         = Cleveland Play House - Festival of = Trees         =

=B7         = Cleveland Public Library - Martin = Luther King, Jr. Branch

=B7         = Epworth-Euclid United Methodist = Church

=B7         = Euclid = Avenue Congregational Church

=B7         = Glidden House

=B7         = HealthSpace Cleveland

=B7         =  Judson Manor

=B7         = Magnolia Clubhouse, = Inc.

=B7         = Mt. Zion Congregational Church

=B7         = Museum of Contemporary Art (MOCA) = Cleveland

=B7         = Ronald McDonald House of Cleveland

=B7         = Temple-Tifereth Israel

=B7         = Western = Reserve = Historical Society

Cleveland Music School = Settlement, Cleveland School of the Arts and ensembles = from The Cleveland Orchestra Youth Orchestra will perform
at = many of the above sites.

View a complete list = of = activities

For more information =
www.universitycircle.org

(216) 707-5033

Sponsored by

3D"Cleveland3D"Home


3DPTCC_04Logo_PDResized3D"Cleveland

3D"WCPN3D"Sign3D"WNWV


Unsubscribe
To forward this email to a friend use this link: Forward To A = Friend
------=_NextPart_000_0001_01C5F01E.17E89210-- From chris at antonellic.com Wed Nov 23 08:53:55 2005 From: chris at antonellic.com (Chris White) Date: Wed, 23 Nov 2005 11:53:55 -0500 Subject: [NEohioPAL]Chagrin Valley Little Theatre - Audition Reminder for "King O' The Moon" Message-ID: <01bc01c5f04e$7d84d5e0$0600a8c0@cwhite> This is a multi-part message in MIME format. ------=_NextPart_000_01B9_01C5F024.948B1940 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Chagrin Valley Little Theatre Audition Reminder King O' the Moon by Tom Dudzkick Show Dates: Jan 20 - Feb 11 (Fridays & Saturdays @ 8pm) The second of Tom Dudzkick's trilogy of the Buffalo family's = tribulations. Following last season's award-winning Over the Tavern, it = largely concerns the now older Georgie and his escapades. The author = pokes fond fun at his Catholic upbringing. CVLT will be holding auditions on Monday the 29th and Tuesday the 30th = of November at 7:00 PM. Roles available for men and women. The theatre is located at 40 River St. in Chagrin Falls. No resumes or = photos are required to audition. Simply come prepared to read from the = script. Happy Thanksgiving! Chagrin Valley Little Theatre www.cvlt.org ------=_NextPart_000_01B9_01C5F024.948B1940 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
 
Chagrin Valley Little Theatre Audition Reminder
 
King O' the Moon
by Tom Dudzkick
Show Dates: Jan 20 - Feb 11 (Fridays & = Saturdays @=20 8pm)
 
The second of Tom Dudzkick's trilogy of the Buffalo family's = tribulations.=20 Following last season's award-winning Over the Tavern, it largely = concerns the=20 now older Georgie and his escapades. The author pokes fond fun at his = Catholic=20 upbringing.
CVLT will be holding auditions on Monday the 29th and = Tuesday the=20 30th of November at 7:00 PM.
Roles available for men and women.
 
The theatre is located at 40 River St. in Chagrin Falls.  No = resumes=20 or photos are required to audition.  Simply come prepared to = read from=20 the script.
 
Happy Thanksgiving!
 
Chagrin Valley Little Theatre
 
 
------=_NextPart_000_01B9_01C5F024.948B1940-- From alexcine at aol.com Wed Nov 23 09:10:47 2005 From: alexcine at aol.com (alexcine at aol.com) Date: Wed, 23 Nov 2005 12:10:47 -0500 Subject: [NEohioPAL]Film Czar seeks Feedback on making Cleveland a Movie City Message-ID: <8C7BE67FB7053BC-1A94-3EBE@FWM-R16.sysops.aol.com> Emmy winning writer and indie filmmaker Alex P. Michaels will be acting=20 as Cleveland's first Film Czar. It is a position Alex has thrust=20 himself into because he is not satisfied with the "powers that be" not=20 being supportive of the local community and that Cleveland does not do=20 as much as it can do to promote filmmaking here. Being involved in=20 independent films in Cleveland and shooting a TV Series based on his=20 Emmy winning movie, Alex has a unique perspective on how to bring=20 movies to the region and also how to support the filmmaking community. =20 Ironically a few years ago, Alex "divorced" himself from the film=20 community to work on building connections with the business community=20 and work on a proposal that is being shopped around to bring about an=20 incubator that will serve the local community and draw in productions.=20 Being Cleveland Film Czar is part of Alex's larger goal of making=20 Cleveland live up to its' potential and be a true part of the movie and=20 TV industry. The Film Czar would like some feedback on what this City truly needs to=20 make the local film community To get your feedback fill out the form at=20 http://www.prelude2cinema.com/filmczar.htm Thank you Sincerely, Alex Michaels ************************************** Prelude2Cinema "Movies That Make You Think." http://www.prelude2cinema.com ******************************************* From hotcarl at adelphia.net Wed Nov 23 09:14:08 2005 From: hotcarl at adelphia.net (carlferrara) Date: Wed, 23 Nov 2005 12:14:08 -0500 Subject: [NEohioPAL]HOT CARL'S 2ND ANNUAL TURKEY JAM STAND UP COMEDY SHOW TONIGHT @ 9:00 Message-ID: <000801c5f051$507c7c80$d3ca4644@HOTCARLDESKTOP> This is a multi-part message in MIME format. ------=_NextPart_000_0005_01C5F027.678298D0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Wed. Nov 23=20 Comedy Showcase Hot Carl's 2nd Annual Turkey Jam At the Cleveland Black Box Theatre (Cabaret Dada) 1210 West 6th street 9:00 P.M. Under the liquid/fusion Next to dive bar $10.00 4 comics Hot Carl Ferrara Ray DeVito Patrick Fisher MC Shawn Paul More info contact Hot Carl Ferrara 216-469-9077 carlferrara at earthlink.net ------=_NextPart_000_0005_01C5F027.678298D0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable

Wed. Nov 23

Comedy Showcase

Hot Carl=92s 2nd Annual = Turkey=20 Jam

At the Cleveland Black Box = Theatre

(Cabaret Dada)

1210 West 6th street

9:00 P.M.

Under the liquid/fusion

Next to dive bar

$10.00

4 comics

Hot Carl Ferrara

Ray DeVito

Patrick Fisher

MC Shawn Paul

More info contact Hot Carl = Ferrara

216-469-9077

carlferrara at earthlink.net

------=_NextPart_000_0005_01C5F027.678298D0-- From Kyra.Forrest at ticketmaster.com Wed Nov 23 10:07:02 2005 From: Kyra.Forrest at ticketmaster.com (Kyra Forrest Cleveland) Date: Wed, 23 Nov 2005 10:07:02 -0800 Subject: [NEohioPAL]COMP tickets for House of Blues Message-ID: <86224193B841EA49B71149F74043CE3F0BF4004C@chimail2.midwest.ticketmaster.com> This message is in MIME format. Since your mail reader does not understand this format, some or all of this message may not be legible. ------_=_NextPart_001_01C5F058.A4BCC23F Content-Type: text/plain > As a NEOhioPAL subscriber, you are being offered an exclusive > COMPLIMENTARY ticket offer for an upcoming show at House of Blues! Click > on the link below to access your password for comp tickets to Sinead > O'Connor on Dec. 2nd! > > http://www.ticketmaster.com/promo/22563 > > > > Kyra Forrest > Marketing Manager > Ticketmaster > 55 Public Square, STE. 1180 > Cleveland, OH 44113 > 216.241.4900 ext. 226 tel > 216.621.1867 fax > > ------_=_NextPart_001_01C5F058.A4BCC23F Content-Type: text/html Content-Transfer-Encoding: quoted-printable COMP tickets for House of Blues

As a NEOhioPAL subscriber, you are = being offered an exclusive COMPLIMENTARY ticket offer for an upcoming = show at House of Blues! Click on the link below to access your password = for comp tickets to Sinead O'Connor on Dec. 2nd!

http://www.ticketmaster.com/promo/22563


Kyra Forrest
Marketing = Manager
Ticketmaster
55 Public = Square, STE. 1180
Cleveland, OH = 44113
216.241.4900 = ext. 226 tel
216.621.1867 = fax


------_=_NextPart_001_01C5F058.A4BCC23F-- From eunhold at dscdo.org Wed Nov 23 10:46:16 2005 From: eunhold at dscdo.org (Eric Unhold) Date: Wed, 23 Nov 2005 13:46:16 -0500 Subject: [NEohioPAL]SEE FREE THEATER! Ushers needed for HOLIDAY HOTLINE Message-ID: This is a multi-part message in MIME format. ------=_NextPart_000_0028_01C5F034.46BD1690 Content-Type: multipart/alternative; boundary="----=_NextPart_001_0029_01C5F034.46BD1690" ------=_NextPart_001_0029_01C5F034.46BD1690 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Hello, Forwarded message below from Linda Eisenstein, co-creator of Holiday Hotline. To see this show for FREE by ushering (very simple time commitment and effort), please contact her (web address is below). Information about the show, and for ordering tickets, is also below. Thank you! Eric Unhold Administrative Director Gordon Square Arts District eunhold at dscdo.org 216-961-4242 x250 Dear cyberpals: Although I've had many things going on in the past few months, I'm dedicating this plugmobile to the opening of our new musical HOLIDAY HOTLINE. This quirky, irreverent musical comedy revue is dedicated to the things that drive us crazy during the holiday season. It begins previews this week and runs through Dec. 23 here in Cleveland, Ohio. It's co-written by me and Michael Sepesy -- both playwrights in the Cleveland Play House Playwrights' Unit -- and produced by James Levin, founder/former A.D. of Cleveland Public Theatre, at Detroit Avenue Arts. SEE! The amazing revenge of the retail peon! EXPERIENCE! That touching new holiday classic, "Kevin the Kwanzaa Moose"! THRILL! To those hair-raising words, "Some Assembly Required"! If you're in the NE Ohio area during the holiday season, please come and see it. It's going to be a lot of fun. 216-491-1709 for tickets. If you're interested in perusing the script for future production consideration let me know. Our cast CD and production script will be available in the next few weeks. Lots of info about the show, including dates, ticket info, synopsis and cast photos, at: www.holiday-hotline.com. Cheers, Linda Eisenstein www.lindaeisenstein.com ------=_NextPart_001_0029_01C5F034.46BD1690 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable
Hello,
Forwarded=20 message below from Linda Eisenstein, co-creator of Holiday = Hotline.  To see this show for FREE by ushering (very simple = time=20 commitment and effort), please contact her (web address is=20 below).  Information about the show, and for ordering = tickets, is=20 also below.
 
Thank=20 you!

Eric = Unhold
Administrative Director
Gordon=20 Square Arts District
eunhold at dscdo.org
216-961-4242=20 x250

 
 Dear = cyberpals:

Although=20 I've had many things going on in the past few months, I'm dedicating = this=20 plugmobile to the opening of our new musical HOLIDAY HOTLINE. This = quirky,=20 irreverent musical comedy revue is dedicated to the things that drive us = crazy=20 during the holiday season.  It begins previews this week and runs = through=20 Dec. 23 here in Cleveland, Ohio.

It's co-written by me and = Michael=20 Sepesy -- both playwrights in the Cleveland Play House Playwrights' Unit = -- and=20 produced by James Levin, founder/former A.D. of Cleveland Public = Theatre, at=20 Detroit Avenue Arts.

SEE!  The amazing revenge of the retail = peon!
EXPERIENCE!  That touching new holiday classic, "Kevin the = Kwanzaa=20 Moose"!
THRILL! To those hair-raising words, "Some Assembly=20 Required"!

If you're in the NE Ohio area during the holiday = season,=20 please come and see it. It's going to be a lot of fun.  = 216-491-1709 for=20 tickets.

If you're interested in perusing the script for future=20 production consideration let me know.  Our cast CD and production = script=20 will be available in the next few weeks. 

Lots of info = about the=20 show, including dates, ticket info, synopsis and cast photos, at: =
www.holiday-hotline.com.

Cheers,=
Linda=20 Eisenstein
www.lindaeisenstein.com

3Dholidayhotlineart700.jpg =
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dT3Ws3E4asEx1xOPRRgp/lzSzmsCrTGN/mxIboI9p3biQLi3tHN1PFyR3TneRogTNZztstrdhbb7 PDt+XPU5a93B0/ZwpAdTvnf6p1nygBgMkX8xJLBxDv8A3QAb+9a9/Dmqj/tC1fynw/ZPi9tIfpX/ AFY2yfNCAZk81vkjVm8phsLeX5gsD3+zrbvzdB3swOW9yrVp7zhPR60O7+ZZrf5W52iW9t1tL38O 3NGpid192dPRhRPqpYzJjZxeWdcxCrf9HHGhpyfMfzNzFwQe23aDzZrFbMA3Nx389/OHRz6U1Dmj Re39o8q75qrV7nq9Xuer1f/Z ------=_NextPart_000_0028_01C5F034.46BD1690-- From kilbanedan at yahoo.com Wed Nov 23 11:36:07 2005 From: kilbanedan at yahoo.com (Dan Kilbane) Date: Wed, 23 Nov 2005 11:36:07 -0800 (PST) Subject: [NEohioPAL]The Holiday Hotline is open! Nov. 23 - Dec. 23 Message-ID: <20051123193607.9608.qmail@web60719.mail.yahoo.com> --0-1815521035-1132774567=:88673 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit HOLIDAY HOTLINE is up and running! www.holiday-hotline.com 216.491.1709 See! The amazing revenge of the retail peon! Experience! That touching new holiday classic, "Kevin the Kwanzaa Moose!!" Thrill! To those hair-raising words, "Assembly required!!!" Previews begin tonight, Nov. 23 @ 8:00 p.m.! Continuing November 25 & 26 Running December 1 ? 23, 2005 A musical comedy revue James Levin?s Detroit Ave. Arts is proud to announce the world premiere of the irreverent HOLIDAY HOTLINE, a musical comedy revue with sketches and songs. HOLIDAY HOTLINE takes a demented look at all the things that drive us crazy about the Christmas holidays. The show, to run in the funky Orthodox, is written by Michael Sepesy; music by Linda Eisenstein; and lyrics by both. Linda Eisenstein and Michael Sepesy wreck the halls with this fast and funny collection of sketches and songs skewering the holiday season, from A CHRISTMAS CAROL to Kwanzaa. The piece is eclectic and irreverent, taking all holiday traditions prisoner with music styles ranging from country to polka to torch song. The world premiere HOLIDAY HOTLINE sends up everything from the mystery ingredients in the turkey stuffing to elf psychotherapy. Co-creator Michael Sepesy sums it up, ?The show is a cure for the Christmas crazies!? The cast includes local favorites Denise Astorino, Kim Aldrich-Ceja, Mark Cipra, Maryann Elder, Hester Lewellen, and Andrew Narten. The production?s staff is led by director Mindy Childress and musical director Michael Flohr. The show previews Wednesday, November 23 and Friday, November 25 at 8:00 p.m. and Saturday, November 26 (8:00 and 10:30 p.m. shows). Opening night is December 1, with the production running through December 23. Performances are Thursdays, Fridays, Saturdays, and Sundays; Thursdays and Fridays at 8:00 p.m., Saturdays at 8:00 and 10:30 p.m., and Sundays at 3:00 p.m. Tickets can be purchased by calling 216.491.1709. Preview tickets are $10. For performances, Thursday, Sunday and Saturday 10:30 p.m. tickets are $10. Friday and Saturdays at 8:00 p.m. are $15. Orthodox is located at Detroit Avenue Arts, 6203 Detroit Ave., Cleveland, Ohio, 44102. --------------------------------- Yahoo! FareChase - Search multiple travel sites in one click. --0-1815521035-1132774567=:88673 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
HOLIDAY HOTLINE
is up and running!
 
www.holiday-hotline.com
216.491.1709
 
See!  The amazing revenge of the retail peon!
 Experience!  That touching new holiday classic, "Kevin the Kwanzaa Moose!!"
 Thrill! To those hair-raising words, "Assembly required!!!"
 
Previews begin tonight, Nov. 23 @ 8:00 p.m.!  Continuing November 25 & 26
Running December 1 ? 23, 2005
A musical comedy revue
 
James Levin?s Detroit Ave. Arts is proud to announce the world premiere of the irreverent HOLIDAY HOTLINE, a musical comedy revue with sketches and songs.  HOLIDAY HOTLINE takes a demented look at all the things that drive us crazy about the Christmas holidays.  The show, to run in the funky Orthodox,  is written by Michael Sepesy; music by Linda Eisenstein; and lyrics by both.
 
Linda Eisenstein and Michael Sepesy wreck the halls with this fast and funny collection of sketches and songs skewering the holiday season, from A CHRISTMAS CAROL to Kwanzaa.  The piece is eclectic and irreverent, taking all holiday traditions prisoner with music styles ranging from country to polka to torch song.  The world premiere HOLIDAY HOTLINE sends up everything from the mystery ingredients in the turkey stuffing to elf psychotherapy.  Co-creator Michael Sepesy sums it up, ?The show is a cure for the Christmas crazies!?
 
The cast includes local favorites Denise Astorino, Kim Aldrich-Ceja, Mark Cipra, Maryann Elder, Hester Lewellen, and Andrew Narten.
 
The production?s staff is led by director Mindy Childress and musical director Michael Flohr.  
 
The show previews Wednesday, November 23 and Friday, November 25 at 8:00 p.m. and Saturday, November 26 (8:00 and 10:30 p.m. shows).  Opening night is December 1, with the production running through December 23.  Performances are Thursdays, Fridays, Saturdays, and Sundays; Thursdays and Fridays at 8:00 p.m., Saturdays at 8:00 and 10:30 p.m., and Sundays at 3:00 p.m.
 
Tickets can be purchased by calling 216.491.1709.  Preview tickets are $10.  For performances, Thursday, Sunday and Saturday 10:30 p.m. tickets are $10.  Friday and Saturdays at 8:00 p.m. are $15. 
 
Orthodox is located at Detroit Avenue Arts, 6203 Detroit Ave., Cleveland, Ohio, 44102.
 
 
 

Yahoo! FareChase - Search multiple travel sites in one click. --0-1815521035-1132774567=:88673-- >From Joe Cali" This is a multi-part message in MIME format. ------=_NextPart_000_0099_01C5F03D.02CA2280 Content-Type: text/plain; charset="Windows-1252" Content-Transfer-Encoding: quoted-printable Cleveland AFTRA's Freelance Organizing Committee (FLOC) presents the = next in its series of Conservatory Workshops: "USING EARPROMPT and TELEPROMPT" Join us Monday, December 5th from 6:30 - 9 p.m., at the AFTRA Office -- = 1468 West Ninth St., when our session will feature AFTRAN Mike Kraft = discussing the use of Earprompt, and Lorene Kulis of L-K Prompter = sharing her knowledge of Teleprompters. Participants are asked to bring = a recorder of any kind and an earphone (wired is fine). This workshop is limited to 20 AFTRA members in good standing. = Reservations for ALL participants are a must -- 216.781.2255, x12. FEES: $10 per participant =20 Conservatory Membership Annual Fee (provides admission to all events)=20 Must be an AFTRA member in good standing New Conservatory members: $25.00=20 Returning Conservatory members: $20.00 =20 Admission tickets =96 which will be emailed or sent via U.S. mail =96 or = a paid-up AFTRA membership card will be needed to gain entrance to the = building.=20 =20 Please send your check, made out to AFTRA with a notation = =91Conservatory Membership=92 on the memo line, along with your AFTRA = I.D.# and home or e-mail address, to: AFTRA -- 1468 W. 9th St., # 720 = -- Cleveland, OH 44113. =20 =20 Feel free to contact Conservatory Co-Chairs Cathy Albers (cla2 at case.edu) = or Nancy Telzerow (ntorq at aol.com) with questions or for further = information. ------=_NextPart_000_0099_01C5F03D.02CA2280 Content-Type: text/html; charset="Windows-1252" Content-Transfer-Encoding: quoted-printable
Cleveland AFTRA's Freelance Organizing Committee (FLOC) presents=20 the next in its series of Conservatory Workshops:
 
"USING EARPROMPT and=20 TELEPROMPT"
 
Join us Monday, December 5th from 6:30 - 9 p.m., = at the=20 AFTRA Office -- 1468 West Ninth St., when our session will = feature=20 AFTRAN Mike Kraft discussing the use of Earprompt, and Lorene Kulis = of L-K=20 Prompter sharing her knowledge of Teleprompters.  Participants are = asked to=20 bring a recorder of any kind and an earphone (wired is fine).
 
This workshop is limited to 20 AFTRA = members=20 in good standing.   Reservations for=20 ALL participants are a = must  --=20 216.781.2255, x12.
 

 

FEES:  $10 per = participant

 

Conservatory Membership Annual Fee=20 (provides admission to all events)=20

Must be an AFTRA member in good = standing

New Conservatory members: =20 $25.00=20

Returning Conservatory members: =20 $20.00

 

Admission tickets =96 which will be emailed or sent via U.S. = mail =96 or a=20 paid-up AFTRA membership card will be needed to gain entrance to the = building.=20

 

Please send your check, made out to AFTRA with a notation = =91Conservatory=20 Membership=92 on the memo line, along with your AFTRA I.D.# and home or = e-mail=20 address, to:  AFTRA -- 1468 W. 9th St., # 720 -- = Cleveland,=20 OH  44113. 

 

Feel free to contact Conservatory = Co-Chairs Cathy=20 Albers (cla2 at case.edu) or Nancy Telzerow (ntorq at aol.com) with questions or for further=20 information.

------=_NextPart_000_0099_01C5F03D.02CA2280-- From Jessica.Schuster at ideastream.org Wed Nov 23 12:27:07 2005 From: Jessica.Schuster at ideastream.org (Schuster, Jessica) Date: Wed, 23 Nov 2005 15:27:07 -0500 Subject: [NEohioPAL]The 90.3 WCPN "Around Noon" Program Schedule for the Week of November 28 Message-ID: <3658357796870A4FAD822731653E058544A193@ideacom.WVIZ.org> This is a multi-part message in MIME format. ------_=_NextPart_001_01C5F06C.4BA2E6B8 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: quoted-printable For Immediate Release Wednesday, November 23, 2005 Contact: Jessica Schuster, Communications Specialist, ideastream, 216.916.6134 "Around Noon" Schedule for the Week of November 28, 2005 Around Noon, weekdays from noon until 1pm on 90.3 WCPN ideastreamsm, keeps you current and connected with cultural affairs in Northeast Ohio. Through conversations with arts and entertainment luminaries; energetic, live performances; and eclectic, special features, host Dee Perry brings the world of arts and entertainment as close as your radio receiver. Following, is the Around Noon schedule for the week of November 28. Please note, all guests and programs are subject to change. Around Noon Schedule for the week of November 28, 2005 Monday, 11-28-05 Dee keeps things "Tidy" with local playwright Eric Coble, rolls along with Dancing Wheel's Snowman; and chats with the Cavani's Merry Peckham about the Cleveland Institute of Music's Chamber Music Festival. For additional information on today's show, visit the following websites: http://www.lkwdpl.org/beck/news.htm#tidy http://www.playscripts.com/author.php3?authorid=3D264 http://www.cavani.org/ http://www.cim.edu/colFaculty.php?div=3D2#MerryPeckham http://www.cim.edu/cimsplash.html http://www.cim.edu/conEvSeries.php Tuesday, 11-29-05 Dee enters the annual "Circlefest" in University Circle with the principal of the Cleveland School of the Arts; enjoys the "Elixir of Love" from Cleveland Opera; and learns to "Love Janis" at Playhouse Square. For additional information on today's show, visit the following websites: http://www.universitycircle.org/Events/hcf2005.htm http://www.universitycircle.org http://www.cmsdnet.net/csa/ http://www.clevelandopera.org/s30/elixir/ecover.html http://www.clevelandopera.org/ http://www.playhousesquare.com/Events/Events.aspx?EventID=3D842 http://www.playhousesquare.com/ Wednesday, 11-30-05 Today, Dee welcomes local food critics to suggest area restaurants for the holiday season. Joining Dee are: Elaine T. Cicora from Scene Magazine and Doug Trattner from the Free Times. For additional information on today's show, visit the following websites: http://www.clevescene.com/Issues/current/dining/index.html http://www.clevescene.com/ http://www.freetimes.com/modules.php?op=3Dmodload&name=3DNews&file=3Dinde= x&cat id=3D&topic=3D8 http://www.freetimes.com/ Thursday, 12-1-05 Dee gets in the holiday spirit with the offbeat productions "Santaland Diaries" and "Mrs. Bob Cratchit's Wild Christmas Binge" at Cleveland Public Theater; then dials the "Holiday Hotline" onstage at the Orthodox Theater.=20 For additional information on today's show, visit the following websites: http://www.cptonline.org/seasoncalendar/event.cfm?eventid=3D223&eventdate= i d=3D1573 http://www.cptonline.org/seasoncalendar/event.cfm?eventid=3D224&eventdate= i d=3D1553 http://www.cptonline.org/ http://www.holiday-hotline.com/ Friday, 12-2-05 Today, Dee is invited to "Lidia's Family Table" with Lidia Bastianich; ideastream's Jim Goldurs chats with comedian Greg Proops about the Drew Carey all-star comic revue; and we get the naked truth on the music of Barenaked Ladies. For additional information on today's show, visit the following websites: http://shopping.lidiasitaly.com/ProductDetails.aspx?productID=3D407 http://www.lidiasitaly.com/index2.htm http://www.gregproops.com/ http://www.bnlmusic.com/ ------_=_NextPart_001_01C5F06C.4BA2E6B8 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable The 90.3 WCPN "Around Noon" Program Schedule for the = Week of November 28

For = Immediate Release

Wednesday, = November 23, 2005

Contact: = Jessica Schuster, Communications Specialist, ideastream, = 216.916.6134


“Around Noon” Schedule for the Week of = November 28, 2005

Around Noon, weekdays from noon until = 1pm on 90.3 WCPN ideastreamsm, keeps you current and connected = with cultural affairs in Northeast Ohio. Through conversations with arts = and entertainment luminaries; energetic, live performances; and = eclectic, special features, host Dee Perry brings the world of arts and = entertainment as close as your radio receiver.

Following, = is the Around Noon schedule for the week of = November 28. Please note, all guests and programs are subject to = change.


Around Noon Schedule for the week of November 28, = 2005

Monday, = 11-28-05

Dee keeps = things “Tidy” with local playwright Eric = Coble, = rolls along with Dancing Wheel’s Snowman; and chats with the Cavani’s Merry = Peckham = about the Cleveland Institute of Music’s Chamber Music = Festival.

For = additional information on today’s show, visit the following = websites:

http://www.lkwdpl.org/beck/news.htm#tidy

http://www.playscripts.com/author.php3?authorid=3D264

http://www.cavani.org/

http://www.cim.edu/colFaculty.php?div=3D2#MerryPeckham<= /FONT>

http://www.cim.edu/cimsplash.html

http://www.cim.edu/conEvSeries.php


Tuesday, = 11-29-05

Dee enters = the annual “Circlefest” in University Circle with the principal of = the Cleveland School of the Arts; enjoys the = “Elixir of Love” from Cleveland = Opera; = and learns to “Love Janis” at Playhouse Square.

For = additional information on today’s show, visit the following = websites:

http://www.universitycircle.org/Events/hcf2005.htm

http://www.universitycircle.org

http://www.cmsdnet.net/csa/

http://www.clevelandopera.org/s30/elixir/ecover.html

http://www.clevelandopera.org/

= http://www.playhousesquare.com/Events/Events.aspx?Event= ID=3D842

http://www.playhousesquare.com/


Wednesday, 11-30-05

Today, Dee = welcomes local food critics to suggest area restaurants for the holiday = season.  Joining Dee are: = Elaine T. Cicora from Scene = Magazine = and Doug = Trattner = from the Free Times.

For = additional information on today’s show, visit the following = websites:

http://www.clevescene.com/Issues/current/dining/index.h= tml

http://www.clevescene.com/

http://www.freetimes.com/modules.php?op=3Dmodload&n= ame=3DNews&file=3Dindex&catid=3D&topic=3D8<= SPAN LANG=3D"en-us">

http://www.freetimes.com/


Thursday, 12-1-05

Dee gets in = the holiday spirit with the offbeat productions = “Santaland Diaries” and = “Mrs. Bob Cratchit’s Wild Christmas = Binge” at Cleveland Public Theater; then dials the = “Holiday Hotline” onstage at the Orthodox = Theater.

For = additional information on today’s show, visit the following = websites:

http://www.cptonline.org/seasoncalendar/event.cfm?event= id=3D223&eventdateid=3D1573

http://www.cptonline.org/seasoncalendar/event.cfm?event= id=3D224&eventdateid=3D1553

http://www.cptonline.org/

http://www.holiday-hotline.com/


Friday, = 12-2-05

Today, Dee = is invited to “Lidia’s Family Table” with Lidia = Bastianich; ideastream’s Jim Goldurs chats with = comedian Greg Proops about the Drew Carey all-star = comic revue; and we get the naked truth on the music = of Barenaked Ladies.

For = additional information on today’s show, visit the following = websites:

http://shopping.lidiasitaly.com/ProductDetails.aspx?pro= ductID=3D407

http://www.lidiasitaly.com/index2.htm=

http://www.gregproops.com/

http://www.bnlmusic.com/























------_=_NextPart_001_01C5F06C.4BA2E6B8-- From FGVlinda at aol.com Wed Nov 23 16:53:07 2005 From: FGVlinda at aol.com (FGVlinda at aol.com) Date: Wed, 23 Nov 2005 19:53:07 EST Subject: [NEohioPAL]A Place For Us Develp. Inc. survey is extended until end of 2005 Message-ID: <1fd.e4119fc.30b668f3@aol.com> -------------------------------1132793587 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Date of survey for market study information is needed for A Place For Us Development, Inc. at "Park District" West 9th in Warehouse District. We have extended the date until end of 2005 for the survey. Please visit website: Aplace4us.org At this time, we are marketing for this one-of-its-kind project in the nation. The design and plans are to serve a multigenerational community. Our desire is to have a self-contained community that will include on-site health care and social services, educational programming, cultural outreach and retail. This project will be open to all; therefore, we are inviting all those who are supportive of such diversity. Yet, it is within our mission to sell at least 50% of the units to the glbt community. We are hoping for a formation of residential assocation. This association would take ownership of the facility. We feel it is important for the major decision policies and management be controlled by the residential community glbt members. No longer do we want to be excluded in making our long-term decisions and care. A Place For Us Development, Inc., a non-profit gay, lesbian, bisexual and transgender organization, whose mission for the past eight years has been to provide a planned community with various services ranging from health care, cultural, spiritual, social and educational, proudly announces the unanimous vote of its board members to join efforts with Marous Development in developing a housing project designed and dedicated to multigenerational gay, lesbian, bisexual, transgender individuals and inclusive of all those supportive of such diversity. Our immediate goal is to market and sell these condominium units (a 15-year tax abatement) to gay, lesbian, bisexual, and transgendered individuals and to those of the wider community. The proposed site is located in the Warehouse District of downtown Cleveland, on West 9th Street between the 250 unit National Terminal Building to the north and the newly renovated 340 unit Bingham Building to the South. Linda Krasienko, President, A Place For Us Development, Inc. _FGVlinda at aol.com_ (mailto:FGVlinda at aol.com) -------------------------------1132793587 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
Date of survey for market study information is needed for A Pla= ce=20 For Us Development, Inc.  at "Park District" West 9th=20= in=20 Warehouse District.
 
We have extended the date until end of 2005 for the survey.  Pl= ease=20 visit website:
Aplace4us.org
 
At this time, we are marketing for this one-of-its-kind=20 project in the nation. The design and plans are to serve=20 a multigenerational community. Our desire is to have a=20 self-contained community that will include on-site health care and= =20 social services, educational programming, cultural outreach and retail. = ;=20
 
This project will be open to all; therefore, we are inviting=20= all=20 those who are supportive of such diversity.  Yet, it is=20 within our mission to sell at least 50% of the units to the glbt=20 community.  We are hoping for a formation=20 of residential assocation.  This association would=20 take ownership of the facility.  We feel it is=20 important for the major decision policies and=20 management be controlled by the residential community gl= bt=20 members. No longer do we want to be excluded in making our long-term=20 decisions and care. 
 
 
A Place For Us Development,=20 Inc., a non-profit gay, lesbian, bisexual and transgender= =20 organization, whose mission for the past eight years has been = ;to=20 provide a planned community with various services ranging from health care,=20 cultural, spiritual, social=20 and educational, proudly announces = the=20 unanimous vote of  its board members to join efforts with Mar= ous=20 Development in developing a housing project designed and=20 dedicated to multigenerational gay, lesbian, bisexual, transgend= er=20 individuals and inclusive of all those supportive of such=20 diversity.=20
 
Our immediate goal is to market and sell these condominium=20 units (a 15-year tax abatement) to gay, lesbian, bisexual, and=20 transgendered individuals and to those of the wider  community. Th= e=20 proposed site is located in the Warehouse District of downtown Cleveland, on= =20 West 9th Street between the 250 unit National Termin= al=20 Building to the north and the newly renovated 340 unit Bingham Building to t= he=20 South.
 
Linda Krasienko, President, A Place For Us Development,=20 Inc.
FGVlinda at aol.com
 
 -------------------------------1132793587-- From dhineline at neo.rr.com Wed Nov 23 17:00:22 2005 From: dhineline at neo.rr.com (Dave Hineline) Date: Wed, 23 Nov 2005 20:00:22 -0500 Subject: [NEohioPAL]Looking For Singer/Lyrisist to complete band and recording. Message-ID: <001b01c5f092$72a27cb0$47dbbd41@D3HRHB71> This is a multi-part message in MIME format. ------=_NextPart_000_0018_01C5F068.89A64F10 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Band needs a vocalist/lyricist. We are Carbon Thread a hard rock band in the process of recording our = first full length CD, " Seven Responces of Conscienceness" We need a dramatic person who can be the voice of our powerfully = melodic, edgy rock sound. If you have vocal talent and can climb inside = our music and give it meaning through your voice and interpretation, = than this could be the chance you have been looking for. Our record = contains an anthem that grabs peoples attention and has a very positive = feel and will be a concert classic. The song "Hope", could best be = described as Pink Floyds "Run Like Hell" meets U2s "Streets with No = Name" not because we tried to sound like that, its just the best way to = describe this song. If you are interested than we will send a copy of the song and come to = the studio to try out. Please respond or forward to someone who you = might know who would be interested. Please, if you have talent and want to make a great record contact me at = dhineline at neo.rr.com. ------=_NextPart_000_0018_01C5F068.89A64F10 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
Band needs a = vocalist/lyricist.
We are Carbon Thread a hard rock band in the process of recording our first full = length=20 CD, " Seven Responces of Conscienceness"
We need a dramatic person who can be = the voice of=20 our powerfully melodic, edgy rock sound. If you have vocal = talent and=20 can climb inside our music and give it meaning through your voice and=20 interpretation, than this could be the chance you have been looking for. = Our record contains an anthem that = grabs peoples=20 attention and has a very positive feel and will be a concert = classic.=20 The song "Hope", could best be described as Pink Floyds "Run Like = Hell"=20 meets U2s "Streets with No Name" not because we tried to sound like = that, its=20 just the best way to describe this song.
If you are interested than we will send = a copy of=20 the song and come to the studio to try out. Please respond or forward to someone who you might know = who would be=20 interested.
 
Please, if you have talent and = want to make a=20 great record contact me at dhineline at neo.rr.com. ------=_NextPart_000_0018_01C5F068.89A64F10-- From KABBW at aol.com Wed Nov 23 18:17:43 2005 From: KABBW at aol.com (KABBW at aol.com) Date: Wed, 23 Nov 2005 21:17:43 EST Subject: [NEohioPAL]Sinatra or Dean Martin impersonator needed Message-ID: <29a.d63b2.30b67cc7@aol.com> -------------------------------1132798663 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit I know it's short notice, but ... Do you know anyone who does a Sinatra or Dean Martin impersonation? Preferably a singer, but just appearance would be more than we have now. It's for a dinner Wed, November 30th, in Lorain, from 5-7 p.m. and can be paid. More information on request. Thanks!! Kathy Whitmore "In a time of universal deceit, telling the truth is a revolutionary act." -- George Orwell -------------------------------1132798663 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
I know it's short notice, but ...
 
Do you know anyone who does a Sinatra or Dean Martin impersonation?&nbs= p;
<= ?param 0000,0000,FFFF>Preferably=20 a singer, but just appearance would be more than we have now.
It's=20 for a dinner Wed, November 30th, in Lorain, from 5-7 p.m. and can be=20 paid.
 
More information on request.
 
Thanks!!
 
Kathy Whitmore
 

"In a time of universal deceit, tel= ling the=20 truth is a revolutionary act." -- George Orwell

-------------------------------1132798663-- From dolan at en.com Wed Nov 23 18:45:48 2005 From: dolan at en.com (Fred Dolan) Date: Wed, 23 Nov 2005 21:45:48 -0500 Subject: [NEohioPAL]Don't Forget: Johnny Cash & Arlo Guthrie On Thanksgiving Night on WJCU References: <20051122133511.40230.qmail@web81805.mail.mud.yahoo.com> Message-ID: <00dc01c5f0a1$3b128ec0$27a651d1@com> This is a multi-part message in MIME format. ------=_NextPart_000_00D9_01C5F077.441F3EC0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable This is your last chance! Everyone knows at least a few Johnny Cash = fans, so please tell them to join me Thanksgiving evening from 6:30 PM = to midnight for=20 Johnny Cash: The Legend - a 4-hour radio special that=20 covers the entire life and recording career of Johnny Cash in his own = words and also the people who knew him in 4 one-hour segments: Ring Of Fire - Johnny Cash: The American Dream How Great Thou Art - Johnny Cash's spiritual quest. The Man In Black - Johnny Cash's politics and influence The World Needs A Melody - Johnny Cash the Storyteller It will run from 7:00 PM to 11:00PM on Thanksgiving evening without = commercial interruption. Following shortly after 11:00 PM will be Arlo Guthrie's "Alice's = Restaurant." Still one of the greatest songs/monologues of all time!=20 The balance of the program will be some excellent acoustic vocals in the = spirit of Thanksgiving.=20 Tune in on 88.7 FM - WJCU - John Carroll University radio or=20 www.wjcu.org on the internet. Have a great Thanksgiving. Fred Dolan Visiting The Folks 88.7 - WJCU-FM & www.wjcu.org In addition to Thursday night, join me on Sunday nights from 9:00PM to = midnight. ------=_NextPart_000_00D9_01C5F077.441F3EC0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
This is your last chance! Everyone knows at least a few Johnny Cash = fans,=20 so please tell them to join me Thanksgiving evening from 6:30 PM to = midnight for 
Johnny Cash: The Legend - a 4-hour radio special that
covers the entire life and recording career of Johnny Cash in his = own words=20 and also the people who knew him in 4 one-hour segments:
Ring Of Fire = -=20 Johnny Cash: The American Dream
How Great Thou Art - Johnny Cash's = spiritual=20 quest.
The Man In Black - Johnny Cash's politics and influence
The = World=20 Needs A Melody - Johnny Cash the Storyteller
It will run from 7:00 PM = to=20 11:00PM on Thanksgiving evening without commercial = interruption.
Following shortly after 11:00 PM will be Arlo Guthrie's = "Alice's=20 Restaurant." Still one of the greatest songs/monologues of all = time! 
 
The balance of the program will be some excellent acoustic = vocals in=20 the spirit of Thanksgiving. 
 
Tune in on 88.7 FM - WJCU - John Carroll University = radio or=20
www.wjcu.org on the = internet.
 
Have a great Thanksgiving.
 
Fred Dolan
Visiting The Folks
88.7 - WJCU-FM & www.wjcu.org
In addition to Thursday night, join me on Sunday nights from 9:00PM = to=20 midnight.
------=_NextPart_000_00D9_01C5F077.441F3EC0-- From performingarts at karamu.com Wed Nov 23 19:21:11 2005 From: performingarts at karamu.com (Performing Arts) Date: Wed, 23 Nov 2005 22:21:11 -0500 Subject: [NEohioPAL]Come on down to see "A Theatre Grows in Cleveland" & "Going To School" during the holiday weekend at Karamu Message-ID: <025701c5f0a6$1f348460$5701a8c0@karamu.com> This is a multi-part message in MIME format. ------=_NextPart_000_0254_01C5F07C.35D83560 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable "A Theatre Grows in Cleveland" by Hannah Stofan and Alex Phillips This ten minute two-character piece placed fifth in the nation in the = National History Day contest two years ago. It will celebrate Karamu's = 90th anniversary for the Youth Theatre program. Written and performed by = Alexander Phillips and Hannah Stofan from Birchwood School in Ohio, the = original title was "A Theatre Grows in Cleveland: Exploring Racial = Equality Through the Dramatic Arts." It depicts the colorful life of = Russell and Rowena Jelliffe who founded the Playhouse Settlement in 1915 = that later relocated in the 1940's and was renamed Karamu House.=20 "Going To School" by Ed Monk Nick is going off to college for the first time. The only problem is, = his family is taking him -- his mother worries he will starve to death, = his father forgot his tuition check, his teenage sister doesn't see why = she has to go, his younger sister just wants to go to her ballet = recital, and his grandmother "don't hear so good no more." It's going to = be a fun day.=20 November 19 - December 10, 2005. Saturdays and Sundays @ 2pm (Arena Theatre) Adults: $8 Kids: $6=20 For more information, please call Karamu's box office at 216-795-7077. Karamu House 2355 East 89th Cleveland, OH 44106 ------=_NextPart_000_0254_01C5F07C.35D83560 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable

 

"A Theatre Grows in Cleveland" by = Hannah=20 Stofan and Alex Phillips

This ten minute two-character piece placed = fifth in the=20 nation in the National History Day contest two years = ago. It will=20 celebrate Karamu's 90th anniversary for the Youth Theatre program. = Written and=20 performed by Alexander Phillips and Hannah Stofan from Birchwood School = in Ohio,=20 the original title was "A Theatre Grows in = Cleveland:=20 Exploring Racial Equality Through the Dramatic Arts."  It = depicts=20 the colorful life of Russell and Rowena Jelliffe who founded the = Playhouse=20 Settlement in 1915 that later relocated in the 1940's and was renamed = Karamu=20 House.

"Going=20 To School" by Ed Monk

Nick is = going off to=20 college for the first time. The only problem is, his family is taking = him -- his=20 mother worries he will starve to death, his father forgot his tuition = check, his=20 teenage sister doesn't see why she has to go, his younger sister just = wants to=20 go to her ballet recital, and his grandmother "don't hear so good no = more." It's=20 going to be a fun day. 
 
November 19 - December 10,=20 2005.
 
Saturdays and Sundays @=20 2pm (Arena=20 Theatre)
Adults: $8
Kids:=20 $6 
 
For=20 more information, please call Karamu's box office at=20 216-795-7077.
 
 
Karamu=20 House
2355=20 East 89th
Cleveland, OH=20 44106
------=_NextPart_000_0254_01C5F07C.35D83560-- From maheshwari_tiiu at yahoo.com Wed Nov 23 19:47:02 2005 From: maheshwari_tiiu at yahoo.com (Tiiu Gennert) Date: Wed, 23 Nov 2005 19:47:02 -0800 (PST) Subject: [NEohioPAL]Happy Thanksgiving! (Studio 11's Holiday Class Schedule) Message-ID: <20051124034702.36106.qmail@web51103.mail.yahoo.com> --0-1039229413-1132804022=:28161 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Join Studio 11 Thanksgiving Day November 24th for Classical Yoga Time: 10:00 am ? Noon Price: $15 Celebrate Thanksgiving Day with Kate & Tiiu for 2 Hours of Yoga (including cleansing yoga postures, energizing breath exercises & an extended relaxation) {Note: Regularly scheduled classes will not be held in honor of the Holiday} No Sunrise Yoga Class on Friday Morning, Nov. 25th Extra Special Karma Yoga "Happy Hour" ... Extended Version Featuring Special Guest Instructor Neel Kulkarni this Friday, November 25th 6:00-8:00 pm (with 10 min. break at 7:00 pm) More details to follow .... Studio 11 Yoga, Pilates & Thai Yoga Massage 2337 West 11th Street Cleveland, OH 44113 216.621.8179 www.studio11tremont.com info at studio11tremont.com --0-1039229413-1132804022=:28161 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
Join Studio 11
 Thanksgiving Day November 24th
for
Classical Yoga
Time: 10:00 am ? Noon
Price: $15
 Celebrate Thanksgiving Day with
Kate & Tiiu for
2 Hours of Yoga
(including cleansing yoga postures, energizing breath exercises & an extended relaxation)
 {Note:  Regularly scheduled classes will not be held in honor of the Holiday}
No Sunrise Yoga Class on Friday Morning, Nov. 25th
Extra Special Karma Yoga "Happy Hour" ... Extended Version
Featuring Special Guest Instructor Neel Kulkarni this Friday, November 25th
6:00-8:00 pm
(with 10 min. break at 7:00 pm)
More details to follow ....


Studio 11
Yoga, Pilates & Thai Yoga Massage
2337 West 11th Street
Cleveland, OH 44113
216.621.8179
www.studio11tremont.com
info at studio11tremont.com
--0-1039229413-1132804022=:28161-- From kaimei at earthlink.net Wed Nov 23 17:35:43 2005 From: kaimei at earthlink.net (Christopher) Date: Wed, 23 Nov 2005 20:35:43 -0500 Subject: [NEohioPAL]Film bi-czar References: <8C7BE67FB7053BC-1A94-3EBE@FWM-R16.sysops.aol.com> Message-ID: <438518EE.EBFC1C27@earthlink.net> Wow! Where to begin... I know I'm supposed to fill out the feedback form, but I suspect it was born with dust on it. Everybody who cares in the slightest for Northeast Ohio's film and video community at least knows someone whose cousin subscribes to NEohioPAL, so my words, frazzled by ever-decreasing creative empathy and sprinkled with a dash of hypocrisy as they may be, are in good hands. As far as I can tell from the expansive view provided by my basement studio's glass block windows, there are three base problems holding back this media arts community. 1. Homogenization of the community's organizational bodies 2. Underappreciation for a team-oriented work ethic 3. Absence of quality control on the parts of area producers If this list elicits a big "hell yeah" from readers, then they can save themselves some time and stop here, you're just going to agree with everything else. The less you agree, the more you should read. Until these issues are not just addressed (ahhhhgain), but solved, the pursuit of a NEO film community is like mankind's pursuit of expansion into space. Untold and uncomprehendable benefits await us as we ready ourselves to explore the final frontier, but none of that's of any use if we try to rush into the next phase as a trainwreck of a society. We've got to handle the mess in our backyard lest we pollute someone else's, in this case, with cliquish, fractured organization; productions that had to take shortcuts or fail altogether because of unprofessionalism and steaming piles of sloppily produced attempts at legitimizing sociopathic predilections. Nobody's being specifically attacked here. If you agree with me, say "amen" to your computer screen. If the shoe finds itself fitting all too comfortably, then make sure it's tied on tight so we can't smell what you've got hiding in there. If you don't see these problems in our community, then you're just not in the community. Maybe you're better off, because weez gotz major problems standing between "us" (the NEO film community) and "them" (an audience outside of people who still think making shoestring movies is a neat novelty). Care to read more? I've got solutions, or at least ideas if anybody's listening. But before we go there, you may be wondering, "why does this guy think he knows all about what's wrong here and how to fix it?" The answer is simple. Having been buffeted by complacency, then uppercutted by unsubstantiated egos and finally kicked by addictions to mediocrity while I was down, I've taken on alot of ya'll's bad habits. I'm becoming part of the problem. I was Director of Operations for a long-defunct organization you may remember called The Alliance, which was supposed to be a pool of film, television and theatrical artists. The brainchild of this organization started their own production company and inexplicably started treating The Alliance as competition, withholding audition announcements, badmouthing our board and trustees, etc. So I was front row for the demolition derby that was watching a fully incorporated 501 c 3 non profit organization fall victim to a proverbial scat-porn fest under the very people who created it. I don't know the problems that must have festered in the Cleveland Film Society or other organizations, but none of them have substantively helped anybody I know. And having been around for longer than I care to admit, I know many. I've watched myself cut corners just to finish core scenes when cast and crew threaten to bail on us. I've worked with people I had doubts about just because the ones I want to work with shuffle off to California without notice, and my product has suffered. Anybody who claims to be or says they can introduce me to the "next big name" in this biz, usually has me running for the hills. But other people are only a fraction of blame. I mean, who reading this doesn't get complete erectile dysfunction over the thought of the unoriginality that runs rampant, or the "big deal" our local news agencies make of any Hollywood film that graces us with its presence, then hits the big screen like a big wet spitwad we want to wipe off to see the real movie underneath? Add to that factors we can't control like the most unpredictable weather in the United States; locations that build up and tear down without notice; "artistes" who instead of giving us their leadership, look down their noses at us; and a sociopathy whose indecision between whether to be a belt of bibles made of rust or vice versa, only makes certain that independent voices get revised into fourth grade English with "values," (without asking "whose values?") and I find myself in a working environment where I get one feature completed for every two that go into production, and countless more that I would start, but can't even get off the ground. Even so, with an average of one feature length production that gets screened at major national and international film festivals every year for the last sixteen years, I am one of the most productive producers of narrative cinema in the Midwest. I'm far away however from being comfortable writing about myself in the third person except in press releases. So to try to wrap this up, here are my ideas for solutions in (as) brief (as possible). If the Film Czar agrees with me, maybe he can help institute some of them. His administration can reap the benefits, but remember, you heard it here first: 1. Start a large bodied organization by making its mission statement something that a majority can agree with. Does everybody want to be famous? Does everybody want Northeast Ohio to be the next Hollywood? Not from what I've heard, and I mean that with sincerity. Not everybody who is interested in local film even wants to actually produce movies, let alone produce them here. What is a thread common to the most people with interests related to making movies in this area? The lagging economy? The need for creative growth? What are the issues that would bring artists, professionals and beginners to the table regardless of clique or perceived experience? We've tried espousing Cleveland as a diverse location for production, but our diverse weather shat that one down. We've tried marketing the talent in the area, but the only productions we have to show for it are ones that local audiences find to be too "edgy" or "controversial," while more cosmopolitan markets outside of Ohio think we're a bunch of poseurs. Said organization may not be able to be as ambitious as getting movies made, but some smaller component of the lifestyle, if it's to draw as diverse a crowd as possible to beef up its networking opportunity street cred. The organization has to address issues relevant to all who are interested in this field, regardless of what kind of production is being made, what the individual's expected role is, or the intended audience. I know I sound like I contradicted myself just now with an earlier sentence about sociopathic predilections, but hold on to your britches. I'm not hatin', I'm just sayin'. The closest to doing this now is IndieCleveland, but I'm talking about something that has sway with community leaders. 2. Create a reward/accountability system for those who want to be considered a pillar of this area's creative media community. Start a website, for instance: www.auteurorposeur.com and model it after Ebay's feedback system. An artist voluntarily posts a profile, a filmography, the like, and others can post feedback- positive and negative. Of course, the artist can retort negative feedback on the message board. I know this smacks of turning into an extension of the good vibrations we all read on NEohioPAL once in a while-often, but something has to draw attention to the infectious lack of work ethic that often even ensnares me, exhausting me to the point where I don't even have the energy to return phone calls. When I meet cast and crew who haven't been exposed to some of the attitudes of the NEO film community, I'm often embarrassed for our community when faced with the proposition that they soon will get such a dose, that they often relocate. I mean a producer or professional actor can only work opposite so much indecision, "my boy/girlfriend won't let me act," or other sudden objections to the material you've all been working with for the last three months just because half way through production, they got around to reading your screenplay. But why should they help us producers with THEIR professionalism when area producers need to: 3. Stop trying to force their fantasy lives down your throats while acting shocked when you don't know how to react to some of the strange demands that they put on you during all processes of the production. Now am I getting my morality panties all in a bunch? No way! One of my current productions plays like John Waters directing an episode of Law & Order SVU, but I'm up front with people about what it is, and as long as they actually read the material before they say yes, then there are no hard feelings, and only mutual respect if and when they say no. But too many producers try to sneak it in on ya and then make you feel like you've got the shortcoming when you question doing material that wasn't in the script. It's got to feel like you got your picture taken by someone who was pretending to not take a picture of you, but of something else. That bait and switch hurts cast and crew relations, but (to me) more importantly, it compromises a production a) by risking its failure due to walk out, and b) wincing in the face of intellectual confrontation. You've got something ballsy to put out there? Let us check it out, if you sound like you know what you want and why, there are alot of actors here who will back your play. I know, I've worked with and am working with artists who help me take on some of the most controversial subjects a regional film has taken on, at least with sincerity. Worse still are the ones who pull punches and hope we don't notice. Do the films that feel right, and do them the way you feel they should be done, because people smell distrust, and if you don't trust them with your material, they're not going to trust you. That is, in my humble opinion, the biggest obstacle stopping films made in this area from being some of the greatest films made in any area. I know one attracts more flies with honey than vinegar, but I prefer to think of what I have to say as bittersweet. And besides... attract flies? I'm not trying to imitate a pile of...... purchasable film awards... Christopher K. Young www.shallowfocus.com alexcine at aol.com wrote: > Emmy winning writer and indie filmmaker Alex P. Michaels will be acting > as Cleveland's first Film Czar. It is a position Alex has thrust > himself into because he is not satisfied with the "powers that be" not > being supportive of the local community and that Cleveland does not do > as much as it can do to promote filmmaking here. Being involved in > independent films in Cleveland and shooting a TV Series based on his > Emmy winning movie, Alex has a unique perspective on how to bring > movies to the region and also how to support the filmmaking community. > Ironically a few years ago, Alex "divorced" himself from the film > community to work on building connections with the business community > and work on a proposal that is being shopped around to bring about an > incubator that will serve the local community and draw in productions. > Being Cleveland Film Czar is part of Alex's larger goal of making > Cleveland live up to its' potential and be a true part of the movie and > TV industry. > > The Film Czar would like some feedback on what this City truly needs to > make the local film community > To get your feedback fill out the form at > http://www.prelude2cinema.com/filmczar.htm > > Thank you > > Sincerely, > Alex Michaels From m.ozimek at sbcglobal.net Wed Nov 23 22:14:41 2005 From: m.ozimek at sbcglobal.net (Mary Lou Ozimek) Date: Thu, 24 Nov 2005 01:14:41 -0500 Subject: [NEohioPAL]Ohio Boychoir Concert Announcements Message-ID: <20051124061451.CF6514CE49@braxton.siteprotect.com> This is a multi-part message in MIME format. ------=_NextPart_000_0075_01C5F094.72C02BF0 Content-Type: multipart/alternative; boundary="----=_NextPart_001_0076_01C5F094.72C02BF0" ------=_NextPart_001_0076_01C5F094.72C02BF0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit ------=_NextPart_001_0076_01C5F094.72C02BF0 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable THIS IS A TEST: LET ME KNOW IF THIS WILL WORK FOR YOU, = SARAH

 

 

 

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0AqwvelXNJjM678O6Vd28kBs4oRIqIzwRqjbVIKrnHIGBweKdH4f0mK0gtBp1s0MCgRq8SttwAM5 I64Uc+w9K0CQOKTcPekMo2WhaXp9qlrb2FusSJs5iUlhgA7jjkkAZJ64psWkWUNnJZGBZ4JZGklW cCTzWZtzFs9Tn+laBcdqjLUAVX0nTZN+/TrRvMVUfMCncq/dB45AwMDtgU9dK08xLCbG28lCWWPy V2gkYJAxjpx9KmU5NTcYxQBk3nh7S7mCSA2MESSRiJzDGqM0Y/gyBnaehHpViaytbiaKaa2hllhy YneMM0ef7pPT8Ktv1pFGaYiFLOD90BDGBCMRjYPkGMcenHHHaop9J06WIQzWNrJEFVAjQqVCrnaM EdBk4HbNXWYIOKqTT44zRuBDLp+nyRRQyWVs8cB3RI0KlYz6qMcfhUTaXprzGdtPtWlJJMhgUsSe pzjPOTn60/zT+FKJKdhXK/8AYWk+UIhplmIlIIT7Om0EEkHGPUn8zSjSrCG4+1R2cMc+WPmIgViW wGJI6k471MZsVG0xNNIRXGnWKtK4s7cNKwaRvKXLt6njk8nr61DJZ2EcflrZ2wQIYwoiXG0nJXGO hODj1qaabA461Rd3kz1rRIlshkt9NYrvsLRtgAXMKnaBgDHHsPyqyINPnKSS2Vs7xkMjNCpKnjkH HH3R+Q9KovbyFiQKsxQukfNW4qxCbuF7qAVuDS2F00rDnrWReqzyYrU0mErgmqcUo3C92f/Z ------=_NextPart_000_0075_01C5F094.72C02BF0-- From maheshwari_tiiu at yahoo.com Wed Nov 23 23:00:34 2005 From: maheshwari_tiiu at yahoo.com (Tiiu Gennert) Date: Wed, 23 Nov 2005 23:00:34 -0800 (PST) Subject: [NEohioPAL]Extra Special Karma Yoga Class at Studio 11 Message-ID: <20051124070034.88968.qmail@web51109.mail.yahoo.com> --0-220855679-1132815634=:87094 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Extra Special Karma Yoga "Happy Hour" ... Extended Version Featuring Guest Instructor Neel Kulkarni this Friday, November 25th 6:00-8:00 pm (w/10 minute break at 7:00 pm) Neel Kulkarni, born and brought up in a yoga family of India, is a grand parenting level yoga teacher, residing in Virginia. He has studied and taught Yoga in a classical style for 30 years. His work can be seen on www.authenticyoga.org. Neel is here in Cleveland visiting family over the Thanksgiving holiday & we are honored to have him share his practice with us. Neel's class is designed to cover several topics including Yoga Asana, Meditation, Philosophy & Chanting. There will also be time for a Question & Answer Session. His knowledge base of yoga is vast, so take advantage of the time he is with us. In the first few minutes of class, Neel will gather the wishes/intentions of the students to form a specialized agenda. Then, he will provide detailed instruction on the requested topics. The class will finish with chanting (Kirtan) of the first chapter of Shree Patanlayogadarshanam (Yoga Sutras of Patanjali). We recommend that you stay for the entire 2 hour class session, but if you need to go at 7pm, there will be a 10 minute break at that time. Om Shanti-Om Shanti-Om Shanti-Om. Studio 11 Yoga, Pilates & Thai Yoga Massage 2337 West 11th Street Cleveland, OH 44113 216.621.8179 www.studio11tremont.com info at studio11tremont.com --0-220855679-1132815634=:87094 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
Extra Special Karma Yoga "Happy Hour" ... Extended Version
Featuring Guest Instructor Neel Kulkarni this Friday, November 25th
6:00-8:00 pm
(w/10 minute break at 7:00 pm)
 
Neel Kulkarni, born and brought up in a yoga family of India, is a grand parenting level yoga teacher, residing in Virginia. He has studied and taught Yoga in a classical style for 30 years.  His work can be seen on www.authenticyoga.org.

Neel is here in Cleveland visiting family over the Thanksgiving holiday & we are honored to have him share his practice with us. Neel's class is designed to cover several topics including Yoga Asana, Meditation, Philosophy & Chanting. There will also be time for a Question & Answer Session. His knowledge base of yoga is vast, so take advantage of the time he is with us.
In the first few minutes of class, Neel will gather the wishes/intentions of the students to form a specialized agenda. Then, he will provide detailed instruction on the requested topics. The class will finish with chanting (Kirtan) of the first chapter of Shree Patanlayogadarshanam (Yoga Sutras of Patanjali). We recommend that you stay for the entire 2 hour class session, but if you need to go at 7pm, there will be a 10 minute break at that time. Om Shanti-Om Shanti-Om Shanti-Om.


Studio 11
Yoga, Pilates & Thai Yoga Massage
2337 West 11th Street
Cleveland, OH 44113
216.621.8179
www.studio11tremont.com
info at studio11tremont.com
--0-220855679-1132815634=:87094-- From cinevid at yahoo.com Thu Nov 24 00:57:18 2005 From: cinevid at yahoo.com (Bill) Date: Thu, 24 Nov 2005 00:57:18 -0800 (PST) Subject: [NEohioPAL]All Hail Film Czar and Film Prophet In-Reply-To: <20051124060306.C205C61F8A@mailman.siteprotect.com> Message-ID: <20051124085718.86417.qmail@web60323.mail.yahoo.com> --0-1853990415-1132822638=:84088 Content-Type: multipart/alternative; boundary="0-265274245-1132822638=:84088" --0-265274245-1132822638=:84088 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit All Hail Film Czar and Film Prophet You know, most of the time I sit with calm amusement as I read the various ramblings as to why Cleveland isn't 'on the map' when it comes to motion picture film and TV production. However, these latest posts are just too funny to ignore... A self proclaimed Film Czar? What the hell is that? Alex, I thought you were joking! And Christopher, you seem to have so much intelligence and yet you completely miss the point. Ya wanna know the reason why we can't all just get along and make movies together? Well here it is. There's too much crap!!! And widely varying degrees of crap. One of the only reasons our monthly Indieclub meetings are successful is because we're not trying to create a consortium; we're not trying to unite our resources, we're not even trying to improve eachother's work. We're just watching videos. And guess what? We see a lot of crap. We see some good stuff too, but mostly we see Learners, Yearners and Burners. Now, Learners are novice filmmakers who make crap because it's their first film and rather than learn the trade first, they go ahead and make a movie as practice and hopefully they'll improve. We sit politely and smile, wishing they had thought about lighting, sound, acting, dialogue, and camera work before making us sit through their experiments. Yearners are filmmakers who really want to make good films, so they use everything at their disposal to make the best possible film they can. However, they're still somewhat plagued by compromise and the results are never what they hoped for, nor what a real distributor will buy. Much easier to sit through though. Burners are the worst. These are filmmakers (usually prolific) who make crap every time out of the gate. Their camera work is mostly hand-hell shaky cam. Their lighting is barely more than ambient and they often use the on-camera mic to capture dialogue. The acting is wooden and undirected; the stories are either so deep you need waders, or so shallow you can't find a point; and to top it off, they're fully convinced they are great filmmakers. But why do I call them Burners you ask? Well, because they burn the bridges that sincere Yearners might someday want to use. They burn bridges with actors who get soured against indie filmmakers because they have nothing decent to show for all their hard work (not even copy). They burn bridges with locations because they are so unorganized that they overstay their welcomes, mess up property and never send copies of the video, like they promise to do. They burn bridges with investors because the investor never sees a dime of their money back. They burn bridges with the legitimate film commission, because, as I said before they make crap and what film commission is going to support and encourage more crap??? Yet that's not the reason why we don't need a film czar or film prophet or any other coordinating force. The real reason is no one wants to work on someone else's film. You see, most of the people that comprise the indie scene here in Cleveland are writer/producer/directors and we're all working on our own projects. And guess what. I'm not all that interested in spending my valuable time working on someone's project which I consider to be crappier than my own. I can just as easily be spending my time and resources creating my own crap. Sure everyone would like to think there's a benevolent brotherhood of filmmakers; a selfless society where everyone submits ideas and work samples and then the members vote on what script to do and who to direct it. The community is presented with the proposal and since it bears the backing of so many filmmakers, the businesses get involved and support the project with services and finances. The best actors come from all around to have a part in the project and a glorious motion picture is produced that wins the Oscar for Impossible Dream... That would be a good plot for a fantasy picture, but in the real world, writers will lose interest if their script isn't picked. Directors will bail if they can't direct and actors will walk away if they can't be the lead. And you guessed it the end product would probably be... well, I don't need to say it again. (though I really want to) Bill Johns crappy writer/producer/and director www.cinevidproductions.com P.S - I guess I'm in a sour mood because just yesterday I lost a serious investor (producer of two features in LA) because she said the acting in one of the scenes I sent her wasn't very good. I knew it when I shot it that I was compromising, and even though we're reshooting that scene, it's too late to regain that contact... ah CRAP! --------------------------------- Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --0-265274245-1132822638=:84088 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
All Hail Film Czar and Film Prophet
 
You know, most of the time I sit with calm amusement as I read the various ramblings as to why Cleveland isn't 'on the map' when it comes to motion picture film and TV production. However, these latest posts are just too funny to ignore... A self proclaimed Film Czar? What the hell is that? Alex, I thought you were joking! And Christopher, you seem to have so much intelligence and yet you completely miss the point.
 
Ya wanna know the reason why we can't all just get along and make movies together? Well here it is. There's too much crap!!! And widely varying degrees of crap. One of the only reasons our monthly Indieclub meetings are successful is because we're not trying to create a consortium; we're not trying to unite our resources, we're not even trying to improve eachother's work. We're just watching videos. And guess what? We see a lot of crap. We see some good stuff too, but mostly we see Learners, Yearners and Burners.
 
Now, Learners are novice filmmakers who make crap because it's their first film and rather than learn the trade first, they go ahead and make a movie as practice and hopefully they'll improve. We sit politely and smile, wishing they had thought about lighting, sound, acting, dialogue, and camera work before making us sit through their experiments.
 
Yearners are filmmakers who really want to make good films, so they use everything at their disposal to make the best possible film they can. However, they're still somewhat plagued by compromise and the results are never what they hoped for, nor what a real distributor will buy. Much easier to sit through though.
 
Burners are the worst. These are filmmakers (usually prolific) who make crap every time out of the gate. Their camera work is mostly hand-hell shaky cam. Their lighting is barely more than ambient and they often use the on-camera mic to capture dialogue. The acting is wooden and undirected; the stories are either so deep you need waders, or so shallow you can't find a point; and to top it off, they're fully convinced they are great filmmakers.
 
But why do I call them Burners you ask? Well, because they burn the bridges that sincere Yearners might someday want to use. They burn bridges with actors who get soured against indie filmmakers because they have nothing decent to show for all their hard work (not even copy). They burn bridges with locations because they are so unorganized that they overstay their welcomes, mess up property and never send copies of the video, like they promise to do. They burn bridges with investors because the investor never sees a dime of their money back. They burn bridges with the legitimate film commission, because, as I said before they make crap and what film commission is going to support and encourage more crap???
 
Yet that's not the reason why we don't need a film czar or film prophet or any other coordinating force. The real reason is no one wants to work on someone else's film. You see, most of the people that comprise the indie scene here in Cleveland are writer/producer/directors and we're all working on our own projects. And guess what. I'm not all that interested in spending my valuable time working on someone's project which I consider to be crappier than my own. I can just as easily be spending my time and resources creating my own crap.
 
Sure everyone would like to think there's a benevolent brotherhood of filmmakers; a selfless society where everyone submits ideas and work samples and then the members vote on what script to do and who to direct it. The community is presented with the proposal and since it bears the backing of so many filmmakers, the businesses get involved and support the project with services and finances. The best actors come from all around to have a part in the project and a glorious motion picture is produced that wins the Oscar for Impossible Dream...
 
That would be a good plot for a fantasy picture, but in the real world, writers will lose interest if their script isn't picked. Directors will bail if they can't direct and actors will walk away if they can't be the lead. And you guessed it the end product would probably be... well, I don't need to say it again. (though I really want to)
 
Bill Johns
crappy writer/producer/and director
 
P.S - I guess I'm in a sour mood because just yesterday I lost a serious investor (producer of two features in LA) because she said the acting in one of the scenes I sent her wasn't very good. I knew it when I shot it that I was compromising, and even though we're reshooting that scene, it's too late to regain that contact... ah CRAP!

Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --0-265274245-1132822638=:84088-- --0-1853990415-1132822638=:84088-- From alitivity at yahoo.com Thu Nov 24 04:10:41 2005 From: alitivity at yahoo.com (Al Diamond Phillips) Date: Thu, 24 Nov 2005 04:10:41 -0800 (PST) Subject: [NEohioPAL]Happy Thanksgiving from the Al Diamond Phillips Christmas Variety Spectacular Message-ID: <20051124121041.41885.qmail@web50602.mail.yahoo.com> Hope everyone has a nice holiday. For ticketets to the show Dec 17th call Williams on the Lake 330-722-6766 Ext 11 __________________________________ Yahoo! Mail - PC Magazine Editors' Choice 2005 http://mail.yahoo.com From memakefilm at yahoo.com Thu Nov 24 05:32:29 2005 From: memakefilm at yahoo.com (Jamey Mixson) Date: Thu, 24 Nov 2005 05:32:29 -0800 (PST) Subject: [NEohioPAL]Film bi-czar In-Reply-To: <438518EE.EBFC1C27@earthlink.net> Message-ID: <20051124133229.19398.qmail@web36201.mail.mud.yahoo.com> --0-269190289-1132839149=:19396 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Chris (you have a lot of time on your hands...help me clean the gutters huh) *Joke! Bravo for standing against the machine! After reading the Fidel Castro-ism of one individuals demand to be the CZAR of the City, I personally felt "Oh Please-ish". This rings like the sound of a horse wrangler running FEMA. To quote Dr. Phil: "how's that working out for ya". I'm an implant, I live here by choice (ok my wife made me but so what). This community, collectively, is weak to the strength and endorse needed to make a major film. Further most of the upstarts lack knowledge of the system, sadly even I as a card carrying rebel stick to the system. Which, in other communities has a sincere political backing. Gary, Indiana (I believe or was the case some few years ago) will bend over a chair (no kiss, no dinner, no flowers) for film production. I'm not beating up on Mr. Alex of the Emmy but we'd (I...we makes it feel robust) feel more confortable with an individual/ organization elect by and for the people. I too have a person project I'm pushing "buy my book, buy my book" but that will not be my political stance on the future of the community; me then us, well me...if time allows us as well. HINT* Contact Mr. Jackson's Office...maybe they'll be for it. Fire the Czar, I need no self righted leader. Ranting is always welcome Happy Holiday Jamey memakefilm at yahoo.com Christopher wrote: Wow! Where to begin... I know I'm supposed to fill out the feedback form, but I suspect it was born with dust on it. Everybody who cares in the slightest for Northeast Ohio's film and video community at least knows someone whose cousin subscribes to NEohioPAL, so my words, frazzled by ever-decreasing creative empathy and sprinkled with a dash of hypocrisy as they may be, are in good hands. As far as I can tell from the expansive view provided by my basement studio's glass block windows, there are three base problems holding back this media arts community. 1. Homogenization of the community's organizational bodies 2. Underappreciation for a team-oriented work ethic 3. Absence of quality control on the parts of area producers If this list elicits a big "hell yeah" from readers, then they can save themselves some time and stop here, you're just going to agree with everything else. The less you agree, the more you should read. Until these issues are not just addressed (ahhhhgain), but solved, the pursuit of a NEO film community is like mankind's pursuit of expansion into space. Untold and uncomprehendable benefits await us as we ready ourselves to explore the final frontier, but none of that's of any use if we try to rush into the next phase as a trainwreck of a society. We've got to handle the mess in our backyard lest we pollute someone else's, in this case, with cliquish, fractured organization; productions that had to take shortcuts or fail altogether because of unprofessionalism and steaming piles of sloppily produced attempts at legitimizing sociopathic predilections. Nobody's being specifically attacked here. If you agree with me, say "amen" to your computer screen. If the shoe finds itself fitting all too comfortably, then make sure it's tied on tight so we can't smell what you've got hiding in there. If you don't see these problems in our community, then you're just not in the community. Maybe you're better off, because weez gotz major problems standing between "us" (the NEO film community) and "them" (an audience outside of people who still think making shoestring movies is a neat novelty). Care to read more? I've got solutions, or at least ideas if anybody's listening. But before we go there, you may be wondering, "why does this guy think he knows all about what's wrong here and how to fix it?" The answer is simple. Having been buffeted by complacency, then uppercutted by unsubstantiated egos and finally kicked by addictions to mediocrity while I was down, I've taken on alot of ya'll's bad habits. I'm becoming part of the problem. I was Director of Operations for a long-defunct organization you may remember called The Alliance, which was supposed to be a pool of film, television and theatrical artists. The brainchild of this organization started their own production company and inexplicably started treating The Alliance as competition, withholding audition announcements, badmouthing our board and trustees, etc. So I was front row for the demolition derby that was watching a fully incorporated 501 c 3 non profit organization fall victim to a proverbial scat-porn fest under the very people who created it. I don't know the problems that must have festered in the Cleveland Film Society or other organizations, but none of them have substantively helped anybody I know. And having been around for longer than I care to admit, I know many. I've watched myself cut corners just to finish core scenes when cast and crew threaten to bail on us. I've worked with people I had doubts about just because the ones I want to work with shuffle off to California without notice, and my product has suffered. Anybody who claims to be or says they can introduce me to the "next big name" in this biz, usually has me running for the hills. But other people are only a fraction of blame. I mean, who reading this doesn't get complete erectile dysfunction over the thought of the unoriginality that runs rampant, or the "big deal" our local news agencies make of any Hollywood film that graces us with its presence, then hits the big screen like a big wet spitwad we want to wipe off to see the real movie underneath? Add to that factors we can't control like the most unpredictable weather in the United States; locations that build up and tear down without notice; "artistes" who instead of giving us their leadership, look down their noses at us; and a sociopathy whose indecision between whether to be a belt of bibles made of rust or vice versa, only makes certain that independent voices get revised into fourth grade English with "values," (without asking "whose values?") and I find myself in a working environment where I get one feature completed for every two that go into production, and countless more that I would start, but can't even get off the ground. Even so, with an average of one feature length production that gets screened at major national and international film festivals every year for the last sixteen years, I am one of the most productive producers of narrative cinema in the Midwest. I'm far away however from being comfortable writing about myself in the third person except in press releases. So to try to wrap this up, here are my ideas for solutions in (as) brief (as possible). If the Film Czar agrees with me, maybe he can help institute some of them. His administration can reap the benefits, but remember, you heard it here first: 1. Start a large bodied organization by making its mission statement something that a majority can agree with. Does everybody want to be famous? Does everybody want Northeast Ohio to be the next Hollywood? Not from what I've heard, and I mean that with sincerity. Not everybody who is interested in local film even wants to actually produce movies, let alone produce them here. What is a thread common to the most people with interests related to making movies in this area? The lagging economy? The need for creative growth? What are the issues that would bring artists, professionals and beginners to the table regardless of clique or perceived experience? We've tried espousing Cleveland as a diverse location for production, but our diverse weather shat that one down. We've tried marketing the talent in the area, but the only productions we have to show for it are ones that local audiences find to be too "edgy" or "controversial," while more cosmopolitan markets outside of Ohio think we're a bunch of poseurs. Said organization may not be able to be as ambitious as getting movies made, but some smaller component of the lifestyle, if it's to draw as diverse a crowd as possible to beef up its networking opportunity street cred. The organization has to address issues relevant to all who are interested in this field, regardless of what kind of production is being made, what the individual's expected role is, or the intended audience. I know I sound like I contradicted myself just now with an earlier sentence about sociopathic predilections, but hold on to your britches. I'm not hatin', I'm just sayin'. The closest to doing this now is IndieCleveland, but I'm talking about something that has sway with community leaders. 2. Create a reward/accountability system for those who want to be considered a pillar of this area's creative media community. Start a website, for instance: www.auteurorposeur.com and model it after Ebay's feedback system. An artist voluntarily posts a profile, a filmography, the like, and others can post feedback- positive and negative. Of course, the artist can retort negative feedback on the message board. I know this smacks of turning into an extension of the good vibrations we all read on NEohioPAL once in a while-often, but something has to draw attention to the infectious lack of work ethic that often even ensnares me, exhausting me to the point where I don't even have the energy to return phone calls. When I meet cast and crew who haven't been exposed to some of the attitudes of the NEO film community, I'm often embarrassed for our community when faced with the proposition that they soon will get such a dose, that they often relocate. I mean a producer or professional actor can only work opposite so much indecision, "my boy/girlfriend won't let me act," or other sudden objections to the material you've all been working with for the last three months just because half way through production, they got around to reading your screenplay. But why should they help us producers with THEIR professionalism when area producers need to: 3. Stop trying to force their fantasy lives down your throats while acting shocked when you don't know how to react to some of the strange demands that they put on you during all processes of the production. Now am I getting my morality panties all in a bunch? No way! One of my current productions plays like John Waters directing an episode of Law & Order SVU, but I'm up front with people about what it is, and as long as they actually read the material before they say yes, then there are no hard feelings, and only mutual respect if and when they say no. But too many producers try to sneak it in on ya and then make you feel like you've got the shortcoming when you question doing material that wasn't in the script. It's got to feel like you got your picture taken by someone who was pretending to not take a picture of you, but of something else. That bait and switch hurts cast and crew relations, but (to me) more importantly, it compromises a production a) by risking its failure due to walk out, and b) wincing in the face of intellectual confrontation. You've got something ballsy to put out there? Let us check it out, if you sound like you know what you want and why, there are alot of actors here who will back your play. I know, I've worked with and am working with artists who help me take on some of the most controversial subjects a regional film has taken on, at least with sincerity. Worse still are the ones who pull punches and hope we don't notice. Do the films that feel right, and do them the way you feel they should be done, because people smell distrust, and if you don't trust them with your material, they're not going to trust you. That is, in my humble opinion, the biggest obstacle stopping films made in this area from being some of the greatest films made in any area. I know one attracts more flies with honey than vinegar, but I prefer to think of what I have to say as bittersweet. And besides... attract flies? I'm not trying to imitate a pile of...... purchasable film awards... Christopher K. Young www.shallowfocus.com alexcine at aol.com wrote: > Emmy winning writer and indie filmmaker Alex P. Michaels will be acting > as Cleveland's first Film Czar. It is a position Alex has thrust > himself into because he is not satisfied with the "powers that be" not > being supportive of the local community and that Cleveland does not do > as much as it can do to promote filmmaking here. Being involved in > independent films in Cleveland and shooting a TV Series based on his > Emmy winning movie, Alex has a unique perspective on how to bring > movies to the region and also how to support the filmmaking community. > Ironically a few years ago, Alex "divorced" himself from the film > community to work on building connections with the business community > and work on a proposal that is being shopped around to bring about an > incubator that will serve the local community and draw in productions. > Being Cleveland Film Czar is part of Alex's larger goal of making > Cleveland live up to its' potential and be a true part of the movie and > TV industry. > > The Film Czar would like some feedback on what this City truly needs to > make the local film community > To get your feedback fill out the form at > http://www.prelude2cinema.com/filmczar.htm > > Thank you > > Sincerely, > Alex Michaels ______________________________________ Disney's "BEAUTY AND THE BEAST" at Beck Center 12/2-12/31. 216-521-2540. http://www.fredsternfeld.com/beautyandthebeast.htm _______________________________________ There is a sister site to this list called the "NEoPAL Bulletin Board." Occasionally when "hot-button" discussions go on more than a day or two, the bulletin board is used. The Neopal bulletin board also has some other terrific features, like a searchable database for you to put your personal information, a place to post pictures and a chat room with a nightly 11pm gathering to discuss hot topics: http://groups.yahoo.com/group/neopal/ _______________________________________ Disclaimer: The facts and/or opinions expressed in this message are solely those of the person in the "from" or "reply-to" header. The fact that this message is posted should in no way be taken as an endorsement by the administrator of this list. Subscribers should perform due diligence for all goods, services and activities promoted on NEohioPAL. NEohioPAL mailing list NEohioPAL at lists.fredsternfeld.com http://lists.fredsternfeld.com/mailman/listinfo/neohiopal http://www.fredsternfeld.com --0-269190289-1132839149=:19396 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
Chris (you have a lot of time on your hands...help me clean the gutters huh) *Joke!
Bravo for standing against the machine!
 
After reading the Fidel Castro-ism of one individuals demand to be the CZAR of the City, I personally felt "Oh Please-ish". This rings like the sound of a horse wrangler running FEMA. To quote Dr. Phil: "how's that working out for ya".
 
I'm an implant, I live here by choice (ok my wife made me but so what). This community, collectively, is weak to the strength and endorse needed to make a major film. Further most of the upstarts lack knowledge of the system, sadly even I as a card carrying rebel stick to the system. Which, in other communities has a sincere political backing. Gary, Indiana (I believe or was the case some few years ago) will bend over a chair (no kiss, no dinner, no flowers) for film production.
 
I'm not beating up on Mr. Alex of the Emmy but we'd (I...we makes it feel robust) feel more confortable with an individual/ organization elect by and for the people. I too have a person project I'm pushing "buy my book, buy my book" but that will not be my political stance on the future of the community; me then us, well me...if time allows us as well.
 
HINT*
Contact Mr. Jackson's Office...maybe they'll be for it.
Fire the Czar, I need no self righted leader.
 
Ranting is always welcome
Happy Holiday
Jamey
 
 
 
 


Christopher <kaimei at earthlink.net> wrote:
Wow! Where to begin...

I know I'm supposed to fill out the feedback form, but I suspect it was born with dust on it. Everybody who cares in the slightest for Northeast Ohio's film and video community at least knows someone whose cousin subscribes to NEohioPAL, so my words, frazzled by ever-decreasing creative empathy and sprinkled with a dash of hypocrisy as they may be, are in good hands.

As far as I can tell from the expansive view provided by my basement studio's glass block windows, there are three base problems holding back this media arts community.

1. Homogenization of the community's organizational bodies

2. Underappreciation for a team-oriented work ethic

3. Absence of quality control on the parts of area producers

If this list elicits a big "hell yeah" from readers, then they can save themselves some time and stop here, you're just going to agree with everything else. The less you agree, the more you should read.

Until these issues are not just addressed (ahhhhgain), but solved, the pursuit of a NEO film community is like mankind's pursuit of expansion into space. Untold and uncomprehendable benefits await us as we ready ourselves to explore the final frontier, but none of that's of any use if we try to rush into the next phase as a trainwreck of a society. We've got to handle the mess in our backyard lest we pollute someone else's, in this
case, with cliquish, fractured organization; productions that had to take shortcuts or fail altogether because of unprofessionalism and steaming piles of sloppily produced attempts at legitimizing sociopathic predilections. Nobody's being specifically attacked here. If you agree with me, say "amen" to your computer screen. If the shoe finds itself fitting all too comfortably, then make sure it's tied on tight so we can't smell what
you've got hiding in there. If you don't see these problems in our community, then you're just not in the community. Maybe you're better off, because weez gotz major problems standing between "us" (the NEO film community) and "them" (an audience outside of people who still think making shoestring movies is a neat novelty).

Care to read more? I've got solutions, or at least ideas if anybody's listening.

But before we go there, you may be wondering, "why does this guy think he knows all about what's wrong here and how to fix it?"

The answer is simple. Having been buffeted by complacency, then uppercutted by unsubstantiated egos and finally kicked by addictions to mediocrity while I was down, I've taken on alot of ya'll's bad habits. I'm becoming part of the problem.

I was Director of Operations for a long-defunct organization you may remember called The Alliance, which was supposed to be a pool of film, television and theatrical artists. The brainchild of this organization started their own production company and inexplicably started treating The Alliance as competition, withholding audition announcements, badmouthing our board and trustees, etc. So I was front row for the demolition derby that
was watching a fully incorporated 501 c 3 non profit organization fall victim to a proverbial scat-porn fest under the very people who created it. I don't know the problems that must have festered in the Cleveland Film Society or other organizations, but none of them have substantively helped anybody I know. And having been around for longer than I care to admit, I know many.

I've watched myself cut corners just to finish core scenes when cast and crew threaten to bail on us. I've worked with people I had doubts about just because the ones I want to work with shuffle off to California without notice, and my product has suffered. Anybody who claims to be or says they can introduce me to the "next big name" in this biz, usually has me running for the hills. But other people are only a fraction of blame.

I mean, who reading this doesn't get complete erectile dysfunction over the thought of the unoriginality that runs rampant, or the "big deal" our local news agencies make of any Hollywood film that graces us with its presence, then hits the big screen like a big wet spitwad we want to wipe off to see the real movie underneath? Add to that factors we can't control like the most unpredictable weather in the United States; locations that
build up and tear down without notice; "artistes" who instead of giving us their leadership, look down their noses at us; and a sociopathy whose indecision between whether to be a belt of bibles made of rust or vice versa, only makes certain that independent voices get revised into fourth grade English with "values," (without asking "whose values?") and I find myself in a working environment where I get one feature completed for every
two that go into production, and countless more that I would start, but can't even get off the ground. Even so, with an average of one feature length production that gets screened at major national and international film festivals every year for the last sixteen years, I am one of the most productive producers of narrative cinema in the Midwest. I'm far away however from being comfortable writing about myself in the third person except
in press releases.

So to try to wrap this up, here are my ideas for solutions in (as) brief (as possible). If the Film Czar agrees with me, maybe he can help institute some of them. His administration can reap the benefits, but remember, you heard it here first:

1. Start a large bodied organization by making its mission statement something that a majority can agree with. Does everybody want to be famous? Does everybody want Northeast Ohio to be the next Hollywood? Not from what I've heard, and I mean that with sincerity. Not everybody who is interested in local film even wants to actually produce movies, let alone produce them here. What is a thread common to the most people with interests
related to making movies in this area? The lagging economy? The need for creative growth? What are the issues that would bring artists, professionals and beginners to the table regardless of clique or perceived experience? We've tried espousing Cleveland as a diverse location for production, but our diverse weather shat that one down. We've tried marketing the talent in the area, but the only productions we have to show for it are
ones that local audiences find to be too "edgy" or "controversial," while more cosmopolitan markets outside of Ohio think we're a bunch of poseurs. Said organization may not be able to be as ambitious as getting movies made, but some smaller component of the lifestyle, if it's to draw as diverse a crowd as possible to beef up its networking opportunity street cred. The organization has to address issues relevant to all who are
interested in this field, regardless of what kind of production is being made, what the individual's expected role is, or the intended audience. I know I sound like I contradicted myself just now with an earlier sentence about sociopathic predilections, but hold on to your britches. I'm not hatin', I'm just sayin'. The closest to doing this now is IndieCleveland, but I'm talking about something that has sway with community leaders.

2. Create a reward/accountability system for those who want to be considered a pillar of this area's creative media community. Start a website, for instance: www.auteurorposeur.com and model it after Ebay's feedback system. An artist voluntarily posts a profile, a filmography, the like, and others can post feedback- positive and negative. Of course, the artist can retort negative feedback on the message board. I know this smacks of
turning into an extension of the good vibrations we all read on NEohioPAL once in a while-often, but something has to draw attention to the infectious lack of work ethic that often even ensnares me, exhausting me to the point where I don't even have the energy to return phone calls. When I meet cast and crew who haven't been exposed to some of the attitudes of the NEO film community, I'm often embarrassed for our community when faced
with the proposition that they soon will get such a dose, that they often relocate. I mean a producer or professional actor can only work opposite so much indecision, "my boy/girlfriend won't let me act," or other sudden objections to the material you've all been working with for the last three months just because half way through production, they got around to reading your screenplay. But why should they help us producers with THEIR
professionalism when area producers need to:

3. Stop trying to force their fantasy lives down your throats while acting shocked when you don't know how to react to some of the strange demands that they put on you during all processes of the production. Now am I getting my morality panties all in a bunch? No way! One of my current productions plays like John Waters directing an episode of Law & Order SVU, but I'm up front with people about what it is, and as long as they
actually read the material before they say yes, then there are no hard feelings, and only mutual respect if and when they say no. But too many producers try to sneak it in on ya and then make you feel like you've got the shortcoming when you question doing material that wasn't in the script. It's got to feel like you got your picture taken by someone who was pretending to not take a picture of you, but of something else. That bait and
switch hurts cast and crew relations, but (to me) more importantly, it compromises a production a) by risking its failure due to walk out, and b) wincing in the face of intellectual confrontation. You've got something ballsy to put out there? Let us check it out, if you sound like you know what you want and why, there are alot of actors here who will back your play. I know, I've worked with and am working with artists who help me take
on some of the most controversial subjects a regional film has taken on, at least with sincerity. Worse still are the ones who pull punches and hope we don't notice. Do the films that feel right, and do them the way you feel they should be done, because people smell distrust, and if you don't trust them with your material, they're not going to trust you. That is, in my humble opinion, the biggest obstacle stopping films made in this
area from being some of the greatest films made in any area.

I know one attracts more flies with honey than vinegar, but I prefer to think of what I have to say as bittersweet. And besides... attract flies? I'm not trying to imitate a pile of...... purchasable film awards...

Christopher K. Young
www.shallowfocus.com



alexcine at aol.com wrote:

> Emmy winning writer and indie filmmaker Alex P. Michaels will be acting
> as Cleveland's first Film Czar. It is a position Alex has thrust
> himself into because he is not satisfied with the "powers that be" not
> being supportive of the local community and that Cleveland does not do
> as much as it can do to promote filmmaking here. Being involved in
> independent films in Cleveland and shooting a TV Series based on his
> Emmy winning movie, Alex has a unique perspective on how to bring
> movies to the region and also how to support the filmmaking community.
> Ironically a few years ago, Alex "divorced" himself from the film
> community to work on building connections with the business community
> and work on a proposal that is being shopped around to bring about an
> incubator that will serve the local community and draw in productions.
> Being Cleveland Film Czar is part of Alex's larger goal of making
> Cleveland live up to its' potential and be a true part of the movie and
> TV industry.
>
> The Film Czar would like some feedback on what this City truly needs to
> make the local film community
> To get your feedback fill out the form at
> http://www.prelude2cinema.com/filmczar.htm
>
> Thank you
>
> Sincerely,
> Alex Michaels

______________________________________
Disney's "BEAUTY AND THE BEAST" at Beck Center 12/2-12/31. 216-521-2540. http://www.fredsternfeld.com/beautyandthebeast.htm
_______________________________________
There is a sister site to this list called the "NEoPAL Bulletin Board." Occasionally when "hot-button" discussions go on more than a day or two, the bulletin board is used. The Neopal bulletin board also has some other terrific features, like a searchable database for you to put your personal information, a place to post pictures and a chat room with a nightly 11pm gathering to discuss hot topics: http://groups.yahoo.com/group/neopal/
_______________________________________
Disclaimer: The facts and/or opinions expressed in this message are solely those of the person in the "from" or "reply-to" header. The fact that this message is posted should in no way be taken as an endorsement by the administrator of this list. Subscribers should perform due diligence for all goods, services and activities promoted on NEohioPAL.

NEohioPAL mailing list
NEohioPAL at lists.fredsternfeld.com
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--0-269190289-1132839149=:19396-- From Moviemanandy at aol.com Thu Nov 24 08:44:19 2005 From: Moviemanandy at aol.com (Moviemanandy at aol.com) Date: Thu, 24 Nov 2005 11:44:19 EST Subject: [NEohioPAL]Happy Thanksgiving !!! Message-ID: <23f.23f7ed3.30b747e3@aol.com> --part1_23f.23f7ed3.30b747e3_boundary Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit I just wanted to take a moment to wish everyone on this list and there families and friends a safe and Happy Thanksgiving ! I also wanted to thank everyone involved with the wonderful A.F.T.R.A. talent production guide party. It was wonderful to see friends I haven't seen in ages and to meet new friends. Also, for anyone that may be interested there is a new arts magazine out. It is called Artist Review Today. It is a local arts magazine dealing with everyone from sculptors to painters and even actors and producers. I happen to have a short article in the current issue.Also, there is an article on "Madness" the feature film Bill Johns is currently doing. I want to thank all my friends and family for continuing my growth and education and awareness in this industry. So, thank you one and all and again Happy Thanksgiving ! Respectfully, Andy Schofield www.moviemanandy.com --part1_23f.23f7ed3.30b747e3_boundary Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
    
      I just wanted to take a moment to wish everyo= ne on this list and there families and friends a safe and Happy Thanksgiving= !

I also wanted to thank everyone involved with the wonderful A.F.T.R.A. talen= t production guide party. It was wonderful to see friends I haven't seen in=20= ages and to meet new friends.

Also, for anyone that may be interested there is a new arts magazine out. It= is called Artist Review Today. It is a local arts magazine dealing with eve= ryone from sculptors to painters and even actors and producers. I happen to=20= have a short article in the current issue.Also, there is an article on "Madn= ess" the feature film Bill Johns is currently doing.

I want to thank all my friends and family for continuing my growth and educa= tion and awareness in this industry.

So, thank you one and all and again Happy Thanksgiving !

Respectfully, Andy Schofield

www.moviemanandy.com --part1_23f.23f7ed3.30b747e3_boundary-- From broadview-heights-spotlights at cox.net Thu Nov 24 08:44:55 2005 From: broadview-heights-spotlights at cox.net (broadview-heights-spotlights at cox.net) Date: Thu, 24 Nov 2005 11:44:55 -0500 Subject: [NEohioPAL]BROADVIEW HEIGHTS SPOTLIGHTS: Christmas Concert Dec. 3 Message-ID: <20051124164654.ZJJE14098.eastrmmtao05.cox.net@[172.18.52.8]> MAKE YOUR RESERVATIONS NOW! Box Office Phone: (440) 526-4404 SPOTLIGHTS CHRISTMAS CONCERT Featuring the Spotlights Costumed Carolers Saturday, December 3 8:00 PM -- Broadview Heights Cultural Arts Building General Admission: $6 SPOTLIGHTS PRESENT "COSTUMED CAROLERS," CONCERT The Broadview Heights Spotlights Community Theater is pleased to present its annual holiday favorite, the Spotlights Costumed Carolers. The harmonious, Dickens-esque carolers are ready to entertain at your next Christmas function. The group, resplendent in flowing skirts, capes, and top hats, will add a "touch of class" to your business open house or party. Interested parties may also invite the Costumed Carolers to entertain family and friends; the group is sure to add nostalgic warmth to any family holiday gathering. For a donation to the Broadview Heights Spotlights Community Theater, patrons will enjoy the sights and sounds of a by-gone era as portrayed by our talented Carolers. New in 2005, the Spotlights Costumed Carolers will also be hosting a public concert to kick off the holiday season. The concert will be held on Saturday, December 3 at the Broadview Heights Cultural Arts Center, located on the Broadview Center campus at 9543 Broadview Road (1/2 mile South of Route 82). The concert begins at 8:00 PM. General admission is $6 per person. To book the Spotlights Costumed Carolers for your event, or for ticket reservations or other inquiries, interested parties may contact the Broadview Heights Spotlights Community Theater Box Office by phone at (440) 526-4404, by email at broadview-heights-spotlights at cox.net, or on the web at www.broadview-heights-spotlights.org. From clevearttheatre at sbcglobal.net Thu Nov 24 08:51:37 2005 From: clevearttheatre at sbcglobal.net (Cleveland Art Theatre) Date: Thu, 24 Nov 2005 08:51:37 -0800 (PST) Subject: [NEohioPAL]What is "Christmas Gif'"? - Get the Answer and Spread the News!! Message-ID: <20051124165137.33583.qmail@web80804.mail.yahoo.com> --0-4694903-1132851097=:32705 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit What is "Christmas Gif'"?. It's Cleveland Art Theatre's Annual Holiday Musical Presentation! "CHRISTMAS GIF'" is written and directed by Margaret Ford-Taylor. The wonderful, familiar Holiday tunes are arranged and directed by Maestro Glenn Bracken. THE FOLKS IN THIS DELIGHTFUL COMMUNITY WELCOME YOU TO THEIR CHRISTMAS CELEBRATION. THEY WANT YOU TO LAUGH, SING AND ENJOY THEIR TOWN AND THE SEASON.. It's a play for every child and every adult who is still a child at heart! December 2 - December 18, 2005 Fri & Sat 8 pm - Sunday Matinees 4:00 pm at CSU's Factory Theatre East 24th between Chester & Payne Avenues. Bring All The Kids Adults $15.00 - Children 12 and under $7.50 Group rates are available. Call (216)229-9718 for further information --0-4694903-1132851097=:32705 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
What is "Christmas Gif'"?.  It's Cleveland Art Theatre's Annual Holiday Musical Presentation! 
 

 "CHRISTMAS GIF'" is written and directed by Margaret Ford-Taylor.  The wonderful, familiar Holiday tunes are arranged and directed by Maestro Glenn Bracken. 

 

THE FOLKS IN THIS DELIGHTFUL COMMUNITY WELCOME YOU TO THEIR  CHRISTMAS CELEBRATION. THEY WANT YOU TO LAUGH, SING AND ENJOY THEIR TOWN AND THE SEASON..

 

It's a play for every child and every adult who is still a child at heart!   

      December 2 - December 18, 2005

Fri & Sat 8 pm - Sunday Matinees 4:00 pm

         at CSU's Factory Theatre

East 24th between Chester & Payne Avenues.

             Bring All The Kids

Adults $15.00 - Children 12 and under $7.50

Group rates are available.  Call (216)229-9718 for further information

 

--0-4694903-1132851097=:32705-- From mikeanthnort at aol.com Thu Nov 24 10:35:05 2005 From: mikeanthnort at aol.com (mikeanthnort at aol.com) Date: Thu, 24 Nov 2005 13:35:05 -0500 Subject: [NEohioPAL]Re:All Hail RENT! In-Reply-To: <20051124085718.86417.qmail@web60323.mail.yahoo.com> Message-ID: <8C7BF3CEC31683F-1BE8-2CE3@FWM-D08.sysops.aol.com> Film Czar...where do these folks get such charged material? It's gotta be Shaker Heights, right? The reason I ask is because I am completely awash in a reality based purely in Hollywood. Really. Who won the "Battle of Shaker Heights"? The Film Czar? The Turkey Czar? John Crapper? Speaking of crap, Bill, I've got to say, there's a lotta crap because there's A LOT of opinions--and you know what they say about opinions? Never mind, it's Turkey Day! Pass the gravy, already!! Speaking of opinions, with your triage classification of the filmic species in Cleveland, I suppose with regard to my last film project, I'm a burner. But is it possible to be obliged to be a burner if the story contained on the screen is that of a scarce and ambiguous landscape (not to mention the audible difficulties)? I dunno; to Learners, Yearners, and Burners, I would add Avante-Gardesmen, Feminists, Surrealists, Hyper-Montagues, Mise-en-scenities, Verisimilidudes, Sci-Files, and Imports. Finally, go see "RENT" everyone! Delicious! Extra-extraordinary cast! Made me live in thoughts of age-old friends, artistes, loves, and, with any luck, the inspiration spilled over by its power of music will help concerned members of at least this community put together some sort of legitimate Vaccine-to-Beat-AIDS-by-2010 Campaign for the world. We've got the tech to do it; we've got TODAY to do it.... Happy Plancksgiving and Thanksgiving, everyone. Even to this Film Czar guy, may you find a nice film studio in St. Petersburg or Havana :) XO, Mike -----Original Message----- From: Bill To: neohiopal at lists.fredsternfeld.com Sent: Thu, 24 Nov 2005 00:57:18 -0800 (PST) Subject: [NEohioPAL]All Hail Film Czar and Film Prophet All Hail Film Czar and Film Prophet You know, most of the time I sit with calm amusement as I read the various ramblings as to why Cleveland isn't 'on the map' when it comes to motion picture film and TV production. However, these latest posts are just too funny to ignore... A self proclaimed Film Czar? What the hell is that? Alex, I thought you were joking! And Christopher, you seem to have so much intelligence and yet you completely miss the point. Ya wanna know the reason why we can't all just get along and make movies together? Well here it is. There's too much crap!!! And widely varying degrees of crap. One of the only reasons our monthly Indieclub meetings are successful is because we're not trying to create a consortium; we're not trying to unite our resources, we're not even trying to improve eachother's work. We're j ust watching videos. And guess what? We see a lot of crap. We see some good stuff too, but mostly we see Learners, Yearners and Burners. Now, Learners are novice filmmakers who make crap because it's their first film and rather than learn the trade first, they go ahead and make a movie as practice and hopefully they'll improve. We sit politely and smile, wishing they had thought about lighting, sound, acting, dialogue, and camera work before making us sit through their experiments. Yearners are filmmakers who really want to make good films, so they use everything at their disposal to make the best possible film they can. However, they're still somewhat plagued by compromise and the results are never what they hoped for, nor what a real distributor will buy. Much easier to sit through though. Burners are the worst. These are filmmakers (u sually prolific) who make crap every time out of the gate. Their camera work is mostly hand-hell shaky cam. Their lighting is barely more than ambient and they often use the on-camera mic to capture dialogue. The acting is wooden and undirected; the stories are either so deep you need waders, or so shallow you can't find a point; and to top it off, they're fully convinced they are great filmmakers. But why do I call them Burners you ask? Well, because they burn the bridges that sincere Yearners might someday want to use. They burn bridges with actors who get soured against indie filmmakers because they have nothing decent to show for all their hard work (not even copy). They burn bridges with locations because they are so unorganized that they overstay their welcomes, mess up property and never send copies of the video, like they promise to do. They burn bridges with investors because the investor never sees a dime of their money back. They burn bridges with the legitimate film commission, because, as I said before they make crap and what film commission is going to support and encourage more crap??? Yet that's not the reason why we don't need a film czar or film prophet or any other coordinating force. The real reason is no one wants to work on someone else's film. You see, most of the people that comprise the indie scene here in Cleveland are writer/producer/directors and we're all working on our own projects. And guess what. I'm not all that interested in spending my valuable time working on someone's project which I consider to be crappier than my own. I can just as easily be spending my time and resources creating my own crap. Sure everyone would like to think there's a benevolent brotherhood of filmmakers; a selfless society where everyone submits ideas and work samples and then the members vote on what script to do and who to direct it. The commu nity is presented with the proposal and since it bears the backing of so many filmmakers, the businesses get involved and support the project with services and finances. The best actors come from all around to have a part in the project and a glorious motion picture is produced that wins the Oscar for Impossible Dream... That would be a good plot for a fantasy picture, but in the real world, writers will lose interest if their script isn't picked. Directors will bail if they can't direct and actors will walk away if they can't be the lead. And you guessed it the end product would probably be... well, I don't need to say it again. (though I really want to) Bill Johns crappy writer/producer/and director www.cinevidproductions.com P.S - I guess I'm in a sour mood because just yesterday I lost a serious investor (producer of two features in LA) because she said the acting in one of the scenes I sent her wasn't very good. I knew it when I shot it that I was compromising, and even though we're reshooting that scene, it's too late to regain that contact... ah CRAP! -------- Yahoo! Music Unlimited - Access over 1 million songs. Try it free. From wvannostran at neo.rr.com Thu Nov 24 11:08:22 2005 From: wvannostran at neo.rr.com (Bill Van Nostran) Date: Thu, 24 Nov 2005 14:08:22 -0500 Subject: [NEohioPAL]Film Czar seeks Feedback on making Cleveland a Movie City References: <8C7BE67FB7053BC-1A94-3EBE@FWM-R16.sysops.aol.com> Message-ID: <006201c5f12a$709a2d80$640fa8c0@vanornbygqljoh> As the adage goes, if it ain't on the page, it ain't on the stage. Same goes for motion pictures. The good ones all start with a compelling story well told. So one simple way to encourage new work, foster a supportive environment, and help individuals gain feedback on their work could come from a group focused on helping local filmmakers develop and polish material. A monthly group giving individual writers an opportunity to hear scenes from an emerging draft read aloud, then receive feedback from others, is a small, but perhaps important step in developing a local environment to foster NEO talent. Perhaps twice a year, local actors might be persuaded to participate in readings of screenplays nearing completion--showcasing them to a larger audience. Bill Van Nostran ----- Original Message ----- From: To: Sent: Wednesday, November 23, 2005 12:10 PM Subject: [NEohioPAL]Film Czar seeks Feedback on making Cleveland a Movie City Emmy winning writer and indie filmmaker Alex P. Michaels will be acting as Cleveland's first Film Czar. It is a position Alex has thrust himself into because he is not satisfied with the "powers that be" not being supportive of the local community and that Cleveland does not do as much as it can do to promote filmmaking here. Being involved in independent films in Cleveland and shooting a TV Series based on his Emmy winning movie, Alex has a unique perspective on how to bring movies to the region and also how to support the filmmaking community. Ironically a few years ago, Alex "divorced" himself from the film community to work on building connections with the business community and work on a proposal that is being shopped around to bring about an incubator that will serve the local community and draw in productions. Being Cleveland Film Czar is part of Alex's larger goal of making Cleveland live up to its' potential and be a true part of the movie and TV industry. The Film Czar would like some feedback on what this City truly needs to make the local film community To get your feedback fill out the form at http://www.prelude2cinema.com/filmczar.htm Thank you Sincerely, Alex Michaels ************************************** Prelude2Cinema "Movies That Make You Think." http://www.prelude2cinema.com ******************************************* ______________________________________ Disney's "BEAUTY AND THE BEAST" at Beck Center 12/2-12/31. 216-521-2540. http://www.fredsternfeld.com/beautyandthebeast.htm _______________________________________ There is a sister site to this list called the "NEoPAL Bulletin Board." Occasionally when "hot-button" discussions go on more than a day or two, the bulletin board is used. The Neopal bulletin board also has some other terrific features, like a searchable database for you to put your personal information, a place to post pictures and a chat room with a nightly 11pm gathering to discuss hot topics: http://groups.yahoo.com/group/neopal/ _______________________________________ Disclaimer: The facts and/or opinions expressed in this message are solely those of the person in the "from" or "reply-to" header. The fact that this message is posted should in no way be taken as an endorsement by the administrator of this list. Subscribers should perform due diligence for all goods, services and activities promoted on NEohioPAL. NEohioPAL mailing list NEohioPAL at lists.fredsternfeld.com http://lists.fredsternfeld.com/mailman/listinfo/neohiopal http://www.fredsternfeld.com From kym4639 at yahoo.com Thu Nov 24 11:34:01 2005 From: kym4639 at yahoo.com (K Brown) Date: Thu, 24 Nov 2005 11:34:01 -0800 (PST) Subject: [NEohioPAL]Karamu holds AUDITIONS for "Breaking Barriers: Little Rock Nine" Message-ID: <20051124193402.67263.qmail@web34308.mail.mud.yahoo.com> --0-1077121374-1132860841=:64114 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Auditions are being held at Karamu for the World Premier of ?Breaking Barriers: Little Rock Nine?, by Nicole C. Kearney Cooper. Karamu Performing Arts Theater 2355 East 89th Street Cleveland, 44106 (For more information, call (216) 702-6803) Roles available for Caucasian and African American actors & actresses ages 14 to 60. AUDITION DATES & TIMES Saturday December 3 11am to 1pm Sunday December 4 2pm to 4pm Saturday December 10 11am to 1pm Sunday December 11 2pm to 4pm CASTING NEEDS 5 Caucasian adult men 6 African American teen girls 3 African American teen boys 1 Caucasian teen girl 1 Caucasian teen boy 2 African American adult women 1 African America adult man REHEARSAL & PERFORMANCE DATES Rehearsals 2 days/week starting December 28. Performances each Saturday and Sunday from February 11 through February 26. For details: (216) 702-6803 ABOUT THE PLAY "Breaking Barriers: Little Rock Nine" is told from the perspective of the nine students who integrated Central High School, in Little Rock, Arkansas, in September, 1957, amid much violence, hatred and protest. Join these famous "nine" students, their parents, and their protector Ms. Daisy Bates as they meet for the first time after they are chosen. As these nine students bond over the common desire for a better education, they begin to realize the impact it has on American society. Hear personal perspectives from Little Rock and the nation as the drama unfolds for those nine young Black students. --------------------------------- Yahoo! Personals Single? There's someone we'd like you to meet. Lot's of someone's, actually. Yahoo! Personals --0-1077121374-1132860841=:64114 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
Auditions are being held at Karamu for the World Premier of  ?Breaking Barriers:  Little Rock Nine?, by Nicole C. Kearney Cooper.
 
Karamu Performing Arts Theater
2355 East 89th Street
Cleveland, 44106
(For more information, call (216) 702-6803)
 
Roles available for Caucasian and African American actors & actresses ages 14 to 60.
 
AUDITION DATES & TIMES 
Saturday December 3               11am to 1pm
Sunday December 4                 2pm to 4pm
 
Saturday December 10             11am to 1pm
Sunday December 11               2pm to 4pm
 
CASTING NEEDS
5 Caucasian adult men
6 African American teen girls
3 African American teen boys
1 Caucasian teen girl
1 Caucasian teen boy
2 African American adult women
1 African America adult man
 
REHEARSAL & PERFORMANCE DATES
Rehearsals 2 days/week starting December 28.
Performances each Saturday and Sunday from February 11 through February 26.
 
For details:  (216) 702-6803
 
ABOUT THE PLAY
"Breaking Barriers: Little Rock Nine" is told from the perspective of the nine students who integrated Central High School, in Little Rock, Arkansas, in September, 1957, amid much violence, hatred and protest. Join these famous "nine" students, their parents, and their protector Ms. Daisy Bates as they meet for the first time after they are chosen. As these nine students bond over the common desire for a better education, they begin to realize the impact it has on American society.  Hear personal perspectives from Little Rock and the nation as the drama unfolds for those nine young Black students. 
 
 

Yahoo! Personals
Single? There's someone we'd like you to meet.
Lot's of someone's, actually. Yahoo! Personals --0-1077121374-1132860841=:64114-- From kaimei at earthlink.net Thu Nov 24 12:06:36 2005 From: kaimei at earthlink.net (Christopher) Date: Thu, 24 Nov 2005 15:06:36 -0500 Subject: [NEohioPAL]All Hail Film Czar and Film Prophet References: <20051124085718.86417.qmail@web60323.mail.yahoo.com> Message-ID: <43861D4C.48CBA613@earthlink.net> --------------2F538E000E2A9ADB2ED64FF6 Content-Type: text/plain; charset=us-ascii; x-mac-type="54455854"; x-mac-creator="4D4F5353" Content-Transfer-Encoding: 7bit I see an attempt at buying some goodwill with the acting and crew community here, but if we shift ALL the blame on the filmmakers, then we will be ignoring the suffering of those majority of actors and crew who ARE professional enough to show up and try to finish scenes and projects in spite of the few who disappear and stop returning calls until they've settled into their Venice Beach apartments or found religion, or whatever excuse they give until one posts another audition notice. Then, they resurface and send their headshots and resumes as if you won't remember them from the last burn, and to add insult to injury, some of them even put the picture they bailed on or got fired from ON THEIR RESUME! Maybe if we all resigned ourselves to making short films that only have one or two locations, then the impact of this kind of behavior could be minimized. But for those of us who dare to make feature films with multiple locations and scenes with significant cast interplay, then this work ethic, left unaddressed, will STAY the norm for a minority, but significant percentage of actors and crew in this area, thereby throwing a wrench not only into a director's work, but the work of the other actors and crew as well. It only takes one actor doing this to shut down a film. Ask around. I have first hand experience with the phenomenon, and when filmmakers start to get a little ambitious around here, so will they. And while I haven't been to an Indieclub meeting in a long time, I thought I was giving it the benefit of the doubt in my initial posting. But if they're not networking their resources or helping each other improve their work, then what the hell are those guys doing there? I hope it's not all about listening to someone who memorized an article out of videomaker magazine or congratulating each other for sticking it out in Cleveland for as long as they have. Don't get me wrong! This isn't a commentary on Indieclub! I imagine that someone conversant with Indieclub's mission can articulate its significance with great ease. The last meeting I attended (almost two years ago) was very helpful. But if it's true that they no longer provide a resource pool and a constructively critical forum, then that which I hope it isn't, must be exactly what it is. I'll attend one as soon as possible, with the hopes that we're both wrong. But, all that aside, sway with city leaders is a necessary next step for Indieclub, or any organization that takes Cleveland's position in the greater media arts community to heart. I mean, what's a film community if the COMMUNITY isn't involved? Perhaps this is already underway, again, I haven't been attending. But an US and THEM attitude won't help anybody, because THEY have the power to make US unwelcome... even more so than we already are from a socio-cultural standpoint. One other issue I need to take on is the idea that Cleveland's indie scene is mostly made up of writers, producers and directors. While it's true that most directors are also writers and producers, and all the other combinations therein, it's more than safe to say that the vast majority of those who consider themselves in the indie scene have little to no interest in writing and/or producing and/or directing a picture of their own. Ask yourself, what's the largest number of actors you've had answer a casting call of yours? My largest number is about 130, I imagine yours are similar, if not higher since you often cast on the coattails of success from a previous project. This kind of turn out is not uncommon. Now how many area filmmakers have you ever seen in one place locally, at one time? Actual filmmakers with one or more credits in the above mentioned categories? Even add those who aspire to have a credit and the number's still pretty small. The reason I bring up this otherwise picayune issue is because it's symptomatic of a trend this community has, and I've been guilty of too: leaving out actors and crew in the dialogue over the needs of this film community. Because when you include those people in the mix, then we see that in fact, a vast majority of this community DOES WANT to work on someone else's film. They're just waiting for something they can believe in. Some find it, many don't, and some are just easy to please. You know us creative types are an unorganized lot with major attention deficit, so one more time. What was the point? Christopher K. Young www.shallowfocus.com P.S.: Amen to your last two paragraphs Bill wrote: > All Hail Film Czar and Film Prophet You know, most of the time I sit > with calm amusement as I read the various ramblings as to why > Cleveland isn't 'on the map' when it comes to motion picture film and > TV production. However, these latest posts are just too funny to > ignore... A self proclaimed Film Czar? What the hell is that? Alex, I > thought you were joking! And Christopher, you seem to have so much > intelligence and yet you completely miss the point. Ya wanna know the > reason why we can't all just get along and make movies together? Well > here it is. There's too much crap!!! And widely varying degrees of > crap. One of the only reasons our monthly Indieclub meetings are > successful is because we're not trying to create a consortium; we're > not trying to unite our resources, we're not even trying to improve > eachother's work. We're j ust watching videos. And guess what? We see > a lot of crap. We see some good stuff too, but mostly we see Learners, > Yearners and Burners. Now, Learners are novice filmmakers who make > crap because it's their first film and rather than learn the trade > first, they go ahead and make a movie as practice and hopefully > they'll improve. We sit politely and smile, wishing they had thought > about lighting, sound, acting, dialogue, and camera work before making > us sit through their experiments. Yearners are filmmakers who really > want to make good films, so they use everything at their disposal to > make the best possible film they can. However, they're still somewhat > plagued by compromise and the results are never what they hoped for, > nor what a real distributor will buy. Much easier to sit through > though. Burners are the worst. These are filmmakers (u sually > prolific) who make crap every time out of the gate. Their camera work > is mostly hand-hell shaky cam. Their lighting is barely more than > ambient and they often use the on-camera mic to capture dialogue. The > acting is wooden and undirected; the stories are either so deep you > need waders, or so shallow you can't find a point; and to top it off, > they're fully convinced they are great filmmakers. But why do I call > them Burners you ask? Well, because they burn the bridges that sincere > Yearners might someday want to use. They burn bridges with actors who > get soured against indie filmmakers because they have nothing decent > to show for all their hard work (not even copy). They burn bridges > with locations because they are so unorganized that they overstay > their welcomes, mess up property and never send copies of the video, > like they promise to do. They burn bridges with investors because the > investor never sees a dime of their money back. They burn bridges with > the legitimate film commission, because, as I said before they make > crap and what film commission is going to support and encourage more > crap??? Yet that's not the reason why we don't need a film czar or > film prophet or any other coordinating force. The real reason is no > one wants to work on someone else's film. You see, most of the people > that comprise the indie scene here in Cleveland are > writer/producer/directors and we're all working on our own projects. > And guess what. I'm not all that interested in spending my valuable > time working on someone's project which I consider to be crappier than > my own. I can just as easily be spending my time and resources > creating my own crap. Sure everyone would like to think there's a > benevolent brotherhood of filmmakers; a selfless society where > everyone submits ideas and work samples and then the members vote on > what script to do and who to direct it. The commu nity is presented > with the proposal and since it bears the backing of so many > filmmakers, the businesses get involved and support the project with > services and finances. The best actors come from all around to have a > part in the project and a glorious motion picture is produced that > wins the Oscar for Impossible Dream... That would be a good plot for a > fantasy picture, but in the real world, writers will lose interest if > their script isn't picked. Directors will bail if they can't direct > and actors will walk away if they can't be the lead. And you guessed > it the end product would probably be... well, I don't need to say it > again. (though I really want to) Bill Johnscrappy writer/producer/and > directorwww.cinevidproductions.com P.S - I guess I'm in a sour mood > because just yesterday I lost a serious investor (producer of two > features in LA) because she said the acting in one of the scenes I > sent her wasn't very good. I knew it when I shot it that I was > compromising, and even though we're reshooting that scene, it's too > late to regain that contact... ah CRAP! > ----------------------------------------------------------------------- > Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --------------2F538E000E2A9ADB2ED64FF6 Content-Type: text/html; charset=us-ascii Content-Transfer-Encoding: 7bit I see an attempt at buying some goodwill with the acting and crew community here, but if we shift ALL the blame on the filmmakers, then we will be ignoring the suffering of those majority of actors and crew who ARE professional enough to show up and try to finish scenes and projects in spite of the few who disappear and stop returning calls until they've settled into their Venice Beach apartments or found religion, or whatever excuse they give until one posts another audition notice.  Then, they resurface and send their headshots and resumes as if you won't remember them from the last burn, and to add insult to injury, some of them even put the picture they bailed on or got fired from ON THEIR RESUME!

Maybe if we all resigned ourselves to making short films that only have one or two locations, then the impact of this kind of behavior could be minimized.  But for those of us who dare to make feature films with multiple locations and scenes with significant cast interplay, then this work ethic, left unaddressed, will STAY the norm for a minority, but significant percentage of actors and crew in this area, thereby throwing a wrench not only into a director's work, but the work of the other actors and crew as well.  It only takes one actor doing this to shut down a film.  Ask around.  I have first hand experience with the phenomenon, and when filmmakers start to get a little ambitious around here, so will they.

And while I haven't been to an Indieclub meeting in a long time, I thought I was giving it the benefit of the doubt in my initial posting.  But if they're not networking their resources or helping each other improve their work, then what the hell are those guys doing there?  I hope it's not all about listening to someone who memorized an article out of videomaker magazine or congratulating each other for sticking it out in Cleveland for as long as they have.  Don't get me wrong!  This isn't a commentary on Indieclub!  I imagine that someone conversant with Indieclub's mission can articulate its significance with great ease.  The last meeting I attended (almost two years ago) was very helpful.  But if it's true that they no longer provide a resource pool and a constructively critical forum, then that which I hope it isn't, must be exactly what it is.  I'll attend one as soon as possible, with the hopes that we're both wrong.  But, all that aside, sway with city leaders is a necessary next step for Indieclub, or any organization that takes Cleveland's position in the greater media arts community to heart.  I mean, what's a film community if the COMMUNITY isn't involved?  Perhaps this is already underway, again, I haven't been attending.  But an US and THEM attitude won't help anybody, because THEY have the power to make US unwelcome... even more so than we already are from a socio-cultural standpoint.

One other issue I need to take on is the idea that Cleveland's indie scene is mostly made up of writers, producers and directors.  While it's true that most directors are also writers and producers, and all the other combinations therein, it's more than safe to say that the vast majority of those who consider themselves in the indie scene have little to no interest in writing and/or producing and/or directing a picture of their own.  Ask yourself, what's the largest number of actors you've had answer a casting call of yours?  My largest number is about 130, I imagine yours are similar, if not higher since you often cast on the coattails of success from a previous project.  This kind of turn out is not uncommon.

Now how many area filmmakers have you ever seen in one place locally, at one time?  Actual filmmakers with one or more credits in the above mentioned categories?  Even add those who aspire to have a credit and the number's still pretty small.  The reason I bring up this otherwise picayune issue is because it's symptomatic of a trend this community has, and I've been guilty of too:  leaving out actors and crew in the dialogue over the needs of this film community.  Because when you include those people in the mix, then we see that in fact, a vast majority of this community DOES WANT to work on someone else's film.  They're just waiting for something they can believe in.

Some find it, many don't, and some are just easy to please.

You know us creative types are an unorganized lot with major attention deficit, so one more time.  What was the point?

Christopher K. Young
www.shallowfocus.com

P.S.: Amen to your last two paragraphs
 
 

Bill wrote:

All Hail Film Czar and Film Prophet You know, most of the time I sit with calm amusement as I read the various ramblings as to why Cleveland isn't 'on the map' when it comes to motion picture film and TV production. However, these latest posts are just too funny to ignore... A self proclaimed Film Czar? What the hell is that? Alex, I thought you were joking! And Christopher, you seem to have so much intelligence and yet you completely miss the point. Ya wanna know the reason why we can't all just get along and make movies together? Well here it is. There's too much crap!!! And widely varying degrees of crap. One of the only reasons our monthly Indieclub meetings are successful is because we're not trying to create a consortium; we're not trying to unite our resources, we're not even trying to improve eachother's work. We're j ust watching videos. And guess what? We see a lot of crap. We see some good stuff too, but mostly we see Learners, Yearners and Burners. Now, Learners are novice filmmakers who make crap because it's their first film and rather than learn the trade first, they go ahead and make a movie as practice and hopefully they'll improve. We sit politely and smile, wishing they had thought about lighting, sound, acting, dialogue, and camera work before making us sit through their experiments. Yearners are filmmakers who really want to make good films, so they use everything at their disposal to make the best possible film they can. However, they're still somewhat plagued by compromise and the results are never what they hoped for, nor what a real distributor will buy. Much easier to sit through though. Burners are the worst. These are filmmakers (u sually prolific) who make crap every time out of the gate. Their camera work is mostly hand-hell shaky cam. Their lighting is barely more than ambient and they often use the on-camera mic to capture dialogue. The acting is wooden and undirected; the stories are either so deep you need waders, or so shallow you can't find a point; and to top it off, they're fully convinced they are great filmmakers. But why do I call them Burners you ask? Well, because they burn the bridges that sincere Yearners might someday want to use. They burn bridges with actors who get soured against indie filmmakers because they have nothing decent to show for all their hard work (not even copy). They burn bridges with locations because they are so unorganized that they overstay their welcomes, mess up property and never send copies of the video, like they promise to do. They burn bridges with investors because the investor never sees a dime of their money back. They burn bridges with the legitimate film commission, because, as I said before they make crap and what film commission is going to support and encourage more crap??? Yet that's not the reason why we don't need a film czar or film prophet or any other coordinating force. The real reason is no one wants to work on someone else's film. You see, most of the people that comprise the indie scene here in Cleveland are writer/producer/directors and we're all working on our own projects. And guess what. I'm not all that interested in spending my valuable time working on someone's project which I consider to be crappier than my own. I can just as easily be spending my time and resources creating my own crap. Sure everyone would like to think there's a benevolent brotherhood of filmmakers; a selfless society where everyone submits ideas and work samples and then the members vote on what script to do and who to direct it. The commu nity is presented with the proposal and since it bears the backing of so many filmmakers, the businesses get involved and support the project with services and finances. The best actors come from all around to have a part in the project and a glorious motion picture is produced that wins the Oscar for Impossible Dream... That would be a good plot for a fantasy picture, but in the real world, writers will lose interest if their script isn't picked. Directors will bail if they can't direct and actors will walk away if they can't be the lead. And you guessed it the end product would probably be... well, I don't need to say it again. (though I really want to) Bill Johnscrappy writer/producer/and directorwww.cinevidproductions.com P.S - I guess I'm in a sour mood because just yesterday I lost a serious investor (producer of two features in LA) because she said the acting in one of the scenes I sent her wasn't very good. I knew it when I shot it that I was compromising, and even though we're reshooting that scene, it's too late to regain that contact... ah CRAP!
Yahoo! Music Unlimited - Access over 1 million songs. Try it free.
--------------2F538E000E2A9ADB2ED64FF6-- From PatrickJCarroll at aol.com Thu Nov 24 19:25:22 2005 From: PatrickJCarroll at aol.com (PatrickJCarroll at aol.com) Date: Thu, 24 Nov 2005 22:25:22 EST Subject: [NEohioPAL]Christmas Massage Therapy Gift Certificates Message-ID: <202.e9b2aa4.30b7de22@aol.com> --part1_202.e9b2aa4.30b7de22_boundary Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit TO MY FELLOW PERFORMERS: Today starts the official Christmas Season! Why not give your loved one (or yourself ;-) ) something that will actually improve their health and or state of mind. MASSAGE! Whether you need a serious therapeutic deep tissue massage or just want to enjoy the bliss of total relaxation. Give a Massage Therapy Gift Certificate. Your Christmas shopping can be as easy as a phone call or a click of the reply button to this email! I offer a 20% discount to all Neohiopal subscribers. Happy Holidays to all! Patrick J. Carroll, L.M.T. 216-544-6001 --part1_202.e9b2aa4.30b7de22_boundary Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable

TO MY FELLOW PERFORMERS:


Today starts the official Christmas Season!

Why not give your loved one (or yourself ;-) ) something that will
actually improve their health and or state of mind.

MASSAGE!

Whether you need a serious therapeutic deep ti= ssue massage or just want to enjoy the bliss of total relaxation.

Give a Massage Therapy Gift Certificate.


Your Christmas shopping can be as easy as a phone call or a= click of the reply button to this email!

I offer a 20% discount to all Neohiopal subscribers.

Happy Holidays to all!

Patrick J. Carroll, L.M.T= .
216-544-6001

--part1_202.e9b2aa4.30b7de22_boundary-- From impuffinstuff at yahoo.com Thu Nov 24 20:58:24 2005 From: impuffinstuff at yahoo.com (Lynda Rodriguez) Date: Thu, 24 Nov 2005 20:58:24 -0800 (PST) Subject: [NEohioPAL]Murder Mystery Recommendation Message-ID: <20051125045824.74391.qmail@web35304.mail.mud.yahoo.com> --0-358964142-1132894704=:73315 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Thank you Random Acts for doing a CLEAN and FUNNY show! The interaction was hilarious and the music was spectacular! We made the right decision hiring Random Acts and I would recommend them to anyone looking for entertainment! HAPPY HOLIDAYS! --------------------------------- Yahoo! Personals Single? There's someone we'd like you to meet. Lot's of someone's, actually. Try Yahoo! Personals --0-358964142-1132894704=:73315 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
Thank you Random Acts for doing a CLEAN and FUNNY show!  The interaction was hilarious and the music was spectacular!  We made the right decision hiring Random Acts and I would recommend them to anyone looking for entertainment!  
 
HAPPY HOLIDAYS!

Yahoo! Personals
Single? There's someone we'd like you to meet.
Lot's of someone's, actually. Try Yahoo! Personals --0-358964142-1132894704=:73315-- From likely_suspect_99 at yahoo.com Thu Nov 24 21:43:03 2005 From: likely_suspect_99 at yahoo.com (Likely Suspect) Date: Thu, 24 Nov 2005 21:43:03 -0800 (PST) Subject: [NEohioPAL]Weathervane Playhouse presents an audience participation comic murder mystery Message-ID: <20051125054303.40645.qmail@web32714.mail.mud.yahoo.com> --0-146157991-1132897383=:37600 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit NEWS RELEASE Contact: Janis L. Harcar (330) 836-2323 (not for publication) Weathervane Ticket Office (330) 8362626 WEATHERVANE PLAYHOUSE presents An audience participation comic murder mystery by Mysteries by Moushey BLACK AND WHITE AND DEAD ALL OVER (November 1, 2005 Akron, Ohio?For Immediate Release) Weathervane Playhouse takes the ?mystery? out of what to do after the last of the turkey has been consumed! The Women?s Board of the Playhouse invites you and your guests to join them on November 26 for an evening of dastardly deeds and comic crime when they sponsor ?Black and White and Dead All Over?. The audience participation mystery will be presented by Mysteries by Moushey. Teams of amateur detectives will witness nefarious acts, search for clues, interrogate suspects, and offer their own solutions to ?whodunit.? The color scheme is?what else??black and white or any combination thereof, so use your imagination when dressing. Prizes will be awarded for costumes as well as Most Creative, Most Outrageous, and Most Clueless solutions to the mystery. Additional prizes will be awarded by drawing from the correct solutions. Cost of the event is $25 per person which includes the mystery, clue hunt, snacks, soft drinks and beer. The first beer is included with the ticket. Groups of 6-8 get a team discount. Specially created baskets of gifts will be raffled. (Get ahead on your holiday shopping!) The evening?s schedule: 7:00 p.m. Doors open. Mystery actors mingle in main lobby. 7:30 p.m. Mystery begins in auditorium. General admission seating. 8:30 p.m. Clue hunt begins. Snack buffet opens. 9:15 p.m. Solution is shared. Cast introduced. Prizes awarded. Black and White and Dead All Over is presented as a fundraiser for the Weathervane Women?s Board on Saturday, November 26, 2005. Charge by phone at Weathervane?s Ticket Office at 330-326-2626. Call between 10 a.m. and 5:30 p.m. Tuesday through Friday. Sponsored by Weathervane Women?s Board. --------------------------------- Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --0-146157991-1132897383=:37600 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
NEWS RELEASE      
Contact:  Janis L. Harcar
(330) 836-2323 (not for publication)
Weathervane Ticket Office (330) 8362626
 
                                    WEATHERVANE PLAYHOUSE presents
            An audience participation comic murder mystery by Mysteries by Moushey
     BLACK AND WHITE AND DEAD ALL OVER
 
(November 1, 2005 Akron, Ohio?For Immediate Release)  Weathervane Playhouse takes the ?mystery? out of what to do after the last of the turkey has been consumed!  The Women?s Board of the Playhouse invites you and your guests to join them on November 26 for an evening of dastardly deeds and comic crime when they sponsor ?Black and White and Dead All Over?.  The audience participation mystery will be presented by Mysteries by Moushey. 
            Teams of amateur detectives will witness nefarious acts, search for clues, interrogate suspects, and offer their own solutions to ?whodunit.?  The color scheme is?what else??black and white or any combination thereof, so use your imagination when dressing.  Prizes will be awarded for costumes as well as Most Creative, Most Outrageous, and Most Clueless solutions to the mystery.  Additional prizes will be awarded by drawing from the correct solutions. 
Cost of the event is $25 per person which includes the mystery, clue hunt, snacks, soft drinks and beer.  The first beer is included with the ticket.  Groups of 6-8 get a team discount.  Specially created baskets of gifts will be raffled.  (Get ahead on your holiday shopping!)
The evening?s schedule:
            7:00 p.m.          Doors open.  Mystery actors mingle in main lobby. 
            7:30 p.m.          Mystery begins in auditorium.  General admission seating.
8:30 p.m.          Clue hunt begins.  Snack buffet opens.
9:15 p.m.          Solution is shared.  Cast introduced.  Prizes awarded.
 
            Black and White and Dead All Over is presented as a fundraiser for the Weathervane Women?s Board on Saturday, November 26, 2005.  Charge by phone at Weathervane?s Ticket Office at 330-326-2626.  Call between 10 a.m. and 5:30 p.m. Tuesday through Friday.
                        Sponsored by Weathervane Women?s Board.
 

Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --0-146157991-1132897383=:37600-- From popcycles at sbcglobal.net Fri Nov 25 05:45:41 2005 From: popcycles at sbcglobal.net (D. Budin) Date: Fri, 25 Nov 2005 05:45:41 -0800 (PST) Subject: [NEohioPAL]'Spinal Tap' benefit screening for Contemporary Youth Orchestra Message-ID: <20051125134542.31588.qmail@web81802.mail.mud.yahoo.com> --0-580039208-1132926341=:30301 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Contemporary Youth Orchestra Presents Benefit Screening of This Is Spinal Tap See the classic satire This Is Spinal Tap ? a parody of rock bands and rock documentaries ? and support a great cause, this Saturday at 11 p.m. The Contemporary Youth Orchestra is celebrating its 11th season and CYO?s slogan for the season is ?Take It to Eleven!? ? inspired by the movie This Is Spinal Tap. In the movie ? Rob Reiner?s hilarious ?mockumentary? about the fictional rock band Spinal Tap ? the group gets amps that go to 11 because 10 is not loud enough. For CYO, it?s not about volume, but about going beyond what is expected and anticipated, which the orchestra continually does. CYO is composed of more than 100 of the best high school-age musicians in this region, representing more than 40 schools. To kick off this season, CYO is presenting a benefit screening of This Is Spinal Tap on Saturday, November 26 Cleveland State University?s Drinko Recital Hall ? in the Music and Communications Building at 2001 Euclid Avenue (the north-west corner of Euclid Avenue and E. 21st Street). The doors will open at 10:15 p.m., and the movie will be shown at 11 p.m. Donations of any amount will be accepted. The suggested donation is $11. Popcorn and soda will be provided. For more information, call CYO at 216-321-3525, or David Budin at 216-791-5149. --0-580039208-1132926341=:30301 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit

Contemporary Youth Orchestra Presents Benefit Screening of This Is Spinal Tap

 

See the classic satire This Is Spinal Tap ? a parody of rock bands and rock documentaries ? and support a great cause, this Saturday at 11 p.m.

 

The Contemporary Youth Orchestra is celebrating its 11th season and CYO?s slogan for the season is ?Take It to Eleven!? ? inspired by the movie This Is Spinal Tap. 

 

In the movie ? Rob Reiner?s hilarious ?mockumentary? about the fictional rock band Spinal Tap ? the group gets amps that go to 11 because 10 is not loud enough.  For CYO, it?s not about volume, but about going beyond what is expected and anticipated, which the orchestra continually does.

 

CYO is composed of more than 100 of the best high school-age musicians in this region, representing more than 40 schools.

 

To kick off this season, CYO is presenting a benefit screening of This Is Spinal Tap on Saturday, November 26 Cleveland State University?s Drinko Recital Hall ? in the Music and Communications Building at 2001 Euclid Avenue (the north-west corner of Euclid Avenue and E. 21st Street).  The doors will open at 10:15 p.m., and the movie will be shown at 11 p.m.

 

Donations of any amount will be accepted. The suggested donation is $11.  Popcorn and soda will be provided.

 

For more information, call CYO at 216-321-3525, or David Budin at 216-791-5149.

--0-580039208-1132926341=:30301-- From LNRoo at aol.com Fri Nov 25 05:48:40 2005 From: LNRoo at aol.com (LNRoo at aol.com) Date: Fri, 25 Nov 2005 08:48:40 EST Subject: [NEohioPAL]Two Issues for Feedback on Film in Cleveland Message-ID: <2b2.844601.30b87038@aol.com> -------------------------------1132926520 Content-Type: text/plain; charset="UTF-8" Content-Transfer-Encoding: quoted-printable Content-Language: en Film is traditionally an apprentice/mentor trade. Cleveland needs to look at= =20 success if it wants success. Hollywood production has been crippled by =E2= =80=9C run-away=E2=80=9D production for the past decade. Why? Because LA taxed TV a= nd film=20 productions into the red. Where did they run to? Not Cleveland ... Canada. =20= Where the=20 weather is just as bad. =20 1) Study what Toronto and Vancouver did to entice Hollywood runaway=20 productions. =20 2) What is the best film school in Cleveland? Make it better. If Cleveland=20 had a world class film school it would do the unthinkable =E2=80=93 attract=20= talent.=20 =20 Urban Film Legend has it that Spielberg was rejected by USC, one of the best= =20 film schools in the world. After his success he went back to USC bought them= a=20 film building and put his name on it. Where did Spielberg end up going to=20 school? Not Cleveland.=20 =20 Ellen Rooney -------------------------------1132926520 Content-Type: text/html; charset="UTF-8" Content-Transfer-Encoding: quoted-printable Content-Language: en

Film is traditionally an apprentice/mentor trade. <= st1:place>Cleveland needs to look at success if it wa= nts success. Hollywood production has been crippled b= y =E2=80=9Crun-away=E2=80=9D production for the past decade. Why? Because LA= taxed TV and film productions into the red. Where did they run to? Not Cleveland ... Canada.  Where the weather is just as bad.

 

1) Study what Toronto and Vancouver did to entice= Hollywood runaway productions.

 

2) What is the best film school in Cleve= land? Make it better. If Clevela= nd had a world class film school it would do the unth= inkable =E2=80=93 attract talent.

 

Urban Film Legend has it that Spielberg was rejected by USC,&= nbsp;one of the best film schools in the world. After his success he we= nt back to USC bought them a film building and put his name on it. Where did= Spielberg end up going to school? Not Cleveland.

 


Ellen Rooney

-------------------------------1132926520-- From Demeerusty at aol.com Fri Nov 25 07:34:35 2005 From: Demeerusty at aol.com (Demeerusty at aol.com) Date: Fri, 25 Nov 2005 10:34:35 EST Subject: [NEohioPAL]A Raisin In The Sun Message-ID: <22c.26ddcfe.30b8890b@aol.com> -------------------------------1132932875 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit The University of Akron's premiere organization for campus events The Zips Programming Network will be putting on the production of A Raisin In The Sun by Lorraine Hansberry in February for Black History Month. We are looking for FULL PRODUCTION CAST AND CREW. All POSITIONS will be PAID. Auditions will be December 1-3 please RSVP 330-972-7014 or tga2 at uakron.edu Timothy G. Avant Diversity Chair Zips Programming Network The University of Akron -------------------------------1132932875 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
The University of Akron's premiere organization for campus events The Z= ips=20 Programming Network will be putting on the production of A Raisin In Th= e=20 Sun by Lorraine Hansberry in February for Black History Month. We are=20 looking for  FULL PRODUCTION CAST AND CREW. All POSITIONS will be PAID.= =20 Auditions will be December 1-3 please RSVP 330-972-7014 or tga2 at uakron.edu
Timothy G. Avant
Diversity Chair
Zips Programming Network
The University of Akron
 -------------------------------1132932875-- From artistic at playersguildtheatre.com Fri Nov 25 08:42:34 2005 From: artistic at playersguildtheatre.com (Wendy Temple) Date: Fri, 25 Nov 2005 11:42:34 -0500 Subject: [NEohioPAL]Players Guild Adult Alternative to Christmas Message-ID: <000001c5f1df$3ccebd30$0101000a@office.playersguildtheatre.com> This is a multi-part message in MIME format. ------=_NextPart_000_0001_01C5F1B5.53F8B530 Content-Type: multipart/alternative; boundary="----=_NextPart_001_0002_01C5F1B5.53F8B530" ------=_NextPart_001_0002_01C5F1B5.53F8B530 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Players Guild Adult-Only Christmas Canton, Ohio- Nov. 2005 - What's more fun and festive than a pitcher of candy cane-flavored Daiquiris? An evening of rollicking, irreverent holiday humor courtesy of David Sedaris! The NPR commentator, author and humorist strikes gold with two one-act plays, Santaland Diaries and Season's Greetings. Santaland features a sordid (and sometimes just plain silly) behind-the-scenes peek at working for Santa at the Macy's NYC department store. Your guide is a world-weary, jaded "Elf" (David Sponhour). You'll never look at "The Big Guy's" mall display the same way again! "Season's Greetings" introduces you to a on the surface picture-perfect suburban Mom, (Denise Robb) as she shares the family's annual brag-fest report aka the Holiday Newsletter. It's "shock-full" of fun and surprises! Take a break from shopping among the hordes, overdosing on sugar plums and fa-la-la's! Treat yourself to this delightful, adults-only evening of naughty wit not to be missed! The Players Guild Theatre's presentation of David's Sedaris's Santaland Diaries and Season Greetings begins December 5th -7th, and 12th -14th in the Arena Theatre. Monday, Tuesday and Wednesday performances begin at 8 :00 p.m. and all Tickets are $10.00 general admissision at the door. The Players Guild production of Santaland Diaries and Season Greetings is sponsored by Canton Repository, and Aultman Hospital. All Players Guild productions are produced with the generous support of the Canton community through Arts in Stark and Ohio Arts Council. # # # 1001 Market Ave. North, Canton, Ohio 44702 Phone: 330-453-7619 Fax: 330-453-8568 ------=_NextPart_001_0002_01C5F1B5.53F8B530 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

Players Guild Adult-Only = Christmas

 

 

        = ;    Canton, = Ohio– Nov. 2005 – What's more fun and festive = than a pitcher of candy cane-flavored Daiquiris?  An evening of rollicking, irreverent holiday humor courtesy of = David Sedaris!  The NPR = commentator, author and humorist strikes gold with two one-act plays, Santaland = Diaries and Season's Greetings.  = Santaland features a sordid (and = sometimes just plain silly) behind-the-scenes peek at working for Santa at the Macy's = NYC department store.  Your guide is a = world-weary, jaded "Elf" (David Sponhour).  You'll never look at "The = Big Guy's" mall display the same way again! "Season's = Greetings" introduces you to a on the surface picture-perfect suburban Mom, (Denise Robb) as = she shares the family's annual brag-fest report aka the Holiday Newsletter.  It's "shock-full" of fun and surprises! Take a break from shopping = among the hordes, overdosing on sugar plums and fa-la-la's!  = Treat yourself to this delightful, adults-only evening of naughty wit not to = be missed!

The Players Guild Theatre’s presentation of David’s Sedaris’s Santaland Diaries and Season<= /span> Greetings  begins December 5th = -7th, and 12th -14th in the = Arena Theatre. Monday, Tuesday and Wednesday performances begin at 8 :00 p.m. and all Tickets are $10.00 = general admissision = at the door. 

The Players Guild production of Santaland Diaries and Season<= /span> Greetings is sponsored by Canton Repository, and Aultman = Hospital.  = All Players Guild productions are produced with the generous support of the Canton community through Arts in Stark and Ohio Arts Council. =

# # = #

1001 Market Ave. = North, Canton, Ohio 44702

=

Phone: 330-453-7619 Fax: = 330-453-8568

 
 
 

 

------=_NextPart_001_0002_01C5F1B5.53F8B530-- ------=_NextPart_000_0001_01C5F1B5.53F8B530 Content-Type: text/html; name="header.htm" Content-Transfer-Encoding: quoted-printable Content-ID:

EMPLOYMENT AGREEMENT

The Players Guild of Canton, Inc.

=A0Amy Sima

September 1, = 2001 - = June 30, 2002

Page 2 of = 3

 

------=_NextPart_000_0001_01C5F1B5.53F8B530-- From Artistschair2005 at aol.com Fri Nov 25 08:45:04 2005 From: Artistschair2005 at aol.com (Artistschair2005 at aol.com) Date: Fri, 25 Nov 2005 11:45:04 EST Subject: [NEohioPAL]Need a STAGE ACTOR? Christine H. Winsberg & OTHER NEWS! Message-ID: <21f.3c13055.30b89990@aol.com> -------------------------------1132937104 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit ARTISTSCHAIR.COM'S "FEATURED ARTIST OF THE DAY" Stage Actor - Christine H. Winsberg (Location: Cleveland Heights, Ohio) (November 25, 2005) To view Christine's profile, visit _http://www.artistschair.com_ (http://www.artistschair.com/) Latest Members' CONTEST Giveaway (November 23, 2005) CONGRATULATIONS to Wadsworth-based stage actor William M. Berry for being chosen at random by the artistschair.com database to be the Wednesday, November 23 "Featured Artist of the Day" will winning two passes, good for four admissions to the December 1 (7:30 pm) Loews Richmond Town Square advanced screening of "The Family Stone" featuring Claire Danes, Diane Keaton, Rachel McAdams, Dermot Mulroney, Craig T. Nelson, Sarah Jessica Parker and Luke Wilson. Take friends or take family, either way, GET OUT and SEE NORTHEAST OHIO! Not a member of artistschair.com yet? Join today for FREE! Networking EVENT & PARTY for Artists and Those that Hire Talent (November 10, 2005) A GREAT BIG THANK YOU to all who attended the November 9 artistschair.com Networking Event which took place at 1300 Gallery. Photos from the event will be posted to the artistschair.com directory soon. FIND an Artist! Make your event or project extra memorable. Find entertainers and technicians in our FREE and easy-to-use database featuring photos and profiles of local artists in more than 100 different talent fields. BE an Artist! Let your talents and services be known. Become a member for FREE and highlight all talent fields that apply to you. Upload photos of yourself and/or samples of your work, edit your own information and have your profiles viewed by those searching for your talents and services. Our MISSION Artistschair.com is committed to PROMOTING and RAISING AWARENESS of local artists, arts-related institutions and issues and the NORTHEAST OHIO REGION as well as serving the needs of those searching for CREATIVE TALENT and resources. -------------------------------1132937104 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
  =20
            ARTISTSCHAIR.COM'S "FEATURED ARTIST OF THE=20 DAY"
Stage=20 Actor - Christine H.=20 Winsberg (Location: Cleveland He= ights,=20 Ohio)
 
(November 25, 2005) To=20 view Christine's profile, visit http://www.artistschair.com
 
Latest Me= mbers'=20 CONTEST Giveaway
(November 23,=20 2005) CONGRATULATIONS to Wadsworth-based stage actor=20 William M. Berry for being chosen at random by the=20 artistschair.com database to be the Wednesday, November 23=20 "Featured Artist of the Day" will winning two passes, good=20= for=20 four admissions to the December 1 (7:30 pm) Loews Richmond Town Square advan= ced=20 screening of "The Family Stone" featuring Claire Danes, Dia= ne=20 Keaton, Rachel McAdams, Dermot Mulroney, Craig T. Nelson, Sarah Jessica Park= er=20 and Luke Wilson.  
 
Take friends or t= ake=20 family, either way, GET OUT and SEE NORTHEAST OHIO! Not a member of artistschair.com yet? Join today for=20 FREE!
 
Networking&nbs= p;EVENT=20 & PARTY for Artists and Those that Hire Talent=20
(November 10, 2005) A=20 GREAT BIG THANK YOU to all who attended the November 9=20 artistschair.com Networking=20 Event which took place at 1300 Gallery. Photo= s=20 from the event will be posted to the artistschair.com directory=20 soon.
  
=
FIND=20= an=20 Artist!
Make=20= your=20 event or project extra memorable. Find entertainers and technicia= ns=20 in our FREE and easy-to-use databa= se=20 featuring photos and profiles of local artists in more than 100 different ta= lent=20 fields.
BE an= =20 Artist!
Let y= our=20 talents and services be known. Become a member=20 for=20 FREE and highlight all talent fields that apply to you. Upload phot= os=20 of yourself and/or samples of your work, edit your own information and have=20= your=20 profiles viewed by those searching for your talents and=20 services.
Our MISSION<= /DIV>
Artistschair.com is committed to=20 PROMOTING and RAISING AWARENESS of local artists,=20 arts-related institutions and issues and the NORTHEAST OHIO=20 REGION as well as serving the needs of those searching for=20 CREATIVE TALENT and resources.
 
-------------------------------1132937104-- From ddanza at clevelandplayhouse.com Fri Nov 25 08:51:38 2005 From: ddanza at clevelandplayhouse.com (Domenick Danza) Date: Fri, 25 Nov 2005 11:51:38 -0500 Subject: [NEohioPAL]Master Class for the Actor at The Cleveland Play House - Last chance to submit your resume! Message-ID: This is a multi-part message in MIME format. ------=_NextPart_000_000E_01C5F1B6.98B8B1B0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit The Cleveland Play House Master Class for the Actor Consecutive Mondays, 6:00-9:00 PM, starting January 16, 2006 Session Length: 8 weeks Fee: $200 Instructors: Seth Gordon & Mark Alan Gordon, with Guest Instructors, including Michael Bloom, Artistic Director This master class is a scene study laboratory for the advanced and professional artist. It is not a class for beginners, but rather a unique opportunity in Cleveland for working professionals to hone their craft with other professionals from The Cleveland Play House Artistic Staff who have substantial national professional experience. It is designed to make good actors better. With a class limit of 14, there will be many opportunities to work. BY AUDITION ONLY. For an audition appointment send your picture and resume by December 1 to Domenick Danza, Education Director, The Cleveland Play House, 8500 Euclid Ave, Cleveland, OH 44106-0189. Auditions will be the week of December 12, 2005. ------=_NextPart_000_000E_01C5F1B6.98B8B1B0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Master Class for the Actor at The Cleveland Play House - Last = chance to submit your resume!

    The Cleveland Play = House

    Master Class for the = Actor

    Consecutive = Mondays, 6:00-9:00 PM, starting January 16, 2006

    Session = Length:  8 = weeks
    Fee:  $200
    Instructors:  Seth Gordon & Mark Alan Gordon, with Guest = Instructors, including Michael Bloom, Artistic Director

    This master class is a scene = study laboratory for the advanced and professional artist.  It is = not a class for beginners, but rather a unique opportunity in Cleveland = for working professionals to hone their craft with other professionals = from The Cleveland Play House Artistic Staff who have substantial = national professional experience.  It is designed to make good = actors better.  With a class limit of 14, there will be many = opportunities to work.  BY AUDITION ONLY.

       For an audition = appointment send your picture and resume by December 1 to Domenick = Danza, Education
       Director, The = Cleveland Play House, 8500 Euclid Ave, Cleveland, OH 44106-0189.  = Auditions will be the
       week of December 12, = 2005.

------=_NextPart_000_000E_01C5F1B6.98B8B1B0-- From shootfilmordie at yahoo.com Fri Nov 25 08:52:42 2005 From: shootfilmordie at yahoo.com (Jay Johnson) Date: Fri, 25 Nov 2005 08:52:42 -0800 (PST) Subject: [NEohioPAL]"Will Work For Food" Opens DV Festival Message-ID: <20051125165242.1920.qmail@web54512.mail.yahoo.com> --0-890654653-1132937562=:97005 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit "Will Work For Food" an independently produced feature here in Cleveland has been chosen to open the DV Film Festival in Los Angeles on December 7th. The DV Festival is conjunction with the DV Expo West, a convention centering on the technology of Digital Video. www.dvexp.com/filmfest "Will Work For Food" premiered at the 2005 Cleveland International Film Festival where it sold out two shows. We just screened it in New York last week as part of the New York Film and Video Festival. Many cast and crew on the movie were discovered and networked through the Neohiopal list. I was the Director, Writer and Editor of "WWFF" and I have worked in Cleveland for 15 years as a director, shooter and Avid editor of commercials, corporate videos and entertainment projects. I have just gone independent from my staff postion as Creative Director at a video production company to further my career in production. Nick Koesters, the producer and one of the leads is a SAG and Equity actor in the Cleveland area. David Lemoyne, the lead, is a working stage actor in Cleveland, and works in Video production and photography. This is the kind of thing that helps promote filmmaking in Cleveland. People working together to do great work. Hopefully, this will be a trend for the people involved with "Will Work For Food" and the entire area. "Will Work For Food" is a feature that was completely produced, casted, crewed and finished in the Cleveland area. Thanks to all who were involved with this project. Jay Johnson --0-890654653-1132937562=:97005 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
"Will Work For Food" an independently produced feature here in Cleveland has been chosen to open the DV Film Festival in Los Angeles on December 7th.  The DV Festival is conjunction with the DV Expo West, a convention centering on the technology of Digital Video. www.dvexp.com/filmfest
 
"Will Work For Food" premiered at the 2005 Cleveland International Film Festival where it sold out two shows.
 
We just screened it in New York last week as part of the New York Film and Video Festival.
 
Many cast and crew on the movie were discovered and networked through the Neohiopal list. 
 
I was the Director, Writer and Editor of "WWFF" and I have worked in Cleveland for 15 years as a director, shooter and Avid editor of commercials, corporate videos and entertainment projects.  I have just gone independent from my staff postion as Creative Director at a video production company to further my career in production.
 
Nick Koesters, the producer and one of the leads is a SAG and Equity actor in the Cleveland area.
 
David Lemoyne, the lead, is a working stage actor in Cleveland, and works in Video production and photography.
 
This is the kind of thing that helps promote filmmaking in Cleveland.  People working together to do great work.  Hopefully, this will be a trend for the people involved with "Will Work For Food" and the entire area.  "Will Work For Food" is a feature that was completely produced, casted, crewed and finished in the Cleveland area.
 
Thanks to all who were involved with this project.
 
Jay Johnson
 
 
 
 
--0-890654653-1132937562=:97005-- From newfangled02 at yahoo.com Fri Nov 25 09:51:49 2005 From: newfangled02 at yahoo.com (Newfangled Productions) Date: Fri, 25 Nov 2005 09:51:49 -0800 (PST) Subject: [NEohioPAL]LAST CALL for STEVE LYNCH letters Message-ID: <20051125175149.74522.qmail@web35212.mail.mud.yahoo.com> This is the last call for letters for Peace Corps volunteer Steve Lynch. Please help us make this Christmas a special one. If you haven't already written your letter, take a few minutes right now before you get back to what you were doing. ALL LETTERS MUST BE RECEIVED BY DECEMBER 1ST! Below you should find the instructions if you need to refresh your memory. Oliver Corrigan Artistic Director Newfangled Productions ***** Dear friends, Please join Newfangled Productions in a very special project. Some of you may know our friend Steve Lynch. Some of you may not. But either way, please take a moment to read his story: Steve Lynch is as 23 year old native of Bainbridge, Ohio and graduate of Ohio State University. He was a very active member of Newfangled Productions in our first three years - in fact, he was there right at the beginning singing and playing at our very first event - The First Starving Artists? Ball. A year ago Steve left his home, his friends and his family to join the Peace Corps. He is currently stationed in Turkmenistan, a former soviet country in central Asia. He has dedicated two years of his life to service and hardship. Many of us talk about working for peace from the comfort of our homes, but Steve has made a great sacrifice - leaving everything he has ever known to travel to a country where the people are impoverished, where electricity and hot water are considered luxuries and where the ?president for life? squanders what little his people have on self-glorification and statues in his honor. There must be many days when Steve feels alone and forgotten, but we have not forgotten him. He is far from home but he is never far from our hearts. And with that in mind, please help us to create a very special gift for Steve. Our intention is to create a book of letters from as many people as we can to send to Steve for Christmas. We hope to collect letters from those of you who know Steve and from those of you who do not, but are still touched by his story. If you are his friend, now is the time to remind him, to tell him how much you miss him and how proud you are of him. If you?ve never met him, now is the chance to introduce yourself, to thank him for proving that in a world that sometimes seems full of selfishness and violence that there are people like him working for peace and humility. Please email your letter to newfangled02 at yahoo.com by December 1st with the following information: Your name Where you live You occupation or some other one-line distinctive description of yourself Example: Dear Steve, Thank you so much for all that you are doing. You are an example to us all. Johnny Newfangled Akron, Ohio Sprocket salesman for ?Newfangled Sprocket Company? Your letter can be as short or as long as you would like - a couple of sentences or a full-length letter. It is up to you. But what?s important is that you say something - that we can show in a small way that no matter how far away Steve is he is never alone. Also, please provide us with a way to contact you, whether through email, phone or a mailing address (all three would be preferable). Once the letters are collected and the book is produced we would love to make copies available for all of you - so we can all share in the celebration of this remarkable person. Finally, think of this book as a ?surprise party.? It is so much more fun if Steve doesn?t know about this until he receives the book. We encourage you to make copies of this letter, to send it to your friends, family and coworkers - to post it on mailing lists and on coffee shop bulletin boards, but if you post it on the internet, try not to post it someplace where Steve is likely to see it. (Steve has limited internet access through the Peace Corps to communicate with home and to post letters.) If you have any questions, comments or want to help in any additional way please feel free to email us at newfangled02 at yahoo.com or call (330)620-9686. Yours, Oliver Corrigan Artistic Director Newfangled Productions (330)620-9686 newfangled02 at yahoo.com http://www.geocities.com/newfangledwebsite P.S. To read about Steve?s experiences in his own words please read http://goodprovider.diaryland.com. P.P.S. To learn more about the Peace Corps read http://www.peacecorps.gov. P.P.P.S. To learn more about Turkmenistan start with http://en.wikipedia.org/wiki/Turkmenistan. __________________________________ Start your day with Yahoo! - Make it your home page! http://www.yahoo.com/r/hs From royberko at yahoo.com Fri Nov 25 10:02:25 2005 From: royberko at yahoo.com (Roy Berko) Date: Fri, 25 Nov 2005 10:02:25 -0800 (PST) Subject: [NEohioPAL]Berko review: T.I.D.Y. (Beck Center) Message-ID: <20051125180225.43987.qmail@web33106.mail.mud.yahoo.com> ?T.I.D.Y.? has some funny moments at Beck Roy Berko (Member, American Theatre Critics Association) --THE TIMES NEWSPAPERS-- Lorain County Times--Westlaker Times--Lakewood News Times--Olmsted-Fairview Times Eric Coble, considered by many to be the local playwright laureate, has hit the big time. He?s an entry in ?Wikipedia,? the on-line encyclopedia. You can also probe him for personal information on ?Answers.com.? Theatre Communications Group honored him in their article ?Seven Playwrights to Watch.? Coble, whose newest play ?T.I.D.Y.? is being staged at Beck Center, is a member of the Playwrights' Unit of the Cleveland Play House. His past works include: ?TEN MINUTES FROM CLEVELAND? (which premiered at Dobama Theater), ?SOUND BITING,? ?ISOLATED INCIDENTS,? ?BRIGHT IDEAS? (which had a New York off Broadway production, as well as a Cleveland run), ?PINOCCHIO 3.5,? ?CINDERELLA CONFIDENTIAL,? ?SACAGAWEA,? ?VIRTUAL DEVOTION,? ?TRUTH: THE TESTIMONIAL OF SOJOURNER TRUTH,? ?IN A GROVE: FOUR JAPANESE GHOST STORIES,? and ?NIGHTFALL WITH EDGAR ALLAN POE.? Coble, who has an affinity for storytelling, often displays a wonderful spirited creativity. Some of this may have come from his upbringing on the Navaho and Ute reservations of New Mexico and Colorado where he spent time wandering around in what he once described as an ?Indiana Jones setting,? which encouraged his imagination to run wild. Anyone who has seen Coble?s ?BRIGHT IDEAS,? which tells the tale of parents who will stop at nothing to enroll their child in the ?perfect? preschool, realizes his off-the-wall thought processes and an ability to play with words. Coble often turns to classic sources as well as fairy tales and social issues and political intrigue for his inspiration. ?T.I.D.Y.? has a conspiracy base, which works perfectly in this year?s political atmosphere of who outed an FBI agent, was the public misled by G. W. Bush?s ?evil empire? and the neo-cons about the existence of weapons of mass destruction in Iraq, or their tie to the terrorism that destroyed the World Trade Center. The basic story centers on Emily Danbert, a computer geek, whose quiet life is totally thrown into chaos when T.I.D.Y., a program she developed, becomes the center of a global conspiracy. Matters really get out of hand when her ?sweet? old mother, her husband, her best friend and a mysterious confident all get involved in the intrigue. The concept is a delight. Unfortunately, the play and the production don?t live up to the premise. Though filled with some delightful moments, the play?s pieces-parts don?t always flow together well. There are segments where the action zooms right along, others where there are lulls. Some of the problem lies with director Roger Truesdell, who has paced the production much too slowly. This has to be a Marx Brothers romp, a farce on speed. Instead, we get a car race followed by a pony trot, followed by acceleration, and then more plodding. The cast is generally excellent. Sarah Morton develops a nice textured roll as the obsessive compulsive left-brained nerd whose personal and professional life lacks much excitement until she becomes the center of an international conspiracy plot. Kevin Joseph Kelly plays multi-roles with comic delight. His highlight is a portrayal of an ice cream salesman who can hardly contain his exasperation while Morton?s character continually changes her order. Rhoda Rosen, as the mother turned international hit man, is hysterical. She gives a perfect Ethel Mertz impersonation. Nicholas Koesters makes for a fine ex-husband trying hard to come back into his former wife?s life. Tracey Field could have had more fun and exaggerated her role of the mysterious confident, as could have Alison Garrigan as the friendly fellow worker turned bad. Don McBride?s multi-level set design basically works, but the constant need to move furniture around slowed down the show?s pace. As the program states, ?Anyone in the United Sates today who isn?t paranoid must be crazy.? After watching ?T.I.D.Y? you?ll be even more paranoid. Or, as the bumper sticker on my car says, ?If you aren?t appalled, you haven?t been paying attention. CAPSULE JUDGEMENT: ?T.I.D.Y.? isn?t up to Coble?s ?BRIGHT IDEAS,? but it has some good laughs. Too bad both the script and pacing couldn?t have had a little more ?oomph.? For tickets to ?T.I.D.Y.? which runs through December 18 at the Beck Center for the Arts, call 216-521-2540. Roy Berko's web page can be found at www.royberko.info. His theatre and dance reviews appear on NeOHIOpal, an on-line source. To subscribe to this free service via the World Wide Web, visit http://lists.fredsternfeld.com/mailman/listinfo/neohiopal. __________________________________ Yahoo! Mail - PC Magazine Editors' Choice 2005 http://mail.yahoo.com From cinevid at yahoo.com Fri Nov 25 10:32:45 2005 From: cinevid at yahoo.com (Bill) Date: Fri, 25 Nov 2005 10:32:45 -0800 (PST) Subject: [NEohioPAL]Indie Filmmaking - re: Christopher and Bill Van Nostran In-Reply-To: <20051125060211.3C4A861DC2@mailman.siteprotect.com> Message-ID: <20051125183245.98752.qmail@web60311.mail.yahoo.com> --0-1474271259-1132943565=:97988 Content-Type: multipart/alternative; boundary="0-2081382362-1132943565=:97988" --0-2081382362-1132943565=:97988 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Christopher K. Young and Bill Van Nostran, Hey guys, good input, however the very things that you mention, (that a lot of people mention) have been tried before, without success sad to say. Bill, there is actually a screenwriting group that meets once a month at CSU called, Second Shift Screenwriters and they post here and at clevelandfilmmaking at yahoogroups.com. I'm not sure if they are critiquing their work or creating a master work or what. I want to attend but haven't as of yet. You can contact Christine for more info: christinednfr at yahoo.com Also, Bill and Chris, way back when The Film Society sponsored Cleveland Filmmakers, I suggested that we pool our talents. All writers submit their scripts, all shooters submit their reels, all directors, well you get the idea. Then the whole group would vote on the best of the best, hone it down to even better, then approach the city, businesses, etc. to get it financed and produced. Well, either no one felt confident enough about their own work, or they didn't want their doubts exposed to an open forum, or they were just too busy, but the idea got a lot of kudos and praise, but very quickly fell into oblivion. Eventually the entire group was disbanded, probably for lack of involvement. Then along came another organization that held great promise; a creative alliance of artists that would be a force to be reckoned with, that too failed. I even tried to give an intensive two day seminar on DV Filmmaking to help raise the quality bar. I got one attendee, thanks Christine! Chris, you mentioned that there are lots of people who want to work on other people's films and if you mean actors, sure, that only makes sense, but there aren't that many aspiring boom operators who's goal in life is to carry the crossarm of the indominable soundman. Even all the people who eagerly wanted to work on my feature, Madness have other aspirations besides crew work. And you're right they came to me, based on the quality of my previous works (thanks for your part in those successes by the way). However, I really hate using people for any great length of time for no-pay, so I kept the crew very small and they were and are very committed. I guess what I'm trying to articulate is we don't need a Film Czar or Commissioner for the indie film scene. It pretty much takes care of itself. If you are willing to really take the time and make your work stand out for quality in all areas, the community of actors, crew, businesses and local governments, will respond and support your efforts. I had cast and crew come for a full time, two week long shoot, for no pay, from as far away as Canton, Youngstown, and North Olmsted, to shoot in a million dollar house that didn't charge us a thing, all because they believed the experience would be worth it. My biggest gripe is that in so many productions quality gets shoved to the bottom of the list and I walk into a landscape of burning bridges trying to find the few resources who haven't been burned or are willing to take a chance on one more independent film. As far as Cleveland Indieclub goes, we do network, but critiquing is forbidden. Attendance would drop to nothing if everyone worried their work wasn't good enough to please fellow filmmakers. One can only hope that as they see better work, they will incorporate that effort and ethic into their own projects. Thanks Fred for allowing this diatribe. I hope it gives the whole list some insight into the minds of indie filmmakers... For those actors interested in some guidelines when auditioning for Independent Film projects here are some tips: http://www.cinevidproductions.com/seminars/resources/AuditionTips.htm Thanks, Bill Johns www.cinevidproductions.com From: "Bill Van Nostran" To: , Subject: Re: [NEohioPAL]Film Czar seeks Feedback on making Cleveland a Movie City Date: Thu, 24 Nov 2005 14:08:22 -0500 As the adage goes, if it ain't on the page, it ain't on the stage. Same goes for motion pictures. The good ones all start with a compelling story well told. So one simple way to encourage new work, foster a supportive environment, and help individuals gain feedback on their work could come from a group focused on helping local filmmakers develop and polish material. A monthly group giving individual writers an opportunity to hear scenes from an emerging draft read aloud, then receive feedback from others, is a small, but perhaps important step in developing a local environment to foster NEO talent. Perhaps twice a year, local actors might be persuaded to participate in readings of screenplays nearing completion--showcasing them to a larger audience. Bill Van Nostran From: Christopher To: neohiopal at lists.fredsternfeld.com Subject: Re: [NEohioPAL]All Hail Film Czar and Film Prophet I see an attempt at buying some goodwill with the acting and crew community here, but if we shift ALL the blame on the filmmakers, then we will be ignoring the suffering of those majority of actors and crew who ARE professional enough to show up and try to finish scenes and projects in spite of the few who disappear and stop returning calls until they've settled into their Venice Beach apartments or found religion, or whatever excuse they give until one posts another audition notice. Then, they resurface and send their headshots and resumes as if you won't remember them from the last burn, and to add insult to injury, some of them even put the picture they bailed on or got fired from ON THEIR RESUME! Maybe if we all resigned ourselves to making short films that only have one or two locations, then the impact of this kind of behavior could be minimized. But for those of us who dare to make feature films with multiple locations and scenes with significant cast interplay, then this work ethic, left unaddressed, will STAY the norm for a minority, but significant percentage of actors and crew in this area, thereby throwing a wrench not only into a director's work, but the work of the other actors and crew as well. It only takes one actor doing this to shut down a film. Ask around. I have first hand experience with the phenomenon, and when filmmakers start to get a little ambitious around here, so will they. And while I haven't been to an Indieclub meeting in a long time, I thought I was giving it the benefit of the doubt in my initial posting. But if they're not networking their resources or helping each other improve their work, then what the hell are those guys doing there? I hope it's not all about listening to someone who memorized an article out of videomaker magazine or congratulating each other for sticking it out in Cleveland for as long as they have. Don't get me wrong! This isn't a commentary on Indieclub! I imagine that someone conversant with Indieclub's mission can articulate its significance with great ease. The last meeting I attended (almost two years ago) was very helpful. But if it's true that they no longer provide a resource pool and a constructively critical forum, then that which I hope it isn't, must be exactly what it is. I'll attend one as soon as possible, with the hopes that we're both wrong. But, all that aside, sway with city leaders is a necessary next step for Indieclub, or any organization that takes Cleveland's position in the greater media arts community to heart. I mean, what's a film community if the COMMUNITY isn't involved? Perhaps this is already underway, again, I haven't been attending. But an US and THEM attitude won't help anybody, because THEY have the power to make US unwelcome... even more so than we already are from a socio-cultural standpoint. One other issue I need to take on is the idea that Cleveland's indie scene is mostly made up of writers, producers and directors. While it's true that most directors are also writers and producers, and all the other combinations therein, it's more than safe to say that the vast majority of those who consider themselves in the indie scene have little to no interest in writing and/or producing and/or directing a picture of their own. Ask yourself, what's the largest number of actors you've had answer a casting call of yours? My largest number is about 130, I imagine yours are similar, if not higher since you often cast on the coattails of success from a previous project. This kind of turn out is not uncommon. Now how many area filmmakers have you ever seen in one place locally, at one time? Actual filmmakers with one or more credits in the above mentioned categories? Even add those who aspire to have a credit and the number's still pretty small. The reason I bring up this otherwise picayune issue is because it's symptomatic of a trend this community has, and I've been guilty of too: leaving out actors and crew in the dialogue over the needs of this film community. Because when you include those people in the mix, then we see that in fact, a vast majority of this community DOES WANT to work on someone else's film. They're just waiting for something they can believe in. Some find it, many don't, and some are just easy to please. You know us creative types are an unorganized lot with major attention deficit, so one more time. What was the point? Christopher K. Young www.shallowfocus.com P.S.: Amen to your last two paragraphs Bill wrote: All Hail Film Czar and Film Prophet You know, most of the time I sit with calm amusement as I read the various ramblings as to why Cleveland isn't 'on the map' when it comes to motion picture film and TV production. However, these latest posts are just too funny to ignore... A self proclaimed Film Czar? What the hell is that? Alex, I thought you were joking! And Christopher, you seem to have so much intelligence and yet you completely miss the point. Ya wanna know the reason why we can't all just get along and make movies together? Well here it is. There's too much crap!!! And widely varying degrees of crap. One of the only reasons our monthly Indieclub meetings are successful is because we're not trying to create a consortium; we're not trying to unite our resources, we're not even trying to improve eachother's work. We're j ust watching videos. And guess what? We see a lot of crap. We see some good stuff too, but mostly we see Learners, Yearners and Burners. Now, Learners are novice filmmakers who make crap because it's their first film and rather than learn the trade first, they go ahead and make a movie as practice and hopefully they'll improve. We sit politely and smile, wishing they had thought about lighting, sound, acting, dialogue, and camera work before making us sit through their experiments. Yearners are filmmakers who really want to make good films, so they use everything at their disposal to make the best possible film they can. However, they're still somewhat plagued by compromise and the results are never what they hoped for, nor what a real distributor will buy. Much easier to sit through though. Burners are the worst. These are filmmakers (u sually prolific) who make crap every time out of the gate. Their camera work is mostly hand-hell shaky cam. Their lighting is barely more than ambient and they often use the on-camera mic to capture dialogue. The acting is wooden and undirected; the stories are either so deep you need waders, or so shallow you can't find a point; and to top it off, they're fully convinced they are great filmmakers. But why do I call them Burners you ask? Well, because they burn the bridges that sincere Yearners might someday want to use. They burn bridges with actors who get soured against indie filmmakers because they have nothing decent to show for all their hard work (not even copy). They burn bridges with locations because they are so unorganized that they overstay their welcomes, mess up property and never send copies of the video, like they promise to do. They burn bridges with investors because the investor never sees a dime of their money back. They burn bridges with the legitimate film commission, because, as I said before they make crap and what film commission is going to support and encourage more crap??? Yet that's not the reason why we don't need a film czar or film prophet or any other coordinating force. The real reason is no one wants to work on someone else's film. You see, most of the people that comprise the indie scene here in Cleveland are writer/producer/directors and we're all working on our own projects. And guess what. I'm not all that interested in spending my valuable time working on someone's project which I consider to be crappier than my own. I can just as easily be spending my time and resources creating my own crap. Sure everyone would like to think there's a benevolent brotherhood of filmmakers; a selfless society where everyone submits ideas and work samples and then the members vote on what script to do and who to direct it. The commu nity is presented with the proposal and since it bears the backing of so many filmmakers, the businesses get involved and support the project with services and finances. The best actors come from all around to have a part in the project and a glorious motion picture is produced that wins the Oscar for Impossible Dream... That would be a good plot for a fantasy picture, but in the real world, writers will lose interest if their script isn't picked. Directors will bail if they can't direct and actors will walk away if they can't be the lead. And you guessed it the end product would probably be... well, I don't need to say it again. (though I really want to) Bill Johnscrappy writer/producer/and directorwww.cinevidproductions.com P.S - I guess I'm in a sour mood because just yesterday I lost a serious investor (producer of two features in LA) because she said the acting in one of the scenes I sent her wasn't very good. I knew it when I shot it that I was compromising, and even though we're reshooting that scene, it's too late to regain that contact... ah CRAP! --------------------------------- Yahoo! Music Unlimited - Access over 1 million songs. Try it free.From: PatrickJCarroll at aol.com Date: Thu, 24 Nov 2005 22:25:22 EST To: neohiopal at lists.fredsternfeld.com Subject: [NEohioPAL]Christmas Massage Therapy Gift Certificates TO MY FELLOW PERFORMERS: Today starts the official Christmas Season! Why not give your loved one (or yourself ;-) ) something that will actually improve their health and or state of mind. MASSAGE! Whether you need a serious therapeutic deep tissue massage or just want to enjoy the bliss of total relaxation. Give a Massage Therapy Gift Certificate. Your Christmas shopping can be as easy as a phone call or a click of the reply button to this email! I offer a 20% discount to all Neohiopal subscribers. Happy Holidays to all! Patrick J. Carroll, L.M.T. 216-544-6001 ______________________________________ Disney's "BEAUTY AND THE BEAST" at Beck Center 12/2-12/31. 216-521-2540. http://www.fredsternfeld.com/beautyandthebeast.htm _______________________________________ There is also a sister site to this list called the "NEoPAL Bulletin Board." Occasionally when "hot-button" discussions go on more than a day or two, the bulletin board is used. The Neopal bulletin board also has some other terrific features, like a searchable database for you to put your personal information, a place to post pictures and a chat room with a nightly 11pm gathering to discuss hot topics: http://groups.yahoo.com/group/neopal/ ______________________________________ Disclaimer: The facts and/or opinions expressed in each message are solely those of the person in the "from" or "reply-to" header. The fact that these messages are posted should in no way be taken as an endorsement by the administrator of this list. Subscribers should perform due diligence for all goods, services and activities promoted on NEohioPAL. _______________________________________ NEohioPAL mailing list NEohioPAL at lists.fredsternfeld.com http://lists.fredsternfeld.com/mailman/listinfo/neohiopal http://www.fredsternfeld.com --------------------------------- Yahoo! Personals Single? There's someone we'd like you to meet. Lot's of someone's, actually. Try Yahoo! Personals --0-2081382362-1132943565=:97988 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
Christopher K. Young and Bill Van Nostran,
 
Hey guys, good input, however the very things that you mention, (that a lot of people mention) have been tried before, without success sad to say.
 
Bill, there is actually a screenwriting group that meets once a month at CSU called, Second Shift Screenwriters and they post here and at clevelandfilmmaking at yahoogroups.com. I'm not sure if they are critiquing their work or creating a master work or what. I want to attend but haven't as of yet. You can contact Christine for more info: christinednfr at yahoo.com
 
Also, Bill and Chris, way back when The Film Society sponsored Cleveland Filmmakers, I suggested that we pool our talents. All writers submit their scripts, all shooters submit their reels, all directors, well you get the idea. Then the whole group would vote on the best of the best, hone it down to even better, then approach the city, businesses, etc. to get it financed and produced.
 
Well, either no one felt confident enough about their own work, or they didn't want their doubts exposed to an open forum, or they were just too busy, but the idea got a lot of kudos and praise, but very quickly fell into oblivion. Eventually the entire group was disbanded, probably for lack of involvement. Then along came another organization that held great promise; a creative alliance of artists that would be a force to be reckoned with, that too failed. I even tried to give an intensive two day seminar on DV Filmmaking to help raise the quality bar. I got one attendee, thanks Christine! 
 
Chris, you mentioned that there are lots of people who want to work on other people's films and if you mean actors, sure, that only makes sense, but there aren't that many aspiring boom operators who's goal in life is to carry the crossarm of the indominable soundman. Even all the people who eagerly wanted to work on my feature, Madness have other aspirations besides crew work. And you're right they came to me, based on the quality of my previous works (thanks for your part in those successes by the way). However, I really hate using people for any great length of time for no-pay, so I kept the crew very small and they were and are very committed.
 
I guess what I'm trying to articulate is we don't need a Film Czar or Commissioner for the indie film scene. It pretty much takes care of itself. If you are willing to really take the time and make your work stand out for quality in all areas, the community of actors, crew, businesses and local governments, will respond and support your efforts. I had cast and crew come for a full time, two week long shoot, for no pay, from as far away as Canton, Youngstown, and North Olmsted, to shoot in a million dollar house that didn't charge us a thing, all because they believed the experience would be worth it.

My biggest gripe is that in so many productions quality gets shoved to the bottom of the list and I walk into a landscape of burning bridges trying to find the few resources who haven't been burned or are willing to take a chance on one more independent film.
 
As far as Cleveland Indieclub goes, we do network, but critiquing is forbidden. Attendance would drop to nothing if everyone worried their work wasn't good enough to please fellow filmmakers. One can only hope that as they see better work, they will incorporate that effort and ethic into their own projects.
 
Thanks Fred for allowing this diatribe. I hope it gives the whole list some insight into the minds of indie filmmakers...
 
For those actors interested in some guidelines when auditioning for Independent Film projects here are some tips:
 
Thanks,
Bill Johns
 
 
 
 



From: "Bill Van Nostran" <wvannostran at neo.rr.com>
To: <alexcine at aol.com>, <neohiopal at lists.fredsternfeld.com>
Subject: Re: [NEohioPAL]Film Czar seeks Feedback on making Cleveland a Movie City
Date: Thu, 24 Nov 2005 14:08:22 -0500

As the adage goes, if it ain't on the page, it ain't on the stage. Same goes
for motion pictures. The good ones all start with a compelling story well
told. So one simple way to encourage new work, foster a supportive
environment, and help individuals gain feedback on their work could come
from a group focused on helping local filmmakers develop and polish
material. A monthly group giving individual writers an opportunity to hear
scenes from an emerging draft read aloud, then receive feedback from others,
is a small, but perhaps important step in developing a local environment to
foster NEO talent. Perhaps twice a year, local actors might be persuaded to
participate in readings of screenplays nearing completion--showcasing them
to a larger audience.

Bill Van Nostran

From: Christopher <kaimei at earthlink.net>
To: neohiopal at lists.fredsternfeld.com
Subject: Re: [NEohioPAL]All Hail Film Czar and Film Prophet

I see an attempt at buying some goodwill with the acting and crew community here, but if we shift ALL the blame on the filmmakers, then we will be ignoring the suffering of those majority of actors and crew who ARE professional enough to show up and try to finish scenes and projects in spite of the few who disappear and stop returning calls until they've settled into their Venice Beach apartments or found religion, or whatever excuse they give until one posts another audition notice.  Then, they resurface and send their headshots and resumes as if you won't remember them from the last burn, and to add insult to injury, some of them even put the picture they bailed on or got fired from ON THEIR RESUME!
Maybe if we all resigned ourselves to making short films that only have one or two locations, then the impact of this kind of behavior could be minimized.  But for those of us who dare to make feature films with multiple locations and scenes with significant cast interplay, then this work ethic, left unaddressed, will STAY the norm for a minority, but significant percentage of actors and crew in this area, thereby throwing a wrench not only into a director's work, but the work of the other actors and crew as well.  It only takes one actor doing this to shut down a film.  Ask around.  I have first hand experience with the phenomenon, and when filmmakers start to get a little ambitious around here, so will they.
And while I haven't been to an Indieclub meeting in a long time, I thought I was giving it the benefit of the doubt in my initial posting.  But if they're not networking their resources or helping each other improve their work, then what the hell are those guys doing there?  I hope it's not all about listening to someone who memorized an article out of videomaker magazine or congratulating each other for sticking it out in Cleveland for as long as they have.  Don't get me wrong!  This isn't a commentary on Indieclub!  I imagine that someone conversant with Indieclub's mission can articulate its significance with great ease.  The last meeting I attended (almost two years ago) was very helpful.  But if it's true that they no longer provide a resource pool and a constructively critical forum, then that which I hope it isn't, must be exactly what it is.  I'll attend one as soon as possible, with the hopes that we're both wrong.  But, all that aside, sway with city leaders is a necessary next step for Indieclub, or any organization that takes Cleveland's position in the greater media arts community to heart.  I mean, what's a film community if the COMMUNITY isn't involved?  Perhaps this is already underway, again, I haven't been attending.  But an US and THEM attitude won't help anybody, because THEY have the power to make US unwelcome... even more so than we already are from a socio-cultural standpoint.
One other issue I need to take on is the idea that Cleveland's indie scene is mostly made up of writers, producers and directors.  While it's true that most directors are also writers and producers, and all the other combinations therein, it's more than safe to say that the vast majority of those who consider themselves in the indie scene have little to no interest in writing and/or producing and/or directing a picture of their own.  Ask yourself, what's the largest number of actors you've had answer a casting call of yours?  My largest number is about 130, I imagine yours are similar, if not higher since you often cast on the coattails of success from a previous project.  This kind of turn out is not uncommon.
Now how many area filmmakers have you ever seen in one place locally, at one time?  Actual filmmakers with one or more credits in the above mentioned categories?  Even add those who aspire to have a credit and the number's still pretty small.  The reason I bring up this otherwise picayune issue is because it's symptomatic of a trend this community has, and I've been guilty of too:  leaving out actors and crew in the dialogue over the needs of this film community.  Because when you include those people in the mix, then we see that in fact, a vast majority of this community DOES WANT to work on someone else's film.  They're just waiting for something they can believe in.
Some find it, many don't, and some are just easy to please.
You know us creative types are an unorganized lot with major attention deficit, so one more time.  What was the point?
Christopher K. Young
www.shallowfocus.com
P.S.: Amen to your last two paragraphs
 
 
Bill wrote:
All Hail Film Czar and Film Prophet You know, most of the time I sit with calm amusement as I read the various ramblings as to why Cleveland isn't 'on the map' when it comes to motion picture film and TV production. However, these latest posts are just too funny to ignore... A self proclaimed Film Czar? What the hell is that? Alex, I thought you were joking! And Christopher, you seem to have so much intelligence and yet you completely miss the point. Ya wanna know the reason why we can't all just get along and make movies together? Well here it is. There's too much crap!!! And widely varying degrees of crap. One of the only reasons our monthly Indieclub meetings are successful is because we're not trying to create a consortium; we're not trying to unite our resources, we're not even trying to improve eachother's work. We're j ust watching videos. And guess what? We see a lot of crap. We see some good stuff too, but mostly we see Learners, Yearners and Burners. Now, Learners are novice filmmakers who make crap because it's their first film and rather than learn the trade first, they go ahead and make a movie as practice and hopefully they'll improve. We sit politely and smile, wishing they had thought about lighting, sound, acting, dialogue, and camera work before making us sit through their experiments. Yearners are filmmakers who really want to make good films, so they use everything at their disposal to make the best possible film they can. However, they're still somewhat plagued by compromise and the results are never what they hoped for, nor what a real distributor will buy. Much easier to sit through though. Burners are the worst. These are filmmakers (u sually prolific) who make crap every time out of the gate. Their camera work is mostly hand-hell shaky cam. Their lighting is barely more than ambient and they often use the on-camera mic to capture dialogue. The acting is wooden and undirected; the stories are either so deep you need waders, or so shallow you can't find a point; and to top it off, they're fully convinced they are great filmmakers. But why do I call them Burners you ask? Well, because they burn the bridges that sincere Yearners might someday want to use. They burn bridges with actors who get soured against indie filmmakers because they have nothing decent to show for all their hard work (not even copy). They burn bridges with locations because they are so unorganized that they overstay their welcomes, mess up property and never send copies of the video, like they promise to do. They burn bridges with investors because the investor never sees a dime of their money back. They burn bridges with the legitimate film commission, because, as I said before they make crap and what film commission is going to support and encourage more crap??? Yet that's not the reason why we don't need a film czar or film prophet or any other coordinating force. The real reason is no one wants to work on someone else's film. You see, most of the people that comprise the indie scene here in Cleveland are writer/producer/directors and we're all working on our own projects. And guess what. I'm not all that interested in spending my valuable time working on someone's project which I consider to be crappier than my own. I can just as easily be spending my time and resources creating my own crap. Sure everyone would like to think there's a benevolent brotherhood of filmmakers; a selfless society where everyone submits ideas and work samples and then the members vote on what script to do and who to direct it. The commu nity is presented with the proposal and since it bears the backing of so many filmmakers, the businesses get involved and support the project with services and finances. The best actors come from all around to have a part in the project and a glorious motion picture is produced that wins the Oscar for Impossible Dream... That would be a good plot for a fantasy picture, but in the real world, writers will lose interest if their script isn't picked. Directors will bail if they can't direct and actors will walk away if they can't be the lead. And you guessed it the end product would probably be... well, I don't need to say it again. (though I really want to) Bill Johnscrappy writer/producer/and directorwww.cinevidproductions.com P.S - I guess I'm in a sour mood because just yesterday I lost a serious investor (producer of two features in LA) because she said the acting in one of the scenes I sent her wasn't very good. I knew it when I shot it that I was compromising, and even though we're reshooting that scene, it's too late to regain that contact... ah CRAP!
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Date: Thu, 24 Nov 2005 22:25:22 EST
To: neohiopal at lists.fredsternfeld.com
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Lot's of someone's, actually. Try Yahoo! Personals --0-2081382362-1132943565=:97988-- --0-1474271259-1132943565=:97988-- From lilith at cros.net Fri Nov 25 11:30:04 2005 From: lilith at cros.net (lilith) Date: Fri, 25 Nov 2005 14:30:04 -0500 Subject: [NEohioPAL]Cleveland IndieClub Message-ID: <200511251430.AA102433106@cros.net> Christopher, Alex, Bill, etal: As an ardent "learner" and IndieClub attendee, I feel compelled to respond. IndieClub is not only thriving, it has outgrown its first location at Talkies and moved to the larger Hyacinth Lofts. Even then, the meetings are often standing room only. What used to be a 3 hour meeting has expanded to over 4 hours. This was done for one reason only as far as I know- so that we would all have the time to NETWORK! We were so busy screening work and having in really good speakers (like this month's Phil Garrett, previously of Dreamworks!) that we had run out of time to fish the talent pool for people to work on our shoots. >From my association with Cleveland IndieClub, I have worked on 11 projects in the last 3 years. 2 of those were my own, with a third to shoot next weekend. I have done everything I could. My 20+ years expertise is in wardrobe and make up, so I have done alot of that. But I have worked as an extra and PA and moved through the ranks to script supervise, write, direct and produce. To be sure, when I started seriously in film, I knew very little. I learned by volunteering to work on others' projects- yes, even the bad ones. You learn as much, if not more, on a bad shoot than a good one. Because I have a good work ethic, show up and do my job with the most professional attitude I have, I get asked back and recruited for other work. I am lucky enough that now I am regularly paid to work on films (yes, indies can pay!). Of course, I care a lot about the work and have studied everything I can get my hands on about filmmaking. The only thing IndieClubbers lack as a whole, is the same thing every indie struggles with- MONEY. We need to learn how to raise it and spend it wisely to produce distributable product. My next shoot is next weekend, and is entirely crewed by INDIECLUBBERS! Actors, crew, pa's- all from Indieclub. Some of these people honor me completely by agreeing to come work on my shoot, others are like I was a few years ago, hungry to learn. Why do I share all of this? Because my personal story is just one of many- A great many Indieclubbers are just like me, and we survive becasue we work together. My product improves with every new technique I learn and I never tire of learning. Just one modest success story from IndieCleveland. Hope to see you all at the next meeting. Christine Chapman lilith at cros.net From Wakeup4664 at aol.com Fri Nov 25 11:35:53 2005 From: Wakeup4664 at aol.com (Wakeup4664 at aol.com) Date: Fri, 25 Nov 2005 14:35:53 EST Subject: [NEohioPAL]Great Bargain for your Craft: "Tricks of the Trade. . . " On-Camera Reminder Message-ID: <1da.48ac7e37.30b8c199@aol.com> --part1_1da.48ac7e37.30b8c199_boundary Content-Type: text/plain; charset="ISO-8859-1" Content-Transfer-Encoding: quoted-printable Great Bargain on Learning / Honing Your Craft! "Tricks of the Trade. . . " On-Camera Reminder . Mon.=A0 11/28: "Tricks of the Trade: On-camera Skills and Monologues" 2005 Will be Over, Soon, so Get Your Last "Tricks of the Trade" for . . .=20 Auditions, On-Camera & Voiceover Be Ready for the New Year! Sue Johnson and WAKE UP And LIVE's Actors' Studio are conducting a series of= =20 special "Tricks of the Trade: Craft, Career and Professional Development"=20 Sessions,=20 Mondays, November 21st & 28th, & December 5th & 12th. =A0 7:00 -8:30 P. Shaker Heights, OH & Adelphia Locations. To register for classes for Actors & Other Performing Artists, email:=20 wakeup4664 at aol.com.=20 Did You Miss Mon.=A0 11/21: "Tricks of the Trade: Audition Techniques for St= age=20 and On-camera?" Then, Contact us to make Special Arrangements for=20 Individual Coaching Session . . . There's a difference between acting techniques on stage and on-camera. This=20 session will show you how to adapt your stage skills to be successful for=20 on-camera auditions and jobs. Learn the Do's & Don'ts of audition techniques.=A0 You will learn how auditi= ons=20 work, how to prepare for them, and where to find them.=A0 Be prepared for th= e=20 different scenarios: Monologues vs. Reading from the Script. Monologues,=20 commercial, film & industrial scripts. Get feedback on how you look, speak &= act=20 on-stage & on- camera.=20 . Mon.=A0 11/28: "Tricks of the Trade: On-camera Skills and Monologues" Practice on-camera skills with commercial, film & industrial copy.=A0 See=20 yourself as talent agents, producers, clients & casting agents see you.=A0 L= earn how=20 your facial expressions, gestures/mannerisms, body language/movement & voice= =20 project on-camera. Enhance the way you look, speak & act to get work. . Mon.=A0 12/5:=A0 "Tricks of the Trade: Voiceover Skills, Diction, Dialogue= and=20 Speaking Techniques for Performing Artists" Hear how you sound to listeners.=A0 Are you clear, articulate & interesting?= =A0=20 Do you 'Swallow' your words?=A0 Have you been called a 'Mush Mouth?'=A0 Have= you=20 been asked to 'Slow down?'=A0 Professional voiceover talent & public speaker= s pay=20 attention to the details - pacing, "t's, d's, & ings," etc.=A0 Learn to play= =20 with language and your voice: enunciation, articulation, intonation, inflect= ion,=20 and more, to give your characters & performances more flavor. Great session=20 for singers & comedians, too. . Mon. 12/12:=A0 "Tricks of the Trade: Creating Your Voiceover Demo in Conte= nt & Format" Great voiceover talent uses multiple basic 'actors' tools' to get & keep the= =20 listener's attention, sell the product, and solve the problem.=A0 Design you= r=20 Commercial, Industrial, PSA's, Story Telling & Narration copy which require=20 unique voiceover abilities.=A0 Find out why creating a demo and voiceover wo= rk=20 aren't easy as they look. . Workshop Fees: $20.00, each session. (November &=A0 December, only) . Private Coaching: $30.00, each=A0 session. (November &=A0=A0 December, onl= y) =A0 Credit Cards are accepted. [Note: Attend a workshop or coaching, now.=A0 Get a discount on your 1st=20 session scheduled in 2006. Ask for details.] Prefer Private Coaching? Then . . . Choose a Private Coaching session, on the above topics (or, other topics of=20 your choice),=20 by appointment. Pre-payment required. For more details, and to register, please reply to: wakeup4664 at aol.com Make Checks Payable & Mail to: Sue Johnson, Director WAKE UP And LIVE's Actors' Studio P.O. Box 201524 Shaker Heights, OH 44120 http://carolirvin.com/wakeup.htm --part1_1da.48ac7e37.30b8c199_boundary Content-Type: text/html; charset="ISO-8859-1" Content-Transfer-Encoding: quoted-printable

Great Bargain=20= on Learning / Honing Your Craft!
"Tricks of the Trade. . . " On-Camera Reminder

. Mon.=A0 11/28: "Tricks of the Trade: On-camera Skills and Monologues"<= BR>
2005 Will be Over, Soon, so Get Your Last
"Tricks of the Trade" for . . .
Auditions, On-Camera & Voiceover

Be Ready for the New Year!


Sue Johnson and WAKE UP And LIVE's Actors' Studi= o are conducting a series of special "Tricks of the Trade: Craft,= Career and Professional Development" Sessions,

Mondays, November 21st & 28th, & December 5th & 12th.
=A0 7:00 -8:30 P.
Shaker Heights, OH & Adelphia Locations.

To register for classes for Actors & Other Performing Artists, email: wa= keup4664 at aol.com.


Did You Miss Mon.=A0 11/21: "Tricks of the Trade: Audition Techniques f= or Stage and On-camera?"   Then, Contact us to make Special= Arrangements for Individual Coaching Session . . .

There's a difference between acting techniques on stage and on-camera. This=20= session will show you how to adapt your stage skills to be successful for on= -camera auditions and jobs.
Learn the Do's & Don'ts of audition techniques.=A0 You will learn how au= ditions work, how to prepare for them, and where to find them.=A0 Be prepare= d for the different scenarios: Monologues vs. Reading from the Script. Monol= ogues, commercial, film & industrial scripts. Get feedback on how you lo= ok, speak & act on-stage & on- camera.

. Mon.=A0 11/28: "Tricks of the Trade: On-camera Skills and Monologue= s"
Practice on-camera skills with commercial, film & industrial copy.=A0 Se= e yourself as talent agents, producers, clients & casting agents see you= .=A0 Learn how your facial expressions, gestures/mannerisms, body language/m= ovement & voice project on-camera. Enhance the way you look, speak &= act to get work.

. Mon.=A0 12/5:=A0 "Tricks of the Trade: Voiceover Skills, Diction, Dia= logue and Speaking Techniques for Performing Artists"
Hear how you sound to listeners.=A0 Are you clear, articulate & interest= ing?=A0 Do you 'Swallow' your words?=A0 Have you been called a 'Mush Mouth?'= =A0 Have you been asked to 'Slow down?'=A0 Professional voiceover talent &am= p; public speakers pay attention to the details - pacing, "t's, d's, = & ings," etc.=A0 Learn to play with language and your voice: enun= ciation, articulation, intonation, inflection, and more, to give your charac= ters & performances more flavor. Great session for singers & comedia= ns, too.

. Mon. 12/12:=A0 "Tricks of the Trade: Creating Your Voiceover Demo i= n Content & Format"
Great voiceover talent uses multiple basic 'actors' tools' to get & keep= the listener's attention, sell the product, and solve the problem.=A0 Desig= n your Commercial, Industrial, PSA's, Story Telling & Narration copy whi= ch require unique voiceover abilities.=A0 Find out why creating a demo and v= oiceover work aren't easy as they look.

. Workshop Fees: $20.00, each session. (November &=A0 December= , only)
. Private Coaching: $30.00, each=A0 session. (November &=A0=A0 Decemb= er, only)
=A0 Credit Cards are accepted.
[Note: Attend a workshop or coaching, now.=A0 Get a discount on your 1st=20= session scheduled in 2006. Ask for details.]

Prefer Private Coaching? Then . . .
Choose a Private Coaching session, on the above topics (or, other topics of=20= your choice),
by appointment. Pre-payment required.

For more details, and to register, please reply to: wakeup4664 at aol.com

Make Checks Payable & Mail to:
Sue Johnson, Director
WAKE UP And LIVE's Actors' Studio
P.O. Box 201524
Shaker Heights, OH 44120



http://carolirvin.com/wakeup.htm









--part1_1da.48ac7e37.30b8c199_boundary-- From Wakeup4664 at aol.com Fri Nov 25 11:48:49 2005 From: Wakeup4664 at aol.com (Wakeup4664 at aol.com) Date: Fri, 25 Nov 2005 14:48:49 EST Subject: [NEohioPAL]Another Invitation to Attend:"Tricks of the Trade" WAKE UP And LIVE w/ the ARTS Message-ID: <271.8a812a.30b8c4a1@aol.com> --part1_271.8a812a.30b8c4a1_boundary Content-Type: text/plain; charset="ISO-8859-1" Content-Transfer-Encoding: quoted-printable Another Invitation to Attend . . .=20 "Tricks of the Trade" =20 WAKE UP And LIVE w/ the ARTS There's Still Time to be our Guest=20 this Thursday, 12/1 on=20 WAKE UP And LIVE with the ARTS, TV Program Email your RSVP, by Tues. 11/29. See below for complete details Join us for . . . "Tricks of the Trade: Craft, Career and Professional Development" Series on=20 WAKE UP And LIVE with the ARTS . Would you like to . . . =A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0 .=A0 hone your craft and showcase your=20= talent at the same time? =A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0 .=A0 be involved with a TV production t= o showcase your talent? . Here's your chance . . . Sue Johnson and WAKE UP And LIVE's Actors' Studio are conducting a series of= =20 special "Tricks of the Trade: Craft, Career and Professional Development"=20 Sessions on upcoming WAKE UP And LIVE with the ARTS TV programs. . Here's how it will work . . . You are invited to be a participant and attend a taping(s), of your choice,=20 of WAKE UP And LIVE with the ARTS on:=20 =A0=A0=A0=A0=A0=A0=A0 . Thursdays, Dec.=A0 1st, and Dec. 15th.=A0=20 =A0=A0=A0=A0=A0=A0=A0 . approx. 7:30 P - 8:45 P. Adelphia Studios. . The topics for each session are . . . . Thurs. 12/1:=A0=A0 "Tricks of the Trade: On-camera Skills with Monologues and Scenes" . Thurs. 12/15:=A0 "Tricks of the Trade: Voiceover Skills and Diction, Dialogue & Speaking=20 =A0=A0 Techniques" We will tape the sessions.=A0 They will be shown as WAKE UP And LIVE with th= e=20 ARTS half-hour programs later, on Adelphia, Cox and Cleveland Access channel= s. You will have the chance to participate in practicing your craft, discussion= ,=20 questions and answers. Space is limited. RSVP's will be accepted on a first-come, basis. These=20 sessions are Complimentary.=A0=20 However, in order to attend the Complimentary sessions, you must contact us=20 by Sunday, 11/27 and register for at least of the 3 "Tricks of the Trade:=20 Craft, Career and Professional Development" Workshops scheduled for . . .=20 "Tricks of the Trade "=A0 workshop sessions, 7:00 -8:30 P. Shaker Heights, O= H. =A0 =A0=A0 . Mon.=A0 11/28:=A0=A0 On-camera Skills and Monologues =A0=A0 . Mon.=A0 12/5:=A0=A0=A0 Voiceover Skills, Diction, Dialogue & Speaki= ng Techniques =A0=A0=A0=A0 for Performing Artists =A0=A0 . Mon. 12/12:=A0 Creating Your Voiceover Demo in Content & Format" Or, you can choose a Private Coaching session, on the above topics (or, othe= r=20 topics of your choice), by appointment. Pre-payment required by NOVEMBER=20 15th. . Workshop Fees: $35.00, two sessions. $20.00, each additional session. (November &=A0December, only) . Private Coaching: $45.00, two sessions. $25.00, each additional session.=20 (November & December, only) For more details, to RSVP and to register, please reply to: Sue Johnson, Director WAKE UP And LIVE's Actors' Studio Wakeup4664 at aol.com P.O. Box 201524 Shaker Heights, OH 44120 . . . About Sue Johnson . . . Sue Johnson, Director of the WAKE UP And LIVE's Actors' Studio, is an actor,= =20 director, producer and talent coach whose professional credits include recen= t=20 appearances in Cleveland area theatres, including Agents and Assets, an LAPD= =20 production at Cleveland Public Theater. She has directed My Big Fat=20 Dysfunctional Office, a commissioned play, numerous "PlayActs" Performances=20= and Jim=20 Spriggs' Terror on Biddle Street, a staged reading, for Karamu's Arenafest.=20= TV=20 credits include A & E's 100 Centre Street, and films, Antwone Fisher directe= d by=20 Denzel Washington, and The Year That Trembled, Jay Craven, Director. Her tal= ent=20 resume lists numerous TV commercials, industrials, and voiceovers.=20 She produces, directs and co-hosts WAKE UP And LIVE with the ARTS with Chris= =20 Fortunato. The performing & cultural arts program airs Wednesdays, 7:30 P &=20 Saturdays, 7:00 P on Adelphia Cable, ch. 21, eastern suburbs and ch. 23, wes= tern=20 suburbs. The show also airs on Cox Cable, ch. 45, Wednesdays 7:30 P &=20 Saturdays, 7:00 P, and Cleveland Access, ch. 25, Wednesdays, 7:00 P.=A0 Her=20= "Tricks of=20 the Trade: Craft, Career & Professional Development" Series, and "Tricks of=20 the Trade: Acting Seminars for Business & Leadership Training" workshops are= =20 well-known throughout the performing arts and corporate community.=20 http://carolirvin.com/wakeup.htm --part1_271.8a812a.30b8c4a1_boundary Content-Type: text/html; charset="ISO-8859-1" Content-Transfer-Encoding: quoted-printable

Another Invitation=20= to Attend . . .
"Tricks of the Trade" 
WAKE UP And LIVE w/ the ARTS

There's Still Time to be our Guest
this Thursday, 12/1
on
WAKE UP And LIVE with the ARTS,
TV Program
Email your RSVP, by Tues. 11/29.
See below for complete details

Join us for . . .


"Tricks of the Trade: Craft, Career and Professional Development" Series=
on
WAKE UP And LIVE with the ARTS


. Would you like to . . .
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0 .=A0 hone your craft and showca= se your talent at the same time?
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0 .=A0 be involved with a TV produ= ction to showcase your talent?

. Here's your chance . . .
Sue Johnson and WAKE UP And LIVE's Actors' Studio are conducti= ng a series of special "Tricks of the Trade: Craft, Career and Profession= al Development" Sessions on upcoming WAKE UP And LIVE with the ART= S TV programs.

. Here's how it will work . . .

You are invited to be a participant and attend a taping(s), of your choice,=20= of WAKE UP And LIVE with the ARTS on:
=A0=A0=A0=A0=A0=A0=A0 . Thursdays,  Dec.=A0 1st, and Dec. 15t= h.=A0
=A0=A0=A0=A0=A0=A0=A0 . approx. 7:30 P - 8:45 P. Adelphia Studios.
. The topics for each session are . . .

. Thurs. 12/1:=A0=A0
"Tricks of the Trade: On-camera Skills with Monologues and Scenes"

. Thurs. 12/15:=A0
"Tricks of the Trade: Voiceover Skills and Diction, Dialogue & Speaking=20=
=A0=A0 Techniques"

We will tape the sessions.=A0 They will be shown as WAKE UP And LIVE w= ith the ARTS half-hour programs later, on Adelphia, Cox and Clevelan= d Access channels.

You will have the chance to participate in practicing your craft, discussion= , questions and answers.

Space is limited. RSVP's will be accepted on a first-come, basis. These sess= ions are Complimentary.=A0

However, in order to attend the Complimentary sessions= , you must contact us by Sunday, 11/27 and register for at least of t= he 3 "Tricks of the Trade: Craft, Career and Professional Development" Workshops scheduled for . . .

"Tricks of the Trade "=A0 workshop sessions, 7:00 -8:30 P. Shaker Height= s, OH.
=A0
=A0=A0 . Mon.=A0 11/28:=A0=A0 On-camera Skills and Monologues

=A0=A0 . Mon.=A0 12/5:=A0=A0=A0 Voiceover Skills, Diction, Dialogue & Sp= eaking Techniques
=A0=A0=A0=A0 for Performing Artists

=A0=A0 . Mon. 12/12:=A0 Creating Your Voiceover Demo in Content & Format= "

Or, you can choose a Private Coaching session, on the above topics (o= r, other topics of your choice), by appointment. Pre-payment required by = NOVEMBER 15th.

. Workshop Fees: $35.00, two sessions. $20.00, each additional= session.
(November &=A0December, only)
. Private Coaching: $45.00, two sessions. $25.00, each additio= nal session.
(November & December, only)

For more details, to RSVP and to register, please reply to:
Sue Johnson, Director
WAKE UP And LIVE's Actors' Studio
Wakeup4664 at aol.com
P.O. Box 201524
Shaker Heights, OH 44120

. . . About Sue Johnson . . .

Sue Johnson, Director of the WAKE UP And LIVE's Actors' Studio, is an actor, director, producer and talent coach whose professional credit= s include recent appearances in Cleveland area theatres, including Agents= and Assets, an LAPD production at Cleveland Public Theater. She has dir= ected My Big Fat Dysfunctional Office, a commissioned play, numerous=20= "PlayActs" Performances and Jim Spriggs' Terror on Biddle Street, a staged reading, for Karamu's Arenafest. TV credits include A & E's= 100 Centre Street, and films, Antwone Fisher directed by Denz= el Washington, and The Year That Trembled, Jay Craven, Director. Her=20= talent resume lists numerous TV commercials, industrials, and voiceovers.
She produces, directs and co-hosts WAKE UP And LIVE with the ARTS<= /I> with Chris Fortunato. The performing & cultural arts program airs We= dnesdays, 7:30 P & Saturdays, 7:00 P on Adelphia Cable, ch. 21, eastern=20= suburbs and ch. 23, western suburbs. The show also airs on Cox Cable, ch. 45= , Wednesdays 7:30 P & Saturdays, 7:00 P, and Cleveland Access, ch. 25, W= ednesdays, 7:00 P.=A0 Her "Tricks of the Trade: Craft, Career & Profe= ssional Development" Series, and "Tricks of the Trade: Acting Seminar= s for Business & Leadership Training" workshops are well-known throu= ghout the performing arts and corporate community.


http://carolirvin.com/wakeup.htm

--part1_271.8a812a.30b8c4a1_boundary-- From lucia9577 at yahoo.com Fri Nov 25 10:14:00 2005 From: lucia9577 at yahoo.com (Lucia DiVieste) Date: Fri, 25 Nov 2005 10:14:00 -0800 (PST) Subject: [NEohioPAL]Italian American Art Exhibit Message-ID: <20051125181400.74914.qmail@web60811.mail.yahoo.com> --0-385054868-1132942440=:70491 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Art Show Featuring Illustrations of Italian-American Life By...Mauro DiVieste Location: Little Peppino's Restaraunt 728 North State Street Girard, OH 44420 When: December 10, 2005; 3pm - 9pm Illustrations for sale. All sold illustrations will be available for pickup between 7-8pm at Little Peppino's. --------------------------------- Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --0-385054868-1132942440=:70491 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
Art Show
 
Featuring Illustrations of Italian-American Life
 
By...Mauro DiVieste
 
Location: Little Peppino's Restaraunt
               728 North State Street
               Girard, OH 44420
 
When: December 10, 2005;  3pm - 9pm
 
Illustrations for sale.  All sold illustrations will be available for pickup between 7-8pm at Little Peppino's. 

Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --0-385054868-1132942440=:70491-- From Wakeup4664 at aol.com Fri Nov 25 12:43:46 2005 From: Wakeup4664 at aol.com (Wakeup4664 at aol.com) Date: Fri, 25 Nov 2005 15:43:46 EST Subject: [NEohioPAL]Look Who's on WAKE UP And LIVE with the ARTS, Now! Adelphia, Cox & Cleveland Message-ID: <291.4e203b.30b8d182@aol.com> --part1_291.4e203b.30b8d182_boundary Content-Type: text/plain; charset="ISO-8859-1" Content-Transfer-Encoding: quoted-printable Look Who's on WAKE UP And LIVE with the ARTS, Now! . Tune into . . .=A0 WAKE UP And LIVE with the ARTS=20 on=20 Adelphia Cox Cable &=20 Cleveland Access. with Chris Fortunato and Sue Johnson, co-hosts,=20 a locally produced performing and cultural arts TV show, which continues to=20 showcase area talent.=A0 Be sure to check out "local cable access listings o= n=20 neohiopal" throughout November and December, to see how local "stars" are=20 lighting up your TV viewing. . on Adelphia, ch. 23, eastern & ch. 21, western Suburbs =A0=A0 Wednesdays, 7:30 P. Saturdays, 7:00 P . Wed. 11/30 & Sat. 12/3: A discussion of "Tricks of the Trade: Audition Techniques for Stage and=20 On-camera, "=A0part 1,=A0 with co-hosts, Sue Johnson & Chris Fortunato, feat= uring=20 Rollin "Mac" Michael & Anne Fusco, actors, Ruby Fox, playwright, & Bob Sega= l,=20 comedian & jazz clarinetist. Wed. 12/7 & Sat. 12/10: A part II, discussion of "Tricks of the Trade: Audition Techniques for Stage= =20 and On-camera, "=A0,=A0 with co-hosts, Sue Johnson & Chris Fortunato, featur= ing=20 Rollin "Mac" Michael & Anne Fusco, actors, Ruby Fox, playwright, & Bob Sega= l,=20 comedian & jazz clarinetist. Here's a recap of recent shows aired on Adelphia in November. Wed. 11/9 & Sat. 11/12:=20 . Harriett Logan, owner, Loganberry Books, celebrating its 10th Anniversary= =A0=A0=20 Angelia Lee, Actor/Author/Vocalist, and Gary Webster, Playwright. Wed. 11/16 & Sat. 11/19: . Jim Levin and Thomas Mulready from iNGENUiTY and=20 Cool Cleveland.com, discussing the arts scene in Cleveland and next year's=20 iNGENUiTY with Gary Webster, actor & playwright, Angelia Lee, actor, singer= ,=20 playwright & Harriett Logan, owner, Loganberry Books Coming Soon . . . on Adelphia, channels 21 and 23=A0 . . .=20 . Hal Wyant and his TransAfrica Rhythms band . New "PlayActs" Performances featuring local playwrights and actors,=20 =A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0= =A0 - - - and - - - . "Tricks of the Trade: Craft, Career and Professional Development"=20 discussions. November . . . on Cox Cable, ch. 45. . . Wednesdays, 7:30 P, Saturdays, 7:00 P. Wed/ 11/2 & Sat. 11/5 . Alphonzo G. Smith, Jr., and his new band, Stratos, blowing the roof off=20 with their vocal and music eclectic mix of jazz, blues, and contemporary=20 selections.=A0 Brenda Smith, Spokesperson, shares the story of the band's or= igins,=20 dreams and special events, while Iris Tucker-Berry gets "carried away" by th= e music=20 and starts "jammin'" with an impromptu "cabaret smooth groove" dance. Wed. 11/9 & Sat. 11/12 . Jennifer Hoffman, former WAKE UP and LIVE's Actors' Studio student, who ha= s=20 graduated from Point Park College, PA and is now back home setting up her=20 professional musical theater career, and private coaching and classes, while= =20 working at Solon Center for the Arts.=A0=20 -- and -- . Bob Segal and Steve Samuel, of the Bob and Steve Duo, blowing some "mean"=20 jazz standards through their clarinets.=A0 Both Segal, who performs Klezmer=20 music,=A0 and Samuel are also well known for their teaching affiliations wit= h=20 Cleveland schools and the Music Institute. Also, in November . . . .Our "PlayActs" series of auditions for the TV show, rehearsals and=20 performances for "PlayActs" featuring 4 fun short plays written by=20 Playwrights-in-Residence, Ruby Fox and Gary Webster. The WAKE UP And LIVE's=20= Actors' Studio team of=20 Rollin "Mac" Michael, Sapphire DeFranco, Lauren Skirbunt, James McGilbray,=20 Gary Webster, Marvin L. Mallory, Mary Lu Franks, Beverly Kristy,=20 Iris-Tucker-Berry, and Lynna Metrisin reprise or create their roles in Celib= acy Odyssey,=20 Forever Milly, Is This How Frankie and Annette Got Started?, and We Want to=20= be in=20 Pictures . . . Or on TV . . . Or, the Stage . . . But We'd=20 Settle for Radio. Wed. 11/16 & Sat. 11/19 . "PlayActs" Is This How Frankie & Annette Got Started? by Gary Webster,=20 featuring James McGilbray, Lauren Skirbunt,=A0 & Gary Webster Wed. 11/23 & Sat. 11/26 . "PlayActs" We Want to be in Movies, TV . . . by Gary Webster, featuring= =A0=20 Marvin L. Mallory, Mary Lu Franks, Beverly Kristy,=A0 & Iris Tucker-Berry. Wed. 11/30 & Sat. 12/3 . "PlayActs" Celibacy Odyssey, by Ruby Fox, featuring Lynna Metrisin, Rollin= =20 "Mac" Michael & Gary Webster Wed. 12/7 & Sat. 12/10 . Hue People, II,=A0 vocal group, with steven e.boyd, Anita Rose Banks, Ceco= =20 Selinas & Brother Afi-Nur, whose performances are becoming standard features= at=20 many public, private and corporate events around northeast Ohio. .on Cleveland Access Channel, ch. 25. . . Wednesdays, 6:00 P. Wed. 11/9 & Wed. 11/16 . Kelly Chapman, Inspirational Recording Artist, Real CD & Heal Me, Wed. 11/23 & Wed. 11/30 . Alex Worthington, Author, Frankie McBeans and the Tickle Monster Wed. 12/7 & Wed. 12/14 . "PlayActs" Auditions, I. Area actors, Liz Bauer, Sonia N. Bishop, Allen=20 Branstein, , Mary Lu Franks, Norman King, and Ubu Zurub participating in "Tr= icks=20 of the Trade" on-camera auditions with monologues, vocal selections, solo=20 pieces and scene readings. Maureen J. Carey, local playwright, "auditioning"= =20 excerpts from her "The Lesson of the Butterfly," with Ruby Fox, veteran play= wright=20 observing the action. Wed. 12/21 & Wed. 12/28 . David Johnson & Daoud's Puppets, a discussion and demonstration on how to=20 craft hand puppets in quick and easy ways. Wed. 1/4 &=A0 Wed. 1/11/06 . Ed Niam, Founder, Self Healing Institute, a TaiQiGong Fitness System,=20 discussing and demonstrating the power of a unique program which recharges m= ental,=20 physical and spiritual health. Coming, soon, to Cox Cable and Cleveland Access. Damion Fontaine and Scott Brotherton as=A0 "Rat Pack" duo, Frank Sinatra and= =20 Dean Martin, with a special appearance by "Ed Sullivan." Scott and Damion cr= oon=20 some of Frankie & Dino's best known tunes. LaVar Arnold, poet, actor and aspiring Nobel Prize winner, performing=20 selections of his original poetry which can be heard at Cleveland Art Theate= r at=20 Monday night poetry readings. . Terrence Spivey, Artistic Director, Karamu Theatre, with Norma Powell,=20 co-host,=A0 and Ruby Fox, playwright, discussing Karamu's upcoming 90th Anni= versary=20 season, which kicks off October 14th with the female version of The Odd=20 Couple, directed by Jean Hawkins.=A0=20 Keep Tuning in to learn about Our . . . .=A0 "Giggles, Chuckles and Hardy Ha! Ha's!," the new Laughter CD, being=20 introduced the our viewers. Created by Mac Michael, with Lester Bryant, "Gig= gles . .=20 . " is voiced and produced by the entire WAKE UP And LIVE's Actors' Studio=20 artistic, production and technical team. This CD will take your mind off you= r=20 "troubles" for a few minutes and light up your life with healing and humor.=20= For=20 "kids" of all ages, just for fun, and for those who need upliftment to help=20 see them through challenging times. "Giggles, Chuckles and Hardy Ha! Ha's!" Great for your fundraising and gift=20 ideas. $5.00 per CD.=A0 Discounts on multiple copies. For order information, email: wakeup4664 at aol.com. If you, your performing or cultural arts organization, would like to appear=20 on WAKE UP And LIVE with the ARTS, contact us . . . email: wakeup4664 at aol.co= m WAKE UP And LIVE with the ARTS, with Chris Fortunato and Sue Johnson,=20 co-hosts, is a locally produced performing and cultural arts TV show, which=20= continues=20 to showcase area talent.=A0 Be sure to check out "local cable access listing= s=20 on neohiopal" throughout November to see how local "stars" are lighting up y= our=20 TV viewing. - Wed. 7:30 P &=A0 Sat., 7:00 P.=A0=A0 Adelphia Cable, ch. 21, East suburbs =A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0= =A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0 Adelphia Cab= le, ch. 23,=A0 West=20 suburbs - Wed. 7:30 P & Sat., 7:00 P.=A0=A0 Cox Cable ch. 45 - Wed. 6:00 P.=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0= =A0=A0=A0=A0 Adelphia-Cleveland.=A0 ch. 25:=20 (Please note. Air dates are subject to change.) Sue H. Johnson, Director Chris Fortunato, Assoc. Director WAKE UP And LIVE's Actors' Studio=20 WAKE UP And LIVE with the ARTS P.O. Box 201524=A0 .=A0 Shaker Heights, OH 44120 wakeup4664 at aol.com http://carolirvin.com/wakeup.htm --part1_291.4e203b.30b8d182_boundary Content-Type: text/html; charset="ISO-8859-1" Content-Transfer-Encoding: quoted-printable

Look Who's=20= on WAKE UP And LIVE with the ARTS, Now!

. Tune into . . .=A0 WAKE UP And LIVE with the ARTS on
Adelphia
Cox Cable
&
Cleveland Access.
with
Chris Fortunato and Sue Johnson, co-hosts,
a locally produced performing and cultural arts TV show, which continues to=20= showcase area talent.=A0 Be sure to check out "local cable access listings o= n neohiopal" throughout November and December, to see how local "stars" are=20= lighting up your TV viewing.


. on Adelphia, ch. 23, eastern & ch. 21, western Subu= rbs
=A0=A0 Wednesdays, 7:30 P. Saturdays, 7:00 P

. Wed. 11/30 & Sat. 12/3:
A discussion of "Tricks of the Trade: Audition Techniques for Sta= ge and On-camera, "=A0part 1,=A0 with co-hosts, Sue John= son & Chris Fortunato, featuring Rollin "Mac" Michael & Anne Fusco, actors, Ruby Fox, playwright,  & Bob Sega= l, comedian & jazz clarinetist.

Wed. 12/7 & Sat. 12/10:
A part II, discussion of "Tricks of the Trade: Audition Techniques= for Stage and On-camera, "=A0,=A0 with co-hosts, Sue Jo= hnson & Chris Fortunato, featuring Rollin "Mac" Michael & Anne Fusco, actors, Ruby Fox, playwright,  & Bob Sega= l, comedian & jazz clarinetist.


Here's a recap of recent shows aired on Adelphia in November.

Wed. 11/9 & Sat. 11/12:
. Harriett Logan, owner, Loganberry Books, celebrating its 1= 0th Anniversary=A0=A0 Angelia Lee, Actor/Author/Vocalist, and = Gary Webster, Playwright.


Wed. 11/16 & Sat. 11/19: . Jim Levin and Thomas=20= Mulready from iNGENUiTY and Cool Cleveland.com, discussing the arts scene=20= in Cleveland and next year's iNGENUiTY with Gary Webster, actor &= ; playwright,  Angelia Lee, actor, singer, playwright &=20= Harriett Logan, owner, Loganberry Books

Coming Soon . . . on Adelphia, channels 21 and 23=A0 . . .

. Hal Wyant and his TransAfrica Rhythms band

. New "PlayActs" Performances featuring local playwrights and= actors,
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0= =A0 - - - and - - -
. "Tricks of the Trade: Craft, Career and Professional Development" <= /FONT>= discussions.


November . . . on Cox Cable, ch. 45. . .
Wednesdays, 7:30 P, Saturdays, 7:00 P.

Wed/ 11/2 & Sat. 11/5
. Alphonzo G. Smith, Jr., and his new band, Stratos,=20= blowing the roof off with their vocal and music eclectic mix of jazz, blues,= and contemporary selections.=A0 Brenda Smith, Spokesperson, shares the stor= y of the band's origins, dreams and special events, while Iris Tucker-Berry=20= gets "carried away" by the music and starts "jammin'" with an impromptu "cab= aret smooth groove" dance.

Wed. 11/9 & Sat. 11/12
. Jennifer Hoffman, former WAKE UP and LIVE's Actors' Studio= student, who has graduated from Point Park College, PA and is now back=20= home setting up her professional musical theater career, and private coachin= g and classes, while working at Solon Center for the Arts.=A0

-- and --

. Bob Segal and Steve Samuel, of the Bob and St= eve Duo, blowing some "mean" jazz standards through their clarinets.=A0 Both= Segal, who performs Klezmer music,=A0 and Samuel are also well known for th= eir teaching affiliations with Cleveland schools and the Music Institute.=

Also, in November . . .
.Our "PlayActs" series of auditions for the TV show, rehearsals and=20= performances for "PlayActs" featuring 4 fun short plays written by Pl= aywrights-in-Residence, Ruby Fox and Gary Webster. The WAKE UP And LIVE's= Actors' Studio team of Rollin "Mac" Michael, Sapphire DeFranco,=20= Lauren Skirbunt, James McGilbray, Gary Webster, Marvin L. Mallory, Mary Lu F= ranks, Beverly Kristy, Iris-Tucker-Berry, and Lynna Metrisin reprise or crea= te their roles in Celibacy Odyssey, Forever Milly, Is This How Frankie an= d Annette Got Started?, and We Want to be in Pictures . . . Or on TV=20= . . . Or, the Stage . . . But We'd
Settle for Radio.

Wed. 11/16 & Sat. 11/19
. "PlayActs" Is This How Frankie & Annette Got Started?<= /FONT>= by Gary Webster, featuring James McGilbray, Lauren Skirbunt,=A0 & G= ary Webster

Wed. 11/23 & Sat. 11/26
. "PlayActs" We Want to be in Movies, TV . . . by Gary= Webster, featuring=A0 Marvin L. Mallory, Mary Lu Franks, Beverly Kristy,= =A0 & Iris Tucker-Berry.

Wed. 11/30 & Sat. 12/3
. "PlayActs" Celibacy Odyssey, by Ruby Fox, featuring=20= Lynna Metrisin, Rollin "Mac" Michael & Gary Webster

Wed. 12/7 & Sat. 12/10
. Hue People, II,=A0 vocal group, with steven e.boyd= , Anita Rose Banks, Ceco Selinas & Brother Afi-Nur, whose performances a= re becoming standard features at many public, private and corporate events a= round northeast Ohio.

.on Cleveland Access Channel, ch. 25. . .
Wednesdays, 6:00 P.

Wed. 11/9 & Wed. 11/16
. Kelly Chapman, Inspirational Recording Artist, Real= CD & Heal Me,

Wed. 11/23 & Wed. 11/30
. Alex Worthington, Author, Frankie McBeans and the T= ickle Monster

Wed. 12/7 & Wed. 12/14
. "PlayActs" Auditions, I. Area actors, Liz B= auer, Sonia N. Bishop, Allen Branstein, , Mary Lu Franks, Norman King, and U= bu Zurub participating in "Tricks of the Trade" on-camera auditions w= ith monologues, vocal selections, solo pieces and scene readings. Maureen J.= Carey, local playwright, "auditioning" excerpts from her "The Lesson of=20= the Butterfly," with Ruby Fox, veteran playwright observing the action.<= B>

Wed. 12/21 & Wed. 12/28
. David Johnson & Daoud's Puppets, a discussion and demonstratio= n on how to craft hand puppets in quick and easy ways.

Wed. 1/4 &=A0 Wed. 1/11/06
. Ed Niam, Founder, Self Healing Institute, a TaiQiGong= Fitness System, discussing and demonstrating the power of a unique program=20= which recharges mental, physical and spiritual health.

Coming, soon, to Cox Cable and Cleveland Access.

Damion Fontaine and Scott Brotherton as=A0 "Rat Pack" duo, Frank Sinatra and Dean Martin, with a special appearance by= "Ed Sullivan." Scott and Damion croon some of Frankie & Dino's best kno= wn tunes.

LaVar Arnold, poet, actor and aspiring Nobel Prize winner, performi= ng selections of his original poetry which can be heard at Cleveland Art The= ater at Monday night poetry readings.

. Terrence Spivey, Artistic Director, Karamu Theatre,= with Norma Powell, co-host,=A0 and Ruby Fox, playwright, discussing Karamu'= s upcoming 90th Anniversary season, which kicks off October 14th with the fe= male version of The Odd Couple, directed by Jean Hawkins.=A0

Keep Tuning in to learn about Our . . .

.=A0 "Giggles, Chuckles and Hardy Ha! Ha's!," the new Lau= ghter CD, being introduced the our viewers. Created by Mac Michael, with Les= ter Bryant, "Giggles . . . " is voiced and produced by the entire <= B>WAKE UP And LIVE's Actors' Studio artistic, production and tech= nical team. This CD will take your mind off your "troubles" for a few minute= s and light up your life with healing and humor. For "kids" of all ages, jus= t for fun, and for those who need upliftment to help see them through challe= nging times.

"Giggles, Chuckles and Hardy Ha! Ha's!" Great for your fundraisi= ng and gift ideas.
$5.00 per CD.=A0 Discounts on multiple copies.
For order information, email: wakeup4664 at aol.com.

If you, your performing or cultural arts organization, would like to appear=20= on WAKE UP And LIVE with the ARTS, contact us . . . email: wak= eup4664 at aol.com

WAKE UP And LIVE with the ARTS, with Chris Fortunato and Sue J= ohnson, co-hosts, is a locally produced performing and cultural arts TV show= , which continues to showcase area talent.=A0 Be sure to check out "local ca= ble access listings on neohiopal" throughout November to see how local "star= s" are lighting up your TV viewing.

- Wed. 7:30 P &=A0 Sat., 7:00 P.=A0=A0 Adelphia Cable, ch. 21, East s= uburbs
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0= =A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0 Adelphia Cab= le, ch. 23,=A0 West suburbs
- Wed. 7:30 P & Sat., 7:00 P.=A0=A0 Cox Cable ch. 45
- Wed. 6:00 P.=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0= =A0=A0=A0=A0 Adelphia-Cleveland.=A0 ch. 25:
(Please note. Air dates are subject to change.)

Sue H. Johnson, Director
Chris Fortunato, Assoc. Director
WAKE UP And LIVE's Actors' Studio
WAKE UP And LIVE with the ARTS
P.O. Box 201524=A0 .=A0 Shaker Heights, OH 44120
wakeup4664 at aol.com



http://carolirvin.com/wakeup.htm



















--part1_291.4e203b.30b8d182_boundary-- From jtl at zoominternet.net Fri Nov 25 13:25:07 2005 From: jtl at zoominternet.net (Judi Terrell Linden) Date: Fri, 25 Nov 2005 16:25:07 -0500 Subject: [NEohioPAL]Thanks to everyone who replied to my request for an acoustic guitar Message-ID: <001501c5f206$b589f510$6401a8c0@moose> This is a multi-part message in MIME format. ------=_NextPart_000_0016_01C5F1DC.CCB3ED10 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Thanks so much to everyone who replied with advice and offers to my posting about purchasing an acoustic guitar. Thanks to one of the many generous folks on this list, I have a happy teenager who is in possession of a guitar she was able to purchase herself! The people on this list are wonderful! Judi ------=_NextPart_000_0016_01C5F1DC.CCB3ED10 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

Thanks so much to everyone who replied with advice = and offers to my posting about purchasing an acoustic guitar.  Thanks to one of the many = generous folks on this list, I have a happy teenager who is in possession of a guitar she = was able to purchase herself!  =

 

The people on this list are = wonderful!

Judi  =

------=_NextPart_000_0016_01C5F1DC.CCB3ED10-- From Allenkel at comcast.net Fri Nov 25 13:53:09 2005 From: Allenkel at comcast.net (Allen Kellogg) Date: Fri, 25 Nov 2005 16:53:09 -0500 Subject: [NEohioPAL]Stand in for two movies! In-Reply-To: <438518EE.EBFC1C27@earthlink.net> Message-ID: <00d101c5f20a$ad211b70$6401a8c0@SLAPPY> Waterstreet Productions is currently looking for a stand in for two feature length movies to be shot starting next Monday and going to December 22nd. We will be shooting in Cleveland and in Youngstown so one person from each area would be ideal. Unfortunately there is no compensation at this time; however, our last stand-ins did get to play bit parts in the last production. I can promise a great work environment and a great opportunity to network with some of the best industry professionals in the area. Right now we are looking for a female around 5'2" and about 110 pounds with long brown hair. There will be more calls in the near future. Please send a head shot and resume ASAP to allenkel at comcast.net. Allen Kellogg 1st AD From Evelyn.Ward at cpl.org Fri Nov 25 13:56:40 2005 From: Evelyn.Ward at cpl.org (Evelyn Ward) Date: Fri, 25 Nov 2005 16:56:40 -0500 Subject: [NEohioPAL]Dickens' Christmas Carol at Cleveland Public Library Message-ID: <3574453541f0.3541f0357445@clevnet.org>

Just a reminder -- if you're coming downtown Saturday for the Lighting Ceremony, come a little earlier and enjoy this delightful adaptation of Dickens' Christmas Carol, enacted by the PD's television critic Mark Dawidziak as Charles Dickens, with Tom Stephan as Scrooge and Sara Showman as Almost Everybody Else.  The show starts at 4 p.m. in the Louis Stokes Wing Auditorium at Superior and East Sixth Street, and it's free! 

Hope to see you there!

Evelyn M. Ward
Literature Department
Cleveland Public Library
325 E. Superior Ave.
Cleveland, OH 44114
Phone: 216-902-4947
Fax: 216-623-7050

From Frank at Time-LineProductions.com Fri Nov 25 14:42:48 2005 From: Frank at Time-LineProductions.com (Frank Mixson) Date: Fri, 25 Nov 2005 14:42:48 -0800 (PST) Subject: [NEohioPAL]Cleveland IndieClub In-Reply-To: <200511251430.AA102433106@cros.net> Message-ID: <20051125224248.45033.qmail@web81508.mail.mud.yahoo.com> --0-2018859710-1132958568=:45004 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Wow.. Christine you're very fortunate. Congratulations.. Due to transportation problems, I have not been able to attend the mtgs regularly, heck, I've even suspended the taping of the show I produce, until I get in that in order.. But one thing I've noticed is some clique'y'ness in the community.. Some people seem to not have any problems getting some help with their projects but others.. like myself.. cannot get any responses when I have asked for help.. I've done so several times at the meetings.. I've shown a music video, documentary trailers, and some of you might have even seen the tv show I produce. I've always gotten good feedback on my work, even as I continue to study and learn the tools and techniques for this craft, but do I ever get any help from the club members? One actor has shown up regularly to help out... and trust I appreciate his help a lot. Now I know someone will say that you should volunteer to help others, first. I have answered some calls on this list and there was no follow up from the originator of the posting, or just one, in one case. I attributed it to the fact that they were already in production, and that I'm sure it was kinda crazy at that time. I told others who I knew were doing things that if they needed my help to let me know.. I know how that goes.. I learned much volunteering on the set of movies I was acting in and that I would show up for and lend my time to on days I wasn't the scene. From finding and providing locations, to telephone calls for scheduling cast, to camera work, etc, believe me, I've paid my dues, and I continue to (I can name names and movies if you think I'm making this up). I've done PA work on some movies that I've had no part in, as well. I sometimes have heard negative gossip about filmmakers or someone else in the community at some of our events.. I try real hard not to pass along negative gossip.. But I've seen someone walk in the meeting and then immediately overheard people at the next table telling someone something negative about the person... another time, someone who I used associate with one particular person in the community came to me and told me not work with that person, and then proceeded to tell me how they fell out.. and so forth, basically trying to dissuade me from using that person and their resources for what I was trying to accomplish. I know we, as humans, are prone to gossip, lol. Just the nature of the beast, I suppost. We are also prone to clique'y'ness, and those two traits work to help some, but at the disadvantage of others. Just my experience... Frank Mixson Time-LineProductions.com th at cros.net> wrote: Christopher, Alex, Bill, etal: As an ardent "learner" and IndieClub attendee, I feel compelled to respond. IndieClub is not only thriving, it has outgrown its first location at Talkies and moved to the larger Hyacinth Lofts. Even then, the meetings are often standing room only. What used to be a 3 hour meeting has expanded to over 4 hours. This was done for one reason only as far as I know- so that we would all have the time to NETWORK! We were so busy screening work and having in really good speakers (like this month's Phil Garrett, previously of Dreamworks!) that we had run out of time to fish the talent pool for people to work on our shoots. >From my association with Cleveland IndieClub, I have worked on 11 projects in the last 3 years. 2 of those were my own, with a third to shoot next weekend. I have done everything I could. My 20+ years expertise is in wardrobe and make up, so I have done alot of that. But I have worked as an extra and PA and moved through the ranks to script supervise, write, direct and produce. To be sure, when I started seriously in film, I knew very little. I learned by volunteering to work on others' projects- yes, even the bad ones. You learn as much, if not more, on a bad shoot than a good one. Because I have a good work ethic, show up and do my job with the most professional attitude I have, I get asked back and recruited for other work. I am lucky enough that now I am regularly paid to work on films (yes, indies can pay!). Of course, I care a lot about the work and have studied everything I can get my hands on about filmmaking. The only thing IndieClubbers lack as a whole, is the same thing every indie struggles with- MONEY. We need to learn how to raise it and spend it wisely to produce distributable product. My next shoot is next weekend, and is entirely crewed by INDIECLUBBERS! Actors, crew, pa's- all from Indieclub. Some of these people honor me completely by agreeing to come work on my shoot, others are like I was a few years ago, hungry to learn. Why do I share all of this? Because my personal story is just one of many- A great many Indieclubbers are just like me, and we survive becasue we work together. My product improves with every new technique I learn and I never tire of learning. Just one modest success story from IndieCleveland. Hope to see you all at the next meeting. Christine Chapman lilith at cros.net ______________________________________ Disney's "BEAUTY AND THE BEAST" at Beck Center 12/2-12/31. 216-521-2540. http://www.fredsternfeld.com/beautyandthebeast.htm _______________________________________ There is a sister site to this list called the "NEoPAL Bulletin Board." Occasionally when "hot-button" discussions go on more than a day or two, the bulletin board is used. The Neopal bulletin board also has some other terrific features, like a searchable database for you to put your personal information, a place to post pictures and a chat room with a nightly 11pm gathering to discuss hot topics: http://groups.yahoo.com/group/neopal/ _______________________________________ Disclaimer: The facts and/or opinions expressed in this message are solely those of the person in the "from" or "reply-to" header. The fact that this message is posted should in no way be taken as an endorsement by the administrator of this list. Subscribers should perform due diligence for all goods, services and activities promoted on NEohioPAL. NEohioPAL mailing list NEohioPAL at lists.fredsternfeld.com http://lists.fredsternfeld.com/mailman/listinfo/neohiopal http://www.fredsternfeld.com --0-2018859710-1132958568=:45004 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
Wow..  Christine you're very fortunate.  Congratulations..   Due to transportation problems, I have not been able to attend the mtgs regularly, heck, I've even suspended the taping of the show I produce, until I get in that in  order..   But one thing I've noticed is some clique'y'ness in the community..   Some people seem to not have any problems getting some help with their projects but others.. like myself.. cannot get any responses when I have asked for help.. I've done so several times at the meetings..  I've shown a music video, documentary trailers, and some of you might have even seen the tv show I produce.  I've always gotten good feedback on my work, even as I continue to study and learn the tools and techniques for this craft, but do I ever get any help from the club members?  One actor has shown up regularly to help out... and trust I appreciate his help a lot.
 
Now I know someone will say that you should volunteer to help others, first. I have answered some calls on this list and there was no  follow up from the originator of the posting, or just one, in one case.  I attributed it to the fact that they were already in production, and that I'm sure it was kinda crazy at that time.   I told others who I knew were doing things that if they needed my help to let me know..    I know how that goes.. I learned much volunteering  on the set of movies I was acting in and that I would show up for and lend my time to on days I wasn't the scene.  From finding and providing locations, to telephone calls for scheduling cast, to camera work, etc, believe me, I've paid my dues, and I continue to (I can name names and movies if you think I'm making this up). I've done PA work on some movies that I've had no part in, as well.
 
I sometimes have heard negative gossip about filmmakers or someone else in the community at some of our events..  I try real hard not to pass along negative gossip..  But I've seen someone walk in the meeting and then immediately overheard people at the next table telling someone something negative about the person... another time, someone who I used associate with one particular person in the community came to me and told me not work with  that person, and then proceeded to tell me how they fell out..   and so forth, basically trying to dissuade  me  from using that person and their resources for what I was trying to accomplish.
 
I know we, as humans, are prone to gossip, lol.  Just the nature of the beast, I suppost.  We are also prone to clique'y'ness,  and those two traits work to help some, but at the disadvantage of others. 
 
Just my experience...
 
Frank Mixson
Time-LineProductions.com
 
 
 
 

th at cros.net> wrote:
Christopher, Alex, Bill, etal:

As an ardent "learner" and IndieClub attendee, I feel compelled to respond.

IndieClub is not only thriving, it has outgrown its first location at Talkies and moved to the larger Hyacinth Lofts. Even then, the meetings are often standing room only.

What used to be a 3 hour meeting has expanded to over 4 hours. This was done for one reason only as far as I know- so that we would all have the time to NETWORK! We were so busy screening work and having in really good speakers (like this month's Phil Garrett, previously of Dreamworks!) that we had run out of time to fish the talent pool for people to work on our shoots.

>From my association with Cleveland IndieClub, I have worked on 11 projects in the last 3 years. 2 of those were my own, with a third to shoot next weekend. I have done everything I could. My 20+ years expertise is in wardrobe and make up, so I have done alot of that. But I have worked as an extra and PA and moved through the ranks to script supervise, write, direct and produce.

To be sure, when I started seriously in film, I knew very little. I learned by volunteering to work on others' projects- yes, even the bad ones. You learn as much, if not more, on a bad shoot than a good one. Because I have a good work ethic, show up and do my job with the most professional attitude I have, I get asked back and recruited for other work. I am lucky enough that now I am regularly paid to work on films (yes, indies can pay!). Of course, I care a lot about the work and have studied everything I can get my hands on about filmmaking.

The only thing IndieClubbers lack as a whole, is the same thing every indie struggles with- MONEY. We need to learn how to raise it and spend it wisely to produce distributable product.

My next shoot is next weekend, and is entirely crewed by INDIECLUBBERS! Actors, crew, pa's- all from Indieclub. Some of these people honor me completely by agreeing to come work on my shoot, others are like I was a few years ago, hungry to learn.

Why do I share all of this? Because my personal story is just one of many- A great many Indieclubbers are just like me, and we survive becasue we work together. My product improves with every new technique I learn and I never tire of learning.

Just one modest success story from IndieCleveland. Hope to see you all at the next meeting.

Christine Chapman
lilith at cros.net





______________________________________
Disney's "BEAUTY AND THE BEAST" at Beck Center 12/2-12/31. 216-521-2540. http://www.fredsternfeld.com/beautyandthebeast.htm
_______________________________________
There is a sister site to this list called the "NEoPAL Bulletin Board." Occasionally when "hot-button" discussions go on more than a day or two, the bulletin board is used. The Neopal bulletin board also has some other terrific features, like a searchable database for you to put your personal information, a place to post pictures and a chat room with a nightly 11pm gathering to discuss hot topics: http://groups.yahoo.com/group/neopal/
_______________________________________
Disclaimer: The facts and/or opinions expressed in this message are solely those of the person in the "from" or "reply-to" header. The fact that this message is posted should in no way be taken as an endorsement by the administrator of this list. Subscribers should perform due diligence for all goods, services and activities promoted on NEohioPAL.

NEohioPAL mailing list
NEohioPAL at lists.fredsternfeld.com
http://lists.fredsternfeld.com/mailman/listinfo/neohiopal
http://www.fredsternfeld.com
--0-2018859710-1132958568=:45004-- From jharris at hlcommunications.com Fri Nov 25 14:46:58 2005 From: jharris at hlcommunications.com (James Harris) Date: Fri, 25 Nov 2005 17:46:58 -0500 Subject: [NEohioPAL]The Poinsettia Party, Dec 2, only $10 Message-ID: This is a multi-part message in MIME format. ------=_NextPart_000_0030_01C5F1E8.3D37F030 Content-Type: multipart/alternative; boundary="----=_NextPart_001_0031_01C5F1E8.3D37F030" ------=_NextPart_001_0031_01C5F1E8.3D37F030 Content-Type: text/plain; charset="windows-1250" Content-Transfer-Encoding: quoted-printable =20 =20 =20 =20 =20 =20 =20 =20 =20 =20 =93The Poinsettia Party=94=20 Celebrates Rockefeller Greenhouse Centennial,=20 Friday, Dec 2 =20 =20 WHERE: The Rockefeller Greenhouse, 750 E. 88th St., Cleveland. =20 WHEN: Dec 2, Friday, 6 pm - 8:30 pm =20 WHAT: The Poinsettia Party is the traditional winter open = house for Friends of Greenhouse supporting its various programs. The benefit = opens the facility=92s popular Poinsettia Display and is the only time the Greenhouse is open to the public at night. 2005 also marks the greenhouse=92s centennial. =20 INCLUDES: Free parking, light refreshments and appetizers, desserts, = wine, music, holiday poinsettias for sale, and silent auction. =20 COST: $10 a ticket. For more information, call = 216.664.3103 or go to HYPERLINK "http://www.rockefellergreenhouse.org/"www.rockefellergreenhouse.org, =93Coming Attractions=94 for ticket order form. Paid reservations are = requested by Tuesday, Nov. 29. =20 =20 --=20 No virus found in this outgoing message. Checked by AVG Free Edition. Version: 7.1.362 / Virus Database: 267.13.7/182 - Release Date: = 11/24/2005 =20 =20 ------=_NextPart_001_0031_01C5F1E8.3D37F030 Content-Type: text/html; charset="windows-1250" Content-Transfer-Encoding: quoted-printable

 

=

 

        &nbs= p;            = ;       

 

 

 

 

 

 

 

“The Poinsettia Party”

Celebrates Rockefeller Greenhouse Centennial,

Friday, Dec 2

 

=

 

=

WHERE:        The Rockefeller Greenhouse, 750 E. 88th St., Cleveland.         = ;            =             &= nbsp;         =

 

WHEN:          = ; Dec 2, Friday, 6 pm - 8:30 = pm

 

=

WHAT:         = ;   The Poinsettia = Party is the traditional winter open house for Friends of Greenhouse = supporting its various programs. The benefit opens the facility’s popular = Poinsettia Display and is the only time the Greenhouse is open to the public at  = night.  2005 also marks the = greenhouse’s centennial.

        = ;            =    

INCLUDES:   Free parking, light refreshments and appetizers, = desserts, wine, music, holiday poinsettias for sale, and silent = auction.

 

COST:           = ; $10 a ticket.  = For more information, call    = 216.664.3103 or go to www.rockefellergreenhouse.= org, “Coming Attractions” for ticket order form.  Paid reservations are requested = by Tuesday, Nov. 29.

 

 

=

--
No virus found in this outgoing message.
Checked by AVG Free Edition.
Version: 7.1.362 / Virus Database: 267.13.7/182 - Release Date: = 11/24/2005

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LnI9wc8g1av7Jb+0MDuyHcrq69VZTkH8xVqigLGY+lTTQ3iTXrM10gTITATAIyBk8nNNOiJ/Z1xY JMVhnbIUqCE5yQPYnnHvWrRQFkZU2jGayjtvOjRY5xKAsChTg527anOmrJDHDMySRIjIyeWArA9s dqvUUBZGU2ig2MFo108iwzibdKoYuAchT/LPXikOgxGO7QTFPPuFuEKIF8plC4x6/dH61rUUBZGY 2ji4juvtc5lkuofJZ1XbtTngDn1Jp8WnzrFJ594JpXjEYfygAoH+z361oUUBYx28PxGwe1SRI/Mm SZtkICEqQcbOgHArSt4fIt0iJB2DHyqFH4AdKmooCx//2Q== ------=_NextPart_000_0030_01C5F1E8.3D37F030-- From jayrossishow at yahoo.com Fri Nov 25 16:13:46 2005 From: jayrossishow at yahoo.com (Jay Rossi) Date: Fri, 25 Nov 2005 16:13:46 -0800 (PST) Subject: [NEohioPAL]NEOPAL Discount For the Holidays.... Message-ID: <20051126001346.18588.qmail@web33411.mail.mud.yahoo.com> --0-1017677881-1132964026=:17554 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Through the first week of 2006, I'm offering a 20% discount for NEOPAL members, for any of the following services: * Studio Recording (albums, singles, soundtracks, kareoke, etc.) * CD or DVD labels (designed according to your specifications and liking) * Looping (for film or TV) * Website creating or editing * Song or Video clip uploading ( for on-line playing ) Please contact me at thefreelanceshop at yahoo.com or 330-410-0488 The Jay Rossi Project JayRossiShow at yahoo.com http://tv.groups.yahoo.com/group/jayrossishow/ Also Visit www.JayRossi.s5.com Respond soon! I want to hear from you! --------------------------------- Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --0-1017677881-1132964026=:17554 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
Through the first week of 2006, I'm offering a 20% discount for NEOPAL members, for any of the following services:
 
* Studio Recording (albums, singles, soundtracks, kareoke, etc.)
* CD or DVD labels (designed according to your specifications and liking)
* Looping (for film or TV)
* Website creating or editing
* Song or Video clip uploading ( for on-line playing )
 
Please contact me at thefreelanceshop at yahoo.com or 330-410-0488
 
 


The Jay Rossi Project
Respond soon! I want to hear from you!
 
 

Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --0-1017677881-1132964026=:17554-- From thesingersart at att.net Fri Nov 25 16:40:22 2005 From: thesingersart at att.net (thesingersart at att.net) Date: Sat, 26 Nov 2005 00:40:22 +0000 Subject: [NEohioPAL]Immediate openings-Clay Aiken tour! Message-ID: <112620050040.24881.4387AEF4000BA7870000613121602807410A0C020A9D990E040D0E@att.net> --NextPart_Webmail_9m3u9jl4l_24881_1132965622_0 Content-Type: text/plain Content-Transfer-Encoding: 8bit IMMEDIATE OPENINGS: Clay Aiken Joyful Noise Christmas Tour needs 12 actor/singers to perform this sunday Nov.27 in Youngstown, Ohio. See the following age/gender breakdown and respond only if you are experienced and can pick up SIMPLE staging quickly and learn words to a song REALLY fast. There will be a rehearsal with us on the afternoon of the 27th from 3-5pm and the show starts at 7:30pm. The performance is at the Convocation Center in Youngstown on the 27th....this sunday. If interested, please call Alison Lawrence at (919)601-3344 immediately!!!! Please look at the age breakdown.... 1 male 1 female looks age 55 or older 2 male 2 female look 35 and up 1 male 1 female ages 18-25 1 male 1 female ages 10-13 1 male 1 female ages 5-8 Thank-you. Alison Lawrence Theatre Liason Clay Aiken "Joyful Noise" Tour 2005 (919)601-3344 thesingersart at att.net --NextPart_Webmail_9m3u9jl4l_24881_1132965622_0 Content-Type: text/html Content-Transfer-Encoding: 8bit
IMMEDIATE OPENINGS: Clay Aiken Joyful Noise Christmas Tour needs 12 actor/singers to perform this sunday Nov.27 in Youngstown, Ohio. See the following age/gender breakdown and respond only if you are experienced and can pick up SIMPLE staging quickly and learn words to a song REALLY fast.
There will be a rehearsal with us on the afternoon of the 27th from 3-5pm and the show starts at 7:30pm.
The performance is at the Convocation Center in Youngstown on the 27th....this sunday.
If interested, please call Alison Lawrence at (919)601-3344 immediately!!!! Please look at the age breakdown....
  1 male 1 female looks age 55 or older
  2 male 2 female  look 35 and up
  1 male 1 female ages 18-25
  1 male 1 female ages 10-13
  1 male 1 female ages 5-8
Thank-you.
Alison Lawrence
Theatre Liason
Clay Aiken "Joyful Noise" Tour 2005
(919)601-3344
thesingersart at att.net
--NextPart_Webmail_9m3u9jl4l_24881_1132965622_0-- From rmontgom at neo.rr.com Fri Nov 25 17:12:45 2005 From: rmontgom at neo.rr.com (Rick Montgomery Jr.) Date: Fri, 25 Nov 2005 20:12:45 -0500 Subject: [NEohioPAL]All Hail Film Czar and Film Prophet Message-ID: <00af01c5f226$82909680$030aa8c0@DELL> This is a multi-part message in MIME format. ------=_NextPart_000_00B0_01C5F1FC.99BA8E80 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable Bill Johns wrote: =20 The real reason is no one wants to work on someone else's film. You see, most of the people that comprise the indie scene here in Cleveland are writer/producer/directors and we're all working on our own projects. And guess what. I'm not all that interested in spending my valuable time = working on someone's project which I consider to be crappier than my own. I can = just as easily be spending my time and resources creating my own crap. =20 Sure everyone would like to think there's a benevolent brotherhood of filmmakers; a selfless society where everyone submits ideas and work = samples and then the members vote on what script to do and who to direct it. The community is presented with the proposal and since it bears the backing = of so many filmmakers, the businesses get involved and support the project = with services and finances. The best actors come from all around to have a = part in the project and a glorious motion picture is produced that wins the = Oscar for Impossible Dream...=20 =20 That would be a good plot for a fantasy picture, but in the real world, writers will lose interest if their script isn't picked. Directors will = bail if they can't direct and actors will walk away if they can't be the = lead. And you guessed it the end product would probably be... well, I don't = need to say it again. (though I really want to) =20 Usually, I don't write to these groups because I usually insert my foot = into my mouth.. BUT =20 One reason I like Bill is I've found him to be honest and to the point.=20 =20 But what gets my goat is that the Club has the talent and the resources = to do what they want. I have never been able to attend because I am usually working somewhere on something (surprising I know), but I know the group = has all the ingredients (I know many of you). You have the flour (writers), = and you have the eggs (talent). You have the milk (costumers, make-up), and = you have the butter (the crew). You have flavoring (fx) and you have stove (directors), BUT it seems no one knows WHAT to make. cake, brownies, a = pie. =20 TOO MANY COOKS. TOO MANY EGOS. =20 To be successful in anything we have to 'win' (I know I'm not PC. I = believe in competition as a tool for improvement). In REAL life. there ARE = winners and there ARE losers. the losers 'quit' while the winners NEVER do). We = have to be willing to 'lose' and to 'learn' by growing from our mistakes. =20 I'm far from being the actor I want to be. and I constantly throw myself against those who are far superior. I lose roles to them. I DON"T LIKE losing but I keep doing it. =20 WHY? =20 My motivation is selfish. I want to surpass them. I want the roles they = get. I learn from them. I take classes to learn. I read to learn. I work to learn. My desire is to learn and work hard enough that the next time our paths cross . I win the role. I EARNED the role. =20 One director I truly admire once told me, "If a person wants to be a = better tennis player, they 'play' with better tennis players. If you want to be = a better actor (in my case). work with better actors." =20 If you can't play with better players because it 'hurts', maybe your = heart, your passion is not where it should be and you should question why = you're doing what you're doing in the first place. =20 NOW. =20 There are three types of 'COOKS' in the arts, those who does it for = 'arts' sake, those who do it for 'rewards' and then those who do it for both = (which I'm part). =20 Those who do it for the 'art', from my experience, DO NOT CARE what = anyone else thinks. It is their project and they may share it (if they do) but = not for our 'approval'. =20 Those who do it for 'reward', do it for recognition, money, fame. = whatever 'reward' motivates them. =20 And the last 'group'. or why I do it. because we don't want to do = anything else (need of the 'art') but have responsibilities (need of the = 'reward'). I think most of us fit here. =20 Having retired from the 'business' world after 30 years, and knowing I = need to pay a mortgage, need to feed two small sons who eat like they're 19, = and need to afford a tank of gas, 'reward' plays a REALLY BIG part. I need = to improve to meet my obligations. =20 Now the 'business' of 'reward' changes the equation.=20 =20 A company, person, or persons who want to invest money expects to get return. Even if it's an investment in an unknown (example: research and development), they want to see that return. =20 Which means. they want the best! =20 WE ALL CAN'T BE THE BEST! The question is how 'we' get BETTER, to make ourselves the logical choice. =20 My opinion for the IndieClub.? =20 First work as a 'group'. even if the 'group' sets itself up as a = corporation or LLC. =20 Find the BEST screenplay (that actually CAN be produced. no "LORD of the RINGS stuff) from your group, select the BEST director for that type of screenplay from your group, find the BEST actors for that type of = screenplay and director from the group, find the BEST everything.. AND DO IT! =20 Those who were not the BEST at that moment. swallow your pride. work = with those who were determined to be the BEST (if you wish) for THAT = particular project and 'learn'. Learn from the strengths and weaknesses observed. =20 But the BEST always needs to listen and learn from the others. you might = be surprised what is learned. No one knows more than everyone else. =20 The President/CEO at the corporation I worked (over $500 million/year = in sales) told me once, that he still talked with the janitor every day. = Why? Because the janitor knew what was going on. he saw the trash every day. heard what people were talking about (Oh. he's just the janitor). Every person at every position is important. NO ONE is more/less important = than another. We just have different jobs and responsibilities. =20 Then do it for 'arts' sake or for 'reward'. whatever. =20 BUT if the project succeeds. EVERYONE DOES at some level. Then start = another project.=20 =20 If the projects fails. no one does. everyone learned. Then start another project. =20 The network becomes stronger, trust becomes stronger. the work becomes better BECAUSE everyone has learned something about the business. about themselves. =20 Find a good 'cook', a good 'captain', a good LEADER. Have faith in your choices in theirs, work hard, and learn.=20 =20 If nothing else comes of the project. you'll be better. =20 Put the egos away, take pride in the work. Learn everything you can, but = be willing to teach.=20 =20 GAWD!!! I sound like a 'parent' =20 With deepest respect to you all, Rick =20 ------=_NextPart_000_00B0_01C5F1FC.99BA8E80 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable

Bill Johns wrote:

 

The real reason is no one wants to work on someone else's film. = You see, most of the people that comprise the indie scene here in = Cleveland are writer/producer/directors and we're all working on our own projects. = And guess what. I'm not all that interested in spending my valuable time = working on someone's project which I consider to be crappier than my own. I = can just as easily be spending my time and resources creating my own = crap.

 

Sure everyone would like to think there's a benevolent = brotherhood of filmmakers; a selfless society where everyone submits ideas and work = samples and then the members vote on what script to do and who to direct it. The community is presented with the proposal and since it bears the backing = of so many filmmakers, the businesses get involved and support the project = with services and finances. The best actors come from all around to have a = part in the project and a glorious motion picture is produced that wins the = Oscar for Impossible Dream...

 

That would be a good plot for a fantasy picture, but in the real = world, writers will lose interest if their script isn't picked. Directors will = bail if they can't direct and actors will walk away if they can't be the lead. = And you guessed it the end product would probably be... well, I don't need to = say it again. (though I really want to)

 

Usually, I don’t write to = these groups because I usually insert my foot into my mouth…. = BUT

 

One reason I like Bill is = I’ve found him to be honest and to the point.

 

But what gets my goat is that the = Club has the talent and the resources to do what they want. I have never been = able to attend because I am usually working somewhere on something (surprising I = know), but I know the group has all the ingredients (I know many of you)… = You have the flour (writers), and you have the eggs (talent). You have the = milk (costumers, make-up), and you have the butter (the crew). You have = flavoring (fx) and you have stove (directors), BUT it seems no one knows WHAT to = make… cake, brownies, a pie…

 

TOO MANY COOKS… TOO MANY = EGOS…

 

To be successful in anything we = have to ‘win’ (I know I’m not PC… I believe in = competition as a tool for improvement). In REAL life… there ARE winners and there = ARE losers… the losers ‘quit’ while the winners NEVER do). = We have to be willing to ‘lose’ and to ‘learn’ by = growing from our mistakes.

 

I’m far from being the actor = I want to be… and I constantly throw myself against those who are far = superior. I lose roles to them… I DON”T LIKE losing but I keep doing = it.

 

WHY?

 

My motivation is selfish. I want = to surpass them. I want the roles they get. I learn from them. I take classes to = learn. I read to learn. I work to learn. My desire is to learn and work hard = enough that the next time our paths cross … I win the role. I EARNED the = role.

 

One director I truly admire once = told me, “If a person wants to be a better tennis player, they = ‘play’ with better tennis players. If you want to be a better actor (in my case)… work with better actors.”

 

If you can’t play with = better players because it ‘hurts’, maybe your heart, your passion is not = where it should be and you should question why you’re doing what = you’re doing in the first place.

 

NOW…

 

 There are three types of ‘COOKS’ in the arts, those who does it for = ‘arts’ sake, those who do it for ‘rewards’ and then those who do it for = both (which I’m part).

 

Those who do it for the = ‘art’, from my experience, DO NOT CARE what anyone else thinks. It is their = project and they may share it (if they do) but not for our = ‘approval’.

 

Those who do it for = ‘reward’, do it for recognition, money, fame… whatever ‘reward’ motivates them.

 

And the last = ‘group’… or why I do it… because we don’t want to do anything else (need = of the ‘art’) but have responsibilities (need of the ‘reward’). I think most of us fit here.

 

Having retired from the = ‘business’ world after 30 years, and knowing I need to pay a mortgage, need to feed = two small sons who eat like they’re 19, and need to afford a tank of = gas, ‘reward’ plays a REALLY BIG part. I need to improve to meet = my obligations.

 

Now the ‘business’ of ‘reward’ changes the equation.

 

A company, person, or persons who = want to invest money expects to get return. Even if it’s an investment in = an unknown (example: research and development), they want to see that = return.

 

Which means… they want the = best!

 

WE ALL CAN’T BE THE BEST! = The question is how ‘we’ get BETTER, to make ourselves the = logical choice.

 

My opinion for the = IndieClub…?

 

First work as a = ‘group’… even if the ‘group’ sets itself up as a corporation or = LLC.

 

Find the BEST screenplay (that = actually CAN be produced… no “LORD of the RINGS stuff) from your group, = select the BEST director for that type of screenplay from your group, find the = BEST actors for that type of screenplay and director from the group, find the = BEST everything…. AND DO IT!

 

Those who were not the BEST at = that moment… swallow your pride… work with those who were = determined to be the BEST (if you wish) for THAT particular project and = ‘learn’. Learn from the strengths and weaknesses observed.

 

But the BEST always needs to = listen and learn from the others… you might be surprised what is learned. No = one knows more than everyone else.

 

 The President/CEO at the = corporation I worked (over $500 million/year in sales) told me once, that he still = talked with the janitor every day. Why? Because the janitor knew what was going on… he saw the trash every day… heard what people were = talking about (Oh… he’s just the janitor)… Every person = at every position is important. NO ONE is more/less important than another. = We just have different jobs and responsibilities.

 

Then do it for ‘arts’ = sake or for ‘reward’… whatever.

 

BUT if the project succeeds… = EVERYONE DOES at some level. Then start another project…

 

If the projects fails… no = one does… everyone learned. Then start another = project…

 

The network becomes stronger, = trust becomes stronger… the work becomes better BECAUSE everyone has learned = something about the business… about themselves.

 

Find a good ‘cook’, a = good ‘captain’, a good LEADER. Have faith in your choices in = theirs, work hard, and learn…

 

If nothing else comes of the = project… you’ll be better.

 

Put the egos away, take pride in = the work. Learn everything you can, but be willing to teach… =

 

GAWD!!! I sound like a = ‘parent’

 

With deepest respect to you = all,

Rick

 

------=_NextPart_000_00B0_01C5F1FC.99BA8E80-- From performingarts at karamu.com Fri Nov 25 18:44:32 2005 From: performingarts at karamu.com (Performing Arts) Date: Fri, 25 Nov 2005 21:44:32 -0500 Subject: [NEohioPAL]=?iso-8859-1?Q?Scene_from_=22Before_It_Hits_Home=22_by_Cheryl_L._West_at_?= =?iso-8859-1?Q?AIDS_Taskforce_of_Greater_Cleveland_December_2?= Message-ID: <03b201c5f233$54c556c0$5701a8c0@karamu.com> This is a multi-part message in MIME format. ------=_NextPart_000_03AF_01C5F209.6B82F860 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Friday, December 2 Karamu Performing Arts Theatre will present = a fifteen minute scene from the Spring production = of "Before It Hits Home" by Cheryl = L. West. Wendell Bailey, a jazz saxophonist is stricken with AIDS. He must = confront his pregnant fiance, his lover, his twelve year old son and his = parents. Time: 12 Noon @ AIDS Taskforce of Greater Cleveland The Spectrum (an art exhibit), benefit for AIDS Taskforce of Greater = Cleveland and Ohio AIDS Coalition, organized by people with or affected = by HIV, featuring the Cleveland Contemporary Dance Theater, Nightsweats = and T-Cells, Vincent Moorman, Chris Sweiger and artists who have been = lost to AIDS, 11:30 am to 5 pm, $10, free to Taskforce clients, AIDS = Taskforce, 3210 Euclid Ave, 216-621-0766. "Before It Hits Home" by Cheryl L. West March 10 - April 9th, 2006 Karamu Performing Arts Theatre For tickets and group sales, please call 216-795-7077 =20 ------=_NextPart_000_03AF_01C5F209.6B82F860 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable

Friday, December 2

Karamu = Performing Arts=20 Theatre will=20 present           =             &= nbsp;           &n= bsp;           &nb= sp; =20 a=20 fifteen minute scene from the Spring=20 production          &nb= sp;           &nbs= p;            = ;      =20 of=20 =93Before It Hits Home=94 by Cheryl L. West.

Wendell Bailey, = a jazz=20 saxophonist is stricken with AIDS. He must confront his pregnant = fiance,=20 his lover, his twelve year old son and his = parents.

Time: 12 Noon @ = AIDS=20 Taskforce of Greater Cleveland

The Spectrum (an = art=20 exhibit), benefit for AIDS Taskforce of Greater Cleveland and Ohio = AIDS=20 Coalition, organized by people with or affected by HIV, featuring the = Cleveland=20 Contemporary Dance Theater, Nightsweats and T-Cells, Vincent Moorman, = Chris=20 Sweiger and artists who have been lost to AIDS, 11:30 am to = 5 pm, $10,=20 free to Taskforce clients, AIDS Taskforce, 3210 Euclid Ave,=20 216-621‑0766.

 

 

=93Before It Hits Home=94 by Cheryl L.=20 West

March 10 =96 April 9th,=20 2006

Karamu Performing Arts=20 Theatre

For tickets and group sales, please = call=20 216-795-7077  =20

------=_NextPart_000_03AF_01C5F209.6B82F860-- From memakefilm at yahoo.com Fri Nov 25 19:14:50 2005 From: memakefilm at yahoo.com (Jamey Mixson) Date: Fri, 25 Nov 2005 19:14:50 -0800 (PST) Subject: [NEohioPAL]Book Release Party/ Signing Saturday the 26th @ 5PM Message-ID: <20051126031450.46478.qmail@web36211.mail.mud.yahoo.com> --0-1454590413-1132974890=:26855 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit ALL of NEOHPAL is invited To the Book Release Party and Signing HEAVY ROTATION A Contemporary Novel by F. Jamey Mixson November 26th, 2005 Arabica Coffee House 20630 N Park Blvd Shaker Heights, OH 44118 5PM to 8PM Local self published author, Jamey, will be on hand to discuss and sign EVERY copy of the book *Juicy excerpts from Heavy Rotation will be read at 6PM by local talent. As all are invited please bring a friend or more. Copies of the novel are $20. --0-1454590413-1132974890=:26855 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
ALL of NEOHPAL is invited
To the Book Release Party and Signing
HEAVY ROTATION
A Contemporary Novel by F. Jamey Mixson
November 26th, 2005
Arabica Coffee House
20630 N Park Blvd
Shaker Heights, OH 44118
5PM to 8PM
 
 
 
Local self published author, Jamey, will be on hand to discuss and sign EVERY copy of the book *Juicy excerpts from Heavy Rotation will be read at 6PM by local talent.
As all are invited please bring a friend or more.
Copies of the novel are $20.
--0-1454590413-1132974890=:26855-- From finearts at core.com Fri Nov 25 20:01:06 2005 From: finearts at core.com (Your Name) Date: Fri, 25 Nov 2005 23:01:06 -0500 Subject: [NEohioPAL]Production Photos of "A CHRISTMAS CAROL" Message-ID: <200511260401.jAQ415FL018428@mail1.mx.voyager.net> A Christmas Carol runs 4 weeks at CHagrin Valley Little Theatre. Click Here to see the photos. Eric Skarl www.FineartsPhotography.com -- CoreComm Webmail. http://home.core.com From streamliners at alltel.net Sat Nov 26 05:10:24 2005 From: streamliners at alltel.net (streamliners) Date: Sat, 26 Nov 2005 08:10:24 -0500 Subject: [NEohioPAL]4 Sale Message-ID: <000c01c5f28a$c383ca90$6701a8c0@donna> This is a multi-part message in MIME format. ------=_NextPart_000_0009_01C5F260.DA76D410 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable We have some things we are looking to sell as we do not use them nor = have the space to store them any longer.=20 1) Full Ankle Length Wolf/Coyote Fur - Excellent condition. Rarely worn. = Size 10-12. Pelts are numbered. Inner monogram initials can easily be = adjusted with a Furrier.=20 2) Body Solid Exercise Unit - This thing is huge. We just don't have the = time to use it and it has been in storage for several years. It also is = in top notch condition as it was rarely used from purchase date. Great = aspirations/no time. =20 3) An antique stove. It needs to be refurbished. Most probably it dates = back to the 30-40's or there abouts. It appears to be a caning stove of = some sort. We need to sell it as it sits in a rental property of ours = that is soon to be sold.=20 If your interested: Email Donna/Dale at streamliners at alltel.net. We are = located in Chagrin Falls/East Side Cleveland. Stove and Body Solid are = located right now in the West End of Cleveland. ------=_NextPart_000_0009_01C5F260.DA76D410 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
We have some things we are looking to = sell as we do=20 not use them nor have the space to store them any longer.
 
1) Full Ankle Length Wolf/Coyote Fur - = Excellent=20 condition. Rarely worn. Size 10-12. Pelts are numbered. Inner monogram = initials=20 can easily be adjusted with a Furrier.
 
2) Body Solid Exercise Unit - This = thing is huge.=20 We just don't have the time to use it and it has been in storage for = several=20 years. It also is in top notch condition as it was rarely used from = purchase=20 date. Great aspirations/no time.  
 
3) An antique stove. It needs to be = refurbished.=20 Most probably it dates back to the 30-40's or there abouts. It appears = to be a=20 caning stove of some sort. We need to sell it as it sits in a rental = property of=20 ours that is soon to be sold.
 
If your interested: Email Donna/Dale at = streamliners at alltel.net. We = are=20 located in Chagrin Falls/East Side Cleveland. Stove and Body Solid are = located=20 right now in the West End of Cleveland.
------=_NextPart_000_0009_01C5F260.DA76D410-- From Frank at Time-LineProductions.com Sat Nov 26 06:34:10 2005 From: Frank at Time-LineProductions.com (Frank Mixson) Date: Sat, 26 Nov 2005 06:34:10 -0800 (PST) Subject: [NEohioPAL]Visitors to the "Slavery in New York" exhibition are recording reactions and creating snapshot reflections (from NYTimes) Message-ID: <20051126143410.44540.qmail@web81502.mail.mud.yahoo.com> --0-276414156-1133015650=:42646 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit They have the awkwardness of amateur home videos: background noise, long silences, people looking away from the camera. But inside a booth at the New-York Historical Society, visitors to the exhibition "Slavery in New York" are recording their reactions, creating snapshot reflections on race and history in the nation's largest city. "It allows our young people to understand, really, how this city was born and who carried the brunt of the prosperity that we see in New York, not only then but now," a black man from "Harlem, New York," said of the show, the largest in the museum's 201-year history. The man, who appeared to be in his 30's, said he wanted to know what businesses in the city today derived profits in the past from selling human beings. A white lawyer went into the booth twice to sort out his feelings. "This has just been devastating," he said. As he looked at the exhibition's array of documents, he said, he realized that the some of the laws used to isolate and dehumanize enslaved black New Yorkers became custom after the laws vanished and "contributed to the way whites look at blacks," even today. "It's striking for any of us who are New Yorkers to realize that the ground we touch, every institution, is affected by slavery," he said. Two young African-American brothers crammed into the booth together. "Slavery in New York was bad, and it's how New York became the richest city in the world," one of them declared. The exhibition, which illustrates the centrality of 200 years of slavery to the growth of New York City, opened on Oct. 7 and runs through March 5. The very idea of slaves walking the streets of what is now SoHo or of slave auction blocks in Lower Manhattan - in a city known for tolerance and diversity - has attracted people of varied races and ages. There are no specific attendance figures yet, but museum officials said the exhibition galleries had been packed and attendance was up 83 percent over the same period last year, when the museum presented an exhibition on Alexander Hamilton. The $5 million slavery exhibition features more than 400 artifacts, documents, paintings and maps spanning 9,000 square feet in 10 galleries. Visitors can see advertisements for runaway slaves and "negroes, to be sold"; caricatured drawings of blacks; items like chairs and cribs made by slave hands; and a 1644 document granting slaves "half freedom" and land around what is now Washington Square. The visitor response booth is at the end of the exhibition. There, visitors touch a blue-screened computer asking questions about what they have seen: their overall impression, how it added to or altered their knowledge on the subject, what they found noteworthy. They then look at the camera and speak their answers. "This is a much more qualitative way of knowing who's coming to the museum," said Richard Rabinowitz, the show's curator. "We really wanted to let people talk and think through things. We wanted people to frame a meaning for this as they leave." Museum officials plan to use those responses to figure out what and how people learn from such exhibitions. So far, about 400 responses have been videotaped. Some will become part of the "visitor reaction" monitors now in three galleries, which showcase selected people who previewed the show. In one, for example, a middle-aged white woman says the exhibition can make a difference. "A difference when you look at a black person on a subway train," she says, "or you're working next to a black person, that you have a little more empathy and understanding and also praising for how far so many people came." In the raw videotape, the names given are not clear, one has to guess at ages and there is no consensus on what people found most noteworthy about the show. Some said they were shocked to learn that some slaves fought with the British during the Revolutionary War (in a bid for freedom); others said they had discovered that George Washington owned slaves; and some mused that New York City slavery was no more benign than the Southern variety. After all, slaves in New York worked sunup to sundown. Slaves helped build the wall on Wall Street (and were sold there) and built the first City Hall and Trinity Church. Slavery was the lifeline for hundreds of city businesses. During British rule, about 40 percent of the city's households owned slaves. Institutional exhibitions about America's slave-holding past are relatively new and help foster a national conversation about race, said James Oliver Horton, the chief historian for "Slavery." This show's size and location facilitate that dialogue, he said. "Back in the 90's, when Bill Clinton asked for a national conversation about race, most people didn't have the context in which to have the conversation," said Dr. Horton, a professor of American studies and history at George Washington University. "This exhibition will help Americans have such a historical context. It will help people start with a common experience." Skip to next paragraph Forum: Artists and Exhibitions One commonality that emerges from viewing five hours of the visitor videotapes is how much people do not know. Many were unaware of the existence or extent of slavery in New York, which lasted until 1827, longer than in any other Northern state except New Jersey. "It's terrible to know that the city that I love was part of the slave trade," said a middle-aged white woman from New Jersey. "I'm shocked to hear about it." An African-American man in the booth with his young daughter said: "It's just a constant reminder that here in New York, like in other places in the United States, we were nothing more than cattle in the eyes of the owners and were treated that way. It's just amazing that people were able to survive and thrive after that." An elderly white woman who said she had two college degrees said, "I never knew until I walked in here about slavery in New York." Now, she said, "It just breaks my heart." An African-American woman who identified herself as a graduate of Cornell University said, "I've actually had people tell me that black people in New York had no history." "I can now feel that I have information I can share," she said. A middle-aged white woman who said she lived down the street from the museum noted that her daughter's advanced placement courses in history included only one hour about slavery. "It made me realize how history doesn't go away," the mother said of the exhibition. "These burdens are carried through generations." Clearly, schools are failing to educate students about slavery, said Louise Mirrer, the society's president. Dr. Mirrer said she would be gratified to see the public schools use the educational materials developed by the society for "Slavery." While most visitors are admirers, the exhibition comes in for some criticism, too. Some said it was saturated with facts but failed to convey slavery's brutality. One woman wondered why she did not see a single shackle. Dr. Rabinowitz said it was an informed decision to let the facts speak, without graphic depictions of beatings or family separations. But in the reaction booth, a young black man from Harlem argued that the show should be enraging. "Why are there ghettos in New York City? Because of slavery," he said. He learned many facts from the show, he added, but wanted explicit connections between race and class. "The ramifications of slavery still affect the world," he said. "It's not something to be put in the past, like dinosaurs or fossils." An African-American woman from Washington complained, "The soul of it was completely gone." She added, "It was spoken about as if it was any economic phenomenon instead of human." But some people caught on camera said the show had certainly made them think harder about skin color and the echoes of the past. A woman from Chicago, who described herself as an artist and a second-generation Slovakian, said the exhibition helped her in that way. She watched two African-American children playing in the museum, and it dawned on her that in another time they would have been slaves. "They had no choice," she said. "They had no power." And after learning that at one time 20 percent of New Yorkers were enslaved, the artist said, she went to the lobby of the grand Historical Society building and began imagining the past. "I'd look around and look around," she said, "and one in five people would be a slave." --0-276414156-1133015650=:42646 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit

They have the awkwardness of amateur home videos: background noise, long silences, people looking away from the camera. But inside a booth at the New-York Historical Society, visitors to the exhibition "Slavery in New York" are recording their reactions, creating snapshot reflections on race and history in the nation's largest city.

 
"It allows our young people to understand, really, how this city was born and who carried the brunt of the prosperity that we see in New York, not only then but now," a black man from "Harlem, New York," said of the show, the largest in the museum's 201-year history. The man, who appeared to be in his 30's, said he wanted to know what businesses in the city today derived profits in the past from selling human beings. 
 

A white lawyer went into the booth twice to sort out his feelings. "This has just been devastating," he said. As he looked at the exhibition's array of documents, he said, he realized that the some of the laws used to isolate and dehumanize enslaved black New Yorkers became custom after the laws vanished and "contributed to the way whites look at blacks," even today.

 

"It's striking for any of us who are New Yorkers to realize that the ground we touch, every institution, is affected by slavery," he said.

 

Two young African-American brothers crammed into the booth together. "Slavery in New York was bad, and it's how New York became the richest city in the world," one of them declared.

The exhibition, which illustrates the centrality of 200 years of slavery to the growth of New York City, opened on Oct. 7 and runs through March 5. The very idea of slaves walking the streets of what is now SoHo or of slave auction blocks in Lower Manhattan - in a city known for tolerance and diversity - has attracted people of varied races and ages. There are no specific attendance figures yet, but museum officials said the exhibition galleries had been packed and attendance was up 83 percent over the same period last year, when the museum presented an exhibition on Alexander Hamilton.

 

The $5 million slavery exhibition features more than 400 artifacts, documents, paintings and maps spanning 9,000 square feet in 10 galleries. Visitors can see advertisements for runaway slaves and "negroes, to be sold"; caricatured drawings of blacks; items like chairs and cribs made by slave hands; and a 1644 document granting slaves "half freedom" and land around what is now Washington Square.

 

The visitor response booth is at the end of the exhibition. There, visitors touch a blue-screened computer asking questions about what they have seen: their overall impression, how it added to or altered their knowledge on the subject, what they found noteworthy. They then look at the camera and speak their answers.

 

"This is a much more qualitative way of knowing who's coming to the museum," said Richard Rabinowitz, the show's curator. "We really wanted to let people talk and think through things. We wanted people to frame a meaning for this as they leave." Museum officials plan to use those responses to figure out what and how people learn from such exhibitions.

So far, about 400 responses have been videotaped. Some will become part of the "visitor reaction" monitors now in three galleries, which showcase selected people who previewed the show.

 

In one, for example, a middle-aged white woman says the exhibition can make a difference. "A difference when you look at a black person on a subway train," she says, "or you're working next to a black person, that you have a little more empathy and understanding and also praising for how far so many people came."

 

In the raw videotape, the names given are not clear, one has to guess at ages and there is no consensus on what people found most noteworthy about the show. Some said they were shocked to learn that some slaves fought with the British during the Revolutionary War (in a bid for freedom); others said they had discovered that George Washington owned slaves; and some mused that New York City slavery was no more benign than the Southern variety.

After all, slaves in New York worked sunup to sundown. Slaves helped build the wall on Wall Street (and were sold there) and built the first City Hall and Trinity Church. Slavery was the lifeline for hundreds of city businesses. During British rule, about 40 percent of the city's households owned slaves. Institutional exhibitions about America's slave-holding past are relatively new and help foster a national conversation about race, said James Oliver Horton, the chief historian for "Slavery." This show's size and location facilitate that dialogue, he said.

 

"Back in the 90's, when Bill Clinton asked for a national conversation about race, most people didn't have the context in which to have the conversation," said Dr. Horton, a professor of American studies and history at George Washington University. "This exhibition will help Americans have such a historical context. It will help people start with a common experience."

One commonality that emerges from viewing five hours of the visitor videotapes is how much people do not know. Many were unaware of the existence or extent of slavery in New York, which lasted until 1827, longer than in any other Northern state except New Jersey.

"It's terrible to know that the city that I love was part of the slave trade," said a middle-aged white woman from New Jersey. "I'm shocked to hear about it."

 

An African-American man in the booth with his young daughter said: "It's just a constant reminder that here in New York, like in other places in the United States, we were nothing more than cattle in the eyes of the owners and were treated that way. It's just amazing that people were able to survive and thrive after that."

 

An elderly white woman who said she had two college degrees said, "I never knew until I walked in here about slavery in New York." Now, she said, "It just breaks my heart."

An African-American woman who identified herself as a graduate of Cornell University said, "I've actually had people tell me that black people in New York had no history."

"I can now feel that I have information I can share," she said.

 

A middle-aged white woman who said she lived down the street from the museum noted that her daughter's advanced placement courses in history included only one hour about slavery. "It made me realize how history doesn't go away," the mother said of the exhibition. "These burdens are carried through generations."

 

Clearly, schools are failing to educate students about slavery, said Louise Mirrer, the society's president. Dr. Mirrer said she would be gratified to see the public schools use the educational materials developed by the society for "Slavery."

 

While most visitors are admirers, the exhibition comes in for some criticism, too. Some said it was saturated with facts but failed to convey slavery's brutality. One woman wondered why she did not see a single shackle. Dr. Rabinowitz said it was an informed decision to let the facts speak, without graphic depictions of beatings or family separations.

 

But in the reaction booth, a young black man from Harlem argued that the show should be enraging. "Why are there ghettos in New York City? Because of slavery," he said. He learned many facts from the show, he added, but wanted explicit connections between race and class. "The ramifications of slavery still affect the world," he said. "It's not something to be put in the past, like dinosaurs or fossils."

 

An African-American woman from Washington complained, "The soul of it was completely gone." She added, "It was spoken about as if it was any economic phenomenon instead of human."

 

But some people caught on camera said the show had certainly made them think harder about skin color and the echoes of the past.

 

A woman from Chicago, who described herself as an artist and a second-generation Slovakian, said the exhibition helped her in that way. She watched two African-American children playing in the museum, and it dawned on her that in another time they would have been slaves. "They had no choice," she said. "They had no power."

 

And after learning that at one time 20 percent of New Yorkers were enslaved, the artist said, she went to the lobby of the grand Historical Society building and began imagining the past. "I'd look around and look around," she said, "and one in five people would be a slave."

 

 

 

 

--0-276414156-1133015650=:42646-- From Huntheatre at aol.com Sat Nov 26 06:54:19 2005 From: Huntheatre at aol.com (Huntheatre at aol.com) Date: Sat, 26 Nov 2005 09:54:19 EST Subject: [NEohioPAL]Huntington Playhouse Announces 2006 Season Message-ID: <24e.21dbea9.30b9d11b@aol.com> -------------------------------1133016859 Content-Type: text/plain; charset="UTF-8" Content-Transfer-Encoding: quoted-printable Content-Language: en =20 FOR IMMEDIATE RELEASE=20 Huntington Playhouse Announces 2006 Season=20 Huntington Playhouse announced their 2006 season on the opening night of=20 their current production, =E2=80=9CThe Best Christmas Pageant Ever=E2=80= =9D. Managing=20 Director, Tom Meyrose, said in his remarks that the 2006 season will be the= theatre=E2=80=99s=20 47th season and will include the possibilities of a world premier show, the= =20 expansion of its children=E2=80=99s theatre program, and some adjustments t= o the=20 production schedule.=20 The theatre will open on May 11, 2006, a week later than in the past, wit= h=20 the comedy =E2=80=9CNoises Off=E2=80=9D. It will then do =E2=80=9CThe Fanta= sticks=E2=80=9D, =E2=80=9CSweet Charity=E2=80=9D , and =E2=80=9CMy Way- A Musical Tribute to Frank Sinatra=E2=80=9D. These=20= three musicals=20 will be followed by the comedy =E2=80=9CArt=E2=80=9D and Agatha Christie= =E2=80=99s =E2=80=9CThe Spider Web=E2=80=9D.=20 The season will conclude with the possibility of a world premier play=20 adapted from a Dick Feagler holiday column, =E2=80=9CChristmas at Aunt Ida= =E2=80=99s=E2=80=9D. =E2=80=9CWe=E2=80=99ve=20 been working with Feagler for the past year on this project and are hopeful= we=E2=80=99 ll have a solid show to produce for our patrons.=E2=80=9D said Meyrose.=20 They will also continue their summer classes for children and expand their=20 fall program which was initiated this past October.=20 Super Seven Flex Passes and gift certificates are now on sale for the 2006=20 season. The Flex Pass offers 7 admissions for $95.00 and gift certificates= =20 for individuals are on sale for $17.00 per admission. =20 For information on the 2006 season or to reserve tickets for the current=20 holiday show-=E2=80=9CThe Best Christmas Pageant Ever=E2=80=9D, contact the= box office at=20 440-871-8333 or visit the Huntington Playhouse web site,=20 _www.huntingtonplayhouse.com_ (http://www.huntingtonplayhouse.com/) .=20 Huntington Playhouse is located at 28601 Lake Road in Bay Village and is=20= a=20 licensed affiliate of the Cleveland Metroparks. =20 -------------------------------1133016859 Content-Type: text/html; charset="UTF-8" Content-Transfer-Encoding: quoted-printable Content-Language: en

FOR IMMEDIATE=20 RELEASE

 =

= Huntington= =20 Playhouse Announces 2006 Season

 =

 =

Huntington Playho= use=20 announced their 2006 season on the opening night of their current production= ,=20 =E2=80=9CThe Best Christmas Pageant Ever=E2=80=9D. =20 Managing Director, Tom Meyrose, said in his remarks that the 2006 sea= son=20 will be the theatre=E2=80=99s 47th season and will include the po= ssibilities=20 of a world premier show, the expansion of its children=E2=80=99s theatre pro= gram, and=20 some adjustments to the production schedule.

 =

The theatre will=20= open=20 on May 11,=20 2006, a week later th= an in=20 the past, with the comedy =E2=80=9CNoises Off=E2=80=9D. =20 It will then do =E2=80=9CThe Fantasticks=E2=80=9D, =E2=80=9CSweet Cha= rity=E2=80=9D, and =E2=80=9CMy Way- A=20 Musical Tribute to Frank Sinatra=E2=80=9D.=  =20 These three musicals will be followed by the comedy =E2=80=9CArt=E2= =80=9D and Agatha=20 Christie=E2=80=99s =E2=80=9CThe Spider Web=E2=80=9D.

 =

The season will=20 conclude with the possibility of a world premier play adapted from a Dick=20 Feagler holiday column, =E2=80=9CChristmas at Aunt Ida=E2=80=99s=E2=80=9D.   =E2=80=9CWe=E2=80=99ve been=20= working with Feagler=20 for the past year on this project and are hopeful we=E2=80=99ll have a solid= show to=20 produce for our patrons.=E2=80=9D  said=20 Meyrose.

 =

They will also co= ntinue=20 their summer classes for children and expand their fall program which was=20 initiated this past October.

 =

Super<= /st1:PlaceName>=20 Seven<= /st1:PlaceName>=20 Flex=20 Passes= and gift certifi= cates=20 are now on sale for the 2006 season. = =20 The Flex=20 Pass offers 7 admissi= ons=20 for $95.00 and gift certificates for individuals are on sale for $17.00 per=20 admission.

 =

For information o= n the=20 2006 season or to reserve tickets for the current holiday show-=E2=80=9CThe=20= Best=20 Christmas Pageant Ever=E2=80=9D, contact the box office at 440-871-8333 or v= isit the=20 Huntington= Playhouse web si= te, www.huntingtonplayhouse.com= .

 =

Huntington= Playhouse is loc= ated=20 at 28601 Lake=20 Road in=20 Bay=20 Village and is a license= d=20 affiliate of the Cleveland<= /B> Metroparks. 

 

-------------------------------1133016859-- From alitivity at yahoo.com Sat Nov 26 09:08:30 2005 From: alitivity at yahoo.com (Al Diamond Phillips) Date: Sat, 26 Nov 2005 09:08:30 -0800 (PST) Subject: [NEohioPAL]Al Diamond Phillips with Clay Aiken Message-ID: <20051126170831.54993.qmail@web50602.mail.yahoo.com> Members of the Al Diamond Phillips Christmas Variety Spectacular will be performing with Clay Aiken in Youngstown Nov 27th. Dont forget to get your tickets for our show Dec 17th at Williams on the Lake 330-726766 Ext 11 __________________________________ Yahoo! Mail - PC Magazine Editors' Choice 2005 http://mail.yahoo.com From DCaudill at lec.edu Sat Nov 26 09:50:34 2005 From: DCaudill at lec.edu (Caudill Deanna) Date: Sat, 26 Nov 2005 12:50:34 -0500 Subject: [NEohioPAL]trailer for sale Message-ID: <594B40408FE8474297C548F9A095C9F7AAB1C9@lecmail1.lec.edu> My husband has a 4 x 8 trailer made by haulin for sale. This trailer is = great for hauling props, furniture, lawn mowers, motorcycles, ATV's etc. =20 Details: new inner and outer bearings on both sides =20 2 foot high wood sides =20 new wiring and lights =20 all new tires and wheels =20 brand new spare tire and wheel=20 =20 new set of bearing buddies (enables you to grease wheel bearing without = taking wheels and bearings out) =20 1-7/8 ball =20 tarp includes to cover top of trailer =20 manual winch on front of trailer =20 =20 =20 =20 =20 =20 =20 Asking $450.00 =20 Contact Ron at 440-382-8089 for more information From johnny at mdifilm.com Sat Nov 26 10:00:41 2005 From: johnny at mdifilm.com (Johnny Wu) Date: Sat, 26 Nov 2005 13:00:41 -0500 Subject: [NEohioPAL]Cleveland IndieClub December 18 Meeting - Free to Public Message-ID: <008801c5f2b3$5209d110$0400000a@johnny5> Cleveland IndieClub FREE Monthly Networking Meeting - December 18, 2005 The Cleveland IndieClub meets every month, free of charge, for those who have the passion for making movies using film or video (whether it is in acting, directing, producing, writing, lighting or any other skill) and are looking for others who have similar interests. Cleveland IndieClub is administrated by Johnny K. Wu and generally hosted each month by their members, which offers each an opportunity to create a variety of interest and topic. Cleveland IndieClub official website: www.clevelandindieclub.com Sunday, December 18, 1pm to 4pm at The Hyacinth Lofts 3030 East 63rd Street Cleveland, Ohio, 44127 Please park on the street and enter from front of the building. Dial 022 to be buzzed in Hosted by Bill Johns, Cinevid Productions Guest speaker: Maureen Dempsey, LA Acting Coach Topic: Transforming your good film into great film through the performances of your actors Originally from Cleveland she spent more than 10 years working in the industry in Los Angeles. In Decembers meeting she will discuss ways in which you can take your "good" film and make it "great" through the performances of the actors. She will cover what to look for in the audition process and point out the key signals of a great actor. Then she will cover what to do to get the best performance possible out of any cast. Filmmakers have a lot of responsibilities and so much time and money are spent on the technical side of the process and oftentimes the actors get the least amount of attention yet the performances, especially in low budget movies, are the make or break factor. There is a fine line between cheesy and awesome. In addition, Cleveland IndieClub will screen and discusss short films, scenes, and trailers from: - 16mm Scratch and Sniff film loop with live-time alterations, a collaboration between Jerry Mann and Zack Hay - Tony Samangy's behind the scene footages for 3:18 (15 mins) - The Pain Within by Johnathon Portman (7 mins) - Cleveland Classic Cinemas from Nick D'Amico - NBTV Pilot Episode (29 mins) - Bill Johns' latest feature film Madness scenes Raffle for DVDs from your local filmmakers For more information about Cleveland IndieClub, visit Cleveland IndieClub @ http://www.clevelandindieclub.com Organized and sponsored by Johnny K. Wu & Media Design Imaging (www.mdifilm.com). Co-sponsored by Michael Balas & Media Group Studios (www.mediagroupstudios.com), David Perkowski & The Hyacinth Lofts (www.thehyacinthlofts.com), Bill Johns & Cinevid Productions (www.cinevidproductions.com), the Cleveland IndieClub members, and the current monthly host. For the past first 2 years, Cleveland IndieClub was also co-sponsored by Talkies Movie & Coffee Bar (www.talkiescoffee.com) located at Ohio City. Next meeting is scheduled for Sunday, January 22, 2006, host by Johnny K. Wu with special guest MaryEllen Tomazic, Entertainment Attorney. Topic: Intellectual Property for Visual Artists NOTE: If you have a movie on dvd that you would like to have it raffled, bring it to the meeting to have it raffled off to the participants. We have monthly attendees of around 60 people, if you have short films (no longer than 30 mins) that you would like to present and talk about it for February and on meetings, please email me at johnny at mdifilm.com (first come first serve) ================================== Media Design Imaging innovates and break the molds of visual creation http://www.mdifilm.com 216.373.3278 President (2004 & 2005) Organization of Chinese American of Greater Cleveland OCAGC http://www.ocagc.org Wu Jia Quan Shu (Art of Wu Family System) 2800 years old Family Style Martial Arts http://www.wujiaquan.com From Jacqiloewy at aol.com Sat Nov 26 10:21:41 2005 From: Jacqiloewy at aol.com (Jacqiloewy at aol.com) Date: Sat, 26 Nov 2005 13:21:41 EST Subject: [NEohioPAL]FREE STUFF & need help! Message-ID: --part1_dc.32a7922a.30ba01b5_boundary Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Okay guys - here's the deal. I have to be out of my huge house by Wednesday night and have rooms full of stuff to GIVE AWAY or sell real cheap! There are a few nice antique things for sale, but mostly I am giving anything to anybody who can take it out of here. Bring boxes or bags. Hours: Sunday: 10am until noon Monday: 9am until 11am Tuesday: 9am until noon Chairs, dishes, glasses, twin beds, old dressers, some clothes, books, misc. I have spent waaaay to many years being a pack rat and am turning over a new leaf! :-) 1630 South Belvoir South Euclid 1/2 mile south of Mayfield or 1 mile north of Cedar on west side of street 216-469-9160 or respond to this if you like. Also ... need to hire 2 strong people to help me move a few pieces of furniture on Tuesday afternoon from 3-6pm. Thanks!! Jacqi PS - If you want, in exchange for lots of free stuff, you could donate five or ten dollars to Charenton ... just a thought ;-) --part1_dc.32a7922a.30ba01b5_boundary Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable Okay guys - here's the deal. =20= I have to be out of my huge house by Wednesday night and have rooms full of=20= stuff to GIVE AWAY or sell real cheap!  There are a few nice antique th= ings for sale, but mostly I am giving anything to anybody who can take it ou= t of here. Bring boxes or bags.

Hours: Sunday: 10am until noon
           Monday: 9am unt= il 11am
            Tuesday:=20= 9am until noon

Chairs, dishes, glasses, twin beds, old dressers, some clothes, books, misc.= I have spent waaaay to many years being a pack rat and am turning over a ne= w leaf! :-)

1630 South Belvoir
South Euclid
1/2 mile south of Mayfield or 1 mile north of Cedar on west side of street
216-469-9160 or respond to this if you like.
Also ... need to hire 2 strong people to help me move a few pieces of= furniture on Tuesday afternoon from 3-6pm.

Thanks!!
Jacqi
PS - If you want, in exchange for lots of free stuff, you could donate five=20= or ten dollars to Charenton ... just a thought ;-)




 --part1_dc.32a7922a.30ba01b5_boundary-- From Parmarita at aol.com Sat Nov 26 10:38:48 2005 From: Parmarita at aol.com (Parmarita at aol.com) Date: Sat, 26 Nov 2005 13:38:48 EST Subject: [NEohioPAL]RE: Christmas Specials Message-ID: <28c.838640.30ba05b8@aol.com> --part1_28c.838640.30ba05b8_boundary Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit The Cassidy Theatre Guild will hold special performance fund raisers for the childrens theatre. On December 12th at 7:30PM one performance only the Singing Angels will appear with their Christmas Show. All tickets are $10.00 each. Order early as tickets are going fast. On Dec. 21, 22 and 23rd at 7:30 PM Dianns Dance will present "The Nutcracker" a memorable production for the entire family. Tickets for this production are also $10.00 per person. The Cassidy Theatre is located in The Greenbrier Commons, 6200 Pearl Road, in Parma Heights. Phone 440-842-4600 for reservations and more ticket information. --part1_28c.838640.30ba05b8_boundary Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable The Cassidy Theatre Guild will hold= special performance fund raisers for the childrens theatre.  On Decemb= er 12th at 7:30PM  one performance only the Singing Angels will appear=20= with their Christmas Show.  All tickets are $10.00 each. Order early as= tickets are going fast.  On Dec. 21, 22 and 23rd at 7:30 PM Dianns Dan= ce will present "The Nutcracker" a memorable production for the entire famil= y.  Tickets for this production are also $10.00  per person. =   The Cassidy Theatre is located in The Greenbrier Commons, 6200 Pearl=20= Road, in Parma Heights.  Phone 440-842-4600 for reservations and more t= icket information. --part1_28c.838640.30ba05b8_boundary-- From mcmamahoo at yahoo.com Sat Nov 26 11:59:49 2005 From: mcmamahoo at yahoo.com (Cherie Lawrence) Date: Sat, 26 Nov 2005 11:59:49 -0800 (PST) Subject: [NEohioPAL]Christmas Spectacular on PBS Tonight! Message-ID: <20051126195949.91197.qmail@web81705.mail.mud.yahoo.com> Spectacular Music Productions proudly announces the TV broadcast schedule for last year's Christmas Show, an edited version. PBS 45/49 Sat Nov 26 6pm Sun Nov 27 5pm Wed Nov 30 10pm Thanks call-in number 330.677.4549 PBS WVIZ Sat Dec 24 6pm Sun Dec 25 2&6AM Thanks call-in number 216.398.2800 Time Warner Cable Ch 23 Nov 26-Dec 25 Fridays 10pm; Sats and Suns 4pm Thanks call-in number 330.633.9203 Direct TV World Harvest Network Ch 321 All US/Europe Sat Nov 26 6pm EST Sat Dec 10 6pm EST Order dvd toll-free Nov 26-Dec 31 1.800.555.1148 To order tickets for the new 2005 Christmas Spectacular 20th Anniversary Special at the Akron Civic, please visit our web site www.spectacularmusic.org "What's New" link to download the ad and email to family/friends for further information. THANK YOU for your support, and hope to see you again this year! From Demeerusty at aol.com Sat Nov 26 13:26:06 2005 From: Demeerusty at aol.com (Demeerusty at aol.com) Date: Sat, 26 Nov 2005 16:26:06 EST Subject: [NEohioPAL]A Raisin In The Sun Message-ID: <236.25de78b.30ba2cee@aol.com> -------------------------------1133040366 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit The University of Akron's premier organization for campus events The Zips Programming Network, will be putting on the production of A Raisin In The Sun by Lorraine Hansberry on February 3-5 for Black History Month. We are looking for FULL PRODUCTION CAST AND CREW. ALL positions will be PAID. Auditions will be December 1 at 6:30pm-8:00pm room 314 December 2 at 6:00pm-8:00pm room 321 and December 3 at 1:00pm-4:00pm room 314 in the Student Union. To RSVP call 330-972-7014. Timothy G. Avant Diversity Chair The University of Akron The Zips Programming Network _tga2 at uakron.edu_ (mailto:tga2 at uakron.edu) -------------------------------1133040366 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
The University of Akron's premier organization for campus events The Zi= ps=20 Programming Network, will be putting on the production of A Raisin In T= he=20 Sun by Lorraine Hansberry on February 3-5 for Black History Month. We are=20 looking for  FULL PRODUCTION CAST AND CREW. ALL positions will be PAID.= =20 Auditions will be December 1 at 6:30pm-8:00pm room 314 December 2 at=20 6:00pm-8:00pm room 321 and December 3 at 1:00pm-4:00pm room 314 in= the=20 Student Union. To RSVP call 330-972-7014.
Timothy G. Avant
Diversity Chair
The University of Akron
The Zips Programming Network
tga2 at uakron.edu 
 -------------------------------1133040366-- From ehanic at kent.edu Sat Nov 26 19:05:42 2005 From: ehanic at kent.edu (ehanic at kent.edu) Date: Sat, 26 Nov 2005 22:05:42 -0500 Subject: [NEohioPAL]Voice Lessons! Message-ID: <2e97a682e9561d.2e9561d2e97a68@kent.edu> I am a college music major who is currently accepting students who love singing and want to reach their full potential. I possess several years of vocal training and performance experience. I am accepting students of all ages and all levels. I am located in the Canal Fulton/Manchester area. For more information, please contact me at ehanic at kent.edu Have a GREAT day! :-) From John at clevelandirish.org Sat Nov 26 19:24:51 2005 From: John at clevelandirish.org (John O'Brien) Date: Sat, 26 Nov 2005 22:24:51 -0500 Subject: [NEohioPAL]Santa Claus available Message-ID: <000601c5f302$218e3860$6400a8c0@gateway553926b> This is a multi-part message in MIME format. ------=_NextPart_000_0003_01C5F2D8.37F18500 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Hi All, If you need a Santa Claus for a function I am available, with a lot of = experience and full costume. Good with kids, seniors, and professional = functions. Reasonable rates. Thanks, John O'Brien (330) 321-6174 John at clevelandirish.org I expect to pass through this life but once, If, therefore, there be any = kindness I can show or any good thing I can do to any fellow being, let = me do it now. Let me not defer nor neglect it, for I shall not pass this = way again - W. Penn ------=_NextPart_000_0003_01C5F2D8.37F18500 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
Hi All,
 
If you need a Santa Claus for a = function I am=20 available, with a lot of experience and full costume.  Good with = kids,=20 seniors, and professional functions.
Reasonable rates.
 
Thanks,
 
John O'Brien
(330) 321-6174
John at clevelandirish.org
 
I expect to pass through this life but = once, If,=20 therefore, there be any kindness I can show or any good thing I can do = to any=20 fellow being, let me do it now. Let me not defer nor neglect it, for I = shall not=20 pass this way again - W. Penn
------=_NextPart_000_0003_01C5F2D8.37F18500-- From nick_d2003 at sbcglobal.net Sat Nov 26 19:35:28 2005 From: nick_d2003 at sbcglobal.net (Nicholas D'Amico) Date: Sat, 26 Nov 2005 22:35:28 -0500 Subject: [NEohioPAL]ATTENTION! ATTENTION! ATTENTION! Message-ID: <43892980.1080405@sbcglobal.net> This is a multi-part message in MIME format. --------------040301040300020401020901 Content-Type: text/plain; charset=ISO-8859-1; format=flowed Content-Transfer-Encoding: 7bit I have just assumed the mantel of Imperial Grand Poobah of Cleveland Independent filmmaking. I have appointed Al Tuskes Minister of Propaganda and Donna Williams head of the Filmic Enforcement. Our manifesto, authored by your exalted Grand Poobah and your esteemed Minister of Propaganda is as follows: 1) Under no circumstances will anything shot on lower video lifeforms such as VHS, VHS-C, S-VHS, 8mm, Hi-8, or other mongrel formats be shot or shown in the Northeast Ohio area, nor will any projects shot on cameras with less than three image chips. 2) If, during screening by the Ms. Williams, the Head of Filmic Enforcement, anyone in the audience leans over and says, "/What/ did they say?" the project will be immediately burned upon the Fire of Incompetence and the creators will be forced to enter the Columbia School of Broadcast. 3) All scripts will be submitted to the Poobah before pre-production, and, if the content is found to be beyond the reach of the proposed budget (i.e., a space epic, an action film involving car chases and/or explosions, period pieces involving swooping over vistas of clashing armies, etc.), the author will be assigned to write jokes for America's Funniest Home Videos until he is deemed ready to pen a realistic screenplay. 4) All actors who beg for a lead part, get it, and subsequently desert the production and/or join AFTRA will be hunted down and forced to watch the entire first season of /Stacked/ in perpetuity. 5) Any film foisting the personal beliefs of the maker on the captive audience of the Indie Club must submit to the Equal Time law in which opposing viewpoints will be forced upon them via "Very Special" Ross & Rachel episodes of /Friends/. 6) All members of the People's Republic of Indie Club (PRIC) will be expected to have several controls disabled on their cameras, as no true professional would ever rely on these controls anyway. These include, but are not limited to: Auto-exposure/auto-iris, sound limiters, auto-focus, zooming controls, on-camera microphones. If tempted to use any of these devices, please hie thee to the main branch of the Cleveland Public Library downtown, sequester yourself in the Periodicals section, and peruse every page of every issue of American Cinematographer or Millimeter magazine until you find mention of a professional who relied on /any/ of these controls while shooting a real movie. 7) Before you hand somebody your "script", saying that "everybody who has seen it, thinks it's the best they've ever read", please consider discounting the opinions any of the /everybody/ if they are: A - Your mother or father. After all, they want you to move out of the house at some point. B - Your significant other. They lie to you all the time anyway, just to spare your feelings. C - The local actors who would sacrifice a limb or genitalia to be in something, /anything/, that could possibly give them a shot at the big time, no matter how unrealistic the possibility (/Dead Planet/ comes to mind...) D - Anybody who hasn't actually read a script before. E - Anybody who would make a financial gain, should you actually go into production, such as insurance salesmen, equipment mongers, casting agents, lawyers, etc. 8) Any attempt at "Kevin Williamson-sonian" sly-knowing-wink-to-the-audience things, "Tarentino-esqe" cool-situations-strung-together-with-hipster-antiheroes-invoking-esoteric-comic book-geek speak or including references to pop culture icons in screenplays will result in the offender being immediately sentenced to Remedial Screenwriting 101. 9) The LCD viewfinder on the side of your camera. This means that out of focus shots, bad lighting, unbalanced lighting, mike booms in the shot, etc. will no longer be tolerated. If any of these events occur, realize that tape is cheap, so you can get a second take, or even rewind the tape to get a second take should you choose to do so. If you choose not to, your video camera will be deposited into the Fire of Incompetence. 10) If a citizen of PRIC buys a digital video camera and insists on referring to themselves as a filmmaker, director, or a producer owing to this purchase, they will be tossed onto the Fire of Incompetence without trial./ /This also applies to those who, after the purchase of screenwriting software, refer to themselves as a/ /screenwriter. 11) If a citizen's sole qualification for calling themselves a filmmaker is saying "I could do better than /that!/" repeatedly/ /while watching projects, said citizen will be immediately taken to the re-education camp where they will be forced to watch projects created by people who thought the same thing of themselves. Additions to the manifesto will be added as required. Now sleep the sleep of the just knowing that your loving Grand Poobah is watching over you all. Nick --------------040301040300020401020901 Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit

I have just assumed the mantel of Imperial Grand Poobah of Cleveland Independent filmmaking. I have appointed Al Tuskes Minister of Propaganda and Donna Williams head of the Filmic Enforcement. Our manifesto, authored by your exalted Grand Poobah and your esteemed Minister of Propaganda is as follows:

1) Under no circumstances will anything shot on lower video lifeforms such as VHS, VHS-C, S-VHS, 8mm, Hi-8, or other mongrel formats be shot or shown in the Northeast Ohio area, nor will any projects shot on cameras with less than three image chips.

2) If, during screening by the Ms. Williams, the Head of Filmic Enforcement, anyone in the audience leans over and says, "What did they say?" the project will be immediately burned upon the Fire of Incompetence and the creators will be forced to enter the Columbia School of Broadcast.

3) All scripts will be submitted to the Poobah before pre-production, and, if the content is found to be beyond the reach of the proposed budget (i.e., a space epic, an action film involving car chases and/or explosions, period pieces involving swooping over vistas of clashing armies,  etc.), the author will be assigned to write jokes for America's Funniest Home Videos until he is deemed ready to pen a realistic screenplay.

4) All actors who beg for a lead part, get it, and subsequently desert the production and/or join AFTRA will be hunted down and forced to watch the entire first season of Stacked in perpetuity.

5) Any film foisting the personal beliefs of the maker on the captive audience of the Indie Club must submit to the Equal Time law in which opposing viewpoints will be forced upon them via "Very Special" Ross & Rachel episodes of Friends.

 
6) All members of the People’s Republic of Indie Club (PRIC) will be expected to have several controls disabled on their cameras, as no true professional would ever rely on these controls anyway. These include, but are not limited to: Auto-exposure/auto-iris, sound limiters, auto-focus, zooming controls, on-camera microphones. If tempted to use any of these devices, please hie thee to the main branch of the Cleveland Public Library downtown, sequester yourself in the Periodicals section, and peruse every page of every issue of American Cinematographer or Millimeter magazine until you find mention of a professional who relied on any of these controls while shooting a real movie.

 7) Before you hand somebody your “script”, saying that “everybody who has seen it, thinks it’s the best they’ve ever read”, please consider discounting the opinions any of the everybody if they are:

            A – Your mother or father. After all, they want you to move out of the house at some point.

            B – Your significant other. They lie to you all the time anyway, just to spare your feelings.

C – The local actors who would sacrifice a limb or genitalia to be in something, anything, that could possibly give them a shot at the big time, no matter how unrealistic the possibility (Dead Planet comes to mind…)

D – Anybody who hasn’t actually read a script before.

E – Anybody who would make a financial gain, should you actually go into production, such as insurance salesmen, equipment mongers, casting agents, lawyers, etc.

 8) Any attempt at “Kevin Williamson-sonian” sly-knowing-wink-to-the-audience things, “Tarentino-esqe” cool-situations-strung-together-with-hipster-antiheroes-invoking-esoteric-comic book-geek speak or including references to pop culture icons in screenplays will result in the offender being immediately sentenced to Remedial Screenwriting 101.

9) The LCD viewfinder on the side of your camera. This means that out of focus shots, bad lighting, unbalanced lighting, mike booms in the shot, etc. will no longer be tolerated. If any of these events occur, realize that tape is cheap, so you can get a second take, or even rewind the tape to get a second take should you choose to do so. If you choose not to, your video camera will be deposited into the Fire of Incompetence.

10) If a citizen of PRIC buys a digital video camera and insists on referring to themselves as a filmmaker, director, or a producer owing to this purchase, they will be tossed onto the Fire of Incompetence without trial. This also applies to those who, after the purchase of screenwriting software, refer to themselves as a screenwriter.

11) If a citizen's sole qualification for calling themselves a filmmaker is saying "I could do better than that!" repeatedly while watching projects, said citizen will be immediately taken to the re-education camp where they will be forced to watch projects created by people who thought the same thing of themselves.

Additions to the manifesto will be added as required. Now sleep the sleep of the just knowing that your loving Grand Poobah is watching over you all.

   Nick

   --------------040301040300020401020901-- From sharonmxg at cox.net Sat Nov 26 21:20:31 2005 From: sharonmxg at cox.net (sharonmxg) Date: Sun, 27 Nov 2005 00:20:31 -0500 Subject: [NEohioPAL]I need a duck Message-ID: <004c01c5f312$49f374e0$4372bf46@MistressSharon> This is a multi-part message in MIME format. ------=_NextPart_000_0049_01C5F2E8.60C7ABC0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Hi NEOPalers, Beck Center is looking for a duck to be used in the upcoming production = of Beauty & the Beast (directed by Fred Sternfeld, opens Friday, = December 2nd) We need a fairly realistic looking, fake duck that will fall to the = stage each performance. If you happen to have (or can suggest where I might find inexpensively) = a decoy like duck (rubber or plush, not wood) please reply to this eMail = or call me directly at the number below. Thanks for your help! Sharon Epstein Prop Master ~ Beck Center 440-452-4831=20 >^..^< Life is not measured by the number of breaths we take, but by the moments that take our breath away. --George Carlin ------=_NextPart_000_0049_01C5F2E8.60C7ABC0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
Hi NEOPalers,
 
Beck Center is looking for a = duck to be=20 used in the upcoming production of Beauty & the Beast = (directed by=20 Fred Sternfeld, opens Friday, December 2nd)
 
We need a fairly realistic = looking, fake=20 duck that will fall to the stage each performance.
 
If you happen to have (or can = suggest=20 where I might find inexpensively) a decoy like duck (rubber or = plush, not=20 wood) please reply to this eMail or call me directly at the number=20 below.
 
Thanks for your = help!
 
Sharon Epstein
Prop Master ~ Beck = Center
440-452-4831 
 
>^..^<
Life is not = measured by=20 the number of breaths we take,
but by the moments that take our = breath=20 away.
 
--George=20 Carlin
------=_NextPart_000_0049_01C5F2E8.60C7ABC0-- From MeatFree32 at aol.com Sat Nov 26 21:39:47 2005 From: MeatFree32 at aol.com (MeatFree32 at aol.com) Date: Sun, 27 Nov 2005 00:39:47 EST Subject: [NEohioPAL]Start 2006 with Improv Classes: Cleveland Improv Institute! Message-ID: <294.498d24.30baa0a3@aol.com> --part1_294.498d24.30baa0a3_boundary Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit CLEVELAND IMPROV INSTITUTE SESSION 6 IMPROV CLASSES JAN 9th - MAR 2nd Start the New Year off with an exciting, fun and challenging improv class! The Cleveland Improv Institute, home of the "10 Keys " training program will be offering 3 classes this coming session. Classes include: 1. Beginning Improvisation Date: Wednesday Evenings (Jan 11th - Mar 1st) Time: 7pm to 9:30pm Place: The Hermit Club Cost: $160/8 week class Instructor: Marc Moritz 2. Intermediate Improvisation Date: Thursday Evenings (Jan 12th - Mar 2nd) Time: 7pm to 9:30pm Place: The Hermit Club Cost: $160/8 week class Instructor: Marc Moritz 3. Cleveland Improv Conservatory Date: Monday Evenings (Jan 9th - Feb 27th) Time: 7pm to 9:30pm Place: The Hermit Club Cost: $160/8 week class Instructor: Jeffrey Lyn Hall **PAYMENT FOR ALL CLASSES IS DUE BY JANUARY 6TH.** TO REQUEST AN INFORMATIONAL BROCHURE ABOUT THIS EXCITING SESSION OF IMPROV CLASSES, BE PLACED ON OUR MAILING LIST OR TO REGISTER FOR A CLASS YOU CAN CALL US AT: (216) 479-3353 OR EMAIL US AT: treeblanch at aol.com ALS O CHECK US OUT ON THE WEB AT: www.clevelandimprovinstitute.com FOR COMPLETE COURSE OUTLINES, DESCRIPTION OF OUR TRAINING PROGRAM, INSTRUCTOR BIOS AND ALL OTHER INFORMATION ABOUT THE CLEVELAND IMPROV INSTITUTE! --part1_294.498d24.30baa0a3_boundary Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable

CLEVELAND IMPROV INSTI= TUTE=20
SESSION 6 IMPROV CLASSES=20
JAN 9th - MAR 2nd

Start the New Year off with an exciting, fun and challenging imp= rov class!=20

The Cleveland Improv Institute, home of the "10 Keys "  tr= aining program will be offering 3 classes this coming session.

Classes include:=20

1. Beginning Improvisation   
Date:  Wednesday Evenings (Jan 11th - Mar 1st)=20
Time: 7pm to 9:30pm=20
Place: The Hermit Club=20
Cost: $160/8 week class
Instructor: Marc Moritz

2.  Intermediate Improvisation  
Date: Thursday Evenings (Jan 12th - Mar 2nd)=20
Time: 7pm to 9:30pm=20
Place: The Hermit Club=20
Cost: $160/8 week class
Instructor: Marc Moritz=20

3. Cleveland Improv Conservatory  
Date: Monday Evenings (Jan 9th - Feb 27th)=20
Time: 7pm to 9:30pm=20
Place: The Hermit Club=20
Cost: $160/8 week class=20
Instructor: Jeffrey Lyn Hall

**PAYMENT FOR ALL CLASSES IS DUE BY=20
JANUARY 6TH.**

TO REQUEST AN INFORMATIONAL BROCHURE ABOUT THIS EXCITING SESSION OF IMPRO= V CLASSES, BE PLACED ON OUR MAILING LIST OR TO REGISTER FOR A CLASS YOU CAN=20= CALL US AT:
(216) 479-3353 OR EMAIL US AT: treeblanch at aol.com=20

ALS O CHECK US OUT ON THE WEB AT: www.clevelandimprovinstitute.com
FOR COMPLETE COURSE OUTLINES, DESCRIPTION OF OUR TRAINING PROGRAM, &nb= sp; INSTRUCTOR BIOS AND ALL OTHER INFORMATION ABOUT THE CLEVELAND IMPRO= V INSTITUTE!














--part1_294.498d24.30baa0a3_boundary-- From royberko at yahoo.com Sun Nov 27 09:12:22 2005 From: royberko at yahoo.com (Roy Berko) Date: Sun, 27 Nov 2005 09:12:22 -0800 (PST) Subject: [NEohioPAL]Berko review: 'LOVE, JANIS' (Hanna Theatre) Message-ID: <20051127171223.66018.qmail@web33108.mail.mud.yahoo.com> Love Rock and Roll? ?Love, Janis? is your thing! Roy Berko (Member, American Theatre Critics Association) --THE TIMES NEWSPAPERS-- Lorain County Times--Westlaker Times--Lakewood News Times--Olmsted-Fairview Times "Some people live, some survive. I'm a survivor. I plan to be around for a long time." Those were the words of legendary rock singer Janis Joplin, whose life story, ?LOVE, JANIS? is now on stage at the Hanna Theatre. As it turned out, Joplin was wrong. She died before her twenty-eighth birthday of an overdose of morphine and heroin. Noted for her wailing blues sound, Janis Joplin broke the mold of traditionally pretty band singers, so prevalent during the 50s and early 60s, to become one of the icons of rock music. But in spite of her fame, she couldn?t overcome her self-destructive instincts Born Janis Lyn Joplin on January 19, 1943 in Port Arthur, Texas, a small Southern petroleum industry town, she proved early in life to be a rebel. She broke with local social traditions during the tense days of racial integration, standing up for the rights of African Americans whose segregated status in her hometown conflicted with Janis?s youthful ideals. She, along with fellow beatnik-leaning high school friends, pursued the non-traditional via arts and literature, especially music. She found her voice and was soon playing in coffee houses in the small towns of Texas. After a short stint in college her big break came. Chet Helms, a Lone Star state friend who was living in San Francisco, called to offer her a singing audition with an up-and-coming local group. Janis accepted, went to California and became the lead singer for "Big Brother and the Holding Company.? And, as the saying goes, ?the rest is history.? ?LOVE, JANIS? was created by Joplin?s sister, Laura, whose goal was to show a side of the legendary singer that her fans may not have known. Through the use of pictures, letters that Janis wrote to her parents, and her songs, we learn of the star?s life. Or, at least the life her sister wants us to see. The performance piece has an interesting premise. There are two Janises. One, the performer who puts on a face and a voice for the world, and the private Janis who wrote letters which indicated her successes and self doubts. Both Janises appear on stage, sometimes solely, sometimes together. This is accomplished by having two actresses portray the single person. One sings, the other speaks. The present Cleveland production (in 1999 the Cleveland Play House mounted a very successful version) has two casts. I saw the duo of Katrina Chester as the singing Janis and Helen Coxe as the speaking Janis. Chester has a big voice. She sings with gusto and lets loose with ease. I, at points, found her voice shrill and the song interpretations to be words rather than meanings, stressing the emotion rather than the meanings. A woman who shared my table at the performance, and who is a Janis fanatic, indicated that Chester, though good, didn?t have the audience-commanding presence of the original star. I found Helen Coxe, who played the speaking role, unimpressive. She was constantly fiddling with her hair, seemed uncertain on stage and failed to develop a textured character. She simply didn?t display the emotional core of the character. She was missing the inner fire of a woman in chaos. Local Cleveland favorite, Paul Floriano, is the off-stage voice who questions Janis and makes transitional comments. On the way into the theatre the usher handed me a pair of ear plugs. She said, ?Believe me, honey, you?ll need these.? She was right. Sitting in the first row, immediately in front of a huge speaker, my chair actually vibrated from the base notes. After a while the sound so overshadowed the singing, that I was hearing ?boom, boom, boom,? not words. I wish that bands would realize they are playing backup to the singer and if we can?t hear the lyrics, there is no sense in having a singer. CAPSULE JUDGEMENT: If you love rock and roll, if you are a Janis Joplin fan, you?ll like the concert segments of ?LOVE, JANIS.? If you have sensitive ears and aren?t into rock, there are probably shows around town that will be more to your liking. For tickets to ?LOVE, JANIS,? which is in an open ended run at the Hanna Theatre, 2067 East 14th Street, call 216-241-6000, 800-766-6048 or go on-line to www.playhousesquare.com. Roy Berko's web page can be found at www.royberko.info. His theatre and dance reviews appear on NeOHIOpal, an on-line source. To subscribe to this free service via the World Wide Web, visit http://lists.fredsternfeld.com/mailman/listinfo/neohiopal. __________________________________ Yahoo! Music Unlimited Access over 1 million songs. Try it free. http://music.yahoo.com/unlimited/ From MeatFree32 at aol.com Sun Nov 27 10:32:09 2005 From: MeatFree32 at aol.com (MeatFree32 at aol.com) Date: Sun, 27 Nov 2005 13:32:09 EST Subject: [NEohioPAL]Session 6 Instructors:Cleveland Improv Institute Message-ID: <6b.52680412.30bb55a9@aol.com> --part1_6b.52680412.30bb55a9_boundary Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit CLEVELAND IMPROV INSTITUTE The Cleveland Improv Institute announces its 6th Session, running January 9th through March 2nd. We are proud to introduce you to our Session 6 instructors: Marc Moritz and Jeffrey Lyn Hall. We invite you to take a moment to learn more about these incredible instructors! Marc Moritz - Master Teacher Marc originated the role of Talk Show Host in the original Broadway production of the Sondheim/Prince musical Merrily We Roll Along. Theaters worked in include: The Cleveland Playhouse, Long Wharf, Goodman, New Harmony, Cain Park, Dobama and many more. Marc was the Founder/Director of the Cleveland based Giant Portions Improv Troupe. His improv training includes stints at ImprovOlympic and extensive workshops with Paul Sills, Del Close and Charna Halpern. He currently teaches acting at Lakeland Community College as well as Improv at Beck Center and is on staff at Chicago's Second City Training Center. Marc is also a Guest Artist with The University Circle Early Educational Enrichment Program - bringing Improv and other Creative Dramatics into area schools (COURSES OFFERED FOR SESSION 6) Beginning Improvisation This class introduces and addresses keys 1 through 5 of our "10 Keys" Training Program. Games and exercises are utilized in the development of the vital skills required for improvisation. These 5 keys include: building trust/breaking down sub-conscious walls & barriers, physical action, environment creation, object reality and truth in the moment. Fun and challenging mental/physical exercises utilizing these 5 keys will be the focus of the training for this class. All Are Welcome To Participate Intermediate Improvisation This class introduces and addresses keys 6 through 10 of our "10 Keys" Training Program. These 5 keys include: character development, relationship creation, yes and, emotional commitment and give and take. The use of fun and challenging ensemble mental/physical games and exercises utilizing these 5 keys while incorporating the first 5 keys within the class curriculum will be the focus of the training for this class. PreReq:Beginning Improvisation ______________________________________________________ Jeffrey Lyn Hall- Instructor Having started his career in Italian Commedia del Arte at the Teatro Arsenale in Milan, Italy, Jeffrey Lyn Hall has spent the last 27 years in professional study, teaching and performance. With degrees in theatre from Geneva College, the University of Akron and Theatre of Louisville, Jeffrey has worked as an actor, director, acrobat, clown and standup comic. In 1979, Jeffrey has the rare opportunity to study improvisation in Chicago with the legendary Del Close and performed under the direction of Betty Thomas in the Improv Olympic group Orphaned Babies. Jeffrey is currently the Artistic Director of Beatnik Lingo Entertainment, an improv comedy organization that has staged the immensely popular improv/sketch comedy shows BEATNIK and VINE and the short form improv show BEAT OFF-BEAT! Jeffrey has taught classes in improv/acting/directing at Geneva College, University of Akron, University of Louisville as well as being a former faculty member of The Second City (Cleveland), where he taught all levels of students. (COURSE OFFERED FOR SESSION 6) Cleveland Improv Conservatory Students must have successfully completed the Scene Construction Intensive class or be able to demonstrate comprehensive knowledge of those skills listed in the Advanced and Scene Construction syllabus including: scene structure, performance games, 10 Keys of Improv, long form and short form creation and improvisation. Emphasis will be placed on the development of performance skills, the construction of the "ensemble" within specific forms (short and longform)and the ability to work within and demonstrate knowledge pertaining to said specific forms (short and longform). PreReq:Scene Construction If you would like to have an informational brouchure sent to you, be put on our mailing list or register for a class you can email us at: treeblanch at aol.com or call us: 216-479-3353 Check us out on the web at: www.clevelandimprovinstitute.com --part1_6b.52680412.30bb55a9_boundary Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable

CLEVELAND IMPROV IN= STITUTE


The Cleveland Improv Institute announces its 6th Session, running Januar= y 9th through March 2nd.  We are proud to introduce you to our Session=20= 6 instructors: Marc Moritz and Jeffrey Lyn Hall.  We invite you to take= a moment to learn more about these incredible instructors!   &nbs= p;   

Marc Moritz - Master Teacher
Marc originated the role of Talk Show Host in the original Broadway prod= uction of the Sondheim/Prince musical Merrily We Roll Along. Theaters worked= in include: The Cleveland Playhouse, Long Wharf, Goodman, New Harmony, Cain= Park, Dobama and many more. Marc was the Founder/Director of the Cleveland=20= based Giant Portions Improv Troupe. His improv training includes stints at I= mprovOlympic and extensive workshops with Paul Sills, Del Close and Charna H= alpern. He currently teaches acting at Lakeland Community College as well as= Improv at Beck Center and is on staff at Chicago's Second City Training Cen= ter. Marc is also a Guest Artist with The University Circle Early Educationa= l Enrichment Program - bringing Improv and other Creative Dramatics into are= a schools

(COURSES OFFERED FOR SESSION 6)
Beginning Improvisation
This class introduces and addresses keys 1 through 5 of our "10 Ke= ys" Training Program. Games and exercises are utilized in the developmen= t of the vital skills required for improvisation. These 5 keys include: buil= ding trust/breaking down sub-conscious walls & barriers, physical action= , environment creation, object reality and truth in the moment. Fun and chal= lenging mental/physical exercises utilizing these 5 keys will be the focus o= f the training for this class. All Are Welcome To Participate=20

Intermediate Improvisation
This class introduces and addresses keys 6 through 10 of our "10 K= eys" Training Program. These 5 keys include: character development, rela= tionship creation, yes and, emotional commitment and give and take. The use=20= of fun and challenging ensemble mental/physical games and exercises utilizin= g these 5 keys while incorporating the first 5 keys within the class curricu= lum will be the focus of the training for this class. PreReq:Beginnin= g Improvisation =20
=20

______________________________________________________


Jeffrey Lyn Hall- Instructor
Having started his career in Italian Commedia del Arte at the Teatro Ars= enale in Milan, Italy, Jeffrey Lyn Hall has spent the last 27 years in profe= ssional study, teaching and performance. With degrees in theatre from Geneva= College, the University of Akron and Theatre of Louisville, Jeffrey has wor= ked as an actor, director, acrobat, clown and standup comic. In 1979, Jeffre= y has the rare opportunity to study improvisation in Chicago with the legend= ary Del Close and performed under the direction of Betty Thomas in the Impro= v Olympic group Orphaned Babies. Jeffrey is currently the Artistic Director=20= of Beatnik Lingo Entertainment, an improv comedy organization that has stage= d the immensely popular improv/sketch comedy shows BEATNIK and VINE and the=20= short form improv show BEAT OFF-BEAT! Jeffrey has taught classes in improv/a= cting/directing at Geneva College, University of Akron, University of Louisv= ille as well as being a former faculty member of The Second City (Cleveland)= , where he taught all levels of students.

(COURSE OFFERED FOR SESSION 6)
Cleveland Improv Conservatory
Students must have successfully completed the Scene Construction Inte= nsive class or be able to demonstrate comprehensive knowledge of those skill= s listed in the Advanced and Scene Construction syllabus including: scene st= ructure, performance games, 10 Keys of Improv, long form and short form crea= tion and improvisation. Emphasis will be placed on the development of perfor= mance skills, the construction of the "ensemble" within specific forms (shor= t and longform)and the ability to work within and demonstrate knowledge pert= aining to said specific forms (short and longform).
PreReq:Scene Construction=20


If you would like to have an informational brouchur= e sent to you, be put on our mailing list or register for a class you can em= ail us at:
treeblanch at aol.com  or call us: 216-479-3353
Check us out on the web at:
www.clevelandimprovinstitute.com

=20
=20
=20

=20
=20
=20
=20

--part1_6b.52680412.30bb55a9_boundary-- From secylady66 at hotmail.com Sun Nov 27 10:36:06 2005 From: secylady66 at hotmail.com (Leigh Anderson) Date: Sun, 27 Nov 2005 13:36:06 -0500 Subject: [NEohioPAL]Need a custom designed murder mystery Message-ID:
We've had a few replies but we're still looking for the right fit.  We would like a company who is established and used to doing this sort of show. 
 
We would like a murder mystery custom designed for our company's clients and spouses.  (approximately 80 people)  We would like it to involve our clients but not make them BE the actors.  This is going to be a surprise so we need it to be GOOD!  We are looking at a weeknight in February and we have a venue and food already.  We also would like the humor to be clean so as not to offend anyone.

Find just what you're after with the new, more precise MSN Search - try it now! From pjsings at sbcglobal.net Sun Nov 27 11:16:41 2005 From: pjsings at sbcglobal.net (Patrick Clement) Date: Sun, 27 Nov 2005 11:16:41 -0800 (PST) Subject: [NEohioPAL]I need a job Message-ID: <20051127191641.60394.qmail@web82007.mail.mud.yahoo.com> --0-1547616902-1133119001=:60386 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Happy Holidays everyone! I'm sending out a post for a job....I need a job for December...anything offers or ideas would be great!! Even not theatre related wold be great....I just need the extra cash this year.Thanks and stay fabulous! Best, Patrick Clement --0-1547616902-1133119001=:60386 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
Happy Holidays everyone! I'm sending out a post for a job....I need a job for December...anything offers or ideas would be great!!  Even not theatre related wold be great....I just need the extra cash this year.Thanks and stay fabulous!
 
Best,
Patrick Clement
--0-1547616902-1133119001=:60386-- From PierogiProductOH at aol.com Sun Nov 27 12:43:46 2005 From: PierogiProductOH at aol.com (PierogiProductOH at aol.com) Date: Sun, 27 Nov 2005 15:43:46 -0500 Subject: [NEohioPAL]Shameless self promotion Message-ID: <1698BC1B.18B3C369.6350EC03@aol.com> In case any of you read the Sunday edition of the Plain Dealer, Nutty, our spokes-puppet for Natural Bridges LLC & NB Puppets is featured in the PDQ section on the second page underthe "They Love" heading. Thank you. Kirk Lawrence Maynard President & Puppet Director Natural Bridges LLC PO Box 30688 Cleveland, Ohio 44130 Phone: 1-888-866-4877 Email: ?? President at thenaturalbridges.com Web: ?? ?? www.thenaturalbridges.com ???If you can dream it, we can create it.??? From higbee at chsaviour.org Sun Nov 27 13:33:35 2005 From: higbee at chsaviour.org (Judith Higbee) Date: Sun, 27 Nov 2005 16:33:35 -0500 Subject: [NEohioPAL]East side church seeks bass soloist/section leader Message-ID: <002e01c5f39a$3950b1b0$80fea8c0@church.chsaviour.org> This is a multi-part message in MIME format. ------=_NextPart_000_002F_01C5F370.507AA9B0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Church of the Saviour in Cleveland Hts. is looking for a bass soloist/section leader. We have hired a tenor section leader for about 10 years and now are adding a bass to the Chancel Choir. Rehearsals are on Thursdays from 7:30-9:15 p.m. and the choir sings regularly at the 11:00 a.m. worship service. We average about 30 singers on a Sunday morning and do traditional repertoire of the past and music by living composers as well. We are preparing to present Mozart's Coronation Mass in February. For more information please contact: Judith Higbee Director of Music Church of the Saviour (United Methodist) 2537 Lee Road Cleveland Hts., OH 44118 216-321-8880 higbee at chsaviour.org ------=_NextPart_000_002F_01C5F370.507AA9B0 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

Church of the Saviour in = Cleveland Hts. is looking for a bass soloist/section = leader.  =

We have hired a tenor section leader for about = 10 years and now are adding a bass to the Chancel Choir. Rehearsals are on Thursdays from 7:30-9:15 = p.m. and the choir sings regularly at the 11:00 = a.m. worship service. We average about 30 singers on a Sunday morning and do = traditional repertoire of the past and music by living composers as well. We = are preparing to present Mozart's Coronation Mass in = February.  

 

For more information please = contact:

Judith Higbee

Director of Music

Church of the Saviour (United = Methodist)

2537 Lee = Road

Cleveland = Hts., = OH= = 44118

216-321-8880

higbee at chsaviour.org

 

=

 

=

 

------=_NextPart_000_002F_01C5F370.507AA9B0-- From sgyorki at sbcglobal.net Sun Nov 27 14:00:24 2005 From: sgyorki at sbcglobal.net (Sarah Gyorki) Date: Sun, 27 Nov 2005 14:00:24 -0800 (PST) Subject: [NEohioPAL]Arts Collinwood gallery - new glass show Message-ID: <20051127220024.77696.qmail@web81202.mail.mud.yahoo.com> --0-809975209-1133128824=:77257 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Contact(216)692-9500 www.artscollinwood.org Board Zachary Coleman, Chair Nancy Kennedy, President Cynthia Szafraniec, Secretary/Treasurer Kathy Baker Cindy Barber Martha Ferrazza Melanie Fioritto Brian Friedman Fred Kreiner Nancy Prudic Executive Director Sarah Gyorki Arts Collinwood would like to thank Councilman Michael Polensek. Neighborhood Connections (a small grants program of the Cleveland Foundation), HOPE, Immanuel Presbyterian Church, the Collinwood Golden Age Center, Memorial Nottingham library, our artist and resident members, and the supporting merchants of North Collinwood for helping to make these programs possible. Arts Collinwood Gallery Contacts: Sarah Gyorki 216-692-9500 216-383-1465 (home) Opening Reception for the Glass and Ceramics Exhibit (Through the end of December) Friday December 2, 2005 6pm-10pm 15605 Waterloo Road Cleveland, Ohio (near I-90 at the E. 156th Street exit) Gallery Hours Thurs -Fri. 6-9pm Sat.-Sun. 1-5pm Various artists including: Michael Mikula Rene Culler Patty Kozorevski Susan Gallagher Sue Barry Jack Rotar ? and others --0-809975209-1133128824=:77257 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit

Contact

(216)692-9500

www.artscollinwood.org

 

 

 

 

Board

Zachary Coleman,
Chair

Nancy Kennedy,
President

Cynthia Szafraniec, Secretary/Treasurer

Kathy Baker

Cindy Barber

Martha Ferrazza

Melanie Fioritto

Brian Friedman

Fred Kreiner

Nancy Prudic

 

 

 

 

Executive Director

Sarah Gyorki

 

 

 

 

 

Arts Collinwood would like to thank Councilman Michael Polensek. Neighborhood Connections (a small grants program of the Cleveland Foundation), HOPE, Immanuel Presbyterian Church, the Collinwood Golden Age Center, Memorial Nottingham library, our artist and resident members, and the supporting merchants of North Collinwood for helping to make these programs possible.

 

 

 

 


 

 

 


Arts Collinwood Gallery

Contacts:

Sarah Gyorki   216-692-9500
                        216-383-1465 (home)

 

Opening Reception for the

 

Glass and Ceramics Exhibit

(Through the end of December)

 

Friday December 2, 2005

6pm-10pm

 

15605 Waterloo Road

Cleveland, Ohio

(near I-90 at the E. 156th Street exit)

 

 

Gallery Hours  Thurs -Fri.  6-9pm

Sat.-Sun.  1-5pm

 

Various artists including:

Michael Mikula

Rene Culler

Patty Kozorevski

Susan Gallagher

Sue Barry

Jack Rotar

? and others

 

 

 

 

 

--0-809975209-1133128824=:77257-- From bjbowers4584 at yahoo.com Sun Nov 27 15:03:21 2005 From: bjbowers4584 at yahoo.com (Brian Bowers) Date: Sun, 27 Nov 2005 15:03:21 -0800 (PST) Subject: [NEohioPAL]Great health discounts for artists! Message-ID: <20051127230321.40438.qmail@web35014.mail.mud.yahoo.com> --0-2043590955-1133132601=:40219 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Hey guys, I just found a great deal for anyone with little or no health insurance. AmeriPlan offers several options including Dental, Prescription, Eyeglass, and Chiropractic discounts for less than $12 a month for an individual?they also have a full health program including doctor visits, specialists, and lab work for under $50 a month. This is a great deal for artists who may not have insurance through a union or their full-time jobs. AmeriPlan has been around for over 12 years and is in good standing with the Better Business Bureau. There are tons of providers in the area?I just found out about them, and highly recommend them. Also, it?s a discount program (as opposed to regular insurance) so they take everyone, there are no claim forms to deal with, and no deductibles! Best of all?if you join before November 30th, your first month is half price! That means you can get the Dental, Prescription, Eyeglass, and Chiropractic plan for just $5.95 the first month, or the full Health Plan for just $24.99 the first month! Check out www.deliveringonthepromise.com/40303314 and click on the link that says ?Save Money? for more information. Find out about business opportunities by clicking on the ?Make Money? link. (I liked what I heard so much I?m working for them part time!) I can answer further questions by email at BBowers at ameriplan.net or by phone at 216-288-7743. Happy Holidays! Brian Bowers AmeriPlan, Independent Broker --------------------------------- Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --------------------------------- Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --0-2043590955-1133132601=:40219 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
 
Hey guys, I just found a great deal for anyone with little or no health insurance.  AmeriPlan offers several options including Dental, Prescription, Eyeglass, and Chiropractic discounts for less than $12 a month for an individual?they also have a full health program including doctor visits, specialists, and lab work for under $50 a month.  This is a great deal for artists who may not have insurance through a union or their full-time jobs.  AmeriPlan has been around for over 12 years and is in good standing with the Better Business Bureau.  There are tons of providers in the area?I just found out about them, and highly recommend them.  Also, it?s a discount program (as opposed to regular insurance) so they take everyone, there are no claim forms to deal with, and no deductibles!
 
Best of all?if you join before November 30th, your first month is half price!  That means you can get the Dental, Prescription, Eyeglass, and Chiropractic plan for just $5.95 the first month, or the full Health Plan for just $24.99 the first month!
 
Check out www.deliveringonthepromise.com/40303314 and click on the link that says ?Save Money? for more information.  Find out about business opportunities by clicking on the ?Make Money? link.  (I liked what I heard so much I?m working for them part time!)  I can answer further questions by email at BBowers at ameriplan.net or by phone at 216-288-7743. 
 
Happy Holidays!
 
Brian Bowers
AmeriPlan, Independent Broker

Yahoo! Music Unlimited - Access over 1 million songs. Try it free.

Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --0-2043590955-1133132601=:40219-- From higbee at chsaviour.org Sun Nov 27 13:41:11 2005 From: higbee at chsaviour.org (Judith Higbee) Date: Sun, 27 Nov 2005 16:41:11 -0500 Subject: [NEohioPAL]Auditions for The Crucible Message-ID: <003d01c5f39b$491831d0$80fea8c0@church.chsaviour.org> This is a multi-part message in MIME format. ------=_NextPart_000_003E_01C5F371.604229D0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Arts in the Cathedral of Church of the Saviour, 2537 Lee Road, Cleveland Heights, announces auditions for Arthur Miller's play The Crucible on Saturday, December 3, 2005 from 9 a.m. to noon. Cast includes 10 men and 10 women. Some roles are available for younger females and there is one female role for person of color from Barbados. Set at the time of the Puritan witchcraft trials, Miller's masterpiece retains its power as a parable of our contemporary society. It will be done in period costume with minimal scenery as the author wished. Actors should be familiar with the script and be willing to read for different roles. Performance dates are March 3, 4 at 8 p.m. and March 5, 2006 at 3 p.m. Director is Dick Meadows who can be reached for details at 216-321-7698 daytime. Dick's directing credits include Cain Park, The Jewish Community Center, Theatre in the Valley, and Cuyahoga Community College. Contact: Dick or Marilyn Meadows 216-321-7698 Judith Higbee, Director of Music 216-321-8880 November 10, 2005 Judith Higbee Director of Music Church of the Saviour 2537 Lee Road Cleveland Heights, OH 44118 higbee at chsaviour.org ------=_NextPart_000_003E_01C5F371.604229D0 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

 

=

Arts in the Cathedral of Church of the = Saviour, 2537 Lee Road, Cleveland Heights, = announces auditions for Arthur Miller's play The Crucible on Saturday, December 3, 2005 from 9 a.m. to noon.  Cast includes 10 men and 10 women.  Some roles are available for younger females and there is one = female role for person of color from = Barbados.

 

Set at the time of the Puritan witchcraft trials, Miller's masterpiece retains its power as a parable of our contemporary = society.  It will be done in period = costume with minimal scenery as the author wished. Actors should be familiar with the = script and be willing to read for different roles.

 

Performance dates are March 3, 4 at 8 p.m. and = March 5, = 2006 at 3 p.m. Director is = Dick Meadows who can be reached for details at 216-321-7698 daytime.  Dick's directing credits = include Cain = Park, The Jewish Community Center, Theatre in the Valley, and = Cuyahoga = Community College.

 

Contact: Dick or Marilyn Meadows  = 216-321-7698

 

Judith Higbee, Director of Music = 216-321-8880

 

November 10, = 2005

 

 

Judith Higbee

Director of Music

Church of the Saviour

2537 Lee = Road

Cleveland Heights, = OH = 44118

higbee at chsaviour.org

 

 

=

 

------=_NextPart_000_003E_01C5F371.604229D0-- From tcgofohio at hotmail.com Sun Nov 27 11:39:09 2005 From: tcgofohio at hotmail.com (Cohen Robert) Date: Sun, 27 Nov 2005 14:39:09 -0500 Subject: [NEohioPAL]TCG of Ohio - "Best of" Message-ID: Theatre Communications Group of Ohio (TCG) is a newly formed Arts Agency based in Columbus, Ohio. TCG's mission: to strengthen, nurture and promote Northeast Ohio not-for-profit Theatre Arts.. TCG believes that theatre arts plays a significant role on the culture of Northeast Ohio and as a strong public and cultural advocate of theatre, TCG's prime directive is to promote a meaningful role for theatre arts in the lives of Northeast Ohio individuals, families and communities. Through strategic planning, data collection and audience surveys, TCG has developed the Member Audience Foundation. MAF's primary goal is to administer a range of audience development programs that will encourage attendance, assistance and education for theatre arts. TCG's Member Audience Foundation is also designed to allow it's audience members to pay tribute to individuals and organizations for outstanding achievements, contributions and service to Northeast Ohio Theatre Arts. At this time TCG would like to recognize the outstanding achievements and efforts of the following organizations and individuals: Best Musical - RAGTIME, produced by The Jewish Community Center of Cleveland in Association with Cuyahoga Community College East Campus Theatre Arts. RAGTIME was the blockbuster of the year! Best Play - The Exonerated, produced by the Dobama Theatre Company. Simple, eloquent and incredibly powerful. Best Director - Fred Sternfeld, RAGTIME. Mr. Sternfeld's best work! Stunning! Best Actress - Elizabeth Ann Townsend - THE EXONERATED. A gifted actress who's performance demonstrated humanity, dignity, courage and strength. Best Actor - Brian Zoldessy, TO KNOW HIM. One of the best performances by an actor this city has seen. Rich, detailed, powerful and very moving. Best Theatre Company - THE GREAT LAKES THEATRE FESTIVAL. Under the direction of Charles Fee, GLTF has become a truly fine theatre company, providing entertaining and delightful productions. _________________________________________________________________ Express yourself instantly with MSN Messenger! Download today - it's FREE! http://messenger.msn.click-url.com/go/onm00200471ave/direct/01/ From Grumio85 at aol.com Sun Nov 27 16:06:03 2005 From: Grumio85 at aol.com (Grumio85 at aol.com) Date: Sun, 27 Nov 2005 19:06:03 EST Subject: [NEohioPAL]Beck Center--- Seeks laborer Message-ID: <26a.c8a6a6.30bba3eb@aol.com> -------------------------------1133136363 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Beck Center is seeking someone with day hours (9AM to 6PM) this week to assist on final preparations for our production of "Beauty and the Beast". The ideal candidate will possess some carpentry and light painting skills--- basically a jack-of-all-trades! Compensation negotiable. Looking for some temp work? Reply to this message at your earliest convenience. :) Thank You! Scott Spence Beck Center -------------------------------1133136363 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
Beck Center is seeking someone with day hours (9AM to 6PM) this we= ek to assist on final preparations for our production of "Beauty and the= Beast". The ideal candidate will possess some carpentry and light pain= ting skills--- basically a jack-of-all-trades! Compensation negotiable.
 
Looking for some temp work? Reply to this message at your earliest conv= enience. :)
 
Thank You!
 
Scott Spence
Beck Center
-------------------------------1133136363-- From Bailarte at aol.com Sun Nov 27 16:24:08 2005 From: Bailarte at aol.com (Bailarte at aol.com) Date: Sun, 27 Nov 2005 19:24:08 EST Subject: [NEohioPAL]Latin-American Dance Styles Workshops by...SUSANA Message-ID: <200.e8370ee.30bba828@aol.com> -------------------------------1133137448 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Greetings! (What better than a workout that changes your body, mantains your waist-line, brings your stamina up, conserves or raises your inmune system, and of all work outs out there, Latin-American dance...( well done ) is the one that keeps your body looking great, plus the fun and delight of the authentic Afro-Caribbean and American music is UNIQUE!) I will be teaching a 3 week workshop in fundamental Afro-Latin-American dance rhythms, ( no partner necessary) I use various techniques in all my classes, but I am focused on the integrity of the Latin Styles when I teach Salsa, Merengue, Cumbia, Ruma, Samba etc.etc. Please if you are interested and would like to make a commitment, let me know. These set of workshop will be held on January,thursdays at 7PM, ( will announce asap the exact dates). Where? at Shore Cultural Centre in Euclid (299 East 222nd Street, room 243 .....right in front of the Euclid Value City, dept. store) Please respond to this message or you can call me at: (216) 269-6985 The cost will be prepaid $45 "...Susana Weingarten de Evert is a world class teacher whose energy is contagious. When she is teaching Latin-American rhythms her enthusiasm and happiness is obvious and one can not resist the enjoyment and happiness of the fabulous music that she uses, the flow of movement and the way her body moves...she is an inspiration to all her students...." The Chicago Tribune.....June 2004 -------------------------------1133137448 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable    Greetings!= =20
(What better=20= than a workout that changes your body, mantains your waist-line, brings your= stamina up, conserves or raises your inmune system, and of all work ou= ts out there, Latin-American dance...( well done ) is the one that keeps you= r body looking great, plus the fun and delight of the authentic Afro-Cari= bbean and American music is UNIQUE!)
 
I will be teachin= g a 3 week workshop in fundamental Afro-Latin-American dance rhythms, (= no partner necessary)
 
 
I use various tec= hniques in all my classes, but I am focused on the integrity of the Lat= in Styles when I teach Salsa, Merengue, Cumbia, Ruma, Samba etc.etc= .
 
Please if you= are interested and would like to make a commitment, let me know.
<= /STRONG> 
 These = set of workshop will be held on January,thursdays at 7PM,  ( w= ill announce asap the exact dates).
<= /STRONG> 
Where? at Shore Cultural Centre in Euclid (299 Eas= t 222nd Street, room 243 .....right in front of the Euclid Value City, dept. store)
&= nbsp;
Please respon= d to this message or you can call me at:
(216) 269-6985
&= nbsp;
The cost will= be prepaid
$45
"...Susana Weingarten de Evert is a world class teacher whose e= nergy is contagi= ous. When she is teaching Latin-American rhyt= hms her enthusiasm and happiness is obvious and one can not resist the enjoyment and happiness of the fa= bulous music that she uses, the flow of movement and the way her body moves.= ..she is an inspiration to all her students...."=
The Chicago Tr= ibune.....June 2004
-------------------------------1133137448-- From performingarts at karamu.com Sun Nov 27 16:58:31 2005 From: performingarts at karamu.com (Performing Arts) Date: Sun, 27 Nov 2005 19:58:31 -0500 Subject: [NEohioPAL]AUDITIONS for one of the hippest plays to ever come through Karamu's TOPS outreach program. Message-ID: <047d01c5f3b6$dac88920$5701a8c0@karamu.com> This is a multi-part message in MIME format. ------=_NextPart_000_047A_01C5F38C.F1184DC0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable A HIP HOP AESOP by Je Franklin Told through hip hop with a grooving beat, this new, original and = facinating piece is written by legendary Black Arts Movement and New = York playwright J e Franklin. Author of works such as the classic = Off-Broadway play "Black Girl," (also film directed by the late Ossie = Davis) and "Grey Panthers: Coming to the Mercy Seat."=20 Seeking a multiracial cast of six actors/actresses ages 19 or older, who = can move and groove to the hip hop beat. Must be available during school = hours. Sides will be provided with music. Slam poets are also welcome. = Actors will also be considered for the outreach production of "Langston = Listens to America", dramatized poems written by late Karamu alum = Langston Hughes. The outreach program will tour the Cleveland area and = beyond starting Winter 2006. Audition Dates: Friday, December 9th (Please call for audition = appointment) December 10th, 10AM - 1PM = Where: Karamu House, = 2355 East 89th=20 =20 A HIP HOP AESOP is an adaptation of the ancient fables of Aesop in the = form of Three-Minute plays written in unforgettable hip hop rhythms and = accompanied by catchy musical numbers. The works stay true to the = ancient wisdom of Aesop, who used fables to point out our human foibles, = as Jesus would later use parables to teach his disciples. Aesop was a = Greek-born slave of Ethiopian ancestry, born deformed and unable to = speak, until the Priestess Isis, rewarding him for some deed he = performed, miraculously restored his speech. He lived 600 years before = Christ. For audition appointments for Friday, December 9th, please call = 216-795-7070 ext. 242. =20 ------=_NextPart_000_047A_01C5F38C.F1184DC0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable

A HIP HOP=20 AESOP by Je Franklin

Told through = hip hop=20 with a grooving beat, this new, original and facinating piece is = written by=20 legendary Black Arts Movement and New=20 York playwright J e Franklin. Author of works such as the = classic=20 Off-Broadway play "Black Girl," (also film directed by the late = Ossie=20 Davis) and "Grey Panthers: Coming to the Mercy=20 Seat." 

Seeking a=20 multiracial cast of six actors/actresses ages 19 or older, = who can move and groove to the hip hop=20 beat. Must be available during school hours. Sides will be = provided=20 with music. Slam poets are also welcome. Actors will also be considered = for the=20 outreach production of "Langston Listens to America", dramatized poems = written=20 by late Karamu alum Langston Hughes.  The outreach program will = tour the=20 Cleveland area and beyond starting Winter 2006.

Audition = Dates:=20 Friday, December=20 9th (Please call for audition=20 appointment)          = December=20 10th, 10AM -=20 1PM           &nbs= p;            = ;            =             &= nbsp;           &n= bsp;           &nb= sp;   =20 Where: Karamu House, 2355 East 89th 

           =             &= nbsp;           &n= bsp;           &nb= sp;   =20

A HIP HOP = AESOP is an=20 adaptation of the ancient fables of Aesop in the form of Three-Minute = plays=20 written in unforgettable hip hop rhythms and accompanied by catchy = musical=20 numbers.  The works stay true to the ancient wisdom of Aesop, who = used=20 fables to point out our human foibles, as Jesus would later use parables = to=20 teach his disciples.  Aesop was a Greek-born slave of Ethiopian = ancestry,=20 born deformed and unable to speak, until the Priestess Isis, rewarding = him for=20 some deed he performed, miraculously restored his speech. He lived 600 = years=20 before Christ.

For audition = appointments for Friday, December 9th, please call 216-795-7070 ext.=20 242.


 


------=_NextPart_000_047A_01C5F38C.F1184DC0-- From performingarts at karamu.com Sun Nov 27 17:16:45 2005 From: performingarts at karamu.com (Performing Arts) Date: Sun, 27 Nov 2005 20:16:45 -0500 Subject: [NEohioPAL]Auditions for the third production of Karamu's "Raising The Roof Revival" season: THE COLORED MUSEUMolored Message-ID: <048c01c5f3b9$66bba500$5701a8c0@karamu.com> This is a multi-part message in MIME format. ------=_NextPart_000_0489_01C5F38F.7D0241E0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable THE COLORED MUSEUM by George C. Wolfe (Comedy Satire) This is the classic that placed Wolfe, former Artistic Director for the = Public Theatre in New York City, on the map as a playwright. It was = first produced in 1986 in New Brunswick, New Jersey at Crossroads = Theatre. It is one of the most original and sought out plays in American = Theatre. Wolfe pulls no punches or kicks to the ribs, heart or funny = bone as he views Black history through a satirical microscope; exploring = a series of eleven exhibits such as "Git on Board", "Cookin' With Aunt = Ethel", "The Last Mama-On-The-Couch Play", and the scathing "Soldier = with a Secret". This museum is funky and outrageous. Caroline = Jackson-Smith, Director Seeking 3 women, African American 2 men, African American Cast Age Range: 20's - 40's Auditioners can come with prepared monologues and/or read from sides = which will be available at the audition. When: Saturday, December 10th- 2PM - 4PM Monday, December 12th- 5PM - 8PM Where: Karamu House, 2355 East 89th Street Rehearsals start date TBA at auditions. The production opens January = 27- February 19, 2006 in the 100 seat Arena. =20 For more information, please call 216-795-7070 ext. 242 ------=_NextPart_000_0489_01C5F38F.7D0241E0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable

THE COLORED MUSEUM by = George C.=20 Wolfe (Comedy Satire)
This is the classic that = placed=20 Wolfe, former Artistic Director for the Public Theatre in New York City, = on the=20 map as a playwright.  It was first produced in 1986 in New = Brunswick, New=20 Jersey at Crossroads Theatre. It is one of the most original and sought = out=20 plays in American Theatre. Wolfe pulls no punches or kicks to the ribs, = heart or=20 funny bone as he views Black history through a satirical microscope; = exploring a=20 series of eleven exhibits such as "Git on Board", "Cookin' With Aunt = Ethel",=20 "The Last Mama-On-The-Couch Play", and the scathing "Soldier with a = Secret".=20 This museum is funky and outrageous. Caroline Jackson-Smith, = Director

 

Seeking

 

3 women, African = American

2 men, African = American

Cast Age Range: 20's -=20 40's

 

Auditioners can come = with=20 prepared monologues and/or read from sides which will be available at = the=20 audition.

 

When: Saturday, = December 10th-=20 2PM - 4PM

           = Monday, December 12th- 5PM - 8PM

Where: Karamu House, = 2355 East=20 89th Street

 

Rehearsals start date = TBA at=20 auditions.  The production opens January 27- February 19, 2006 in = the 100=20 seat Arena.

 

For more information, = please=20 call 216-795-7070 ext. 242


------=_NextPart_000_0489_01C5F38F.7D0241E0-- From pnrsusan at hotmail.com Sun Nov 27 17:39:44 2005 From: pnrsusan at hotmail.com (Susan From PNRImprov) Date: Mon, 28 Nov 2005 01:39:44 +0000 Subject: [NEohioPAL]We're back and ready to help! Message-ID:

In this season of giving, please consider helping us give to those who are suffering.

 

PNR Improv will be donating all of the proceeds from all of its shows for the rest of 2005 to the

American Red Cross to help the victims of

Hurricane Katrina.

Your $5.00 will be doing more than buying you an evening of family-friendly comedy?

you?ll be helping out people in need.

 

Please join us for smoke-free, alcohol-free

improv comedy in the style of

?Whose Line Is It Anyway??

Together we can help our fellow Americans. Thank you.

 

2005 Schedule

 

Saturday, December 3

Saturday, December 17

 

All shows start at 7:30pm

Admission: $5.00 at the door (to be donated to the

American Red Cross Disaster Response Fund)

Where: Quirk Cultural Center, 3rd Floor (?Newell Theatre?)

1201 Grant Street, Cuyahoga Falls

 

For more information, contact me at PNRSusan at hotmail.com, or visit our website at http://www.PNRImprov.org.

 

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Find just what you're after with the new, more precise MSN Search - try it now! From blueizeinfo at yahoo.com Sun Nov 27 17:48:09 2005 From: blueizeinfo at yahoo.com (Blue~ize Magazine) Date: Sun, 27 Nov 2005 17:48:09 -0800 (PST) Subject: [NEohioPAL]DECEMBER ISSUE BLUE~IZE MAGAZINE AVAILABLE NOW Message-ID: <20051128014810.1628.qmail@web51515.mail.yahoo.com> --0-1772887066-1133142489=:1377 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit DECEMBER ISSUE OF BLUE~IZE THE PERFORMING ARTS MAGAZINE AVAILABLE NOW! PACKED WITH VALUABLE INFORMATION YOU CAN TRUST... GET STARTED ON YOUR ARTS CAREER TODAY! CONCERT & THEATER LINKS AUDITIONS RISING STAR INTERVIEWS ANNOUNCEMENTS NEWS INDIE FILMS EXPERT ADVICE FROM THE PROS MATTHEW JAMES MURPHY REFLECTS ON "RENT" INTERVIEW WITH JOLENE MCPHERSON, DANCE INSTRUCTOR AN INTERVIEW WITH DEBBIE GIFFORD, VOCALIST CHRISTMAS AT MAXWELL'S FEATURE FILM BY WILLIAM LAUFER MARY ELLEN TOMAZIC, ENTERTAINMENT LAWYER MTV29 BOYS FROM MADISON HIGH SCHOOL MARY FAKTOR SERIES ADVICE ABOUT YOUR ARTS CAREER SUE JOHNSON SHARES "TRICKS OF THE TRADE" SEND JANUARY AUDITION LISTINGS TO US BY DEC 15TH FOR FREE ! ATTENTION ALL ACTING, DANCE, & VOICE COACHES: NEW CLASSIFIED 4 LINE LISTING FOR ONLY $25/MONTH PLEASE REPORT MAGAZINE OUTAGES DON'T MISS AN ISSUE! REQUEST A SUBSCRIPTION FORM Blue~ize Magazine The Ultimate Guide for Young Talent Mike Ross, Editor Barbara Ross, Producer 7285 Center St. Mentor, OH 44060 PH: 440-478-7500 --0-1772887066-1133142489=:1377 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
DECEMBER ISSUE OF
BLUE~IZE
 THE PERFORMING ARTS MAGAZINE
 AVAILABLE NOW!
 
 
PACKED WITH VALUABLE INFORMATION YOU CAN TRUST...
 
GET STARTED ON YOUR ARTS CAREER TODAY!
 
CONCERT & THEATER LINKS AUDITIONS RISING STAR INTERVIEWS ANNOUNCEMENTS NEWS INDIE FILMS
 
EXPERT ADVICE FROM THE PROS
 
MATTHEW JAMES MURPHY REFLECTS ON "RENT"
 
INTERVIEW WITH JOLENE MCPHERSON, DANCE INSTRUCTOR
 
AN INTERVIEW WITH DEBBIE GIFFORD, VOCALIST
 
CHRISTMAS AT MAXWELL'S
FEATURE FILM BY WILLIAM LAUFER
 
 
MARY ELLEN TOMAZIC, ENTERTAINMENT LAWYER
 
MTV29 BOYS FROM MADISON HIGH SCHOOL
 
MARY FAKTOR
SERIES ADVICE ABOUT YOUR ARTS CAREER
 
SUE JOHNSON SHARES "TRICKS OF THE TRADE"
 
 
  • SEND JANUARY AUDITION LISTINGS TO US BY DEC 15TH FOR FREE !
  • ATTENTION ALL ACTING, DANCE, & VOICE COACHES:  NEW CLASSIFIED 4 LINE LISTING FOR ONLY $25/MONTH
PLEASE REPORT MAGAZINE OUTAGES
 
DON'T MISS AN ISSUE!
REQUEST A SUBSCRIPTION FORM


Blue~ize Magazine
The Ultimate Guide for Young Talent 
 
Mike Ross, Editor
Barbara Ross, Producer
7285 Center St.
Mentor, OH 44060
PH: 440-478-7500
--0-1772887066-1133142489=:1377-- From royberko at yahoo.com Sun Nov 27 18:32:10 2005 From: royberko at yahoo.com (Roy Berko) Date: Sun, 27 Nov 2005 18:32:10 -0800 (PST) Subject: [NEohioPAL]Berko review: BRAVO, CARUSO (Ensemble) Message-ID: <20051128023211.39422.qmail@web33103.mail.mud.yahoo.com> ?BRAVO, CARUSO!? OFF KEY AT ENSEMBLE Roy Berko (Member, American Theatre Critics Association) --THE TIMES NEWSPAPERS-- Lorain County Times--Westlaker Times--Lakewood News Times--Olmsted-Fairview Times Playwright William Luce is famous for his one-person scripts. His subjects have included Emily Dickenson, Charlotte Bronte, Zelda Fitzgerald, Lillian Hellman and John Barrymore. In ?BRAVO, CARUSO!,? now being staged by Ensemble Theatre, Luce takes on Enrico Caruso, considered by many opera aficionados to be the greatest tenor of all time, in a two-character script. Caruso was born into a working-class family in Naples, the 18th of 21 children. Early-on his mother was convinced that he had singing talent. By the time he was 10, the young Enrico's singing voice was receiving serious critical attention. Caruso became a favorite at New York?s Metropolitan Opera, where he performed 37 roles in 607 performances. Since his career coincided with the development of the phonograph, he became one of the early recording stars. Earthy, and something of a clown, the singer was extremely popular, not only as a singer, but as a personality. In 1921, when he died at the age of 48, he was greatly mourned. "BRAVO, CARUSO!" takes us into the tenor's dressing room at the Met on Christmas Eve, 1920. No one knows that he is about to sing his last performance. As the tale unfolds, we see the eccentric, preoccupied and brilliant Caruso manipulating his devoted dresser, Fantini, into giving him the adoration the performer so desperately needs. Any theatre choosing this script has to have two superb actors to play the roles. This is not a script for the ordinary performer. It also requires a director who has the inventive nature to work with the performers to hold the attention of an audience with a script that has little action, is very wordy and is two acts in length. There also has to be a sensitivity to developing the needed humor and pathos. Unfortunately, Ensemble misses on all counts. Though they try hard, Bernard Canepari and Pat Mazzarino can?t pull off the difficult roles. Neither is totally believable in their performances. Canepari seems so pre-occupied with remembering his lines that he fails to develop a textured character. The humor and the drama get melded together. Mazzarino plays at being fay and endearing, but never reaches down into the real Fantini. We never understand why he is so devoted to his master and why he is willing to be the brunt of the manipulation. They are not helped by Licia Colombi?s directing, which consists of coming up with shticks and gimmicks rather than creating a unified feeling, using the humor and drama of the script. How many times can we be amused by an ironing board being taken out and put away? Does having Mazzarino mincing around the stage really help him develop a meaningful character? Why weren?t real food and cigarettes used? The faking was just too obvious, especially in a play that has to be real. Ron Newell?s fragmented set, Michael Beyers? lighting and Casey Jones?s sound effects all work well. Too bad the rest of the production doesn?t live up to the technical aspects. CAPSULE JUDGEMENT: One of the most difficult reviews for a critic to write is one that is generally negative. Unfortunately, every once in while, it is my unfortunate duty to have to do so. In choosing a difficult script to perform a theatre has to be sure they have the talent to direct and perform the intent and purpose of the script. Ensemble was over its head in selecting ?BRAVO, CARUSO!? ?BRAVO, CARUSO!? continues at Ensemble Theatre, located in the Brooks Theatre in the Cleveland Play House complex through December 11. For ticket information call 216-321-2930. Roy Berko's web page can be found at www.royberko.info. His theatre and dance reviews appear on NeOHIOpal, an on-line source. To subscribe to this free service via the World Wide Web, visit http://lists.fredsternfeld.com/mailman/listinfo/neohiopal. __________________________________ Yahoo! Mail - PC Magazine Editors' Choice 2005 http://mail.yahoo.com From secylady66 at hotmail.com Sun Nov 27 21:06:20 2005 From: secylady66 at hotmail.com (Leigh Anderson) Date: Mon, 28 Nov 2005 00:06:20 -0500 Subject: [NEohioPAL]Harassing Sales Tactics Message-ID:

There is a certain murder mystery producer who won?t take NO for an answer.  Just like a REAL gangster I guess so his company name is VERY appropriate! 

 

He keeps E-mailing me, insisting I give him my home number and asking me to call him in the middle of the night if I happen to answer him while he?s online. 

 

Now he is also calling me names and telling me I?m on drugs!  This guy is nuts and he?s making me think twice about even hiring a murder mystery group.  I am SO glad I did not give him my number!

 

Harassing and insulting them is NOT the way to win clients over.

 

Leigh Anderson...

(Thinking Twice)


Find e-mail, documents and more on your PC instantly with Windows Desktop Search?FREE! From dafio at msn.com Thu Nov 24 20:35:09 2005 From: dafio at msn.com (Lynda) Date: Thu, 24 Nov 2005 23:35:09 -0500 Subject: [NEohioPAL]Murder Mysteries at Greystone Hall! Message-ID: <000001c5f179$9e4e5e00$d0ac0ccf@randomacts> This is a multi-part message in MIME format. ------=_NextPart_000_0001_01C5F14F.B579DCA0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Random Acts is thrilled to announce that we will be performing private parties at GREYSTONE HALL, a truly unique venue with amazing architecture, stunning staircases and fabulous food! http://www.random-acts.net ------=_NextPart_000_0001_01C5F14F.B579DCA0 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

Random Acts is thrilled to announce that we will be = performing private parties at GREYSTONE HALL, =

a truly unique venue with amazing architecture, = stunning staircases and fabulous food!

 

http://www.random-acts.net

 

 

------=_NextPart_000_0001_01C5F14F.B579DCA0-- From kmmk816 at yahoo.com Mon Nov 21 06:18:57 2005 From: kmmk816 at yahoo.com (Karen Kawolics) Date: Mon, 21 Nov 2005 06:18:57 -0800 (PST) Subject: [NEohioPAL]Guest Needed for Health TV show Message-ID: <20051121141858.43678.qmail@web34201.mail.mud.yahoo.com> Health and Fitness TV program looking for an in studio guest for a six minute interview. The television program "Mind, Body & Spirit" is looking for a guest to be interviewed for a program to be broadcast during the month of February in honor of Valentine's Day. The show will be shot on Tuesday, November 29th at 3:45PM in Macedonia at the Cable 9 studios. We are open to any topics related to love, relationships, heart health, food related topics - anything that will tie together health and romance. Please email any ideas. "MBS" is a health and fitness television program shot at Cable 9 studios in Macedonia and distributed to various cable outlets in the Cleveland and New York City area. Three female hosts each interview one guest for 7 minutes in studio. Guest will receive a copy of their interview. Please email any ideas to Karen Kawolics at kmmk816 at yahoo.com. Thank you, www.karenkawolics.com __________________________________ Yahoo! Mail - PC Magazine Editors' Choice 2005 http://mail.yahoo.com From dcurfman at akron.k12.oh.us Mon Nov 21 06:23:57 2005 From: dcurfman at akron.k12.oh.us (Donna Curfman) Date: Mon, 21 Nov 2005 09:23:57 -0500 (EST) Subject: [NEohioPAL]Keyboard player/organist position Message-ID: Christ United Methodist Church in West Akron is seeking a keyboard player/organist to accompany the choir and play a variety of music for the Sunday service. The position is paid and involves one rehearsal a week on Wednesday nights and one service on Sunday mornings. If interested or in need of additional information, please contact the church office at 330-836-5563 or Donna Curfman at 330-864-2040. From royberko at yahoo.com Mon Nov 21 06:33:29 2005 From: royberko at yahoo.com (Roy Berko) Date: Mon, 21 Nov 2005 06:33:29 -0800 (PST) Subject: [NEohioPAL]Berko review: OPAL (Kalliope) Message-ID: <20051121143329.20414.qmail@web33103.mail.mud.yahoo.com> KALLIOPE STAGE DOES AREA PREMIERE OF ?OPAL? Roy Berko (Member, American Theatre Critics Association) --THE TIMES NEWSPAPERS-- Lorain County Times--Westlaker Times--Lakewood News Times--Olmsted-Fairview Times ?OPAL,? the Richard Rodgers and AT&T Award-winning musical by Robert Lindsey Nassif, is getting its local premiere at Kalliope Stage. Nassif ,who penned the book, music and lyrics, is known to Cleveland audiences for his authorship of ?HONKY TONK HIGHWAY,? and ? ELIOT NESS IN CLEVELAND,? which had local productions. Opal is a full-length musical in one long act, that explores a young girl's attempt to "make earth glad" by helping those around her fulfill their needs and desires. Billed as the true story of Francoise D'Orleans, who, as a child, was shipwrecked off the Oregon coast. It is a bittersweet story that supposedly grew out of Francoise's own diary entries. The reality, however, was that ten months after the diary was published, D?Orleans was accused of fraud. Critics said she fabricated her biography, especially her claims that she was adopted by the Whiteleys and that her parents were actually French aristocracy. She was also accused of writing the diary as an adult, not when she was a child. After the untruthful revelations, Opal fled America and was found in England more than 20 years later wandering through the rubble and burned-out buildings left in the wake of World War II. She was committed to an insane asylum, identified as Schizophrenic, and remained there the rest of her life. She died in 1992, just weeks before the New York debut of the musical based on her writings. No matter the veracity of the tale, the bottom line is that Opal?s story is compelling, mysterious and tragic. The play opens with the shipwreck and illustrates what happens when Francoise is taken in by The Mamma, an embittered woman. The child, who believes her parents will come back one day, is given the name Opal, the same name as The Mamma?s dead daughter. To psychologically survive, Francoise creates a world of fantasy which includes naming things by cultural connections in her background. For example, she names her pet pig ?Peter Paul Rubens.? She gives nicknames to the people of the town: ?the thought-girl with far away look in her eyes,? ?the girl that has no seeing,? and ?the man that wears gray neckties.? Her extraordinary imagination affects the lives of those around her. This isn?t the traditional musical theatre feel-good fluff story with a neatly packaged happy ending. This is a story that is a mix of happiness and sorrow. Kalliope Stage?s production, under the adept directing of Paul F. Gurgol, is generally excellent. Gurgol does a masterful job of using the theatre?s small stage to its maximum. He has cast members linger around the stage, doing various tasks such as needle-point, knitting, and sawing wood to the best effect. The scenes flow well and transition effectively. The pacing is excellent. The opening storm scene is quite realistic and his creation of visual pictures, such as the human tree, is impressive. There are some very strong performances. Marla Berg as Sadie McKibben, the washer woman who befriends Opal, has a fine singing voice and develops a clear character. Kris Comer, the blind girl, creates a perfect image of a woman who is vulnerable and in need of love. Scott Posey has a powerful voice and also hits all the right acting notes as The Shy Man that Wears Gray Neckties. His future bride, The Thought-Girl with the Far Away Look in her Eyes, is nicely developed and sung by Jodi Brinkman. Each of the narrators is effective. On the other hand, Ayeshah Douglas as The Mamma fails to texture her role. Her lines often miss depth of meaning and she acts, rather than reacts to Opal and the other characters. Evaluating a play that has a child lead is often a difficult task. No matter the quality of character development and singing abilities, it is expected that the child, due to her age, is to be judged as ?wonderful.? However, I feel that it is unfair to use one criteria for the rest of the cast and another for child actors, especially ones in musicals like ?ANNIE,? ?OLIVER,? and ?OPAL? where they are the pivotal centers of the show. With that said, eleven year-old Dani Apple makes for an acceptable Opal. She has a nice singing voice. Her acting is not quite as good. She often says lines, rather than creating meanings. Her speaking voice sometimes gets into the high registers which is hard on the ears. Gurgol needed to work with her on emotional development which stretched beyond yelling when she was distraught, and looking directly into the eyes of other characters as she speaks. The choral work is excellent as are the musical sounds created by Brad Wyner and Anthony Ruggiero. Russ Borski?s set design is effective and Lance Switzer?s lighting works well. CAPSULE JUDGEMENT: ?OPAL? is an arresting play that gets a very good production at Kalliope Stage. The show runs through December 18 at Kalliope Stage, 2134 Lee Road. For tickets call 216-321-0870 or go on line to www.KalliopeStage.com. Kalliope Stage?s next production is ?COMING TO AMERICA? which will have its world premiere on February 9, 2006. Roy Berko's web page can be found at www.royberko.info. His theatre and dance reviews appear on NeOHIOpal, an on-line source. To subscribe to this free service via the World Wide Web, visit http://lists.fredsternfeld.com/mailman/listinfo/neohiopal. __________________________________ Yahoo! Mail - PC Magazine Editors' Choice 2005 http://mail.yahoo.com From scott at 1musicman.com Mon Nov 21 06:36:33 2005 From: scott at 1musicman.com (scott at 1musicman.com) Date: Mon, 21 Nov 2005 09:36:33 -0500 Subject: [NEohioPAL]Huge 1 day garage-moving sale-11/26! Message-ID: <200511211436.DTB24469@ms1.netsolmail.com> Dear NEOHIOPAL friends, The time has come to empty my house in order to make a move to California. I am selling furniture- sofas. end tables, chairs. I have many mic stands, cables,dj switchers and more. Also being sold is a 4 post auto lift, an 8 person hot tub, several sets of instrumental method books-Essential Elements. I have 2 small refrigerators and the house itself! (house showings can be arranged through our agent-Melinda Chamberlin- Keller-Williams) These goodies can be seen and bought 1 day only on Nov.26-,Sat.,8:30-5: 00p.m. at 476 Pierson Drive, Richmond Hts., OH (just off of Highland ,across from the police station.) I have other items in these categories so come over and check them out. I accept cash and cash or Paypal. Prices for these items are made to sell. Get a jump on your Holiday shopping.Pass the word-this is gonna be one heckuva' sale. Thank you for including my sale in your post turkey day plans. From dcurfman at akron.k12.oh.us Mon Nov 21 06:44:08 2005 From: dcurfman at akron.k12.oh.us (Donna Curfman) Date: Mon, 21 Nov 2005 09:44:08 -0500 (EST) Subject: [NEohioPAL]Keyboard player for Christmas Eve (fwd) Message-ID: Christ United Methodist Church in West Akron is in need of a keyboard player/organist for our Christmas Eve service at 7:00 p.m. This is a paid position and would require a rehearsal the Wednesday prior to the service (also paid). Please contact Donna Curfman at 330-864-2040 if you are interested and available. Thanks. From news at cvlt.org Mon Nov 21 07:16:11 2005 From: news at cvlt.org (Chris White) Date: Mon, 21 Nov 2005 10:16:11 -0500 Subject: [NEohioPAL]Chagrin Valley Little Theatre presents 'A Christmas Carol' The Musical Message-ID: <008001c5eeae$84158450$0600a8c0@cwhite> This is a multi-part message in MIME format. ------=_NextPart_000_007D_01C5EE84.98E1DD40 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Press Release Chagrin Valley Little Theatre Announces The Broadway Musical, A Christmas Carol =20 =20 November 21, 2005 : Charles Dickens' classic gets the full Broadway = treatment in Alan Menken's-Lynn Ahrens'-Mike Okrent's adaptation of A = Christmas Carol. This is the version that leaves New Yorkers and = tourists alike gasping in wonder and merriment every year as the story = unfolds on the stage at Madison Square Garden. In 2004, this version = became the basis of a NBC television spectacular featuring Kelsey = Grammer as Scrooge, surrounded by an array of stars including Jason = Alexander, Jesse L. Martin, Jane Krakowski, Geraldine Chaplin, Jennifer = Love Hewitt and Ruthie Henshall. Alan Menken (Little Shop Of Horrors) = and Lynn Ahrens (Ragtime The Musical, Once On This Island) have = collaborated on a score that is filled with beautiful melodies and = emotional lyrics. Their song "A Place Called Home" has become a holiday = standard. There are many adaptations of A Christmas Carol out there, but only one = Broadway version! Now this holiday treat can be seen at Chagrin Valley = Little Theatre =20 Director and Choreographer: Pierre-Jacques Brault =20 Music Director: Evie Morris=20 =20 Fridays & Saturdays @ 8 PM November 18 - December 18 Sundays @ 2pm November 20, 27 December 4, 18 (NEW - Corrected Dates) 40 River Street Chagrin Falls, Ohio 44022 Box Office: (440) 247-8955 Box Office Hours: 1 - 6 p.m. Monday - Saturday Tickets $16 - Adults $12 - for youth (under 18) and seniors (60 = and over) Please be sure to visit us at www.cvlt.org or www.chagrinfalls-ohio.com CVLT offers a very attractive dinner theater package with three of = Chagrin Falls' finest restaurants. Make your theater reservations = first, then call the restaurant of your choice to take advantage of = their special dinner theater offering. Call one of these fine = restaurants and enjoy dinner before the show. You should be prepared to = show your theater tickets prior to seating at the restaurant.=20 Enjoy wonderful cuisine plus an entertaining evening at The Chagrin = Valley Little Theatre Raintree 440-247-4800 Gamekeeper's Tavern 440-247-7744 Blake's Seafood Grille 440-893-9910 Chris White Corporate Controller M. Davis Management Services, Inc. 32100 Solon Road Suite 204 Solon, OH 44139 440-542-1724-Phone 440-542-1726-Fax ------=_NextPart_000_007D_01C5EE84.98E1DD40 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
 
Press=20 Release
Director and=20 Choreographer:  Pierre-Jacques=20 Brault  
Music Director:  Evie=20 Morris 

 

Fridays=20 & Saturdays @ 8 PM

November=20 18 - December 18

Sundays=20 @ 2pm

November 20, 27  December 4, = 18

(NEW - Corrected Dates)

 

40=20 River Street    = Chagrin=20 Falls, Ohio 44022

Box=20 Office: (440)=20 247-8955
Box=20 Office Hours: = 1 - 6=20 p.m. Monday =96 Saturday

Tickets    $16 -=20 Adults     $12 - for youth (under 18)=20 and seniors (60 and over)

Please be sure to visit us = at

www.cvlt.org  or = www.chagrinfalls-ohio.com

CVLT offers a very attractive dinner theater package with three = of=20 Chagrin Falls' finest restaurants.  Make your theater reservations = first,=20 then call the restaurant of your choice to take advantage of their = special=20 dinner theater offering.  Call one of these fine restaurants and = enjoy=20 dinner before the show.  You should be prepared to show your = theater=20 tickets prior to seating at the restaurant. =

Enjoy wonderful cuisine plus an entertaining evening at The = Chagrin=20 Valley Little Theatre

Raintree    = 440-247-4800
Gamekeeper's Tavern   =20 440-247-7744
Blake's Seafood Grille    = 440-893-9910
 
 
 
 
 
Chris = White
Corporate Controller
M. Davis Management Services, = Inc.
32100=20 Solon Road  Suite 204
Solon, OH =20 44139
440-542-1724-Phone
440-542-1726-Fax
<= /HTML> ------=_NextPart_000_007D_01C5EE84.98E1DD40-- From artistschair2005 at aol.com Mon Nov 21 07:15:09 2005 From: artistschair2005 at aol.com (artistschair2005 at aol.com) Date: Mon, 21 Nov 2005 10:15:09 -0500 Subject: [NEohioPAL]Need a FREELANCE JOURNALIST? Lauren Muney & OTHER NEWS! Message-ID: <8C7BCC57F4C1794-1F08-7A89@MBLK-M02.sysops.aol.com> ----------MailBlocks_8C7BCC57F4C1794_1F08_75B1_MBLK-M02.sysops.aol.com Content-Type: text/plain; charset="us-ascii" ARTISTSCHAIR.COM'S "FEATURED ARTIST OF THE DAY" Freelance Journalist - Lauren Muney (Location: Laurel, Maryland) (November 21, 2005) To view Laurens profile, visit http://www.artistschair.com Latest Members' CONTEST Giveaway (November 18, 2005) The artistschair.com member that is chosen at random by the database to be the Wednesday, November 23 "Featured Artist of the Day" will win two passes, good for four admissions to the December 1 (7:30 pm) Loews Richmond Town Square advanced screening of "The Family Stone" featuring Claire Danes, Diane Keaton, Rachel McAdams, Dermot Mulroney, Craig T. Nelson, Sarah Jessica Parker and Luke Wilson. Take friends or take family, either way, GET OUT and SEE NORTHEAST OHIO! Not a member of artistschair.com yet? Join today for FREE! Networking EVENT & PARTY for Artists and Those that Hire Talent (November 10, 2005) A GREAT BIG THANK YOU to all who attended the November 9 artistschair.com Networking Event which took place at 1300 Gallery. Photos from the event will be posted to the artistschair.com directory soon. FIND an Artist! Make your event or project extra memorable. Find entertainers and technicians in our FREE and easy-to-use database featuring photos and profiles of local artists in more than 100 different talent fields. BE an Artist! Let your talents and services be known. Become a member for FREE and highlight all talent fields that apply to you. Upload photos of yourself and/or samples of your work, edit your own information and have your profiles viewed by those searching for your talents and services. Our MISSION Artistschair.com is committed to PROMOTING and RAISING AWARENESS of local artists, arts-related institutions and issues and the NORTHEAST OHIO REGION as well as serving the needs of those searching for CREATIVE TALENT and resources. ----------MailBlocks_8C7BCC57F4C1794_1F08_75B1_MBLK-M02.sysops.aol.com Content-Type: text/html; charset="us-ascii"
  
            ARTISTSCHAIR.COM'S "FEATURED ARTIST OF THE DAY"
Freelance Journalist - Lauren Muney (Location: Laurel, Maryland)
 
(November 21, 2005) To view Laurens profile, visit http://www.artistschair.com
 
Latest Members' CONTEST Giveaway
(November 18, 2005) The artistschair.com member that is chosen at random by the database to be the Wednesday, November 23 "Featured Artist of the Day" will win two passes, good for four admissions to the December 1 (7:30 pm) Loews Richmond Town Square advanced screening of "The Family Stone" featuring Claire Danes, Diane Keaton, Rachel McAdams, Dermot Mulroney, Craig T. Nelson, Sarah Jessica Parker and Luke Wilson.  
 
Take friends or take family, either way, GET OUT and SEE NORTHEAST OHIO! Not a member of artistschair.com yet? Join today for FREE!
 
Networking EVENT & PARTY for Artists and Those that Hire Talent
(November 10, 2005) A GREAT BIG THANK YOU to all who attended the November 9 artistschair.com Networking Event which took place at 1300 Gallery. Photos from the event will be posted to the artistschair.com directory soon.
  
FIND an Artist!
Make your event or project extra memorable. Find entertainers and technicians in our FREE and easy-to-use database featuring photos and profiles of local artists in more than 100 different talent fields.
 
BE an Artist!
Let your talents and services be known. Become a member for FREE and highlight all talent fields that apply to you. Upload photos of yourself and/or samples of your work, edit your own information and have your profiles viewed by those searching for your talents and services.
 
Our MISSION
Artistschair.com is committed to PROMOTING and RAISING AWARENESS of local artists, arts-related institutions and issues and the NORTHEAST OHIO REGION as well as serving the needs of those searching for CREATIVE TALENT and resources.
 
----------MailBlocks_8C7BCC57F4C1794_1F08_75B1_MBLK-M02.sysops.aol.com-- From news at cvlt.org Mon Nov 21 07:28:56 2005 From: news at cvlt.org (Chris White) Date: Mon, 21 Nov 2005 10:28:56 -0500 Subject: [NEohioPAL]A Holiday Show with Santa and His Friends, Traditional Gingerbread Tea at CVLT Message-ID: <004f01c5eeb0$4aba5f30$0600a8c0@cwhite> This is a multi-part message in MIME format. ------=_NextPart_000_004C_01C5EE86.60646DF0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Press Release Chagrin Valley Little Theatre Announces A Holiday Show with Santa and His Friends, Traditional = Gingerbread Tea at CVLT =20 =20 November 21, 2005 The happily anticipated holiday tradition, A Holiday Show with Santa and His Friends, Traditional Gingerbread Tea will be held at Chagrin Valley Little Theatre on Saturday Dec 10 and = Sunday December 11 The Tea is sponsored by the CVLT Women's Committee and features a visit = by Santa and his helpers. Refreshments are offered before and after each performance.=20 Photos with Santa will be available for a fee, or you are welcome to = bring your own camera Two shows each day at 1pm and 3pm (theatre auditorium seats 262) Gingerbread Tea seatings in the River Room are limited to 60 people, so = call for reservations soon! Tea Times are 12:30 and 1:30 for the 1pm show and 2:30 and 3:30 for the 3pm show Show Only $5 Show and Tea $7 Reservations & Information call 440-247-8955 Monday - Saturday 1-6pm Proceeds from this entertainment are used as a fund raising event for = the theatre. Chris White Corporate Controller M. Davis Management Services, Inc. 32100 Solon Road Suite 204 Solon, OH 44139 440-542-1724-Phone 440-542-1726-Fax ------=_NextPart_000_004C_01C5EE86.60646DF0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
 
Press=20 Release

Chagrin Valley Little Theatre

Announces  A=20 Holiday Show with Santa and His Friends, Traditional Gingerbread Tea at=20 CVLT  

 

November=20 21, 2005

 

The happily anticipated holiday=20 tradition,

A Holiday Show with Santa and His Friends, Traditional = Gingerbread=20 Tea

will be held at Chagrin Valley Little Theatre on Saturday Dec = 10 and=20 Sunday December 11

 

The Tea is sponsored by the CVLT Women's Committee and = features a=20 visit by Santa and his helpers.

 

Refreshments are offered before and after each=20 performance. 

 

Photos with Santa will be available for a fee, or you = are welcome=20 to bring your own camera

 

Two shows each day at 1pm and=20 3pm

(theatre auditorium seats = 262)

 

Gingerbread Tea seatings in the River Room are limited = to 60=20 people, so call for reservations soon!

 

Tea Times are 12:30 and 1:30 for the 1pm=20 show

and 2:30 and 3:30 for the 3pm=20 show

 

Show Only    = $5

Show and Tea   =20 $7

 

Reservations & = Information

call 440-247-8955

Monday - Saturday = 1-6pm

 

Proceeds from this entertainment are used as a fund raising = event for the=20 theatre.

 

 

 

 
 
 
 
Chris = White
Corporate Controller
M. Davis Management Services, = Inc.
32100=20 Solon Road  Suite 204
Solon, OH =20 44139
440-542-1724-Phone
440-542-1726-Fax
<= /HTML> ------=_NextPart_000_004C_01C5EE86.60646DF0-- From news at cvlt.org Mon Nov 21 07:42:04 2005 From: news at cvlt.org (Chris White) Date: Mon, 21 Nov 2005 10:42:04 -0500 Subject: [NEohioPAL]"Not Yet" - Annual New Year's Eve Benefit - Chagrin Valley Little Theatre Message-ID: <007b01c5eeb2$20b83660$0600a8c0@cwhite> This is a multi-part message in MIME format. ------=_NextPart_000_0078_01C5EE88.3651A350 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Press Release Chagrin Valley Little Theatre Announces "Not Yet!" - Annual New Year's Eve Benefit =20 =20 November 15, 2005 : What are you doing New Year's Eve? Why not ring in 2006 with Chagrin Valley Little Theatre! Join us for = 'Not Yet', a one night only benefit celebrating the shows thatCVLT has = not or cannot peform...yet.=20 Featuring: Eric Alan, Jackie Cassara, Carlos Cruz, Angela Lynard, Paula = Pike, Andrew and Greta Rothman. Musical Direction by Bob Day The show starts at 9pm on December 31st Special $25 ticket price includes entertainment and hors d'ouvres and a champagne toast at midnight! Cash Bar Available =20 40 River Street Chagrin Falls, Ohio 44022 Box Office: (440) 247-8955 Box Office Hours: 1 - 6 p.m. Monday - Saturday Please be sure to visit us at www.cvlt.org or www.chagrinfalls-ohio.com CVLT offers a very attractive dinner theater package with three of = Chagrin Falls' finest restaurants. Make your theater reservations = first, then call the restaurant of your choice to take advantage of = their special dinner theater offering. Call one of these fine = restaurants and enjoy dinner before the show. You should be prepared to = show your theater tickets prior to seating at the restaurant.=20 Enjoy wonderful cuisine plus an entertaining evening at The Chagrin = Valley Little Theatre Raintree 440-247-4800 Gamekeeper's Tavern 440-247-7744 Blake's Seafood Grille 440-893-9910 Chris White Corporate Controller M. Davis Management Services, Inc. 32100 Solon Road Suite 204 Solon, OH 44139 440-542-1724-Phone 440-542-1726-Fax ------=_NextPart_000_0078_01C5EE88.3651A350 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
 
Press=20 Release

Chagrin Valley Little Theatre

Announces  "Not Yet!" - Annual New Year's Eve=20 Benefit   

 

November = 15, 2005=20 :   What are you doing New Year's=20 Eve?

Why=20 not ring in 2006 with Chagrin Valley Little Theatre!  Join us for=20 'Not Yet', a one night only benefit celebrating the = shows=20 thatCVLT has not or cannot peform...yet.

 

Featuring:  Eric Alan, Jackie Cassara, Carlos Cruz, Angela = Lynard,=20 Paula Pike, Andrew and Greta Rothman.  Musical Direction by Bob=20 Day

 

The=20 show starts at 9pm on December 31st

Special $25 ticket price includes entertainment and hors=20 d'ouvres

and a champagne toast at=20 midnight!

Cash Bar Available

 

 

40=20 River Street    = Chagrin=20 Falls, Ohio 44022

Box=20 Office: (440)=20 247-8955
Box=20 Office Hours: = 1 - 6=20 p.m. Monday =96 Saturday

Please be sure to visit us = at

www.cvlt.org  or = www.chagrinfalls-ohio.com

CVLT offers a very attractive dinner theater package with three = of=20 Chagrin Falls' finest restaurants.  Make your theater reservations = first,=20 then call the restaurant of your choice to take advantage of their = special=20 dinner theater offering.  Call one of these fine restaurants and = enjoy=20 dinner before the show.  You should be prepared to show your = theater=20 tickets prior to seating at the restaurant. =

Enjoy wonderful cuisine plus an entertaining evening at The = Chagrin=20 Valley Little Theatre

Raintree    = 440-247-4800
Gamekeeper's Tavern   =20 440-247-7744
Blake's Seafood Grille    = 440-893-9910
 
 
 
 
 
Chris = White
Corporate Controller
M. Davis Management Services, = Inc.
32100=20 Solon Road  Suite 204
Solon, OH =20 44139
440-542-1724-Phone
440-542-1726-Fax
<= /HTML> ------=_NextPart_000_0078_01C5EE88.3651A350-- From kilbanedan at yahoo.com Mon Nov 21 08:01:36 2005 From: kilbanedan at yahoo.com (Dan Kilbane) Date: Mon, 21 Nov 2005 08:01:36 -0800 (PST) Subject: [NEohioPAL]Preview the Holiday Hotline: Nov. 23, 25, & 26; a new musical comedy revue! Message-ID: <20051121160136.77146.qmail@web60712.mail.yahoo.com> --0-437073766-1132588896=:76849 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit DETROIT AVE. ARTS PRODUCES THE WORLD PREMIERE MUSICAL REVUE HOLIDAY HOTLINE Previews November 23, 25 & 26, Running December 1 ? 23, 2005 A musical comedy revue! www.holiday-hotline.com Call the Holiday Hotline! 216.491.1709 James Levin?s Detroit Ave. Arts is proud to announce the world premiere of the irreverent HOLIDAY HOTLINE, a musical comedy revue with sketches and songs. HOLIDAY HOTLINE takes a demented look at all the things that drive us crazy about the Christmas holidays. The show, to run in the funky Orthodox, a former church, runs December 1 ? 23, with a preview week Wednesday, November 23, Friday, November 25, and Saturday, November 26. The show?s book is by Michael Sepesy; music by Linda Eisenstein; and lyrics by both. Linda Eisenstein and Michael Sepesy wreck the halls with this fast and funny collection of sketches and songs skewering the holiday season, from A CHRISTMAS CAROL to Kwanzaa. The piece is eclectic and irreverent, taking all holiday traditions prisoner with music styles ranging from country to polka to torch song. The world premiere HOLIDAY HOTLINE sends up everything from the mystery ingredients in the turkey stuffing to elf psychotherapy. Co-creator Michael Sepesy sums it up, ?The show is a cure for the Christmas crazies!? The cast includes local favorites Denise Astorino, Kim Aldrich-Ceja, Mark Cipra, Maryann Elder, Hester Lewellen, and Andrew Narten. The production?s staff is led by director Mindy Childress and musical director Michael Flohr. Set design is by Michael D. Sepesy, light design is by Trad A Burns, costume design is by Alison Hernan Garrigan, choreography is by Amy Pawlukiewicz and properties design is by Sharon Epstein. Nadia Tarnawsky is the production stage manager. The show previews Wednesday, November 23 and Friday, November 25 at 8:00 p.m. and Saturday, November 26 (8:00 and 10:30 p.m. shows). Opening night is December 1, with the production running through December 23. Performances are Thursdays, Fridays, Saturdays, and Sundays; Thursdays and Fridays at 8:00 p.m., Saturdays at 8:00 and 10:30 p.m., and Sundays at 3:00 p.m. Tickets can be purchased by calling 216.491.1709. Preview tickets are $10. For performances, Thursday, Sunday and Saturday 10:30 p.m. tickets are $10. Friday and Saturdays at 8:00 p.m. are $15. Orthodox is located at Detroit Avenue Arts, 6203 Detroit Ave., Cleveland, Ohio, 44102. Says Eisenstein about the genesis of the piece: ?Last year two of our buddies in the Playwrights' Unit came back from a holiday comedy and said: "You guys are way wackier that that. You need to write a Christmas show." Since then, Mike and I have been bringing sketches and songs from our work-in-progress to the Playwrights' Unit. We've also been performing them every month at The Dark Room, the new works cabaret sponsored by the Cleveland Theater Collective. It's been a great way to watch it develop in front of an audience.? --------------------------------- Yahoo! FareChase - Search multiple travel sites in one click. --0-437073766-1132588896=:76849 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
DETROIT AVE. ARTS PRODUCES THE WORLD PREMIERE MUSICAL REVUE
HOLIDAY HOTLINE
Previews November 23, 25 & 26, Running December 1 ? 23, 2005
A musical comedy revue!
 
www.holiday-hotline.com
Call the Holiday Hotline!  216.491.1709
 
James Levin?s Detroit Ave. Arts is proud to announce the world premiere of the irreverent HOLIDAY HOTLINE, a musical comedy revue with sketches and songs.  HOLIDAY HOTLINE takes a demented look at all the things that drive us crazy about the Christmas holidays.  The show, to run in the funky Orthodox, a former church, runs December 1 ? 23, with a preview week Wednesday, November 23, Friday, November 25, and Saturday, November 26.  The show?s book is by Michael Sepesy; music by Linda Eisenstein; and lyrics by both.
 
Linda Eisenstein and Michael Sepesy wreck the halls with this fast and funny collection of sketches and songs skewering the holiday season, from A CHRISTMAS CAROL to Kwanzaa.  The piece is eclectic and irreverent, taking all holiday traditions prisoner with music styles ranging from country to polka to torch song.  The world premiere HOLIDAY HOTLINE sends up everything from the mystery ingredients in the turkey stuffing to elf psychotherapy.  Co-creator Michael Sepesy sums it up, ?The show is a cure for the Christmas crazies!?
 
The cast includes local favorites Denise Astorino, Kim Aldrich-Ceja, Mark Cipra, Maryann Elder, Hester Lewellen, and Andrew Narten.
 
The production?s staff is led by director Mindy Childress and musical director Michael Flohr.  Set design is by Michael D. Sepesy, light design is by Trad A Burns, costume design is by Alison Hernan Garrigan, choreography is by Amy Pawlukiewicz and properties design is by Sharon Epstein.  Nadia Tarnawsky is the production stage manager.
 
The show previews Wednesday, November 23 and Friday, November 25 at 8:00 p.m. and Saturday, November 26 (8:00 and 10:30 p.m. shows).  Opening night is December 1, with the production running through December 23.  Performances are Thursdays, Fridays, Saturdays, and Sundays; Thursdays and Fridays at 8:00 p.m., Saturdays at 8:00 and 10:30 p.m., and Sundays at 3:00 p.m.
 
Tickets can be purchased by calling 216.491.1709.  Preview tickets are $10.  For performances, Thursday, Sunday and Saturday 10:30 p.m. tickets are $10.  Friday and Saturdays at 8:00 p.m. are $15. 
 
Orthodox is located at Detroit Avenue Arts, 6203 Detroit Ave., Cleveland, Ohio, 44102.
 
Says Eisenstein about the genesis of the piece:  ?Last year two of our buddies in the Playwrights' Unit came back from a holiday comedy and said: "You guys are way wackier that that.  You need to write a Christmas show."  Since then, Mike and I have been bringing sketches and songs from our work-in-progress to the Playwrights' Unit.  We've also been performing them every month at The Dark Room, the new works cabaret sponsored by the Cleveland Theater Collective.  It's been a great way to watch it develop in front of an audience.? 
 
 
  
 

Yahoo! FareChase - Search multiple travel sites in one click. --0-437073766-1132588896=:76849-- From edenvalley at centurytel.net Mon Nov 21 08:26:56 2005 From: edenvalley at centurytel.net (Eden Valley Enterprises) Date: Mon, 21 Nov 2005 11:26:56 -0500 Subject: [NEohioPAL]Get in the Holiday Spirit with STORIES FROM A CHRISTMAS PAST Message-ID: <000801c5eeba$3c371de0$1600000a@centurytel.net> Join us on December 6, 2005 at 7p.m. when STORIES FROM A CHRISTMAS PAST = will be presented at the Richfield Library; 3761 S. Grant St. in = Richfield, Ohio. Get in the holiday mood with these timeless tales and = find out about Cleveland's first Christmas Tree, Whistling Ben Hanby and = other stories in the spirit of the season. This program is FREE and open = to the public. For more information, call the Library at 330-659-4343 or = visit them at: http://www.akronlibrary.org/br-ric01.html To keep up with our complete schedule, go to = http://www.edenvalleyenterprises.org/calendar.html To arrange for a program for your group, send us an e-mail with your = request. To unsubscribe to this list, simply reply to this e-mail with your = request. Bette Lou Higgins Artistic Director Eden Valley Enterprises www.edenvalleyenterprises.org From KevinJosephKelly at aol.com Mon Nov 21 08:38:46 2005 From: KevinJosephKelly at aol.com (KevinJosephKelly at aol.com) Date: Mon, 21 Nov 2005 11:38:46 EST Subject: [NEohioPAL]Colin, Gilagamesh, Phillip, Jared, Kristen, Kevin, and Curtis have a tea party.. Message-ID: <2b8.199b63.30b35216@aol.com> -------------------------------1132591126 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Come see it and say hello afterwards!!!!!!!!!!!! Bring your little ones, they will love it! ALICE'S ADVENTURES IN WONDERLAND OPENS AT THE CLEVELAND PLAY HOUSE Nov. 19 - Dec. 11, 2005 10/25/2005 The production opens November 19 and runs through December 11, 2005, in the Studio One Theatre. Public performances are at 1:00 p.m. and 3:00 p.m. Saturdays and Sundays. Shows run 50 minutes and include a question-and-answer session with the cast. Cast: Kevin Joseph Kelly, Colin Cook, Gilgamesh Tagget, Jared Nichols, Phillip Carrol and Kristen O'Connor as Alice (Curtis L. Young is the understudy for Kevin Joseph Kelly on Sundays) Creative Team Eric Schmiedl (Playwright) Bill Hoffman (Director) Costume Design by Kim Castle; Scenic Design by Jenny Hitmar; Lighting Design by Maureen Patterson, Stage Manager: Donna Dziak. Ticket Information Tickets are $15 and can be purchased at The Cleveland Play House box office, in person or by calling (216) 795-7000 or online at _www.clevelandplayhouse.com_ (http://www.clevelandplayhouse.com/) . Phone orders have a $1 processing fee. For special pricing on groups of 10 or more, or information about student matinees for school groups of 10 or more weekdays at 10:00 a.m. and 11:30 a.m. beginning November 14, call (216) 795-7000 ext. 149 Sincerely, Kevin Joseph Kelly 216-269-3824 -------------------------------1132591126 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
Come see it and say hello afterwards!!!!!!!!!!!!
Bring your little ones, they will love it!

ALICE'S ADVENTURES IN=20 WONDERLAND
OPENS AT THE CLEVELAND PLAY HOUSE
No= v.=20 19 - Dec. 11, 2005 10/25/2005

The production opens November 19 and ru= ns=20 through December 11, 2005, in the Studio One Theatre. Public performances ar= e at=20 1:00 p.m. and 3:00 p.m. Saturdays and Sundays. Shows run 50 minutes and incl= ude=20 a question-and-answer session with the cast.

Cast:
Kev= in=20 Joseph Kelly, Colin Cook, Gilgamesh Tagget, Jared Nichols, Phillip Carrol an= d=20 Kristen O'Connor as Alice (Curtis L. Young is the understudy for Kevin Josep= h=20 Kelly on Sundays)

Creative=20 Team
Eric Schmiedl (Playwright)=20
Bill Hoffman (Director)
Costume Design by K= im=20 Castle; Scenic Design by Jenny Hitmar; Lighting De= sign=20 by Maureen Patterson, Stage Manager: Donna=20 Dziak.

Ticket Information
Tickets= are $15=20 and can be purchased at The Cleveland Play House box office, in person or by= =20 calling (216) 795-7000 or online at www.clevelandplayhouse.com.=20= Phone=20 orders have a $1 processing fee.
For special pricing on groups of 10 or m= ore,=20 or information about student matinees for school groups of 10 or more weekda= ys=20 at 10:00 a.m. and 11:30 a.m. beginning November 14, call (216) 795-7000 ext.= =20 149
 
Sincerely,
Kevin Joseph=20 Kelly
216-269-3824
<= /HTML> -------------------------------1132591126-- From patmazz at aol.com Mon Nov 21 08:39:29 2005 From: patmazz at aol.com (patmazz at aol.com) Date: Mon, 21 Nov 2005 11:39:29 -0500 Subject: [NEohioPAL]Ensemble Theatre presents BRAVO CARUSO Message-ID: <8C7BCD147310ECB-1E60-6F55@MBLK-R09.sysops.aol.com> ----------MailBlocks_8C7BCD147310ECB_1E60_6ABB_MBLK-R09.sysops.aol.com Content-Type: text/plain; charset="us-ascii" Ensemble Theatre will present BRAVO,CARUSO! at the Brooks Theatre of The Cleveland Play House Nov 26 - Dec.11 Written by William Luce Directed by Licia Colombi Starring Bernard Canepari as Caruso Pat Mazzarino as Mario Its Christmas Eve 1920 in The great opera singer's dressing room at The Metropolitan Opera House. His valet Mario is getting him ready for his performance in "LA JUIVE". Unknown to both men it will be his last performance before his death. Listen to WCPN, Tuesday Nov 22 at "Around Noon" with Dee Perry as she chats with Bernard Canepari, Pat Mazzarino and playwright William Luce. Tickets can be purchased by call the theatre box office at 216-321-2930 ----------MailBlocks_8C7BCD147310ECB_1E60_6ABB_MBLK-R09.sysops.aol.com Content-Type: text/html; charset="us-ascii"
Ensemble Theatre will present
 
BRAVO,CARUSO!
 
at the Brooks Theatre of The Cleveland Play House
 
Nov 26 - Dec.11
 
Written by William Luce
Directed by Licia Colombi
Starring
 
Bernard Canepari as Caruso
Pat Mazzarino as Mario
 
Its Christmas Eve 1920 in The great opera singer's dressing room
at The Metropolitan Opera House. His valet Mario is getting him ready for his performance in "LA JUIVE". Unknown to both men it will be his last performance before his death.
 
Listen to WCPN, Tuesday Nov 22 at "Around Noon" with Dee Perry as she chats with Bernard Canepari, Pat Mazzarino and playwright William Luce.
 
Tickets can be purchased by call the theatre box office at
216-321-2930
----------MailBlocks_8C7BCD147310ECB_1E60_6ABB_MBLK-R09.sysops.aol.com-- From mcmamahoo at yahoo.com Mon Nov 21 08:51:46 2005 From: mcmamahoo at yahoo.com (Cherie Lawrence) Date: Mon, 21 Nov 2005 08:51:46 -0800 (PST) Subject: [NEohioPAL]Christmas Spectacular 20th Anniversary@ Akron Civic Message-ID: <20051121165146.28736.qmail@web81710.mail.mud.yahoo.com> Spectacular Music Productions, recipient of the 2005 Zenith Award Best Theatre/Entertainment and top winner of ABJ "Best" Readers Poll, directed by Maestro Larry Wilgus, will present 4 shows of its 20th Anniversary Special New Edition 2-hr family holiday extravaganza. In addition to 145 vocalists, dance troupes, live professional orchestra, Victorian carolers and toy soldiers, this year features special guest 4th/5th-grade choirs from the Kent, Wadsworth, Akron and Green Local Schools, joining the chorus in "When I Hear Those Jingle Bells" and "Home for the Holidays." Also the all-male "Reindeer Boogie" dance troupe will reprise the number by popular demand from our 2004 patrons! FRI DEC 9 7.30pm SAT DEC 10 3PM AND 7.30PM SUN DEC 11 3PM Akron Civic Theatre 102 S Main St FREE PARKING Ticket Information: Adults $35/$31 Children $21 Akron Civic 330.253.2488 11am-5.30pm EJ Thomas Hall 330.972.7570 10.30am-6pm Ticketmaster Akron(330.954.9400) Youngstown(330.747.1212) Cleveland(216.941.5555)and Ticketmaster Kauffman's and select Giant Eagle locations,or www.ticketmaster.com Group Sales of 20+ ONLY-Call 330.966.0700 See www.spectacularmusic.org "What's New" to view the 30-sec tv commercial...and read about us in the Nov 2005 edition of Akron Life and Leisure, pp 50-51. Thanks to all for your past support. From theater at btots.org Mon Nov 21 10:39:13 2005 From: theater at btots.org (Brecksville Theater on the Square) Date: Mon, 21 Nov 2005 12:39:13 -0600 Subject: [NEohioPAL]Auditions for Let Your Hair Down, Rapunzel Message-ID: <001001c5eeca$df150b70$525a4b0c@D3YBLD11> This is a multi-part message in MIME format. ------=_NextPart_000_000D_01C5EE98.93B99560 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Brecksville Theater On The Square Announces Auditions for=20 Let Your Hair Down, Rapunzel Book by Karen Boettcher-Tate, Music & Lyrics by Scott Deturk =20 =20 =20 Brecksville Theater on the Square will hold auditions for Let Your Hair = Down, Rapunzel on Monday, November 28 and/or Tuesday, November 29. All = interested actors/actresses should arrive at 6:30 p.m. and be prepared = for movement. All roles are open for students in grades 4 - 9. =20 Please prepare a minimum of 16 measures of a song of your choice. An = accompanist will be provided. No a cappella auditions, and no recorded = music. Please choose material that displays your voice at its best. = Headshots and resumes welcomed. =20 =20 Production dates for Let Your Hair Down, Rapunzel are February 3-5 and = February 10-12, 2006 at Brecksville's Historic Old Town Hall. =20 Auditions will be held in Building 5 at the Blossom Hill Complex, 4450 = Oakes Road in Brecksville. For additional information, call Brecksville = Theater on the Square at 440-526-3443 ext 3. =20 Kimberly Bush directs and choreographs this production. =20 =20 =20 =20 The Ohio Arts Council helped fund this organization with state tax = dollars to encourage economic growth, educational excellence and = cultural enrichment for all Ohioans. =20 ------=_NextPart_000_000D_01C5EE98.93B99560 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable

Brecksville Theater On The Square Announces Auditions = for=20

Let Your Hair Down, Rapunzel

Book by = Karen=20 Boettcher-Tate, Music & Lyrics by Scott Deturk

 

 

 

Brecksville Theater on the Square will hold = auditions=20 for Let Your Hair Down, Rapunzel on Monday, November 28 = and/or=20 Tuesday, November 29.  All = interested actors/actresses should arrive at 6:30 p.m. and be = prepared for=20 movement.  All roles=20 are open for students in grades 4 =96 9.

 

Please prepare a minimum of 16 measures of a = song of=20 your choice.  An = accompanist will be=20 provided.  No a cappella = auditions,=20 and no recorded music.  = Please=20 choose material that displays your voice at its best.  Headshots and resumes = welcomed. 

 

Production dates for Let Your Hair Down, = Rapunzel are February 3-5 and February 10-12, 2006 at = Brecksville=92s=20 Historic Old Town Hall.

 

Auditions will be held in Building 5 at the = Blossom Hill=20 Complex, 4450 Oakes Road in Brecksville. For additional information, = call=20 Brecksville Theater on the Square at 440-526-3443 ext = 3.

 

Kimberly Bush directs and choreographs this=20 production. 

 

 

 

The Ohio Arts = Council helped=20 fund this organization with state tax dollars to encourage economic = growth,=20 educational excellence and cultural enrichment for all=20 Ohioans.

 
------=_NextPart_000_000D_01C5EE98.93B99560-- From rsvp at redbulltheater.com Mon Nov 21 09:40:26 2005 From: rsvp at redbulltheater.com (rsvp at redbulltheater.com) Date: Mon, 21 Nov 2005 12:40:26 -0500 Subject: [NEohioPAL]Revenge Begins this Sunday, November 27th Message-ID: <03e701c5eec2$d154aa20$6500a8c0@DBPCCF61> This is a multi-part message in MIME format. ------=_NextPart_000_03E8_01C5EE98.E87EA220 Content-Type: multipart/alternative; boundary="----=_NextPart_001_03E9_01C5EE98.E87EA220" ------=_NextPart_001_03E9_01C5EE98.E87EA220 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable =20 LIMITED ENGAGEMENT =97 THREE WEEKS ONLY! =20 To be sure you receive our e-mails, please add rsvp at redbulltheater.com = to your e-mail address book. =20 =20 =20 Red Bull Theater presents The Revenger's Tragedy November 27 =96 December 18 @ the Culture Project Tickets available now: www.theatermania.com =20 =20 =20 CAST Denis Butkus, Jason C. Brown, Aaron Clayton, Saudia Davis, Ryan Farley, Ty Jones, Daryl Lathon, Claire Lautier, Paul Niebanck, Chris Oden, Petronia Paley, William Peden, Naomi Peters, Matthew Rauch, Russ Salmon, Daniel Cameron Talbott, Haynes Thigpen, Marc Vietor, Yaegel Welch =20 DIRECTION and DESIGN Jesse Berger, Tracy Bersley, Renee Blinkwolt, J David Brimmer, Emily De Cola, Kimberly Dilts, Daniel Levy, Evan O=92Brient, Clint Ramos, Mary Vorrasi, Peter West =20 LOCATION The Culture Project 45 Bleecker Street & Lafayette Trains: 6, N/R/W, F/V www.45bleecker.com =20 =20 TICKETS Theatermania www.theatermania.com =20 212.352.3101 $15 =20 ABOUT THE PLAY The Revenger's Tragedy, a Jacobean thriller written a few years after Hamlet, is a searing examination of the need for justice and the desire = for vengeance. Vindice, the "Revenger," sets off a chain reaction of havoc = in a corrupt and decadent Venice, which exposes outrageous indulgences and government hypocrisy, and ends in a coup de th=E9=E2ter massacre of epic proportions. Part black comedy, part social satire, the play is a = gleefully macabre plot-twisting blender full of Shakespeare's greatest hits. = Written by Thomas Middleton, Cyril Tourneur, or Anonymous, the work is adapted = by Artistic Director Jesse Berger. =20 WHO WE ARE Red Bull Theater is a 501(c)(3) not-for-profit company dedicated to the presentation of vital and imaginative productions of heightened language plays and to the development of new plays written in a similar vein. = With a special focus on the Jacobean plays of Shakespeare and his = contemporaries, Red Bull Theater aspires to challenge the intellect and engage the imagination of today=92s theatergoers through language-based, = company-created, resonantly provocative stagings of great classic stories. =20 Donations to Red Bull Theater are fully tax-deductible to the extent permitted by law. =20 DONATE =20 To give to Red Bull Theater right now, click HERE =20 or go to www.redbulltheater.com/join =20 =20 MAILING LISTS Don=92t miss out on events that get announced by regular mail only: Send your mailing address to us at info at redbulltheater.com. =20 To Subscribe or Unsubscribe to our email announcements, click HERE . =20 =20 =20 =20 Jesse Berger Jessica Niebanck Artistic Director Producing Director www.redbulltheater.com info at redbulltheater.com PO Box 250863 NYC NY 10025 212.414.5168 =20 =20 =20 =20 ------=_NextPart_001_03E9_01C5EE98.E87EA220 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable

 

=A0LIMITED ENGAGEMENT — THREE WEEKS = ONLY!

 

=A0To be sure you receive our e-mails, please add rsvp at redbulltheater.com to = your e-mail address book.

 

 

 

Red Bull Theater presents

The Revenger's = Tragedy

November 27 – December 18 @ = the Culture Project

Tickets available now: www.the= atermania.com

 

 

CAS= T

=A0Jason C. Brown,=A0 = =A0Aaron = Clayton,

=A0=A0 = Ty = Jones,

=A0Claire Lautier,=A0=A0 Paul = Niebanck,

=A0=A0 Petronia Paley,=A0 = =A0William = Peden,

=A0=A0Matthew Rauch,=A0 = =A0Russ = Salmon,

=A0=A0 Haynes = Thigpen,

=A0=A0 Yaegel = Welch

&n= bsp;

DIR= ECTION and DESIGN

=A0=A0Tracy Bersley, = =A0=A0Renee Blinkwolt,

=A0=A0Kimberly = Dilts,

=A0Evan O’Brient,=A0=A0 = Clint Ramos,

=A0=A0Peter = West

&n= bsp;

LOC= ATION

45 Bleecker = Street & Lafayette

Trains: 6, N/R/W, = F/V

www.45bleecker.com

&n= bsp;

TICKETS

www.the= atermania.com

212.352.3101

$15<= /p>

 

ABO= UT THE PLAY

The Revenger's Tragedy, a Jacobean thriller written a few years after Hamlet, is a searing examination of the need for justice and the desire for = vengeance. Vindice, the "Revenger," sets off a chain reaction of havoc in a = corrupt and decadent Venice= , which exposes outrageous indulgences and = government hypocrisy, and ends in a coup de th=E9=E2ter massacre of epic = proportions. Part black comedy, part social satire, the play is a gleefully macabre = plot-twisting blender full of Shakespeare's greatest hits. Written by Thomas = Middleton, Cyril Tourneur, or Anonymous, the work is adapted by Artistic Director Jesse = Berger.

 

WHO= WE ARE

Red Bull Theater is a 501(c)(3) not-for-profit company dedicated to the presentation of vital and imaginative productions of = heightened language plays and to the development of new plays written in a similar vein.  With a special focus on the Jacobean plays of Shakespeare = and his contemporaries, Red Bull Theater aspires to challenge the intellect and = engage the imagination of today’s theatergoers through language-based, company-created, resonantly provocative stagings of great classic = stories.

 

Donations to Red Bull = Theater are fully tax-deductible to the extent permitted by = law.

&nb= sp;

DON= ATE

 

To give to Red Bull Theater right now, = click HERE

or go to www.redbulltheater.com/j= oin

 

MAI= LING LISTS

Don’t miss out on events that = get announced by regular mail only:

Send your mailing address to us at = info at redbulltheater.com.

 <= /b>

To Subscribe or Unsubscribe to = our email announcements, click HERE.

 

 

=A0

 

Jesse Berger=A0=A0 Jessica Niebanck

Artistic Director=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0 Producing = Director

www.redbulltheater.com

info at redbulltheater.com

PO Box 250863

NYC NY 10025

212.414.5168

 

 

 

 

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Date: Mon, 21 Nov 2005 13:32:36 -0500 Subject: [NEohioPAL]Oberlin Orchestra Embarks on a Tour of China Message-ID: --Boundary_(ID_OkuHotLURr4McbYHQrCW0A) Content-type: text/plain; charset=WINDOWS-1252; format=flowed Content-transfer-encoding: quoted-printable Media Contact Only: Marci Janas Director of Conservatory Media Relations 440-775-8328 marci.janas at oberlin.edu FOR IMMEDIATE RELEASE Orchestra from the Oberlin Conservatory of Music to Embark on a Tour of the People=92s Republic of China Nine-day tour covers six cities, with more than 60 students performing=20= 10 concerts OBERLIN, OHIO (Nov. 21, 2005) =97 Ten concerts, nine days, six = cities=97the=20 numbers add up to an intense tour schedule under ordinary=20 circumstances. But for student-musicians from the Oberlin Conservatory=20= of Music in Oberlin, Ohio, the intensity is heightened by the fact that=20= the six cities are in the People=92s Republic of China. The Oberlin Orchestra, an ensemble of 66 Conservatory students=20= selected by audition, leaves for China on Dec. 23, 2005, and will=20 perform in some of China=92s premier venues, including the Beijing Poly=20= Theater and the Shanghai Concert Hall. The tour begins with three concerts in Anshan, in central = Liaoning=20 Province, followed by a performance in Shenyang. =46rom there it=92s on = to=20 Dalian, at the southern tip of the province, for two concerts. Two=20 evening performances in Beijing are next on the itinerary, followed by=20= a concert in Tianjing. The tour concludes with a performance in=20 Shanghai. The musicians return home on Jan. 5, 2006. All of the members of the Oberlin Orchestra are undergraduates. = They=20 represent cities throughout the United States and Canada, as well as=20 South Korea, Bulgaria, Denmark, and Singapore. Bridget-Michaele=20 Reischl, music director of the Oberlin Orchestras, will conduct the=20 ensemble during the tour; J Freivogel of St. Louis, Missouri, is=20 concertmaster. Along with intensive rehearsal sessions, the student-musicians = are=20 preparing for the tour by taking a course, China Tour Preparation,=20 offered by the East Asian studies department of Oberlin College, the=20 Conservatory=92s liberal arts counterpart. Funding for the tour is being provided by the Liaoning = Performance=20 Company, a presenting company from China; Chinese businessman Sen Wang;=20= the Chinese Ministry of Culture; and the Oberlin Conservatory of Music. The concert program includes the overture to Mozart=92s The = Marriage of=20 Figaro, selections from Bizet=92s Carmen, Strauss=92 Blue Danube, = Brahms=92=20 Hungarian Dance No. 5, Dvor=E1k=92s Slavonic Dances Op. 46, Nos. 1, 3, = and=20 8, and Chinese folk songs. In addition, this core program will=20 alternate George Gershwin=92s Rhapsody in Blue with Igor Stravinsky=92s=20= Pulcinella Suite. Pianist Thomas Rosenkranz, a 1999 graduate of the=20 Oberlin Conservatory, will be the featured soloist for the Gershwin. The orchestra also will perform the official songs of Anshan, = Dalian,=20 and Beijing, respectively, during concerts in those cities. In Dalian,=20= the Oberlin Orchestra will perform under the baton of guest conductor=20 Fan Tao. Tao, a conductor with the China Broadcasting Performing-Arts=20 Troupe, was awarded a special prize at the 2000 Sibelius International=20= Conducting Competition in Helsinki, Finland. A trip to China made last spring by the dean of the Oberlin=20 Conservatory, David H. Stull, and several faculty members was the=20 genesis of this tour. The Oberlin contingent was invited by the=20 Szechuan Conservatory in Cheng du and visited major concert halls and=20 music schools, where they gave master classes. =93Our primary interest was to visit major schools to get a = sense of=20 their philosophy of teaching and to establish at least an informal=20 relationship with the leaders of those institutions,=94 says Stull. In=20= April, five members of the Szechuan Conservatory made a reciprocal=20 visit to Oberlin to explore the nuances of American conservatory=20 training. =93This China tour will be of immense educational benefit to = Oberlin=20 students,=94 says tour manager James Kalyn. =93In addition to the = musical=20 growth they will experience by performing the same pieces over and over=20= again=97something students in conservatory orchestras rarely get to=20 do=97they will be exposed to the culture of an emerging economic=20 superpower.=94 =93China now produces some of the world=92s finest musicians,=94 = adds Stull.=20 =93Many of these young people come to Oberlin to study. Of the 50=20 students enrolled in the Conservatory from countries in Asia, 15 are=20 from China. It is in our own students=92 best interest to explore the=20 educational and performance opportunities this country has to offer.=94 Bridget-Michaele Reischl, Music Director, Oberlin Orchestra Since becoming the first American to win Italy=92s Antonio Pedrotti=20 International Conducting Competition in 1995, Bridget-Michaele Reischl=20= has been an active guest conductor throughout the United States and=20 internationally. Besides being music director of the Oberlin Orchestras=20= and a member of Oberlin=92s conducting faculty, Reischl is music = director=20 of the Green Bay Symphony Orchestra in Green Bay, Wisconsin, a position=20= she has held since 2001. =46rom 1992 to 2004, she was music director of=20= the Lawrence Symphony Orchestra and associate professor of conducting=20 at the Lawrence University Conservatory of Music in Appleton,=20 Wisconsin. She is a graduate of the Eastman School of Music. As a=20 student of Robert Spano (a 1983 Oberlin graduate), she continued her=20 studies as a conducting fellow at both the Aspen and the Tanglewood=20 music festivals, where she worked with Seiji Ozawa, Murray Sidlin, and=20= David Zinman (also an Oberlin graduate, Class of 1958). She has=20 recorded on the Velut Luna, CRI, and Sea Breeze Record Company labels. Thomas Rosenkranz, piano soloist Thomas Rosenkranz has performed on four continents and has twice been=20 named an artistic ambassador, sponsored by the United States State=20 Department on tours of the Middle East and Africa to present recitals=20 of American music for television and radio broadcasts. He was recently=20= awarded the prestigious =93Classical Fellowship Award=94 from the = American=20 Pianists Association. He has given performances at Lincoln Center (New=20= York), the Miller Theatre (New York), the 92 Street Y (New York), the=20 Kennedy Center (D.C.), the Hilbert Circle Theatre (Indianapolis),=20 L=92Acropolium (Carthage), and Theatre de la Ville (Tunis). He toured=20 Japan and Taiwan with the Eastman Wind Ensemble and has been a featured=20= pianist at such notable festivals as the the Tabarka Jazz Festival=20 (Tunisia), Octobre Musical (Tunisia), the Kurt Weill Fest (Germany),=20 and the National MTNA Convention in Seattle. He has performed as=20 soloist with the National Orchestra of Beirut, the Orchestre=20 Symphonique Tunsien, the Indianapolis Chamber Orchestra, and the=20 Northwest Chamber Orchestra. A graduate of the Oberlin Conservatory=20 (Class of 1999) and the Eastman School of Music, his major teachers=20 include Robert Shannon, Nelita True, and Yvonne Loriod-Messiaen. He=20 lives in Honolulu, Hawaii, and is assistant professor of piano at the=20 University of Hawaii at Manoa. He will be artist-in-residence at the=20 Cortona Contemporary Festival in Italy this summer. J Freivogel, concertmaster Raised in a family of musicians, J Freivogel began playing violin at=20 the age of two. Now in his last year of Oberlin=92s double-degree=20 program, he studies violin with Marilyn McDonald and is pursuing=20 degrees in violin performance and politics. Named one of Northern Ohio=20= Live magazine=92s =93best and brightest=94 in 2004, Freivogel has=20 participated in critically acclaimed concerts at Carnegie=92s Weill=20 Recital Hall and Merkin Hall in New York City. He is first violinist of=20= the Jasper String Quartet. In the spring, he will return to New York to=20= perform Alban Berg=92s Kammerkonzerte and the world premiere of Lewis=20 Nielson=92s Violin Concerto. Freivogel is from St. Louis, Missouri. The Oberlin Orchestra and the Oberlin Conservatory of Music After Sir Simon Rattle conducted the Oberlin Chamber Orchestra in=20 December 2004, Plain Dealer music critic Donald Rosenberg wrote that=20 the concert was =93stamped by magnificence.=94 Indeed, Rosenberg = included=20 the Oberlin-Rattle performance of Mahler=92s Symphony No. 4, which he=20 described as =93uncommonly rich in poetry and drama,=94 in his list of = top=20 10 memorable events from the 2004 concert season. Magnificence has come to be synonymous with all aspects of the = Oberlin=20 Conservatory of Music, from its exacting standards for incoming=20 students to the excellence in teaching and performance expected of its=20= faculty and the notable careers of its alumni, who can be found=20 performing in every major orchestra and opera house and with many of=20 today=92s acclaimed chamber ensembles. Founded in 1865 and situated within the intellectual vitality of=20= Oberlin College since 1867, Oberlin is the oldest continuously=20 operating conservatory in the United States. An undergraduate=20 institution, Oberlin is renowned internationally as a professional=20 music school of the highest caliber and has been called a =93national=20 treasure=94 by the Washington Post. Past guest conductors of the Oberlin Orchestra have included Marin=20 Alsop, Pierre Boulez, Catherine Comet, Tan Dun, Eve Queler, Robert=20 Shaw, Oscar Shumsky, Igor Stravinsky, composer John Williams, and Hugh=20= Wolff. Upcoming appearances by the Oberlin Orchestra for the 2005-06 = season=20 include a performance at Cleveland=92s Severance Hall, home of the=20 Cleveland Orchestra, under the baton of music director and conductor=20 Bridget-Michaele Reischl. The 2006-07 season features a performance at=20= Carnegie Hall with Robert Spano conducting. For more information about the Oberlin Conservatory of Music, = please=20 visit www.oberlin.edu/con. Oberlin College=92s Historic Ties to China For more than a century, Oberlin College and China have benefited from=20= a mutually supportive relationship encompassing educational, social,=20 and cultural exchanges, beginning with the teaching work of Oberlin=20 graduates in the late 1800s. To commemorate the efforts of Oberlin=20 educators in China, the Oberlin Shansi Memorial Association was founded=20= in 1908, more than 50 years before the Peace Corps was begun. Today=20 Shansi is an independent non-profit organization on the Oberlin campus=20= that sponsors numerous educational exchanges, sending Oberlin students=20= to sites throughout Asia to work and to teach and bringing Asian=20 scholars to the College for the same purpose. Shansi has empowered=20 generations of participants to make constructive and useful=20 contributions to Asian and American institutions and communities. Another strong Oberlin-China connection can be found at the = Shanghai=20 Conservatory of Music, the oldest conservatory in China. Huang Tzu, a=20 1926 Oberlin graduate who is widely considered to be one of the=20 patriarchs of Western music education in modern China, was one of its=20 founding fathers. Tzu wrote the school=92s curriculum, which ultimately=20= became the platform for the professional study of music in China. =0C Concert Schedule December 25, 2005 Anshan Shengli Auditorium, 3 p.m. and 7 p.m. December 26, 2005 Anshan Shengli Auditorium, 7 p.m. December 27, 2005 Shenyang Nanfeng International Centre, 7 p.m. December 28, 2005 Dalian Dalian Broadcasting Centre, 7 p.m. December 29, 2005 Dalian Dalian Broadcasting Centre, 7 p.m. December 30, 2005 Beijing Poly Theatre, 7 p.m. December 31, 2005 Beijing Poly Theatre, 7 p.m. January 1, 2006 Tianjing Venue TBA, 7 p.m. January 2, 2006 Shanghai Shanghai Concert Hall, 7 p.m. # # # Marci Janas Director of Conservatory Media Relations Oberlin Conservatory of Music 39 West College Street Oberlin, OH 44074 www.oberlin.edu/con (P) 440-775-8328 (F) 440-775-5457 marci.janas at oberlin.edu= --Boundary_(ID_OkuHotLURr4McbYHQrCW0A) Content-type: text/enriched; charset=WINDOWS-1252 Content-transfer-encoding: quoted-printable Media Contact Only: Marci Janas Director of Conservatory Media Relations 440-775-8328 = 0000,0000,FFFCmarci.janas at oberlin.edu FOR IMMEDIATE RELEASE
Orchestra from the Oberlin Conservatory of Music=20 to Embark on a Tour of the People=92s Republic of China Nine-day tour covers six cities, with more than 60 students performing 10 concerts =
<
OBERLIN, OHIO (Nov. 21, 2005) =97 Ten concerts, nine days, six cities=97the numbers add up to an intense tour schedule under ordinary circumstances. But for student-musicians from the Oberlin Conservatory of Music in Oberlin, Ohio, the intensity is heightened by the fact that the six cities are in the People=92s Republic of China.=20 The Oberlin Orchestra, an ensemble of 66 Conservatory students selected by audition, leaves for China on Dec. 23, 2005, and will perform in some of China=92s premier venues, including the Beijing Poly Theater and the Shanghai Concert Hall.=20 The tour begins with three concerts in Anshan, in central = Liaoning Province, followed by a performance in Shenyang. =46rom there it=92s on = to Dalian, at the southern tip of the province, for two concerts. Two evening performances in Beijing are next on the itinerary, followed by a concert in Tianjing. The tour concludes with a performance in Shanghai. The musicians return home on Jan. 5, 2006. All of the members of the Oberlin Orchestra are undergraduates. = They represent cities throughout the United States and Canada, as well as South Korea, Bulgaria, Denmark, and Singapore. Bridget-Michaele Reischl, music director of the Oberlin Orchestras, will conduct the ensemble during the tour; J Freivogel of St. Louis, Missouri, is concertmaster. Along with intensive rehearsal sessions, the student-musicians = are preparing for the tour by taking a course, China Tour Preparation, offered by the East Asian studies department of Oberlin College, the Conservatory=92s liberal arts counterpart. Funding for the tour is being provided by the Liaoning = Performance Company, a presenting company from China; Chinese businessman Sen Wang; the Chinese Ministry of Culture; and the Oberlin Conservatory of Music. The concert program includes the overture to Mozart=92s = The Marriage of Figaro, selections from Bizet=92s Carmen, Strauss=92 Blue Danube, Brahms=92 Hungarian Dance No. 5, Dvor=E1k=92s Slavonic Dances Op. 46, Nos. 1, 3, and 8, and Chinese folk songs. In addition, this core program will alternate George Gershwin=92s Rhapsody in Blue with Igor Stravinsky=92s Pulcinella Suite. Pianist Thomas Rosenkranz, a 1999 graduate of the Oberlin Conservatory, will be the featured soloist for the Gershwin.=20 The orchestra also will perform the official songs of Anshan, = Dalian, and Beijing, respectively, during concerts in those cities. In Dalian, the Oberlin Orchestra will perform under the baton of guest conductor Fan Tao. Tao, a conductor with the China Broadcasting Performing-Arts Troupe, was awarded a special prize at the 2000 Sibelius International Conducting Competition in Helsinki, Finland. FFFC,0000,0000 A trip to China made last spring by the dean of the = Oberlin Conservatory, David H. Stull, and several faculty members was the genesis of this tour. The Oberlin contingent was invited by the Szechuan Conservatory in Cheng du and visited major concert halls and music schools, where they gave master classes. =93Our primary interest was to visit major schools to get a = sense of their philosophy of teaching and to establish at least an informal relationship with the leaders of those institutions,=94 says Stull. In April, five members of the Szechuan Conservatory made a reciprocal visit to Oberlin to explore the nuances of American conservatory training. =93This China tour will be of immense educational benefit to = Oberlin students,=94 says tour manager James Kalyn. =93In addition to the = musical growth they will experience by performing the same pieces over and over again=97something students in conservatory orchestras rarely get to do=97they will be exposed to the culture of an emerging economic superpower.=94 =93China now produces some of the world=92s finest musicians,=94 = adds Stull. =93Many of these young people come to Oberlin to study. Of the 50 students enrolled in the Conservatory from countries in Asia, 15 are from China. It is in our own students=92 best interest to explore the educational and performance opportunities this country has to offer.=94 Bridget-Michaele Reischl, Music Director, Oberlin Orchestra Since becoming the first American to win Italy=92s Antonio Pedrotti International Conducting Competition in 1995, Bridget-Michaele Reischl has been an active guest conductor throughout the United States and internationally. Besides being music director of the Oberlin Orchestras and a member of Oberlin=92s conducting faculty, Reischl is music director of the Green Bay Symphony Orchestra in Green Bay, Wisconsin, a position she has held since 2001. =46rom 1992 to 2004, she was music director of the Lawrence Symphony Orchestra and associate professor of conducting at the Lawrence University Conservatory of Music in Appleton, Wisconsin. She is a graduate of the Eastman School of Music. As a student of Robert Spano (a 1983 Oberlin graduate), she continued her studies as a conducting fellow at both the Aspen and the Tanglewood music festivals, where she worked with Seiji Ozawa, Murray Sidlin, and David Zinman (also an Oberlin graduate, Class of 1958). She has recorded on the Velut Luna, CRI, and Sea Breeze Record Company labels.=20 Thomas Rosenkranz, piano soloist Thomas Rosenkranz has performed on four continents and has twice been named an artistic ambassador, sponsored by the United States State Department on tours of the Middle East and Africa to present recitals of American music for television and radio broadcasts. He was recently awarded the prestigious =93Classical Fellowship Award=94 from the American Pianists Association. He has given performances at Lincoln Center (New York), the Miller Theatre (New York), the 92 Street Y (New York), the Kennedy Center (D.C.), the Hilbert Circle Theatre (Indianapolis), L=92Acropolium (Carthage), and Theatre de la Ville (Tunis). He toured Japan and Taiwan with the Eastman Wind Ensemble and has been a featured pianist at such notable festivals as the the Tabarka Jazz Festival (Tunisia), Octobre Musical (Tunisia), the Kurt Weill Fest (Germany), and the National MTNA Convention in Seattle. He has performed as soloist with the National Orchestra of Beirut, the Orchestre Symphonique Tunsien, the Indianapolis Chamber Orchestra, and the Northwest Chamber Orchestra. A graduate of the Oberlin Conservatory (Class of 1999) and the Eastman School of Music, his major teachers include Robert Shannon, Nelita True, and Yvonne Loriod-Messiaen. He lives in Honolulu, Hawaii, and is assistant professor of piano at the University of Hawaii at Manoa. He will be artist-in-residence at the Cortona Contemporary Festival in Italy this summer. J Freivogel, concertmaster Raised in a family of musicians, J Freivogel began playing violin at the age of two. Now in his last year of Oberlin=92s double-degree program, he studies violin with Marilyn McDonald and is pursuing degrees in violin performance and politics. Named one of Northern Ohio Live magazine=92s =93best and brightest=94 = in 2004, Freivogel has participated in critically acclaimed concerts at Carnegie=92s Weill Recital Hall and Merkin Hall in New York City. He is first violinist of the Jasper String Quartet. In the spring, he will return to New York to perform Alban Berg=92s Kammerkonzerte and the world premiere of Lewis Nielson=92s Violin Concerto. Freivogel is from St. Louis, Missouri. The Oberlin Orchestra and the Oberlin Conservatory of Music After Sir Simon Rattle conducted the Oberlin Chamber Orchestra in December 2004, Plain Dealer music critic Donald Rosenberg wrote that the concert was =93stamped by magnificence.=94 Indeed, Rosenberg included the Oberlin-Rattle performance of Mahler=92s Symphony No. 4, which he described as =93uncommonly rich in poetry and drama,=94 in his list of top 10 memorable events from the 2004 concert season. Magnificence has come to be synonymous with all aspects of the Oberlin Conservatory of Music, from its exacting standards for incoming students to the excellence in teaching and performance expected of its faculty and the notable careers of its alumni, who can be found performing in every major orchestra and opera house and with many of today=92s acclaimed chamber ensembles. Founded in 1865 and situated within the intellectual vitality of Oberlin College since 1867, Oberlin is the oldest continuously operating conservatory in the United States. An undergraduate institution, Oberlin is renowned internationally as a professional music school of the highest caliber and has been called a =93national treasure=94 by the Washington Post. Past guest conductors of the Oberlin Orchestra have included Marin Alsop, Pierre Boulez, Catherine Comet, Tan Dun, Eve Queler, Robert Shaw, Oscar Shumsky, Igor Stravinsky, composer John Williams, and Hugh Wolff. Upcoming appearances by the Oberlin Orchestra for the 2005-06 = season include a performance at Cleveland=92s Severance Hall, home of the Cleveland Orchestra, under the baton of music director and conductor Bridget-Michaele Reischl. The 2006-07 season features a performance at Carnegie Hall with Robert Spano conducting.=20 For more information about the Oberlin Conservatory of Music, = please visit = 0000,0000,FFFCwww.oberlin.edu/con= . Oberlin College=92s Historic Ties to China For more than a century, Oberlin College and China have benefited from a mutually supportive relationship encompassing educational, social, and cultural exchanges, beginning with the teaching work of Oberlin graduates in the late 1800s. To commemorate the efforts of Oberlin educators in China, the Oberlin Shansi Memorial Association was founded in 1908, more than 50 years before the Peace Corps was begun. Today Shansi is an independent non-profit organization on the Oberlin campus that sponsors numerous educational exchanges, sending Oberlin students to sites throughout Asia to work and to teach and bringing Asian scholars to the College for the same purpose. Shansi has empowered generations of participants to make constructive and useful contributions to Asian and American institutions and communities. Another strong Oberlin-China connection can be found at the = Shanghai Conservatory of Music, the oldest conservatory in China. Huang Tzu, a 1926 Oberlin graduate who is widely considered to be one of the patriarchs of Western music education in modern China, was one of its founding fathers. Tzu wrote the school=92s curriculum, which ultimately became the platform for the professional study of music in China. =0C Concert Schedule December 25, 2005 Anshan Shengli Auditorium, 3 p.m. and 7 p.m. December 26, 2005 Anshan Shengli Auditorium, 7 p.m. December 27, 2005 Shenyang Nanfeng International Centre, 7 p.m. December 28, 2005 Dalian Dalian Broadcasting Centre, 7 p.m. December 29, 2005 Dalian Dalian Broadcasting Centre, 7 p.m. December 30, 2005 Beijing Poly Theatre, 7 p.m. December 31, 2005 Beijing Poly Theatre, 7 p.m. January 1, 2006 Tianjing Venue TBA, 7 p.m. January 2, 2006 Shanghai Shanghai Concert Hall, 7 p.m.
# # #
Marci Janas Director of Conservatory Media Relations Oberlin Conservatory of Music 39 West College Street Oberlin, OH 44074 www.oberlin.edu/con (P) 440-775-8328 (F) 440-775-5457 marci.janas at oberlin.edu= --Boundary_(ID_OkuHotLURr4McbYHQrCW0A)-- From ncplayhouse at sbcglobal.net Mon Nov 21 10:58:50 2005 From: ncplayhouse at sbcglobal.net (North Canton Playhouse) Date: Mon, 21 Nov 2005 10:58:50 -0800 (PST) Subject: [NEohioPAL]Auditions - Cinderella - North Canton Playhouse Message-ID: <20051121185850.65433.qmail@web81103.mail.mud.yahoo.com> --0-1846585649-1132599530=:65113 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit AUDITION NOTICE Rodgers & Hammerstein?s Musical "CINDERELLA" WHEN: Monday, December 12 and Tuesday, December 13 at 7:00 p.m. WHERE: The North Canton Playhouse, 525 ? 7th St. NE, (adjacent to Hoover High School) NEEDED: 20 - 25 Male and Female actors - teen through adult (6 Men; 6 Women; Bits, Extras, Singers) Come prepared with a song (an accompanist will be provided) and to read from the script For more information call the NCP office at 330-494-1613 --0-1846585649-1132599530=:65113 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit

 

 

  


AUDITION NOTICE

 

Rodgers & Hammerstein?s Musical

 

"CINDERELLA"

 

  WHEN:   Monday, December 12 and

             Tuesday, December 13

 

at 7:00 p.m.

 

         WHERE:   The North Canton Playhouse, 525 ? 7th St. NE,    (adjacent to Hoover High School)

 

     NEEDED: 20 - 25 Male and Female actors - teen through adult

(6 Men; 6 Women; Bits, Extras, Singers)

 

Come prepared with a song (an accompanist will be provided) and to read from the script

 

For more information call the NCP office at 330-494-1613

--0-1846585649-1132599530=:65113-- From info at standingrock.net Mon Nov 21 11:51:59 2005 From: info at standingrock.net (Standing Rock Cultural Arts) Date: Mon, 21 Nov 2005 14:51:59 -0500 Subject: [NEohioPAL]Kent's Homegrown Music Concert at Kent Stage Message-ID: > This message is in MIME format. Since your mail reader does not understand this format, some or all of this message may not be legible. --MS_Mac_OE_3215429519_489028_MIME_Part Content-type: text/plain; charset="ISO-8859-1" Content-transfer-encoding: quoted-printable Greetings WHO: Standing Rock Cultural Arts WHAT: Kent=B9s Home Grown Music Concert -featuring Kent musicians Guy Pernetti, John Reynolds, Jack Delasandro, Rio Neon and friends. WHEN: December 9, 8pm WHERE: The Kent Stage, 175 E. Main St - (330) 677-5005 COST: $8.00 CONTACT: 330-903-2055 Kent=B9s Home Grown Music, the concert series 2005 Kent and Northeastern Ohio have a rich history in music. Names that we are familiar with, Joe Walsh, Chrissy Hynde, Devo, Glass Harp, 15-60-75 (the numbers band), Alex Bevin, Dink, and that is just a fraction of the bands that played in this area. Standing Rock Cultural Arts in cooperation with The Kent Stage will be bringing to The Kent Stage a concert series called =B3Kent=B9s Home Grown Music.=B2 It will feature musicians that have been playing music in and aroun= d Kent since the 1960=B9s. Some of you will be familiar with some of the artists and some will be new to you. One thing that you can count on is an evening of wonderful music and a sense of being part of history. The kick off concert will be at 8 o=B9clock in the evening at The Kent Stage, 175 E. Main St. downtown Kent on December 9th, 2005 tickets will be $8. The first show will feature Guy Pernetti, John Reynolds, Jack Delasandro, Rio Neon and friends. Each a joy as a solo performer but together, you will jus= t have to see for yourselves. So mark your calendars for December 9th, 2005 for the =8CKent=B9s Home Grown Music=B2 concert series. This will be a night of music for the whole family that you don=B9t want to miss. For further information contact Gary Lockwood, by phone at 330-903-2055 or by email at waagosh at neo.rr.com www.standingrock.net for updates Thank you for supporting the Arts, Standing Rock Cultural Arts 257 N. Water St. Kent, OH 44240 330-673-4970 info at standingrock.net --MS_Mac_OE_3215429519_489028_MIME_Part Content-type: text/html; charset="ISO-8859-1" Content-transfer-encoding: quoted-printable Kent's Homegrown Music Concert at Kent Stage

Greetings

WHO:  Standing Rock Cultural Arts

WHAT: Kent=B9s Home Grown Music Concert
-featuring Kent musicians Guy Pernetti, John Reynolds, Jack D= elasandro, Rio Neon and friends.


WHEN:  December 9, 8pm

WHERE:  The Kent Stage,  175 E. Main St

-  (330) 677-5005


COST:  $8.00

CONTACT:  330-903-2055


    &nb= sp;            &= nbsp;   Kent=B9s Home Grown Music, the concert series 2005


Kent and Northeastern Ohio have a rich history in music. Names that we are = familiar with, Joe Walsh, Chrissy Hynde, Devo, Glass Harp, 15-60-75 (the num= bers band), Alex Bevin, Dink, and that is just a fraction of the bands that = played in this area.

Standing Rock Cultural Arts in cooperation with The Kent Stage will be bri= nging to The Kent Stage a concert series called =B3Kent=B9s Home Grown Music.=B2 I= t will feature musicians that have been playing music in and around Kent sin= ce the 1960=B9s.  Some of you will be familiar with some of the artists a= nd some will be new to you. One thing that you can count on is an evening of= wonderful music and a sense of being part of history.

The kick off concert will be at 8 o=B9clock in the evening at The Kent Stage= , 175 E. Main St. downtown Kent on December 9th, 2005 tickets will be $8. Th= e first show will feature Guy Pernetti, John Reynolds, Jack Delasandro, Rio = Neon and friends. Each a joy as a solo performer but together, you will just= have to see for yourselves. So mark your calendars for December 9th, 2005 f= or the =8CKent=B9s Home Grown Music=B2 concert series. This will be a night of mus= ic for the whole family that you don=B9t want to miss.

For further information contact Gary Lockwood, by phone at 330-903-2055 or = by email at waagosh at neo.rr.com


www.standingrock.net for updates

Thank you for supporting the Arts,

Standing Rock Cultural Arts
257 N. Water St.
Kent, OH 44240
330-673-4970
info at standingrock.net

 --MS_Mac_OE_3215429519_489028_MIME_Part-- From jfogel at clevelandplayhouse.com Mon Nov 21 11:46:36 2005 From: jfogel at clevelandplayhouse.com (Julie Fogel) Date: Mon, 21 Nov 2005 14:46:36 -0500 Subject: [NEohioPAL]ONE-DAY Sale for "Wife" or "Christmas Story" Message-ID: This is a multi-part message in MIME format. ------=_NextPart_000_0044_01C5EEAA.5FE4AC40 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable THE CLEVELAND PLAY HOUSE WEB-ONLY SALE starts Tuesday, November 22!=20 Choose your deal: $10 tickets to the closing performance of Doug Wright's Tony-Winning = Drama I Am My Own Wife, starring Mark Nelson 7:00 p.m. Sunday, November 27th . = or=20 $10 tickets to the Opening Night performance of A Christmas Story, 7:30 = p.m. Wednesday, November 30th.=20 Don't want to choose? Don't bother=85buy $10 tickets to both shows, if = you like=85 A $3 per ticket handling fee applies. Not valid with other offers or discounts. And, there's NO LIMIT on the number of $10 tickets you order = to EITHER show!=20 Use the promotional code 'PAL' when ordering to get the discounted = ticket.=20 This WEB-ONLY offer is valid beginning Tuesday, November 22.=20 Ready, set...shop! Happy Thanksgiving All! Julie Fogel Associate Director of Communications & Marketing The Cleveland Play House 8500 Euclid Avenue Cleveland, Ohio 44106 (216) 795-7000 ext. 236 www.clevelandplayhouse.com ------=_NextPart_000_0044_01C5EEAA.5FE4AC40 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable ONE-DAY Sale for "Wife" or "Christmas = Story"

THE CLEVELAND PLAY HOUSE WEB-ONLY SALE = starts Tuesday, November 22!

Choose your deal:

$10 tickets to the closing performance of = Doug Wright's Tony-Winning Drama I Am My Own Wife, starring Mark = Nelson 7:00 p.m. Sunday, November  27th  .

or

$10 tickets to the Opening Night = performance of A Christmas Story, 7:30 p.m. Wednesday, November 30th. =

Don't want to choose? Don't = bother…buy $10 tickets to both shows, if you like…
A $3 per ticket handling fee applies. = Not valid with other offers or discounts.  And, there's NO LIMIT on = the number of $10 tickets you order to EITHER show!

Use the promotional code 'PAL' when = ordering to get the discounted ticket.

This WEB-ONLY offer is valid beginning = Tuesday, November 22.

Ready, set...shop!
Happy Thanksgiving All!
Julie = Fogel
Associate Director of = Communications & Marketing
The Cleveland Play = House
8500 Euclid Avenue
Cleveland, Ohio 44106
(216) 795-7000 ext. = 236
www.clevelandplayhouse.com

------=_NextPart_000_0044_01C5EEAA.5FE4AC40-- >From Jean Zarzour" This is a multi-part message in MIME format. ------=_NextPart_000_0270_01C5EEAE.7964DA60 Content-Type: multipart/alternative; boundary="----=_NextPart_001_0271_01C5EEAE.7964DA60" ------=_NextPart_001_0271_01C5EEAE.7964DA60 Content-Type: text/plain; charset="Windows-1252" Content-Transfer-Encoding: quoted-printable BlankDear Friends- Can't afford to Buy this charming Bungalow? Well it = is also for RENT until a buyer is found! The rent is $725/month. No = dogs. Deposit + References. =20 (Jean Zarzour is showing this home in conjunction with Next Home Realty, = on behalf of owner, Donald Squires, former Stage Manager of Menopause = The Musical. Donald is now Stage Managing MTM in Seattle, WA but is = available by phone if you have further questions. To See this home, = leave a message for Jean on the Next Home Voice Mail Box. Call = 440-808-3900 and enter 8056 when prompted or as soon as the recorded = tour begins. Jean will return your call promptly.) CLICK HERE TO SEE MLS WITH 6 PICTURES! (Though the house is now = empty) Buyer Full Page =20 (full profile is below for those with download challenges) Priced To Sell (was $98,900)=20 Now $93,900 FOR SALE BY OWNER 9622 South Highland Garfield Hts., Ohio 44125 Spacious, Exceptionally Maintained Bungalow on a quiet, safe street, = just 2 minutes from I-480! Off Turney, North of Granger. Has formal = dining room with bay window, large living room w/ ventless gas = fireplace* First floor master leads to deck* Central Air, newer roof on = home & garage* Extra shower* Updated electric, brand new carpeting = upstairs* All appliances*=20 Finished SqFt: 1220=20 Total SqFt: 1220=20 SqFt Source: Public Records Lot Dimensions: 40x125=20 Irregular: N=20 Acres: 0.11=20 Frontage: 40*=20 Construction: Existing=20 Zoning: Residential=20 Year Built: 1942*=20 Tax Amount 1/2 Yr: 1102 =20 School District: 1815/Garfield Heights City=20 # Rooms: 5=20 # Bedrooms: 2*=20 # Fireplaces: 1=20 # Stories: 1.5*=20 # Full Baths: 1=20 # Half Baths: 0=20 Total Baths: 1=20 Covered Parking: 1=20 Handicap Mod: No=20 Warranty: No =20 Heating: Forced Air=20 Heat Source: Gas=20 Available for Auction: No=20 Exterior: Vinyl=20 Cooling: Central Air=20 Owner/Agent: No=20 Style: Bungalow=20 Roof: Asphalt/Fiberglass=20 Basement: Full=20 Fence: Chain Link, Partial=20 Lot Desc: Level=20 Fixer Upper: N=20 View Desc:=20 Public Trans: 1 - 4 Blocks=20 Living 16x14 1 Fireplace, Window Treatment, Wood Floor - 1st Floor Dining 12x10 1 Window Treatment, Wood Floor - 1st Floor Kitchen 12x8 1 Vinyl Flooring, Window Treatment - 1st Floor Master Bdrm 11x10 1 Balcony/Deck, Window Treatment, Wood Floor - 1st = Floor Bdrm 2 14x12 2 Wall to Wall Carpet, Window Treatment - 2nd Floor Water/Sewer: Public Sewer, Public Water, Storm Sewer =20 Garage/Parking: 1 Car, Detached, Garage Door Opener=20 *Appliances/Equipment: Cable Electric Link, Dryer, Freezer, Gas Dryer = Connection, Range, Refrigerator, Satellite Dish, Security System, Washer = Exterior Features: Deck=20 Amenities: Health Club, Library, Medical Facilities, Park, Playground, = Pool, Shopping/Mall, Tennis Courts=20 BUT WAIT! THERE'S MORE! Brand New Roof w/30 Year Warranty 5 Year old Furnace with April Air Brand New Driveway & Front Steps =20 Beautiful Wood Floors on 1st floor =20 Ventless Fireplace in Living Room Throws Great HEAT Beautiful, New Carpet on 2nd Floor =20 Waterproofed/Finish-Ready Basement =20 All Appliances & BASEMENT FREEZER STAY Brand New Vinyl Windows =20 1 Car Garage w/Brand New Roof & Floor =20 New Electrical Box =20 =20 Currently Understudying 2 roles in Menopause The Musical at Playhouse = Sq.'s 14th St. Theater. Running since April 2004! Now Appearing as Power Woman Every Wednesday at 2 pm Also Nov. 5, 10, = 11, 13, 19, 25, 26, 27 Appearing as Earth Mother Dec. 3-11 Lipschtick =AE 2300 McKinley Ave. Lakewood, Ohio 44107=20 ph/fax: 216-521-3831 Also Founder of the GOT PAY? Organization Read an on line interview with Jean=20 www.lipschtick.com Comedy that lasts all day! ------=_NextPart_001_0271_01C5EEAE.7964DA60 Content-Type: text/html; charset="Windows-1252" Content-Transfer-Encoding: quoted-printable Blank
Dear Friends-  Can't afford to Buy this = charming=20 Bungalow? Well it is also for RENT until a buyer is = found!  =20 The rent = is=20 $725/month.  No dogs.  Deposit + = References.  =20
 
(Jean Zarzour is showing this home = in=20 conjunction with Next Home Realty, on behalf of owner, Donald = Squires,=20 former Stage Manager of Menopause The Musical.  Donald=20 is now Stage Managing MTM in Seattle, WA but is available = by=20 phone if you have further questions.  To See this home, leave a message for Jean on the = Next Home=20 Voice Mail Box.  Call 440-808-3900 = and enter=20 8056 when prompted or as soon as the recorded=20 tour begins.   Jean will = return your=20 call promptly.)

Chagrin Valley Little Theatre

Announces  The Broadway Musical, = A Christmas=20 Carol  

 

November = 21, 2005=20 :  Charles Dickens' classic gets the full Broadway treatment in = Alan=20 Menken=92s-Lynn Ahrens=92-Mike Okrent's adaptation of A Christmas=20 Carol. This is the version that leaves New Yorkers and tourists = alike=20 gasping in wonder and merriment every year as the story unfolds on the = stage at=20 Madison Square Garden. In 2004, this version became the basis of a NBC=20 television spectacular featuring Kelsey Grammer as Scrooge, surrounded = by an=20 array of stars including Jason Alexander, Jesse L. Martin, Jane = Krakowski,=20 Geraldine Chaplin, Jennifer Love Hewitt and Ruthie Henshall. Alan Menken = (Little Shop Of Horrors) and Lynn Ahrens (Ragtime The Musical, = Once On=20 This Island) have collaborated on a score that is filled with = beautiful=20 melodies and emotional lyrics. Their song "A Place Called Home" has = become a=20 holiday standard.

 

There are many adaptations of A Christmas = Carol out=20 there, but only one Broadway version! Now this holiday treat can be = seen=20 at  Chagrin Valley = Little=20 Theatre

 

CLICK = HERE TO=20 SEE  MLS WITH 6=20 PICTURES!   (Though the house is now empty) =20 Buyer Full=20 Page  

(full profile is = below for those=20 with download challenges)

Priced To Sell (was $98,900) =
Now=20 $93,900
FOR SALE BY=20 OWNER
9622 South=20 Highland
Garfield Hts., = Ohio=20 44125
 
Spacious, = Exceptionally=20 Maintained Bungalow on a quiet, safe street, just 2 minutes = from I-480! Off=20 Turney, North of Granger. Has formal dining room with bay = window,=20 large living room w/ ventless gas fireplace* First floor master leads to = deck*=20 Central Air, newer roof on home & garage* Extra shower* Updated = electric, brand new carpeting upstairs* All=20 appliances* 
 
Finished SqFt: 1220
Total SqFt: = 1220=20
SqFt = Source: Public=20 Records
Lot=20 Dimensions: 40x125
Irregular: N=20
Acres: 0.11
Frontage: = 40*=20
Construction: Existing
Zoning:=20 Residential
Year = Built: 1942*=20
Tax Amount 1/2 = Yr:=20 1102  
School District: 1815/Garfield Heights City =
# = Rooms: 5=20
# Bedrooms: = 2*=20
# Fireplaces: = 1=20
# Stories: = 1.5*=20
# Full = Baths: 1=20
# Half Baths: = 0=20
Total Baths: = 1=20
Covered Parking: = 1=20
Handicap = Mod: No=20
Warranty: = No   
Heating: Forced Air
Heat Source: = Gas=20
Available for = Auction: No=20
Exterior:=20 Vinyl
Cooling: Central=20 Air
Owner/Agent: = No=20
Style:=20 Bungalow
Roof:=20 Asphalt/Fiberglass
Basement:=20 Full
Fence: Chain Link,=20 Partial
Lot Desc:=20 Level
Fixer Upper: = N=20
View Desc:=20
Public Trans:=20 1 - 4 Blocks
 
Living 16x14 1 Fireplace, = Window=20 Treatment, Wood Floor - 1st Floor
Dining = 12x10=20 1 Window Treatment, Wood Floor - 1st=20 Floor
Kitchen = 12x8=20 1 Vinyl Flooring, Window Treatment - 1st=20 Floor
Master Bdrm=20 11x10 1 Balcony/Deck, Window Treatment, Wood = Floor -=20 1st Floor
Bdrm 2 = 14x12=20 2 Wall to Wall Carpet, Window Treatment - 2nd=20 Floor
Water/Sewer: Public Sewer, Public Water, Storm = Sewer=20  
Garage/Parking: 1 Car, = Detached,=20 Garage Door Opener
*Appliances/Equipment:  Cable Electric Link, Dryer, = Freezer, Gas=20 Dryer Connection, Range, Refrigerator, Satellite Dish, Security System, = Washer=20 Exterior Features: Deck =
Amenities: Health Club,=20 Library, Medical Facilities, Park, Playground, Pool, Shopping/Mall, = Tennis=20 Courts
 
BUT WAIT!  THERE'S = MORE!
Brand New Roof = w/30=20 Year Warranty
5 Year old = Furnace with April=20 Air
Brand New = Driveway &=20 Front Steps   
Beautiful Wood = Floors on 1st=20 floor           &n= bsp;        
Ventless Fireplace in=20 Living Room Throws Great HEAT
Beautiful, New = Carpet on 2nd=20 Floor    
Waterproofed/Finish-Ready Basement   = ;           
All Appliances = & BASEMENT=20 FREEZER STAY
Brand New Vinyl = Windows           =             &= nbsp;       
1 Car Garage = w/Brand New Roof=20 & =20 Floor          
New = Electrical=20 Box=20             &= nbsp;         =20
  
 
 

3D""=20
Currently Understudying 2 roles in = Menopause = The=20 Musical  at Playhouse Sq.'s 14th = St.=20 Theater.  Running = since April=20 2004!
Now=20 Appearing as Power=20 Woman Every Wednesday at 2 pm   Also =20 Nov. 5, 10, 11, 13, 19, 25, 26, 27 Appearing as Earth=20 Mother Dec.=20 3-11
Lipschtick =AE
2300 McKinley = Ave.Lakewood, Ohio=20 44107
ph/fax:=20 216-521-3831
Also Founder of=20 the GOT PAY? Organization
Read an on line interview with Jean=20

3D""=20www.lipschtick.com<= /A>    =20 Comedy that lasts all = day!

 

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name="Blank Bkgrd.gif" Content-Transfer-Encoding: base64 Content-ID: <026f01c5eed8$622ead60$0302a8c0 at DD1WK941> R0lGODlhLQAtAID/AP////f39ywAAAAALQAtAEACcAxup8vtvxKQsFon6d02898pGkgiYoCm6sq2 7iqWcmzOsmeXeA7uPJd5CYdD2g9oPF58ygqz+XhCG9JpJGmlYrPXGlfr/Yo/VW45e7amp2tou/lW xo/zX513z+Vt+1n/tiX2pxP4NUhy2FM4xtjIUQAAOw== ------=_NextPart_000_0270_01C5EEAE.7964DA60-- From MChamberlain at beckcenter.org Mon Nov 21 12:35:53 2005 From: MChamberlain at beckcenter.org (Meg Chamberlain) Date: Mon, 21 Nov 2005 15:35:53 -0500 Subject: [NEohioPAL]4 FREE tickets to Menopause! Message-ID: <97CF2CB42902E345A929E3202369C84E02FDA7@beck-1.beckcenter.com> This is a multi-part message in MIME format. ------_=_NextPart_001_01C5EEDB.2AF9ECB2 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable If you haven't seen this show yet, you should! If you'd like to see it again, I understand! The first person to respond to this offer will receive 4 tickets to this = Saturday the 26th's 8pm show! Happy Holidays from all the folks at Menopause the Musical! Meg Chamberlain Dir of Theater Education Beck Center for the Arts 216 521 2540 x227 What's Happening at the = Beck Center! T.I.D.Y. A World Premiere in the Studio Theater November 18 through December 18 Coming Soon on the Main Stage Disney's Beauty and the Beast December 2 through 31 Youth Theater Presents A Christmas Peril December 3, 10 and 17 For show tickets, call 216-521-2540. Spring 2006 Class Catalog Available December 1st. Register online for classes in dance, music, theater, and visual arts at www.beckcenter.org or call 216-521-2540, ext. 222. =20 ------_=_NextPart_001_01C5EEDB.2AF9ECB2 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
If you haven't seen = this show=20 yet, you should!
If you'd like to = see it again,=20 I understand!
The first person to = respond to=20 this offer will receive 4 tickets to this Saturday the 26th's 8pm=20 show!
Happy Holidays from = all the=20 folks at Menopause the Musical!
Meg=20 Chamberlain
Dir of Theater = Education
Beck Center for the = Arts
216 521 2540 x227

 What's=20 Happening at the Beck = Center!<= /B>

 T.I.D.Y. A=20 World Premiere

in the = Studio=20 Theater

November 18 = through=20 December 18

 Coming Soon = on the=20 Main  Stage

Disney's=20 Beauty and the Beast

December 2 = through=20 31

 Youth = Theater=20 Presents

A=20 Christmas Peril

December 3, = 10 and=20 17

 For=20 show tickets, call 216-521-2540.

 Spring=20 2006 Class Catalog

Available=20 December 1st.

Register = online for=20 classes in dance, music,

theater, and = visual=20 arts at www.beckcenter.org

or call = 216-521-2540,=20 ext. 222.

 

------_=_NextPart_001_01C5EEDB.2AF9ECB2-- From csimon at convergence-continuum.org Mon Nov 21 13:08:14 2005 From: csimon at convergence-continuum.org (csimon at convergence-continuum.org) Date: Mon, 21 Nov 2005 16:08:14 -0500 (EST) Subject: [NEohioPAL]convergence-continuum opens States of Shock Dec. 2 Message-ID: <54981.65.43.230.42.1132607294.squirrel@mail.plainhost.com> CONVERGENCE-CONTINUUM WILL OPEN STATES OF SHOCK FRIDAY, DECEMBER 2, FOR A THREE-WEEK, LIMITED RUN AT THE LIMINIS IN TREMONT ?Tis the season for peace and goodwill. But at Danny?s family restaurant, populated by two disgruntled customers and a balance-challenged waitress, the calm is shattered by sounds of war and destruction. Hostilities escalate when the Colonel, in full military regalia, walks into the cafe to the rhythms of two live, on-stage percussionists. The Colonel is pushing a wheelchair in which sits a damaged young veteran. They have dropped by the restaurant to celebrate with a nice dessert while the war continues to rage on -- complete with singing, dancing, flying food, and a naughty encounter with some clam chowder. States of Shock is directed by convergence-continuum's Artistic Director Clyde Simon and features an ensemble cast that includes Lucy Bredeson-Smith, Geoff Hoffman, Steve Needham, Wes Shofner and Dawn Youngs, with percussionists Bill Lynn, Dino Osmanbegovic and guitarist Mark K. States of Shock opens Friday, December 2 and runs Thursdays, Fridays, and Saturdays through December 17 at the Liminis, 2438 Scranton Rd. in Cleveland's historic Tremont neighborhood. All performances begin at 8 pm. Tickets are $12 for general admission and $9 for students and seniors. For information and reservations, call 216-687-0074 or visit us on the web at www.convergence-continuum.org. From jbarlow at lorainccc.edu Mon Nov 21 14:06:28 2005 From: jbarlow at lorainccc.edu (Janet Barlow) Date: Mon, 21 Nov 2005 17:06:28 -0500 Subject: [NEohioPAL]RE: Give Stocker Tickets For The Holidays! Message-ID: <200511212206.jALM6Wbr065280@lc3ms1.lorainccc.edu> This is a multi-part message in MIME format. ------=_NextPart_000_0096_01C5EEBD.EC1620F0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit GIVE A MOOSE FOR THE HOLIDAYS!! OR HOW ABOUT THE AMERICAN FRONTIER?? Now that Thanksgiving is upon us. Are you starting to think about finding that perfect gift for loved ones and friends this holiday season? HOW ABOUT TICKETS FOR UPCOMING EVENTS AT STOCKER ARTS CENTER? There are so many different upcoming events you're bound to find something that will please all of those on your gift list!! Here's a sample of shows you can choose: Sunday, December 18, 2005 - 3:00pm - Great fun for the whole family! Mooseltoe, A New Moosical Book/Lyrics by Jim Semmelman, Music by George Kramer. Tickets $15.00/Adults; $10.00/Children 12 and under This is a story to see and to hear, of a moose who wants to fly with Santa's reindeer. He sets out on a quest, his mind on one thing, to seek and to find. the great wise Mooseking. Through trial and error, through friends and through foes, he continues his journey, he follows his nose. He's about to give up, he's reduced to tears, when suddenly one night, the great Mooseking appears! He teaches our hero, what we all can perceive, to look deep inside and learn to believe. The North Pole's in a panic and so is St. Nick, it's one of the reindeer, it's Blitzen. he's sick! I won't tell you more, suffice it to say, Mooseltoe is the hero, Mooseltoe saves the day! This hour-long odyssey of self-discovery has unforgettable costumed characters including snobby penguins, a walrus, a talking snowball, elves and Santa himself. Your entire family will embrace and cheer our lovable hero, Mooseltoe. Begin a new holiday tradition with this colorful and whimsical tale! Sunday, January 22, 2006 - 3:00pm - An inspirational afternoon of great music with great food available beforehand! Harlem Gospel Choir in Concert Concert Tickets $15.00/Adults; $10.00/Children 12 and under Gospel Brunch - Spitzer Conference Center at 1:15pm Brunch Tickets $15.00/Adults; $5.00/Children 12 and under Combined Concert/Brunch Tickets $29.00/Adults; $14.50/Children 12 and under The Harlem Gospel Choir was founded in 1986 by Allen Bailey. Made up of the finest singers and musicians from various Black Churches in Harlem, it has become one of the pre-eminent gospel choirs in the world. They have shared their message of love, peace and harmony with people from various nations, backgrounds and cultures, creating a better understanding of African-American culture and the inspirational music that is Gospel as it relates to the Black Church. Every performance strives to bring people and nations together while giving something back. Come for brunch and stay for the concert. It will feature songs that will touch the depths of your soul and raise your spirits to new heights! www.harlemgospelchoir.com Monday, February 13, 2006 (Series B) - 7:00pm - The show that changed the American musical forever! "Oklahoma!" Tickets $34.00/Orchestra; $27.00/Mezzanine Based on "Green Grow the Lilacs," a stage play by Lynn Riggs, "Oklahoma!" brought together for the first time composer Richard Rodgers and lyricist/librettist Oscar Hammerstein II. The duo would go on to write nine Broadway musicals together, but none would be as important for the development of American musical theatre as "Oklahoma!" Set soon after the beginning of the 20th century in the Indian territory now known as the state of Oklahoma, against a backdrop of the rivalry between cattlemen and farmers, the plot revolves mainly around the question of who will take farm girl Laurey Williams to the box social - the decent cowboy Curly McLain or the sinister farm hand Jud Fry. This sparkling new touring production is adapted from the Cameron Mackintosh presentation of the Royal National Theatre production that won the hearts of a new generation of theatergoers. "Oh, What a Beautiful Musical!" - NY Post The songs from "Oklahoma!" you'll recognize include: "Oh, What A Beautiful Morning'," "People Will Say We're in Love," "I Cain't Say No," and of course, the title song! Thursday, February 16, 2006 - 7:30pm - A variety show that will bring out the hip-hop in everyone! Illstyle and Peace Productions present "Same Spirit Different Movement" Tickets $15.00/Adults; $10.00/Children 12 and under Illstyle and Peace Productions is a multi-cultural male and female dance theatre company which fuses hip hop with various other styles of dance. They are committed to spreading unity, peace, love, respect, and fun through dance. This evening length theater/concert performance is a collaborative effort that brings various dance styles together. It includes vocal percussions, turntablism, spoken word, Popping, Locking, Breaking, Tap Dancing, DJing, Human Beat Boxing and various other styles. "Expect to see fabulous feats of spinning on the limbs and contorted body postures done with rhythm, speed, control and precision in both a choreographed and improvised manner." EPITOME MAGAZINE www.illstylerockers.net Wednesday, April 12, 2006 - 7:30pm - Shakespeare at his finest/funniest! National Players present "THE TAMING OF THE SHREW" Tickets $15.00/Adults; $10.00/Children 12 and under One of Shakespeare's most famous comedies, "THE TAMING OF THE SHREW" is a love story. It begins in Padua, where Lucentio arrives to attend the university, but his priorities change when he sees Bianca, a beautiful, mild young woman with whom he instantly falls in love. There are two problems: Bianca already has suitors; and her father, Baptista, has declared that no one may court her until her older sister, the ill-tempered Katherine, is married. Enter Petruchio, a brash young man from Verona, who arrives in Padua to marry a rich woman, and does not care what she is like as long as she brings him a fortune. He agrees to marry Katherine sight unseen. Do Petruchio and Katherine wed? Who gets "tamed?" Is it possible there is more than one "shrew" in the play? Come see this classic to find out the answers to these questions. www.nationalplayers.org Saturday, April 22, 2006 (Series B) - 7:30pm - Modern Dance at its best! Taylor 2 Dance Company Tickets $34.00/Orchestra; $27.00/Mezzanine Paul Taylor has been called a genius; a legend; a cultural icon. Time Magazine calls him "the reigning master of modern dance," and the New York Daily News declares him "the best choreographer in the world." Paul Taylor is the recipient of dozens of awards and honors. He was awarded the National Medal of the Arts by President Clinton in 1993, the same year he created Taylor 2, the junior ensemble of the Paul Taylor Dance Company. Working along with longtime colleague Linda Hodes, he established Taylor 2 to ensure that his works could be seen by audiences all over the world, unhindered by economic or logistical limitations. Mr. Taylor used the structure of his original company for Taylor 2: six professionals with a particular gift for his style who perform his masterworks in smaller venues throughout the world. The repertoire for Taylor 2 spans the broad spectrum of Mr. Taylor's work. Many of the dances performed by the company have been re-worked to enable the smaller ensemble of dancers in Taylor 2 to perform them. Critics and audiences alike cheer as Taylor 2 introduces the athleticism, humor and range of emotions found in Mr. Taylor's work. www.ptdc.org Besides the above mentioned events. there's also our 2006 Winter/Spring film series! If you decide tickets for Stocker Arts Center events and films are the perfect gift, please call the Stocker Arts Center Box Office, which is open from 12:00 noon to 6:00p.m. Mondays through Fridays and one-and-one-half hours before show time (PLEASE NOTE: The Box Office is closed November 24 & 25 and December 19, 2005 through January 1, 2006 - SO ACT NOW!!). The Box Office can be reached by calling (800) 995-5222 ext. 4040 or (440) 366-4040. The Stocker Arts Center is on the campus of Lorain County Community College, 1005 North Abbe Road, Elyria, Ohio 44035. For further information on the films and events and/or directions to Stocker, go to www.lorainccc.edu/stocker Please share all that we have to offer at the Stocker Arts Center with friends and family this holiday season! Janet Herman Barlow Director, Stocker Arts Center Lorain County Community College 1005 North Abbe Road Elyria, Ohio 44035 440.366.7105 or 1.800.995.5222 ext. 7105 440.366.4101 [fax] jbarlow at lorainccc.edu www.lorainccc.edu/stocker ------=_NextPart_000_0096_01C5EEBD.EC1620F0 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable

GIVE A MOOSE FOR THE HOLIDAYS!!  OR HOW ABOUT THE AMERICAN FRONTIER?? 

 

Now that = Thanksgiving is upon us…

Are you starting = to think about finding that perfect gift for loved ones and friends this holiday = season?

 

HOW ABOUT TICKETS FOR UPCOMING EVENTS AT = STOCKER = ARTS CENTER?<= /i>

 

There are so many different upcoming events = you’re bound to find something that will please all of those on your gift = list!!  Here’s a sample of shows you can = choose:

 

Sunday, December 18, 2005 – 3:00pm = – Great fun for the whole family!
Mooseltoe, A New = Moosical
Book/Lyrics by Jim Semmelman, Music by George Kramer.

Tickets $15.00/Adults; = $10.00/Children 12 and under

This is a story to see and to hear, of a moose who wants to fly with = Santa’s reindeer.  He sets out on a quest, his mind on one thing, to seek = and to find… the great wise Mooseking.  Through trial and error, = through friends and through foes, he continues his journey, he follows his = nose.  He’s about to give up, he’s reduced to tears, when suddenly = one night, the great Mooseking appears!  He teaches our hero, what we = all can perceive, to look deep inside and learn to believe.  The North Pole’s in a panic and so is St. Nick, it’s one of the = reindeer, it’s Blitzen… he’s sick!  I won’t tell you = more, suffice it to say, Mooseltoe is the hero, Mooseltoe saves the day!  = This hour-long odyssey of self-discovery has unforgettable costumed = characters including snobby penguins, a walrus, a talking snowball, elves and Santa himself.  Your entire family will embrace and cheer our lovable = hero, Mooseltoe.  Begin a new holiday tradition with this colorful and = whimsical tale! 

 

Sunday, January 22, 2006 – 3:00pm = – An inspirational afternoon of great music = with great food available beforehand!
Harlem Gospel Choir in Concert

Concert Tickets $15.00/Adults; $10.00/Children 12 = and under
Gospel Brunch - Spitzer Conference Center at = 1:15pm
Brunch Tickets $15.00/Adults; $5.00/Children 12 and under
Combined Concert/Brunch Tickets =
$29.00/Adu= lts; $14.50/Children 12 and under

The Harlem Gospel Choir was founded in 1986 by Allen Bailey.  Made up of the finest singers and musicians from various = Black Churches in Harlem, it has become one = of the pre-eminent gospel choirs in the world.  They have shared their = message of love, peace and harmony with people from various nations, backgrounds = and cultures, creating a better understanding of African-American culture = and the inspirational music that is Gospel as it relates to the Black Church.  Every performance strives to bring people and nations together while = giving something back.  Come for brunch and stay for the concert. It will = feature songs that will touch the depths of your soul and raise your spirits to = new heights!  www.harlemgospelchoir.com

 

Monday, = February 13, 2006 (Series B) – 7:00pm – The show that changed the American musical = forever!
"Oklahoma!”

Tickets $34.00/Orchestra; = $27.00/Mezzanine

Based on “Green Grow the Lilacs,” = a stage play by Lynn Riggs, “Oklahoma!” brought together for the first time composer Richard Rodgers and lyricist/librettist Oscar Hammerstein II.  The duo would go on to = write nine Broadway musicals together, but none would be as important for the development of American musical theatre as “Oklahoma!”  Set soon = after the beginning of the 20th century in the Indian territory now known as the = state of Oklahoma, against a backdrop of the rivalry between cattlemen and = farmers, the plot revolves mainly around the question of who will take farm girl = Laurey Williams to the box social – the decent cowboy Curly McLain or the sinister farm hand Jud Fry.  This sparkling new touring production = is adapted from the Cameron Mackintosh presentation of the Royal National = Theatre production that won the hearts of a new generation of = theatergoers.  “Oh, What a Beautiful Musical!” – NY = Post    The songs from “Oklahoma!” you’ll recognize include:  “Oh, What A Beautiful Morning’,” “People Will Say We’re in = Love,” “I Cain’t Say No,” and of course, the title = song!

 

Thursday, February 16, 2006 – 7:30pm = – A variety show that will bring out the hip-hop in = everyone!
Illstyle and Peace Productions = present “Sam= e Spirit Different Movement”

Tickets $15.00/Adults; $10.00/Children 12 and = under

Illstyle and Peace Productions is a multi-cultural male and female dance theatre company which fuses hip hop = with various other styles of dance.  They are committed to spreading = unity, peace, love, respect, and fun through dance.  This evening length = theater/concert performance is a collaborative effort that brings various dance styles together.  It includes vocal percussions, turntablism, spoken word, Popping, Locking, Breaking, Tap Dancing, DJing, Human Beat Boxing and = various other styles.  “Expect to see fabulous feats of spinning on the limbs and contorted body = postures done with rhythm, speed, control and precision in both a choreographed and improvised manner.”  EPITOME MAGAZINE   www.illstylerockers.net

 

Wednesday, April 12, 2006 – 7:30pm = – Shakespeare at his finest/funniest!
National = Players present "THE = TAMING OF THE SHREW”

Tickets $15.00/Adults; $10.00/Children 12 and under

One of Shakespeare’s most = famous comedies, “THE TAMING OF THE SHREW” is a love story.  = It begins in Padua, where Lucentio arrives to attend the university, but = his priorities change when he sees Bianca, a beautiful, mild young woman = with whom he instantly falls in love.  There are two problems: Bianca already = has suitors; and her father, Baptista, has declared that no one may court = her until her older sister, the ill-tempered Katherine, is married.  Enter Petruchio, a brash young man from Verona, who arrives in Padua to marry a rich woman, and does not care what she is like as long as she = brings him a fortune.  He agrees to marry Katherine sight unseen.  Do Petruchio and Katherine wed?  Who gets “tamed?”  = Is it possible there is more than one “shrew” in the play?  = Come see this classic to find out the answers to these questions.  www.nationalplayers.org

 

Saturday, April 22, 2006 (Series B) – 7:30pm = – Modern Dance at its = best!
Taylor 2 Dance Company

Tickets $34.00/Orchestra; = $27.00/Mezzanine =

Paul Taylor has been called a = genius; a legend; a cultural icon.  Time Magazine calls him “the reigning = master of modern dance,” and the New York Daily News declares him “the best choreographer in the world.”  Paul Taylor is the recipient of dozens of awards and honors.  He was awarded the National Medal of the Arts by President Clinton in 1993, the same year he created Taylor 2, the junior ensemble of the Paul Taylor Dance Company.  Working = along with longtime colleague Linda Hodes, he established Taylor 2 to ensure that his works = could be seen by audiences all over the world, unhindered by economic or = logistical limitations.  Mr. Taylor used the structure of his original company = for Taylor 2: six professionals with a particular gift for his style who perform his = masterworks in smaller venues throughout the world.  The repertoire for = Taylor 2 spans = the broad spectrum of Mr. Taylor’s work.  Many of the dances performed = by the company have been re-worked to enable the smaller ensemble of dancers in = Taylor 2 to = perform them.  Critics and audiences alike cheer as Taylor 2 introduces the athleticism, = humor and range of emotions found in Mr. Taylor’s work.  www.ptdc.org 

=

 =

Besides the = above mentioned events… there’s also our 2006 Winter/Spring film = series!

  =

If you decide tickets for Stocker Arts Center events and films are the perfect gift, please call the Stocker Arts = Center Box Office, which is open from 12:00 noon to 6:00p.m. Mondays through = Fridays and one-and-one-half hours before show time (PLEASE NOTE:  The Box = Office is closed November 24 & 25 and December 19, 2005 through January 1, = 2006 – SO ACT NOW!!).  The Box Office can be reached by calling (800) = 995-5222 ext. 4040 or (440) 366-4040.

 

The Stocker Arts Center is on the campus of Lorain County Community College, 1005 North Abbe Road, Elyria, Ohio  44035.  For further information on the films and events and/or directions = to Stocker, go to www.lorainccc.edu/stocker=

Please share all that we have to offer at the Stocker Arts Center with = friends and family this holiday season!

 

 

Janet Herman Barlow

Director, Stocker Arts Center

Lorain County  Community College

1005 North Abbe = Road

Elyria, Ohio  44035

440.366.7105 or

1.800.995.5222 ext. 7105

440.366.4101 [fax]

jbarlow at lorainccc.edu

www.lorainccc.edu/stocker

 

 

 

------=_NextPart_000_0096_01C5EEBD.EC1620F0-- From aj.higbee at sbcglobal.net Mon Nov 21 14:27:28 2005 From: aj.higbee at sbcglobal.net (Alan or Judith Higbee) Date: Mon, 21 Nov 2005 17:27:28 -0500 Subject: [NEohioPAL]East side church seeks bass section leader Message-ID: <000c01c5eeea$c2e5df90$0100a8c0@BABYLAPTOP> This is a multi-part message in MIME format. ------=_NextPart_000_0009_01C5EEC0.D8A09020 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Church of the Saviour in Cleveland Hts. is looking for a bass = soloist/section leader. =20 We have hired a tenor section leader for about 10 years and now are = adding a bass to the Chancel Choir. Rehearsals are on Thursdays from = 7:30-9:15 p.m. and the choir sings regularly at the 11:00 a.m. worship = service. We average about 30 singers on a Sunday morning and do = traditional repertoire of the past and music by living composers as = well. We are preparing to present Mozart's Coronation Mass in February. = For more information please contact: Judith Higbee Director of Music Church of the Saviour (United Methodist) 2537 Lee Road Cleveland Hts., OH 44118 216-321-8880 higbee at chsaviour.org ------=_NextPart_000_0009_01C5EEC0.D8A09020 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
Church of the = Saviour in=20 Cleveland Hts. is looking for a bass soloist/section=20 leader. 
We have hired a tenor section = leader for about=20 10 years and now are adding a bass to the Chancel Choir. Rehearsals = are on=20 Thursdays from 7:30-9:15 p.m. and the choir sings regularly at the 11:00 = a.m.=20 worship service. We average about 30 = singers on a=20 Sunday morning and do traditional repertoire of the past and music by = living=20 composers as well. We are = preparing to=20 present Mozart's Coronation Mass in February.  
 
For more information please = contact:
Judith Higbee
Director of Music
Church of the Saviour (United=20 Methodist)
2537 Lee Road
Cleveland Hts., OH 44118
216-321-8880
higbee at chsaviour.org
------=_NextPart_000_0009_01C5EEC0.D8A09020-- From aj.higbee at sbcglobal.net Mon Nov 21 14:39:00 2005 From: aj.higbee at sbcglobal.net (Alan or Judith Higbee) Date: Mon, 21 Nov 2005 17:39:00 -0500 Subject: [NEohioPAL]Auditions for The Crucible in Cleveland Hts. Message-ID: <002a01c5eeec$5f1c4d30$0100a8c0@BABYLAPTOP> This is a multi-part message in MIME format. ------=_NextPart_000_0027_01C5EEC2.74CFF8E0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable AUDITIONS FOR THE CRUCIBLE=20 Arts in the Cathedral of Church of the Saviour, 2537 Lee Road, Cleveland = Heights, announces auditions for Arthur Miller's play The Crucible on = Saturday, December 3, 2005 from 9 a.m. to noon. Cast includes 10 men = and 10 women. Some roles for younger females. One female role for = person of color from Barbados. =20 Set at the time of the Puritan witchcraft trials, Miller's masterpiece = retains its power as a parable of our contemporary society. It will be = done in period costume with minimal scenery as the author wished. = Actors should be familiar with the script and be willing to read for = different roles. =20 Performance dates are March 3, 4 at 8 p.m. and March 5, 2006 at 3 p.m. = Director is Dick Meadows who can be reached for details at 216-321-7698 = daytime. Dick's directing credits include Cain Park, The Jewish = Community Center, Theatre in the Valley, and Cuyahoga Community College. =20 For more information please contact Dick Meadows at 216-321-7698 = daytime or rnm34 at ohiohills.com Judith Higbee Director of Music Church of the Saviour 2537 Lee Road Cleveland Heights, OH 44118 higbee at chsaviour.org ------=_NextPart_000_0027_01C5EEC2.74CFF8E0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable

AUDITIONS=20 FOR THE CRUCIBLE

Arts=20 in the Cathedral of Church of the Saviour, 2537 Lee = Road, Cleveland=20 Heights, announces auditions = for=20 Arthur Miller=92s play The = Crucible on=20 Saturday, December 3,=20 2005=20 from 9=20 a.m.=20 to noon. =20 Cast includes 10 men and 10 women. =20 Some roles for younger females.  One female = role for=20 person of color from Barbados.
 
Set at the time of = the=20 Puritan witchcraft trials, Miller=92s masterpiece retains its power as a = parable=20 of our contemporary society.  = It=20 will be done in period costume with minimal scenery as the author = wished.  Actors should be familiar with = the=20 script and be willing to read for different = roles.
 
Performance dates = are March=20 3, 4 at 8 p.m. and March 5,=20 2006 at=20 3=20 p.m.  Director is = Dick = Meadows who can be reached for details at=20 216-321-7698 daytime.  = Dick=92s=20 directing credits include Cain Park, The Jewish Community Center, = Theatre in the=20 Valley, and Cuyahoga Community=20 College.
 
 For more information please contact = Dick=20 Meadows at 216-321-7698 daytime or rnm34 at ohiohills.com
 
 
Judith=20 Higbee
Director=20 of Music
Church=20 of the Saviour
2537=20 Lee Road
Cleveland=20 Heights,=20 OH = 44118
higbee at chsaviour.org
------=_NextPart_000_0027_01C5EEC2.74CFF8E0-- From bangandclatter at netzero.net Mon Nov 21 14:50:12 2005 From: bangandclatter at netzero.net (bangandclatter at netzero.net) Date: Mon, 21 Nov 2005 22:50:12 GMT Subject: [NEohioPAL]Bang and Clatter Auditions Message-ID: <20051121.145101.13019.6799@webmail05.lax.untd.com> ----__JWM__J3b0e.1b32S.3061M Content-Transfer-Encoding: quoted-printable Content-Disposition: inline Content-Type: text/plain The Bang & the Clatter Theatre Company Ohio's Newest Professional Theatre = Announces open auditions for it's second production. The Northeast Ohio premiere of = Patrick Marber's CLOSER Four lives intertwine over the course of four and a half years in this d= ensely plotted, stinging look at modern love and betrayal. Dan, an obitu= ary writer, meets Alice, a stripper, after an accident in the street. Ei= ghteen months later, they are a couple, and Dan has written a novel insp= ired by Alice. While posing for his book jacket cover, Dan meets Anna, a= photographer. He pursues her but she rejects his advances despite their= mutual attraction. Larry, a dermatologist, "meets" Dan in an internet c= hat room. Dan, obsessing over Anna, pretends to be her and has cybersex = with Larry. They arrange to meet the next day at an aquarium. Larry arri= ves and so too, coincidentally, does the real Anna. This sets up a serie= s of pass-the-lover scenes in which this quartet struggle to find intima= cy but can't seem to get closer. Thursday, December 1 and = Friday, December 2 @ 7 p.m. Summit ArtSpace 140 East Market Street Akron, OH 4 parts available (2m, 2w) early 20's to 40's. = Please prepare two monologues for the audition. Production runs January 12 - February 11, 2006 Call for 330-606-5317 for information & directions. = ----__JWM__J3b0e.1b32S.3061M Content-Transfer-Encoding: quoted-printable Content-Disposition: inline Content-Type: text/html

The Bang & the Clatte= r Theatre Company

Ohio's Newest Professional Theatre<= /EM>

Announces open auditions for it's second = production.

The Northeast Ohio premiere of

Patrick Marber's

CLOSER

Four lives intertwine over the course of four and = a half years in this densely plotted, stinging look at modern love and b= etrayal. Dan, an obituary writer, meets Alice, a stripper, after an acci= dent in the street. Eighteen months later, they are a couple, and Dan ha= s written a novel inspired by Alice. While posing for his book jacket co= ver, Dan meets Anna, a photographer. He pursues her but she rejects his = advances despite their mutual attraction. Larry, a dermatologist, "meets= " Dan in an internet chat room. Dan, obsessing over Anna, pretends to be= her and has cybersex with Larry. They arrange to meet the next day at a= n aquarium. Larry arrives and so too, coincidentally, does the real Anna= . This sets up a series of pass-the-lover scenes in which this quartet s= truggle to find intimacy but can't seem to get closer.

Thursday, December 1 and

Friday, December 2

@ 7 p.m.

Summit ArtSpace=

140 East Market Street

Akron, OH

4 parts available (2m, 2w) earl= y 20's to 40's.

Please prepare two monologues for the audition.

Production runs January 12 - Fe= bruary 11, 2006

Call for 330-606-5317 for infor= mation & directions.

 

----__JWM__J3b0e.1b32S.3061M-- From Artistschair2005 at aol.com Mon Nov 21 16:20:36 2005 From: Artistschair2005 at aol.com (Artistschair2005 at aol.com) Date: Mon, 21 Nov 2005 19:20:36 EST Subject: [NEohioPAL]Special CPT DISCOUNT for NEohioPAL Subscribers Message-ID: <62.614cfe1c.30b3be54@aol.com> -------------------------------1132618836 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Dear NEohioPAL Subscribers, Cleveland Public Theatre is pleased to offer YOU AND A GUEST a special discounted admission rate of $10 per ticket to the Wednesday and Friday evening preview performances of "The Santaland Diaries" and "Mrs. Bob Cratchit's Wild Christmas Binge." The Santaland Diaries, Wednesday, November 23 (7:30 pm) and Friday, November 25 (8 pm) Mrs. Bob Cratchit's Wild Christmas Binge, Wednesday, November 23 (7:30 pm) and Friday, November 25 (8 pm) To order your tickets, please call the CPT Box Office at (216) 631-2727 or visit _www.cptonline.org_ (http://www.cptonline.org) Can't make the previews, don't fret, you can binge on the holiday raucous through December 18! -------------------------------1132618836 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
Dear NEohioPAL Subscribers,
 
Cleveland Public Theatre is pleased to offer YOU AND A GUEST a special=20 discounted admission rate of $10 per ticket to the Wednesday and=20 Friday evening preview performances of "The Santaland Diaries" and "Mrs. Bob= =20 Cratchit's Wild Christmas Binge."
 
The Santaland Diaries, Wednesday, November 23 (7:30 pm) and Friday,=20 November 25 (8 pm)
 
Mrs. Bob Cratchit's Wild Christmas Binge, Wednesday, November 23 (7:30=20= pm)=20 and Friday, November 25 (8 pm)
 
To order your tickets, please call the CPT Box Office at (216) 631-2727= or=20 visit www.cptonline.org
 
Can't make the previews, don't fret, you can binge on the holiday rauco= us=20 through December 18!
 -------------------------------1132618836-- From hotcarl at adelphia.net Mon Nov 21 16:28:19 2005 From: hotcarl at adelphia.net (carlferrara) Date: Mon, 21 Nov 2005 19:28:19 -0500 Subject: [NEohioPAL]Hot Carl's 2nd annual Turkey Jam Stand Up Comedy Show Wed 23 @9pm Message-ID: <000c01c5eefb$a36f0090$d3ca4644@HOTCARLDESKTOP> This is a multi-part message in MIME format. ------=_NextPart_000_0009_01C5EED1.BA623120 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Wed. Nov 23=20 Comedy Showcase Hot Carl's 2nd Annual Turkey Jam At the=20 Cleveland Blackbox Theater (Cabaret Dada) 1210 West 6th street 9:00 P.M. Under the liquid/fusion Next to dive bar $10.00 4 comics Hot Carl Ferrara Ray DeVito Patrick Fisher MC Shawn Paul More info contact Hot Carl Ferrara 216-469-9077 carlferrara at earthlink.net ------=_NextPart_000_0009_01C5EED1.BA623120 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable

Wed. Nov 23

Comedy Showcase

Hot Carl=92s 2nd Annual = Turkey=20 Jam

At the

Cleveland Blackbox = Theater

(Cabaret Dada)

1210 West 6th street

9:00 P.M.

Under the liquid/fusion

Next to dive bar

$10.00

4 comics

Hot Carl Ferrara

Ray DeVito

Patrick Fisher

MC Shawn Paul

More info contact Hot Carl = Ferrara

216-469-9077

carlferrara at earthlink.net

------=_NextPart_000_0009_01C5EED1.BA623120-- From bnardi9 at hotmail.com Mon Nov 21 16:34:11 2005 From: bnardi9 at hotmail.com (billy nardi) Date: Tue, 22 Nov 2005 00:34:11 +0000 Subject: [NEohioPAL]Don't Be a Wallflower...HMMM?? Message-ID:

 

 

Billy Nardi invites:

All filmmakers, actors, musicians, writers, artists, friends, beautiful women, whatever your genre is?

Come to the bars to network. I am not one to hype things up, but before the night is over, you might be convinced that this is the best night to go to the bars all year long. I might be wrong, right?

 

WHAT: Time Warp Bar

WHERE: Westlake

WHEN: thWednesday Night

before Thanksgiving (11.23.2005)

AT: 10:00PM

 

ADDRESS:

Time Warp

26261 Center Ridge

Westlake, Ohio

 

 

 

On the corner of Canterbury/Center Ridge.

Take I-90 or 480.

Get there as early as possible, before it is packed, when the bar is full, you have to wait for others to leave to get in.

This a fairly small bar, with couches and a small dance floor...

Best advice I can give...Take A Cab Home Please!!

From mmiloro at adelphia.net Mon Nov 21 20:01:17 2005 From: mmiloro at adelphia.net (Mark Miloro) Date: Mon, 21 Nov 2005 23:01:17 -0500 Subject: [NEohioPAL]Auditions for Blithe Spirit at GLTG Message-ID: <011501c5ef19$640e3240$15d13218@owner4878dffa1> This is a multi-part message in MIME format. ------=_NextPart_000_0112_01C5EEEF.7B1204A0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Geauga Lyric Theater Guild Auditions: =20 Blithe Spirit Monday & Tuesday Dec 5 & 6=20 >From 7:oo to 9:00 p.m. At TheGeauga Theater=20 Located on Historic Chardon Square=20 Performance dates: Feb 10, 11, 12, 17, 18, 19 24, 25,26 Directed by Patricia Osredkar Written by Noel Coward, Blithe Spirit is a tale of "love everlasting" = which goes beyond the vow of "until death us do part." Charles, = socialite author, and his second wife, Ruth, are visited by some = eccentric guests and the ghost of Charles' first wife! Blithe Spirit = was one of the longest running comedies in the history of British = theatre and is still one of Coward's best-loved works, filled with his = trademark wit and slapstick comedy.=20 We are need in five women and two men for the following roles: Edith, the maid=20 Ruth, Charles' stylish second wife, middle 30s=20 Charles, around 40=20 Doctor Bradman, middle aged, pleasant=20 Mrs. Bradman, fair, rather faded=20 Madame Arcati, the medium, 45-65, mysterious=20 Elvira, ghost of Charles' departed first wife ------=_NextPart_000_0112_01C5EEEF.7B1204A0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
Geauga Lyric=20 Theater Guild Auditions:
 
Blithe=20 Spirit
 
Monday &=20 Tuesday  Dec 5 & 6
From 7:oo to 9:00 p.m.
At TheGeauga = Theater=20
Located on = Historic Chardon=20 Square

Performance dates:  Feb 10, 11, 12, 17, 18, 19 24,=20 25,26
 
Directed by Patricia = Osredkar

Written by=20 Noel Coward, Blithe Spirit = is a tale of=20 "love everlasting" which goes beyond the vow of "until death us do=20 part."  Charles,  socialite author, and his second = wife,=20 Ruth, are visited by some eccentric guests and the ghost of = Charles' first=20 wife!  Blithe Spirit was one of the = longest=20 running comedies in the history of British theatre and is still one of = Coward's=20 best-loved works, filled with his trademark wit and slapstick=20 comedy. 

We are need in five women and two men for = the=20 following roles:

Edith, the maid=20
Ruth, Charles' stylish second wife, middle 30s=20
Charles, around 40
Doctor = Bradman,=20 middle aged, pleasant
Mrs. Bradman, fair, rather = faded=20
Madame Arcati, the medium, 45-65, mysterious=20
Elvira, ghost of Charles' departed first wife=20
------=_NextPart_000_0112_01C5EEEF.7B1204A0-- From Grumio85 at aol.com Mon Nov 21 20:54:04 2005 From: Grumio85 at aol.com (Grumio85 at aol.com) Date: Mon, 21 Nov 2005 23:54:04 EST Subject: [NEohioPAL]Backstagers! Behold Beck's "Beauty" Message-ID: <27f.98ea3.30b3fe6c@aol.com> -------------------------------1132635244 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Backstage crew folk are still needed for Beck's upcoming run of... Beauty and the Beast The production runs basically the month of December, predominently on the weekends. Split shifts (ie Partial commitment) are possible in most positions. Still needed are follow spot operators and backstage crew (shift/props/dressers) These are volunteer positions. Crew receives 4 comp tickets for the run. Tech week begins Sunday, Nov. 27th. This promises to be a great show with an unforgetable backstage experience among a cast of amazing people. Sign on now! You'll be glad you did. Interested? More questions? Either reply to this e-mail, or call Scott at 216-521-2540 x239 -------------------------------1132635244 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
Backstage crew folk are still needed for Beck's upcoming run of= ...
 
Beauty and the Beast
 
The production runs basically the month of Decem= ber, predominently on the weekends. Split shifts (ie Partial commitment) are= possible in most positions. Still needed are follow spot operators and back= stage crew (shift/props/dressers)
 
These are volunteer positions. Crew receives 4 c= omp tickets for the run.
 
Tech week begins Sunday, Nov. 27th.
 
This promises to be a great show with an unforge= table backstage experience among a cast of amazing people. Sign on now! You'= ll be glad you did.
 
Interested? More questions? Either reply to this= e-mail, or call Scott at 216-521-2540 x239
-------------------------------1132635244-- From cinevid at yahoo.com Mon Nov 21 21:39:24 2005 From: cinevid at yahoo.com (Bill) Date: Mon, 21 Nov 2005 21:39:24 -0800 (PST) Subject: [NEohioPAL]"Left for Dead" gets reviewed by Filmthreat Message-ID: <20051122053924.96551.qmail@web60316.mail.yahoo.com> --0-1594652428-1132637964=:96366 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit THE WALL STREET JOURNAL NAMED FILMTHREAT ONE OF THE TOP FIVE MOVIE WEB SITES ON THE INTERNET! Filmthreat, one of the first websites to cater to independent films has just reviewed our short film, "Left for Dead" Check it out on the front page at www.Filmthreat.com or at this link: http://www.filmthreat.com/index.php?section=reviews&Id=8173 A special thanks to Eric Campos, Chris Gore's right hand man who took the time to write such a nice review. The site recieves nearly 500,000 visitors every month. --------------------------------- Yahoo! FareChase - Search multiple travel sites in one click. --0-1594652428-1132637964=:96366 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
THE WALL STREET JOURNAL NAMED FILMTHREAT ONE OF THE TOP FIVE MOVIE WEB SITES ON THE INTERNET!
Filmthreat, one of the first websites to cater to independent films has just reviewed our short film, "Left for Dead" Check it out on the front page at www.Filmthreat.com or at this link:
 
 
A special thanks to Eric Campos, Chris Gore's right hand man who took the time to write such a nice review. The site recieves nearly 500,000 visitors every month.
 

Yahoo! FareChase - Search multiple travel sites in one click. --0-1594652428-1132637964=:96366-- From mjr64 at adelphia.net Mon Nov 21 23:37:36 2005 From: mjr64 at adelphia.net (Michael Rubin ) Date: Tue, 22 Nov 2005 02:37:36 -0500 Subject: [NEohioPAL]Eric Mull and "Bob" the Dog Message-ID: <000601c5ef37$9bc89220$740fa8c0@mikescomputer> This is a multi-part message in MIME format. ------=_NextPart_000_0003_01C5EF0D.B2C07DA0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Kudos and ear scratches to Eric Mull Photography and his dog "Bob" for = hosting a great party for Aftra folks last night. Catered hot snacks,imported beer,genuine people,and a union dog made for = a fun and productive shindig. Yes,the union work here is far and few,but so are the egos. "Bob the Dog",what a player ! How come ladies never scratch my ear at = first hello? Thanks Guys Michael Rubin ------=_NextPart_000_0003_01C5EF0D.B2C07DA0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
Kudos and ear scratches to Eric Mull = Photography=20 and his dog "Bob" for hosting a great party for Aftra folks last=20 night.
Catered hot snacks,imported = beer,genuine people,and=20 a union dog made for a fun and productive shindig.
Yes,the union work here is far and = few,but so are=20 the egos.
"Bob the Dog",what a player ! How come = ladies never=20 scratch my ear at first hello?
Thanks Guys
Michael = Rubin
------=_NextPart_000_0003_01C5EF0D.B2C07DA0-- From KillingTimeLTD at aol.com Tue Nov 22 04:22:48 2005 From: KillingTimeLTD at aol.com (KillingTimeLTD at aol.com) Date: Tue, 22 Nov 2005 07:22:48 EST Subject: [NEohioPAL]ACTRESSES NEEDED 12/10 Message-ID: <279.f3432.30b46798@aol.com> -------------------------------1132662168 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Need two actresses for a murder mystery event being held on Saturday December 10 from 6-9 pm in North Ridgeville. Must be over 18 and able to stay in character. Improv training & comedic timing a plus but not a necessity. Must be able to memorize script. Pays $75. French Maid: age range 21-35, accent preferred but not necessary A Dizzy Blonde: age range 21-45, stereotypical, not-so-bright buxom blonde Please email resume and headshot to the address above (_killingtimeltd at aol.com_ (mailto:killingtimeltd at aol.com) ). -------------------------------1132662168 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
     Need two actresses for a murder myst= ery=20 event being held on Saturday December 10 from 6-9 pm in North=20 Ridgeville. Must be over 18 and able to stay in character.  Improv= =20 training & comedic timing a plus but not a necessity. Must be able to=20 memorize script. Pays $75.=20
 
French Maid: age range 21-35, accent preferred but not necessary
 
A Dizzy Blonde: age range 21-45, stereotypical, not-so-bright buxom=20 blonde
    
    Please email resume and headshot to the address= =20 above (killingtimeltd at aol.com).
 -------------------------------1132662168-- From popcycles at sbcglobal.net Tue Nov 22 05:35:11 2005 From: popcycles at sbcglobal.net (D. Budin) Date: Tue, 22 Nov 2005 05:35:11 -0800 (PST) Subject: [NEohioPAL]Benefit screening of "Spinal Tap" for Contemporary Youth Orchestra Message-ID: <20051122133511.40230.qmail@web81805.mail.mud.yahoo.com> --0-650749462-1132666511=:33857 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Contemporary Youth Orchestra Presents Benefit Screening of This Is Spinal Tap The Contemporary Youth Orchestra is celebrating its 11th season and CYO?s slogan for the season is ?Take It to Eleven!? ? inspired by the movie This Is Spinal Tap. In the movie ? Rob Reiner?s hilarious ?mockumentary? about the fictional rock band Spinal Tap ? the group gets amps that go to 11 because 10 is not loud enough. For CYO, it?s not about volume, but about going beyond what is expected and anticipated, which the orchestra continually does. CYO is composed of more than 100 of the best high school-age musicians in this region, representing more than 40 schools. To kick off this season, CYO is presenting a benefit screening of This Is Spinal Tap on Saturday, November 26 Cleveland State University?s Drinko Recital Hall ? in the Music and Communications Building at 2001 Euclid Avenue (the north-west corner of Euclid Avenue and E. 21st Street). The doors will open at 10:15 p.m., and the movie will be shown at 11 p.m. Donations of any amount will be accepted. The suggested donation is $11. Popcorn and soda will be provided. For more information, call 216-321-3525. --0-650749462-1132666511=:33857 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit

Contemporary Youth Orchestra Presents Benefit Screening of This Is Spinal Tap

 

The Contemporary Youth Orchestra is celebrating its 11th season and CYO?s slogan for the season is ?Take It to Eleven!? ? inspired by the movie This Is Spinal Tap. 

 

In the movie ? Rob Reiner?s hilarious ?mockumentary? about the fictional rock band Spinal Tap ? the group gets amps that go to 11 because 10 is not loud enough.  For CYO, it?s not about volume, but about going beyond what is expected and anticipated, which the orchestra continually does.

 

CYO is composed of more than 100 of the best high school-age musicians in this region, representing more than 40 schools.

 

To kick off this season, CYO is presenting a benefit screening of This Is Spinal Tap on Saturday, November 26 Cleveland State University?s Drinko Recital Hall ? in the Music and Communications Building at 2001 Euclid Avenue (the north-west corner of Euclid Avenue and E. 21st Street).  The doors will open at 10:15 p.m., and the movie will be shown at 11 p.m.

 

Donations of any amount will be accepted. The suggested donation is $11.  Popcorn and soda will be provided.

 

For more information, call 216-321-3525.

--0-650749462-1132666511=:33857-- From rockandroller1 at yahoo.com Tue Nov 22 06:15:37 2005 From: rockandroller1 at yahoo.com (Nina McCollum) Date: Tue, 22 Nov 2005 06:15:37 -0800 (PST) Subject: [NEohioPAL]New Orleans musicians benefit Message-ID: <20051122141537.30601.qmail@web50409.mail.yahoo.com> Passing along information about a benefit I thought the list folks might be interested in attending. 100% of the proceeds will benefit The Tipitina's Foundation, a coalition offering housing solutions for musicians affected by Hurricane Katrina. One of NE Ohio's most excellent bands, Kent's 15-60-75 ("The Numbers Band") will be on the bill, with some other great acts. >From the Tree City of Kent to the Crescent City of New Orleans, join people who love music and culture. NEW ORLEANS MUSICIANS RELIEF BENEFIT Music, Art, Food & Silent Auction Sunpie - w/Bruce Barnes, singer, zydeco accordionist, blues harmonica, piano, African drums The Numbers Band - blues/jazz originals The Prayer Warriors - award winning performing arts group Lester - 1920s jazz Pat Sweany - Kent's newest blues man Derek de Prator - blues guitarist WHEN: DECEMBER 10, 7pm. (doors at 6:30) WHERE: The Outpost, 4962 Rt. 43, Kent, Ohio TIX: $12 advance, $15 day of, $10 w/valid college ID. ticketweb.com, Woodsy's music (Kent) or Square Record Store (Highland Square) For more information: numbersband.com, outpostkent.com, or emailbrassfornola at yahoo.com __________________________________ Yahoo! FareChase: Search multiple travel sites in one click. http://farechase.yahoo.com From vwilson at karamu.com Tue Nov 22 06:36:16 2005 From: vwilson at karamu.com (vivian wilson) Date: Tue, 22 Nov 2005 09:36:16 -0500 Subject: [NEohioPAL]Black Nativity @ Karamu House Message-ID: Vivian C. Wilson Marketing Manager Phone: (216) 795-7070 x215 vwilson at karamu.com FOR IMMEDIATE RELEASE ? Monday - November 21, 2005 RE: BLACK NATIVITY & Holiday Events ?O Come all Yee Faithful? to the 20th years run of Karamu Performing Arts Theatre holiday favorite, Black Nativity written by Karamu Alumni, Langston Hughes, December 9 thru December 30, 2005, in the Jelliffe Theatre. Black Nativity continues to dazzle audiences of all ages with its rousing gospel music, superbly performed dance numbers, brilliant costumes and the majesty of Langston Hughes? poetry. This year?s production is directed and choreographed by Cleveland native Terence M. Greene, instructor at The Cleveland School of Performing Arts. Terence Greene was a member of The Dayton Contemporary Dance Company and has choreographed for some of the top dance companies in the country. He is Artistic Director for Foluke?. Terence?s brings to the table his many years of dance training, performance and teaching plus his performance experience in the role of Joseph. Returning again this year to lead the musical endeavors is Clifton D. Beasley who has skillfully blended the multi-talents of some of Cleveland?s finest gospel singers and performers to bring the nativity story to life. The roles of ?Mary and Joseph? are gracefully danced by Kathleen Turner and Michael Medcalf principles of The Cleveland Contemporary Dance Theatre. Student dancers from the Cleveland School of Arts complement the performance as angels, shepherds and ushers. This combination of seasoned vocalist, new talented soloist, experienced and youthful dancers make this season?s production another must see for The Greater Cleveland and surrounding areas. For a feel good, family friendly production, put Black Nativity at the top of your lists of things to do this holiday season. Regular performance times for Black Nativity are 8:00 p.m. on Thursday, Friday and Saturdays and 3:00 p.m. on Sundays. Tickets are $20, $25 and $30.00 From vwilson at karamu.com Tue Nov 22 06:38:23 2005 From: vwilson at karamu.com (vivian wilson) Date: Tue, 22 Nov 2005 09:38:23 -0500 Subject: [NEohioPAL]Karamu House Auditions - Youth Production- Little Rock Nine Message-ID: FOR IMMEDIATE RELEASE ? Tuesday, November 22, 2005 Re: AUDITIONS for Karamu Youth Theatre Production of the World Premier of Breaking Barriers: Little Rock Nine By Nicole C. Kearney Cooper Saturday December 3 and from 11:00 am to 1:00 pm December 10, 2005 Roles available for actors & actresses ages 14 to 60. Performers, regardless of race are encouraged to attend. All performers will receive complimentary tickets for some performances. Rehearsals 2 days/week starting December 28. Performances each Saturday and Sunday from February 11 through February 26. For additional details: contact Director, Kimberly Brown @ (216) 702-6803 Auditions will be held at Karamu House; 2355 East 89th Street, Cleveland, Ohio 44106 in the Concert Hall. Performances will be at 2:00 pm on Saturdays and Sundays in Karamu?s Jelliffe Theatre during Black History Month, February 11, 2006 thru March 5, 2006 BREAKING BARRIERS: LITTLE ROCK NINE (World Premier) is told from the perspective of the nine students who integrated Central High School, in Little Rock, Arkansas, in September, 1957, amid much violence, hatred and protest. Join these famous "nine" students, their parents, and their protector Ms. Daisy Bates as they meet for the first time after they are chosen. As these nine students bond over the common desire for a better education, they begin to realize the impact it has on American society. Hear personal perspectives from Little Rock and the nation as the drama unfolds for those nine young Black students. ******** From ytplayhouse at aol.com Tue Nov 22 06:50:53 2005 From: ytplayhouse at aol.com (ytplayhouse at aol.com) Date: Tue, 22 Nov 2005 09:50:53 -0500 Subject: [NEohioPAL]AUDITIONS - STEEL MAGNOLIAS Message-ID: <8C7BD8B45C98603-1154-947@mblk-d30.sysops.aol.com> ----------MailBlocks_8C7BD8B45BFFC9F_1154_8AB_mblk-d30.sysops.aol.com Content-Type: text/plain; charset="us-ascii" The Youngstown Playhouse presents STEEL MAGNOLIAS January 20 - February 5 Directed by Kathy Appulgiese AUDITIONS are scheduled for November 28th and 29th at 7:00 PM at The Youngstown Playhouse. Casting Needs: 6 women, age range of late teen through late 60's. For more information, contact: The Youngstown Playhouse 600 Playhouse Lane Youngstown, OH 44511 330-788-8739 www.youngstownplayhouse.com ----------MailBlocks_8C7BD8B45BFFC9F_1154_8AB_mblk-d30.sysops.aol.com Content-Type: text/html; charset="us-ascii"
The Youngstown Playhouse presents
 
STEEL MAGNOLIAS
January 20 - February 5
Directed by Kathy Appulgiese
 
AUDITIONS are scheduled for November 28th and 29th at 7:00 PM at The Youngstown Playhouse.
 
Casting Needs:  6 women, age range of late teen through late 60's.
 
 
For more information, contact:
 
The Youngstown Playhouse
600 Playhouse Lane
Youngstown, OH 44511
330-788-8739
 
 
 
----------MailBlocks_8C7BD8B45BFFC9F_1154_8AB_mblk-d30.sysops.aol.com-- From artistschair2005 at aol.com Tue Nov 22 07:07:40 2005 From: artistschair2005 at aol.com (artistschair2005 at aol.com) Date: Tue, 22 Nov 2005 10:07:40 -0500 Subject: [NEohioPAL]Need a COMMERCIALS/VIDEO PROMOTIONS DIRECTOR? Frank R. Mixson & OTHER NEWS! Message-ID: <8C7BD8D9E20EB6B-5FC-AA6@FWM-M28.sysops.aol.com> ----------MailBlocks_8C7BD8D9E20EB6B_5FC_8F0_FWM-M28.sysops.aol.com Content-Type: text/plain; charset="us-ascii" ARTISTSCHAIR.COM'S "FEATURED ARTIST OF THE DAY" Commercials/Video Promotions Director - Frank R. Mixson (Location: Cleveland, Ohio) (November 22, 2005) To view Frank's profile, visit http://www.artistschair.com Latest Members' CONTEST Giveaway (November 18, 2005) The artistschair.com member that is chosen at random by the database to be the Wednesday, November 23 "Featured Artist of the Day" will win two passes, good for four admissions to the December 1 (7:30 pm) Loews Richmond Town Square advanced screening of "The Family Stone" featuring Claire Danes, Diane Keaton, Rachel McAdams, Dermot Mulroney, Craig T. Nelson, Sarah Jessica Parker and Luke Wilson. Take friends or take family, either way, GET OUT and SEE NORTHEAST OHIO! Not a member of artistschair.com yet? Join today for FREE! Networking EVENT & PARTY for Artists and Those that Hire Talent (November 10, 2005) A GREAT BIG THANK YOU to all who attended the November 9 artistschair.com Networking Event which took place at 1300 Gallery. Photos from the event will be posted to the artistschair.com directory soon. FIND an Artist! Make your event or project extra memorable. Find entertainers and technicians in our FREE and easy-to-use database featuring photos and profiles of local artists in more than 100 different talent fields. BE an Artist! Let your talents and services be known. Become a member for FREE and highlight all talent fields that apply to you. Upload photos of yourself and/or samples of your work, edit your own information and have your profiles viewed by those searching for your talents and services. Our MISSION Artistschair.com is committed to PROMOTING and RAISING AWARENESS of local artists, arts-related institutions and issues and the NORTHEAST OHIO REGION as well as serving the needs of those searching for CREATIVE TALENT and resources. ----------MailBlocks_8C7BD8D9E20EB6B_5FC_8F0_FWM-M28.sysops.aol.com Content-Type: text/html; charset="us-ascii"
  
            ARTISTSCHAIR.COM'S "FEATURED ARTIST OF THE DAY"
Commercials/Video Promotions Director - Frank R. Mixson (Location: Cleveland, Ohio)
 
(November 22, 2005) To view Frank's profile, visit http://www.artistschair.com
 
Latest Members' CONTEST Giveaway
(November 18, 2005) The artistschair.com member that is chosen at random by the database to be the Wednesday, November 23 "Featured Artist of the Day" will win two passes, good for four admissions to the December 1 (7:30 pm) Loews Richmond Town Square advanced screening of "The Family Stone" featuring Claire Danes, Diane Keaton, Rachel McAdams, Dermot Mulroney, Craig T. Nelson, Sarah Jessica Parker and Luke Wilson.  
 
Take friends or take family, either way, GET OUT and SEE NORTHEAST OHIO! Not a member of artistschair.com yet? Join today for FREE!
 
Networking EVENT & PARTY for Artists and Those that Hire Talent
(November 10, 2005) A GREAT BIG THANK YOU to all who attended the November 9 artistschair.com Networking Event which took place at 1300 Gallery. Photos from the event will be posted to the artistschair.com directory soon.
  
FIND an Artist!
Make your event or project extra memorable. Find entertainers and technicians in our FREE and easy-to-use database featuring photos and profiles of local artists in more than 100 different talent fields.
 
BE an Artist!
Let your talents and services be known. Become a member for FREE and highlight all talent fields that apply to you. Upload photos of yourself and/or samples of your work, edit your own information and have your profiles viewed by those searching for your talents and services.
 
Our MISSION
Artistschair.com is committed to PROMOTING and RAISING AWARENESS of local artists, arts-related institutions and issues and the NORTHEAST OHIO REGION as well as serving the needs of those searching for CREATIVE TALENT and resources.
 
----------MailBlocks_8C7BD8D9E20EB6B_5FC_8F0_FWM-M28.sysops.aol.com-- From larry_goodpaster at sbcglobal.net Tue Nov 22 08:23:22 2005 From: larry_goodpaster at sbcglobal.net (Larry Goodpaster) Date: Tue, 22 Nov 2005 11:23:22 -0500 Subject: [NEohioPAL]Sound Board Operator Needed for Beauty and the Beast at the Beck Center Message-ID: <001a01c5ef81$0edd2200$230110ac@Fastone> This is a multi-part message in MIME format. ------=_NextPart_000_001B_01C5EF57.26071A00 Content-Type: multipart/alternative; boundary="----=_NextPart_001_001C_01C5EF57.26071A00" ------=_NextPart_001_001C_01C5EF57.26071A00 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit WANTED: SOUND BOARD OPERATOR The Beck Center for the Arts in Lakewood has an immediate opening for a sound board operator for the upcoming production of Beauty and the Beast November 27 - December 31 (specific dates will be provided) Prior experience desired. Modest stipend available. Please contact Larry Goodpaster @ 216-253-2077 or e-mail: larry_goodpaster at sbcglobal.net Larry Goodpaster larry_goodpaster at sbcglobal.net ------=_NextPart_001_001C_01C5EF57.26071A00 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

WANTED: SOUND BOARD = OPERATOR

 

The Beck Center for the = Arts in Lakewood has an immediate opening = for a sound board operator for the upcoming production of

 

Beauty = and = the Beast  = November 27 – December 31 = (specific dates will be provided)

 

Prior experience = desired.  Modest stipend available.

 

Please contact Larry = Goodpaster @ 216-253-2077 or

e-mail: = larry_goodpaster at sbcglobal.net

 

Larry = Goodpaster

larry_goodpaster at sbcglobal.net

 

------=_NextPart_001_001C_01C5EF57.26071A00-- ------=_NextPart_000_001B_01C5EF57.26071A00 Content-Type: image/gif; name="image001.gif" Content-Transfer-Encoding: base64 Content-ID: R0lGODlhQAYFAPQLAKfT/6/X/7fb/7/f/8fj/8/n/9fr/97u/+f0/+73//f8//////H3/+Lv/97w /9Dn/8Df/7DX/5/P/wECAwECAwECAwECAwECAwECAwECAwECAwECAwECAwECAwECAwECAyH/C01T T0ZGSUNFOS4wDQAAAAFzUkdCAK7OHOkAIf8LTVNPRkZJQ0U5LjAYAAAADG1zT1BNU09GRklDRTku MBObKZRkACH/C01TT0ZGSUNFOS4wGAAAAAxjbVBQSkNtcDA3MTICAAAJAtxSKQAsAAAAAEAGBQAA Bf+gJI6kBJhAqqYBELwwHAmBYN/2IAx8z0OEAWFIJBSMhWThYWg2D9BDA4FIKK6LrHbL7Xq/4LB4 TC6bz+i0es1uu9/wuHxOr9vv+Lx+z+/7/4CBgoOEhYaHiImKi4yNciWQJiIrlCwuMS80NTM4Nz4+ QQRARUdKSgZMTgcOVFUJVgqOsrO0tba3uLm6u7y9vr/AwcLDxMXGwJGQJ8uVL5cxEZk1nTk7Oz0Q PUWkSEkGBaoGUVSvsMfn6Onq6+zt7u/w8fLz9PX2vMkkJyiULSwt0GoIpKbjmo9sQ4Rw67bEmxNx UlwlYMAAy72LGDNq3Mixo8ePIEOKHOkx36RJzPoquXj2YsYmap50HAyicJuRbqkeRjlA7ooCBiSD Ch1KtKjRo0iTKl3KlE4IADs= ------=_NextPart_000_001B_01C5EF57.26071A00-- From cabaretdada at aztemail.com Tue Nov 22 08:55:24 2005 From: cabaretdada at aztemail.com (Cabaret Dada) Date: Tue, 22 Nov 2005 11:55:24 -0500 Subject: [NEohioPAL]Cabaret Dada Cures the Post-Thanksgiving Blahs Message-ID: <20051122-11552475-b9c-0@acc7> Often, as we look forward to the holidays, we forget about the PHBS (Post-Holiday Boredom Syndrome). Think about it. It's Friday after Thansgiving. You can't eat any more turkey. You've shopped until you've dropped. If you watch any more football your eyes will fall out of your head onto your engorged stomach. And as much fun as it is to stack things on grandpa until he wakes up, even that has lost its interest. How are you going to fight this horrible condition? With the help of your friends at Cabaret Dada, of course! Thanksgiving weekend is the perfect time to round up your buddies who are in from out of town, grab a few cold beverages, and head down to laugh your gut off. And being Thanksgiving weekend, its very possible some Dada alums may show up to play along. So call up your chums, take the spoon off grandma's nose, and come down to the Warehouse District this weekend. If you use the secret code word "TURKEY" (pretty clever, huh?) you'll get in for only ten bucks! That's two dollars off the regular admission. Make your post-turkey reservations today at http://www.cabaretdada.com, by phone at 216.696.HAHA (4242) or via email at somedada at aol.com. Show times for this weekend are: Friday, 11/25/05 10:30 PM Saturday, 11/26/05 8:00 PM and 10:30 PM Cabaret Dada 1210 West 6th Street In the Warehouse District 216.696.HAHA (4242) From MChamberlain at beckcenter.org Tue Nov 22 09:15:27 2005 From: MChamberlain at beckcenter.org (Meg Chamberlain) Date: Tue, 22 Nov 2005 12:15:27 -0500 Subject: [NEohioPAL]The FREE Menopause Tickets Message-ID: <97CF2CB42902E345A929E3202369C84E14A7A7@beck-1.beckcenter.com> This is a multi-part message in MIME format. ------_=_NextPart_001_01C5EF88.550B04ED Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Thanks to all of you who responded Norma Capocci is the lucky winner Next time I have extra tickets I will do this again Meg Chamberlain Production Stage Manager Menopause the Musical! Happy Thanksgiving ------_=_NextPart_001_01C5EF88.550B04ED Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable The FREE Menopause Tickets

Thanks to all of you who responded
Norma Capocci
is the lucky winner
Next time I have extra tickets I will do this again
Meg Chamberlain
Production Stage Manager
Menopause the Musical!
Happy Thanksgiving

------_=_NextPart_001_01C5EF88.550B04ED-- >From Greg Benedetto" This is a multi-part message in MIME format. ------=_NextPart_000_0054_01C5EF64.3FBAC520 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable My daughter urgently needs a used Texas Instruments TI-83 Graphing = Calculator for high school work. If you have one or know of one, please let me know. Thank you, Neopal = community. Email or phone, please. Greg Benedetto day phone - 216-751-1198 ------=_NextPart_000_0054_01C5EF64.3FBAC520 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
My daughter urgently needs = a used Texas=20 Instruments TI-83 Graphing Calculator
for high school = work.
If you have one or know of = one, please=20 let me know. Thank you, Neopal community.
Email or phone, = please.

Greg = Benedetto
day phone -=20 216-751-1198
------=_NextPart_000_0054_01C5EF64.3FBAC520-- From mattcook at studioof5rings.com Tue Nov 22 10:05:21 2005 From: mattcook at studioof5rings.com (Matt Cook) Date: Tue, 22 Nov 2005 13:05:21 -0500 Subject: [NEohioPAL]Stacy Chech Sneak Preview Message-ID: This is a multi-part message in MIME format. ------=_NextPart_000_0000_01C5EF65.6526BCA0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit Sneak Preview of Stacy Check's Collection After Thanksgiving Cleveland, OH - Nov. 20, 2005 - Need a respite from holiday shopping Thanksgiving weekend? The Studio of 5 Rings is having a Sneak Preview of the Stacy Chech collection Friday Nov. 25th and Saturday Nov. 26th. We are Downtown Cleveland's only Winery - we bring art and wine together the way they were meant to be. * This one-person show features an art collection with original charcoal and oil paintings. Stacy uses urban landscapes, many of which are centered on LTV Steel, to illustrate her personal growth and hope for Cleveland's future. * We offer low-sulfite wines that are hand-crafted right here in our gallery: * Merlot, Shiraz, Pinot Grigio, Chardonnay, Sweet Berry Red * Enjoy a glass in the gallery to unwind this weekend * Our wines make excellent gifts this season * Tucked away on the 2nd floor of the Futon Factory Bldg., we have free parking and a relaxing atmosphere. Our secret is our success. * Hours: * Fridays 5:00pm to Midnight * Saturdays 7:00pm to Midnight Matt Cook STUDIO OF 5 RINGS 2400 Superior Ave., #201 (2nd Floor of the Futon Factory) Cleveland, OH 44114 216-771-0830 www.studioof5rings.com ------=_NextPart_000_0000_01C5EF65.6526BCA0 Content-Type: application/ms-tnef; name="winmail.dat" Content-Transfer-Encoding: base64 Content-Disposition: attachment; filename="winmail.dat" eJ8+IhUSAQaQCAAEAAAAAAABAAEAAQeQBgAIAAAA5AQAAAAAAADoAAEIgAcAGAAAAElQTS5NaWNy b3NvZnQgTWFpbC5Ob3RlADEIAQ2ABAACAAAAAgACAAEGgAMADgAAANUHCwAWAA0ABQAAAAIAEQEB A5AGAHQJAAAlAAAACwACAAEAAAALACMAAAAAAAMAJgAAAAAACwApAAAAAAADADYAAAAAAB4AcAAB AAAAGgAAAFN0YWN5IENoZWNoIFNuZWFrIFByZXZpZXcAAAACAXEAAQAAABYAAAABxe+PTEAiCJjW A8lHqZa3B0sOj1enAAACAR0MAQAAACEAAABTTVRQOk1BVFRDT09LQFNUVURJT09GNVJJTkdTLkNP TQAAAAALAAEOAAAAAEAABg4A7gJBj+/FAQIBCg4BAAAAGAAAAAAAAAB1KoqayQ2lQY5XLxGvhnWC woAAAAsAHw4BAAAAAgEJEAEAAADuBAAA6gQAACcIAABMWkZ1HcOFhQMACgByY3BnMTI1FjIA+Atg bg4QMDMzTwH3AqQDYwIAY2gKwHPwZXQwIAdtAoMAUAPVvwcTAoMOUAPUEMkTSDMC490QxzIGAAbD AoB9CoAIyLQgOwlvMAKACoF2CJCkd2sLgGQ0DGBjAFCZCwNzYg9AAUBzYRryCwwwC7Q0BgBuZWFr jCBQGEAZoiBvZgYAQQGQY3kgQ2gFkGsmJwQgCFBsbAWQdGk/AiATMAGABJARYBDwbmv4c2dpGaAP IAogAUAKsSUKgEMeUHZlDwFkLCAgT0ggLQewb3acLiAB0CEQAdAwNSFSIQngZCBhIBhAc3BKaR7w IANSIGgG8GnUZGEdgHMjwHAjIA8gKR8rIHcJ4GsJ8GQ/5x8hI1AdQHVkHpAdAiJA3lIfwQQgBAAj sGElUyLQvRw/dCZBCNAAQB05aCmSdxFQCOEeVkYFECQCIYQ1fylgIsAaAAYBJoALICv3NjspYCGw VyNQCsAjUERvfncCMC7BHZAglh3xAiBsfR2AVwuABJAdgCFgJaAg/mIFECgCACAsswPwHEApULxv ZxEwHbAFwClidyQR/ylhHYAloC6BB4AAcAVALvC5MQBlLiAkCvMAAHACMIhleHQVkidCNwyCjQKR KjVxNXFsdmwCYD810DWAFaE1gBnxCfB0M/42AeE1gTXADDA2IRcwAgD0aS04cVwj4AHBGsofIaMn kQIgZS1wBJBzHqH7JEEH4GYcUC0hB5EDkTFyrysJA/AskQWwaR+QbgdA3yrwEPEFoD7RLMJvAxEK sN8LgB6AJ1EhsB1EdREgBCBdCHBiA5Eg0gTwYTuwc+8hEAOBHYAdEXc7MCqBLnIeYzhBM7E/sQOg TFRWex0xCeBsIRA0UQMQCkBz/HRyLRAjUDKSO7Q+0QnAPy7ALJUkUSNRBbEvSmZ1/zyiIbAgJDVv NnEuQR0QPHANCtFiQcAuwC1zdWz3OZAe8B/xICmUMfIEISrCTylgLRAuYx9BZC0FAGH3HuEisD6B aAVAMpEjUAuAvx0ACHBGwAdAHlAwkDpJRR81HzYvNz84TzlbMTQ0rTpMTQSQCQB0IRBTOzA1RbB6 IRBQC4BXgCBHfT6CbyEQHaALEQIgPsB5t1ehJaEFQEIEkDCRUiKhw0lfUidFbmpvHYAi0H5nC2AE EU/BKWJQNTRCdf5uMfEisClgJ5ElpVrfUhjeT1ABTQQAwCXQIFHAQ7D/HkE0IR+QAYAEIF7zESBd IP8eoVDPUd9S71P/VQ86DxFgvxpAJdAisTMSHqEpYjIs0e0O8G8FsSk1RkjgK4IA0IMu8DCRQmxk Zy4hEN8w4SfBI1IJ4EABchnhKBHXLNEi0gtgeCfzdARgIxD/T3IhsGFiESAFAFoRO0JxIl8aQEOw BBBJP2VZSAhhc/9Qr2UPZh9nL2g/Vf864iu0aQQgNTobAHAjoDRRTX8j8AMATzJyz3Y3LQYEIDf/ e+90yhKUAdAF0C0QBUAIUARvayAkU1RVREkKTyEgRicCSU5HU+cgJBwAOvFTdTuxHpAFwPZBILBt 4SMB0BpjCoEAoKED0DE2IChrskZsD71tFikMQAvFID8hQCBWQA4xekCDtYZALTc3MVAtMDgziOV3 jBAud0WQJpIdEDUxIkCQBaBtX4j0gGwOUIkDF0EAj2AAAAsAAYAIIAYAAAAAAMAAAAAAAABGAAAA AAOFAAAAAAAAAwAQgAggBgAAAAAAwAAAAAAAAEYAAAAAUoUAACdqAQAeABKACCAGAAAAAADAAAAA AAAARgAAAABUhQAAAQAAAAQAAAA5LjAAHgATgAggBgAAAAAAwAAAAAAAAEYAAAAANoUAAAEAAAAB AAAAAAAAAB4AFIAIIAYAAAAAAMAAAAAAAABGAAAAADeFAAABAAAAAQAAAAAAAAAeABWACCAGAAAA AADAAAAAAAAARgAAAAA4hQAAAQAAAAEAAAAAAAAACwAWgAggBgAAAAAAwAAAAAAAAEYAAAAAgoUA AAEAAAALAEOACCAGAAAAAADAAAAAAAAARgAAAAAOhQAAAAAAAAMARYAIIAYAAAAAAMAAAAAAAABG AAAAABCFAAAAAAAAAwBGgAggBgAAAAAAwAAAAAAAAEYAAAAAEYUAAAAAAAADAEeACCAGAAAAAADA AAAAAAAARgAAAAAYhQAAAAAAAAMAW4AIIAYAAAAAAMAAAAAAAABGAAAAAAGFAAAAAAAACwB5gAgg BgAAAAAAwAAAAAAAAEYAAAAABoUAAAAAAAACAfgPAQAAABAAAAB1KoqayQ2lQY5XLxGvhnWCAgH6 DwEAAAAQAAAAdSqKmskNpUGOVy8Rr4Z1ggIB+w8BAAAAnwAAAAAAAAA4obsQBeUQGqG7CAArKlbC AABQU1RQUlguRExMAAAAAAAAAABOSVRB+b+4AQCqADfZbgAAAEM6XERvY3VtZW50cyBhbmQgU2V0 dGluZ3NcQWRtaW5pc3RyYXRvclxMb2NhbCBTZXR0aW5nc1xBcHBsaWNhdGlvbiBEYXRhXE1pY3Jv c29mdFxPdXRsb29rXG91dGxvb2sucHN0AAADAP4PBQAAAAMADTT9NwAAAgF/AAEAAAA7AAAAPEtG RUJJT0ZIRktETENGQk1MTUlQRUVPQkNDQUEubWF0dGNvb2tAc3R1ZGlvb2Y1cmluZ3MuY29tPgAA AwAGEPyfNysDAAcQygMAAAMAEBAAAAAAAwAREAAAAAAeAAgQAQAAAGUAAABTTkVBS1BSRVZJRVdP RlNUQUNZQ0hFQ0tTQ09MTEVDVElPTkFGVEVSVEhBTktTR0lWSU5HQ0xFVkVMQU5ELE9ILU5PVjIw LDIwMDUtTkVFREFSRVNQSVRFRlJPTUhPTElEQVlTAAAAAFZh ------=_NextPart_000_0000_01C5EF65.6526BCA0-- From nate at groundfloortheater.com Tue Nov 22 10:08:12 2005 From: nate at groundfloortheater.com (nate at groundfloortheater.com) Date: Tue, 22 Nov 2005 18:08:12 +0000 Subject: [NEohioPAL]Talent Show Message-ID: ----=_vm_0011_W8282226842_753_1132682892 Content-Type: text/plain; charset="utf-8" Content-Transfer-Encoding: quoted-printable Talent Tightrope The Ground Floor Theatera comedy theater with a full service 170 seat ven= ue located in the historic Centrum Theater at 2781 Euclid Heights Blvd in= Cleveland Heights is pleased to announce it=E2=80=99s Tuesday night Tale= nt Tightrope. Tuesday nights are the time to prove your mettle in Ground Floor Theater=E2= =80=99s Talent Tightrope, an all encompassing talent show. Two contestant= s per week will advance to the semi =E2=80=93finals week five. Four conte= stants will move on to compete in the finals during week six. Contestants= can compete with any talent they possess for a cash prize. Contestants s= hould send a brief description of their act to talent at groundfloortheater.= com All Acts must be approved by management. Contestants under the age of 18 must be accompanied by an adult. The winn= ers will be determined by audience participation. The first Talent Tightr= ope begins Tuesday January 10th at 8:00 pm.All entries must be entered one week before each = competition. Thanks. Nate Cockerill Artistic Director Ground Floor Theater nate at groundfloortheater.com ----=_vm_0011_W8282226842_753_1132682892 Content-Type: text/html; charset="utf-8" Content-Transfer-Encoding: quoted-printable

  &nb= sp;           &nbs= p;            = ;            =    Talent Tightrope

The Ground Floor Theater  a comedy theater with a full service 170 seat venu= e located in the historic Centrum Theater at 2781 Euclid Heights Blvd in = Cleveland Heights is pleased to announce it=E2=80=99s Tuesday night Talen= t Tightrope. 

Tuesday nights are the time to prove your mettle in Gro= und Floor Theater=E2=80=99s Talent Tightrope, an all encompassing talent = show. Two contestants per week will advance to the semi =E2=80=93finals w= eek five. Four contestants will move on to compete in the finals during w= eek six. Contestants can compete with any talent they possess for a cash = prize. Contestants should send a brief description of their act to talent at groundfloortheater.com All Acts must be approved by management.<= /P>

Contestants under the age of 18 must be accompanied by = an adult. The winners will be determined by audience participation. The f= irst Talent Tightrope begins Tuesday

January 10th at 8:00 pm.  All entries must be entered one week before e= ach competition.

Thanks.

 

Nate Cockerill

Artistic Director

Ground Floor Theater

nate at groundfloortheater.com

 

   &nb= sp;           &nbs= p;  

----=_vm_0011_W8282226842_753_1132682892-- From w8inglong at yahoo.com Tue Nov 22 10:15:30 2005 From: w8inglong at yahoo.com (Joanne Popp) Date: Tue, 22 Nov 2005 10:15:30 -0800 (PST) Subject: [NEohioPAL]Concert tickets for sale. Message-ID: <20051122181530.24613.qmail@web32908.mail.mud.yahoo.com> --0-1498285244-1132683330=:24598 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Cleveland Philharmonic Orchestra "Special Holiday Concert in Artistic Historic Tremont!" Under the direction of William B. Slocum, Featuring Caroline Oltmanns, piano. Sunday, December 4, 2005 4:00 PM. Beethoven: Piano Concerto No. 5, ?Emperor? Selections from Handel?s Messiah Plus Seasonal Music for the Holidays! Zion UCC of Tremont 2716 West 14th Street, Cleveland, OH 44113 Tickets: $15.00/each or 2 for $25.00 I personally have tickets for sale for this event. I can be reached at 216-281-2992. God bless, Joanne M.Popp Adm. Assistant, Zion UCC of Tremont http://zionchurch.org Whosoever is everyone. --------------------------------- Yahoo! FareChase - Search multiple travel sites in one click. --0-1498285244-1132683330=:24598 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
 Cleveland Philharmonic  Orchestra 
"Special Holiday Concert in Artistic Historic Tremont!"
Under the direction of William B. Slocum,
Featuring Caroline Oltmanns, piano.
 
Sunday, December 4, 2005 4:00 PM.
Beethoven: Piano Concerto No. 5, ?Emperor?
Selections from Handel?s Messiah
Plus Seasonal Music for the Holidays!

Zion UCC of Tremont
2716 West 14th Street,
Cleveland, OH 44113
Tickets: $15.00/each or 2 for $25.00
 
I personally have tickets for sale for this event. I can be reached at 216-281-2992.
God bless,
Joanne M.Popp


Adm. Assistant,
Zion UCC of Tremont
Whosoever is everyone.

Yahoo! FareChase - Search multiple travel sites in one click. --0-1498285244-1132683330=:24598-- From jtl at zoominternet.net Tue Nov 22 12:35:05 2005 From: jtl at zoominternet.net (Judi Terrell Linden) Date: Tue, 22 Nov 2005 15:35:05 -0500 Subject: [NEohioPAL]Looking for acoustic guitar at a reasonable price Message-ID: <000f01c5efa4$38d67160$6401a8c0@moose> This is a multi-part message in MIME format. ------=_NextPart_000_0010_01C5EF7A.50006960 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Hello, My 14 year old daughter is interested in learning to play the guitar but her limited babysitting income does not allow her to purchase one new. If you have one that is in good condition and you'd like to sell it at a reasonable cost, please contact me at JudiT at zoominternet.net Thanks!!!!! ------=_NextPart_000_0010_01C5EF7A.50006960 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

Hello,

My 14 year old daughter is interested in learning to = play the guitar but her limited babysitting income does not allow her to = purchase one new.  If you have one = that is in good condition and you’d like to sell it at a reasonable cost, please = contact me at JudiT at zoominternet.net

 

Thanks!!!!!

------=_NextPart_000_0010_01C5EF7A.50006960-- From jfogel at clevelandplayhouse.com Tue Nov 22 12:56:16 2005 From: jfogel at clevelandplayhouse.com (Julie Fogel) Date: Tue, 22 Nov 2005 15:56:16 -0500 Subject: [NEohioPAL]Mambo on Saturday Only Message-ID: <9BF63EA8F64C40DEB06DF78B5A534A9B@clevelandplayhouse.net> This is a multi-part message in MIME format. ------=_NextPart_000_0022_01C5EF7D.45A77500 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit Please note this correction to a previous posting ("When You're Hot, You're Hot," 11/15/05) We've added another performance to The Play House Club Cabaret "Mambo Italiano" -- Saturday, November 26 at 9:00 p.m. To celebrate the extended run, we're offering $5 off tickets to the added performance, simply mention/enter the code "PAL" when ordering your tickets. The original email indicated there was also a Friday performance. We've added just the Saturday show -- thanks! Julie Fogel Associate Director of Communications & Marketing The Cleveland Play House 8500 Euclid Avenue Cleveland, Ohio 44106 (216) 795-7000 ext. 236 www.clevelandplayhouse.com ------=_NextPart_000_0022_01C5EF7D.45A77500 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Mambo on Saturday Only

Please note this correction to a previous = posting ("When You're Hot, You're Hot," 11/15/05)

We've added another performance to = The Play House Club Cabaret "Mambo Italiano" --  = Saturday, November 26 at 9:00 p.m. To celebrate the extended run, we're = offering $5 off tickets to the added performance, simply mention/enter = the code "PAL" when ordering your tickets.

The original email indicated there was = also a Friday performance. 
We've added just the Saturday show -- = thanks!


Julie = Fogel
Associate Director of = Communications & Marketing
The Cleveland Play = House
8500 Euclid Avenue
Cleveland, Ohio 44106
(216) 795-7000 ext. = 236
www.clevelandplayhouse.com

------=_NextPart_000_0022_01C5EF7D.45A77500-- From gbutiri at yahoo.com Tue Nov 22 13:01:53 2005 From: gbutiri at yahoo.com (George Butiri) Date: Tue, 22 Nov 2005 16:01:53 -0500 Subject: [NEohioPAL]Music Video Audition Message-ID: <00fb01c5efa7$f781e830$0302a8c0@inet> This is a multi-part message in MIME format. ------=_NextPart_000_00FC_01C5EF7E.0EABE030 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Video Shoot Directed by George Butiri: Cleveland's premiere Movie Maker Presents the Underground: G-ALI, JESS BLACK, NASTY NUT, JAG D Song: "Gimme" / "Throw your hands up" Video Vixen Audition "Gimme" / "Throw your hands up" December 3rd, 2005 Time: 3pm-6pm Location 4148 West Tuscarawas Canton, Ohio 44708 >>GOOGLE MAPS!<< (Inside Canton Centre Mall at the Underground Clothing Store) Video will be on BET, (we are in negotiation as we speak) For Contact Information: Underground Entertainment at: 330-479-0080 G-ALI at gabryel_ali at yahoo.com All beautiful women 18 and older inspiring models and actors are more than welcomed. All ethnics types If you feel like you have what it takes..... feel free to audition on December 3rd, 2005 ------=_NextPart_000_00FC_01C5EF7E.0EABE030 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

Video = Shoot

 

Directed = by George Butiri: Cleveland's premiere Movie = Maker

 

Presents = the Underground: G-ALI, JESS BLACK, NASTY NUT, = JAG D

Song: “Gimme” / “Throw your hands = up”

 

Video = Vixen Audition “Gimme” / ”= Throw your hands = up”

 

December 3rd, = 2005 Time: = = 3pm-6pm

 

Location

 

4148 = West = Tuscarawas

Canton, Ohio = 44708

 

>>GOOGLE MAPS!<<

 

(Inside = Canton Centre Mall at the Underground Clothing = Store)

 

Video = will be on BET, (we are in negotiation as we = speak)

 

For = Contact Information:

Underground Entertainment at: 330-479-0080

G-ALI at = gabryel_ali at yahoo.com<= /b>

 

All = beautiful women 18 and older inspiring = models and actors are more than welcomed.

All ethnics types

If you = feel like you have what it takes..... feel free to audition on December = 3rd, 2005

 

 

------=_NextPart_000_00FC_01C5EF7E.0EABE030-- From wwareham at fineartsassociation.org Tue Nov 22 13:20:19 2005 From: wwareham at fineartsassociation.org (Wanda Wareham) Date: Tue, 22 Nov 2005 16:20:19 -0500 Subject: [NEohioPAL]Faculty Positions Open at Fine Arts Association Message-ID: <2744EDEF40EB124FABA588C9E7F3EC6E01340C49@fa1.FineArts.Local> The Fine Arts Association, 38660 Mentor Avenue, Willoughby, 44094 has openings for the following faculty positions: =20 Theatre Teacher: Experienced theater teacher needed to work with children in grades 6-12 to teach a class based on the Harry Potter books. Class meets Mondays from 5:00-6:30 pm. The class begins March 27, 2006 and runs 8 weeks. Email resume to lwise at fineartsassociation.org if interested. =20 Guitar Instructor: Experienced guitar teacher to teach beginning through advanced students on Saturdays. Email resume to lwise at fineartsassociation.org . =20 Trumpet Instructor: to teach beginning through advanced students on Saturdays. Bachelor's degree required. Email resume to lwise at fineartsassociation.org . =20 =20 The Fine Arts Association is a non-profit organization operating the School of Fine Arts with classes in the disciplines of music, art, dance and drama. Fine Arts also offers a full season of theatre performances, recitals, art exhibits and cultural activities. Funding is received in part by the United Way and the Ohio Arts Council. For more information, contact Wanda Wareham, Director of Communications and Marketing at (440) 951-7500 x104. =20 From pr at clevelandplayhouse.com Tue Nov 22 13:20:35 2005 From: pr at clevelandplayhouse.com (Sarah Melton) Date: Tue, 22 Nov 2005 16:20:35 -0500 Subject: [NEohioPAL]New Education Curriculum to Focus on the Professional; CPH Production of A Christmas Story Extended Message-ID: <016d01c5efaa$947bd770$6000a8c0@clevelandplayhouse.net> This is a multi-part message in MIME format. ------=_NextPart_000_016E_01C5EF80.ABA5CF70 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Dear NEOHIOPAL: For Immediate Release. New Education Curriculum to Focus On the Professional Master Classes Elevate Program http://www.clevelandplayhouse.com/releases/release.asp?key=20051122i Cleveland Play House Production of A Christmas Story Extended Production Earns Highest Advance in Theatre's History http://www.clevelandplayhouse.com/releases/release.asp?key=20051122ii Contact: Julie Fogel, The Cleveland Play House, Associate Director of Communications and Marketing, 216/795-7000 x236 The Cleveland Play House 8500 Euclid Ave. Cleveland, OH 44106-0189 http://www.clevelandplayhouse.com ------=_NextPart_000_016E_01C5EF80.ABA5CF70 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable Looking for a way to spend quality time with your family

Dear = NEOHIOPAL:

 <= /p>

For Immediate = Release…

 <= /p>

 

New Education Curriculum to = Focus

On the = Professional

Master = Classes Elevate Program
http://www.clevelandplayhouse.com/releases/release.asp?key=3D20051= 122i

 

Cleveland<= /span> Play House Production = of

A = Christmas Story Extended

Production= Earns Highest Advance in Theatre’s = History
http://www.clevelandplayhouse.com/releases/release.asp?key=3D2005= 1122ii

 

Contact:

Julie Fogel, The = Cleveland Play = House, Associate Director of Communications and = Marketing, 216/795-7000 x236

 <= /p>

The Cleveland Play = House

8500 Euclid Ave.

Cleveland, OH  44106-0189

http://www.clevelandplayhouse.com

------=_NextPart_000_016E_01C5EF80.ABA5CF70-- From Gr8Juggler at zoominternet.net Tue Nov 22 14:36:25 2005 From: Gr8Juggler at zoominternet.net (Bruce Manners) Date: Tue, 22 Nov 2005 17:36:25 -0500 Subject: [NEohioPAL]Need a Comedy Juggler? Message-ID: If you are looking for a different twist on entertainment, then book Comedy & Juggling and Stuff with Bruce Manners. The show is a little bit Vaudeville, Circus and Las Vegas mixed up with audience participation. For more information, feel free to visit www.brucemanners.com. Bruce Comedy & Juggling and Stuff with Bruce Manners www.brucemanners.com From secylady66 at hotmail.com Tue Nov 22 15:19:38 2005 From: secylady66 at hotmail.com (Leigh Anderson) Date: Tue, 22 Nov 2005 18:19:38 -0500 Subject: [NEohioPAL]Need a custom designed murder mystery Message-ID: We would like a murder mystery custom designed for our company's clients and spouses. (approximatley 80 people) We would like it to involve our clients but not make them BE the actors. This is going to be a surprise so we need it to be GOOD! We are looking at a weeknight in February and we have a venue and food already. We also would like the humor to be clean so as not to offend anyone. _________________________________________________________________ Express yourself instantly with MSN Messenger! Download today - it's FREE! http://messenger.msn.click-url.com/go/onm00200471ave/direct/01/ From hiseas2 at aol.com Tue Nov 22 16:16:53 2005 From: hiseas2 at aol.com (hiseas2 at aol.com) Date: Tue, 22 Nov 2005 19:16:53 -0500 Subject: [NEohioPAL]Brigadoon Auditions Message-ID: <8C7BDDA575E8920-16B8-33F2@mblk-r13.sysops.aol.com> Mighty Goliath Productions (MGP) of Avon Lake will be holding auditions for "Brigadoon" on Friday, December 2 and Friday, December 9, both at 7:00 p.m. Auditions will take place at the Performing Arts Center of Avon Lake High School. All parts available. Bring a solo to sing - accompanist provided. There will be a movement audition for those interested in the role of Jeannie. There will also be a reading audition. Chorus members need not audition. All singers welcome. First rehearsal: January 6 at 7:00. All rehearsals are on Fridays until tech week. Production dates: March 24, 25, 26, 31 & April 1. Most recent shows include: "Titanic: The Musical" with a cast of 100, and "Music Man" with a cast of 120. Average chorus size for MGP is 60. MGP is a non-profit organization and is made up of volunteers - from the producer to the pit. All profits benefit the Performing Arts Groups of Avon Lake High School. For more information, visit www.geocities.com/mightygoliath. Or, contact Bernadette Hisey, Marketing Manager and Historian of MGP at HiSeas2 at aol.com From higbee at chsaviour.org Tue Nov 22 16:18:25 2005 From: higbee at chsaviour.org (Judith Higbee) Date: Tue, 22 Nov 2005 19:18:25 -0500 Subject: [NEohioPAL]Oberlin Choristers Concert Dec. 4th Message-ID: <00b101c5efc3$6c644920$80fea8c0@church.chsaviour.org> This is a multi-part message in MIME format. ------=_NextPart_000_00B2_01C5EF99.838E4120 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Arts in the Cathedral is pleased to announce the Oberlin Choristers Christmas Concert on Sunday December 4 at 3:00 p.m. in the lovely Gothic sanctuary of Church of the Saviour in Cleveland Heights. The program will be presented by the Touring Choir which consists of 45 singers in grades 6-10 and is the advanced treble choir of the Oberlin Choristers. Directed by Founder Katherine Plank, the program will include sacred Christmas pieces in classical and contemporary style as well as carols from several different countries. There will be a free-will offering at the concert. Church of the Saviour is located at 2537 Lee Road in Cleveland Hts., one block north of Fairmount Blvd. The church is handicapped-accessible and has plenty of free, lighted parking. Judith Higbee Director of Music Church of the Saviour 2537 Lee Road Cleveland Heights, OH 44118 higbee at chsaviour.org Trust in the Lord with all your heart and do not rely on your own insights. In all your ways acknowledge Him and He will make straight your paths. ------=_NextPart_000_00B2_01C5EF99.838E4120 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable

Arts in the = Cathedral is pleased to announce the Oberlin Choristers Christmas Concert on Sunday December 4 = at 3:00 p.m. in the = lovely Gothic sanctuary of Church of the Saviour in = Cleveland Heights. 

 

=

The program will be presented by = the Touring Choir which consists of 45 singers in grades 6-10 and is the = advanced treble choir of the Oberlin Choristers. Directed by Founder = Katherine Plank, the program will include = sacred Christmas pieces in classical and contemporary style as well as carols = from several different countries.

 

=

There will be a free-will offering = at the concert.

 

=

Church of the Saviour is located = at 2537 Lee Road in Cleveland Hts., one block north of Fairmount = Blvd.

 The church is = handicapped-accessible and has plenty of free, lighted parking.

 

=

Judith Higbee

Director of Music

Church of the Saviour

2537 Lee = Road

Cleveland = Heights, OH 44118

higbee at chsaviour.org

 

Trust in the Lord with all your heart and do not rely = on your own insights.

In all your ways acknowledge Him and He will make = straight your paths.

 

------=_NextPart_000_00B2_01C5EF99.838E4120-- From chloe at passportproject.org Tue Nov 22 16:40:38 2005 From: chloe at passportproject.org (=?iso-8859-1?Q?Chlo=EB_Hopson?=) Date: Tue, 22 Nov 2005 19:40:38 -0500 Subject: [NEohioPAL]Film/Music/Art event: nyc's Frequency Response/The Animated Adventures of Knox 11/29 Message-ID: <003801c5efc6$86bf1540$0201010a@dragonfly> This is a multi-part message in MIME format. ------=_NextPart_000_0039_01C5EF9C.9DE90D40 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable The Animated Adventures of Knox An emotional portrait in sound and image=20 Film/live music event: The Animated Adventures of Knox, an emotional portrait in sound and image. With live performance of the sound track by quintet, Frequency Response =20 Date/Time : Tuesday November 29, 2005, 8:00 pm =20 Venue: Passport Project Global Community Arts Center 12801 Buckeye Road (1 block southwest of Shaker Square) Cleveland, OH 44120=20 =20 Admission: $5-$15 Sliding Scale (You decide)=20 =20 More Information: www.passportproject.org ; =20 www.KnoxMovie.com: For video previews, mp3s, photos, graphic scores, director's notes and more; www.FrequencyResponse.info; www.482Music.com=20 For Interviews: JumpArtsMedia at gmail.com =20 =20 New York multi-instrumentalist Tom Abbs takes his band and new independent film on the road.=20 For video previews, mp3s, photos, graphic scores, director's notes and more go to www.KnoxMovie.com For interviews, press copies or any other press request contact JumpArtsMedia at gmail.com The Animated Adventures of Knox=20 An emotional portrait in sound and image Avant-Jazz meets cinema in this rare live rendition of the soundtrack=20 from their latest movie "The Animated Adventures of Knox". Tom Abbs & Frequency Response bring the spectacle of "Knox" to Cleveland OH (Nov.29th), for Passport Project=92s ongoing Vibrations Series* of creative music, dance, visual art, theater and spoken word. A movie by Tom Abbs featuring the music of Frequency Response=20 (in order of appearance) Geoff Mann percussion Tom Abbs bass, tuba, cello, flute=20 Oscar Noriega clarinets, alto saxophone Jean Cook violin=20 Alex Harding baritone Saxophone=20 Supporting their dvd movie/CD soundtrack set out November 29th on 482 Music =20 'The animated Adventures of Knox' An emotional portrait in sound and image=20 Starring Jack Armstrong, Marcus Holand, Michael Sanzone & Matthew Cleveland Produced, directed and edited by Tom Abbs Visual conception by Tom Abbs, M.P. Landis & Michael Sanzone Based on the narrative and video graphic score by Tom Abbs Art direction by M.P. Landis=20 Additional editing by Michael Sanzone Cinematography by Davin Reich, Michael Sanzone & M.P. Landis=20 A Jump Arts production distributed by 482 Music www.KnoxMovie.com www.FrequencyResponse.info www.482Music.com =20 =20 INFORMATION ABOUT PASSPORT PROJECT: Passport Project is a 501 (c) 3, non-profit organization that has been planting seeds of peace and acceptance since 1998. =20 Passport Project's mission is to provide exciting educational experiences that build community through the arts, encourage respect for diversity and rejection of racism and negative bias, and a passion for learning and the global community. =20 Passport Project offers multicultural programs and residencies at schools, at its Global Community Arts Center, and for the community to further this mission. Passport Project leads diversity training in the corporate setting. =20 * Begun in Summer, 2004, the Passport Project Vibrations Series features music, dance, visual art and poetry performances by local, national and international artists that inspire, challenge and break the molds that bind us. A reminder that every one and every thing possesses motion, VIBRATIONS supports art that stretches boundaries and explores connections.=20 =20 The Adventures of Knox Tour Schedule: Tuesday November 29th=20 Cleveland OH=20 Passport Project Global Community Arts Center=20 ( www.passportproject.org) 12801 Buckeye Road , Cleveland, Ohio 44120 (216) 721-1055. $5 =96 15 sliding scale - 8pm Wednesday November 30th Chicago IL=20 Chicago Cultural Center=20 Claudia Cassidy Theater (2nd FL),=20 ( www.chicagoculturalcenter.org) 78 E. Washington St.Chicago, IL 60602 (312) 744-6630=20 7:00pm - FREE=20 Thursday December 1 st =20 Lexington KY Mecca dance studio/gallery ( www.meccadance.com) 451 Chair Avenue Lexington, KY 40508 859/254-9790 8:30pm - $3 Friday December 2nd=20 Columbus OH=20 Acme Art Company ( www.iceboxshows.com) 1230 Courtland Ave. Columbus OH (614) 397-6185 10 pm, doors open at 9 with opening act - $8=20 Saturday December 3rd =20 Cincinnati OH=20 The Loft Society=20 ( www.loftsociety.com )=20 119 Calhoun Street Cincinnati OH 45219 (513) 559-9220 9pm Donation at Door Sunday December 4th =20 Ann Arbor MI=20 Canterbury house=20 ( www.canterburyhouse.org) 721 East Huron Street Ann Arbor, MI. 48104 (734) 665-0606=20 $7 - 9pm Monday December 5th=20 Pittsburgh PA=20 The Shadow Lounge=20 ( http://www.shadowlounge.net/) 5972 Baum Boulevard Pittsburgh, PA 15206 (412)-363-8277=20 Doors open at 8pm, Show at 9pm =20 Chlo=EB Hopson Passport Project, Director chloe at passportproject.org ph:: 216.721.1055 http://passportproject.org =20 =20 Passport Project's mission is to provide exciting educational experiences that build community through the arts, encourage respect for diversity and rejection of racism and negative bias, and a passion for learning and the global community. =20 Passport Project does multicultural programs and residencies at schools, at its Global Community Arts Center, and for the community to further this mission. Passport Project does diversity training in the corporate setting. =20 Passport Project is a 501 (c) 3, non-profit organization that has been planting seeds of peace and acceptance since 1998. =20 ------=_NextPart_000_0039_01C5EF9C.9DE90D40 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Message
The Animated = Adventures of Knox
An emotional portrait in = sound and=20 image=20

Film/live music event:   The Animated=20 Adventures of Knox, an = emotional=20 portrait in sound and image. = With live=20 performance of the sound track by quintet, Frequency = Response

 

Date/Time=20 :=20  Tuesday November = 29,=20 2005, 8:00 pm

 

Venue: Passport Project = Global=20 Community=20 Arts=20 Center

           =20  12801 Buckeye=20 Road (1 block = southwest of=20 Shaker=20 Square)

           =20  Cleveland, = OH=20 44120 

        =20

Admission:  $5-$15 Sliding Scale  (You=20 decide) 

 

More=20 Information:        www.passportproject.org; =          

www.KnoxMovie.com:=20 For=20 video previews, mp3s, photos, graphic scores, director's notes and = more;          =20  www.FrequencyResponse.info;=20 www.482Music.com=20

For=20 Interviews: JumpArtsMedia at gmail.com

 

 

New=20 York=20 multi-instrumentalist=20 Tom=20 Abbs takes=20 his band and new independent film on the road.
For=20 video previews, mp3s, photos, graphic scores, director's notes and more = go to=20 www.KnoxMovie.com

For=20 interviews, press copies or any other press request contact JumpArtsMedia at gmail.com

The=20 Animated Adventures of Knox

An=20 emotional portrait in sound and image

Avant-Jazz meets=20 cinema in this rare live = rendition=20 of the soundtrack
from their latest movie   "The Animated=20 Adventures of Knox". Tom=20 Abbs &=20 Frequency Response bring = the=20 spectacle of "Knox" to Cleveland=20 OH=20 (Nov.29th), for Passport=20 Project’s ongoing = Vibrations=20 Series* of = creative music,=20 dance, visual art, theater and spoken word.

A=20 movie by Tom=20 Abbs=20 featuring the music of Frequency=20 Response

(in=20 order of appearance)  = Geoff=20 Mann=20 percussion Tom=20 Abbs   bass, tuba, cello, flute =

Oscar=20 Noriega   clarinets, alto = saxophone  Jean=20 Cook=20 violin

Alex=20 Harding=20 baritone Saxophone=20


  Supporting their dvd = movie/CD=20 soundtrack set out November 29th on 482=20 Music  

'The=20 animated Adventures of Knox' An=20 emotional portrait in sound and image

Starring  Jack Armstrong, Marcus = Holand,=20 Michael Sanzone & Matthew Cleveland

Produced,=20 directed and edited by Tom Abbs Visual conception by Tom Abbs, = M.P.=20 Landis & Michael Sanzone

Based=20 on the narrative and video graphic score by Tom Abbs Art = direction by=20 M.P. Landis
Additional editing by Michael Sanzone=20 Cinematography by Davin Reich, Michael Sanzone &  M.P. Landis =

A=20 Jump Arts production distributed by 482 Music



www.KnoxMovie.com           =20  www.FrequencyResponse.info           &n= bsp;  =20 www.482Music.com 


 

INFORMATION ABOUT=20 PASSPORT PROJECT:

Passport = Project is a 501=20 (c) 3, non-profit organization that has been planting seeds of peace and = acceptance since 1998.
 
Passport Project's mission is to = provide=20 exciting educational experiences that build community through the arts,=20 encourage respect for diversity and rejection of racism and negative = bias, and a=20 passion for learning and the global community.
 
Passport Project offers multicultural programs and = residencies at schools, at its Global Community Arts Center, and = for the=20 community to further this mission. Passport Project leads diversity training in the = corporate=20 setting.
 
* Begun in Summer,=20 2004, the Passport Project = Vibrations Series=20 features music, dance, visual art and poetry performances by local, = national=20 and international artists that inspire, challenge and = break=20 the molds that bind us. A = reminder that=20 every one and every thing possesses motion, VIBRATIONS supports art that stretches boundaries and = explores=20 connections.=20

 


The=20 Adventures of Knox Tour Schedule:


Tuesday=20 November 29th=20
Cleveland=20 OH=20
Passport=20 Project Global Community Arts Center=20
(=20 www.passportproject.org)

12801=20 Buckeye Road=20 , Cleveland,=20 Ohio=20 44120=20 (216) 721-1055.

$5=20 – 15 sliding scale - 8pm


Wednesday=20 November 30th
Chicago=20 IL=20
Chicago=20 Cultural Center=20
Claudia=20 Cassidy Theater (2nd FL),
(www.chicagoculturalcenter.org)
78=20 E. Washington St.Chicago, IL 60602 (312) 744-6630
7:00pm=20 - FREE

Thursday=20 December 1 st  
Lexington KY
Mecca dance=20 studio/gallery
 (=20 www.meccadance.com)
451=20 Chair Avenue Lexington, KY 40508 859/254-9790
8:30pm - = $3

Friday=20 December 2nd=20
Columbus OH
Acme Art=20 Company
 (=20 www.iceboxshows.com)
1230=20 Courtland Ave. Columbus OH (614) 397-6185
10 pm, doors open at 9 with = opening=20 act - $8

Saturday=20 December 3rd=20  
 Cincinnati OH
The = Loft=20 Society
(www.loftsociety.com ) =
119=20 Calhoun Street Cincinnati OH 45219 (513) 559-9220
9pm Donation at=20 Door

Sunday=20 December 4th 
 Ann Arbor MI
Canterbury=20 house
(=20 www.canterburyhouse.org)
721=20 East Huron Street Ann Arbor, MI. 48104=20 (734)=20 665-0606
$7 - 9pm


Monday=20 December 5th=20
 Pittsburgh=20 PA=20
The=20 Shadow=20 Lounge=20
(=20 http://www.shadowlounge.net/)
5972=20 Baum=20 Boulevard=20 Pittsburgh,=20 PA=20 15206=20 (412)-363-8277=20

       &nbs= p;            = ;            =            =20 Doors open at 8pm,=20 Show at 9pm
 
Chlo=EB  = Hopson
Passport Project, = Director
chloe at passportproject.org
ph:: 216.721.1055
http://passportproject.org
 
Passport Project's = mission is to=20 provide exciting educational experiences that build community through = the arts,=20 encourage respect for diversity and rejection of racism and negative = bias, and a=20 passion for learning and the global community.
 
Passport=20 Project does multicultural programs and residencies at = schools,=20 at its Global Community Arts Center, and for the community to further = this=20 mission. Passport Project does diversity training in the corporate=20 setting.
 
Passport Project is a = 501 (c) 3,=20 non-profit organization that has been planting seeds of peace and = acceptance=20 since 1998.
 
------=_NextPart_000_0039_01C5EF9C.9DE90D40-- From dolan at en.com Tue Nov 22 19:44:29 2005 From: dolan at en.com (Fred Dolan) Date: Tue, 22 Nov 2005 22:44:29 -0500 Subject: [NEohioPAL]Johnny Cash & Arlo Guthrie On Thanksgiving Night On WJCU References: <279.f3432.30b46798@aol.com> Message-ID: <007a01c5efe0$35d9b4e0$caa651d1@com> This is a multi-part message in MIME format. ------=_NextPart_000_0077_01C5EFB6.4C3A4260 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Seasons Greetings! Please tell everyone to join me Thanksgiving evening from 6:30 PM to = midnight for Special Holiday Programming. The main event is Johnny Cash: The Legend - a 4-hour radio special on = the life & music of Johnny Cash which will start promptly at 7:00PM & = run till 11:00PM - with No Commercials - I might add. Following shortly after 11:00 PM will be Arlo Guthrie's "Alice's = Restaurant." Still one of the greatest songs/monologues of all time!=20 The balance of the program will be some excellent acoustic vocals in the = spirit of Thanksgiving.=20 Tune in on 88.7 FM - WJCU - John Carroll University radio or=20 www.wjcu.org on the internet. Have a great Thanksgiving. Fred Dolan Visiting The Folks 88.7 - WJCU-FM & www.wjcu.org In addition to this Thursday, join me on Sunday nights from 9:00PM to = midnight. ------=_NextPart_000_0077_01C5EFB6.4C3A4260 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
 
Seasons Greetings!
Please tell everyone to join me Thanksgiving evening from 6:30 PM = to=20 midnight for Special Holiday Programming.
 
The main event is Johnny Cash: The Legend - a 4-hour radio special = on the=20 life & music of Johnny Cash which will start promptly at 7:00PM = & run=20 till 11:00PM - with No Commercials - I might add.
 
Following shortly after 11:00 PM will be Arlo Guthrie's = "Alice's=20 Restaurant." Still one of the greatest songs/monologues of all = time! 
 
The balance of the program will be some excellent acoustic = vocals in=20 the spirit of Thanksgiving. 
 
Tune in on 88.7 FM - WJCU - John Carroll University = radio or=20
www.wjcu.org on the = internet.
 
Have a great Thanksgiving.
 
Fred Dolan
Visiting The Folks
88.7 - WJCU-FM & www.wjcu.org
In addition to this Thursday, join me on Sunday nights from 9:00PM = to=20 midnight.
 
 
 
------=_NextPart_000_0077_01C5EFB6.4C3A4260-- From vmor75 at ameritech.net Tue Nov 22 19:53:03 2005 From: vmor75 at ameritech.net (V.Wms-Morris) Date: Tue, 22 Nov 2005 19:53:03 -0800 (PST) Subject: [NEohioPAL]Anthology & Contest In-Reply-To: <8C7AAA952D5F74B-838-4105@FWM-D34.sysops.aol.com> Message-ID: <20051123035303.88979.qmail@web81402.mail.mud.yahoo.com> --0-1512415206-1132717983=:88034 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Hello Everyone! My poem "Slide Back" is featured in the PWLGC "Cleveland in Prose and Poetry" anthology. You can view the Cleveland Plain Dealer write up on my site www.wilmorcreations.com. You can also enter to win a "Midnight Jazz" print and view "Holler At The Moon" entries. Vickie Williams-Morris www.wilmorcreations.com Please sign my guest book! --0-1512415206-1132717983=:88034 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit

Hello Everyone!

 

My poem "Slide Back" is featured in the PWLGC "Cleveland in Prose and Poetry" anthology.  You can view the Cleveland Plain Dealer write up on my site www.wilmorcreations.com.  You can also enter to win a "Midnight Jazz" print and view "Holler At The Moon" entries. 

 

Vickie Williams-Morris
www.wilmorcreations.com
Please sign my guest book!



--0-1512415206-1132717983=:88034-- From brendonconnelly at yahoo.co.uk Tue Nov 22 21:25:00 2005 From: brendonconnelly at yahoo.co.uk (Brendon Connelly) Date: Wed, 23 Nov 2005 05:25:00 +0000 (GMT) Subject: [NEohioPAL]Editors and Editing Message-ID: <20051123052500.64736.qmail@web25010.mail.ukl.yahoo.com> I have recently shot a short that needs to complete post production with an amazing degree of urgency to make a deadline. The arrangements I had in place have fallen through - somebody has taken a Thanksgiving holiday at the last minute - so I am looking for access to Final Cut Pro on a half-way decent (at least) Mac and a good DV deck/camera to capture the footage in from. The film is very brief with only four different set ups and few takes to be cut together. I anticipate a good long afternoon would be enough to do the job, though some extra time to give breathing space is a luxury I might like. Can anybody help me? Please reply ASAP. Thanks! ___________________________________________________________ To help you stay safe and secure online, we've developed the all new Yahoo! Security Centre. http://uk.security.yahoo.com From rainbowrep at neo.rr.com Tue Nov 22 22:06:38 2005 From: rainbowrep at neo.rr.com (Rainbow Repertory company) Date: Wed, 23 Nov 2005 01:06:38 -0500 Subject: [NEohioPAL]MAHALIA performances cancelled due to cast illness Message-ID: <084f01c5eff4$116a1230$a5e75d18@DJVLSZ01> This is a multi-part message in MIME format. ------=_NextPart_000_084C_01C5EFCA.285887D0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable We are sorry to announce that due to the illness of 2 cast members, we = have to cancel our performances of MAHALIA scheduled for Nov. 25-26 at = Umstattd Hall in Canton. We hope to re-schedule after the first of the = year. Please contact us if you want to receive an announcement of our = new dates. Lois DiGiacomo The Rainbow Repertory Company 330.456.7397 =20 ------=_NextPart_000_084C_01C5EFCA.285887D0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
We are sorry to=20 announce that due to the illness of 2 cast members, we have to cancel = our=20 performances of MAHALIA scheduled for Nov. 25-26 at Umstattd Hall in=20 Canton.  We hope to re-schedule after the first of the year.  = Please=20 contact us if you want to receive an announcement of our new=20 dates.
 
Lois=20 DiGiacomo
The Rainbow=20 Repertory Company
330.456.7397
 
 
          &nbs= p;            = ;         =20
------=_NextPart_000_084C_01C5EFCA.285887D0-- From fstorch at beckcenter.org Wed Nov 23 06:38:31 2005 From: fstorch at beckcenter.org (Fran Storch) Date: Wed, 23 Nov 2005 09:38:31 -0500 Subject: [NEohioPAL]Best of Beck Stand-Up Comedy Show Message-ID: <97CF2CB42902E345A929E3202369C84E3EB605@beck-1.beckcenter.com> This is a multi-part message in MIME format. ------_=_NextPart_001_01C5F03B.93C95F84 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: quoted-printable FOR IMMEDIATE RELEASE: =20 "Best of the Beck" Stand-Up Comedy Show Friday, December 9, 2005 =20 Lakewood, OH - The Beck Center for the Arts will host the "Best of the Beck" Stand-Up Comedy Show - featuring past graduates of the Beck Center's annual Comedy Class, along with comics from the Cleveland Comedy Kitchen on Friday, December 9th at 9:00 p.m. Doors open at 8:30 p.m. The evening will be hosted by comedian and Comedy Class instructor, John David Sidley. Sidley is the founder of The Cleveland Comedy Kitchen, a group of comedians who perform to raise money for hunger assistance. Special guest performers will include comics Rodney Bengston, Al Hohf and Mike Scanlon. This very funny show will take place in the Music-Armory Building located in the rear of the Beck Center campus. Admission is just $5 per person with cash bar and snacks available. Seating is limited and reservations are recommended. For reservations, call the Beck Center Box Office at 216-521-2540 or log on to www.beckcenter.org. The Beck Center for the Arts is located just ten minutes west of downtown Cleveland at 17801 Detroit Avenue in Lakewood. ### About the Comedy Class The Beck Center's eight week Comedy Class begins in February. Participants learn how to write and deliver their own comedy routine and explore the art of making people laugh. Whether an actor, salesperson or future comedian, participants benefit from learning skills that connect them to people in a whole new way. =20 =20 Yvette A. Hanzel Director of Marketing & External Affairs Beck Center for the Arts 216-521-2540, ext. 225 yvette at beckcenter.org www.beckcenter.org =20 =20 ------_=_NextPart_001_01C5F03B.93C95F84 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

FOR IMMEDIATE = RELEASE:

 

“Best of the Beck” Stand-Up Comedy = Show

Friday, December 9, = 2005

 

Lakewood, OH – The = Beck Center for the Arts will host = the "Best of the Beck" Stand-Up Comedy Show - featuring past graduates of the Beck Center’s = annual Comedy Class, along with comics from the Cleveland Comedy Kitchen on = Friday, December 9th at 9:00 p.m.  Doors open at 8:30 = p.m.

The evening will be hosted by comedian and Comedy Class instructor, = John David Sidley.  = Sidley is the founder of The Cleveland Comedy Kitchen, a group of comedians who = perform to raise money for hunger assistance.  Special guest performers will = include comics Rodney Bengston, Al Hohf and Mike = Scanlon.

This very funny show will take place in the Music-Armory Building located in the rear = of the Beck Center campus. = Admission is just $5 per person with cash bar and snacks available.  Seating is = limited and reservations are recommended.  For reservations, call the Beck = Center Box Office at 216-521-2540 or log on to www.beckcenter.org.   = The Beck Center for the Arts is = located just ten minutes west of downtown Cleveland at 17801 Detroit = Avenue in Lakewood.

=

###<= /p>

About the Comedy Class

The Beck Center’s = eight week Comedy Class begins in February.  Participants learn how to write = and deliver their own comedy routine and explore the art of making people laugh.  Whether an actor, salesperson or future comedian, = participants benefit from learning skills that connect them to people in a whole new = way.

 

 

Yvette A. = Hanzel

Director of = Marketing & External Affairs

Beck= Center= for the Arts

216-521-2540, = ext. 225

yvette at beckcenter.= org

www.beckcenter.org

 

------_=_NextPart_001_01C5F03B.93C95F84-- From artistschair2005 at aol.com Wed Nov 23 07:02:25 2005 From: artistschair2005 at aol.com (artistschair2005 at aol.com) Date: Wed, 23 Nov 2005 10:02:25 -0500 Subject: [NEohioPAL]Need a STAGE ACTOR? William M. Berry and OTHER NEWS! Message-ID: <8C7BE560C8EE1FC-105C-492B@mblk-d31.sysops.aol.com> ----------MailBlocks_8C7BE560C8EE1FC_105C_45E9_mblk-d31.sysops.aol.com Content-Type: text/plain; charset="us-ascii" ARTISTSCHAIR.COM'S "FEATURED ARTIST OF THE DAY" Stage Actor - William M. Berry (Location: Wadsworth, Ohio) (November 23, 2005) To view William's profile, visit http://www.artistschair.com Latest Members' CONTEST Giveaway (November 23, 2005) CONGRATULATIONS to Wadsworth-based stage actor William M. Berry for being chosen at random by the artistschair.com database to be the Wednesday, November 23 "Featured Artist of the Day" will winning two passes, good for four admissions to the December 1 (7:30 pm) Loews Richmond Town Square advanced screening of "The Family Stone" featuring Claire Danes, Diane Keaton, Rachel McAdams, Dermot Mulroney, Craig T. Nelson, Sarah Jessica Parker and Luke Wilson. Take friends or take family, either way, GET OUT and SEE NORTHEAST OHIO! Not a member of artistschair.com yet? Join today for FREE! Networking EVENT & PARTY for Artists and Those that Hire Talent (November 10, 2005) A GREAT BIG THANK YOU to all who attended the November 9 artistschair.com Networking Event which took place at 1300 Gallery. Photos from the event will be posted to the artistschair.com directory soon. FIND an Artist! Make your event or project extra memorable. Find entertainers and technicians in our FREE and easy-to-use database featuring photos and profiles of local artists in more than 100 different talent fields. BE an Artist! Let your talents and services be known. Become a member for FREE and highlight all talent fields that apply to you. Upload photos of yourself and/or samples of your work, edit your own information and have your profiles viewed by those searching for your talents and services. Our MISSION Artistschair.com is committed to PROMOTING and RAISING AWARENESS of local artists, arts-related institutions and issues and the NORTHEAST OHIO REGION as well as serving the needs of those searching for CREATIVE TALENT and resources. ----------MailBlocks_8C7BE560C8EE1FC_105C_45E9_mblk-d31.sysops.aol.com Content-Type: text/html; charset="us-ascii"
  
            ARTISTSCHAIR.COM'S "FEATURED ARTIST OF THE DAY"
Stage Actor - William M. Berry (Location: Wadsworth, Ohio)
 
(November 23, 2005) To view William's profile, visit http://www.artistschair.com
 
Latest Members' CONTEST Giveaway
(November 23, 2005) CONGRATULATIONS to Wadsworth-based stage actor William M. Berry for being chosen at random by the artistschair.com database to be the Wednesday, November 23 "Featured Artist of the Day" will winning two passes, good for four admissions to the December 1 (7:30 pm) Loews Richmond Town Square advanced screening of "The Family Stone" featuring Claire Danes, Diane Keaton, Rachel McAdams, Dermot Mulroney, Craig T. Nelson, Sarah Jessica Parker and Luke Wilson.  
 
Take friends or take family, either way, GET OUT and SEE NORTHEAST OHIO! Not a member of artistschair.com yet? Join today for FREE!
 
Networking EVENT & PARTY for Artists and Those that Hire Talent
(November 10, 2005) A GREAT BIG THANK YOU to all who attended the November 9 artistschair.com Networking Event which took place at 1300 Gallery. Photos from the event will be posted to the artistschair.com directory soon.
  
FIND an Artist!
Make your event or project extra memorable. Find entertainers and technicians in our FREE and easy-to-use database featuring photos and profiles of local artists in more than 100 different talent fields.
 
BE an Artist!
Let your talents and services be known. Become a member for FREE and highlight all talent fields that apply to you. Upload photos of yourself and/or samples of your work, edit your own information and have your profiles viewed by those searching for your talents and services.
 
Our MISSION
Artistschair.com is committed to PROMOTING and RAISING AWARENESS of local artists, arts-related institutions and issues and the NORTHEAST OHIO REGION as well as serving the needs of those searching for CREATIVE TALENT and resources.
 
----------MailBlocks_8C7BE560C8EE1FC_105C_45E9_mblk-d31.sysops.aol.com-- From dposner at universitycircle.org Wed Nov 23 08:11:32 2005 From: dposner at universitycircle.org (University Circle Incorporated) Date: Wed, 23 Nov 2005 11:11:32 -0500 Subject: [NEohioPAL]Holiday CircleFest - December 4 Message-ID: <898101c5f048$91d787a0$07fe10ac@tfhost1> This is a multi-part message in MIME format. ------=_NextPart_000_0001_01C5F01E.17E89210 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable =20 Holiday CircleFest=20 Sunday, December 4 1 to 5:30 pm* =20 * Cleveland Museum of Art's=20 Winter Lights Lantern Festival on=20 Wade Oval: 5:30-6 pm Twenty museums, gardens, galleries, churches, and schools will open = their doors, FREE of charge, for one amazing day of music, hands-on = activities and holiday shopping for all. Institutions offering FREE admission during Holiday CircleFest include: =B7 Case Western Reserve University's Thwing Center =B7 Children's Museum of Cleveland =B7 Church of the Covenant =B7 Cleveland Botanical Garden =B7 Cleveland Institute of Art =B7 Cleveland Institute of Music =B7 Cleveland Museum of Art - McCullough Center =B7 Cleveland Museum of Natural History =B7 Cleveland Play House - Festival of Trees =20 =B7 Cleveland Public Library - Martin Luther King, Jr. Branch=20 =B7 Epworth-Euclid United Methodist Church =B7 Euclid Avenue Congregational Church =B7 Glidden House =B7 HealthSpace Cleveland =B7 Judson Manor =B7 Magnolia Clubhouse, Inc. =B7 Mt. Zion Congregational Church =B7 Museum of Contemporary Art (MOCA) Cleveland =B7 Ronald McDonald House of Cleveland =B7 Temple-Tifereth Israel =B7 Western Reserve Historical Society Cleveland Music School Settlement, Cleveland School of the Arts and = ensembles from The Cleveland Orchestra Youth Orchestra will perform=20 at many of the above sites.=20 View a complete list of activities = (http://www.universitycircle.org/events/activitylist.htm) For more information=20 http://www.universitycircle.org=20 (216) 707-5033 Sponsored by: Cleveland Public Power Home Savings and Loan Additional Support by: The Plain Dealer WNWV 107.3FM The Wave WCPN 90.3FM ideastream Cleveland Magazine Sign-Lite http://www.universitycircle.org/email/265201.1/LU/ To forward this email to a friend use this link: = http://www.universitycircle.org/email/265201.1/FE/ ------=_NextPart_000_0001_01C5F01E.17E89210 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Untitled Document
=20 =20 =20 =20
=20

 

   =20

Holiday = CircleFest 
Sunday, December 4
1 to 5:30 = pm* 

* = Cleveland Museum of Art's
Winter Lights Lantern Festival on =
Wade Oval: 5:30-6 pm

3D"Harp

Twenty museums, gardens, = galleries, churches, and schools will open their = doors, FREE of charge, for one = amazing day of music, hands-on activities and holiday shopping for = all.  .

Institutions offering FREE admission = during Holiday CircleFest include:

=B7         = Case = Western Reserve = University's Thwing = Center

=B7         = Children's = Museum = of Cleveland

=B7         = Church of the = Covenant

=B7         = Cleveland = Botanical = Garden

=B7      Cleveland = Institute of Art

=B7         = Cleveland Institute = of Music

=B7         = Cleveland = Museum of Art - = McCullough Center

=B7         = Cleveland = Museum of Natural = History

=B7         = Cleveland Play House - Festival of = Trees         =

=B7         = Cleveland Public Library - Martin = Luther King, Jr. Branch

=B7         = Epworth-Euclid United Methodist = Church

=B7         = Euclid = Avenue Congregational Church

=B7         = Glidden House

=B7         = HealthSpace Cleveland

=B7         =  Judson Manor

=B7         = Magnolia Clubhouse, = Inc.

=B7         = Mt. Zion Congregational Church

=B7         = Museum of Contemporary Art (MOCA) = Cleveland

=B7         = Ronald McDonald House of Cleveland

=B7         = Temple-Tifereth Israel

=B7         = Western = Reserve = Historical Society

Cleveland Music School = Settlement, Cleveland School of the Arts and ensembles = from The Cleveland Orchestra Youth Orchestra will perform
at = many of the above sites.

View a complete list = of = activities

For more information =
www.universitycircle.org

(216) 707-5033

Sponsored by

3D"Cleveland3D"Home


3DPTCC_04Logo_PDResized3D"Cleveland

3D"WCPN3D"Sign3D"WNWV


Unsubscribe
To forward this email to a friend use this link: Forward To A = Friend
------=_NextPart_000_0001_01C5F01E.17E89210-- From chris at antonellic.com Wed Nov 23 08:53:55 2005 From: chris at antonellic.com (Chris White) Date: Wed, 23 Nov 2005 11:53:55 -0500 Subject: [NEohioPAL]Chagrin Valley Little Theatre - Audition Reminder for "King O' The Moon" Message-ID: <01bc01c5f04e$7d84d5e0$0600a8c0@cwhite> This is a multi-part message in MIME format. ------=_NextPart_000_01B9_01C5F024.948B1940 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Chagrin Valley Little Theatre Audition Reminder King O' the Moon by Tom Dudzkick Show Dates: Jan 20 - Feb 11 (Fridays & Saturdays @ 8pm) The second of Tom Dudzkick's trilogy of the Buffalo family's = tribulations. Following last season's award-winning Over the Tavern, it = largely concerns the now older Georgie and his escapades. The author = pokes fond fun at his Catholic upbringing. CVLT will be holding auditions on Monday the 29th and Tuesday the 30th = of November at 7:00 PM. Roles available for men and women. The theatre is located at 40 River St. in Chagrin Falls. No resumes or = photos are required to audition. Simply come prepared to read from the = script. Happy Thanksgiving! Chagrin Valley Little Theatre www.cvlt.org ------=_NextPart_000_01B9_01C5F024.948B1940 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
 
Chagrin Valley Little Theatre Audition Reminder
 
King O' the Moon
by Tom Dudzkick
Show Dates: Jan 20 - Feb 11 (Fridays & = Saturdays @=20 8pm)
 
The second of Tom Dudzkick's trilogy of the Buffalo family's = tribulations.=20 Following last season's award-winning Over the Tavern, it largely = concerns the=20 now older Georgie and his escapades. The author pokes fond fun at his = Catholic=20 upbringing.
CVLT will be holding auditions on Monday the 29th and = Tuesday the=20 30th of November at 7:00 PM.
Roles available for men and women.
 
The theatre is located at 40 River St. in Chagrin Falls.  No = resumes=20 or photos are required to audition.  Simply come prepared to = read from=20 the script.
 
Happy Thanksgiving!
 
Chagrin Valley Little Theatre
 
 
------=_NextPart_000_01B9_01C5F024.948B1940-- From alexcine at aol.com Wed Nov 23 09:10:47 2005 From: alexcine at aol.com (alexcine at aol.com) Date: Wed, 23 Nov 2005 12:10:47 -0500 Subject: [NEohioPAL]Film Czar seeks Feedback on making Cleveland a Movie City Message-ID: <8C7BE67FB7053BC-1A94-3EBE@FWM-R16.sysops.aol.com> Emmy winning writer and indie filmmaker Alex P. Michaels will be acting=20 as Cleveland's first Film Czar. It is a position Alex has thrust=20 himself into because he is not satisfied with the "powers that be" not=20 being supportive of the local community and that Cleveland does not do=20 as much as it can do to promote filmmaking here. Being involved in=20 independent films in Cleveland and shooting a TV Series based on his=20 Emmy winning movie, Alex has a unique perspective on how to bring=20 movies to the region and also how to support the filmmaking community. =20 Ironically a few years ago, Alex "divorced" himself from the film=20 community to work on building connections with the business community=20 and work on a proposal that is being shopped around to bring about an=20 incubator that will serve the local community and draw in productions.=20 Being Cleveland Film Czar is part of Alex's larger goal of making=20 Cleveland live up to its' potential and be a true part of the movie and=20 TV industry. The Film Czar would like some feedback on what this City truly needs to=20 make the local film community To get your feedback fill out the form at=20 http://www.prelude2cinema.com/filmczar.htm Thank you Sincerely, Alex Michaels ************************************** Prelude2Cinema "Movies That Make You Think." http://www.prelude2cinema.com ******************************************* From hotcarl at adelphia.net Wed Nov 23 09:14:08 2005 From: hotcarl at adelphia.net (carlferrara) Date: Wed, 23 Nov 2005 12:14:08 -0500 Subject: [NEohioPAL]HOT CARL'S 2ND ANNUAL TURKEY JAM STAND UP COMEDY SHOW TONIGHT @ 9:00 Message-ID: <000801c5f051$507c7c80$d3ca4644@HOTCARLDESKTOP> This is a multi-part message in MIME format. ------=_NextPart_000_0005_01C5F027.678298D0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Wed. Nov 23=20 Comedy Showcase Hot Carl's 2nd Annual Turkey Jam At the Cleveland Black Box Theatre (Cabaret Dada) 1210 West 6th street 9:00 P.M. Under the liquid/fusion Next to dive bar $10.00 4 comics Hot Carl Ferrara Ray DeVito Patrick Fisher MC Shawn Paul More info contact Hot Carl Ferrara 216-469-9077 carlferrara at earthlink.net ------=_NextPart_000_0005_01C5F027.678298D0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable

Wed. Nov 23

Comedy Showcase

Hot Carl=92s 2nd Annual = Turkey=20 Jam

At the Cleveland Black Box = Theatre

(Cabaret Dada)

1210 West 6th street

9:00 P.M.

Under the liquid/fusion

Next to dive bar

$10.00

4 comics

Hot Carl Ferrara

Ray DeVito

Patrick Fisher

MC Shawn Paul

More info contact Hot Carl = Ferrara

216-469-9077

carlferrara at earthlink.net

------=_NextPart_000_0005_01C5F027.678298D0-- From Kyra.Forrest at ticketmaster.com Wed Nov 23 10:07:02 2005 From: Kyra.Forrest at ticketmaster.com (Kyra Forrest Cleveland) Date: Wed, 23 Nov 2005 10:07:02 -0800 Subject: [NEohioPAL]COMP tickets for House of Blues Message-ID: <86224193B841EA49B71149F74043CE3F0BF4004C@chimail2.midwest.ticketmaster.com> This message is in MIME format. Since your mail reader does not understand this format, some or all of this message may not be legible. ------_=_NextPart_001_01C5F058.A4BCC23F Content-Type: text/plain > As a NEOhioPAL subscriber, you are being offered an exclusive > COMPLIMENTARY ticket offer for an upcoming show at House of Blues! Click > on the link below to access your password for comp tickets to Sinead > O'Connor on Dec. 2nd! > > http://www.ticketmaster.com/promo/22563 > > > > Kyra Forrest > Marketing Manager > Ticketmaster > 55 Public Square, STE. 1180 > Cleveland, OH 44113 > 216.241.4900 ext. 226 tel > 216.621.1867 fax > > ------_=_NextPart_001_01C5F058.A4BCC23F Content-Type: text/html Content-Transfer-Encoding: quoted-printable COMP tickets for House of Blues

As a NEOhioPAL subscriber, you are = being offered an exclusive COMPLIMENTARY ticket offer for an upcoming = show at House of Blues! Click on the link below to access your password = for comp tickets to Sinead O'Connor on Dec. 2nd!

http://www.ticketmaster.com/promo/22563


Kyra Forrest
Marketing = Manager
Ticketmaster
55 Public = Square, STE. 1180
Cleveland, OH = 44113
216.241.4900 = ext. 226 tel
216.621.1867 = fax


------_=_NextPart_001_01C5F058.A4BCC23F-- From eunhold at dscdo.org Wed Nov 23 10:46:16 2005 From: eunhold at dscdo.org (Eric Unhold) Date: Wed, 23 Nov 2005 13:46:16 -0500 Subject: [NEohioPAL]SEE FREE THEATER! Ushers needed for HOLIDAY HOTLINE Message-ID: This is a multi-part message in MIME format. ------=_NextPart_000_0028_01C5F034.46BD1690 Content-Type: multipart/alternative; boundary="----=_NextPart_001_0029_01C5F034.46BD1690" ------=_NextPart_001_0029_01C5F034.46BD1690 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Hello, Forwarded message below from Linda Eisenstein, co-creator of Holiday Hotline. To see this show for FREE by ushering (very simple time commitment and effort), please contact her (web address is below). Information about the show, and for ordering tickets, is also below. Thank you! Eric Unhold Administrative Director Gordon Square Arts District eunhold at dscdo.org 216-961-4242 x250 Dear cyberpals: Although I've had many things going on in the past few months, I'm dedicating this plugmobile to the opening of our new musical HOLIDAY HOTLINE. This quirky, irreverent musical comedy revue is dedicated to the things that drive us crazy during the holiday season. It begins previews this week and runs through Dec. 23 here in Cleveland, Ohio. It's co-written by me and Michael Sepesy -- both playwrights in the Cleveland Play House Playwrights' Unit -- and produced by James Levin, founder/former A.D. of Cleveland Public Theatre, at Detroit Avenue Arts. SEE! The amazing revenge of the retail peon! EXPERIENCE! That touching new holiday classic, "Kevin the Kwanzaa Moose"! THRILL! To those hair-raising words, "Some Assembly Required"! If you're in the NE Ohio area during the holiday season, please come and see it. It's going to be a lot of fun. 216-491-1709 for tickets. If you're interested in perusing the script for future production consideration let me know. Our cast CD and production script will be available in the next few weeks. Lots of info about the show, including dates, ticket info, synopsis and cast photos, at: www.holiday-hotline.com. Cheers, Linda Eisenstein www.lindaeisenstein.com ------=_NextPart_001_0029_01C5F034.46BD1690 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable
Hello,
Forwarded=20 message below from Linda Eisenstein, co-creator of Holiday = Hotline.  To see this show for FREE by ushering (very simple = time=20 commitment and effort), please contact her (web address is=20 below).  Information about the show, and for ordering = tickets, is=20 also below.
 
Thank=20 you!

Eric = Unhold
Administrative Director
Gordon=20 Square Arts District
eunhold at dscdo.org
216-961-4242=20 x250

 
 Dear = cyberpals:

Although=20 I've had many things going on in the past few months, I'm dedicating = this=20 plugmobile to the opening of our new musical HOLIDAY HOTLINE. This = quirky,=20 irreverent musical comedy revue is dedicated to the things that drive us = crazy=20 during the holiday season.  It begins previews this week and runs = through=20 Dec. 23 here in Cleveland, Ohio.

It's co-written by me and = Michael=20 Sepesy -- both playwrights in the Cleveland Play House Playwrights' Unit = -- and=20 produced by James Levin, founder/former A.D. of Cleveland Public = Theatre, at=20 Detroit Avenue Arts.

SEE!  The amazing revenge of the retail = peon!
EXPERIENCE!  That touching new holiday classic, "Kevin the = Kwanzaa=20 Moose"!
THRILL! To those hair-raising words, "Some Assembly=20 Required"!

If you're in the NE Ohio area during the holiday = season,=20 please come and see it. It's going to be a lot of fun.  = 216-491-1709 for=20 tickets.

If you're interested in perusing the script for future=20 production consideration let me know.  Our cast CD and production = script=20 will be available in the next few weeks. 

Lots of info = about the=20 show, including dates, ticket info, synopsis and cast photos, at: =
www.holiday-hotline.com.

Cheers,=
Linda=20 Eisenstein
www.lindaeisenstein.com

3Dholidayhotlineart700.jpg =
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dT3Ws3E4asEx1xOPRRgp/lzSzmsCrTGN/mxIboI9p3biQLi3tHN1PFyR3TneRogTNZztstrdhbb7 PDt+XPU5a93B0/ZwpAdTvnf6p1nygBgMkX8xJLBxDv8A3QAb+9a9/Dmqj/tC1fynw/ZPi9tIfpX/ AFY2yfNCAZk81vkjVm8phsLeX5gsD3+zrbvzdB3swOW9yrVp7zhPR60O7+ZZrf5W52iW9t1tL38O 3NGpid192dPRhRPqpYzJjZxeWdcxCrf9HHGhpyfMfzNzFwQe23aDzZrFbMA3Nx389/OHRz6U1Dmj Re39o8q75qrV7nq9Xuer1f/Z ------=_NextPart_000_0028_01C5F034.46BD1690-- From kilbanedan at yahoo.com Wed Nov 23 11:36:07 2005 From: kilbanedan at yahoo.com (Dan Kilbane) Date: Wed, 23 Nov 2005 11:36:07 -0800 (PST) Subject: [NEohioPAL]The Holiday Hotline is open! Nov. 23 - Dec. 23 Message-ID: <20051123193607.9608.qmail@web60719.mail.yahoo.com> --0-1815521035-1132774567=:88673 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit HOLIDAY HOTLINE is up and running! www.holiday-hotline.com 216.491.1709 See! The amazing revenge of the retail peon! Experience! That touching new holiday classic, "Kevin the Kwanzaa Moose!!" Thrill! To those hair-raising words, "Assembly required!!!" Previews begin tonight, Nov. 23 @ 8:00 p.m.! Continuing November 25 & 26 Running December 1 ? 23, 2005 A musical comedy revue James Levin?s Detroit Ave. Arts is proud to announce the world premiere of the irreverent HOLIDAY HOTLINE, a musical comedy revue with sketches and songs. HOLIDAY HOTLINE takes a demented look at all the things that drive us crazy about the Christmas holidays. The show, to run in the funky Orthodox, is written by Michael Sepesy; music by Linda Eisenstein; and lyrics by both. Linda Eisenstein and Michael Sepesy wreck the halls with this fast and funny collection of sketches and songs skewering the holiday season, from A CHRISTMAS CAROL to Kwanzaa. The piece is eclectic and irreverent, taking all holiday traditions prisoner with music styles ranging from country to polka to torch song. The world premiere HOLIDAY HOTLINE sends up everything from the mystery ingredients in the turkey stuffing to elf psychotherapy. Co-creator Michael Sepesy sums it up, ?The show is a cure for the Christmas crazies!? The cast includes local favorites Denise Astorino, Kim Aldrich-Ceja, Mark Cipra, Maryann Elder, Hester Lewellen, and Andrew Narten. The production?s staff is led by director Mindy Childress and musical director Michael Flohr. The show previews Wednesday, November 23 and Friday, November 25 at 8:00 p.m. and Saturday, November 26 (8:00 and 10:30 p.m. shows). Opening night is December 1, with the production running through December 23. Performances are Thursdays, Fridays, Saturdays, and Sundays; Thursdays and Fridays at 8:00 p.m., Saturdays at 8:00 and 10:30 p.m., and Sundays at 3:00 p.m. Tickets can be purchased by calling 216.491.1709. Preview tickets are $10. For performances, Thursday, Sunday and Saturday 10:30 p.m. tickets are $10. Friday and Saturdays at 8:00 p.m. are $15. Orthodox is located at Detroit Avenue Arts, 6203 Detroit Ave., Cleveland, Ohio, 44102. --------------------------------- Yahoo! FareChase - Search multiple travel sites in one click. --0-1815521035-1132774567=:88673 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
HOLIDAY HOTLINE
is up and running!
 
www.holiday-hotline.com
216.491.1709
 
See!  The amazing revenge of the retail peon!
 Experience!  That touching new holiday classic, "Kevin the Kwanzaa Moose!!"
 Thrill! To those hair-raising words, "Assembly required!!!"
 
Previews begin tonight, Nov. 23 @ 8:00 p.m.!  Continuing November 25 & 26
Running December 1 ? 23, 2005
A musical comedy revue
 
James Levin?s Detroit Ave. Arts is proud to announce the world premiere of the irreverent HOLIDAY HOTLINE, a musical comedy revue with sketches and songs.  HOLIDAY HOTLINE takes a demented look at all the things that drive us crazy about the Christmas holidays.  The show, to run in the funky Orthodox,  is written by Michael Sepesy; music by Linda Eisenstein; and lyrics by both.
 
Linda Eisenstein and Michael Sepesy wreck the halls with this fast and funny collection of sketches and songs skewering the holiday season, from A CHRISTMAS CAROL to Kwanzaa.  The piece is eclectic and irreverent, taking all holiday traditions prisoner with music styles ranging from country to polka to torch song.  The world premiere HOLIDAY HOTLINE sends up everything from the mystery ingredients in the turkey stuffing to elf psychotherapy.  Co-creator Michael Sepesy sums it up, ?The show is a cure for the Christmas crazies!?
 
The cast includes local favorites Denise Astorino, Kim Aldrich-Ceja, Mark Cipra, Maryann Elder, Hester Lewellen, and Andrew Narten.
 
The production?s staff is led by director Mindy Childress and musical director Michael Flohr.  
 
The show previews Wednesday, November 23 and Friday, November 25 at 8:00 p.m. and Saturday, November 26 (8:00 and 10:30 p.m. shows).  Opening night is December 1, with the production running through December 23.  Performances are Thursdays, Fridays, Saturdays, and Sundays; Thursdays and Fridays at 8:00 p.m., Saturdays at 8:00 and 10:30 p.m., and Sundays at 3:00 p.m.
 
Tickets can be purchased by calling 216.491.1709.  Preview tickets are $10.  For performances, Thursday, Sunday and Saturday 10:30 p.m. tickets are $10.  Friday and Saturdays at 8:00 p.m. are $15. 
 
Orthodox is located at Detroit Avenue Arts, 6203 Detroit Ave., Cleveland, Ohio, 44102.
 
 
 

Yahoo! FareChase - Search multiple travel sites in one click. --0-1815521035-1132774567=:88673-- >From Joe Cali" This is a multi-part message in MIME format. ------=_NextPart_000_0099_01C5F03D.02CA2280 Content-Type: text/plain; charset="Windows-1252" Content-Transfer-Encoding: quoted-printable Cleveland AFTRA's Freelance Organizing Committee (FLOC) presents the = next in its series of Conservatory Workshops: "USING EARPROMPT and TELEPROMPT" Join us Monday, December 5th from 6:30 - 9 p.m., at the AFTRA Office -- = 1468 West Ninth St., when our session will feature AFTRAN Mike Kraft = discussing the use of Earprompt, and Lorene Kulis of L-K Prompter = sharing her knowledge of Teleprompters. Participants are asked to bring = a recorder of any kind and an earphone (wired is fine). This workshop is limited to 20 AFTRA members in good standing. = Reservations for ALL participants are a must -- 216.781.2255, x12. FEES: $10 per participant =20 Conservatory Membership Annual Fee (provides admission to all events)=20 Must be an AFTRA member in good standing New Conservatory members: $25.00=20 Returning Conservatory members: $20.00 =20 Admission tickets =96 which will be emailed or sent via U.S. mail =96 or = a paid-up AFTRA membership card will be needed to gain entrance to the = building.=20 =20 Please send your check, made out to AFTRA with a notation = =91Conservatory Membership=92 on the memo line, along with your AFTRA = I.D.# and home or e-mail address, to: AFTRA -- 1468 W. 9th St., # 720 = -- Cleveland, OH 44113. =20 =20 Feel free to contact Conservatory Co-Chairs Cathy Albers (cla2 at case.edu) = or Nancy Telzerow (ntorq at aol.com) with questions or for further = information. ------=_NextPart_000_0099_01C5F03D.02CA2280 Content-Type: text/html; charset="Windows-1252" Content-Transfer-Encoding: quoted-printable
Cleveland AFTRA's Freelance Organizing Committee (FLOC) presents=20 the next in its series of Conservatory Workshops:
 
"USING EARPROMPT and=20 TELEPROMPT"
 
Join us Monday, December 5th from 6:30 - 9 p.m., = at the=20 AFTRA Office -- 1468 West Ninth St., when our session will = feature=20 AFTRAN Mike Kraft discussing the use of Earprompt, and Lorene Kulis = of L-K=20 Prompter sharing her knowledge of Teleprompters.  Participants are = asked to=20 bring a recorder of any kind and an earphone (wired is fine).
 
This workshop is limited to 20 AFTRA = members=20 in good standing.   Reservations for=20 ALL participants are a = must  --=20 216.781.2255, x12.
 

 

FEES:  $10 per = participant

 

Conservatory Membership Annual Fee=20 (provides admission to all events)=20

Must be an AFTRA member in good = standing

New Conservatory members: =20 $25.00=20

Returning Conservatory members: =20 $20.00

 

Admission tickets =96 which will be emailed or sent via U.S. = mail =96 or a=20 paid-up AFTRA membership card will be needed to gain entrance to the = building.=20

 

Please send your check, made out to AFTRA with a notation = =91Conservatory=20 Membership=92 on the memo line, along with your AFTRA I.D.# and home or = e-mail=20 address, to:  AFTRA -- 1468 W. 9th St., # 720 -- = Cleveland,=20 OH  44113. 

 

Feel free to contact Conservatory = Co-Chairs Cathy=20 Albers (cla2 at case.edu) or Nancy Telzerow (ntorq at aol.com) with questions or for further=20 information.

------=_NextPart_000_0099_01C5F03D.02CA2280-- From Jessica.Schuster at ideastream.org Wed Nov 23 12:27:07 2005 From: Jessica.Schuster at ideastream.org (Schuster, Jessica) Date: Wed, 23 Nov 2005 15:27:07 -0500 Subject: [NEohioPAL]The 90.3 WCPN "Around Noon" Program Schedule for the Week of November 28 Message-ID: <3658357796870A4FAD822731653E058544A193@ideacom.WVIZ.org> This is a multi-part message in MIME format. ------_=_NextPart_001_01C5F06C.4BA2E6B8 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: quoted-printable For Immediate Release Wednesday, November 23, 2005 Contact: Jessica Schuster, Communications Specialist, ideastream, 216.916.6134 "Around Noon" Schedule for the Week of November 28, 2005 Around Noon, weekdays from noon until 1pm on 90.3 WCPN ideastreamsm, keeps you current and connected with cultural affairs in Northeast Ohio. Through conversations with arts and entertainment luminaries; energetic, live performances; and eclectic, special features, host Dee Perry brings the world of arts and entertainment as close as your radio receiver. Following, is the Around Noon schedule for the week of November 28. Please note, all guests and programs are subject to change. Around Noon Schedule for the week of November 28, 2005 Monday, 11-28-05 Dee keeps things "Tidy" with local playwright Eric Coble, rolls along with Dancing Wheel's Snowman; and chats with the Cavani's Merry Peckham about the Cleveland Institute of Music's Chamber Music Festival. For additional information on today's show, visit the following websites: http://www.lkwdpl.org/beck/news.htm#tidy http://www.playscripts.com/author.php3?authorid=3D264 http://www.cavani.org/ http://www.cim.edu/colFaculty.php?div=3D2#MerryPeckham http://www.cim.edu/cimsplash.html http://www.cim.edu/conEvSeries.php Tuesday, 11-29-05 Dee enters the annual "Circlefest" in University Circle with the principal of the Cleveland School of the Arts; enjoys the "Elixir of Love" from Cleveland Opera; and learns to "Love Janis" at Playhouse Square. For additional information on today's show, visit the following websites: http://www.universitycircle.org/Events/hcf2005.htm http://www.universitycircle.org http://www.cmsdnet.net/csa/ http://www.clevelandopera.org/s30/elixir/ecover.html http://www.clevelandopera.org/ http://www.playhousesquare.com/Events/Events.aspx?EventID=3D842 http://www.playhousesquare.com/ Wednesday, 11-30-05 Today, Dee welcomes local food critics to suggest area restaurants for the holiday season. Joining Dee are: Elaine T. Cicora from Scene Magazine and Doug Trattner from the Free Times. For additional information on today's show, visit the following websites: http://www.clevescene.com/Issues/current/dining/index.html http://www.clevescene.com/ http://www.freetimes.com/modules.php?op=3Dmodload&name=3DNews&file=3Dinde= x&cat id=3D&topic=3D8 http://www.freetimes.com/ Thursday, 12-1-05 Dee gets in the holiday spirit with the offbeat productions "Santaland Diaries" and "Mrs. Bob Cratchit's Wild Christmas Binge" at Cleveland Public Theater; then dials the "Holiday Hotline" onstage at the Orthodox Theater.=20 For additional information on today's show, visit the following websites: http://www.cptonline.org/seasoncalendar/event.cfm?eventid=3D223&eventdate= i d=3D1573 http://www.cptonline.org/seasoncalendar/event.cfm?eventid=3D224&eventdate= i d=3D1553 http://www.cptonline.org/ http://www.holiday-hotline.com/ Friday, 12-2-05 Today, Dee is invited to "Lidia's Family Table" with Lidia Bastianich; ideastream's Jim Goldurs chats with comedian Greg Proops about the Drew Carey all-star comic revue; and we get the naked truth on the music of Barenaked Ladies. For additional information on today's show, visit the following websites: http://shopping.lidiasitaly.com/ProductDetails.aspx?productID=3D407 http://www.lidiasitaly.com/index2.htm http://www.gregproops.com/ http://www.bnlmusic.com/ ------_=_NextPart_001_01C5F06C.4BA2E6B8 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable The 90.3 WCPN "Around Noon" Program Schedule for the = Week of November 28

For = Immediate Release

Wednesday, = November 23, 2005

Contact: = Jessica Schuster, Communications Specialist, ideastream, = 216.916.6134


“Around Noon” Schedule for the Week of = November 28, 2005

Around Noon, weekdays from noon until = 1pm on 90.3 WCPN ideastreamsm, keeps you current and connected = with cultural affairs in Northeast Ohio. Through conversations with arts = and entertainment luminaries; energetic, live performances; and = eclectic, special features, host Dee Perry brings the world of arts and = entertainment as close as your radio receiver.

Following, = is the Around Noon schedule for the week of = November 28. Please note, all guests and programs are subject to = change.


Around Noon Schedule for the week of November 28, = 2005

Monday, = 11-28-05

Dee keeps = things “Tidy” with local playwright Eric = Coble, = rolls along with Dancing Wheel’s Snowman; and chats with the Cavani’s Merry = Peckham = about the Cleveland Institute of Music’s Chamber Music = Festival.

For = additional information on today’s show, visit the following = websites:

http://www.lkwdpl.org/beck/news.htm#tidy

http://www.playscripts.com/author.php3?authorid=3D264

http://www.cavani.org/

http://www.cim.edu/colFaculty.php?div=3D2#MerryPeckham<= /FONT>

http://www.cim.edu/cimsplash.html

http://www.cim.edu/conEvSeries.php


Tuesday, = 11-29-05

Dee enters = the annual “Circlefest” in University Circle with the principal of = the Cleveland School of the Arts; enjoys the = “Elixir of Love” from Cleveland = Opera; = and learns to “Love Janis” at Playhouse Square.

For = additional information on today’s show, visit the following = websites:

http://www.universitycircle.org/Events/hcf2005.htm

http://www.universitycircle.org

http://www.cmsdnet.net/csa/

http://www.clevelandopera.org/s30/elixir/ecover.html

http://www.clevelandopera.org/

= http://www.playhousesquare.com/Events/Events.aspx?Event= ID=3D842

http://www.playhousesquare.com/


Wednesday, 11-30-05

Today, Dee = welcomes local food critics to suggest area restaurants for the holiday = season.  Joining Dee are: = Elaine T. Cicora from Scene = Magazine = and Doug = Trattner = from the Free Times.

For = additional information on today’s show, visit the following = websites:

http://www.clevescene.com/Issues/current/dining/index.h= tml

http://www.clevescene.com/

http://www.freetimes.com/modules.php?op=3Dmodload&n= ame=3DNews&file=3Dindex&catid=3D&topic=3D8<= SPAN LANG=3D"en-us">

http://www.freetimes.com/


Thursday, 12-1-05

Dee gets in = the holiday spirit with the offbeat productions = “Santaland Diaries” and = “Mrs. Bob Cratchit’s Wild Christmas = Binge” at Cleveland Public Theater; then dials the = “Holiday Hotline” onstage at the Orthodox = Theater.

For = additional information on today’s show, visit the following = websites:

http://www.cptonline.org/seasoncalendar/event.cfm?event= id=3D223&eventdateid=3D1573

http://www.cptonline.org/seasoncalendar/event.cfm?event= id=3D224&eventdateid=3D1553

http://www.cptonline.org/

http://www.holiday-hotline.com/


Friday, = 12-2-05

Today, Dee = is invited to “Lidia’s Family Table” with Lidia = Bastianich; ideastream’s Jim Goldurs chats with = comedian Greg Proops about the Drew Carey all-star = comic revue; and we get the naked truth on the music = of Barenaked Ladies.

For = additional information on today’s show, visit the following = websites:

http://shopping.lidiasitaly.com/ProductDetails.aspx?pro= ductID=3D407

http://www.lidiasitaly.com/index2.htm=

http://www.gregproops.com/

http://www.bnlmusic.com/























------_=_NextPart_001_01C5F06C.4BA2E6B8-- From FGVlinda at aol.com Wed Nov 23 16:53:07 2005 From: FGVlinda at aol.com (FGVlinda at aol.com) Date: Wed, 23 Nov 2005 19:53:07 EST Subject: [NEohioPAL]A Place For Us Develp. Inc. survey is extended until end of 2005 Message-ID: <1fd.e4119fc.30b668f3@aol.com> -------------------------------1132793587 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Date of survey for market study information is needed for A Place For Us Development, Inc. at "Park District" West 9th in Warehouse District. We have extended the date until end of 2005 for the survey. Please visit website: Aplace4us.org At this time, we are marketing for this one-of-its-kind project in the nation. The design and plans are to serve a multigenerational community. Our desire is to have a self-contained community that will include on-site health care and social services, educational programming, cultural outreach and retail. This project will be open to all; therefore, we are inviting all those who are supportive of such diversity. Yet, it is within our mission to sell at least 50% of the units to the glbt community. We are hoping for a formation of residential assocation. This association would take ownership of the facility. We feel it is important for the major decision policies and management be controlled by the residential community glbt members. No longer do we want to be excluded in making our long-term decisions and care. A Place For Us Development, Inc., a non-profit gay, lesbian, bisexual and transgender organization, whose mission for the past eight years has been to provide a planned community with various services ranging from health care, cultural, spiritual, social and educational, proudly announces the unanimous vote of its board members to join efforts with Marous Development in developing a housing project designed and dedicated to multigenerational gay, lesbian, bisexual, transgender individuals and inclusive of all those supportive of such diversity. Our immediate goal is to market and sell these condominium units (a 15-year tax abatement) to gay, lesbian, bisexual, and transgendered individuals and to those of the wider community. The proposed site is located in the Warehouse District of downtown Cleveland, on West 9th Street between the 250 unit National Terminal Building to the north and the newly renovated 340 unit Bingham Building to the South. Linda Krasienko, President, A Place For Us Development, Inc. _FGVlinda at aol.com_ (mailto:FGVlinda at aol.com) -------------------------------1132793587 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
Date of survey for market study information is needed for A Pla= ce=20 For Us Development, Inc.  at "Park District" West 9th=20= in=20 Warehouse District.
 
We have extended the date until end of 2005 for the survey.  Pl= ease=20 visit website:
Aplace4us.org
 
At this time, we are marketing for this one-of-its-kind=20 project in the nation. The design and plans are to serve=20 a multigenerational community. Our desire is to have a=20 self-contained community that will include on-site health care and= =20 social services, educational programming, cultural outreach and retail. = ;=20
 
This project will be open to all; therefore, we are inviting=20= all=20 those who are supportive of such diversity.  Yet, it is=20 within our mission to sell at least 50% of the units to the glbt=20 community.  We are hoping for a formation=20 of residential assocation.  This association would=20 take ownership of the facility.  We feel it is=20 important for the major decision policies and=20 management be controlled by the residential community gl= bt=20 members. No longer do we want to be excluded in making our long-term=20 decisions and care. 
 
 
A Place For Us Development,=20 Inc., a non-profit gay, lesbian, bisexual and transgender= =20 organization, whose mission for the past eight years has been = ;to=20 provide a planned community with various services ranging from health care,=20 cultural, spiritual, social=20 and educational, proudly announces = the=20 unanimous vote of  its board members to join efforts with Mar= ous=20 Development in developing a housing project designed and=20 dedicated to multigenerational gay, lesbian, bisexual, transgend= er=20 individuals and inclusive of all those supportive of such=20 diversity.=20
 
Our immediate goal is to market and sell these condominium=20 units (a 15-year tax abatement) to gay, lesbian, bisexual, and=20 transgendered individuals and to those of the wider  community. Th= e=20 proposed site is located in the Warehouse District of downtown Cleveland, on= =20 West 9th Street between the 250 unit National Termin= al=20 Building to the north and the newly renovated 340 unit Bingham Building to t= he=20 South.
 
Linda Krasienko, President, A Place For Us Development,=20 Inc.
FGVlinda at aol.com
 
 -------------------------------1132793587-- From dhineline at neo.rr.com Wed Nov 23 17:00:22 2005 From: dhineline at neo.rr.com (Dave Hineline) Date: Wed, 23 Nov 2005 20:00:22 -0500 Subject: [NEohioPAL]Looking For Singer/Lyrisist to complete band and recording. Message-ID: <001b01c5f092$72a27cb0$47dbbd41@D3HRHB71> This is a multi-part message in MIME format. ------=_NextPart_000_0018_01C5F068.89A64F10 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Band needs a vocalist/lyricist. We are Carbon Thread a hard rock band in the process of recording our = first full length CD, " Seven Responces of Conscienceness" We need a dramatic person who can be the voice of our powerfully = melodic, edgy rock sound. If you have vocal talent and can climb inside = our music and give it meaning through your voice and interpretation, = than this could be the chance you have been looking for. Our record = contains an anthem that grabs peoples attention and has a very positive = feel and will be a concert classic. The song "Hope", could best be = described as Pink Floyds "Run Like Hell" meets U2s "Streets with No = Name" not because we tried to sound like that, its just the best way to = describe this song. If you are interested than we will send a copy of the song and come to = the studio to try out. Please respond or forward to someone who you = might know who would be interested. Please, if you have talent and want to make a great record contact me at = dhineline at neo.rr.com. ------=_NextPart_000_0018_01C5F068.89A64F10 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
Band needs a = vocalist/lyricist.
We are Carbon Thread a hard rock band in the process of recording our first full = length=20 CD, " Seven Responces of Conscienceness"
We need a dramatic person who can be = the voice of=20 our powerfully melodic, edgy rock sound. If you have vocal = talent and=20 can climb inside our music and give it meaning through your voice and=20 interpretation, than this could be the chance you have been looking for. = Our record contains an anthem that = grabs peoples=20 attention and has a very positive feel and will be a concert = classic.=20 The song "Hope", could best be described as Pink Floyds "Run Like = Hell"=20 meets U2s "Streets with No Name" not because we tried to sound like = that, its=20 just the best way to describe this song.
If you are interested than we will send = a copy of=20 the song and come to the studio to try out. Please respond or forward to someone who you might know = who would be=20 interested.
 
Please, if you have talent and = want to make a=20 great record contact me at dhineline at neo.rr.com. ------=_NextPart_000_0018_01C5F068.89A64F10-- From KABBW at aol.com Wed Nov 23 18:17:43 2005 From: KABBW at aol.com (KABBW at aol.com) Date: Wed, 23 Nov 2005 21:17:43 EST Subject: [NEohioPAL]Sinatra or Dean Martin impersonator needed Message-ID: <29a.d63b2.30b67cc7@aol.com> -------------------------------1132798663 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit I know it's short notice, but ... Do you know anyone who does a Sinatra or Dean Martin impersonation? Preferably a singer, but just appearance would be more than we have now. It's for a dinner Wed, November 30th, in Lorain, from 5-7 p.m. and can be paid. More information on request. Thanks!! Kathy Whitmore "In a time of universal deceit, telling the truth is a revolutionary act." -- George Orwell -------------------------------1132798663 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
I know it's short notice, but ...
 
Do you know anyone who does a Sinatra or Dean Martin impersonation?&nbs= p;
<= ?param 0000,0000,FFFF>Preferably=20 a singer, but just appearance would be more than we have now.
It's=20 for a dinner Wed, November 30th, in Lorain, from 5-7 p.m. and can be=20 paid.
 
More information on request.
 
Thanks!!
 
Kathy Whitmore
 

"In a time of universal deceit, tel= ling the=20 truth is a revolutionary act." -- George Orwell

-------------------------------1132798663-- From dolan at en.com Wed Nov 23 18:45:48 2005 From: dolan at en.com (Fred Dolan) Date: Wed, 23 Nov 2005 21:45:48 -0500 Subject: [NEohioPAL]Don't Forget: Johnny Cash & Arlo Guthrie On Thanksgiving Night on WJCU References: <20051122133511.40230.qmail@web81805.mail.mud.yahoo.com> Message-ID: <00dc01c5f0a1$3b128ec0$27a651d1@com> This is a multi-part message in MIME format. ------=_NextPart_000_00D9_01C5F077.441F3EC0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable This is your last chance! Everyone knows at least a few Johnny Cash = fans, so please tell them to join me Thanksgiving evening from 6:30 PM = to midnight for=20 Johnny Cash: The Legend - a 4-hour radio special that=20 covers the entire life and recording career of Johnny Cash in his own = words and also the people who knew him in 4 one-hour segments: Ring Of Fire - Johnny Cash: The American Dream How Great Thou Art - Johnny Cash's spiritual quest. The Man In Black - Johnny Cash's politics and influence The World Needs A Melody - Johnny Cash the Storyteller It will run from 7:00 PM to 11:00PM on Thanksgiving evening without = commercial interruption. Following shortly after 11:00 PM will be Arlo Guthrie's "Alice's = Restaurant." Still one of the greatest songs/monologues of all time!=20 The balance of the program will be some excellent acoustic vocals in the = spirit of Thanksgiving.=20 Tune in on 88.7 FM - WJCU - John Carroll University radio or=20 www.wjcu.org on the internet. Have a great Thanksgiving. Fred Dolan Visiting The Folks 88.7 - WJCU-FM & www.wjcu.org In addition to Thursday night, join me on Sunday nights from 9:00PM to = midnight. ------=_NextPart_000_00D9_01C5F077.441F3EC0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
This is your last chance! Everyone knows at least a few Johnny Cash = fans,=20 so please tell them to join me Thanksgiving evening from 6:30 PM to = midnight for 
Johnny Cash: The Legend - a 4-hour radio special that
covers the entire life and recording career of Johnny Cash in his = own words=20 and also the people who knew him in 4 one-hour segments:
Ring Of Fire = -=20 Johnny Cash: The American Dream
How Great Thou Art - Johnny Cash's = spiritual=20 quest.
The Man In Black - Johnny Cash's politics and influence
The = World=20 Needs A Melody - Johnny Cash the Storyteller
It will run from 7:00 PM = to=20 11:00PM on Thanksgiving evening without commercial = interruption.
Following shortly after 11:00 PM will be Arlo Guthrie's = "Alice's=20 Restaurant." Still one of the greatest songs/monologues of all = time! 
 
The balance of the program will be some excellent acoustic = vocals in=20 the spirit of Thanksgiving. 
 
Tune in on 88.7 FM - WJCU - John Carroll University = radio or=20
www.wjcu.org on the = internet.
 
Have a great Thanksgiving.
 
Fred Dolan
Visiting The Folks
88.7 - WJCU-FM & www.wjcu.org
In addition to Thursday night, join me on Sunday nights from 9:00PM = to=20 midnight.
------=_NextPart_000_00D9_01C5F077.441F3EC0-- From performingarts at karamu.com Wed Nov 23 19:21:11 2005 From: performingarts at karamu.com (Performing Arts) Date: Wed, 23 Nov 2005 22:21:11 -0500 Subject: [NEohioPAL]Come on down to see "A Theatre Grows in Cleveland" & "Going To School" during the holiday weekend at Karamu Message-ID: <025701c5f0a6$1f348460$5701a8c0@karamu.com> This is a multi-part message in MIME format. ------=_NextPart_000_0254_01C5F07C.35D83560 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable "A Theatre Grows in Cleveland" by Hannah Stofan and Alex Phillips This ten minute two-character piece placed fifth in the nation in the = National History Day contest two years ago. It will celebrate Karamu's = 90th anniversary for the Youth Theatre program. Written and performed by = Alexander Phillips and Hannah Stofan from Birchwood School in Ohio, the = original title was "A Theatre Grows in Cleveland: Exploring Racial = Equality Through the Dramatic Arts." It depicts the colorful life of = Russell and Rowena Jelliffe who founded the Playhouse Settlement in 1915 = that later relocated in the 1940's and was renamed Karamu House.=20 "Going To School" by Ed Monk Nick is going off to college for the first time. The only problem is, = his family is taking him -- his mother worries he will starve to death, = his father forgot his tuition check, his teenage sister doesn't see why = she has to go, his younger sister just wants to go to her ballet = recital, and his grandmother "don't hear so good no more." It's going to = be a fun day.=20 November 19 - December 10, 2005. Saturdays and Sundays @ 2pm (Arena Theatre) Adults: $8 Kids: $6=20 For more information, please call Karamu's box office at 216-795-7077. Karamu House 2355 East 89th Cleveland, OH 44106 ------=_NextPart_000_0254_01C5F07C.35D83560 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable

 

"A Theatre Grows in Cleveland" by = Hannah=20 Stofan and Alex Phillips

This ten minute two-character piece placed = fifth in the=20 nation in the National History Day contest two years = ago. It will=20 celebrate Karamu's 90th anniversary for the Youth Theatre program. = Written and=20 performed by Alexander Phillips and Hannah Stofan from Birchwood School = in Ohio,=20 the original title was "A Theatre Grows in = Cleveland:=20 Exploring Racial Equality Through the Dramatic Arts."  It = depicts=20 the colorful life of Russell and Rowena Jelliffe who founded the = Playhouse=20 Settlement in 1915 that later relocated in the 1940's and was renamed = Karamu=20 House.

"Going=20 To School" by Ed Monk

Nick is = going off to=20 college for the first time. The only problem is, his family is taking = him -- his=20 mother worries he will starve to death, his father forgot his tuition = check, his=20 teenage sister doesn't see why she has to go, his younger sister just = wants to=20 go to her ballet recital, and his grandmother "don't hear so good no = more." It's=20 going to be a fun day. 
 
November 19 - December 10,=20 2005.
 
Saturdays and Sundays @=20 2pm (Arena=20 Theatre)
Adults: $8
Kids:=20 $6 
 
For=20 more information, please call Karamu's box office at=20 216-795-7077.
 
 
Karamu=20 House
2355=20 East 89th
Cleveland, OH=20 44106
------=_NextPart_000_0254_01C5F07C.35D83560-- From maheshwari_tiiu at yahoo.com Wed Nov 23 19:47:02 2005 From: maheshwari_tiiu at yahoo.com (Tiiu Gennert) Date: Wed, 23 Nov 2005 19:47:02 -0800 (PST) Subject: [NEohioPAL]Happy Thanksgiving! (Studio 11's Holiday Class Schedule) Message-ID: <20051124034702.36106.qmail@web51103.mail.yahoo.com> --0-1039229413-1132804022=:28161 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Join Studio 11 Thanksgiving Day November 24th for Classical Yoga Time: 10:00 am ? Noon Price: $15 Celebrate Thanksgiving Day with Kate & Tiiu for 2 Hours of Yoga (including cleansing yoga postures, energizing breath exercises & an extended relaxation) {Note: Regularly scheduled classes will not be held in honor of the Holiday} No Sunrise Yoga Class on Friday Morning, Nov. 25th Extra Special Karma Yoga "Happy Hour" ... Extended Version Featuring Special Guest Instructor Neel Kulkarni this Friday, November 25th 6:00-8:00 pm (with 10 min. break at 7:00 pm) More details to follow .... Studio 11 Yoga, Pilates & Thai Yoga Massage 2337 West 11th Street Cleveland, OH 44113 216.621.8179 www.studio11tremont.com info at studio11tremont.com --0-1039229413-1132804022=:28161 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
Join Studio 11
 Thanksgiving Day November 24th
for
Classical Yoga
Time: 10:00 am ? Noon
Price: $15
 Celebrate Thanksgiving Day with
Kate & Tiiu for
2 Hours of Yoga
(including cleansing yoga postures, energizing breath exercises & an extended relaxation)
 {Note:  Regularly scheduled classes will not be held in honor of the Holiday}
No Sunrise Yoga Class on Friday Morning, Nov. 25th
Extra Special Karma Yoga "Happy Hour" ... Extended Version
Featuring Special Guest Instructor Neel Kulkarni this Friday, November 25th
6:00-8:00 pm
(with 10 min. break at 7:00 pm)
More details to follow ....


Studio 11
Yoga, Pilates & Thai Yoga Massage
2337 West 11th Street
Cleveland, OH 44113
216.621.8179
www.studio11tremont.com
info at studio11tremont.com
--0-1039229413-1132804022=:28161-- From kaimei at earthlink.net Wed Nov 23 17:35:43 2005 From: kaimei at earthlink.net (Christopher) Date: Wed, 23 Nov 2005 20:35:43 -0500 Subject: [NEohioPAL]Film bi-czar References: <8C7BE67FB7053BC-1A94-3EBE@FWM-R16.sysops.aol.com> Message-ID: <438518EE.EBFC1C27@earthlink.net> Wow! Where to begin... I know I'm supposed to fill out the feedback form, but I suspect it was born with dust on it. Everybody who cares in the slightest for Northeast Ohio's film and video community at least knows someone whose cousin subscribes to NEohioPAL, so my words, frazzled by ever-decreasing creative empathy and sprinkled with a dash of hypocrisy as they may be, are in good hands. As far as I can tell from the expansive view provided by my basement studio's glass block windows, there are three base problems holding back this media arts community. 1. Homogenization of the community's organizational bodies 2. Underappreciation for a team-oriented work ethic 3. Absence of quality control on the parts of area producers If this list elicits a big "hell yeah" from readers, then they can save themselves some time and stop here, you're just going to agree with everything else. The less you agree, the more you should read. Until these issues are not just addressed (ahhhhgain), but solved, the pursuit of a NEO film community is like mankind's pursuit of expansion into space. Untold and uncomprehendable benefits await us as we ready ourselves to explore the final frontier, but none of that's of any use if we try to rush into the next phase as a trainwreck of a society. We've got to handle the mess in our backyard lest we pollute someone else's, in this case, with cliquish, fractured organization; productions that had to take shortcuts or fail altogether because of unprofessionalism and steaming piles of sloppily produced attempts at legitimizing sociopathic predilections. Nobody's being specifically attacked here. If you agree with me, say "amen" to your computer screen. If the shoe finds itself fitting all too comfortably, then make sure it's tied on tight so we can't smell what you've got hiding in there. If you don't see these problems in our community, then you're just not in the community. Maybe you're better off, because weez gotz major problems standing between "us" (the NEO film community) and "them" (an audience outside of people who still think making shoestring movies is a neat novelty). Care to read more? I've got solutions, or at least ideas if anybody's listening. But before we go there, you may be wondering, "why does this guy think he knows all about what's wrong here and how to fix it?" The answer is simple. Having been buffeted by complacency, then uppercutted by unsubstantiated egos and finally kicked by addictions to mediocrity while I was down, I've taken on alot of ya'll's bad habits. I'm becoming part of the problem. I was Director of Operations for a long-defunct organization you may remember called The Alliance, which was supposed to be a pool of film, television and theatrical artists. The brainchild of this organization started their own production company and inexplicably started treating The Alliance as competition, withholding audition announcements, badmouthing our board and trustees, etc. So I was front row for the demolition derby that was watching a fully incorporated 501 c 3 non profit organization fall victim to a proverbial scat-porn fest under the very people who created it. I don't know the problems that must have festered in the Cleveland Film Society or other organizations, but none of them have substantively helped anybody I know. And having been around for longer than I care to admit, I know many. I've watched myself cut corners just to finish core scenes when cast and crew threaten to bail on us. I've worked with people I had doubts about just because the ones I want to work with shuffle off to California without notice, and my product has suffered. Anybody who claims to be or says they can introduce me to the "next big name" in this biz, usually has me running for the hills. But other people are only a fraction of blame. I mean, who reading this doesn't get complete erectile dysfunction over the thought of the unoriginality that runs rampant, or the "big deal" our local news agencies make of any Hollywood film that graces us with its presence, then hits the big screen like a big wet spitwad we want to wipe off to see the real movie underneath? Add to that factors we can't control like the most unpredictable weather in the United States; locations that build up and tear down without notice; "artistes" who instead of giving us their leadership, look down their noses at us; and a sociopathy whose indecision between whether to be a belt of bibles made of rust or vice versa, only makes certain that independent voices get revised into fourth grade English with "values," (without asking "whose values?") and I find myself in a working environment where I get one feature completed for every two that go into production, and countless more that I would start, but can't even get off the ground. Even so, with an average of one feature length production that gets screened at major national and international film festivals every year for the last sixteen years, I am one of the most productive producers of narrative cinema in the Midwest. I'm far away however from being comfortable writing about myself in the third person except in press releases. So to try to wrap this up, here are my ideas for solutions in (as) brief (as possible). If the Film Czar agrees with me, maybe he can help institute some of them. His administration can reap the benefits, but remember, you heard it here first: 1. Start a large bodied organization by making its mission statement something that a majority can agree with. Does everybody want to be famous? Does everybody want Northeast Ohio to be the next Hollywood? Not from what I've heard, and I mean that with sincerity. Not everybody who is interested in local film even wants to actually produce movies, let alone produce them here. What is a thread common to the most people with interests related to making movies in this area? The lagging economy? The need for creative growth? What are the issues that would bring artists, professionals and beginners to the table regardless of clique or perceived experience? We've tried espousing Cleveland as a diverse location for production, but our diverse weather shat that one down. We've tried marketing the talent in the area, but the only productions we have to show for it are ones that local audiences find to be too "edgy" or "controversial," while more cosmopolitan markets outside of Ohio think we're a bunch of poseurs. Said organization may not be able to be as ambitious as getting movies made, but some smaller component of the lifestyle, if it's to draw as diverse a crowd as possible to beef up its networking opportunity street cred. The organization has to address issues relevant to all who are interested in this field, regardless of what kind of production is being made, what the individual's expected role is, or the intended audience. I know I sound like I contradicted myself just now with an earlier sentence about sociopathic predilections, but hold on to your britches. I'm not hatin', I'm just sayin'. The closest to doing this now is IndieCleveland, but I'm talking about something that has sway with community leaders. 2. Create a reward/accountability system for those who want to be considered a pillar of this area's creative media community. Start a website, for instance: www.auteurorposeur.com and model it after Ebay's feedback system. An artist voluntarily posts a profile, a filmography, the like, and others can post feedback- positive and negative. Of course, the artist can retort negative feedback on the message board. I know this smacks of turning into an extension of the good vibrations we all read on NEohioPAL once in a while-often, but something has to draw attention to the infectious lack of work ethic that often even ensnares me, exhausting me to the point where I don't even have the energy to return phone calls. When I meet cast and crew who haven't been exposed to some of the attitudes of the NEO film community, I'm often embarrassed for our community when faced with the proposition that they soon will get such a dose, that they often relocate. I mean a producer or professional actor can only work opposite so much indecision, "my boy/girlfriend won't let me act," or other sudden objections to the material you've all been working with for the last three months just because half way through production, they got around to reading your screenplay. But why should they help us producers with THEIR professionalism when area producers need to: 3. Stop trying to force their fantasy lives down your throats while acting shocked when you don't know how to react to some of the strange demands that they put on you during all processes of the production. Now am I getting my morality panties all in a bunch? No way! One of my current productions plays like John Waters directing an episode of Law & Order SVU, but I'm up front with people about what it is, and as long as they actually read the material before they say yes, then there are no hard feelings, and only mutual respect if and when they say no. But too many producers try to sneak it in on ya and then make you feel like you've got the shortcoming when you question doing material that wasn't in the script. It's got to feel like you got your picture taken by someone who was pretending to not take a picture of you, but of something else. That bait and switch hurts cast and crew relations, but (to me) more importantly, it compromises a production a) by risking its failure due to walk out, and b) wincing in the face of intellectual confrontation. You've got something ballsy to put out there? Let us check it out, if you sound like you know what you want and why, there are alot of actors here who will back your play. I know, I've worked with and am working with artists who help me take on some of the most controversial subjects a regional film has taken on, at least with sincerity. Worse still are the ones who pull punches and hope we don't notice. Do the films that feel right, and do them the way you feel they should be done, because people smell distrust, and if you don't trust them with your material, they're not going to trust you. That is, in my humble opinion, the biggest obstacle stopping films made in this area from being some of the greatest films made in any area. I know one attracts more flies with honey than vinegar, but I prefer to think of what I have to say as bittersweet. And besides... attract flies? I'm not trying to imitate a pile of...... purchasable film awards... Christopher K. Young www.shallowfocus.com alexcine at aol.com wrote: > Emmy winning writer and indie filmmaker Alex P. Michaels will be acting > as Cleveland's first Film Czar. It is a position Alex has thrust > himself into because he is not satisfied with the "powers that be" not > being supportive of the local community and that Cleveland does not do > as much as it can do to promote filmmaking here. Being involved in > independent films in Cleveland and shooting a TV Series based on his > Emmy winning movie, Alex has a unique perspective on how to bring > movies to the region and also how to support the filmmaking community. > Ironically a few years ago, Alex "divorced" himself from the film > community to work on building connections with the business community > and work on a proposal that is being shopped around to bring about an > incubator that will serve the local community and draw in productions. > Being Cleveland Film Czar is part of Alex's larger goal of making > Cleveland live up to its' potential and be a true part of the movie and > TV industry. > > The Film Czar would like some feedback on what this City truly needs to > make the local film community > To get your feedback fill out the form at > http://www.prelude2cinema.com/filmczar.htm > > Thank you > > Sincerely, > Alex Michaels From m.ozimek at sbcglobal.net Wed Nov 23 22:14:41 2005 From: m.ozimek at sbcglobal.net (Mary Lou Ozimek) Date: Thu, 24 Nov 2005 01:14:41 -0500 Subject: [NEohioPAL]Ohio Boychoir Concert Announcements Message-ID: <20051124061451.CF6514CE49@braxton.siteprotect.com> This is a multi-part message in MIME format. ------=_NextPart_000_0075_01C5F094.72C02BF0 Content-Type: multipart/alternative; boundary="----=_NextPart_001_0076_01C5F094.72C02BF0" ------=_NextPart_001_0076_01C5F094.72C02BF0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit ------=_NextPart_001_0076_01C5F094.72C02BF0 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable THIS IS A TEST: LET ME KNOW IF THIS WILL WORK FOR YOU, = SARAH

 

 

 

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0AqwvelXNJjM678O6Vd28kBs4oRIqIzwRqjbVIKrnHIGBweKdH4f0mK0gtBp1s0MCgRq8SttwAM5 I64Uc+w9K0CQOKTcPekMo2WhaXp9qlrb2FusSJs5iUlhgA7jjkkAZJ64psWkWUNnJZGBZ4JZGklW cCTzWZtzFs9Tn+laBcdqjLUAVX0nTZN+/TrRvMVUfMCncq/dB45AwMDtgU9dK08xLCbG28lCWWPy V2gkYJAxjpx9KmU5NTcYxQBk3nh7S7mCSA2MESSRiJzDGqM0Y/gyBnaehHpViaytbiaKaa2hllhy YneMM0ef7pPT8Ktv1pFGaYiFLOD90BDGBCMRjYPkGMcenHHHaop9J06WIQzWNrJEFVAjQqVCrnaM EdBk4HbNXWYIOKqTT44zRuBDLp+nyRRQyWVs8cB3RI0KlYz6qMcfhUTaXprzGdtPtWlJJMhgUsSe pzjPOTn60/zT+FKJKdhXK/8AYWk+UIhplmIlIIT7Om0EEkHGPUn8zSjSrCG4+1R2cMc+WPmIgViW wGJI6k471MZsVG0xNNIRXGnWKtK4s7cNKwaRvKXLt6njk8nr61DJZ2EcflrZ2wQIYwoiXG0nJXGO hODj1qaabA461Rd3kz1rRIlshkt9NYrvsLRtgAXMKnaBgDHHsPyqyINPnKSS2Vs7xkMjNCpKnjkH HH3R+Q9KovbyFiQKsxQukfNW4qxCbuF7qAVuDS2F00rDnrWReqzyYrU0mErgmqcUo3C92f/Z ------=_NextPart_000_0075_01C5F094.72C02BF0-- From maheshwari_tiiu at yahoo.com Wed Nov 23 23:00:34 2005 From: maheshwari_tiiu at yahoo.com (Tiiu Gennert) Date: Wed, 23 Nov 2005 23:00:34 -0800 (PST) Subject: [NEohioPAL]Extra Special Karma Yoga Class at Studio 11 Message-ID: <20051124070034.88968.qmail@web51109.mail.yahoo.com> --0-220855679-1132815634=:87094 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Extra Special Karma Yoga "Happy Hour" ... Extended Version Featuring Guest Instructor Neel Kulkarni this Friday, November 25th 6:00-8:00 pm (w/10 minute break at 7:00 pm) Neel Kulkarni, born and brought up in a yoga family of India, is a grand parenting level yoga teacher, residing in Virginia. He has studied and taught Yoga in a classical style for 30 years. His work can be seen on www.authenticyoga.org. Neel is here in Cleveland visiting family over the Thanksgiving holiday & we are honored to have him share his practice with us. Neel's class is designed to cover several topics including Yoga Asana, Meditation, Philosophy & Chanting. There will also be time for a Question & Answer Session. His knowledge base of yoga is vast, so take advantage of the time he is with us. In the first few minutes of class, Neel will gather the wishes/intentions of the students to form a specialized agenda. Then, he will provide detailed instruction on the requested topics. The class will finish with chanting (Kirtan) of the first chapter of Shree Patanlayogadarshanam (Yoga Sutras of Patanjali). We recommend that you stay for the entire 2 hour class session, but if you need to go at 7pm, there will be a 10 minute break at that time. Om Shanti-Om Shanti-Om Shanti-Om. Studio 11 Yoga, Pilates & Thai Yoga Massage 2337 West 11th Street Cleveland, OH 44113 216.621.8179 www.studio11tremont.com info at studio11tremont.com --0-220855679-1132815634=:87094 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
Extra Special Karma Yoga "Happy Hour" ... Extended Version
Featuring Guest Instructor Neel Kulkarni this Friday, November 25th
6:00-8:00 pm
(w/10 minute break at 7:00 pm)
 
Neel Kulkarni, born and brought up in a yoga family of India, is a grand parenting level yoga teacher, residing in Virginia. He has studied and taught Yoga in a classical style for 30 years.  His work can be seen on www.authenticyoga.org.

Neel is here in Cleveland visiting family over the Thanksgiving holiday & we are honored to have him share his practice with us. Neel's class is designed to cover several topics including Yoga Asana, Meditation, Philosophy & Chanting. There will also be time for a Question & Answer Session. His knowledge base of yoga is vast, so take advantage of the time he is with us.
In the first few minutes of class, Neel will gather the wishes/intentions of the students to form a specialized agenda. Then, he will provide detailed instruction on the requested topics. The class will finish with chanting (Kirtan) of the first chapter of Shree Patanlayogadarshanam (Yoga Sutras of Patanjali). We recommend that you stay for the entire 2 hour class session, but if you need to go at 7pm, there will be a 10 minute break at that time. Om Shanti-Om Shanti-Om Shanti-Om.


Studio 11
Yoga, Pilates & Thai Yoga Massage
2337 West 11th Street
Cleveland, OH 44113
216.621.8179
www.studio11tremont.com
info at studio11tremont.com
--0-220855679-1132815634=:87094-- From cinevid at yahoo.com Thu Nov 24 00:57:18 2005 From: cinevid at yahoo.com (Bill) Date: Thu, 24 Nov 2005 00:57:18 -0800 (PST) Subject: [NEohioPAL]All Hail Film Czar and Film Prophet In-Reply-To: <20051124060306.C205C61F8A@mailman.siteprotect.com> Message-ID: <20051124085718.86417.qmail@web60323.mail.yahoo.com> --0-1853990415-1132822638=:84088 Content-Type: multipart/alternative; boundary="0-265274245-1132822638=:84088" --0-265274245-1132822638=:84088 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit All Hail Film Czar and Film Prophet You know, most of the time I sit with calm amusement as I read the various ramblings as to why Cleveland isn't 'on the map' when it comes to motion picture film and TV production. However, these latest posts are just too funny to ignore... A self proclaimed Film Czar? What the hell is that? Alex, I thought you were joking! And Christopher, you seem to have so much intelligence and yet you completely miss the point. Ya wanna know the reason why we can't all just get along and make movies together? Well here it is. There's too much crap!!! And widely varying degrees of crap. One of the only reasons our monthly Indieclub meetings are successful is because we're not trying to create a consortium; we're not trying to unite our resources, we're not even trying to improve eachother's work. We're just watching videos. And guess what? We see a lot of crap. We see some good stuff too, but mostly we see Learners, Yearners and Burners. Now, Learners are novice filmmakers who make crap because it's their first film and rather than learn the trade first, they go ahead and make a movie as practice and hopefully they'll improve. We sit politely and smile, wishing they had thought about lighting, sound, acting, dialogue, and camera work before making us sit through their experiments. Yearners are filmmakers who really want to make good films, so they use everything at their disposal to make the best possible film they can. However, they're still somewhat plagued by compromise and the results are never what they hoped for, nor what a real distributor will buy. Much easier to sit through though. Burners are the worst. These are filmmakers (usually prolific) who make crap every time out of the gate. Their camera work is mostly hand-hell shaky cam. Their lighting is barely more than ambient and they often use the on-camera mic to capture dialogue. The acting is wooden and undirected; the stories are either so deep you need waders, or so shallow you can't find a point; and to top it off, they're fully convinced they are great filmmakers. But why do I call them Burners you ask? Well, because they burn the bridges that sincere Yearners might someday want to use. They burn bridges with actors who get soured against indie filmmakers because they have nothing decent to show for all their hard work (not even copy). They burn bridges with locations because they are so unorganized that they overstay their welcomes, mess up property and never send copies of the video, like they promise to do. They burn bridges with investors because the investor never sees a dime of their money back. They burn bridges with the legitimate film commission, because, as I said before they make crap and what film commission is going to support and encourage more crap??? Yet that's not the reason why we don't need a film czar or film prophet or any other coordinating force. The real reason is no one wants to work on someone else's film. You see, most of the people that comprise the indie scene here in Cleveland are writer/producer/directors and we're all working on our own projects. And guess what. I'm not all that interested in spending my valuable time working on someone's project which I consider to be crappier than my own. I can just as easily be spending my time and resources creating my own crap. Sure everyone would like to think there's a benevolent brotherhood of filmmakers; a selfless society where everyone submits ideas and work samples and then the members vote on what script to do and who to direct it. The community is presented with the proposal and since it bears the backing of so many filmmakers, the businesses get involved and support the project with services and finances. The best actors come from all around to have a part in the project and a glorious motion picture is produced that wins the Oscar for Impossible Dream... That would be a good plot for a fantasy picture, but in the real world, writers will lose interest if their script isn't picked. Directors will bail if they can't direct and actors will walk away if they can't be the lead. And you guessed it the end product would probably be... well, I don't need to say it again. (though I really want to) Bill Johns crappy writer/producer/and director www.cinevidproductions.com P.S - I guess I'm in a sour mood because just yesterday I lost a serious investor (producer of two features in LA) because she said the acting in one of the scenes I sent her wasn't very good. I knew it when I shot it that I was compromising, and even though we're reshooting that scene, it's too late to regain that contact... ah CRAP! --------------------------------- Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --0-265274245-1132822638=:84088 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
All Hail Film Czar and Film Prophet
 
You know, most of the time I sit with calm amusement as I read the various ramblings as to why Cleveland isn't 'on the map' when it comes to motion picture film and TV production. However, these latest posts are just too funny to ignore... A self proclaimed Film Czar? What the hell is that? Alex, I thought you were joking! And Christopher, you seem to have so much intelligence and yet you completely miss the point.
 
Ya wanna know the reason why we can't all just get along and make movies together? Well here it is. There's too much crap!!! And widely varying degrees of crap. One of the only reasons our monthly Indieclub meetings are successful is because we're not trying to create a consortium; we're not trying to unite our resources, we're not even trying to improve eachother's work. We're just watching videos. And guess what? We see a lot of crap. We see some good stuff too, but mostly we see Learners, Yearners and Burners.
 
Now, Learners are novice filmmakers who make crap because it's their first film and rather than learn the trade first, they go ahead and make a movie as practice and hopefully they'll improve. We sit politely and smile, wishing they had thought about lighting, sound, acting, dialogue, and camera work before making us sit through their experiments.
 
Yearners are filmmakers who really want to make good films, so they use everything at their disposal to make the best possible film they can. However, they're still somewhat plagued by compromise and the results are never what they hoped for, nor what a real distributor will buy. Much easier to sit through though.
 
Burners are the worst. These are filmmakers (usually prolific) who make crap every time out of the gate. Their camera work is mostly hand-hell shaky cam. Their lighting is barely more than ambient and they often use the on-camera mic to capture dialogue. The acting is wooden and undirected; the stories are either so deep you need waders, or so shallow you can't find a point; and to top it off, they're fully convinced they are great filmmakers.
 
But why do I call them Burners you ask? Well, because they burn the bridges that sincere Yearners might someday want to use. They burn bridges with actors who get soured against indie filmmakers because they have nothing decent to show for all their hard work (not even copy). They burn bridges with locations because they are so unorganized that they overstay their welcomes, mess up property and never send copies of the video, like they promise to do. They burn bridges with investors because the investor never sees a dime of their money back. They burn bridges with the legitimate film commission, because, as I said before they make crap and what film commission is going to support and encourage more crap???
 
Yet that's not the reason why we don't need a film czar or film prophet or any other coordinating force. The real reason is no one wants to work on someone else's film. You see, most of the people that comprise the indie scene here in Cleveland are writer/producer/directors and we're all working on our own projects. And guess what. I'm not all that interested in spending my valuable time working on someone's project which I consider to be crappier than my own. I can just as easily be spending my time and resources creating my own crap.
 
Sure everyone would like to think there's a benevolent brotherhood of filmmakers; a selfless society where everyone submits ideas and work samples and then the members vote on what script to do and who to direct it. The community is presented with the proposal and since it bears the backing of so many filmmakers, the businesses get involved and support the project with services and finances. The best actors come from all around to have a part in the project and a glorious motion picture is produced that wins the Oscar for Impossible Dream...
 
That would be a good plot for a fantasy picture, but in the real world, writers will lose interest if their script isn't picked. Directors will bail if they can't direct and actors will walk away if they can't be the lead. And you guessed it the end product would probably be... well, I don't need to say it again. (though I really want to)
 
Bill Johns
crappy writer/producer/and director
 
P.S - I guess I'm in a sour mood because just yesterday I lost a serious investor (producer of two features in LA) because she said the acting in one of the scenes I sent her wasn't very good. I knew it when I shot it that I was compromising, and even though we're reshooting that scene, it's too late to regain that contact... ah CRAP!

Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --0-265274245-1132822638=:84088-- --0-1853990415-1132822638=:84088-- From alitivity at yahoo.com Thu Nov 24 04:10:41 2005 From: alitivity at yahoo.com (Al Diamond Phillips) Date: Thu, 24 Nov 2005 04:10:41 -0800 (PST) Subject: [NEohioPAL]Happy Thanksgiving from the Al Diamond Phillips Christmas Variety Spectacular Message-ID: <20051124121041.41885.qmail@web50602.mail.yahoo.com> Hope everyone has a nice holiday. For ticketets to the show Dec 17th call Williams on the Lake 330-722-6766 Ext 11 __________________________________ Yahoo! Mail - PC Magazine Editors' Choice 2005 http://mail.yahoo.com From memakefilm at yahoo.com Thu Nov 24 05:32:29 2005 From: memakefilm at yahoo.com (Jamey Mixson) Date: Thu, 24 Nov 2005 05:32:29 -0800 (PST) Subject: [NEohioPAL]Film bi-czar In-Reply-To: <438518EE.EBFC1C27@earthlink.net> Message-ID: <20051124133229.19398.qmail@web36201.mail.mud.yahoo.com> --0-269190289-1132839149=:19396 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Chris (you have a lot of time on your hands...help me clean the gutters huh) *Joke! Bravo for standing against the machine! After reading the Fidel Castro-ism of one individuals demand to be the CZAR of the City, I personally felt "Oh Please-ish". This rings like the sound of a horse wrangler running FEMA. To quote Dr. Phil: "how's that working out for ya". I'm an implant, I live here by choice (ok my wife made me but so what). This community, collectively, is weak to the strength and endorse needed to make a major film. Further most of the upstarts lack knowledge of the system, sadly even I as a card carrying rebel stick to the system. Which, in other communities has a sincere political backing. Gary, Indiana (I believe or was the case some few years ago) will bend over a chair (no kiss, no dinner, no flowers) for film production. I'm not beating up on Mr. Alex of the Emmy but we'd (I...we makes it feel robust) feel more confortable with an individual/ organization elect by and for the people. I too have a person project I'm pushing "buy my book, buy my book" but that will not be my political stance on the future of the community; me then us, well me...if time allows us as well. HINT* Contact Mr. Jackson's Office...maybe they'll be for it. Fire the Czar, I need no self righted leader. Ranting is always welcome Happy Holiday Jamey memakefilm at yahoo.com Christopher wrote: Wow! Where to begin... I know I'm supposed to fill out the feedback form, but I suspect it was born with dust on it. Everybody who cares in the slightest for Northeast Ohio's film and video community at least knows someone whose cousin subscribes to NEohioPAL, so my words, frazzled by ever-decreasing creative empathy and sprinkled with a dash of hypocrisy as they may be, are in good hands. As far as I can tell from the expansive view provided by my basement studio's glass block windows, there are three base problems holding back this media arts community. 1. Homogenization of the community's organizational bodies 2. Underappreciation for a team-oriented work ethic 3. Absence of quality control on the parts of area producers If this list elicits a big "hell yeah" from readers, then they can save themselves some time and stop here, you're just going to agree with everything else. The less you agree, the more you should read. Until these issues are not just addressed (ahhhhgain), but solved, the pursuit of a NEO film community is like mankind's pursuit of expansion into space. Untold and uncomprehendable benefits await us as we ready ourselves to explore the final frontier, but none of that's of any use if we try to rush into the next phase as a trainwreck of a society. We've got to handle the mess in our backyard lest we pollute someone else's, in this case, with cliquish, fractured organization; productions that had to take shortcuts or fail altogether because of unprofessionalism and steaming piles of sloppily produced attempts at legitimizing sociopathic predilections. Nobody's being specifically attacked here. If you agree with me, say "amen" to your computer screen. If the shoe finds itself fitting all too comfortably, then make sure it's tied on tight so we can't smell what you've got hiding in there. If you don't see these problems in our community, then you're just not in the community. Maybe you're better off, because weez gotz major problems standing between "us" (the NEO film community) and "them" (an audience outside of people who still think making shoestring movies is a neat novelty). Care to read more? I've got solutions, or at least ideas if anybody's listening. But before we go there, you may be wondering, "why does this guy think he knows all about what's wrong here and how to fix it?" The answer is simple. Having been buffeted by complacency, then uppercutted by unsubstantiated egos and finally kicked by addictions to mediocrity while I was down, I've taken on alot of ya'll's bad habits. I'm becoming part of the problem. I was Director of Operations for a long-defunct organization you may remember called The Alliance, which was supposed to be a pool of film, television and theatrical artists. The brainchild of this organization started their own production company and inexplicably started treating The Alliance as competition, withholding audition announcements, badmouthing our board and trustees, etc. So I was front row for the demolition derby that was watching a fully incorporated 501 c 3 non profit organization fall victim to a proverbial scat-porn fest under the very people who created it. I don't know the problems that must have festered in the Cleveland Film Society or other organizations, but none of them have substantively helped anybody I know. And having been around for longer than I care to admit, I know many. I've watched myself cut corners just to finish core scenes when cast and crew threaten to bail on us. I've worked with people I had doubts about just because the ones I want to work with shuffle off to California without notice, and my product has suffered. Anybody who claims to be or says they can introduce me to the "next big name" in this biz, usually has me running for the hills. But other people are only a fraction of blame. I mean, who reading this doesn't get complete erectile dysfunction over the thought of the unoriginality that runs rampant, or the "big deal" our local news agencies make of any Hollywood film that graces us with its presence, then hits the big screen like a big wet spitwad we want to wipe off to see the real movie underneath? Add to that factors we can't control like the most unpredictable weather in the United States; locations that build up and tear down without notice; "artistes" who instead of giving us their leadership, look down their noses at us; and a sociopathy whose indecision between whether to be a belt of bibles made of rust or vice versa, only makes certain that independent voices get revised into fourth grade English with "values," (without asking "whose values?") and I find myself in a working environment where I get one feature completed for every two that go into production, and countless more that I would start, but can't even get off the ground. Even so, with an average of one feature length production that gets screened at major national and international film festivals every year for the last sixteen years, I am one of the most productive producers of narrative cinema in the Midwest. I'm far away however from being comfortable writing about myself in the third person except in press releases. So to try to wrap this up, here are my ideas for solutions in (as) brief (as possible). If the Film Czar agrees with me, maybe he can help institute some of them. His administration can reap the benefits, but remember, you heard it here first: 1. Start a large bodied organization by making its mission statement something that a majority can agree with. Does everybody want to be famous? Does everybody want Northeast Ohio to be the next Hollywood? Not from what I've heard, and I mean that with sincerity. Not everybody who is interested in local film even wants to actually produce movies, let alone produce them here. What is a thread common to the most people with interests related to making movies in this area? The lagging economy? The need for creative growth? What are the issues that would bring artists, professionals and beginners to the table regardless of clique or perceived experience? We've tried espousing Cleveland as a diverse location for production, but our diverse weather shat that one down. We've tried marketing the talent in the area, but the only productions we have to show for it are ones that local audiences find to be too "edgy" or "controversial," while more cosmopolitan markets outside of Ohio think we're a bunch of poseurs. Said organization may not be able to be as ambitious as getting movies made, but some smaller component of the lifestyle, if it's to draw as diverse a crowd as possible to beef up its networking opportunity street cred. The organization has to address issues relevant to all who are interested in this field, regardless of what kind of production is being made, what the individual's expected role is, or the intended audience. I know I sound like I contradicted myself just now with an earlier sentence about sociopathic predilections, but hold on to your britches. I'm not hatin', I'm just sayin'. The closest to doing this now is IndieCleveland, but I'm talking about something that has sway with community leaders. 2. Create a reward/accountability system for those who want to be considered a pillar of this area's creative media community. Start a website, for instance: www.auteurorposeur.com and model it after Ebay's feedback system. An artist voluntarily posts a profile, a filmography, the like, and others can post feedback- positive and negative. Of course, the artist can retort negative feedback on the message board. I know this smacks of turning into an extension of the good vibrations we all read on NEohioPAL once in a while-often, but something has to draw attention to the infectious lack of work ethic that often even ensnares me, exhausting me to the point where I don't even have the energy to return phone calls. When I meet cast and crew who haven't been exposed to some of the attitudes of the NEO film community, I'm often embarrassed for our community when faced with the proposition that they soon will get such a dose, that they often relocate. I mean a producer or professional actor can only work opposite so much indecision, "my boy/girlfriend won't let me act," or other sudden objections to the material you've all been working with for the last three months just because half way through production, they got around to reading your screenplay. But why should they help us producers with THEIR professionalism when area producers need to: 3. Stop trying to force their fantasy lives down your throats while acting shocked when you don't know how to react to some of the strange demands that they put on you during all processes of the production. Now am I getting my morality panties all in a bunch? No way! One of my current productions plays like John Waters directing an episode of Law & Order SVU, but I'm up front with people about what it is, and as long as they actually read the material before they say yes, then there are no hard feelings, and only mutual respect if and when they say no. But too many producers try to sneak it in on ya and then make you feel like you've got the shortcoming when you question doing material that wasn't in the script. It's got to feel like you got your picture taken by someone who was pretending to not take a picture of you, but of something else. That bait and switch hurts cast and crew relations, but (to me) more importantly, it compromises a production a) by risking its failure due to walk out, and b) wincing in the face of intellectual confrontation. You've got something ballsy to put out there? Let us check it out, if you sound like you know what you want and why, there are alot of actors here who will back your play. I know, I've worked with and am working with artists who help me take on some of the most controversial subjects a regional film has taken on, at least with sincerity. Worse still are the ones who pull punches and hope we don't notice. Do the films that feel right, and do them the way you feel they should be done, because people smell distrust, and if you don't trust them with your material, they're not going to trust you. That is, in my humble opinion, the biggest obstacle stopping films made in this area from being some of the greatest films made in any area. I know one attracts more flies with honey than vinegar, but I prefer to think of what I have to say as bittersweet. And besides... attract flies? I'm not trying to imitate a pile of...... purchasable film awards... Christopher K. Young www.shallowfocus.com alexcine at aol.com wrote: > Emmy winning writer and indie filmmaker Alex P. Michaels will be acting > as Cleveland's first Film Czar. It is a position Alex has thrust > himself into because he is not satisfied with the "powers that be" not > being supportive of the local community and that Cleveland does not do > as much as it can do to promote filmmaking here. Being involved in > independent films in Cleveland and shooting a TV Series based on his > Emmy winning movie, Alex has a unique perspective on how to bring > movies to the region and also how to support the filmmaking community. > Ironically a few years ago, Alex "divorced" himself from the film > community to work on building connections with the business community > and work on a proposal that is being shopped around to bring about an > incubator that will serve the local community and draw in productions. > Being Cleveland Film Czar is part of Alex's larger goal of making > Cleveland live up to its' potential and be a true part of the movie and > TV industry. > > The Film Czar would like some feedback on what this City truly needs to > make the local film community > To get your feedback fill out the form at > http://www.prelude2cinema.com/filmczar.htm > > Thank you > > Sincerely, > Alex Michaels ______________________________________ Disney's "BEAUTY AND THE BEAST" at Beck Center 12/2-12/31. 216-521-2540. http://www.fredsternfeld.com/beautyandthebeast.htm _______________________________________ There is a sister site to this list called the "NEoPAL Bulletin Board." Occasionally when "hot-button" discussions go on more than a day or two, the bulletin board is used. The Neopal bulletin board also has some other terrific features, like a searchable database for you to put your personal information, a place to post pictures and a chat room with a nightly 11pm gathering to discuss hot topics: http://groups.yahoo.com/group/neopal/ _______________________________________ Disclaimer: The facts and/or opinions expressed in this message are solely those of the person in the "from" or "reply-to" header. The fact that this message is posted should in no way be taken as an endorsement by the administrator of this list. Subscribers should perform due diligence for all goods, services and activities promoted on NEohioPAL. NEohioPAL mailing list NEohioPAL at lists.fredsternfeld.com http://lists.fredsternfeld.com/mailman/listinfo/neohiopal http://www.fredsternfeld.com --0-269190289-1132839149=:19396 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
Chris (you have a lot of time on your hands...help me clean the gutters huh) *Joke!
Bravo for standing against the machine!
 
After reading the Fidel Castro-ism of one individuals demand to be the CZAR of the City, I personally felt "Oh Please-ish". This rings like the sound of a horse wrangler running FEMA. To quote Dr. Phil: "how's that working out for ya".
 
I'm an implant, I live here by choice (ok my wife made me but so what). This community, collectively, is weak to the strength and endorse needed to make a major film. Further most of the upstarts lack knowledge of the system, sadly even I as a card carrying rebel stick to the system. Which, in other communities has a sincere political backing. Gary, Indiana (I believe or was the case some few years ago) will bend over a chair (no kiss, no dinner, no flowers) for film production.
 
I'm not beating up on Mr. Alex of the Emmy but we'd (I...we makes it feel robust) feel more confortable with an individual/ organization elect by and for the people. I too have a person project I'm pushing "buy my book, buy my book" but that will not be my political stance on the future of the community; me then us, well me...if time allows us as well.
 
HINT*
Contact Mr. Jackson's Office...maybe they'll be for it.
Fire the Czar, I need no self righted leader.
 
Ranting is always welcome
Happy Holiday
Jamey
 
 
 
 


Christopher <kaimei at earthlink.net> wrote:
Wow! Where to begin...

I know I'm supposed to fill out the feedback form, but I suspect it was born with dust on it. Everybody who cares in the slightest for Northeast Ohio's film and video community at least knows someone whose cousin subscribes to NEohioPAL, so my words, frazzled by ever-decreasing creative empathy and sprinkled with a dash of hypocrisy as they may be, are in good hands.

As far as I can tell from the expansive view provided by my basement studio's glass block windows, there are three base problems holding back this media arts community.

1. Homogenization of the community's organizational bodies

2. Underappreciation for a team-oriented work ethic

3. Absence of quality control on the parts of area producers

If this list elicits a big "hell yeah" from readers, then they can save themselves some time and stop here, you're just going to agree with everything else. The less you agree, the more you should read.

Until these issues are not just addressed (ahhhhgain), but solved, the pursuit of a NEO film community is like mankind's pursuit of expansion into space. Untold and uncomprehendable benefits await us as we ready ourselves to explore the final frontier, but none of that's of any use if we try to rush into the next phase as a trainwreck of a society. We've got to handle the mess in our backyard lest we pollute someone else's, in this
case, with cliquish, fractured organization; productions that had to take shortcuts or fail altogether because of unprofessionalism and steaming piles of sloppily produced attempts at legitimizing sociopathic predilections. Nobody's being specifically attacked here. If you agree with me, say "amen" to your computer screen. If the shoe finds itself fitting all too comfortably, then make sure it's tied on tight so we can't smell what
you've got hiding in there. If you don't see these problems in our community, then you're just not in the community. Maybe you're better off, because weez gotz major problems standing between "us" (the NEO film community) and "them" (an audience outside of people who still think making shoestring movies is a neat novelty).

Care to read more? I've got solutions, or at least ideas if anybody's listening.

But before we go there, you may be wondering, "why does this guy think he knows all about what's wrong here and how to fix it?"

The answer is simple. Having been buffeted by complacency, then uppercutted by unsubstantiated egos and finally kicked by addictions to mediocrity while I was down, I've taken on alot of ya'll's bad habits. I'm becoming part of the problem.

I was Director of Operations for a long-defunct organization you may remember called The Alliance, which was supposed to be a pool of film, television and theatrical artists. The brainchild of this organization started their own production company and inexplicably started treating The Alliance as competition, withholding audition announcements, badmouthing our board and trustees, etc. So I was front row for the demolition derby that
was watching a fully incorporated 501 c 3 non profit organization fall victim to a proverbial scat-porn fest under the very people who created it. I don't know the problems that must have festered in the Cleveland Film Society or other organizations, but none of them have substantively helped anybody I know. And having been around for longer than I care to admit, I know many.

I've watched myself cut corners just to finish core scenes when cast and crew threaten to bail on us. I've worked with people I had doubts about just because the ones I want to work with shuffle off to California without notice, and my product has suffered. Anybody who claims to be or says they can introduce me to the "next big name" in this biz, usually has me running for the hills. But other people are only a fraction of blame.

I mean, who reading this doesn't get complete erectile dysfunction over the thought of the unoriginality that runs rampant, or the "big deal" our local news agencies make of any Hollywood film that graces us with its presence, then hits the big screen like a big wet spitwad we want to wipe off to see the real movie underneath? Add to that factors we can't control like the most unpredictable weather in the United States; locations that
build up and tear down without notice; "artistes" who instead of giving us their leadership, look down their noses at us; and a sociopathy whose indecision between whether to be a belt of bibles made of rust or vice versa, only makes certain that independent voices get revised into fourth grade English with "values," (without asking "whose values?") and I find myself in a working environment where I get one feature completed for every
two that go into production, and countless more that I would start, but can't even get off the ground. Even so, with an average of one feature length production that gets screened at major national and international film festivals every year for the last sixteen years, I am one of the most productive producers of narrative cinema in the Midwest. I'm far away however from being comfortable writing about myself in the third person except
in press releases.

So to try to wrap this up, here are my ideas for solutions in (as) brief (as possible). If the Film Czar agrees with me, maybe he can help institute some of them. His administration can reap the benefits, but remember, you heard it here first:

1. Start a large bodied organization by making its mission statement something that a majority can agree with. Does everybody want to be famous? Does everybody want Northeast Ohio to be the next Hollywood? Not from what I've heard, and I mean that with sincerity. Not everybody who is interested in local film even wants to actually produce movies, let alone produce them here. What is a thread common to the most people with interests
related to making movies in this area? The lagging economy? The need for creative growth? What are the issues that would bring artists, professionals and beginners to the table regardless of clique or perceived experience? We've tried espousing Cleveland as a diverse location for production, but our diverse weather shat that one down. We've tried marketing the talent in the area, but the only productions we have to show for it are
ones that local audiences find to be too "edgy" or "controversial," while more cosmopolitan markets outside of Ohio think we're a bunch of poseurs. Said organization may not be able to be as ambitious as getting movies made, but some smaller component of the lifestyle, if it's to draw as diverse a crowd as possible to beef up its networking opportunity street cred. The organization has to address issues relevant to all who are
interested in this field, regardless of what kind of production is being made, what the individual's expected role is, or the intended audience. I know I sound like I contradicted myself just now with an earlier sentence about sociopathic predilections, but hold on to your britches. I'm not hatin', I'm just sayin'. The closest to doing this now is IndieCleveland, but I'm talking about something that has sway with community leaders.

2. Create a reward/accountability system for those who want to be considered a pillar of this area's creative media community. Start a website, for instance: www.auteurorposeur.com and model it after Ebay's feedback system. An artist voluntarily posts a profile, a filmography, the like, and others can post feedback- positive and negative. Of course, the artist can retort negative feedback on the message board. I know this smacks of
turning into an extension of the good vibrations we all read on NEohioPAL once in a while-often, but something has to draw attention to the infectious lack of work ethic that often even ensnares me, exhausting me to the point where I don't even have the energy to return phone calls. When I meet cast and crew who haven't been exposed to some of the attitudes of the NEO film community, I'm often embarrassed for our community when faced
with the proposition that they soon will get such a dose, that they often relocate. I mean a producer or professional actor can only work opposite so much indecision, "my boy/girlfriend won't let me act," or other sudden objections to the material you've all been working with for the last three months just because half way through production, they got around to reading your screenplay. But why should they help us producers with THEIR
professionalism when area producers need to:

3. Stop trying to force their fantasy lives down your throats while acting shocked when you don't know how to react to some of the strange demands that they put on you during all processes of the production. Now am I getting my morality panties all in a bunch? No way! One of my current productions plays like John Waters directing an episode of Law & Order SVU, but I'm up front with people about what it is, and as long as they
actually read the material before they say yes, then there are no hard feelings, and only mutual respect if and when they say no. But too many producers try to sneak it in on ya and then make you feel like you've got the shortcoming when you question doing material that wasn't in the script. It's got to feel like you got your picture taken by someone who was pretending to not take a picture of you, but of something else. That bait and
switch hurts cast and crew relations, but (to me) more importantly, it compromises a production a) by risking its failure due to walk out, and b) wincing in the face of intellectual confrontation. You've got something ballsy to put out there? Let us check it out, if you sound like you know what you want and why, there are alot of actors here who will back your play. I know, I've worked with and am working with artists who help me take
on some of the most controversial subjects a regional film has taken on, at least with sincerity. Worse still are the ones who pull punches and hope we don't notice. Do the films that feel right, and do them the way you feel they should be done, because people smell distrust, and if you don't trust them with your material, they're not going to trust you. That is, in my humble opinion, the biggest obstacle stopping films made in this
area from being some of the greatest films made in any area.

I know one attracts more flies with honey than vinegar, but I prefer to think of what I have to say as bittersweet. And besides... attract flies? I'm not trying to imitate a pile of...... purchasable film awards...

Christopher K. Young
www.shallowfocus.com



alexcine at aol.com wrote:

> Emmy winning writer and indie filmmaker Alex P. Michaels will be acting
> as Cleveland's first Film Czar. It is a position Alex has thrust
> himself into because he is not satisfied with the "powers that be" not
> being supportive of the local community and that Cleveland does not do
> as much as it can do to promote filmmaking here. Being involved in
> independent films in Cleveland and shooting a TV Series based on his
> Emmy winning movie, Alex has a unique perspective on how to bring
> movies to the region and also how to support the filmmaking community.
> Ironically a few years ago, Alex "divorced" himself from the film
> community to work on building connections with the business community
> and work on a proposal that is being shopped around to bring about an
> incubator that will serve the local community and draw in productions.
> Being Cleveland Film Czar is part of Alex's larger goal of making
> Cleveland live up to its' potential and be a true part of the movie and
> TV industry.
>
> The Film Czar would like some feedback on what this City truly needs to
> make the local film community
> To get your feedback fill out the form at
> http://www.prelude2cinema.com/filmczar.htm
>
> Thank you
>
> Sincerely,
> Alex Michaels

______________________________________
Disney's "BEAUTY AND THE BEAST" at Beck Center 12/2-12/31. 216-521-2540. http://www.fredsternfeld.com/beautyandthebeast.htm
_______________________________________
There is a sister site to this list called the "NEoPAL Bulletin Board." Occasionally when "hot-button" discussions go on more than a day or two, the bulletin board is used. The Neopal bulletin board also has some other terrific features, like a searchable database for you to put your personal information, a place to post pictures and a chat room with a nightly 11pm gathering to discuss hot topics: http://groups.yahoo.com/group/neopal/
_______________________________________
Disclaimer: The facts and/or opinions expressed in this message are solely those of the person in the "from" or "reply-to" header. The fact that this message is posted should in no way be taken as an endorsement by the administrator of this list. Subscribers should perform due diligence for all goods, services and activities promoted on NEohioPAL.

NEohioPAL mailing list
NEohioPAL at lists.fredsternfeld.com
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--0-269190289-1132839149=:19396-- From Moviemanandy at aol.com Thu Nov 24 08:44:19 2005 From: Moviemanandy at aol.com (Moviemanandy at aol.com) Date: Thu, 24 Nov 2005 11:44:19 EST Subject: [NEohioPAL]Happy Thanksgiving !!! Message-ID: <23f.23f7ed3.30b747e3@aol.com> --part1_23f.23f7ed3.30b747e3_boundary Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit I just wanted to take a moment to wish everyone on this list and there families and friends a safe and Happy Thanksgiving ! I also wanted to thank everyone involved with the wonderful A.F.T.R.A. talent production guide party. It was wonderful to see friends I haven't seen in ages and to meet new friends. Also, for anyone that may be interested there is a new arts magazine out. It is called Artist Review Today. It is a local arts magazine dealing with everyone from sculptors to painters and even actors and producers. I happen to have a short article in the current issue.Also, there is an article on "Madness" the feature film Bill Johns is currently doing. I want to thank all my friends and family for continuing my growth and education and awareness in this industry. So, thank you one and all and again Happy Thanksgiving ! Respectfully, Andy Schofield www.moviemanandy.com --part1_23f.23f7ed3.30b747e3_boundary Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
    
      I just wanted to take a moment to wish everyo= ne on this list and there families and friends a safe and Happy Thanksgiving= !

I also wanted to thank everyone involved with the wonderful A.F.T.R.A. talen= t production guide party. It was wonderful to see friends I haven't seen in=20= ages and to meet new friends.

Also, for anyone that may be interested there is a new arts magazine out. It= is called Artist Review Today. It is a local arts magazine dealing with eve= ryone from sculptors to painters and even actors and producers. I happen to=20= have a short article in the current issue.Also, there is an article on "Madn= ess" the feature film Bill Johns is currently doing.

I want to thank all my friends and family for continuing my growth and educa= tion and awareness in this industry.

So, thank you one and all and again Happy Thanksgiving !

Respectfully, Andy Schofield

www.moviemanandy.com --part1_23f.23f7ed3.30b747e3_boundary-- From broadview-heights-spotlights at cox.net Thu Nov 24 08:44:55 2005 From: broadview-heights-spotlights at cox.net (broadview-heights-spotlights at cox.net) Date: Thu, 24 Nov 2005 11:44:55 -0500 Subject: [NEohioPAL]BROADVIEW HEIGHTS SPOTLIGHTS: Christmas Concert Dec. 3 Message-ID: <20051124164654.ZJJE14098.eastrmmtao05.cox.net@[172.18.52.8]> MAKE YOUR RESERVATIONS NOW! Box Office Phone: (440) 526-4404 SPOTLIGHTS CHRISTMAS CONCERT Featuring the Spotlights Costumed Carolers Saturday, December 3 8:00 PM -- Broadview Heights Cultural Arts Building General Admission: $6 SPOTLIGHTS PRESENT "COSTUMED CAROLERS," CONCERT The Broadview Heights Spotlights Community Theater is pleased to present its annual holiday favorite, the Spotlights Costumed Carolers. The harmonious, Dickens-esque carolers are ready to entertain at your next Christmas function. The group, resplendent in flowing skirts, capes, and top hats, will add a "touch of class" to your business open house or party. Interested parties may also invite the Costumed Carolers to entertain family and friends; the group is sure to add nostalgic warmth to any family holiday gathering. For a donation to the Broadview Heights Spotlights Community Theater, patrons will enjoy the sights and sounds of a by-gone era as portrayed by our talented Carolers. New in 2005, the Spotlights Costumed Carolers will also be hosting a public concert to kick off the holiday season. The concert will be held on Saturday, December 3 at the Broadview Heights Cultural Arts Center, located on the Broadview Center campus at 9543 Broadview Road (1/2 mile South of Route 82). The concert begins at 8:00 PM. General admission is $6 per person. To book the Spotlights Costumed Carolers for your event, or for ticket reservations or other inquiries, interested parties may contact the Broadview Heights Spotlights Community Theater Box Office by phone at (440) 526-4404, by email at broadview-heights-spotlights at cox.net, or on the web at www.broadview-heights-spotlights.org. From clevearttheatre at sbcglobal.net Thu Nov 24 08:51:37 2005 From: clevearttheatre at sbcglobal.net (Cleveland Art Theatre) Date: Thu, 24 Nov 2005 08:51:37 -0800 (PST) Subject: [NEohioPAL]What is "Christmas Gif'"? - Get the Answer and Spread the News!! Message-ID: <20051124165137.33583.qmail@web80804.mail.yahoo.com> --0-4694903-1132851097=:32705 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit What is "Christmas Gif'"?. It's Cleveland Art Theatre's Annual Holiday Musical Presentation! "CHRISTMAS GIF'" is written and directed by Margaret Ford-Taylor. The wonderful, familiar Holiday tunes are arranged and directed by Maestro Glenn Bracken. THE FOLKS IN THIS DELIGHTFUL COMMUNITY WELCOME YOU TO THEIR CHRISTMAS CELEBRATION. THEY WANT YOU TO LAUGH, SING AND ENJOY THEIR TOWN AND THE SEASON.. It's a play for every child and every adult who is still a child at heart! December 2 - December 18, 2005 Fri & Sat 8 pm - Sunday Matinees 4:00 pm at CSU's Factory Theatre East 24th between Chester & Payne Avenues. Bring All The Kids Adults $15.00 - Children 12 and under $7.50 Group rates are available. Call (216)229-9718 for further information --0-4694903-1132851097=:32705 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
What is "Christmas Gif'"?.  It's Cleveland Art Theatre's Annual Holiday Musical Presentation! 
 

 "CHRISTMAS GIF'" is written and directed by Margaret Ford-Taylor.  The wonderful, familiar Holiday tunes are arranged and directed by Maestro Glenn Bracken. 

 

THE FOLKS IN THIS DELIGHTFUL COMMUNITY WELCOME YOU TO THEIR  CHRISTMAS CELEBRATION. THEY WANT YOU TO LAUGH, SING AND ENJOY THEIR TOWN AND THE SEASON..

 

It's a play for every child and every adult who is still a child at heart!   

      December 2 - December 18, 2005

Fri & Sat 8 pm - Sunday Matinees 4:00 pm

         at CSU's Factory Theatre

East 24th between Chester & Payne Avenues.

             Bring All The Kids

Adults $15.00 - Children 12 and under $7.50

Group rates are available.  Call (216)229-9718 for further information

 

--0-4694903-1132851097=:32705-- From mikeanthnort at aol.com Thu Nov 24 10:35:05 2005 From: mikeanthnort at aol.com (mikeanthnort at aol.com) Date: Thu, 24 Nov 2005 13:35:05 -0500 Subject: [NEohioPAL]Re:All Hail RENT! In-Reply-To: <20051124085718.86417.qmail@web60323.mail.yahoo.com> Message-ID: <8C7BF3CEC31683F-1BE8-2CE3@FWM-D08.sysops.aol.com> Film Czar...where do these folks get such charged material? It's gotta be Shaker Heights, right? The reason I ask is because I am completely awash in a reality based purely in Hollywood. Really. Who won the "Battle of Shaker Heights"? The Film Czar? The Turkey Czar? John Crapper? Speaking of crap, Bill, I've got to say, there's a lotta crap because there's A LOT of opinions--and you know what they say about opinions? Never mind, it's Turkey Day! Pass the gravy, already!! Speaking of opinions, with your triage classification of the filmic species in Cleveland, I suppose with regard to my last film project, I'm a burner. But is it possible to be obliged to be a burner if the story contained on the screen is that of a scarce and ambiguous landscape (not to mention the audible difficulties)? I dunno; to Learners, Yearners, and Burners, I would add Avante-Gardesmen, Feminists, Surrealists, Hyper-Montagues, Mise-en-scenities, Verisimilidudes, Sci-Files, and Imports. Finally, go see "RENT" everyone! Delicious! Extra-extraordinary cast! Made me live in thoughts of age-old friends, artistes, loves, and, with any luck, the inspiration spilled over by its power of music will help concerned members of at least this community put together some sort of legitimate Vaccine-to-Beat-AIDS-by-2010 Campaign for the world. We've got the tech to do it; we've got TODAY to do it.... Happy Plancksgiving and Thanksgiving, everyone. Even to this Film Czar guy, may you find a nice film studio in St. Petersburg or Havana :) XO, Mike -----Original Message----- From: Bill To: neohiopal at lists.fredsternfeld.com Sent: Thu, 24 Nov 2005 00:57:18 -0800 (PST) Subject: [NEohioPAL]All Hail Film Czar and Film Prophet All Hail Film Czar and Film Prophet You know, most of the time I sit with calm amusement as I read the various ramblings as to why Cleveland isn't 'on the map' when it comes to motion picture film and TV production. However, these latest posts are just too funny to ignore... A self proclaimed Film Czar? What the hell is that? Alex, I thought you were joking! And Christopher, you seem to have so much intelligence and yet you completely miss the point. Ya wanna know the reason why we can't all just get along and make movies together? Well here it is. There's too much crap!!! And widely varying degrees of crap. One of the only reasons our monthly Indieclub meetings are successful is because we're not trying to create a consortium; we're not trying to unite our resources, we're not even trying to improve eachother's work. We're j ust watching videos. And guess what? We see a lot of crap. We see some good stuff too, but mostly we see Learners, Yearners and Burners. Now, Learners are novice filmmakers who make crap because it's their first film and rather than learn the trade first, they go ahead and make a movie as practice and hopefully they'll improve. We sit politely and smile, wishing they had thought about lighting, sound, acting, dialogue, and camera work before making us sit through their experiments. Yearners are filmmakers who really want to make good films, so they use everything at their disposal to make the best possible film they can. However, they're still somewhat plagued by compromise and the results are never what they hoped for, nor what a real distributor will buy. Much easier to sit through though. Burners are the worst. These are filmmakers (u sually prolific) who make crap every time out of the gate. Their camera work is mostly hand-hell shaky cam. Their lighting is barely more than ambient and they often use the on-camera mic to capture dialogue. The acting is wooden and undirected; the stories are either so deep you need waders, or so shallow you can't find a point; and to top it off, they're fully convinced they are great filmmakers. But why do I call them Burners you ask? Well, because they burn the bridges that sincere Yearners might someday want to use. They burn bridges with actors who get soured against indie filmmakers because they have nothing decent to show for all their hard work (not even copy). They burn bridges with locations because they are so unorganized that they overstay their welcomes, mess up property and never send copies of the video, like they promise to do. They burn bridges with investors because the investor never sees a dime of their money back. They burn bridges with the legitimate film commission, because, as I said before they make crap and what film commission is going to support and encourage more crap??? Yet that's not the reason why we don't need a film czar or film prophet or any other coordinating force. The real reason is no one wants to work on someone else's film. You see, most of the people that comprise the indie scene here in Cleveland are writer/producer/directors and we're all working on our own projects. And guess what. I'm not all that interested in spending my valuable time working on someone's project which I consider to be crappier than my own. I can just as easily be spending my time and resources creating my own crap. Sure everyone would like to think there's a benevolent brotherhood of filmmakers; a selfless society where everyone submits ideas and work samples and then the members vote on what script to do and who to direct it. The commu nity is presented with the proposal and since it bears the backing of so many filmmakers, the businesses get involved and support the project with services and finances. The best actors come from all around to have a part in the project and a glorious motion picture is produced that wins the Oscar for Impossible Dream... That would be a good plot for a fantasy picture, but in the real world, writers will lose interest if their script isn't picked. Directors will bail if they can't direct and actors will walk away if they can't be the lead. And you guessed it the end product would probably be... well, I don't need to say it again. (though I really want to) Bill Johns crappy writer/producer/and director www.cinevidproductions.com P.S - I guess I'm in a sour mood because just yesterday I lost a serious investor (producer of two features in LA) because she said the acting in one of the scenes I sent her wasn't very good. I knew it when I shot it that I was compromising, and even though we're reshooting that scene, it's too late to regain that contact... ah CRAP! -------- Yahoo! Music Unlimited - Access over 1 million songs. Try it free. From wvannostran at neo.rr.com Thu Nov 24 11:08:22 2005 From: wvannostran at neo.rr.com (Bill Van Nostran) Date: Thu, 24 Nov 2005 14:08:22 -0500 Subject: [NEohioPAL]Film Czar seeks Feedback on making Cleveland a Movie City References: <8C7BE67FB7053BC-1A94-3EBE@FWM-R16.sysops.aol.com> Message-ID: <006201c5f12a$709a2d80$640fa8c0@vanornbygqljoh> As the adage goes, if it ain't on the page, it ain't on the stage. Same goes for motion pictures. The good ones all start with a compelling story well told. So one simple way to encourage new work, foster a supportive environment, and help individuals gain feedback on their work could come from a group focused on helping local filmmakers develop and polish material. A monthly group giving individual writers an opportunity to hear scenes from an emerging draft read aloud, then receive feedback from others, is a small, but perhaps important step in developing a local environment to foster NEO talent. Perhaps twice a year, local actors might be persuaded to participate in readings of screenplays nearing completion--showcasing them to a larger audience. Bill Van Nostran ----- Original Message ----- From: To: Sent: Wednesday, November 23, 2005 12:10 PM Subject: [NEohioPAL]Film Czar seeks Feedback on making Cleveland a Movie City Emmy winning writer and indie filmmaker Alex P. Michaels will be acting as Cleveland's first Film Czar. It is a position Alex has thrust himself into because he is not satisfied with the "powers that be" not being supportive of the local community and that Cleveland does not do as much as it can do to promote filmmaking here. Being involved in independent films in Cleveland and shooting a TV Series based on his Emmy winning movie, Alex has a unique perspective on how to bring movies to the region and also how to support the filmmaking community. Ironically a few years ago, Alex "divorced" himself from the film community to work on building connections with the business community and work on a proposal that is being shopped around to bring about an incubator that will serve the local community and draw in productions. Being Cleveland Film Czar is part of Alex's larger goal of making Cleveland live up to its' potential and be a true part of the movie and TV industry. The Film Czar would like some feedback on what this City truly needs to make the local film community To get your feedback fill out the form at http://www.prelude2cinema.com/filmczar.htm Thank you Sincerely, Alex Michaels ************************************** Prelude2Cinema "Movies That Make You Think." http://www.prelude2cinema.com ******************************************* ______________________________________ Disney's "BEAUTY AND THE BEAST" at Beck Center 12/2-12/31. 216-521-2540. http://www.fredsternfeld.com/beautyandthebeast.htm _______________________________________ There is a sister site to this list called the "NEoPAL Bulletin Board." Occasionally when "hot-button" discussions go on more than a day or two, the bulletin board is used. The Neopal bulletin board also has some other terrific features, like a searchable database for you to put your personal information, a place to post pictures and a chat room with a nightly 11pm gathering to discuss hot topics: http://groups.yahoo.com/group/neopal/ _______________________________________ Disclaimer: The facts and/or opinions expressed in this message are solely those of the person in the "from" or "reply-to" header. The fact that this message is posted should in no way be taken as an endorsement by the administrator of this list. Subscribers should perform due diligence for all goods, services and activities promoted on NEohioPAL. NEohioPAL mailing list NEohioPAL at lists.fredsternfeld.com http://lists.fredsternfeld.com/mailman/listinfo/neohiopal http://www.fredsternfeld.com From kym4639 at yahoo.com Thu Nov 24 11:34:01 2005 From: kym4639 at yahoo.com (K Brown) Date: Thu, 24 Nov 2005 11:34:01 -0800 (PST) Subject: [NEohioPAL]Karamu holds AUDITIONS for "Breaking Barriers: Little Rock Nine" Message-ID: <20051124193402.67263.qmail@web34308.mail.mud.yahoo.com> --0-1077121374-1132860841=:64114 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Auditions are being held at Karamu for the World Premier of ?Breaking Barriers: Little Rock Nine?, by Nicole C. Kearney Cooper. Karamu Performing Arts Theater 2355 East 89th Street Cleveland, 44106 (For more information, call (216) 702-6803) Roles available for Caucasian and African American actors & actresses ages 14 to 60. AUDITION DATES & TIMES Saturday December 3 11am to 1pm Sunday December 4 2pm to 4pm Saturday December 10 11am to 1pm Sunday December 11 2pm to 4pm CASTING NEEDS 5 Caucasian adult men 6 African American teen girls 3 African American teen boys 1 Caucasian teen girl 1 Caucasian teen boy 2 African American adult women 1 African America adult man REHEARSAL & PERFORMANCE DATES Rehearsals 2 days/week starting December 28. Performances each Saturday and Sunday from February 11 through February 26. For details: (216) 702-6803 ABOUT THE PLAY "Breaking Barriers: Little Rock Nine" is told from the perspective of the nine students who integrated Central High School, in Little Rock, Arkansas, in September, 1957, amid much violence, hatred and protest. Join these famous "nine" students, their parents, and their protector Ms. Daisy Bates as they meet for the first time after they are chosen. As these nine students bond over the common desire for a better education, they begin to realize the impact it has on American society. Hear personal perspectives from Little Rock and the nation as the drama unfolds for those nine young Black students. --------------------------------- Yahoo! Personals Single? There's someone we'd like you to meet. Lot's of someone's, actually. Yahoo! Personals --0-1077121374-1132860841=:64114 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
Auditions are being held at Karamu for the World Premier of  ?Breaking Barriers:  Little Rock Nine?, by Nicole C. Kearney Cooper.
 
Karamu Performing Arts Theater
2355 East 89th Street
Cleveland, 44106
(For more information, call (216) 702-6803)
 
Roles available for Caucasian and African American actors & actresses ages 14 to 60.
 
AUDITION DATES & TIMES 
Saturday December 3               11am to 1pm
Sunday December 4                 2pm to 4pm
 
Saturday December 10             11am to 1pm
Sunday December 11               2pm to 4pm
 
CASTING NEEDS
5 Caucasian adult men
6 African American teen girls
3 African American teen boys
1 Caucasian teen girl
1 Caucasian teen boy
2 African American adult women
1 African America adult man
 
REHEARSAL & PERFORMANCE DATES
Rehearsals 2 days/week starting December 28.
Performances each Saturday and Sunday from February 11 through February 26.
 
For details:  (216) 702-6803
 
ABOUT THE PLAY
"Breaking Barriers: Little Rock Nine" is told from the perspective of the nine students who integrated Central High School, in Little Rock, Arkansas, in September, 1957, amid much violence, hatred and protest. Join these famous "nine" students, their parents, and their protector Ms. Daisy Bates as they meet for the first time after they are chosen. As these nine students bond over the common desire for a better education, they begin to realize the impact it has on American society.  Hear personal perspectives from Little Rock and the nation as the drama unfolds for those nine young Black students. 
 
 

Yahoo! Personals
Single? There's someone we'd like you to meet.
Lot's of someone's, actually. Yahoo! Personals --0-1077121374-1132860841=:64114-- From kaimei at earthlink.net Thu Nov 24 12:06:36 2005 From: kaimei at earthlink.net (Christopher) Date: Thu, 24 Nov 2005 15:06:36 -0500 Subject: [NEohioPAL]All Hail Film Czar and Film Prophet References: <20051124085718.86417.qmail@web60323.mail.yahoo.com> Message-ID: <43861D4C.48CBA613@earthlink.net> --------------2F538E000E2A9ADB2ED64FF6 Content-Type: text/plain; charset=us-ascii; x-mac-type="54455854"; x-mac-creator="4D4F5353" Content-Transfer-Encoding: 7bit I see an attempt at buying some goodwill with the acting and crew community here, but if we shift ALL the blame on the filmmakers, then we will be ignoring the suffering of those majority of actors and crew who ARE professional enough to show up and try to finish scenes and projects in spite of the few who disappear and stop returning calls until they've settled into their Venice Beach apartments or found religion, or whatever excuse they give until one posts another audition notice. Then, they resurface and send their headshots and resumes as if you won't remember them from the last burn, and to add insult to injury, some of them even put the picture they bailed on or got fired from ON THEIR RESUME! Maybe if we all resigned ourselves to making short films that only have one or two locations, then the impact of this kind of behavior could be minimized. But for those of us who dare to make feature films with multiple locations and scenes with significant cast interplay, then this work ethic, left unaddressed, will STAY the norm for a minority, but significant percentage of actors and crew in this area, thereby throwing a wrench not only into a director's work, but the work of the other actors and crew as well. It only takes one actor doing this to shut down a film. Ask around. I have first hand experience with the phenomenon, and when filmmakers start to get a little ambitious around here, so will they. And while I haven't been to an Indieclub meeting in a long time, I thought I was giving it the benefit of the doubt in my initial posting. But if they're not networking their resources or helping each other improve their work, then what the hell are those guys doing there? I hope it's not all about listening to someone who memorized an article out of videomaker magazine or congratulating each other for sticking it out in Cleveland for as long as they have. Don't get me wrong! This isn't a commentary on Indieclub! I imagine that someone conversant with Indieclub's mission can articulate its significance with great ease. The last meeting I attended (almost two years ago) was very helpful. But if it's true that they no longer provide a resource pool and a constructively critical forum, then that which I hope it isn't, must be exactly what it is. I'll attend one as soon as possible, with the hopes that we're both wrong. But, all that aside, sway with city leaders is a necessary next step for Indieclub, or any organization that takes Cleveland's position in the greater media arts community to heart. I mean, what's a film community if the COMMUNITY isn't involved? Perhaps this is already underway, again, I haven't been attending. But an US and THEM attitude won't help anybody, because THEY have the power to make US unwelcome... even more so than we already are from a socio-cultural standpoint. One other issue I need to take on is the idea that Cleveland's indie scene is mostly made up of writers, producers and directors. While it's true that most directors are also writers and producers, and all the other combinations therein, it's more than safe to say that the vast majority of those who consider themselves in the indie scene have little to no interest in writing and/or producing and/or directing a picture of their own. Ask yourself, what's the largest number of actors you've had answer a casting call of yours? My largest number is about 130, I imagine yours are similar, if not higher since you often cast on the coattails of success from a previous project. This kind of turn out is not uncommon. Now how many area filmmakers have you ever seen in one place locally, at one time? Actual filmmakers with one or more credits in the above mentioned categories? Even add those who aspire to have a credit and the number's still pretty small. The reason I bring up this otherwise picayune issue is because it's symptomatic of a trend this community has, and I've been guilty of too: leaving out actors and crew in the dialogue over the needs of this film community. Because when you include those people in the mix, then we see that in fact, a vast majority of this community DOES WANT to work on someone else's film. They're just waiting for something they can believe in. Some find it, many don't, and some are just easy to please. You know us creative types are an unorganized lot with major attention deficit, so one more time. What was the point? Christopher K. Young www.shallowfocus.com P.S.: Amen to your last two paragraphs Bill wrote: > All Hail Film Czar and Film Prophet You know, most of the time I sit > with calm amusement as I read the various ramblings as to why > Cleveland isn't 'on the map' when it comes to motion picture film and > TV production. However, these latest posts are just too funny to > ignore... A self proclaimed Film Czar? What the hell is that? Alex, I > thought you were joking! And Christopher, you seem to have so much > intelligence and yet you completely miss the point. Ya wanna know the > reason why we can't all just get along and make movies together? Well > here it is. There's too much crap!!! And widely varying degrees of > crap. One of the only reasons our monthly Indieclub meetings are > successful is because we're not trying to create a consortium; we're > not trying to unite our resources, we're not even trying to improve > eachother's work. We're j ust watching videos. And guess what? We see > a lot of crap. We see some good stuff too, but mostly we see Learners, > Yearners and Burners. Now, Learners are novice filmmakers who make > crap because it's their first film and rather than learn the trade > first, they go ahead and make a movie as practice and hopefully > they'll improve. We sit politely and smile, wishing they had thought > about lighting, sound, acting, dialogue, and camera work before making > us sit through their experiments. Yearners are filmmakers who really > want to make good films, so they use everything at their disposal to > make the best possible film they can. However, they're still somewhat > plagued by compromise and the results are never what they hoped for, > nor what a real distributor will buy. Much easier to sit through > though. Burners are the worst. These are filmmakers (u sually > prolific) who make crap every time out of the gate. Their camera work > is mostly hand-hell shaky cam. Their lighting is barely more than > ambient and they often use the on-camera mic to capture dialogue. The > acting is wooden and undirected; the stories are either so deep you > need waders, or so shallow you can't find a point; and to top it off, > they're fully convinced they are great filmmakers. But why do I call > them Burners you ask? Well, because they burn the bridges that sincere > Yearners might someday want to use. They burn bridges with actors who > get soured against indie filmmakers because they have nothing decent > to show for all their hard work (not even copy). They burn bridges > with locations because they are so unorganized that they overstay > their welcomes, mess up property and never send copies of the video, > like they promise to do. They burn bridges with investors because the > investor never sees a dime of their money back. They burn bridges with > the legitimate film commission, because, as I said before they make > crap and what film commission is going to support and encourage more > crap??? Yet that's not the reason why we don't need a film czar or > film prophet or any other coordinating force. The real reason is no > one wants to work on someone else's film. You see, most of the people > that comprise the indie scene here in Cleveland are > writer/producer/directors and we're all working on our own projects. > And guess what. I'm not all that interested in spending my valuable > time working on someone's project which I consider to be crappier than > my own. I can just as easily be spending my time and resources > creating my own crap. Sure everyone would like to think there's a > benevolent brotherhood of filmmakers; a selfless society where > everyone submits ideas and work samples and then the members vote on > what script to do and who to direct it. The commu nity is presented > with the proposal and since it bears the backing of so many > filmmakers, the businesses get involved and support the project with > services and finances. The best actors come from all around to have a > part in the project and a glorious motion picture is produced that > wins the Oscar for Impossible Dream... That would be a good plot for a > fantasy picture, but in the real world, writers will lose interest if > their script isn't picked. Directors will bail if they can't direct > and actors will walk away if they can't be the lead. And you guessed > it the end product would probably be... well, I don't need to say it > again. (though I really want to) Bill Johnscrappy writer/producer/and > directorwww.cinevidproductions.com P.S - I guess I'm in a sour mood > because just yesterday I lost a serious investor (producer of two > features in LA) because she said the acting in one of the scenes I > sent her wasn't very good. I knew it when I shot it that I was > compromising, and even though we're reshooting that scene, it's too > late to regain that contact... ah CRAP! > ----------------------------------------------------------------------- > Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --------------2F538E000E2A9ADB2ED64FF6 Content-Type: text/html; charset=us-ascii Content-Transfer-Encoding: 7bit I see an attempt at buying some goodwill with the acting and crew community here, but if we shift ALL the blame on the filmmakers, then we will be ignoring the suffering of those majority of actors and crew who ARE professional enough to show up and try to finish scenes and projects in spite of the few who disappear and stop returning calls until they've settled into their Venice Beach apartments or found religion, or whatever excuse they give until one posts another audition notice.  Then, they resurface and send their headshots and resumes as if you won't remember them from the last burn, and to add insult to injury, some of them even put the picture they bailed on or got fired from ON THEIR RESUME!

Maybe if we all resigned ourselves to making short films that only have one or two locations, then the impact of this kind of behavior could be minimized.  But for those of us who dare to make feature films with multiple locations and scenes with significant cast interplay, then this work ethic, left unaddressed, will STAY the norm for a minority, but significant percentage of actors and crew in this area, thereby throwing a wrench not only into a director's work, but the work of the other actors and crew as well.  It only takes one actor doing this to shut down a film.  Ask around.  I have first hand experience with the phenomenon, and when filmmakers start to get a little ambitious around here, so will they.

And while I haven't been to an Indieclub meeting in a long time, I thought I was giving it the benefit of the doubt in my initial posting.  But if they're not networking their resources or helping each other improve their work, then what the hell are those guys doing there?  I hope it's not all about listening to someone who memorized an article out of videomaker magazine or congratulating each other for sticking it out in Cleveland for as long as they have.  Don't get me wrong!  This isn't a commentary on Indieclub!  I imagine that someone conversant with Indieclub's mission can articulate its significance with great ease.  The last meeting I attended (almost two years ago) was very helpful.  But if it's true that they no longer provide a resource pool and a constructively critical forum, then that which I hope it isn't, must be exactly what it is.  I'll attend one as soon as possible, with the hopes that we're both wrong.  But, all that aside, sway with city leaders is a necessary next step for Indieclub, or any organization that takes Cleveland's position in the greater media arts community to heart.  I mean, what's a film community if the COMMUNITY isn't involved?  Perhaps this is already underway, again, I haven't been attending.  But an US and THEM attitude won't help anybody, because THEY have the power to make US unwelcome... even more so than we already are from a socio-cultural standpoint.

One other issue I need to take on is the idea that Cleveland's indie scene is mostly made up of writers, producers and directors.  While it's true that most directors are also writers and producers, and all the other combinations therein, it's more than safe to say that the vast majority of those who consider themselves in the indie scene have little to no interest in writing and/or producing and/or directing a picture of their own.  Ask yourself, what's the largest number of actors you've had answer a casting call of yours?  My largest number is about 130, I imagine yours are similar, if not higher since you often cast on the coattails of success from a previous project.  This kind of turn out is not uncommon.

Now how many area filmmakers have you ever seen in one place locally, at one time?  Actual filmmakers with one or more credits in the above mentioned categories?  Even add those who aspire to have a credit and the number's still pretty small.  The reason I bring up this otherwise picayune issue is because it's symptomatic of a trend this community has, and I've been guilty of too:  leaving out actors and crew in the dialogue over the needs of this film community.  Because when you include those people in the mix, then we see that in fact, a vast majority of this community DOES WANT to work on someone else's film.  They're just waiting for something they can believe in.

Some find it, many don't, and some are just easy to please.

You know us creative types are an unorganized lot with major attention deficit, so one more time.  What was the point?

Christopher K. Young
www.shallowfocus.com

P.S.: Amen to your last two paragraphs
 
 

Bill wrote:

All Hail Film Czar and Film Prophet You know, most of the time I sit with calm amusement as I read the various ramblings as to why Cleveland isn't 'on the map' when it comes to motion picture film and TV production. However, these latest posts are just too funny to ignore... A self proclaimed Film Czar? What the hell is that? Alex, I thought you were joking! And Christopher, you seem to have so much intelligence and yet you completely miss the point. Ya wanna know the reason why we can't all just get along and make movies together? Well here it is. There's too much crap!!! And widely varying degrees of crap. One of the only reasons our monthly Indieclub meetings are successful is because we're not trying to create a consortium; we're not trying to unite our resources, we're not even trying to improve eachother's work. We're j ust watching videos. And guess what? We see a lot of crap. We see some good stuff too, but mostly we see Learners, Yearners and Burners. Now, Learners are novice filmmakers who make crap because it's their first film and rather than learn the trade first, they go ahead and make a movie as practice and hopefully they'll improve. We sit politely and smile, wishing they had thought about lighting, sound, acting, dialogue, and camera work before making us sit through their experiments. Yearners are filmmakers who really want to make good films, so they use everything at their disposal to make the best possible film they can. However, they're still somewhat plagued by compromise and the results are never what they hoped for, nor what a real distributor will buy. Much easier to sit through though. Burners are the worst. These are filmmakers (u sually prolific) who make crap every time out of the gate. Their camera work is mostly hand-hell shaky cam. Their lighting is barely more than ambient and they often use the on-camera mic to capture dialogue. The acting is wooden and undirected; the stories are either so deep you need waders, or so shallow you can't find a point; and to top it off, they're fully convinced they are great filmmakers. But why do I call them Burners you ask? Well, because they burn the bridges that sincere Yearners might someday want to use. They burn bridges with actors who get soured against indie filmmakers because they have nothing decent to show for all their hard work (not even copy). They burn bridges with locations because they are so unorganized that they overstay their welcomes, mess up property and never send copies of the video, like they promise to do. They burn bridges with investors because the investor never sees a dime of their money back. They burn bridges with the legitimate film commission, because, as I said before they make crap and what film commission is going to support and encourage more crap??? Yet that's not the reason why we don't need a film czar or film prophet or any other coordinating force. The real reason is no one wants to work on someone else's film. You see, most of the people that comprise the indie scene here in Cleveland are writer/producer/directors and we're all working on our own projects. And guess what. I'm not all that interested in spending my valuable time working on someone's project which I consider to be crappier than my own. I can just as easily be spending my time and resources creating my own crap. Sure everyone would like to think there's a benevolent brotherhood of filmmakers; a selfless society where everyone submits ideas and work samples and then the members vote on what script to do and who to direct it. The commu nity is presented with the proposal and since it bears the backing of so many filmmakers, the businesses get involved and support the project with services and finances. The best actors come from all around to have a part in the project and a glorious motion picture is produced that wins the Oscar for Impossible Dream... That would be a good plot for a fantasy picture, but in the real world, writers will lose interest if their script isn't picked. Directors will bail if they can't direct and actors will walk away if they can't be the lead. And you guessed it the end product would probably be... well, I don't need to say it again. (though I really want to) Bill Johnscrappy writer/producer/and directorwww.cinevidproductions.com P.S - I guess I'm in a sour mood because just yesterday I lost a serious investor (producer of two features in LA) because she said the acting in one of the scenes I sent her wasn't very good. I knew it when I shot it that I was compromising, and even though we're reshooting that scene, it's too late to regain that contact... ah CRAP!
Yahoo! Music Unlimited - Access over 1 million songs. Try it free.
--------------2F538E000E2A9ADB2ED64FF6-- From PatrickJCarroll at aol.com Thu Nov 24 19:25:22 2005 From: PatrickJCarroll at aol.com (PatrickJCarroll at aol.com) Date: Thu, 24 Nov 2005 22:25:22 EST Subject: [NEohioPAL]Christmas Massage Therapy Gift Certificates Message-ID: <202.e9b2aa4.30b7de22@aol.com> --part1_202.e9b2aa4.30b7de22_boundary Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit TO MY FELLOW PERFORMERS: Today starts the official Christmas Season! Why not give your loved one (or yourself ;-) ) something that will actually improve their health and or state of mind. MASSAGE! Whether you need a serious therapeutic deep tissue massage or just want to enjoy the bliss of total relaxation. Give a Massage Therapy Gift Certificate. Your Christmas shopping can be as easy as a phone call or a click of the reply button to this email! I offer a 20% discount to all Neohiopal subscribers. Happy Holidays to all! Patrick J. Carroll, L.M.T. 216-544-6001 --part1_202.e9b2aa4.30b7de22_boundary Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable

TO MY FELLOW PERFORMERS:


Today starts the official Christmas Season!

Why not give your loved one (or yourself ;-) ) something that will
actually improve their health and or state of mind.

MASSAGE!

Whether you need a serious therapeutic deep ti= ssue massage or just want to enjoy the bliss of total relaxation.

Give a Massage Therapy Gift Certificate.


Your Christmas shopping can be as easy as a phone call or a= click of the reply button to this email!

I offer a 20% discount to all Neohiopal subscribers.

Happy Holidays to all!

Patrick J. Carroll, L.M.T= .
216-544-6001

--part1_202.e9b2aa4.30b7de22_boundary-- From impuffinstuff at yahoo.com Thu Nov 24 20:58:24 2005 From: impuffinstuff at yahoo.com (Lynda Rodriguez) Date: Thu, 24 Nov 2005 20:58:24 -0800 (PST) Subject: [NEohioPAL]Murder Mystery Recommendation Message-ID: <20051125045824.74391.qmail@web35304.mail.mud.yahoo.com> --0-358964142-1132894704=:73315 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Thank you Random Acts for doing a CLEAN and FUNNY show! The interaction was hilarious and the music was spectacular! We made the right decision hiring Random Acts and I would recommend them to anyone looking for entertainment! HAPPY HOLIDAYS! --------------------------------- Yahoo! Personals Single? There's someone we'd like you to meet. Lot's of someone's, actually. Try Yahoo! Personals --0-358964142-1132894704=:73315 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
Thank you Random Acts for doing a CLEAN and FUNNY show!  The interaction was hilarious and the music was spectacular!  We made the right decision hiring Random Acts and I would recommend them to anyone looking for entertainment!  
 
HAPPY HOLIDAYS!

Yahoo! Personals
Single? There's someone we'd like you to meet.
Lot's of someone's, actually. Try Yahoo! Personals --0-358964142-1132894704=:73315-- From likely_suspect_99 at yahoo.com Thu Nov 24 21:43:03 2005 From: likely_suspect_99 at yahoo.com (Likely Suspect) Date: Thu, 24 Nov 2005 21:43:03 -0800 (PST) Subject: [NEohioPAL]Weathervane Playhouse presents an audience participation comic murder mystery Message-ID: <20051125054303.40645.qmail@web32714.mail.mud.yahoo.com> --0-146157991-1132897383=:37600 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit NEWS RELEASE Contact: Janis L. Harcar (330) 836-2323 (not for publication) Weathervane Ticket Office (330) 8362626 WEATHERVANE PLAYHOUSE presents An audience participation comic murder mystery by Mysteries by Moushey BLACK AND WHITE AND DEAD ALL OVER (November 1, 2005 Akron, Ohio?For Immediate Release) Weathervane Playhouse takes the ?mystery? out of what to do after the last of the turkey has been consumed! The Women?s Board of the Playhouse invites you and your guests to join them on November 26 for an evening of dastardly deeds and comic crime when they sponsor ?Black and White and Dead All Over?. The audience participation mystery will be presented by Mysteries by Moushey. Teams of amateur detectives will witness nefarious acts, search for clues, interrogate suspects, and offer their own solutions to ?whodunit.? The color scheme is?what else??black and white or any combination thereof, so use your imagination when dressing. Prizes will be awarded for costumes as well as Most Creative, Most Outrageous, and Most Clueless solutions to the mystery. Additional prizes will be awarded by drawing from the correct solutions. Cost of the event is $25 per person which includes the mystery, clue hunt, snacks, soft drinks and beer. The first beer is included with the ticket. Groups of 6-8 get a team discount. Specially created baskets of gifts will be raffled. (Get ahead on your holiday shopping!) The evening?s schedule: 7:00 p.m. Doors open. Mystery actors mingle in main lobby. 7:30 p.m. Mystery begins in auditorium. General admission seating. 8:30 p.m. Clue hunt begins. Snack buffet opens. 9:15 p.m. Solution is shared. Cast introduced. Prizes awarded. Black and White and Dead All Over is presented as a fundraiser for the Weathervane Women?s Board on Saturday, November 26, 2005. Charge by phone at Weathervane?s Ticket Office at 330-326-2626. Call between 10 a.m. and 5:30 p.m. Tuesday through Friday. Sponsored by Weathervane Women?s Board. --------------------------------- Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --0-146157991-1132897383=:37600 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
NEWS RELEASE      
Contact:  Janis L. Harcar
(330) 836-2323 (not for publication)
Weathervane Ticket Office (330) 8362626
 
                                    WEATHERVANE PLAYHOUSE presents
            An audience participation comic murder mystery by Mysteries by Moushey
     BLACK AND WHITE AND DEAD ALL OVER
 
(November 1, 2005 Akron, Ohio?For Immediate Release)  Weathervane Playhouse takes the ?mystery? out of what to do after the last of the turkey has been consumed!  The Women?s Board of the Playhouse invites you and your guests to join them on November 26 for an evening of dastardly deeds and comic crime when they sponsor ?Black and White and Dead All Over?.  The audience participation mystery will be presented by Mysteries by Moushey. 
            Teams of amateur detectives will witness nefarious acts, search for clues, interrogate suspects, and offer their own solutions to ?whodunit.?  The color scheme is?what else??black and white or any combination thereof, so use your imagination when dressing.  Prizes will be awarded for costumes as well as Most Creative, Most Outrageous, and Most Clueless solutions to the mystery.  Additional prizes will be awarded by drawing from the correct solutions. 
Cost of the event is $25 per person which includes the mystery, clue hunt, snacks, soft drinks and beer.  The first beer is included with the ticket.  Groups of 6-8 get a team discount.  Specially created baskets of gifts will be raffled.  (Get ahead on your holiday shopping!)
The evening?s schedule:
            7:00 p.m.          Doors open.  Mystery actors mingle in main lobby. 
            7:30 p.m.          Mystery begins in auditorium.  General admission seating.
8:30 p.m.          Clue hunt begins.  Snack buffet opens.
9:15 p.m.          Solution is shared.  Cast introduced.  Prizes awarded.
 
            Black and White and Dead All Over is presented as a fundraiser for the Weathervane Women?s Board on Saturday, November 26, 2005.  Charge by phone at Weathervane?s Ticket Office at 330-326-2626.  Call between 10 a.m. and 5:30 p.m. Tuesday through Friday.
                        Sponsored by Weathervane Women?s Board.
 

Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --0-146157991-1132897383=:37600-- From popcycles at sbcglobal.net Fri Nov 25 05:45:41 2005 From: popcycles at sbcglobal.net (D. Budin) Date: Fri, 25 Nov 2005 05:45:41 -0800 (PST) Subject: [NEohioPAL]'Spinal Tap' benefit screening for Contemporary Youth Orchestra Message-ID: <20051125134542.31588.qmail@web81802.mail.mud.yahoo.com> --0-580039208-1132926341=:30301 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Contemporary Youth Orchestra Presents Benefit Screening of This Is Spinal Tap See the classic satire This Is Spinal Tap ? a parody of rock bands and rock documentaries ? and support a great cause, this Saturday at 11 p.m. The Contemporary Youth Orchestra is celebrating its 11th season and CYO?s slogan for the season is ?Take It to Eleven!? ? inspired by the movie This Is Spinal Tap. In the movie ? Rob Reiner?s hilarious ?mockumentary? about the fictional rock band Spinal Tap ? the group gets amps that go to 11 because 10 is not loud enough. For CYO, it?s not about volume, but about going beyond what is expected and anticipated, which the orchestra continually does. CYO is composed of more than 100 of the best high school-age musicians in this region, representing more than 40 schools. To kick off this season, CYO is presenting a benefit screening of This Is Spinal Tap on Saturday, November 26 Cleveland State University?s Drinko Recital Hall ? in the Music and Communications Building at 2001 Euclid Avenue (the north-west corner of Euclid Avenue and E. 21st Street). The doors will open at 10:15 p.m., and the movie will be shown at 11 p.m. Donations of any amount will be accepted. The suggested donation is $11. Popcorn and soda will be provided. For more information, call CYO at 216-321-3525, or David Budin at 216-791-5149. --0-580039208-1132926341=:30301 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit

Contemporary Youth Orchestra Presents Benefit Screening of This Is Spinal Tap

 

See the classic satire This Is Spinal Tap ? a parody of rock bands and rock documentaries ? and support a great cause, this Saturday at 11 p.m.

 

The Contemporary Youth Orchestra is celebrating its 11th season and CYO?s slogan for the season is ?Take It to Eleven!? ? inspired by the movie This Is Spinal Tap. 

 

In the movie ? Rob Reiner?s hilarious ?mockumentary? about the fictional rock band Spinal Tap ? the group gets amps that go to 11 because 10 is not loud enough.  For CYO, it?s not about volume, but about going beyond what is expected and anticipated, which the orchestra continually does.

 

CYO is composed of more than 100 of the best high school-age musicians in this region, representing more than 40 schools.

 

To kick off this season, CYO is presenting a benefit screening of This Is Spinal Tap on Saturday, November 26 Cleveland State University?s Drinko Recital Hall ? in the Music and Communications Building at 2001 Euclid Avenue (the north-west corner of Euclid Avenue and E. 21st Street).  The doors will open at 10:15 p.m., and the movie will be shown at 11 p.m.

 

Donations of any amount will be accepted. The suggested donation is $11.  Popcorn and soda will be provided.

 

For more information, call CYO at 216-321-3525, or David Budin at 216-791-5149.

--0-580039208-1132926341=:30301-- From LNRoo at aol.com Fri Nov 25 05:48:40 2005 From: LNRoo at aol.com (LNRoo at aol.com) Date: Fri, 25 Nov 2005 08:48:40 EST Subject: [NEohioPAL]Two Issues for Feedback on Film in Cleveland Message-ID: <2b2.844601.30b87038@aol.com> -------------------------------1132926520 Content-Type: text/plain; charset="UTF-8" Content-Transfer-Encoding: quoted-printable Content-Language: en Film is traditionally an apprentice/mentor trade. Cleveland needs to look at= =20 success if it wants success. Hollywood production has been crippled by =E2= =80=9C run-away=E2=80=9D production for the past decade. Why? Because LA taxed TV a= nd film=20 productions into the red. Where did they run to? Not Cleveland ... Canada. =20= Where the=20 weather is just as bad. =20 1) Study what Toronto and Vancouver did to entice Hollywood runaway=20 productions. =20 2) What is the best film school in Cleveland? Make it better. If Cleveland=20 had a world class film school it would do the unthinkable =E2=80=93 attract=20= talent.=20 =20 Urban Film Legend has it that Spielberg was rejected by USC, one of the best= =20 film schools in the world. After his success he went back to USC bought them= a=20 film building and put his name on it. Where did Spielberg end up going to=20 school? Not Cleveland.=20 =20 Ellen Rooney -------------------------------1132926520 Content-Type: text/html; charset="UTF-8" Content-Transfer-Encoding: quoted-printable Content-Language: en

Film is traditionally an apprentice/mentor trade. <= st1:place>Cleveland needs to look at success if it wa= nts success. Hollywood production has been crippled b= y =E2=80=9Crun-away=E2=80=9D production for the past decade. Why? Because LA= taxed TV and film productions into the red. Where did they run to? Not Cleveland ... Canada.  Where the weather is just as bad.

 

1) Study what Toronto and Vancouver did to entice= Hollywood runaway productions.

 

2) What is the best film school in Cleve= land? Make it better. If Clevela= nd had a world class film school it would do the unth= inkable =E2=80=93 attract talent.

 

Urban Film Legend has it that Spielberg was rejected by USC,&= nbsp;one of the best film schools in the world. After his success he we= nt back to USC bought them a film building and put his name on it. Where did= Spielberg end up going to school? Not Cleveland.

 


Ellen Rooney

-------------------------------1132926520-- From Demeerusty at aol.com Fri Nov 25 07:34:35 2005 From: Demeerusty at aol.com (Demeerusty at aol.com) Date: Fri, 25 Nov 2005 10:34:35 EST Subject: [NEohioPAL]A Raisin In The Sun Message-ID: <22c.26ddcfe.30b8890b@aol.com> -------------------------------1132932875 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit The University of Akron's premiere organization for campus events The Zips Programming Network will be putting on the production of A Raisin In The Sun by Lorraine Hansberry in February for Black History Month. We are looking for FULL PRODUCTION CAST AND CREW. All POSITIONS will be PAID. Auditions will be December 1-3 please RSVP 330-972-7014 or tga2 at uakron.edu Timothy G. Avant Diversity Chair Zips Programming Network The University of Akron -------------------------------1132932875 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
The University of Akron's premiere organization for campus events The Z= ips=20 Programming Network will be putting on the production of A Raisin In Th= e=20 Sun by Lorraine Hansberry in February for Black History Month. We are=20 looking for  FULL PRODUCTION CAST AND CREW. All POSITIONS will be PAID.= =20 Auditions will be December 1-3 please RSVP 330-972-7014 or tga2 at uakron.edu
Timothy G. Avant
Diversity Chair
Zips Programming Network
The University of Akron
 -------------------------------1132932875-- From artistic at playersguildtheatre.com Fri Nov 25 08:42:34 2005 From: artistic at playersguildtheatre.com (Wendy Temple) Date: Fri, 25 Nov 2005 11:42:34 -0500 Subject: [NEohioPAL]Players Guild Adult Alternative to Christmas Message-ID: <000001c5f1df$3ccebd30$0101000a@office.playersguildtheatre.com> This is a multi-part message in MIME format. ------=_NextPart_000_0001_01C5F1B5.53F8B530 Content-Type: multipart/alternative; boundary="----=_NextPart_001_0002_01C5F1B5.53F8B530" ------=_NextPart_001_0002_01C5F1B5.53F8B530 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Players Guild Adult-Only Christmas Canton, Ohio- Nov. 2005 - What's more fun and festive than a pitcher of candy cane-flavored Daiquiris? An evening of rollicking, irreverent holiday humor courtesy of David Sedaris! The NPR commentator, author and humorist strikes gold with two one-act plays, Santaland Diaries and Season's Greetings. Santaland features a sordid (and sometimes just plain silly) behind-the-scenes peek at working for Santa at the Macy's NYC department store. Your guide is a world-weary, jaded "Elf" (David Sponhour). You'll never look at "The Big Guy's" mall display the same way again! "Season's Greetings" introduces you to a on the surface picture-perfect suburban Mom, (Denise Robb) as she shares the family's annual brag-fest report aka the Holiday Newsletter. It's "shock-full" of fun and surprises! Take a break from shopping among the hordes, overdosing on sugar plums and fa-la-la's! Treat yourself to this delightful, adults-only evening of naughty wit not to be missed! The Players Guild Theatre's presentation of David's Sedaris's Santaland Diaries and Season Greetings begins December 5th -7th, and 12th -14th in the Arena Theatre. Monday, Tuesday and Wednesday performances begin at 8 :00 p.m. and all Tickets are $10.00 general admissision at the door. The Players Guild production of Santaland Diaries and Season Greetings is sponsored by Canton Repository, and Aultman Hospital. All Players Guild productions are produced with the generous support of the Canton community through Arts in Stark and Ohio Arts Council. # # # 1001 Market Ave. North, Canton, Ohio 44702 Phone: 330-453-7619 Fax: 330-453-8568 ------=_NextPart_001_0002_01C5F1B5.53F8B530 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

Players Guild Adult-Only = Christmas

 

 

        = ;    Canton, = Ohio– Nov. 2005 – What's more fun and festive = than a pitcher of candy cane-flavored Daiquiris?  An evening of rollicking, irreverent holiday humor courtesy of = David Sedaris!  The NPR = commentator, author and humorist strikes gold with two one-act plays, Santaland = Diaries and Season's Greetings.  = Santaland features a sordid (and = sometimes just plain silly) behind-the-scenes peek at working for Santa at the Macy's = NYC department store.  Your guide is a = world-weary, jaded "Elf" (David Sponhour).  You'll never look at "The = Big Guy's" mall display the same way again! "Season's = Greetings" introduces you to a on the surface picture-perfect suburban Mom, (Denise Robb) as = she shares the family's annual brag-fest report aka the Holiday Newsletter.  It's "shock-full" of fun and surprises! Take a break from shopping = among the hordes, overdosing on sugar plums and fa-la-la's!  = Treat yourself to this delightful, adults-only evening of naughty wit not to = be missed!

The Players Guild Theatre’s presentation of David’s Sedaris’s Santaland Diaries and Season<= /span> Greetings  begins December 5th = -7th, and 12th -14th in the = Arena Theatre. Monday, Tuesday and Wednesday performances begin at 8 :00 p.m. and all Tickets are $10.00 = general admissision = at the door. 

The Players Guild production of Santaland Diaries and Season<= /span> Greetings is sponsored by Canton Repository, and Aultman = Hospital.  = All Players Guild productions are produced with the generous support of the Canton community through Arts in Stark and Ohio Arts Council. =

# # = #

1001 Market Ave. = North, Canton, Ohio 44702

=

Phone: 330-453-7619 Fax: = 330-453-8568

 
 
 

 

------=_NextPart_001_0002_01C5F1B5.53F8B530-- ------=_NextPart_000_0001_01C5F1B5.53F8B530 Content-Type: text/html; name="header.htm" Content-Transfer-Encoding: quoted-printable Content-ID:

EMPLOYMENT AGREEMENT

The Players Guild of Canton, Inc.

=A0Amy Sima

September 1, = 2001 - = June 30, 2002

Page 2 of = 3

 

------=_NextPart_000_0001_01C5F1B5.53F8B530-- From Artistschair2005 at aol.com Fri Nov 25 08:45:04 2005 From: Artistschair2005 at aol.com (Artistschair2005 at aol.com) Date: Fri, 25 Nov 2005 11:45:04 EST Subject: [NEohioPAL]Need a STAGE ACTOR? Christine H. Winsberg & OTHER NEWS! Message-ID: <21f.3c13055.30b89990@aol.com> -------------------------------1132937104 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit ARTISTSCHAIR.COM'S "FEATURED ARTIST OF THE DAY" Stage Actor - Christine H. Winsberg (Location: Cleveland Heights, Ohio) (November 25, 2005) To view Christine's profile, visit _http://www.artistschair.com_ (http://www.artistschair.com/) Latest Members' CONTEST Giveaway (November 23, 2005) CONGRATULATIONS to Wadsworth-based stage actor William M. Berry for being chosen at random by the artistschair.com database to be the Wednesday, November 23 "Featured Artist of the Day" will winning two passes, good for four admissions to the December 1 (7:30 pm) Loews Richmond Town Square advanced screening of "The Family Stone" featuring Claire Danes, Diane Keaton, Rachel McAdams, Dermot Mulroney, Craig T. Nelson, Sarah Jessica Parker and Luke Wilson. Take friends or take family, either way, GET OUT and SEE NORTHEAST OHIO! Not a member of artistschair.com yet? Join today for FREE! Networking EVENT & PARTY for Artists and Those that Hire Talent (November 10, 2005) A GREAT BIG THANK YOU to all who attended the November 9 artistschair.com Networking Event which took place at 1300 Gallery. Photos from the event will be posted to the artistschair.com directory soon. FIND an Artist! Make your event or project extra memorable. Find entertainers and technicians in our FREE and easy-to-use database featuring photos and profiles of local artists in more than 100 different talent fields. BE an Artist! Let your talents and services be known. Become a member for FREE and highlight all talent fields that apply to you. Upload photos of yourself and/or samples of your work, edit your own information and have your profiles viewed by those searching for your talents and services. Our MISSION Artistschair.com is committed to PROMOTING and RAISING AWARENESS of local artists, arts-related institutions and issues and the NORTHEAST OHIO REGION as well as serving the needs of those searching for CREATIVE TALENT and resources. -------------------------------1132937104 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
  =20
            ARTISTSCHAIR.COM'S "FEATURED ARTIST OF THE=20 DAY"
Stage=20 Actor - Christine H.=20 Winsberg (Location: Cleveland He= ights,=20 Ohio)
 
(November 25, 2005) To=20 view Christine's profile, visit http://www.artistschair.com
 
Latest Me= mbers'=20 CONTEST Giveaway
(November 23,=20 2005) CONGRATULATIONS to Wadsworth-based stage actor=20 William M. Berry for being chosen at random by the=20 artistschair.com database to be the Wednesday, November 23=20 "Featured Artist of the Day" will winning two passes, good=20= for=20 four admissions to the December 1 (7:30 pm) Loews Richmond Town Square advan= ced=20 screening of "The Family Stone" featuring Claire Danes, Dia= ne=20 Keaton, Rachel McAdams, Dermot Mulroney, Craig T. Nelson, Sarah Jessica Park= er=20 and Luke Wilson.  
 
Take friends or t= ake=20 family, either way, GET OUT and SEE NORTHEAST OHIO! Not a member of artistschair.com yet? Join today for=20 FREE!
 
Networking&nbs= p;EVENT=20 & PARTY for Artists and Those that Hire Talent=20
(November 10, 2005) A=20 GREAT BIG THANK YOU to all who attended the November 9=20 artistschair.com Networking=20 Event which took place at 1300 Gallery. Photo= s=20 from the event will be posted to the artistschair.com directory=20 soon.
  
=
FIND=20= an=20 Artist!
Make=20= your=20 event or project extra memorable. Find entertainers and technicia= ns=20 in our FREE and easy-to-use databa= se=20 featuring photos and profiles of local artists in more than 100 different ta= lent=20 fields.
BE an= =20 Artist!
Let y= our=20 talents and services be known. Become a member=20 for=20 FREE and highlight all talent fields that apply to you. Upload phot= os=20 of yourself and/or samples of your work, edit your own information and have=20= your=20 profiles viewed by those searching for your talents and=20 services.
Our MISSION<= /DIV>
Artistschair.com is committed to=20 PROMOTING and RAISING AWARENESS of local artists,=20 arts-related institutions and issues and the NORTHEAST OHIO=20 REGION as well as serving the needs of those searching for=20 CREATIVE TALENT and resources.
 
-------------------------------1132937104-- From ddanza at clevelandplayhouse.com Fri Nov 25 08:51:38 2005 From: ddanza at clevelandplayhouse.com (Domenick Danza) Date: Fri, 25 Nov 2005 11:51:38 -0500 Subject: [NEohioPAL]Master Class for the Actor at The Cleveland Play House - Last chance to submit your resume! Message-ID: This is a multi-part message in MIME format. ------=_NextPart_000_000E_01C5F1B6.98B8B1B0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit The Cleveland Play House Master Class for the Actor Consecutive Mondays, 6:00-9:00 PM, starting January 16, 2006 Session Length: 8 weeks Fee: $200 Instructors: Seth Gordon & Mark Alan Gordon, with Guest Instructors, including Michael Bloom, Artistic Director This master class is a scene study laboratory for the advanced and professional artist. It is not a class for beginners, but rather a unique opportunity in Cleveland for working professionals to hone their craft with other professionals from The Cleveland Play House Artistic Staff who have substantial national professional experience. It is designed to make good actors better. With a class limit of 14, there will be many opportunities to work. BY AUDITION ONLY. For an audition appointment send your picture and resume by December 1 to Domenick Danza, Education Director, The Cleveland Play House, 8500 Euclid Ave, Cleveland, OH 44106-0189. Auditions will be the week of December 12, 2005. ------=_NextPart_000_000E_01C5F1B6.98B8B1B0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Master Class for the Actor at The Cleveland Play House - Last = chance to submit your resume!

    The Cleveland Play = House

    Master Class for the = Actor

    Consecutive = Mondays, 6:00-9:00 PM, starting January 16, 2006

    Session = Length:  8 = weeks
    Fee:  $200
    Instructors:  Seth Gordon & Mark Alan Gordon, with Guest = Instructors, including Michael Bloom, Artistic Director

    This master class is a scene = study laboratory for the advanced and professional artist.  It is = not a class for beginners, but rather a unique opportunity in Cleveland = for working professionals to hone their craft with other professionals = from The Cleveland Play House Artistic Staff who have substantial = national professional experience.  It is designed to make good = actors better.  With a class limit of 14, there will be many = opportunities to work.  BY AUDITION ONLY.

       For an audition = appointment send your picture and resume by December 1 to Domenick = Danza, Education
       Director, The = Cleveland Play House, 8500 Euclid Ave, Cleveland, OH 44106-0189.  = Auditions will be the
       week of December 12, = 2005.

------=_NextPart_000_000E_01C5F1B6.98B8B1B0-- From shootfilmordie at yahoo.com Fri Nov 25 08:52:42 2005 From: shootfilmordie at yahoo.com (Jay Johnson) Date: Fri, 25 Nov 2005 08:52:42 -0800 (PST) Subject: [NEohioPAL]"Will Work For Food" Opens DV Festival Message-ID: <20051125165242.1920.qmail@web54512.mail.yahoo.com> --0-890654653-1132937562=:97005 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit "Will Work For Food" an independently produced feature here in Cleveland has been chosen to open the DV Film Festival in Los Angeles on December 7th. The DV Festival is conjunction with the DV Expo West, a convention centering on the technology of Digital Video. www.dvexp.com/filmfest "Will Work For Food" premiered at the 2005 Cleveland International Film Festival where it sold out two shows. We just screened it in New York last week as part of the New York Film and Video Festival. Many cast and crew on the movie were discovered and networked through the Neohiopal list. I was the Director, Writer and Editor of "WWFF" and I have worked in Cleveland for 15 years as a director, shooter and Avid editor of commercials, corporate videos and entertainment projects. I have just gone independent from my staff postion as Creative Director at a video production company to further my career in production. Nick Koesters, the producer and one of the leads is a SAG and Equity actor in the Cleveland area. David Lemoyne, the lead, is a working stage actor in Cleveland, and works in Video production and photography. This is the kind of thing that helps promote filmmaking in Cleveland. People working together to do great work. Hopefully, this will be a trend for the people involved with "Will Work For Food" and the entire area. "Will Work For Food" is a feature that was completely produced, casted, crewed and finished in the Cleveland area. Thanks to all who were involved with this project. Jay Johnson --0-890654653-1132937562=:97005 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
"Will Work For Food" an independently produced feature here in Cleveland has been chosen to open the DV Film Festival in Los Angeles on December 7th.  The DV Festival is conjunction with the DV Expo West, a convention centering on the technology of Digital Video. www.dvexp.com/filmfest
 
"Will Work For Food" premiered at the 2005 Cleveland International Film Festival where it sold out two shows.
 
We just screened it in New York last week as part of the New York Film and Video Festival.
 
Many cast and crew on the movie were discovered and networked through the Neohiopal list. 
 
I was the Director, Writer and Editor of "WWFF" and I have worked in Cleveland for 15 years as a director, shooter and Avid editor of commercials, corporate videos and entertainment projects.  I have just gone independent from my staff postion as Creative Director at a video production company to further my career in production.
 
Nick Koesters, the producer and one of the leads is a SAG and Equity actor in the Cleveland area.
 
David Lemoyne, the lead, is a working stage actor in Cleveland, and works in Video production and photography.
 
This is the kind of thing that helps promote filmmaking in Cleveland.  People working together to do great work.  Hopefully, this will be a trend for the people involved with "Will Work For Food" and the entire area.  "Will Work For Food" is a feature that was completely produced, casted, crewed and finished in the Cleveland area.
 
Thanks to all who were involved with this project.
 
Jay Johnson
 
 
 
 
--0-890654653-1132937562=:97005-- From newfangled02 at yahoo.com Fri Nov 25 09:51:49 2005 From: newfangled02 at yahoo.com (Newfangled Productions) Date: Fri, 25 Nov 2005 09:51:49 -0800 (PST) Subject: [NEohioPAL]LAST CALL for STEVE LYNCH letters Message-ID: <20051125175149.74522.qmail@web35212.mail.mud.yahoo.com> This is the last call for letters for Peace Corps volunteer Steve Lynch. Please help us make this Christmas a special one. If you haven't already written your letter, take a few minutes right now before you get back to what you were doing. ALL LETTERS MUST BE RECEIVED BY DECEMBER 1ST! Below you should find the instructions if you need to refresh your memory. Oliver Corrigan Artistic Director Newfangled Productions ***** Dear friends, Please join Newfangled Productions in a very special project. Some of you may know our friend Steve Lynch. Some of you may not. But either way, please take a moment to read his story: Steve Lynch is as 23 year old native of Bainbridge, Ohio and graduate of Ohio State University. He was a very active member of Newfangled Productions in our first three years - in fact, he was there right at the beginning singing and playing at our very first event - The First Starving Artists? Ball. A year ago Steve left his home, his friends and his family to join the Peace Corps. He is currently stationed in Turkmenistan, a former soviet country in central Asia. He has dedicated two years of his life to service and hardship. Many of us talk about working for peace from the comfort of our homes, but Steve has made a great sacrifice - leaving everything he has ever known to travel to a country where the people are impoverished, where electricity and hot water are considered luxuries and where the ?president for life? squanders what little his people have on self-glorification and statues in his honor. There must be many days when Steve feels alone and forgotten, but we have not forgotten him. He is far from home but he is never far from our hearts. And with that in mind, please help us to create a very special gift for Steve. Our intention is to create a book of letters from as many people as we can to send to Steve for Christmas. We hope to collect letters from those of you who know Steve and from those of you who do not, but are still touched by his story. If you are his friend, now is the time to remind him, to tell him how much you miss him and how proud you are of him. If you?ve never met him, now is the chance to introduce yourself, to thank him for proving that in a world that sometimes seems full of selfishness and violence that there are people like him working for peace and humility. Please email your letter to newfangled02 at yahoo.com by December 1st with the following information: Your name Where you live You occupation or some other one-line distinctive description of yourself Example: Dear Steve, Thank you so much for all that you are doing. You are an example to us all. Johnny Newfangled Akron, Ohio Sprocket salesman for ?Newfangled Sprocket Company? Your letter can be as short or as long as you would like - a couple of sentences or a full-length letter. It is up to you. But what?s important is that you say something - that we can show in a small way that no matter how far away Steve is he is never alone. Also, please provide us with a way to contact you, whether through email, phone or a mailing address (all three would be preferable). Once the letters are collected and the book is produced we would love to make copies available for all of you - so we can all share in the celebration of this remarkable person. Finally, think of this book as a ?surprise party.? It is so much more fun if Steve doesn?t know about this until he receives the book. We encourage you to make copies of this letter, to send it to your friends, family and coworkers - to post it on mailing lists and on coffee shop bulletin boards, but if you post it on the internet, try not to post it someplace where Steve is likely to see it. (Steve has limited internet access through the Peace Corps to communicate with home and to post letters.) If you have any questions, comments or want to help in any additional way please feel free to email us at newfangled02 at yahoo.com or call (330)620-9686. Yours, Oliver Corrigan Artistic Director Newfangled Productions (330)620-9686 newfangled02 at yahoo.com http://www.geocities.com/newfangledwebsite P.S. To read about Steve?s experiences in his own words please read http://goodprovider.diaryland.com. P.P.S. To learn more about the Peace Corps read http://www.peacecorps.gov. P.P.P.S. To learn more about Turkmenistan start with http://en.wikipedia.org/wiki/Turkmenistan. __________________________________ Start your day with Yahoo! - Make it your home page! http://www.yahoo.com/r/hs From royberko at yahoo.com Fri Nov 25 10:02:25 2005 From: royberko at yahoo.com (Roy Berko) Date: Fri, 25 Nov 2005 10:02:25 -0800 (PST) Subject: [NEohioPAL]Berko review: T.I.D.Y. (Beck Center) Message-ID: <20051125180225.43987.qmail@web33106.mail.mud.yahoo.com> ?T.I.D.Y.? has some funny moments at Beck Roy Berko (Member, American Theatre Critics Association) --THE TIMES NEWSPAPERS-- Lorain County Times--Westlaker Times--Lakewood News Times--Olmsted-Fairview Times Eric Coble, considered by many to be the local playwright laureate, has hit the big time. He?s an entry in ?Wikipedia,? the on-line encyclopedia. You can also probe him for personal information on ?Answers.com.? Theatre Communications Group honored him in their article ?Seven Playwrights to Watch.? Coble, whose newest play ?T.I.D.Y.? is being staged at Beck Center, is a member of the Playwrights' Unit of the Cleveland Play House. His past works include: ?TEN MINUTES FROM CLEVELAND? (which premiered at Dobama Theater), ?SOUND BITING,? ?ISOLATED INCIDENTS,? ?BRIGHT IDEAS? (which had a New York off Broadway production, as well as a Cleveland run), ?PINOCCHIO 3.5,? ?CINDERELLA CONFIDENTIAL,? ?SACAGAWEA,? ?VIRTUAL DEVOTION,? ?TRUTH: THE TESTIMONIAL OF SOJOURNER TRUTH,? ?IN A GROVE: FOUR JAPANESE GHOST STORIES,? and ?NIGHTFALL WITH EDGAR ALLAN POE.? Coble, who has an affinity for storytelling, often displays a wonderful spirited creativity. Some of this may have come from his upbringing on the Navaho and Ute reservations of New Mexico and Colorado where he spent time wandering around in what he once described as an ?Indiana Jones setting,? which encouraged his imagination to run wild. Anyone who has seen Coble?s ?BRIGHT IDEAS,? which tells the tale of parents who will stop at nothing to enroll their child in the ?perfect? preschool, realizes his off-the-wall thought processes and an ability to play with words. Coble often turns to classic sources as well as fairy tales and social issues and political intrigue for his inspiration. ?T.I.D.Y.? has a conspiracy base, which works perfectly in this year?s political atmosphere of who outed an FBI agent, was the public misled by G. W. Bush?s ?evil empire? and the neo-cons about the existence of weapons of mass destruction in Iraq, or their tie to the terrorism that destroyed the World Trade Center. The basic story centers on Emily Danbert, a computer geek, whose quiet life is totally thrown into chaos when T.I.D.Y., a program she developed, becomes the center of a global conspiracy. Matters really get out of hand when her ?sweet? old mother, her husband, her best friend and a mysterious confident all get involved in the intrigue. The concept is a delight. Unfortunately, the play and the production don?t live up to the premise. Though filled with some delightful moments, the play?s pieces-parts don?t always flow together well. There are segments where the action zooms right along, others where there are lulls. Some of the problem lies with director Roger Truesdell, who has paced the production much too slowly. This has to be a Marx Brothers romp, a farce on speed. Instead, we get a car race followed by a pony trot, followed by acceleration, and then more plodding. The cast is generally excellent. Sarah Morton develops a nice textured roll as the obsessive compulsive left-brained nerd whose personal and professional life lacks much excitement until she becomes the center of an international conspiracy plot. Kevin Joseph Kelly plays multi-roles with comic delight. His highlight is a portrayal of an ice cream salesman who can hardly contain his exasperation while Morton?s character continually changes her order. Rhoda Rosen, as the mother turned international hit man, is hysterical. She gives a perfect Ethel Mertz impersonation. Nicholas Koesters makes for a fine ex-husband trying hard to come back into his former wife?s life. Tracey Field could have had more fun and exaggerated her role of the mysterious confident, as could have Alison Garrigan as the friendly fellow worker turned bad. Don McBride?s multi-level set design basically works, but the constant need to move furniture around slowed down the show?s pace. As the program states, ?Anyone in the United Sates today who isn?t paranoid must be crazy.? After watching ?T.I.D.Y? you?ll be even more paranoid. Or, as the bumper sticker on my car says, ?If you aren?t appalled, you haven?t been paying attention. CAPSULE JUDGEMENT: ?T.I.D.Y.? isn?t up to Coble?s ?BRIGHT IDEAS,? but it has some good laughs. Too bad both the script and pacing couldn?t have had a little more ?oomph.? For tickets to ?T.I.D.Y.? which runs through December 18 at the Beck Center for the Arts, call 216-521-2540. Roy Berko's web page can be found at www.royberko.info. His theatre and dance reviews appear on NeOHIOpal, an on-line source. To subscribe to this free service via the World Wide Web, visit http://lists.fredsternfeld.com/mailman/listinfo/neohiopal. __________________________________ Yahoo! Mail - PC Magazine Editors' Choice 2005 http://mail.yahoo.com From cinevid at yahoo.com Fri Nov 25 10:32:45 2005 From: cinevid at yahoo.com (Bill) Date: Fri, 25 Nov 2005 10:32:45 -0800 (PST) Subject: [NEohioPAL]Indie Filmmaking - re: Christopher and Bill Van Nostran In-Reply-To: <20051125060211.3C4A861DC2@mailman.siteprotect.com> Message-ID: <20051125183245.98752.qmail@web60311.mail.yahoo.com> --0-1474271259-1132943565=:97988 Content-Type: multipart/alternative; boundary="0-2081382362-1132943565=:97988" --0-2081382362-1132943565=:97988 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Christopher K. Young and Bill Van Nostran, Hey guys, good input, however the very things that you mention, (that a lot of people mention) have been tried before, without success sad to say. Bill, there is actually a screenwriting group that meets once a month at CSU called, Second Shift Screenwriters and they post here and at clevelandfilmmaking at yahoogroups.com. I'm not sure if they are critiquing their work or creating a master work or what. I want to attend but haven't as of yet. You can contact Christine for more info: christinednfr at yahoo.com Also, Bill and Chris, way back when The Film Society sponsored Cleveland Filmmakers, I suggested that we pool our talents. All writers submit their scripts, all shooters submit their reels, all directors, well you get the idea. Then the whole group would vote on the best of the best, hone it down to even better, then approach the city, businesses, etc. to get it financed and produced. Well, either no one felt confident enough about their own work, or they didn't want their doubts exposed to an open forum, or they were just too busy, but the idea got a lot of kudos and praise, but very quickly fell into oblivion. Eventually the entire group was disbanded, probably for lack of involvement. Then along came another organization that held great promise; a creative alliance of artists that would be a force to be reckoned with, that too failed. I even tried to give an intensive two day seminar on DV Filmmaking to help raise the quality bar. I got one attendee, thanks Christine! Chris, you mentioned that there are lots of people who want to work on other people's films and if you mean actors, sure, that only makes sense, but there aren't that many aspiring boom operators who's goal in life is to carry the crossarm of the indominable soundman. Even all the people who eagerly wanted to work on my feature, Madness have other aspirations besides crew work. And you're right they came to me, based on the quality of my previous works (thanks for your part in those successes by the way). However, I really hate using people for any great length of time for no-pay, so I kept the crew very small and they were and are very committed. I guess what I'm trying to articulate is we don't need a Film Czar or Commissioner for the indie film scene. It pretty much takes care of itself. If you are willing to really take the time and make your work stand out for quality in all areas, the community of actors, crew, businesses and local governments, will respond and support your efforts. I had cast and crew come for a full time, two week long shoot, for no pay, from as far away as Canton, Youngstown, and North Olmsted, to shoot in a million dollar house that didn't charge us a thing, all because they believed the experience would be worth it. My biggest gripe is that in so many productions quality gets shoved to the bottom of the list and I walk into a landscape of burning bridges trying to find the few resources who haven't been burned or are willing to take a chance on one more independent film. As far as Cleveland Indieclub goes, we do network, but critiquing is forbidden. Attendance would drop to nothing if everyone worried their work wasn't good enough to please fellow filmmakers. One can only hope that as they see better work, they will incorporate that effort and ethic into their own projects. Thanks Fred for allowing this diatribe. I hope it gives the whole list some insight into the minds of indie filmmakers... For those actors interested in some guidelines when auditioning for Independent Film projects here are some tips: http://www.cinevidproductions.com/seminars/resources/AuditionTips.htm Thanks, Bill Johns www.cinevidproductions.com From: "Bill Van Nostran" To: , Subject: Re: [NEohioPAL]Film Czar seeks Feedback on making Cleveland a Movie City Date: Thu, 24 Nov 2005 14:08:22 -0500 As the adage goes, if it ain't on the page, it ain't on the stage. Same goes for motion pictures. The good ones all start with a compelling story well told. So one simple way to encourage new work, foster a supportive environment, and help individuals gain feedback on their work could come from a group focused on helping local filmmakers develop and polish material. A monthly group giving individual writers an opportunity to hear scenes from an emerging draft read aloud, then receive feedback from others, is a small, but perhaps important step in developing a local environment to foster NEO talent. Perhaps twice a year, local actors might be persuaded to participate in readings of screenplays nearing completion--showcasing them to a larger audience. Bill Van Nostran From: Christopher To: neohiopal at lists.fredsternfeld.com Subject: Re: [NEohioPAL]All Hail Film Czar and Film Prophet I see an attempt at buying some goodwill with the acting and crew community here, but if we shift ALL the blame on the filmmakers, then we will be ignoring the suffering of those majority of actors and crew who ARE professional enough to show up and try to finish scenes and projects in spite of the few who disappear and stop returning calls until they've settled into their Venice Beach apartments or found religion, or whatever excuse they give until one posts another audition notice. Then, they resurface and send their headshots and resumes as if you won't remember them from the last burn, and to add insult to injury, some of them even put the picture they bailed on or got fired from ON THEIR RESUME! Maybe if we all resigned ourselves to making short films that only have one or two locations, then the impact of this kind of behavior could be minimized. But for those of us who dare to make feature films with multiple locations and scenes with significant cast interplay, then this work ethic, left unaddressed, will STAY the norm for a minority, but significant percentage of actors and crew in this area, thereby throwing a wrench not only into a director's work, but the work of the other actors and crew as well. It only takes one actor doing this to shut down a film. Ask around. I have first hand experience with the phenomenon, and when filmmakers start to get a little ambitious around here, so will they. And while I haven't been to an Indieclub meeting in a long time, I thought I was giving it the benefit of the doubt in my initial posting. But if they're not networking their resources or helping each other improve their work, then what the hell are those guys doing there? I hope it's not all about listening to someone who memorized an article out of videomaker magazine or congratulating each other for sticking it out in Cleveland for as long as they have. Don't get me wrong! This isn't a commentary on Indieclub! I imagine that someone conversant with Indieclub's mission can articulate its significance with great ease. The last meeting I attended (almost two years ago) was very helpful. But if it's true that they no longer provide a resource pool and a constructively critical forum, then that which I hope it isn't, must be exactly what it is. I'll attend one as soon as possible, with the hopes that we're both wrong. But, all that aside, sway with city leaders is a necessary next step for Indieclub, or any organization that takes Cleveland's position in the greater media arts community to heart. I mean, what's a film community if the COMMUNITY isn't involved? Perhaps this is already underway, again, I haven't been attending. But an US and THEM attitude won't help anybody, because THEY have the power to make US unwelcome... even more so than we already are from a socio-cultural standpoint. One other issue I need to take on is the idea that Cleveland's indie scene is mostly made up of writers, producers and directors. While it's true that most directors are also writers and producers, and all the other combinations therein, it's more than safe to say that the vast majority of those who consider themselves in the indie scene have little to no interest in writing and/or producing and/or directing a picture of their own. Ask yourself, what's the largest number of actors you've had answer a casting call of yours? My largest number is about 130, I imagine yours are similar, if not higher since you often cast on the coattails of success from a previous project. This kind of turn out is not uncommon. Now how many area filmmakers have you ever seen in one place locally, at one time? Actual filmmakers with one or more credits in the above mentioned categories? Even add those who aspire to have a credit and the number's still pretty small. The reason I bring up this otherwise picayune issue is because it's symptomatic of a trend this community has, and I've been guilty of too: leaving out actors and crew in the dialogue over the needs of this film community. Because when you include those people in the mix, then we see that in fact, a vast majority of this community DOES WANT to work on someone else's film. They're just waiting for something they can believe in. Some find it, many don't, and some are just easy to please. You know us creative types are an unorganized lot with major attention deficit, so one more time. What was the point? Christopher K. Young www.shallowfocus.com P.S.: Amen to your last two paragraphs Bill wrote: All Hail Film Czar and Film Prophet You know, most of the time I sit with calm amusement as I read the various ramblings as to why Cleveland isn't 'on the map' when it comes to motion picture film and TV production. However, these latest posts are just too funny to ignore... A self proclaimed Film Czar? What the hell is that? Alex, I thought you were joking! And Christopher, you seem to have so much intelligence and yet you completely miss the point. Ya wanna know the reason why we can't all just get along and make movies together? Well here it is. There's too much crap!!! And widely varying degrees of crap. One of the only reasons our monthly Indieclub meetings are successful is because we're not trying to create a consortium; we're not trying to unite our resources, we're not even trying to improve eachother's work. We're j ust watching videos. And guess what? We see a lot of crap. We see some good stuff too, but mostly we see Learners, Yearners and Burners. Now, Learners are novice filmmakers who make crap because it's their first film and rather than learn the trade first, they go ahead and make a movie as practice and hopefully they'll improve. We sit politely and smile, wishing they had thought about lighting, sound, acting, dialogue, and camera work before making us sit through their experiments. Yearners are filmmakers who really want to make good films, so they use everything at their disposal to make the best possible film they can. However, they're still somewhat plagued by compromise and the results are never what they hoped for, nor what a real distributor will buy. Much easier to sit through though. Burners are the worst. These are filmmakers (u sually prolific) who make crap every time out of the gate. Their camera work is mostly hand-hell shaky cam. Their lighting is barely more than ambient and they often use the on-camera mic to capture dialogue. The acting is wooden and undirected; the stories are either so deep you need waders, or so shallow you can't find a point; and to top it off, they're fully convinced they are great filmmakers. But why do I call them Burners you ask? Well, because they burn the bridges that sincere Yearners might someday want to use. They burn bridges with actors who get soured against indie filmmakers because they have nothing decent to show for all their hard work (not even copy). They burn bridges with locations because they are so unorganized that they overstay their welcomes, mess up property and never send copies of the video, like they promise to do. They burn bridges with investors because the investor never sees a dime of their money back. They burn bridges with the legitimate film commission, because, as I said before they make crap and what film commission is going to support and encourage more crap??? Yet that's not the reason why we don't need a film czar or film prophet or any other coordinating force. The real reason is no one wants to work on someone else's film. You see, most of the people that comprise the indie scene here in Cleveland are writer/producer/directors and we're all working on our own projects. And guess what. I'm not all that interested in spending my valuable time working on someone's project which I consider to be crappier than my own. I can just as easily be spending my time and resources creating my own crap. Sure everyone would like to think there's a benevolent brotherhood of filmmakers; a selfless society where everyone submits ideas and work samples and then the members vote on what script to do and who to direct it. The commu nity is presented with the proposal and since it bears the backing of so many filmmakers, the businesses get involved and support the project with services and finances. The best actors come from all around to have a part in the project and a glorious motion picture is produced that wins the Oscar for Impossible Dream... That would be a good plot for a fantasy picture, but in the real world, writers will lose interest if their script isn't picked. Directors will bail if they can't direct and actors will walk away if they can't be the lead. And you guessed it the end product would probably be... well, I don't need to say it again. (though I really want to) Bill Johnscrappy writer/producer/and directorwww.cinevidproductions.com P.S - I guess I'm in a sour mood because just yesterday I lost a serious investor (producer of two features in LA) because she said the acting in one of the scenes I sent her wasn't very good. I knew it when I shot it that I was compromising, and even though we're reshooting that scene, it's too late to regain that contact... ah CRAP! --------------------------------- Yahoo! Music Unlimited - Access over 1 million songs. Try it free.From: PatrickJCarroll at aol.com Date: Thu, 24 Nov 2005 22:25:22 EST To: neohiopal at lists.fredsternfeld.com Subject: [NEohioPAL]Christmas Massage Therapy Gift Certificates TO MY FELLOW PERFORMERS: Today starts the official Christmas Season! Why not give your loved one (or yourself ;-) ) something that will actually improve their health and or state of mind. MASSAGE! Whether you need a serious therapeutic deep tissue massage or just want to enjoy the bliss of total relaxation. Give a Massage Therapy Gift Certificate. Your Christmas shopping can be as easy as a phone call or a click of the reply button to this email! I offer a 20% discount to all Neohiopal subscribers. Happy Holidays to all! Patrick J. Carroll, L.M.T. 216-544-6001 ______________________________________ Disney's "BEAUTY AND THE BEAST" at Beck Center 12/2-12/31. 216-521-2540. http://www.fredsternfeld.com/beautyandthebeast.htm _______________________________________ There is also a sister site to this list called the "NEoPAL Bulletin Board." Occasionally when "hot-button" discussions go on more than a day or two, the bulletin board is used. The Neopal bulletin board also has some other terrific features, like a searchable database for you to put your personal information, a place to post pictures and a chat room with a nightly 11pm gathering to discuss hot topics: http://groups.yahoo.com/group/neopal/ ______________________________________ Disclaimer: The facts and/or opinions expressed in each message are solely those of the person in the "from" or "reply-to" header. The fact that these messages are posted should in no way be taken as an endorsement by the administrator of this list. Subscribers should perform due diligence for all goods, services and activities promoted on NEohioPAL. _______________________________________ NEohioPAL mailing list NEohioPAL at lists.fredsternfeld.com http://lists.fredsternfeld.com/mailman/listinfo/neohiopal http://www.fredsternfeld.com --------------------------------- Yahoo! Personals Single? There's someone we'd like you to meet. Lot's of someone's, actually. Try Yahoo! Personals --0-2081382362-1132943565=:97988 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
Christopher K. Young and Bill Van Nostran,
 
Hey guys, good input, however the very things that you mention, (that a lot of people mention) have been tried before, without success sad to say.
 
Bill, there is actually a screenwriting group that meets once a month at CSU called, Second Shift Screenwriters and they post here and at clevelandfilmmaking at yahoogroups.com. I'm not sure if they are critiquing their work or creating a master work or what. I want to attend but haven't as of yet. You can contact Christine for more info: christinednfr at yahoo.com
 
Also, Bill and Chris, way back when The Film Society sponsored Cleveland Filmmakers, I suggested that we pool our talents. All writers submit their scripts, all shooters submit their reels, all directors, well you get the idea. Then the whole group would vote on the best of the best, hone it down to even better, then approach the city, businesses, etc. to get it financed and produced.
 
Well, either no one felt confident enough about their own work, or they didn't want their doubts exposed to an open forum, or they were just too busy, but the idea got a lot of kudos and praise, but very quickly fell into oblivion. Eventually the entire group was disbanded, probably for lack of involvement. Then along came another organization that held great promise; a creative alliance of artists that would be a force to be reckoned with, that too failed. I even tried to give an intensive two day seminar on DV Filmmaking to help raise the quality bar. I got one attendee, thanks Christine! 
 
Chris, you mentioned that there are lots of people who want to work on other people's films and if you mean actors, sure, that only makes sense, but there aren't that many aspiring boom operators who's goal in life is to carry the crossarm of the indominable soundman. Even all the people who eagerly wanted to work on my feature, Madness have other aspirations besides crew work. And you're right they came to me, based on the quality of my previous works (thanks for your part in those successes by the way). However, I really hate using people for any great length of time for no-pay, so I kept the crew very small and they were and are very committed.
 
I guess what I'm trying to articulate is we don't need a Film Czar or Commissioner for the indie film scene. It pretty much takes care of itself. If you are willing to really take the time and make your work stand out for quality in all areas, the community of actors, crew, businesses and local governments, will respond and support your efforts. I had cast and crew come for a full time, two week long shoot, for no pay, from as far away as Canton, Youngstown, and North Olmsted, to shoot in a million dollar house that didn't charge us a thing, all because they believed the experience would be worth it.

My biggest gripe is that in so many productions quality gets shoved to the bottom of the list and I walk into a landscape of burning bridges trying to find the few resources who haven't been burned or are willing to take a chance on one more independent film.
 
As far as Cleveland Indieclub goes, we do network, but critiquing is forbidden. Attendance would drop to nothing if everyone worried their work wasn't good enough to please fellow filmmakers. One can only hope that as they see better work, they will incorporate that effort and ethic into their own projects.
 
Thanks Fred for allowing this diatribe. I hope it gives the whole list some insight into the minds of indie filmmakers...
 
For those actors interested in some guidelines when auditioning for Independent Film projects here are some tips:
 
Thanks,
Bill Johns
 
 
 
 



From: "Bill Van Nostran" <wvannostran at neo.rr.com>
To: <alexcine at aol.com>, <neohiopal at lists.fredsternfeld.com>
Subject: Re: [NEohioPAL]Film Czar seeks Feedback on making Cleveland a Movie City
Date: Thu, 24 Nov 2005 14:08:22 -0500

As the adage goes, if it ain't on the page, it ain't on the stage. Same goes
for motion pictures. The good ones all start with a compelling story well
told. So one simple way to encourage new work, foster a supportive
environment, and help individuals gain feedback on their work could come
from a group focused on helping local filmmakers develop and polish
material. A monthly group giving individual writers an opportunity to hear
scenes from an emerging draft read aloud, then receive feedback from others,
is a small, but perhaps important step in developing a local environment to
foster NEO talent. Perhaps twice a year, local actors might be persuaded to
participate in readings of screenplays nearing completion--showcasing them
to a larger audience.

Bill Van Nostran

From: Christopher <kaimei at earthlink.net>
To: neohiopal at lists.fredsternfeld.com
Subject: Re: [NEohioPAL]All Hail Film Czar and Film Prophet

I see an attempt at buying some goodwill with the acting and crew community here, but if we shift ALL the blame on the filmmakers, then we will be ignoring the suffering of those majority of actors and crew who ARE professional enough to show up and try to finish scenes and projects in spite of the few who disappear and stop returning calls until they've settled into their Venice Beach apartments or found religion, or whatever excuse they give until one posts another audition notice.  Then, they resurface and send their headshots and resumes as if you won't remember them from the last burn, and to add insult to injury, some of them even put the picture they bailed on or got fired from ON THEIR RESUME!
Maybe if we all resigned ourselves to making short films that only have one or two locations, then the impact of this kind of behavior could be minimized.  But for those of us who dare to make feature films with multiple locations and scenes with significant cast interplay, then this work ethic, left unaddressed, will STAY the norm for a minority, but significant percentage of actors and crew in this area, thereby throwing a wrench not only into a director's work, but the work of the other actors and crew as well.  It only takes one actor doing this to shut down a film.  Ask around.  I have first hand experience with the phenomenon, and when filmmakers start to get a little ambitious around here, so will they.
And while I haven't been to an Indieclub meeting in a long time, I thought I was giving it the benefit of the doubt in my initial posting.  But if they're not networking their resources or helping each other improve their work, then what the hell are those guys doing there?  I hope it's not all about listening to someone who memorized an article out of videomaker magazine or congratulating each other for sticking it out in Cleveland for as long as they have.  Don't get me wrong!  This isn't a commentary on Indieclub!  I imagine that someone conversant with Indieclub's mission can articulate its significance with great ease.  The last meeting I attended (almost two years ago) was very helpful.  But if it's true that they no longer provide a resource pool and a constructively critical forum, then that which I hope it isn't, must be exactly what it is.  I'll attend one as soon as possible, with the hopes that we're both wrong.  But, all that aside, sway with city leaders is a necessary next step for Indieclub, or any organization that takes Cleveland's position in the greater media arts community to heart.  I mean, what's a film community if the COMMUNITY isn't involved?  Perhaps this is already underway, again, I haven't been attending.  But an US and THEM attitude won't help anybody, because THEY have the power to make US unwelcome... even more so than we already are from a socio-cultural standpoint.
One other issue I need to take on is the idea that Cleveland's indie scene is mostly made up of writers, producers and directors.  While it's true that most directors are also writers and producers, and all the other combinations therein, it's more than safe to say that the vast majority of those who consider themselves in the indie scene have little to no interest in writing and/or producing and/or directing a picture of their own.  Ask yourself, what's the largest number of actors you've had answer a casting call of yours?  My largest number is about 130, I imagine yours are similar, if not higher since you often cast on the coattails of success from a previous project.  This kind of turn out is not uncommon.
Now how many area filmmakers have you ever seen in one place locally, at one time?  Actual filmmakers with one or more credits in the above mentioned categories?  Even add those who aspire to have a credit and the number's still pretty small.  The reason I bring up this otherwise picayune issue is because it's symptomatic of a trend this community has, and I've been guilty of too:  leaving out actors and crew in the dialogue over the needs of this film community.  Because when you include those people in the mix, then we see that in fact, a vast majority of this community DOES WANT to work on someone else's film.  They're just waiting for something they can believe in.
Some find it, many don't, and some are just easy to please.
You know us creative types are an unorganized lot with major attention deficit, so one more time.  What was the point?
Christopher K. Young
www.shallowfocus.com
P.S.: Amen to your last two paragraphs
 
 
Bill wrote:
All Hail Film Czar and Film Prophet You know, most of the time I sit with calm amusement as I read the various ramblings as to why Cleveland isn't 'on the map' when it comes to motion picture film and TV production. However, these latest posts are just too funny to ignore... A self proclaimed Film Czar? What the hell is that? Alex, I thought you were joking! And Christopher, you seem to have so much intelligence and yet you completely miss the point. Ya wanna know the reason why we can't all just get along and make movies together? Well here it is. There's too much crap!!! And widely varying degrees of crap. One of the only reasons our monthly Indieclub meetings are successful is because we're not trying to create a consortium; we're not trying to unite our resources, we're not even trying to improve eachother's work. We're j ust watching videos. And guess what? We see a lot of crap. We see some good stuff too, but mostly we see Learners, Yearners and Burners. Now, Learners are novice filmmakers who make crap because it's their first film and rather than learn the trade first, they go ahead and make a movie as practice and hopefully they'll improve. We sit politely and smile, wishing they had thought about lighting, sound, acting, dialogue, and camera work before making us sit through their experiments. Yearners are filmmakers who really want to make good films, so they use everything at their disposal to make the best possible film they can. However, they're still somewhat plagued by compromise and the results are never what they hoped for, nor what a real distributor will buy. Much easier to sit through though. Burners are the worst. These are filmmakers (u sually prolific) who make crap every time out of the gate. Their camera work is mostly hand-hell shaky cam. Their lighting is barely more than ambient and they often use the on-camera mic to capture dialogue. The acting is wooden and undirected; the stories are either so deep you need waders, or so shallow you can't find a point; and to top it off, they're fully convinced they are great filmmakers. But why do I call them Burners you ask? Well, because they burn the bridges that sincere Yearners might someday want to use. They burn bridges with actors who get soured against indie filmmakers because they have nothing decent to show for all their hard work (not even copy). They burn bridges with locations because they are so unorganized that they overstay their welcomes, mess up property and never send copies of the video, like they promise to do. They burn bridges with investors because the investor never sees a dime of their money back. They burn bridges with the legitimate film commission, because, as I said before they make crap and what film commission is going to support and encourage more crap??? Yet that's not the reason why we don't need a film czar or film prophet or any other coordinating force. The real reason is no one wants to work on someone else's film. You see, most of the people that comprise the indie scene here in Cleveland are writer/producer/directors and we're all working on our own projects. And guess what. I'm not all that interested in spending my valuable time working on someone's project which I consider to be crappier than my own. I can just as easily be spending my time and resources creating my own crap. Sure everyone would like to think there's a benevolent brotherhood of filmmakers; a selfless society where everyone submits ideas and work samples and then the members vote on what script to do and who to direct it. The commu nity is presented with the proposal and since it bears the backing of so many filmmakers, the businesses get involved and support the project with services and finances. The best actors come from all around to have a part in the project and a glorious motion picture is produced that wins the Oscar for Impossible Dream... That would be a good plot for a fantasy picture, but in the real world, writers will lose interest if their script isn't picked. Directors will bail if they can't direct and actors will walk away if they can't be the lead. And you guessed it the end product would probably be... well, I don't need to say it again. (though I really want to) Bill Johnscrappy writer/producer/and directorwww.cinevidproductions.com P.S - I guess I'm in a sour mood because just yesterday I lost a serious investor (producer of two features in LA) because she said the acting in one of the scenes I sent her wasn't very good. I knew it when I shot it that I was compromising, and even though we're reshooting that scene, it's too late to regain that contact... ah CRAP!
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Date: Thu, 24 Nov 2005 22:25:22 EST
To: neohiopal at lists.fredsternfeld.com
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Lot's of someone's, actually. Try Yahoo! Personals --0-2081382362-1132943565=:97988-- --0-1474271259-1132943565=:97988-- From lilith at cros.net Fri Nov 25 11:30:04 2005 From: lilith at cros.net (lilith) Date: Fri, 25 Nov 2005 14:30:04 -0500 Subject: [NEohioPAL]Cleveland IndieClub Message-ID: <200511251430.AA102433106@cros.net> Christopher, Alex, Bill, etal: As an ardent "learner" and IndieClub attendee, I feel compelled to respond. IndieClub is not only thriving, it has outgrown its first location at Talkies and moved to the larger Hyacinth Lofts. Even then, the meetings are often standing room only. What used to be a 3 hour meeting has expanded to over 4 hours. This was done for one reason only as far as I know- so that we would all have the time to NETWORK! We were so busy screening work and having in really good speakers (like this month's Phil Garrett, previously of Dreamworks!) that we had run out of time to fish the talent pool for people to work on our shoots. >From my association with Cleveland IndieClub, I have worked on 11 projects in the last 3 years. 2 of those were my own, with a third to shoot next weekend. I have done everything I could. My 20+ years expertise is in wardrobe and make up, so I have done alot of that. But I have worked as an extra and PA and moved through the ranks to script supervise, write, direct and produce. To be sure, when I started seriously in film, I knew very little. I learned by volunteering to work on others' projects- yes, even the bad ones. You learn as much, if not more, on a bad shoot than a good one. Because I have a good work ethic, show up and do my job with the most professional attitude I have, I get asked back and recruited for other work. I am lucky enough that now I am regularly paid to work on films (yes, indies can pay!). Of course, I care a lot about the work and have studied everything I can get my hands on about filmmaking. The only thing IndieClubbers lack as a whole, is the same thing every indie struggles with- MONEY. We need to learn how to raise it and spend it wisely to produce distributable product. My next shoot is next weekend, and is entirely crewed by INDIECLUBBERS! Actors, crew, pa's- all from Indieclub. Some of these people honor me completely by agreeing to come work on my shoot, others are like I was a few years ago, hungry to learn. Why do I share all of this? Because my personal story is just one of many- A great many Indieclubbers are just like me, and we survive becasue we work together. My product improves with every new technique I learn and I never tire of learning. Just one modest success story from IndieCleveland. Hope to see you all at the next meeting. Christine Chapman lilith at cros.net From Wakeup4664 at aol.com Fri Nov 25 11:35:53 2005 From: Wakeup4664 at aol.com (Wakeup4664 at aol.com) Date: Fri, 25 Nov 2005 14:35:53 EST Subject: [NEohioPAL]Great Bargain for your Craft: "Tricks of the Trade. . . " On-Camera Reminder Message-ID: <1da.48ac7e37.30b8c199@aol.com> --part1_1da.48ac7e37.30b8c199_boundary Content-Type: text/plain; charset="ISO-8859-1" Content-Transfer-Encoding: quoted-printable Great Bargain on Learning / Honing Your Craft! "Tricks of the Trade. . . " On-Camera Reminder . Mon.=A0 11/28: "Tricks of the Trade: On-camera Skills and Monologues" 2005 Will be Over, Soon, so Get Your Last "Tricks of the Trade" for . . .=20 Auditions, On-Camera & Voiceover Be Ready for the New Year! Sue Johnson and WAKE UP And LIVE's Actors' Studio are conducting a series of= =20 special "Tricks of the Trade: Craft, Career and Professional Development"=20 Sessions,=20 Mondays, November 21st & 28th, & December 5th & 12th. =A0 7:00 -8:30 P. Shaker Heights, OH & Adelphia Locations. To register for classes for Actors & Other Performing Artists, email:=20 wakeup4664 at aol.com.=20 Did You Miss Mon.=A0 11/21: "Tricks of the Trade: Audition Techniques for St= age=20 and On-camera?" Then, Contact us to make Special Arrangements for=20 Individual Coaching Session . . . There's a difference between acting techniques on stage and on-camera. This=20 session will show you how to adapt your stage skills to be successful for=20 on-camera auditions and jobs. Learn the Do's & Don'ts of audition techniques.=A0 You will learn how auditi= ons=20 work, how to prepare for them, and where to find them.=A0 Be prepared for th= e=20 different scenarios: Monologues vs. Reading from the Script. Monologues,=20 commercial, film & industrial scripts. Get feedback on how you look, speak &= act=20 on-stage & on- camera.=20 . Mon.=A0 11/28: "Tricks of the Trade: On-camera Skills and Monologues" Practice on-camera skills with commercial, film & industrial copy.=A0 See=20 yourself as talent agents, producers, clients & casting agents see you.=A0 L= earn how=20 your facial expressions, gestures/mannerisms, body language/movement & voice= =20 project on-camera. Enhance the way you look, speak & act to get work. . Mon.=A0 12/5:=A0 "Tricks of the Trade: Voiceover Skills, Diction, Dialogue= and=20 Speaking Techniques for Performing Artists" Hear how you sound to listeners.=A0 Are you clear, articulate & interesting?= =A0=20 Do you 'Swallow' your words?=A0 Have you been called a 'Mush Mouth?'=A0 Have= you=20 been asked to 'Slow down?'=A0 Professional voiceover talent & public speaker= s pay=20 attention to the details - pacing, "t's, d's, & ings," etc.=A0 Learn to play= =20 with language and your voice: enunciation, articulation, intonation, inflect= ion,=20 and more, to give your characters & performances more flavor. Great session=20 for singers & comedians, too. . Mon. 12/12:=A0 "Tricks of the Trade: Creating Your Voiceover Demo in Conte= nt & Format" Great voiceover talent uses multiple basic 'actors' tools' to get & keep the= =20 listener's attention, sell the product, and solve the problem.=A0 Design you= r=20 Commercial, Industrial, PSA's, Story Telling & Narration copy which require=20 unique voiceover abilities.=A0 Find out why creating a demo and voiceover wo= rk=20 aren't easy as they look. . Workshop Fees: $20.00, each session. (November &=A0 December, only) . Private Coaching: $30.00, each=A0 session. (November &=A0=A0 December, onl= y) =A0 Credit Cards are accepted. [Note: Attend a workshop or coaching, now.=A0 Get a discount on your 1st=20 session scheduled in 2006. Ask for details.] Prefer Private Coaching? Then . . . Choose a Private Coaching session, on the above topics (or, other topics of=20 your choice),=20 by appointment. Pre-payment required. For more details, and to register, please reply to: wakeup4664 at aol.com Make Checks Payable & Mail to: Sue Johnson, Director WAKE UP And LIVE's Actors' Studio P.O. Box 201524 Shaker Heights, OH 44120 http://carolirvin.com/wakeup.htm --part1_1da.48ac7e37.30b8c199_boundary Content-Type: text/html; charset="ISO-8859-1" Content-Transfer-Encoding: quoted-printable

Great Bargain=20= on Learning / Honing Your Craft!
"Tricks of the Trade. . . " On-Camera Reminder

. Mon.=A0 11/28: "Tricks of the Trade: On-camera Skills and Monologues"<= BR>
2005 Will be Over, Soon, so Get Your Last
"Tricks of the Trade" for . . .
Auditions, On-Camera & Voiceover

Be Ready for the New Year!


Sue Johnson and WAKE UP And LIVE's Actors' Studi= o are conducting a series of special "Tricks of the Trade: Craft,= Career and Professional Development" Sessions,

Mondays, November 21st & 28th, & December 5th & 12th.
=A0 7:00 -8:30 P.
Shaker Heights, OH & Adelphia Locations.

To register for classes for Actors & Other Performing Artists, email: wa= keup4664 at aol.com.


Did You Miss Mon.=A0 11/21: "Tricks of the Trade: Audition Techniques f= or Stage and On-camera?"   Then, Contact us to make Special= Arrangements for Individual Coaching Session . . .

There's a difference between acting techniques on stage and on-camera. This=20= session will show you how to adapt your stage skills to be successful for on= -camera auditions and jobs.
Learn the Do's & Don'ts of audition techniques.=A0 You will learn how au= ditions work, how to prepare for them, and where to find them.=A0 Be prepare= d for the different scenarios: Monologues vs. Reading from the Script. Monol= ogues, commercial, film & industrial scripts. Get feedback on how you lo= ok, speak & act on-stage & on- camera.

. Mon.=A0 11/28: "Tricks of the Trade: On-camera Skills and Monologue= s"
Practice on-camera skills with commercial, film & industrial copy.=A0 Se= e yourself as talent agents, producers, clients & casting agents see you= .=A0 Learn how your facial expressions, gestures/mannerisms, body language/m= ovement & voice project on-camera. Enhance the way you look, speak &= act to get work.

. Mon.=A0 12/5:=A0 "Tricks of the Trade: Voiceover Skills, Diction, Dia= logue and Speaking Techniques for Performing Artists"
Hear how you sound to listeners.=A0 Are you clear, articulate & interest= ing?=A0 Do you 'Swallow' your words?=A0 Have you been called a 'Mush Mouth?'= =A0 Have you been asked to 'Slow down?'=A0 Professional voiceover talent &am= p; public speakers pay attention to the details - pacing, "t's, d's, = & ings," etc.=A0 Learn to play with language and your voice: enun= ciation, articulation, intonation, inflection, and more, to give your charac= ters & performances more flavor. Great session for singers & comedia= ns, too.

. Mon. 12/12:=A0 "Tricks of the Trade: Creating Your Voiceover Demo i= n Content & Format"
Great voiceover talent uses multiple basic 'actors' tools' to get & keep= the listener's attention, sell the product, and solve the problem.=A0 Desig= n your Commercial, Industrial, PSA's, Story Telling & Narration copy whi= ch require unique voiceover abilities.=A0 Find out why creating a demo and v= oiceover work aren't easy as they look.

. Workshop Fees: $20.00, each session. (November &=A0 December= , only)
. Private Coaching: $30.00, each=A0 session. (November &=A0=A0 Decemb= er, only)
=A0 Credit Cards are accepted.
[Note: Attend a workshop or coaching, now.=A0 Get a discount on your 1st=20= session scheduled in 2006. Ask for details.]

Prefer Private Coaching? Then . . .
Choose a Private Coaching session, on the above topics (or, other topics of=20= your choice),
by appointment. Pre-payment required.

For more details, and to register, please reply to: wakeup4664 at aol.com

Make Checks Payable & Mail to:
Sue Johnson, Director
WAKE UP And LIVE's Actors' Studio
P.O. Box 201524
Shaker Heights, OH 44120



http://carolirvin.com/wakeup.htm









--part1_1da.48ac7e37.30b8c199_boundary-- From Wakeup4664 at aol.com Fri Nov 25 11:48:49 2005 From: Wakeup4664 at aol.com (Wakeup4664 at aol.com) Date: Fri, 25 Nov 2005 14:48:49 EST Subject: [NEohioPAL]Another Invitation to Attend:"Tricks of the Trade" WAKE UP And LIVE w/ the ARTS Message-ID: <271.8a812a.30b8c4a1@aol.com> --part1_271.8a812a.30b8c4a1_boundary Content-Type: text/plain; charset="ISO-8859-1" Content-Transfer-Encoding: quoted-printable Another Invitation to Attend . . .=20 "Tricks of the Trade" =20 WAKE UP And LIVE w/ the ARTS There's Still Time to be our Guest=20 this Thursday, 12/1 on=20 WAKE UP And LIVE with the ARTS, TV Program Email your RSVP, by Tues. 11/29. See below for complete details Join us for . . . "Tricks of the Trade: Craft, Career and Professional Development" Series on=20 WAKE UP And LIVE with the ARTS . Would you like to . . . =A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0 .=A0 hone your craft and showcase your=20= talent at the same time? =A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0 .=A0 be involved with a TV production t= o showcase your talent? . Here's your chance . . . Sue Johnson and WAKE UP And LIVE's Actors' Studio are conducting a series of= =20 special "Tricks of the Trade: Craft, Career and Professional Development"=20 Sessions on upcoming WAKE UP And LIVE with the ARTS TV programs. . Here's how it will work . . . You are invited to be a participant and attend a taping(s), of your choice,=20 of WAKE UP And LIVE with the ARTS on:=20 =A0=A0=A0=A0=A0=A0=A0 . Thursdays, Dec.=A0 1st, and Dec. 15th.=A0=20 =A0=A0=A0=A0=A0=A0=A0 . approx. 7:30 P - 8:45 P. Adelphia Studios. . The topics for each session are . . . . Thurs. 12/1:=A0=A0 "Tricks of the Trade: On-camera Skills with Monologues and Scenes" . Thurs. 12/15:=A0 "Tricks of the Trade: Voiceover Skills and Diction, Dialogue & Speaking=20 =A0=A0 Techniques" We will tape the sessions.=A0 They will be shown as WAKE UP And LIVE with th= e=20 ARTS half-hour programs later, on Adelphia, Cox and Cleveland Access channel= s. You will have the chance to participate in practicing your craft, discussion= ,=20 questions and answers. Space is limited. RSVP's will be accepted on a first-come, basis. These=20 sessions are Complimentary.=A0=20 However, in order to attend the Complimentary sessions, you must contact us=20 by Sunday, 11/27 and register for at least of the 3 "Tricks of the Trade:=20 Craft, Career and Professional Development" Workshops scheduled for . . .=20 "Tricks of the Trade "=A0 workshop sessions, 7:00 -8:30 P. Shaker Heights, O= H. =A0 =A0=A0 . Mon.=A0 11/28:=A0=A0 On-camera Skills and Monologues =A0=A0 . Mon.=A0 12/5:=A0=A0=A0 Voiceover Skills, Diction, Dialogue & Speaki= ng Techniques =A0=A0=A0=A0 for Performing Artists =A0=A0 . Mon. 12/12:=A0 Creating Your Voiceover Demo in Content & Format" Or, you can choose a Private Coaching session, on the above topics (or, othe= r=20 topics of your choice), by appointment. Pre-payment required by NOVEMBER=20 15th. . Workshop Fees: $35.00, two sessions. $20.00, each additional session. (November &=A0December, only) . Private Coaching: $45.00, two sessions. $25.00, each additional session.=20 (November & December, only) For more details, to RSVP and to register, please reply to: Sue Johnson, Director WAKE UP And LIVE's Actors' Studio Wakeup4664 at aol.com P.O. Box 201524 Shaker Heights, OH 44120 . . . About Sue Johnson . . . Sue Johnson, Director of the WAKE UP And LIVE's Actors' Studio, is an actor,= =20 director, producer and talent coach whose professional credits include recen= t=20 appearances in Cleveland area theatres, including Agents and Assets, an LAPD= =20 production at Cleveland Public Theater. She has directed My Big Fat=20 Dysfunctional Office, a commissioned play, numerous "PlayActs" Performances=20= and Jim=20 Spriggs' Terror on Biddle Street, a staged reading, for Karamu's Arenafest.=20= TV=20 credits include A & E's 100 Centre Street, and films, Antwone Fisher directe= d by=20 Denzel Washington, and The Year That Trembled, Jay Craven, Director. Her tal= ent=20 resume lists numerous TV commercials, industrials, and voiceovers.=20 She produces, directs and co-hosts WAKE UP And LIVE with the ARTS with Chris= =20 Fortunato. The performing & cultural arts program airs Wednesdays, 7:30 P &=20 Saturdays, 7:00 P on Adelphia Cable, ch. 21, eastern suburbs and ch. 23, wes= tern=20 suburbs. The show also airs on Cox Cable, ch. 45, Wednesdays 7:30 P &=20 Saturdays, 7:00 P, and Cleveland Access, ch. 25, Wednesdays, 7:00 P.=A0 Her=20= "Tricks of=20 the Trade: Craft, Career & Professional Development" Series, and "Tricks of=20 the Trade: Acting Seminars for Business & Leadership Training" workshops are= =20 well-known throughout the performing arts and corporate community.=20 http://carolirvin.com/wakeup.htm --part1_271.8a812a.30b8c4a1_boundary Content-Type: text/html; charset="ISO-8859-1" Content-Transfer-Encoding: quoted-printable

Another Invitation=20= to Attend . . .
"Tricks of the Trade" 
WAKE UP And LIVE w/ the ARTS

There's Still Time to be our Guest
this Thursday, 12/1
on
WAKE UP And LIVE with the ARTS,
TV Program
Email your RSVP, by Tues. 11/29.
See below for complete details

Join us for . . .


"Tricks of the Trade: Craft, Career and Professional Development" Series=
on
WAKE UP And LIVE with the ARTS


. Would you like to . . .
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0 .=A0 hone your craft and showca= se your talent at the same time?
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0 .=A0 be involved with a TV produ= ction to showcase your talent?

. Here's your chance . . .
Sue Johnson and WAKE UP And LIVE's Actors' Studio are conducti= ng a series of special "Tricks of the Trade: Craft, Career and Profession= al Development" Sessions on upcoming WAKE UP And LIVE with the ART= S TV programs.

. Here's how it will work . . .

You are invited to be a participant and attend a taping(s), of your choice,=20= of WAKE UP And LIVE with the ARTS on:
=A0=A0=A0=A0=A0=A0=A0 . Thursdays,  Dec.=A0 1st, and Dec. 15t= h.=A0
=A0=A0=A0=A0=A0=A0=A0 . approx. 7:30 P - 8:45 P. Adelphia Studios.
. The topics for each session are . . .

. Thurs. 12/1:=A0=A0
"Tricks of the Trade: On-camera Skills with Monologues and Scenes"

. Thurs. 12/15:=A0
"Tricks of the Trade: Voiceover Skills and Diction, Dialogue & Speaking=20=
=A0=A0 Techniques"

We will tape the sessions.=A0 They will be shown as WAKE UP And LIVE w= ith the ARTS half-hour programs later, on Adelphia, Cox and Clevelan= d Access channels.

You will have the chance to participate in practicing your craft, discussion= , questions and answers.

Space is limited. RSVP's will be accepted on a first-come, basis. These sess= ions are Complimentary.=A0

However, in order to attend the Complimentary sessions= , you must contact us by Sunday, 11/27 and register for at least of t= he 3 "Tricks of the Trade: Craft, Career and Professional Development" Workshops scheduled for . . .

"Tricks of the Trade "=A0 workshop sessions, 7:00 -8:30 P. Shaker Height= s, OH.
=A0
=A0=A0 . Mon.=A0 11/28:=A0=A0 On-camera Skills and Monologues

=A0=A0 . Mon.=A0 12/5:=A0=A0=A0 Voiceover Skills, Diction, Dialogue & Sp= eaking Techniques
=A0=A0=A0=A0 for Performing Artists

=A0=A0 . Mon. 12/12:=A0 Creating Your Voiceover Demo in Content & Format= "

Or, you can choose a Private Coaching session, on the above topics (o= r, other topics of your choice), by appointment. Pre-payment required by = NOVEMBER 15th.

. Workshop Fees: $35.00, two sessions. $20.00, each additional= session.
(November &=A0December, only)
. Private Coaching: $45.00, two sessions. $25.00, each additio= nal session.
(November & December, only)

For more details, to RSVP and to register, please reply to:
Sue Johnson, Director
WAKE UP And LIVE's Actors' Studio
Wakeup4664 at aol.com
P.O. Box 201524
Shaker Heights, OH 44120

. . . About Sue Johnson . . .

Sue Johnson, Director of the WAKE UP And LIVE's Actors' Studio, is an actor, director, producer and talent coach whose professional credit= s include recent appearances in Cleveland area theatres, including Agents= and Assets, an LAPD production at Cleveland Public Theater. She has dir= ected My Big Fat Dysfunctional Office, a commissioned play, numerous=20= "PlayActs" Performances and Jim Spriggs' Terror on Biddle Street, a staged reading, for Karamu's Arenafest. TV credits include A & E's= 100 Centre Street, and films, Antwone Fisher directed by Denz= el Washington, and The Year That Trembled, Jay Craven, Director. Her=20= talent resume lists numerous TV commercials, industrials, and voiceovers.
She produces, directs and co-hosts WAKE UP And LIVE with the ARTS<= /I> with Chris Fortunato. The performing & cultural arts program airs We= dnesdays, 7:30 P & Saturdays, 7:00 P on Adelphia Cable, ch. 21, eastern=20= suburbs and ch. 23, western suburbs. The show also airs on Cox Cable, ch. 45= , Wednesdays 7:30 P & Saturdays, 7:00 P, and Cleveland Access, ch. 25, W= ednesdays, 7:00 P.=A0 Her "Tricks of the Trade: Craft, Career & Profe= ssional Development" Series, and "Tricks of the Trade: Acting Seminar= s for Business & Leadership Training" workshops are well-known throu= ghout the performing arts and corporate community.


http://carolirvin.com/wakeup.htm

--part1_271.8a812a.30b8c4a1_boundary-- From lucia9577 at yahoo.com Fri Nov 25 10:14:00 2005 From: lucia9577 at yahoo.com (Lucia DiVieste) Date: Fri, 25 Nov 2005 10:14:00 -0800 (PST) Subject: [NEohioPAL]Italian American Art Exhibit Message-ID: <20051125181400.74914.qmail@web60811.mail.yahoo.com> --0-385054868-1132942440=:70491 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Art Show Featuring Illustrations of Italian-American Life By...Mauro DiVieste Location: Little Peppino's Restaraunt 728 North State Street Girard, OH 44420 When: December 10, 2005; 3pm - 9pm Illustrations for sale. All sold illustrations will be available for pickup between 7-8pm at Little Peppino's. --------------------------------- Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --0-385054868-1132942440=:70491 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
Art Show
 
Featuring Illustrations of Italian-American Life
 
By...Mauro DiVieste
 
Location: Little Peppino's Restaraunt
               728 North State Street
               Girard, OH 44420
 
When: December 10, 2005;  3pm - 9pm
 
Illustrations for sale.  All sold illustrations will be available for pickup between 7-8pm at Little Peppino's. 

Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --0-385054868-1132942440=:70491-- From Wakeup4664 at aol.com Fri Nov 25 12:43:46 2005 From: Wakeup4664 at aol.com (Wakeup4664 at aol.com) Date: Fri, 25 Nov 2005 15:43:46 EST Subject: [NEohioPAL]Look Who's on WAKE UP And LIVE with the ARTS, Now! Adelphia, Cox & Cleveland Message-ID: <291.4e203b.30b8d182@aol.com> --part1_291.4e203b.30b8d182_boundary Content-Type: text/plain; charset="ISO-8859-1" Content-Transfer-Encoding: quoted-printable Look Who's on WAKE UP And LIVE with the ARTS, Now! . Tune into . . .=A0 WAKE UP And LIVE with the ARTS=20 on=20 Adelphia Cox Cable &=20 Cleveland Access. with Chris Fortunato and Sue Johnson, co-hosts,=20 a locally produced performing and cultural arts TV show, which continues to=20 showcase area talent.=A0 Be sure to check out "local cable access listings o= n=20 neohiopal" throughout November and December, to see how local "stars" are=20 lighting up your TV viewing. . on Adelphia, ch. 23, eastern & ch. 21, western Suburbs =A0=A0 Wednesdays, 7:30 P. Saturdays, 7:00 P . Wed. 11/30 & Sat. 12/3: A discussion of "Tricks of the Trade: Audition Techniques for Stage and=20 On-camera, "=A0part 1,=A0 with co-hosts, Sue Johnson & Chris Fortunato, feat= uring=20 Rollin "Mac" Michael & Anne Fusco, actors, Ruby Fox, playwright, & Bob Sega= l,=20 comedian & jazz clarinetist. Wed. 12/7 & Sat. 12/10: A part II, discussion of "Tricks of the Trade: Audition Techniques for Stage= =20 and On-camera, "=A0,=A0 with co-hosts, Sue Johnson & Chris Fortunato, featur= ing=20 Rollin "Mac" Michael & Anne Fusco, actors, Ruby Fox, playwright, & Bob Sega= l,=20 comedian & jazz clarinetist. Here's a recap of recent shows aired on Adelphia in November. Wed. 11/9 & Sat. 11/12:=20 . Harriett Logan, owner, Loganberry Books, celebrating its 10th Anniversary= =A0=A0=20 Angelia Lee, Actor/Author/Vocalist, and Gary Webster, Playwright. Wed. 11/16 & Sat. 11/19: . Jim Levin and Thomas Mulready from iNGENUiTY and=20 Cool Cleveland.com, discussing the arts scene in Cleveland and next year's=20 iNGENUiTY with Gary Webster, actor & playwright, Angelia Lee, actor, singer= ,=20 playwright & Harriett Logan, owner, Loganberry Books Coming Soon . . . on Adelphia, channels 21 and 23=A0 . . .=20 . Hal Wyant and his TransAfrica Rhythms band . New "PlayActs" Performances featuring local playwrights and actors,=20 =A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0= =A0 - - - and - - - . "Tricks of the Trade: Craft, Career and Professional Development"=20 discussions. November . . . on Cox Cable, ch. 45. . . Wednesdays, 7:30 P, Saturdays, 7:00 P. Wed/ 11/2 & Sat. 11/5 . Alphonzo G. Smith, Jr., and his new band, Stratos, blowing the roof off=20 with their vocal and music eclectic mix of jazz, blues, and contemporary=20 selections.=A0 Brenda Smith, Spokesperson, shares the story of the band's or= igins,=20 dreams and special events, while Iris Tucker-Berry gets "carried away" by th= e music=20 and starts "jammin'" with an impromptu "cabaret smooth groove" dance. Wed. 11/9 & Sat. 11/12 . Jennifer Hoffman, former WAKE UP and LIVE's Actors' Studio student, who ha= s=20 graduated from Point Park College, PA and is now back home setting up her=20 professional musical theater career, and private coaching and classes, while= =20 working at Solon Center for the Arts.=A0=20 -- and -- . Bob Segal and Steve Samuel, of the Bob and Steve Duo, blowing some "mean"=20 jazz standards through their clarinets.=A0 Both Segal, who performs Klezmer=20 music,=A0 and Samuel are also well known for their teaching affiliations wit= h=20 Cleveland schools and the Music Institute. Also, in November . . . .Our "PlayActs" series of auditions for the TV show, rehearsals and=20 performances for "PlayActs" featuring 4 fun short plays written by=20 Playwrights-in-Residence, Ruby Fox and Gary Webster. The WAKE UP And LIVE's=20= Actors' Studio team of=20 Rollin "Mac" Michael, Sapphire DeFranco, Lauren Skirbunt, James McGilbray,=20 Gary Webster, Marvin L. Mallory, Mary Lu Franks, Beverly Kristy,=20 Iris-Tucker-Berry, and Lynna Metrisin reprise or create their roles in Celib= acy Odyssey,=20 Forever Milly, Is This How Frankie and Annette Got Started?, and We Want to=20= be in=20 Pictures . . . Or on TV . . . Or, the Stage . . . But We'd=20 Settle for Radio. Wed. 11/16 & Sat. 11/19 . "PlayActs" Is This How Frankie & Annette Got Started? by Gary Webster,=20 featuring James McGilbray, Lauren Skirbunt,=A0 & Gary Webster Wed. 11/23 & Sat. 11/26 . "PlayActs" We Want to be in Movies, TV . . . by Gary Webster, featuring= =A0=20 Marvin L. Mallory, Mary Lu Franks, Beverly Kristy,=A0 & Iris Tucker-Berry. Wed. 11/30 & Sat. 12/3 . "PlayActs" Celibacy Odyssey, by Ruby Fox, featuring Lynna Metrisin, Rollin= =20 "Mac" Michael & Gary Webster Wed. 12/7 & Sat. 12/10 . Hue People, II,=A0 vocal group, with steven e.boyd, Anita Rose Banks, Ceco= =20 Selinas & Brother Afi-Nur, whose performances are becoming standard features= at=20 many public, private and corporate events around northeast Ohio. .on Cleveland Access Channel, ch. 25. . . Wednesdays, 6:00 P. Wed. 11/9 & Wed. 11/16 . Kelly Chapman, Inspirational Recording Artist, Real CD & Heal Me, Wed. 11/23 & Wed. 11/30 . Alex Worthington, Author, Frankie McBeans and the Tickle Monster Wed. 12/7 & Wed. 12/14 . "PlayActs" Auditions, I. Area actors, Liz Bauer, Sonia N. Bishop, Allen=20 Branstein, , Mary Lu Franks, Norman King, and Ubu Zurub participating in "Tr= icks=20 of the Trade" on-camera auditions with monologues, vocal selections, solo=20 pieces and scene readings. Maureen J. Carey, local playwright, "auditioning"= =20 excerpts from her "The Lesson of the Butterfly," with Ruby Fox, veteran play= wright=20 observing the action. Wed. 12/21 & Wed. 12/28 . David Johnson & Daoud's Puppets, a discussion and demonstration on how to=20 craft hand puppets in quick and easy ways. Wed. 1/4 &=A0 Wed. 1/11/06 . Ed Niam, Founder, Self Healing Institute, a TaiQiGong Fitness System,=20 discussing and demonstrating the power of a unique program which recharges m= ental,=20 physical and spiritual health. Coming, soon, to Cox Cable and Cleveland Access. Damion Fontaine and Scott Brotherton as=A0 "Rat Pack" duo, Frank Sinatra and= =20 Dean Martin, with a special appearance by "Ed Sullivan." Scott and Damion cr= oon=20 some of Frankie & Dino's best known tunes. LaVar Arnold, poet, actor and aspiring Nobel Prize winner, performing=20 selections of his original poetry which can be heard at Cleveland Art Theate= r at=20 Monday night poetry readings. . Terrence Spivey, Artistic Director, Karamu Theatre, with Norma Powell,=20 co-host,=A0 and Ruby Fox, playwright, discussing Karamu's upcoming 90th Anni= versary=20 season, which kicks off October 14th with the female version of The Odd=20 Couple, directed by Jean Hawkins.=A0=20 Keep Tuning in to learn about Our . . . .=A0 "Giggles, Chuckles and Hardy Ha! Ha's!," the new Laughter CD, being=20 introduced the our viewers. Created by Mac Michael, with Lester Bryant, "Gig= gles . .=20 . " is voiced and produced by the entire WAKE UP And LIVE's Actors' Studio=20 artistic, production and technical team. This CD will take your mind off you= r=20 "troubles" for a few minutes and light up your life with healing and humor.=20= For=20 "kids" of all ages, just for fun, and for those who need upliftment to help=20 see them through challenging times. "Giggles, Chuckles and Hardy Ha! Ha's!" Great for your fundraising and gift=20 ideas. $5.00 per CD.=A0 Discounts on multiple copies. For order information, email: wakeup4664 at aol.com. If you, your performing or cultural arts organization, would like to appear=20 on WAKE UP And LIVE with the ARTS, contact us . . . email: wakeup4664 at aol.co= m WAKE UP And LIVE with the ARTS, with Chris Fortunato and Sue Johnson,=20 co-hosts, is a locally produced performing and cultural arts TV show, which=20= continues=20 to showcase area talent.=A0 Be sure to check out "local cable access listing= s=20 on neohiopal" throughout November to see how local "stars" are lighting up y= our=20 TV viewing. - Wed. 7:30 P &=A0 Sat., 7:00 P.=A0=A0 Adelphia Cable, ch. 21, East suburbs =A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0= =A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0 Adelphia Cab= le, ch. 23,=A0 West=20 suburbs - Wed. 7:30 P & Sat., 7:00 P.=A0=A0 Cox Cable ch. 45 - Wed. 6:00 P.=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0= =A0=A0=A0=A0 Adelphia-Cleveland.=A0 ch. 25:=20 (Please note. Air dates are subject to change.) Sue H. Johnson, Director Chris Fortunato, Assoc. Director WAKE UP And LIVE's Actors' Studio=20 WAKE UP And LIVE with the ARTS P.O. Box 201524=A0 .=A0 Shaker Heights, OH 44120 wakeup4664 at aol.com http://carolirvin.com/wakeup.htm --part1_291.4e203b.30b8d182_boundary Content-Type: text/html; charset="ISO-8859-1" Content-Transfer-Encoding: quoted-printable

Look Who's=20= on WAKE UP And LIVE with the ARTS, Now!

. Tune into . . .=A0 WAKE UP And LIVE with the ARTS on
Adelphia
Cox Cable
&
Cleveland Access.
with
Chris Fortunato and Sue Johnson, co-hosts,
a locally produced performing and cultural arts TV show, which continues to=20= showcase area talent.=A0 Be sure to check out "local cable access listings o= n neohiopal" throughout November and December, to see how local "stars" are=20= lighting up your TV viewing.


. on Adelphia, ch. 23, eastern & ch. 21, western Subu= rbs
=A0=A0 Wednesdays, 7:30 P. Saturdays, 7:00 P

. Wed. 11/30 & Sat. 12/3:
A discussion of "Tricks of the Trade: Audition Techniques for Sta= ge and On-camera, "=A0part 1,=A0 with co-hosts, Sue John= son & Chris Fortunato, featuring Rollin "Mac" Michael & Anne Fusco, actors, Ruby Fox, playwright,  & Bob Sega= l, comedian & jazz clarinetist.

Wed. 12/7 & Sat. 12/10:
A part II, discussion of "Tricks of the Trade: Audition Techniques= for Stage and On-camera, "=A0,=A0 with co-hosts, Sue Jo= hnson & Chris Fortunato, featuring Rollin "Mac" Michael & Anne Fusco, actors, Ruby Fox, playwright,  & Bob Sega= l, comedian & jazz clarinetist.


Here's a recap of recent shows aired on Adelphia in November.

Wed. 11/9 & Sat. 11/12:
. Harriett Logan, owner, Loganberry Books, celebrating its 1= 0th Anniversary=A0=A0 Angelia Lee, Actor/Author/Vocalist, and = Gary Webster, Playwright.


Wed. 11/16 & Sat. 11/19: . Jim Levin and Thomas=20= Mulready from iNGENUiTY and Cool Cleveland.com, discussing the arts scene=20= in Cleveland and next year's iNGENUiTY with Gary Webster, actor &= ; playwright,  Angelia Lee, actor, singer, playwright &=20= Harriett Logan, owner, Loganberry Books

Coming Soon . . . on Adelphia, channels 21 and 23=A0 . . .

. Hal Wyant and his TransAfrica Rhythms band

. New "PlayActs" Performances featuring local playwrights and= actors,
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0= =A0 - - - and - - -
. "Tricks of the Trade: Craft, Career and Professional Development" <= /FONT>= discussions.


November . . . on Cox Cable, ch. 45. . .
Wednesdays, 7:30 P, Saturdays, 7:00 P.

Wed/ 11/2 & Sat. 11/5
. Alphonzo G. Smith, Jr., and his new band, Stratos,=20= blowing the roof off with their vocal and music eclectic mix of jazz, blues,= and contemporary selections.=A0 Brenda Smith, Spokesperson, shares the stor= y of the band's origins, dreams and special events, while Iris Tucker-Berry=20= gets "carried away" by the music and starts "jammin'" with an impromptu "cab= aret smooth groove" dance.

Wed. 11/9 & Sat. 11/12
. Jennifer Hoffman, former WAKE UP and LIVE's Actors' Studio= student, who has graduated from Point Park College, PA and is now back=20= home setting up her professional musical theater career, and private coachin= g and classes, while working at Solon Center for the Arts.=A0

-- and --

. Bob Segal and Steve Samuel, of the Bob and St= eve Duo, blowing some "mean" jazz standards through their clarinets.=A0 Both= Segal, who performs Klezmer music,=A0 and Samuel are also well known for th= eir teaching affiliations with Cleveland schools and the Music Institute.=

Also, in November . . .
.Our "PlayActs" series of auditions for the TV show, rehearsals and=20= performances for "PlayActs" featuring 4 fun short plays written by Pl= aywrights-in-Residence, Ruby Fox and Gary Webster. The WAKE UP And LIVE's= Actors' Studio team of Rollin "Mac" Michael, Sapphire DeFranco,=20= Lauren Skirbunt, James McGilbray, Gary Webster, Marvin L. Mallory, Mary Lu F= ranks, Beverly Kristy, Iris-Tucker-Berry, and Lynna Metrisin reprise or crea= te their roles in Celibacy Odyssey, Forever Milly, Is This How Frankie an= d Annette Got Started?, and We Want to be in Pictures . . . Or on TV=20= . . . Or, the Stage . . . But We'd
Settle for Radio.

Wed. 11/16 & Sat. 11/19
. "PlayActs" Is This How Frankie & Annette Got Started?<= /FONT>= by Gary Webster, featuring James McGilbray, Lauren Skirbunt,=A0 & G= ary Webster

Wed. 11/23 & Sat. 11/26
. "PlayActs" We Want to be in Movies, TV . . . by Gary= Webster, featuring=A0 Marvin L. Mallory, Mary Lu Franks, Beverly Kristy,= =A0 & Iris Tucker-Berry.

Wed. 11/30 & Sat. 12/3
. "PlayActs" Celibacy Odyssey, by Ruby Fox, featuring=20= Lynna Metrisin, Rollin "Mac" Michael & Gary Webster

Wed. 12/7 & Sat. 12/10
. Hue People, II,=A0 vocal group, with steven e.boyd= , Anita Rose Banks, Ceco Selinas & Brother Afi-Nur, whose performances a= re becoming standard features at many public, private and corporate events a= round northeast Ohio.

.on Cleveland Access Channel, ch. 25. . .
Wednesdays, 6:00 P.

Wed. 11/9 & Wed. 11/16
. Kelly Chapman, Inspirational Recording Artist, Real= CD & Heal Me,

Wed. 11/23 & Wed. 11/30
. Alex Worthington, Author, Frankie McBeans and the T= ickle Monster

Wed. 12/7 & Wed. 12/14
. "PlayActs" Auditions, I. Area actors, Liz B= auer, Sonia N. Bishop, Allen Branstein, , Mary Lu Franks, Norman King, and U= bu Zurub participating in "Tricks of the Trade" on-camera auditions w= ith monologues, vocal selections, solo pieces and scene readings. Maureen J.= Carey, local playwright, "auditioning" excerpts from her "The Lesson of=20= the Butterfly," with Ruby Fox, veteran playwright observing the action.<= B>

Wed. 12/21 & Wed. 12/28
. David Johnson & Daoud's Puppets, a discussion and demonstratio= n on how to craft hand puppets in quick and easy ways.

Wed. 1/4 &=A0 Wed. 1/11/06
. Ed Niam, Founder, Self Healing Institute, a TaiQiGong= Fitness System, discussing and demonstrating the power of a unique program=20= which recharges mental, physical and spiritual health.

Coming, soon, to Cox Cable and Cleveland Access.

Damion Fontaine and Scott Brotherton as=A0 "Rat Pack" duo, Frank Sinatra and Dean Martin, with a special appearance by= "Ed Sullivan." Scott and Damion croon some of Frankie & Dino's best kno= wn tunes.

LaVar Arnold, poet, actor and aspiring Nobel Prize winner, performi= ng selections of his original poetry which can be heard at Cleveland Art The= ater at Monday night poetry readings.

. Terrence Spivey, Artistic Director, Karamu Theatre,= with Norma Powell, co-host,=A0 and Ruby Fox, playwright, discussing Karamu'= s upcoming 90th Anniversary season, which kicks off October 14th with the fe= male version of The Odd Couple, directed by Jean Hawkins.=A0

Keep Tuning in to learn about Our . . .

.=A0 "Giggles, Chuckles and Hardy Ha! Ha's!," the new Lau= ghter CD, being introduced the our viewers. Created by Mac Michael, with Les= ter Bryant, "Giggles . . . " is voiced and produced by the entire <= B>WAKE UP And LIVE's Actors' Studio artistic, production and tech= nical team. This CD will take your mind off your "troubles" for a few minute= s and light up your life with healing and humor. For "kids" of all ages, jus= t for fun, and for those who need upliftment to help see them through challe= nging times.

"Giggles, Chuckles and Hardy Ha! Ha's!" Great for your fundraisi= ng and gift ideas.
$5.00 per CD.=A0 Discounts on multiple copies.
For order information, email: wakeup4664 at aol.com.

If you, your performing or cultural arts organization, would like to appear=20= on WAKE UP And LIVE with the ARTS, contact us . . . email: wak= eup4664 at aol.com

WAKE UP And LIVE with the ARTS, with Chris Fortunato and Sue J= ohnson, co-hosts, is a locally produced performing and cultural arts TV show= , which continues to showcase area talent.=A0 Be sure to check out "local ca= ble access listings on neohiopal" throughout November to see how local "star= s" are lighting up your TV viewing.

- Wed. 7:30 P &=A0 Sat., 7:00 P.=A0=A0 Adelphia Cable, ch. 21, East s= uburbs
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0= =A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0 Adelphia Cab= le, ch. 23,=A0 West suburbs
- Wed. 7:30 P & Sat., 7:00 P.=A0=A0 Cox Cable ch. 45
- Wed. 6:00 P.=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0= =A0=A0=A0=A0 Adelphia-Cleveland.=A0 ch. 25:
(Please note. Air dates are subject to change.)

Sue H. Johnson, Director
Chris Fortunato, Assoc. Director
WAKE UP And LIVE's Actors' Studio
WAKE UP And LIVE with the ARTS
P.O. Box 201524=A0 .=A0 Shaker Heights, OH 44120
wakeup4664 at aol.com



http://carolirvin.com/wakeup.htm



















--part1_291.4e203b.30b8d182_boundary-- From jtl at zoominternet.net Fri Nov 25 13:25:07 2005 From: jtl at zoominternet.net (Judi Terrell Linden) Date: Fri, 25 Nov 2005 16:25:07 -0500 Subject: [NEohioPAL]Thanks to everyone who replied to my request for an acoustic guitar Message-ID: <001501c5f206$b589f510$6401a8c0@moose> This is a multi-part message in MIME format. ------=_NextPart_000_0016_01C5F1DC.CCB3ED10 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Thanks so much to everyone who replied with advice and offers to my posting about purchasing an acoustic guitar. Thanks to one of the many generous folks on this list, I have a happy teenager who is in possession of a guitar she was able to purchase herself! The people on this list are wonderful! Judi ------=_NextPart_000_0016_01C5F1DC.CCB3ED10 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

Thanks so much to everyone who replied with advice = and offers to my posting about purchasing an acoustic guitar.  Thanks to one of the many = generous folks on this list, I have a happy teenager who is in possession of a guitar she = was able to purchase herself!  =

 

The people on this list are = wonderful!

Judi  =

------=_NextPart_000_0016_01C5F1DC.CCB3ED10-- From Allenkel at comcast.net Fri Nov 25 13:53:09 2005 From: Allenkel at comcast.net (Allen Kellogg) Date: Fri, 25 Nov 2005 16:53:09 -0500 Subject: [NEohioPAL]Stand in for two movies! In-Reply-To: <438518EE.EBFC1C27@earthlink.net> Message-ID: <00d101c5f20a$ad211b70$6401a8c0@SLAPPY> Waterstreet Productions is currently looking for a stand in for two feature length movies to be shot starting next Monday and going to December 22nd. We will be shooting in Cleveland and in Youngstown so one person from each area would be ideal. Unfortunately there is no compensation at this time; however, our last stand-ins did get to play bit parts in the last production. I can promise a great work environment and a great opportunity to network with some of the best industry professionals in the area. Right now we are looking for a female around 5'2" and about 110 pounds with long brown hair. There will be more calls in the near future. Please send a head shot and resume ASAP to allenkel at comcast.net. Allen Kellogg 1st AD From Evelyn.Ward at cpl.org Fri Nov 25 13:56:40 2005 From: Evelyn.Ward at cpl.org (Evelyn Ward) Date: Fri, 25 Nov 2005 16:56:40 -0500 Subject: [NEohioPAL]Dickens' Christmas Carol at Cleveland Public Library Message-ID: <3574453541f0.3541f0357445@clevnet.org>

Just a reminder -- if you're coming downtown Saturday for the Lighting Ceremony, come a little earlier and enjoy this delightful adaptation of Dickens' Christmas Carol, enacted by the PD's television critic Mark Dawidziak as Charles Dickens, with Tom Stephan as Scrooge and Sara Showman as Almost Everybody Else.  The show starts at 4 p.m. in the Louis Stokes Wing Auditorium at Superior and East Sixth Street, and it's free! 

Hope to see you there!

Evelyn M. Ward
Literature Department
Cleveland Public Library
325 E. Superior Ave.
Cleveland, OH 44114
Phone: 216-902-4947
Fax: 216-623-7050

From Frank at Time-LineProductions.com Fri Nov 25 14:42:48 2005 From: Frank at Time-LineProductions.com (Frank Mixson) Date: Fri, 25 Nov 2005 14:42:48 -0800 (PST) Subject: [NEohioPAL]Cleveland IndieClub In-Reply-To: <200511251430.AA102433106@cros.net> Message-ID: <20051125224248.45033.qmail@web81508.mail.mud.yahoo.com> --0-2018859710-1132958568=:45004 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Wow.. Christine you're very fortunate. Congratulations.. Due to transportation problems, I have not been able to attend the mtgs regularly, heck, I've even suspended the taping of the show I produce, until I get in that in order.. But one thing I've noticed is some clique'y'ness in the community.. Some people seem to not have any problems getting some help with their projects but others.. like myself.. cannot get any responses when I have asked for help.. I've done so several times at the meetings.. I've shown a music video, documentary trailers, and some of you might have even seen the tv show I produce. I've always gotten good feedback on my work, even as I continue to study and learn the tools and techniques for this craft, but do I ever get any help from the club members? One actor has shown up regularly to help out... and trust I appreciate his help a lot. Now I know someone will say that you should volunteer to help others, first. I have answered some calls on this list and there was no follow up from the originator of the posting, or just one, in one case. I attributed it to the fact that they were already in production, and that I'm sure it was kinda crazy at that time. I told others who I knew were doing things that if they needed my help to let me know.. I know how that goes.. I learned much volunteering on the set of movies I was acting in and that I would show up for and lend my time to on days I wasn't the scene. From finding and providing locations, to telephone calls for scheduling cast, to camera work, etc, believe me, I've paid my dues, and I continue to (I can name names and movies if you think I'm making this up). I've done PA work on some movies that I've had no part in, as well. I sometimes have heard negative gossip about filmmakers or someone else in the community at some of our events.. I try real hard not to pass along negative gossip.. But I've seen someone walk in the meeting and then immediately overheard people at the next table telling someone something negative about the person... another time, someone who I used associate with one particular person in the community came to me and told me not work with that person, and then proceeded to tell me how they fell out.. and so forth, basically trying to dissuade me from using that person and their resources for what I was trying to accomplish. I know we, as humans, are prone to gossip, lol. Just the nature of the beast, I suppost. We are also prone to clique'y'ness, and those two traits work to help some, but at the disadvantage of others. Just my experience... Frank Mixson Time-LineProductions.com th at cros.net> wrote: Christopher, Alex, Bill, etal: As an ardent "learner" and IndieClub attendee, I feel compelled to respond. IndieClub is not only thriving, it has outgrown its first location at Talkies and moved to the larger Hyacinth Lofts. Even then, the meetings are often standing room only. What used to be a 3 hour meeting has expanded to over 4 hours. This was done for one reason only as far as I know- so that we would all have the time to NETWORK! We were so busy screening work and having in really good speakers (like this month's Phil Garrett, previously of Dreamworks!) that we had run out of time to fish the talent pool for people to work on our shoots. >From my association with Cleveland IndieClub, I have worked on 11 projects in the last 3 years. 2 of those were my own, with a third to shoot next weekend. I have done everything I could. My 20+ years expertise is in wardrobe and make up, so I have done alot of that. But I have worked as an extra and PA and moved through the ranks to script supervise, write, direct and produce. To be sure, when I started seriously in film, I knew very little. I learned by volunteering to work on others' projects- yes, even the bad ones. You learn as much, if not more, on a bad shoot than a good one. Because I have a good work ethic, show up and do my job with the most professional attitude I have, I get asked back and recruited for other work. I am lucky enough that now I am regularly paid to work on films (yes, indies can pay!). Of course, I care a lot about the work and have studied everything I can get my hands on about filmmaking. The only thing IndieClubbers lack as a whole, is the same thing every indie struggles with- MONEY. We need to learn how to raise it and spend it wisely to produce distributable product. My next shoot is next weekend, and is entirely crewed by INDIECLUBBERS! Actors, crew, pa's- all from Indieclub. Some of these people honor me completely by agreeing to come work on my shoot, others are like I was a few years ago, hungry to learn. Why do I share all of this? Because my personal story is just one of many- A great many Indieclubbers are just like me, and we survive becasue we work together. My product improves with every new technique I learn and I never tire of learning. Just one modest success story from IndieCleveland. Hope to see you all at the next meeting. Christine Chapman lilith at cros.net ______________________________________ Disney's "BEAUTY AND THE BEAST" at Beck Center 12/2-12/31. 216-521-2540. http://www.fredsternfeld.com/beautyandthebeast.htm _______________________________________ There is a sister site to this list called the "NEoPAL Bulletin Board." Occasionally when "hot-button" discussions go on more than a day or two, the bulletin board is used. The Neopal bulletin board also has some other terrific features, like a searchable database for you to put your personal information, a place to post pictures and a chat room with a nightly 11pm gathering to discuss hot topics: http://groups.yahoo.com/group/neopal/ _______________________________________ Disclaimer: The facts and/or opinions expressed in this message are solely those of the person in the "from" or "reply-to" header. The fact that this message is posted should in no way be taken as an endorsement by the administrator of this list. Subscribers should perform due diligence for all goods, services and activities promoted on NEohioPAL. NEohioPAL mailing list NEohioPAL at lists.fredsternfeld.com http://lists.fredsternfeld.com/mailman/listinfo/neohiopal http://www.fredsternfeld.com --0-2018859710-1132958568=:45004 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
Wow..  Christine you're very fortunate.  Congratulations..   Due to transportation problems, I have not been able to attend the mtgs regularly, heck, I've even suspended the taping of the show I produce, until I get in that in  order..   But one thing I've noticed is some clique'y'ness in the community..   Some people seem to not have any problems getting some help with their projects but others.. like myself.. cannot get any responses when I have asked for help.. I've done so several times at the meetings..  I've shown a music video, documentary trailers, and some of you might have even seen the tv show I produce.  I've always gotten good feedback on my work, even as I continue to study and learn the tools and techniques for this craft, but do I ever get any help from the club members?  One actor has shown up regularly to help out... and trust I appreciate his help a lot.
 
Now I know someone will say that you should volunteer to help others, first. I have answered some calls on this list and there was no  follow up from the originator of the posting, or just one, in one case.  I attributed it to the fact that they were already in production, and that I'm sure it was kinda crazy at that time.   I told others who I knew were doing things that if they needed my help to let me know..    I know how that goes.. I learned much volunteering  on the set of movies I was acting in and that I would show up for and lend my time to on days I wasn't the scene.  From finding and providing locations, to telephone calls for scheduling cast, to camera work, etc, believe me, I've paid my dues, and I continue to (I can name names and movies if you think I'm making this up). I've done PA work on some movies that I've had no part in, as well.
 
I sometimes have heard negative gossip about filmmakers or someone else in the community at some of our events..  I try real hard not to pass along negative gossip..  But I've seen someone walk in the meeting and then immediately overheard people at the next table telling someone something negative about the person... another time, someone who I used associate with one particular person in the community came to me and told me not work with  that person, and then proceeded to tell me how they fell out..   and so forth, basically trying to dissuade  me  from using that person and their resources for what I was trying to accomplish.
 
I know we, as humans, are prone to gossip, lol.  Just the nature of the beast, I suppost.  We are also prone to clique'y'ness,  and those two traits work to help some, but at the disadvantage of others. 
 
Just my experience...
 
Frank Mixson
Time-LineProductions.com
 
 
 
 

th at cros.net> wrote:
Christopher, Alex, Bill, etal:

As an ardent "learner" and IndieClub attendee, I feel compelled to respond.

IndieClub is not only thriving, it has outgrown its first location at Talkies and moved to the larger Hyacinth Lofts. Even then, the meetings are often standing room only.

What used to be a 3 hour meeting has expanded to over 4 hours. This was done for one reason only as far as I know- so that we would all have the time to NETWORK! We were so busy screening work and having in really good speakers (like this month's Phil Garrett, previously of Dreamworks!) that we had run out of time to fish the talent pool for people to work on our shoots.

>From my association with Cleveland IndieClub, I have worked on 11 projects in the last 3 years. 2 of those were my own, with a third to shoot next weekend. I have done everything I could. My 20+ years expertise is in wardrobe and make up, so I have done alot of that. But I have worked as an extra and PA and moved through the ranks to script supervise, write, direct and produce.

To be sure, when I started seriously in film, I knew very little. I learned by volunteering to work on others' projects- yes, even the bad ones. You learn as much, if not more, on a bad shoot than a good one. Because I have a good work ethic, show up and do my job with the most professional attitude I have, I get asked back and recruited for other work. I am lucky enough that now I am regularly paid to work on films (yes, indies can pay!). Of course, I care a lot about the work and have studied everything I can get my hands on about filmmaking.

The only thing IndieClubbers lack as a whole, is the same thing every indie struggles with- MONEY. We need to learn how to raise it and spend it wisely to produce distributable product.

My next shoot is next weekend, and is entirely crewed by INDIECLUBBERS! Actors, crew, pa's- all from Indieclub. Some of these people honor me completely by agreeing to come work on my shoot, others are like I was a few years ago, hungry to learn.

Why do I share all of this? Because my personal story is just one of many- A great many Indieclubbers are just like me, and we survive becasue we work together. My product improves with every new technique I learn and I never tire of learning.

Just one modest success story from IndieCleveland. Hope to see you all at the next meeting.

Christine Chapman
lilith at cros.net





______________________________________
Disney's "BEAUTY AND THE BEAST" at Beck Center 12/2-12/31. 216-521-2540. http://www.fredsternfeld.com/beautyandthebeast.htm
_______________________________________
There is a sister site to this list called the "NEoPAL Bulletin Board." Occasionally when "hot-button" discussions go on more than a day or two, the bulletin board is used. The Neopal bulletin board also has some other terrific features, like a searchable database for you to put your personal information, a place to post pictures and a chat room with a nightly 11pm gathering to discuss hot topics: http://groups.yahoo.com/group/neopal/
_______________________________________
Disclaimer: The facts and/or opinions expressed in this message are solely those of the person in the "from" or "reply-to" header. The fact that this message is posted should in no way be taken as an endorsement by the administrator of this list. Subscribers should perform due diligence for all goods, services and activities promoted on NEohioPAL.

NEohioPAL mailing list
NEohioPAL at lists.fredsternfeld.com
http://lists.fredsternfeld.com/mailman/listinfo/neohiopal
http://www.fredsternfeld.com
--0-2018859710-1132958568=:45004-- From jharris at hlcommunications.com Fri Nov 25 14:46:58 2005 From: jharris at hlcommunications.com (James Harris) Date: Fri, 25 Nov 2005 17:46:58 -0500 Subject: [NEohioPAL]The Poinsettia Party, Dec 2, only $10 Message-ID: This is a multi-part message in MIME format. ------=_NextPart_000_0030_01C5F1E8.3D37F030 Content-Type: multipart/alternative; boundary="----=_NextPart_001_0031_01C5F1E8.3D37F030" ------=_NextPart_001_0031_01C5F1E8.3D37F030 Content-Type: text/plain; charset="windows-1250" Content-Transfer-Encoding: quoted-printable =20 =20 =20 =20 =20 =20 =20 =20 =20 =20 =93The Poinsettia Party=94=20 Celebrates Rockefeller Greenhouse Centennial,=20 Friday, Dec 2 =20 =20 WHERE: The Rockefeller Greenhouse, 750 E. 88th St., Cleveland. =20 WHEN: Dec 2, Friday, 6 pm - 8:30 pm =20 WHAT: The Poinsettia Party is the traditional winter open = house for Friends of Greenhouse supporting its various programs. The benefit = opens the facility=92s popular Poinsettia Display and is the only time the Greenhouse is open to the public at night. 2005 also marks the greenhouse=92s centennial. =20 INCLUDES: Free parking, light refreshments and appetizers, desserts, = wine, music, holiday poinsettias for sale, and silent auction. =20 COST: $10 a ticket. For more information, call = 216.664.3103 or go to HYPERLINK "http://www.rockefellergreenhouse.org/"www.rockefellergreenhouse.org, =93Coming Attractions=94 for ticket order form. Paid reservations are = requested by Tuesday, Nov. 29. =20 =20 --=20 No virus found in this outgoing message. Checked by AVG Free Edition. Version: 7.1.362 / Virus Database: 267.13.7/182 - Release Date: = 11/24/2005 =20 =20 ------=_NextPart_001_0031_01C5F1E8.3D37F030 Content-Type: text/html; charset="windows-1250" Content-Transfer-Encoding: quoted-printable

 

=

 

        &nbs= p;            = ;       

 

 

 

 

 

 

 

“The Poinsettia Party”

Celebrates Rockefeller Greenhouse Centennial,

Friday, Dec 2

 

=

 

=

WHERE:        The Rockefeller Greenhouse, 750 E. 88th St., Cleveland.         = ;            =             &= nbsp;         =

 

WHEN:          = ; Dec 2, Friday, 6 pm - 8:30 = pm

 

=

WHAT:         = ;   The Poinsettia = Party is the traditional winter open house for Friends of Greenhouse = supporting its various programs. The benefit opens the facility’s popular = Poinsettia Display and is the only time the Greenhouse is open to the public at  = night.  2005 also marks the = greenhouse’s centennial.

        = ;            =    

INCLUDES:   Free parking, light refreshments and appetizers, = desserts, wine, music, holiday poinsettias for sale, and silent = auction.

 

COST:           = ; $10 a ticket.  = For more information, call    = 216.664.3103 or go to www.rockefellergreenhouse.= org, “Coming Attractions” for ticket order form.  Paid reservations are requested = by Tuesday, Nov. 29.

 

 

=

--
No virus found in this outgoing message.
Checked by AVG Free Edition.
Version: 7.1.362 / Virus Database: 267.13.7/182 - Release Date: = 11/24/2005

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LnI9wc8g1av7Jb+0MDuyHcrq69VZTkH8xVqigLGY+lTTQ3iTXrM10gTITATAIyBk8nNNOiJ/Z1xY JMVhnbIUqCE5yQPYnnHvWrRQFkZU2jGayjtvOjRY5xKAsChTg527anOmrJDHDMySRIjIyeWArA9s dqvUUBZGU2ig2MFo108iwzibdKoYuAchT/LPXikOgxGO7QTFPPuFuEKIF8plC4x6/dH61rUUBZGY 2ji4juvtc5lkuofJZ1XbtTngDn1Jp8WnzrFJ594JpXjEYfygAoH+z361oUUBYx28PxGwe1SRI/Mm SZtkICEqQcbOgHArSt4fIt0iJB2DHyqFH4AdKmooCx//2Q== ------=_NextPart_000_0030_01C5F1E8.3D37F030-- From jayrossishow at yahoo.com Fri Nov 25 16:13:46 2005 From: jayrossishow at yahoo.com (Jay Rossi) Date: Fri, 25 Nov 2005 16:13:46 -0800 (PST) Subject: [NEohioPAL]NEOPAL Discount For the Holidays.... Message-ID: <20051126001346.18588.qmail@web33411.mail.mud.yahoo.com> --0-1017677881-1132964026=:17554 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Through the first week of 2006, I'm offering a 20% discount for NEOPAL members, for any of the following services: * Studio Recording (albums, singles, soundtracks, kareoke, etc.) * CD or DVD labels (designed according to your specifications and liking) * Looping (for film or TV) * Website creating or editing * Song or Video clip uploading ( for on-line playing ) Please contact me at thefreelanceshop at yahoo.com or 330-410-0488 The Jay Rossi Project JayRossiShow at yahoo.com http://tv.groups.yahoo.com/group/jayrossishow/ Also Visit www.JayRossi.s5.com Respond soon! I want to hear from you! --------------------------------- Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --0-1017677881-1132964026=:17554 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
Through the first week of 2006, I'm offering a 20% discount for NEOPAL members, for any of the following services:
 
* Studio Recording (albums, singles, soundtracks, kareoke, etc.)
* CD or DVD labels (designed according to your specifications and liking)
* Looping (for film or TV)
* Website creating or editing
* Song or Video clip uploading ( for on-line playing )
 
Please contact me at thefreelanceshop at yahoo.com or 330-410-0488
 
 


The Jay Rossi Project
Respond soon! I want to hear from you!
 
 

Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --0-1017677881-1132964026=:17554-- From thesingersart at att.net Fri Nov 25 16:40:22 2005 From: thesingersart at att.net (thesingersart at att.net) Date: Sat, 26 Nov 2005 00:40:22 +0000 Subject: [NEohioPAL]Immediate openings-Clay Aiken tour! Message-ID: <112620050040.24881.4387AEF4000BA7870000613121602807410A0C020A9D990E040D0E@att.net> --NextPart_Webmail_9m3u9jl4l_24881_1132965622_0 Content-Type: text/plain Content-Transfer-Encoding: 8bit IMMEDIATE OPENINGS: Clay Aiken Joyful Noise Christmas Tour needs 12 actor/singers to perform this sunday Nov.27 in Youngstown, Ohio. See the following age/gender breakdown and respond only if you are experienced and can pick up SIMPLE staging quickly and learn words to a song REALLY fast. There will be a rehearsal with us on the afternoon of the 27th from 3-5pm and the show starts at 7:30pm. The performance is at the Convocation Center in Youngstown on the 27th....this sunday. If interested, please call Alison Lawrence at (919)601-3344 immediately!!!! Please look at the age breakdown.... 1 male 1 female looks age 55 or older 2 male 2 female look 35 and up 1 male 1 female ages 18-25 1 male 1 female ages 10-13 1 male 1 female ages 5-8 Thank-you. Alison Lawrence Theatre Liason Clay Aiken "Joyful Noise" Tour 2005 (919)601-3344 thesingersart at att.net --NextPart_Webmail_9m3u9jl4l_24881_1132965622_0 Content-Type: text/html Content-Transfer-Encoding: 8bit
IMMEDIATE OPENINGS: Clay Aiken Joyful Noise Christmas Tour needs 12 actor/singers to perform this sunday Nov.27 in Youngstown, Ohio. See the following age/gender breakdown and respond only if you are experienced and can pick up SIMPLE staging quickly and learn words to a song REALLY fast.
There will be a rehearsal with us on the afternoon of the 27th from 3-5pm and the show starts at 7:30pm.
The performance is at the Convocation Center in Youngstown on the 27th....this sunday.
If interested, please call Alison Lawrence at (919)601-3344 immediately!!!! Please look at the age breakdown....
  1 male 1 female looks age 55 or older
  2 male 2 female  look 35 and up
  1 male 1 female ages 18-25
  1 male 1 female ages 10-13
  1 male 1 female ages 5-8
Thank-you.
Alison Lawrence
Theatre Liason
Clay Aiken "Joyful Noise" Tour 2005
(919)601-3344
thesingersart at att.net
--NextPart_Webmail_9m3u9jl4l_24881_1132965622_0-- From rmontgom at neo.rr.com Fri Nov 25 17:12:45 2005 From: rmontgom at neo.rr.com (Rick Montgomery Jr.) Date: Fri, 25 Nov 2005 20:12:45 -0500 Subject: [NEohioPAL]All Hail Film Czar and Film Prophet Message-ID: <00af01c5f226$82909680$030aa8c0@DELL> This is a multi-part message in MIME format. ------=_NextPart_000_00B0_01C5F1FC.99BA8E80 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable Bill Johns wrote: =20 The real reason is no one wants to work on someone else's film. You see, most of the people that comprise the indie scene here in Cleveland are writer/producer/directors and we're all working on our own projects. And guess what. I'm not all that interested in spending my valuable time = working on someone's project which I consider to be crappier than my own. I can = just as easily be spending my time and resources creating my own crap. =20 Sure everyone would like to think there's a benevolent brotherhood of filmmakers; a selfless society where everyone submits ideas and work = samples and then the members vote on what script to do and who to direct it. The community is presented with the proposal and since it bears the backing = of so many filmmakers, the businesses get involved and support the project = with services and finances. The best actors come from all around to have a = part in the project and a glorious motion picture is produced that wins the = Oscar for Impossible Dream...=20 =20 That would be a good plot for a fantasy picture, but in the real world, writers will lose interest if their script isn't picked. Directors will = bail if they can't direct and actors will walk away if they can't be the = lead. And you guessed it the end product would probably be... well, I don't = need to say it again. (though I really want to) =20 Usually, I don't write to these groups because I usually insert my foot = into my mouth.. BUT =20 One reason I like Bill is I've found him to be honest and to the point.=20 =20 But what gets my goat is that the Club has the talent and the resources = to do what they want. I have never been able to attend because I am usually working somewhere on something (surprising I know), but I know the group = has all the ingredients (I know many of you). You have the flour (writers), = and you have the eggs (talent). You have the milk (costumers, make-up), and = you have the butter (the crew). You have flavoring (fx) and you have stove (directors), BUT it seems no one knows WHAT to make. cake, brownies, a = pie. =20 TOO MANY COOKS. TOO MANY EGOS. =20 To be successful in anything we have to 'win' (I know I'm not PC. I = believe in competition as a tool for improvement). In REAL life. there ARE = winners and there ARE losers. the losers 'quit' while the winners NEVER do). We = have to be willing to 'lose' and to 'learn' by growing from our mistakes. =20 I'm far from being the actor I want to be. and I constantly throw myself against those who are far superior. I lose roles to them. I DON"T LIKE losing but I keep doing it. =20 WHY? =20 My motivation is selfish. I want to surpass them. I want the roles they = get. I learn from them. I take classes to learn. I read to learn. I work to learn. My desire is to learn and work hard enough that the next time our paths cross . I win the role. I EARNED the role. =20 One director I truly admire once told me, "If a person wants to be a = better tennis player, they 'play' with better tennis players. If you want to be = a better actor (in my case). work with better actors." =20 If you can't play with better players because it 'hurts', maybe your = heart, your passion is not where it should be and you should question why = you're doing what you're doing in the first place. =20 NOW. =20 There are three types of 'COOKS' in the arts, those who does it for = 'arts' sake, those who do it for 'rewards' and then those who do it for both = (which I'm part). =20 Those who do it for the 'art', from my experience, DO NOT CARE what = anyone else thinks. It is their project and they may share it (if they do) but = not for our 'approval'. =20 Those who do it for 'reward', do it for recognition, money, fame. = whatever 'reward' motivates them. =20 And the last 'group'. or why I do it. because we don't want to do = anything else (need of the 'art') but have responsibilities (need of the = 'reward'). I think most of us fit here. =20 Having retired from the 'business' world after 30 years, and knowing I = need to pay a mortgage, need to feed two small sons who eat like they're 19, = and need to afford a tank of gas, 'reward' plays a REALLY BIG part. I need = to improve to meet my obligations. =20 Now the 'business' of 'reward' changes the equation.=20 =20 A company, person, or persons who want to invest money expects to get return. Even if it's an investment in an unknown (example: research and development), they want to see that return. =20 Which means. they want the best! =20 WE ALL CAN'T BE THE BEST! The question is how 'we' get BETTER, to make ourselves the logical choice. =20 My opinion for the IndieClub.? =20 First work as a 'group'. even if the 'group' sets itself up as a = corporation or LLC. =20 Find the BEST screenplay (that actually CAN be produced. no "LORD of the RINGS stuff) from your group, select the BEST director for that type of screenplay from your group, find the BEST actors for that type of = screenplay and director from the group, find the BEST everything.. AND DO IT! =20 Those who were not the BEST at that moment. swallow your pride. work = with those who were determined to be the BEST (if you wish) for THAT = particular project and 'learn'. Learn from the strengths and weaknesses observed. =20 But the BEST always needs to listen and learn from the others. you might = be surprised what is learned. No one knows more than everyone else. =20 The President/CEO at the corporation I worked (over $500 million/year = in sales) told me once, that he still talked with the janitor every day. = Why? Because the janitor knew what was going on. he saw the trash every day. heard what people were talking about (Oh. he's just the janitor). Every person at every position is important. NO ONE is more/less important = than another. We just have different jobs and responsibilities. =20 Then do it for 'arts' sake or for 'reward'. whatever. =20 BUT if the project succeeds. EVERYONE DOES at some level. Then start = another project.=20 =20 If the projects fails. no one does. everyone learned. Then start another project. =20 The network becomes stronger, trust becomes stronger. the work becomes better BECAUSE everyone has learned something about the business. about themselves. =20 Find a good 'cook', a good 'captain', a good LEADER. Have faith in your choices in theirs, work hard, and learn.=20 =20 If nothing else comes of the project. you'll be better. =20 Put the egos away, take pride in the work. Learn everything you can, but = be willing to teach.=20 =20 GAWD!!! I sound like a 'parent' =20 With deepest respect to you all, Rick =20 ------=_NextPart_000_00B0_01C5F1FC.99BA8E80 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable

Bill Johns wrote:

 

The real reason is no one wants to work on someone else's film. = You see, most of the people that comprise the indie scene here in = Cleveland are writer/producer/directors and we're all working on our own projects. = And guess what. I'm not all that interested in spending my valuable time = working on someone's project which I consider to be crappier than my own. I = can just as easily be spending my time and resources creating my own = crap.

 

Sure everyone would like to think there's a benevolent = brotherhood of filmmakers; a selfless society where everyone submits ideas and work = samples and then the members vote on what script to do and who to direct it. The community is presented with the proposal and since it bears the backing = of so many filmmakers, the businesses get involved and support the project = with services and finances. The best actors come from all around to have a = part in the project and a glorious motion picture is produced that wins the = Oscar for Impossible Dream...

 

That would be a good plot for a fantasy picture, but in the real = world, writers will lose interest if their script isn't picked. Directors will = bail if they can't direct and actors will walk away if they can't be the lead. = And you guessed it the end product would probably be... well, I don't need to = say it again. (though I really want to)

 

Usually, I don’t write to = these groups because I usually insert my foot into my mouth…. = BUT

 

One reason I like Bill is = I’ve found him to be honest and to the point.

 

But what gets my goat is that the = Club has the talent and the resources to do what they want. I have never been = able to attend because I am usually working somewhere on something (surprising I = know), but I know the group has all the ingredients (I know many of you)… = You have the flour (writers), and you have the eggs (talent). You have the = milk (costumers, make-up), and you have the butter (the crew). You have = flavoring (fx) and you have stove (directors), BUT it seems no one knows WHAT to = make… cake, brownies, a pie…

 

TOO MANY COOKS… TOO MANY = EGOS…

 

To be successful in anything we = have to ‘win’ (I know I’m not PC… I believe in = competition as a tool for improvement). In REAL life… there ARE winners and there = ARE losers… the losers ‘quit’ while the winners NEVER do). = We have to be willing to ‘lose’ and to ‘learn’ by = growing from our mistakes.

 

I’m far from being the actor = I want to be… and I constantly throw myself against those who are far = superior. I lose roles to them… I DON”T LIKE losing but I keep doing = it.

 

WHY?

 

My motivation is selfish. I want = to surpass them. I want the roles they get. I learn from them. I take classes to = learn. I read to learn. I work to learn. My desire is to learn and work hard = enough that the next time our paths cross … I win the role. I EARNED the = role.

 

One director I truly admire once = told me, “If a person wants to be a better tennis player, they = ‘play’ with better tennis players. If you want to be a better actor (in my case)… work with better actors.”

 

If you can’t play with = better players because it ‘hurts’, maybe your heart, your passion is not = where it should be and you should question why you’re doing what = you’re doing in the first place.

 

NOW…

 

 There are three types of ‘COOKS’ in the arts, those who does it for = ‘arts’ sake, those who do it for ‘rewards’ and then those who do it for = both (which I’m part).

 

Those who do it for the = ‘art’, from my experience, DO NOT CARE what anyone else thinks. It is their = project and they may share it (if they do) but not for our = ‘approval’.

 

Those who do it for = ‘reward’, do it for recognition, money, fame… whatever ‘reward’ motivates them.

 

And the last = ‘group’… or why I do it… because we don’t want to do anything else (need = of the ‘art’) but have responsibilities (need of the ‘reward’). I think most of us fit here.

 

Having retired from the = ‘business’ world after 30 years, and knowing I need to pay a mortgage, need to feed = two small sons who eat like they’re 19, and need to afford a tank of = gas, ‘reward’ plays a REALLY BIG part. I need to improve to meet = my obligations.

 

Now the ‘business’ of ‘reward’ changes the equation.

 

A company, person, or persons who = want to invest money expects to get return. Even if it’s an investment in = an unknown (example: research and development), they want to see that = return.

 

Which means… they want the = best!

 

WE ALL CAN’T BE THE BEST! = The question is how ‘we’ get BETTER, to make ourselves the = logical choice.

 

My opinion for the = IndieClub…?

 

First work as a = ‘group’… even if the ‘group’ sets itself up as a corporation or = LLC.

 

Find the BEST screenplay (that = actually CAN be produced… no “LORD of the RINGS stuff) from your group, = select the BEST director for that type of screenplay from your group, find the = BEST actors for that type of screenplay and director from the group, find the = BEST everything…. AND DO IT!

 

Those who were not the BEST at = that moment… swallow your pride… work with those who were = determined to be the BEST (if you wish) for THAT particular project and = ‘learn’. Learn from the strengths and weaknesses observed.

 

But the BEST always needs to = listen and learn from the others… you might be surprised what is learned. No = one knows more than everyone else.

 

 The President/CEO at the = corporation I worked (over $500 million/year in sales) told me once, that he still = talked with the janitor every day. Why? Because the janitor knew what was going on… he saw the trash every day… heard what people were = talking about (Oh… he’s just the janitor)… Every person = at every position is important. NO ONE is more/less important than another. = We just have different jobs and responsibilities.

 

Then do it for ‘arts’ = sake or for ‘reward’… whatever.

 

BUT if the project succeeds… = EVERYONE DOES at some level. Then start another project…

 

If the projects fails… no = one does… everyone learned. Then start another = project…

 

The network becomes stronger, = trust becomes stronger… the work becomes better BECAUSE everyone has learned = something about the business… about themselves.

 

Find a good ‘cook’, a = good ‘captain’, a good LEADER. Have faith in your choices in = theirs, work hard, and learn…

 

If nothing else comes of the = project… you’ll be better.

 

Put the egos away, take pride in = the work. Learn everything you can, but be willing to teach… =

 

GAWD!!! I sound like a = ‘parent’

 

With deepest respect to you = all,

Rick

 

------=_NextPart_000_00B0_01C5F1FC.99BA8E80-- From performingarts at karamu.com Fri Nov 25 18:44:32 2005 From: performingarts at karamu.com (Performing Arts) Date: Fri, 25 Nov 2005 21:44:32 -0500 Subject: [NEohioPAL]=?iso-8859-1?Q?Scene_from_=22Before_It_Hits_Home=22_by_Cheryl_L._West_at_?= =?iso-8859-1?Q?AIDS_Taskforce_of_Greater_Cleveland_December_2?= Message-ID: <03b201c5f233$54c556c0$5701a8c0@karamu.com> This is a multi-part message in MIME format. ------=_NextPart_000_03AF_01C5F209.6B82F860 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Friday, December 2 Karamu Performing Arts Theatre will present = a fifteen minute scene from the Spring production = of "Before It Hits Home" by Cheryl = L. West. Wendell Bailey, a jazz saxophonist is stricken with AIDS. He must = confront his pregnant fiance, his lover, his twelve year old son and his = parents. Time: 12 Noon @ AIDS Taskforce of Greater Cleveland The Spectrum (an art exhibit), benefit for AIDS Taskforce of Greater = Cleveland and Ohio AIDS Coalition, organized by people with or affected = by HIV, featuring the Cleveland Contemporary Dance Theater, Nightsweats = and T-Cells, Vincent Moorman, Chris Sweiger and artists who have been = lost to AIDS, 11:30 am to 5 pm, $10, free to Taskforce clients, AIDS = Taskforce, 3210 Euclid Ave, 216-621-0766. "Before It Hits Home" by Cheryl L. West March 10 - April 9th, 2006 Karamu Performing Arts Theatre For tickets and group sales, please call 216-795-7077 =20 ------=_NextPart_000_03AF_01C5F209.6B82F860 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable

Friday, December 2

Karamu = Performing Arts=20 Theatre will=20 present           =             &= nbsp;           &n= bsp;           &nb= sp; =20 a=20 fifteen minute scene from the Spring=20 production          &nb= sp;           &nbs= p;            = ;      =20 of=20 =93Before It Hits Home=94 by Cheryl L. West.

Wendell Bailey, = a jazz=20 saxophonist is stricken with AIDS. He must confront his pregnant = fiance,=20 his lover, his twelve year old son and his = parents.

Time: 12 Noon @ = AIDS=20 Taskforce of Greater Cleveland

The Spectrum (an = art=20 exhibit), benefit for AIDS Taskforce of Greater Cleveland and Ohio = AIDS=20 Coalition, organized by people with or affected by HIV, featuring the = Cleveland=20 Contemporary Dance Theater, Nightsweats and T-Cells, Vincent Moorman, = Chris=20 Sweiger and artists who have been lost to AIDS, 11:30 am to = 5 pm, $10,=20 free to Taskforce clients, AIDS Taskforce, 3210 Euclid Ave,=20 216-621‑0766.

 

 

=93Before It Hits Home=94 by Cheryl L.=20 West

March 10 =96 April 9th,=20 2006

Karamu Performing Arts=20 Theatre

For tickets and group sales, please = call=20 216-795-7077  =20

------=_NextPart_000_03AF_01C5F209.6B82F860-- From memakefilm at yahoo.com Fri Nov 25 19:14:50 2005 From: memakefilm at yahoo.com (Jamey Mixson) Date: Fri, 25 Nov 2005 19:14:50 -0800 (PST) Subject: [NEohioPAL]Book Release Party/ Signing Saturday the 26th @ 5PM Message-ID: <20051126031450.46478.qmail@web36211.mail.mud.yahoo.com> --0-1454590413-1132974890=:26855 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit ALL of NEOHPAL is invited To the Book Release Party and Signing HEAVY ROTATION A Contemporary Novel by F. Jamey Mixson November 26th, 2005 Arabica Coffee House 20630 N Park Blvd Shaker Heights, OH 44118 5PM to 8PM Local self published author, Jamey, will be on hand to discuss and sign EVERY copy of the book *Juicy excerpts from Heavy Rotation will be read at 6PM by local talent. As all are invited please bring a friend or more. Copies of the novel are $20. --0-1454590413-1132974890=:26855 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
ALL of NEOHPAL is invited
To the Book Release Party and Signing
HEAVY ROTATION
A Contemporary Novel by F. Jamey Mixson
November 26th, 2005
Arabica Coffee House
20630 N Park Blvd
Shaker Heights, OH 44118
5PM to 8PM
 
 
 
Local self published author, Jamey, will be on hand to discuss and sign EVERY copy of the book *Juicy excerpts from Heavy Rotation will be read at 6PM by local talent.
As all are invited please bring a friend or more.
Copies of the novel are $20.
--0-1454590413-1132974890=:26855-- From finearts at core.com Fri Nov 25 20:01:06 2005 From: finearts at core.com (Your Name) Date: Fri, 25 Nov 2005 23:01:06 -0500 Subject: [NEohioPAL]Production Photos of "A CHRISTMAS CAROL" Message-ID: <200511260401.jAQ415FL018428@mail1.mx.voyager.net> A Christmas Carol runs 4 weeks at CHagrin Valley Little Theatre. Click Here to see the photos. Eric Skarl www.FineartsPhotography.com -- CoreComm Webmail. http://home.core.com From streamliners at alltel.net Sat Nov 26 05:10:24 2005 From: streamliners at alltel.net (streamliners) Date: Sat, 26 Nov 2005 08:10:24 -0500 Subject: [NEohioPAL]4 Sale Message-ID: <000c01c5f28a$c383ca90$6701a8c0@donna> This is a multi-part message in MIME format. ------=_NextPart_000_0009_01C5F260.DA76D410 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable We have some things we are looking to sell as we do not use them nor = have the space to store them any longer.=20 1) Full Ankle Length Wolf/Coyote Fur - Excellent condition. Rarely worn. = Size 10-12. Pelts are numbered. Inner monogram initials can easily be = adjusted with a Furrier.=20 2) Body Solid Exercise Unit - This thing is huge. We just don't have the = time to use it and it has been in storage for several years. It also is = in top notch condition as it was rarely used from purchase date. Great = aspirations/no time. =20 3) An antique stove. It needs to be refurbished. Most probably it dates = back to the 30-40's or there abouts. It appears to be a caning stove of = some sort. We need to sell it as it sits in a rental property of ours = that is soon to be sold.=20 If your interested: Email Donna/Dale at streamliners at alltel.net. We are = located in Chagrin Falls/East Side Cleveland. Stove and Body Solid are = located right now in the West End of Cleveland. ------=_NextPart_000_0009_01C5F260.DA76D410 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
We have some things we are looking to = sell as we do=20 not use them nor have the space to store them any longer.
 
1) Full Ankle Length Wolf/Coyote Fur - = Excellent=20 condition. Rarely worn. Size 10-12. Pelts are numbered. Inner monogram = initials=20 can easily be adjusted with a Furrier.
 
2) Body Solid Exercise Unit - This = thing is huge.=20 We just don't have the time to use it and it has been in storage for = several=20 years. It also is in top notch condition as it was rarely used from = purchase=20 date. Great aspirations/no time.  
 
3) An antique stove. It needs to be = refurbished.=20 Most probably it dates back to the 30-40's or there abouts. It appears = to be a=20 caning stove of some sort. We need to sell it as it sits in a rental = property of=20 ours that is soon to be sold.
 
If your interested: Email Donna/Dale at = streamliners at alltel.net. We = are=20 located in Chagrin Falls/East Side Cleveland. Stove and Body Solid are = located=20 right now in the West End of Cleveland.
------=_NextPart_000_0009_01C5F260.DA76D410-- From Frank at Time-LineProductions.com Sat Nov 26 06:34:10 2005 From: Frank at Time-LineProductions.com (Frank Mixson) Date: Sat, 26 Nov 2005 06:34:10 -0800 (PST) Subject: [NEohioPAL]Visitors to the "Slavery in New York" exhibition are recording reactions and creating snapshot reflections (from NYTimes) Message-ID: <20051126143410.44540.qmail@web81502.mail.mud.yahoo.com> --0-276414156-1133015650=:42646 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit They have the awkwardness of amateur home videos: background noise, long silences, people looking away from the camera. But inside a booth at the New-York Historical Society, visitors to the exhibition "Slavery in New York" are recording their reactions, creating snapshot reflections on race and history in the nation's largest city. "It allows our young people to understand, really, how this city was born and who carried the brunt of the prosperity that we see in New York, not only then but now," a black man from "Harlem, New York," said of the show, the largest in the museum's 201-year history. The man, who appeared to be in his 30's, said he wanted to know what businesses in the city today derived profits in the past from selling human beings. A white lawyer went into the booth twice to sort out his feelings. "This has just been devastating," he said. As he looked at the exhibition's array of documents, he said, he realized that the some of the laws used to isolate and dehumanize enslaved black New Yorkers became custom after the laws vanished and "contributed to the way whites look at blacks," even today. "It's striking for any of us who are New Yorkers to realize that the ground we touch, every institution, is affected by slavery," he said. Two young African-American brothers crammed into the booth together. "Slavery in New York was bad, and it's how New York became the richest city in the world," one of them declared. The exhibition, which illustrates the centrality of 200 years of slavery to the growth of New York City, opened on Oct. 7 and runs through March 5. The very idea of slaves walking the streets of what is now SoHo or of slave auction blocks in Lower Manhattan - in a city known for tolerance and diversity - has attracted people of varied races and ages. There are no specific attendance figures yet, but museum officials said the exhibition galleries had been packed and attendance was up 83 percent over the same period last year, when the museum presented an exhibition on Alexander Hamilton. The $5 million slavery exhibition features more than 400 artifacts, documents, paintings and maps spanning 9,000 square feet in 10 galleries. Visitors can see advertisements for runaway slaves and "negroes, to be sold"; caricatured drawings of blacks; items like chairs and cribs made by slave hands; and a 1644 document granting slaves "half freedom" and land around what is now Washington Square. The visitor response booth is at the end of the exhibition. There, visitors touch a blue-screened computer asking questions about what they have seen: their overall impression, how it added to or altered their knowledge on the subject, what they found noteworthy. They then look at the camera and speak their answers. "This is a much more qualitative way of knowing who's coming to the museum," said Richard Rabinowitz, the show's curator. "We really wanted to let people talk and think through things. We wanted people to frame a meaning for this as they leave." Museum officials plan to use those responses to figure out what and how people learn from such exhibitions. So far, about 400 responses have been videotaped. Some will become part of the "visitor reaction" monitors now in three galleries, which showcase selected people who previewed the show. In one, for example, a middle-aged white woman says the exhibition can make a difference. "A difference when you look at a black person on a subway train," she says, "or you're working next to a black person, that you have a little more empathy and understanding and also praising for how far so many people came." In the raw videotape, the names given are not clear, one has to guess at ages and there is no consensus on what people found most noteworthy about the show. Some said they were shocked to learn that some slaves fought with the British during the Revolutionary War (in a bid for freedom); others said they had discovered that George Washington owned slaves; and some mused that New York City slavery was no more benign than the Southern variety. After all, slaves in New York worked sunup to sundown. Slaves helped build the wall on Wall Street (and were sold there) and built the first City Hall and Trinity Church. Slavery was the lifeline for hundreds of city businesses. During British rule, about 40 percent of the city's households owned slaves. Institutional exhibitions about America's slave-holding past are relatively new and help foster a national conversation about race, said James Oliver Horton, the chief historian for "Slavery." This show's size and location facilitate that dialogue, he said. "Back in the 90's, when Bill Clinton asked for a national conversation about race, most people didn't have the context in which to have the conversation," said Dr. Horton, a professor of American studies and history at George Washington University. "This exhibition will help Americans have such a historical context. It will help people start with a common experience." Skip to next paragraph Forum: Artists and Exhibitions One commonality that emerges from viewing five hours of the visitor videotapes is how much people do not know. Many were unaware of the existence or extent of slavery in New York, which lasted until 1827, longer than in any other Northern state except New Jersey. "It's terrible to know that the city that I love was part of the slave trade," said a middle-aged white woman from New Jersey. "I'm shocked to hear about it." An African-American man in the booth with his young daughter said: "It's just a constant reminder that here in New York, like in other places in the United States, we were nothing more than cattle in the eyes of the owners and were treated that way. It's just amazing that people were able to survive and thrive after that." An elderly white woman who said she had two college degrees said, "I never knew until I walked in here about slavery in New York." Now, she said, "It just breaks my heart." An African-American woman who identified herself as a graduate of Cornell University said, "I've actually had people tell me that black people in New York had no history." "I can now feel that I have information I can share," she said. A middle-aged white woman who said she lived down the street from the museum noted that her daughter's advanced placement courses in history included only one hour about slavery. "It made me realize how history doesn't go away," the mother said of the exhibition. "These burdens are carried through generations." Clearly, schools are failing to educate students about slavery, said Louise Mirrer, the society's president. Dr. Mirrer said she would be gratified to see the public schools use the educational materials developed by the society for "Slavery." While most visitors are admirers, the exhibition comes in for some criticism, too. Some said it was saturated with facts but failed to convey slavery's brutality. One woman wondered why she did not see a single shackle. Dr. Rabinowitz said it was an informed decision to let the facts speak, without graphic depictions of beatings or family separations. But in the reaction booth, a young black man from Harlem argued that the show should be enraging. "Why are there ghettos in New York City? Because of slavery," he said. He learned many facts from the show, he added, but wanted explicit connections between race and class. "The ramifications of slavery still affect the world," he said. "It's not something to be put in the past, like dinosaurs or fossils." An African-American woman from Washington complained, "The soul of it was completely gone." She added, "It was spoken about as if it was any economic phenomenon instead of human." But some people caught on camera said the show had certainly made them think harder about skin color and the echoes of the past. A woman from Chicago, who described herself as an artist and a second-generation Slovakian, said the exhibition helped her in that way. She watched two African-American children playing in the museum, and it dawned on her that in another time they would have been slaves. "They had no choice," she said. "They had no power." And after learning that at one time 20 percent of New Yorkers were enslaved, the artist said, she went to the lobby of the grand Historical Society building and began imagining the past. "I'd look around and look around," she said, "and one in five people would be a slave." --0-276414156-1133015650=:42646 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit

They have the awkwardness of amateur home videos: background noise, long silences, people looking away from the camera. But inside a booth at the New-York Historical Society, visitors to the exhibition "Slavery in New York" are recording their reactions, creating snapshot reflections on race and history in the nation's largest city.

 
"It allows our young people to understand, really, how this city was born and who carried the brunt of the prosperity that we see in New York, not only then but now," a black man from "Harlem, New York," said of the show, the largest in the museum's 201-year history. The man, who appeared to be in his 30's, said he wanted to know what businesses in the city today derived profits in the past from selling human beings. 
 

A white lawyer went into the booth twice to sort out his feelings. "This has just been devastating," he said. As he looked at the exhibition's array of documents, he said, he realized that the some of the laws used to isolate and dehumanize enslaved black New Yorkers became custom after the laws vanished and "contributed to the way whites look at blacks," even today.

 

"It's striking for any of us who are New Yorkers to realize that the ground we touch, every institution, is affected by slavery," he said.

 

Two young African-American brothers crammed into the booth together. "Slavery in New York was bad, and it's how New York became the richest city in the world," one of them declared.

The exhibition, which illustrates the centrality of 200 years of slavery to the growth of New York City, opened on Oct. 7 and runs through March 5. The very idea of slaves walking the streets of what is now SoHo or of slave auction blocks in Lower Manhattan - in a city known for tolerance and diversity - has attracted people of varied races and ages. There are no specific attendance figures yet, but museum officials said the exhibition galleries had been packed and attendance was up 83 percent over the same period last year, when the museum presented an exhibition on Alexander Hamilton.

 

The $5 million slavery exhibition features more than 400 artifacts, documents, paintings and maps spanning 9,000 square feet in 10 galleries. Visitors can see advertisements for runaway slaves and "negroes, to be sold"; caricatured drawings of blacks; items like chairs and cribs made by slave hands; and a 1644 document granting slaves "half freedom" and land around what is now Washington Square.

 

The visitor response booth is at the end of the exhibition. There, visitors touch a blue-screened computer asking questions about what they have seen: their overall impression, how it added to or altered their knowledge on the subject, what they found noteworthy. They then look at the camera and speak their answers.

 

"This is a much more qualitative way of knowing who's coming to the museum," said Richard Rabinowitz, the show's curator. "We really wanted to let people talk and think through things. We wanted people to frame a meaning for this as they leave." Museum officials plan to use those responses to figure out what and how people learn from such exhibitions.

So far, about 400 responses have been videotaped. Some will become part of the "visitor reaction" monitors now in three galleries, which showcase selected people who previewed the show.

 

In one, for example, a middle-aged white woman says the exhibition can make a difference. "A difference when you look at a black person on a subway train," she says, "or you're working next to a black person, that you have a little more empathy and understanding and also praising for how far so many people came."

 

In the raw videotape, the names given are not clear, one has to guess at ages and there is no consensus on what people found most noteworthy about the show. Some said they were shocked to learn that some slaves fought with the British during the Revolutionary War (in a bid for freedom); others said they had discovered that George Washington owned slaves; and some mused that New York City slavery was no more benign than the Southern variety.

After all, slaves in New York worked sunup to sundown. Slaves helped build the wall on Wall Street (and were sold there) and built the first City Hall and Trinity Church. Slavery was the lifeline for hundreds of city businesses. During British rule, about 40 percent of the city's households owned slaves. Institutional exhibitions about America's slave-holding past are relatively new and help foster a national conversation about race, said James Oliver Horton, the chief historian for "Slavery." This show's size and location facilitate that dialogue, he said.

 

"Back in the 90's, when Bill Clinton asked for a national conversation about race, most people didn't have the context in which to have the conversation," said Dr. Horton, a professor of American studies and history at George Washington University. "This exhibition will help Americans have such a historical context. It will help people start with a common experience."

One commonality that emerges from viewing five hours of the visitor videotapes is how much people do not know. Many were unaware of the existence or extent of slavery in New York, which lasted until 1827, longer than in any other Northern state except New Jersey.

"It's terrible to know that the city that I love was part of the slave trade," said a middle-aged white woman from New Jersey. "I'm shocked to hear about it."

 

An African-American man in the booth with his young daughter said: "It's just a constant reminder that here in New York, like in other places in the United States, we were nothing more than cattle in the eyes of the owners and were treated that way. It's just amazing that people were able to survive and thrive after that."

 

An elderly white woman who said she had two college degrees said, "I never knew until I walked in here about slavery in New York." Now, she said, "It just breaks my heart."

An African-American woman who identified herself as a graduate of Cornell University said, "I've actually had people tell me that black people in New York had no history."

"I can now feel that I have information I can share," she said.

 

A middle-aged white woman who said she lived down the street from the museum noted that her daughter's advanced placement courses in history included only one hour about slavery. "It made me realize how history doesn't go away," the mother said of the exhibition. "These burdens are carried through generations."

 

Clearly, schools are failing to educate students about slavery, said Louise Mirrer, the society's president. Dr. Mirrer said she would be gratified to see the public schools use the educational materials developed by the society for "Slavery."

 

While most visitors are admirers, the exhibition comes in for some criticism, too. Some said it was saturated with facts but failed to convey slavery's brutality. One woman wondered why she did not see a single shackle. Dr. Rabinowitz said it was an informed decision to let the facts speak, without graphic depictions of beatings or family separations.

 

But in the reaction booth, a young black man from Harlem argued that the show should be enraging. "Why are there ghettos in New York City? Because of slavery," he said. He learned many facts from the show, he added, but wanted explicit connections between race and class. "The ramifications of slavery still affect the world," he said. "It's not something to be put in the past, like dinosaurs or fossils."

 

An African-American woman from Washington complained, "The soul of it was completely gone." She added, "It was spoken about as if it was any economic phenomenon instead of human."

 

But some people caught on camera said the show had certainly made them think harder about skin color and the echoes of the past.

 

A woman from Chicago, who described herself as an artist and a second-generation Slovakian, said the exhibition helped her in that way. She watched two African-American children playing in the museum, and it dawned on her that in another time they would have been slaves. "They had no choice," she said. "They had no power."

 

And after learning that at one time 20 percent of New Yorkers were enslaved, the artist said, she went to the lobby of the grand Historical Society building and began imagining the past. "I'd look around and look around," she said, "and one in five people would be a slave."

 

 

 

 

--0-276414156-1133015650=:42646-- From Huntheatre at aol.com Sat Nov 26 06:54:19 2005 From: Huntheatre at aol.com (Huntheatre at aol.com) Date: Sat, 26 Nov 2005 09:54:19 EST Subject: [NEohioPAL]Huntington Playhouse Announces 2006 Season Message-ID: <24e.21dbea9.30b9d11b@aol.com> -------------------------------1133016859 Content-Type: text/plain; charset="UTF-8" Content-Transfer-Encoding: quoted-printable Content-Language: en =20 FOR IMMEDIATE RELEASE=20 Huntington Playhouse Announces 2006 Season=20 Huntington Playhouse announced their 2006 season on the opening night of=20 their current production, =E2=80=9CThe Best Christmas Pageant Ever=E2=80= =9D. Managing=20 Director, Tom Meyrose, said in his remarks that the 2006 season will be the= theatre=E2=80=99s=20 47th season and will include the possibilities of a world premier show, the= =20 expansion of its children=E2=80=99s theatre program, and some adjustments t= o the=20 production schedule.=20 The theatre will open on May 11, 2006, a week later than in the past, wit= h=20 the comedy =E2=80=9CNoises Off=E2=80=9D. It will then do =E2=80=9CThe Fanta= sticks=E2=80=9D, =E2=80=9CSweet Charity=E2=80=9D , and =E2=80=9CMy Way- A Musical Tribute to Frank Sinatra=E2=80=9D. These=20= three musicals=20 will be followed by the comedy =E2=80=9CArt=E2=80=9D and Agatha Christie= =E2=80=99s =E2=80=9CThe Spider Web=E2=80=9D.=20 The season will conclude with the possibility of a world premier play=20 adapted from a Dick Feagler holiday column, =E2=80=9CChristmas at Aunt Ida= =E2=80=99s=E2=80=9D. =E2=80=9CWe=E2=80=99ve=20 been working with Feagler for the past year on this project and are hopeful= we=E2=80=99 ll have a solid show to produce for our patrons.=E2=80=9D said Meyrose.=20 They will also continue their summer classes for children and expand their=20 fall program which was initiated this past October.=20 Super Seven Flex Passes and gift certificates are now on sale for the 2006=20 season. The Flex Pass offers 7 admissions for $95.00 and gift certificates= =20 for individuals are on sale for $17.00 per admission. =20 For information on the 2006 season or to reserve tickets for the current=20 holiday show-=E2=80=9CThe Best Christmas Pageant Ever=E2=80=9D, contact the= box office at=20 440-871-8333 or visit the Huntington Playhouse web site,=20 _www.huntingtonplayhouse.com_ (http://www.huntingtonplayhouse.com/) .=20 Huntington Playhouse is located at 28601 Lake Road in Bay Village and is=20= a=20 licensed affiliate of the Cleveland Metroparks. =20 -------------------------------1133016859 Content-Type: text/html; charset="UTF-8" Content-Transfer-Encoding: quoted-printable Content-Language: en

FOR IMMEDIATE=20 RELEASE

 =

= Huntington= =20 Playhouse Announces 2006 Season

 =

 =

Huntington Playho= use=20 announced their 2006 season on the opening night of their current production= ,=20 =E2=80=9CThe Best Christmas Pageant Ever=E2=80=9D. =20 Managing Director, Tom Meyrose, said in his remarks that the 2006 sea= son=20 will be the theatre=E2=80=99s 47th season and will include the po= ssibilities=20 of a world premier show, the expansion of its children=E2=80=99s theatre pro= gram, and=20 some adjustments to the production schedule.

 =

The theatre will=20= open=20 on May 11,=20 2006, a week later th= an in=20 the past, with the comedy =E2=80=9CNoises Off=E2=80=9D. =20 It will then do =E2=80=9CThe Fantasticks=E2=80=9D, =E2=80=9CSweet Cha= rity=E2=80=9D, and =E2=80=9CMy Way- A=20 Musical Tribute to Frank Sinatra=E2=80=9D.=  =20 These three musicals will be followed by the comedy =E2=80=9CArt=E2= =80=9D and Agatha=20 Christie=E2=80=99s =E2=80=9CThe Spider Web=E2=80=9D.

 =

The season will=20 conclude with the possibility of a world premier play adapted from a Dick=20 Feagler holiday column, =E2=80=9CChristmas at Aunt Ida=E2=80=99s=E2=80=9D.   =E2=80=9CWe=E2=80=99ve been=20= working with Feagler=20 for the past year on this project and are hopeful we=E2=80=99ll have a solid= show to=20 produce for our patrons.=E2=80=9D  said=20 Meyrose.

 =

They will also co= ntinue=20 their summer classes for children and expand their fall program which was=20 initiated this past October.

 =

Super<= /st1:PlaceName>=20 Seven<= /st1:PlaceName>=20 Flex=20 Passes= and gift certifi= cates=20 are now on sale for the 2006 season. = =20 The Flex=20 Pass offers 7 admissi= ons=20 for $95.00 and gift certificates for individuals are on sale for $17.00 per=20 admission.

 =

For information o= n the=20 2006 season or to reserve tickets for the current holiday show-=E2=80=9CThe=20= Best=20 Christmas Pageant Ever=E2=80=9D, contact the box office at 440-871-8333 or v= isit the=20 Huntington= Playhouse web si= te, www.huntingtonplayhouse.com= .

 =

Huntington= Playhouse is loc= ated=20 at 28601 Lake=20 Road in=20 Bay=20 Village and is a license= d=20 affiliate of the Cleveland<= /B> Metroparks. 

 

-------------------------------1133016859-- From alitivity at yahoo.com Sat Nov 26 09:08:30 2005 From: alitivity at yahoo.com (Al Diamond Phillips) Date: Sat, 26 Nov 2005 09:08:30 -0800 (PST) Subject: [NEohioPAL]Al Diamond Phillips with Clay Aiken Message-ID: <20051126170831.54993.qmail@web50602.mail.yahoo.com> Members of the Al Diamond Phillips Christmas Variety Spectacular will be performing with Clay Aiken in Youngstown Nov 27th. Dont forget to get your tickets for our show Dec 17th at Williams on the Lake 330-726766 Ext 11 __________________________________ Yahoo! Mail - PC Magazine Editors' Choice 2005 http://mail.yahoo.com From DCaudill at lec.edu Sat Nov 26 09:50:34 2005 From: DCaudill at lec.edu (Caudill Deanna) Date: Sat, 26 Nov 2005 12:50:34 -0500 Subject: [NEohioPAL]trailer for sale Message-ID: <594B40408FE8474297C548F9A095C9F7AAB1C9@lecmail1.lec.edu> My husband has a 4 x 8 trailer made by haulin for sale. This trailer is = great for hauling props, furniture, lawn mowers, motorcycles, ATV's etc. =20 Details: new inner and outer bearings on both sides =20 2 foot high wood sides =20 new wiring and lights =20 all new tires and wheels =20 brand new spare tire and wheel=20 =20 new set of bearing buddies (enables you to grease wheel bearing without = taking wheels and bearings out) =20 1-7/8 ball =20 tarp includes to cover top of trailer =20 manual winch on front of trailer =20 =20 =20 =20 =20 =20 =20 Asking $450.00 =20 Contact Ron at 440-382-8089 for more information From johnny at mdifilm.com Sat Nov 26 10:00:41 2005 From: johnny at mdifilm.com (Johnny Wu) Date: Sat, 26 Nov 2005 13:00:41 -0500 Subject: [NEohioPAL]Cleveland IndieClub December 18 Meeting - Free to Public Message-ID: <008801c5f2b3$5209d110$0400000a@johnny5> Cleveland IndieClub FREE Monthly Networking Meeting - December 18, 2005 The Cleveland IndieClub meets every month, free of charge, for those who have the passion for making movies using film or video (whether it is in acting, directing, producing, writing, lighting or any other skill) and are looking for others who have similar interests. Cleveland IndieClub is administrated by Johnny K. Wu and generally hosted each month by their members, which offers each an opportunity to create a variety of interest and topic. Cleveland IndieClub official website: www.clevelandindieclub.com Sunday, December 18, 1pm to 4pm at The Hyacinth Lofts 3030 East 63rd Street Cleveland, Ohio, 44127 Please park on the street and enter from front of the building. Dial 022 to be buzzed in Hosted by Bill Johns, Cinevid Productions Guest speaker: Maureen Dempsey, LA Acting Coach Topic: Transforming your good film into great film through the performances of your actors Originally from Cleveland she spent more than 10 years working in the industry in Los Angeles. In Decembers meeting she will discuss ways in which you can take your "good" film and make it "great" through the performances of the actors. She will cover what to look for in the audition process and point out the key signals of a great actor. Then she will cover what to do to get the best performance possible out of any cast. Filmmakers have a lot of responsibilities and so much time and money are spent on the technical side of the process and oftentimes the actors get the least amount of attention yet the performances, especially in low budget movies, are the make or break factor. There is a fine line between cheesy and awesome. In addition, Cleveland IndieClub will screen and discusss short films, scenes, and trailers from: - 16mm Scratch and Sniff film loop with live-time alterations, a collaboration between Jerry Mann and Zack Hay - Tony Samangy's behind the scene footages for 3:18 (15 mins) - The Pain Within by Johnathon Portman (7 mins) - Cleveland Classic Cinemas from Nick D'Amico - NBTV Pilot Episode (29 mins) - Bill Johns' latest feature film Madness scenes Raffle for DVDs from your local filmmakers For more information about Cleveland IndieClub, visit Cleveland IndieClub @ http://www.clevelandindieclub.com Organized and sponsored by Johnny K. Wu & Media Design Imaging (www.mdifilm.com). Co-sponsored by Michael Balas & Media Group Studios (www.mediagroupstudios.com), David Perkowski & The Hyacinth Lofts (www.thehyacinthlofts.com), Bill Johns & Cinevid Productions (www.cinevidproductions.com), the Cleveland IndieClub members, and the current monthly host. For the past first 2 years, Cleveland IndieClub was also co-sponsored by Talkies Movie & Coffee Bar (www.talkiescoffee.com) located at Ohio City. Next meeting is scheduled for Sunday, January 22, 2006, host by Johnny K. Wu with special guest MaryEllen Tomazic, Entertainment Attorney. Topic: Intellectual Property for Visual Artists NOTE: If you have a movie on dvd that you would like to have it raffled, bring it to the meeting to have it raffled off to the participants. We have monthly attendees of around 60 people, if you have short films (no longer than 30 mins) that you would like to present and talk about it for February and on meetings, please email me at johnny at mdifilm.com (first come first serve) ================================== Media Design Imaging innovates and break the molds of visual creation http://www.mdifilm.com 216.373.3278 President (2004 & 2005) Organization of Chinese American of Greater Cleveland OCAGC http://www.ocagc.org Wu Jia Quan Shu (Art of Wu Family System) 2800 years old Family Style Martial Arts http://www.wujiaquan.com From Jacqiloewy at aol.com Sat Nov 26 10:21:41 2005 From: Jacqiloewy at aol.com (Jacqiloewy at aol.com) Date: Sat, 26 Nov 2005 13:21:41 EST Subject: [NEohioPAL]FREE STUFF & need help! Message-ID: --part1_dc.32a7922a.30ba01b5_boundary Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Okay guys - here's the deal. I have to be out of my huge house by Wednesday night and have rooms full of stuff to GIVE AWAY or sell real cheap! There are a few nice antique things for sale, but mostly I am giving anything to anybody who can take it out of here. Bring boxes or bags. Hours: Sunday: 10am until noon Monday: 9am until 11am Tuesday: 9am until noon Chairs, dishes, glasses, twin beds, old dressers, some clothes, books, misc. I have spent waaaay to many years being a pack rat and am turning over a new leaf! :-) 1630 South Belvoir South Euclid 1/2 mile south of Mayfield or 1 mile north of Cedar on west side of street 216-469-9160 or respond to this if you like. Also ... need to hire 2 strong people to help me move a few pieces of furniture on Tuesday afternoon from 3-6pm. Thanks!! Jacqi PS - If you want, in exchange for lots of free stuff, you could donate five or ten dollars to Charenton ... just a thought ;-) --part1_dc.32a7922a.30ba01b5_boundary Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable Okay guys - here's the deal. =20= I have to be out of my huge house by Wednesday night and have rooms full of=20= stuff to GIVE AWAY or sell real cheap!  There are a few nice antique th= ings for sale, but mostly I am giving anything to anybody who can take it ou= t of here. Bring boxes or bags.

Hours: Sunday: 10am until noon
           Monday: 9am unt= il 11am
            Tuesday:=20= 9am until noon

Chairs, dishes, glasses, twin beds, old dressers, some clothes, books, misc.= I have spent waaaay to many years being a pack rat and am turning over a ne= w leaf! :-)

1630 South Belvoir
South Euclid
1/2 mile south of Mayfield or 1 mile north of Cedar on west side of street
216-469-9160 or respond to this if you like.
Also ... need to hire 2 strong people to help me move a few pieces of= furniture on Tuesday afternoon from 3-6pm.

Thanks!!
Jacqi
PS - If you want, in exchange for lots of free stuff, you could donate five=20= or ten dollars to Charenton ... just a thought ;-)




 --part1_dc.32a7922a.30ba01b5_boundary-- From Parmarita at aol.com Sat Nov 26 10:38:48 2005 From: Parmarita at aol.com (Parmarita at aol.com) Date: Sat, 26 Nov 2005 13:38:48 EST Subject: [NEohioPAL]RE: Christmas Specials Message-ID: <28c.838640.30ba05b8@aol.com> --part1_28c.838640.30ba05b8_boundary Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit The Cassidy Theatre Guild will hold special performance fund raisers for the childrens theatre. On December 12th at 7:30PM one performance only the Singing Angels will appear with their Christmas Show. All tickets are $10.00 each. Order early as tickets are going fast. On Dec. 21, 22 and 23rd at 7:30 PM Dianns Dance will present "The Nutcracker" a memorable production for the entire family. Tickets for this production are also $10.00 per person. The Cassidy Theatre is located in The Greenbrier Commons, 6200 Pearl Road, in Parma Heights. Phone 440-842-4600 for reservations and more ticket information. --part1_28c.838640.30ba05b8_boundary Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable The Cassidy Theatre Guild will hold= special performance fund raisers for the childrens theatre.  On Decemb= er 12th at 7:30PM  one performance only the Singing Angels will appear=20= with their Christmas Show.  All tickets are $10.00 each. Order early as= tickets are going fast.  On Dec. 21, 22 and 23rd at 7:30 PM Dianns Dan= ce will present "The Nutcracker" a memorable production for the entire famil= y.  Tickets for this production are also $10.00  per person. =   The Cassidy Theatre is located in The Greenbrier Commons, 6200 Pearl=20= Road, in Parma Heights.  Phone 440-842-4600 for reservations and more t= icket information. --part1_28c.838640.30ba05b8_boundary-- From mcmamahoo at yahoo.com Sat Nov 26 11:59:49 2005 From: mcmamahoo at yahoo.com (Cherie Lawrence) Date: Sat, 26 Nov 2005 11:59:49 -0800 (PST) Subject: [NEohioPAL]Christmas Spectacular on PBS Tonight! Message-ID: <20051126195949.91197.qmail@web81705.mail.mud.yahoo.com> Spectacular Music Productions proudly announces the TV broadcast schedule for last year's Christmas Show, an edited version. PBS 45/49 Sat Nov 26 6pm Sun Nov 27 5pm Wed Nov 30 10pm Thanks call-in number 330.677.4549 PBS WVIZ Sat Dec 24 6pm Sun Dec 25 2&6AM Thanks call-in number 216.398.2800 Time Warner Cable Ch 23 Nov 26-Dec 25 Fridays 10pm; Sats and Suns 4pm Thanks call-in number 330.633.9203 Direct TV World Harvest Network Ch 321 All US/Europe Sat Nov 26 6pm EST Sat Dec 10 6pm EST Order dvd toll-free Nov 26-Dec 31 1.800.555.1148 To order tickets for the new 2005 Christmas Spectacular 20th Anniversary Special at the Akron Civic, please visit our web site www.spectacularmusic.org "What's New" link to download the ad and email to family/friends for further information. THANK YOU for your support, and hope to see you again this year! From Demeerusty at aol.com Sat Nov 26 13:26:06 2005 From: Demeerusty at aol.com (Demeerusty at aol.com) Date: Sat, 26 Nov 2005 16:26:06 EST Subject: [NEohioPAL]A Raisin In The Sun Message-ID: <236.25de78b.30ba2cee@aol.com> -------------------------------1133040366 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit The University of Akron's premier organization for campus events The Zips Programming Network, will be putting on the production of A Raisin In The Sun by Lorraine Hansberry on February 3-5 for Black History Month. We are looking for FULL PRODUCTION CAST AND CREW. ALL positions will be PAID. Auditions will be December 1 at 6:30pm-8:00pm room 314 December 2 at 6:00pm-8:00pm room 321 and December 3 at 1:00pm-4:00pm room 314 in the Student Union. To RSVP call 330-972-7014. Timothy G. Avant Diversity Chair The University of Akron The Zips Programming Network _tga2 at uakron.edu_ (mailto:tga2 at uakron.edu) -------------------------------1133040366 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
The University of Akron's premier organization for campus events The Zi= ps=20 Programming Network, will be putting on the production of A Raisin In T= he=20 Sun by Lorraine Hansberry on February 3-5 for Black History Month. We are=20 looking for  FULL PRODUCTION CAST AND CREW. ALL positions will be PAID.= =20 Auditions will be December 1 at 6:30pm-8:00pm room 314 December 2 at=20 6:00pm-8:00pm room 321 and December 3 at 1:00pm-4:00pm room 314 in= the=20 Student Union. To RSVP call 330-972-7014.
Timothy G. Avant
Diversity Chair
The University of Akron
The Zips Programming Network
tga2 at uakron.edu 
 -------------------------------1133040366-- From ehanic at kent.edu Sat Nov 26 19:05:42 2005 From: ehanic at kent.edu (ehanic at kent.edu) Date: Sat, 26 Nov 2005 22:05:42 -0500 Subject: [NEohioPAL]Voice Lessons! Message-ID: <2e97a682e9561d.2e9561d2e97a68@kent.edu> I am a college music major who is currently accepting students who love singing and want to reach their full potential. I possess several years of vocal training and performance experience. I am accepting students of all ages and all levels. I am located in the Canal Fulton/Manchester area. For more information, please contact me at ehanic at kent.edu Have a GREAT day! :-) From John at clevelandirish.org Sat Nov 26 19:24:51 2005 From: John at clevelandirish.org (John O'Brien) Date: Sat, 26 Nov 2005 22:24:51 -0500 Subject: [NEohioPAL]Santa Claus available Message-ID: <000601c5f302$218e3860$6400a8c0@gateway553926b> This is a multi-part message in MIME format. ------=_NextPart_000_0003_01C5F2D8.37F18500 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Hi All, If you need a Santa Claus for a function I am available, with a lot of = experience and full costume. Good with kids, seniors, and professional = functions. Reasonable rates. Thanks, John O'Brien (330) 321-6174 John at clevelandirish.org I expect to pass through this life but once, If, therefore, there be any = kindness I can show or any good thing I can do to any fellow being, let = me do it now. Let me not defer nor neglect it, for I shall not pass this = way again - W. Penn ------=_NextPart_000_0003_01C5F2D8.37F18500 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
Hi All,
 
If you need a Santa Claus for a = function I am=20 available, with a lot of experience and full costume.  Good with = kids,=20 seniors, and professional functions.
Reasonable rates.
 
Thanks,
 
John O'Brien
(330) 321-6174
John at clevelandirish.org
 
I expect to pass through this life but = once, If,=20 therefore, there be any kindness I can show or any good thing I can do = to any=20 fellow being, let me do it now. Let me not defer nor neglect it, for I = shall not=20 pass this way again - W. Penn
------=_NextPart_000_0003_01C5F2D8.37F18500-- From nick_d2003 at sbcglobal.net Sat Nov 26 19:35:28 2005 From: nick_d2003 at sbcglobal.net (Nicholas D'Amico) Date: Sat, 26 Nov 2005 22:35:28 -0500 Subject: [NEohioPAL]ATTENTION! ATTENTION! ATTENTION! Message-ID: <43892980.1080405@sbcglobal.net> This is a multi-part message in MIME format. --------------040301040300020401020901 Content-Type: text/plain; charset=ISO-8859-1; format=flowed Content-Transfer-Encoding: 7bit I have just assumed the mantel of Imperial Grand Poobah of Cleveland Independent filmmaking. I have appointed Al Tuskes Minister of Propaganda and Donna Williams head of the Filmic Enforcement. Our manifesto, authored by your exalted Grand Poobah and your esteemed Minister of Propaganda is as follows: 1) Under no circumstances will anything shot on lower video lifeforms such as VHS, VHS-C, S-VHS, 8mm, Hi-8, or other mongrel formats be shot or shown in the Northeast Ohio area, nor will any projects shot on cameras with less than three image chips. 2) If, during screening by the Ms. Williams, the Head of Filmic Enforcement, anyone in the audience leans over and says, "/What/ did they say?" the project will be immediately burned upon the Fire of Incompetence and the creators will be forced to enter the Columbia School of Broadcast. 3) All scripts will be submitted to the Poobah before pre-production, and, if the content is found to be beyond the reach of the proposed budget (i.e., a space epic, an action film involving car chases and/or explosions, period pieces involving swooping over vistas of clashing armies, etc.), the author will be assigned to write jokes for America's Funniest Home Videos until he is deemed ready to pen a realistic screenplay. 4) All actors who beg for a lead part, get it, and subsequently desert the production and/or join AFTRA will be hunted down and forced to watch the entire first season of /Stacked/ in perpetuity. 5) Any film foisting the personal beliefs of the maker on the captive audience of the Indie Club must submit to the Equal Time law in which opposing viewpoints will be forced upon them via "Very Special" Ross & Rachel episodes of /Friends/. 6) All members of the People's Republic of Indie Club (PRIC) will be expected to have several controls disabled on their cameras, as no true professional would ever rely on these controls anyway. These include, but are not limited to: Auto-exposure/auto-iris, sound limiters, auto-focus, zooming controls, on-camera microphones. If tempted to use any of these devices, please hie thee to the main branch of the Cleveland Public Library downtown, sequester yourself in the Periodicals section, and peruse every page of every issue of American Cinematographer or Millimeter magazine until you find mention of a professional who relied on /any/ of these controls while shooting a real movie. 7) Before you hand somebody your "script", saying that "everybody who has seen it, thinks it's the best they've ever read", please consider discounting the opinions any of the /everybody/ if they are: A - Your mother or father. After all, they want you to move out of the house at some point. B - Your significant other. They lie to you all the time anyway, just to spare your feelings. C - The local actors who would sacrifice a limb or genitalia to be in something, /anything/, that could possibly give them a shot at the big time, no matter how unrealistic the possibility (/Dead Planet/ comes to mind...) D - Anybody who hasn't actually read a script before. E - Anybody who would make a financial gain, should you actually go into production, such as insurance salesmen, equipment mongers, casting agents, lawyers, etc. 8) Any attempt at "Kevin Williamson-sonian" sly-knowing-wink-to-the-audience things, "Tarentino-esqe" cool-situations-strung-together-with-hipster-antiheroes-invoking-esoteric-comic book-geek speak or including references to pop culture icons in screenplays will result in the offender being immediately sentenced to Remedial Screenwriting 101. 9) The LCD viewfinder on the side of your camera. This means that out of focus shots, bad lighting, unbalanced lighting, mike booms in the shot, etc. will no longer be tolerated. If any of these events occur, realize that tape is cheap, so you can get a second take, or even rewind the tape to get a second take should you choose to do so. If you choose not to, your video camera will be deposited into the Fire of Incompetence. 10) If a citizen of PRIC buys a digital video camera and insists on referring to themselves as a filmmaker, director, or a producer owing to this purchase, they will be tossed onto the Fire of Incompetence without trial./ /This also applies to those who, after the purchase of screenwriting software, refer to themselves as a/ /screenwriter. 11) If a citizen's sole qualification for calling themselves a filmmaker is saying "I could do better than /that!/" repeatedly/ /while watching projects, said citizen will be immediately taken to the re-education camp where they will be forced to watch projects created by people who thought the same thing of themselves. Additions to the manifesto will be added as required. Now sleep the sleep of the just knowing that your loving Grand Poobah is watching over you all. Nick --------------040301040300020401020901 Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit

I have just assumed the mantel of Imperial Grand Poobah of Cleveland Independent filmmaking. I have appointed Al Tuskes Minister of Propaganda and Donna Williams head of the Filmic Enforcement. Our manifesto, authored by your exalted Grand Poobah and your esteemed Minister of Propaganda is as follows:

1) Under no circumstances will anything shot on lower video lifeforms such as VHS, VHS-C, S-VHS, 8mm, Hi-8, or other mongrel formats be shot or shown in the Northeast Ohio area, nor will any projects shot on cameras with less than three image chips.

2) If, during screening by the Ms. Williams, the Head of Filmic Enforcement, anyone in the audience leans over and says, "What did they say?" the project will be immediately burned upon the Fire of Incompetence and the creators will be forced to enter the Columbia School of Broadcast.

3) All scripts will be submitted to the Poobah before pre-production, and, if the content is found to be beyond the reach of the proposed budget (i.e., a space epic, an action film involving car chases and/or explosions, period pieces involving swooping over vistas of clashing armies,  etc.), the author will be assigned to write jokes for America's Funniest Home Videos until he is deemed ready to pen a realistic screenplay.

4) All actors who beg for a lead part, get it, and subsequently desert the production and/or join AFTRA will be hunted down and forced to watch the entire first season of Stacked in perpetuity.

5) Any film foisting the personal beliefs of the maker on the captive audience of the Indie Club must submit to the Equal Time law in which opposing viewpoints will be forced upon them via "Very Special" Ross & Rachel episodes of Friends.

 
6) All members of the People’s Republic of Indie Club (PRIC) will be expected to have several controls disabled on their cameras, as no true professional would ever rely on these controls anyway. These include, but are not limited to: Auto-exposure/auto-iris, sound limiters, auto-focus, zooming controls, on-camera microphones. If tempted to use any of these devices, please hie thee to the main branch of the Cleveland Public Library downtown, sequester yourself in the Periodicals section, and peruse every page of every issue of American Cinematographer or Millimeter magazine until you find mention of a professional who relied on any of these controls while shooting a real movie.

 7) Before you hand somebody your “script”, saying that “everybody who has seen it, thinks it’s the best they’ve ever read”, please consider discounting the opinions any of the everybody if they are:

            A – Your mother or father. After all, they want you to move out of the house at some point.

            B – Your significant other. They lie to you all the time anyway, just to spare your feelings.

C – The local actors who would sacrifice a limb or genitalia to be in something, anything, that could possibly give them a shot at the big time, no matter how unrealistic the possibility (Dead Planet comes to mind…)

D – Anybody who hasn’t actually read a script before.

E – Anybody who would make a financial gain, should you actually go into production, such as insurance salesmen, equipment mongers, casting agents, lawyers, etc.

 8) Any attempt at “Kevin Williamson-sonian” sly-knowing-wink-to-the-audience things, “Tarentino-esqe” cool-situations-strung-together-with-hipster-antiheroes-invoking-esoteric-comic book-geek speak or including references to pop culture icons in screenplays will result in the offender being immediately sentenced to Remedial Screenwriting 101.

9) The LCD viewfinder on the side of your camera. This means that out of focus shots, bad lighting, unbalanced lighting, mike booms in the shot, etc. will no longer be tolerated. If any of these events occur, realize that tape is cheap, so you can get a second take, or even rewind the tape to get a second take should you choose to do so. If you choose not to, your video camera will be deposited into the Fire of Incompetence.

10) If a citizen of PRIC buys a digital video camera and insists on referring to themselves as a filmmaker, director, or a producer owing to this purchase, they will be tossed onto the Fire of Incompetence without trial. This also applies to those who, after the purchase of screenwriting software, refer to themselves as a screenwriter.

11) If a citizen's sole qualification for calling themselves a filmmaker is saying "I could do better than that!" repeatedly while watching projects, said citizen will be immediately taken to the re-education camp where they will be forced to watch projects created by people who thought the same thing of themselves.

Additions to the manifesto will be added as required. Now sleep the sleep of the just knowing that your loving Grand Poobah is watching over you all.

   Nick

   --------------040301040300020401020901-- From sharonmxg at cox.net Sat Nov 26 21:20:31 2005 From: sharonmxg at cox.net (sharonmxg) Date: Sun, 27 Nov 2005 00:20:31 -0500 Subject: [NEohioPAL]I need a duck Message-ID: <004c01c5f312$49f374e0$4372bf46@MistressSharon> This is a multi-part message in MIME format. ------=_NextPart_000_0049_01C5F2E8.60C7ABC0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Hi NEOPalers, Beck Center is looking for a duck to be used in the upcoming production = of Beauty & the Beast (directed by Fred Sternfeld, opens Friday, = December 2nd) We need a fairly realistic looking, fake duck that will fall to the = stage each performance. If you happen to have (or can suggest where I might find inexpensively) = a decoy like duck (rubber or plush, not wood) please reply to this eMail = or call me directly at the number below. Thanks for your help! Sharon Epstein Prop Master ~ Beck Center 440-452-4831=20 >^..^< Life is not measured by the number of breaths we take, but by the moments that take our breath away. --George Carlin ------=_NextPart_000_0049_01C5F2E8.60C7ABC0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
Hi NEOPalers,
 
Beck Center is looking for a = duck to be=20 used in the upcoming production of Beauty & the Beast = (directed by=20 Fred Sternfeld, opens Friday, December 2nd)
 
We need a fairly realistic = looking, fake=20 duck that will fall to the stage each performance.
 
If you happen to have (or can = suggest=20 where I might find inexpensively) a decoy like duck (rubber or = plush, not=20 wood) please reply to this eMail or call me directly at the number=20 below.
 
Thanks for your = help!
 
Sharon Epstein
Prop Master ~ Beck = Center
440-452-4831 
 
>^..^<
Life is not = measured by=20 the number of breaths we take,
but by the moments that take our = breath=20 away.
 
--George=20 Carlin
------=_NextPart_000_0049_01C5F2E8.60C7ABC0-- From MeatFree32 at aol.com Sat Nov 26 21:39:47 2005 From: MeatFree32 at aol.com (MeatFree32 at aol.com) Date: Sun, 27 Nov 2005 00:39:47 EST Subject: [NEohioPAL]Start 2006 with Improv Classes: Cleveland Improv Institute! Message-ID: <294.498d24.30baa0a3@aol.com> --part1_294.498d24.30baa0a3_boundary Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit CLEVELAND IMPROV INSTITUTE SESSION 6 IMPROV CLASSES JAN 9th - MAR 2nd Start the New Year off with an exciting, fun and challenging improv class! The Cleveland Improv Institute, home of the "10 Keys " training program will be offering 3 classes this coming session. Classes include: 1. Beginning Improvisation Date: Wednesday Evenings (Jan 11th - Mar 1st) Time: 7pm to 9:30pm Place: The Hermit Club Cost: $160/8 week class Instructor: Marc Moritz 2. Intermediate Improvisation Date: Thursday Evenings (Jan 12th - Mar 2nd) Time: 7pm to 9:30pm Place: The Hermit Club Cost: $160/8 week class Instructor: Marc Moritz 3. Cleveland Improv Conservatory Date: Monday Evenings (Jan 9th - Feb 27th) Time: 7pm to 9:30pm Place: The Hermit Club Cost: $160/8 week class Instructor: Jeffrey Lyn Hall **PAYMENT FOR ALL CLASSES IS DUE BY JANUARY 6TH.** TO REQUEST AN INFORMATIONAL BROCHURE ABOUT THIS EXCITING SESSION OF IMPROV CLASSES, BE PLACED ON OUR MAILING LIST OR TO REGISTER FOR A CLASS YOU CAN CALL US AT: (216) 479-3353 OR EMAIL US AT: treeblanch at aol.com ALS O CHECK US OUT ON THE WEB AT: www.clevelandimprovinstitute.com FOR COMPLETE COURSE OUTLINES, DESCRIPTION OF OUR TRAINING PROGRAM, INSTRUCTOR BIOS AND ALL OTHER INFORMATION ABOUT THE CLEVELAND IMPROV INSTITUTE! --part1_294.498d24.30baa0a3_boundary Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable

CLEVELAND IMPROV INSTI= TUTE=20
SESSION 6 IMPROV CLASSES=20
JAN 9th - MAR 2nd

Start the New Year off with an exciting, fun and challenging imp= rov class!=20

The Cleveland Improv Institute, home of the "10 Keys "  tr= aining program will be offering 3 classes this coming session.

Classes include:=20

1. Beginning Improvisation   
Date:  Wednesday Evenings (Jan 11th - Mar 1st)=20
Time: 7pm to 9:30pm=20
Place: The Hermit Club=20
Cost: $160/8 week class
Instructor: Marc Moritz

2.  Intermediate Improvisation  
Date: Thursday Evenings (Jan 12th - Mar 2nd)=20
Time: 7pm to 9:30pm=20
Place: The Hermit Club=20
Cost: $160/8 week class
Instructor: Marc Moritz=20

3. Cleveland Improv Conservatory  
Date: Monday Evenings (Jan 9th - Feb 27th)=20
Time: 7pm to 9:30pm=20
Place: The Hermit Club=20
Cost: $160/8 week class=20
Instructor: Jeffrey Lyn Hall

**PAYMENT FOR ALL CLASSES IS DUE BY=20
JANUARY 6TH.**

TO REQUEST AN INFORMATIONAL BROCHURE ABOUT THIS EXCITING SESSION OF IMPRO= V CLASSES, BE PLACED ON OUR MAILING LIST OR TO REGISTER FOR A CLASS YOU CAN=20= CALL US AT:
(216) 479-3353 OR EMAIL US AT: treeblanch at aol.com=20

ALS O CHECK US OUT ON THE WEB AT: www.clevelandimprovinstitute.com
FOR COMPLETE COURSE OUTLINES, DESCRIPTION OF OUR TRAINING PROGRAM, &nb= sp; INSTRUCTOR BIOS AND ALL OTHER INFORMATION ABOUT THE CLEVELAND IMPRO= V INSTITUTE!














--part1_294.498d24.30baa0a3_boundary-- From royberko at yahoo.com Sun Nov 27 09:12:22 2005 From: royberko at yahoo.com (Roy Berko) Date: Sun, 27 Nov 2005 09:12:22 -0800 (PST) Subject: [NEohioPAL]Berko review: 'LOVE, JANIS' (Hanna Theatre) Message-ID: <20051127171223.66018.qmail@web33108.mail.mud.yahoo.com> Love Rock and Roll? ?Love, Janis? is your thing! Roy Berko (Member, American Theatre Critics Association) --THE TIMES NEWSPAPERS-- Lorain County Times--Westlaker Times--Lakewood News Times--Olmsted-Fairview Times "Some people live, some survive. I'm a survivor. I plan to be around for a long time." Those were the words of legendary rock singer Janis Joplin, whose life story, ?LOVE, JANIS? is now on stage at the Hanna Theatre. As it turned out, Joplin was wrong. She died before her twenty-eighth birthday of an overdose of morphine and heroin. Noted for her wailing blues sound, Janis Joplin broke the mold of traditionally pretty band singers, so prevalent during the 50s and early 60s, to become one of the icons of rock music. But in spite of her fame, she couldn?t overcome her self-destructive instincts Born Janis Lyn Joplin on January 19, 1943 in Port Arthur, Texas, a small Southern petroleum industry town, she proved early in life to be a rebel. She broke with local social traditions during the tense days of racial integration, standing up for the rights of African Americans whose segregated status in her hometown conflicted with Janis?s youthful ideals. She, along with fellow beatnik-leaning high school friends, pursued the non-traditional via arts and literature, especially music. She found her voice and was soon playing in coffee houses in the small towns of Texas. After a short stint in college her big break came. Chet Helms, a Lone Star state friend who was living in San Francisco, called to offer her a singing audition with an up-and-coming local group. Janis accepted, went to California and became the lead singer for "Big Brother and the Holding Company.? And, as the saying goes, ?the rest is history.? ?LOVE, JANIS? was created by Joplin?s sister, Laura, whose goal was to show a side of the legendary singer that her fans may not have known. Through the use of pictures, letters that Janis wrote to her parents, and her songs, we learn of the star?s life. Or, at least the life her sister wants us to see. The performance piece has an interesting premise. There are two Janises. One, the performer who puts on a face and a voice for the world, and the private Janis who wrote letters which indicated her successes and self doubts. Both Janises appear on stage, sometimes solely, sometimes together. This is accomplished by having two actresses portray the single person. One sings, the other speaks. The present Cleveland production (in 1999 the Cleveland Play House mounted a very successful version) has two casts. I saw the duo of Katrina Chester as the singing Janis and Helen Coxe as the speaking Janis. Chester has a big voice. She sings with gusto and lets loose with ease. I, at points, found her voice shrill and the song interpretations to be words rather than meanings, stressing the emotion rather than the meanings. A woman who shared my table at the performance, and who is a Janis fanatic, indicated that Chester, though good, didn?t have the audience-commanding presence of the original star. I found Helen Coxe, who played the speaking role, unimpressive. She was constantly fiddling with her hair, seemed uncertain on stage and failed to develop a textured character. She simply didn?t display the emotional core of the character. She was missing the inner fire of a woman in chaos. Local Cleveland favorite, Paul Floriano, is the off-stage voice who questions Janis and makes transitional comments. On the way into the theatre the usher handed me a pair of ear plugs. She said, ?Believe me, honey, you?ll need these.? She was right. Sitting in the first row, immediately in front of a huge speaker, my chair actually vibrated from the base notes. After a while the sound so overshadowed the singing, that I was hearing ?boom, boom, boom,? not words. I wish that bands would realize they are playing backup to the singer and if we can?t hear the lyrics, there is no sense in having a singer. CAPSULE JUDGEMENT: If you love rock and roll, if you are a Janis Joplin fan, you?ll like the concert segments of ?LOVE, JANIS.? If you have sensitive ears and aren?t into rock, there are probably shows around town that will be more to your liking. For tickets to ?LOVE, JANIS,? which is in an open ended run at the Hanna Theatre, 2067 East 14th Street, call 216-241-6000, 800-766-6048 or go on-line to www.playhousesquare.com. Roy Berko's web page can be found at www.royberko.info. His theatre and dance reviews appear on NeOHIOpal, an on-line source. To subscribe to this free service via the World Wide Web, visit http://lists.fredsternfeld.com/mailman/listinfo/neohiopal. __________________________________ Yahoo! Music Unlimited Access over 1 million songs. Try it free. http://music.yahoo.com/unlimited/ From MeatFree32 at aol.com Sun Nov 27 10:32:09 2005 From: MeatFree32 at aol.com (MeatFree32 at aol.com) Date: Sun, 27 Nov 2005 13:32:09 EST Subject: [NEohioPAL]Session 6 Instructors:Cleveland Improv Institute Message-ID: <6b.52680412.30bb55a9@aol.com> --part1_6b.52680412.30bb55a9_boundary Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit CLEVELAND IMPROV INSTITUTE The Cleveland Improv Institute announces its 6th Session, running January 9th through March 2nd. We are proud to introduce you to our Session 6 instructors: Marc Moritz and Jeffrey Lyn Hall. We invite you to take a moment to learn more about these incredible instructors! Marc Moritz - Master Teacher Marc originated the role of Talk Show Host in the original Broadway production of the Sondheim/Prince musical Merrily We Roll Along. Theaters worked in include: The Cleveland Playhouse, Long Wharf, Goodman, New Harmony, Cain Park, Dobama and many more. Marc was the Founder/Director of the Cleveland based Giant Portions Improv Troupe. His improv training includes stints at ImprovOlympic and extensive workshops with Paul Sills, Del Close and Charna Halpern. He currently teaches acting at Lakeland Community College as well as Improv at Beck Center and is on staff at Chicago's Second City Training Center. Marc is also a Guest Artist with The University Circle Early Educational Enrichment Program - bringing Improv and other Creative Dramatics into area schools (COURSES OFFERED FOR SESSION 6) Beginning Improvisation This class introduces and addresses keys 1 through 5 of our "10 Keys" Training Program. Games and exercises are utilized in the development of the vital skills required for improvisation. These 5 keys include: building trust/breaking down sub-conscious walls & barriers, physical action, environment creation, object reality and truth in the moment. Fun and challenging mental/physical exercises utilizing these 5 keys will be the focus of the training for this class. All Are Welcome To Participate Intermediate Improvisation This class introduces and addresses keys 6 through 10 of our "10 Keys" Training Program. These 5 keys include: character development, relationship creation, yes and, emotional commitment and give and take. The use of fun and challenging ensemble mental/physical games and exercises utilizing these 5 keys while incorporating the first 5 keys within the class curriculum will be the focus of the training for this class. PreReq:Beginning Improvisation ______________________________________________________ Jeffrey Lyn Hall- Instructor Having started his career in Italian Commedia del Arte at the Teatro Arsenale in Milan, Italy, Jeffrey Lyn Hall has spent the last 27 years in professional study, teaching and performance. With degrees in theatre from Geneva College, the University of Akron and Theatre of Louisville, Jeffrey has worked as an actor, director, acrobat, clown and standup comic. In 1979, Jeffrey has the rare opportunity to study improvisation in Chicago with the legendary Del Close and performed under the direction of Betty Thomas in the Improv Olympic group Orphaned Babies. Jeffrey is currently the Artistic Director of Beatnik Lingo Entertainment, an improv comedy organization that has staged the immensely popular improv/sketch comedy shows BEATNIK and VINE and the short form improv show BEAT OFF-BEAT! Jeffrey has taught classes in improv/acting/directing at Geneva College, University of Akron, University of Louisville as well as being a former faculty member of The Second City (Cleveland), where he taught all levels of students. (COURSE OFFERED FOR SESSION 6) Cleveland Improv Conservatory Students must have successfully completed the Scene Construction Intensive class or be able to demonstrate comprehensive knowledge of those skills listed in the Advanced and Scene Construction syllabus including: scene structure, performance games, 10 Keys of Improv, long form and short form creation and improvisation. Emphasis will be placed on the development of performance skills, the construction of the "ensemble" within specific forms (short and longform)and the ability to work within and demonstrate knowledge pertaining to said specific forms (short and longform). PreReq:Scene Construction If you would like to have an informational brouchure sent to you, be put on our mailing list or register for a class you can email us at: treeblanch at aol.com or call us: 216-479-3353 Check us out on the web at: www.clevelandimprovinstitute.com --part1_6b.52680412.30bb55a9_boundary Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable

CLEVELAND IMPROV IN= STITUTE


The Cleveland Improv Institute announces its 6th Session, running Januar= y 9th through March 2nd.  We are proud to introduce you to our Session=20= 6 instructors: Marc Moritz and Jeffrey Lyn Hall.  We invite you to take= a moment to learn more about these incredible instructors!   &nbs= p;   

Marc Moritz - Master Teacher
Marc originated the role of Talk Show Host in the original Broadway prod= uction of the Sondheim/Prince musical Merrily We Roll Along. Theaters worked= in include: The Cleveland Playhouse, Long Wharf, Goodman, New Harmony, Cain= Park, Dobama and many more. Marc was the Founder/Director of the Cleveland=20= based Giant Portions Improv Troupe. His improv training includes stints at I= mprovOlympic and extensive workshops with Paul Sills, Del Close and Charna H= alpern. He currently teaches acting at Lakeland Community College as well as= Improv at Beck Center and is on staff at Chicago's Second City Training Cen= ter. Marc is also a Guest Artist with The University Circle Early Educationa= l Enrichment Program - bringing Improv and other Creative Dramatics into are= a schools

(COURSES OFFERED FOR SESSION 6)
Beginning Improvisation
This class introduces and addresses keys 1 through 5 of our "10 Ke= ys" Training Program. Games and exercises are utilized in the developmen= t of the vital skills required for improvisation. These 5 keys include: buil= ding trust/breaking down sub-conscious walls & barriers, physical action= , environment creation, object reality and truth in the moment. Fun and chal= lenging mental/physical exercises utilizing these 5 keys will be the focus o= f the training for this class. All Are Welcome To Participate=20

Intermediate Improvisation
This class introduces and addresses keys 6 through 10 of our "10 K= eys" Training Program. These 5 keys include: character development, rela= tionship creation, yes and, emotional commitment and give and take. The use=20= of fun and challenging ensemble mental/physical games and exercises utilizin= g these 5 keys while incorporating the first 5 keys within the class curricu= lum will be the focus of the training for this class. PreReq:Beginnin= g Improvisation =20
=20

______________________________________________________


Jeffrey Lyn Hall- Instructor
Having started his career in Italian Commedia del Arte at the Teatro Ars= enale in Milan, Italy, Jeffrey Lyn Hall has spent the last 27 years in profe= ssional study, teaching and performance. With degrees in theatre from Geneva= College, the University of Akron and Theatre of Louisville, Jeffrey has wor= ked as an actor, director, acrobat, clown and standup comic. In 1979, Jeffre= y has the rare opportunity to study improvisation in Chicago with the legend= ary Del Close and performed under the direction of Betty Thomas in the Impro= v Olympic group Orphaned Babies. Jeffrey is currently the Artistic Director=20= of Beatnik Lingo Entertainment, an improv comedy organization that has stage= d the immensely popular improv/sketch comedy shows BEATNIK and VINE and the=20= short form improv show BEAT OFF-BEAT! Jeffrey has taught classes in improv/a= cting/directing at Geneva College, University of Akron, University of Louisv= ille as well as being a former faculty member of The Second City (Cleveland)= , where he taught all levels of students.

(COURSE OFFERED FOR SESSION 6)
Cleveland Improv Conservatory
Students must have successfully completed the Scene Construction Inte= nsive class or be able to demonstrate comprehensive knowledge of those skill= s listed in the Advanced and Scene Construction syllabus including: scene st= ructure, performance games, 10 Keys of Improv, long form and short form crea= tion and improvisation. Emphasis will be placed on the development of perfor= mance skills, the construction of the "ensemble" within specific forms (shor= t and longform)and the ability to work within and demonstrate knowledge pert= aining to said specific forms (short and longform).
PreReq:Scene Construction=20


If you would like to have an informational brouchur= e sent to you, be put on our mailing list or register for a class you can em= ail us at:
treeblanch at aol.com  or call us: 216-479-3353
Check us out on the web at:
www.clevelandimprovinstitute.com

=20
=20
=20

=20
=20
=20
=20

--part1_6b.52680412.30bb55a9_boundary-- From secylady66 at hotmail.com Sun Nov 27 10:36:06 2005 From: secylady66 at hotmail.com (Leigh Anderson) Date: Sun, 27 Nov 2005 13:36:06 -0500 Subject: [NEohioPAL]Need a custom designed murder mystery Message-ID:
We've had a few replies but we're still looking for the right fit.  We would like a company who is established and used to doing this sort of show. 
 
We would like a murder mystery custom designed for our company's clients and spouses.  (approximately 80 people)  We would like it to involve our clients but not make them BE the actors.  This is going to be a surprise so we need it to be GOOD!  We are looking at a weeknight in February and we have a venue and food already.  We also would like the humor to be clean so as not to offend anyone.

Find just what you're after with the new, more precise MSN Search - try it now! From pjsings at sbcglobal.net Sun Nov 27 11:16:41 2005 From: pjsings at sbcglobal.net (Patrick Clement) Date: Sun, 27 Nov 2005 11:16:41 -0800 (PST) Subject: [NEohioPAL]I need a job Message-ID: <20051127191641.60394.qmail@web82007.mail.mud.yahoo.com> --0-1547616902-1133119001=:60386 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Happy Holidays everyone! I'm sending out a post for a job....I need a job for December...anything offers or ideas would be great!! Even not theatre related wold be great....I just need the extra cash this year.Thanks and stay fabulous! Best, Patrick Clement --0-1547616902-1133119001=:60386 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
Happy Holidays everyone! I'm sending out a post for a job....I need a job for December...anything offers or ideas would be great!!  Even not theatre related wold be great....I just need the extra cash this year.Thanks and stay fabulous!
 
Best,
Patrick Clement
--0-1547616902-1133119001=:60386-- From PierogiProductOH at aol.com Sun Nov 27 12:43:46 2005 From: PierogiProductOH at aol.com (PierogiProductOH at aol.com) Date: Sun, 27 Nov 2005 15:43:46 -0500 Subject: [NEohioPAL]Shameless self promotion Message-ID: <1698BC1B.18B3C369.6350EC03@aol.com> In case any of you read the Sunday edition of the Plain Dealer, Nutty, our spokes-puppet for Natural Bridges LLC & NB Puppets is featured in the PDQ section on the second page underthe "They Love" heading. Thank you. Kirk Lawrence Maynard President & Puppet Director Natural Bridges LLC PO Box 30688 Cleveland, Ohio 44130 Phone: 1-888-866-4877 Email: ?? President at thenaturalbridges.com Web: ?? ?? www.thenaturalbridges.com ???If you can dream it, we can create it.??? From higbee at chsaviour.org Sun Nov 27 13:33:35 2005 From: higbee at chsaviour.org (Judith Higbee) Date: Sun, 27 Nov 2005 16:33:35 -0500 Subject: [NEohioPAL]East side church seeks bass soloist/section leader Message-ID: <002e01c5f39a$3950b1b0$80fea8c0@church.chsaviour.org> This is a multi-part message in MIME format. ------=_NextPart_000_002F_01C5F370.507AA9B0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Church of the Saviour in Cleveland Hts. is looking for a bass soloist/section leader. We have hired a tenor section leader for about 10 years and now are adding a bass to the Chancel Choir. Rehearsals are on Thursdays from 7:30-9:15 p.m. and the choir sings regularly at the 11:00 a.m. worship service. We average about 30 singers on a Sunday morning and do traditional repertoire of the past and music by living composers as well. We are preparing to present Mozart's Coronation Mass in February. For more information please contact: Judith Higbee Director of Music Church of the Saviour (United Methodist) 2537 Lee Road Cleveland Hts., OH 44118 216-321-8880 higbee at chsaviour.org ------=_NextPart_000_002F_01C5F370.507AA9B0 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

Church of the Saviour in = Cleveland Hts. is looking for a bass soloist/section = leader.  =

We have hired a tenor section leader for about = 10 years and now are adding a bass to the Chancel Choir. Rehearsals are on Thursdays from 7:30-9:15 = p.m. and the choir sings regularly at the 11:00 = a.m. worship service. We average about 30 singers on a Sunday morning and do = traditional repertoire of the past and music by living composers as well. We = are preparing to present Mozart's Coronation Mass in = February.  

 

For more information please = contact:

Judith Higbee

Director of Music

Church of the Saviour (United = Methodist)

2537 Lee = Road

Cleveland = Hts., = OH= = 44118

216-321-8880

higbee at chsaviour.org

 

=

 

=

 

------=_NextPart_000_002F_01C5F370.507AA9B0-- From sgyorki at sbcglobal.net Sun Nov 27 14:00:24 2005 From: sgyorki at sbcglobal.net (Sarah Gyorki) Date: Sun, 27 Nov 2005 14:00:24 -0800 (PST) Subject: [NEohioPAL]Arts Collinwood gallery - new glass show Message-ID: <20051127220024.77696.qmail@web81202.mail.mud.yahoo.com> --0-809975209-1133128824=:77257 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Contact(216)692-9500 www.artscollinwood.org Board Zachary Coleman, Chair Nancy Kennedy, President Cynthia Szafraniec, Secretary/Treasurer Kathy Baker Cindy Barber Martha Ferrazza Melanie Fioritto Brian Friedman Fred Kreiner Nancy Prudic Executive Director Sarah Gyorki Arts Collinwood would like to thank Councilman Michael Polensek. Neighborhood Connections (a small grants program of the Cleveland Foundation), HOPE, Immanuel Presbyterian Church, the Collinwood Golden Age Center, Memorial Nottingham library, our artist and resident members, and the supporting merchants of North Collinwood for helping to make these programs possible. Arts Collinwood Gallery Contacts: Sarah Gyorki 216-692-9500 216-383-1465 (home) Opening Reception for the Glass and Ceramics Exhibit (Through the end of December) Friday December 2, 2005 6pm-10pm 15605 Waterloo Road Cleveland, Ohio (near I-90 at the E. 156th Street exit) Gallery Hours Thurs -Fri. 6-9pm Sat.-Sun. 1-5pm Various artists including: Michael Mikula Rene Culler Patty Kozorevski Susan Gallagher Sue Barry Jack Rotar ? and others --0-809975209-1133128824=:77257 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit

Contact

(216)692-9500

www.artscollinwood.org

 

 

 

 

Board

Zachary Coleman,
Chair

Nancy Kennedy,
President

Cynthia Szafraniec, Secretary/Treasurer

Kathy Baker

Cindy Barber

Martha Ferrazza

Melanie Fioritto

Brian Friedman

Fred Kreiner

Nancy Prudic

 

 

 

 

Executive Director

Sarah Gyorki

 

 

 

 

 

Arts Collinwood would like to thank Councilman Michael Polensek. Neighborhood Connections (a small grants program of the Cleveland Foundation), HOPE, Immanuel Presbyterian Church, the Collinwood Golden Age Center, Memorial Nottingham library, our artist and resident members, and the supporting merchants of North Collinwood for helping to make these programs possible.

 

 

 

 


 

 

 


Arts Collinwood Gallery

Contacts:

Sarah Gyorki   216-692-9500
                        216-383-1465 (home)

 

Opening Reception for the

 

Glass and Ceramics Exhibit

(Through the end of December)

 

Friday December 2, 2005

6pm-10pm

 

15605 Waterloo Road

Cleveland, Ohio

(near I-90 at the E. 156th Street exit)

 

 

Gallery Hours  Thurs -Fri.  6-9pm

Sat.-Sun.  1-5pm

 

Various artists including:

Michael Mikula

Rene Culler

Patty Kozorevski

Susan Gallagher

Sue Barry

Jack Rotar

? and others

 

 

 

 

 

--0-809975209-1133128824=:77257-- From bjbowers4584 at yahoo.com Sun Nov 27 15:03:21 2005 From: bjbowers4584 at yahoo.com (Brian Bowers) Date: Sun, 27 Nov 2005 15:03:21 -0800 (PST) Subject: [NEohioPAL]Great health discounts for artists! Message-ID: <20051127230321.40438.qmail@web35014.mail.mud.yahoo.com> --0-2043590955-1133132601=:40219 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Hey guys, I just found a great deal for anyone with little or no health insurance. AmeriPlan offers several options including Dental, Prescription, Eyeglass, and Chiropractic discounts for less than $12 a month for an individual?they also have a full health program including doctor visits, specialists, and lab work for under $50 a month. This is a great deal for artists who may not have insurance through a union or their full-time jobs. AmeriPlan has been around for over 12 years and is in good standing with the Better Business Bureau. There are tons of providers in the area?I just found out about them, and highly recommend them. Also, it?s a discount program (as opposed to regular insurance) so they take everyone, there are no claim forms to deal with, and no deductibles! Best of all?if you join before November 30th, your first month is half price! That means you can get the Dental, Prescription, Eyeglass, and Chiropractic plan for just $5.95 the first month, or the full Health Plan for just $24.99 the first month! Check out www.deliveringonthepromise.com/40303314 and click on the link that says ?Save Money? for more information. Find out about business opportunities by clicking on the ?Make Money? link. (I liked what I heard so much I?m working for them part time!) I can answer further questions by email at BBowers at ameriplan.net or by phone at 216-288-7743. Happy Holidays! Brian Bowers AmeriPlan, Independent Broker --------------------------------- Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --------------------------------- Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --0-2043590955-1133132601=:40219 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
 
Hey guys, I just found a great deal for anyone with little or no health insurance.  AmeriPlan offers several options including Dental, Prescription, Eyeglass, and Chiropractic discounts for less than $12 a month for an individual?they also have a full health program including doctor visits, specialists, and lab work for under $50 a month.  This is a great deal for artists who may not have insurance through a union or their full-time jobs.  AmeriPlan has been around for over 12 years and is in good standing with the Better Business Bureau.  There are tons of providers in the area?I just found out about them, and highly recommend them.  Also, it?s a discount program (as opposed to regular insurance) so they take everyone, there are no claim forms to deal with, and no deductibles!
 
Best of all?if you join before November 30th, your first month is half price!  That means you can get the Dental, Prescription, Eyeglass, and Chiropractic plan for just $5.95 the first month, or the full Health Plan for just $24.99 the first month!
 
Check out www.deliveringonthepromise.com/40303314 and click on the link that says ?Save Money? for more information.  Find out about business opportunities by clicking on the ?Make Money? link.  (I liked what I heard so much I?m working for them part time!)  I can answer further questions by email at BBowers at ameriplan.net or by phone at 216-288-7743. 
 
Happy Holidays!
 
Brian Bowers
AmeriPlan, Independent Broker

Yahoo! Music Unlimited - Access over 1 million songs. Try it free.

Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --0-2043590955-1133132601=:40219-- From higbee at chsaviour.org Sun Nov 27 13:41:11 2005 From: higbee at chsaviour.org (Judith Higbee) Date: Sun, 27 Nov 2005 16:41:11 -0500 Subject: [NEohioPAL]Auditions for The Crucible Message-ID: <003d01c5f39b$491831d0$80fea8c0@church.chsaviour.org> This is a multi-part message in MIME format. ------=_NextPart_000_003E_01C5F371.604229D0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Arts in the Cathedral of Church of the Saviour, 2537 Lee Road, Cleveland Heights, announces auditions for Arthur Miller's play The Crucible on Saturday, December 3, 2005 from 9 a.m. to noon. Cast includes 10 men and 10 women. Some roles are available for younger females and there is one female role for person of color from Barbados. Set at the time of the Puritan witchcraft trials, Miller's masterpiece retains its power as a parable of our contemporary society. It will be done in period costume with minimal scenery as the author wished. Actors should be familiar with the script and be willing to read for different roles. Performance dates are March 3, 4 at 8 p.m. and March 5, 2006 at 3 p.m. Director is Dick Meadows who can be reached for details at 216-321-7698 daytime. Dick's directing credits include Cain Park, The Jewish Community Center, Theatre in the Valley, and Cuyahoga Community College. Contact: Dick or Marilyn Meadows 216-321-7698 Judith Higbee, Director of Music 216-321-8880 November 10, 2005 Judith Higbee Director of Music Church of the Saviour 2537 Lee Road Cleveland Heights, OH 44118 higbee at chsaviour.org ------=_NextPart_000_003E_01C5F371.604229D0 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

 

=

Arts in the Cathedral of Church of the = Saviour, 2537 Lee Road, Cleveland Heights, = announces auditions for Arthur Miller's play The Crucible on Saturday, December 3, 2005 from 9 a.m. to noon.  Cast includes 10 men and 10 women.  Some roles are available for younger females and there is one = female role for person of color from = Barbados.

 

Set at the time of the Puritan witchcraft trials, Miller's masterpiece retains its power as a parable of our contemporary = society.  It will be done in period = costume with minimal scenery as the author wished. Actors should be familiar with the = script and be willing to read for different roles.

 

Performance dates are March 3, 4 at 8 p.m. and = March 5, = 2006 at 3 p.m. Director is = Dick Meadows who can be reached for details at 216-321-7698 daytime.  Dick's directing credits = include Cain = Park, The Jewish Community Center, Theatre in the Valley, and = Cuyahoga = Community College.

 

Contact: Dick or Marilyn Meadows  = 216-321-7698

 

Judith Higbee, Director of Music = 216-321-8880

 

November 10, = 2005

 

 

Judith Higbee

Director of Music

Church of the Saviour

2537 Lee = Road

Cleveland Heights, = OH = 44118

higbee at chsaviour.org

 

 

=

 

------=_NextPart_000_003E_01C5F371.604229D0-- From tcgofohio at hotmail.com Sun Nov 27 11:39:09 2005 From: tcgofohio at hotmail.com (Cohen Robert) Date: Sun, 27 Nov 2005 14:39:09 -0500 Subject: [NEohioPAL]TCG of Ohio - "Best of" Message-ID: Theatre Communications Group of Ohio (TCG) is a newly formed Arts Agency based in Columbus, Ohio. TCG's mission: to strengthen, nurture and promote Northeast Ohio not-for-profit Theatre Arts.. TCG believes that theatre arts plays a significant role on the culture of Northeast Ohio and as a strong public and cultural advocate of theatre, TCG's prime directive is to promote a meaningful role for theatre arts in the lives of Northeast Ohio individuals, families and communities. Through strategic planning, data collection and audience surveys, TCG has developed the Member Audience Foundation. MAF's primary goal is to administer a range of audience development programs that will encourage attendance, assistance and education for theatre arts. TCG's Member Audience Foundation is also designed to allow it's audience members to pay tribute to individuals and organizations for outstanding achievements, contributions and service to Northeast Ohio Theatre Arts. At this time TCG would like to recognize the outstanding achievements and efforts of the following organizations and individuals: Best Musical - RAGTIME, produced by The Jewish Community Center of Cleveland in Association with Cuyahoga Community College East Campus Theatre Arts. RAGTIME was the blockbuster of the year! Best Play - The Exonerated, produced by the Dobama Theatre Company. Simple, eloquent and incredibly powerful. Best Director - Fred Sternfeld, RAGTIME. Mr. Sternfeld's best work! Stunning! Best Actress - Elizabeth Ann Townsend - THE EXONERATED. A gifted actress who's performance demonstrated humanity, dignity, courage and strength. Best Actor - Brian Zoldessy, TO KNOW HIM. One of the best performances by an actor this city has seen. Rich, detailed, powerful and very moving. Best Theatre Company - THE GREAT LAKES THEATRE FESTIVAL. Under the direction of Charles Fee, GLTF has become a truly fine theatre company, providing entertaining and delightful productions. _________________________________________________________________ Express yourself instantly with MSN Messenger! Download today - it's FREE! http://messenger.msn.click-url.com/go/onm00200471ave/direct/01/ From Grumio85 at aol.com Sun Nov 27 16:06:03 2005 From: Grumio85 at aol.com (Grumio85 at aol.com) Date: Sun, 27 Nov 2005 19:06:03 EST Subject: [NEohioPAL]Beck Center--- Seeks laborer Message-ID: <26a.c8a6a6.30bba3eb@aol.com> -------------------------------1133136363 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Beck Center is seeking someone with day hours (9AM to 6PM) this week to assist on final preparations for our production of "Beauty and the Beast". The ideal candidate will possess some carpentry and light painting skills--- basically a jack-of-all-trades! Compensation negotiable. Looking for some temp work? Reply to this message at your earliest convenience. :) Thank You! Scott Spence Beck Center -------------------------------1133136363 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
Beck Center is seeking someone with day hours (9AM to 6PM) this we= ek to assist on final preparations for our production of "Beauty and the= Beast". The ideal candidate will possess some carpentry and light pain= ting skills--- basically a jack-of-all-trades! Compensation negotiable.
 
Looking for some temp work? Reply to this message at your earliest conv= enience. :)
 
Thank You!
 
Scott Spence
Beck Center
-------------------------------1133136363-- From Bailarte at aol.com Sun Nov 27 16:24:08 2005 From: Bailarte at aol.com (Bailarte at aol.com) Date: Sun, 27 Nov 2005 19:24:08 EST Subject: [NEohioPAL]Latin-American Dance Styles Workshops by...SUSANA Message-ID: <200.e8370ee.30bba828@aol.com> -------------------------------1133137448 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Greetings! (What better than a workout that changes your body, mantains your waist-line, brings your stamina up, conserves or raises your inmune system, and of all work outs out there, Latin-American dance...( well done ) is the one that keeps your body looking great, plus the fun and delight of the authentic Afro-Caribbean and American music is UNIQUE!) I will be teaching a 3 week workshop in fundamental Afro-Latin-American dance rhythms, ( no partner necessary) I use various techniques in all my classes, but I am focused on the integrity of the Latin Styles when I teach Salsa, Merengue, Cumbia, Ruma, Samba etc.etc. Please if you are interested and would like to make a commitment, let me know. These set of workshop will be held on January,thursdays at 7PM, ( will announce asap the exact dates). Where? at Shore Cultural Centre in Euclid (299 East 222nd Street, room 243 .....right in front of the Euclid Value City, dept. store) Please respond to this message or you can call me at: (216) 269-6985 The cost will be prepaid $45 "...Susana Weingarten de Evert is a world class teacher whose energy is contagious. When she is teaching Latin-American rhythms her enthusiasm and happiness is obvious and one can not resist the enjoyment and happiness of the fabulous music that she uses, the flow of movement and the way her body moves...she is an inspiration to all her students...." The Chicago Tribune.....June 2004 -------------------------------1133137448 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable    Greetings!= =20
(What better=20= than a workout that changes your body, mantains your waist-line, brings your= stamina up, conserves or raises your inmune system, and of all work ou= ts out there, Latin-American dance...( well done ) is the one that keeps you= r body looking great, plus the fun and delight of the authentic Afro-Cari= bbean and American music is UNIQUE!)
 
I will be teachin= g a 3 week workshop in fundamental Afro-Latin-American dance rhythms, (= no partner necessary)
 
 
I use various tec= hniques in all my classes, but I am focused on the integrity of the Lat= in Styles when I teach Salsa, Merengue, Cumbia, Ruma, Samba etc.etc= .
 
Please if you= are interested and would like to make a commitment, let me know.
<= /STRONG> 
 These = set of workshop will be held on January,thursdays at 7PM,  ( w= ill announce asap the exact dates).
<= /STRONG> 
Where? at Shore Cultural Centre in Euclid (299 Eas= t 222nd Street, room 243 .....right in front of the Euclid Value City, dept. store)
&= nbsp;
Please respon= d to this message or you can call me at:
(216) 269-6985
&= nbsp;
The cost will= be prepaid
$45
"...Susana Weingarten de Evert is a world class teacher whose e= nergy is contagi= ous. When she is teaching Latin-American rhyt= hms her enthusiasm and happiness is obvious and one can not resist the enjoyment and happiness of the fa= bulous music that she uses, the flow of movement and the way her body moves.= ..she is an inspiration to all her students...."=
The Chicago Tr= ibune.....June 2004
-------------------------------1133137448-- From performingarts at karamu.com Sun Nov 27 16:58:31 2005 From: performingarts at karamu.com (Performing Arts) Date: Sun, 27 Nov 2005 19:58:31 -0500 Subject: [NEohioPAL]AUDITIONS for one of the hippest plays to ever come through Karamu's TOPS outreach program. Message-ID: <047d01c5f3b6$dac88920$5701a8c0@karamu.com> This is a multi-part message in MIME format. ------=_NextPart_000_047A_01C5F38C.F1184DC0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable A HIP HOP AESOP by Je Franklin Told through hip hop with a grooving beat, this new, original and = facinating piece is written by legendary Black Arts Movement and New = York playwright J e Franklin. Author of works such as the classic = Off-Broadway play "Black Girl," (also film directed by the late Ossie = Davis) and "Grey Panthers: Coming to the Mercy Seat."=20 Seeking a multiracial cast of six actors/actresses ages 19 or older, who = can move and groove to the hip hop beat. Must be available during school = hours. Sides will be provided with music. Slam poets are also welcome. = Actors will also be considered for the outreach production of "Langston = Listens to America", dramatized poems written by late Karamu alum = Langston Hughes. The outreach program will tour the Cleveland area and = beyond starting Winter 2006. Audition Dates: Friday, December 9th (Please call for audition = appointment) December 10th, 10AM - 1PM = Where: Karamu House, = 2355 East 89th=20 =20 A HIP HOP AESOP is an adaptation of the ancient fables of Aesop in the = form of Three-Minute plays written in unforgettable hip hop rhythms and = accompanied by catchy musical numbers. The works stay true to the = ancient wisdom of Aesop, who used fables to point out our human foibles, = as Jesus would later use parables to teach his disciples. Aesop was a = Greek-born slave of Ethiopian ancestry, born deformed and unable to = speak, until the Priestess Isis, rewarding him for some deed he = performed, miraculously restored his speech. He lived 600 years before = Christ. For audition appointments for Friday, December 9th, please call = 216-795-7070 ext. 242. =20 ------=_NextPart_000_047A_01C5F38C.F1184DC0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable

A HIP HOP=20 AESOP by Je Franklin

Told through = hip hop=20 with a grooving beat, this new, original and facinating piece is = written by=20 legendary Black Arts Movement and New=20 York playwright J e Franklin. Author of works such as the = classic=20 Off-Broadway play "Black Girl," (also film directed by the late = Ossie=20 Davis) and "Grey Panthers: Coming to the Mercy=20 Seat." 

Seeking a=20 multiracial cast of six actors/actresses ages 19 or older, = who can move and groove to the hip hop=20 beat. Must be available during school hours. Sides will be = provided=20 with music. Slam poets are also welcome. Actors will also be considered = for the=20 outreach production of "Langston Listens to America", dramatized poems = written=20 by late Karamu alum Langston Hughes.  The outreach program will = tour the=20 Cleveland area and beyond starting Winter 2006.

Audition = Dates:=20 Friday, December=20 9th (Please call for audition=20 appointment)          = December=20 10th, 10AM -=20 1PM           &nbs= p;            = ;            =             &= nbsp;           &n= bsp;           &nb= sp;   =20 Where: Karamu House, 2355 East 89th 

           =             &= nbsp;           &n= bsp;           &nb= sp;   =20

A HIP HOP = AESOP is an=20 adaptation of the ancient fables of Aesop in the form of Three-Minute = plays=20 written in unforgettable hip hop rhythms and accompanied by catchy = musical=20 numbers.  The works stay true to the ancient wisdom of Aesop, who = used=20 fables to point out our human foibles, as Jesus would later use parables = to=20 teach his disciples.  Aesop was a Greek-born slave of Ethiopian = ancestry,=20 born deformed and unable to speak, until the Priestess Isis, rewarding = him for=20 some deed he performed, miraculously restored his speech. He lived 600 = years=20 before Christ.

For audition = appointments for Friday, December 9th, please call 216-795-7070 ext.=20 242.


 


------=_NextPart_000_047A_01C5F38C.F1184DC0-- From performingarts at karamu.com Sun Nov 27 17:16:45 2005 From: performingarts at karamu.com (Performing Arts) Date: Sun, 27 Nov 2005 20:16:45 -0500 Subject: [NEohioPAL]Auditions for the third production of Karamu's "Raising The Roof Revival" season: THE COLORED MUSEUMolored Message-ID: <048c01c5f3b9$66bba500$5701a8c0@karamu.com> This is a multi-part message in MIME format. ------=_NextPart_000_0489_01C5F38F.7D0241E0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable THE COLORED MUSEUM by George C. Wolfe (Comedy Satire) This is the classic that placed Wolfe, former Artistic Director for the = Public Theatre in New York City, on the map as a playwright. It was = first produced in 1986 in New Brunswick, New Jersey at Crossroads = Theatre. It is one of the most original and sought out plays in American = Theatre. Wolfe pulls no punches or kicks to the ribs, heart or funny = bone as he views Black history through a satirical microscope; exploring = a series of eleven exhibits such as "Git on Board", "Cookin' With Aunt = Ethel", "The Last Mama-On-The-Couch Play", and the scathing "Soldier = with a Secret". This museum is funky and outrageous. Caroline = Jackson-Smith, Director Seeking 3 women, African American 2 men, African American Cast Age Range: 20's - 40's Auditioners can come with prepared monologues and/or read from sides = which will be available at the audition. When: Saturday, December 10th- 2PM - 4PM Monday, December 12th- 5PM - 8PM Where: Karamu House, 2355 East 89th Street Rehearsals start date TBA at auditions. The production opens January = 27- February 19, 2006 in the 100 seat Arena. =20 For more information, please call 216-795-7070 ext. 242 ------=_NextPart_000_0489_01C5F38F.7D0241E0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable

THE COLORED MUSEUM by = George C.=20 Wolfe (Comedy Satire)
This is the classic that = placed=20 Wolfe, former Artistic Director for the Public Theatre in New York City, = on the=20 map as a playwright.  It was first produced in 1986 in New = Brunswick, New=20 Jersey at Crossroads Theatre. It is one of the most original and sought = out=20 plays in American Theatre. Wolfe pulls no punches or kicks to the ribs, = heart or=20 funny bone as he views Black history through a satirical microscope; = exploring a=20 series of eleven exhibits such as "Git on Board", "Cookin' With Aunt = Ethel",=20 "The Last Mama-On-The-Couch Play", and the scathing "Soldier with a = Secret".=20 This museum is funky and outrageous. Caroline Jackson-Smith, = Director

 

Seeking

 

3 women, African = American

2 men, African = American

Cast Age Range: 20's -=20 40's

 

Auditioners can come = with=20 prepared monologues and/or read from sides which will be available at = the=20 audition.

 

When: Saturday, = December 10th-=20 2PM - 4PM

           = Monday, December 12th- 5PM - 8PM

Where: Karamu House, = 2355 East=20 89th Street

 

Rehearsals start date = TBA at=20 auditions.  The production opens January 27- February 19, 2006 in = the 100=20 seat Arena.

 

For more information, = please=20 call 216-795-7070 ext. 242


------=_NextPart_000_0489_01C5F38F.7D0241E0-- From pnrsusan at hotmail.com Sun Nov 27 17:39:44 2005 From: pnrsusan at hotmail.com (Susan From PNRImprov) Date: Mon, 28 Nov 2005 01:39:44 +0000 Subject: [NEohioPAL]We're back and ready to help! Message-ID:

In this season of giving, please consider helping us give to those who are suffering.

 

PNR Improv will be donating all of the proceeds from all of its shows for the rest of 2005 to the

American Red Cross to help the victims of

Hurricane Katrina.

Your $5.00 will be doing more than buying you an evening of family-friendly comedy?

you?ll be helping out people in need.

 

Please join us for smoke-free, alcohol-free

improv comedy in the style of

?Whose Line Is It Anyway??

Together we can help our fellow Americans. Thank you.

 

2005 Schedule

 

Saturday, December 3

Saturday, December 17

 

All shows start at 7:30pm

Admission: $5.00 at the door (to be donated to the

American Red Cross Disaster Response Fund)

Where: Quirk Cultural Center, 3rd Floor (?Newell Theatre?)

1201 Grant Street, Cuyahoga Falls

 

For more information, contact me at PNRSusan at hotmail.com, or visit our website at http://www.PNRImprov.org.

 

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Find just what you're after with the new, more precise MSN Search - try it now! From blueizeinfo at yahoo.com Sun Nov 27 17:48:09 2005 From: blueizeinfo at yahoo.com (Blue~ize Magazine) Date: Sun, 27 Nov 2005 17:48:09 -0800 (PST) Subject: [NEohioPAL]DECEMBER ISSUE BLUE~IZE MAGAZINE AVAILABLE NOW Message-ID: <20051128014810.1628.qmail@web51515.mail.yahoo.com> --0-1772887066-1133142489=:1377 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit DECEMBER ISSUE OF BLUE~IZE THE PERFORMING ARTS MAGAZINE AVAILABLE NOW! PACKED WITH VALUABLE INFORMATION YOU CAN TRUST... GET STARTED ON YOUR ARTS CAREER TODAY! CONCERT & THEATER LINKS AUDITIONS RISING STAR INTERVIEWS ANNOUNCEMENTS NEWS INDIE FILMS EXPERT ADVICE FROM THE PROS MATTHEW JAMES MURPHY REFLECTS ON "RENT" INTERVIEW WITH JOLENE MCPHERSON, DANCE INSTRUCTOR AN INTERVIEW WITH DEBBIE GIFFORD, VOCALIST CHRISTMAS AT MAXWELL'S FEATURE FILM BY WILLIAM LAUFER MARY ELLEN TOMAZIC, ENTERTAINMENT LAWYER MTV29 BOYS FROM MADISON HIGH SCHOOL MARY FAKTOR SERIES ADVICE ABOUT YOUR ARTS CAREER SUE JOHNSON SHARES "TRICKS OF THE TRADE" SEND JANUARY AUDITION LISTINGS TO US BY DEC 15TH FOR FREE ! ATTENTION ALL ACTING, DANCE, & VOICE COACHES: NEW CLASSIFIED 4 LINE LISTING FOR ONLY $25/MONTH PLEASE REPORT MAGAZINE OUTAGES DON'T MISS AN ISSUE! REQUEST A SUBSCRIPTION FORM Blue~ize Magazine The Ultimate Guide for Young Talent Mike Ross, Editor Barbara Ross, Producer 7285 Center St. Mentor, OH 44060 PH: 440-478-7500 --0-1772887066-1133142489=:1377 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
DECEMBER ISSUE OF
BLUE~IZE
 THE PERFORMING ARTS MAGAZINE
 AVAILABLE NOW!
 
 
PACKED WITH VALUABLE INFORMATION YOU CAN TRUST...
 
GET STARTED ON YOUR ARTS CAREER TODAY!
 
CONCERT & THEATER LINKS AUDITIONS RISING STAR INTERVIEWS ANNOUNCEMENTS NEWS INDIE FILMS
 
EXPERT ADVICE FROM THE PROS
 
MATTHEW JAMES MURPHY REFLECTS ON "RENT"
 
INTERVIEW WITH JOLENE MCPHERSON, DANCE INSTRUCTOR
 
AN INTERVIEW WITH DEBBIE GIFFORD, VOCALIST
 
CHRISTMAS AT MAXWELL'S
FEATURE FILM BY WILLIAM LAUFER
 
 
MARY ELLEN TOMAZIC, ENTERTAINMENT LAWYER
 
MTV29 BOYS FROM MADISON HIGH SCHOOL
 
MARY FAKTOR
SERIES ADVICE ABOUT YOUR ARTS CAREER
 
SUE JOHNSON SHARES "TRICKS OF THE TRADE"
 
 
  • SEND JANUARY AUDITION LISTINGS TO US BY DEC 15TH FOR FREE !
  • ATTENTION ALL ACTING, DANCE, & VOICE COACHES:  NEW CLASSIFIED 4 LINE LISTING FOR ONLY $25/MONTH
PLEASE REPORT MAGAZINE OUTAGES
 
DON'T MISS AN ISSUE!
REQUEST A SUBSCRIPTION FORM


Blue~ize Magazine
The Ultimate Guide for Young Talent 
 
Mike Ross, Editor
Barbara Ross, Producer
7285 Center St.
Mentor, OH 44060
PH: 440-478-7500
--0-1772887066-1133142489=:1377-- From royberko at yahoo.com Sun Nov 27 18:32:10 2005 From: royberko at yahoo.com (Roy Berko) Date: Sun, 27 Nov 2005 18:32:10 -0800 (PST) Subject: [NEohioPAL]Berko review: BRAVO, CARUSO (Ensemble) Message-ID: <20051128023211.39422.qmail@web33103.mail.mud.yahoo.com> ?BRAVO, CARUSO!? OFF KEY AT ENSEMBLE Roy Berko (Member, American Theatre Critics Association) --THE TIMES NEWSPAPERS-- Lorain County Times--Westlaker Times--Lakewood News Times--Olmsted-Fairview Times Playwright William Luce is famous for his one-person scripts. His subjects have included Emily Dickenson, Charlotte Bronte, Zelda Fitzgerald, Lillian Hellman and John Barrymore. In ?BRAVO, CARUSO!,? now being staged by Ensemble Theatre, Luce takes on Enrico Caruso, considered by many opera aficionados to be the greatest tenor of all time, in a two-character script. Caruso was born into a working-class family in Naples, the 18th of 21 children. Early-on his mother was convinced that he had singing talent. By the time he was 10, the young Enrico's singing voice was receiving serious critical attention. Caruso became a favorite at New York?s Metropolitan Opera, where he performed 37 roles in 607 performances. Since his career coincided with the development of the phonograph, he became one of the early recording stars. Earthy, and something of a clown, the singer was extremely popular, not only as a singer, but as a personality. In 1921, when he died at the age of 48, he was greatly mourned. "BRAVO, CARUSO!" takes us into the tenor's dressing room at the Met on Christmas Eve, 1920. No one knows that he is about to sing his last performance. As the tale unfolds, we see the eccentric, preoccupied and brilliant Caruso manipulating his devoted dresser, Fantini, into giving him the adoration the performer so desperately needs. Any theatre choosing this script has to have two superb actors to play the roles. This is not a script for the ordinary performer. It also requires a director who has the inventive nature to work with the performers to hold the attention of an audience with a script that has little action, is very wordy and is two acts in length. There also has to be a sensitivity to developing the needed humor and pathos. Unfortunately, Ensemble misses on all counts. Though they try hard, Bernard Canepari and Pat Mazzarino can?t pull off the difficult roles. Neither is totally believable in their performances. Canepari seems so pre-occupied with remembering his lines that he fails to develop a textured character. The humor and the drama get melded together. Mazzarino plays at being fay and endearing, but never reaches down into the real Fantini. We never understand why he is so devoted to his master and why he is willing to be the brunt of the manipulation. They are not helped by Licia Colombi?s directing, which consists of coming up with shticks and gimmicks rather than creating a unified feeling, using the humor and drama of the script. How many times can we be amused by an ironing board being taken out and put away? Does having Mazzarino mincing around the stage really help him develop a meaningful character? Why weren?t real food and cigarettes used? The faking was just too obvious, especially in a play that has to be real. Ron Newell?s fragmented set, Michael Beyers? lighting and Casey Jones?s sound effects all work well. Too bad the rest of the production doesn?t live up to the technical aspects. CAPSULE JUDGEMENT: One of the most difficult reviews for a critic to write is one that is generally negative. Unfortunately, every once in while, it is my unfortunate duty to have to do so. In choosing a difficult script to perform a theatre has to be sure they have the talent to direct and perform the intent and purpose of the script. Ensemble was over its head in selecting ?BRAVO, CARUSO!? ?BRAVO, CARUSO!? continues at Ensemble Theatre, located in the Brooks Theatre in the Cleveland Play House complex through December 11. For ticket information call 216-321-2930. Roy Berko's web page can be found at www.royberko.info. His theatre and dance reviews appear on NeOHIOpal, an on-line source. To subscribe to this free service via the World Wide Web, visit http://lists.fredsternfeld.com/mailman/listinfo/neohiopal. __________________________________ Yahoo! Mail - PC Magazine Editors' Choice 2005 http://mail.yahoo.com From secylady66 at hotmail.com Sun Nov 27 21:06:20 2005 From: secylady66 at hotmail.com (Leigh Anderson) Date: Mon, 28 Nov 2005 00:06:20 -0500 Subject: [NEohioPAL]Harassing Sales Tactics Message-ID:

There is a certain murder mystery producer who won?t take NO for an answer.  Just like a REAL gangster I guess so his company name is VERY appropriate! 

 

He keeps E-mailing me, insisting I give him my home number and asking me to call him in the middle of the night if I happen to answer him while he?s online. 

 

Now he is also calling me names and telling me I?m on drugs!  This guy is nuts and he?s making me think twice about even hiring a murder mystery group.  I am SO glad I did not give him my number!

 

Harassing and insulting them is NOT the way to win clients over.

 

Leigh Anderson...

(Thinking Twice)


Find e-mail, documents and more on your PC instantly with Windows Desktop Search?FREE! From dafio at msn.com Thu Nov 24 20:35:09 2005 From: dafio at msn.com (Lynda) Date: Thu, 24 Nov 2005 23:35:09 -0500 Subject: [NEohioPAL]Murder Mysteries at Greystone Hall! Message-ID: <000001c5f179$9e4e5e00$d0ac0ccf@randomacts> This is a multi-part message in MIME format. ------=_NextPart_000_0001_01C5F14F.B579DCA0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Random Acts is thrilled to announce that we will be performing private parties at GREYSTONE HALL, a truly unique venue with amazing architecture, stunning staircases and fabulous food! http://www.random-acts.net ------=_NextPart_000_0001_01C5F14F.B579DCA0 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

Random Acts is thrilled to announce that we will be = performing private parties at GREYSTONE HALL, =

a truly unique venue with amazing architecture, = stunning staircases and fabulous food!

 

http://www.random-acts.net

 

 

------=_NextPart_000_0001_01C5F14F.B579DCA0-- From kmmk816 at yahoo.com Mon Nov 21 06:18:57 2005 From: kmmk816 at yahoo.com (Karen Kawolics) Date: Mon, 21 Nov 2005 06:18:57 -0800 (PST) Subject: [NEohioPAL]Guest Needed for Health TV show Message-ID: <20051121141858.43678.qmail@web34201.mail.mud.yahoo.com> Health and Fitness TV program looking for an in studio guest for a six minute interview. The television program "Mind, Body & Spirit" is looking for a guest to be interviewed for a program to be broadcast during the month of February in honor of Valentine's Day. The show will be shot on Tuesday, November 29th at 3:45PM in Macedonia at the Cable 9 studios. We are open to any topics related to love, relationships, heart health, food related topics - anything that will tie together health and romance. Please email any ideas. "MBS" is a health and fitness television program shot at Cable 9 studios in Macedonia and distributed to various cable outlets in the Cleveland and New York City area. Three female hosts each interview one guest for 7 minutes in studio. Guest will receive a copy of their interview. Please email any ideas to Karen Kawolics at kmmk816 at yahoo.com. Thank you, www.karenkawolics.com __________________________________ Yahoo! Mail - PC Magazine Editors' Choice 2005 http://mail.yahoo.com From dcurfman at akron.k12.oh.us Mon Nov 21 06:23:57 2005 From: dcurfman at akron.k12.oh.us (Donna Curfman) Date: Mon, 21 Nov 2005 09:23:57 -0500 (EST) Subject: [NEohioPAL]Keyboard player/organist position Message-ID: Christ United Methodist Church in West Akron is seeking a keyboard player/organist to accompany the choir and play a variety of music for the Sunday service. The position is paid and involves one rehearsal a week on Wednesday nights and one service on Sunday mornings. If interested or in need of additional information, please contact the church office at 330-836-5563 or Donna Curfman at 330-864-2040. From royberko at yahoo.com Mon Nov 21 06:33:29 2005 From: royberko at yahoo.com (Roy Berko) Date: Mon, 21 Nov 2005 06:33:29 -0800 (PST) Subject: [NEohioPAL]Berko review: OPAL (Kalliope) Message-ID: <20051121143329.20414.qmail@web33103.mail.mud.yahoo.com> KALLIOPE STAGE DOES AREA PREMIERE OF ?OPAL? Roy Berko (Member, American Theatre Critics Association) --THE TIMES NEWSPAPERS-- Lorain County Times--Westlaker Times--Lakewood News Times--Olmsted-Fairview Times ?OPAL,? the Richard Rodgers and AT&T Award-winning musical by Robert Lindsey Nassif, is getting its local premiere at Kalliope Stage. Nassif ,who penned the book, music and lyrics, is known to Cleveland audiences for his authorship of ?HONKY TONK HIGHWAY,? and ? ELIOT NESS IN CLEVELAND,? which had local productions. Opal is a full-length musical in one long act, that explores a young girl's attempt to "make earth glad" by helping those around her fulfill their needs and desires. Billed as the true story of Francoise D'Orleans, who, as a child, was shipwrecked off the Oregon coast. It is a bittersweet story that supposedly grew out of Francoise's own diary entries. The reality, however, was that ten months after the diary was published, D?Orleans was accused of fraud. Critics said she fabricated her biography, especially her claims that she was adopted by the Whiteleys and that her parents were actually French aristocracy. She was also accused of writing the diary as an adult, not when she was a child. After the untruthful revelations, Opal fled America and was found in England more than 20 years later wandering through the rubble and burned-out buildings left in the wake of World War II. She was committed to an insane asylum, identified as Schizophrenic, and remained there the rest of her life. She died in 1992, just weeks before the New York debut of the musical based on her writings. No matter the veracity of the tale, the bottom line is that Opal?s story is compelling, mysterious and tragic. The play opens with the shipwreck and illustrates what happens when Francoise is taken in by The Mamma, an embittered woman. The child, who believes her parents will come back one day, is given the name Opal, the same name as The Mamma?s dead daughter. To psychologically survive, Francoise creates a world of fantasy which includes naming things by cultural connections in her background. For example, she names her pet pig ?Peter Paul Rubens.? She gives nicknames to the people of the town: ?the thought-girl with far away look in her eyes,? ?the girl that has no seeing,? and ?the man that wears gray neckties.? Her extraordinary imagination affects the lives of those around her. This isn?t the traditional musical theatre feel-good fluff story with a neatly packaged happy ending. This is a story that is a mix of happiness and sorrow. Kalliope Stage?s production, under the adept directing of Paul F. Gurgol, is generally excellent. Gurgol does a masterful job of using the theatre?s small stage to its maximum. He has cast members linger around the stage, doing various tasks such as needle-point, knitting, and sawing wood to the best effect. The scenes flow well and transition effectively. The pacing is excellent. The opening storm scene is quite realistic and his creation of visual pictures, such as the human tree, is impressive. There are some very strong performances. Marla Berg as Sadie McKibben, the washer woman who befriends Opal, has a fine singing voice and develops a clear character. Kris Comer, the blind girl, creates a perfect image of a woman who is vulnerable and in need of love. Scott Posey has a powerful voice and also hits all the right acting notes as The Shy Man that Wears Gray Neckties. His future bride, The Thought-Girl with the Far Away Look in her Eyes, is nicely developed and sung by Jodi Brinkman. Each of the narrators is effective. On the other hand, Ayeshah Douglas as The Mamma fails to texture her role. Her lines often miss depth of meaning and she acts, rather than reacts to Opal and the other characters. Evaluating a play that has a child lead is often a difficult task. No matter the quality of character development and singing abilities, it is expected that the child, due to her age, is to be judged as ?wonderful.? However, I feel that it is unfair to use one criteria for the rest of the cast and another for child actors, especially ones in musicals like ?ANNIE,? ?OLIVER,? and ?OPAL? where they are the pivotal centers of the show. With that said, eleven year-old Dani Apple makes for an acceptable Opal. She has a nice singing voice. Her acting is not quite as good. She often says lines, rather than creating meanings. Her speaking voice sometimes gets into the high registers which is hard on the ears. Gurgol needed to work with her on emotional development which stretched beyond yelling when she was distraught, and looking directly into the eyes of other characters as she speaks. The choral work is excellent as are the musical sounds created by Brad Wyner and Anthony Ruggiero. Russ Borski?s set design is effective and Lance Switzer?s lighting works well. CAPSULE JUDGEMENT: ?OPAL? is an arresting play that gets a very good production at Kalliope Stage. The show runs through December 18 at Kalliope Stage, 2134 Lee Road. For tickets call 216-321-0870 or go on line to www.KalliopeStage.com. Kalliope Stage?s next production is ?COMING TO AMERICA? which will have its world premiere on February 9, 2006. Roy Berko's web page can be found at www.royberko.info. His theatre and dance reviews appear on NeOHIOpal, an on-line source. To subscribe to this free service via the World Wide Web, visit http://lists.fredsternfeld.com/mailman/listinfo/neohiopal. __________________________________ Yahoo! Mail - PC Magazine Editors' Choice 2005 http://mail.yahoo.com From scott at 1musicman.com Mon Nov 21 06:36:33 2005 From: scott at 1musicman.com (scott at 1musicman.com) Date: Mon, 21 Nov 2005 09:36:33 -0500 Subject: [NEohioPAL]Huge 1 day garage-moving sale-11/26! Message-ID: <200511211436.DTB24469@ms1.netsolmail.com> Dear NEOHIOPAL friends, The time has come to empty my house in order to make a move to California. I am selling furniture- sofas. end tables, chairs. I have many mic stands, cables,dj switchers and more. Also being sold is a 4 post auto lift, an 8 person hot tub, several sets of instrumental method books-Essential Elements. I have 2 small refrigerators and the house itself! (house showings can be arranged through our agent-Melinda Chamberlin- Keller-Williams) These goodies can be seen and bought 1 day only on Nov.26-,Sat.,8:30-5: 00p.m. at 476 Pierson Drive, Richmond Hts., OH (just off of Highland ,across from the police station.) I have other items in these categories so come over and check them out. I accept cash and cash or Paypal. Prices for these items are made to sell. Get a jump on your Holiday shopping.Pass the word-this is gonna be one heckuva' sale. Thank you for including my sale in your post turkey day plans. From dcurfman at akron.k12.oh.us Mon Nov 21 06:44:08 2005 From: dcurfman at akron.k12.oh.us (Donna Curfman) Date: Mon, 21 Nov 2005 09:44:08 -0500 (EST) Subject: [NEohioPAL]Keyboard player for Christmas Eve (fwd) Message-ID: Christ United Methodist Church in West Akron is in need of a keyboard player/organist for our Christmas Eve service at 7:00 p.m. This is a paid position and would require a rehearsal the Wednesday prior to the service (also paid). Please contact Donna Curfman at 330-864-2040 if you are interested and available. Thanks. From news at cvlt.org Mon Nov 21 07:16:11 2005 From: news at cvlt.org (Chris White) Date: Mon, 21 Nov 2005 10:16:11 -0500 Subject: [NEohioPAL]Chagrin Valley Little Theatre presents 'A Christmas Carol' The Musical Message-ID: <008001c5eeae$84158450$0600a8c0@cwhite> This is a multi-part message in MIME format. ------=_NextPart_000_007D_01C5EE84.98E1DD40 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Press Release Chagrin Valley Little Theatre Announces The Broadway Musical, A Christmas Carol =20 =20 November 21, 2005 : Charles Dickens' classic gets the full Broadway = treatment in Alan Menken's-Lynn Ahrens'-Mike Okrent's adaptation of A = Christmas Carol. This is the version that leaves New Yorkers and = tourists alike gasping in wonder and merriment every year as the story = unfolds on the stage at Madison Square Garden. In 2004, this version = became the basis of a NBC television spectacular featuring Kelsey = Grammer as Scrooge, surrounded by an array of stars including Jason = Alexander, Jesse L. Martin, Jane Krakowski, Geraldine Chaplin, Jennifer = Love Hewitt and Ruthie Henshall. Alan Menken (Little Shop Of Horrors) = and Lynn Ahrens (Ragtime The Musical, Once On This Island) have = collaborated on a score that is filled with beautiful melodies and = emotional lyrics. Their song "A Place Called Home" has become a holiday = standard. There are many adaptations of A Christmas Carol out there, but only one = Broadway version! Now this holiday treat can be seen at Chagrin Valley = Little Theatre =20 Director and Choreographer: Pierre-Jacques Brault =20 Music Director: Evie Morris=20 =20 Fridays & Saturdays @ 8 PM November 18 - December 18 Sundays @ 2pm November 20, 27 December 4, 18 (NEW - Corrected Dates) 40 River Street Chagrin Falls, Ohio 44022 Box Office: (440) 247-8955 Box Office Hours: 1 - 6 p.m. Monday - Saturday Tickets $16 - Adults $12 - for youth (under 18) and seniors (60 = and over) Please be sure to visit us at www.cvlt.org or www.chagrinfalls-ohio.com CVLT offers a very attractive dinner theater package with three of = Chagrin Falls' finest restaurants. Make your theater reservations = first, then call the restaurant of your choice to take advantage of = their special dinner theater offering. Call one of these fine = restaurants and enjoy dinner before the show. You should be prepared to = show your theater tickets prior to seating at the restaurant.=20 Enjoy wonderful cuisine plus an entertaining evening at The Chagrin = Valley Little Theatre Raintree 440-247-4800 Gamekeeper's Tavern 440-247-7744 Blake's Seafood Grille 440-893-9910 Chris White Corporate Controller M. Davis Management Services, Inc. 32100 Solon Road Suite 204 Solon, OH 44139 440-542-1724-Phone 440-542-1726-Fax ------=_NextPart_000_007D_01C5EE84.98E1DD40 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
 
Press=20 Release
Director and=20 Choreographer:  Pierre-Jacques=20 Brault  
Music Director:  Evie=20 Morris 

 

Fridays=20 & Saturdays @ 8 PM

November=20 18 - December 18

Sundays=20 @ 2pm

November 20, 27  December 4, = 18

(NEW - Corrected Dates)

 

40=20 River Street    = Chagrin=20 Falls, Ohio 44022

Box=20 Office: (440)=20 247-8955
Box=20 Office Hours: = 1 - 6=20 p.m. Monday =96 Saturday

Tickets    $16 -=20 Adults     $12 - for youth (under 18)=20 and seniors (60 and over)

Please be sure to visit us = at

www.cvlt.org  or = www.chagrinfalls-ohio.com

CVLT offers a very attractive dinner theater package with three = of=20 Chagrin Falls' finest restaurants.  Make your theater reservations = first,=20 then call the restaurant of your choice to take advantage of their = special=20 dinner theater offering.  Call one of these fine restaurants and = enjoy=20 dinner before the show.  You should be prepared to show your = theater=20 tickets prior to seating at the restaurant. =

Enjoy wonderful cuisine plus an entertaining evening at The = Chagrin=20 Valley Little Theatre

Raintree    = 440-247-4800
Gamekeeper's Tavern   =20 440-247-7744
Blake's Seafood Grille    = 440-893-9910
 
 
 
 
 
Chris = White
Corporate Controller
M. Davis Management Services, = Inc.
32100=20 Solon Road  Suite 204
Solon, OH =20 44139
440-542-1724-Phone
440-542-1726-Fax
<= /HTML> ------=_NextPart_000_007D_01C5EE84.98E1DD40-- From artistschair2005 at aol.com Mon Nov 21 07:15:09 2005 From: artistschair2005 at aol.com (artistschair2005 at aol.com) Date: Mon, 21 Nov 2005 10:15:09 -0500 Subject: [NEohioPAL]Need a FREELANCE JOURNALIST? Lauren Muney & OTHER NEWS! Message-ID: <8C7BCC57F4C1794-1F08-7A89@MBLK-M02.sysops.aol.com> ----------MailBlocks_8C7BCC57F4C1794_1F08_75B1_MBLK-M02.sysops.aol.com Content-Type: text/plain; charset="us-ascii" ARTISTSCHAIR.COM'S "FEATURED ARTIST OF THE DAY" Freelance Journalist - Lauren Muney (Location: Laurel, Maryland) (November 21, 2005) To view Laurens profile, visit http://www.artistschair.com Latest Members' CONTEST Giveaway (November 18, 2005) The artistschair.com member that is chosen at random by the database to be the Wednesday, November 23 "Featured Artist of the Day" will win two passes, good for four admissions to the December 1 (7:30 pm) Loews Richmond Town Square advanced screening of "The Family Stone" featuring Claire Danes, Diane Keaton, Rachel McAdams, Dermot Mulroney, Craig T. Nelson, Sarah Jessica Parker and Luke Wilson. Take friends or take family, either way, GET OUT and SEE NORTHEAST OHIO! Not a member of artistschair.com yet? Join today for FREE! Networking EVENT & PARTY for Artists and Those that Hire Talent (November 10, 2005) A GREAT BIG THANK YOU to all who attended the November 9 artistschair.com Networking Event which took place at 1300 Gallery. Photos from the event will be posted to the artistschair.com directory soon. FIND an Artist! Make your event or project extra memorable. Find entertainers and technicians in our FREE and easy-to-use database featuring photos and profiles of local artists in more than 100 different talent fields. BE an Artist! Let your talents and services be known. Become a member for FREE and highlight all talent fields that apply to you. Upload photos of yourself and/or samples of your work, edit your own information and have your profiles viewed by those searching for your talents and services. Our MISSION Artistschair.com is committed to PROMOTING and RAISING AWARENESS of local artists, arts-related institutions and issues and the NORTHEAST OHIO REGION as well as serving the needs of those searching for CREATIVE TALENT and resources. ----------MailBlocks_8C7BCC57F4C1794_1F08_75B1_MBLK-M02.sysops.aol.com Content-Type: text/html; charset="us-ascii"
  
            ARTISTSCHAIR.COM'S "FEATURED ARTIST OF THE DAY"
Freelance Journalist - Lauren Muney (Location: Laurel, Maryland)
 
(November 21, 2005) To view Laurens profile, visit http://www.artistschair.com
 
Latest Members' CONTEST Giveaway
(November 18, 2005) The artistschair.com member that is chosen at random by the database to be the Wednesday, November 23 "Featured Artist of the Day" will win two passes, good for four admissions to the December 1 (7:30 pm) Loews Richmond Town Square advanced screening of "The Family Stone" featuring Claire Danes, Diane Keaton, Rachel McAdams, Dermot Mulroney, Craig T. Nelson, Sarah Jessica Parker and Luke Wilson.  
 
Take friends or take family, either way, GET OUT and SEE NORTHEAST OHIO! Not a member of artistschair.com yet? Join today for FREE!
 
Networking EVENT & PARTY for Artists and Those that Hire Talent
(November 10, 2005) A GREAT BIG THANK YOU to all who attended the November 9 artistschair.com Networking Event which took place at 1300 Gallery. Photos from the event will be posted to the artistschair.com directory soon.
  
FIND an Artist!
Make your event or project extra memorable. Find entertainers and technicians in our FREE and easy-to-use database featuring photos and profiles of local artists in more than 100 different talent fields.
 
BE an Artist!
Let your talents and services be known. Become a member for FREE and highlight all talent fields that apply to you. Upload photos of yourself and/or samples of your work, edit your own information and have your profiles viewed by those searching for your talents and services.
 
Our MISSION
Artistschair.com is committed to PROMOTING and RAISING AWARENESS of local artists, arts-related institutions and issues and the NORTHEAST OHIO REGION as well as serving the needs of those searching for CREATIVE TALENT and resources.
 
----------MailBlocks_8C7BCC57F4C1794_1F08_75B1_MBLK-M02.sysops.aol.com-- From news at cvlt.org Mon Nov 21 07:28:56 2005 From: news at cvlt.org (Chris White) Date: Mon, 21 Nov 2005 10:28:56 -0500 Subject: [NEohioPAL]A Holiday Show with Santa and His Friends, Traditional Gingerbread Tea at CVLT Message-ID: <004f01c5eeb0$4aba5f30$0600a8c0@cwhite> This is a multi-part message in MIME format. ------=_NextPart_000_004C_01C5EE86.60646DF0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Press Release Chagrin Valley Little Theatre Announces A Holiday Show with Santa and His Friends, Traditional = Gingerbread Tea at CVLT =20 =20 November 21, 2005 The happily anticipated holiday tradition, A Holiday Show with Santa and His Friends, Traditional Gingerbread Tea will be held at Chagrin Valley Little Theatre on Saturday Dec 10 and = Sunday December 11 The Tea is sponsored by the CVLT Women's Committee and features a visit = by Santa and his helpers. Refreshments are offered before and after each performance.=20 Photos with Santa will be available for a fee, or you are welcome to = bring your own camera Two shows each day at 1pm and 3pm (theatre auditorium seats 262) Gingerbread Tea seatings in the River Room are limited to 60 people, so = call for reservations soon! Tea Times are 12:30 and 1:30 for the 1pm show and 2:30 and 3:30 for the 3pm show Show Only $5 Show and Tea $7 Reservations & Information call 440-247-8955 Monday - Saturday 1-6pm Proceeds from this entertainment are used as a fund raising event for = the theatre. Chris White Corporate Controller M. Davis Management Services, Inc. 32100 Solon Road Suite 204 Solon, OH 44139 440-542-1724-Phone 440-542-1726-Fax ------=_NextPart_000_004C_01C5EE86.60646DF0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
 
Press=20 Release

Chagrin Valley Little Theatre

Announces  A=20 Holiday Show with Santa and His Friends, Traditional Gingerbread Tea at=20 CVLT  

 

November=20 21, 2005

 

The happily anticipated holiday=20 tradition,

A Holiday Show with Santa and His Friends, Traditional = Gingerbread=20 Tea

will be held at Chagrin Valley Little Theatre on Saturday Dec = 10 and=20 Sunday December 11

 

The Tea is sponsored by the CVLT Women's Committee and = features a=20 visit by Santa and his helpers.

 

Refreshments are offered before and after each=20 performance. 

 

Photos with Santa will be available for a fee, or you = are welcome=20 to bring your own camera

 

Two shows each day at 1pm and=20 3pm

(theatre auditorium seats = 262)

 

Gingerbread Tea seatings in the River Room are limited = to 60=20 people, so call for reservations soon!

 

Tea Times are 12:30 and 1:30 for the 1pm=20 show

and 2:30 and 3:30 for the 3pm=20 show

 

Show Only    = $5

Show and Tea   =20 $7

 

Reservations & = Information

call 440-247-8955

Monday - Saturday = 1-6pm

 

Proceeds from this entertainment are used as a fund raising = event for the=20 theatre.

 

 

 

 
 
 
 
Chris = White
Corporate Controller
M. Davis Management Services, = Inc.
32100=20 Solon Road  Suite 204
Solon, OH =20 44139
440-542-1724-Phone
440-542-1726-Fax
<= /HTML> ------=_NextPart_000_004C_01C5EE86.60646DF0-- From news at cvlt.org Mon Nov 21 07:42:04 2005 From: news at cvlt.org (Chris White) Date: Mon, 21 Nov 2005 10:42:04 -0500 Subject: [NEohioPAL]"Not Yet" - Annual New Year's Eve Benefit - Chagrin Valley Little Theatre Message-ID: <007b01c5eeb2$20b83660$0600a8c0@cwhite> This is a multi-part message in MIME format. ------=_NextPart_000_0078_01C5EE88.3651A350 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Press Release Chagrin Valley Little Theatre Announces "Not Yet!" - Annual New Year's Eve Benefit =20 =20 November 15, 2005 : What are you doing New Year's Eve? Why not ring in 2006 with Chagrin Valley Little Theatre! Join us for = 'Not Yet', a one night only benefit celebrating the shows thatCVLT has = not or cannot peform...yet.=20 Featuring: Eric Alan, Jackie Cassara, Carlos Cruz, Angela Lynard, Paula = Pike, Andrew and Greta Rothman. Musical Direction by Bob Day The show starts at 9pm on December 31st Special $25 ticket price includes entertainment and hors d'ouvres and a champagne toast at midnight! Cash Bar Available =20 40 River Street Chagrin Falls, Ohio 44022 Box Office: (440) 247-8955 Box Office Hours: 1 - 6 p.m. Monday - Saturday Please be sure to visit us at www.cvlt.org or www.chagrinfalls-ohio.com CVLT offers a very attractive dinner theater package with three of = Chagrin Falls' finest restaurants. Make your theater reservations = first, then call the restaurant of your choice to take advantage of = their special dinner theater offering. Call one of these fine = restaurants and enjoy dinner before the show. You should be prepared to = show your theater tickets prior to seating at the restaurant.=20 Enjoy wonderful cuisine plus an entertaining evening at The Chagrin = Valley Little Theatre Raintree 440-247-4800 Gamekeeper's Tavern 440-247-7744 Blake's Seafood Grille 440-893-9910 Chris White Corporate Controller M. Davis Management Services, Inc. 32100 Solon Road Suite 204 Solon, OH 44139 440-542-1724-Phone 440-542-1726-Fax ------=_NextPart_000_0078_01C5EE88.3651A350 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
 
Press=20 Release

Chagrin Valley Little Theatre

Announces  "Not Yet!" - Annual New Year's Eve=20 Benefit   

 

November = 15, 2005=20 :   What are you doing New Year's=20 Eve?

Why=20 not ring in 2006 with Chagrin Valley Little Theatre!  Join us for=20 'Not Yet', a one night only benefit celebrating the = shows=20 thatCVLT has not or cannot peform...yet.

 

Featuring:  Eric Alan, Jackie Cassara, Carlos Cruz, Angela = Lynard,=20 Paula Pike, Andrew and Greta Rothman.  Musical Direction by Bob=20 Day

 

The=20 show starts at 9pm on December 31st

Special $25 ticket price includes entertainment and hors=20 d'ouvres

and a champagne toast at=20 midnight!

Cash Bar Available

 

 

40=20 River Street    = Chagrin=20 Falls, Ohio 44022

Box=20 Office: (440)=20 247-8955
Box=20 Office Hours: = 1 - 6=20 p.m. Monday =96 Saturday

Please be sure to visit us = at

www.cvlt.org  or = www.chagrinfalls-ohio.com

CVLT offers a very attractive dinner theater package with three = of=20 Chagrin Falls' finest restaurants.  Make your theater reservations = first,=20 then call the restaurant of your choice to take advantage of their = special=20 dinner theater offering.  Call one of these fine restaurants and = enjoy=20 dinner before the show.  You should be prepared to show your = theater=20 tickets prior to seating at the restaurant. =

Enjoy wonderful cuisine plus an entertaining evening at The = Chagrin=20 Valley Little Theatre

Raintree    = 440-247-4800
Gamekeeper's Tavern   =20 440-247-7744
Blake's Seafood Grille    = 440-893-9910
 
 
 
 
 
Chris = White
Corporate Controller
M. Davis Management Services, = Inc.
32100=20 Solon Road  Suite 204
Solon, OH =20 44139
440-542-1724-Phone
440-542-1726-Fax
<= /HTML> ------=_NextPart_000_0078_01C5EE88.3651A350-- From kilbanedan at yahoo.com Mon Nov 21 08:01:36 2005 From: kilbanedan at yahoo.com (Dan Kilbane) Date: Mon, 21 Nov 2005 08:01:36 -0800 (PST) Subject: [NEohioPAL]Preview the Holiday Hotline: Nov. 23, 25, & 26; a new musical comedy revue! Message-ID: <20051121160136.77146.qmail@web60712.mail.yahoo.com> --0-437073766-1132588896=:76849 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit DETROIT AVE. ARTS PRODUCES THE WORLD PREMIERE MUSICAL REVUE HOLIDAY HOTLINE Previews November 23, 25 & 26, Running December 1 ? 23, 2005 A musical comedy revue! www.holiday-hotline.com Call the Holiday Hotline! 216.491.1709 James Levin?s Detroit Ave. Arts is proud to announce the world premiere of the irreverent HOLIDAY HOTLINE, a musical comedy revue with sketches and songs. HOLIDAY HOTLINE takes a demented look at all the things that drive us crazy about the Christmas holidays. The show, to run in the funky Orthodox, a former church, runs December 1 ? 23, with a preview week Wednesday, November 23, Friday, November 25, and Saturday, November 26. The show?s book is by Michael Sepesy; music by Linda Eisenstein; and lyrics by both. Linda Eisenstein and Michael Sepesy wreck the halls with this fast and funny collection of sketches and songs skewering the holiday season, from A CHRISTMAS CAROL to Kwanzaa. The piece is eclectic and irreverent, taking all holiday traditions prisoner with music styles ranging from country to polka to torch song. The world premiere HOLIDAY HOTLINE sends up everything from the mystery ingredients in the turkey stuffing to elf psychotherapy. Co-creator Michael Sepesy sums it up, ?The show is a cure for the Christmas crazies!? The cast includes local favorites Denise Astorino, Kim Aldrich-Ceja, Mark Cipra, Maryann Elder, Hester Lewellen, and Andrew Narten. The production?s staff is led by director Mindy Childress and musical director Michael Flohr. Set design is by Michael D. Sepesy, light design is by Trad A Burns, costume design is by Alison Hernan Garrigan, choreography is by Amy Pawlukiewicz and properties design is by Sharon Epstein. Nadia Tarnawsky is the production stage manager. The show previews Wednesday, November 23 and Friday, November 25 at 8:00 p.m. and Saturday, November 26 (8:00 and 10:30 p.m. shows). Opening night is December 1, with the production running through December 23. Performances are Thursdays, Fridays, Saturdays, and Sundays; Thursdays and Fridays at 8:00 p.m., Saturdays at 8:00 and 10:30 p.m., and Sundays at 3:00 p.m. Tickets can be purchased by calling 216.491.1709. Preview tickets are $10. For performances, Thursday, Sunday and Saturday 10:30 p.m. tickets are $10. Friday and Saturdays at 8:00 p.m. are $15. Orthodox is located at Detroit Avenue Arts, 6203 Detroit Ave., Cleveland, Ohio, 44102. Says Eisenstein about the genesis of the piece: ?Last year two of our buddies in the Playwrights' Unit came back from a holiday comedy and said: "You guys are way wackier that that. You need to write a Christmas show." Since then, Mike and I have been bringing sketches and songs from our work-in-progress to the Playwrights' Unit. We've also been performing them every month at The Dark Room, the new works cabaret sponsored by the Cleveland Theater Collective. It's been a great way to watch it develop in front of an audience.? --------------------------------- Yahoo! FareChase - Search multiple travel sites in one click. --0-437073766-1132588896=:76849 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
DETROIT AVE. ARTS PRODUCES THE WORLD PREMIERE MUSICAL REVUE
HOLIDAY HOTLINE
Previews November 23, 25 & 26, Running December 1 ? 23, 2005
A musical comedy revue!
 
www.holiday-hotline.com
Call the Holiday Hotline!  216.491.1709
 
James Levin?s Detroit Ave. Arts is proud to announce the world premiere of the irreverent HOLIDAY HOTLINE, a musical comedy revue with sketches and songs.  HOLIDAY HOTLINE takes a demented look at all the things that drive us crazy about the Christmas holidays.  The show, to run in the funky Orthodox, a former church, runs December 1 ? 23, with a preview week Wednesday, November 23, Friday, November 25, and Saturday, November 26.  The show?s book is by Michael Sepesy; music by Linda Eisenstein; and lyrics by both.
 
Linda Eisenstein and Michael Sepesy wreck the halls with this fast and funny collection of sketches and songs skewering the holiday season, from A CHRISTMAS CAROL to Kwanzaa.  The piece is eclectic and irreverent, taking all holiday traditions prisoner with music styles ranging from country to polka to torch song.  The world premiere HOLIDAY HOTLINE sends up everything from the mystery ingredients in the turkey stuffing to elf psychotherapy.  Co-creator Michael Sepesy sums it up, ?The show is a cure for the Christmas crazies!?
 
The cast includes local favorites Denise Astorino, Kim Aldrich-Ceja, Mark Cipra, Maryann Elder, Hester Lewellen, and Andrew Narten.
 
The production?s staff is led by director Mindy Childress and musical director Michael Flohr.  Set design is by Michael D. Sepesy, light design is by Trad A Burns, costume design is by Alison Hernan Garrigan, choreography is by Amy Pawlukiewicz and properties design is by Sharon Epstein.  Nadia Tarnawsky is the production stage manager.
 
The show previews Wednesday, November 23 and Friday, November 25 at 8:00 p.m. and Saturday, November 26 (8:00 and 10:30 p.m. shows).  Opening night is December 1, with the production running through December 23.  Performances are Thursdays, Fridays, Saturdays, and Sundays; Thursdays and Fridays at 8:00 p.m., Saturdays at 8:00 and 10:30 p.m., and Sundays at 3:00 p.m.
 
Tickets can be purchased by calling 216.491.1709.  Preview tickets are $10.  For performances, Thursday, Sunday and Saturday 10:30 p.m. tickets are $10.  Friday and Saturdays at 8:00 p.m. are $15. 
 
Orthodox is located at Detroit Avenue Arts, 6203 Detroit Ave., Cleveland, Ohio, 44102.
 
Says Eisenstein about the genesis of the piece:  ?Last year two of our buddies in the Playwrights' Unit came back from a holiday comedy and said: "You guys are way wackier that that.  You need to write a Christmas show."  Since then, Mike and I have been bringing sketches and songs from our work-in-progress to the Playwrights' Unit.  We've also been performing them every month at The Dark Room, the new works cabaret sponsored by the Cleveland Theater Collective.  It's been a great way to watch it develop in front of an audience.? 
 
 
  
 

Yahoo! FareChase - Search multiple travel sites in one click. --0-437073766-1132588896=:76849-- From edenvalley at centurytel.net Mon Nov 21 08:26:56 2005 From: edenvalley at centurytel.net (Eden Valley Enterprises) Date: Mon, 21 Nov 2005 11:26:56 -0500 Subject: [NEohioPAL]Get in the Holiday Spirit with STORIES FROM A CHRISTMAS PAST Message-ID: <000801c5eeba$3c371de0$1600000a@centurytel.net> Join us on December 6, 2005 at 7p.m. when STORIES FROM A CHRISTMAS PAST = will be presented at the Richfield Library; 3761 S. Grant St. in = Richfield, Ohio. Get in the holiday mood with these timeless tales and = find out about Cleveland's first Christmas Tree, Whistling Ben Hanby and = other stories in the spirit of the season. This program is FREE and open = to the public. For more information, call the Library at 330-659-4343 or = visit them at: http://www.akronlibrary.org/br-ric01.html To keep up with our complete schedule, go to = http://www.edenvalleyenterprises.org/calendar.html To arrange for a program for your group, send us an e-mail with your = request. To unsubscribe to this list, simply reply to this e-mail with your = request. Bette Lou Higgins Artistic Director Eden Valley Enterprises www.edenvalleyenterprises.org From KevinJosephKelly at aol.com Mon Nov 21 08:38:46 2005 From: KevinJosephKelly at aol.com (KevinJosephKelly at aol.com) Date: Mon, 21 Nov 2005 11:38:46 EST Subject: [NEohioPAL]Colin, Gilagamesh, Phillip, Jared, Kristen, Kevin, and Curtis have a tea party.. Message-ID: <2b8.199b63.30b35216@aol.com> -------------------------------1132591126 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Come see it and say hello afterwards!!!!!!!!!!!! Bring your little ones, they will love it! ALICE'S ADVENTURES IN WONDERLAND OPENS AT THE CLEVELAND PLAY HOUSE Nov. 19 - Dec. 11, 2005 10/25/2005 The production opens November 19 and runs through December 11, 2005, in the Studio One Theatre. Public performances are at 1:00 p.m. and 3:00 p.m. Saturdays and Sundays. Shows run 50 minutes and include a question-and-answer session with the cast. Cast: Kevin Joseph Kelly, Colin Cook, Gilgamesh Tagget, Jared Nichols, Phillip Carrol and Kristen O'Connor as Alice (Curtis L. Young is the understudy for Kevin Joseph Kelly on Sundays) Creative Team Eric Schmiedl (Playwright) Bill Hoffman (Director) Costume Design by Kim Castle; Scenic Design by Jenny Hitmar; Lighting Design by Maureen Patterson, Stage Manager: Donna Dziak. Ticket Information Tickets are $15 and can be purchased at The Cleveland Play House box office, in person or by calling (216) 795-7000 or online at _www.clevelandplayhouse.com_ (http://www.clevelandplayhouse.com/) . Phone orders have a $1 processing fee. For special pricing on groups of 10 or more, or information about student matinees for school groups of 10 or more weekdays at 10:00 a.m. and 11:30 a.m. beginning November 14, call (216) 795-7000 ext. 149 Sincerely, Kevin Joseph Kelly 216-269-3824 -------------------------------1132591126 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
Come see it and say hello afterwards!!!!!!!!!!!!
Bring your little ones, they will love it!

ALICE'S ADVENTURES IN=20 WONDERLAND
OPENS AT THE CLEVELAND PLAY HOUSE
No= v.=20 19 - Dec. 11, 2005 10/25/2005

The production opens November 19 and ru= ns=20 through December 11, 2005, in the Studio One Theatre. Public performances ar= e at=20 1:00 p.m. and 3:00 p.m. Saturdays and Sundays. Shows run 50 minutes and incl= ude=20 a question-and-answer session with the cast.

Cast:
Kev= in=20 Joseph Kelly, Colin Cook, Gilgamesh Tagget, Jared Nichols, Phillip Carrol an= d=20 Kristen O'Connor as Alice (Curtis L. Young is the understudy for Kevin Josep= h=20 Kelly on Sundays)

Creative=20 Team
Eric Schmiedl (Playwright)=20
Bill Hoffman (Director)
Costume Design by K= im=20 Castle; Scenic Design by Jenny Hitmar; Lighting De= sign=20 by Maureen Patterson, Stage Manager: Donna=20 Dziak.

Ticket Information
Tickets= are $15=20 and can be purchased at The Cleveland Play House box office, in person or by= =20 calling (216) 795-7000 or online at www.clevelandplayhouse.com.=20= Phone=20 orders have a $1 processing fee.
For special pricing on groups of 10 or m= ore,=20 or information about student matinees for school groups of 10 or more weekda= ys=20 at 10:00 a.m. and 11:30 a.m. beginning November 14, call (216) 795-7000 ext.= =20 149
 
Sincerely,
Kevin Joseph=20 Kelly
216-269-3824
<= /HTML> -------------------------------1132591126-- From patmazz at aol.com Mon Nov 21 08:39:29 2005 From: patmazz at aol.com (patmazz at aol.com) Date: Mon, 21 Nov 2005 11:39:29 -0500 Subject: [NEohioPAL]Ensemble Theatre presents BRAVO CARUSO Message-ID: <8C7BCD147310ECB-1E60-6F55@MBLK-R09.sysops.aol.com> ----------MailBlocks_8C7BCD147310ECB_1E60_6ABB_MBLK-R09.sysops.aol.com Content-Type: text/plain; charset="us-ascii" Ensemble Theatre will present BRAVO,CARUSO! at the Brooks Theatre of The Cleveland Play House Nov 26 - Dec.11 Written by William Luce Directed by Licia Colombi Starring Bernard Canepari as Caruso Pat Mazzarino as Mario Its Christmas Eve 1920 in The great opera singer's dressing room at The Metropolitan Opera House. His valet Mario is getting him ready for his performance in "LA JUIVE". Unknown to both men it will be his last performance before his death. Listen to WCPN, Tuesday Nov 22 at "Around Noon" with Dee Perry as she chats with Bernard Canepari, Pat Mazzarino and playwright William Luce. Tickets can be purchased by call the theatre box office at 216-321-2930 ----------MailBlocks_8C7BCD147310ECB_1E60_6ABB_MBLK-R09.sysops.aol.com Content-Type: text/html; charset="us-ascii"
Ensemble Theatre will present
 
BRAVO,CARUSO!
 
at the Brooks Theatre of The Cleveland Play House
 
Nov 26 - Dec.11
 
Written by William Luce
Directed by Licia Colombi
Starring
 
Bernard Canepari as Caruso
Pat Mazzarino as Mario
 
Its Christmas Eve 1920 in The great opera singer's dressing room
at The Metropolitan Opera House. His valet Mario is getting him ready for his performance in "LA JUIVE". Unknown to both men it will be his last performance before his death.
 
Listen to WCPN, Tuesday Nov 22 at "Around Noon" with Dee Perry as she chats with Bernard Canepari, Pat Mazzarino and playwright William Luce.
 
Tickets can be purchased by call the theatre box office at
216-321-2930
----------MailBlocks_8C7BCD147310ECB_1E60_6ABB_MBLK-R09.sysops.aol.com-- From mcmamahoo at yahoo.com Mon Nov 21 08:51:46 2005 From: mcmamahoo at yahoo.com (Cherie Lawrence) Date: Mon, 21 Nov 2005 08:51:46 -0800 (PST) Subject: [NEohioPAL]Christmas Spectacular 20th Anniversary@ Akron Civic Message-ID: <20051121165146.28736.qmail@web81710.mail.mud.yahoo.com> Spectacular Music Productions, recipient of the 2005 Zenith Award Best Theatre/Entertainment and top winner of ABJ "Best" Readers Poll, directed by Maestro Larry Wilgus, will present 4 shows of its 20th Anniversary Special New Edition 2-hr family holiday extravaganza. In addition to 145 vocalists, dance troupes, live professional orchestra, Victorian carolers and toy soldiers, this year features special guest 4th/5th-grade choirs from the Kent, Wadsworth, Akron and Green Local Schools, joining the chorus in "When I Hear Those Jingle Bells" and "Home for the Holidays." Also the all-male "Reindeer Boogie" dance troupe will reprise the number by popular demand from our 2004 patrons! FRI DEC 9 7.30pm SAT DEC 10 3PM AND 7.30PM SUN DEC 11 3PM Akron Civic Theatre 102 S Main St FREE PARKING Ticket Information: Adults $35/$31 Children $21 Akron Civic 330.253.2488 11am-5.30pm EJ Thomas Hall 330.972.7570 10.30am-6pm Ticketmaster Akron(330.954.9400) Youngstown(330.747.1212) Cleveland(216.941.5555)and Ticketmaster Kauffman's and select Giant Eagle locations,or www.ticketmaster.com Group Sales of 20+ ONLY-Call 330.966.0700 See www.spectacularmusic.org "What's New" to view the 30-sec tv commercial...and read about us in the Nov 2005 edition of Akron Life and Leisure, pp 50-51. Thanks to all for your past support. From theater at btots.org Mon Nov 21 10:39:13 2005 From: theater at btots.org (Brecksville Theater on the Square) Date: Mon, 21 Nov 2005 12:39:13 -0600 Subject: [NEohioPAL]Auditions for Let Your Hair Down, Rapunzel Message-ID: <001001c5eeca$df150b70$525a4b0c@D3YBLD11> This is a multi-part message in MIME format. ------=_NextPart_000_000D_01C5EE98.93B99560 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Brecksville Theater On The Square Announces Auditions for=20 Let Your Hair Down, Rapunzel Book by Karen Boettcher-Tate, Music & Lyrics by Scott Deturk =20 =20 =20 Brecksville Theater on the Square will hold auditions for Let Your Hair = Down, Rapunzel on Monday, November 28 and/or Tuesday, November 29. All = interested actors/actresses should arrive at 6:30 p.m. and be prepared = for movement. All roles are open for students in grades 4 - 9. =20 Please prepare a minimum of 16 measures of a song of your choice. An = accompanist will be provided. No a cappella auditions, and no recorded = music. Please choose material that displays your voice at its best. = Headshots and resumes welcomed. =20 =20 Production dates for Let Your Hair Down, Rapunzel are February 3-5 and = February 10-12, 2006 at Brecksville's Historic Old Town Hall. =20 Auditions will be held in Building 5 at the Blossom Hill Complex, 4450 = Oakes Road in Brecksville. For additional information, call Brecksville = Theater on the Square at 440-526-3443 ext 3. =20 Kimberly Bush directs and choreographs this production. =20 =20 =20 =20 The Ohio Arts Council helped fund this organization with state tax = dollars to encourage economic growth, educational excellence and = cultural enrichment for all Ohioans. =20 ------=_NextPart_000_000D_01C5EE98.93B99560 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable

Brecksville Theater On The Square Announces Auditions = for=20

Let Your Hair Down, Rapunzel

Book by = Karen=20 Boettcher-Tate, Music & Lyrics by Scott Deturk

 

 

 

Brecksville Theater on the Square will hold = auditions=20 for Let Your Hair Down, Rapunzel on Monday, November 28 = and/or=20 Tuesday, November 29.  All = interested actors/actresses should arrive at 6:30 p.m. and be = prepared for=20 movement.  All roles=20 are open for students in grades 4 =96 9.

 

Please prepare a minimum of 16 measures of a = song of=20 your choice.  An = accompanist will be=20 provided.  No a cappella = auditions,=20 and no recorded music.  = Please=20 choose material that displays your voice at its best.  Headshots and resumes = welcomed. 

 

Production dates for Let Your Hair Down, = Rapunzel are February 3-5 and February 10-12, 2006 at = Brecksville=92s=20 Historic Old Town Hall.

 

Auditions will be held in Building 5 at the = Blossom Hill=20 Complex, 4450 Oakes Road in Brecksville. For additional information, = call=20 Brecksville Theater on the Square at 440-526-3443 ext = 3.

 

Kimberly Bush directs and choreographs this=20 production. 

 

 

 

The Ohio Arts = Council helped=20 fund this organization with state tax dollars to encourage economic = growth,=20 educational excellence and cultural enrichment for all=20 Ohioans.

 
------=_NextPart_000_000D_01C5EE98.93B99560-- From rsvp at redbulltheater.com Mon Nov 21 09:40:26 2005 From: rsvp at redbulltheater.com (rsvp at redbulltheater.com) Date: Mon, 21 Nov 2005 12:40:26 -0500 Subject: [NEohioPAL]Revenge Begins this Sunday, November 27th Message-ID: <03e701c5eec2$d154aa20$6500a8c0@DBPCCF61> This is a multi-part message in MIME format. ------=_NextPart_000_03E8_01C5EE98.E87EA220 Content-Type: multipart/alternative; boundary="----=_NextPart_001_03E9_01C5EE98.E87EA220" ------=_NextPart_001_03E9_01C5EE98.E87EA220 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable =20 LIMITED ENGAGEMENT =97 THREE WEEKS ONLY! =20 To be sure you receive our e-mails, please add rsvp at redbulltheater.com = to your e-mail address book. =20 =20 =20 Red Bull Theater presents The Revenger's Tragedy November 27 =96 December 18 @ the Culture Project Tickets available now: www.theatermania.com =20 =20 =20 CAST Denis Butkus, Jason C. Brown, Aaron Clayton, Saudia Davis, Ryan Farley, Ty Jones, Daryl Lathon, Claire Lautier, Paul Niebanck, Chris Oden, Petronia Paley, William Peden, Naomi Peters, Matthew Rauch, Russ Salmon, Daniel Cameron Talbott, Haynes Thigpen, Marc Vietor, Yaegel Welch =20 DIRECTION and DESIGN Jesse Berger, Tracy Bersley, Renee Blinkwolt, J David Brimmer, Emily De Cola, Kimberly Dilts, Daniel Levy, Evan O=92Brient, Clint Ramos, Mary Vorrasi, Peter West =20 LOCATION The Culture Project 45 Bleecker Street & Lafayette Trains: 6, N/R/W, F/V www.45bleecker.com =20 =20 TICKETS Theatermania www.theatermania.com =20 212.352.3101 $15 =20 ABOUT THE PLAY The Revenger's Tragedy, a Jacobean thriller written a few years after Hamlet, is a searing examination of the need for justice and the desire = for vengeance. Vindice, the "Revenger," sets off a chain reaction of havoc = in a corrupt and decadent Venice, which exposes outrageous indulgences and government hypocrisy, and ends in a coup de th=E9=E2ter massacre of epic proportions. Part black comedy, part social satire, the play is a = gleefully macabre plot-twisting blender full of Shakespeare's greatest hits. = Written by Thomas Middleton, Cyril Tourneur, or Anonymous, the work is adapted = by Artistic Director Jesse Berger. =20 WHO WE ARE Red Bull Theater is a 501(c)(3) not-for-profit company dedicated to the presentation of vital and imaginative productions of heightened language plays and to the development of new plays written in a similar vein. = With a special focus on the Jacobean plays of Shakespeare and his = contemporaries, Red Bull Theater aspires to challenge the intellect and engage the imagination of today=92s theatergoers through language-based, = company-created, resonantly provocative stagings of great classic stories. =20 Donations to Red Bull Theater are fully tax-deductible to the extent permitted by law. =20 DONATE =20 To give to Red Bull Theater right now, click HERE =20 or go to www.redbulltheater.com/join =20 =20 MAILING LISTS Don=92t miss out on events that get announced by regular mail only: Send your mailing address to us at info at redbulltheater.com. =20 To Subscribe or Unsubscribe to our email announcements, click HERE . =20 =20 =20 =20 Jesse Berger Jessica Niebanck Artistic Director Producing Director www.redbulltheater.com info at redbulltheater.com PO Box 250863 NYC NY 10025 212.414.5168 =20 =20 =20 =20 ------=_NextPart_001_03E9_01C5EE98.E87EA220 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable

 

=A0LIMITED ENGAGEMENT — THREE WEEKS = ONLY!

 

=A0To be sure you receive our e-mails, please add rsvp at redbulltheater.com to = your e-mail address book.

 

 

 

Red Bull Theater presents

The Revenger's = Tragedy

November 27 – December 18 @ = the Culture Project

Tickets available now: www.the= atermania.com

 

 

CAS= T

=A0Jason C. Brown,=A0 = =A0Aaron = Clayton,

=A0=A0 = Ty = Jones,

=A0Claire Lautier,=A0=A0 Paul = Niebanck,

=A0=A0 Petronia Paley,=A0 = =A0William = Peden,

=A0=A0Matthew Rauch,=A0 = =A0Russ = Salmon,

=A0=A0 Haynes = Thigpen,

=A0=A0 Yaegel = Welch

&n= bsp;

DIR= ECTION and DESIGN

=A0=A0Tracy Bersley, = =A0=A0Renee Blinkwolt,

=A0=A0Kimberly = Dilts,

=A0Evan O’Brient,=A0=A0 = Clint Ramos,

=A0=A0Peter = West

&n= bsp;

LOC= ATION

45 Bleecker = Street & Lafayette

Trains: 6, N/R/W, = F/V

www.45bleecker.com

&n= bsp;

TICKETS

www.the= atermania.com

212.352.3101

$15<= /p>

 

ABO= UT THE PLAY

The Revenger's Tragedy, a Jacobean thriller written a few years after Hamlet, is a searing examination of the need for justice and the desire for = vengeance. Vindice, the "Revenger," sets off a chain reaction of havoc in a = corrupt and decadent Venice= , which exposes outrageous indulgences and = government hypocrisy, and ends in a coup de th=E9=E2ter massacre of epic = proportions. Part black comedy, part social satire, the play is a gleefully macabre = plot-twisting blender full of Shakespeare's greatest hits. Written by Thomas = Middleton, Cyril Tourneur, or Anonymous, the work is adapted by Artistic Director Jesse = Berger.

 

WHO= WE ARE

Red Bull Theater is a 501(c)(3) not-for-profit company dedicated to the presentation of vital and imaginative productions of = heightened language plays and to the development of new plays written in a similar vein.  With a special focus on the Jacobean plays of Shakespeare = and his contemporaries, Red Bull Theater aspires to challenge the intellect and = engage the imagination of today’s theatergoers through language-based, company-created, resonantly provocative stagings of great classic = stories.

 

Donations to Red Bull = Theater are fully tax-deductible to the extent permitted by = law.

&nb= sp;

DON= ATE

 

To give to Red Bull Theater right now, = click HERE

or go to www.redbulltheater.com/j= oin

 

MAI= LING LISTS

Don’t miss out on events that = get announced by regular mail only:

Send your mailing address to us at = info at redbulltheater.com.

 <= /b>

To Subscribe or Unsubscribe to = our email announcements, click HERE.

 

 

=A0

 

Jesse Berger=A0=A0 Jessica Niebanck

Artistic Director=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0 Producing = Director

www.redbulltheater.com

info at redbulltheater.com

PO Box 250863

NYC NY 10025

212.414.5168

 

 

 

 

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Date: Mon, 21 Nov 2005 13:32:36 -0500 Subject: [NEohioPAL]Oberlin Orchestra Embarks on a Tour of China Message-ID: --Boundary_(ID_OkuHotLURr4McbYHQrCW0A) Content-type: text/plain; charset=WINDOWS-1252; format=flowed Content-transfer-encoding: quoted-printable Media Contact Only: Marci Janas Director of Conservatory Media Relations 440-775-8328 marci.janas at oberlin.edu FOR IMMEDIATE RELEASE Orchestra from the Oberlin Conservatory of Music to Embark on a Tour of the People=92s Republic of China Nine-day tour covers six cities, with more than 60 students performing=20= 10 concerts OBERLIN, OHIO (Nov. 21, 2005) =97 Ten concerts, nine days, six = cities=97the=20 numbers add up to an intense tour schedule under ordinary=20 circumstances. But for student-musicians from the Oberlin Conservatory=20= of Music in Oberlin, Ohio, the intensity is heightened by the fact that=20= the six cities are in the People=92s Republic of China. The Oberlin Orchestra, an ensemble of 66 Conservatory students=20= selected by audition, leaves for China on Dec. 23, 2005, and will=20 perform in some of China=92s premier venues, including the Beijing Poly=20= Theater and the Shanghai Concert Hall. The tour begins with three concerts in Anshan, in central = Liaoning=20 Province, followed by a performance in Shenyang. =46rom there it=92s on = to=20 Dalian, at the southern tip of the province, for two concerts. Two=20 evening performances in Beijing are next on the itinerary, followed by=20= a concert in Tianjing. The tour concludes with a performance in=20 Shanghai. The musicians return home on Jan. 5, 2006. All of the members of the Oberlin Orchestra are undergraduates. = They=20 represent cities throughout the United States and Canada, as well as=20 South Korea, Bulgaria, Denmark, and Singapore. Bridget-Michaele=20 Reischl, music director of the Oberlin Orchestras, will conduct the=20 ensemble during the tour; J Freivogel of St. Louis, Missouri, is=20 concertmaster. Along with intensive rehearsal sessions, the student-musicians = are=20 preparing for the tour by taking a course, China Tour Preparation,=20 offered by the East Asian studies department of Oberlin College, the=20 Conservatory=92s liberal arts counterpart. Funding for the tour is being provided by the Liaoning = Performance=20 Company, a presenting company from China; Chinese businessman Sen Wang;=20= the Chinese Ministry of Culture; and the Oberlin Conservatory of Music. The concert program includes the overture to Mozart=92s The = Marriage of=20 Figaro, selections from Bizet=92s Carmen, Strauss=92 Blue Danube, = Brahms=92=20 Hungarian Dance No. 5, Dvor=E1k=92s Slavonic Dances Op. 46, Nos. 1, 3, = and=20 8, and Chinese folk songs. In addition, this core program will=20 alternate George Gershwin=92s Rhapsody in Blue with Igor Stravinsky=92s=20= Pulcinella Suite. Pianist Thomas Rosenkranz, a 1999 graduate of the=20 Oberlin Conservatory, will be the featured soloist for the Gershwin. The orchestra also will perform the official songs of Anshan, = Dalian,=20 and Beijing, respectively, during concerts in those cities. In Dalian,=20= the Oberlin Orchestra will perform under the baton of guest conductor=20 Fan Tao. Tao, a conductor with the China Broadcasting Performing-Arts=20 Troupe, was awarded a special prize at the 2000 Sibelius International=20= Conducting Competition in Helsinki, Finland. A trip to China made last spring by the dean of the Oberlin=20 Conservatory, David H. Stull, and several faculty members was the=20 genesis of this tour. The Oberlin contingent was invited by the=20 Szechuan Conservatory in Cheng du and visited major concert halls and=20 music schools, where they gave master classes. =93Our primary interest was to visit major schools to get a = sense of=20 their philosophy of teaching and to establish at least an informal=20 relationship with the leaders of those institutions,=94 says Stull. In=20= April, five members of the Szechuan Conservatory made a reciprocal=20 visit to Oberlin to explore the nuances of American conservatory=20 training. =93This China tour will be of immense educational benefit to = Oberlin=20 students,=94 says tour manager James Kalyn. =93In addition to the = musical=20 growth they will experience by performing the same pieces over and over=20= again=97something students in conservatory orchestras rarely get to=20 do=97they will be exposed to the culture of an emerging economic=20 superpower.=94 =93China now produces some of the world=92s finest musicians,=94 = adds Stull.=20 =93Many of these young people come to Oberlin to study. Of the 50=20 students enrolled in the Conservatory from countries in Asia, 15 are=20 from China. It is in our own students=92 best interest to explore the=20 educational and performance opportunities this country has to offer.=94 Bridget-Michaele Reischl, Music Director, Oberlin Orchestra Since becoming the first American to win Italy=92s Antonio Pedrotti=20 International Conducting Competition in 1995, Bridget-Michaele Reischl=20= has been an active guest conductor throughout the United States and=20 internationally. Besides being music director of the Oberlin Orchestras=20= and a member of Oberlin=92s conducting faculty, Reischl is music = director=20 of the Green Bay Symphony Orchestra in Green Bay, Wisconsin, a position=20= she has held since 2001. =46rom 1992 to 2004, she was music director of=20= the Lawrence Symphony Orchestra and associate professor of conducting=20 at the Lawrence University Conservatory of Music in Appleton,=20 Wisconsin. She is a graduate of the Eastman School of Music. As a=20 student of Robert Spano (a 1983 Oberlin graduate), she continued her=20 studies as a conducting fellow at both the Aspen and the Tanglewood=20 music festivals, where she worked with Seiji Ozawa, Murray Sidlin, and=20= David Zinman (also an Oberlin graduate, Class of 1958). She has=20 recorded on the Velut Luna, CRI, and Sea Breeze Record Company labels. Thomas Rosenkranz, piano soloist Thomas Rosenkranz has performed on four continents and has twice been=20 named an artistic ambassador, sponsored by the United States State=20 Department on tours of the Middle East and Africa to present recitals=20 of American music for television and radio broadcasts. He was recently=20= awarded the prestigious =93Classical Fellowship Award=94 from the = American=20 Pianists Association. He has given performances at Lincoln Center (New=20= York), the Miller Theatre (New York), the 92 Street Y (New York), the=20 Kennedy Center (D.C.), the Hilbert Circle Theatre (Indianapolis),=20 L=92Acropolium (Carthage), and Theatre de la Ville (Tunis). He toured=20 Japan and Taiwan with the Eastman Wind Ensemble and has been a featured=20= pianist at such notable festivals as the the Tabarka Jazz Festival=20 (Tunisia), Octobre Musical (Tunisia), the Kurt Weill Fest (Germany),=20 and the National MTNA Convention in Seattle. He has performed as=20 soloist with the National Orchestra of Beirut, the Orchestre=20 Symphonique Tunsien, the Indianapolis Chamber Orchestra, and the=20 Northwest Chamber Orchestra. A graduate of the Oberlin Conservatory=20 (Class of 1999) and the Eastman School of Music, his major teachers=20 include Robert Shannon, Nelita True, and Yvonne Loriod-Messiaen. He=20 lives in Honolulu, Hawaii, and is assistant professor of piano at the=20 University of Hawaii at Manoa. He will be artist-in-residence at the=20 Cortona Contemporary Festival in Italy this summer. J Freivogel, concertmaster Raised in a family of musicians, J Freivogel began playing violin at=20 the age of two. Now in his last year of Oberlin=92s double-degree=20 program, he studies violin with Marilyn McDonald and is pursuing=20 degrees in violin performance and politics. Named one of Northern Ohio=20= Live magazine=92s =93best and brightest=94 in 2004, Freivogel has=20 participated in critically acclaimed concerts at Carnegie=92s Weill=20 Recital Hall and Merkin Hall in New York City. He is first violinist of=20= the Jasper String Quartet. In the spring, he will return to New York to=20= perform Alban Berg=92s Kammerkonzerte and the world premiere of Lewis=20 Nielson=92s Violin Concerto. Freivogel is from St. Louis, Missouri. The Oberlin Orchestra and the Oberlin Conservatory of Music After Sir Simon Rattle conducted the Oberlin Chamber Orchestra in=20 December 2004, Plain Dealer music critic Donald Rosenberg wrote that=20 the concert was =93stamped by magnificence.=94 Indeed, Rosenberg = included=20 the Oberlin-Rattle performance of Mahler=92s Symphony No. 4, which he=20 described as =93uncommonly rich in poetry and drama,=94 in his list of = top=20 10 memorable events from the 2004 concert season. Magnificence has come to be synonymous with all aspects of the = Oberlin=20 Conservatory of Music, from its exacting standards for incoming=20 students to the excellence in teaching and performance expected of its=20= faculty and the notable careers of its alumni, who can be found=20 performing in every major orchestra and opera house and with many of=20 today=92s acclaimed chamber ensembles. Founded in 1865 and situated within the intellectual vitality of=20= Oberlin College since 1867, Oberlin is the oldest continuously=20 operating conservatory in the United States. An undergraduate=20 institution, Oberlin is renowned internationally as a professional=20 music school of the highest caliber and has been called a =93national=20 treasure=94 by the Washington Post. Past guest conductors of the Oberlin Orchestra have included Marin=20 Alsop, Pierre Boulez, Catherine Comet, Tan Dun, Eve Queler, Robert=20 Shaw, Oscar Shumsky, Igor Stravinsky, composer John Williams, and Hugh=20= Wolff. Upcoming appearances by the Oberlin Orchestra for the 2005-06 = season=20 include a performance at Cleveland=92s Severance Hall, home of the=20 Cleveland Orchestra, under the baton of music director and conductor=20 Bridget-Michaele Reischl. The 2006-07 season features a performance at=20= Carnegie Hall with Robert Spano conducting. For more information about the Oberlin Conservatory of Music, = please=20 visit www.oberlin.edu/con. Oberlin College=92s Historic Ties to China For more than a century, Oberlin College and China have benefited from=20= a mutually supportive relationship encompassing educational, social,=20 and cultural exchanges, beginning with the teaching work of Oberlin=20 graduates in the late 1800s. To commemorate the efforts of Oberlin=20 educators in China, the Oberlin Shansi Memorial Association was founded=20= in 1908, more than 50 years before the Peace Corps was begun. Today=20 Shansi is an independent non-profit organization on the Oberlin campus=20= that sponsors numerous educational exchanges, sending Oberlin students=20= to sites throughout Asia to work and to teach and bringing Asian=20 scholars to the College for the same purpose. Shansi has empowered=20 generations of participants to make constructive and useful=20 contributions to Asian and American institutions and communities. Another strong Oberlin-China connection can be found at the = Shanghai=20 Conservatory of Music, the oldest conservatory in China. Huang Tzu, a=20 1926 Oberlin graduate who is widely considered to be one of the=20 patriarchs of Western music education in modern China, was one of its=20 founding fathers. Tzu wrote the school=92s curriculum, which ultimately=20= became the platform for the professional study of music in China. =0C Concert Schedule December 25, 2005 Anshan Shengli Auditorium, 3 p.m. and 7 p.m. December 26, 2005 Anshan Shengli Auditorium, 7 p.m. December 27, 2005 Shenyang Nanfeng International Centre, 7 p.m. December 28, 2005 Dalian Dalian Broadcasting Centre, 7 p.m. December 29, 2005 Dalian Dalian Broadcasting Centre, 7 p.m. December 30, 2005 Beijing Poly Theatre, 7 p.m. December 31, 2005 Beijing Poly Theatre, 7 p.m. January 1, 2006 Tianjing Venue TBA, 7 p.m. January 2, 2006 Shanghai Shanghai Concert Hall, 7 p.m. # # # Marci Janas Director of Conservatory Media Relations Oberlin Conservatory of Music 39 West College Street Oberlin, OH 44074 www.oberlin.edu/con (P) 440-775-8328 (F) 440-775-5457 marci.janas at oberlin.edu= --Boundary_(ID_OkuHotLURr4McbYHQrCW0A) Content-type: text/enriched; charset=WINDOWS-1252 Content-transfer-encoding: quoted-printable Media Contact Only: Marci Janas Director of Conservatory Media Relations 440-775-8328 = 0000,0000,FFFCmarci.janas at oberlin.edu FOR IMMEDIATE RELEASE
Orchestra from the Oberlin Conservatory of Music=20 to Embark on a Tour of the People=92s Republic of China Nine-day tour covers six cities, with more than 60 students performing 10 concerts =
<
OBERLIN, OHIO (Nov. 21, 2005) =97 Ten concerts, nine days, six cities=97the numbers add up to an intense tour schedule under ordinary circumstances. But for student-musicians from the Oberlin Conservatory of Music in Oberlin, Ohio, the intensity is heightened by the fact that the six cities are in the People=92s Republic of China.=20 The Oberlin Orchestra, an ensemble of 66 Conservatory students selected by audition, leaves for China on Dec. 23, 2005, and will perform in some of China=92s premier venues, including the Beijing Poly Theater and the Shanghai Concert Hall.=20 The tour begins with three concerts in Anshan, in central = Liaoning Province, followed by a performance in Shenyang. =46rom there it=92s on = to Dalian, at the southern tip of the province, for two concerts. Two evening performances in Beijing are next on the itinerary, followed by a concert in Tianjing. The tour concludes with a performance in Shanghai. The musicians return home on Jan. 5, 2006. All of the members of the Oberlin Orchestra are undergraduates. = They represent cities throughout the United States and Canada, as well as South Korea, Bulgaria, Denmark, and Singapore. Bridget-Michaele Reischl, music director of the Oberlin Orchestras, will conduct the ensemble during the tour; J Freivogel of St. Louis, Missouri, is concertmaster. Along with intensive rehearsal sessions, the student-musicians = are preparing for the tour by taking a course, China Tour Preparation, offered by the East Asian studies department of Oberlin College, the Conservatory=92s liberal arts counterpart. Funding for the tour is being provided by the Liaoning = Performance Company, a presenting company from China; Chinese businessman Sen Wang; the Chinese Ministry of Culture; and the Oberlin Conservatory of Music. The concert program includes the overture to Mozart=92s = The Marriage of Figaro, selections from Bizet=92s Carmen, Strauss=92 Blue Danube, Brahms=92 Hungarian Dance No. 5, Dvor=E1k=92s Slavonic Dances Op. 46, Nos. 1, 3, and 8, and Chinese folk songs. In addition, this core program will alternate George Gershwin=92s Rhapsody in Blue with Igor Stravinsky=92s Pulcinella Suite. Pianist Thomas Rosenkranz, a 1999 graduate of the Oberlin Conservatory, will be the featured soloist for the Gershwin.=20 The orchestra also will perform the official songs of Anshan, = Dalian, and Beijing, respectively, during concerts in those cities. In Dalian, the Oberlin Orchestra will perform under the baton of guest conductor Fan Tao. Tao, a conductor with the China Broadcasting Performing-Arts Troupe, was awarded a special prize at the 2000 Sibelius International Conducting Competition in Helsinki, Finland. FFFC,0000,0000 A trip to China made last spring by the dean of the = Oberlin Conservatory, David H. Stull, and several faculty members was the genesis of this tour. The Oberlin contingent was invited by the Szechuan Conservatory in Cheng du and visited major concert halls and music schools, where they gave master classes. =93Our primary interest was to visit major schools to get a = sense of their philosophy of teaching and to establish at least an informal relationship with the leaders of those institutions,=94 says Stull. In April, five members of the Szechuan Conservatory made a reciprocal visit to Oberlin to explore the nuances of American conservatory training. =93This China tour will be of immense educational benefit to = Oberlin students,=94 says tour manager James Kalyn. =93In addition to the = musical growth they will experience by performing the same pieces over and over again=97something students in conservatory orchestras rarely get to do=97they will be exposed to the culture of an emerging economic superpower.=94 =93China now produces some of the world=92s finest musicians,=94 = adds Stull. =93Many of these young people come to Oberlin to study. Of the 50 students enrolled in the Conservatory from countries in Asia, 15 are from China. It is in our own students=92 best interest to explore the educational and performance opportunities this country has to offer.=94 Bridget-Michaele Reischl, Music Director, Oberlin Orchestra Since becoming the first American to win Italy=92s Antonio Pedrotti International Conducting Competition in 1995, Bridget-Michaele Reischl has been an active guest conductor throughout the United States and internationally. Besides being music director of the Oberlin Orchestras and a member of Oberlin=92s conducting faculty, Reischl is music director of the Green Bay Symphony Orchestra in Green Bay, Wisconsin, a position she has held since 2001. =46rom 1992 to 2004, she was music director of the Lawrence Symphony Orchestra and associate professor of conducting at the Lawrence University Conservatory of Music in Appleton, Wisconsin. She is a graduate of the Eastman School of Music. As a student of Robert Spano (a 1983 Oberlin graduate), she continued her studies as a conducting fellow at both the Aspen and the Tanglewood music festivals, where she worked with Seiji Ozawa, Murray Sidlin, and David Zinman (also an Oberlin graduate, Class of 1958). She has recorded on the Velut Luna, CRI, and Sea Breeze Record Company labels.=20 Thomas Rosenkranz, piano soloist Thomas Rosenkranz has performed on four continents and has twice been named an artistic ambassador, sponsored by the United States State Department on tours of the Middle East and Africa to present recitals of American music for television and radio broadcasts. He was recently awarded the prestigious =93Classical Fellowship Award=94 from the American Pianists Association. He has given performances at Lincoln Center (New York), the Miller Theatre (New York), the 92 Street Y (New York), the Kennedy Center (D.C.), the Hilbert Circle Theatre (Indianapolis), L=92Acropolium (Carthage), and Theatre de la Ville (Tunis). He toured Japan and Taiwan with the Eastman Wind Ensemble and has been a featured pianist at such notable festivals as the the Tabarka Jazz Festival (Tunisia), Octobre Musical (Tunisia), the Kurt Weill Fest (Germany), and the National MTNA Convention in Seattle. He has performed as soloist with the National Orchestra of Beirut, the Orchestre Symphonique Tunsien, the Indianapolis Chamber Orchestra, and the Northwest Chamber Orchestra. A graduate of the Oberlin Conservatory (Class of 1999) and the Eastman School of Music, his major teachers include Robert Shannon, Nelita True, and Yvonne Loriod-Messiaen. He lives in Honolulu, Hawaii, and is assistant professor of piano at the University of Hawaii at Manoa. He will be artist-in-residence at the Cortona Contemporary Festival in Italy this summer. J Freivogel, concertmaster Raised in a family of musicians, J Freivogel began playing violin at the age of two. Now in his last year of Oberlin=92s double-degree program, he studies violin with Marilyn McDonald and is pursuing degrees in violin performance and politics. Named one of Northern Ohio Live magazine=92s =93best and brightest=94 = in 2004, Freivogel has participated in critically acclaimed concerts at Carnegie=92s Weill Recital Hall and Merkin Hall in New York City. He is first violinist of the Jasper String Quartet. In the spring, he will return to New York to perform Alban Berg=92s Kammerkonzerte and the world premiere of Lewis Nielson=92s Violin Concerto. Freivogel is from St. Louis, Missouri. The Oberlin Orchestra and the Oberlin Conservatory of Music After Sir Simon Rattle conducted the Oberlin Chamber Orchestra in December 2004, Plain Dealer music critic Donald Rosenberg wrote that the concert was =93stamped by magnificence.=94 Indeed, Rosenberg included the Oberlin-Rattle performance of Mahler=92s Symphony No. 4, which he described as =93uncommonly rich in poetry and drama,=94 in his list of top 10 memorable events from the 2004 concert season. Magnificence has come to be synonymous with all aspects of the Oberlin Conservatory of Music, from its exacting standards for incoming students to the excellence in teaching and performance expected of its faculty and the notable careers of its alumni, who can be found performing in every major orchestra and opera house and with many of today=92s acclaimed chamber ensembles. Founded in 1865 and situated within the intellectual vitality of Oberlin College since 1867, Oberlin is the oldest continuously operating conservatory in the United States. An undergraduate institution, Oberlin is renowned internationally as a professional music school of the highest caliber and has been called a =93national treasure=94 by the Washington Post. Past guest conductors of the Oberlin Orchestra have included Marin Alsop, Pierre Boulez, Catherine Comet, Tan Dun, Eve Queler, Robert Shaw, Oscar Shumsky, Igor Stravinsky, composer John Williams, and Hugh Wolff. Upcoming appearances by the Oberlin Orchestra for the 2005-06 = season include a performance at Cleveland=92s Severance Hall, home of the Cleveland Orchestra, under the baton of music director and conductor Bridget-Michaele Reischl. The 2006-07 season features a performance at Carnegie Hall with Robert Spano conducting.=20 For more information about the Oberlin Conservatory of Music, = please visit = 0000,0000,FFFCwww.oberlin.edu/con= . Oberlin College=92s Historic Ties to China For more than a century, Oberlin College and China have benefited from a mutually supportive relationship encompassing educational, social, and cultural exchanges, beginning with the teaching work of Oberlin graduates in the late 1800s. To commemorate the efforts of Oberlin educators in China, the Oberlin Shansi Memorial Association was founded in 1908, more than 50 years before the Peace Corps was begun. Today Shansi is an independent non-profit organization on the Oberlin campus that sponsors numerous educational exchanges, sending Oberlin students to sites throughout Asia to work and to teach and bringing Asian scholars to the College for the same purpose. Shansi has empowered generations of participants to make constructive and useful contributions to Asian and American institutions and communities. Another strong Oberlin-China connection can be found at the = Shanghai Conservatory of Music, the oldest conservatory in China. Huang Tzu, a 1926 Oberlin graduate who is widely considered to be one of the patriarchs of Western music education in modern China, was one of its founding fathers. Tzu wrote the school=92s curriculum, which ultimately became the platform for the professional study of music in China. =0C Concert Schedule December 25, 2005 Anshan Shengli Auditorium, 3 p.m. and 7 p.m. December 26, 2005 Anshan Shengli Auditorium, 7 p.m. December 27, 2005 Shenyang Nanfeng International Centre, 7 p.m. December 28, 2005 Dalian Dalian Broadcasting Centre, 7 p.m. December 29, 2005 Dalian Dalian Broadcasting Centre, 7 p.m. December 30, 2005 Beijing Poly Theatre, 7 p.m. December 31, 2005 Beijing Poly Theatre, 7 p.m. January 1, 2006 Tianjing Venue TBA, 7 p.m. January 2, 2006 Shanghai Shanghai Concert Hall, 7 p.m.
# # #
Marci Janas Director of Conservatory Media Relations Oberlin Conservatory of Music 39 West College Street Oberlin, OH 44074 www.oberlin.edu/con (P) 440-775-8328 (F) 440-775-5457 marci.janas at oberlin.edu= --Boundary_(ID_OkuHotLURr4McbYHQrCW0A)-- From ncplayhouse at sbcglobal.net Mon Nov 21 10:58:50 2005 From: ncplayhouse at sbcglobal.net (North Canton Playhouse) Date: Mon, 21 Nov 2005 10:58:50 -0800 (PST) Subject: [NEohioPAL]Auditions - Cinderella - North Canton Playhouse Message-ID: <20051121185850.65433.qmail@web81103.mail.mud.yahoo.com> --0-1846585649-1132599530=:65113 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit AUDITION NOTICE Rodgers & Hammerstein?s Musical "CINDERELLA" WHEN: Monday, December 12 and Tuesday, December 13 at 7:00 p.m. WHERE: The North Canton Playhouse, 525 ? 7th St. NE, (adjacent to Hoover High School) NEEDED: 20 - 25 Male and Female actors - teen through adult (6 Men; 6 Women; Bits, Extras, Singers) Come prepared with a song (an accompanist will be provided) and to read from the script For more information call the NCP office at 330-494-1613 --0-1846585649-1132599530=:65113 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit

 

 

  


AUDITION NOTICE

 

Rodgers & Hammerstein?s Musical

 

"CINDERELLA"

 

  WHEN:   Monday, December 12 and

             Tuesday, December 13

 

at 7:00 p.m.

 

         WHERE:   The North Canton Playhouse, 525 ? 7th St. NE,    (adjacent to Hoover High School)

 

     NEEDED: 20 - 25 Male and Female actors - teen through adult

(6 Men; 6 Women; Bits, Extras, Singers)

 

Come prepared with a song (an accompanist will be provided) and to read from the script

 

For more information call the NCP office at 330-494-1613

--0-1846585649-1132599530=:65113-- From info at standingrock.net Mon Nov 21 11:51:59 2005 From: info at standingrock.net (Standing Rock Cultural Arts) Date: Mon, 21 Nov 2005 14:51:59 -0500 Subject: [NEohioPAL]Kent's Homegrown Music Concert at Kent Stage Message-ID: > This message is in MIME format. Since your mail reader does not understand this format, some or all of this message may not be legible. --MS_Mac_OE_3215429519_489028_MIME_Part Content-type: text/plain; charset="ISO-8859-1" Content-transfer-encoding: quoted-printable Greetings WHO: Standing Rock Cultural Arts WHAT: Kent=B9s Home Grown Music Concert -featuring Kent musicians Guy Pernetti, John Reynolds, Jack Delasandro, Rio Neon and friends. WHEN: December 9, 8pm WHERE: The Kent Stage, 175 E. Main St - (330) 677-5005 COST: $8.00 CONTACT: 330-903-2055 Kent=B9s Home Grown Music, the concert series 2005 Kent and Northeastern Ohio have a rich history in music. Names that we are familiar with, Joe Walsh, Chrissy Hynde, Devo, Glass Harp, 15-60-75 (the numbers band), Alex Bevin, Dink, and that is just a fraction of the bands that played in this area. Standing Rock Cultural Arts in cooperation with The Kent Stage will be bringing to The Kent Stage a concert series called =B3Kent=B9s Home Grown Music.=B2 It will feature musicians that have been playing music in and aroun= d Kent since the 1960=B9s. Some of you will be familiar with some of the artists and some will be new to you. One thing that you can count on is an evening of wonderful music and a sense of being part of history. The kick off concert will be at 8 o=B9clock in the evening at The Kent Stage, 175 E. Main St. downtown Kent on December 9th, 2005 tickets will be $8. The first show will feature Guy Pernetti, John Reynolds, Jack Delasandro, Rio Neon and friends. Each a joy as a solo performer but together, you will jus= t have to see for yourselves. So mark your calendars for December 9th, 2005 for the =8CKent=B9s Home Grown Music=B2 concert series. This will be a night of music for the whole family that you don=B9t want to miss. For further information contact Gary Lockwood, by phone at 330-903-2055 or by email at waagosh at neo.rr.com www.standingrock.net for updates Thank you for supporting the Arts, Standing Rock Cultural Arts 257 N. Water St. Kent, OH 44240 330-673-4970 info at standingrock.net --MS_Mac_OE_3215429519_489028_MIME_Part Content-type: text/html; charset="ISO-8859-1" Content-transfer-encoding: quoted-printable Kent's Homegrown Music Concert at Kent Stage

Greetings

WHO:  Standing Rock Cultural Arts

WHAT: Kent=B9s Home Grown Music Concert
-featuring Kent musicians Guy Pernetti, John Reynolds, Jack D= elasandro, Rio Neon and friends.


WHEN:  December 9, 8pm

WHERE:  The Kent Stage,  175 E. Main St

-  (330) 677-5005


COST:  $8.00

CONTACT:  330-903-2055


    &nb= sp;            &= nbsp;   Kent=B9s Home Grown Music, the concert series 2005


Kent and Northeastern Ohio have a rich history in music. Names that we are = familiar with, Joe Walsh, Chrissy Hynde, Devo, Glass Harp, 15-60-75 (the num= bers band), Alex Bevin, Dink, and that is just a fraction of the bands that = played in this area.

Standing Rock Cultural Arts in cooperation with The Kent Stage will be bri= nging to The Kent Stage a concert series called =B3Kent=B9s Home Grown Music.=B2 I= t will feature musicians that have been playing music in and around Kent sin= ce the 1960=B9s.  Some of you will be familiar with some of the artists a= nd some will be new to you. One thing that you can count on is an evening of= wonderful music and a sense of being part of history.

The kick off concert will be at 8 o=B9clock in the evening at The Kent Stage= , 175 E. Main St. downtown Kent on December 9th, 2005 tickets will be $8. Th= e first show will feature Guy Pernetti, John Reynolds, Jack Delasandro, Rio = Neon and friends. Each a joy as a solo performer but together, you will just= have to see for yourselves. So mark your calendars for December 9th, 2005 f= or the =8CKent=B9s Home Grown Music=B2 concert series. This will be a night of mus= ic for the whole family that you don=B9t want to miss.

For further information contact Gary Lockwood, by phone at 330-903-2055 or = by email at waagosh at neo.rr.com


www.standingrock.net for updates

Thank you for supporting the Arts,

Standing Rock Cultural Arts
257 N. Water St.
Kent, OH 44240
330-673-4970
info at standingrock.net

 --MS_Mac_OE_3215429519_489028_MIME_Part-- From jfogel at clevelandplayhouse.com Mon Nov 21 11:46:36 2005 From: jfogel at clevelandplayhouse.com (Julie Fogel) Date: Mon, 21 Nov 2005 14:46:36 -0500 Subject: [NEohioPAL]ONE-DAY Sale for "Wife" or "Christmas Story" Message-ID: This is a multi-part message in MIME format. ------=_NextPart_000_0044_01C5EEAA.5FE4AC40 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable THE CLEVELAND PLAY HOUSE WEB-ONLY SALE starts Tuesday, November 22!=20 Choose your deal: $10 tickets to the closing performance of Doug Wright's Tony-Winning = Drama I Am My Own Wife, starring Mark Nelson 7:00 p.m. Sunday, November 27th . = or=20 $10 tickets to the Opening Night performance of A Christmas Story, 7:30 = p.m. Wednesday, November 30th.=20 Don't want to choose? Don't bother=85buy $10 tickets to both shows, if = you like=85 A $3 per ticket handling fee applies. Not valid with other offers or discounts. And, there's NO LIMIT on the number of $10 tickets you order = to EITHER show!=20 Use the promotional code 'PAL' when ordering to get the discounted = ticket.=20 This WEB-ONLY offer is valid beginning Tuesday, November 22.=20 Ready, set...shop! Happy Thanksgiving All! Julie Fogel Associate Director of Communications & Marketing The Cleveland Play House 8500 Euclid Avenue Cleveland, Ohio 44106 (216) 795-7000 ext. 236 www.clevelandplayhouse.com ------=_NextPart_000_0044_01C5EEAA.5FE4AC40 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable ONE-DAY Sale for "Wife" or "Christmas = Story"

THE CLEVELAND PLAY HOUSE WEB-ONLY SALE = starts Tuesday, November 22!

Choose your deal:

$10 tickets to the closing performance of = Doug Wright's Tony-Winning Drama I Am My Own Wife, starring Mark = Nelson 7:00 p.m. Sunday, November  27th  .

or

$10 tickets to the Opening Night = performance of A Christmas Story, 7:30 p.m. Wednesday, November 30th. =

Don't want to choose? Don't = bother…buy $10 tickets to both shows, if you like…
A $3 per ticket handling fee applies. = Not valid with other offers or discounts.  And, there's NO LIMIT on = the number of $10 tickets you order to EITHER show!

Use the promotional code 'PAL' when = ordering to get the discounted ticket.

This WEB-ONLY offer is valid beginning = Tuesday, November 22.

Ready, set...shop!
Happy Thanksgiving All!
Julie = Fogel
Associate Director of = Communications & Marketing
The Cleveland Play = House
8500 Euclid Avenue
Cleveland, Ohio 44106
(216) 795-7000 ext. = 236
www.clevelandplayhouse.com

------=_NextPart_000_0044_01C5EEAA.5FE4AC40-- >From Jean Zarzour" This is a multi-part message in MIME format. ------=_NextPart_000_0270_01C5EEAE.7964DA60 Content-Type: multipart/alternative; boundary="----=_NextPart_001_0271_01C5EEAE.7964DA60" ------=_NextPart_001_0271_01C5EEAE.7964DA60 Content-Type: text/plain; charset="Windows-1252" Content-Transfer-Encoding: quoted-printable BlankDear Friends- Can't afford to Buy this charming Bungalow? Well it = is also for RENT until a buyer is found! The rent is $725/month. No = dogs. Deposit + References. =20 (Jean Zarzour is showing this home in conjunction with Next Home Realty, = on behalf of owner, Donald Squires, former Stage Manager of Menopause = The Musical. Donald is now Stage Managing MTM in Seattle, WA but is = available by phone if you have further questions. To See this home, = leave a message for Jean on the Next Home Voice Mail Box. Call = 440-808-3900 and enter 8056 when prompted or as soon as the recorded = tour begins. Jean will return your call promptly.) CLICK HERE TO SEE MLS WITH 6 PICTURES! (Though the house is now = empty) Buyer Full Page =20 (full profile is below for those with download challenges) Priced To Sell (was $98,900)=20 Now $93,900 FOR SALE BY OWNER 9622 South Highland Garfield Hts., Ohio 44125 Spacious, Exceptionally Maintained Bungalow on a quiet, safe street, = just 2 minutes from I-480! Off Turney, North of Granger. Has formal = dining room with bay window, large living room w/ ventless gas = fireplace* First floor master leads to deck* Central Air, newer roof on = home & garage* Extra shower* Updated electric, brand new carpeting = upstairs* All appliances*=20 Finished SqFt: 1220=20 Total SqFt: 1220=20 SqFt Source: Public Records Lot Dimensions: 40x125=20 Irregular: N=20 Acres: 0.11=20 Frontage: 40*=20 Construction: Existing=20 Zoning: Residential=20 Year Built: 1942*=20 Tax Amount 1/2 Yr: 1102 =20 School District: 1815/Garfield Heights City=20 # Rooms: 5=20 # Bedrooms: 2*=20 # Fireplaces: 1=20 # Stories: 1.5*=20 # Full Baths: 1=20 # Half Baths: 0=20 Total Baths: 1=20 Covered Parking: 1=20 Handicap Mod: No=20 Warranty: No =20 Heating: Forced Air=20 Heat Source: Gas=20 Available for Auction: No=20 Exterior: Vinyl=20 Cooling: Central Air=20 Owner/Agent: No=20 Style: Bungalow=20 Roof: Asphalt/Fiberglass=20 Basement: Full=20 Fence: Chain Link, Partial=20 Lot Desc: Level=20 Fixer Upper: N=20 View Desc:=20 Public Trans: 1 - 4 Blocks=20 Living 16x14 1 Fireplace, Window Treatment, Wood Floor - 1st Floor Dining 12x10 1 Window Treatment, Wood Floor - 1st Floor Kitchen 12x8 1 Vinyl Flooring, Window Treatment - 1st Floor Master Bdrm 11x10 1 Balcony/Deck, Window Treatment, Wood Floor - 1st = Floor Bdrm 2 14x12 2 Wall to Wall Carpet, Window Treatment - 2nd Floor Water/Sewer: Public Sewer, Public Water, Storm Sewer =20 Garage/Parking: 1 Car, Detached, Garage Door Opener=20 *Appliances/Equipment: Cable Electric Link, Dryer, Freezer, Gas Dryer = Connection, Range, Refrigerator, Satellite Dish, Security System, Washer = Exterior Features: Deck=20 Amenities: Health Club, Library, Medical Facilities, Park, Playground, = Pool, Shopping/Mall, Tennis Courts=20 BUT WAIT! THERE'S MORE! Brand New Roof w/30 Year Warranty 5 Year old Furnace with April Air Brand New Driveway & Front Steps =20 Beautiful Wood Floors on 1st floor =20 Ventless Fireplace in Living Room Throws Great HEAT Beautiful, New Carpet on 2nd Floor =20 Waterproofed/Finish-Ready Basement =20 All Appliances & BASEMENT FREEZER STAY Brand New Vinyl Windows =20 1 Car Garage w/Brand New Roof & Floor =20 New Electrical Box =20 =20 Currently Understudying 2 roles in Menopause The Musical at Playhouse = Sq.'s 14th St. Theater. Running since April 2004! Now Appearing as Power Woman Every Wednesday at 2 pm Also Nov. 5, 10, = 11, 13, 19, 25, 26, 27 Appearing as Earth Mother Dec. 3-11 Lipschtick =AE 2300 McKinley Ave. Lakewood, Ohio 44107=20 ph/fax: 216-521-3831 Also Founder of the GOT PAY? Organization Read an on line interview with Jean=20 www.lipschtick.com Comedy that lasts all day! ------=_NextPart_001_0271_01C5EEAE.7964DA60 Content-Type: text/html; charset="Windows-1252" Content-Transfer-Encoding: quoted-printable Blank
Dear Friends-  Can't afford to Buy this = charming=20 Bungalow? Well it is also for RENT until a buyer is = found!  =20 The rent = is=20 $725/month.  No dogs.  Deposit + = References.  =20
 
(Jean Zarzour is showing this home = in=20 conjunction with Next Home Realty, on behalf of owner, Donald = Squires,=20 former Stage Manager of Menopause The Musical.  Donald=20 is now Stage Managing MTM in Seattle, WA but is available = by=20 phone if you have further questions.  To See this home, leave a message for Jean on the = Next Home=20 Voice Mail Box.  Call 440-808-3900 = and enter=20 8056 when prompted or as soon as the recorded=20 tour begins.   Jean will = return your=20 call promptly.)

Chagrin Valley Little Theatre

Announces  The Broadway Musical, = A Christmas=20 Carol  

 

November = 21, 2005=20 :  Charles Dickens' classic gets the full Broadway treatment in = Alan=20 Menken=92s-Lynn Ahrens=92-Mike Okrent's adaptation of A Christmas=20 Carol. This is the version that leaves New Yorkers and tourists = alike=20 gasping in wonder and merriment every year as the story unfolds on the = stage at=20 Madison Square Garden. In 2004, this version became the basis of a NBC=20 television spectacular featuring Kelsey Grammer as Scrooge, surrounded = by an=20 array of stars including Jason Alexander, Jesse L. Martin, Jane = Krakowski,=20 Geraldine Chaplin, Jennifer Love Hewitt and Ruthie Henshall. Alan Menken = (Little Shop Of Horrors) and Lynn Ahrens (Ragtime The Musical, = Once On=20 This Island) have collaborated on a score that is filled with = beautiful=20 melodies and emotional lyrics. Their song "A Place Called Home" has = become a=20 holiday standard.

 

There are many adaptations of A Christmas = Carol out=20 there, but only one Broadway version! Now this holiday treat can be = seen=20 at  Chagrin Valley = Little=20 Theatre

 

CLICK = HERE TO=20 SEE  MLS WITH 6=20 PICTURES!   (Though the house is now empty) =20 Buyer Full=20 Page  

(full profile is = below for those=20 with download challenges)

Priced To Sell (was $98,900) =
Now=20 $93,900
FOR SALE BY=20 OWNER
9622 South=20 Highland
Garfield Hts., = Ohio=20 44125
 
Spacious, = Exceptionally=20 Maintained Bungalow on a quiet, safe street, just 2 minutes = from I-480! Off=20 Turney, North of Granger. Has formal dining room with bay = window,=20 large living room w/ ventless gas fireplace* First floor master leads to = deck*=20 Central Air, newer roof on home & garage* Extra shower* Updated = electric, brand new carpeting upstairs* All=20 appliances* 
 
Finished SqFt: 1220
Total SqFt: = 1220=20
SqFt = Source: Public=20 Records
Lot=20 Dimensions: 40x125
Irregular: N=20
Acres: 0.11
Frontage: = 40*=20
Construction: Existing
Zoning:=20 Residential
Year = Built: 1942*=20
Tax Amount 1/2 = Yr:=20 1102  
School District: 1815/Garfield Heights City =
# = Rooms: 5=20
# Bedrooms: = 2*=20
# Fireplaces: = 1=20
# Stories: = 1.5*=20
# Full = Baths: 1=20
# Half Baths: = 0=20
Total Baths: = 1=20
Covered Parking: = 1=20
Handicap = Mod: No=20
Warranty: = No   
Heating: Forced Air
Heat Source: = Gas=20
Available for = Auction: No=20
Exterior:=20 Vinyl
Cooling: Central=20 Air
Owner/Agent: = No=20
Style:=20 Bungalow
Roof:=20 Asphalt/Fiberglass
Basement:=20 Full
Fence: Chain Link,=20 Partial
Lot Desc:=20 Level
Fixer Upper: = N=20
View Desc:=20
Public Trans:=20 1 - 4 Blocks
 
Living 16x14 1 Fireplace, = Window=20 Treatment, Wood Floor - 1st Floor
Dining = 12x10=20 1 Window Treatment, Wood Floor - 1st=20 Floor
Kitchen = 12x8=20 1 Vinyl Flooring, Window Treatment - 1st=20 Floor
Master Bdrm=20 11x10 1 Balcony/Deck, Window Treatment, Wood = Floor -=20 1st Floor
Bdrm 2 = 14x12=20 2 Wall to Wall Carpet, Window Treatment - 2nd=20 Floor
Water/Sewer: Public Sewer, Public Water, Storm = Sewer=20  
Garage/Parking: 1 Car, = Detached,=20 Garage Door Opener
*Appliances/Equipment:  Cable Electric Link, Dryer, = Freezer, Gas=20 Dryer Connection, Range, Refrigerator, Satellite Dish, Security System, = Washer=20 Exterior Features: Deck =
Amenities: Health Club,=20 Library, Medical Facilities, Park, Playground, Pool, Shopping/Mall, = Tennis=20 Courts
 
BUT WAIT!  THERE'S = MORE!
Brand New Roof = w/30=20 Year Warranty
5 Year old = Furnace with April=20 Air
Brand New = Driveway &=20 Front Steps   
Beautiful Wood = Floors on 1st=20 floor           &n= bsp;        
Ventless Fireplace in=20 Living Room Throws Great HEAT
Beautiful, New = Carpet on 2nd=20 Floor    
Waterproofed/Finish-Ready Basement   = ;           
All Appliances = & BASEMENT=20 FREEZER STAY
Brand New Vinyl = Windows           =             &= nbsp;       
1 Car Garage = w/Brand New Roof=20 & =20 Floor          
New = Electrical=20 Box=20             &= nbsp;         =20
  
 
 

3D""=20
Currently Understudying 2 roles in = Menopause = The=20 Musical  at Playhouse Sq.'s 14th = St.=20 Theater.  Running = since April=20 2004!
Now=20 Appearing as Power=20 Woman Every Wednesday at 2 pm   Also =20 Nov. 5, 10, 11, 13, 19, 25, 26, 27 Appearing as Earth=20 Mother Dec.=20 3-11
Lipschtick =AE
2300 McKinley = Ave.Lakewood, Ohio=20 44107
ph/fax:=20 216-521-3831
Also Founder of=20 the GOT PAY? Organization
Read an on line interview with Jean=20

3D""=20www.lipschtick.com<= /A>    =20 Comedy that lasts all = day!

 

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name="Blank Bkgrd.gif" Content-Transfer-Encoding: base64 Content-ID: <026f01c5eed8$622ead60$0302a8c0 at DD1WK941> R0lGODlhLQAtAID/AP////f39ywAAAAALQAtAEACcAxup8vtvxKQsFon6d02898pGkgiYoCm6sq2 7iqWcmzOsmeXeA7uPJd5CYdD2g9oPF58ygqz+XhCG9JpJGmlYrPXGlfr/Yo/VW45e7amp2tou/lW xo/zX513z+Vt+1n/tiX2pxP4NUhy2FM4xtjIUQAAOw== ------=_NextPart_000_0270_01C5EEAE.7964DA60-- From MChamberlain at beckcenter.org Mon Nov 21 12:35:53 2005 From: MChamberlain at beckcenter.org (Meg Chamberlain) Date: Mon, 21 Nov 2005 15:35:53 -0500 Subject: [NEohioPAL]4 FREE tickets to Menopause! Message-ID: <97CF2CB42902E345A929E3202369C84E02FDA7@beck-1.beckcenter.com> This is a multi-part message in MIME format. ------_=_NextPart_001_01C5EEDB.2AF9ECB2 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable If you haven't seen this show yet, you should! If you'd like to see it again, I understand! The first person to respond to this offer will receive 4 tickets to this = Saturday the 26th's 8pm show! Happy Holidays from all the folks at Menopause the Musical! Meg Chamberlain Dir of Theater Education Beck Center for the Arts 216 521 2540 x227 What's Happening at the = Beck Center! T.I.D.Y. A World Premiere in the Studio Theater November 18 through December 18 Coming Soon on the Main Stage Disney's Beauty and the Beast December 2 through 31 Youth Theater Presents A Christmas Peril December 3, 10 and 17 For show tickets, call 216-521-2540. Spring 2006 Class Catalog Available December 1st. Register online for classes in dance, music, theater, and visual arts at www.beckcenter.org or call 216-521-2540, ext. 222. =20 ------_=_NextPart_001_01C5EEDB.2AF9ECB2 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
If you haven't seen = this show=20 yet, you should!
If you'd like to = see it again,=20 I understand!
The first person to = respond to=20 this offer will receive 4 tickets to this Saturday the 26th's 8pm=20 show!
Happy Holidays from = all the=20 folks at Menopause the Musical!
Meg=20 Chamberlain
Dir of Theater = Education
Beck Center for the = Arts
216 521 2540 x227

 What's=20 Happening at the Beck = Center!<= /B>

 T.I.D.Y. A=20 World Premiere

in the = Studio=20 Theater

November 18 = through=20 December 18

 Coming Soon = on the=20 Main  Stage

Disney's=20 Beauty and the Beast

December 2 = through=20 31

 Youth = Theater=20 Presents

A=20 Christmas Peril

December 3, = 10 and=20 17

 For=20 show tickets, call 216-521-2540.

 Spring=20 2006 Class Catalog

Available=20 December 1st.

Register = online for=20 classes in dance, music,

theater, and = visual=20 arts at www.beckcenter.org

or call = 216-521-2540,=20 ext. 222.

 

------_=_NextPart_001_01C5EEDB.2AF9ECB2-- From csimon at convergence-continuum.org Mon Nov 21 13:08:14 2005 From: csimon at convergence-continuum.org (csimon at convergence-continuum.org) Date: Mon, 21 Nov 2005 16:08:14 -0500 (EST) Subject: [NEohioPAL]convergence-continuum opens States of Shock Dec. 2 Message-ID: <54981.65.43.230.42.1132607294.squirrel@mail.plainhost.com> CONVERGENCE-CONTINUUM WILL OPEN STATES OF SHOCK FRIDAY, DECEMBER 2, FOR A THREE-WEEK, LIMITED RUN AT THE LIMINIS IN TREMONT ?Tis the season for peace and goodwill. But at Danny?s family restaurant, populated by two disgruntled customers and a balance-challenged waitress, the calm is shattered by sounds of war and destruction. Hostilities escalate when the Colonel, in full military regalia, walks into the cafe to the rhythms of two live, on-stage percussionists. The Colonel is pushing a wheelchair in which sits a damaged young veteran. They have dropped by the restaurant to celebrate with a nice dessert while the war continues to rage on -- complete with singing, dancing, flying food, and a naughty encounter with some clam chowder. States of Shock is directed by convergence-continuum's Artistic Director Clyde Simon and features an ensemble cast that includes Lucy Bredeson-Smith, Geoff Hoffman, Steve Needham, Wes Shofner and Dawn Youngs, with percussionists Bill Lynn, Dino Osmanbegovic and guitarist Mark K. States of Shock opens Friday, December 2 and runs Thursdays, Fridays, and Saturdays through December 17 at the Liminis, 2438 Scranton Rd. in Cleveland's historic Tremont neighborhood. All performances begin at 8 pm. Tickets are $12 for general admission and $9 for students and seniors. For information and reservations, call 216-687-0074 or visit us on the web at www.convergence-continuum.org. From jbarlow at lorainccc.edu Mon Nov 21 14:06:28 2005 From: jbarlow at lorainccc.edu (Janet Barlow) Date: Mon, 21 Nov 2005 17:06:28 -0500 Subject: [NEohioPAL]RE: Give Stocker Tickets For The Holidays! Message-ID: <200511212206.jALM6Wbr065280@lc3ms1.lorainccc.edu> This is a multi-part message in MIME format. ------=_NextPart_000_0096_01C5EEBD.EC1620F0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit GIVE A MOOSE FOR THE HOLIDAYS!! OR HOW ABOUT THE AMERICAN FRONTIER?? Now that Thanksgiving is upon us. Are you starting to think about finding that perfect gift for loved ones and friends this holiday season? HOW ABOUT TICKETS FOR UPCOMING EVENTS AT STOCKER ARTS CENTER? There are so many different upcoming events you're bound to find something that will please all of those on your gift list!! Here's a sample of shows you can choose: Sunday, December 18, 2005 - 3:00pm - Great fun for the whole family! Mooseltoe, A New Moosical Book/Lyrics by Jim Semmelman, Music by George Kramer. Tickets $15.00/Adults; $10.00/Children 12 and under This is a story to see and to hear, of a moose who wants to fly with Santa's reindeer. He sets out on a quest, his mind on one thing, to seek and to find. the great wise Mooseking. Through trial and error, through friends and through foes, he continues his journey, he follows his nose. He's about to give up, he's reduced to tears, when suddenly one night, the great Mooseking appears! He teaches our hero, what we all can perceive, to look deep inside and learn to believe. The North Pole's in a panic and so is St. Nick, it's one of the reindeer, it's Blitzen. he's sick! I won't tell you more, suffice it to say, Mooseltoe is the hero, Mooseltoe saves the day! This hour-long odyssey of self-discovery has unforgettable costumed characters including snobby penguins, a walrus, a talking snowball, elves and Santa himself. Your entire family will embrace and cheer our lovable hero, Mooseltoe. Begin a new holiday tradition with this colorful and whimsical tale! Sunday, January 22, 2006 - 3:00pm - An inspirational afternoon of great music with great food available beforehand! Harlem Gospel Choir in Concert Concert Tickets $15.00/Adults; $10.00/Children 12 and under Gospel Brunch - Spitzer Conference Center at 1:15pm Brunch Tickets $15.00/Adults; $5.00/Children 12 and under Combined Concert/Brunch Tickets $29.00/Adults; $14.50/Children 12 and under The Harlem Gospel Choir was founded in 1986 by Allen Bailey. Made up of the finest singers and musicians from various Black Churches in Harlem, it has become one of the pre-eminent gospel choirs in the world. They have shared their message of love, peace and harmony with people from various nations, backgrounds and cultures, creating a better understanding of African-American culture and the inspirational music that is Gospel as it relates to the Black Church. Every performance strives to bring people and nations together while giving something back. Come for brunch and stay for the concert. It will feature songs that will touch the depths of your soul and raise your spirits to new heights! www.harlemgospelchoir.com Monday, February 13, 2006 (Series B) - 7:00pm - The show that changed the American musical forever! "Oklahoma!" Tickets $34.00/Orchestra; $27.00/Mezzanine Based on "Green Grow the Lilacs," a stage play by Lynn Riggs, "Oklahoma!" brought together for the first time composer Richard Rodgers and lyricist/librettist Oscar Hammerstein II. The duo would go on to write nine Broadway musicals together, but none would be as important for the development of American musical theatre as "Oklahoma!" Set soon after the beginning of the 20th century in the Indian territory now known as the state of Oklahoma, against a backdrop of the rivalry between cattlemen and farmers, the plot revolves mainly around the question of who will take farm girl Laurey Williams to the box social - the decent cowboy Curly McLain or the sinister farm hand Jud Fry. This sparkling new touring production is adapted from the Cameron Mackintosh presentation of the Royal National Theatre production that won the hearts of a new generation of theatergoers. "Oh, What a Beautiful Musical!" - NY Post The songs from "Oklahoma!" you'll recognize include: "Oh, What A Beautiful Morning'," "People Will Say We're in Love," "I Cain't Say No," and of course, the title song! Thursday, February 16, 2006 - 7:30pm - A variety show that will bring out the hip-hop in everyone! Illstyle and Peace Productions present "Same Spirit Different Movement" Tickets $15.00/Adults; $10.00/Children 12 and under Illstyle and Peace Productions is a multi-cultural male and female dance theatre company which fuses hip hop with various other styles of dance. They are committed to spreading unity, peace, love, respect, and fun through dance. This evening length theater/concert performance is a collaborative effort that brings various dance styles together. It includes vocal percussions, turntablism, spoken word, Popping, Locking, Breaking, Tap Dancing, DJing, Human Beat Boxing and various other styles. "Expect to see fabulous feats of spinning on the limbs and contorted body postures done with rhythm, speed, control and precision in both a choreographed and improvised manner." EPITOME MAGAZINE www.illstylerockers.net Wednesday, April 12, 2006 - 7:30pm - Shakespeare at his finest/funniest! National Players present "THE TAMING OF THE SHREW" Tickets $15.00/Adults; $10.00/Children 12 and under One of Shakespeare's most famous comedies, "THE TAMING OF THE SHREW" is a love story. It begins in Padua, where Lucentio arrives to attend the university, but his priorities change when he sees Bianca, a beautiful, mild young woman with whom he instantly falls in love. There are two problems: Bianca already has suitors; and her father, Baptista, has declared that no one may court her until her older sister, the ill-tempered Katherine, is married. Enter Petruchio, a brash young man from Verona, who arrives in Padua to marry a rich woman, and does not care what she is like as long as she brings him a fortune. He agrees to marry Katherine sight unseen. Do Petruchio and Katherine wed? Who gets "tamed?" Is it possible there is more than one "shrew" in the play? Come see this classic to find out the answers to these questions. www.nationalplayers.org Saturday, April 22, 2006 (Series B) - 7:30pm - Modern Dance at its best! Taylor 2 Dance Company Tickets $34.00/Orchestra; $27.00/Mezzanine Paul Taylor has been called a genius; a legend; a cultural icon. Time Magazine calls him "the reigning master of modern dance," and the New York Daily News declares him "the best choreographer in the world." Paul Taylor is the recipient of dozens of awards and honors. He was awarded the National Medal of the Arts by President Clinton in 1993, the same year he created Taylor 2, the junior ensemble of the Paul Taylor Dance Company. Working along with longtime colleague Linda Hodes, he established Taylor 2 to ensure that his works could be seen by audiences all over the world, unhindered by economic or logistical limitations. Mr. Taylor used the structure of his original company for Taylor 2: six professionals with a particular gift for his style who perform his masterworks in smaller venues throughout the world. The repertoire for Taylor 2 spans the broad spectrum of Mr. Taylor's work. Many of the dances performed by the company have been re-worked to enable the smaller ensemble of dancers in Taylor 2 to perform them. Critics and audiences alike cheer as Taylor 2 introduces the athleticism, humor and range of emotions found in Mr. Taylor's work. www.ptdc.org Besides the above mentioned events. there's also our 2006 Winter/Spring film series! If you decide tickets for Stocker Arts Center events and films are the perfect gift, please call the Stocker Arts Center Box Office, which is open from 12:00 noon to 6:00p.m. Mondays through Fridays and one-and-one-half hours before show time (PLEASE NOTE: The Box Office is closed November 24 & 25 and December 19, 2005 through January 1, 2006 - SO ACT NOW!!). The Box Office can be reached by calling (800) 995-5222 ext. 4040 or (440) 366-4040. The Stocker Arts Center is on the campus of Lorain County Community College, 1005 North Abbe Road, Elyria, Ohio 44035. For further information on the films and events and/or directions to Stocker, go to www.lorainccc.edu/stocker Please share all that we have to offer at the Stocker Arts Center with friends and family this holiday season! Janet Herman Barlow Director, Stocker Arts Center Lorain County Community College 1005 North Abbe Road Elyria, Ohio 44035 440.366.7105 or 1.800.995.5222 ext. 7105 440.366.4101 [fax] jbarlow at lorainccc.edu www.lorainccc.edu/stocker ------=_NextPart_000_0096_01C5EEBD.EC1620F0 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable

GIVE A MOOSE FOR THE HOLIDAYS!!  OR HOW ABOUT THE AMERICAN FRONTIER?? 

 

Now that = Thanksgiving is upon us…

Are you starting = to think about finding that perfect gift for loved ones and friends this holiday = season?

 

HOW ABOUT TICKETS FOR UPCOMING EVENTS AT = STOCKER = ARTS CENTER?<= /i>

 

There are so many different upcoming events = you’re bound to find something that will please all of those on your gift = list!!  Here’s a sample of shows you can = choose:

 

Sunday, December 18, 2005 – 3:00pm = – Great fun for the whole family!
Mooseltoe, A New = Moosical
Book/Lyrics by Jim Semmelman, Music by George Kramer.

Tickets $15.00/Adults; = $10.00/Children 12 and under

This is a story to see and to hear, of a moose who wants to fly with = Santa’s reindeer.  He sets out on a quest, his mind on one thing, to seek = and to find… the great wise Mooseking.  Through trial and error, = through friends and through foes, he continues his journey, he follows his = nose.  He’s about to give up, he’s reduced to tears, when suddenly = one night, the great Mooseking appears!  He teaches our hero, what we = all can perceive, to look deep inside and learn to believe.  The North Pole’s in a panic and so is St. Nick, it’s one of the = reindeer, it’s Blitzen… he’s sick!  I won’t tell you = more, suffice it to say, Mooseltoe is the hero, Mooseltoe saves the day!  = This hour-long odyssey of self-discovery has unforgettable costumed = characters including snobby penguins, a walrus, a talking snowball, elves and Santa himself.  Your entire family will embrace and cheer our lovable = hero, Mooseltoe.  Begin a new holiday tradition with this colorful and = whimsical tale! 

 

Sunday, January 22, 2006 – 3:00pm = – An inspirational afternoon of great music = with great food available beforehand!
Harlem Gospel Choir in Concert

Concert Tickets $15.00/Adults; $10.00/Children 12 = and under
Gospel Brunch - Spitzer Conference Center at = 1:15pm
Brunch Tickets $15.00/Adults; $5.00/Children 12 and under
Combined Concert/Brunch Tickets =
$29.00/Adu= lts; $14.50/Children 12 and under

The Harlem Gospel Choir was founded in 1986 by Allen Bailey.  Made up of the finest singers and musicians from various = Black Churches in Harlem, it has become one = of the pre-eminent gospel choirs in the world.  They have shared their = message of love, peace and harmony with people from various nations, backgrounds = and cultures, creating a better understanding of African-American culture = and the inspirational music that is Gospel as it relates to the Black Church.  Every performance strives to bring people and nations together while = giving something back.  Come for brunch and stay for the concert. It will = feature songs that will touch the depths of your soul and raise your spirits to = new heights!  www.harlemgospelchoir.com

 

Monday, = February 13, 2006 (Series B) – 7:00pm – The show that changed the American musical = forever!
"Oklahoma!”

Tickets $34.00/Orchestra; = $27.00/Mezzanine

Based on “Green Grow the Lilacs,” = a stage play by Lynn Riggs, “Oklahoma!” brought together for the first time composer Richard Rodgers and lyricist/librettist Oscar Hammerstein II.  The duo would go on to = write nine Broadway musicals together, but none would be as important for the development of American musical theatre as “Oklahoma!”  Set soon = after the beginning of the 20th century in the Indian territory now known as the = state of Oklahoma, against a backdrop of the rivalry between cattlemen and = farmers, the plot revolves mainly around the question of who will take farm girl = Laurey Williams to the box social – the decent cowboy Curly McLain or the sinister farm hand Jud Fry.  This sparkling new touring production = is adapted from the Cameron Mackintosh presentation of the Royal National = Theatre production that won the hearts of a new generation of = theatergoers.  “Oh, What a Beautiful Musical!” – NY = Post    The songs from “Oklahoma!” you’ll recognize include:  “Oh, What A Beautiful Morning’,” “People Will Say We’re in = Love,” “I Cain’t Say No,” and of course, the title = song!

 

Thursday, February 16, 2006 – 7:30pm = – A variety show that will bring out the hip-hop in = everyone!
Illstyle and Peace Productions = present “Sam= e Spirit Different Movement”

Tickets $15.00/Adults; $10.00/Children 12 and = under

Illstyle and Peace Productions is a multi-cultural male and female dance theatre company which fuses hip hop = with various other styles of dance.  They are committed to spreading = unity, peace, love, respect, and fun through dance.  This evening length = theater/concert performance is a collaborative effort that brings various dance styles together.  It includes vocal percussions, turntablism, spoken word, Popping, Locking, Breaking, Tap Dancing, DJing, Human Beat Boxing and = various other styles.  “Expect to see fabulous feats of spinning on the limbs and contorted body = postures done with rhythm, speed, control and precision in both a choreographed and improvised manner.”  EPITOME MAGAZINE   www.illstylerockers.net

 

Wednesday, April 12, 2006 – 7:30pm = – Shakespeare at his finest/funniest!
National = Players present "THE = TAMING OF THE SHREW”

Tickets $15.00/Adults; $10.00/Children 12 and under

One of Shakespeare’s most = famous comedies, “THE TAMING OF THE SHREW” is a love story.  = It begins in Padua, where Lucentio arrives to attend the university, but = his priorities change when he sees Bianca, a beautiful, mild young woman = with whom he instantly falls in love.  There are two problems: Bianca already = has suitors; and her father, Baptista, has declared that no one may court = her until her older sister, the ill-tempered Katherine, is married.  Enter Petruchio, a brash young man from Verona, who arrives in Padua to marry a rich woman, and does not care what she is like as long as she = brings him a fortune.  He agrees to marry Katherine sight unseen.  Do Petruchio and Katherine wed?  Who gets “tamed?”  = Is it possible there is more than one “shrew” in the play?  = Come see this classic to find out the answers to these questions.  www.nationalplayers.org

 

Saturday, April 22, 2006 (Series B) – 7:30pm = – Modern Dance at its = best!
Taylor 2 Dance Company

Tickets $34.00/Orchestra; = $27.00/Mezzanine =

Paul Taylor has been called a = genius; a legend; a cultural icon.  Time Magazine calls him “the reigning = master of modern dance,” and the New York Daily News declares him “the best choreographer in the world.”  Paul Taylor is the recipient of dozens of awards and honors.  He was awarded the National Medal of the Arts by President Clinton in 1993, the same year he created Taylor 2, the junior ensemble of the Paul Taylor Dance Company.  Working = along with longtime colleague Linda Hodes, he established Taylor 2 to ensure that his works = could be seen by audiences all over the world, unhindered by economic or = logistical limitations.  Mr. Taylor used the structure of his original company = for Taylor 2: six professionals with a particular gift for his style who perform his = masterworks in smaller venues throughout the world.  The repertoire for = Taylor 2 spans = the broad spectrum of Mr. Taylor’s work.  Many of the dances performed = by the company have been re-worked to enable the smaller ensemble of dancers in = Taylor 2 to = perform them.  Critics and audiences alike cheer as Taylor 2 introduces the athleticism, = humor and range of emotions found in Mr. Taylor’s work.  www.ptdc.org 

=

 =

Besides the = above mentioned events… there’s also our 2006 Winter/Spring film = series!

  =

If you decide tickets for Stocker Arts Center events and films are the perfect gift, please call the Stocker Arts = Center Box Office, which is open from 12:00 noon to 6:00p.m. Mondays through = Fridays and one-and-one-half hours before show time (PLEASE NOTE:  The Box = Office is closed November 24 & 25 and December 19, 2005 through January 1, = 2006 – SO ACT NOW!!).  The Box Office can be reached by calling (800) = 995-5222 ext. 4040 or (440) 366-4040.

 

The Stocker Arts Center is on the campus of Lorain County Community College, 1005 North Abbe Road, Elyria, Ohio  44035.  For further information on the films and events and/or directions = to Stocker, go to www.lorainccc.edu/stocker=

Please share all that we have to offer at the Stocker Arts Center with = friends and family this holiday season!

 

 

Janet Herman Barlow

Director, Stocker Arts Center

Lorain County  Community College

1005 North Abbe = Road

Elyria, Ohio  44035

440.366.7105 or

1.800.995.5222 ext. 7105

440.366.4101 [fax]

jbarlow at lorainccc.edu

www.lorainccc.edu/stocker

 

 

 

------=_NextPart_000_0096_01C5EEBD.EC1620F0-- From aj.higbee at sbcglobal.net Mon Nov 21 14:27:28 2005 From: aj.higbee at sbcglobal.net (Alan or Judith Higbee) Date: Mon, 21 Nov 2005 17:27:28 -0500 Subject: [NEohioPAL]East side church seeks bass section leader Message-ID: <000c01c5eeea$c2e5df90$0100a8c0@BABYLAPTOP> This is a multi-part message in MIME format. ------=_NextPart_000_0009_01C5EEC0.D8A09020 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Church of the Saviour in Cleveland Hts. is looking for a bass = soloist/section leader. =20 We have hired a tenor section leader for about 10 years and now are = adding a bass to the Chancel Choir. Rehearsals are on Thursdays from = 7:30-9:15 p.m. and the choir sings regularly at the 11:00 a.m. worship = service. We average about 30 singers on a Sunday morning and do = traditional repertoire of the past and music by living composers as = well. We are preparing to present Mozart's Coronation Mass in February. = For more information please contact: Judith Higbee Director of Music Church of the Saviour (United Methodist) 2537 Lee Road Cleveland Hts., OH 44118 216-321-8880 higbee at chsaviour.org ------=_NextPart_000_0009_01C5EEC0.D8A09020 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
Church of the = Saviour in=20 Cleveland Hts. is looking for a bass soloist/section=20 leader. 
We have hired a tenor section = leader for about=20 10 years and now are adding a bass to the Chancel Choir. Rehearsals = are on=20 Thursdays from 7:30-9:15 p.m. and the choir sings regularly at the 11:00 = a.m.=20 worship service. We average about 30 = singers on a=20 Sunday morning and do traditional repertoire of the past and music by = living=20 composers as well. We are = preparing to=20 present Mozart's Coronation Mass in February.  
 
For more information please = contact:
Judith Higbee
Director of Music
Church of the Saviour (United=20 Methodist)
2537 Lee Road
Cleveland Hts., OH 44118
216-321-8880
higbee at chsaviour.org
------=_NextPart_000_0009_01C5EEC0.D8A09020-- From aj.higbee at sbcglobal.net Mon Nov 21 14:39:00 2005 From: aj.higbee at sbcglobal.net (Alan or Judith Higbee) Date: Mon, 21 Nov 2005 17:39:00 -0500 Subject: [NEohioPAL]Auditions for The Crucible in Cleveland Hts. Message-ID: <002a01c5eeec$5f1c4d30$0100a8c0@BABYLAPTOP> This is a multi-part message in MIME format. ------=_NextPart_000_0027_01C5EEC2.74CFF8E0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable AUDITIONS FOR THE CRUCIBLE=20 Arts in the Cathedral of Church of the Saviour, 2537 Lee Road, Cleveland = Heights, announces auditions for Arthur Miller's play The Crucible on = Saturday, December 3, 2005 from 9 a.m. to noon. Cast includes 10 men = and 10 women. Some roles for younger females. One female role for = person of color from Barbados. =20 Set at the time of the Puritan witchcraft trials, Miller's masterpiece = retains its power as a parable of our contemporary society. It will be = done in period costume with minimal scenery as the author wished. = Actors should be familiar with the script and be willing to read for = different roles. =20 Performance dates are March 3, 4 at 8 p.m. and March 5, 2006 at 3 p.m. = Director is Dick Meadows who can be reached for details at 216-321-7698 = daytime. Dick's directing credits include Cain Park, The Jewish = Community Center, Theatre in the Valley, and Cuyahoga Community College. =20 For more information please contact Dick Meadows at 216-321-7698 = daytime or rnm34 at ohiohills.com Judith Higbee Director of Music Church of the Saviour 2537 Lee Road Cleveland Heights, OH 44118 higbee at chsaviour.org ------=_NextPart_000_0027_01C5EEC2.74CFF8E0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable

AUDITIONS=20 FOR THE CRUCIBLE

Arts=20 in the Cathedral of Church of the Saviour, 2537 Lee = Road, Cleveland=20 Heights, announces auditions = for=20 Arthur Miller=92s play The = Crucible on=20 Saturday, December 3,=20 2005=20 from 9=20 a.m.=20 to noon. =20 Cast includes 10 men and 10 women. =20 Some roles for younger females.  One female = role for=20 person of color from Barbados.
 
Set at the time of = the=20 Puritan witchcraft trials, Miller=92s masterpiece retains its power as a = parable=20 of our contemporary society.  = It=20 will be done in period costume with minimal scenery as the author = wished.  Actors should be familiar with = the=20 script and be willing to read for different = roles.
 
Performance dates = are March=20 3, 4 at 8 p.m. and March 5,=20 2006 at=20 3=20 p.m.  Director is = Dick = Meadows who can be reached for details at=20 216-321-7698 daytime.  = Dick=92s=20 directing credits include Cain Park, The Jewish Community Center, = Theatre in the=20 Valley, and Cuyahoga Community=20 College.
 
 For more information please contact = Dick=20 Meadows at 216-321-7698 daytime or rnm34 at ohiohills.com
 
 
Judith=20 Higbee
Director=20 of Music
Church=20 of the Saviour
2537=20 Lee Road
Cleveland=20 Heights,=20 OH = 44118
higbee at chsaviour.org
------=_NextPart_000_0027_01C5EEC2.74CFF8E0-- From bangandclatter at netzero.net Mon Nov 21 14:50:12 2005 From: bangandclatter at netzero.net (bangandclatter at netzero.net) Date: Mon, 21 Nov 2005 22:50:12 GMT Subject: [NEohioPAL]Bang and Clatter Auditions Message-ID: <20051121.145101.13019.6799@webmail05.lax.untd.com> ----__JWM__J3b0e.1b32S.3061M Content-Transfer-Encoding: quoted-printable Content-Disposition: inline Content-Type: text/plain The Bang & the Clatter Theatre Company Ohio's Newest Professional Theatre = Announces open auditions for it's second production. The Northeast Ohio premiere of = Patrick Marber's CLOSER Four lives intertwine over the course of four and a half years in this d= ensely plotted, stinging look at modern love and betrayal. Dan, an obitu= ary writer, meets Alice, a stripper, after an accident in the street. Ei= ghteen months later, they are a couple, and Dan has written a novel insp= ired by Alice. While posing for his book jacket cover, Dan meets Anna, a= photographer. He pursues her but she rejects his advances despite their= mutual attraction. Larry, a dermatologist, "meets" Dan in an internet c= hat room. Dan, obsessing over Anna, pretends to be her and has cybersex = with Larry. They arrange to meet the next day at an aquarium. Larry arri= ves and so too, coincidentally, does the real Anna. This sets up a serie= s of pass-the-lover scenes in which this quartet struggle to find intima= cy but can't seem to get closer. Thursday, December 1 and = Friday, December 2 @ 7 p.m. Summit ArtSpace 140 East Market Street Akron, OH 4 parts available (2m, 2w) early 20's to 40's. = Please prepare two monologues for the audition. Production runs January 12 - February 11, 2006 Call for 330-606-5317 for information & directions. = ----__JWM__J3b0e.1b32S.3061M Content-Transfer-Encoding: quoted-printable Content-Disposition: inline Content-Type: text/html

The Bang & the Clatte= r Theatre Company

Ohio's Newest Professional Theatre<= /EM>

Announces open auditions for it's second = production.

The Northeast Ohio premiere of

Patrick Marber's

CLOSER

Four lives intertwine over the course of four and = a half years in this densely plotted, stinging look at modern love and b= etrayal. Dan, an obituary writer, meets Alice, a stripper, after an acci= dent in the street. Eighteen months later, they are a couple, and Dan ha= s written a novel inspired by Alice. While posing for his book jacket co= ver, Dan meets Anna, a photographer. He pursues her but she rejects his = advances despite their mutual attraction. Larry, a dermatologist, "meets= " Dan in an internet chat room. Dan, obsessing over Anna, pretends to be= her and has cybersex with Larry. They arrange to meet the next day at a= n aquarium. Larry arrives and so too, coincidentally, does the real Anna= . This sets up a series of pass-the-lover scenes in which this quartet s= truggle to find intimacy but can't seem to get closer.

Thursday, December 1 and

Friday, December 2

@ 7 p.m.

Summit ArtSpace=

140 East Market Street

Akron, OH

4 parts available (2m, 2w) earl= y 20's to 40's.

Please prepare two monologues for the audition.

Production runs January 12 - Fe= bruary 11, 2006

Call for 330-606-5317 for infor= mation & directions.

 

----__JWM__J3b0e.1b32S.3061M-- From Artistschair2005 at aol.com Mon Nov 21 16:20:36 2005 From: Artistschair2005 at aol.com (Artistschair2005 at aol.com) Date: Mon, 21 Nov 2005 19:20:36 EST Subject: [NEohioPAL]Special CPT DISCOUNT for NEohioPAL Subscribers Message-ID: <62.614cfe1c.30b3be54@aol.com> -------------------------------1132618836 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Dear NEohioPAL Subscribers, Cleveland Public Theatre is pleased to offer YOU AND A GUEST a special discounted admission rate of $10 per ticket to the Wednesday and Friday evening preview performances of "The Santaland Diaries" and "Mrs. Bob Cratchit's Wild Christmas Binge." The Santaland Diaries, Wednesday, November 23 (7:30 pm) and Friday, November 25 (8 pm) Mrs. Bob Cratchit's Wild Christmas Binge, Wednesday, November 23 (7:30 pm) and Friday, November 25 (8 pm) To order your tickets, please call the CPT Box Office at (216) 631-2727 or visit _www.cptonline.org_ (http://www.cptonline.org) Can't make the previews, don't fret, you can binge on the holiday raucous through December 18! -------------------------------1132618836 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
Dear NEohioPAL Subscribers,
 
Cleveland Public Theatre is pleased to offer YOU AND A GUEST a special=20 discounted admission rate of $10 per ticket to the Wednesday and=20 Friday evening preview performances of "The Santaland Diaries" and "Mrs. Bob= =20 Cratchit's Wild Christmas Binge."
 
The Santaland Diaries, Wednesday, November 23 (7:30 pm) and Friday,=20 November 25 (8 pm)
 
Mrs. Bob Cratchit's Wild Christmas Binge, Wednesday, November 23 (7:30=20= pm)=20 and Friday, November 25 (8 pm)
 
To order your tickets, please call the CPT Box Office at (216) 631-2727= or=20 visit www.cptonline.org
 
Can't make the previews, don't fret, you can binge on the holiday rauco= us=20 through December 18!
 -------------------------------1132618836-- From hotcarl at adelphia.net Mon Nov 21 16:28:19 2005 From: hotcarl at adelphia.net (carlferrara) Date: Mon, 21 Nov 2005 19:28:19 -0500 Subject: [NEohioPAL]Hot Carl's 2nd annual Turkey Jam Stand Up Comedy Show Wed 23 @9pm Message-ID: <000c01c5eefb$a36f0090$d3ca4644@HOTCARLDESKTOP> This is a multi-part message in MIME format. ------=_NextPart_000_0009_01C5EED1.BA623120 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Wed. Nov 23=20 Comedy Showcase Hot Carl's 2nd Annual Turkey Jam At the=20 Cleveland Blackbox Theater (Cabaret Dada) 1210 West 6th street 9:00 P.M. Under the liquid/fusion Next to dive bar $10.00 4 comics Hot Carl Ferrara Ray DeVito Patrick Fisher MC Shawn Paul More info contact Hot Carl Ferrara 216-469-9077 carlferrara at earthlink.net ------=_NextPart_000_0009_01C5EED1.BA623120 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable

Wed. Nov 23

Comedy Showcase

Hot Carl=92s 2nd Annual = Turkey=20 Jam

At the

Cleveland Blackbox = Theater

(Cabaret Dada)

1210 West 6th street

9:00 P.M.

Under the liquid/fusion

Next to dive bar

$10.00

4 comics

Hot Carl Ferrara

Ray DeVito

Patrick Fisher

MC Shawn Paul

More info contact Hot Carl = Ferrara

216-469-9077

carlferrara at earthlink.net

------=_NextPart_000_0009_01C5EED1.BA623120-- From bnardi9 at hotmail.com Mon Nov 21 16:34:11 2005 From: bnardi9 at hotmail.com (billy nardi) Date: Tue, 22 Nov 2005 00:34:11 +0000 Subject: [NEohioPAL]Don't Be a Wallflower...HMMM?? Message-ID:

 

 

Billy Nardi invites:

All filmmakers, actors, musicians, writers, artists, friends, beautiful women, whatever your genre is?

Come to the bars to network. I am not one to hype things up, but before the night is over, you might be convinced that this is the best night to go to the bars all year long. I might be wrong, right?

 

WHAT: Time Warp Bar

WHERE: Westlake

WHEN: thWednesday Night

before Thanksgiving (11.23.2005)

AT: 10:00PM

 

ADDRESS:

Time Warp

26261 Center Ridge

Westlake, Ohio

 

 

 

On the corner of Canterbury/Center Ridge.

Take I-90 or 480.

Get there as early as possible, before it is packed, when the bar is full, you have to wait for others to leave to get in.

This a fairly small bar, with couches and a small dance floor...

Best advice I can give...Take A Cab Home Please!!

From mmiloro at adelphia.net Mon Nov 21 20:01:17 2005 From: mmiloro at adelphia.net (Mark Miloro) Date: Mon, 21 Nov 2005 23:01:17 -0500 Subject: [NEohioPAL]Auditions for Blithe Spirit at GLTG Message-ID: <011501c5ef19$640e3240$15d13218@owner4878dffa1> This is a multi-part message in MIME format. ------=_NextPart_000_0112_01C5EEEF.7B1204A0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Geauga Lyric Theater Guild Auditions: =20 Blithe Spirit Monday & Tuesday Dec 5 & 6=20 >From 7:oo to 9:00 p.m. At TheGeauga Theater=20 Located on Historic Chardon Square=20 Performance dates: Feb 10, 11, 12, 17, 18, 19 24, 25,26 Directed by Patricia Osredkar Written by Noel Coward, Blithe Spirit is a tale of "love everlasting" = which goes beyond the vow of "until death us do part." Charles, = socialite author, and his second wife, Ruth, are visited by some = eccentric guests and the ghost of Charles' first wife! Blithe Spirit = was one of the longest running comedies in the history of British = theatre and is still one of Coward's best-loved works, filled with his = trademark wit and slapstick comedy.=20 We are need in five women and two men for the following roles: Edith, the maid=20 Ruth, Charles' stylish second wife, middle 30s=20 Charles, around 40=20 Doctor Bradman, middle aged, pleasant=20 Mrs. Bradman, fair, rather faded=20 Madame Arcati, the medium, 45-65, mysterious=20 Elvira, ghost of Charles' departed first wife ------=_NextPart_000_0112_01C5EEEF.7B1204A0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
Geauga Lyric=20 Theater Guild Auditions:
 
Blithe=20 Spirit
 
Monday &=20 Tuesday  Dec 5 & 6
From 7:oo to 9:00 p.m.
At TheGeauga = Theater=20
Located on = Historic Chardon=20 Square

Performance dates:  Feb 10, 11, 12, 17, 18, 19 24,=20 25,26
 
Directed by Patricia = Osredkar

Written by=20 Noel Coward, Blithe Spirit = is a tale of=20 "love everlasting" which goes beyond the vow of "until death us do=20 part."  Charles,  socialite author, and his second = wife,=20 Ruth, are visited by some eccentric guests and the ghost of = Charles' first=20 wife!  Blithe Spirit was one of the = longest=20 running comedies in the history of British theatre and is still one of = Coward's=20 best-loved works, filled with his trademark wit and slapstick=20 comedy. 

We are need in five women and two men for = the=20 following roles:

Edith, the maid=20
Ruth, Charles' stylish second wife, middle 30s=20
Charles, around 40
Doctor = Bradman,=20 middle aged, pleasant
Mrs. Bradman, fair, rather = faded=20
Madame Arcati, the medium, 45-65, mysterious=20
Elvira, ghost of Charles' departed first wife=20
------=_NextPart_000_0112_01C5EEEF.7B1204A0-- From Grumio85 at aol.com Mon Nov 21 20:54:04 2005 From: Grumio85 at aol.com (Grumio85 at aol.com) Date: Mon, 21 Nov 2005 23:54:04 EST Subject: [NEohioPAL]Backstagers! Behold Beck's "Beauty" Message-ID: <27f.98ea3.30b3fe6c@aol.com> -------------------------------1132635244 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Backstage crew folk are still needed for Beck's upcoming run of... Beauty and the Beast The production runs basically the month of December, predominently on the weekends. Split shifts (ie Partial commitment) are possible in most positions. Still needed are follow spot operators and backstage crew (shift/props/dressers) These are volunteer positions. Crew receives 4 comp tickets for the run. Tech week begins Sunday, Nov. 27th. This promises to be a great show with an unforgetable backstage experience among a cast of amazing people. Sign on now! You'll be glad you did. Interested? More questions? Either reply to this e-mail, or call Scott at 216-521-2540 x239 -------------------------------1132635244 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
Backstage crew folk are still needed for Beck's upcoming run of= ...
 
Beauty and the Beast
 
The production runs basically the month of Decem= ber, predominently on the weekends. Split shifts (ie Partial commitment) are= possible in most positions. Still needed are follow spot operators and back= stage crew (shift/props/dressers)
 
These are volunteer positions. Crew receives 4 c= omp tickets for the run.
 
Tech week begins Sunday, Nov. 27th.
 
This promises to be a great show with an unforge= table backstage experience among a cast of amazing people. Sign on now! You'= ll be glad you did.
 
Interested? More questions? Either reply to this= e-mail, or call Scott at 216-521-2540 x239
-------------------------------1132635244-- From cinevid at yahoo.com Mon Nov 21 21:39:24 2005 From: cinevid at yahoo.com (Bill) Date: Mon, 21 Nov 2005 21:39:24 -0800 (PST) Subject: [NEohioPAL]"Left for Dead" gets reviewed by Filmthreat Message-ID: <20051122053924.96551.qmail@web60316.mail.yahoo.com> --0-1594652428-1132637964=:96366 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit THE WALL STREET JOURNAL NAMED FILMTHREAT ONE OF THE TOP FIVE MOVIE WEB SITES ON THE INTERNET! Filmthreat, one of the first websites to cater to independent films has just reviewed our short film, "Left for Dead" Check it out on the front page at www.Filmthreat.com or at this link: http://www.filmthreat.com/index.php?section=reviews&Id=8173 A special thanks to Eric Campos, Chris Gore's right hand man who took the time to write such a nice review. The site recieves nearly 500,000 visitors every month. --------------------------------- Yahoo! FareChase - Search multiple travel sites in one click. --0-1594652428-1132637964=:96366 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
THE WALL STREET JOURNAL NAMED FILMTHREAT ONE OF THE TOP FIVE MOVIE WEB SITES ON THE INTERNET!
Filmthreat, one of the first websites to cater to independent films has just reviewed our short film, "Left for Dead" Check it out on the front page at www.Filmthreat.com or at this link:
 
 
A special thanks to Eric Campos, Chris Gore's right hand man who took the time to write such a nice review. The site recieves nearly 500,000 visitors every month.
 

Yahoo! FareChase - Search multiple travel sites in one click. --0-1594652428-1132637964=:96366-- From mjr64 at adelphia.net Mon Nov 21 23:37:36 2005 From: mjr64 at adelphia.net (Michael Rubin ) Date: Tue, 22 Nov 2005 02:37:36 -0500 Subject: [NEohioPAL]Eric Mull and "Bob" the Dog Message-ID: <000601c5ef37$9bc89220$740fa8c0@mikescomputer> This is a multi-part message in MIME format. ------=_NextPart_000_0003_01C5EF0D.B2C07DA0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Kudos and ear scratches to Eric Mull Photography and his dog "Bob" for = hosting a great party for Aftra folks last night. Catered hot snacks,imported beer,genuine people,and a union dog made for = a fun and productive shindig. Yes,the union work here is far and few,but so are the egos. "Bob the Dog",what a player ! How come ladies never scratch my ear at = first hello? Thanks Guys Michael Rubin ------=_NextPart_000_0003_01C5EF0D.B2C07DA0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
Kudos and ear scratches to Eric Mull = Photography=20 and his dog "Bob" for hosting a great party for Aftra folks last=20 night.
Catered hot snacks,imported = beer,genuine people,and=20 a union dog made for a fun and productive shindig.
Yes,the union work here is far and = few,but so are=20 the egos.
"Bob the Dog",what a player ! How come = ladies never=20 scratch my ear at first hello?
Thanks Guys
Michael = Rubin
------=_NextPart_000_0003_01C5EF0D.B2C07DA0-- From KillingTimeLTD at aol.com Tue Nov 22 04:22:48 2005 From: KillingTimeLTD at aol.com (KillingTimeLTD at aol.com) Date: Tue, 22 Nov 2005 07:22:48 EST Subject: [NEohioPAL]ACTRESSES NEEDED 12/10 Message-ID: <279.f3432.30b46798@aol.com> -------------------------------1132662168 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Need two actresses for a murder mystery event being held on Saturday December 10 from 6-9 pm in North Ridgeville. Must be over 18 and able to stay in character. Improv training & comedic timing a plus but not a necessity. Must be able to memorize script. Pays $75. French Maid: age range 21-35, accent preferred but not necessary A Dizzy Blonde: age range 21-45, stereotypical, not-so-bright buxom blonde Please email resume and headshot to the address above (_killingtimeltd at aol.com_ (mailto:killingtimeltd at aol.com) ). -------------------------------1132662168 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
     Need two actresses for a murder myst= ery=20 event being held on Saturday December 10 from 6-9 pm in North=20 Ridgeville. Must be over 18 and able to stay in character.  Improv= =20 training & comedic timing a plus but not a necessity. Must be able to=20 memorize script. Pays $75.=20
 
French Maid: age range 21-35, accent preferred but not necessary
 
A Dizzy Blonde: age range 21-45, stereotypical, not-so-bright buxom=20 blonde
    
    Please email resume and headshot to the address= =20 above (killingtimeltd at aol.com).
 -------------------------------1132662168-- From popcycles at sbcglobal.net Tue Nov 22 05:35:11 2005 From: popcycles at sbcglobal.net (D. Budin) Date: Tue, 22 Nov 2005 05:35:11 -0800 (PST) Subject: [NEohioPAL]Benefit screening of "Spinal Tap" for Contemporary Youth Orchestra Message-ID: <20051122133511.40230.qmail@web81805.mail.mud.yahoo.com> --0-650749462-1132666511=:33857 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Contemporary Youth Orchestra Presents Benefit Screening of This Is Spinal Tap The Contemporary Youth Orchestra is celebrating its 11th season and CYO?s slogan for the season is ?Take It to Eleven!? ? inspired by the movie This Is Spinal Tap. In the movie ? Rob Reiner?s hilarious ?mockumentary? about the fictional rock band Spinal Tap ? the group gets amps that go to 11 because 10 is not loud enough. For CYO, it?s not about volume, but about going beyond what is expected and anticipated, which the orchestra continually does. CYO is composed of more than 100 of the best high school-age musicians in this region, representing more than 40 schools. To kick off this season, CYO is presenting a benefit screening of This Is Spinal Tap on Saturday, November 26 Cleveland State University?s Drinko Recital Hall ? in the Music and Communications Building at 2001 Euclid Avenue (the north-west corner of Euclid Avenue and E. 21st Street). The doors will open at 10:15 p.m., and the movie will be shown at 11 p.m. Donations of any amount will be accepted. The suggested donation is $11. Popcorn and soda will be provided. For more information, call 216-321-3525. --0-650749462-1132666511=:33857 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit

Contemporary Youth Orchestra Presents Benefit Screening of This Is Spinal Tap

 

The Contemporary Youth Orchestra is celebrating its 11th season and CYO?s slogan for the season is ?Take It to Eleven!? ? inspired by the movie This Is Spinal Tap. 

 

In the movie ? Rob Reiner?s hilarious ?mockumentary? about the fictional rock band Spinal Tap ? the group gets amps that go to 11 because 10 is not loud enough.  For CYO, it?s not about volume, but about going beyond what is expected and anticipated, which the orchestra continually does.

 

CYO is composed of more than 100 of the best high school-age musicians in this region, representing more than 40 schools.

 

To kick off this season, CYO is presenting a benefit screening of This Is Spinal Tap on Saturday, November 26 Cleveland State University?s Drinko Recital Hall ? in the Music and Communications Building at 2001 Euclid Avenue (the north-west corner of Euclid Avenue and E. 21st Street).  The doors will open at 10:15 p.m., and the movie will be shown at 11 p.m.

 

Donations of any amount will be accepted. The suggested donation is $11.  Popcorn and soda will be provided.

 

For more information, call 216-321-3525.

--0-650749462-1132666511=:33857-- From rockandroller1 at yahoo.com Tue Nov 22 06:15:37 2005 From: rockandroller1 at yahoo.com (Nina McCollum) Date: Tue, 22 Nov 2005 06:15:37 -0800 (PST) Subject: [NEohioPAL]New Orleans musicians benefit Message-ID: <20051122141537.30601.qmail@web50409.mail.yahoo.com> Passing along information about a benefit I thought the list folks might be interested in attending. 100% of the proceeds will benefit The Tipitina's Foundation, a coalition offering housing solutions for musicians affected by Hurricane Katrina. One of NE Ohio's most excellent bands, Kent's 15-60-75 ("The Numbers Band") will be on the bill, with some other great acts. >From the Tree City of Kent to the Crescent City of New Orleans, join people who love music and culture. NEW ORLEANS MUSICIANS RELIEF BENEFIT Music, Art, Food & Silent Auction Sunpie - w/Bruce Barnes, singer, zydeco accordionist, blues harmonica, piano, African drums The Numbers Band - blues/jazz originals The Prayer Warriors - award winning performing arts group Lester - 1920s jazz Pat Sweany - Kent's newest blues man Derek de Prator - blues guitarist WHEN: DECEMBER 10, 7pm. (doors at 6:30) WHERE: The Outpost, 4962 Rt. 43, Kent, Ohio TIX: $12 advance, $15 day of, $10 w/valid college ID. ticketweb.com, Woodsy's music (Kent) or Square Record Store (Highland Square) For more information: numbersband.com, outpostkent.com, or emailbrassfornola at yahoo.com __________________________________ Yahoo! FareChase: Search multiple travel sites in one click. http://farechase.yahoo.com From vwilson at karamu.com Tue Nov 22 06:36:16 2005 From: vwilson at karamu.com (vivian wilson) Date: Tue, 22 Nov 2005 09:36:16 -0500 Subject: [NEohioPAL]Black Nativity @ Karamu House Message-ID: Vivian C. Wilson Marketing Manager Phone: (216) 795-7070 x215 vwilson at karamu.com FOR IMMEDIATE RELEASE ? Monday - November 21, 2005 RE: BLACK NATIVITY & Holiday Events ?O Come all Yee Faithful? to the 20th years run of Karamu Performing Arts Theatre holiday favorite, Black Nativity written by Karamu Alumni, Langston Hughes, December 9 thru December 30, 2005, in the Jelliffe Theatre. Black Nativity continues to dazzle audiences of all ages with its rousing gospel music, superbly performed dance numbers, brilliant costumes and the majesty of Langston Hughes? poetry. This year?s production is directed and choreographed by Cleveland native Terence M. Greene, instructor at The Cleveland School of Performing Arts. Terence Greene was a member of The Dayton Contemporary Dance Company and has choreographed for some of the top dance companies in the country. He is Artistic Director for Foluke?. Terence?s brings to the table his many years of dance training, performance and teaching plus his performance experience in the role of Joseph. Returning again this year to lead the musical endeavors is Clifton D. Beasley who has skillfully blended the multi-talents of some of Cleveland?s finest gospel singers and performers to bring the nativity story to life. The roles of ?Mary and Joseph? are gracefully danced by Kathleen Turner and Michael Medcalf principles of The Cleveland Contemporary Dance Theatre. Student dancers from the Cleveland School of Arts complement the performance as angels, shepherds and ushers. This combination of seasoned vocalist, new talented soloist, experienced and youthful dancers make this season?s production another must see for The Greater Cleveland and surrounding areas. For a feel good, family friendly production, put Black Nativity at the top of your lists of things to do this holiday season. Regular performance times for Black Nativity are 8:00 p.m. on Thursday, Friday and Saturdays and 3:00 p.m. on Sundays. Tickets are $20, $25 and $30.00 From vwilson at karamu.com Tue Nov 22 06:38:23 2005 From: vwilson at karamu.com (vivian wilson) Date: Tue, 22 Nov 2005 09:38:23 -0500 Subject: [NEohioPAL]Karamu House Auditions - Youth Production- Little Rock Nine Message-ID: FOR IMMEDIATE RELEASE ? Tuesday, November 22, 2005 Re: AUDITIONS for Karamu Youth Theatre Production of the World Premier of Breaking Barriers: Little Rock Nine By Nicole C. Kearney Cooper Saturday December 3 and from 11:00 am to 1:00 pm December 10, 2005 Roles available for actors & actresses ages 14 to 60. Performers, regardless of race are encouraged to attend. All performers will receive complimentary tickets for some performances. Rehearsals 2 days/week starting December 28. Performances each Saturday and Sunday from February 11 through February 26. For additional details: contact Director, Kimberly Brown @ (216) 702-6803 Auditions will be held at Karamu House; 2355 East 89th Street, Cleveland, Ohio 44106 in the Concert Hall. Performances will be at 2:00 pm on Saturdays and Sundays in Karamu?s Jelliffe Theatre during Black History Month, February 11, 2006 thru March 5, 2006 BREAKING BARRIERS: LITTLE ROCK NINE (World Premier) is told from the perspective of the nine students who integrated Central High School, in Little Rock, Arkansas, in September, 1957, amid much violence, hatred and protest. Join these famous "nine" students, their parents, and their protector Ms. Daisy Bates as they meet for the first time after they are chosen. As these nine students bond over the common desire for a better education, they begin to realize the impact it has on American society. Hear personal perspectives from Little Rock and the nation as the drama unfolds for those nine young Black students. ******** From ytplayhouse at aol.com Tue Nov 22 06:50:53 2005 From: ytplayhouse at aol.com (ytplayhouse at aol.com) Date: Tue, 22 Nov 2005 09:50:53 -0500 Subject: [NEohioPAL]AUDITIONS - STEEL MAGNOLIAS Message-ID: <8C7BD8B45C98603-1154-947@mblk-d30.sysops.aol.com> ----------MailBlocks_8C7BD8B45BFFC9F_1154_8AB_mblk-d30.sysops.aol.com Content-Type: text/plain; charset="us-ascii" The Youngstown Playhouse presents STEEL MAGNOLIAS January 20 - February 5 Directed by Kathy Appulgiese AUDITIONS are scheduled for November 28th and 29th at 7:00 PM at The Youngstown Playhouse. Casting Needs: 6 women, age range of late teen through late 60's. For more information, contact: The Youngstown Playhouse 600 Playhouse Lane Youngstown, OH 44511 330-788-8739 www.youngstownplayhouse.com ----------MailBlocks_8C7BD8B45BFFC9F_1154_8AB_mblk-d30.sysops.aol.com Content-Type: text/html; charset="us-ascii"
The Youngstown Playhouse presents
 
STEEL MAGNOLIAS
January 20 - February 5
Directed by Kathy Appulgiese
 
AUDITIONS are scheduled for November 28th and 29th at 7:00 PM at The Youngstown Playhouse.
 
Casting Needs:  6 women, age range of late teen through late 60's.
 
 
For more information, contact:
 
The Youngstown Playhouse
600 Playhouse Lane
Youngstown, OH 44511
330-788-8739
 
 
 
----------MailBlocks_8C7BD8B45BFFC9F_1154_8AB_mblk-d30.sysops.aol.com-- From artistschair2005 at aol.com Tue Nov 22 07:07:40 2005 From: artistschair2005 at aol.com (artistschair2005 at aol.com) Date: Tue, 22 Nov 2005 10:07:40 -0500 Subject: [NEohioPAL]Need a COMMERCIALS/VIDEO PROMOTIONS DIRECTOR? Frank R. Mixson & OTHER NEWS! Message-ID: <8C7BD8D9E20EB6B-5FC-AA6@FWM-M28.sysops.aol.com> ----------MailBlocks_8C7BD8D9E20EB6B_5FC_8F0_FWM-M28.sysops.aol.com Content-Type: text/plain; charset="us-ascii" ARTISTSCHAIR.COM'S "FEATURED ARTIST OF THE DAY" Commercials/Video Promotions Director - Frank R. Mixson (Location: Cleveland, Ohio) (November 22, 2005) To view Frank's profile, visit http://www.artistschair.com Latest Members' CONTEST Giveaway (November 18, 2005) The artistschair.com member that is chosen at random by the database to be the Wednesday, November 23 "Featured Artist of the Day" will win two passes, good for four admissions to the December 1 (7:30 pm) Loews Richmond Town Square advanced screening of "The Family Stone" featuring Claire Danes, Diane Keaton, Rachel McAdams, Dermot Mulroney, Craig T. Nelson, Sarah Jessica Parker and Luke Wilson. Take friends or take family, either way, GET OUT and SEE NORTHEAST OHIO! Not a member of artistschair.com yet? Join today for FREE! Networking EVENT & PARTY for Artists and Those that Hire Talent (November 10, 2005) A GREAT BIG THANK YOU to all who attended the November 9 artistschair.com Networking Event which took place at 1300 Gallery. Photos from the event will be posted to the artistschair.com directory soon. FIND an Artist! Make your event or project extra memorable. Find entertainers and technicians in our FREE and easy-to-use database featuring photos and profiles of local artists in more than 100 different talent fields. BE an Artist! Let your talents and services be known. Become a member for FREE and highlight all talent fields that apply to you. Upload photos of yourself and/or samples of your work, edit your own information and have your profiles viewed by those searching for your talents and services. Our MISSION Artistschair.com is committed to PROMOTING and RAISING AWARENESS of local artists, arts-related institutions and issues and the NORTHEAST OHIO REGION as well as serving the needs of those searching for CREATIVE TALENT and resources. ----------MailBlocks_8C7BD8D9E20EB6B_5FC_8F0_FWM-M28.sysops.aol.com Content-Type: text/html; charset="us-ascii"
  
            ARTISTSCHAIR.COM'S "FEATURED ARTIST OF THE DAY"
Commercials/Video Promotions Director - Frank R. Mixson (Location: Cleveland, Ohio)
 
(November 22, 2005) To view Frank's profile, visit http://www.artistschair.com
 
Latest Members' CONTEST Giveaway
(November 18, 2005) The artistschair.com member that is chosen at random by the database to be the Wednesday, November 23 "Featured Artist of the Day" will win two passes, good for four admissions to the December 1 (7:30 pm) Loews Richmond Town Square advanced screening of "The Family Stone" featuring Claire Danes, Diane Keaton, Rachel McAdams, Dermot Mulroney, Craig T. Nelson, Sarah Jessica Parker and Luke Wilson.  
 
Take friends or take family, either way, GET OUT and SEE NORTHEAST OHIO! Not a member of artistschair.com yet? Join today for FREE!
 
Networking EVENT & PARTY for Artists and Those that Hire Talent
(November 10, 2005) A GREAT BIG THANK YOU to all who attended the November 9 artistschair.com Networking Event which took place at 1300 Gallery. Photos from the event will be posted to the artistschair.com directory soon.
  
FIND an Artist!
Make your event or project extra memorable. Find entertainers and technicians in our FREE and easy-to-use database featuring photos and profiles of local artists in more than 100 different talent fields.
 
BE an Artist!
Let your talents and services be known. Become a member for FREE and highlight all talent fields that apply to you. Upload photos of yourself and/or samples of your work, edit your own information and have your profiles viewed by those searching for your talents and services.
 
Our MISSION
Artistschair.com is committed to PROMOTING and RAISING AWARENESS of local artists, arts-related institutions and issues and the NORTHEAST OHIO REGION as well as serving the needs of those searching for CREATIVE TALENT and resources.
 
----------MailBlocks_8C7BD8D9E20EB6B_5FC_8F0_FWM-M28.sysops.aol.com-- From larry_goodpaster at sbcglobal.net Tue Nov 22 08:23:22 2005 From: larry_goodpaster at sbcglobal.net (Larry Goodpaster) Date: Tue, 22 Nov 2005 11:23:22 -0500 Subject: [NEohioPAL]Sound Board Operator Needed for Beauty and the Beast at the Beck Center Message-ID: <001a01c5ef81$0edd2200$230110ac@Fastone> This is a multi-part message in MIME format. ------=_NextPart_000_001B_01C5EF57.26071A00 Content-Type: multipart/alternative; boundary="----=_NextPart_001_001C_01C5EF57.26071A00" ------=_NextPart_001_001C_01C5EF57.26071A00 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit WANTED: SOUND BOARD OPERATOR The Beck Center for the Arts in Lakewood has an immediate opening for a sound board operator for the upcoming production of Beauty and the Beast November 27 - December 31 (specific dates will be provided) Prior experience desired. Modest stipend available. Please contact Larry Goodpaster @ 216-253-2077 or e-mail: larry_goodpaster at sbcglobal.net Larry Goodpaster larry_goodpaster at sbcglobal.net ------=_NextPart_001_001C_01C5EF57.26071A00 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

WANTED: SOUND BOARD = OPERATOR

 

The Beck Center for the = Arts in Lakewood has an immediate opening = for a sound board operator for the upcoming production of

 

Beauty = and = the Beast  = November 27 – December 31 = (specific dates will be provided)

 

Prior experience = desired.  Modest stipend available.

 

Please contact Larry = Goodpaster @ 216-253-2077 or

e-mail: = larry_goodpaster at sbcglobal.net

 

Larry = Goodpaster

larry_goodpaster at sbcglobal.net

 

------=_NextPart_001_001C_01C5EF57.26071A00-- ------=_NextPart_000_001B_01C5EF57.26071A00 Content-Type: image/gif; name="image001.gif" Content-Transfer-Encoding: base64 Content-ID: R0lGODlhQAYFAPQLAKfT/6/X/7fb/7/f/8fj/8/n/9fr/97u/+f0/+73//f8//////H3/+Lv/97w /9Dn/8Df/7DX/5/P/wECAwECAwECAwECAwECAwECAwECAwECAwECAwECAwECAwECAwECAyH/C01T T0ZGSUNFOS4wDQAAAAFzUkdCAK7OHOkAIf8LTVNPRkZJQ0U5LjAYAAAADG1zT1BNU09GRklDRTku MBObKZRkACH/C01TT0ZGSUNFOS4wGAAAAAxjbVBQSkNtcDA3MTICAAAJAtxSKQAsAAAAAEAGBQAA Bf+gJI6kBJhAqqYBELwwHAmBYN/2IAx8z0OEAWFIJBSMhWThYWg2D9BDA4FIKK6LrHbL7Xq/4LB4 TC6bz+i0es1uu9/wuHxOr9vv+Lx+z+/7/4CBgoOEhYaHiImKi4yNciWQJiIrlCwuMS80NTM4Nz4+ QQRARUdKSgZMTgcOVFUJVgqOsrO0tba3uLm6u7y9vr/AwcLDxMXGwJGQJ8uVL5cxEZk1nTk7Oz0Q PUWkSEkGBaoGUVSvsMfn6Onq6+zt7u/w8fLz9PX2vMkkJyiULSwt0GoIpKbjmo9sQ4Rw67bEmxNx UlwlYMAAy72LGDNq3Mixo8ePIEOKHOkx36RJzPoquXj2YsYmap50HAyicJuRbqkeRjlA7ooCBiSD Ch1KtKjRo0iTKl3KlE4IADs= ------=_NextPart_000_001B_01C5EF57.26071A00-- From cabaretdada at aztemail.com Tue Nov 22 08:55:24 2005 From: cabaretdada at aztemail.com (Cabaret Dada) Date: Tue, 22 Nov 2005 11:55:24 -0500 Subject: [NEohioPAL]Cabaret Dada Cures the Post-Thanksgiving Blahs Message-ID: <20051122-11552475-b9c-0@acc7> Often, as we look forward to the holidays, we forget about the PHBS (Post-Holiday Boredom Syndrome). Think about it. It's Friday after Thansgiving. You can't eat any more turkey. You've shopped until you've dropped. If you watch any more football your eyes will fall out of your head onto your engorged stomach. And as much fun as it is to stack things on grandpa until he wakes up, even that has lost its interest. How are you going to fight this horrible condition? With the help of your friends at Cabaret Dada, of course! Thanksgiving weekend is the perfect time to round up your buddies who are in from out of town, grab a few cold beverages, and head down to laugh your gut off. And being Thanksgiving weekend, its very possible some Dada alums may show up to play along. So call up your chums, take the spoon off grandma's nose, and come down to the Warehouse District this weekend. If you use the secret code word "TURKEY" (pretty clever, huh?) you'll get in for only ten bucks! That's two dollars off the regular admission. Make your post-turkey reservations today at http://www.cabaretdada.com, by phone at 216.696.HAHA (4242) or via email at somedada at aol.com. Show times for this weekend are: Friday, 11/25/05 10:30 PM Saturday, 11/26/05 8:00 PM and 10:30 PM Cabaret Dada 1210 West 6th Street In the Warehouse District 216.696.HAHA (4242) From MChamberlain at beckcenter.org Tue Nov 22 09:15:27 2005 From: MChamberlain at beckcenter.org (Meg Chamberlain) Date: Tue, 22 Nov 2005 12:15:27 -0500 Subject: [NEohioPAL]The FREE Menopause Tickets Message-ID: <97CF2CB42902E345A929E3202369C84E14A7A7@beck-1.beckcenter.com> This is a multi-part message in MIME format. ------_=_NextPart_001_01C5EF88.550B04ED Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Thanks to all of you who responded Norma Capocci is the lucky winner Next time I have extra tickets I will do this again Meg Chamberlain Production Stage Manager Menopause the Musical! Happy Thanksgiving ------_=_NextPart_001_01C5EF88.550B04ED Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable The FREE Menopause Tickets

Thanks to all of you who responded
Norma Capocci
is the lucky winner
Next time I have extra tickets I will do this again
Meg Chamberlain
Production Stage Manager
Menopause the Musical!
Happy Thanksgiving

------_=_NextPart_001_01C5EF88.550B04ED-- >From Greg Benedetto" This is a multi-part message in MIME format. ------=_NextPart_000_0054_01C5EF64.3FBAC520 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable My daughter urgently needs a used Texas Instruments TI-83 Graphing = Calculator for high school work. If you have one or know of one, please let me know. Thank you, Neopal = community. Email or phone, please. Greg Benedetto day phone - 216-751-1198 ------=_NextPart_000_0054_01C5EF64.3FBAC520 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
My daughter urgently needs = a used Texas=20 Instruments TI-83 Graphing Calculator
for high school = work.
If you have one or know of = one, please=20 let me know. Thank you, Neopal community.
Email or phone, = please.

Greg = Benedetto
day phone -=20 216-751-1198
------=_NextPart_000_0054_01C5EF64.3FBAC520-- From mattcook at studioof5rings.com Tue Nov 22 10:05:21 2005 From: mattcook at studioof5rings.com (Matt Cook) Date: Tue, 22 Nov 2005 13:05:21 -0500 Subject: [NEohioPAL]Stacy Chech Sneak Preview Message-ID: This is a multi-part message in MIME format. ------=_NextPart_000_0000_01C5EF65.6526BCA0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit Sneak Preview of Stacy Check's Collection After Thanksgiving Cleveland, OH - Nov. 20, 2005 - Need a respite from holiday shopping Thanksgiving weekend? The Studio of 5 Rings is having a Sneak Preview of the Stacy Chech collection Friday Nov. 25th and Saturday Nov. 26th. We are Downtown Cleveland's only Winery - we bring art and wine together the way they were meant to be. * This one-person show features an art collection with original charcoal and oil paintings. Stacy uses urban landscapes, many of which are centered on LTV Steel, to illustrate her personal growth and hope for Cleveland's future. * We offer low-sulfite wines that are hand-crafted right here in our gallery: * Merlot, Shiraz, Pinot Grigio, Chardonnay, Sweet Berry Red * Enjoy a glass in the gallery to unwind this weekend * Our wines make excellent gifts this season * Tucked away on the 2nd floor of the Futon Factory Bldg., we have free parking and a relaxing atmosphere. Our secret is our success. * Hours: * Fridays 5:00pm to Midnight * Saturdays 7:00pm to Midnight Matt Cook STUDIO OF 5 RINGS 2400 Superior Ave., #201 (2nd Floor of the Futon Factory) Cleveland, OH 44114 216-771-0830 www.studioof5rings.com ------=_NextPart_000_0000_01C5EF65.6526BCA0 Content-Type: application/ms-tnef; name="winmail.dat" Content-Transfer-Encoding: base64 Content-Disposition: attachment; filename="winmail.dat" eJ8+IhUSAQaQCAAEAAAAAAABAAEAAQeQBgAIAAAA5AQAAAAAAADoAAEIgAcAGAAAAElQTS5NaWNy b3NvZnQgTWFpbC5Ob3RlADEIAQ2ABAACAAAAAgACAAEGgAMADgAAANUHCwAWAA0ABQAAAAIAEQEB A5AGAHQJAAAlAAAACwACAAEAAAALACMAAAAAAAMAJgAAAAAACwApAAAAAAADADYAAAAAAB4AcAAB AAAAGgAAAFN0YWN5IENoZWNoIFNuZWFrIFByZXZpZXcAAAACAXEAAQAAABYAAAABxe+PTEAiCJjW A8lHqZa3B0sOj1enAAACAR0MAQAAACEAAABTTVRQOk1BVFRDT09LQFNUVURJT09GNVJJTkdTLkNP TQAAAAALAAEOAAAAAEAABg4A7gJBj+/FAQIBCg4BAAAAGAAAAAAAAAB1KoqayQ2lQY5XLxGvhnWC woAAAAsAHw4BAAAAAgEJEAEAAADuBAAA6gQAACcIAABMWkZ1HcOFhQMACgByY3BnMTI1FjIA+Atg bg4QMDMzTwH3AqQDYwIAY2gKwHPwZXQwIAdtAoMAUAPVvwcTAoMOUAPUEMkTSDMC490QxzIGAAbD AoB9CoAIyLQgOwlvMAKACoF2CJCkd2sLgGQ0DGBjAFCZCwNzYg9AAUBzYRryCwwwC7Q0BgBuZWFr jCBQGEAZoiBvZgYAQQGQY3kgQ2gFkGsmJwQgCFBsbAWQdGk/AiATMAGABJARYBDwbmv4c2dpGaAP IAogAUAKsSUKgEMeUHZlDwFkLCAgT0ggLQewb3acLiAB0CEQAdAwNSFSIQngZCBhIBhAc3BKaR7w IANSIGgG8GnUZGEdgHMjwHAjIA8gKR8rIHcJ4GsJ8GQ/5x8hI1AdQHVkHpAdAiJA3lIfwQQgBAAj sGElUyLQvRw/dCZBCNAAQB05aCmSdxFQCOEeVkYFECQCIYQ1fylgIsAaAAYBJoALICv3NjspYCGw VyNQCsAjUERvfncCMC7BHZAglh3xAiBsfR2AVwuABJAdgCFgJaAg/mIFECgCACAsswPwHEApULxv ZxEwHbAFwClidyQR/ylhHYAloC6BB4AAcAVALvC5MQBlLiAkCvMAAHACMIhleHQVkidCNwyCjQKR KjVxNXFsdmwCYD810DWAFaE1gBnxCfB0M/42AeE1gTXADDA2IRcwAgD0aS04cVwj4AHBGsofIaMn kQIgZS1wBJBzHqH7JEEH4GYcUC0hB5EDkTFyrysJA/AskQWwaR+QbgdA3yrwEPEFoD7RLMJvAxEK sN8LgB6AJ1EhsB1EdREgBCBdCHBiA5Eg0gTwYTuwc+8hEAOBHYAdEXc7MCqBLnIeYzhBM7E/sQOg TFRWex0xCeBsIRA0UQMQCkBz/HRyLRAjUDKSO7Q+0QnAPy7ALJUkUSNRBbEvSmZ1/zyiIbAgJDVv NnEuQR0QPHANCtFiQcAuwC1zdWz3OZAe8B/xICmUMfIEISrCTylgLRAuYx9BZC0FAGH3HuEisD6B aAVAMpEjUAuAvx0ACHBGwAdAHlAwkDpJRR81HzYvNz84TzlbMTQ0rTpMTQSQCQB0IRBTOzA1RbB6 IRBQC4BXgCBHfT6CbyEQHaALEQIgPsB5t1ehJaEFQEIEkDCRUiKhw0lfUidFbmpvHYAi0H5nC2AE EU/BKWJQNTRCdf5uMfEisClgJ5ElpVrfUhjeT1ABTQQAwCXQIFHAQ7D/HkE0IR+QAYAEIF7zESBd IP8eoVDPUd9S71P/VQ86DxFgvxpAJdAisTMSHqEpYjIs0e0O8G8FsSk1RkjgK4IA0IMu8DCRQmxk Zy4hEN8w4SfBI1IJ4EABchnhKBHXLNEi0gtgeCfzdARgIxD/T3IhsGFiESAFAFoRO0JxIl8aQEOw BBBJP2VZSAhhc/9Qr2UPZh9nL2g/Vf864iu0aQQgNTobAHAjoDRRTX8j8AMATzJyz3Y3LQYEIDf/ e+90yhKUAdAF0C0QBUAIUARvayAkU1RVREkKTyEgRicCSU5HU+cgJBwAOvFTdTuxHpAFwPZBILBt 4SMB0BpjCoEAoKED0DE2IChrskZsD71tFikMQAvFID8hQCBWQA4xekCDtYZALTc3MVAtMDgziOV3 jBAud0WQJpIdEDUxIkCQBaBtX4j0gGwOUIkDF0EAj2AAAAsAAYAIIAYAAAAAAMAAAAAAAABGAAAA AAOFAAAAAAAAAwAQgAggBgAAAAAAwAAAAAAAAEYAAAAAUoUAACdqAQAeABKACCAGAAAAAADAAAAA AAAARgAAAABUhQAAAQAAAAQAAAA5LjAAHgATgAggBgAAAAAAwAAAAAAAAEYAAAAANoUAAAEAAAAB AAAAAAAAAB4AFIAIIAYAAAAAAMAAAAAAAABGAAAAADeFAAABAAAAAQAAAAAAAAAeABWACCAGAAAA AADAAAAAAAAARgAAAAA4hQAAAQAAAAEAAAAAAAAACwAWgAggBgAAAAAAwAAAAAAAAEYAAAAAgoUA AAEAAAALAEOACCAGAAAAAADAAAAAAAAARgAAAAAOhQAAAAAAAAMARYAIIAYAAAAAAMAAAAAAAABG AAAAABCFAAAAAAAAAwBGgAggBgAAAAAAwAAAAAAAAEYAAAAAEYUAAAAAAAADAEeACCAGAAAAAADA AAAAAAAARgAAAAAYhQAAAAAAAAMAW4AIIAYAAAAAAMAAAAAAAABGAAAAAAGFAAAAAAAACwB5gAgg BgAAAAAAwAAAAAAAAEYAAAAABoUAAAAAAAACAfgPAQAAABAAAAB1KoqayQ2lQY5XLxGvhnWCAgH6 DwEAAAAQAAAAdSqKmskNpUGOVy8Rr4Z1ggIB+w8BAAAAnwAAAAAAAAA4obsQBeUQGqG7CAArKlbC AABQU1RQUlguRExMAAAAAAAAAABOSVRB+b+4AQCqADfZbgAAAEM6XERvY3VtZW50cyBhbmQgU2V0 dGluZ3NcQWRtaW5pc3RyYXRvclxMb2NhbCBTZXR0aW5nc1xBcHBsaWNhdGlvbiBEYXRhXE1pY3Jv c29mdFxPdXRsb29rXG91dGxvb2sucHN0AAADAP4PBQAAAAMADTT9NwAAAgF/AAEAAAA7AAAAPEtG RUJJT0ZIRktETENGQk1MTUlQRUVPQkNDQUEubWF0dGNvb2tAc3R1ZGlvb2Y1cmluZ3MuY29tPgAA AwAGEPyfNysDAAcQygMAAAMAEBAAAAAAAwAREAAAAAAeAAgQAQAAAGUAAABTTkVBS1BSRVZJRVdP RlNUQUNZQ0hFQ0tTQ09MTEVDVElPTkFGVEVSVEhBTktTR0lWSU5HQ0xFVkVMQU5ELE9ILU5PVjIw LDIwMDUtTkVFREFSRVNQSVRFRlJPTUhPTElEQVlTAAAAAFZh ------=_NextPart_000_0000_01C5EF65.6526BCA0-- From nate at groundfloortheater.com Tue Nov 22 10:08:12 2005 From: nate at groundfloortheater.com (nate at groundfloortheater.com) Date: Tue, 22 Nov 2005 18:08:12 +0000 Subject: [NEohioPAL]Talent Show Message-ID: ----=_vm_0011_W8282226842_753_1132682892 Content-Type: text/plain; charset="utf-8" Content-Transfer-Encoding: quoted-printable Talent Tightrope The Ground Floor Theatera comedy theater with a full service 170 seat ven= ue located in the historic Centrum Theater at 2781 Euclid Heights Blvd in= Cleveland Heights is pleased to announce it=E2=80=99s Tuesday night Tale= nt Tightrope. Tuesday nights are the time to prove your mettle in Ground Floor Theater=E2= =80=99s Talent Tightrope, an all encompassing talent show. Two contestant= s per week will advance to the semi =E2=80=93finals week five. Four conte= stants will move on to compete in the finals during week six. Contestants= can compete with any talent they possess for a cash prize. Contestants s= hould send a brief description of their act to talent at groundfloortheater.= com All Acts must be approved by management. Contestants under the age of 18 must be accompanied by an adult. The winn= ers will be determined by audience participation. The first Talent Tightr= ope begins Tuesday January 10th at 8:00 pm.All entries must be entered one week before each = competition. Thanks. Nate Cockerill Artistic Director Ground Floor Theater nate at groundfloortheater.com ----=_vm_0011_W8282226842_753_1132682892 Content-Type: text/html; charset="utf-8" Content-Transfer-Encoding: quoted-printable

  &nb= sp;           &nbs= p;            = ;            =    Talent Tightrope

The Ground Floor Theater  a comedy theater with a full service 170 seat venu= e located in the historic Centrum Theater at 2781 Euclid Heights Blvd in = Cleveland Heights is pleased to announce it=E2=80=99s Tuesday night Talen= t Tightrope. 

Tuesday nights are the time to prove your mettle in Gro= und Floor Theater=E2=80=99s Talent Tightrope, an all encompassing talent = show. Two contestants per week will advance to the semi =E2=80=93finals w= eek five. Four contestants will move on to compete in the finals during w= eek six. Contestants can compete with any talent they possess for a cash = prize. Contestants should send a brief description of their act to talent at groundfloortheater.com All Acts must be approved by management.<= /P>

Contestants under the age of 18 must be accompanied by = an adult. The winners will be determined by audience participation. The f= irst Talent Tightrope begins Tuesday

January 10th at 8:00 pm.  All entries must be entered one week before e= ach competition.

Thanks.

 

Nate Cockerill

Artistic Director

Ground Floor Theater

nate at groundfloortheater.com

 

   &nb= sp;           &nbs= p;  

----=_vm_0011_W8282226842_753_1132682892-- From w8inglong at yahoo.com Tue Nov 22 10:15:30 2005 From: w8inglong at yahoo.com (Joanne Popp) Date: Tue, 22 Nov 2005 10:15:30 -0800 (PST) Subject: [NEohioPAL]Concert tickets for sale. Message-ID: <20051122181530.24613.qmail@web32908.mail.mud.yahoo.com> --0-1498285244-1132683330=:24598 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Cleveland Philharmonic Orchestra "Special Holiday Concert in Artistic Historic Tremont!" Under the direction of William B. Slocum, Featuring Caroline Oltmanns, piano. Sunday, December 4, 2005 4:00 PM. Beethoven: Piano Concerto No. 5, ?Emperor? Selections from Handel?s Messiah Plus Seasonal Music for the Holidays! Zion UCC of Tremont 2716 West 14th Street, Cleveland, OH 44113 Tickets: $15.00/each or 2 for $25.00 I personally have tickets for sale for this event. I can be reached at 216-281-2992. God bless, Joanne M.Popp Adm. Assistant, Zion UCC of Tremont http://zionchurch.org Whosoever is everyone. --------------------------------- Yahoo! FareChase - Search multiple travel sites in one click. --0-1498285244-1132683330=:24598 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
 Cleveland Philharmonic  Orchestra 
"Special Holiday Concert in Artistic Historic Tremont!"
Under the direction of William B. Slocum,
Featuring Caroline Oltmanns, piano.
 
Sunday, December 4, 2005 4:00 PM.
Beethoven: Piano Concerto No. 5, ?Emperor?
Selections from Handel?s Messiah
Plus Seasonal Music for the Holidays!

Zion UCC of Tremont
2716 West 14th Street,
Cleveland, OH 44113
Tickets: $15.00/each or 2 for $25.00
 
I personally have tickets for sale for this event. I can be reached at 216-281-2992.
God bless,
Joanne M.Popp


Adm. Assistant,
Zion UCC of Tremont
Whosoever is everyone.

Yahoo! FareChase - Search multiple travel sites in one click. --0-1498285244-1132683330=:24598-- From jtl at zoominternet.net Tue Nov 22 12:35:05 2005 From: jtl at zoominternet.net (Judi Terrell Linden) Date: Tue, 22 Nov 2005 15:35:05 -0500 Subject: [NEohioPAL]Looking for acoustic guitar at a reasonable price Message-ID: <000f01c5efa4$38d67160$6401a8c0@moose> This is a multi-part message in MIME format. ------=_NextPart_000_0010_01C5EF7A.50006960 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Hello, My 14 year old daughter is interested in learning to play the guitar but her limited babysitting income does not allow her to purchase one new. If you have one that is in good condition and you'd like to sell it at a reasonable cost, please contact me at JudiT at zoominternet.net Thanks!!!!! ------=_NextPart_000_0010_01C5EF7A.50006960 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

Hello,

My 14 year old daughter is interested in learning to = play the guitar but her limited babysitting income does not allow her to = purchase one new.  If you have one = that is in good condition and you’d like to sell it at a reasonable cost, please = contact me at JudiT at zoominternet.net

 

Thanks!!!!!

------=_NextPart_000_0010_01C5EF7A.50006960-- From jfogel at clevelandplayhouse.com Tue Nov 22 12:56:16 2005 From: jfogel at clevelandplayhouse.com (Julie Fogel) Date: Tue, 22 Nov 2005 15:56:16 -0500 Subject: [NEohioPAL]Mambo on Saturday Only Message-ID: <9BF63EA8F64C40DEB06DF78B5A534A9B@clevelandplayhouse.net> This is a multi-part message in MIME format. ------=_NextPart_000_0022_01C5EF7D.45A77500 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit Please note this correction to a previous posting ("When You're Hot, You're Hot," 11/15/05) We've added another performance to The Play House Club Cabaret "Mambo Italiano" -- Saturday, November 26 at 9:00 p.m. To celebrate the extended run, we're offering $5 off tickets to the added performance, simply mention/enter the code "PAL" when ordering your tickets. The original email indicated there was also a Friday performance. We've added just the Saturday show -- thanks! Julie Fogel Associate Director of Communications & Marketing The Cleveland Play House 8500 Euclid Avenue Cleveland, Ohio 44106 (216) 795-7000 ext. 236 www.clevelandplayhouse.com ------=_NextPart_000_0022_01C5EF7D.45A77500 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Mambo on Saturday Only

Please note this correction to a previous = posting ("When You're Hot, You're Hot," 11/15/05)

We've added another performance to = The Play House Club Cabaret "Mambo Italiano" --  = Saturday, November 26 at 9:00 p.m. To celebrate the extended run, we're = offering $5 off tickets to the added performance, simply mention/enter = the code "PAL" when ordering your tickets.

The original email indicated there was = also a Friday performance. 
We've added just the Saturday show -- = thanks!


Julie = Fogel
Associate Director of = Communications & Marketing
The Cleveland Play = House
8500 Euclid Avenue
Cleveland, Ohio 44106
(216) 795-7000 ext. = 236
www.clevelandplayhouse.com

------=_NextPart_000_0022_01C5EF7D.45A77500-- From gbutiri at yahoo.com Tue Nov 22 13:01:53 2005 From: gbutiri at yahoo.com (George Butiri) Date: Tue, 22 Nov 2005 16:01:53 -0500 Subject: [NEohioPAL]Music Video Audition Message-ID: <00fb01c5efa7$f781e830$0302a8c0@inet> This is a multi-part message in MIME format. ------=_NextPart_000_00FC_01C5EF7E.0EABE030 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Video Shoot Directed by George Butiri: Cleveland's premiere Movie Maker Presents the Underground: G-ALI, JESS BLACK, NASTY NUT, JAG D Song: "Gimme" / "Throw your hands up" Video Vixen Audition "Gimme" / "Throw your hands up" December 3rd, 2005 Time: 3pm-6pm Location 4148 West Tuscarawas Canton, Ohio 44708 >>GOOGLE MAPS!<< (Inside Canton Centre Mall at the Underground Clothing Store) Video will be on BET, (we are in negotiation as we speak) For Contact Information: Underground Entertainment at: 330-479-0080 G-ALI at gabryel_ali at yahoo.com All beautiful women 18 and older inspiring models and actors are more than welcomed. All ethnics types If you feel like you have what it takes..... feel free to audition on December 3rd, 2005 ------=_NextPart_000_00FC_01C5EF7E.0EABE030 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

Video = Shoot

 

Directed = by George Butiri: Cleveland's premiere Movie = Maker

 

Presents = the Underground: G-ALI, JESS BLACK, NASTY NUT, = JAG D

Song: “Gimme” / “Throw your hands = up”

 

Video = Vixen Audition “Gimme” / ”= Throw your hands = up”

 

December 3rd, = 2005 Time: = = 3pm-6pm

 

Location

 

4148 = West = Tuscarawas

Canton, Ohio = 44708

 

>>GOOGLE MAPS!<<

 

(Inside = Canton Centre Mall at the Underground Clothing = Store)

 

Video = will be on BET, (we are in negotiation as we = speak)

 

For = Contact Information:

Underground Entertainment at: 330-479-0080

G-ALI at = gabryel_ali at yahoo.com<= /b>

 

All = beautiful women 18 and older inspiring = models and actors are more than welcomed.

All ethnics types

If you = feel like you have what it takes..... feel free to audition on December = 3rd, 2005

 

 

------=_NextPart_000_00FC_01C5EF7E.0EABE030-- From wwareham at fineartsassociation.org Tue Nov 22 13:20:19 2005 From: wwareham at fineartsassociation.org (Wanda Wareham) Date: Tue, 22 Nov 2005 16:20:19 -0500 Subject: [NEohioPAL]Faculty Positions Open at Fine Arts Association Message-ID: <2744EDEF40EB124FABA588C9E7F3EC6E01340C49@fa1.FineArts.Local> The Fine Arts Association, 38660 Mentor Avenue, Willoughby, 44094 has openings for the following faculty positions: =20 Theatre Teacher: Experienced theater teacher needed to work with children in grades 6-12 to teach a class based on the Harry Potter books. Class meets Mondays from 5:00-6:30 pm. The class begins March 27, 2006 and runs 8 weeks. Email resume to lwise at fineartsassociation.org if interested. =20 Guitar Instructor: Experienced guitar teacher to teach beginning through advanced students on Saturdays. Email resume to lwise at fineartsassociation.org . =20 Trumpet Instructor: to teach beginning through advanced students on Saturdays. Bachelor's degree required. Email resume to lwise at fineartsassociation.org . =20 =20 The Fine Arts Association is a non-profit organization operating the School of Fine Arts with classes in the disciplines of music, art, dance and drama. Fine Arts also offers a full season of theatre performances, recitals, art exhibits and cultural activities. Funding is received in part by the United Way and the Ohio Arts Council. For more information, contact Wanda Wareham, Director of Communications and Marketing at (440) 951-7500 x104. =20 From pr at clevelandplayhouse.com Tue Nov 22 13:20:35 2005 From: pr at clevelandplayhouse.com (Sarah Melton) Date: Tue, 22 Nov 2005 16:20:35 -0500 Subject: [NEohioPAL]New Education Curriculum to Focus on the Professional; CPH Production of A Christmas Story Extended Message-ID: <016d01c5efaa$947bd770$6000a8c0@clevelandplayhouse.net> This is a multi-part message in MIME format. ------=_NextPart_000_016E_01C5EF80.ABA5CF70 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Dear NEOHIOPAL: For Immediate Release. New Education Curriculum to Focus On the Professional Master Classes Elevate Program http://www.clevelandplayhouse.com/releases/release.asp?key=20051122i Cleveland Play House Production of A Christmas Story Extended Production Earns Highest Advance in Theatre's History http://www.clevelandplayhouse.com/releases/release.asp?key=20051122ii Contact: Julie Fogel, The Cleveland Play House, Associate Director of Communications and Marketing, 216/795-7000 x236 The Cleveland Play House 8500 Euclid Ave. Cleveland, OH 44106-0189 http://www.clevelandplayhouse.com ------=_NextPart_000_016E_01C5EF80.ABA5CF70 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable Looking for a way to spend quality time with your family

Dear = NEOHIOPAL:

 <= /p>

For Immediate = Release…

 <= /p>

 

New Education Curriculum to = Focus

On the = Professional

Master = Classes Elevate Program
http://www.clevelandplayhouse.com/releases/release.asp?key=3D20051= 122i

 

Cleveland<= /span> Play House Production = of

A = Christmas Story Extended

Production= Earns Highest Advance in Theatre’s = History
http://www.clevelandplayhouse.com/releases/release.asp?key=3D2005= 1122ii

 

Contact:

Julie Fogel, The = Cleveland Play = House, Associate Director of Communications and = Marketing, 216/795-7000 x236

 <= /p>

The Cleveland Play = House

8500 Euclid Ave.

Cleveland, OH  44106-0189

http://www.clevelandplayhouse.com

------=_NextPart_000_016E_01C5EF80.ABA5CF70-- From Gr8Juggler at zoominternet.net Tue Nov 22 14:36:25 2005 From: Gr8Juggler at zoominternet.net (Bruce Manners) Date: Tue, 22 Nov 2005 17:36:25 -0500 Subject: [NEohioPAL]Need a Comedy Juggler? Message-ID: If you are looking for a different twist on entertainment, then book Comedy & Juggling and Stuff with Bruce Manners. The show is a little bit Vaudeville, Circus and Las Vegas mixed up with audience participation. For more information, feel free to visit www.brucemanners.com. Bruce Comedy & Juggling and Stuff with Bruce Manners www.brucemanners.com From secylady66 at hotmail.com Tue Nov 22 15:19:38 2005 From: secylady66 at hotmail.com (Leigh Anderson) Date: Tue, 22 Nov 2005 18:19:38 -0500 Subject: [NEohioPAL]Need a custom designed murder mystery Message-ID: We would like a murder mystery custom designed for our company's clients and spouses. (approximatley 80 people) We would like it to involve our clients but not make them BE the actors. This is going to be a surprise so we need it to be GOOD! We are looking at a weeknight in February and we have a venue and food already. We also would like the humor to be clean so as not to offend anyone. _________________________________________________________________ Express yourself instantly with MSN Messenger! Download today - it's FREE! http://messenger.msn.click-url.com/go/onm00200471ave/direct/01/ From hiseas2 at aol.com Tue Nov 22 16:16:53 2005 From: hiseas2 at aol.com (hiseas2 at aol.com) Date: Tue, 22 Nov 2005 19:16:53 -0500 Subject: [NEohioPAL]Brigadoon Auditions Message-ID: <8C7BDDA575E8920-16B8-33F2@mblk-r13.sysops.aol.com> Mighty Goliath Productions (MGP) of Avon Lake will be holding auditions for "Brigadoon" on Friday, December 2 and Friday, December 9, both at 7:00 p.m. Auditions will take place at the Performing Arts Center of Avon Lake High School. All parts available. Bring a solo to sing - accompanist provided. There will be a movement audition for those interested in the role of Jeannie. There will also be a reading audition. Chorus members need not audition. All singers welcome. First rehearsal: January 6 at 7:00. All rehearsals are on Fridays until tech week. Production dates: March 24, 25, 26, 31 & April 1. Most recent shows include: "Titanic: The Musical" with a cast of 100, and "Music Man" with a cast of 120. Average chorus size for MGP is 60. MGP is a non-profit organization and is made up of volunteers - from the producer to the pit. All profits benefit the Performing Arts Groups of Avon Lake High School. For more information, visit www.geocities.com/mightygoliath. Or, contact Bernadette Hisey, Marketing Manager and Historian of MGP at HiSeas2 at aol.com From higbee at chsaviour.org Tue Nov 22 16:18:25 2005 From: higbee at chsaviour.org (Judith Higbee) Date: Tue, 22 Nov 2005 19:18:25 -0500 Subject: [NEohioPAL]Oberlin Choristers Concert Dec. 4th Message-ID: <00b101c5efc3$6c644920$80fea8c0@church.chsaviour.org> This is a multi-part message in MIME format. ------=_NextPart_000_00B2_01C5EF99.838E4120 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Arts in the Cathedral is pleased to announce the Oberlin Choristers Christmas Concert on Sunday December 4 at 3:00 p.m. in the lovely Gothic sanctuary of Church of the Saviour in Cleveland Heights. The program will be presented by the Touring Choir which consists of 45 singers in grades 6-10 and is the advanced treble choir of the Oberlin Choristers. Directed by Founder Katherine Plank, the program will include sacred Christmas pieces in classical and contemporary style as well as carols from several different countries. There will be a free-will offering at the concert. Church of the Saviour is located at 2537 Lee Road in Cleveland Hts., one block north of Fairmount Blvd. The church is handicapped-accessible and has plenty of free, lighted parking. Judith Higbee Director of Music Church of the Saviour 2537 Lee Road Cleveland Heights, OH 44118 higbee at chsaviour.org Trust in the Lord with all your heart and do not rely on your own insights. In all your ways acknowledge Him and He will make straight your paths. ------=_NextPart_000_00B2_01C5EF99.838E4120 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable

Arts in the = Cathedral is pleased to announce the Oberlin Choristers Christmas Concert on Sunday December 4 = at 3:00 p.m. in the = lovely Gothic sanctuary of Church of the Saviour in = Cleveland Heights. 

 

=

The program will be presented by = the Touring Choir which consists of 45 singers in grades 6-10 and is the = advanced treble choir of the Oberlin Choristers. Directed by Founder = Katherine Plank, the program will include = sacred Christmas pieces in classical and contemporary style as well as carols = from several different countries.

 

=

There will be a free-will offering = at the concert.

 

=

Church of the Saviour is located = at 2537 Lee Road in Cleveland Hts., one block north of Fairmount = Blvd.

 The church is = handicapped-accessible and has plenty of free, lighted parking.

 

=

Judith Higbee

Director of Music

Church of the Saviour

2537 Lee = Road

Cleveland = Heights, OH 44118

higbee at chsaviour.org

 

Trust in the Lord with all your heart and do not rely = on your own insights.

In all your ways acknowledge Him and He will make = straight your paths.

 

------=_NextPart_000_00B2_01C5EF99.838E4120-- From chloe at passportproject.org Tue Nov 22 16:40:38 2005 From: chloe at passportproject.org (=?iso-8859-1?Q?Chlo=EB_Hopson?=) Date: Tue, 22 Nov 2005 19:40:38 -0500 Subject: [NEohioPAL]Film/Music/Art event: nyc's Frequency Response/The Animated Adventures of Knox 11/29 Message-ID: <003801c5efc6$86bf1540$0201010a@dragonfly> This is a multi-part message in MIME format. ------=_NextPart_000_0039_01C5EF9C.9DE90D40 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable The Animated Adventures of Knox An emotional portrait in sound and image=20 Film/live music event: The Animated Adventures of Knox, an emotional portrait in sound and image. With live performance of the sound track by quintet, Frequency Response =20 Date/Time : Tuesday November 29, 2005, 8:00 pm =20 Venue: Passport Project Global Community Arts Center 12801 Buckeye Road (1 block southwest of Shaker Square) Cleveland, OH 44120=20 =20 Admission: $5-$15 Sliding Scale (You decide)=20 =20 More Information: www.passportproject.org ; =20 www.KnoxMovie.com: For video previews, mp3s, photos, graphic scores, director's notes and more; www.FrequencyResponse.info; www.482Music.com=20 For Interviews: JumpArtsMedia at gmail.com =20 =20 New York multi-instrumentalist Tom Abbs takes his band and new independent film on the road.=20 For video previews, mp3s, photos, graphic scores, director's notes and more go to www.KnoxMovie.com For interviews, press copies or any other press request contact JumpArtsMedia at gmail.com The Animated Adventures of Knox=20 An emotional portrait in sound and image Avant-Jazz meets cinema in this rare live rendition of the soundtrack=20 from their latest movie "The Animated Adventures of Knox". Tom Abbs & Frequency Response bring the spectacle of "Knox" to Cleveland OH (Nov.29th), for Passport Project=92s ongoing Vibrations Series* of creative music, dance, visual art, theater and spoken word. A movie by Tom Abbs featuring the music of Frequency Response=20 (in order of appearance) Geoff Mann percussion Tom Abbs bass, tuba, cello, flute=20 Oscar Noriega clarinets, alto saxophone Jean Cook violin=20 Alex Harding baritone Saxophone=20 Supporting their dvd movie/CD soundtrack set out November 29th on 482 Music =20 'The animated Adventures of Knox' An emotional portrait in sound and image=20 Starring Jack Armstrong, Marcus Holand, Michael Sanzone & Matthew Cleveland Produced, directed and edited by Tom Abbs Visual conception by Tom Abbs, M.P. Landis & Michael Sanzone Based on the narrative and video graphic score by Tom Abbs Art direction by M.P. Landis=20 Additional editing by Michael Sanzone Cinematography by Davin Reich, Michael Sanzone & M.P. Landis=20 A Jump Arts production distributed by 482 Music www.KnoxMovie.com www.FrequencyResponse.info www.482Music.com =20 =20 INFORMATION ABOUT PASSPORT PROJECT: Passport Project is a 501 (c) 3, non-profit organization that has been planting seeds of peace and acceptance since 1998. =20 Passport Project's mission is to provide exciting educational experiences that build community through the arts, encourage respect for diversity and rejection of racism and negative bias, and a passion for learning and the global community. =20 Passport Project offers multicultural programs and residencies at schools, at its Global Community Arts Center, and for the community to further this mission. Passport Project leads diversity training in the corporate setting. =20 * Begun in Summer, 2004, the Passport Project Vibrations Series features music, dance, visual art and poetry performances by local, national and international artists that inspire, challenge and break the molds that bind us. A reminder that every one and every thing possesses motion, VIBRATIONS supports art that stretches boundaries and explores connections.=20 =20 The Adventures of Knox Tour Schedule: Tuesday November 29th=20 Cleveland OH=20 Passport Project Global Community Arts Center=20 ( www.passportproject.org) 12801 Buckeye Road , Cleveland, Ohio 44120 (216) 721-1055. $5 =96 15 sliding scale - 8pm Wednesday November 30th Chicago IL=20 Chicago Cultural Center=20 Claudia Cassidy Theater (2nd FL),=20 ( www.chicagoculturalcenter.org) 78 E. Washington St.Chicago, IL 60602 (312) 744-6630=20 7:00pm - FREE=20 Thursday December 1 st =20 Lexington KY Mecca dance studio/gallery ( www.meccadance.com) 451 Chair Avenue Lexington, KY 40508 859/254-9790 8:30pm - $3 Friday December 2nd=20 Columbus OH=20 Acme Art Company ( www.iceboxshows.com) 1230 Courtland Ave. Columbus OH (614) 397-6185 10 pm, doors open at 9 with opening act - $8=20 Saturday December 3rd =20 Cincinnati OH=20 The Loft Society=20 ( www.loftsociety.com )=20 119 Calhoun Street Cincinnati OH 45219 (513) 559-9220 9pm Donation at Door Sunday December 4th =20 Ann Arbor MI=20 Canterbury house=20 ( www.canterburyhouse.org) 721 East Huron Street Ann Arbor, MI. 48104 (734) 665-0606=20 $7 - 9pm Monday December 5th=20 Pittsburgh PA=20 The Shadow Lounge=20 ( http://www.shadowlounge.net/) 5972 Baum Boulevard Pittsburgh, PA 15206 (412)-363-8277=20 Doors open at 8pm, Show at 9pm =20 Chlo=EB Hopson Passport Project, Director chloe at passportproject.org ph:: 216.721.1055 http://passportproject.org =20 =20 Passport Project's mission is to provide exciting educational experiences that build community through the arts, encourage respect for diversity and rejection of racism and negative bias, and a passion for learning and the global community. =20 Passport Project does multicultural programs and residencies at schools, at its Global Community Arts Center, and for the community to further this mission. Passport Project does diversity training in the corporate setting. =20 Passport Project is a 501 (c) 3, non-profit organization that has been planting seeds of peace and acceptance since 1998. =20 ------=_NextPart_000_0039_01C5EF9C.9DE90D40 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Message
The Animated = Adventures of Knox
An emotional portrait in = sound and=20 image=20

Film/live music event:   The Animated=20 Adventures of Knox, an = emotional=20 portrait in sound and image. = With live=20 performance of the sound track by quintet, Frequency = Response

 

Date/Time=20 :=20  Tuesday November = 29,=20 2005, 8:00 pm

 

Venue: Passport Project = Global=20 Community=20 Arts=20 Center

           =20  12801 Buckeye=20 Road (1 block = southwest of=20 Shaker=20 Square)

           =20  Cleveland, = OH=20 44120 

        =20

Admission:  $5-$15 Sliding Scale  (You=20 decide) 

 

More=20 Information:        www.passportproject.org; =          

www.KnoxMovie.com:=20 For=20 video previews, mp3s, photos, graphic scores, director's notes and = more;          =20  www.FrequencyResponse.info;=20 www.482Music.com=20

For=20 Interviews: JumpArtsMedia at gmail.com

 

 

New=20 York=20 multi-instrumentalist=20 Tom=20 Abbs takes=20 his band and new independent film on the road.
For=20 video previews, mp3s, photos, graphic scores, director's notes and more = go to=20 www.KnoxMovie.com

For=20 interviews, press copies or any other press request contact JumpArtsMedia at gmail.com

The=20 Animated Adventures of Knox

An=20 emotional portrait in sound and image

Avant-Jazz meets=20 cinema in this rare live = rendition=20 of the soundtrack
from their latest movie   "The Animated=20 Adventures of Knox". Tom=20 Abbs &=20 Frequency Response bring = the=20 spectacle of "Knox" to Cleveland=20 OH=20 (Nov.29th), for Passport=20 Project’s ongoing = Vibrations=20 Series* of = creative music,=20 dance, visual art, theater and spoken word.

A=20 movie by Tom=20 Abbs=20 featuring the music of Frequency=20 Response

(in=20 order of appearance)  = Geoff=20 Mann=20 percussion Tom=20 Abbs   bass, tuba, cello, flute =

Oscar=20 Noriega   clarinets, alto = saxophone  Jean=20 Cook=20 violin

Alex=20 Harding=20 baritone Saxophone=20


  Supporting their dvd = movie/CD=20 soundtrack set out November 29th on 482=20 Music  

'The=20 animated Adventures of Knox' An=20 emotional portrait in sound and image

Starring  Jack Armstrong, Marcus = Holand,=20 Michael Sanzone & Matthew Cleveland

Produced,=20 directed and edited by Tom Abbs Visual conception by Tom Abbs, = M.P.=20 Landis & Michael Sanzone

Based=20 on the narrative and video graphic score by Tom Abbs Art = direction by=20 M.P. Landis
Additional editing by Michael Sanzone=20 Cinematography by Davin Reich, Michael Sanzone &  M.P. Landis =

A=20 Jump Arts production distributed by 482 Music



www.KnoxMovie.com           =20  www.FrequencyResponse.info           &n= bsp;  =20 www.482Music.com 


 

INFORMATION ABOUT=20 PASSPORT PROJECT:

Passport = Project is a 501=20 (c) 3, non-profit organization that has been planting seeds of peace and = acceptance since 1998.
 
Passport Project's mission is to = provide=20 exciting educational experiences that build community through the arts,=20 encourage respect for diversity and rejection of racism and negative = bias, and a=20 passion for learning and the global community.
 
Passport Project offers multicultural programs and = residencies at schools, at its Global Community Arts Center, and = for the=20 community to further this mission. Passport Project leads diversity training in the = corporate=20 setting.
 
* Begun in Summer,=20 2004, the Passport Project = Vibrations Series=20 features music, dance, visual art and poetry performances by local, = national=20 and international artists that inspire, challenge and = break=20 the molds that bind us. A = reminder that=20 every one and every thing possesses motion, VIBRATIONS supports art that stretches boundaries and = explores=20 connections.=20

 


The=20 Adventures of Knox Tour Schedule:


Tuesday=20 November 29th=20
Cleveland=20 OH=20
Passport=20 Project Global Community Arts Center=20
(=20 www.passportproject.org)

12801=20 Buckeye Road=20 , Cleveland,=20 Ohio=20 44120=20 (216) 721-1055.

$5=20 – 15 sliding scale - 8pm


Wednesday=20 November 30th
Chicago=20 IL=20
Chicago=20 Cultural Center=20
Claudia=20 Cassidy Theater (2nd FL),
(www.chicagoculturalcenter.org)
78=20 E. Washington St.Chicago, IL 60602 (312) 744-6630
7:00pm=20 - FREE

Thursday=20 December 1 st  
Lexington KY
Mecca dance=20 studio/gallery
 (=20 www.meccadance.com)
451=20 Chair Avenue Lexington, KY 40508 859/254-9790
8:30pm - = $3

Friday=20 December 2nd=20
Columbus OH
Acme Art=20 Company
 (=20 www.iceboxshows.com)
1230=20 Courtland Ave. Columbus OH (614) 397-6185
10 pm, doors open at 9 with = opening=20 act - $8

Saturday=20 December 3rd=20  
 Cincinnati OH
The = Loft=20 Society
(www.loftsociety.com ) =
119=20 Calhoun Street Cincinnati OH 45219 (513) 559-9220
9pm Donation at=20 Door

Sunday=20 December 4th 
 Ann Arbor MI
Canterbury=20 house
(=20 www.canterburyhouse.org)
721=20 East Huron Street Ann Arbor, MI. 48104=20 (734)=20 665-0606
$7 - 9pm


Monday=20 December 5th=20
 Pittsburgh=20 PA=20
The=20 Shadow=20 Lounge=20
(=20 http://www.shadowlounge.net/)
5972=20 Baum=20 Boulevard=20 Pittsburgh,=20 PA=20 15206=20 (412)-363-8277=20

       &nbs= p;            = ;            =            =20 Doors open at 8pm,=20 Show at 9pm
 
Chlo=EB  = Hopson
Passport Project, = Director
chloe at passportproject.org
ph:: 216.721.1055
http://passportproject.org
 
Passport Project's = mission is to=20 provide exciting educational experiences that build community through = the arts,=20 encourage respect for diversity and rejection of racism and negative = bias, and a=20 passion for learning and the global community.
 
Passport=20 Project does multicultural programs and residencies at = schools,=20 at its Global Community Arts Center, and for the community to further = this=20 mission. Passport Project does diversity training in the corporate=20 setting.
 
Passport Project is a = 501 (c) 3,=20 non-profit organization that has been planting seeds of peace and = acceptance=20 since 1998.
 
------=_NextPart_000_0039_01C5EF9C.9DE90D40-- From dolan at en.com Tue Nov 22 19:44:29 2005 From: dolan at en.com (Fred Dolan) Date: Tue, 22 Nov 2005 22:44:29 -0500 Subject: [NEohioPAL]Johnny Cash & Arlo Guthrie On Thanksgiving Night On WJCU References: <279.f3432.30b46798@aol.com> Message-ID: <007a01c5efe0$35d9b4e0$caa651d1@com> This is a multi-part message in MIME format. ------=_NextPart_000_0077_01C5EFB6.4C3A4260 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Seasons Greetings! Please tell everyone to join me Thanksgiving evening from 6:30 PM to = midnight for Special Holiday Programming. The main event is Johnny Cash: The Legend - a 4-hour radio special on = the life & music of Johnny Cash which will start promptly at 7:00PM & = run till 11:00PM - with No Commercials - I might add. Following shortly after 11:00 PM will be Arlo Guthrie's "Alice's = Restaurant." Still one of the greatest songs/monologues of all time!=20 The balance of the program will be some excellent acoustic vocals in the = spirit of Thanksgiving.=20 Tune in on 88.7 FM - WJCU - John Carroll University radio or=20 www.wjcu.org on the internet. Have a great Thanksgiving. Fred Dolan Visiting The Folks 88.7 - WJCU-FM & www.wjcu.org In addition to this Thursday, join me on Sunday nights from 9:00PM to = midnight. ------=_NextPart_000_0077_01C5EFB6.4C3A4260 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
 
Seasons Greetings!
Please tell everyone to join me Thanksgiving evening from 6:30 PM = to=20 midnight for Special Holiday Programming.
 
The main event is Johnny Cash: The Legend - a 4-hour radio special = on the=20 life & music of Johnny Cash which will start promptly at 7:00PM = & run=20 till 11:00PM - with No Commercials - I might add.
 
Following shortly after 11:00 PM will be Arlo Guthrie's = "Alice's=20 Restaurant." Still one of the greatest songs/monologues of all = time! 
 
The balance of the program will be some excellent acoustic = vocals in=20 the spirit of Thanksgiving. 
 
Tune in on 88.7 FM - WJCU - John Carroll University = radio or=20
www.wjcu.org on the = internet.
 
Have a great Thanksgiving.
 
Fred Dolan
Visiting The Folks
88.7 - WJCU-FM & www.wjcu.org
In addition to this Thursday, join me on Sunday nights from 9:00PM = to=20 midnight.
 
 
 
------=_NextPart_000_0077_01C5EFB6.4C3A4260-- From vmor75 at ameritech.net Tue Nov 22 19:53:03 2005 From: vmor75 at ameritech.net (V.Wms-Morris) Date: Tue, 22 Nov 2005 19:53:03 -0800 (PST) Subject: [NEohioPAL]Anthology & Contest In-Reply-To: <8C7AAA952D5F74B-838-4105@FWM-D34.sysops.aol.com> Message-ID: <20051123035303.88979.qmail@web81402.mail.mud.yahoo.com> --0-1512415206-1132717983=:88034 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Hello Everyone! My poem "Slide Back" is featured in the PWLGC "Cleveland in Prose and Poetry" anthology. You can view the Cleveland Plain Dealer write up on my site www.wilmorcreations.com. You can also enter to win a "Midnight Jazz" print and view "Holler At The Moon" entries. Vickie Williams-Morris www.wilmorcreations.com Please sign my guest book! --0-1512415206-1132717983=:88034 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit

Hello Everyone!

 

My poem "Slide Back" is featured in the PWLGC "Cleveland in Prose and Poetry" anthology.  You can view the Cleveland Plain Dealer write up on my site www.wilmorcreations.com.  You can also enter to win a "Midnight Jazz" print and view "Holler At The Moon" entries. 

 

Vickie Williams-Morris
www.wilmorcreations.com
Please sign my guest book!



--0-1512415206-1132717983=:88034-- From brendonconnelly at yahoo.co.uk Tue Nov 22 21:25:00 2005 From: brendonconnelly at yahoo.co.uk (Brendon Connelly) Date: Wed, 23 Nov 2005 05:25:00 +0000 (GMT) Subject: [NEohioPAL]Editors and Editing Message-ID: <20051123052500.64736.qmail@web25010.mail.ukl.yahoo.com> I have recently shot a short that needs to complete post production with an amazing degree of urgency to make a deadline. The arrangements I had in place have fallen through - somebody has taken a Thanksgiving holiday at the last minute - so I am looking for access to Final Cut Pro on a half-way decent (at least) Mac and a good DV deck/camera to capture the footage in from. The film is very brief with only four different set ups and few takes to be cut together. I anticipate a good long afternoon would be enough to do the job, though some extra time to give breathing space is a luxury I might like. Can anybody help me? Please reply ASAP. Thanks! ___________________________________________________________ To help you stay safe and secure online, we've developed the all new Yahoo! Security Centre. http://uk.security.yahoo.com From rainbowrep at neo.rr.com Tue Nov 22 22:06:38 2005 From: rainbowrep at neo.rr.com (Rainbow Repertory company) Date: Wed, 23 Nov 2005 01:06:38 -0500 Subject: [NEohioPAL]MAHALIA performances cancelled due to cast illness Message-ID: <084f01c5eff4$116a1230$a5e75d18@DJVLSZ01> This is a multi-part message in MIME format. ------=_NextPart_000_084C_01C5EFCA.285887D0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable We are sorry to announce that due to the illness of 2 cast members, we = have to cancel our performances of MAHALIA scheduled for Nov. 25-26 at = Umstattd Hall in Canton. We hope to re-schedule after the first of the = year. Please contact us if you want to receive an announcement of our = new dates. Lois DiGiacomo The Rainbow Repertory Company 330.456.7397 =20 ------=_NextPart_000_084C_01C5EFCA.285887D0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
We are sorry to=20 announce that due to the illness of 2 cast members, we have to cancel = our=20 performances of MAHALIA scheduled for Nov. 25-26 at Umstattd Hall in=20 Canton.  We hope to re-schedule after the first of the year.  = Please=20 contact us if you want to receive an announcement of our new=20 dates.
 
Lois=20 DiGiacomo
The Rainbow=20 Repertory Company
330.456.7397
 
 
          &nbs= p;            = ;         =20
------=_NextPart_000_084C_01C5EFCA.285887D0-- From fstorch at beckcenter.org Wed Nov 23 06:38:31 2005 From: fstorch at beckcenter.org (Fran Storch) Date: Wed, 23 Nov 2005 09:38:31 -0500 Subject: [NEohioPAL]Best of Beck Stand-Up Comedy Show Message-ID: <97CF2CB42902E345A929E3202369C84E3EB605@beck-1.beckcenter.com> This is a multi-part message in MIME format. ------_=_NextPart_001_01C5F03B.93C95F84 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: quoted-printable FOR IMMEDIATE RELEASE: =20 "Best of the Beck" Stand-Up Comedy Show Friday, December 9, 2005 =20 Lakewood, OH - The Beck Center for the Arts will host the "Best of the Beck" Stand-Up Comedy Show - featuring past graduates of the Beck Center's annual Comedy Class, along with comics from the Cleveland Comedy Kitchen on Friday, December 9th at 9:00 p.m. Doors open at 8:30 p.m. The evening will be hosted by comedian and Comedy Class instructor, John David Sidley. Sidley is the founder of The Cleveland Comedy Kitchen, a group of comedians who perform to raise money for hunger assistance. Special guest performers will include comics Rodney Bengston, Al Hohf and Mike Scanlon. This very funny show will take place in the Music-Armory Building located in the rear of the Beck Center campus. Admission is just $5 per person with cash bar and snacks available. Seating is limited and reservations are recommended. For reservations, call the Beck Center Box Office at 216-521-2540 or log on to www.beckcenter.org. The Beck Center for the Arts is located just ten minutes west of downtown Cleveland at 17801 Detroit Avenue in Lakewood. ### About the Comedy Class The Beck Center's eight week Comedy Class begins in February. Participants learn how to write and deliver their own comedy routine and explore the art of making people laugh. Whether an actor, salesperson or future comedian, participants benefit from learning skills that connect them to people in a whole new way. =20 =20 Yvette A. Hanzel Director of Marketing & External Affairs Beck Center for the Arts 216-521-2540, ext. 225 yvette at beckcenter.org www.beckcenter.org =20 =20 ------_=_NextPart_001_01C5F03B.93C95F84 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

FOR IMMEDIATE = RELEASE:

 

“Best of the Beck” Stand-Up Comedy = Show

Friday, December 9, = 2005

 

Lakewood, OH – The = Beck Center for the Arts will host = the "Best of the Beck" Stand-Up Comedy Show - featuring past graduates of the Beck Center’s = annual Comedy Class, along with comics from the Cleveland Comedy Kitchen on = Friday, December 9th at 9:00 p.m.  Doors open at 8:30 = p.m.

The evening will be hosted by comedian and Comedy Class instructor, = John David Sidley.  = Sidley is the founder of The Cleveland Comedy Kitchen, a group of comedians who = perform to raise money for hunger assistance.  Special guest performers will = include comics Rodney Bengston, Al Hohf and Mike = Scanlon.

This very funny show will take place in the Music-Armory Building located in the rear = of the Beck Center campus. = Admission is just $5 per person with cash bar and snacks available.  Seating is = limited and reservations are recommended.  For reservations, call the Beck = Center Box Office at 216-521-2540 or log on to www.beckcenter.org.   = The Beck Center for the Arts is = located just ten minutes west of downtown Cleveland at 17801 Detroit = Avenue in Lakewood.

=

###<= /p>

About the Comedy Class

The Beck Center’s = eight week Comedy Class begins in February.  Participants learn how to write = and deliver their own comedy routine and explore the art of making people laugh.  Whether an actor, salesperson or future comedian, = participants benefit from learning skills that connect them to people in a whole new = way.

 

 

Yvette A. = Hanzel

Director of = Marketing & External Affairs

Beck= Center= for the Arts

216-521-2540, = ext. 225

yvette at beckcenter.= org

www.beckcenter.org

 

------_=_NextPart_001_01C5F03B.93C95F84-- From artistschair2005 at aol.com Wed Nov 23 07:02:25 2005 From: artistschair2005 at aol.com (artistschair2005 at aol.com) Date: Wed, 23 Nov 2005 10:02:25 -0500 Subject: [NEohioPAL]Need a STAGE ACTOR? William M. Berry and OTHER NEWS! Message-ID: <8C7BE560C8EE1FC-105C-492B@mblk-d31.sysops.aol.com> ----------MailBlocks_8C7BE560C8EE1FC_105C_45E9_mblk-d31.sysops.aol.com Content-Type: text/plain; charset="us-ascii" ARTISTSCHAIR.COM'S "FEATURED ARTIST OF THE DAY" Stage Actor - William M. Berry (Location: Wadsworth, Ohio) (November 23, 2005) To view William's profile, visit http://www.artistschair.com Latest Members' CONTEST Giveaway (November 23, 2005) CONGRATULATIONS to Wadsworth-based stage actor William M. Berry for being chosen at random by the artistschair.com database to be the Wednesday, November 23 "Featured Artist of the Day" will winning two passes, good for four admissions to the December 1 (7:30 pm) Loews Richmond Town Square advanced screening of "The Family Stone" featuring Claire Danes, Diane Keaton, Rachel McAdams, Dermot Mulroney, Craig T. Nelson, Sarah Jessica Parker and Luke Wilson. Take friends or take family, either way, GET OUT and SEE NORTHEAST OHIO! Not a member of artistschair.com yet? Join today for FREE! Networking EVENT & PARTY for Artists and Those that Hire Talent (November 10, 2005) A GREAT BIG THANK YOU to all who attended the November 9 artistschair.com Networking Event which took place at 1300 Gallery. Photos from the event will be posted to the artistschair.com directory soon. FIND an Artist! Make your event or project extra memorable. Find entertainers and technicians in our FREE and easy-to-use database featuring photos and profiles of local artists in more than 100 different talent fields. BE an Artist! Let your talents and services be known. Become a member for FREE and highlight all talent fields that apply to you. Upload photos of yourself and/or samples of your work, edit your own information and have your profiles viewed by those searching for your talents and services. Our MISSION Artistschair.com is committed to PROMOTING and RAISING AWARENESS of local artists, arts-related institutions and issues and the NORTHEAST OHIO REGION as well as serving the needs of those searching for CREATIVE TALENT and resources. ----------MailBlocks_8C7BE560C8EE1FC_105C_45E9_mblk-d31.sysops.aol.com Content-Type: text/html; charset="us-ascii"
  
            ARTISTSCHAIR.COM'S "FEATURED ARTIST OF THE DAY"
Stage Actor - William M. Berry (Location: Wadsworth, Ohio)
 
(November 23, 2005) To view William's profile, visit http://www.artistschair.com
 
Latest Members' CONTEST Giveaway
(November 23, 2005) CONGRATULATIONS to Wadsworth-based stage actor William M. Berry for being chosen at random by the artistschair.com database to be the Wednesday, November 23 "Featured Artist of the Day" will winning two passes, good for four admissions to the December 1 (7:30 pm) Loews Richmond Town Square advanced screening of "The Family Stone" featuring Claire Danes, Diane Keaton, Rachel McAdams, Dermot Mulroney, Craig T. Nelson, Sarah Jessica Parker and Luke Wilson.  
 
Take friends or take family, either way, GET OUT and SEE NORTHEAST OHIO! Not a member of artistschair.com yet? Join today for FREE!
 
Networking EVENT & PARTY for Artists and Those that Hire Talent
(November 10, 2005) A GREAT BIG THANK YOU to all who attended the November 9 artistschair.com Networking Event which took place at 1300 Gallery. Photos from the event will be posted to the artistschair.com directory soon.
  
FIND an Artist!
Make your event or project extra memorable. Find entertainers and technicians in our FREE and easy-to-use database featuring photos and profiles of local artists in more than 100 different talent fields.
 
BE an Artist!
Let your talents and services be known. Become a member for FREE and highlight all talent fields that apply to you. Upload photos of yourself and/or samples of your work, edit your own information and have your profiles viewed by those searching for your talents and services.
 
Our MISSION
Artistschair.com is committed to PROMOTING and RAISING AWARENESS of local artists, arts-related institutions and issues and the NORTHEAST OHIO REGION as well as serving the needs of those searching for CREATIVE TALENT and resources.
 
----------MailBlocks_8C7BE560C8EE1FC_105C_45E9_mblk-d31.sysops.aol.com-- From dposner at universitycircle.org Wed Nov 23 08:11:32 2005 From: dposner at universitycircle.org (University Circle Incorporated) Date: Wed, 23 Nov 2005 11:11:32 -0500 Subject: [NEohioPAL]Holiday CircleFest - December 4 Message-ID: <898101c5f048$91d787a0$07fe10ac@tfhost1> This is a multi-part message in MIME format. ------=_NextPart_000_0001_01C5F01E.17E89210 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable =20 Holiday CircleFest=20 Sunday, December 4 1 to 5:30 pm* =20 * Cleveland Museum of Art's=20 Winter Lights Lantern Festival on=20 Wade Oval: 5:30-6 pm Twenty museums, gardens, galleries, churches, and schools will open = their doors, FREE of charge, for one amazing day of music, hands-on = activities and holiday shopping for all. Institutions offering FREE admission during Holiday CircleFest include: =B7 Case Western Reserve University's Thwing Center =B7 Children's Museum of Cleveland =B7 Church of the Covenant =B7 Cleveland Botanical Garden =B7 Cleveland Institute of Art =B7 Cleveland Institute of Music =B7 Cleveland Museum of Art - McCullough Center =B7 Cleveland Museum of Natural History =B7 Cleveland Play House - Festival of Trees =20 =B7 Cleveland Public Library - Martin Luther King, Jr. Branch=20 =B7 Epworth-Euclid United Methodist Church =B7 Euclid Avenue Congregational Church =B7 Glidden House =B7 HealthSpace Cleveland =B7 Judson Manor =B7 Magnolia Clubhouse, Inc. =B7 Mt. Zion Congregational Church =B7 Museum of Contemporary Art (MOCA) Cleveland =B7 Ronald McDonald House of Cleveland =B7 Temple-Tifereth Israel =B7 Western Reserve Historical Society Cleveland Music School Settlement, Cleveland School of the Arts and = ensembles from The Cleveland Orchestra Youth Orchestra will perform=20 at many of the above sites.=20 View a complete list of activities = (http://www.universitycircle.org/events/activitylist.htm) For more information=20 http://www.universitycircle.org=20 (216) 707-5033 Sponsored by: Cleveland Public Power Home Savings and Loan Additional Support by: The Plain Dealer WNWV 107.3FM The Wave WCPN 90.3FM ideastream Cleveland Magazine Sign-Lite http://www.universitycircle.org/email/265201.1/LU/ To forward this email to a friend use this link: = http://www.universitycircle.org/email/265201.1/FE/ ------=_NextPart_000_0001_01C5F01E.17E89210 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Untitled Document
=20 =20 =20 =20
=20

 

   =20

Holiday = CircleFest 
Sunday, December 4
1 to 5:30 = pm* 

* = Cleveland Museum of Art's
Winter Lights Lantern Festival on =
Wade Oval: 5:30-6 pm

3D"Harp

Twenty museums, gardens, = galleries, churches, and schools will open their = doors, FREE of charge, for one = amazing day of music, hands-on activities and holiday shopping for = all.  .

Institutions offering FREE admission = during Holiday CircleFest include:

=B7         = Case = Western Reserve = University's Thwing = Center

=B7         = Children's = Museum = of Cleveland

=B7         = Church of the = Covenant

=B7         = Cleveland = Botanical = Garden

=B7      Cleveland = Institute of Art

=B7         = Cleveland Institute = of Music

=B7         = Cleveland = Museum of Art - = McCullough Center

=B7         = Cleveland = Museum of Natural = History

=B7         = Cleveland Play House - Festival of = Trees         =

=B7         = Cleveland Public Library - Martin = Luther King, Jr. Branch

=B7         = Epworth-Euclid United Methodist = Church

=B7         = Euclid = Avenue Congregational Church

=B7         = Glidden House

=B7         = HealthSpace Cleveland

=B7         =  Judson Manor

=B7         = Magnolia Clubhouse, = Inc.

=B7         = Mt. Zion Congregational Church

=B7         = Museum of Contemporary Art (MOCA) = Cleveland

=B7         = Ronald McDonald House of Cleveland

=B7         = Temple-Tifereth Israel

=B7         = Western = Reserve = Historical Society

Cleveland Music School = Settlement, Cleveland School of the Arts and ensembles = from The Cleveland Orchestra Youth Orchestra will perform
at = many of the above sites.

View a complete list = of = activities

For more information =
www.universitycircle.org

(216) 707-5033

Sponsored by

3D"Cleveland3D"Home


3DPTCC_04Logo_PDResized3D"Cleveland

3D"WCPN3D"Sign3D"WNWV


Unsubscribe
To forward this email to a friend use this link: Forward To A = Friend
------=_NextPart_000_0001_01C5F01E.17E89210-- From chris at antonellic.com Wed Nov 23 08:53:55 2005 From: chris at antonellic.com (Chris White) Date: Wed, 23 Nov 2005 11:53:55 -0500 Subject: [NEohioPAL]Chagrin Valley Little Theatre - Audition Reminder for "King O' The Moon" Message-ID: <01bc01c5f04e$7d84d5e0$0600a8c0@cwhite> This is a multi-part message in MIME format. ------=_NextPart_000_01B9_01C5F024.948B1940 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Chagrin Valley Little Theatre Audition Reminder King O' the Moon by Tom Dudzkick Show Dates: Jan 20 - Feb 11 (Fridays & Saturdays @ 8pm) The second of Tom Dudzkick's trilogy of the Buffalo family's = tribulations. Following last season's award-winning Over the Tavern, it = largely concerns the now older Georgie and his escapades. The author = pokes fond fun at his Catholic upbringing. CVLT will be holding auditions on Monday the 29th and Tuesday the 30th = of November at 7:00 PM. Roles available for men and women. The theatre is located at 40 River St. in Chagrin Falls. No resumes or = photos are required to audition. Simply come prepared to read from the = script. Happy Thanksgiving! Chagrin Valley Little Theatre www.cvlt.org ------=_NextPart_000_01B9_01C5F024.948B1940 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
 
Chagrin Valley Little Theatre Audition Reminder
 
King O' the Moon
by Tom Dudzkick
Show Dates: Jan 20 - Feb 11 (Fridays & = Saturdays @=20 8pm)
 
The second of Tom Dudzkick's trilogy of the Buffalo family's = tribulations.=20 Following last season's award-winning Over the Tavern, it largely = concerns the=20 now older Georgie and his escapades. The author pokes fond fun at his = Catholic=20 upbringing.
CVLT will be holding auditions on Monday the 29th and = Tuesday the=20 30th of November at 7:00 PM.
Roles available for men and women.
 
The theatre is located at 40 River St. in Chagrin Falls.  No = resumes=20 or photos are required to audition.  Simply come prepared to = read from=20 the script.
 
Happy Thanksgiving!
 
Chagrin Valley Little Theatre
 
 
------=_NextPart_000_01B9_01C5F024.948B1940-- From alexcine at aol.com Wed Nov 23 09:10:47 2005 From: alexcine at aol.com (alexcine at aol.com) Date: Wed, 23 Nov 2005 12:10:47 -0500 Subject: [NEohioPAL]Film Czar seeks Feedback on making Cleveland a Movie City Message-ID: <8C7BE67FB7053BC-1A94-3EBE@FWM-R16.sysops.aol.com> Emmy winning writer and indie filmmaker Alex P. Michaels will be acting=20 as Cleveland's first Film Czar. It is a position Alex has thrust=20 himself into because he is not satisfied with the "powers that be" not=20 being supportive of the local community and that Cleveland does not do=20 as much as it can do to promote filmmaking here. Being involved in=20 independent films in Cleveland and shooting a TV Series based on his=20 Emmy winning movie, Alex has a unique perspective on how to bring=20 movies to the region and also how to support the filmmaking community. =20 Ironically a few years ago, Alex "divorced" himself from the film=20 community to work on building connections with the business community=20 and work on a proposal that is being shopped around to bring about an=20 incubator that will serve the local community and draw in productions.=20 Being Cleveland Film Czar is part of Alex's larger goal of making=20 Cleveland live up to its' potential and be a true part of the movie and=20 TV industry. The Film Czar would like some feedback on what this City truly needs to=20 make the local film community To get your feedback fill out the form at=20 http://www.prelude2cinema.com/filmczar.htm Thank you Sincerely, Alex Michaels ************************************** Prelude2Cinema "Movies That Make You Think." http://www.prelude2cinema.com ******************************************* From hotcarl at adelphia.net Wed Nov 23 09:14:08 2005 From: hotcarl at adelphia.net (carlferrara) Date: Wed, 23 Nov 2005 12:14:08 -0500 Subject: [NEohioPAL]HOT CARL'S 2ND ANNUAL TURKEY JAM STAND UP COMEDY SHOW TONIGHT @ 9:00 Message-ID: <000801c5f051$507c7c80$d3ca4644@HOTCARLDESKTOP> This is a multi-part message in MIME format. ------=_NextPart_000_0005_01C5F027.678298D0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Wed. Nov 23=20 Comedy Showcase Hot Carl's 2nd Annual Turkey Jam At the Cleveland Black Box Theatre (Cabaret Dada) 1210 West 6th street 9:00 P.M. Under the liquid/fusion Next to dive bar $10.00 4 comics Hot Carl Ferrara Ray DeVito Patrick Fisher MC Shawn Paul More info contact Hot Carl Ferrara 216-469-9077 carlferrara at earthlink.net ------=_NextPart_000_0005_01C5F027.678298D0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable

Wed. Nov 23

Comedy Showcase

Hot Carl=92s 2nd Annual = Turkey=20 Jam

At the Cleveland Black Box = Theatre

(Cabaret Dada)

1210 West 6th street

9:00 P.M.

Under the liquid/fusion

Next to dive bar

$10.00

4 comics

Hot Carl Ferrara

Ray DeVito

Patrick Fisher

MC Shawn Paul

More info contact Hot Carl = Ferrara

216-469-9077

carlferrara at earthlink.net

------=_NextPart_000_0005_01C5F027.678298D0-- From Kyra.Forrest at ticketmaster.com Wed Nov 23 10:07:02 2005 From: Kyra.Forrest at ticketmaster.com (Kyra Forrest Cleveland) Date: Wed, 23 Nov 2005 10:07:02 -0800 Subject: [NEohioPAL]COMP tickets for House of Blues Message-ID: <86224193B841EA49B71149F74043CE3F0BF4004C@chimail2.midwest.ticketmaster.com> This message is in MIME format. Since your mail reader does not understand this format, some or all of this message may not be legible. ------_=_NextPart_001_01C5F058.A4BCC23F Content-Type: text/plain > As a NEOhioPAL subscriber, you are being offered an exclusive > COMPLIMENTARY ticket offer for an upcoming show at House of Blues! Click > on the link below to access your password for comp tickets to Sinead > O'Connor on Dec. 2nd! > > http://www.ticketmaster.com/promo/22563 > > > > Kyra Forrest > Marketing Manager > Ticketmaster > 55 Public Square, STE. 1180 > Cleveland, OH 44113 > 216.241.4900 ext. 226 tel > 216.621.1867 fax > > ------_=_NextPart_001_01C5F058.A4BCC23F Content-Type: text/html Content-Transfer-Encoding: quoted-printable COMP tickets for House of Blues

As a NEOhioPAL subscriber, you are = being offered an exclusive COMPLIMENTARY ticket offer for an upcoming = show at House of Blues! Click on the link below to access your password = for comp tickets to Sinead O'Connor on Dec. 2nd!

http://www.ticketmaster.com/promo/22563


Kyra Forrest
Marketing = Manager
Ticketmaster
55 Public = Square, STE. 1180
Cleveland, OH = 44113
216.241.4900 = ext. 226 tel
216.621.1867 = fax


------_=_NextPart_001_01C5F058.A4BCC23F-- From eunhold at dscdo.org Wed Nov 23 10:46:16 2005 From: eunhold at dscdo.org (Eric Unhold) Date: Wed, 23 Nov 2005 13:46:16 -0500 Subject: [NEohioPAL]SEE FREE THEATER! Ushers needed for HOLIDAY HOTLINE Message-ID: This is a multi-part message in MIME format. ------=_NextPart_000_0028_01C5F034.46BD1690 Content-Type: multipart/alternative; boundary="----=_NextPart_001_0029_01C5F034.46BD1690" ------=_NextPart_001_0029_01C5F034.46BD1690 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Hello, Forwarded message below from Linda Eisenstein, co-creator of Holiday Hotline. To see this show for FREE by ushering (very simple time commitment and effort), please contact her (web address is below). Information about the show, and for ordering tickets, is also below. Thank you! Eric Unhold Administrative Director Gordon Square Arts District eunhold at dscdo.org 216-961-4242 x250 Dear cyberpals: Although I've had many things going on in the past few months, I'm dedicating this plugmobile to the opening of our new musical HOLIDAY HOTLINE. This quirky, irreverent musical comedy revue is dedicated to the things that drive us crazy during the holiday season. It begins previews this week and runs through Dec. 23 here in Cleveland, Ohio. It's co-written by me and Michael Sepesy -- both playwrights in the Cleveland Play House Playwrights' Unit -- and produced by James Levin, founder/former A.D. of Cleveland Public Theatre, at Detroit Avenue Arts. SEE! The amazing revenge of the retail peon! EXPERIENCE! That touching new holiday classic, "Kevin the Kwanzaa Moose"! THRILL! To those hair-raising words, "Some Assembly Required"! If you're in the NE Ohio area during the holiday season, please come and see it. It's going to be a lot of fun. 216-491-1709 for tickets. If you're interested in perusing the script for future production consideration let me know. Our cast CD and production script will be available in the next few weeks. Lots of info about the show, including dates, ticket info, synopsis and cast photos, at: www.holiday-hotline.com. Cheers, Linda Eisenstein www.lindaeisenstein.com ------=_NextPart_001_0029_01C5F034.46BD1690 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable
Hello,
Forwarded=20 message below from Linda Eisenstein, co-creator of Holiday = Hotline.  To see this show for FREE by ushering (very simple = time=20 commitment and effort), please contact her (web address is=20 below).  Information about the show, and for ordering = tickets, is=20 also below.
 
Thank=20 you!

Eric = Unhold
Administrative Director
Gordon=20 Square Arts District
eunhold at dscdo.org
216-961-4242=20 x250

 
 Dear = cyberpals:

Although=20 I've had many things going on in the past few months, I'm dedicating = this=20 plugmobile to the opening of our new musical HOLIDAY HOTLINE. This = quirky,=20 irreverent musical comedy revue is dedicated to the things that drive us = crazy=20 during the holiday season.  It begins previews this week and runs = through=20 Dec. 23 here in Cleveland, Ohio.

It's co-written by me and = Michael=20 Sepesy -- both playwrights in the Cleveland Play House Playwrights' Unit = -- and=20 produced by James Levin, founder/former A.D. of Cleveland Public = Theatre, at=20 Detroit Avenue Arts.

SEE!  The amazing revenge of the retail = peon!
EXPERIENCE!  That touching new holiday classic, "Kevin the = Kwanzaa=20 Moose"!
THRILL! To those hair-raising words, "Some Assembly=20 Required"!

If you're in the NE Ohio area during the holiday = season,=20 please come and see it. It's going to be a lot of fun.  = 216-491-1709 for=20 tickets.

If you're interested in perusing the script for future=20 production consideration let me know.  Our cast CD and production = script=20 will be available in the next few weeks. 

Lots of info = about the=20 show, including dates, ticket info, synopsis and cast photos, at: =
www.holiday-hotline.com.

Cheers,=
Linda=20 Eisenstein
www.lindaeisenstein.com

3Dholidayhotlineart700.jpg =
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dT3Ws3E4asEx1xOPRRgp/lzSzmsCrTGN/mxIboI9p3biQLi3tHN1PFyR3TneRogTNZztstrdhbb7 PDt+XPU5a93B0/ZwpAdTvnf6p1nygBgMkX8xJLBxDv8A3QAb+9a9/Dmqj/tC1fynw/ZPi9tIfpX/ AFY2yfNCAZk81vkjVm8phsLeX5gsD3+zrbvzdB3swOW9yrVp7zhPR60O7+ZZrf5W52iW9t1tL38O 3NGpid192dPRhRPqpYzJjZxeWdcxCrf9HHGhpyfMfzNzFwQe23aDzZrFbMA3Nx389/OHRz6U1Dmj Re39o8q75qrV7nq9Xuer1f/Z ------=_NextPart_000_0028_01C5F034.46BD1690-- From kilbanedan at yahoo.com Wed Nov 23 11:36:07 2005 From: kilbanedan at yahoo.com (Dan Kilbane) Date: Wed, 23 Nov 2005 11:36:07 -0800 (PST) Subject: [NEohioPAL]The Holiday Hotline is open! Nov. 23 - Dec. 23 Message-ID: <20051123193607.9608.qmail@web60719.mail.yahoo.com> --0-1815521035-1132774567=:88673 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit HOLIDAY HOTLINE is up and running! www.holiday-hotline.com 216.491.1709 See! The amazing revenge of the retail peon! Experience! That touching new holiday classic, "Kevin the Kwanzaa Moose!!" Thrill! To those hair-raising words, "Assembly required!!!" Previews begin tonight, Nov. 23 @ 8:00 p.m.! Continuing November 25 & 26 Running December 1 ? 23, 2005 A musical comedy revue James Levin?s Detroit Ave. Arts is proud to announce the world premiere of the irreverent HOLIDAY HOTLINE, a musical comedy revue with sketches and songs. HOLIDAY HOTLINE takes a demented look at all the things that drive us crazy about the Christmas holidays. The show, to run in the funky Orthodox, is written by Michael Sepesy; music by Linda Eisenstein; and lyrics by both. Linda Eisenstein and Michael Sepesy wreck the halls with this fast and funny collection of sketches and songs skewering the holiday season, from A CHRISTMAS CAROL to Kwanzaa. The piece is eclectic and irreverent, taking all holiday traditions prisoner with music styles ranging from country to polka to torch song. The world premiere HOLIDAY HOTLINE sends up everything from the mystery ingredients in the turkey stuffing to elf psychotherapy. Co-creator Michael Sepesy sums it up, ?The show is a cure for the Christmas crazies!? The cast includes local favorites Denise Astorino, Kim Aldrich-Ceja, Mark Cipra, Maryann Elder, Hester Lewellen, and Andrew Narten. The production?s staff is led by director Mindy Childress and musical director Michael Flohr. The show previews Wednesday, November 23 and Friday, November 25 at 8:00 p.m. and Saturday, November 26 (8:00 and 10:30 p.m. shows). Opening night is December 1, with the production running through December 23. Performances are Thursdays, Fridays, Saturdays, and Sundays; Thursdays and Fridays at 8:00 p.m., Saturdays at 8:00 and 10:30 p.m., and Sundays at 3:00 p.m. Tickets can be purchased by calling 216.491.1709. Preview tickets are $10. For performances, Thursday, Sunday and Saturday 10:30 p.m. tickets are $10. Friday and Saturdays at 8:00 p.m. are $15. Orthodox is located at Detroit Avenue Arts, 6203 Detroit Ave., Cleveland, Ohio, 44102. --------------------------------- Yahoo! FareChase - Search multiple travel sites in one click. --0-1815521035-1132774567=:88673 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
HOLIDAY HOTLINE
is up and running!
 
www.holiday-hotline.com
216.491.1709
 
See!  The amazing revenge of the retail peon!
 Experience!  That touching new holiday classic, "Kevin the Kwanzaa Moose!!"
 Thrill! To those hair-raising words, "Assembly required!!!"
 
Previews begin tonight, Nov. 23 @ 8:00 p.m.!  Continuing November 25 & 26
Running December 1 ? 23, 2005
A musical comedy revue
 
James Levin?s Detroit Ave. Arts is proud to announce the world premiere of the irreverent HOLIDAY HOTLINE, a musical comedy revue with sketches and songs.  HOLIDAY HOTLINE takes a demented look at all the things that drive us crazy about the Christmas holidays.  The show, to run in the funky Orthodox,  is written by Michael Sepesy; music by Linda Eisenstein; and lyrics by both.
 
Linda Eisenstein and Michael Sepesy wreck the halls with this fast and funny collection of sketches and songs skewering the holiday season, from A CHRISTMAS CAROL to Kwanzaa.  The piece is eclectic and irreverent, taking all holiday traditions prisoner with music styles ranging from country to polka to torch song.  The world premiere HOLIDAY HOTLINE sends up everything from the mystery ingredients in the turkey stuffing to elf psychotherapy.  Co-creator Michael Sepesy sums it up, ?The show is a cure for the Christmas crazies!?
 
The cast includes local favorites Denise Astorino, Kim Aldrich-Ceja, Mark Cipra, Maryann Elder, Hester Lewellen, and Andrew Narten.
 
The production?s staff is led by director Mindy Childress and musical director Michael Flohr.  
 
The show previews Wednesday, November 23 and Friday, November 25 at 8:00 p.m. and Saturday, November 26 (8:00 and 10:30 p.m. shows).  Opening night is December 1, with the production running through December 23.  Performances are Thursdays, Fridays, Saturdays, and Sundays; Thursdays and Fridays at 8:00 p.m., Saturdays at 8:00 and 10:30 p.m., and Sundays at 3:00 p.m.
 
Tickets can be purchased by calling 216.491.1709.  Preview tickets are $10.  For performances, Thursday, Sunday and Saturday 10:30 p.m. tickets are $10.  Friday and Saturdays at 8:00 p.m. are $15. 
 
Orthodox is located at Detroit Avenue Arts, 6203 Detroit Ave., Cleveland, Ohio, 44102.
 
 
 

Yahoo! FareChase - Search multiple travel sites in one click. --0-1815521035-1132774567=:88673-- >From Joe Cali" This is a multi-part message in MIME format. ------=_NextPart_000_0099_01C5F03D.02CA2280 Content-Type: text/plain; charset="Windows-1252" Content-Transfer-Encoding: quoted-printable Cleveland AFTRA's Freelance Organizing Committee (FLOC) presents the = next in its series of Conservatory Workshops: "USING EARPROMPT and TELEPROMPT" Join us Monday, December 5th from 6:30 - 9 p.m., at the AFTRA Office -- = 1468 West Ninth St., when our session will feature AFTRAN Mike Kraft = discussing the use of Earprompt, and Lorene Kulis of L-K Prompter = sharing her knowledge of Teleprompters. Participants are asked to bring = a recorder of any kind and an earphone (wired is fine). This workshop is limited to 20 AFTRA members in good standing. = Reservations for ALL participants are a must -- 216.781.2255, x12. FEES: $10 per participant =20 Conservatory Membership Annual Fee (provides admission to all events)=20 Must be an AFTRA member in good standing New Conservatory members: $25.00=20 Returning Conservatory members: $20.00 =20 Admission tickets =96 which will be emailed or sent via U.S. mail =96 or = a paid-up AFTRA membership card will be needed to gain entrance to the = building.=20 =20 Please send your check, made out to AFTRA with a notation = =91Conservatory Membership=92 on the memo line, along with your AFTRA = I.D.# and home or e-mail address, to: AFTRA -- 1468 W. 9th St., # 720 = -- Cleveland, OH 44113. =20 =20 Feel free to contact Conservatory Co-Chairs Cathy Albers (cla2 at case.edu) = or Nancy Telzerow (ntorq at aol.com) with questions or for further = information. ------=_NextPart_000_0099_01C5F03D.02CA2280 Content-Type: text/html; charset="Windows-1252" Content-Transfer-Encoding: quoted-printable
Cleveland AFTRA's Freelance Organizing Committee (FLOC) presents=20 the next in its series of Conservatory Workshops:
 
"USING EARPROMPT and=20 TELEPROMPT"
 
Join us Monday, December 5th from 6:30 - 9 p.m., = at the=20 AFTRA Office -- 1468 West Ninth St., when our session will = feature=20 AFTRAN Mike Kraft discussing the use of Earprompt, and Lorene Kulis = of L-K=20 Prompter sharing her knowledge of Teleprompters.  Participants are = asked to=20 bring a recorder of any kind and an earphone (wired is fine).
 
This workshop is limited to 20 AFTRA = members=20 in good standing.   Reservations for=20 ALL participants are a = must  --=20 216.781.2255, x12.
 

 

FEES:  $10 per = participant

 

Conservatory Membership Annual Fee=20 (provides admission to all events)=20

Must be an AFTRA member in good = standing

New Conservatory members: =20 $25.00=20

Returning Conservatory members: =20 $20.00

 

Admission tickets =96 which will be emailed or sent via U.S. = mail =96 or a=20 paid-up AFTRA membership card will be needed to gain entrance to the = building.=20

 

Please send your check, made out to AFTRA with a notation = =91Conservatory=20 Membership=92 on the memo line, along with your AFTRA I.D.# and home or = e-mail=20 address, to:  AFTRA -- 1468 W. 9th St., # 720 -- = Cleveland,=20 OH  44113. 

 

Feel free to contact Conservatory = Co-Chairs Cathy=20 Albers (cla2 at case.edu) or Nancy Telzerow (ntorq at aol.com) with questions or for further=20 information.

------=_NextPart_000_0099_01C5F03D.02CA2280-- From Jessica.Schuster at ideastream.org Wed Nov 23 12:27:07 2005 From: Jessica.Schuster at ideastream.org (Schuster, Jessica) Date: Wed, 23 Nov 2005 15:27:07 -0500 Subject: [NEohioPAL]The 90.3 WCPN "Around Noon" Program Schedule for the Week of November 28 Message-ID: <3658357796870A4FAD822731653E058544A193@ideacom.WVIZ.org> This is a multi-part message in MIME format. ------_=_NextPart_001_01C5F06C.4BA2E6B8 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: quoted-printable For Immediate Release Wednesday, November 23, 2005 Contact: Jessica Schuster, Communications Specialist, ideastream, 216.916.6134 "Around Noon" Schedule for the Week of November 28, 2005 Around Noon, weekdays from noon until 1pm on 90.3 WCPN ideastreamsm, keeps you current and connected with cultural affairs in Northeast Ohio. Through conversations with arts and entertainment luminaries; energetic, live performances; and eclectic, special features, host Dee Perry brings the world of arts and entertainment as close as your radio receiver. Following, is the Around Noon schedule for the week of November 28. Please note, all guests and programs are subject to change. Around Noon Schedule for the week of November 28, 2005 Monday, 11-28-05 Dee keeps things "Tidy" with local playwright Eric Coble, rolls along with Dancing Wheel's Snowman; and chats with the Cavani's Merry Peckham about the Cleveland Institute of Music's Chamber Music Festival. For additional information on today's show, visit the following websites: http://www.lkwdpl.org/beck/news.htm#tidy http://www.playscripts.com/author.php3?authorid=3D264 http://www.cavani.org/ http://www.cim.edu/colFaculty.php?div=3D2#MerryPeckham http://www.cim.edu/cimsplash.html http://www.cim.edu/conEvSeries.php Tuesday, 11-29-05 Dee enters the annual "Circlefest" in University Circle with the principal of the Cleveland School of the Arts; enjoys the "Elixir of Love" from Cleveland Opera; and learns to "Love Janis" at Playhouse Square. For additional information on today's show, visit the following websites: http://www.universitycircle.org/Events/hcf2005.htm http://www.universitycircle.org http://www.cmsdnet.net/csa/ http://www.clevelandopera.org/s30/elixir/ecover.html http://www.clevelandopera.org/ http://www.playhousesquare.com/Events/Events.aspx?EventID=3D842 http://www.playhousesquare.com/ Wednesday, 11-30-05 Today, Dee welcomes local food critics to suggest area restaurants for the holiday season. Joining Dee are: Elaine T. Cicora from Scene Magazine and Doug Trattner from the Free Times. For additional information on today's show, visit the following websites: http://www.clevescene.com/Issues/current/dining/index.html http://www.clevescene.com/ http://www.freetimes.com/modules.php?op=3Dmodload&name=3DNews&file=3Dinde= x&cat id=3D&topic=3D8 http://www.freetimes.com/ Thursday, 12-1-05 Dee gets in the holiday spirit with the offbeat productions "Santaland Diaries" and "Mrs. Bob Cratchit's Wild Christmas Binge" at Cleveland Public Theater; then dials the "Holiday Hotline" onstage at the Orthodox Theater.=20 For additional information on today's show, visit the following websites: http://www.cptonline.org/seasoncalendar/event.cfm?eventid=3D223&eventdate= i d=3D1573 http://www.cptonline.org/seasoncalendar/event.cfm?eventid=3D224&eventdate= i d=3D1553 http://www.cptonline.org/ http://www.holiday-hotline.com/ Friday, 12-2-05 Today, Dee is invited to "Lidia's Family Table" with Lidia Bastianich; ideastream's Jim Goldurs chats with comedian Greg Proops about the Drew Carey all-star comic revue; and we get the naked truth on the music of Barenaked Ladies. For additional information on today's show, visit the following websites: http://shopping.lidiasitaly.com/ProductDetails.aspx?productID=3D407 http://www.lidiasitaly.com/index2.htm http://www.gregproops.com/ http://www.bnlmusic.com/ ------_=_NextPart_001_01C5F06C.4BA2E6B8 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable The 90.3 WCPN "Around Noon" Program Schedule for the = Week of November 28

For = Immediate Release

Wednesday, = November 23, 2005

Contact: = Jessica Schuster, Communications Specialist, ideastream, = 216.916.6134


“Around Noon” Schedule for the Week of = November 28, 2005

Around Noon, weekdays from noon until = 1pm on 90.3 WCPN ideastreamsm, keeps you current and connected = with cultural affairs in Northeast Ohio. Through conversations with arts = and entertainment luminaries; energetic, live performances; and = eclectic, special features, host Dee Perry brings the world of arts and = entertainment as close as your radio receiver.

Following, = is the Around Noon schedule for the week of = November 28. Please note, all guests and programs are subject to = change.


Around Noon Schedule for the week of November 28, = 2005

Monday, = 11-28-05

Dee keeps = things “Tidy” with local playwright Eric = Coble, = rolls along with Dancing Wheel’s Snowman; and chats with the Cavani’s Merry = Peckham = about the Cleveland Institute of Music’s Chamber Music = Festival.

For = additional information on today’s show, visit the following = websites:

http://www.lkwdpl.org/beck/news.htm#tidy

http://www.playscripts.com/author.php3?authorid=3D264

http://www.cavani.org/

http://www.cim.edu/colFaculty.php?div=3D2#MerryPeckham<= /FONT>

http://www.cim.edu/cimsplash.html

http://www.cim.edu/conEvSeries.php


Tuesday, = 11-29-05

Dee enters = the annual “Circlefest” in University Circle with the principal of = the Cleveland School of the Arts; enjoys the = “Elixir of Love” from Cleveland = Opera; = and learns to “Love Janis” at Playhouse Square.

For = additional information on today’s show, visit the following = websites:

http://www.universitycircle.org/Events/hcf2005.htm

http://www.universitycircle.org

http://www.cmsdnet.net/csa/

http://www.clevelandopera.org/s30/elixir/ecover.html

http://www.clevelandopera.org/

= http://www.playhousesquare.com/Events/Events.aspx?Event= ID=3D842

http://www.playhousesquare.com/


Wednesday, 11-30-05

Today, Dee = welcomes local food critics to suggest area restaurants for the holiday = season.  Joining Dee are: = Elaine T. Cicora from Scene = Magazine = and Doug = Trattner = from the Free Times.

For = additional information on today’s show, visit the following = websites:

http://www.clevescene.com/Issues/current/dining/index.h= tml

http://www.clevescene.com/

http://www.freetimes.com/modules.php?op=3Dmodload&n= ame=3DNews&file=3Dindex&catid=3D&topic=3D8<= SPAN LANG=3D"en-us">

http://www.freetimes.com/


Thursday, 12-1-05

Dee gets in = the holiday spirit with the offbeat productions = “Santaland Diaries” and = “Mrs. Bob Cratchit’s Wild Christmas = Binge” at Cleveland Public Theater; then dials the = “Holiday Hotline” onstage at the Orthodox = Theater.

For = additional information on today’s show, visit the following = websites:

http://www.cptonline.org/seasoncalendar/event.cfm?event= id=3D223&eventdateid=3D1573

http://www.cptonline.org/seasoncalendar/event.cfm?event= id=3D224&eventdateid=3D1553

http://www.cptonline.org/

http://www.holiday-hotline.com/


Friday, = 12-2-05

Today, Dee = is invited to “Lidia’s Family Table” with Lidia = Bastianich; ideastream’s Jim Goldurs chats with = comedian Greg Proops about the Drew Carey all-star = comic revue; and we get the naked truth on the music = of Barenaked Ladies.

For = additional information on today’s show, visit the following = websites:

http://shopping.lidiasitaly.com/ProductDetails.aspx?pro= ductID=3D407

http://www.lidiasitaly.com/index2.htm=

http://www.gregproops.com/

http://www.bnlmusic.com/























------_=_NextPart_001_01C5F06C.4BA2E6B8-- From FGVlinda at aol.com Wed Nov 23 16:53:07 2005 From: FGVlinda at aol.com (FGVlinda at aol.com) Date: Wed, 23 Nov 2005 19:53:07 EST Subject: [NEohioPAL]A Place For Us Develp. Inc. survey is extended until end of 2005 Message-ID: <1fd.e4119fc.30b668f3@aol.com> -------------------------------1132793587 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Date of survey for market study information is needed for A Place For Us Development, Inc. at "Park District" West 9th in Warehouse District. We have extended the date until end of 2005 for the survey. Please visit website: Aplace4us.org At this time, we are marketing for this one-of-its-kind project in the nation. The design and plans are to serve a multigenerational community. Our desire is to have a self-contained community that will include on-site health care and social services, educational programming, cultural outreach and retail. This project will be open to all; therefore, we are inviting all those who are supportive of such diversity. Yet, it is within our mission to sell at least 50% of the units to the glbt community. We are hoping for a formation of residential assocation. This association would take ownership of the facility. We feel it is important for the major decision policies and management be controlled by the residential community glbt members. No longer do we want to be excluded in making our long-term decisions and care. A Place For Us Development, Inc., a non-profit gay, lesbian, bisexual and transgender organization, whose mission for the past eight years has been to provide a planned community with various services ranging from health care, cultural, spiritual, social and educational, proudly announces the unanimous vote of its board members to join efforts with Marous Development in developing a housing project designed and dedicated to multigenerational gay, lesbian, bisexual, transgender individuals and inclusive of all those supportive of such diversity. Our immediate goal is to market and sell these condominium units (a 15-year tax abatement) to gay, lesbian, bisexual, and transgendered individuals and to those of the wider community. The proposed site is located in the Warehouse District of downtown Cleveland, on West 9th Street between the 250 unit National Terminal Building to the north and the newly renovated 340 unit Bingham Building to the South. Linda Krasienko, President, A Place For Us Development, Inc. _FGVlinda at aol.com_ (mailto:FGVlinda at aol.com) -------------------------------1132793587 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
Date of survey for market study information is needed for A Pla= ce=20 For Us Development, Inc.  at "Park District" West 9th=20= in=20 Warehouse District.
 
We have extended the date until end of 2005 for the survey.  Pl= ease=20 visit website:
Aplace4us.org
 
At this time, we are marketing for this one-of-its-kind=20 project in the nation. The design and plans are to serve=20 a multigenerational community. Our desire is to have a=20 self-contained community that will include on-site health care and= =20 social services, educational programming, cultural outreach and retail. = ;=20
 
This project will be open to all; therefore, we are inviting=20= all=20 those who are supportive of such diversity.  Yet, it is=20 within our mission to sell at least 50% of the units to the glbt=20 community.  We are hoping for a formation=20 of residential assocation.  This association would=20 take ownership of the facility.  We feel it is=20 important for the major decision policies and=20 management be controlled by the residential community gl= bt=20 members. No longer do we want to be excluded in making our long-term=20 decisions and care. 
 
 
A Place For Us Development,=20 Inc., a non-profit gay, lesbian, bisexual and transgender= =20 organization, whose mission for the past eight years has been = ;to=20 provide a planned community with various services ranging from health care,=20 cultural, spiritual, social=20 and educational, proudly announces = the=20 unanimous vote of  its board members to join efforts with Mar= ous=20 Development in developing a housing project designed and=20 dedicated to multigenerational gay, lesbian, bisexual, transgend= er=20 individuals and inclusive of all those supportive of such=20 diversity.=20
 
Our immediate goal is to market and sell these condominium=20 units (a 15-year tax abatement) to gay, lesbian, bisexual, and=20 transgendered individuals and to those of the wider  community. Th= e=20 proposed site is located in the Warehouse District of downtown Cleveland, on= =20 West 9th Street between the 250 unit National Termin= al=20 Building to the north and the newly renovated 340 unit Bingham Building to t= he=20 South.
 
Linda Krasienko, President, A Place For Us Development,=20 Inc.
FGVlinda at aol.com
 
 -------------------------------1132793587-- From dhineline at neo.rr.com Wed Nov 23 17:00:22 2005 From: dhineline at neo.rr.com (Dave Hineline) Date: Wed, 23 Nov 2005 20:00:22 -0500 Subject: [NEohioPAL]Looking For Singer/Lyrisist to complete band and recording. Message-ID: <001b01c5f092$72a27cb0$47dbbd41@D3HRHB71> This is a multi-part message in MIME format. ------=_NextPart_000_0018_01C5F068.89A64F10 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Band needs a vocalist/lyricist. We are Carbon Thread a hard rock band in the process of recording our = first full length CD, " Seven Responces of Conscienceness" We need a dramatic person who can be the voice of our powerfully = melodic, edgy rock sound. If you have vocal talent and can climb inside = our music and give it meaning through your voice and interpretation, = than this could be the chance you have been looking for. Our record = contains an anthem that grabs peoples attention and has a very positive = feel and will be a concert classic. The song "Hope", could best be = described as Pink Floyds "Run Like Hell" meets U2s "Streets with No = Name" not because we tried to sound like that, its just the best way to = describe this song. If you are interested than we will send a copy of the song and come to = the studio to try out. Please respond or forward to someone who you = might know who would be interested. Please, if you have talent and want to make a great record contact me at = dhineline at neo.rr.com. ------=_NextPart_000_0018_01C5F068.89A64F10 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
Band needs a = vocalist/lyricist.
We are Carbon Thread a hard rock band in the process of recording our first full = length=20 CD, " Seven Responces of Conscienceness"
We need a dramatic person who can be = the voice of=20 our powerfully melodic, edgy rock sound. If you have vocal = talent and=20 can climb inside our music and give it meaning through your voice and=20 interpretation, than this could be the chance you have been looking for. = Our record contains an anthem that = grabs peoples=20 attention and has a very positive feel and will be a concert = classic.=20 The song "Hope", could best be described as Pink Floyds "Run Like = Hell"=20 meets U2s "Streets with No Name" not because we tried to sound like = that, its=20 just the best way to describe this song.
If you are interested than we will send = a copy of=20 the song and come to the studio to try out. Please respond or forward to someone who you might know = who would be=20 interested.
 
Please, if you have talent and = want to make a=20 great record contact me at dhineline at neo.rr.com. ------=_NextPart_000_0018_01C5F068.89A64F10-- From KABBW at aol.com Wed Nov 23 18:17:43 2005 From: KABBW at aol.com (KABBW at aol.com) Date: Wed, 23 Nov 2005 21:17:43 EST Subject: [NEohioPAL]Sinatra or Dean Martin impersonator needed Message-ID: <29a.d63b2.30b67cc7@aol.com> -------------------------------1132798663 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit I know it's short notice, but ... Do you know anyone who does a Sinatra or Dean Martin impersonation? Preferably a singer, but just appearance would be more than we have now. It's for a dinner Wed, November 30th, in Lorain, from 5-7 p.m. and can be paid. More information on request. Thanks!! Kathy Whitmore "In a time of universal deceit, telling the truth is a revolutionary act." -- George Orwell -------------------------------1132798663 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
I know it's short notice, but ...
 
Do you know anyone who does a Sinatra or Dean Martin impersonation?&nbs= p;
<= ?param 0000,0000,FFFF>Preferably=20 a singer, but just appearance would be more than we have now.
It's=20 for a dinner Wed, November 30th, in Lorain, from 5-7 p.m. and can be=20 paid.
 
More information on request.
 
Thanks!!
 
Kathy Whitmore
 

"In a time of universal deceit, tel= ling the=20 truth is a revolutionary act." -- George Orwell

-------------------------------1132798663-- From dolan at en.com Wed Nov 23 18:45:48 2005 From: dolan at en.com (Fred Dolan) Date: Wed, 23 Nov 2005 21:45:48 -0500 Subject: [NEohioPAL]Don't Forget: Johnny Cash & Arlo Guthrie On Thanksgiving Night on WJCU References: <20051122133511.40230.qmail@web81805.mail.mud.yahoo.com> Message-ID: <00dc01c5f0a1$3b128ec0$27a651d1@com> This is a multi-part message in MIME format. ------=_NextPart_000_00D9_01C5F077.441F3EC0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable This is your last chance! Everyone knows at least a few Johnny Cash = fans, so please tell them to join me Thanksgiving evening from 6:30 PM = to midnight for=20 Johnny Cash: The Legend - a 4-hour radio special that=20 covers the entire life and recording career of Johnny Cash in his own = words and also the people who knew him in 4 one-hour segments: Ring Of Fire - Johnny Cash: The American Dream How Great Thou Art - Johnny Cash's spiritual quest. The Man In Black - Johnny Cash's politics and influence The World Needs A Melody - Johnny Cash the Storyteller It will run from 7:00 PM to 11:00PM on Thanksgiving evening without = commercial interruption. Following shortly after 11:00 PM will be Arlo Guthrie's "Alice's = Restaurant." Still one of the greatest songs/monologues of all time!=20 The balance of the program will be some excellent acoustic vocals in the = spirit of Thanksgiving.=20 Tune in on 88.7 FM - WJCU - John Carroll University radio or=20 www.wjcu.org on the internet. Have a great Thanksgiving. Fred Dolan Visiting The Folks 88.7 - WJCU-FM & www.wjcu.org In addition to Thursday night, join me on Sunday nights from 9:00PM to = midnight. ------=_NextPart_000_00D9_01C5F077.441F3EC0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
This is your last chance! Everyone knows at least a few Johnny Cash = fans,=20 so please tell them to join me Thanksgiving evening from 6:30 PM to = midnight for 
Johnny Cash: The Legend - a 4-hour radio special that
covers the entire life and recording career of Johnny Cash in his = own words=20 and also the people who knew him in 4 one-hour segments:
Ring Of Fire = -=20 Johnny Cash: The American Dream
How Great Thou Art - Johnny Cash's = spiritual=20 quest.
The Man In Black - Johnny Cash's politics and influence
The = World=20 Needs A Melody - Johnny Cash the Storyteller
It will run from 7:00 PM = to=20 11:00PM on Thanksgiving evening without commercial = interruption.
Following shortly after 11:00 PM will be Arlo Guthrie's = "Alice's=20 Restaurant." Still one of the greatest songs/monologues of all = time! 
 
The balance of the program will be some excellent acoustic = vocals in=20 the spirit of Thanksgiving. 
 
Tune in on 88.7 FM - WJCU - John Carroll University = radio or=20
www.wjcu.org on the = internet.
 
Have a great Thanksgiving.
 
Fred Dolan
Visiting The Folks
88.7 - WJCU-FM & www.wjcu.org
In addition to Thursday night, join me on Sunday nights from 9:00PM = to=20 midnight.
------=_NextPart_000_00D9_01C5F077.441F3EC0-- From performingarts at karamu.com Wed Nov 23 19:21:11 2005 From: performingarts at karamu.com (Performing Arts) Date: Wed, 23 Nov 2005 22:21:11 -0500 Subject: [NEohioPAL]Come on down to see "A Theatre Grows in Cleveland" & "Going To School" during the holiday weekend at Karamu Message-ID: <025701c5f0a6$1f348460$5701a8c0@karamu.com> This is a multi-part message in MIME format. ------=_NextPart_000_0254_01C5F07C.35D83560 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable "A Theatre Grows in Cleveland" by Hannah Stofan and Alex Phillips This ten minute two-character piece placed fifth in the nation in the = National History Day contest two years ago. It will celebrate Karamu's = 90th anniversary for the Youth Theatre program. Written and performed by = Alexander Phillips and Hannah Stofan from Birchwood School in Ohio, the = original title was "A Theatre Grows in Cleveland: Exploring Racial = Equality Through the Dramatic Arts." It depicts the colorful life of = Russell and Rowena Jelliffe who founded the Playhouse Settlement in 1915 = that later relocated in the 1940's and was renamed Karamu House.=20 "Going To School" by Ed Monk Nick is going off to college for the first time. The only problem is, = his family is taking him -- his mother worries he will starve to death, = his father forgot his tuition check, his teenage sister doesn't see why = she has to go, his younger sister just wants to go to her ballet = recital, and his grandmother "don't hear so good no more." It's going to = be a fun day.=20 November 19 - December 10, 2005. Saturdays and Sundays @ 2pm (Arena Theatre) Adults: $8 Kids: $6=20 For more information, please call Karamu's box office at 216-795-7077. Karamu House 2355 East 89th Cleveland, OH 44106 ------=_NextPart_000_0254_01C5F07C.35D83560 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable

 

"A Theatre Grows in Cleveland" by = Hannah=20 Stofan and Alex Phillips

This ten minute two-character piece placed = fifth in the=20 nation in the National History Day contest two years = ago. It will=20 celebrate Karamu's 90th anniversary for the Youth Theatre program. = Written and=20 performed by Alexander Phillips and Hannah Stofan from Birchwood School = in Ohio,=20 the original title was "A Theatre Grows in = Cleveland:=20 Exploring Racial Equality Through the Dramatic Arts."  It = depicts=20 the colorful life of Russell and Rowena Jelliffe who founded the = Playhouse=20 Settlement in 1915 that later relocated in the 1940's and was renamed = Karamu=20 House.

"Going=20 To School" by Ed Monk

Nick is = going off to=20 college for the first time. The only problem is, his family is taking = him -- his=20 mother worries he will starve to death, his father forgot his tuition = check, his=20 teenage sister doesn't see why she has to go, his younger sister just = wants to=20 go to her ballet recital, and his grandmother "don't hear so good no = more." It's=20 going to be a fun day. 
 
November 19 - December 10,=20 2005.
 
Saturdays and Sundays @=20 2pm (Arena=20 Theatre)
Adults: $8
Kids:=20 $6 
 
For=20 more information, please call Karamu's box office at=20 216-795-7077.
 
 
Karamu=20 House
2355=20 East 89th
Cleveland, OH=20 44106
------=_NextPart_000_0254_01C5F07C.35D83560-- From maheshwari_tiiu at yahoo.com Wed Nov 23 19:47:02 2005 From: maheshwari_tiiu at yahoo.com (Tiiu Gennert) Date: Wed, 23 Nov 2005 19:47:02 -0800 (PST) Subject: [NEohioPAL]Happy Thanksgiving! (Studio 11's Holiday Class Schedule) Message-ID: <20051124034702.36106.qmail@web51103.mail.yahoo.com> --0-1039229413-1132804022=:28161 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Join Studio 11 Thanksgiving Day November 24th for Classical Yoga Time: 10:00 am ? Noon Price: $15 Celebrate Thanksgiving Day with Kate & Tiiu for 2 Hours of Yoga (including cleansing yoga postures, energizing breath exercises & an extended relaxation) {Note: Regularly scheduled classes will not be held in honor of the Holiday} No Sunrise Yoga Class on Friday Morning, Nov. 25th Extra Special Karma Yoga "Happy Hour" ... Extended Version Featuring Special Guest Instructor Neel Kulkarni this Friday, November 25th 6:00-8:00 pm (with 10 min. break at 7:00 pm) More details to follow .... Studio 11 Yoga, Pilates & Thai Yoga Massage 2337 West 11th Street Cleveland, OH 44113 216.621.8179 www.studio11tremont.com info at studio11tremont.com --0-1039229413-1132804022=:28161 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
Join Studio 11
 Thanksgiving Day November 24th
for
Classical Yoga
Time: 10:00 am ? Noon
Price: $15
 Celebrate Thanksgiving Day with
Kate & Tiiu for
2 Hours of Yoga
(including cleansing yoga postures, energizing breath exercises & an extended relaxation)
 {Note:  Regularly scheduled classes will not be held in honor of the Holiday}
No Sunrise Yoga Class on Friday Morning, Nov. 25th
Extra Special Karma Yoga "Happy Hour" ... Extended Version
Featuring Special Guest Instructor Neel Kulkarni this Friday, November 25th
6:00-8:00 pm
(with 10 min. break at 7:00 pm)
More details to follow ....


Studio 11
Yoga, Pilates & Thai Yoga Massage
2337 West 11th Street
Cleveland, OH 44113
216.621.8179
www.studio11tremont.com
info at studio11tremont.com
--0-1039229413-1132804022=:28161-- From kaimei at earthlink.net Wed Nov 23 17:35:43 2005 From: kaimei at earthlink.net (Christopher) Date: Wed, 23 Nov 2005 20:35:43 -0500 Subject: [NEohioPAL]Film bi-czar References: <8C7BE67FB7053BC-1A94-3EBE@FWM-R16.sysops.aol.com> Message-ID: <438518EE.EBFC1C27@earthlink.net> Wow! Where to begin... I know I'm supposed to fill out the feedback form, but I suspect it was born with dust on it. Everybody who cares in the slightest for Northeast Ohio's film and video community at least knows someone whose cousin subscribes to NEohioPAL, so my words, frazzled by ever-decreasing creative empathy and sprinkled with a dash of hypocrisy as they may be, are in good hands. As far as I can tell from the expansive view provided by my basement studio's glass block windows, there are three base problems holding back this media arts community. 1. Homogenization of the community's organizational bodies 2. Underappreciation for a team-oriented work ethic 3. Absence of quality control on the parts of area producers If this list elicits a big "hell yeah" from readers, then they can save themselves some time and stop here, you're just going to agree with everything else. The less you agree, the more you should read. Until these issues are not just addressed (ahhhhgain), but solved, the pursuit of a NEO film community is like mankind's pursuit of expansion into space. Untold and uncomprehendable benefits await us as we ready ourselves to explore the final frontier, but none of that's of any use if we try to rush into the next phase as a trainwreck of a society. We've got to handle the mess in our backyard lest we pollute someone else's, in this case, with cliquish, fractured organization; productions that had to take shortcuts or fail altogether because of unprofessionalism and steaming piles of sloppily produced attempts at legitimizing sociopathic predilections. Nobody's being specifically attacked here. If you agree with me, say "amen" to your computer screen. If the shoe finds itself fitting all too comfortably, then make sure it's tied on tight so we can't smell what you've got hiding in there. If you don't see these problems in our community, then you're just not in the community. Maybe you're better off, because weez gotz major problems standing between "us" (the NEO film community) and "them" (an audience outside of people who still think making shoestring movies is a neat novelty). Care to read more? I've got solutions, or at least ideas if anybody's listening. But before we go there, you may be wondering, "why does this guy think he knows all about what's wrong here and how to fix it?" The answer is simple. Having been buffeted by complacency, then uppercutted by unsubstantiated egos and finally kicked by addictions to mediocrity while I was down, I've taken on alot of ya'll's bad habits. I'm becoming part of the problem. I was Director of Operations for a long-defunct organization you may remember called The Alliance, which was supposed to be a pool of film, television and theatrical artists. The brainchild of this organization started their own production company and inexplicably started treating The Alliance as competition, withholding audition announcements, badmouthing our board and trustees, etc. So I was front row for the demolition derby that was watching a fully incorporated 501 c 3 non profit organization fall victim to a proverbial scat-porn fest under the very people who created it. I don't know the problems that must have festered in the Cleveland Film Society or other organizations, but none of them have substantively helped anybody I know. And having been around for longer than I care to admit, I know many. I've watched myself cut corners just to finish core scenes when cast and crew threaten to bail on us. I've worked with people I had doubts about just because the ones I want to work with shuffle off to California without notice, and my product has suffered. Anybody who claims to be or says they can introduce me to the "next big name" in this biz, usually has me running for the hills. But other people are only a fraction of blame. I mean, who reading this doesn't get complete erectile dysfunction over the thought of the unoriginality that runs rampant, or the "big deal" our local news agencies make of any Hollywood film that graces us with its presence, then hits the big screen like a big wet spitwad we want to wipe off to see the real movie underneath? Add to that factors we can't control like the most unpredictable weather in the United States; locations that build up and tear down without notice; "artistes" who instead of giving us their leadership, look down their noses at us; and a sociopathy whose indecision between whether to be a belt of bibles made of rust or vice versa, only makes certain that independent voices get revised into fourth grade English with "values," (without asking "whose values?") and I find myself in a working environment where I get one feature completed for every two that go into production, and countless more that I would start, but can't even get off the ground. Even so, with an average of one feature length production that gets screened at major national and international film festivals every year for the last sixteen years, I am one of the most productive producers of narrative cinema in the Midwest. I'm far away however from being comfortable writing about myself in the third person except in press releases. So to try to wrap this up, here are my ideas for solutions in (as) brief (as possible). If the Film Czar agrees with me, maybe he can help institute some of them. His administration can reap the benefits, but remember, you heard it here first: 1. Start a large bodied organization by making its mission statement something that a majority can agree with. Does everybody want to be famous? Does everybody want Northeast Ohio to be the next Hollywood? Not from what I've heard, and I mean that with sincerity. Not everybody who is interested in local film even wants to actually produce movies, let alone produce them here. What is a thread common to the most people with interests related to making movies in this area? The lagging economy? The need for creative growth? What are the issues that would bring artists, professionals and beginners to the table regardless of clique or perceived experience? We've tried espousing Cleveland as a diverse location for production, but our diverse weather shat that one down. We've tried marketing the talent in the area, but the only productions we have to show for it are ones that local audiences find to be too "edgy" or "controversial," while more cosmopolitan markets outside of Ohio think we're a bunch of poseurs. Said organization may not be able to be as ambitious as getting movies made, but some smaller component of the lifestyle, if it's to draw as diverse a crowd as possible to beef up its networking opportunity street cred. The organization has to address issues relevant to all who are interested in this field, regardless of what kind of production is being made, what the individual's expected role is, or the intended audience. I know I sound like I contradicted myself just now with an earlier sentence about sociopathic predilections, but hold on to your britches. I'm not hatin', I'm just sayin'. The closest to doing this now is IndieCleveland, but I'm talking about something that has sway with community leaders. 2. Create a reward/accountability system for those who want to be considered a pillar of this area's creative media community. Start a website, for instance: www.auteurorposeur.com and model it after Ebay's feedback system. An artist voluntarily posts a profile, a filmography, the like, and others can post feedback- positive and negative. Of course, the artist can retort negative feedback on the message board. I know this smacks of turning into an extension of the good vibrations we all read on NEohioPAL once in a while-often, but something has to draw attention to the infectious lack of work ethic that often even ensnares me, exhausting me to the point where I don't even have the energy to return phone calls. When I meet cast and crew who haven't been exposed to some of the attitudes of the NEO film community, I'm often embarrassed for our community when faced with the proposition that they soon will get such a dose, that they often relocate. I mean a producer or professional actor can only work opposite so much indecision, "my boy/girlfriend won't let me act," or other sudden objections to the material you've all been working with for the last three months just because half way through production, they got around to reading your screenplay. But why should they help us producers with THEIR professionalism when area producers need to: 3. Stop trying to force their fantasy lives down your throats while acting shocked when you don't know how to react to some of the strange demands that they put on you during all processes of the production. Now am I getting my morality panties all in a bunch? No way! One of my current productions plays like John Waters directing an episode of Law & Order SVU, but I'm up front with people about what it is, and as long as they actually read the material before they say yes, then there are no hard feelings, and only mutual respect if and when they say no. But too many producers try to sneak it in on ya and then make you feel like you've got the shortcoming when you question doing material that wasn't in the script. It's got to feel like you got your picture taken by someone who was pretending to not take a picture of you, but of something else. That bait and switch hurts cast and crew relations, but (to me) more importantly, it compromises a production a) by risking its failure due to walk out, and b) wincing in the face of intellectual confrontation. You've got something ballsy to put out there? Let us check it out, if you sound like you know what you want and why, there are alot of actors here who will back your play. I know, I've worked with and am working with artists who help me take on some of the most controversial subjects a regional film has taken on, at least with sincerity. Worse still are the ones who pull punches and hope we don't notice. Do the films that feel right, and do them the way you feel they should be done, because people smell distrust, and if you don't trust them with your material, they're not going to trust you. That is, in my humble opinion, the biggest obstacle stopping films made in this area from being some of the greatest films made in any area. I know one attracts more flies with honey than vinegar, but I prefer to think of what I have to say as bittersweet. And besides... attract flies? I'm not trying to imitate a pile of...... purchasable film awards... Christopher K. Young www.shallowfocus.com alexcine at aol.com wrote: > Emmy winning writer and indie filmmaker Alex P. Michaels will be acting > as Cleveland's first Film Czar. It is a position Alex has thrust > himself into because he is not satisfied with the "powers that be" not > being supportive of the local community and that Cleveland does not do > as much as it can do to promote filmmaking here. Being involved in > independent films in Cleveland and shooting a TV Series based on his > Emmy winning movie, Alex has a unique perspective on how to bring > movies to the region and also how to support the filmmaking community. > Ironically a few years ago, Alex "divorced" himself from the film > community to work on building connections with the business community > and work on a proposal that is being shopped around to bring about an > incubator that will serve the local community and draw in productions. > Being Cleveland Film Czar is part of Alex's larger goal of making > Cleveland live up to its' potential and be a true part of the movie and > TV industry. > > The Film Czar would like some feedback on what this City truly needs to > make the local film community > To get your feedback fill out the form at > http://www.prelude2cinema.com/filmczar.htm > > Thank you > > Sincerely, > Alex Michaels From m.ozimek at sbcglobal.net Wed Nov 23 22:14:41 2005 From: m.ozimek at sbcglobal.net (Mary Lou Ozimek) Date: Thu, 24 Nov 2005 01:14:41 -0500 Subject: [NEohioPAL]Ohio Boychoir Concert Announcements Message-ID: <20051124061451.CF6514CE49@braxton.siteprotect.com> This is a multi-part message in MIME format. ------=_NextPart_000_0075_01C5F094.72C02BF0 Content-Type: multipart/alternative; boundary="----=_NextPart_001_0076_01C5F094.72C02BF0" ------=_NextPart_001_0076_01C5F094.72C02BF0 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit ------=_NextPart_001_0076_01C5F094.72C02BF0 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable THIS IS A TEST: LET ME KNOW IF THIS WILL WORK FOR YOU, = SARAH

 

 

 

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0AqwvelXNJjM678O6Vd28kBs4oRIqIzwRqjbVIKrnHIGBweKdH4f0mK0gtBp1s0MCgRq8SttwAM5 I64Uc+w9K0CQOKTcPekMo2WhaXp9qlrb2FusSJs5iUlhgA7jjkkAZJ64psWkWUNnJZGBZ4JZGklW cCTzWZtzFs9Tn+laBcdqjLUAVX0nTZN+/TrRvMVUfMCncq/dB45AwMDtgU9dK08xLCbG28lCWWPy V2gkYJAxjpx9KmU5NTcYxQBk3nh7S7mCSA2MESSRiJzDGqM0Y/gyBnaehHpViaytbiaKaa2hllhy YneMM0ef7pPT8Ktv1pFGaYiFLOD90BDGBCMRjYPkGMcenHHHaop9J06WIQzWNrJEFVAjQqVCrnaM EdBk4HbNXWYIOKqTT44zRuBDLp+nyRRQyWVs8cB3RI0KlYz6qMcfhUTaXprzGdtPtWlJJMhgUsSe pzjPOTn60/zT+FKJKdhXK/8AYWk+UIhplmIlIIT7Om0EEkHGPUn8zSjSrCG4+1R2cMc+WPmIgViW wGJI6k471MZsVG0xNNIRXGnWKtK4s7cNKwaRvKXLt6njk8nr61DJZ2EcflrZ2wQIYwoiXG0nJXGO hODj1qaabA461Rd3kz1rRIlshkt9NYrvsLRtgAXMKnaBgDHHsPyqyINPnKSS2Vs7xkMjNCpKnjkH HH3R+Q9KovbyFiQKsxQukfNW4qxCbuF7qAVuDS2F00rDnrWReqzyYrU0mErgmqcUo3C92f/Z ------=_NextPart_000_0075_01C5F094.72C02BF0-- From maheshwari_tiiu at yahoo.com Wed Nov 23 23:00:34 2005 From: maheshwari_tiiu at yahoo.com (Tiiu Gennert) Date: Wed, 23 Nov 2005 23:00:34 -0800 (PST) Subject: [NEohioPAL]Extra Special Karma Yoga Class at Studio 11 Message-ID: <20051124070034.88968.qmail@web51109.mail.yahoo.com> --0-220855679-1132815634=:87094 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Extra Special Karma Yoga "Happy Hour" ... Extended Version Featuring Guest Instructor Neel Kulkarni this Friday, November 25th 6:00-8:00 pm (w/10 minute break at 7:00 pm) Neel Kulkarni, born and brought up in a yoga family of India, is a grand parenting level yoga teacher, residing in Virginia. He has studied and taught Yoga in a classical style for 30 years. His work can be seen on www.authenticyoga.org. Neel is here in Cleveland visiting family over the Thanksgiving holiday & we are honored to have him share his practice with us. Neel's class is designed to cover several topics including Yoga Asana, Meditation, Philosophy & Chanting. There will also be time for a Question & Answer Session. His knowledge base of yoga is vast, so take advantage of the time he is with us. In the first few minutes of class, Neel will gather the wishes/intentions of the students to form a specialized agenda. Then, he will provide detailed instruction on the requested topics. The class will finish with chanting (Kirtan) of the first chapter of Shree Patanlayogadarshanam (Yoga Sutras of Patanjali). We recommend that you stay for the entire 2 hour class session, but if you need to go at 7pm, there will be a 10 minute break at that time. Om Shanti-Om Shanti-Om Shanti-Om. Studio 11 Yoga, Pilates & Thai Yoga Massage 2337 West 11th Street Cleveland, OH 44113 216.621.8179 www.studio11tremont.com info at studio11tremont.com --0-220855679-1132815634=:87094 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
Extra Special Karma Yoga "Happy Hour" ... Extended Version
Featuring Guest Instructor Neel Kulkarni this Friday, November 25th
6:00-8:00 pm
(w/10 minute break at 7:00 pm)
 
Neel Kulkarni, born and brought up in a yoga family of India, is a grand parenting level yoga teacher, residing in Virginia. He has studied and taught Yoga in a classical style for 30 years.  His work can be seen on www.authenticyoga.org.

Neel is here in Cleveland visiting family over the Thanksgiving holiday & we are honored to have him share his practice with us. Neel's class is designed to cover several topics including Yoga Asana, Meditation, Philosophy & Chanting. There will also be time for a Question & Answer Session. His knowledge base of yoga is vast, so take advantage of the time he is with us.
In the first few minutes of class, Neel will gather the wishes/intentions of the students to form a specialized agenda. Then, he will provide detailed instruction on the requested topics. The class will finish with chanting (Kirtan) of the first chapter of Shree Patanlayogadarshanam (Yoga Sutras of Patanjali). We recommend that you stay for the entire 2 hour class session, but if you need to go at 7pm, there will be a 10 minute break at that time. Om Shanti-Om Shanti-Om Shanti-Om.


Studio 11
Yoga, Pilates & Thai Yoga Massage
2337 West 11th Street
Cleveland, OH 44113
216.621.8179
www.studio11tremont.com
info at studio11tremont.com
--0-220855679-1132815634=:87094-- From cinevid at yahoo.com Thu Nov 24 00:57:18 2005 From: cinevid at yahoo.com (Bill) Date: Thu, 24 Nov 2005 00:57:18 -0800 (PST) Subject: [NEohioPAL]All Hail Film Czar and Film Prophet In-Reply-To: <20051124060306.C205C61F8A@mailman.siteprotect.com> Message-ID: <20051124085718.86417.qmail@web60323.mail.yahoo.com> --0-1853990415-1132822638=:84088 Content-Type: multipart/alternative; boundary="0-265274245-1132822638=:84088" --0-265274245-1132822638=:84088 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit All Hail Film Czar and Film Prophet You know, most of the time I sit with calm amusement as I read the various ramblings as to why Cleveland isn't 'on the map' when it comes to motion picture film and TV production. However, these latest posts are just too funny to ignore... A self proclaimed Film Czar? What the hell is that? Alex, I thought you were joking! And Christopher, you seem to have so much intelligence and yet you completely miss the point. Ya wanna know the reason why we can't all just get along and make movies together? Well here it is. There's too much crap!!! And widely varying degrees of crap. One of the only reasons our monthly Indieclub meetings are successful is because we're not trying to create a consortium; we're not trying to unite our resources, we're not even trying to improve eachother's work. We're just watching videos. And guess what? We see a lot of crap. We see some good stuff too, but mostly we see Learners, Yearners and Burners. Now, Learners are novice filmmakers who make crap because it's their first film and rather than learn the trade first, they go ahead and make a movie as practice and hopefully they'll improve. We sit politely and smile, wishing they had thought about lighting, sound, acting, dialogue, and camera work before making us sit through their experiments. Yearners are filmmakers who really want to make good films, so they use everything at their disposal to make the best possible film they can. However, they're still somewhat plagued by compromise and the results are never what they hoped for, nor what a real distributor will buy. Much easier to sit through though. Burners are the worst. These are filmmakers (usually prolific) who make crap every time out of the gate. Their camera work is mostly hand-hell shaky cam. Their lighting is barely more than ambient and they often use the on-camera mic to capture dialogue. The acting is wooden and undirected; the stories are either so deep you need waders, or so shallow you can't find a point; and to top it off, they're fully convinced they are great filmmakers. But why do I call them Burners you ask? Well, because they burn the bridges that sincere Yearners might someday want to use. They burn bridges with actors who get soured against indie filmmakers because they have nothing decent to show for all their hard work (not even copy). They burn bridges with locations because they are so unorganized that they overstay their welcomes, mess up property and never send copies of the video, like they promise to do. They burn bridges with investors because the investor never sees a dime of their money back. They burn bridges with the legitimate film commission, because, as I said before they make crap and what film commission is going to support and encourage more crap??? Yet that's not the reason why we don't need a film czar or film prophet or any other coordinating force. The real reason is no one wants to work on someone else's film. You see, most of the people that comprise the indie scene here in Cleveland are writer/producer/directors and we're all working on our own projects. And guess what. I'm not all that interested in spending my valuable time working on someone's project which I consider to be crappier than my own. I can just as easily be spending my time and resources creating my own crap. Sure everyone would like to think there's a benevolent brotherhood of filmmakers; a selfless society where everyone submits ideas and work samples and then the members vote on what script to do and who to direct it. The community is presented with the proposal and since it bears the backing of so many filmmakers, the businesses get involved and support the project with services and finances. The best actors come from all around to have a part in the project and a glorious motion picture is produced that wins the Oscar for Impossible Dream... That would be a good plot for a fantasy picture, but in the real world, writers will lose interest if their script isn't picked. Directors will bail if they can't direct and actors will walk away if they can't be the lead. And you guessed it the end product would probably be... well, I don't need to say it again. (though I really want to) Bill Johns crappy writer/producer/and director www.cinevidproductions.com P.S - I guess I'm in a sour mood because just yesterday I lost a serious investor (producer of two features in LA) because she said the acting in one of the scenes I sent her wasn't very good. I knew it when I shot it that I was compromising, and even though we're reshooting that scene, it's too late to regain that contact... ah CRAP! --------------------------------- Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --0-265274245-1132822638=:84088 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
All Hail Film Czar and Film Prophet
 
You know, most of the time I sit with calm amusement as I read the various ramblings as to why Cleveland isn't 'on the map' when it comes to motion picture film and TV production. However, these latest posts are just too funny to ignore... A self proclaimed Film Czar? What the hell is that? Alex, I thought you were joking! And Christopher, you seem to have so much intelligence and yet you completely miss the point.
 
Ya wanna know the reason why we can't all just get along and make movies together? Well here it is. There's too much crap!!! And widely varying degrees of crap. One of the only reasons our monthly Indieclub meetings are successful is because we're not trying to create a consortium; we're not trying to unite our resources, we're not even trying to improve eachother's work. We're just watching videos. And guess what? We see a lot of crap. We see some good stuff too, but mostly we see Learners, Yearners and Burners.
 
Now, Learners are novice filmmakers who make crap because it's their first film and rather than learn the trade first, they go ahead and make a movie as practice and hopefully they'll improve. We sit politely and smile, wishing they had thought about lighting, sound, acting, dialogue, and camera work before making us sit through their experiments.
 
Yearners are filmmakers who really want to make good films, so they use everything at their disposal to make the best possible film they can. However, they're still somewhat plagued by compromise and the results are never what they hoped for, nor what a real distributor will buy. Much easier to sit through though.
 
Burners are the worst. These are filmmakers (usually prolific) who make crap every time out of the gate. Their camera work is mostly hand-hell shaky cam. Their lighting is barely more than ambient and they often use the on-camera mic to capture dialogue. The acting is wooden and undirected; the stories are either so deep you need waders, or so shallow you can't find a point; and to top it off, they're fully convinced they are great filmmakers.
 
But why do I call them Burners you ask? Well, because they burn the bridges that sincere Yearners might someday want to use. They burn bridges with actors who get soured against indie filmmakers because they have nothing decent to show for all their hard work (not even copy). They burn bridges with locations because they are so unorganized that they overstay their welcomes, mess up property and never send copies of the video, like they promise to do. They burn bridges with investors because the investor never sees a dime of their money back. They burn bridges with the legitimate film commission, because, as I said before they make crap and what film commission is going to support and encourage more crap???
 
Yet that's not the reason why we don't need a film czar or film prophet or any other coordinating force. The real reason is no one wants to work on someone else's film. You see, most of the people that comprise the indie scene here in Cleveland are writer/producer/directors and we're all working on our own projects. And guess what. I'm not all that interested in spending my valuable time working on someone's project which I consider to be crappier than my own. I can just as easily be spending my time and resources creating my own crap.
 
Sure everyone would like to think there's a benevolent brotherhood of filmmakers; a selfless society where everyone submits ideas and work samples and then the members vote on what script to do and who to direct it. The community is presented with the proposal and since it bears the backing of so many filmmakers, the businesses get involved and support the project with services and finances. The best actors come from all around to have a part in the project and a glorious motion picture is produced that wins the Oscar for Impossible Dream...
 
That would be a good plot for a fantasy picture, but in the real world, writers will lose interest if their script isn't picked. Directors will bail if they can't direct and actors will walk away if they can't be the lead. And you guessed it the end product would probably be... well, I don't need to say it again. (though I really want to)
 
Bill Johns
crappy writer/producer/and director
 
P.S - I guess I'm in a sour mood because just yesterday I lost a serious investor (producer of two features in LA) because she said the acting in one of the scenes I sent her wasn't very good. I knew it when I shot it that I was compromising, and even though we're reshooting that scene, it's too late to regain that contact... ah CRAP!

Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --0-265274245-1132822638=:84088-- --0-1853990415-1132822638=:84088-- From alitivity at yahoo.com Thu Nov 24 04:10:41 2005 From: alitivity at yahoo.com (Al Diamond Phillips) Date: Thu, 24 Nov 2005 04:10:41 -0800 (PST) Subject: [NEohioPAL]Happy Thanksgiving from the Al Diamond Phillips Christmas Variety Spectacular Message-ID: <20051124121041.41885.qmail@web50602.mail.yahoo.com> Hope everyone has a nice holiday. For ticketets to the show Dec 17th call Williams on the Lake 330-722-6766 Ext 11 __________________________________ Yahoo! Mail - PC Magazine Editors' Choice 2005 http://mail.yahoo.com From memakefilm at yahoo.com Thu Nov 24 05:32:29 2005 From: memakefilm at yahoo.com (Jamey Mixson) Date: Thu, 24 Nov 2005 05:32:29 -0800 (PST) Subject: [NEohioPAL]Film bi-czar In-Reply-To: <438518EE.EBFC1C27@earthlink.net> Message-ID: <20051124133229.19398.qmail@web36201.mail.mud.yahoo.com> --0-269190289-1132839149=:19396 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Chris (you have a lot of time on your hands...help me clean the gutters huh) *Joke! Bravo for standing against the machine! After reading the Fidel Castro-ism of one individuals demand to be the CZAR of the City, I personally felt "Oh Please-ish". This rings like the sound of a horse wrangler running FEMA. To quote Dr. Phil: "how's that working out for ya". I'm an implant, I live here by choice (ok my wife made me but so what). This community, collectively, is weak to the strength and endorse needed to make a major film. Further most of the upstarts lack knowledge of the system, sadly even I as a card carrying rebel stick to the system. Which, in other communities has a sincere political backing. Gary, Indiana (I believe or was the case some few years ago) will bend over a chair (no kiss, no dinner, no flowers) for film production. I'm not beating up on Mr. Alex of the Emmy but we'd (I...we makes it feel robust) feel more confortable with an individual/ organization elect by and for the people. I too have a person project I'm pushing "buy my book, buy my book" but that will not be my political stance on the future of the community; me then us, well me...if time allows us as well. HINT* Contact Mr. Jackson's Office...maybe they'll be for it. Fire the Czar, I need no self righted leader. Ranting is always welcome Happy Holiday Jamey memakefilm at yahoo.com Christopher wrote: Wow! Where to begin... I know I'm supposed to fill out the feedback form, but I suspect it was born with dust on it. Everybody who cares in the slightest for Northeast Ohio's film and video community at least knows someone whose cousin subscribes to NEohioPAL, so my words, frazzled by ever-decreasing creative empathy and sprinkled with a dash of hypocrisy as they may be, are in good hands. As far as I can tell from the expansive view provided by my basement studio's glass block windows, there are three base problems holding back this media arts community. 1. Homogenization of the community's organizational bodies 2. Underappreciation for a team-oriented work ethic 3. Absence of quality control on the parts of area producers If this list elicits a big "hell yeah" from readers, then they can save themselves some time and stop here, you're just going to agree with everything else. The less you agree, the more you should read. Until these issues are not just addressed (ahhhhgain), but solved, the pursuit of a NEO film community is like mankind's pursuit of expansion into space. Untold and uncomprehendable benefits await us as we ready ourselves to explore the final frontier, but none of that's of any use if we try to rush into the next phase as a trainwreck of a society. We've got to handle the mess in our backyard lest we pollute someone else's, in this case, with cliquish, fractured organization; productions that had to take shortcuts or fail altogether because of unprofessionalism and steaming piles of sloppily produced attempts at legitimizing sociopathic predilections. Nobody's being specifically attacked here. If you agree with me, say "amen" to your computer screen. If the shoe finds itself fitting all too comfortably, then make sure it's tied on tight so we can't smell what you've got hiding in there. If you don't see these problems in our community, then you're just not in the community. Maybe you're better off, because weez gotz major problems standing between "us" (the NEO film community) and "them" (an audience outside of people who still think making shoestring movies is a neat novelty). Care to read more? I've got solutions, or at least ideas if anybody's listening. But before we go there, you may be wondering, "why does this guy think he knows all about what's wrong here and how to fix it?" The answer is simple. Having been buffeted by complacency, then uppercutted by unsubstantiated egos and finally kicked by addictions to mediocrity while I was down, I've taken on alot of ya'll's bad habits. I'm becoming part of the problem. I was Director of Operations for a long-defunct organization you may remember called The Alliance, which was supposed to be a pool of film, television and theatrical artists. The brainchild of this organization started their own production company and inexplicably started treating The Alliance as competition, withholding audition announcements, badmouthing our board and trustees, etc. So I was front row for the demolition derby that was watching a fully incorporated 501 c 3 non profit organization fall victim to a proverbial scat-porn fest under the very people who created it. I don't know the problems that must have festered in the Cleveland Film Society or other organizations, but none of them have substantively helped anybody I know. And having been around for longer than I care to admit, I know many. I've watched myself cut corners just to finish core scenes when cast and crew threaten to bail on us. I've worked with people I had doubts about just because the ones I want to work with shuffle off to California without notice, and my product has suffered. Anybody who claims to be or says they can introduce me to the "next big name" in this biz, usually has me running for the hills. But other people are only a fraction of blame. I mean, who reading this doesn't get complete erectile dysfunction over the thought of the unoriginality that runs rampant, or the "big deal" our local news agencies make of any Hollywood film that graces us with its presence, then hits the big screen like a big wet spitwad we want to wipe off to see the real movie underneath? Add to that factors we can't control like the most unpredictable weather in the United States; locations that build up and tear down without notice; "artistes" who instead of giving us their leadership, look down their noses at us; and a sociopathy whose indecision between whether to be a belt of bibles made of rust or vice versa, only makes certain that independent voices get revised into fourth grade English with "values," (without asking "whose values?") and I find myself in a working environment where I get one feature completed for every two that go into production, and countless more that I would start, but can't even get off the ground. Even so, with an average of one feature length production that gets screened at major national and international film festivals every year for the last sixteen years, I am one of the most productive producers of narrative cinema in the Midwest. I'm far away however from being comfortable writing about myself in the third person except in press releases. So to try to wrap this up, here are my ideas for solutions in (as) brief (as possible). If the Film Czar agrees with me, maybe he can help institute some of them. His administration can reap the benefits, but remember, you heard it here first: 1. Start a large bodied organization by making its mission statement something that a majority can agree with. Does everybody want to be famous? Does everybody want Northeast Ohio to be the next Hollywood? Not from what I've heard, and I mean that with sincerity. Not everybody who is interested in local film even wants to actually produce movies, let alone produce them here. What is a thread common to the most people with interests related to making movies in this area? The lagging economy? The need for creative growth? What are the issues that would bring artists, professionals and beginners to the table regardless of clique or perceived experience? We've tried espousing Cleveland as a diverse location for production, but our diverse weather shat that one down. We've tried marketing the talent in the area, but the only productions we have to show for it are ones that local audiences find to be too "edgy" or "controversial," while more cosmopolitan markets outside of Ohio think we're a bunch of poseurs. Said organization may not be able to be as ambitious as getting movies made, but some smaller component of the lifestyle, if it's to draw as diverse a crowd as possible to beef up its networking opportunity street cred. The organization has to address issues relevant to all who are interested in this field, regardless of what kind of production is being made, what the individual's expected role is, or the intended audience. I know I sound like I contradicted myself just now with an earlier sentence about sociopathic predilections, but hold on to your britches. I'm not hatin', I'm just sayin'. The closest to doing this now is IndieCleveland, but I'm talking about something that has sway with community leaders. 2. Create a reward/accountability system for those who want to be considered a pillar of this area's creative media community. Start a website, for instance: www.auteurorposeur.com and model it after Ebay's feedback system. An artist voluntarily posts a profile, a filmography, the like, and others can post feedback- positive and negative. Of course, the artist can retort negative feedback on the message board. I know this smacks of turning into an extension of the good vibrations we all read on NEohioPAL once in a while-often, but something has to draw attention to the infectious lack of work ethic that often even ensnares me, exhausting me to the point where I don't even have the energy to return phone calls. When I meet cast and crew who haven't been exposed to some of the attitudes of the NEO film community, I'm often embarrassed for our community when faced with the proposition that they soon will get such a dose, that they often relocate. I mean a producer or professional actor can only work opposite so much indecision, "my boy/girlfriend won't let me act," or other sudden objections to the material you've all been working with for the last three months just because half way through production, they got around to reading your screenplay. But why should they help us producers with THEIR professionalism when area producers need to: 3. Stop trying to force their fantasy lives down your throats while acting shocked when you don't know how to react to some of the strange demands that they put on you during all processes of the production. Now am I getting my morality panties all in a bunch? No way! One of my current productions plays like John Waters directing an episode of Law & Order SVU, but I'm up front with people about what it is, and as long as they actually read the material before they say yes, then there are no hard feelings, and only mutual respect if and when they say no. But too many producers try to sneak it in on ya and then make you feel like you've got the shortcoming when you question doing material that wasn't in the script. It's got to feel like you got your picture taken by someone who was pretending to not take a picture of you, but of something else. That bait and switch hurts cast and crew relations, but (to me) more importantly, it compromises a production a) by risking its failure due to walk out, and b) wincing in the face of intellectual confrontation. You've got something ballsy to put out there? Let us check it out, if you sound like you know what you want and why, there are alot of actors here who will back your play. I know, I've worked with and am working with artists who help me take on some of the most controversial subjects a regional film has taken on, at least with sincerity. Worse still are the ones who pull punches and hope we don't notice. Do the films that feel right, and do them the way you feel they should be done, because people smell distrust, and if you don't trust them with your material, they're not going to trust you. That is, in my humble opinion, the biggest obstacle stopping films made in this area from being some of the greatest films made in any area. I know one attracts more flies with honey than vinegar, but I prefer to think of what I have to say as bittersweet. And besides... attract flies? I'm not trying to imitate a pile of...... purchasable film awards... Christopher K. Young www.shallowfocus.com alexcine at aol.com wrote: > Emmy winning writer and indie filmmaker Alex P. Michaels will be acting > as Cleveland's first Film Czar. It is a position Alex has thrust > himself into because he is not satisfied with the "powers that be" not > being supportive of the local community and that Cleveland does not do > as much as it can do to promote filmmaking here. Being involved in > independent films in Cleveland and shooting a TV Series based on his > Emmy winning movie, Alex has a unique perspective on how to bring > movies to the region and also how to support the filmmaking community. > Ironically a few years ago, Alex "divorced" himself from the film > community to work on building connections with the business community > and work on a proposal that is being shopped around to bring about an > incubator that will serve the local community and draw in productions. > Being Cleveland Film Czar is part of Alex's larger goal of making > Cleveland live up to its' potential and be a true part of the movie and > TV industry. > > The Film Czar would like some feedback on what this City truly needs to > make the local film community > To get your feedback fill out the form at > http://www.prelude2cinema.com/filmczar.htm > > Thank you > > Sincerely, > Alex Michaels ______________________________________ Disney's "BEAUTY AND THE BEAST" at Beck Center 12/2-12/31. 216-521-2540. http://www.fredsternfeld.com/beautyandthebeast.htm _______________________________________ There is a sister site to this list called the "NEoPAL Bulletin Board." Occasionally when "hot-button" discussions go on more than a day or two, the bulletin board is used. The Neopal bulletin board also has some other terrific features, like a searchable database for you to put your personal information, a place to post pictures and a chat room with a nightly 11pm gathering to discuss hot topics: http://groups.yahoo.com/group/neopal/ _______________________________________ Disclaimer: The facts and/or opinions expressed in this message are solely those of the person in the "from" or "reply-to" header. The fact that this message is posted should in no way be taken as an endorsement by the administrator of this list. Subscribers should perform due diligence for all goods, services and activities promoted on NEohioPAL. NEohioPAL mailing list NEohioPAL at lists.fredsternfeld.com http://lists.fredsternfeld.com/mailman/listinfo/neohiopal http://www.fredsternfeld.com --0-269190289-1132839149=:19396 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
Chris (you have a lot of time on your hands...help me clean the gutters huh) *Joke!
Bravo for standing against the machine!
 
After reading the Fidel Castro-ism of one individuals demand to be the CZAR of the City, I personally felt "Oh Please-ish". This rings like the sound of a horse wrangler running FEMA. To quote Dr. Phil: "how's that working out for ya".
 
I'm an implant, I live here by choice (ok my wife made me but so what). This community, collectively, is weak to the strength and endorse needed to make a major film. Further most of the upstarts lack knowledge of the system, sadly even I as a card carrying rebel stick to the system. Which, in other communities has a sincere political backing. Gary, Indiana (I believe or was the case some few years ago) will bend over a chair (no kiss, no dinner, no flowers) for film production.
 
I'm not beating up on Mr. Alex of the Emmy but we'd (I...we makes it feel robust) feel more confortable with an individual/ organization elect by and for the people. I too have a person project I'm pushing "buy my book, buy my book" but that will not be my political stance on the future of the community; me then us, well me...if time allows us as well.
 
HINT*
Contact Mr. Jackson's Office...maybe they'll be for it.
Fire the Czar, I need no self righted leader.
 
Ranting is always welcome
Happy Holiday
Jamey
 
 
 
 


Christopher <kaimei at earthlink.net> wrote:
Wow! Where to begin...

I know I'm supposed to fill out the feedback form, but I suspect it was born with dust on it. Everybody who cares in the slightest for Northeast Ohio's film and video community at least knows someone whose cousin subscribes to NEohioPAL, so my words, frazzled by ever-decreasing creative empathy and sprinkled with a dash of hypocrisy as they may be, are in good hands.

As far as I can tell from the expansive view provided by my basement studio's glass block windows, there are three base problems holding back this media arts community.

1. Homogenization of the community's organizational bodies

2. Underappreciation for a team-oriented work ethic

3. Absence of quality control on the parts of area producers

If this list elicits a big "hell yeah" from readers, then they can save themselves some time and stop here, you're just going to agree with everything else. The less you agree, the more you should read.

Until these issues are not just addressed (ahhhhgain), but solved, the pursuit of a NEO film community is like mankind's pursuit of expansion into space. Untold and uncomprehendable benefits await us as we ready ourselves to explore the final frontier, but none of that's of any use if we try to rush into the next phase as a trainwreck of a society. We've got to handle the mess in our backyard lest we pollute someone else's, in this
case, with cliquish, fractured organization; productions that had to take shortcuts or fail altogether because of unprofessionalism and steaming piles of sloppily produced attempts at legitimizing sociopathic predilections. Nobody's being specifically attacked here. If you agree with me, say "amen" to your computer screen. If the shoe finds itself fitting all too comfortably, then make sure it's tied on tight so we can't smell what
you've got hiding in there. If you don't see these problems in our community, then you're just not in the community. Maybe you're better off, because weez gotz major problems standing between "us" (the NEO film community) and "them" (an audience outside of people who still think making shoestring movies is a neat novelty).

Care to read more? I've got solutions, or at least ideas if anybody's listening.

But before we go there, you may be wondering, "why does this guy think he knows all about what's wrong here and how to fix it?"

The answer is simple. Having been buffeted by complacency, then uppercutted by unsubstantiated egos and finally kicked by addictions to mediocrity while I was down, I've taken on alot of ya'll's bad habits. I'm becoming part of the problem.

I was Director of Operations for a long-defunct organization you may remember called The Alliance, which was supposed to be a pool of film, television and theatrical artists. The brainchild of this organization started their own production company and inexplicably started treating The Alliance as competition, withholding audition announcements, badmouthing our board and trustees, etc. So I was front row for the demolition derby that
was watching a fully incorporated 501 c 3 non profit organization fall victim to a proverbial scat-porn fest under the very people who created it. I don't know the problems that must have festered in the Cleveland Film Society or other organizations, but none of them have substantively helped anybody I know. And having been around for longer than I care to admit, I know many.

I've watched myself cut corners just to finish core scenes when cast and crew threaten to bail on us. I've worked with people I had doubts about just because the ones I want to work with shuffle off to California without notice, and my product has suffered. Anybody who claims to be or says they can introduce me to the "next big name" in this biz, usually has me running for the hills. But other people are only a fraction of blame.

I mean, who reading this doesn't get complete erectile dysfunction over the thought of the unoriginality that runs rampant, or the "big deal" our local news agencies make of any Hollywood film that graces us with its presence, then hits the big screen like a big wet spitwad we want to wipe off to see the real movie underneath? Add to that factors we can't control like the most unpredictable weather in the United States; locations that
build up and tear down without notice; "artistes" who instead of giving us their leadership, look down their noses at us; and a sociopathy whose indecision between whether to be a belt of bibles made of rust or vice versa, only makes certain that independent voices get revised into fourth grade English with "values," (without asking "whose values?") and I find myself in a working environment where I get one feature completed for every
two that go into production, and countless more that I would start, but can't even get off the ground. Even so, with an average of one feature length production that gets screened at major national and international film festivals every year for the last sixteen years, I am one of the most productive producers of narrative cinema in the Midwest. I'm far away however from being comfortable writing about myself in the third person except
in press releases.

So to try to wrap this up, here are my ideas for solutions in (as) brief (as possible). If the Film Czar agrees with me, maybe he can help institute some of them. His administration can reap the benefits, but remember, you heard it here first:

1. Start a large bodied organization by making its mission statement something that a majority can agree with. Does everybody want to be famous? Does everybody want Northeast Ohio to be the next Hollywood? Not from what I've heard, and I mean that with sincerity. Not everybody who is interested in local film even wants to actually produce movies, let alone produce them here. What is a thread common to the most people with interests
related to making movies in this area? The lagging economy? The need for creative growth? What are the issues that would bring artists, professionals and beginners to the table regardless of clique or perceived experience? We've tried espousing Cleveland as a diverse location for production, but our diverse weather shat that one down. We've tried marketing the talent in the area, but the only productions we have to show for it are
ones that local audiences find to be too "edgy" or "controversial," while more cosmopolitan markets outside of Ohio think we're a bunch of poseurs. Said organization may not be able to be as ambitious as getting movies made, but some smaller component of the lifestyle, if it's to draw as diverse a crowd as possible to beef up its networking opportunity street cred. The organization has to address issues relevant to all who are
interested in this field, regardless of what kind of production is being made, what the individual's expected role is, or the intended audience. I know I sound like I contradicted myself just now with an earlier sentence about sociopathic predilections, but hold on to your britches. I'm not hatin', I'm just sayin'. The closest to doing this now is IndieCleveland, but I'm talking about something that has sway with community leaders.

2. Create a reward/accountability system for those who want to be considered a pillar of this area's creative media community. Start a website, for instance: www.auteurorposeur.com and model it after Ebay's feedback system. An artist voluntarily posts a profile, a filmography, the like, and others can post feedback- positive and negative. Of course, the artist can retort negative feedback on the message board. I know this smacks of
turning into an extension of the good vibrations we all read on NEohioPAL once in a while-often, but something has to draw attention to the infectious lack of work ethic that often even ensnares me, exhausting me to the point where I don't even have the energy to return phone calls. When I meet cast and crew who haven't been exposed to some of the attitudes of the NEO film community, I'm often embarrassed for our community when faced
with the proposition that they soon will get such a dose, that they often relocate. I mean a producer or professional actor can only work opposite so much indecision, "my boy/girlfriend won't let me act," or other sudden objections to the material you've all been working with for the last three months just because half way through production, they got around to reading your screenplay. But why should they help us producers with THEIR
professionalism when area producers need to:

3. Stop trying to force their fantasy lives down your throats while acting shocked when you don't know how to react to some of the strange demands that they put on you during all processes of the production. Now am I getting my morality panties all in a bunch? No way! One of my current productions plays like John Waters directing an episode of Law & Order SVU, but I'm up front with people about what it is, and as long as they
actually read the material before they say yes, then there are no hard feelings, and only mutual respect if and when they say no. But too many producers try to sneak it in on ya and then make you feel like you've got the shortcoming when you question doing material that wasn't in the script. It's got to feel like you got your picture taken by someone who was pretending to not take a picture of you, but of something else. That bait and
switch hurts cast and crew relations, but (to me) more importantly, it compromises a production a) by risking its failure due to walk out, and b) wincing in the face of intellectual confrontation. You've got something ballsy to put out there? Let us check it out, if you sound like you know what you want and why, there are alot of actors here who will back your play. I know, I've worked with and am working with artists who help me take
on some of the most controversial subjects a regional film has taken on, at least with sincerity. Worse still are the ones who pull punches and hope we don't notice. Do the films that feel right, and do them the way you feel they should be done, because people smell distrust, and if you don't trust them with your material, they're not going to trust you. That is, in my humble opinion, the biggest obstacle stopping films made in this
area from being some of the greatest films made in any area.

I know one attracts more flies with honey than vinegar, but I prefer to think of what I have to say as bittersweet. And besides... attract flies? I'm not trying to imitate a pile of...... purchasable film awards...

Christopher K. Young
www.shallowfocus.com



alexcine at aol.com wrote:

> Emmy winning writer and indie filmmaker Alex P. Michaels will be acting
> as Cleveland's first Film Czar. It is a position Alex has thrust
> himself into because he is not satisfied with the "powers that be" not
> being supportive of the local community and that Cleveland does not do
> as much as it can do to promote filmmaking here. Being involved in
> independent films in Cleveland and shooting a TV Series based on his
> Emmy winning movie, Alex has a unique perspective on how to bring
> movies to the region and also how to support the filmmaking community.
> Ironically a few years ago, Alex "divorced" himself from the film
> community to work on building connections with the business community
> and work on a proposal that is being shopped around to bring about an
> incubator that will serve the local community and draw in productions.
> Being Cleveland Film Czar is part of Alex's larger goal of making
> Cleveland live up to its' potential and be a true part of the movie and
> TV industry.
>
> The Film Czar would like some feedback on what this City truly needs to
> make the local film community
> To get your feedback fill out the form at
> http://www.prelude2cinema.com/filmczar.htm
>
> Thank you
>
> Sincerely,
> Alex Michaels

______________________________________
Disney's "BEAUTY AND THE BEAST" at Beck Center 12/2-12/31. 216-521-2540. http://www.fredsternfeld.com/beautyandthebeast.htm
_______________________________________
There is a sister site to this list called the "NEoPAL Bulletin Board." Occasionally when "hot-button" discussions go on more than a day or two, the bulletin board is used. The Neopal bulletin board also has some other terrific features, like a searchable database for you to put your personal information, a place to post pictures and a chat room with a nightly 11pm gathering to discuss hot topics: http://groups.yahoo.com/group/neopal/
_______________________________________
Disclaimer: The facts and/or opinions expressed in this message are solely those of the person in the "from" or "reply-to" header. The fact that this message is posted should in no way be taken as an endorsement by the administrator of this list. Subscribers should perform due diligence for all goods, services and activities promoted on NEohioPAL.

NEohioPAL mailing list
NEohioPAL at lists.fredsternfeld.com
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--0-269190289-1132839149=:19396-- From Moviemanandy at aol.com Thu Nov 24 08:44:19 2005 From: Moviemanandy at aol.com (Moviemanandy at aol.com) Date: Thu, 24 Nov 2005 11:44:19 EST Subject: [NEohioPAL]Happy Thanksgiving !!! Message-ID: <23f.23f7ed3.30b747e3@aol.com> --part1_23f.23f7ed3.30b747e3_boundary Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit I just wanted to take a moment to wish everyone on this list and there families and friends a safe and Happy Thanksgiving ! I also wanted to thank everyone involved with the wonderful A.F.T.R.A. talent production guide party. It was wonderful to see friends I haven't seen in ages and to meet new friends. Also, for anyone that may be interested there is a new arts magazine out. It is called Artist Review Today. It is a local arts magazine dealing with everyone from sculptors to painters and even actors and producers. I happen to have a short article in the current issue.Also, there is an article on "Madness" the feature film Bill Johns is currently doing. I want to thank all my friends and family for continuing my growth and education and awareness in this industry. So, thank you one and all and again Happy Thanksgiving ! Respectfully, Andy Schofield www.moviemanandy.com --part1_23f.23f7ed3.30b747e3_boundary Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
    
      I just wanted to take a moment to wish everyo= ne on this list and there families and friends a safe and Happy Thanksgiving= !

I also wanted to thank everyone involved with the wonderful A.F.T.R.A. talen= t production guide party. It was wonderful to see friends I haven't seen in=20= ages and to meet new friends.

Also, for anyone that may be interested there is a new arts magazine out. It= is called Artist Review Today. It is a local arts magazine dealing with eve= ryone from sculptors to painters and even actors and producers. I happen to=20= have a short article in the current issue.Also, there is an article on "Madn= ess" the feature film Bill Johns is currently doing.

I want to thank all my friends and family for continuing my growth and educa= tion and awareness in this industry.

So, thank you one and all and again Happy Thanksgiving !

Respectfully, Andy Schofield

www.moviemanandy.com --part1_23f.23f7ed3.30b747e3_boundary-- From broadview-heights-spotlights at cox.net Thu Nov 24 08:44:55 2005 From: broadview-heights-spotlights at cox.net (broadview-heights-spotlights at cox.net) Date: Thu, 24 Nov 2005 11:44:55 -0500 Subject: [NEohioPAL]BROADVIEW HEIGHTS SPOTLIGHTS: Christmas Concert Dec. 3 Message-ID: <20051124164654.ZJJE14098.eastrmmtao05.cox.net@[172.18.52.8]> MAKE YOUR RESERVATIONS NOW! Box Office Phone: (440) 526-4404 SPOTLIGHTS CHRISTMAS CONCERT Featuring the Spotlights Costumed Carolers Saturday, December 3 8:00 PM -- Broadview Heights Cultural Arts Building General Admission: $6 SPOTLIGHTS PRESENT "COSTUMED CAROLERS," CONCERT The Broadview Heights Spotlights Community Theater is pleased to present its annual holiday favorite, the Spotlights Costumed Carolers. The harmonious, Dickens-esque carolers are ready to entertain at your next Christmas function. The group, resplendent in flowing skirts, capes, and top hats, will add a "touch of class" to your business open house or party. Interested parties may also invite the Costumed Carolers to entertain family and friends; the group is sure to add nostalgic warmth to any family holiday gathering. For a donation to the Broadview Heights Spotlights Community Theater, patrons will enjoy the sights and sounds of a by-gone era as portrayed by our talented Carolers. New in 2005, the Spotlights Costumed Carolers will also be hosting a public concert to kick off the holiday season. The concert will be held on Saturday, December 3 at the Broadview Heights Cultural Arts Center, located on the Broadview Center campus at 9543 Broadview Road (1/2 mile South of Route 82). The concert begins at 8:00 PM. General admission is $6 per person. To book the Spotlights Costumed Carolers for your event, or for ticket reservations or other inquiries, interested parties may contact the Broadview Heights Spotlights Community Theater Box Office by phone at (440) 526-4404, by email at broadview-heights-spotlights at cox.net, or on the web at www.broadview-heights-spotlights.org. From clevearttheatre at sbcglobal.net Thu Nov 24 08:51:37 2005 From: clevearttheatre at sbcglobal.net (Cleveland Art Theatre) Date: Thu, 24 Nov 2005 08:51:37 -0800 (PST) Subject: [NEohioPAL]What is "Christmas Gif'"? - Get the Answer and Spread the News!! Message-ID: <20051124165137.33583.qmail@web80804.mail.yahoo.com> --0-4694903-1132851097=:32705 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit What is "Christmas Gif'"?. It's Cleveland Art Theatre's Annual Holiday Musical Presentation! "CHRISTMAS GIF'" is written and directed by Margaret Ford-Taylor. The wonderful, familiar Holiday tunes are arranged and directed by Maestro Glenn Bracken. THE FOLKS IN THIS DELIGHTFUL COMMUNITY WELCOME YOU TO THEIR CHRISTMAS CELEBRATION. THEY WANT YOU TO LAUGH, SING AND ENJOY THEIR TOWN AND THE SEASON.. It's a play for every child and every adult who is still a child at heart! December 2 - December 18, 2005 Fri & Sat 8 pm - Sunday Matinees 4:00 pm at CSU's Factory Theatre East 24th between Chester & Payne Avenues. Bring All The Kids Adults $15.00 - Children 12 and under $7.50 Group rates are available. Call (216)229-9718 for further information --0-4694903-1132851097=:32705 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
What is "Christmas Gif'"?.  It's Cleveland Art Theatre's Annual Holiday Musical Presentation! 
 

 "CHRISTMAS GIF'" is written and directed by Margaret Ford-Taylor.  The wonderful, familiar Holiday tunes are arranged and directed by Maestro Glenn Bracken. 

 

THE FOLKS IN THIS DELIGHTFUL COMMUNITY WELCOME YOU TO THEIR  CHRISTMAS CELEBRATION. THEY WANT YOU TO LAUGH, SING AND ENJOY THEIR TOWN AND THE SEASON..

 

It's a play for every child and every adult who is still a child at heart!   

      December 2 - December 18, 2005

Fri & Sat 8 pm - Sunday Matinees 4:00 pm

         at CSU's Factory Theatre

East 24th between Chester & Payne Avenues.

             Bring All The Kids

Adults $15.00 - Children 12 and under $7.50

Group rates are available.  Call (216)229-9718 for further information

 

--0-4694903-1132851097=:32705-- From mikeanthnort at aol.com Thu Nov 24 10:35:05 2005 From: mikeanthnort at aol.com (mikeanthnort at aol.com) Date: Thu, 24 Nov 2005 13:35:05 -0500 Subject: [NEohioPAL]Re:All Hail RENT! In-Reply-To: <20051124085718.86417.qmail@web60323.mail.yahoo.com> Message-ID: <8C7BF3CEC31683F-1BE8-2CE3@FWM-D08.sysops.aol.com> Film Czar...where do these folks get such charged material? It's gotta be Shaker Heights, right? The reason I ask is because I am completely awash in a reality based purely in Hollywood. Really. Who won the "Battle of Shaker Heights"? The Film Czar? The Turkey Czar? John Crapper? Speaking of crap, Bill, I've got to say, there's a lotta crap because there's A LOT of opinions--and you know what they say about opinions? Never mind, it's Turkey Day! Pass the gravy, already!! Speaking of opinions, with your triage classification of the filmic species in Cleveland, I suppose with regard to my last film project, I'm a burner. But is it possible to be obliged to be a burner if the story contained on the screen is that of a scarce and ambiguous landscape (not to mention the audible difficulties)? I dunno; to Learners, Yearners, and Burners, I would add Avante-Gardesmen, Feminists, Surrealists, Hyper-Montagues, Mise-en-scenities, Verisimilidudes, Sci-Files, and Imports. Finally, go see "RENT" everyone! Delicious! Extra-extraordinary cast! Made me live in thoughts of age-old friends, artistes, loves, and, with any luck, the inspiration spilled over by its power of music will help concerned members of at least this community put together some sort of legitimate Vaccine-to-Beat-AIDS-by-2010 Campaign for the world. We've got the tech to do it; we've got TODAY to do it.... Happy Plancksgiving and Thanksgiving, everyone. Even to this Film Czar guy, may you find a nice film studio in St. Petersburg or Havana :) XO, Mike -----Original Message----- From: Bill To: neohiopal at lists.fredsternfeld.com Sent: Thu, 24 Nov 2005 00:57:18 -0800 (PST) Subject: [NEohioPAL]All Hail Film Czar and Film Prophet All Hail Film Czar and Film Prophet You know, most of the time I sit with calm amusement as I read the various ramblings as to why Cleveland isn't 'on the map' when it comes to motion picture film and TV production. However, these latest posts are just too funny to ignore... A self proclaimed Film Czar? What the hell is that? Alex, I thought you were joking! And Christopher, you seem to have so much intelligence and yet you completely miss the point. Ya wanna know the reason why we can't all just get along and make movies together? Well here it is. There's too much crap!!! And widely varying degrees of crap. One of the only reasons our monthly Indieclub meetings are successful is because we're not trying to create a consortium; we're not trying to unite our resources, we're not even trying to improve eachother's work. We're j ust watching videos. And guess what? We see a lot of crap. We see some good stuff too, but mostly we see Learners, Yearners and Burners. Now, Learners are novice filmmakers who make crap because it's their first film and rather than learn the trade first, they go ahead and make a movie as practice and hopefully they'll improve. We sit politely and smile, wishing they had thought about lighting, sound, acting, dialogue, and camera work before making us sit through their experiments. Yearners are filmmakers who really want to make good films, so they use everything at their disposal to make the best possible film they can. However, they're still somewhat plagued by compromise and the results are never what they hoped for, nor what a real distributor will buy. Much easier to sit through though. Burners are the worst. These are filmmakers (u sually prolific) who make crap every time out of the gate. Their camera work is mostly hand-hell shaky cam. Their lighting is barely more than ambient and they often use the on-camera mic to capture dialogue. The acting is wooden and undirected; the stories are either so deep you need waders, or so shallow you can't find a point; and to top it off, they're fully convinced they are great filmmakers. But why do I call them Burners you ask? Well, because they burn the bridges that sincere Yearners might someday want to use. They burn bridges with actors who get soured against indie filmmakers because they have nothing decent to show for all their hard work (not even copy). They burn bridges with locations because they are so unorganized that they overstay their welcomes, mess up property and never send copies of the video, like they promise to do. They burn bridges with investors because the investor never sees a dime of their money back. They burn bridges with the legitimate film commission, because, as I said before they make crap and what film commission is going to support and encourage more crap??? Yet that's not the reason why we don't need a film czar or film prophet or any other coordinating force. The real reason is no one wants to work on someone else's film. You see, most of the people that comprise the indie scene here in Cleveland are writer/producer/directors and we're all working on our own projects. And guess what. I'm not all that interested in spending my valuable time working on someone's project which I consider to be crappier than my own. I can just as easily be spending my time and resources creating my own crap. Sure everyone would like to think there's a benevolent brotherhood of filmmakers; a selfless society where everyone submits ideas and work samples and then the members vote on what script to do and who to direct it. The commu nity is presented with the proposal and since it bears the backing of so many filmmakers, the businesses get involved and support the project with services and finances. The best actors come from all around to have a part in the project and a glorious motion picture is produced that wins the Oscar for Impossible Dream... That would be a good plot for a fantasy picture, but in the real world, writers will lose interest if their script isn't picked. Directors will bail if they can't direct and actors will walk away if they can't be the lead. And you guessed it the end product would probably be... well, I don't need to say it again. (though I really want to) Bill Johns crappy writer/producer/and director www.cinevidproductions.com P.S - I guess I'm in a sour mood because just yesterday I lost a serious investor (producer of two features in LA) because she said the acting in one of the scenes I sent her wasn't very good. I knew it when I shot it that I was compromising, and even though we're reshooting that scene, it's too late to regain that contact... ah CRAP! -------- Yahoo! Music Unlimited - Access over 1 million songs. Try it free. From wvannostran at neo.rr.com Thu Nov 24 11:08:22 2005 From: wvannostran at neo.rr.com (Bill Van Nostran) Date: Thu, 24 Nov 2005 14:08:22 -0500 Subject: [NEohioPAL]Film Czar seeks Feedback on making Cleveland a Movie City References: <8C7BE67FB7053BC-1A94-3EBE@FWM-R16.sysops.aol.com> Message-ID: <006201c5f12a$709a2d80$640fa8c0@vanornbygqljoh> As the adage goes, if it ain't on the page, it ain't on the stage. Same goes for motion pictures. The good ones all start with a compelling story well told. So one simple way to encourage new work, foster a supportive environment, and help individuals gain feedback on their work could come from a group focused on helping local filmmakers develop and polish material. A monthly group giving individual writers an opportunity to hear scenes from an emerging draft read aloud, then receive feedback from others, is a small, but perhaps important step in developing a local environment to foster NEO talent. Perhaps twice a year, local actors might be persuaded to participate in readings of screenplays nearing completion--showcasing them to a larger audience. Bill Van Nostran ----- Original Message ----- From: To: Sent: Wednesday, November 23, 2005 12:10 PM Subject: [NEohioPAL]Film Czar seeks Feedback on making Cleveland a Movie City Emmy winning writer and indie filmmaker Alex P. Michaels will be acting as Cleveland's first Film Czar. It is a position Alex has thrust himself into because he is not satisfied with the "powers that be" not being supportive of the local community and that Cleveland does not do as much as it can do to promote filmmaking here. Being involved in independent films in Cleveland and shooting a TV Series based on his Emmy winning movie, Alex has a unique perspective on how to bring movies to the region and also how to support the filmmaking community. Ironically a few years ago, Alex "divorced" himself from the film community to work on building connections with the business community and work on a proposal that is being shopped around to bring about an incubator that will serve the local community and draw in productions. Being Cleveland Film Czar is part of Alex's larger goal of making Cleveland live up to its' potential and be a true part of the movie and TV industry. The Film Czar would like some feedback on what this City truly needs to make the local film community To get your feedback fill out the form at http://www.prelude2cinema.com/filmczar.htm Thank you Sincerely, Alex Michaels ************************************** Prelude2Cinema "Movies That Make You Think." http://www.prelude2cinema.com ******************************************* ______________________________________ Disney's "BEAUTY AND THE BEAST" at Beck Center 12/2-12/31. 216-521-2540. http://www.fredsternfeld.com/beautyandthebeast.htm _______________________________________ There is a sister site to this list called the "NEoPAL Bulletin Board." Occasionally when "hot-button" discussions go on more than a day or two, the bulletin board is used. The Neopal bulletin board also has some other terrific features, like a searchable database for you to put your personal information, a place to post pictures and a chat room with a nightly 11pm gathering to discuss hot topics: http://groups.yahoo.com/group/neopal/ _______________________________________ Disclaimer: The facts and/or opinions expressed in this message are solely those of the person in the "from" or "reply-to" header. The fact that this message is posted should in no way be taken as an endorsement by the administrator of this list. Subscribers should perform due diligence for all goods, services and activities promoted on NEohioPAL. NEohioPAL mailing list NEohioPAL at lists.fredsternfeld.com http://lists.fredsternfeld.com/mailman/listinfo/neohiopal http://www.fredsternfeld.com From kym4639 at yahoo.com Thu Nov 24 11:34:01 2005 From: kym4639 at yahoo.com (K Brown) Date: Thu, 24 Nov 2005 11:34:01 -0800 (PST) Subject: [NEohioPAL]Karamu holds AUDITIONS for "Breaking Barriers: Little Rock Nine" Message-ID: <20051124193402.67263.qmail@web34308.mail.mud.yahoo.com> --0-1077121374-1132860841=:64114 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Auditions are being held at Karamu for the World Premier of ?Breaking Barriers: Little Rock Nine?, by Nicole C. Kearney Cooper. Karamu Performing Arts Theater 2355 East 89th Street Cleveland, 44106 (For more information, call (216) 702-6803) Roles available for Caucasian and African American actors & actresses ages 14 to 60. AUDITION DATES & TIMES Saturday December 3 11am to 1pm Sunday December 4 2pm to 4pm Saturday December 10 11am to 1pm Sunday December 11 2pm to 4pm CASTING NEEDS 5 Caucasian adult men 6 African American teen girls 3 African American teen boys 1 Caucasian teen girl 1 Caucasian teen boy 2 African American adult women 1 African America adult man REHEARSAL & PERFORMANCE DATES Rehearsals 2 days/week starting December 28. Performances each Saturday and Sunday from February 11 through February 26. For details: (216) 702-6803 ABOUT THE PLAY "Breaking Barriers: Little Rock Nine" is told from the perspective of the nine students who integrated Central High School, in Little Rock, Arkansas, in September, 1957, amid much violence, hatred and protest. Join these famous "nine" students, their parents, and their protector Ms. Daisy Bates as they meet for the first time after they are chosen. As these nine students bond over the common desire for a better education, they begin to realize the impact it has on American society. Hear personal perspectives from Little Rock and the nation as the drama unfolds for those nine young Black students. --------------------------------- Yahoo! Personals Single? There's someone we'd like you to meet. Lot's of someone's, actually. Yahoo! Personals --0-1077121374-1132860841=:64114 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
Auditions are being held at Karamu for the World Premier of  ?Breaking Barriers:  Little Rock Nine?, by Nicole C. Kearney Cooper.
 
Karamu Performing Arts Theater
2355 East 89th Street
Cleveland, 44106
(For more information, call (216) 702-6803)
 
Roles available for Caucasian and African American actors & actresses ages 14 to 60.
 
AUDITION DATES & TIMES 
Saturday December 3               11am to 1pm
Sunday December 4                 2pm to 4pm
 
Saturday December 10             11am to 1pm
Sunday December 11               2pm to 4pm
 
CASTING NEEDS
5 Caucasian adult men
6 African American teen girls
3 African American teen boys
1 Caucasian teen girl
1 Caucasian teen boy
2 African American adult women
1 African America adult man
 
REHEARSAL & PERFORMANCE DATES
Rehearsals 2 days/week starting December 28.
Performances each Saturday and Sunday from February 11 through February 26.
 
For details:  (216) 702-6803
 
ABOUT THE PLAY
"Breaking Barriers: Little Rock Nine" is told from the perspective of the nine students who integrated Central High School, in Little Rock, Arkansas, in September, 1957, amid much violence, hatred and protest. Join these famous "nine" students, their parents, and their protector Ms. Daisy Bates as they meet for the first time after they are chosen. As these nine students bond over the common desire for a better education, they begin to realize the impact it has on American society.  Hear personal perspectives from Little Rock and the nation as the drama unfolds for those nine young Black students. 
 
 

Yahoo! Personals
Single? There's someone we'd like you to meet.
Lot's of someone's, actually. Yahoo! Personals --0-1077121374-1132860841=:64114-- From kaimei at earthlink.net Thu Nov 24 12:06:36 2005 From: kaimei at earthlink.net (Christopher) Date: Thu, 24 Nov 2005 15:06:36 -0500 Subject: [NEohioPAL]All Hail Film Czar and Film Prophet References: <20051124085718.86417.qmail@web60323.mail.yahoo.com> Message-ID: <43861D4C.48CBA613@earthlink.net> --------------2F538E000E2A9ADB2ED64FF6 Content-Type: text/plain; charset=us-ascii; x-mac-type="54455854"; x-mac-creator="4D4F5353" Content-Transfer-Encoding: 7bit I see an attempt at buying some goodwill with the acting and crew community here, but if we shift ALL the blame on the filmmakers, then we will be ignoring the suffering of those majority of actors and crew who ARE professional enough to show up and try to finish scenes and projects in spite of the few who disappear and stop returning calls until they've settled into their Venice Beach apartments or found religion, or whatever excuse they give until one posts another audition notice. Then, they resurface and send their headshots and resumes as if you won't remember them from the last burn, and to add insult to injury, some of them even put the picture they bailed on or got fired from ON THEIR RESUME! Maybe if we all resigned ourselves to making short films that only have one or two locations, then the impact of this kind of behavior could be minimized. But for those of us who dare to make feature films with multiple locations and scenes with significant cast interplay, then this work ethic, left unaddressed, will STAY the norm for a minority, but significant percentage of actors and crew in this area, thereby throwing a wrench not only into a director's work, but the work of the other actors and crew as well. It only takes one actor doing this to shut down a film. Ask around. I have first hand experience with the phenomenon, and when filmmakers start to get a little ambitious around here, so will they. And while I haven't been to an Indieclub meeting in a long time, I thought I was giving it the benefit of the doubt in my initial posting. But if they're not networking their resources or helping each other improve their work, then what the hell are those guys doing there? I hope it's not all about listening to someone who memorized an article out of videomaker magazine or congratulating each other for sticking it out in Cleveland for as long as they have. Don't get me wrong! This isn't a commentary on Indieclub! I imagine that someone conversant with Indieclub's mission can articulate its significance with great ease. The last meeting I attended (almost two years ago) was very helpful. But if it's true that they no longer provide a resource pool and a constructively critical forum, then that which I hope it isn't, must be exactly what it is. I'll attend one as soon as possible, with the hopes that we're both wrong. But, all that aside, sway with city leaders is a necessary next step for Indieclub, or any organization that takes Cleveland's position in the greater media arts community to heart. I mean, what's a film community if the COMMUNITY isn't involved? Perhaps this is already underway, again, I haven't been attending. But an US and THEM attitude won't help anybody, because THEY have the power to make US unwelcome... even more so than we already are from a socio-cultural standpoint. One other issue I need to take on is the idea that Cleveland's indie scene is mostly made up of writers, producers and directors. While it's true that most directors are also writers and producers, and all the other combinations therein, it's more than safe to say that the vast majority of those who consider themselves in the indie scene have little to no interest in writing and/or producing and/or directing a picture of their own. Ask yourself, what's the largest number of actors you've had answer a casting call of yours? My largest number is about 130, I imagine yours are similar, if not higher since you often cast on the coattails of success from a previous project. This kind of turn out is not uncommon. Now how many area filmmakers have you ever seen in one place locally, at one time? Actual filmmakers with one or more credits in the above mentioned categories? Even add those who aspire to have a credit and the number's still pretty small. The reason I bring up this otherwise picayune issue is because it's symptomatic of a trend this community has, and I've been guilty of too: leaving out actors and crew in the dialogue over the needs of this film community. Because when you include those people in the mix, then we see that in fact, a vast majority of this community DOES WANT to work on someone else's film. They're just waiting for something they can believe in. Some find it, many don't, and some are just easy to please. You know us creative types are an unorganized lot with major attention deficit, so one more time. What was the point? Christopher K. Young www.shallowfocus.com P.S.: Amen to your last two paragraphs Bill wrote: > All Hail Film Czar and Film Prophet You know, most of the time I sit > with calm amusement as I read the various ramblings as to why > Cleveland isn't 'on the map' when it comes to motion picture film and > TV production. However, these latest posts are just too funny to > ignore... A self proclaimed Film Czar? What the hell is that? Alex, I > thought you were joking! And Christopher, you seem to have so much > intelligence and yet you completely miss the point. Ya wanna know the > reason why we can't all just get along and make movies together? Well > here it is. There's too much crap!!! And widely varying degrees of > crap. One of the only reasons our monthly Indieclub meetings are > successful is because we're not trying to create a consortium; we're > not trying to unite our resources, we're not even trying to improve > eachother's work. We're j ust watching videos. And guess what? We see > a lot of crap. We see some good stuff too, but mostly we see Learners, > Yearners and Burners. Now, Learners are novice filmmakers who make > crap because it's their first film and rather than learn the trade > first, they go ahead and make a movie as practice and hopefully > they'll improve. We sit politely and smile, wishing they had thought > about lighting, sound, acting, dialogue, and camera work before making > us sit through their experiments. Yearners are filmmakers who really > want to make good films, so they use everything at their disposal to > make the best possible film they can. However, they're still somewhat > plagued by compromise and the results are never what they hoped for, > nor what a real distributor will buy. Much easier to sit through > though. Burners are the worst. These are filmmakers (u sually > prolific) who make crap every time out of the gate. Their camera work > is mostly hand-hell shaky cam. Their lighting is barely more than > ambient and they often use the on-camera mic to capture dialogue. The > acting is wooden and undirected; the stories are either so deep you > need waders, or so shallow you can't find a point; and to top it off, > they're fully convinced they are great filmmakers. But why do I call > them Burners you ask? Well, because they burn the bridges that sincere > Yearners might someday want to use. They burn bridges with actors who > get soured against indie filmmakers because they have nothing decent > to show for all their hard work (not even copy). They burn bridges > with locations because they are so unorganized that they overstay > their welcomes, mess up property and never send copies of the video, > like they promise to do. They burn bridges with investors because the > investor never sees a dime of their money back. They burn bridges with > the legitimate film commission, because, as I said before they make > crap and what film commission is going to support and encourage more > crap??? Yet that's not the reason why we don't need a film czar or > film prophet or any other coordinating force. The real reason is no > one wants to work on someone else's film. You see, most of the people > that comprise the indie scene here in Cleveland are > writer/producer/directors and we're all working on our own projects. > And guess what. I'm not all that interested in spending my valuable > time working on someone's project which I consider to be crappier than > my own. I can just as easily be spending my time and resources > creating my own crap. Sure everyone would like to think there's a > benevolent brotherhood of filmmakers; a selfless society where > everyone submits ideas and work samples and then the members vote on > what script to do and who to direct it. The commu nity is presented > with the proposal and since it bears the backing of so many > filmmakers, the businesses get involved and support the project with > services and finances. The best actors come from all around to have a > part in the project and a glorious motion picture is produced that > wins the Oscar for Impossible Dream... That would be a good plot for a > fantasy picture, but in the real world, writers will lose interest if > their script isn't picked. Directors will bail if they can't direct > and actors will walk away if they can't be the lead. And you guessed > it the end product would probably be... well, I don't need to say it > again. (though I really want to) Bill Johnscrappy writer/producer/and > directorwww.cinevidproductions.com P.S - I guess I'm in a sour mood > because just yesterday I lost a serious investor (producer of two > features in LA) because she said the acting in one of the scenes I > sent her wasn't very good. I knew it when I shot it that I was > compromising, and even though we're reshooting that scene, it's too > late to regain that contact... ah CRAP! > ----------------------------------------------------------------------- > Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --------------2F538E000E2A9ADB2ED64FF6 Content-Type: text/html; charset=us-ascii Content-Transfer-Encoding: 7bit I see an attempt at buying some goodwill with the acting and crew community here, but if we shift ALL the blame on the filmmakers, then we will be ignoring the suffering of those majority of actors and crew who ARE professional enough to show up and try to finish scenes and projects in spite of the few who disappear and stop returning calls until they've settled into their Venice Beach apartments or found religion, or whatever excuse they give until one posts another audition notice.  Then, they resurface and send their headshots and resumes as if you won't remember them from the last burn, and to add insult to injury, some of them even put the picture they bailed on or got fired from ON THEIR RESUME!

Maybe if we all resigned ourselves to making short films that only have one or two locations, then the impact of this kind of behavior could be minimized.  But for those of us who dare to make feature films with multiple locations and scenes with significant cast interplay, then this work ethic, left unaddressed, will STAY the norm for a minority, but significant percentage of actors and crew in this area, thereby throwing a wrench not only into a director's work, but the work of the other actors and crew as well.  It only takes one actor doing this to shut down a film.  Ask around.  I have first hand experience with the phenomenon, and when filmmakers start to get a little ambitious around here, so will they.

And while I haven't been to an Indieclub meeting in a long time, I thought I was giving it the benefit of the doubt in my initial posting.  But if they're not networking their resources or helping each other improve their work, then what the hell are those guys doing there?  I hope it's not all about listening to someone who memorized an article out of videomaker magazine or congratulating each other for sticking it out in Cleveland for as long as they have.  Don't get me wrong!  This isn't a commentary on Indieclub!  I imagine that someone conversant with Indieclub's mission can articulate its significance with great ease.  The last meeting I attended (almost two years ago) was very helpful.  But if it's true that they no longer provide a resource pool and a constructively critical forum, then that which I hope it isn't, must be exactly what it is.  I'll attend one as soon as possible, with the hopes that we're both wrong.  But, all that aside, sway with city leaders is a necessary next step for Indieclub, or any organization that takes Cleveland's position in the greater media arts community to heart.  I mean, what's a film community if the COMMUNITY isn't involved?  Perhaps this is already underway, again, I haven't been attending.  But an US and THEM attitude won't help anybody, because THEY have the power to make US unwelcome... even more so than we already are from a socio-cultural standpoint.

One other issue I need to take on is the idea that Cleveland's indie scene is mostly made up of writers, producers and directors.  While it's true that most directors are also writers and producers, and all the other combinations therein, it's more than safe to say that the vast majority of those who consider themselves in the indie scene have little to no interest in writing and/or producing and/or directing a picture of their own.  Ask yourself, what's the largest number of actors you've had answer a casting call of yours?  My largest number is about 130, I imagine yours are similar, if not higher since you often cast on the coattails of success from a previous project.  This kind of turn out is not uncommon.

Now how many area filmmakers have you ever seen in one place locally, at one time?  Actual filmmakers with one or more credits in the above mentioned categories?  Even add those who aspire to have a credit and the number's still pretty small.  The reason I bring up this otherwise picayune issue is because it's symptomatic of a trend this community has, and I've been guilty of too:  leaving out actors and crew in the dialogue over the needs of this film community.  Because when you include those people in the mix, then we see that in fact, a vast majority of this community DOES WANT to work on someone else's film.  They're just waiting for something they can believe in.

Some find it, many don't, and some are just easy to please.

You know us creative types are an unorganized lot with major attention deficit, so one more time.  What was the point?

Christopher K. Young
www.shallowfocus.com

P.S.: Amen to your last two paragraphs
 
 

Bill wrote:

All Hail Film Czar and Film Prophet You know, most of the time I sit with calm amusement as I read the various ramblings as to why Cleveland isn't 'on the map' when it comes to motion picture film and TV production. However, these latest posts are just too funny to ignore... A self proclaimed Film Czar? What the hell is that? Alex, I thought you were joking! And Christopher, you seem to have so much intelligence and yet you completely miss the point. Ya wanna know the reason why we can't all just get along and make movies together? Well here it is. There's too much crap!!! And widely varying degrees of crap. One of the only reasons our monthly Indieclub meetings are successful is because we're not trying to create a consortium; we're not trying to unite our resources, we're not even trying to improve eachother's work. We're j ust watching videos. And guess what? We see a lot of crap. We see some good stuff too, but mostly we see Learners, Yearners and Burners. Now, Learners are novice filmmakers who make crap because it's their first film and rather than learn the trade first, they go ahead and make a movie as practice and hopefully they'll improve. We sit politely and smile, wishing they had thought about lighting, sound, acting, dialogue, and camera work before making us sit through their experiments. Yearners are filmmakers who really want to make good films, so they use everything at their disposal to make the best possible film they can. However, they're still somewhat plagued by compromise and the results are never what they hoped for, nor what a real distributor will buy. Much easier to sit through though. Burners are the worst. These are filmmakers (u sually prolific) who make crap every time out of the gate. Their camera work is mostly hand-hell shaky cam. Their lighting is barely more than ambient and they often use the on-camera mic to capture dialogue. The acting is wooden and undirected; the stories are either so deep you need waders, or so shallow you can't find a point; and to top it off, they're fully convinced they are great filmmakers. But why do I call them Burners you ask? Well, because they burn the bridges that sincere Yearners might someday want to use. They burn bridges with actors who get soured against indie filmmakers because they have nothing decent to show for all their hard work (not even copy). They burn bridges with locations because they are so unorganized that they overstay their welcomes, mess up property and never send copies of the video, like they promise to do. They burn bridges with investors because the investor never sees a dime of their money back. They burn bridges with the legitimate film commission, because, as I said before they make crap and what film commission is going to support and encourage more crap??? Yet that's not the reason why we don't need a film czar or film prophet or any other coordinating force. The real reason is no one wants to work on someone else's film. You see, most of the people that comprise the indie scene here in Cleveland are writer/producer/directors and we're all working on our own projects. And guess what. I'm not all that interested in spending my valuable time working on someone's project which I consider to be crappier than my own. I can just as easily be spending my time and resources creating my own crap. Sure everyone would like to think there's a benevolent brotherhood of filmmakers; a selfless society where everyone submits ideas and work samples and then the members vote on what script to do and who to direct it. The commu nity is presented with the proposal and since it bears the backing of so many filmmakers, the businesses get involved and support the project with services and finances. The best actors come from all around to have a part in the project and a glorious motion picture is produced that wins the Oscar for Impossible Dream... That would be a good plot for a fantasy picture, but in the real world, writers will lose interest if their script isn't picked. Directors will bail if they can't direct and actors will walk away if they can't be the lead. And you guessed it the end product would probably be... well, I don't need to say it again. (though I really want to) Bill Johnscrappy writer/producer/and directorwww.cinevidproductions.com P.S - I guess I'm in a sour mood because just yesterday I lost a serious investor (producer of two features in LA) because she said the acting in one of the scenes I sent her wasn't very good. I knew it when I shot it that I was compromising, and even though we're reshooting that scene, it's too late to regain that contact... ah CRAP!
Yahoo! Music Unlimited - Access over 1 million songs. Try it free.
--------------2F538E000E2A9ADB2ED64FF6-- From PatrickJCarroll at aol.com Thu Nov 24 19:25:22 2005 From: PatrickJCarroll at aol.com (PatrickJCarroll at aol.com) Date: Thu, 24 Nov 2005 22:25:22 EST Subject: [NEohioPAL]Christmas Massage Therapy Gift Certificates Message-ID: <202.e9b2aa4.30b7de22@aol.com> --part1_202.e9b2aa4.30b7de22_boundary Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit TO MY FELLOW PERFORMERS: Today starts the official Christmas Season! Why not give your loved one (or yourself ;-) ) something that will actually improve their health and or state of mind. MASSAGE! Whether you need a serious therapeutic deep tissue massage or just want to enjoy the bliss of total relaxation. Give a Massage Therapy Gift Certificate. Your Christmas shopping can be as easy as a phone call or a click of the reply button to this email! I offer a 20% discount to all Neohiopal subscribers. Happy Holidays to all! Patrick J. Carroll, L.M.T. 216-544-6001 --part1_202.e9b2aa4.30b7de22_boundary Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable

TO MY FELLOW PERFORMERS:


Today starts the official Christmas Season!

Why not give your loved one (or yourself ;-) ) something that will
actually improve their health and or state of mind.

MASSAGE!

Whether you need a serious therapeutic deep ti= ssue massage or just want to enjoy the bliss of total relaxation.

Give a Massage Therapy Gift Certificate.


Your Christmas shopping can be as easy as a phone call or a= click of the reply button to this email!

I offer a 20% discount to all Neohiopal subscribers.

Happy Holidays to all!

Patrick J. Carroll, L.M.T= .
216-544-6001

--part1_202.e9b2aa4.30b7de22_boundary-- From impuffinstuff at yahoo.com Thu Nov 24 20:58:24 2005 From: impuffinstuff at yahoo.com (Lynda Rodriguez) Date: Thu, 24 Nov 2005 20:58:24 -0800 (PST) Subject: [NEohioPAL]Murder Mystery Recommendation Message-ID: <20051125045824.74391.qmail@web35304.mail.mud.yahoo.com> --0-358964142-1132894704=:73315 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Thank you Random Acts for doing a CLEAN and FUNNY show! The interaction was hilarious and the music was spectacular! We made the right decision hiring Random Acts and I would recommend them to anyone looking for entertainment! HAPPY HOLIDAYS! --------------------------------- Yahoo! Personals Single? There's someone we'd like you to meet. Lot's of someone's, actually. Try Yahoo! Personals --0-358964142-1132894704=:73315 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
Thank you Random Acts for doing a CLEAN and FUNNY show!  The interaction was hilarious and the music was spectacular!  We made the right decision hiring Random Acts and I would recommend them to anyone looking for entertainment!  
 
HAPPY HOLIDAYS!

Yahoo! Personals
Single? There's someone we'd like you to meet.
Lot's of someone's, actually. Try Yahoo! Personals --0-358964142-1132894704=:73315-- From likely_suspect_99 at yahoo.com Thu Nov 24 21:43:03 2005 From: likely_suspect_99 at yahoo.com (Likely Suspect) Date: Thu, 24 Nov 2005 21:43:03 -0800 (PST) Subject: [NEohioPAL]Weathervane Playhouse presents an audience participation comic murder mystery Message-ID: <20051125054303.40645.qmail@web32714.mail.mud.yahoo.com> --0-146157991-1132897383=:37600 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit NEWS RELEASE Contact: Janis L. Harcar (330) 836-2323 (not for publication) Weathervane Ticket Office (330) 8362626 WEATHERVANE PLAYHOUSE presents An audience participation comic murder mystery by Mysteries by Moushey BLACK AND WHITE AND DEAD ALL OVER (November 1, 2005 Akron, Ohio?For Immediate Release) Weathervane Playhouse takes the ?mystery? out of what to do after the last of the turkey has been consumed! The Women?s Board of the Playhouse invites you and your guests to join them on November 26 for an evening of dastardly deeds and comic crime when they sponsor ?Black and White and Dead All Over?. The audience participation mystery will be presented by Mysteries by Moushey. Teams of amateur detectives will witness nefarious acts, search for clues, interrogate suspects, and offer their own solutions to ?whodunit.? The color scheme is?what else??black and white or any combination thereof, so use your imagination when dressing. Prizes will be awarded for costumes as well as Most Creative, Most Outrageous, and Most Clueless solutions to the mystery. Additional prizes will be awarded by drawing from the correct solutions. Cost of the event is $25 per person which includes the mystery, clue hunt, snacks, soft drinks and beer. The first beer is included with the ticket. Groups of 6-8 get a team discount. Specially created baskets of gifts will be raffled. (Get ahead on your holiday shopping!) The evening?s schedule: 7:00 p.m. Doors open. Mystery actors mingle in main lobby. 7:30 p.m. Mystery begins in auditorium. General admission seating. 8:30 p.m. Clue hunt begins. Snack buffet opens. 9:15 p.m. Solution is shared. Cast introduced. Prizes awarded. Black and White and Dead All Over is presented as a fundraiser for the Weathervane Women?s Board on Saturday, November 26, 2005. Charge by phone at Weathervane?s Ticket Office at 330-326-2626. Call between 10 a.m. and 5:30 p.m. Tuesday through Friday. Sponsored by Weathervane Women?s Board. --------------------------------- Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --0-146157991-1132897383=:37600 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
NEWS RELEASE      
Contact:  Janis L. Harcar
(330) 836-2323 (not for publication)
Weathervane Ticket Office (330) 8362626
 
                                    WEATHERVANE PLAYHOUSE presents
            An audience participation comic murder mystery by Mysteries by Moushey
     BLACK AND WHITE AND DEAD ALL OVER
 
(November 1, 2005 Akron, Ohio?For Immediate Release)  Weathervane Playhouse takes the ?mystery? out of what to do after the last of the turkey has been consumed!  The Women?s Board of the Playhouse invites you and your guests to join them on November 26 for an evening of dastardly deeds and comic crime when they sponsor ?Black and White and Dead All Over?.  The audience participation mystery will be presented by Mysteries by Moushey. 
            Teams of amateur detectives will witness nefarious acts, search for clues, interrogate suspects, and offer their own solutions to ?whodunit.?  The color scheme is?what else??black and white or any combination thereof, so use your imagination when dressing.  Prizes will be awarded for costumes as well as Most Creative, Most Outrageous, and Most Clueless solutions to the mystery.  Additional prizes will be awarded by drawing from the correct solutions. 
Cost of the event is $25 per person which includes the mystery, clue hunt, snacks, soft drinks and beer.  The first beer is included with the ticket.  Groups of 6-8 get a team discount.  Specially created baskets of gifts will be raffled.  (Get ahead on your holiday shopping!)
The evening?s schedule:
            7:00 p.m.          Doors open.  Mystery actors mingle in main lobby. 
            7:30 p.m.          Mystery begins in auditorium.  General admission seating.
8:30 p.m.          Clue hunt begins.  Snack buffet opens.
9:15 p.m.          Solution is shared.  Cast introduced.  Prizes awarded.
 
            Black and White and Dead All Over is presented as a fundraiser for the Weathervane Women?s Board on Saturday, November 26, 2005.  Charge by phone at Weathervane?s Ticket Office at 330-326-2626.  Call between 10 a.m. and 5:30 p.m. Tuesday through Friday.
                        Sponsored by Weathervane Women?s Board.
 

Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --0-146157991-1132897383=:37600-- From popcycles at sbcglobal.net Fri Nov 25 05:45:41 2005 From: popcycles at sbcglobal.net (D. Budin) Date: Fri, 25 Nov 2005 05:45:41 -0800 (PST) Subject: [NEohioPAL]'Spinal Tap' benefit screening for Contemporary Youth Orchestra Message-ID: <20051125134542.31588.qmail@web81802.mail.mud.yahoo.com> --0-580039208-1132926341=:30301 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Contemporary Youth Orchestra Presents Benefit Screening of This Is Spinal Tap See the classic satire This Is Spinal Tap ? a parody of rock bands and rock documentaries ? and support a great cause, this Saturday at 11 p.m. The Contemporary Youth Orchestra is celebrating its 11th season and CYO?s slogan for the season is ?Take It to Eleven!? ? inspired by the movie This Is Spinal Tap. In the movie ? Rob Reiner?s hilarious ?mockumentary? about the fictional rock band Spinal Tap ? the group gets amps that go to 11 because 10 is not loud enough. For CYO, it?s not about volume, but about going beyond what is expected and anticipated, which the orchestra continually does. CYO is composed of more than 100 of the best high school-age musicians in this region, representing more than 40 schools. To kick off this season, CYO is presenting a benefit screening of This Is Spinal Tap on Saturday, November 26 Cleveland State University?s Drinko Recital Hall ? in the Music and Communications Building at 2001 Euclid Avenue (the north-west corner of Euclid Avenue and E. 21st Street). The doors will open at 10:15 p.m., and the movie will be shown at 11 p.m. Donations of any amount will be accepted. The suggested donation is $11. Popcorn and soda will be provided. For more information, call CYO at 216-321-3525, or David Budin at 216-791-5149. --0-580039208-1132926341=:30301 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit

Contemporary Youth Orchestra Presents Benefit Screening of This Is Spinal Tap

 

See the classic satire This Is Spinal Tap ? a parody of rock bands and rock documentaries ? and support a great cause, this Saturday at 11 p.m.

 

The Contemporary Youth Orchestra is celebrating its 11th season and CYO?s slogan for the season is ?Take It to Eleven!? ? inspired by the movie This Is Spinal Tap. 

 

In the movie ? Rob Reiner?s hilarious ?mockumentary? about the fictional rock band Spinal Tap ? the group gets amps that go to 11 because 10 is not loud enough.  For CYO, it?s not about volume, but about going beyond what is expected and anticipated, which the orchestra continually does.

 

CYO is composed of more than 100 of the best high school-age musicians in this region, representing more than 40 schools.

 

To kick off this season, CYO is presenting a benefit screening of This Is Spinal Tap on Saturday, November 26 Cleveland State University?s Drinko Recital Hall ? in the Music and Communications Building at 2001 Euclid Avenue (the north-west corner of Euclid Avenue and E. 21st Street).  The doors will open at 10:15 p.m., and the movie will be shown at 11 p.m.

 

Donations of any amount will be accepted. The suggested donation is $11.  Popcorn and soda will be provided.

 

For more information, call CYO at 216-321-3525, or David Budin at 216-791-5149.

--0-580039208-1132926341=:30301-- From LNRoo at aol.com Fri Nov 25 05:48:40 2005 From: LNRoo at aol.com (LNRoo at aol.com) Date: Fri, 25 Nov 2005 08:48:40 EST Subject: [NEohioPAL]Two Issues for Feedback on Film in Cleveland Message-ID: <2b2.844601.30b87038@aol.com> -------------------------------1132926520 Content-Type: text/plain; charset="UTF-8" Content-Transfer-Encoding: quoted-printable Content-Language: en Film is traditionally an apprentice/mentor trade. Cleveland needs to look at= =20 success if it wants success. Hollywood production has been crippled by =E2= =80=9C run-away=E2=80=9D production for the past decade. Why? Because LA taxed TV a= nd film=20 productions into the red. Where did they run to? Not Cleveland ... Canada. =20= Where the=20 weather is just as bad. =20 1) Study what Toronto and Vancouver did to entice Hollywood runaway=20 productions. =20 2) What is the best film school in Cleveland? Make it better. If Cleveland=20 had a world class film school it would do the unthinkable =E2=80=93 attract=20= talent.=20 =20 Urban Film Legend has it that Spielberg was rejected by USC, one of the best= =20 film schools in the world. After his success he went back to USC bought them= a=20 film building and put his name on it. Where did Spielberg end up going to=20 school? Not Cleveland.=20 =20 Ellen Rooney -------------------------------1132926520 Content-Type: text/html; charset="UTF-8" Content-Transfer-Encoding: quoted-printable Content-Language: en

Film is traditionally an apprentice/mentor trade. <= st1:place>Cleveland needs to look at success if it wa= nts success. Hollywood production has been crippled b= y =E2=80=9Crun-away=E2=80=9D production for the past decade. Why? Because LA= taxed TV and film productions into the red. Where did they run to? Not Cleveland ... Canada.  Where the weather is just as bad.

 

1) Study what Toronto and Vancouver did to entice= Hollywood runaway productions.

 

2) What is the best film school in Cleve= land? Make it better. If Clevela= nd had a world class film school it would do the unth= inkable =E2=80=93 attract talent.

 

Urban Film Legend has it that Spielberg was rejected by USC,&= nbsp;one of the best film schools in the world. After his success he we= nt back to USC bought them a film building and put his name on it. Where did= Spielberg end up going to school? Not Cleveland.

 


Ellen Rooney

-------------------------------1132926520-- From Demeerusty at aol.com Fri Nov 25 07:34:35 2005 From: Demeerusty at aol.com (Demeerusty at aol.com) Date: Fri, 25 Nov 2005 10:34:35 EST Subject: [NEohioPAL]A Raisin In The Sun Message-ID: <22c.26ddcfe.30b8890b@aol.com> -------------------------------1132932875 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit The University of Akron's premiere organization for campus events The Zips Programming Network will be putting on the production of A Raisin In The Sun by Lorraine Hansberry in February for Black History Month. We are looking for FULL PRODUCTION CAST AND CREW. All POSITIONS will be PAID. Auditions will be December 1-3 please RSVP 330-972-7014 or tga2 at uakron.edu Timothy G. Avant Diversity Chair Zips Programming Network The University of Akron -------------------------------1132932875 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
The University of Akron's premiere organization for campus events The Z= ips=20 Programming Network will be putting on the production of A Raisin In Th= e=20 Sun by Lorraine Hansberry in February for Black History Month. We are=20 looking for  FULL PRODUCTION CAST AND CREW. All POSITIONS will be PAID.= =20 Auditions will be December 1-3 please RSVP 330-972-7014 or tga2 at uakron.edu
Timothy G. Avant
Diversity Chair
Zips Programming Network
The University of Akron
 -------------------------------1132932875-- From artistic at playersguildtheatre.com Fri Nov 25 08:42:34 2005 From: artistic at playersguildtheatre.com (Wendy Temple) Date: Fri, 25 Nov 2005 11:42:34 -0500 Subject: [NEohioPAL]Players Guild Adult Alternative to Christmas Message-ID: <000001c5f1df$3ccebd30$0101000a@office.playersguildtheatre.com> This is a multi-part message in MIME format. ------=_NextPart_000_0001_01C5F1B5.53F8B530 Content-Type: multipart/alternative; boundary="----=_NextPart_001_0002_01C5F1B5.53F8B530" ------=_NextPart_001_0002_01C5F1B5.53F8B530 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Players Guild Adult-Only Christmas Canton, Ohio- Nov. 2005 - What's more fun and festive than a pitcher of candy cane-flavored Daiquiris? An evening of rollicking, irreverent holiday humor courtesy of David Sedaris! The NPR commentator, author and humorist strikes gold with two one-act plays, Santaland Diaries and Season's Greetings. Santaland features a sordid (and sometimes just plain silly) behind-the-scenes peek at working for Santa at the Macy's NYC department store. Your guide is a world-weary, jaded "Elf" (David Sponhour). You'll never look at "The Big Guy's" mall display the same way again! "Season's Greetings" introduces you to a on the surface picture-perfect suburban Mom, (Denise Robb) as she shares the family's annual brag-fest report aka the Holiday Newsletter. It's "shock-full" of fun and surprises! Take a break from shopping among the hordes, overdosing on sugar plums and fa-la-la's! Treat yourself to this delightful, adults-only evening of naughty wit not to be missed! The Players Guild Theatre's presentation of David's Sedaris's Santaland Diaries and Season Greetings begins December 5th -7th, and 12th -14th in the Arena Theatre. Monday, Tuesday and Wednesday performances begin at 8 :00 p.m. and all Tickets are $10.00 general admissision at the door. The Players Guild production of Santaland Diaries and Season Greetings is sponsored by Canton Repository, and Aultman Hospital. All Players Guild productions are produced with the generous support of the Canton community through Arts in Stark and Ohio Arts Council. # # # 1001 Market Ave. North, Canton, Ohio 44702 Phone: 330-453-7619 Fax: 330-453-8568 ------=_NextPart_001_0002_01C5F1B5.53F8B530 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

Players Guild Adult-Only = Christmas

 

 

        = ;    Canton, = Ohio– Nov. 2005 – What's more fun and festive = than a pitcher of candy cane-flavored Daiquiris?  An evening of rollicking, irreverent holiday humor courtesy of = David Sedaris!  The NPR = commentator, author and humorist strikes gold with two one-act plays, Santaland = Diaries and Season's Greetings.  = Santaland features a sordid (and = sometimes just plain silly) behind-the-scenes peek at working for Santa at the Macy's = NYC department store.  Your guide is a = world-weary, jaded "Elf" (David Sponhour).  You'll never look at "The = Big Guy's" mall display the same way again! "Season's = Greetings" introduces you to a on the surface picture-perfect suburban Mom, (Denise Robb) as = she shares the family's annual brag-fest report aka the Holiday Newsletter.  It's "shock-full" of fun and surprises! Take a break from shopping = among the hordes, overdosing on sugar plums and fa-la-la's!  = Treat yourself to this delightful, adults-only evening of naughty wit not to = be missed!

The Players Guild Theatre’s presentation of David’s Sedaris’s Santaland Diaries and Season<= /span> Greetings  begins December 5th = -7th, and 12th -14th in the = Arena Theatre. Monday, Tuesday and Wednesday performances begin at 8 :00 p.m. and all Tickets are $10.00 = general admissision = at the door. 

The Players Guild production of Santaland Diaries and Season<= /span> Greetings is sponsored by Canton Repository, and Aultman = Hospital.  = All Players Guild productions are produced with the generous support of the Canton community through Arts in Stark and Ohio Arts Council. =

# # = #

1001 Market Ave. = North, Canton, Ohio 44702

=

Phone: 330-453-7619 Fax: = 330-453-8568

 
 
 

 

------=_NextPart_001_0002_01C5F1B5.53F8B530-- ------=_NextPart_000_0001_01C5F1B5.53F8B530 Content-Type: text/html; name="header.htm" Content-Transfer-Encoding: quoted-printable Content-ID:

EMPLOYMENT AGREEMENT

The Players Guild of Canton, Inc.

=A0Amy Sima

September 1, = 2001 - = June 30, 2002

Page 2 of = 3

 

------=_NextPart_000_0001_01C5F1B5.53F8B530-- From Artistschair2005 at aol.com Fri Nov 25 08:45:04 2005 From: Artistschair2005 at aol.com (Artistschair2005 at aol.com) Date: Fri, 25 Nov 2005 11:45:04 EST Subject: [NEohioPAL]Need a STAGE ACTOR? Christine H. Winsberg & OTHER NEWS! Message-ID: <21f.3c13055.30b89990@aol.com> -------------------------------1132937104 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit ARTISTSCHAIR.COM'S "FEATURED ARTIST OF THE DAY" Stage Actor - Christine H. Winsberg (Location: Cleveland Heights, Ohio) (November 25, 2005) To view Christine's profile, visit _http://www.artistschair.com_ (http://www.artistschair.com/) Latest Members' CONTEST Giveaway (November 23, 2005) CONGRATULATIONS to Wadsworth-based stage actor William M. Berry for being chosen at random by the artistschair.com database to be the Wednesday, November 23 "Featured Artist of the Day" will winning two passes, good for four admissions to the December 1 (7:30 pm) Loews Richmond Town Square advanced screening of "The Family Stone" featuring Claire Danes, Diane Keaton, Rachel McAdams, Dermot Mulroney, Craig T. Nelson, Sarah Jessica Parker and Luke Wilson. Take friends or take family, either way, GET OUT and SEE NORTHEAST OHIO! Not a member of artistschair.com yet? Join today for FREE! Networking EVENT & PARTY for Artists and Those that Hire Talent (November 10, 2005) A GREAT BIG THANK YOU to all who attended the November 9 artistschair.com Networking Event which took place at 1300 Gallery. Photos from the event will be posted to the artistschair.com directory soon. FIND an Artist! Make your event or project extra memorable. Find entertainers and technicians in our FREE and easy-to-use database featuring photos and profiles of local artists in more than 100 different talent fields. BE an Artist! Let your talents and services be known. Become a member for FREE and highlight all talent fields that apply to you. Upload photos of yourself and/or samples of your work, edit your own information and have your profiles viewed by those searching for your talents and services. Our MISSION Artistschair.com is committed to PROMOTING and RAISING AWARENESS of local artists, arts-related institutions and issues and the NORTHEAST OHIO REGION as well as serving the needs of those searching for CREATIVE TALENT and resources. -------------------------------1132937104 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
  =20
            ARTISTSCHAIR.COM'S "FEATURED ARTIST OF THE=20 DAY"
Stage=20 Actor - Christine H.=20 Winsberg (Location: Cleveland He= ights,=20 Ohio)
 
(November 25, 2005) To=20 view Christine's profile, visit http://www.artistschair.com
 
Latest Me= mbers'=20 CONTEST Giveaway
(November 23,=20 2005) CONGRATULATIONS to Wadsworth-based stage actor=20 William M. Berry for being chosen at random by the=20 artistschair.com database to be the Wednesday, November 23=20 "Featured Artist of the Day" will winning two passes, good=20= for=20 four admissions to the December 1 (7:30 pm) Loews Richmond Town Square advan= ced=20 screening of "The Family Stone" featuring Claire Danes, Dia= ne=20 Keaton, Rachel McAdams, Dermot Mulroney, Craig T. Nelson, Sarah Jessica Park= er=20 and Luke Wilson.  
 
Take friends or t= ake=20 family, either way, GET OUT and SEE NORTHEAST OHIO! Not a member of artistschair.com yet? Join today for=20 FREE!
 
Networking&nbs= p;EVENT=20 & PARTY for Artists and Those that Hire Talent=20
(November 10, 2005) A=20 GREAT BIG THANK YOU to all who attended the November 9=20 artistschair.com Networking=20 Event which took place at 1300 Gallery. Photo= s=20 from the event will be posted to the artistschair.com directory=20 soon.
  
=
FIND=20= an=20 Artist!
Make=20= your=20 event or project extra memorable. Find entertainers and technicia= ns=20 in our FREE and easy-to-use databa= se=20 featuring photos and profiles of local artists in more than 100 different ta= lent=20 fields.
BE an= =20 Artist!
Let y= our=20 talents and services be known. Become a member=20 for=20 FREE and highlight all talent fields that apply to you. Upload phot= os=20 of yourself and/or samples of your work, edit your own information and have=20= your=20 profiles viewed by those searching for your talents and=20 services.
Our MISSION<= /DIV>
Artistschair.com is committed to=20 PROMOTING and RAISING AWARENESS of local artists,=20 arts-related institutions and issues and the NORTHEAST OHIO=20 REGION as well as serving the needs of those searching for=20 CREATIVE TALENT and resources.
 
-------------------------------1132937104-- From ddanza at clevelandplayhouse.com Fri Nov 25 08:51:38 2005 From: ddanza at clevelandplayhouse.com (Domenick Danza) Date: Fri, 25 Nov 2005 11:51:38 -0500 Subject: [NEohioPAL]Master Class for the Actor at The Cleveland Play House - Last chance to submit your resume! Message-ID: This is a multi-part message in MIME format. ------=_NextPart_000_000E_01C5F1B6.98B8B1B0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: 7bit The Cleveland Play House Master Class for the Actor Consecutive Mondays, 6:00-9:00 PM, starting January 16, 2006 Session Length: 8 weeks Fee: $200 Instructors: Seth Gordon & Mark Alan Gordon, with Guest Instructors, including Michael Bloom, Artistic Director This master class is a scene study laboratory for the advanced and professional artist. It is not a class for beginners, but rather a unique opportunity in Cleveland for working professionals to hone their craft with other professionals from The Cleveland Play House Artistic Staff who have substantial national professional experience. It is designed to make good actors better. With a class limit of 14, there will be many opportunities to work. BY AUDITION ONLY. For an audition appointment send your picture and resume by December 1 to Domenick Danza, Education Director, The Cleveland Play House, 8500 Euclid Ave, Cleveland, OH 44106-0189. Auditions will be the week of December 12, 2005. ------=_NextPart_000_000E_01C5F1B6.98B8B1B0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Master Class for the Actor at The Cleveland Play House - Last = chance to submit your resume!

    The Cleveland Play = House

    Master Class for the = Actor

    Consecutive = Mondays, 6:00-9:00 PM, starting January 16, 2006

    Session = Length:  8 = weeks
    Fee:  $200
    Instructors:  Seth Gordon & Mark Alan Gordon, with Guest = Instructors, including Michael Bloom, Artistic Director

    This master class is a scene = study laboratory for the advanced and professional artist.  It is = not a class for beginners, but rather a unique opportunity in Cleveland = for working professionals to hone their craft with other professionals = from The Cleveland Play House Artistic Staff who have substantial = national professional experience.  It is designed to make good = actors better.  With a class limit of 14, there will be many = opportunities to work.  BY AUDITION ONLY.

       For an audition = appointment send your picture and resume by December 1 to Domenick = Danza, Education
       Director, The = Cleveland Play House, 8500 Euclid Ave, Cleveland, OH 44106-0189.  = Auditions will be the
       week of December 12, = 2005.

------=_NextPart_000_000E_01C5F1B6.98B8B1B0-- From shootfilmordie at yahoo.com Fri Nov 25 08:52:42 2005 From: shootfilmordie at yahoo.com (Jay Johnson) Date: Fri, 25 Nov 2005 08:52:42 -0800 (PST) Subject: [NEohioPAL]"Will Work For Food" Opens DV Festival Message-ID: <20051125165242.1920.qmail@web54512.mail.yahoo.com> --0-890654653-1132937562=:97005 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit "Will Work For Food" an independently produced feature here in Cleveland has been chosen to open the DV Film Festival in Los Angeles on December 7th. The DV Festival is conjunction with the DV Expo West, a convention centering on the technology of Digital Video. www.dvexp.com/filmfest "Will Work For Food" premiered at the 2005 Cleveland International Film Festival where it sold out two shows. We just screened it in New York last week as part of the New York Film and Video Festival. Many cast and crew on the movie were discovered and networked through the Neohiopal list. I was the Director, Writer and Editor of "WWFF" and I have worked in Cleveland for 15 years as a director, shooter and Avid editor of commercials, corporate videos and entertainment projects. I have just gone independent from my staff postion as Creative Director at a video production company to further my career in production. Nick Koesters, the producer and one of the leads is a SAG and Equity actor in the Cleveland area. David Lemoyne, the lead, is a working stage actor in Cleveland, and works in Video production and photography. This is the kind of thing that helps promote filmmaking in Cleveland. People working together to do great work. Hopefully, this will be a trend for the people involved with "Will Work For Food" and the entire area. "Will Work For Food" is a feature that was completely produced, casted, crewed and finished in the Cleveland area. Thanks to all who were involved with this project. Jay Johnson --0-890654653-1132937562=:97005 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
"Will Work For Food" an independently produced feature here in Cleveland has been chosen to open the DV Film Festival in Los Angeles on December 7th.  The DV Festival is conjunction with the DV Expo West, a convention centering on the technology of Digital Video. www.dvexp.com/filmfest
 
"Will Work For Food" premiered at the 2005 Cleveland International Film Festival where it sold out two shows.
 
We just screened it in New York last week as part of the New York Film and Video Festival.
 
Many cast and crew on the movie were discovered and networked through the Neohiopal list. 
 
I was the Director, Writer and Editor of "WWFF" and I have worked in Cleveland for 15 years as a director, shooter and Avid editor of commercials, corporate videos and entertainment projects.  I have just gone independent from my staff postion as Creative Director at a video production company to further my career in production.
 
Nick Koesters, the producer and one of the leads is a SAG and Equity actor in the Cleveland area.
 
David Lemoyne, the lead, is a working stage actor in Cleveland, and works in Video production and photography.
 
This is the kind of thing that helps promote filmmaking in Cleveland.  People working together to do great work.  Hopefully, this will be a trend for the people involved with "Will Work For Food" and the entire area.  "Will Work For Food" is a feature that was completely produced, casted, crewed and finished in the Cleveland area.
 
Thanks to all who were involved with this project.
 
Jay Johnson
 
 
 
 
--0-890654653-1132937562=:97005-- From newfangled02 at yahoo.com Fri Nov 25 09:51:49 2005 From: newfangled02 at yahoo.com (Newfangled Productions) Date: Fri, 25 Nov 2005 09:51:49 -0800 (PST) Subject: [NEohioPAL]LAST CALL for STEVE LYNCH letters Message-ID: <20051125175149.74522.qmail@web35212.mail.mud.yahoo.com> This is the last call for letters for Peace Corps volunteer Steve Lynch. Please help us make this Christmas a special one. If you haven't already written your letter, take a few minutes right now before you get back to what you were doing. ALL LETTERS MUST BE RECEIVED BY DECEMBER 1ST! Below you should find the instructions if you need to refresh your memory. Oliver Corrigan Artistic Director Newfangled Productions ***** Dear friends, Please join Newfangled Productions in a very special project. Some of you may know our friend Steve Lynch. Some of you may not. But either way, please take a moment to read his story: Steve Lynch is as 23 year old native of Bainbridge, Ohio and graduate of Ohio State University. He was a very active member of Newfangled Productions in our first three years - in fact, he was there right at the beginning singing and playing at our very first event - The First Starving Artists? Ball. A year ago Steve left his home, his friends and his family to join the Peace Corps. He is currently stationed in Turkmenistan, a former soviet country in central Asia. He has dedicated two years of his life to service and hardship. Many of us talk about working for peace from the comfort of our homes, but Steve has made a great sacrifice - leaving everything he has ever known to travel to a country where the people are impoverished, where electricity and hot water are considered luxuries and where the ?president for life? squanders what little his people have on self-glorification and statues in his honor. There must be many days when Steve feels alone and forgotten, but we have not forgotten him. He is far from home but he is never far from our hearts. And with that in mind, please help us to create a very special gift for Steve. Our intention is to create a book of letters from as many people as we can to send to Steve for Christmas. We hope to collect letters from those of you who know Steve and from those of you who do not, but are still touched by his story. If you are his friend, now is the time to remind him, to tell him how much you miss him and how proud you are of him. If you?ve never met him, now is the chance to introduce yourself, to thank him for proving that in a world that sometimes seems full of selfishness and violence that there are people like him working for peace and humility. Please email your letter to newfangled02 at yahoo.com by December 1st with the following information: Your name Where you live You occupation or some other one-line distinctive description of yourself Example: Dear Steve, Thank you so much for all that you are doing. You are an example to us all. Johnny Newfangled Akron, Ohio Sprocket salesman for ?Newfangled Sprocket Company? Your letter can be as short or as long as you would like - a couple of sentences or a full-length letter. It is up to you. But what?s important is that you say something - that we can show in a small way that no matter how far away Steve is he is never alone. Also, please provide us with a way to contact you, whether through email, phone or a mailing address (all three would be preferable). Once the letters are collected and the book is produced we would love to make copies available for all of you - so we can all share in the celebration of this remarkable person. Finally, think of this book as a ?surprise party.? It is so much more fun if Steve doesn?t know about this until he receives the book. We encourage you to make copies of this letter, to send it to your friends, family and coworkers - to post it on mailing lists and on coffee shop bulletin boards, but if you post it on the internet, try not to post it someplace where Steve is likely to see it. (Steve has limited internet access through the Peace Corps to communicate with home and to post letters.) If you have any questions, comments or want to help in any additional way please feel free to email us at newfangled02 at yahoo.com or call (330)620-9686. Yours, Oliver Corrigan Artistic Director Newfangled Productions (330)620-9686 newfangled02 at yahoo.com http://www.geocities.com/newfangledwebsite P.S. To read about Steve?s experiences in his own words please read http://goodprovider.diaryland.com. P.P.S. To learn more about the Peace Corps read http://www.peacecorps.gov. P.P.P.S. To learn more about Turkmenistan start with http://en.wikipedia.org/wiki/Turkmenistan. __________________________________ Start your day with Yahoo! - Make it your home page! http://www.yahoo.com/r/hs From royberko at yahoo.com Fri Nov 25 10:02:25 2005 From: royberko at yahoo.com (Roy Berko) Date: Fri, 25 Nov 2005 10:02:25 -0800 (PST) Subject: [NEohioPAL]Berko review: T.I.D.Y. (Beck Center) Message-ID: <20051125180225.43987.qmail@web33106.mail.mud.yahoo.com> ?T.I.D.Y.? has some funny moments at Beck Roy Berko (Member, American Theatre Critics Association) --THE TIMES NEWSPAPERS-- Lorain County Times--Westlaker Times--Lakewood News Times--Olmsted-Fairview Times Eric Coble, considered by many to be the local playwright laureate, has hit the big time. He?s an entry in ?Wikipedia,? the on-line encyclopedia. You can also probe him for personal information on ?Answers.com.? Theatre Communications Group honored him in their article ?Seven Playwrights to Watch.? Coble, whose newest play ?T.I.D.Y.? is being staged at Beck Center, is a member of the Playwrights' Unit of the Cleveland Play House. His past works include: ?TEN MINUTES FROM CLEVELAND? (which premiered at Dobama Theater), ?SOUND BITING,? ?ISOLATED INCIDENTS,? ?BRIGHT IDEAS? (which had a New York off Broadway production, as well as a Cleveland run), ?PINOCCHIO 3.5,? ?CINDERELLA CONFIDENTIAL,? ?SACAGAWEA,? ?VIRTUAL DEVOTION,? ?TRUTH: THE TESTIMONIAL OF SOJOURNER TRUTH,? ?IN A GROVE: FOUR JAPANESE GHOST STORIES,? and ?NIGHTFALL WITH EDGAR ALLAN POE.? Coble, who has an affinity for storytelling, often displays a wonderful spirited creativity. Some of this may have come from his upbringing on the Navaho and Ute reservations of New Mexico and Colorado where he spent time wandering around in what he once described as an ?Indiana Jones setting,? which encouraged his imagination to run wild. Anyone who has seen Coble?s ?BRIGHT IDEAS,? which tells the tale of parents who will stop at nothing to enroll their child in the ?perfect? preschool, realizes his off-the-wall thought processes and an ability to play with words. Coble often turns to classic sources as well as fairy tales and social issues and political intrigue for his inspiration. ?T.I.D.Y.? has a conspiracy base, which works perfectly in this year?s political atmosphere of who outed an FBI agent, was the public misled by G. W. Bush?s ?evil empire? and the neo-cons about the existence of weapons of mass destruction in Iraq, or their tie to the terrorism that destroyed the World Trade Center. The basic story centers on Emily Danbert, a computer geek, whose quiet life is totally thrown into chaos when T.I.D.Y., a program she developed, becomes the center of a global conspiracy. Matters really get out of hand when her ?sweet? old mother, her husband, her best friend and a mysterious confident all get involved in the intrigue. The concept is a delight. Unfortunately, the play and the production don?t live up to the premise. Though filled with some delightful moments, the play?s pieces-parts don?t always flow together well. There are segments where the action zooms right along, others where there are lulls. Some of the problem lies with director Roger Truesdell, who has paced the production much too slowly. This has to be a Marx Brothers romp, a farce on speed. Instead, we get a car race followed by a pony trot, followed by acceleration, and then more plodding. The cast is generally excellent. Sarah Morton develops a nice textured roll as the obsessive compulsive left-brained nerd whose personal and professional life lacks much excitement until she becomes the center of an international conspiracy plot. Kevin Joseph Kelly plays multi-roles with comic delight. His highlight is a portrayal of an ice cream salesman who can hardly contain his exasperation while Morton?s character continually changes her order. Rhoda Rosen, as the mother turned international hit man, is hysterical. She gives a perfect Ethel Mertz impersonation. Nicholas Koesters makes for a fine ex-husband trying hard to come back into his former wife?s life. Tracey Field could have had more fun and exaggerated her role of the mysterious confident, as could have Alison Garrigan as the friendly fellow worker turned bad. Don McBride?s multi-level set design basically works, but the constant need to move furniture around slowed down the show?s pace. As the program states, ?Anyone in the United Sates today who isn?t paranoid must be crazy.? After watching ?T.I.D.Y? you?ll be even more paranoid. Or, as the bumper sticker on my car says, ?If you aren?t appalled, you haven?t been paying attention. CAPSULE JUDGEMENT: ?T.I.D.Y.? isn?t up to Coble?s ?BRIGHT IDEAS,? but it has some good laughs. Too bad both the script and pacing couldn?t have had a little more ?oomph.? For tickets to ?T.I.D.Y.? which runs through December 18 at the Beck Center for the Arts, call 216-521-2540. Roy Berko's web page can be found at www.royberko.info. His theatre and dance reviews appear on NeOHIOpal, an on-line source. To subscribe to this free service via the World Wide Web, visit http://lists.fredsternfeld.com/mailman/listinfo/neohiopal. __________________________________ Yahoo! Mail - PC Magazine Editors' Choice 2005 http://mail.yahoo.com From cinevid at yahoo.com Fri Nov 25 10:32:45 2005 From: cinevid at yahoo.com (Bill) Date: Fri, 25 Nov 2005 10:32:45 -0800 (PST) Subject: [NEohioPAL]Indie Filmmaking - re: Christopher and Bill Van Nostran In-Reply-To: <20051125060211.3C4A861DC2@mailman.siteprotect.com> Message-ID: <20051125183245.98752.qmail@web60311.mail.yahoo.com> --0-1474271259-1132943565=:97988 Content-Type: multipart/alternative; boundary="0-2081382362-1132943565=:97988" --0-2081382362-1132943565=:97988 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Christopher K. Young and Bill Van Nostran, Hey guys, good input, however the very things that you mention, (that a lot of people mention) have been tried before, without success sad to say. Bill, there is actually a screenwriting group that meets once a month at CSU called, Second Shift Screenwriters and they post here and at clevelandfilmmaking at yahoogroups.com. I'm not sure if they are critiquing their work or creating a master work or what. I want to attend but haven't as of yet. You can contact Christine for more info: christinednfr at yahoo.com Also, Bill and Chris, way back when The Film Society sponsored Cleveland Filmmakers, I suggested that we pool our talents. All writers submit their scripts, all shooters submit their reels, all directors, well you get the idea. Then the whole group would vote on the best of the best, hone it down to even better, then approach the city, businesses, etc. to get it financed and produced. Well, either no one felt confident enough about their own work, or they didn't want their doubts exposed to an open forum, or they were just too busy, but the idea got a lot of kudos and praise, but very quickly fell into oblivion. Eventually the entire group was disbanded, probably for lack of involvement. Then along came another organization that held great promise; a creative alliance of artists that would be a force to be reckoned with, that too failed. I even tried to give an intensive two day seminar on DV Filmmaking to help raise the quality bar. I got one attendee, thanks Christine! Chris, you mentioned that there are lots of people who want to work on other people's films and if you mean actors, sure, that only makes sense, but there aren't that many aspiring boom operators who's goal in life is to carry the crossarm of the indominable soundman. Even all the people who eagerly wanted to work on my feature, Madness have other aspirations besides crew work. And you're right they came to me, based on the quality of my previous works (thanks for your part in those successes by the way). However, I really hate using people for any great length of time for no-pay, so I kept the crew very small and they were and are very committed. I guess what I'm trying to articulate is we don't need a Film Czar or Commissioner for the indie film scene. It pretty much takes care of itself. If you are willing to really take the time and make your work stand out for quality in all areas, the community of actors, crew, businesses and local governments, will respond and support your efforts. I had cast and crew come for a full time, two week long shoot, for no pay, from as far away as Canton, Youngstown, and North Olmsted, to shoot in a million dollar house that didn't charge us a thing, all because they believed the experience would be worth it. My biggest gripe is that in so many productions quality gets shoved to the bottom of the list and I walk into a landscape of burning bridges trying to find the few resources who haven't been burned or are willing to take a chance on one more independent film. As far as Cleveland Indieclub goes, we do network, but critiquing is forbidden. Attendance would drop to nothing if everyone worried their work wasn't good enough to please fellow filmmakers. One can only hope that as they see better work, they will incorporate that effort and ethic into their own projects. Thanks Fred for allowing this diatribe. I hope it gives the whole list some insight into the minds of indie filmmakers... For those actors interested in some guidelines when auditioning for Independent Film projects here are some tips: http://www.cinevidproductions.com/seminars/resources/AuditionTips.htm Thanks, Bill Johns www.cinevidproductions.com From: "Bill Van Nostran" To: , Subject: Re: [NEohioPAL]Film Czar seeks Feedback on making Cleveland a Movie City Date: Thu, 24 Nov 2005 14:08:22 -0500 As the adage goes, if it ain't on the page, it ain't on the stage. Same goes for motion pictures. The good ones all start with a compelling story well told. So one simple way to encourage new work, foster a supportive environment, and help individuals gain feedback on their work could come from a group focused on helping local filmmakers develop and polish material. A monthly group giving individual writers an opportunity to hear scenes from an emerging draft read aloud, then receive feedback from others, is a small, but perhaps important step in developing a local environment to foster NEO talent. Perhaps twice a year, local actors might be persuaded to participate in readings of screenplays nearing completion--showcasing them to a larger audience. Bill Van Nostran From: Christopher To: neohiopal at lists.fredsternfeld.com Subject: Re: [NEohioPAL]All Hail Film Czar and Film Prophet I see an attempt at buying some goodwill with the acting and crew community here, but if we shift ALL the blame on the filmmakers, then we will be ignoring the suffering of those majority of actors and crew who ARE professional enough to show up and try to finish scenes and projects in spite of the few who disappear and stop returning calls until they've settled into their Venice Beach apartments or found religion, or whatever excuse they give until one posts another audition notice. Then, they resurface and send their headshots and resumes as if you won't remember them from the last burn, and to add insult to injury, some of them even put the picture they bailed on or got fired from ON THEIR RESUME! Maybe if we all resigned ourselves to making short films that only have one or two locations, then the impact of this kind of behavior could be minimized. But for those of us who dare to make feature films with multiple locations and scenes with significant cast interplay, then this work ethic, left unaddressed, will STAY the norm for a minority, but significant percentage of actors and crew in this area, thereby throwing a wrench not only into a director's work, but the work of the other actors and crew as well. It only takes one actor doing this to shut down a film. Ask around. I have first hand experience with the phenomenon, and when filmmakers start to get a little ambitious around here, so will they. And while I haven't been to an Indieclub meeting in a long time, I thought I was giving it the benefit of the doubt in my initial posting. But if they're not networking their resources or helping each other improve their work, then what the hell are those guys doing there? I hope it's not all about listening to someone who memorized an article out of videomaker magazine or congratulating each other for sticking it out in Cleveland for as long as they have. Don't get me wrong! This isn't a commentary on Indieclub! I imagine that someone conversant with Indieclub's mission can articulate its significance with great ease. The last meeting I attended (almost two years ago) was very helpful. But if it's true that they no longer provide a resource pool and a constructively critical forum, then that which I hope it isn't, must be exactly what it is. I'll attend one as soon as possible, with the hopes that we're both wrong. But, all that aside, sway with city leaders is a necessary next step for Indieclub, or any organization that takes Cleveland's position in the greater media arts community to heart. I mean, what's a film community if the COMMUNITY isn't involved? Perhaps this is already underway, again, I haven't been attending. But an US and THEM attitude won't help anybody, because THEY have the power to make US unwelcome... even more so than we already are from a socio-cultural standpoint. One other issue I need to take on is the idea that Cleveland's indie scene is mostly made up of writers, producers and directors. While it's true that most directors are also writers and producers, and all the other combinations therein, it's more than safe to say that the vast majority of those who consider themselves in the indie scene have little to no interest in writing and/or producing and/or directing a picture of their own. Ask yourself, what's the largest number of actors you've had answer a casting call of yours? My largest number is about 130, I imagine yours are similar, if not higher since you often cast on the coattails of success from a previous project. This kind of turn out is not uncommon. Now how many area filmmakers have you ever seen in one place locally, at one time? Actual filmmakers with one or more credits in the above mentioned categories? Even add those who aspire to have a credit and the number's still pretty small. The reason I bring up this otherwise picayune issue is because it's symptomatic of a trend this community has, and I've been guilty of too: leaving out actors and crew in the dialogue over the needs of this film community. Because when you include those people in the mix, then we see that in fact, a vast majority of this community DOES WANT to work on someone else's film. They're just waiting for something they can believe in. Some find it, many don't, and some are just easy to please. You know us creative types are an unorganized lot with major attention deficit, so one more time. What was the point? Christopher K. Young www.shallowfocus.com P.S.: Amen to your last two paragraphs Bill wrote: All Hail Film Czar and Film Prophet You know, most of the time I sit with calm amusement as I read the various ramblings as to why Cleveland isn't 'on the map' when it comes to motion picture film and TV production. However, these latest posts are just too funny to ignore... A self proclaimed Film Czar? What the hell is that? Alex, I thought you were joking! And Christopher, you seem to have so much intelligence and yet you completely miss the point. Ya wanna know the reason why we can't all just get along and make movies together? Well here it is. There's too much crap!!! And widely varying degrees of crap. One of the only reasons our monthly Indieclub meetings are successful is because we're not trying to create a consortium; we're not trying to unite our resources, we're not even trying to improve eachother's work. We're j ust watching videos. And guess what? We see a lot of crap. We see some good stuff too, but mostly we see Learners, Yearners and Burners. Now, Learners are novice filmmakers who make crap because it's their first film and rather than learn the trade first, they go ahead and make a movie as practice and hopefully they'll improve. We sit politely and smile, wishing they had thought about lighting, sound, acting, dialogue, and camera work before making us sit through their experiments. Yearners are filmmakers who really want to make good films, so they use everything at their disposal to make the best possible film they can. However, they're still somewhat plagued by compromise and the results are never what they hoped for, nor what a real distributor will buy. Much easier to sit through though. Burners are the worst. These are filmmakers (u sually prolific) who make crap every time out of the gate. Their camera work is mostly hand-hell shaky cam. Their lighting is barely more than ambient and they often use the on-camera mic to capture dialogue. The acting is wooden and undirected; the stories are either so deep you need waders, or so shallow you can't find a point; and to top it off, they're fully convinced they are great filmmakers. But why do I call them Burners you ask? Well, because they burn the bridges that sincere Yearners might someday want to use. They burn bridges with actors who get soured against indie filmmakers because they have nothing decent to show for all their hard work (not even copy). They burn bridges with locations because they are so unorganized that they overstay their welcomes, mess up property and never send copies of the video, like they promise to do. They burn bridges with investors because the investor never sees a dime of their money back. They burn bridges with the legitimate film commission, because, as I said before they make crap and what film commission is going to support and encourage more crap??? Yet that's not the reason why we don't need a film czar or film prophet or any other coordinating force. The real reason is no one wants to work on someone else's film. You see, most of the people that comprise the indie scene here in Cleveland are writer/producer/directors and we're all working on our own projects. And guess what. I'm not all that interested in spending my valuable time working on someone's project which I consider to be crappier than my own. I can just as easily be spending my time and resources creating my own crap. Sure everyone would like to think there's a benevolent brotherhood of filmmakers; a selfless society where everyone submits ideas and work samples and then the members vote on what script to do and who to direct it. The commu nity is presented with the proposal and since it bears the backing of so many filmmakers, the businesses get involved and support the project with services and finances. The best actors come from all around to have a part in the project and a glorious motion picture is produced that wins the Oscar for Impossible Dream... That would be a good plot for a fantasy picture, but in the real world, writers will lose interest if their script isn't picked. Directors will bail if they can't direct and actors will walk away if they can't be the lead. And you guessed it the end product would probably be... well, I don't need to say it again. (though I really want to) Bill Johnscrappy writer/producer/and directorwww.cinevidproductions.com P.S - I guess I'm in a sour mood because just yesterday I lost a serious investor (producer of two features in LA) because she said the acting in one of the scenes I sent her wasn't very good. I knew it when I shot it that I was compromising, and even though we're reshooting that scene, it's too late to regain that contact... ah CRAP! --------------------------------- Yahoo! Music Unlimited - Access over 1 million songs. Try it free.From: PatrickJCarroll at aol.com Date: Thu, 24 Nov 2005 22:25:22 EST To: neohiopal at lists.fredsternfeld.com Subject: [NEohioPAL]Christmas Massage Therapy Gift Certificates TO MY FELLOW PERFORMERS: Today starts the official Christmas Season! Why not give your loved one (or yourself ;-) ) something that will actually improve their health and or state of mind. MASSAGE! Whether you need a serious therapeutic deep tissue massage or just want to enjoy the bliss of total relaxation. Give a Massage Therapy Gift Certificate. Your Christmas shopping can be as easy as a phone call or a click of the reply button to this email! I offer a 20% discount to all Neohiopal subscribers. Happy Holidays to all! Patrick J. Carroll, L.M.T. 216-544-6001 ______________________________________ Disney's "BEAUTY AND THE BEAST" at Beck Center 12/2-12/31. 216-521-2540. http://www.fredsternfeld.com/beautyandthebeast.htm _______________________________________ There is also a sister site to this list called the "NEoPAL Bulletin Board." Occasionally when "hot-button" discussions go on more than a day or two, the bulletin board is used. The Neopal bulletin board also has some other terrific features, like a searchable database for you to put your personal information, a place to post pictures and a chat room with a nightly 11pm gathering to discuss hot topics: http://groups.yahoo.com/group/neopal/ ______________________________________ Disclaimer: The facts and/or opinions expressed in each message are solely those of the person in the "from" or "reply-to" header. The fact that these messages are posted should in no way be taken as an endorsement by the administrator of this list. Subscribers should perform due diligence for all goods, services and activities promoted on NEohioPAL. _______________________________________ NEohioPAL mailing list NEohioPAL at lists.fredsternfeld.com http://lists.fredsternfeld.com/mailman/listinfo/neohiopal http://www.fredsternfeld.com --------------------------------- Yahoo! Personals Single? There's someone we'd like you to meet. Lot's of someone's, actually. Try Yahoo! Personals --0-2081382362-1132943565=:97988 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
Christopher K. Young and Bill Van Nostran,
 
Hey guys, good input, however the very things that you mention, (that a lot of people mention) have been tried before, without success sad to say.
 
Bill, there is actually a screenwriting group that meets once a month at CSU called, Second Shift Screenwriters and they post here and at clevelandfilmmaking at yahoogroups.com. I'm not sure if they are critiquing their work or creating a master work or what. I want to attend but haven't as of yet. You can contact Christine for more info: christinednfr at yahoo.com
 
Also, Bill and Chris, way back when The Film Society sponsored Cleveland Filmmakers, I suggested that we pool our talents. All writers submit their scripts, all shooters submit their reels, all directors, well you get the idea. Then the whole group would vote on the best of the best, hone it down to even better, then approach the city, businesses, etc. to get it financed and produced.
 
Well, either no one felt confident enough about their own work, or they didn't want their doubts exposed to an open forum, or they were just too busy, but the idea got a lot of kudos and praise, but very quickly fell into oblivion. Eventually the entire group was disbanded, probably for lack of involvement. Then along came another organization that held great promise; a creative alliance of artists that would be a force to be reckoned with, that too failed. I even tried to give an intensive two day seminar on DV Filmmaking to help raise the quality bar. I got one attendee, thanks Christine! 
 
Chris, you mentioned that there are lots of people who want to work on other people's films and if you mean actors, sure, that only makes sense, but there aren't that many aspiring boom operators who's goal in life is to carry the crossarm of the indominable soundman. Even all the people who eagerly wanted to work on my feature, Madness have other aspirations besides crew work. And you're right they came to me, based on the quality of my previous works (thanks for your part in those successes by the way). However, I really hate using people for any great length of time for no-pay, so I kept the crew very small and they were and are very committed.
 
I guess what I'm trying to articulate is we don't need a Film Czar or Commissioner for the indie film scene. It pretty much takes care of itself. If you are willing to really take the time and make your work stand out for quality in all areas, the community of actors, crew, businesses and local governments, will respond and support your efforts. I had cast and crew come for a full time, two week long shoot, for no pay, from as far away as Canton, Youngstown, and North Olmsted, to shoot in a million dollar house that didn't charge us a thing, all because they believed the experience would be worth it.

My biggest gripe is that in so many productions quality gets shoved to the bottom of the list and I walk into a landscape of burning bridges trying to find the few resources who haven't been burned or are willing to take a chance on one more independent film.
 
As far as Cleveland Indieclub goes, we do network, but critiquing is forbidden. Attendance would drop to nothing if everyone worried their work wasn't good enough to please fellow filmmakers. One can only hope that as they see better work, they will incorporate that effort and ethic into their own projects.
 
Thanks Fred for allowing this diatribe. I hope it gives the whole list some insight into the minds of indie filmmakers...
 
For those actors interested in some guidelines when auditioning for Independent Film projects here are some tips:
 
Thanks,
Bill Johns
 
 
 
 



From: "Bill Van Nostran" <wvannostran at neo.rr.com>
To: <alexcine at aol.com>, <neohiopal at lists.fredsternfeld.com>
Subject: Re: [NEohioPAL]Film Czar seeks Feedback on making Cleveland a Movie City
Date: Thu, 24 Nov 2005 14:08:22 -0500

As the adage goes, if it ain't on the page, it ain't on the stage. Same goes
for motion pictures. The good ones all start with a compelling story well
told. So one simple way to encourage new work, foster a supportive
environment, and help individuals gain feedback on their work could come
from a group focused on helping local filmmakers develop and polish
material. A monthly group giving individual writers an opportunity to hear
scenes from an emerging draft read aloud, then receive feedback from others,
is a small, but perhaps important step in developing a local environment to
foster NEO talent. Perhaps twice a year, local actors might be persuaded to
participate in readings of screenplays nearing completion--showcasing them
to a larger audience.

Bill Van Nostran

From: Christopher <kaimei at earthlink.net>
To: neohiopal at lists.fredsternfeld.com
Subject: Re: [NEohioPAL]All Hail Film Czar and Film Prophet

I see an attempt at buying some goodwill with the acting and crew community here, but if we shift ALL the blame on the filmmakers, then we will be ignoring the suffering of those majority of actors and crew who ARE professional enough to show up and try to finish scenes and projects in spite of the few who disappear and stop returning calls until they've settled into their Venice Beach apartments or found religion, or whatever excuse they give until one posts another audition notice.  Then, they resurface and send their headshots and resumes as if you won't remember them from the last burn, and to add insult to injury, some of them even put the picture they bailed on or got fired from ON THEIR RESUME!
Maybe if we all resigned ourselves to making short films that only have one or two locations, then the impact of this kind of behavior could be minimized.  But for those of us who dare to make feature films with multiple locations and scenes with significant cast interplay, then this work ethic, left unaddressed, will STAY the norm for a minority, but significant percentage of actors and crew in this area, thereby throwing a wrench not only into a director's work, but the work of the other actors and crew as well.  It only takes one actor doing this to shut down a film.  Ask around.  I have first hand experience with the phenomenon, and when filmmakers start to get a little ambitious around here, so will they.
And while I haven't been to an Indieclub meeting in a long time, I thought I was giving it the benefit of the doubt in my initial posting.  But if they're not networking their resources or helping each other improve their work, then what the hell are those guys doing there?  I hope it's not all about listening to someone who memorized an article out of videomaker magazine or congratulating each other for sticking it out in Cleveland for as long as they have.  Don't get me wrong!  This isn't a commentary on Indieclub!  I imagine that someone conversant with Indieclub's mission can articulate its significance with great ease.  The last meeting I attended (almost two years ago) was very helpful.  But if it's true that they no longer provide a resource pool and a constructively critical forum, then that which I hope it isn't, must be exactly what it is.  I'll attend one as soon as possible, with the hopes that we're both wrong.  But, all that aside, sway with city leaders is a necessary next step for Indieclub, or any organization that takes Cleveland's position in the greater media arts community to heart.  I mean, what's a film community if the COMMUNITY isn't involved?  Perhaps this is already underway, again, I haven't been attending.  But an US and THEM attitude won't help anybody, because THEY have the power to make US unwelcome... even more so than we already are from a socio-cultural standpoint.
One other issue I need to take on is the idea that Cleveland's indie scene is mostly made up of writers, producers and directors.  While it's true that most directors are also writers and producers, and all the other combinations therein, it's more than safe to say that the vast majority of those who consider themselves in the indie scene have little to no interest in writing and/or producing and/or directing a picture of their own.  Ask yourself, what's the largest number of actors you've had answer a casting call of yours?  My largest number is about 130, I imagine yours are similar, if not higher since you often cast on the coattails of success from a previous project.  This kind of turn out is not uncommon.
Now how many area filmmakers have you ever seen in one place locally, at one time?  Actual filmmakers with one or more credits in the above mentioned categories?  Even add those who aspire to have a credit and the number's still pretty small.  The reason I bring up this otherwise picayune issue is because it's symptomatic of a trend this community has, and I've been guilty of too:  leaving out actors and crew in the dialogue over the needs of this film community.  Because when you include those people in the mix, then we see that in fact, a vast majority of this community DOES WANT to work on someone else's film.  They're just waiting for something they can believe in.
Some find it, many don't, and some are just easy to please.
You know us creative types are an unorganized lot with major attention deficit, so one more time.  What was the point?
Christopher K. Young
www.shallowfocus.com
P.S.: Amen to your last two paragraphs
 
 
Bill wrote:
All Hail Film Czar and Film Prophet You know, most of the time I sit with calm amusement as I read the various ramblings as to why Cleveland isn't 'on the map' when it comes to motion picture film and TV production. However, these latest posts are just too funny to ignore... A self proclaimed Film Czar? What the hell is that? Alex, I thought you were joking! And Christopher, you seem to have so much intelligence and yet you completely miss the point. Ya wanna know the reason why we can't all just get along and make movies together? Well here it is. There's too much crap!!! And widely varying degrees of crap. One of the only reasons our monthly Indieclub meetings are successful is because we're not trying to create a consortium; we're not trying to unite our resources, we're not even trying to improve eachother's work. We're j ust watching videos. And guess what? We see a lot of crap. We see some good stuff too, but mostly we see Learners, Yearners and Burners. Now, Learners are novice filmmakers who make crap because it's their first film and rather than learn the trade first, they go ahead and make a movie as practice and hopefully they'll improve. We sit politely and smile, wishing they had thought about lighting, sound, acting, dialogue, and camera work before making us sit through their experiments. Yearners are filmmakers who really want to make good films, so they use everything at their disposal to make the best possible film they can. However, they're still somewhat plagued by compromise and the results are never what they hoped for, nor what a real distributor will buy. Much easier to sit through though. Burners are the worst. These are filmmakers (u sually prolific) who make crap every time out of the gate. Their camera work is mostly hand-hell shaky cam. Their lighting is barely more than ambient and they often use the on-camera mic to capture dialogue. The acting is wooden and undirected; the stories are either so deep you need waders, or so shallow you can't find a point; and to top it off, they're fully convinced they are great filmmakers. But why do I call them Burners you ask? Well, because they burn the bridges that sincere Yearners might someday want to use. They burn bridges with actors who get soured against indie filmmakers because they have nothing decent to show for all their hard work (not even copy). They burn bridges with locations because they are so unorganized that they overstay their welcomes, mess up property and never send copies of the video, like they promise to do. They burn bridges with investors because the investor never sees a dime of their money back. They burn bridges with the legitimate film commission, because, as I said before they make crap and what film commission is going to support and encourage more crap??? Yet that's not the reason why we don't need a film czar or film prophet or any other coordinating force. The real reason is no one wants to work on someone else's film. You see, most of the people that comprise the indie scene here in Cleveland are writer/producer/directors and we're all working on our own projects. And guess what. I'm not all that interested in spending my valuable time working on someone's project which I consider to be crappier than my own. I can just as easily be spending my time and resources creating my own crap. Sure everyone would like to think there's a benevolent brotherhood of filmmakers; a selfless society where everyone submits ideas and work samples and then the members vote on what script to do and who to direct it. The commu nity is presented with the proposal and since it bears the backing of so many filmmakers, the businesses get involved and support the project with services and finances. The best actors come from all around to have a part in the project and a glorious motion picture is produced that wins the Oscar for Impossible Dream... That would be a good plot for a fantasy picture, but in the real world, writers will lose interest if their script isn't picked. Directors will bail if they can't direct and actors will walk away if they can't be the lead. And you guessed it the end product would probably be... well, I don't need to say it again. (though I really want to) Bill Johnscrappy writer/producer/and directorwww.cinevidproductions.com P.S - I guess I'm in a sour mood because just yesterday I lost a serious investor (producer of two features in LA) because she said the acting in one of the scenes I sent her wasn't very good. I knew it when I shot it that I was compromising, and even though we're reshooting that scene, it's too late to regain that contact... ah CRAP!
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Date: Thu, 24 Nov 2005 22:25:22 EST
To: neohiopal at lists.fredsternfeld.com
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Lot's of someone's, actually. Try Yahoo! Personals --0-2081382362-1132943565=:97988-- --0-1474271259-1132943565=:97988-- From lilith at cros.net Fri Nov 25 11:30:04 2005 From: lilith at cros.net (lilith) Date: Fri, 25 Nov 2005 14:30:04 -0500 Subject: [NEohioPAL]Cleveland IndieClub Message-ID: <200511251430.AA102433106@cros.net> Christopher, Alex, Bill, etal: As an ardent "learner" and IndieClub attendee, I feel compelled to respond. IndieClub is not only thriving, it has outgrown its first location at Talkies and moved to the larger Hyacinth Lofts. Even then, the meetings are often standing room only. What used to be a 3 hour meeting has expanded to over 4 hours. This was done for one reason only as far as I know- so that we would all have the time to NETWORK! We were so busy screening work and having in really good speakers (like this month's Phil Garrett, previously of Dreamworks!) that we had run out of time to fish the talent pool for people to work on our shoots. >From my association with Cleveland IndieClub, I have worked on 11 projects in the last 3 years. 2 of those were my own, with a third to shoot next weekend. I have done everything I could. My 20+ years expertise is in wardrobe and make up, so I have done alot of that. But I have worked as an extra and PA and moved through the ranks to script supervise, write, direct and produce. To be sure, when I started seriously in film, I knew very little. I learned by volunteering to work on others' projects- yes, even the bad ones. You learn as much, if not more, on a bad shoot than a good one. Because I have a good work ethic, show up and do my job with the most professional attitude I have, I get asked back and recruited for other work. I am lucky enough that now I am regularly paid to work on films (yes, indies can pay!). Of course, I care a lot about the work and have studied everything I can get my hands on about filmmaking. The only thing IndieClubbers lack as a whole, is the same thing every indie struggles with- MONEY. We need to learn how to raise it and spend it wisely to produce distributable product. My next shoot is next weekend, and is entirely crewed by INDIECLUBBERS! Actors, crew, pa's- all from Indieclub. Some of these people honor me completely by agreeing to come work on my shoot, others are like I was a few years ago, hungry to learn. Why do I share all of this? Because my personal story is just one of many- A great many Indieclubbers are just like me, and we survive becasue we work together. My product improves with every new technique I learn and I never tire of learning. Just one modest success story from IndieCleveland. Hope to see you all at the next meeting. Christine Chapman lilith at cros.net From Wakeup4664 at aol.com Fri Nov 25 11:35:53 2005 From: Wakeup4664 at aol.com (Wakeup4664 at aol.com) Date: Fri, 25 Nov 2005 14:35:53 EST Subject: [NEohioPAL]Great Bargain for your Craft: "Tricks of the Trade. . . " On-Camera Reminder Message-ID: <1da.48ac7e37.30b8c199@aol.com> --part1_1da.48ac7e37.30b8c199_boundary Content-Type: text/plain; charset="ISO-8859-1" Content-Transfer-Encoding: quoted-printable Great Bargain on Learning / Honing Your Craft! "Tricks of the Trade. . . " On-Camera Reminder . Mon.=A0 11/28: "Tricks of the Trade: On-camera Skills and Monologues" 2005 Will be Over, Soon, so Get Your Last "Tricks of the Trade" for . . .=20 Auditions, On-Camera & Voiceover Be Ready for the New Year! Sue Johnson and WAKE UP And LIVE's Actors' Studio are conducting a series of= =20 special "Tricks of the Trade: Craft, Career and Professional Development"=20 Sessions,=20 Mondays, November 21st & 28th, & December 5th & 12th. =A0 7:00 -8:30 P. Shaker Heights, OH & Adelphia Locations. To register for classes for Actors & Other Performing Artists, email:=20 wakeup4664 at aol.com.=20 Did You Miss Mon.=A0 11/21: "Tricks of the Trade: Audition Techniques for St= age=20 and On-camera?" Then, Contact us to make Special Arrangements for=20 Individual Coaching Session . . . There's a difference between acting techniques on stage and on-camera. This=20 session will show you how to adapt your stage skills to be successful for=20 on-camera auditions and jobs. Learn the Do's & Don'ts of audition techniques.=A0 You will learn how auditi= ons=20 work, how to prepare for them, and where to find them.=A0 Be prepared for th= e=20 different scenarios: Monologues vs. Reading from the Script. Monologues,=20 commercial, film & industrial scripts. Get feedback on how you look, speak &= act=20 on-stage & on- camera.=20 . Mon.=A0 11/28: "Tricks of the Trade: On-camera Skills and Monologues" Practice on-camera skills with commercial, film & industrial copy.=A0 See=20 yourself as talent agents, producers, clients & casting agents see you.=A0 L= earn how=20 your facial expressions, gestures/mannerisms, body language/movement & voice= =20 project on-camera. Enhance the way you look, speak & act to get work. . Mon.=A0 12/5:=A0 "Tricks of the Trade: Voiceover Skills, Diction, Dialogue= and=20 Speaking Techniques for Performing Artists" Hear how you sound to listeners.=A0 Are you clear, articulate & interesting?= =A0=20 Do you 'Swallow' your words?=A0 Have you been called a 'Mush Mouth?'=A0 Have= you=20 been asked to 'Slow down?'=A0 Professional voiceover talent & public speaker= s pay=20 attention to the details - pacing, "t's, d's, & ings," etc.=A0 Learn to play= =20 with language and your voice: enunciation, articulation, intonation, inflect= ion,=20 and more, to give your characters & performances more flavor. Great session=20 for singers & comedians, too. . Mon. 12/12:=A0 "Tricks of the Trade: Creating Your Voiceover Demo in Conte= nt & Format" Great voiceover talent uses multiple basic 'actors' tools' to get & keep the= =20 listener's attention, sell the product, and solve the problem.=A0 Design you= r=20 Commercial, Industrial, PSA's, Story Telling & Narration copy which require=20 unique voiceover abilities.=A0 Find out why creating a demo and voiceover wo= rk=20 aren't easy as they look. . Workshop Fees: $20.00, each session. (November &=A0 December, only) . Private Coaching: $30.00, each=A0 session. (November &=A0=A0 December, onl= y) =A0 Credit Cards are accepted. [Note: Attend a workshop or coaching, now.=A0 Get a discount on your 1st=20 session scheduled in 2006. Ask for details.] Prefer Private Coaching? Then . . . Choose a Private Coaching session, on the above topics (or, other topics of=20 your choice),=20 by appointment. Pre-payment required. For more details, and to register, please reply to: wakeup4664 at aol.com Make Checks Payable & Mail to: Sue Johnson, Director WAKE UP And LIVE's Actors' Studio P.O. Box 201524 Shaker Heights, OH 44120 http://carolirvin.com/wakeup.htm --part1_1da.48ac7e37.30b8c199_boundary Content-Type: text/html; charset="ISO-8859-1" Content-Transfer-Encoding: quoted-printable

Great Bargain=20= on Learning / Honing Your Craft!
"Tricks of the Trade. . . " On-Camera Reminder

. Mon.=A0 11/28: "Tricks of the Trade: On-camera Skills and Monologues"<= BR>
2005 Will be Over, Soon, so Get Your Last
"Tricks of the Trade" for . . .
Auditions, On-Camera & Voiceover

Be Ready for the New Year!


Sue Johnson and WAKE UP And LIVE's Actors' Studi= o are conducting a series of special "Tricks of the Trade: Craft,= Career and Professional Development" Sessions,

Mondays, November 21st & 28th, & December 5th & 12th.
=A0 7:00 -8:30 P.
Shaker Heights, OH & Adelphia Locations.

To register for classes for Actors & Other Performing Artists, email: wa= keup4664 at aol.com.


Did You Miss Mon.=A0 11/21: "Tricks of the Trade: Audition Techniques f= or Stage and On-camera?"   Then, Contact us to make Special= Arrangements for Individual Coaching Session . . .

There's a difference between acting techniques on stage and on-camera. This=20= session will show you how to adapt your stage skills to be successful for on= -camera auditions and jobs.
Learn the Do's & Don'ts of audition techniques.=A0 You will learn how au= ditions work, how to prepare for them, and where to find them.=A0 Be prepare= d for the different scenarios: Monologues vs. Reading from the Script. Monol= ogues, commercial, film & industrial scripts. Get feedback on how you lo= ok, speak & act on-stage & on- camera.

. Mon.=A0 11/28: "Tricks of the Trade: On-camera Skills and Monologue= s"
Practice on-camera skills with commercial, film & industrial copy.=A0 Se= e yourself as talent agents, producers, clients & casting agents see you= .=A0 Learn how your facial expressions, gestures/mannerisms, body language/m= ovement & voice project on-camera. Enhance the way you look, speak &= act to get work.

. Mon.=A0 12/5:=A0 "Tricks of the Trade: Voiceover Skills, Diction, Dia= logue and Speaking Techniques for Performing Artists"
Hear how you sound to listeners.=A0 Are you clear, articulate & interest= ing?=A0 Do you 'Swallow' your words?=A0 Have you been called a 'Mush Mouth?'= =A0 Have you been asked to 'Slow down?'=A0 Professional voiceover talent &am= p; public speakers pay attention to the details - pacing, "t's, d's, = & ings," etc.=A0 Learn to play with language and your voice: enun= ciation, articulation, intonation, inflection, and more, to give your charac= ters & performances more flavor. Great session for singers & comedia= ns, too.

. Mon. 12/12:=A0 "Tricks of the Trade: Creating Your Voiceover Demo i= n Content & Format"
Great voiceover talent uses multiple basic 'actors' tools' to get & keep= the listener's attention, sell the product, and solve the problem.=A0 Desig= n your Commercial, Industrial, PSA's, Story Telling & Narration copy whi= ch require unique voiceover abilities.=A0 Find out why creating a demo and v= oiceover work aren't easy as they look.

. Workshop Fees: $20.00, each session. (November &=A0 December= , only)
. Private Coaching: $30.00, each=A0 session. (November &=A0=A0 Decemb= er, only)
=A0 Credit Cards are accepted.
[Note: Attend a workshop or coaching, now.=A0 Get a discount on your 1st=20= session scheduled in 2006. Ask for details.]

Prefer Private Coaching? Then . . .
Choose a Private Coaching session, on the above topics (or, other topics of=20= your choice),
by appointment. Pre-payment required.

For more details, and to register, please reply to: wakeup4664 at aol.com

Make Checks Payable & Mail to:
Sue Johnson, Director
WAKE UP And LIVE's Actors' Studio
P.O. Box 201524
Shaker Heights, OH 44120



http://carolirvin.com/wakeup.htm









--part1_1da.48ac7e37.30b8c199_boundary-- From Wakeup4664 at aol.com Fri Nov 25 11:48:49 2005 From: Wakeup4664 at aol.com (Wakeup4664 at aol.com) Date: Fri, 25 Nov 2005 14:48:49 EST Subject: [NEohioPAL]Another Invitation to Attend:"Tricks of the Trade" WAKE UP And LIVE w/ the ARTS Message-ID: <271.8a812a.30b8c4a1@aol.com> --part1_271.8a812a.30b8c4a1_boundary Content-Type: text/plain; charset="ISO-8859-1" Content-Transfer-Encoding: quoted-printable Another Invitation to Attend . . .=20 "Tricks of the Trade" =20 WAKE UP And LIVE w/ the ARTS There's Still Time to be our Guest=20 this Thursday, 12/1 on=20 WAKE UP And LIVE with the ARTS, TV Program Email your RSVP, by Tues. 11/29. See below for complete details Join us for . . . "Tricks of the Trade: Craft, Career and Professional Development" Series on=20 WAKE UP And LIVE with the ARTS . Would you like to . . . =A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0 .=A0 hone your craft and showcase your=20= talent at the same time? =A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0 .=A0 be involved with a TV production t= o showcase your talent? . Here's your chance . . . Sue Johnson and WAKE UP And LIVE's Actors' Studio are conducting a series of= =20 special "Tricks of the Trade: Craft, Career and Professional Development"=20 Sessions on upcoming WAKE UP And LIVE with the ARTS TV programs. . Here's how it will work . . . You are invited to be a participant and attend a taping(s), of your choice,=20 of WAKE UP And LIVE with the ARTS on:=20 =A0=A0=A0=A0=A0=A0=A0 . Thursdays, Dec.=A0 1st, and Dec. 15th.=A0=20 =A0=A0=A0=A0=A0=A0=A0 . approx. 7:30 P - 8:45 P. Adelphia Studios. . The topics for each session are . . . . Thurs. 12/1:=A0=A0 "Tricks of the Trade: On-camera Skills with Monologues and Scenes" . Thurs. 12/15:=A0 "Tricks of the Trade: Voiceover Skills and Diction, Dialogue & Speaking=20 =A0=A0 Techniques" We will tape the sessions.=A0 They will be shown as WAKE UP And LIVE with th= e=20 ARTS half-hour programs later, on Adelphia, Cox and Cleveland Access channel= s. You will have the chance to participate in practicing your craft, discussion= ,=20 questions and answers. Space is limited. RSVP's will be accepted on a first-come, basis. These=20 sessions are Complimentary.=A0=20 However, in order to attend the Complimentary sessions, you must contact us=20 by Sunday, 11/27 and register for at least of the 3 "Tricks of the Trade:=20 Craft, Career and Professional Development" Workshops scheduled for . . .=20 "Tricks of the Trade "=A0 workshop sessions, 7:00 -8:30 P. Shaker Heights, O= H. =A0 =A0=A0 . Mon.=A0 11/28:=A0=A0 On-camera Skills and Monologues =A0=A0 . Mon.=A0 12/5:=A0=A0=A0 Voiceover Skills, Diction, Dialogue & Speaki= ng Techniques =A0=A0=A0=A0 for Performing Artists =A0=A0 . Mon. 12/12:=A0 Creating Your Voiceover Demo in Content & Format" Or, you can choose a Private Coaching session, on the above topics (or, othe= r=20 topics of your choice), by appointment. Pre-payment required by NOVEMBER=20 15th. . Workshop Fees: $35.00, two sessions. $20.00, each additional session. (November &=A0December, only) . Private Coaching: $45.00, two sessions. $25.00, each additional session.=20 (November & December, only) For more details, to RSVP and to register, please reply to: Sue Johnson, Director WAKE UP And LIVE's Actors' Studio Wakeup4664 at aol.com P.O. Box 201524 Shaker Heights, OH 44120 . . . About Sue Johnson . . . Sue Johnson, Director of the WAKE UP And LIVE's Actors' Studio, is an actor,= =20 director, producer and talent coach whose professional credits include recen= t=20 appearances in Cleveland area theatres, including Agents and Assets, an LAPD= =20 production at Cleveland Public Theater. She has directed My Big Fat=20 Dysfunctional Office, a commissioned play, numerous "PlayActs" Performances=20= and Jim=20 Spriggs' Terror on Biddle Street, a staged reading, for Karamu's Arenafest.=20= TV=20 credits include A & E's 100 Centre Street, and films, Antwone Fisher directe= d by=20 Denzel Washington, and The Year That Trembled, Jay Craven, Director. Her tal= ent=20 resume lists numerous TV commercials, industrials, and voiceovers.=20 She produces, directs and co-hosts WAKE UP And LIVE with the ARTS with Chris= =20 Fortunato. The performing & cultural arts program airs Wednesdays, 7:30 P &=20 Saturdays, 7:00 P on Adelphia Cable, ch. 21, eastern suburbs and ch. 23, wes= tern=20 suburbs. The show also airs on Cox Cable, ch. 45, Wednesdays 7:30 P &=20 Saturdays, 7:00 P, and Cleveland Access, ch. 25, Wednesdays, 7:00 P.=A0 Her=20= "Tricks of=20 the Trade: Craft, Career & Professional Development" Series, and "Tricks of=20 the Trade: Acting Seminars for Business & Leadership Training" workshops are= =20 well-known throughout the performing arts and corporate community.=20 http://carolirvin.com/wakeup.htm --part1_271.8a812a.30b8c4a1_boundary Content-Type: text/html; charset="ISO-8859-1" Content-Transfer-Encoding: quoted-printable

Another Invitation=20= to Attend . . .
"Tricks of the Trade" 
WAKE UP And LIVE w/ the ARTS

There's Still Time to be our Guest
this Thursday, 12/1
on
WAKE UP And LIVE with the ARTS,
TV Program
Email your RSVP, by Tues. 11/29.
See below for complete details

Join us for . . .


"Tricks of the Trade: Craft, Career and Professional Development" Series=
on
WAKE UP And LIVE with the ARTS


. Would you like to . . .
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0 .=A0 hone your craft and showca= se your talent at the same time?
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0 .=A0 be involved with a TV produ= ction to showcase your talent?

. Here's your chance . . .
Sue Johnson and WAKE UP And LIVE's Actors' Studio are conducti= ng a series of special "Tricks of the Trade: Craft, Career and Profession= al Development" Sessions on upcoming WAKE UP And LIVE with the ART= S TV programs.

. Here's how it will work . . .

You are invited to be a participant and attend a taping(s), of your choice,=20= of WAKE UP And LIVE with the ARTS on:
=A0=A0=A0=A0=A0=A0=A0 . Thursdays,  Dec.=A0 1st, and Dec. 15t= h.=A0
=A0=A0=A0=A0=A0=A0=A0 . approx. 7:30 P - 8:45 P. Adelphia Studios.
. The topics for each session are . . .

. Thurs. 12/1:=A0=A0
"Tricks of the Trade: On-camera Skills with Monologues and Scenes"

. Thurs. 12/15:=A0
"Tricks of the Trade: Voiceover Skills and Diction, Dialogue & Speaking=20=
=A0=A0 Techniques"

We will tape the sessions.=A0 They will be shown as WAKE UP And LIVE w= ith the ARTS half-hour programs later, on Adelphia, Cox and Clevelan= d Access channels.

You will have the chance to participate in practicing your craft, discussion= , questions and answers.

Space is limited. RSVP's will be accepted on a first-come, basis. These sess= ions are Complimentary.=A0

However, in order to attend the Complimentary sessions= , you must contact us by Sunday, 11/27 and register for at least of t= he 3 "Tricks of the Trade: Craft, Career and Professional Development" Workshops scheduled for . . .

"Tricks of the Trade "=A0 workshop sessions, 7:00 -8:30 P. Shaker Height= s, OH.
=A0
=A0=A0 . Mon.=A0 11/28:=A0=A0 On-camera Skills and Monologues

=A0=A0 . Mon.=A0 12/5:=A0=A0=A0 Voiceover Skills, Diction, Dialogue & Sp= eaking Techniques
=A0=A0=A0=A0 for Performing Artists

=A0=A0 . Mon. 12/12:=A0 Creating Your Voiceover Demo in Content & Format= "

Or, you can choose a Private Coaching session, on the above topics (o= r, other topics of your choice), by appointment. Pre-payment required by = NOVEMBER 15th.

. Workshop Fees: $35.00, two sessions. $20.00, each additional= session.
(November &=A0December, only)
. Private Coaching: $45.00, two sessions. $25.00, each additio= nal session.
(November & December, only)

For more details, to RSVP and to register, please reply to:
Sue Johnson, Director
WAKE UP And LIVE's Actors' Studio
Wakeup4664 at aol.com
P.O. Box 201524
Shaker Heights, OH 44120

. . . About Sue Johnson . . .

Sue Johnson, Director of the WAKE UP And LIVE's Actors' Studio, is an actor, director, producer and talent coach whose professional credit= s include recent appearances in Cleveland area theatres, including Agents= and Assets, an LAPD production at Cleveland Public Theater. She has dir= ected My Big Fat Dysfunctional Office, a commissioned play, numerous=20= "PlayActs" Performances and Jim Spriggs' Terror on Biddle Street, a staged reading, for Karamu's Arenafest. TV credits include A & E's= 100 Centre Street, and films, Antwone Fisher directed by Denz= el Washington, and The Year That Trembled, Jay Craven, Director. Her=20= talent resume lists numerous TV commercials, industrials, and voiceovers.
She produces, directs and co-hosts WAKE UP And LIVE with the ARTS<= /I> with Chris Fortunato. The performing & cultural arts program airs We= dnesdays, 7:30 P & Saturdays, 7:00 P on Adelphia Cable, ch. 21, eastern=20= suburbs and ch. 23, western suburbs. The show also airs on Cox Cable, ch. 45= , Wednesdays 7:30 P & Saturdays, 7:00 P, and Cleveland Access, ch. 25, W= ednesdays, 7:00 P.=A0 Her "Tricks of the Trade: Craft, Career & Profe= ssional Development" Series, and "Tricks of the Trade: Acting Seminar= s for Business & Leadership Training" workshops are well-known throu= ghout the performing arts and corporate community.


http://carolirvin.com/wakeup.htm

--part1_271.8a812a.30b8c4a1_boundary-- From lucia9577 at yahoo.com Fri Nov 25 10:14:00 2005 From: lucia9577 at yahoo.com (Lucia DiVieste) Date: Fri, 25 Nov 2005 10:14:00 -0800 (PST) Subject: [NEohioPAL]Italian American Art Exhibit Message-ID: <20051125181400.74914.qmail@web60811.mail.yahoo.com> --0-385054868-1132942440=:70491 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Art Show Featuring Illustrations of Italian-American Life By...Mauro DiVieste Location: Little Peppino's Restaraunt 728 North State Street Girard, OH 44420 When: December 10, 2005; 3pm - 9pm Illustrations for sale. All sold illustrations will be available for pickup between 7-8pm at Little Peppino's. --------------------------------- Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --0-385054868-1132942440=:70491 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
Art Show
 
Featuring Illustrations of Italian-American Life
 
By...Mauro DiVieste
 
Location: Little Peppino's Restaraunt
               728 North State Street
               Girard, OH 44420
 
When: December 10, 2005;  3pm - 9pm
 
Illustrations for sale.  All sold illustrations will be available for pickup between 7-8pm at Little Peppino's. 

Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --0-385054868-1132942440=:70491-- From Wakeup4664 at aol.com Fri Nov 25 12:43:46 2005 From: Wakeup4664 at aol.com (Wakeup4664 at aol.com) Date: Fri, 25 Nov 2005 15:43:46 EST Subject: [NEohioPAL]Look Who's on WAKE UP And LIVE with the ARTS, Now! Adelphia, Cox & Cleveland Message-ID: <291.4e203b.30b8d182@aol.com> --part1_291.4e203b.30b8d182_boundary Content-Type: text/plain; charset="ISO-8859-1" Content-Transfer-Encoding: quoted-printable Look Who's on WAKE UP And LIVE with the ARTS, Now! . Tune into . . .=A0 WAKE UP And LIVE with the ARTS=20 on=20 Adelphia Cox Cable &=20 Cleveland Access. with Chris Fortunato and Sue Johnson, co-hosts,=20 a locally produced performing and cultural arts TV show, which continues to=20 showcase area talent.=A0 Be sure to check out "local cable access listings o= n=20 neohiopal" throughout November and December, to see how local "stars" are=20 lighting up your TV viewing. . on Adelphia, ch. 23, eastern & ch. 21, western Suburbs =A0=A0 Wednesdays, 7:30 P. Saturdays, 7:00 P . Wed. 11/30 & Sat. 12/3: A discussion of "Tricks of the Trade: Audition Techniques for Stage and=20 On-camera, "=A0part 1,=A0 with co-hosts, Sue Johnson & Chris Fortunato, feat= uring=20 Rollin "Mac" Michael & Anne Fusco, actors, Ruby Fox, playwright, & Bob Sega= l,=20 comedian & jazz clarinetist. Wed. 12/7 & Sat. 12/10: A part II, discussion of "Tricks of the Trade: Audition Techniques for Stage= =20 and On-camera, "=A0,=A0 with co-hosts, Sue Johnson & Chris Fortunato, featur= ing=20 Rollin "Mac" Michael & Anne Fusco, actors, Ruby Fox, playwright, & Bob Sega= l,=20 comedian & jazz clarinetist. Here's a recap of recent shows aired on Adelphia in November. Wed. 11/9 & Sat. 11/12:=20 . Harriett Logan, owner, Loganberry Books, celebrating its 10th Anniversary= =A0=A0=20 Angelia Lee, Actor/Author/Vocalist, and Gary Webster, Playwright. Wed. 11/16 & Sat. 11/19: . Jim Levin and Thomas Mulready from iNGENUiTY and=20 Cool Cleveland.com, discussing the arts scene in Cleveland and next year's=20 iNGENUiTY with Gary Webster, actor & playwright, Angelia Lee, actor, singer= ,=20 playwright & Harriett Logan, owner, Loganberry Books Coming Soon . . . on Adelphia, channels 21 and 23=A0 . . .=20 . Hal Wyant and his TransAfrica Rhythms band . New "PlayActs" Performances featuring local playwrights and actors,=20 =A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0= =A0 - - - and - - - . "Tricks of the Trade: Craft, Career and Professional Development"=20 discussions. November . . . on Cox Cable, ch. 45. . . Wednesdays, 7:30 P, Saturdays, 7:00 P. Wed/ 11/2 & Sat. 11/5 . Alphonzo G. Smith, Jr., and his new band, Stratos, blowing the roof off=20 with their vocal and music eclectic mix of jazz, blues, and contemporary=20 selections.=A0 Brenda Smith, Spokesperson, shares the story of the band's or= igins,=20 dreams and special events, while Iris Tucker-Berry gets "carried away" by th= e music=20 and starts "jammin'" with an impromptu "cabaret smooth groove" dance. Wed. 11/9 & Sat. 11/12 . Jennifer Hoffman, former WAKE UP and LIVE's Actors' Studio student, who ha= s=20 graduated from Point Park College, PA and is now back home setting up her=20 professional musical theater career, and private coaching and classes, while= =20 working at Solon Center for the Arts.=A0=20 -- and -- . Bob Segal and Steve Samuel, of the Bob and Steve Duo, blowing some "mean"=20 jazz standards through their clarinets.=A0 Both Segal, who performs Klezmer=20 music,=A0 and Samuel are also well known for their teaching affiliations wit= h=20 Cleveland schools and the Music Institute. Also, in November . . . .Our "PlayActs" series of auditions for the TV show, rehearsals and=20 performances for "PlayActs" featuring 4 fun short plays written by=20 Playwrights-in-Residence, Ruby Fox and Gary Webster. The WAKE UP And LIVE's=20= Actors' Studio team of=20 Rollin "Mac" Michael, Sapphire DeFranco, Lauren Skirbunt, James McGilbray,=20 Gary Webster, Marvin L. Mallory, Mary Lu Franks, Beverly Kristy,=20 Iris-Tucker-Berry, and Lynna Metrisin reprise or create their roles in Celib= acy Odyssey,=20 Forever Milly, Is This How Frankie and Annette Got Started?, and We Want to=20= be in=20 Pictures . . . Or on TV . . . Or, the Stage . . . But We'd=20 Settle for Radio. Wed. 11/16 & Sat. 11/19 . "PlayActs" Is This How Frankie & Annette Got Started? by Gary Webster,=20 featuring James McGilbray, Lauren Skirbunt,=A0 & Gary Webster Wed. 11/23 & Sat. 11/26 . "PlayActs" We Want to be in Movies, TV . . . by Gary Webster, featuring= =A0=20 Marvin L. Mallory, Mary Lu Franks, Beverly Kristy,=A0 & Iris Tucker-Berry. Wed. 11/30 & Sat. 12/3 . "PlayActs" Celibacy Odyssey, by Ruby Fox, featuring Lynna Metrisin, Rollin= =20 "Mac" Michael & Gary Webster Wed. 12/7 & Sat. 12/10 . Hue People, II,=A0 vocal group, with steven e.boyd, Anita Rose Banks, Ceco= =20 Selinas & Brother Afi-Nur, whose performances are becoming standard features= at=20 many public, private and corporate events around northeast Ohio. .on Cleveland Access Channel, ch. 25. . . Wednesdays, 6:00 P. Wed. 11/9 & Wed. 11/16 . Kelly Chapman, Inspirational Recording Artist, Real CD & Heal Me, Wed. 11/23 & Wed. 11/30 . Alex Worthington, Author, Frankie McBeans and the Tickle Monster Wed. 12/7 & Wed. 12/14 . "PlayActs" Auditions, I. Area actors, Liz Bauer, Sonia N. Bishop, Allen=20 Branstein, , Mary Lu Franks, Norman King, and Ubu Zurub participating in "Tr= icks=20 of the Trade" on-camera auditions with monologues, vocal selections, solo=20 pieces and scene readings. Maureen J. Carey, local playwright, "auditioning"= =20 excerpts from her "The Lesson of the Butterfly," with Ruby Fox, veteran play= wright=20 observing the action. Wed. 12/21 & Wed. 12/28 . David Johnson & Daoud's Puppets, a discussion and demonstration on how to=20 craft hand puppets in quick and easy ways. Wed. 1/4 &=A0 Wed. 1/11/06 . Ed Niam, Founder, Self Healing Institute, a TaiQiGong Fitness System,=20 discussing and demonstrating the power of a unique program which recharges m= ental,=20 physical and spiritual health. Coming, soon, to Cox Cable and Cleveland Access. Damion Fontaine and Scott Brotherton as=A0 "Rat Pack" duo, Frank Sinatra and= =20 Dean Martin, with a special appearance by "Ed Sullivan." Scott and Damion cr= oon=20 some of Frankie & Dino's best known tunes. LaVar Arnold, poet, actor and aspiring Nobel Prize winner, performing=20 selections of his original poetry which can be heard at Cleveland Art Theate= r at=20 Monday night poetry readings. . Terrence Spivey, Artistic Director, Karamu Theatre, with Norma Powell,=20 co-host,=A0 and Ruby Fox, playwright, discussing Karamu's upcoming 90th Anni= versary=20 season, which kicks off October 14th with the female version of The Odd=20 Couple, directed by Jean Hawkins.=A0=20 Keep Tuning in to learn about Our . . . .=A0 "Giggles, Chuckles and Hardy Ha! Ha's!," the new Laughter CD, being=20 introduced the our viewers. Created by Mac Michael, with Lester Bryant, "Gig= gles . .=20 . " is voiced and produced by the entire WAKE UP And LIVE's Actors' Studio=20 artistic, production and technical team. This CD will take your mind off you= r=20 "troubles" for a few minutes and light up your life with healing and humor.=20= For=20 "kids" of all ages, just for fun, and for those who need upliftment to help=20 see them through challenging times. "Giggles, Chuckles and Hardy Ha! Ha's!" Great for your fundraising and gift=20 ideas. $5.00 per CD.=A0 Discounts on multiple copies. For order information, email: wakeup4664 at aol.com. If you, your performing or cultural arts organization, would like to appear=20 on WAKE UP And LIVE with the ARTS, contact us . . . email: wakeup4664 at aol.co= m WAKE UP And LIVE with the ARTS, with Chris Fortunato and Sue Johnson,=20 co-hosts, is a locally produced performing and cultural arts TV show, which=20= continues=20 to showcase area talent.=A0 Be sure to check out "local cable access listing= s=20 on neohiopal" throughout November to see how local "stars" are lighting up y= our=20 TV viewing. - Wed. 7:30 P &=A0 Sat., 7:00 P.=A0=A0 Adelphia Cable, ch. 21, East suburbs =A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0= =A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0 Adelphia Cab= le, ch. 23,=A0 West=20 suburbs - Wed. 7:30 P & Sat., 7:00 P.=A0=A0 Cox Cable ch. 45 - Wed. 6:00 P.=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0= =A0=A0=A0=A0 Adelphia-Cleveland.=A0 ch. 25:=20 (Please note. Air dates are subject to change.) Sue H. Johnson, Director Chris Fortunato, Assoc. Director WAKE UP And LIVE's Actors' Studio=20 WAKE UP And LIVE with the ARTS P.O. Box 201524=A0 .=A0 Shaker Heights, OH 44120 wakeup4664 at aol.com http://carolirvin.com/wakeup.htm --part1_291.4e203b.30b8d182_boundary Content-Type: text/html; charset="ISO-8859-1" Content-Transfer-Encoding: quoted-printable

Look Who's=20= on WAKE UP And LIVE with the ARTS, Now!

. Tune into . . .=A0 WAKE UP And LIVE with the ARTS on
Adelphia
Cox Cable
&
Cleveland Access.
with
Chris Fortunato and Sue Johnson, co-hosts,
a locally produced performing and cultural arts TV show, which continues to=20= showcase area talent.=A0 Be sure to check out "local cable access listings o= n neohiopal" throughout November and December, to see how local "stars" are=20= lighting up your TV viewing.


. on Adelphia, ch. 23, eastern & ch. 21, western Subu= rbs
=A0=A0 Wednesdays, 7:30 P. Saturdays, 7:00 P

. Wed. 11/30 & Sat. 12/3:
A discussion of "Tricks of the Trade: Audition Techniques for Sta= ge and On-camera, "=A0part 1,=A0 with co-hosts, Sue John= son & Chris Fortunato, featuring Rollin "Mac" Michael & Anne Fusco, actors, Ruby Fox, playwright,  & Bob Sega= l, comedian & jazz clarinetist.

Wed. 12/7 & Sat. 12/10:
A part II, discussion of "Tricks of the Trade: Audition Techniques= for Stage and On-camera, "=A0,=A0 with co-hosts, Sue Jo= hnson & Chris Fortunato, featuring Rollin "Mac" Michael & Anne Fusco, actors, Ruby Fox, playwright,  & Bob Sega= l, comedian & jazz clarinetist.


Here's a recap of recent shows aired on Adelphia in November.

Wed. 11/9 & Sat. 11/12:
. Harriett Logan, owner, Loganberry Books, celebrating its 1= 0th Anniversary=A0=A0 Angelia Lee, Actor/Author/Vocalist, and = Gary Webster, Playwright.


Wed. 11/16 & Sat. 11/19: . Jim Levin and Thomas=20= Mulready from iNGENUiTY and Cool Cleveland.com, discussing the arts scene=20= in Cleveland and next year's iNGENUiTY with Gary Webster, actor &= ; playwright,  Angelia Lee, actor, singer, playwright &=20= Harriett Logan, owner, Loganberry Books

Coming Soon . . . on Adelphia, channels 21 and 23=A0 . . .

. Hal Wyant and his TransAfrica Rhythms band

. New "PlayActs" Performances featuring local playwrights and= actors,
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0= =A0 - - - and - - -
. "Tricks of the Trade: Craft, Career and Professional Development" <= /FONT>= discussions.


November . . . on Cox Cable, ch. 45. . .
Wednesdays, 7:30 P, Saturdays, 7:00 P.

Wed/ 11/2 & Sat. 11/5
. Alphonzo G. Smith, Jr., and his new band, Stratos,=20= blowing the roof off with their vocal and music eclectic mix of jazz, blues,= and contemporary selections.=A0 Brenda Smith, Spokesperson, shares the stor= y of the band's origins, dreams and special events, while Iris Tucker-Berry=20= gets "carried away" by the music and starts "jammin'" with an impromptu "cab= aret smooth groove" dance.

Wed. 11/9 & Sat. 11/12
. Jennifer Hoffman, former WAKE UP and LIVE's Actors' Studio= student, who has graduated from Point Park College, PA and is now back=20= home setting up her professional musical theater career, and private coachin= g and classes, while working at Solon Center for the Arts.=A0

-- and --

. Bob Segal and Steve Samuel, of the Bob and St= eve Duo, blowing some "mean" jazz standards through their clarinets.=A0 Both= Segal, who performs Klezmer music,=A0 and Samuel are also well known for th= eir teaching affiliations with Cleveland schools and the Music Institute.=

Also, in November . . .
.Our "PlayActs" series of auditions for the TV show, rehearsals and=20= performances for "PlayActs" featuring 4 fun short plays written by Pl= aywrights-in-Residence, Ruby Fox and Gary Webster. The WAKE UP And LIVE's= Actors' Studio team of Rollin "Mac" Michael, Sapphire DeFranco,=20= Lauren Skirbunt, James McGilbray, Gary Webster, Marvin L. Mallory, Mary Lu F= ranks, Beverly Kristy, Iris-Tucker-Berry, and Lynna Metrisin reprise or crea= te their roles in Celibacy Odyssey, Forever Milly, Is This How Frankie an= d Annette Got Started?, and We Want to be in Pictures . . . Or on TV=20= . . . Or, the Stage . . . But We'd
Settle for Radio.

Wed. 11/16 & Sat. 11/19
. "PlayActs" Is This How Frankie & Annette Got Started?<= /FONT>= by Gary Webster, featuring James McGilbray, Lauren Skirbunt,=A0 & G= ary Webster

Wed. 11/23 & Sat. 11/26
. "PlayActs" We Want to be in Movies, TV . . . by Gary= Webster, featuring=A0 Marvin L. Mallory, Mary Lu Franks, Beverly Kristy,= =A0 & Iris Tucker-Berry.

Wed. 11/30 & Sat. 12/3
. "PlayActs" Celibacy Odyssey, by Ruby Fox, featuring=20= Lynna Metrisin, Rollin "Mac" Michael & Gary Webster

Wed. 12/7 & Sat. 12/10
. Hue People, II,=A0 vocal group, with steven e.boyd= , Anita Rose Banks, Ceco Selinas & Brother Afi-Nur, whose performances a= re becoming standard features at many public, private and corporate events a= round northeast Ohio.

.on Cleveland Access Channel, ch. 25. . .
Wednesdays, 6:00 P.

Wed. 11/9 & Wed. 11/16
. Kelly Chapman, Inspirational Recording Artist, Real= CD & Heal Me,

Wed. 11/23 & Wed. 11/30
. Alex Worthington, Author, Frankie McBeans and the T= ickle Monster

Wed. 12/7 & Wed. 12/14
. "PlayActs" Auditions, I. Area actors, Liz B= auer, Sonia N. Bishop, Allen Branstein, , Mary Lu Franks, Norman King, and U= bu Zurub participating in "Tricks of the Trade" on-camera auditions w= ith monologues, vocal selections, solo pieces and scene readings. Maureen J.= Carey, local playwright, "auditioning" excerpts from her "The Lesson of=20= the Butterfly," with Ruby Fox, veteran playwright observing the action.<= B>

Wed. 12/21 & Wed. 12/28
. David Johnson & Daoud's Puppets, a discussion and demonstratio= n on how to craft hand puppets in quick and easy ways.

Wed. 1/4 &=A0 Wed. 1/11/06
. Ed Niam, Founder, Self Healing Institute, a TaiQiGong= Fitness System, discussing and demonstrating the power of a unique program=20= which recharges mental, physical and spiritual health.

Coming, soon, to Cox Cable and Cleveland Access.

Damion Fontaine and Scott Brotherton as=A0 "Rat Pack" duo, Frank Sinatra and Dean Martin, with a special appearance by= "Ed Sullivan." Scott and Damion croon some of Frankie & Dino's best kno= wn tunes.

LaVar Arnold, poet, actor and aspiring Nobel Prize winner, performi= ng selections of his original poetry which can be heard at Cleveland Art The= ater at Monday night poetry readings.

. Terrence Spivey, Artistic Director, Karamu Theatre,= with Norma Powell, co-host,=A0 and Ruby Fox, playwright, discussing Karamu'= s upcoming 90th Anniversary season, which kicks off October 14th with the fe= male version of The Odd Couple, directed by Jean Hawkins.=A0

Keep Tuning in to learn about Our . . .

.=A0 "Giggles, Chuckles and Hardy Ha! Ha's!," the new Lau= ghter CD, being introduced the our viewers. Created by Mac Michael, with Les= ter Bryant, "Giggles . . . " is voiced and produced by the entire <= B>WAKE UP And LIVE's Actors' Studio artistic, production and tech= nical team. This CD will take your mind off your "troubles" for a few minute= s and light up your life with healing and humor. For "kids" of all ages, jus= t for fun, and for those who need upliftment to help see them through challe= nging times.

"Giggles, Chuckles and Hardy Ha! Ha's!" Great for your fundraisi= ng and gift ideas.
$5.00 per CD.=A0 Discounts on multiple copies.
For order information, email: wakeup4664 at aol.com.

If you, your performing or cultural arts organization, would like to appear=20= on WAKE UP And LIVE with the ARTS, contact us . . . email: wak= eup4664 at aol.com

WAKE UP And LIVE with the ARTS, with Chris Fortunato and Sue J= ohnson, co-hosts, is a locally produced performing and cultural arts TV show= , which continues to showcase area talent.=A0 Be sure to check out "local ca= ble access listings on neohiopal" throughout November to see how local "star= s" are lighting up your TV viewing.

- Wed. 7:30 P &=A0 Sat., 7:00 P.=A0=A0 Adelphia Cable, ch. 21, East s= uburbs
=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0= =A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0 Adelphia Cab= le, ch. 23,=A0 West suburbs
- Wed. 7:30 P & Sat., 7:00 P.=A0=A0 Cox Cable ch. 45
- Wed. 6:00 P.=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0=A0= =A0=A0=A0=A0 Adelphia-Cleveland.=A0 ch. 25:
(Please note. Air dates are subject to change.)

Sue H. Johnson, Director
Chris Fortunato, Assoc. Director
WAKE UP And LIVE's Actors' Studio
WAKE UP And LIVE with the ARTS
P.O. Box 201524=A0 .=A0 Shaker Heights, OH 44120
wakeup4664 at aol.com



http://carolirvin.com/wakeup.htm



















--part1_291.4e203b.30b8d182_boundary-- From jtl at zoominternet.net Fri Nov 25 13:25:07 2005 From: jtl at zoominternet.net (Judi Terrell Linden) Date: Fri, 25 Nov 2005 16:25:07 -0500 Subject: [NEohioPAL]Thanks to everyone who replied to my request for an acoustic guitar Message-ID: <001501c5f206$b589f510$6401a8c0@moose> This is a multi-part message in MIME format. ------=_NextPart_000_0016_01C5F1DC.CCB3ED10 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Thanks so much to everyone who replied with advice and offers to my posting about purchasing an acoustic guitar. Thanks to one of the many generous folks on this list, I have a happy teenager who is in possession of a guitar she was able to purchase herself! The people on this list are wonderful! Judi ------=_NextPart_000_0016_01C5F1DC.CCB3ED10 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

Thanks so much to everyone who replied with advice = and offers to my posting about purchasing an acoustic guitar.  Thanks to one of the many = generous folks on this list, I have a happy teenager who is in possession of a guitar she = was able to purchase herself!  =

 

The people on this list are = wonderful!

Judi  =

------=_NextPart_000_0016_01C5F1DC.CCB3ED10-- From Allenkel at comcast.net Fri Nov 25 13:53:09 2005 From: Allenkel at comcast.net (Allen Kellogg) Date: Fri, 25 Nov 2005 16:53:09 -0500 Subject: [NEohioPAL]Stand in for two movies! In-Reply-To: <438518EE.EBFC1C27@earthlink.net> Message-ID: <00d101c5f20a$ad211b70$6401a8c0@SLAPPY> Waterstreet Productions is currently looking for a stand in for two feature length movies to be shot starting next Monday and going to December 22nd. We will be shooting in Cleveland and in Youngstown so one person from each area would be ideal. Unfortunately there is no compensation at this time; however, our last stand-ins did get to play bit parts in the last production. I can promise a great work environment and a great opportunity to network with some of the best industry professionals in the area. Right now we are looking for a female around 5'2" and about 110 pounds with long brown hair. There will be more calls in the near future. Please send a head shot and resume ASAP to allenkel at comcast.net. Allen Kellogg 1st AD From Evelyn.Ward at cpl.org Fri Nov 25 13:56:40 2005 From: Evelyn.Ward at cpl.org (Evelyn Ward) Date: Fri, 25 Nov 2005 16:56:40 -0500 Subject: [NEohioPAL]Dickens' Christmas Carol at Cleveland Public Library Message-ID: <3574453541f0.3541f0357445@clevnet.org>

Just a reminder -- if you're coming downtown Saturday for the Lighting Ceremony, come a little earlier and enjoy this delightful adaptation of Dickens' Christmas Carol, enacted by the PD's television critic Mark Dawidziak as Charles Dickens, with Tom Stephan as Scrooge and Sara Showman as Almost Everybody Else.  The show starts at 4 p.m. in the Louis Stokes Wing Auditorium at Superior and East Sixth Street, and it's free! 

Hope to see you there!

Evelyn M. Ward
Literature Department
Cleveland Public Library
325 E. Superior Ave.
Cleveland, OH 44114
Phone: 216-902-4947
Fax: 216-623-7050

From Frank at Time-LineProductions.com Fri Nov 25 14:42:48 2005 From: Frank at Time-LineProductions.com (Frank Mixson) Date: Fri, 25 Nov 2005 14:42:48 -0800 (PST) Subject: [NEohioPAL]Cleveland IndieClub In-Reply-To: <200511251430.AA102433106@cros.net> Message-ID: <20051125224248.45033.qmail@web81508.mail.mud.yahoo.com> --0-2018859710-1132958568=:45004 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Wow.. Christine you're very fortunate. Congratulations.. Due to transportation problems, I have not been able to attend the mtgs regularly, heck, I've even suspended the taping of the show I produce, until I get in that in order.. But one thing I've noticed is some clique'y'ness in the community.. Some people seem to not have any problems getting some help with their projects but others.. like myself.. cannot get any responses when I have asked for help.. I've done so several times at the meetings.. I've shown a music video, documentary trailers, and some of you might have even seen the tv show I produce. I've always gotten good feedback on my work, even as I continue to study and learn the tools and techniques for this craft, but do I ever get any help from the club members? One actor has shown up regularly to help out... and trust I appreciate his help a lot. Now I know someone will say that you should volunteer to help others, first. I have answered some calls on this list and there was no follow up from the originator of the posting, or just one, in one case. I attributed it to the fact that they were already in production, and that I'm sure it was kinda crazy at that time. I told others who I knew were doing things that if they needed my help to let me know.. I know how that goes.. I learned much volunteering on the set of movies I was acting in and that I would show up for and lend my time to on days I wasn't the scene. From finding and providing locations, to telephone calls for scheduling cast, to camera work, etc, believe me, I've paid my dues, and I continue to (I can name names and movies if you think I'm making this up). I've done PA work on some movies that I've had no part in, as well. I sometimes have heard negative gossip about filmmakers or someone else in the community at some of our events.. I try real hard not to pass along negative gossip.. But I've seen someone walk in the meeting and then immediately overheard people at the next table telling someone something negative about the person... another time, someone who I used associate with one particular person in the community came to me and told me not work with that person, and then proceeded to tell me how they fell out.. and so forth, basically trying to dissuade me from using that person and their resources for what I was trying to accomplish. I know we, as humans, are prone to gossip, lol. Just the nature of the beast, I suppost. We are also prone to clique'y'ness, and those two traits work to help some, but at the disadvantage of others. Just my experience... Frank Mixson Time-LineProductions.com th at cros.net> wrote: Christopher, Alex, Bill, etal: As an ardent "learner" and IndieClub attendee, I feel compelled to respond. IndieClub is not only thriving, it has outgrown its first location at Talkies and moved to the larger Hyacinth Lofts. Even then, the meetings are often standing room only. What used to be a 3 hour meeting has expanded to over 4 hours. This was done for one reason only as far as I know- so that we would all have the time to NETWORK! We were so busy screening work and having in really good speakers (like this month's Phil Garrett, previously of Dreamworks!) that we had run out of time to fish the talent pool for people to work on our shoots. >From my association with Cleveland IndieClub, I have worked on 11 projects in the last 3 years. 2 of those were my own, with a third to shoot next weekend. I have done everything I could. My 20+ years expertise is in wardrobe and make up, so I have done alot of that. But I have worked as an extra and PA and moved through the ranks to script supervise, write, direct and produce. To be sure, when I started seriously in film, I knew very little. I learned by volunteering to work on others' projects- yes, even the bad ones. You learn as much, if not more, on a bad shoot than a good one. Because I have a good work ethic, show up and do my job with the most professional attitude I have, I get asked back and recruited for other work. I am lucky enough that now I am regularly paid to work on films (yes, indies can pay!). Of course, I care a lot about the work and have studied everything I can get my hands on about filmmaking. The only thing IndieClubbers lack as a whole, is the same thing every indie struggles with- MONEY. We need to learn how to raise it and spend it wisely to produce distributable product. My next shoot is next weekend, and is entirely crewed by INDIECLUBBERS! Actors, crew, pa's- all from Indieclub. Some of these people honor me completely by agreeing to come work on my shoot, others are like I was a few years ago, hungry to learn. Why do I share all of this? Because my personal story is just one of many- A great many Indieclubbers are just like me, and we survive becasue we work together. My product improves with every new technique I learn and I never tire of learning. Just one modest success story from IndieCleveland. Hope to see you all at the next meeting. Christine Chapman lilith at cros.net ______________________________________ Disney's "BEAUTY AND THE BEAST" at Beck Center 12/2-12/31. 216-521-2540. http://www.fredsternfeld.com/beautyandthebeast.htm _______________________________________ There is a sister site to this list called the "NEoPAL Bulletin Board." Occasionally when "hot-button" discussions go on more than a day or two, the bulletin board is used. The Neopal bulletin board also has some other terrific features, like a searchable database for you to put your personal information, a place to post pictures and a chat room with a nightly 11pm gathering to discuss hot topics: http://groups.yahoo.com/group/neopal/ _______________________________________ Disclaimer: The facts and/or opinions expressed in this message are solely those of the person in the "from" or "reply-to" header. The fact that this message is posted should in no way be taken as an endorsement by the administrator of this list. Subscribers should perform due diligence for all goods, services and activities promoted on NEohioPAL. NEohioPAL mailing list NEohioPAL at lists.fredsternfeld.com http://lists.fredsternfeld.com/mailman/listinfo/neohiopal http://www.fredsternfeld.com --0-2018859710-1132958568=:45004 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
Wow..  Christine you're very fortunate.  Congratulations..   Due to transportation problems, I have not been able to attend the mtgs regularly, heck, I've even suspended the taping of the show I produce, until I get in that in  order..   But one thing I've noticed is some clique'y'ness in the community..   Some people seem to not have any problems getting some help with their projects but others.. like myself.. cannot get any responses when I have asked for help.. I've done so several times at the meetings..  I've shown a music video, documentary trailers, and some of you might have even seen the tv show I produce.  I've always gotten good feedback on my work, even as I continue to study and learn the tools and techniques for this craft, but do I ever get any help from the club members?  One actor has shown up regularly to help out... and trust I appreciate his help a lot.
 
Now I know someone will say that you should volunteer to help others, first. I have answered some calls on this list and there was no  follow up from the originator of the posting, or just one, in one case.  I attributed it to the fact that they were already in production, and that I'm sure it was kinda crazy at that time.   I told others who I knew were doing things that if they needed my help to let me know..    I know how that goes.. I learned much volunteering  on the set of movies I was acting in and that I would show up for and lend my time to on days I wasn't the scene.  From finding and providing locations, to telephone calls for scheduling cast, to camera work, etc, believe me, I've paid my dues, and I continue to (I can name names and movies if you think I'm making this up). I've done PA work on some movies that I've had no part in, as well.
 
I sometimes have heard negative gossip about filmmakers or someone else in the community at some of our events..  I try real hard not to pass along negative gossip..  But I've seen someone walk in the meeting and then immediately overheard people at the next table telling someone something negative about the person... another time, someone who I used associate with one particular person in the community came to me and told me not work with  that person, and then proceeded to tell me how they fell out..   and so forth, basically trying to dissuade  me  from using that person and their resources for what I was trying to accomplish.
 
I know we, as humans, are prone to gossip, lol.  Just the nature of the beast, I suppost.  We are also prone to clique'y'ness,  and those two traits work to help some, but at the disadvantage of others. 
 
Just my experience...
 
Frank Mixson
Time-LineProductions.com
 
 
 
 

th at cros.net> wrote:
Christopher, Alex, Bill, etal:

As an ardent "learner" and IndieClub attendee, I feel compelled to respond.

IndieClub is not only thriving, it has outgrown its first location at Talkies and moved to the larger Hyacinth Lofts. Even then, the meetings are often standing room only.

What used to be a 3 hour meeting has expanded to over 4 hours. This was done for one reason only as far as I know- so that we would all have the time to NETWORK! We were so busy screening work and having in really good speakers (like this month's Phil Garrett, previously of Dreamworks!) that we had run out of time to fish the talent pool for people to work on our shoots.

>From my association with Cleveland IndieClub, I have worked on 11 projects in the last 3 years. 2 of those were my own, with a third to shoot next weekend. I have done everything I could. My 20+ years expertise is in wardrobe and make up, so I have done alot of that. But I have worked as an extra and PA and moved through the ranks to script supervise, write, direct and produce.

To be sure, when I started seriously in film, I knew very little. I learned by volunteering to work on others' projects- yes, even the bad ones. You learn as much, if not more, on a bad shoot than a good one. Because I have a good work ethic, show up and do my job with the most professional attitude I have, I get asked back and recruited for other work. I am lucky enough that now I am regularly paid to work on films (yes, indies can pay!). Of course, I care a lot about the work and have studied everything I can get my hands on about filmmaking.

The only thing IndieClubbers lack as a whole, is the same thing every indie struggles with- MONEY. We need to learn how to raise it and spend it wisely to produce distributable product.

My next shoot is next weekend, and is entirely crewed by INDIECLUBBERS! Actors, crew, pa's- all from Indieclub. Some of these people honor me completely by agreeing to come work on my shoot, others are like I was a few years ago, hungry to learn.

Why do I share all of this? Because my personal story is just one of many- A great many Indieclubbers are just like me, and we survive becasue we work together. My product improves with every new technique I learn and I never tire of learning.

Just one modest success story from IndieCleveland. Hope to see you all at the next meeting.

Christine Chapman
lilith at cros.net





______________________________________
Disney's "BEAUTY AND THE BEAST" at Beck Center 12/2-12/31. 216-521-2540. http://www.fredsternfeld.com/beautyandthebeast.htm
_______________________________________
There is a sister site to this list called the "NEoPAL Bulletin Board." Occasionally when "hot-button" discussions go on more than a day or two, the bulletin board is used. The Neopal bulletin board also has some other terrific features, like a searchable database for you to put your personal information, a place to post pictures and a chat room with a nightly 11pm gathering to discuss hot topics: http://groups.yahoo.com/group/neopal/
_______________________________________
Disclaimer: The facts and/or opinions expressed in this message are solely those of the person in the "from" or "reply-to" header. The fact that this message is posted should in no way be taken as an endorsement by the administrator of this list. Subscribers should perform due diligence for all goods, services and activities promoted on NEohioPAL.

NEohioPAL mailing list
NEohioPAL at lists.fredsternfeld.com
http://lists.fredsternfeld.com/mailman/listinfo/neohiopal
http://www.fredsternfeld.com
--0-2018859710-1132958568=:45004-- From jharris at hlcommunications.com Fri Nov 25 14:46:58 2005 From: jharris at hlcommunications.com (James Harris) Date: Fri, 25 Nov 2005 17:46:58 -0500 Subject: [NEohioPAL]The Poinsettia Party, Dec 2, only $10 Message-ID: This is a multi-part message in MIME format. ------=_NextPart_000_0030_01C5F1E8.3D37F030 Content-Type: multipart/alternative; boundary="----=_NextPart_001_0031_01C5F1E8.3D37F030" ------=_NextPart_001_0031_01C5F1E8.3D37F030 Content-Type: text/plain; charset="windows-1250" Content-Transfer-Encoding: quoted-printable =20 =20 =20 =20 =20 =20 =20 =20 =20 =20 =93The Poinsettia Party=94=20 Celebrates Rockefeller Greenhouse Centennial,=20 Friday, Dec 2 =20 =20 WHERE: The Rockefeller Greenhouse, 750 E. 88th St., Cleveland. =20 WHEN: Dec 2, Friday, 6 pm - 8:30 pm =20 WHAT: The Poinsettia Party is the traditional winter open = house for Friends of Greenhouse supporting its various programs. The benefit = opens the facility=92s popular Poinsettia Display and is the only time the Greenhouse is open to the public at night. 2005 also marks the greenhouse=92s centennial. =20 INCLUDES: Free parking, light refreshments and appetizers, desserts, = wine, music, holiday poinsettias for sale, and silent auction. =20 COST: $10 a ticket. For more information, call = 216.664.3103 or go to HYPERLINK "http://www.rockefellergreenhouse.org/"www.rockefellergreenhouse.org, =93Coming Attractions=94 for ticket order form. Paid reservations are = requested by Tuesday, Nov. 29. =20 =20 --=20 No virus found in this outgoing message. Checked by AVG Free Edition. Version: 7.1.362 / Virus Database: 267.13.7/182 - Release Date: = 11/24/2005 =20 =20 ------=_NextPart_001_0031_01C5F1E8.3D37F030 Content-Type: text/html; charset="windows-1250" Content-Transfer-Encoding: quoted-printable

 

=

 

        &nbs= p;            = ;       

 

 

 

 

 

 

 

“The Poinsettia Party”

Celebrates Rockefeller Greenhouse Centennial,

Friday, Dec 2

 

=

 

=

WHERE:        The Rockefeller Greenhouse, 750 E. 88th St., Cleveland.         = ;            =             &= nbsp;         =

 

WHEN:          = ; Dec 2, Friday, 6 pm - 8:30 = pm

 

=

WHAT:         = ;   The Poinsettia = Party is the traditional winter open house for Friends of Greenhouse = supporting its various programs. The benefit opens the facility’s popular = Poinsettia Display and is the only time the Greenhouse is open to the public at  = night.  2005 also marks the = greenhouse’s centennial.

        = ;            =    

INCLUDES:   Free parking, light refreshments and appetizers, = desserts, wine, music, holiday poinsettias for sale, and silent = auction.

 

COST:           = ; $10 a ticket.  = For more information, call    = 216.664.3103 or go to www.rockefellergreenhouse.= org, “Coming Attractions” for ticket order form.  Paid reservations are requested = by Tuesday, Nov. 29.

 

 

=

--
No virus found in this outgoing message.
Checked by AVG Free Edition.
Version: 7.1.362 / Virus Database: 267.13.7/182 - Release Date: = 11/24/2005

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LnI9wc8g1av7Jb+0MDuyHcrq69VZTkH8xVqigLGY+lTTQ3iTXrM10gTITATAIyBk8nNNOiJ/Z1xY JMVhnbIUqCE5yQPYnnHvWrRQFkZU2jGayjtvOjRY5xKAsChTg527anOmrJDHDMySRIjIyeWArA9s dqvUUBZGU2ig2MFo108iwzibdKoYuAchT/LPXikOgxGO7QTFPPuFuEKIF8plC4x6/dH61rUUBZGY 2ji4juvtc5lkuofJZ1XbtTngDn1Jp8WnzrFJ594JpXjEYfygAoH+z361oUUBYx28PxGwe1SRI/Mm SZtkICEqQcbOgHArSt4fIt0iJB2DHyqFH4AdKmooCx//2Q== ------=_NextPart_000_0030_01C5F1E8.3D37F030-- From jayrossishow at yahoo.com Fri Nov 25 16:13:46 2005 From: jayrossishow at yahoo.com (Jay Rossi) Date: Fri, 25 Nov 2005 16:13:46 -0800 (PST) Subject: [NEohioPAL]NEOPAL Discount For the Holidays.... Message-ID: <20051126001346.18588.qmail@web33411.mail.mud.yahoo.com> --0-1017677881-1132964026=:17554 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Through the first week of 2006, I'm offering a 20% discount for NEOPAL members, for any of the following services: * Studio Recording (albums, singles, soundtracks, kareoke, etc.) * CD or DVD labels (designed according to your specifications and liking) * Looping (for film or TV) * Website creating or editing * Song or Video clip uploading ( for on-line playing ) Please contact me at thefreelanceshop at yahoo.com or 330-410-0488 The Jay Rossi Project JayRossiShow at yahoo.com http://tv.groups.yahoo.com/group/jayrossishow/ Also Visit www.JayRossi.s5.com Respond soon! I want to hear from you! --------------------------------- Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --0-1017677881-1132964026=:17554 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
Through the first week of 2006, I'm offering a 20% discount for NEOPAL members, for any of the following services:
 
* Studio Recording (albums, singles, soundtracks, kareoke, etc.)
* CD or DVD labels (designed according to your specifications and liking)
* Looping (for film or TV)
* Website creating or editing
* Song or Video clip uploading ( for on-line playing )
 
Please contact me at thefreelanceshop at yahoo.com or 330-410-0488
 
 


The Jay Rossi Project
Respond soon! I want to hear from you!
 
 

Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --0-1017677881-1132964026=:17554-- From thesingersart at att.net Fri Nov 25 16:40:22 2005 From: thesingersart at att.net (thesingersart at att.net) Date: Sat, 26 Nov 2005 00:40:22 +0000 Subject: [NEohioPAL]Immediate openings-Clay Aiken tour! Message-ID: <112620050040.24881.4387AEF4000BA7870000613121602807410A0C020A9D990E040D0E@att.net> --NextPart_Webmail_9m3u9jl4l_24881_1132965622_0 Content-Type: text/plain Content-Transfer-Encoding: 8bit IMMEDIATE OPENINGS: Clay Aiken Joyful Noise Christmas Tour needs 12 actor/singers to perform this sunday Nov.27 in Youngstown, Ohio. See the following age/gender breakdown and respond only if you are experienced and can pick up SIMPLE staging quickly and learn words to a song REALLY fast. There will be a rehearsal with us on the afternoon of the 27th from 3-5pm and the show starts at 7:30pm. The performance is at the Convocation Center in Youngstown on the 27th....this sunday. If interested, please call Alison Lawrence at (919)601-3344 immediately!!!! Please look at the age breakdown.... 1 male 1 female looks age 55 or older 2 male 2 female look 35 and up 1 male 1 female ages 18-25 1 male 1 female ages 10-13 1 male 1 female ages 5-8 Thank-you. Alison Lawrence Theatre Liason Clay Aiken "Joyful Noise" Tour 2005 (919)601-3344 thesingersart at att.net --NextPart_Webmail_9m3u9jl4l_24881_1132965622_0 Content-Type: text/html Content-Transfer-Encoding: 8bit
IMMEDIATE OPENINGS: Clay Aiken Joyful Noise Christmas Tour needs 12 actor/singers to perform this sunday Nov.27 in Youngstown, Ohio. See the following age/gender breakdown and respond only if you are experienced and can pick up SIMPLE staging quickly and learn words to a song REALLY fast.
There will be a rehearsal with us on the afternoon of the 27th from 3-5pm and the show starts at 7:30pm.
The performance is at the Convocation Center in Youngstown on the 27th....this sunday.
If interested, please call Alison Lawrence at (919)601-3344 immediately!!!! Please look at the age breakdown....
  1 male 1 female looks age 55 or older
  2 male 2 female  look 35 and up
  1 male 1 female ages 18-25
  1 male 1 female ages 10-13
  1 male 1 female ages 5-8
Thank-you.
Alison Lawrence
Theatre Liason
Clay Aiken "Joyful Noise" Tour 2005
(919)601-3344
thesingersart at att.net
--NextPart_Webmail_9m3u9jl4l_24881_1132965622_0-- From rmontgom at neo.rr.com Fri Nov 25 17:12:45 2005 From: rmontgom at neo.rr.com (Rick Montgomery Jr.) Date: Fri, 25 Nov 2005 20:12:45 -0500 Subject: [NEohioPAL]All Hail Film Czar and Film Prophet Message-ID: <00af01c5f226$82909680$030aa8c0@DELL> This is a multi-part message in MIME format. ------=_NextPart_000_00B0_01C5F1FC.99BA8E80 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable Bill Johns wrote: =20 The real reason is no one wants to work on someone else's film. You see, most of the people that comprise the indie scene here in Cleveland are writer/producer/directors and we're all working on our own projects. And guess what. I'm not all that interested in spending my valuable time = working on someone's project which I consider to be crappier than my own. I can = just as easily be spending my time and resources creating my own crap. =20 Sure everyone would like to think there's a benevolent brotherhood of filmmakers; a selfless society where everyone submits ideas and work = samples and then the members vote on what script to do and who to direct it. The community is presented with the proposal and since it bears the backing = of so many filmmakers, the businesses get involved and support the project = with services and finances. The best actors come from all around to have a = part in the project and a glorious motion picture is produced that wins the = Oscar for Impossible Dream...=20 =20 That would be a good plot for a fantasy picture, but in the real world, writers will lose interest if their script isn't picked. Directors will = bail if they can't direct and actors will walk away if they can't be the = lead. And you guessed it the end product would probably be... well, I don't = need to say it again. (though I really want to) =20 Usually, I don't write to these groups because I usually insert my foot = into my mouth.. BUT =20 One reason I like Bill is I've found him to be honest and to the point.=20 =20 But what gets my goat is that the Club has the talent and the resources = to do what they want. I have never been able to attend because I am usually working somewhere on something (surprising I know), but I know the group = has all the ingredients (I know many of you). You have the flour (writers), = and you have the eggs (talent). You have the milk (costumers, make-up), and = you have the butter (the crew). You have flavoring (fx) and you have stove (directors), BUT it seems no one knows WHAT to make. cake, brownies, a = pie. =20 TOO MANY COOKS. TOO MANY EGOS. =20 To be successful in anything we have to 'win' (I know I'm not PC. I = believe in competition as a tool for improvement). In REAL life. there ARE = winners and there ARE losers. the losers 'quit' while the winners NEVER do). We = have to be willing to 'lose' and to 'learn' by growing from our mistakes. =20 I'm far from being the actor I want to be. and I constantly throw myself against those who are far superior. I lose roles to them. I DON"T LIKE losing but I keep doing it. =20 WHY? =20 My motivation is selfish. I want to surpass them. I want the roles they = get. I learn from them. I take classes to learn. I read to learn. I work to learn. My desire is to learn and work hard enough that the next time our paths cross . I win the role. I EARNED the role. =20 One director I truly admire once told me, "If a person wants to be a = better tennis player, they 'play' with better tennis players. If you want to be = a better actor (in my case). work with better actors." =20 If you can't play with better players because it 'hurts', maybe your = heart, your passion is not where it should be and you should question why = you're doing what you're doing in the first place. =20 NOW. =20 There are three types of 'COOKS' in the arts, those who does it for = 'arts' sake, those who do it for 'rewards' and then those who do it for both = (which I'm part). =20 Those who do it for the 'art', from my experience, DO NOT CARE what = anyone else thinks. It is their project and they may share it (if they do) but = not for our 'approval'. =20 Those who do it for 'reward', do it for recognition, money, fame. = whatever 'reward' motivates them. =20 And the last 'group'. or why I do it. because we don't want to do = anything else (need of the 'art') but have responsibilities (need of the = 'reward'). I think most of us fit here. =20 Having retired from the 'business' world after 30 years, and knowing I = need to pay a mortgage, need to feed two small sons who eat like they're 19, = and need to afford a tank of gas, 'reward' plays a REALLY BIG part. I need = to improve to meet my obligations. =20 Now the 'business' of 'reward' changes the equation.=20 =20 A company, person, or persons who want to invest money expects to get return. Even if it's an investment in an unknown (example: research and development), they want to see that return. =20 Which means. they want the best! =20 WE ALL CAN'T BE THE BEST! The question is how 'we' get BETTER, to make ourselves the logical choice. =20 My opinion for the IndieClub.? =20 First work as a 'group'. even if the 'group' sets itself up as a = corporation or LLC. =20 Find the BEST screenplay (that actually CAN be produced. no "LORD of the RINGS stuff) from your group, select the BEST director for that type of screenplay from your group, find the BEST actors for that type of = screenplay and director from the group, find the BEST everything.. AND DO IT! =20 Those who were not the BEST at that moment. swallow your pride. work = with those who were determined to be the BEST (if you wish) for THAT = particular project and 'learn'. Learn from the strengths and weaknesses observed. =20 But the BEST always needs to listen and learn from the others. you might = be surprised what is learned. No one knows more than everyone else. =20 The President/CEO at the corporation I worked (over $500 million/year = in sales) told me once, that he still talked with the janitor every day. = Why? Because the janitor knew what was going on. he saw the trash every day. heard what people were talking about (Oh. he's just the janitor). Every person at every position is important. NO ONE is more/less important = than another. We just have different jobs and responsibilities. =20 Then do it for 'arts' sake or for 'reward'. whatever. =20 BUT if the project succeeds. EVERYONE DOES at some level. Then start = another project.=20 =20 If the projects fails. no one does. everyone learned. Then start another project. =20 The network becomes stronger, trust becomes stronger. the work becomes better BECAUSE everyone has learned something about the business. about themselves. =20 Find a good 'cook', a good 'captain', a good LEADER. Have faith in your choices in theirs, work hard, and learn.=20 =20 If nothing else comes of the project. you'll be better. =20 Put the egos away, take pride in the work. Learn everything you can, but = be willing to teach.=20 =20 GAWD!!! I sound like a 'parent' =20 With deepest respect to you all, Rick =20 ------=_NextPart_000_00B0_01C5F1FC.99BA8E80 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable

Bill Johns wrote:

 

The real reason is no one wants to work on someone else's film. = You see, most of the people that comprise the indie scene here in = Cleveland are writer/producer/directors and we're all working on our own projects. = And guess what. I'm not all that interested in spending my valuable time = working on someone's project which I consider to be crappier than my own. I = can just as easily be spending my time and resources creating my own = crap.

 

Sure everyone would like to think there's a benevolent = brotherhood of filmmakers; a selfless society where everyone submits ideas and work = samples and then the members vote on what script to do and who to direct it. The community is presented with the proposal and since it bears the backing = of so many filmmakers, the businesses get involved and support the project = with services and finances. The best actors come from all around to have a = part in the project and a glorious motion picture is produced that wins the = Oscar for Impossible Dream...

 

That would be a good plot for a fantasy picture, but in the real = world, writers will lose interest if their script isn't picked. Directors will = bail if they can't direct and actors will walk away if they can't be the lead. = And you guessed it the end product would probably be... well, I don't need to = say it again. (though I really want to)

 

Usually, I don’t write to = these groups because I usually insert my foot into my mouth…. = BUT

 

One reason I like Bill is = I’ve found him to be honest and to the point.

 

But what gets my goat is that the = Club has the talent and the resources to do what they want. I have never been = able to attend because I am usually working somewhere on something (surprising I = know), but I know the group has all the ingredients (I know many of you)… = You have the flour (writers), and you have the eggs (talent). You have the = milk (costumers, make-up), and you have the butter (the crew). You have = flavoring (fx) and you have stove (directors), BUT it seems no one knows WHAT to = make… cake, brownies, a pie…

 

TOO MANY COOKS… TOO MANY = EGOS…

 

To be successful in anything we = have to ‘win’ (I know I’m not PC… I believe in = competition as a tool for improvement). In REAL life… there ARE winners and there = ARE losers… the losers ‘quit’ while the winners NEVER do). = We have to be willing to ‘lose’ and to ‘learn’ by = growing from our mistakes.

 

I’m far from being the actor = I want to be… and I constantly throw myself against those who are far = superior. I lose roles to them… I DON”T LIKE losing but I keep doing = it.

 

WHY?

 

My motivation is selfish. I want = to surpass them. I want the roles they get. I learn from them. I take classes to = learn. I read to learn. I work to learn. My desire is to learn and work hard = enough that the next time our paths cross … I win the role. I EARNED the = role.

 

One director I truly admire once = told me, “If a person wants to be a better tennis player, they = ‘play’ with better tennis players. If you want to be a better actor (in my case)… work with better actors.”

 

If you can’t play with = better players because it ‘hurts’, maybe your heart, your passion is not = where it should be and you should question why you’re doing what = you’re doing in the first place.

 

NOW…

 

 There are three types of ‘COOKS’ in the arts, those who does it for = ‘arts’ sake, those who do it for ‘rewards’ and then those who do it for = both (which I’m part).

 

Those who do it for the = ‘art’, from my experience, DO NOT CARE what anyone else thinks. It is their = project and they may share it (if they do) but not for our = ‘approval’.

 

Those who do it for = ‘reward’, do it for recognition, money, fame… whatever ‘reward’ motivates them.

 

And the last = ‘group’… or why I do it… because we don’t want to do anything else (need = of the ‘art’) but have responsibilities (need of the ‘reward’). I think most of us fit here.

 

Having retired from the = ‘business’ world after 30 years, and knowing I need to pay a mortgage, need to feed = two small sons who eat like they’re 19, and need to afford a tank of = gas, ‘reward’ plays a REALLY BIG part. I need to improve to meet = my obligations.

 

Now the ‘business’ of ‘reward’ changes the equation.

 

A company, person, or persons who = want to invest money expects to get return. Even if it’s an investment in = an unknown (example: research and development), they want to see that = return.

 

Which means… they want the = best!

 

WE ALL CAN’T BE THE BEST! = The question is how ‘we’ get BETTER, to make ourselves the = logical choice.

 

My opinion for the = IndieClub…?

 

First work as a = ‘group’… even if the ‘group’ sets itself up as a corporation or = LLC.

 

Find the BEST screenplay (that = actually CAN be produced… no “LORD of the RINGS stuff) from your group, = select the BEST director for that type of screenplay from your group, find the = BEST actors for that type of screenplay and director from the group, find the = BEST everything…. AND DO IT!

 

Those who were not the BEST at = that moment… swallow your pride… work with those who were = determined to be the BEST (if you wish) for THAT particular project and = ‘learn’. Learn from the strengths and weaknesses observed.

 

But the BEST always needs to = listen and learn from the others… you might be surprised what is learned. No = one knows more than everyone else.

 

 The President/CEO at the = corporation I worked (over $500 million/year in sales) told me once, that he still = talked with the janitor every day. Why? Because the janitor knew what was going on… he saw the trash every day… heard what people were = talking about (Oh… he’s just the janitor)… Every person = at every position is important. NO ONE is more/less important than another. = We just have different jobs and responsibilities.

 

Then do it for ‘arts’ = sake or for ‘reward’… whatever.

 

BUT if the project succeeds… = EVERYONE DOES at some level. Then start another project…

 

If the projects fails… no = one does… everyone learned. Then start another = project…

 

The network becomes stronger, = trust becomes stronger… the work becomes better BECAUSE everyone has learned = something about the business… about themselves.

 

Find a good ‘cook’, a = good ‘captain’, a good LEADER. Have faith in your choices in = theirs, work hard, and learn…

 

If nothing else comes of the = project… you’ll be better.

 

Put the egos away, take pride in = the work. Learn everything you can, but be willing to teach… =

 

GAWD!!! I sound like a = ‘parent’

 

With deepest respect to you = all,

Rick

 

------=_NextPart_000_00B0_01C5F1FC.99BA8E80-- From performingarts at karamu.com Fri Nov 25 18:44:32 2005 From: performingarts at karamu.com (Performing Arts) Date: Fri, 25 Nov 2005 21:44:32 -0500 Subject: [NEohioPAL]=?iso-8859-1?Q?Scene_from_=22Before_It_Hits_Home=22_by_Cheryl_L._West_at_?= =?iso-8859-1?Q?AIDS_Taskforce_of_Greater_Cleveland_December_2?= Message-ID: <03b201c5f233$54c556c0$5701a8c0@karamu.com> This is a multi-part message in MIME format. ------=_NextPart_000_03AF_01C5F209.6B82F860 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Friday, December 2 Karamu Performing Arts Theatre will present = a fifteen minute scene from the Spring production = of "Before It Hits Home" by Cheryl = L. West. Wendell Bailey, a jazz saxophonist is stricken with AIDS. He must = confront his pregnant fiance, his lover, his twelve year old son and his = parents. Time: 12 Noon @ AIDS Taskforce of Greater Cleveland The Spectrum (an art exhibit), benefit for AIDS Taskforce of Greater = Cleveland and Ohio AIDS Coalition, organized by people with or affected = by HIV, featuring the Cleveland Contemporary Dance Theater, Nightsweats = and T-Cells, Vincent Moorman, Chris Sweiger and artists who have been = lost to AIDS, 11:30 am to 5 pm, $10, free to Taskforce clients, AIDS = Taskforce, 3210 Euclid Ave, 216-621-0766. "Before It Hits Home" by Cheryl L. West March 10 - April 9th, 2006 Karamu Performing Arts Theatre For tickets and group sales, please call 216-795-7077 =20 ------=_NextPart_000_03AF_01C5F209.6B82F860 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable

Friday, December 2

Karamu = Performing Arts=20 Theatre will=20 present           =             &= nbsp;           &n= bsp;           &nb= sp; =20 a=20 fifteen minute scene from the Spring=20 production          &nb= sp;           &nbs= p;            = ;      =20 of=20 =93Before It Hits Home=94 by Cheryl L. West.

Wendell Bailey, = a jazz=20 saxophonist is stricken with AIDS. He must confront his pregnant = fiance,=20 his lover, his twelve year old son and his = parents.

Time: 12 Noon @ = AIDS=20 Taskforce of Greater Cleveland

The Spectrum (an = art=20 exhibit), benefit for AIDS Taskforce of Greater Cleveland and Ohio = AIDS=20 Coalition, organized by people with or affected by HIV, featuring the = Cleveland=20 Contemporary Dance Theater, Nightsweats and T-Cells, Vincent Moorman, = Chris=20 Sweiger and artists who have been lost to AIDS, 11:30 am to = 5 pm, $10,=20 free to Taskforce clients, AIDS Taskforce, 3210 Euclid Ave,=20 216-621‑0766.

 

 

=93Before It Hits Home=94 by Cheryl L.=20 West

March 10 =96 April 9th,=20 2006

Karamu Performing Arts=20 Theatre

For tickets and group sales, please = call=20 216-795-7077  =20

------=_NextPart_000_03AF_01C5F209.6B82F860-- From memakefilm at yahoo.com Fri Nov 25 19:14:50 2005 From: memakefilm at yahoo.com (Jamey Mixson) Date: Fri, 25 Nov 2005 19:14:50 -0800 (PST) Subject: [NEohioPAL]Book Release Party/ Signing Saturday the 26th @ 5PM Message-ID: <20051126031450.46478.qmail@web36211.mail.mud.yahoo.com> --0-1454590413-1132974890=:26855 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit ALL of NEOHPAL is invited To the Book Release Party and Signing HEAVY ROTATION A Contemporary Novel by F. Jamey Mixson November 26th, 2005 Arabica Coffee House 20630 N Park Blvd Shaker Heights, OH 44118 5PM to 8PM Local self published author, Jamey, will be on hand to discuss and sign EVERY copy of the book *Juicy excerpts from Heavy Rotation will be read at 6PM by local talent. As all are invited please bring a friend or more. Copies of the novel are $20. --0-1454590413-1132974890=:26855 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
ALL of NEOHPAL is invited
To the Book Release Party and Signing
HEAVY ROTATION
A Contemporary Novel by F. Jamey Mixson
November 26th, 2005
Arabica Coffee House
20630 N Park Blvd
Shaker Heights, OH 44118
5PM to 8PM
 
 
 
Local self published author, Jamey, will be on hand to discuss and sign EVERY copy of the book *Juicy excerpts from Heavy Rotation will be read at 6PM by local talent.
As all are invited please bring a friend or more.
Copies of the novel are $20.
--0-1454590413-1132974890=:26855-- From finearts at core.com Fri Nov 25 20:01:06 2005 From: finearts at core.com (Your Name) Date: Fri, 25 Nov 2005 23:01:06 -0500 Subject: [NEohioPAL]Production Photos of "A CHRISTMAS CAROL" Message-ID: <200511260401.jAQ415FL018428@mail1.mx.voyager.net> A Christmas Carol runs 4 weeks at CHagrin Valley Little Theatre. Click Here to see the photos. Eric Skarl www.FineartsPhotography.com -- CoreComm Webmail. http://home.core.com From streamliners at alltel.net Sat Nov 26 05:10:24 2005 From: streamliners at alltel.net (streamliners) Date: Sat, 26 Nov 2005 08:10:24 -0500 Subject: [NEohioPAL]4 Sale Message-ID: <000c01c5f28a$c383ca90$6701a8c0@donna> This is a multi-part message in MIME format. ------=_NextPart_000_0009_01C5F260.DA76D410 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable We have some things we are looking to sell as we do not use them nor = have the space to store them any longer.=20 1) Full Ankle Length Wolf/Coyote Fur - Excellent condition. Rarely worn. = Size 10-12. Pelts are numbered. Inner monogram initials can easily be = adjusted with a Furrier.=20 2) Body Solid Exercise Unit - This thing is huge. We just don't have the = time to use it and it has been in storage for several years. It also is = in top notch condition as it was rarely used from purchase date. Great = aspirations/no time. =20 3) An antique stove. It needs to be refurbished. Most probably it dates = back to the 30-40's or there abouts. It appears to be a caning stove of = some sort. We need to sell it as it sits in a rental property of ours = that is soon to be sold.=20 If your interested: Email Donna/Dale at streamliners at alltel.net. We are = located in Chagrin Falls/East Side Cleveland. Stove and Body Solid are = located right now in the West End of Cleveland. ------=_NextPart_000_0009_01C5F260.DA76D410 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
We have some things we are looking to = sell as we do=20 not use them nor have the space to store them any longer.
 
1) Full Ankle Length Wolf/Coyote Fur - = Excellent=20 condition. Rarely worn. Size 10-12. Pelts are numbered. Inner monogram = initials=20 can easily be adjusted with a Furrier.
 
2) Body Solid Exercise Unit - This = thing is huge.=20 We just don't have the time to use it and it has been in storage for = several=20 years. It also is in top notch condition as it was rarely used from = purchase=20 date. Great aspirations/no time.  
 
3) An antique stove. It needs to be = refurbished.=20 Most probably it dates back to the 30-40's or there abouts. It appears = to be a=20 caning stove of some sort. We need to sell it as it sits in a rental = property of=20 ours that is soon to be sold.
 
If your interested: Email Donna/Dale at = streamliners at alltel.net. We = are=20 located in Chagrin Falls/East Side Cleveland. Stove and Body Solid are = located=20 right now in the West End of Cleveland.
------=_NextPart_000_0009_01C5F260.DA76D410-- From Frank at Time-LineProductions.com Sat Nov 26 06:34:10 2005 From: Frank at Time-LineProductions.com (Frank Mixson) Date: Sat, 26 Nov 2005 06:34:10 -0800 (PST) Subject: [NEohioPAL]Visitors to the "Slavery in New York" exhibition are recording reactions and creating snapshot reflections (from NYTimes) Message-ID: <20051126143410.44540.qmail@web81502.mail.mud.yahoo.com> --0-276414156-1133015650=:42646 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit They have the awkwardness of amateur home videos: background noise, long silences, people looking away from the camera. But inside a booth at the New-York Historical Society, visitors to the exhibition "Slavery in New York" are recording their reactions, creating snapshot reflections on race and history in the nation's largest city. "It allows our young people to understand, really, how this city was born and who carried the brunt of the prosperity that we see in New York, not only then but now," a black man from "Harlem, New York," said of the show, the largest in the museum's 201-year history. The man, who appeared to be in his 30's, said he wanted to know what businesses in the city today derived profits in the past from selling human beings. A white lawyer went into the booth twice to sort out his feelings. "This has just been devastating," he said. As he looked at the exhibition's array of documents, he said, he realized that the some of the laws used to isolate and dehumanize enslaved black New Yorkers became custom after the laws vanished and "contributed to the way whites look at blacks," even today. "It's striking for any of us who are New Yorkers to realize that the ground we touch, every institution, is affected by slavery," he said. Two young African-American brothers crammed into the booth together. "Slavery in New York was bad, and it's how New York became the richest city in the world," one of them declared. The exhibition, which illustrates the centrality of 200 years of slavery to the growth of New York City, opened on Oct. 7 and runs through March 5. The very idea of slaves walking the streets of what is now SoHo or of slave auction blocks in Lower Manhattan - in a city known for tolerance and diversity - has attracted people of varied races and ages. There are no specific attendance figures yet, but museum officials said the exhibition galleries had been packed and attendance was up 83 percent over the same period last year, when the museum presented an exhibition on Alexander Hamilton. The $5 million slavery exhibition features more than 400 artifacts, documents, paintings and maps spanning 9,000 square feet in 10 galleries. Visitors can see advertisements for runaway slaves and "negroes, to be sold"; caricatured drawings of blacks; items like chairs and cribs made by slave hands; and a 1644 document granting slaves "half freedom" and land around what is now Washington Square. The visitor response booth is at the end of the exhibition. There, visitors touch a blue-screened computer asking questions about what they have seen: their overall impression, how it added to or altered their knowledge on the subject, what they found noteworthy. They then look at the camera and speak their answers. "This is a much more qualitative way of knowing who's coming to the museum," said Richard Rabinowitz, the show's curator. "We really wanted to let people talk and think through things. We wanted people to frame a meaning for this as they leave." Museum officials plan to use those responses to figure out what and how people learn from such exhibitions. So far, about 400 responses have been videotaped. Some will become part of the "visitor reaction" monitors now in three galleries, which showcase selected people who previewed the show. In one, for example, a middle-aged white woman says the exhibition can make a difference. "A difference when you look at a black person on a subway train," she says, "or you're working next to a black person, that you have a little more empathy and understanding and also praising for how far so many people came." In the raw videotape, the names given are not clear, one has to guess at ages and there is no consensus on what people found most noteworthy about the show. Some said they were shocked to learn that some slaves fought with the British during the Revolutionary War (in a bid for freedom); others said they had discovered that George Washington owned slaves; and some mused that New York City slavery was no more benign than the Southern variety. After all, slaves in New York worked sunup to sundown. Slaves helped build the wall on Wall Street (and were sold there) and built the first City Hall and Trinity Church. Slavery was the lifeline for hundreds of city businesses. During British rule, about 40 percent of the city's households owned slaves. Institutional exhibitions about America's slave-holding past are relatively new and help foster a national conversation about race, said James Oliver Horton, the chief historian for "Slavery." This show's size and location facilitate that dialogue, he said. "Back in the 90's, when Bill Clinton asked for a national conversation about race, most people didn't have the context in which to have the conversation," said Dr. Horton, a professor of American studies and history at George Washington University. "This exhibition will help Americans have such a historical context. It will help people start with a common experience." Skip to next paragraph Forum: Artists and Exhibitions One commonality that emerges from viewing five hours of the visitor videotapes is how much people do not know. Many were unaware of the existence or extent of slavery in New York, which lasted until 1827, longer than in any other Northern state except New Jersey. "It's terrible to know that the city that I love was part of the slave trade," said a middle-aged white woman from New Jersey. "I'm shocked to hear about it." An African-American man in the booth with his young daughter said: "It's just a constant reminder that here in New York, like in other places in the United States, we were nothing more than cattle in the eyes of the owners and were treated that way. It's just amazing that people were able to survive and thrive after that." An elderly white woman who said she had two college degrees said, "I never knew until I walked in here about slavery in New York." Now, she said, "It just breaks my heart." An African-American woman who identified herself as a graduate of Cornell University said, "I've actually had people tell me that black people in New York had no history." "I can now feel that I have information I can share," she said. A middle-aged white woman who said she lived down the street from the museum noted that her daughter's advanced placement courses in history included only one hour about slavery. "It made me realize how history doesn't go away," the mother said of the exhibition. "These burdens are carried through generations." Clearly, schools are failing to educate students about slavery, said Louise Mirrer, the society's president. Dr. Mirrer said she would be gratified to see the public schools use the educational materials developed by the society for "Slavery." While most visitors are admirers, the exhibition comes in for some criticism, too. Some said it was saturated with facts but failed to convey slavery's brutality. One woman wondered why she did not see a single shackle. Dr. Rabinowitz said it was an informed decision to let the facts speak, without graphic depictions of beatings or family separations. But in the reaction booth, a young black man from Harlem argued that the show should be enraging. "Why are there ghettos in New York City? Because of slavery," he said. He learned many facts from the show, he added, but wanted explicit connections between race and class. "The ramifications of slavery still affect the world," he said. "It's not something to be put in the past, like dinosaurs or fossils." An African-American woman from Washington complained, "The soul of it was completely gone." She added, "It was spoken about as if it was any economic phenomenon instead of human." But some people caught on camera said the show had certainly made them think harder about skin color and the echoes of the past. A woman from Chicago, who described herself as an artist and a second-generation Slovakian, said the exhibition helped her in that way. She watched two African-American children playing in the museum, and it dawned on her that in another time they would have been slaves. "They had no choice," she said. "They had no power." And after learning that at one time 20 percent of New Yorkers were enslaved, the artist said, she went to the lobby of the grand Historical Society building and began imagining the past. "I'd look around and look around," she said, "and one in five people would be a slave." --0-276414156-1133015650=:42646 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit

They have the awkwardness of amateur home videos: background noise, long silences, people looking away from the camera. But inside a booth at the New-York Historical Society, visitors to the exhibition "Slavery in New York" are recording their reactions, creating snapshot reflections on race and history in the nation's largest city.

 
"It allows our young people to understand, really, how this city was born and who carried the brunt of the prosperity that we see in New York, not only then but now," a black man from "Harlem, New York," said of the show, the largest in the museum's 201-year history. The man, who appeared to be in his 30's, said he wanted to know what businesses in the city today derived profits in the past from selling human beings. 
 

A white lawyer went into the booth twice to sort out his feelings. "This has just been devastating," he said. As he looked at the exhibition's array of documents, he said, he realized that the some of the laws used to isolate and dehumanize enslaved black New Yorkers became custom after the laws vanished and "contributed to the way whites look at blacks," even today.

 

"It's striking for any of us who are New Yorkers to realize that the ground we touch, every institution, is affected by slavery," he said.

 

Two young African-American brothers crammed into the booth together. "Slavery in New York was bad, and it's how New York became the richest city in the world," one of them declared.

The exhibition, which illustrates the centrality of 200 years of slavery to the growth of New York City, opened on Oct. 7 and runs through March 5. The very idea of slaves walking the streets of what is now SoHo or of slave auction blocks in Lower Manhattan - in a city known for tolerance and diversity - has attracted people of varied races and ages. There are no specific attendance figures yet, but museum officials said the exhibition galleries had been packed and attendance was up 83 percent over the same period last year, when the museum presented an exhibition on Alexander Hamilton.

 

The $5 million slavery exhibition features more than 400 artifacts, documents, paintings and maps spanning 9,000 square feet in 10 galleries. Visitors can see advertisements for runaway slaves and "negroes, to be sold"; caricatured drawings of blacks; items like chairs and cribs made by slave hands; and a 1644 document granting slaves "half freedom" and land around what is now Washington Square.

 

The visitor response booth is at the end of the exhibition. There, visitors touch a blue-screened computer asking questions about what they have seen: their overall impression, how it added to or altered their knowledge on the subject, what they found noteworthy. They then look at the camera and speak their answers.

 

"This is a much more qualitative way of knowing who's coming to the museum," said Richard Rabinowitz, the show's curator. "We really wanted to let people talk and think through things. We wanted people to frame a meaning for this as they leave." Museum officials plan to use those responses to figure out what and how people learn from such exhibitions.

So far, about 400 responses have been videotaped. Some will become part of the "visitor reaction" monitors now in three galleries, which showcase selected people who previewed the show.

 

In one, for example, a middle-aged white woman says the exhibition can make a difference. "A difference when you look at a black person on a subway train," she says, "or you're working next to a black person, that you have a little more empathy and understanding and also praising for how far so many people came."

 

In the raw videotape, the names given are not clear, one has to guess at ages and there is no consensus on what people found most noteworthy about the show. Some said they were shocked to learn that some slaves fought with the British during the Revolutionary War (in a bid for freedom); others said they had discovered that George Washington owned slaves; and some mused that New York City slavery was no more benign than the Southern variety.

After all, slaves in New York worked sunup to sundown. Slaves helped build the wall on Wall Street (and were sold there) and built the first City Hall and Trinity Church. Slavery was the lifeline for hundreds of city businesses. During British rule, about 40 percent of the city's households owned slaves. Institutional exhibitions about America's slave-holding past are relatively new and help foster a national conversation about race, said James Oliver Horton, the chief historian for "Slavery." This show's size and location facilitate that dialogue, he said.

 

"Back in the 90's, when Bill Clinton asked for a national conversation about race, most people didn't have the context in which to have the conversation," said Dr. Horton, a professor of American studies and history at George Washington University. "This exhibition will help Americans have such a historical context. It will help people start with a common experience."

One commonality that emerges from viewing five hours of the visitor videotapes is how much people do not know. Many were unaware of the existence or extent of slavery in New York, which lasted until 1827, longer than in any other Northern state except New Jersey.

"It's terrible to know that the city that I love was part of the slave trade," said a middle-aged white woman from New Jersey. "I'm shocked to hear about it."

 

An African-American man in the booth with his young daughter said: "It's just a constant reminder that here in New York, like in other places in the United States, we were nothing more than cattle in the eyes of the owners and were treated that way. It's just amazing that people were able to survive and thrive after that."

 

An elderly white woman who said she had two college degrees said, "I never knew until I walked in here about slavery in New York." Now, she said, "It just breaks my heart."

An African-American woman who identified herself as a graduate of Cornell University said, "I've actually had people tell me that black people in New York had no history."

"I can now feel that I have information I can share," she said.

 

A middle-aged white woman who said she lived down the street from the museum noted that her daughter's advanced placement courses in history included only one hour about slavery. "It made me realize how history doesn't go away," the mother said of the exhibition. "These burdens are carried through generations."

 

Clearly, schools are failing to educate students about slavery, said Louise Mirrer, the society's president. Dr. Mirrer said she would be gratified to see the public schools use the educational materials developed by the society for "Slavery."

 

While most visitors are admirers, the exhibition comes in for some criticism, too. Some said it was saturated with facts but failed to convey slavery's brutality. One woman wondered why she did not see a single shackle. Dr. Rabinowitz said it was an informed decision to let the facts speak, without graphic depictions of beatings or family separations.

 

But in the reaction booth, a young black man from Harlem argued that the show should be enraging. "Why are there ghettos in New York City? Because of slavery," he said. He learned many facts from the show, he added, but wanted explicit connections between race and class. "The ramifications of slavery still affect the world," he said. "It's not something to be put in the past, like dinosaurs or fossils."

 

An African-American woman from Washington complained, "The soul of it was completely gone." She added, "It was spoken about as if it was any economic phenomenon instead of human."

 

But some people caught on camera said the show had certainly made them think harder about skin color and the echoes of the past.

 

A woman from Chicago, who described herself as an artist and a second-generation Slovakian, said the exhibition helped her in that way. She watched two African-American children playing in the museum, and it dawned on her that in another time they would have been slaves. "They had no choice," she said. "They had no power."

 

And after learning that at one time 20 percent of New Yorkers were enslaved, the artist said, she went to the lobby of the grand Historical Society building and began imagining the past. "I'd look around and look around," she said, "and one in five people would be a slave."

 

 

 

 

--0-276414156-1133015650=:42646-- From Huntheatre at aol.com Sat Nov 26 06:54:19 2005 From: Huntheatre at aol.com (Huntheatre at aol.com) Date: Sat, 26 Nov 2005 09:54:19 EST Subject: [NEohioPAL]Huntington Playhouse Announces 2006 Season Message-ID: <24e.21dbea9.30b9d11b@aol.com> -------------------------------1133016859 Content-Type: text/plain; charset="UTF-8" Content-Transfer-Encoding: quoted-printable Content-Language: en =20 FOR IMMEDIATE RELEASE=20 Huntington Playhouse Announces 2006 Season=20 Huntington Playhouse announced their 2006 season on the opening night of=20 their current production, =E2=80=9CThe Best Christmas Pageant Ever=E2=80= =9D. Managing=20 Director, Tom Meyrose, said in his remarks that the 2006 season will be the= theatre=E2=80=99s=20 47th season and will include the possibilities of a world premier show, the= =20 expansion of its children=E2=80=99s theatre program, and some adjustments t= o the=20 production schedule.=20 The theatre will open on May 11, 2006, a week later than in the past, wit= h=20 the comedy =E2=80=9CNoises Off=E2=80=9D. It will then do =E2=80=9CThe Fanta= sticks=E2=80=9D, =E2=80=9CSweet Charity=E2=80=9D , and =E2=80=9CMy Way- A Musical Tribute to Frank Sinatra=E2=80=9D. These=20= three musicals=20 will be followed by the comedy =E2=80=9CArt=E2=80=9D and Agatha Christie= =E2=80=99s =E2=80=9CThe Spider Web=E2=80=9D.=20 The season will conclude with the possibility of a world premier play=20 adapted from a Dick Feagler holiday column, =E2=80=9CChristmas at Aunt Ida= =E2=80=99s=E2=80=9D. =E2=80=9CWe=E2=80=99ve=20 been working with Feagler for the past year on this project and are hopeful= we=E2=80=99 ll have a solid show to produce for our patrons.=E2=80=9D said Meyrose.=20 They will also continue their summer classes for children and expand their=20 fall program which was initiated this past October.=20 Super Seven Flex Passes and gift certificates are now on sale for the 2006=20 season. The Flex Pass offers 7 admissions for $95.00 and gift certificates= =20 for individuals are on sale for $17.00 per admission. =20 For information on the 2006 season or to reserve tickets for the current=20 holiday show-=E2=80=9CThe Best Christmas Pageant Ever=E2=80=9D, contact the= box office at=20 440-871-8333 or visit the Huntington Playhouse web site,=20 _www.huntingtonplayhouse.com_ (http://www.huntingtonplayhouse.com/) .=20 Huntington Playhouse is located at 28601 Lake Road in Bay Village and is=20= a=20 licensed affiliate of the Cleveland Metroparks. =20 -------------------------------1133016859 Content-Type: text/html; charset="UTF-8" Content-Transfer-Encoding: quoted-printable Content-Language: en

FOR IMMEDIATE=20 RELEASE

 =

= Huntington= =20 Playhouse Announces 2006 Season

 =

 =

Huntington Playho= use=20 announced their 2006 season on the opening night of their current production= ,=20 =E2=80=9CThe Best Christmas Pageant Ever=E2=80=9D. =20 Managing Director, Tom Meyrose, said in his remarks that the 2006 sea= son=20 will be the theatre=E2=80=99s 47th season and will include the po= ssibilities=20 of a world premier show, the expansion of its children=E2=80=99s theatre pro= gram, and=20 some adjustments to the production schedule.

 =

The theatre will=20= open=20 on May 11,=20 2006, a week later th= an in=20 the past, with the comedy =E2=80=9CNoises Off=E2=80=9D. =20 It will then do =E2=80=9CThe Fantasticks=E2=80=9D, =E2=80=9CSweet Cha= rity=E2=80=9D, and =E2=80=9CMy Way- A=20 Musical Tribute to Frank Sinatra=E2=80=9D.=  =20 These three musicals will be followed by the comedy =E2=80=9CArt=E2= =80=9D and Agatha=20 Christie=E2=80=99s =E2=80=9CThe Spider Web=E2=80=9D.

 =

The season will=20 conclude with the possibility of a world premier play adapted from a Dick=20 Feagler holiday column, =E2=80=9CChristmas at Aunt Ida=E2=80=99s=E2=80=9D.   =E2=80=9CWe=E2=80=99ve been=20= working with Feagler=20 for the past year on this project and are hopeful we=E2=80=99ll have a solid= show to=20 produce for our patrons.=E2=80=9D  said=20 Meyrose.

 =

They will also co= ntinue=20 their summer classes for children and expand their fall program which was=20 initiated this past October.

 =

Super<= /st1:PlaceName>=20 Seven<= /st1:PlaceName>=20 Flex=20 Passes= and gift certifi= cates=20 are now on sale for the 2006 season. = =20 The Flex=20 Pass offers 7 admissi= ons=20 for $95.00 and gift certificates for individuals are on sale for $17.00 per=20 admission.

 =

For information o= n the=20 2006 season or to reserve tickets for the current holiday show-=E2=80=9CThe=20= Best=20 Christmas Pageant Ever=E2=80=9D, contact the box office at 440-871-8333 or v= isit the=20 Huntington= Playhouse web si= te, www.huntingtonplayhouse.com= .

 =

Huntington= Playhouse is loc= ated=20 at 28601 Lake=20 Road in=20 Bay=20 Village and is a license= d=20 affiliate of the Cleveland<= /B> Metroparks. 

 

-------------------------------1133016859-- From alitivity at yahoo.com Sat Nov 26 09:08:30 2005 From: alitivity at yahoo.com (Al Diamond Phillips) Date: Sat, 26 Nov 2005 09:08:30 -0800 (PST) Subject: [NEohioPAL]Al Diamond Phillips with Clay Aiken Message-ID: <20051126170831.54993.qmail@web50602.mail.yahoo.com> Members of the Al Diamond Phillips Christmas Variety Spectacular will be performing with Clay Aiken in Youngstown Nov 27th. Dont forget to get your tickets for our show Dec 17th at Williams on the Lake 330-726766 Ext 11 __________________________________ Yahoo! Mail - PC Magazine Editors' Choice 2005 http://mail.yahoo.com From DCaudill at lec.edu Sat Nov 26 09:50:34 2005 From: DCaudill at lec.edu (Caudill Deanna) Date: Sat, 26 Nov 2005 12:50:34 -0500 Subject: [NEohioPAL]trailer for sale Message-ID: <594B40408FE8474297C548F9A095C9F7AAB1C9@lecmail1.lec.edu> My husband has a 4 x 8 trailer made by haulin for sale. This trailer is = great for hauling props, furniture, lawn mowers, motorcycles, ATV's etc. =20 Details: new inner and outer bearings on both sides =20 2 foot high wood sides =20 new wiring and lights =20 all new tires and wheels =20 brand new spare tire and wheel=20 =20 new set of bearing buddies (enables you to grease wheel bearing without = taking wheels and bearings out) =20 1-7/8 ball =20 tarp includes to cover top of trailer =20 manual winch on front of trailer =20 =20 =20 =20 =20 =20 =20 Asking $450.00 =20 Contact Ron at 440-382-8089 for more information From johnny at mdifilm.com Sat Nov 26 10:00:41 2005 From: johnny at mdifilm.com (Johnny Wu) Date: Sat, 26 Nov 2005 13:00:41 -0500 Subject: [NEohioPAL]Cleveland IndieClub December 18 Meeting - Free to Public Message-ID: <008801c5f2b3$5209d110$0400000a@johnny5> Cleveland IndieClub FREE Monthly Networking Meeting - December 18, 2005 The Cleveland IndieClub meets every month, free of charge, for those who have the passion for making movies using film or video (whether it is in acting, directing, producing, writing, lighting or any other skill) and are looking for others who have similar interests. Cleveland IndieClub is administrated by Johnny K. Wu and generally hosted each month by their members, which offers each an opportunity to create a variety of interest and topic. Cleveland IndieClub official website: www.clevelandindieclub.com Sunday, December 18, 1pm to 4pm at The Hyacinth Lofts 3030 East 63rd Street Cleveland, Ohio, 44127 Please park on the street and enter from front of the building. Dial 022 to be buzzed in Hosted by Bill Johns, Cinevid Productions Guest speaker: Maureen Dempsey, LA Acting Coach Topic: Transforming your good film into great film through the performances of your actors Originally from Cleveland she spent more than 10 years working in the industry in Los Angeles. In Decembers meeting she will discuss ways in which you can take your "good" film and make it "great" through the performances of the actors. She will cover what to look for in the audition process and point out the key signals of a great actor. Then she will cover what to do to get the best performance possible out of any cast. Filmmakers have a lot of responsibilities and so much time and money are spent on the technical side of the process and oftentimes the actors get the least amount of attention yet the performances, especially in low budget movies, are the make or break factor. There is a fine line between cheesy and awesome. In addition, Cleveland IndieClub will screen and discusss short films, scenes, and trailers from: - 16mm Scratch and Sniff film loop with live-time alterations, a collaboration between Jerry Mann and Zack Hay - Tony Samangy's behind the scene footages for 3:18 (15 mins) - The Pain Within by Johnathon Portman (7 mins) - Cleveland Classic Cinemas from Nick D'Amico - NBTV Pilot Episode (29 mins) - Bill Johns' latest feature film Madness scenes Raffle for DVDs from your local filmmakers For more information about Cleveland IndieClub, visit Cleveland IndieClub @ http://www.clevelandindieclub.com Organized and sponsored by Johnny K. Wu & Media Design Imaging (www.mdifilm.com). Co-sponsored by Michael Balas & Media Group Studios (www.mediagroupstudios.com), David Perkowski & The Hyacinth Lofts (www.thehyacinthlofts.com), Bill Johns & Cinevid Productions (www.cinevidproductions.com), the Cleveland IndieClub members, and the current monthly host. For the past first 2 years, Cleveland IndieClub was also co-sponsored by Talkies Movie & Coffee Bar (www.talkiescoffee.com) located at Ohio City. Next meeting is scheduled for Sunday, January 22, 2006, host by Johnny K. Wu with special guest MaryEllen Tomazic, Entertainment Attorney. Topic: Intellectual Property for Visual Artists NOTE: If you have a movie on dvd that you would like to have it raffled, bring it to the meeting to have it raffled off to the participants. We have monthly attendees of around 60 people, if you have short films (no longer than 30 mins) that you would like to present and talk about it for February and on meetings, please email me at johnny at mdifilm.com (first come first serve) ================================== Media Design Imaging innovates and break the molds of visual creation http://www.mdifilm.com 216.373.3278 President (2004 & 2005) Organization of Chinese American of Greater Cleveland OCAGC http://www.ocagc.org Wu Jia Quan Shu (Art of Wu Family System) 2800 years old Family Style Martial Arts http://www.wujiaquan.com From Jacqiloewy at aol.com Sat Nov 26 10:21:41 2005 From: Jacqiloewy at aol.com (Jacqiloewy at aol.com) Date: Sat, 26 Nov 2005 13:21:41 EST Subject: [NEohioPAL]FREE STUFF & need help! Message-ID: --part1_dc.32a7922a.30ba01b5_boundary Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Okay guys - here's the deal. I have to be out of my huge house by Wednesday night and have rooms full of stuff to GIVE AWAY or sell real cheap! There are a few nice antique things for sale, but mostly I am giving anything to anybody who can take it out of here. Bring boxes or bags. Hours: Sunday: 10am until noon Monday: 9am until 11am Tuesday: 9am until noon Chairs, dishes, glasses, twin beds, old dressers, some clothes, books, misc. I have spent waaaay to many years being a pack rat and am turning over a new leaf! :-) 1630 South Belvoir South Euclid 1/2 mile south of Mayfield or 1 mile north of Cedar on west side of street 216-469-9160 or respond to this if you like. Also ... need to hire 2 strong people to help me move a few pieces of furniture on Tuesday afternoon from 3-6pm. Thanks!! Jacqi PS - If you want, in exchange for lots of free stuff, you could donate five or ten dollars to Charenton ... just a thought ;-) --part1_dc.32a7922a.30ba01b5_boundary Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable Okay guys - here's the deal. =20= I have to be out of my huge house by Wednesday night and have rooms full of=20= stuff to GIVE AWAY or sell real cheap!  There are a few nice antique th= ings for sale, but mostly I am giving anything to anybody who can take it ou= t of here. Bring boxes or bags.

Hours: Sunday: 10am until noon
           Monday: 9am unt= il 11am
            Tuesday:=20= 9am until noon

Chairs, dishes, glasses, twin beds, old dressers, some clothes, books, misc.= I have spent waaaay to many years being a pack rat and am turning over a ne= w leaf! :-)

1630 South Belvoir
South Euclid
1/2 mile south of Mayfield or 1 mile north of Cedar on west side of street
216-469-9160 or respond to this if you like.
Also ... need to hire 2 strong people to help me move a few pieces of= furniture on Tuesday afternoon from 3-6pm.

Thanks!!
Jacqi
PS - If you want, in exchange for lots of free stuff, you could donate five=20= or ten dollars to Charenton ... just a thought ;-)




 --part1_dc.32a7922a.30ba01b5_boundary-- From Parmarita at aol.com Sat Nov 26 10:38:48 2005 From: Parmarita at aol.com (Parmarita at aol.com) Date: Sat, 26 Nov 2005 13:38:48 EST Subject: [NEohioPAL]RE: Christmas Specials Message-ID: <28c.838640.30ba05b8@aol.com> --part1_28c.838640.30ba05b8_boundary Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit The Cassidy Theatre Guild will hold special performance fund raisers for the childrens theatre. On December 12th at 7:30PM one performance only the Singing Angels will appear with their Christmas Show. All tickets are $10.00 each. Order early as tickets are going fast. On Dec. 21, 22 and 23rd at 7:30 PM Dianns Dance will present "The Nutcracker" a memorable production for the entire family. Tickets for this production are also $10.00 per person. The Cassidy Theatre is located in The Greenbrier Commons, 6200 Pearl Road, in Parma Heights. Phone 440-842-4600 for reservations and more ticket information. --part1_28c.838640.30ba05b8_boundary Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable The Cassidy Theatre Guild will hold= special performance fund raisers for the childrens theatre.  On Decemb= er 12th at 7:30PM  one performance only the Singing Angels will appear=20= with their Christmas Show.  All tickets are $10.00 each. Order early as= tickets are going fast.  On Dec. 21, 22 and 23rd at 7:30 PM Dianns Dan= ce will present "The Nutcracker" a memorable production for the entire famil= y.  Tickets for this production are also $10.00  per person. =   The Cassidy Theatre is located in The Greenbrier Commons, 6200 Pearl=20= Road, in Parma Heights.  Phone 440-842-4600 for reservations and more t= icket information. --part1_28c.838640.30ba05b8_boundary-- From mcmamahoo at yahoo.com Sat Nov 26 11:59:49 2005 From: mcmamahoo at yahoo.com (Cherie Lawrence) Date: Sat, 26 Nov 2005 11:59:49 -0800 (PST) Subject: [NEohioPAL]Christmas Spectacular on PBS Tonight! Message-ID: <20051126195949.91197.qmail@web81705.mail.mud.yahoo.com> Spectacular Music Productions proudly announces the TV broadcast schedule for last year's Christmas Show, an edited version. PBS 45/49 Sat Nov 26 6pm Sun Nov 27 5pm Wed Nov 30 10pm Thanks call-in number 330.677.4549 PBS WVIZ Sat Dec 24 6pm Sun Dec 25 2&6AM Thanks call-in number 216.398.2800 Time Warner Cable Ch 23 Nov 26-Dec 25 Fridays 10pm; Sats and Suns 4pm Thanks call-in number 330.633.9203 Direct TV World Harvest Network Ch 321 All US/Europe Sat Nov 26 6pm EST Sat Dec 10 6pm EST Order dvd toll-free Nov 26-Dec 31 1.800.555.1148 To order tickets for the new 2005 Christmas Spectacular 20th Anniversary Special at the Akron Civic, please visit our web site www.spectacularmusic.org "What's New" link to download the ad and email to family/friends for further information. THANK YOU for your support, and hope to see you again this year! From Demeerusty at aol.com Sat Nov 26 13:26:06 2005 From: Demeerusty at aol.com (Demeerusty at aol.com) Date: Sat, 26 Nov 2005 16:26:06 EST Subject: [NEohioPAL]A Raisin In The Sun Message-ID: <236.25de78b.30ba2cee@aol.com> -------------------------------1133040366 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit The University of Akron's premier organization for campus events The Zips Programming Network, will be putting on the production of A Raisin In The Sun by Lorraine Hansberry on February 3-5 for Black History Month. We are looking for FULL PRODUCTION CAST AND CREW. ALL positions will be PAID. Auditions will be December 1 at 6:30pm-8:00pm room 314 December 2 at 6:00pm-8:00pm room 321 and December 3 at 1:00pm-4:00pm room 314 in the Student Union. To RSVP call 330-972-7014. Timothy G. Avant Diversity Chair The University of Akron The Zips Programming Network _tga2 at uakron.edu_ (mailto:tga2 at uakron.edu) -------------------------------1133040366 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
The University of Akron's premier organization for campus events The Zi= ps=20 Programming Network, will be putting on the production of A Raisin In T= he=20 Sun by Lorraine Hansberry on February 3-5 for Black History Month. We are=20 looking for  FULL PRODUCTION CAST AND CREW. ALL positions will be PAID.= =20 Auditions will be December 1 at 6:30pm-8:00pm room 314 December 2 at=20 6:00pm-8:00pm room 321 and December 3 at 1:00pm-4:00pm room 314 in= the=20 Student Union. To RSVP call 330-972-7014.
Timothy G. Avant
Diversity Chair
The University of Akron
The Zips Programming Network
tga2 at uakron.edu 
 -------------------------------1133040366-- From ehanic at kent.edu Sat Nov 26 19:05:42 2005 From: ehanic at kent.edu (ehanic at kent.edu) Date: Sat, 26 Nov 2005 22:05:42 -0500 Subject: [NEohioPAL]Voice Lessons! Message-ID: <2e97a682e9561d.2e9561d2e97a68@kent.edu> I am a college music major who is currently accepting students who love singing and want to reach their full potential. I possess several years of vocal training and performance experience. I am accepting students of all ages and all levels. I am located in the Canal Fulton/Manchester area. For more information, please contact me at ehanic at kent.edu Have a GREAT day! :-) From John at clevelandirish.org Sat Nov 26 19:24:51 2005 From: John at clevelandirish.org (John O'Brien) Date: Sat, 26 Nov 2005 22:24:51 -0500 Subject: [NEohioPAL]Santa Claus available Message-ID: <000601c5f302$218e3860$6400a8c0@gateway553926b> This is a multi-part message in MIME format. ------=_NextPart_000_0003_01C5F2D8.37F18500 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Hi All, If you need a Santa Claus for a function I am available, with a lot of = experience and full costume. Good with kids, seniors, and professional = functions. Reasonable rates. Thanks, John O'Brien (330) 321-6174 John at clevelandirish.org I expect to pass through this life but once, If, therefore, there be any = kindness I can show or any good thing I can do to any fellow being, let = me do it now. Let me not defer nor neglect it, for I shall not pass this = way again - W. Penn ------=_NextPart_000_0003_01C5F2D8.37F18500 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
Hi All,
 
If you need a Santa Claus for a = function I am=20 available, with a lot of experience and full costume.  Good with = kids,=20 seniors, and professional functions.
Reasonable rates.
 
Thanks,
 
John O'Brien
(330) 321-6174
John at clevelandirish.org
 
I expect to pass through this life but = once, If,=20 therefore, there be any kindness I can show or any good thing I can do = to any=20 fellow being, let me do it now. Let me not defer nor neglect it, for I = shall not=20 pass this way again - W. Penn
------=_NextPart_000_0003_01C5F2D8.37F18500-- From nick_d2003 at sbcglobal.net Sat Nov 26 19:35:28 2005 From: nick_d2003 at sbcglobal.net (Nicholas D'Amico) Date: Sat, 26 Nov 2005 22:35:28 -0500 Subject: [NEohioPAL]ATTENTION! ATTENTION! ATTENTION! Message-ID: <43892980.1080405@sbcglobal.net> This is a multi-part message in MIME format. --------------040301040300020401020901 Content-Type: text/plain; charset=ISO-8859-1; format=flowed Content-Transfer-Encoding: 7bit I have just assumed the mantel of Imperial Grand Poobah of Cleveland Independent filmmaking. I have appointed Al Tuskes Minister of Propaganda and Donna Williams head of the Filmic Enforcement. Our manifesto, authored by your exalted Grand Poobah and your esteemed Minister of Propaganda is as follows: 1) Under no circumstances will anything shot on lower video lifeforms such as VHS, VHS-C, S-VHS, 8mm, Hi-8, or other mongrel formats be shot or shown in the Northeast Ohio area, nor will any projects shot on cameras with less than three image chips. 2) If, during screening by the Ms. Williams, the Head of Filmic Enforcement, anyone in the audience leans over and says, "/What/ did they say?" the project will be immediately burned upon the Fire of Incompetence and the creators will be forced to enter the Columbia School of Broadcast. 3) All scripts will be submitted to the Poobah before pre-production, and, if the content is found to be beyond the reach of the proposed budget (i.e., a space epic, an action film involving car chases and/or explosions, period pieces involving swooping over vistas of clashing armies, etc.), the author will be assigned to write jokes for America's Funniest Home Videos until he is deemed ready to pen a realistic screenplay. 4) All actors who beg for a lead part, get it, and subsequently desert the production and/or join AFTRA will be hunted down and forced to watch the entire first season of /Stacked/ in perpetuity. 5) Any film foisting the personal beliefs of the maker on the captive audience of the Indie Club must submit to the Equal Time law in which opposing viewpoints will be forced upon them via "Very Special" Ross & Rachel episodes of /Friends/. 6) All members of the People's Republic of Indie Club (PRIC) will be expected to have several controls disabled on their cameras, as no true professional would ever rely on these controls anyway. These include, but are not limited to: Auto-exposure/auto-iris, sound limiters, auto-focus, zooming controls, on-camera microphones. If tempted to use any of these devices, please hie thee to the main branch of the Cleveland Public Library downtown, sequester yourself in the Periodicals section, and peruse every page of every issue of American Cinematographer or Millimeter magazine until you find mention of a professional who relied on /any/ of these controls while shooting a real movie. 7) Before you hand somebody your "script", saying that "everybody who has seen it, thinks it's the best they've ever read", please consider discounting the opinions any of the /everybody/ if they are: A - Your mother or father. After all, they want you to move out of the house at some point. B - Your significant other. They lie to you all the time anyway, just to spare your feelings. C - The local actors who would sacrifice a limb or genitalia to be in something, /anything/, that could possibly give them a shot at the big time, no matter how unrealistic the possibility (/Dead Planet/ comes to mind...) D - Anybody who hasn't actually read a script before. E - Anybody who would make a financial gain, should you actually go into production, such as insurance salesmen, equipment mongers, casting agents, lawyers, etc. 8) Any attempt at "Kevin Williamson-sonian" sly-knowing-wink-to-the-audience things, "Tarentino-esqe" cool-situations-strung-together-with-hipster-antiheroes-invoking-esoteric-comic book-geek speak or including references to pop culture icons in screenplays will result in the offender being immediately sentenced to Remedial Screenwriting 101. 9) The LCD viewfinder on the side of your camera. This means that out of focus shots, bad lighting, unbalanced lighting, mike booms in the shot, etc. will no longer be tolerated. If any of these events occur, realize that tape is cheap, so you can get a second take, or even rewind the tape to get a second take should you choose to do so. If you choose not to, your video camera will be deposited into the Fire of Incompetence. 10) If a citizen of PRIC buys a digital video camera and insists on referring to themselves as a filmmaker, director, or a producer owing to this purchase, they will be tossed onto the Fire of Incompetence without trial./ /This also applies to those who, after the purchase of screenwriting software, refer to themselves as a/ /screenwriter. 11) If a citizen's sole qualification for calling themselves a filmmaker is saying "I could do better than /that!/" repeatedly/ /while watching projects, said citizen will be immediately taken to the re-education camp where they will be forced to watch projects created by people who thought the same thing of themselves. Additions to the manifesto will be added as required. Now sleep the sleep of the just knowing that your loving Grand Poobah is watching over you all. Nick --------------040301040300020401020901 Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit

I have just assumed the mantel of Imperial Grand Poobah of Cleveland Independent filmmaking. I have appointed Al Tuskes Minister of Propaganda and Donna Williams head of the Filmic Enforcement. Our manifesto, authored by your exalted Grand Poobah and your esteemed Minister of Propaganda is as follows:

1) Under no circumstances will anything shot on lower video lifeforms such as VHS, VHS-C, S-VHS, 8mm, Hi-8, or other mongrel formats be shot or shown in the Northeast Ohio area, nor will any projects shot on cameras with less than three image chips.

2) If, during screening by the Ms. Williams, the Head of Filmic Enforcement, anyone in the audience leans over and says, "What did they say?" the project will be immediately burned upon the Fire of Incompetence and the creators will be forced to enter the Columbia School of Broadcast.

3) All scripts will be submitted to the Poobah before pre-production, and, if the content is found to be beyond the reach of the proposed budget (i.e., a space epic, an action film involving car chases and/or explosions, period pieces involving swooping over vistas of clashing armies,  etc.), the author will be assigned to write jokes for America's Funniest Home Videos until he is deemed ready to pen a realistic screenplay.

4) All actors who beg for a lead part, get it, and subsequently desert the production and/or join AFTRA will be hunted down and forced to watch the entire first season of Stacked in perpetuity.

5) Any film foisting the personal beliefs of the maker on the captive audience of the Indie Club must submit to the Equal Time law in which opposing viewpoints will be forced upon them via "Very Special" Ross & Rachel episodes of Friends.

 
6) All members of the People’s Republic of Indie Club (PRIC) will be expected to have several controls disabled on their cameras, as no true professional would ever rely on these controls anyway. These include, but are not limited to: Auto-exposure/auto-iris, sound limiters, auto-focus, zooming controls, on-camera microphones. If tempted to use any of these devices, please hie thee to the main branch of the Cleveland Public Library downtown, sequester yourself in the Periodicals section, and peruse every page of every issue of American Cinematographer or Millimeter magazine until you find mention of a professional who relied on any of these controls while shooting a real movie.

 7) Before you hand somebody your “script”, saying that “everybody who has seen it, thinks it’s the best they’ve ever read”, please consider discounting the opinions any of the everybody if they are:

            A – Your mother or father. After all, they want you to move out of the house at some point.

            B – Your significant other. They lie to you all the time anyway, just to spare your feelings.

C – The local actors who would sacrifice a limb or genitalia to be in something, anything, that could possibly give them a shot at the big time, no matter how unrealistic the possibility (Dead Planet comes to mind…)

D – Anybody who hasn’t actually read a script before.

E – Anybody who would make a financial gain, should you actually go into production, such as insurance salesmen, equipment mongers, casting agents, lawyers, etc.

 8) Any attempt at “Kevin Williamson-sonian” sly-knowing-wink-to-the-audience things, “Tarentino-esqe” cool-situations-strung-together-with-hipster-antiheroes-invoking-esoteric-comic book-geek speak or including references to pop culture icons in screenplays will result in the offender being immediately sentenced to Remedial Screenwriting 101.

9) The LCD viewfinder on the side of your camera. This means that out of focus shots, bad lighting, unbalanced lighting, mike booms in the shot, etc. will no longer be tolerated. If any of these events occur, realize that tape is cheap, so you can get a second take, or even rewind the tape to get a second take should you choose to do so. If you choose not to, your video camera will be deposited into the Fire of Incompetence.

10) If a citizen of PRIC buys a digital video camera and insists on referring to themselves as a filmmaker, director, or a producer owing to this purchase, they will be tossed onto the Fire of Incompetence without trial. This also applies to those who, after the purchase of screenwriting software, refer to themselves as a screenwriter.

11) If a citizen's sole qualification for calling themselves a filmmaker is saying "I could do better than that!" repeatedly while watching projects, said citizen will be immediately taken to the re-education camp where they will be forced to watch projects created by people who thought the same thing of themselves.

Additions to the manifesto will be added as required. Now sleep the sleep of the just knowing that your loving Grand Poobah is watching over you all.

   Nick

   --------------040301040300020401020901-- From sharonmxg at cox.net Sat Nov 26 21:20:31 2005 From: sharonmxg at cox.net (sharonmxg) Date: Sun, 27 Nov 2005 00:20:31 -0500 Subject: [NEohioPAL]I need a duck Message-ID: <004c01c5f312$49f374e0$4372bf46@MistressSharon> This is a multi-part message in MIME format. ------=_NextPart_000_0049_01C5F2E8.60C7ABC0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Hi NEOPalers, Beck Center is looking for a duck to be used in the upcoming production = of Beauty & the Beast (directed by Fred Sternfeld, opens Friday, = December 2nd) We need a fairly realistic looking, fake duck that will fall to the = stage each performance. If you happen to have (or can suggest where I might find inexpensively) = a decoy like duck (rubber or plush, not wood) please reply to this eMail = or call me directly at the number below. Thanks for your help! Sharon Epstein Prop Master ~ Beck Center 440-452-4831=20 >^..^< Life is not measured by the number of breaths we take, but by the moments that take our breath away. --George Carlin ------=_NextPart_000_0049_01C5F2E8.60C7ABC0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
Hi NEOPalers,
 
Beck Center is looking for a = duck to be=20 used in the upcoming production of Beauty & the Beast = (directed by=20 Fred Sternfeld, opens Friday, December 2nd)
 
We need a fairly realistic = looking, fake=20 duck that will fall to the stage each performance.
 
If you happen to have (or can = suggest=20 where I might find inexpensively) a decoy like duck (rubber or = plush, not=20 wood) please reply to this eMail or call me directly at the number=20 below.
 
Thanks for your = help!
 
Sharon Epstein
Prop Master ~ Beck = Center
440-452-4831 
 
>^..^<
Life is not = measured by=20 the number of breaths we take,
but by the moments that take our = breath=20 away.
 
--George=20 Carlin
------=_NextPart_000_0049_01C5F2E8.60C7ABC0-- From MeatFree32 at aol.com Sat Nov 26 21:39:47 2005 From: MeatFree32 at aol.com (MeatFree32 at aol.com) Date: Sun, 27 Nov 2005 00:39:47 EST Subject: [NEohioPAL]Start 2006 with Improv Classes: Cleveland Improv Institute! Message-ID: <294.498d24.30baa0a3@aol.com> --part1_294.498d24.30baa0a3_boundary Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit CLEVELAND IMPROV INSTITUTE SESSION 6 IMPROV CLASSES JAN 9th - MAR 2nd Start the New Year off with an exciting, fun and challenging improv class! The Cleveland Improv Institute, home of the "10 Keys " training program will be offering 3 classes this coming session. Classes include: 1. Beginning Improvisation Date: Wednesday Evenings (Jan 11th - Mar 1st) Time: 7pm to 9:30pm Place: The Hermit Club Cost: $160/8 week class Instructor: Marc Moritz 2. Intermediate Improvisation Date: Thursday Evenings (Jan 12th - Mar 2nd) Time: 7pm to 9:30pm Place: The Hermit Club Cost: $160/8 week class Instructor: Marc Moritz 3. Cleveland Improv Conservatory Date: Monday Evenings (Jan 9th - Feb 27th) Time: 7pm to 9:30pm Place: The Hermit Club Cost: $160/8 week class Instructor: Jeffrey Lyn Hall **PAYMENT FOR ALL CLASSES IS DUE BY JANUARY 6TH.** TO REQUEST AN INFORMATIONAL BROCHURE ABOUT THIS EXCITING SESSION OF IMPROV CLASSES, BE PLACED ON OUR MAILING LIST OR TO REGISTER FOR A CLASS YOU CAN CALL US AT: (216) 479-3353 OR EMAIL US AT: treeblanch at aol.com ALS O CHECK US OUT ON THE WEB AT: www.clevelandimprovinstitute.com FOR COMPLETE COURSE OUTLINES, DESCRIPTION OF OUR TRAINING PROGRAM, INSTRUCTOR BIOS AND ALL OTHER INFORMATION ABOUT THE CLEVELAND IMPROV INSTITUTE! --part1_294.498d24.30baa0a3_boundary Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable

CLEVELAND IMPROV INSTI= TUTE=20
SESSION 6 IMPROV CLASSES=20
JAN 9th - MAR 2nd

Start the New Year off with an exciting, fun and challenging imp= rov class!=20

The Cleveland Improv Institute, home of the "10 Keys "  tr= aining program will be offering 3 classes this coming session.

Classes include:=20

1. Beginning Improvisation   
Date:  Wednesday Evenings (Jan 11th - Mar 1st)=20
Time: 7pm to 9:30pm=20
Place: The Hermit Club=20
Cost: $160/8 week class
Instructor: Marc Moritz

2.  Intermediate Improvisation  
Date: Thursday Evenings (Jan 12th - Mar 2nd)=20
Time: 7pm to 9:30pm=20
Place: The Hermit Club=20
Cost: $160/8 week class
Instructor: Marc Moritz=20

3. Cleveland Improv Conservatory  
Date: Monday Evenings (Jan 9th - Feb 27th)=20
Time: 7pm to 9:30pm=20
Place: The Hermit Club=20
Cost: $160/8 week class=20
Instructor: Jeffrey Lyn Hall

**PAYMENT FOR ALL CLASSES IS DUE BY=20
JANUARY 6TH.**

TO REQUEST AN INFORMATIONAL BROCHURE ABOUT THIS EXCITING SESSION OF IMPRO= V CLASSES, BE PLACED ON OUR MAILING LIST OR TO REGISTER FOR A CLASS YOU CAN=20= CALL US AT:
(216) 479-3353 OR EMAIL US AT: treeblanch at aol.com=20

ALS O CHECK US OUT ON THE WEB AT: www.clevelandimprovinstitute.com
FOR COMPLETE COURSE OUTLINES, DESCRIPTION OF OUR TRAINING PROGRAM, &nb= sp; INSTRUCTOR BIOS AND ALL OTHER INFORMATION ABOUT THE CLEVELAND IMPRO= V INSTITUTE!














--part1_294.498d24.30baa0a3_boundary-- From royberko at yahoo.com Sun Nov 27 09:12:22 2005 From: royberko at yahoo.com (Roy Berko) Date: Sun, 27 Nov 2005 09:12:22 -0800 (PST) Subject: [NEohioPAL]Berko review: 'LOVE, JANIS' (Hanna Theatre) Message-ID: <20051127171223.66018.qmail@web33108.mail.mud.yahoo.com> Love Rock and Roll? ?Love, Janis? is your thing! Roy Berko (Member, American Theatre Critics Association) --THE TIMES NEWSPAPERS-- Lorain County Times--Westlaker Times--Lakewood News Times--Olmsted-Fairview Times "Some people live, some survive. I'm a survivor. I plan to be around for a long time." Those were the words of legendary rock singer Janis Joplin, whose life story, ?LOVE, JANIS? is now on stage at the Hanna Theatre. As it turned out, Joplin was wrong. She died before her twenty-eighth birthday of an overdose of morphine and heroin. Noted for her wailing blues sound, Janis Joplin broke the mold of traditionally pretty band singers, so prevalent during the 50s and early 60s, to become one of the icons of rock music. But in spite of her fame, she couldn?t overcome her self-destructive instincts Born Janis Lyn Joplin on January 19, 1943 in Port Arthur, Texas, a small Southern petroleum industry town, she proved early in life to be a rebel. She broke with local social traditions during the tense days of racial integration, standing up for the rights of African Americans whose segregated status in her hometown conflicted with Janis?s youthful ideals. She, along with fellow beatnik-leaning high school friends, pursued the non-traditional via arts and literature, especially music. She found her voice and was soon playing in coffee houses in the small towns of Texas. After a short stint in college her big break came. Chet Helms, a Lone Star state friend who was living in San Francisco, called to offer her a singing audition with an up-and-coming local group. Janis accepted, went to California and became the lead singer for "Big Brother and the Holding Company.? And, as the saying goes, ?the rest is history.? ?LOVE, JANIS? was created by Joplin?s sister, Laura, whose goal was to show a side of the legendary singer that her fans may not have known. Through the use of pictures, letters that Janis wrote to her parents, and her songs, we learn of the star?s life. Or, at least the life her sister wants us to see. The performance piece has an interesting premise. There are two Janises. One, the performer who puts on a face and a voice for the world, and the private Janis who wrote letters which indicated her successes and self doubts. Both Janises appear on stage, sometimes solely, sometimes together. This is accomplished by having two actresses portray the single person. One sings, the other speaks. The present Cleveland production (in 1999 the Cleveland Play House mounted a very successful version) has two casts. I saw the duo of Katrina Chester as the singing Janis and Helen Coxe as the speaking Janis. Chester has a big voice. She sings with gusto and lets loose with ease. I, at points, found her voice shrill and the song interpretations to be words rather than meanings, stressing the emotion rather than the meanings. A woman who shared my table at the performance, and who is a Janis fanatic, indicated that Chester, though good, didn?t have the audience-commanding presence of the original star. I found Helen Coxe, who played the speaking role, unimpressive. She was constantly fiddling with her hair, seemed uncertain on stage and failed to develop a textured character. She simply didn?t display the emotional core of the character. She was missing the inner fire of a woman in chaos. Local Cleveland favorite, Paul Floriano, is the off-stage voice who questions Janis and makes transitional comments. On the way into the theatre the usher handed me a pair of ear plugs. She said, ?Believe me, honey, you?ll need these.? She was right. Sitting in the first row, immediately in front of a huge speaker, my chair actually vibrated from the base notes. After a while the sound so overshadowed the singing, that I was hearing ?boom, boom, boom,? not words. I wish that bands would realize they are playing backup to the singer and if we can?t hear the lyrics, there is no sense in having a singer. CAPSULE JUDGEMENT: If you love rock and roll, if you are a Janis Joplin fan, you?ll like the concert segments of ?LOVE, JANIS.? If you have sensitive ears and aren?t into rock, there are probably shows around town that will be more to your liking. For tickets to ?LOVE, JANIS,? which is in an open ended run at the Hanna Theatre, 2067 East 14th Street, call 216-241-6000, 800-766-6048 or go on-line to www.playhousesquare.com. Roy Berko's web page can be found at www.royberko.info. His theatre and dance reviews appear on NeOHIOpal, an on-line source. To subscribe to this free service via the World Wide Web, visit http://lists.fredsternfeld.com/mailman/listinfo/neohiopal. __________________________________ Yahoo! Music Unlimited Access over 1 million songs. Try it free. http://music.yahoo.com/unlimited/ From MeatFree32 at aol.com Sun Nov 27 10:32:09 2005 From: MeatFree32 at aol.com (MeatFree32 at aol.com) Date: Sun, 27 Nov 2005 13:32:09 EST Subject: [NEohioPAL]Session 6 Instructors:Cleveland Improv Institute Message-ID: <6b.52680412.30bb55a9@aol.com> --part1_6b.52680412.30bb55a9_boundary Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit CLEVELAND IMPROV INSTITUTE The Cleveland Improv Institute announces its 6th Session, running January 9th through March 2nd. We are proud to introduce you to our Session 6 instructors: Marc Moritz and Jeffrey Lyn Hall. We invite you to take a moment to learn more about these incredible instructors! Marc Moritz - Master Teacher Marc originated the role of Talk Show Host in the original Broadway production of the Sondheim/Prince musical Merrily We Roll Along. Theaters worked in include: The Cleveland Playhouse, Long Wharf, Goodman, New Harmony, Cain Park, Dobama and many more. Marc was the Founder/Director of the Cleveland based Giant Portions Improv Troupe. His improv training includes stints at ImprovOlympic and extensive workshops with Paul Sills, Del Close and Charna Halpern. He currently teaches acting at Lakeland Community College as well as Improv at Beck Center and is on staff at Chicago's Second City Training Center. Marc is also a Guest Artist with The University Circle Early Educational Enrichment Program - bringing Improv and other Creative Dramatics into area schools (COURSES OFFERED FOR SESSION 6) Beginning Improvisation This class introduces and addresses keys 1 through 5 of our "10 Keys" Training Program. Games and exercises are utilized in the development of the vital skills required for improvisation. These 5 keys include: building trust/breaking down sub-conscious walls & barriers, physical action, environment creation, object reality and truth in the moment. Fun and challenging mental/physical exercises utilizing these 5 keys will be the focus of the training for this class. All Are Welcome To Participate Intermediate Improvisation This class introduces and addresses keys 6 through 10 of our "10 Keys" Training Program. These 5 keys include: character development, relationship creation, yes and, emotional commitment and give and take. The use of fun and challenging ensemble mental/physical games and exercises utilizing these 5 keys while incorporating the first 5 keys within the class curriculum will be the focus of the training for this class. PreReq:Beginning Improvisation ______________________________________________________ Jeffrey Lyn Hall- Instructor Having started his career in Italian Commedia del Arte at the Teatro Arsenale in Milan, Italy, Jeffrey Lyn Hall has spent the last 27 years in professional study, teaching and performance. With degrees in theatre from Geneva College, the University of Akron and Theatre of Louisville, Jeffrey has worked as an actor, director, acrobat, clown and standup comic. In 1979, Jeffrey has the rare opportunity to study improvisation in Chicago with the legendary Del Close and performed under the direction of Betty Thomas in the Improv Olympic group Orphaned Babies. Jeffrey is currently the Artistic Director of Beatnik Lingo Entertainment, an improv comedy organization that has staged the immensely popular improv/sketch comedy shows BEATNIK and VINE and the short form improv show BEAT OFF-BEAT! Jeffrey has taught classes in improv/acting/directing at Geneva College, University of Akron, University of Louisville as well as being a former faculty member of The Second City (Cleveland), where he taught all levels of students. (COURSE OFFERED FOR SESSION 6) Cleveland Improv Conservatory Students must have successfully completed the Scene Construction Intensive class or be able to demonstrate comprehensive knowledge of those skills listed in the Advanced and Scene Construction syllabus including: scene structure, performance games, 10 Keys of Improv, long form and short form creation and improvisation. Emphasis will be placed on the development of performance skills, the construction of the "ensemble" within specific forms (short and longform)and the ability to work within and demonstrate knowledge pertaining to said specific forms (short and longform). PreReq:Scene Construction If you would like to have an informational brouchure sent to you, be put on our mailing list or register for a class you can email us at: treeblanch at aol.com or call us: 216-479-3353 Check us out on the web at: www.clevelandimprovinstitute.com --part1_6b.52680412.30bb55a9_boundary Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable

CLEVELAND IMPROV IN= STITUTE


The Cleveland Improv Institute announces its 6th Session, running Januar= y 9th through March 2nd.  We are proud to introduce you to our Session=20= 6 instructors: Marc Moritz and Jeffrey Lyn Hall.  We invite you to take= a moment to learn more about these incredible instructors!   &nbs= p;   

Marc Moritz - Master Teacher
Marc originated the role of Talk Show Host in the original Broadway prod= uction of the Sondheim/Prince musical Merrily We Roll Along. Theaters worked= in include: The Cleveland Playhouse, Long Wharf, Goodman, New Harmony, Cain= Park, Dobama and many more. Marc was the Founder/Director of the Cleveland=20= based Giant Portions Improv Troupe. His improv training includes stints at I= mprovOlympic and extensive workshops with Paul Sills, Del Close and Charna H= alpern. He currently teaches acting at Lakeland Community College as well as= Improv at Beck Center and is on staff at Chicago's Second City Training Cen= ter. Marc is also a Guest Artist with The University Circle Early Educationa= l Enrichment Program - bringing Improv and other Creative Dramatics into are= a schools

(COURSES OFFERED FOR SESSION 6)
Beginning Improvisation
This class introduces and addresses keys 1 through 5 of our "10 Ke= ys" Training Program. Games and exercises are utilized in the developmen= t of the vital skills required for improvisation. These 5 keys include: buil= ding trust/breaking down sub-conscious walls & barriers, physical action= , environment creation, object reality and truth in the moment. Fun and chal= lenging mental/physical exercises utilizing these 5 keys will be the focus o= f the training for this class. All Are Welcome To Participate=20

Intermediate Improvisation
This class introduces and addresses keys 6 through 10 of our "10 K= eys" Training Program. These 5 keys include: character development, rela= tionship creation, yes and, emotional commitment and give and take. The use=20= of fun and challenging ensemble mental/physical games and exercises utilizin= g these 5 keys while incorporating the first 5 keys within the class curricu= lum will be the focus of the training for this class. PreReq:Beginnin= g Improvisation =20
=20

______________________________________________________


Jeffrey Lyn Hall- Instructor
Having started his career in Italian Commedia del Arte at the Teatro Ars= enale in Milan, Italy, Jeffrey Lyn Hall has spent the last 27 years in profe= ssional study, teaching and performance. With degrees in theatre from Geneva= College, the University of Akron and Theatre of Louisville, Jeffrey has wor= ked as an actor, director, acrobat, clown and standup comic. In 1979, Jeffre= y has the rare opportunity to study improvisation in Chicago with the legend= ary Del Close and performed under the direction of Betty Thomas in the Impro= v Olympic group Orphaned Babies. Jeffrey is currently the Artistic Director=20= of Beatnik Lingo Entertainment, an improv comedy organization that has stage= d the immensely popular improv/sketch comedy shows BEATNIK and VINE and the=20= short form improv show BEAT OFF-BEAT! Jeffrey has taught classes in improv/a= cting/directing at Geneva College, University of Akron, University of Louisv= ille as well as being a former faculty member of The Second City (Cleveland)= , where he taught all levels of students.

(COURSE OFFERED FOR SESSION 6)
Cleveland Improv Conservatory
Students must have successfully completed the Scene Construction Inte= nsive class or be able to demonstrate comprehensive knowledge of those skill= s listed in the Advanced and Scene Construction syllabus including: scene st= ructure, performance games, 10 Keys of Improv, long form and short form crea= tion and improvisation. Emphasis will be placed on the development of perfor= mance skills, the construction of the "ensemble" within specific forms (shor= t and longform)and the ability to work within and demonstrate knowledge pert= aining to said specific forms (short and longform).
PreReq:Scene Construction=20


If you would like to have an informational brouchur= e sent to you, be put on our mailing list or register for a class you can em= ail us at:
treeblanch at aol.com  or call us: 216-479-3353
Check us out on the web at:
www.clevelandimprovinstitute.com

=20
=20
=20

=20
=20
=20
=20

--part1_6b.52680412.30bb55a9_boundary-- From secylady66 at hotmail.com Sun Nov 27 10:36:06 2005 From: secylady66 at hotmail.com (Leigh Anderson) Date: Sun, 27 Nov 2005 13:36:06 -0500 Subject: [NEohioPAL]Need a custom designed murder mystery Message-ID:
We've had a few replies but we're still looking for the right fit.  We would like a company who is established and used to doing this sort of show. 
 
We would like a murder mystery custom designed for our company's clients and spouses.  (approximately 80 people)  We would like it to involve our clients but not make them BE the actors.  This is going to be a surprise so we need it to be GOOD!  We are looking at a weeknight in February and we have a venue and food already.  We also would like the humor to be clean so as not to offend anyone.

Find just what you're after with the new, more precise MSN Search - try it now! From pjsings at sbcglobal.net Sun Nov 27 11:16:41 2005 From: pjsings at sbcglobal.net (Patrick Clement) Date: Sun, 27 Nov 2005 11:16:41 -0800 (PST) Subject: [NEohioPAL]I need a job Message-ID: <20051127191641.60394.qmail@web82007.mail.mud.yahoo.com> --0-1547616902-1133119001=:60386 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Happy Holidays everyone! I'm sending out a post for a job....I need a job for December...anything offers or ideas would be great!! Even not theatre related wold be great....I just need the extra cash this year.Thanks and stay fabulous! Best, Patrick Clement --0-1547616902-1133119001=:60386 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
Happy Holidays everyone! I'm sending out a post for a job....I need a job for December...anything offers or ideas would be great!!  Even not theatre related wold be great....I just need the extra cash this year.Thanks and stay fabulous!
 
Best,
Patrick Clement
--0-1547616902-1133119001=:60386-- From PierogiProductOH at aol.com Sun Nov 27 12:43:46 2005 From: PierogiProductOH at aol.com (PierogiProductOH at aol.com) Date: Sun, 27 Nov 2005 15:43:46 -0500 Subject: [NEohioPAL]Shameless self promotion Message-ID: <1698BC1B.18B3C369.6350EC03@aol.com> In case any of you read the Sunday edition of the Plain Dealer, Nutty, our spokes-puppet for Natural Bridges LLC & NB Puppets is featured in the PDQ section on the second page underthe "They Love" heading. Thank you. Kirk Lawrence Maynard President & Puppet Director Natural Bridges LLC PO Box 30688 Cleveland, Ohio 44130 Phone: 1-888-866-4877 Email: ?? President at thenaturalbridges.com Web: ?? ?? www.thenaturalbridges.com ???If you can dream it, we can create it.??? From higbee at chsaviour.org Sun Nov 27 13:33:35 2005 From: higbee at chsaviour.org (Judith Higbee) Date: Sun, 27 Nov 2005 16:33:35 -0500 Subject: [NEohioPAL]East side church seeks bass soloist/section leader Message-ID: <002e01c5f39a$3950b1b0$80fea8c0@church.chsaviour.org> This is a multi-part message in MIME format. ------=_NextPart_000_002F_01C5F370.507AA9B0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Church of the Saviour in Cleveland Hts. is looking for a bass soloist/section leader. We have hired a tenor section leader for about 10 years and now are adding a bass to the Chancel Choir. Rehearsals are on Thursdays from 7:30-9:15 p.m. and the choir sings regularly at the 11:00 a.m. worship service. We average about 30 singers on a Sunday morning and do traditional repertoire of the past and music by living composers as well. We are preparing to present Mozart's Coronation Mass in February. For more information please contact: Judith Higbee Director of Music Church of the Saviour (United Methodist) 2537 Lee Road Cleveland Hts., OH 44118 216-321-8880 higbee at chsaviour.org ------=_NextPart_000_002F_01C5F370.507AA9B0 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

Church of the Saviour in = Cleveland Hts. is looking for a bass soloist/section = leader.  =

We have hired a tenor section leader for about = 10 years and now are adding a bass to the Chancel Choir. Rehearsals are on Thursdays from 7:30-9:15 = p.m. and the choir sings regularly at the 11:00 = a.m. worship service. We average about 30 singers on a Sunday morning and do = traditional repertoire of the past and music by living composers as well. We = are preparing to present Mozart's Coronation Mass in = February.  

 

For more information please = contact:

Judith Higbee

Director of Music

Church of the Saviour (United = Methodist)

2537 Lee = Road

Cleveland = Hts., = OH= = 44118

216-321-8880

higbee at chsaviour.org

 

=

 

=

 

------=_NextPart_000_002F_01C5F370.507AA9B0-- From sgyorki at sbcglobal.net Sun Nov 27 14:00:24 2005 From: sgyorki at sbcglobal.net (Sarah Gyorki) Date: Sun, 27 Nov 2005 14:00:24 -0800 (PST) Subject: [NEohioPAL]Arts Collinwood gallery - new glass show Message-ID: <20051127220024.77696.qmail@web81202.mail.mud.yahoo.com> --0-809975209-1133128824=:77257 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Contact(216)692-9500 www.artscollinwood.org Board Zachary Coleman, Chair Nancy Kennedy, President Cynthia Szafraniec, Secretary/Treasurer Kathy Baker Cindy Barber Martha Ferrazza Melanie Fioritto Brian Friedman Fred Kreiner Nancy Prudic Executive Director Sarah Gyorki Arts Collinwood would like to thank Councilman Michael Polensek. Neighborhood Connections (a small grants program of the Cleveland Foundation), HOPE, Immanuel Presbyterian Church, the Collinwood Golden Age Center, Memorial Nottingham library, our artist and resident members, and the supporting merchants of North Collinwood for helping to make these programs possible. Arts Collinwood Gallery Contacts: Sarah Gyorki 216-692-9500 216-383-1465 (home) Opening Reception for the Glass and Ceramics Exhibit (Through the end of December) Friday December 2, 2005 6pm-10pm 15605 Waterloo Road Cleveland, Ohio (near I-90 at the E. 156th Street exit) Gallery Hours Thurs -Fri. 6-9pm Sat.-Sun. 1-5pm Various artists including: Michael Mikula Rene Culler Patty Kozorevski Susan Gallagher Sue Barry Jack Rotar ? and others --0-809975209-1133128824=:77257 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit

Contact

(216)692-9500

www.artscollinwood.org

 

 

 

 

Board

Zachary Coleman,
Chair

Nancy Kennedy,
President

Cynthia Szafraniec, Secretary/Treasurer

Kathy Baker

Cindy Barber

Martha Ferrazza

Melanie Fioritto

Brian Friedman

Fred Kreiner

Nancy Prudic

 

 

 

 

Executive Director

Sarah Gyorki

 

 

 

 

 

Arts Collinwood would like to thank Councilman Michael Polensek. Neighborhood Connections (a small grants program of the Cleveland Foundation), HOPE, Immanuel Presbyterian Church, the Collinwood Golden Age Center, Memorial Nottingham library, our artist and resident members, and the supporting merchants of North Collinwood for helping to make these programs possible.

 

 

 

 


 

 

 


Arts Collinwood Gallery

Contacts:

Sarah Gyorki   216-692-9500
                        216-383-1465 (home)

 

Opening Reception for the

 

Glass and Ceramics Exhibit

(Through the end of December)

 

Friday December 2, 2005

6pm-10pm

 

15605 Waterloo Road

Cleveland, Ohio

(near I-90 at the E. 156th Street exit)

 

 

Gallery Hours  Thurs -Fri.  6-9pm

Sat.-Sun.  1-5pm

 

Various artists including:

Michael Mikula

Rene Culler

Patty Kozorevski

Susan Gallagher

Sue Barry

Jack Rotar

? and others

 

 

 

 

 

--0-809975209-1133128824=:77257-- From bjbowers4584 at yahoo.com Sun Nov 27 15:03:21 2005 From: bjbowers4584 at yahoo.com (Brian Bowers) Date: Sun, 27 Nov 2005 15:03:21 -0800 (PST) Subject: [NEohioPAL]Great health discounts for artists! Message-ID: <20051127230321.40438.qmail@web35014.mail.mud.yahoo.com> --0-2043590955-1133132601=:40219 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit Hey guys, I just found a great deal for anyone with little or no health insurance. AmeriPlan offers several options including Dental, Prescription, Eyeglass, and Chiropractic discounts for less than $12 a month for an individual?they also have a full health program including doctor visits, specialists, and lab work for under $50 a month. This is a great deal for artists who may not have insurance through a union or their full-time jobs. AmeriPlan has been around for over 12 years and is in good standing with the Better Business Bureau. There are tons of providers in the area?I just found out about them, and highly recommend them. Also, it?s a discount program (as opposed to regular insurance) so they take everyone, there are no claim forms to deal with, and no deductibles! Best of all?if you join before November 30th, your first month is half price! That means you can get the Dental, Prescription, Eyeglass, and Chiropractic plan for just $5.95 the first month, or the full Health Plan for just $24.99 the first month! Check out www.deliveringonthepromise.com/40303314 and click on the link that says ?Save Money? for more information. Find out about business opportunities by clicking on the ?Make Money? link. (I liked what I heard so much I?m working for them part time!) I can answer further questions by email at BBowers at ameriplan.net or by phone at 216-288-7743. Happy Holidays! Brian Bowers AmeriPlan, Independent Broker --------------------------------- Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --------------------------------- Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --0-2043590955-1133132601=:40219 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
 
Hey guys, I just found a great deal for anyone with little or no health insurance.  AmeriPlan offers several options including Dental, Prescription, Eyeglass, and Chiropractic discounts for less than $12 a month for an individual?they also have a full health program including doctor visits, specialists, and lab work for under $50 a month.  This is a great deal for artists who may not have insurance through a union or their full-time jobs.  AmeriPlan has been around for over 12 years and is in good standing with the Better Business Bureau.  There are tons of providers in the area?I just found out about them, and highly recommend them.  Also, it?s a discount program (as opposed to regular insurance) so they take everyone, there are no claim forms to deal with, and no deductibles!
 
Best of all?if you join before November 30th, your first month is half price!  That means you can get the Dental, Prescription, Eyeglass, and Chiropractic plan for just $5.95 the first month, or the full Health Plan for just $24.99 the first month!
 
Check out www.deliveringonthepromise.com/40303314 and click on the link that says ?Save Money? for more information.  Find out about business opportunities by clicking on the ?Make Money? link.  (I liked what I heard so much I?m working for them part time!)  I can answer further questions by email at BBowers at ameriplan.net or by phone at 216-288-7743. 
 
Happy Holidays!
 
Brian Bowers
AmeriPlan, Independent Broker

Yahoo! Music Unlimited - Access over 1 million songs. Try it free.

Yahoo! Music Unlimited - Access over 1 million songs. Try it free. --0-2043590955-1133132601=:40219-- From higbee at chsaviour.org Sun Nov 27 13:41:11 2005 From: higbee at chsaviour.org (Judith Higbee) Date: Sun, 27 Nov 2005 16:41:11 -0500 Subject: [NEohioPAL]Auditions for The Crucible Message-ID: <003d01c5f39b$491831d0$80fea8c0@church.chsaviour.org> This is a multi-part message in MIME format. ------=_NextPart_000_003E_01C5F371.604229D0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Arts in the Cathedral of Church of the Saviour, 2537 Lee Road, Cleveland Heights, announces auditions for Arthur Miller's play The Crucible on Saturday, December 3, 2005 from 9 a.m. to noon. Cast includes 10 men and 10 women. Some roles are available for younger females and there is one female role for person of color from Barbados. Set at the time of the Puritan witchcraft trials, Miller's masterpiece retains its power as a parable of our contemporary society. It will be done in period costume with minimal scenery as the author wished. Actors should be familiar with the script and be willing to read for different roles. Performance dates are March 3, 4 at 8 p.m. and March 5, 2006 at 3 p.m. Director is Dick Meadows who can be reached for details at 216-321-7698 daytime. Dick's directing credits include Cain Park, The Jewish Community Center, Theatre in the Valley, and Cuyahoga Community College. Contact: Dick or Marilyn Meadows 216-321-7698 Judith Higbee, Director of Music 216-321-8880 November 10, 2005 Judith Higbee Director of Music Church of the Saviour 2537 Lee Road Cleveland Heights, OH 44118 higbee at chsaviour.org ------=_NextPart_000_003E_01C5F371.604229D0 Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

 

=

Arts in the Cathedral of Church of the = Saviour, 2537 Lee Road, Cleveland Heights, = announces auditions for Arthur Miller's play The Crucible on Saturday, December 3, 2005 from 9 a.m. to noon.  Cast includes 10 men and 10 women.  Some roles are available for younger females and there is one = female role for person of color from = Barbados.

 

Set at the time of the Puritan witchcraft trials, Miller's masterpiece retains its power as a parable of our contemporary = society.  It will be done in period = costume with minimal scenery as the author wished. Actors should be familiar with the = script and be willing to read for different roles.

 

Performance dates are March 3, 4 at 8 p.m. and = March 5, = 2006 at 3 p.m. Director is = Dick Meadows who can be reached for details at 216-321-7698 daytime.  Dick's directing credits = include Cain = Park, The Jewish Community Center, Theatre in the Valley, and = Cuyahoga = Community College.

 

Contact: Dick or Marilyn Meadows  = 216-321-7698

 

Judith Higbee, Director of Music = 216-321-8880

 

November 10, = 2005

 

 

Judith Higbee

Director of Music

Church of the Saviour

2537 Lee = Road

Cleveland Heights, = OH = 44118

higbee at chsaviour.org

 

 

=

 

------=_NextPart_000_003E_01C5F371.604229D0-- From tcgofohio at hotmail.com Sun Nov 27 11:39:09 2005 From: tcgofohio at hotmail.com (Cohen Robert) Date: Sun, 27 Nov 2005 14:39:09 -0500 Subject: [NEohioPAL]TCG of Ohio - "Best of" Message-ID: Theatre Communications Group of Ohio (TCG) is a newly formed Arts Agency based in Columbus, Ohio. TCG's mission: to strengthen, nurture and promote Northeast Ohio not-for-profit Theatre Arts.. TCG believes that theatre arts plays a significant role on the culture of Northeast Ohio and as a strong public and cultural advocate of theatre, TCG's prime directive is to promote a meaningful role for theatre arts in the lives of Northeast Ohio individuals, families and communities. Through strategic planning, data collection and audience surveys, TCG has developed the Member Audience Foundation. MAF's primary goal is to administer a range of audience development programs that will encourage attendance, assistance and education for theatre arts. TCG's Member Audience Foundation is also designed to allow it's audience members to pay tribute to individuals and organizations for outstanding achievements, contributions and service to Northeast Ohio Theatre Arts. At this time TCG would like to recognize the outstanding achievements and efforts of the following organizations and individuals: Best Musical - RAGTIME, produced by The Jewish Community Center of Cleveland in Association with Cuyahoga Community College East Campus Theatre Arts. RAGTIME was the blockbuster of the year! Best Play - The Exonerated, produced by the Dobama Theatre Company. Simple, eloquent and incredibly powerful. Best Director - Fred Sternfeld, RAGTIME. Mr. Sternfeld's best work! Stunning! Best Actress - Elizabeth Ann Townsend - THE EXONERATED. A gifted actress who's performance demonstrated humanity, dignity, courage and strength. Best Actor - Brian Zoldessy, TO KNOW HIM. One of the best performances by an actor this city has seen. Rich, detailed, powerful and very moving. Best Theatre Company - THE GREAT LAKES THEATRE FESTIVAL. Under the direction of Charles Fee, GLTF has become a truly fine theatre company, providing entertaining and delightful productions. _________________________________________________________________ Express yourself instantly with MSN Messenger! Download today - it's FREE! http://messenger.msn.click-url.com/go/onm00200471ave/direct/01/ From Grumio85 at aol.com Sun Nov 27 16:06:03 2005 From: Grumio85 at aol.com (Grumio85 at aol.com) Date: Sun, 27 Nov 2005 19:06:03 EST Subject: [NEohioPAL]Beck Center--- Seeks laborer Message-ID: <26a.c8a6a6.30bba3eb@aol.com> -------------------------------1133136363 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Beck Center is seeking someone with day hours (9AM to 6PM) this week to assist on final preparations for our production of "Beauty and the Beast". The ideal candidate will possess some carpentry and light painting skills--- basically a jack-of-all-trades! Compensation negotiable. Looking for some temp work? Reply to this message at your earliest convenience. :) Thank You! Scott Spence Beck Center -------------------------------1133136363 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable
Beck Center is seeking someone with day hours (9AM to 6PM) this we= ek to assist on final preparations for our production of "Beauty and the= Beast". The ideal candidate will possess some carpentry and light pain= ting skills--- basically a jack-of-all-trades! Compensation negotiable.
 
Looking for some temp work? Reply to this message at your earliest conv= enience. :)
 
Thank You!
 
Scott Spence
Beck Center
-------------------------------1133136363-- From Bailarte at aol.com Sun Nov 27 16:24:08 2005 From: Bailarte at aol.com (Bailarte at aol.com) Date: Sun, 27 Nov 2005 19:24:08 EST Subject: [NEohioPAL]Latin-American Dance Styles Workshops by...SUSANA Message-ID: <200.e8370ee.30bba828@aol.com> -------------------------------1133137448 Content-Type: text/plain; charset="US-ASCII" Content-Transfer-Encoding: 7bit Greetings! (What better than a workout that changes your body, mantains your waist-line, brings your stamina up, conserves or raises your inmune system, and of all work outs out there, Latin-American dance...( well done ) is the one that keeps your body looking great, plus the fun and delight of the authentic Afro-Caribbean and American music is UNIQUE!) I will be teaching a 3 week workshop in fundamental Afro-Latin-American dance rhythms, ( no partner necessary) I use various techniques in all my classes, but I am focused on the integrity of the Latin Styles when I teach Salsa, Merengue, Cumbia, Ruma, Samba etc.etc. Please if you are interested and would like to make a commitment, let me know. These set of workshop will be held on January,thursdays at 7PM, ( will announce asap the exact dates). Where? at Shore Cultural Centre in Euclid (299 East 222nd Street, room 243 .....right in front of the Euclid Value City, dept. store) Please respond to this message or you can call me at: (216) 269-6985 The cost will be prepaid $45 "...Susana Weingarten de Evert is a world class teacher whose energy is contagious. When she is teaching Latin-American rhythms her enthusiasm and happiness is obvious and one can not resist the enjoyment and happiness of the fabulous music that she uses, the flow of movement and the way her body moves...she is an inspiration to all her students...." The Chicago Tribune.....June 2004 -------------------------------1133137448 Content-Type: text/html; charset="US-ASCII" Content-Transfer-Encoding: quoted-printable    Greetings!= =20
(What better=20= than a workout that changes your body, mantains your waist-line, brings your= stamina up, conserves or raises your inmune system, and of all work ou= ts out there, Latin-American dance...( well done ) is the one that keeps you= r body looking great, plus the fun and delight of the authentic Afro-Cari= bbean and American music is UNIQUE!)
 
I will be teachin= g a 3 week workshop in fundamental Afro-Latin-American dance rhythms, (= no partner necessary)
 
 
I use various tec= hniques in all my classes, but I am focused on the integrity of the Lat= in Styles when I teach Salsa, Merengue, Cumbia, Ruma, Samba etc.etc= .
 
Please if you= are interested and would like to make a commitment, let me know.
<= /STRONG> 
 These = set of workshop will be held on January,thursdays at 7PM,  ( w= ill announce asap the exact dates).
<= /STRONG> 
Where? at Shore Cultural Centre in Euclid (299 Eas= t 222nd Street, room 243 .....right in front of the Euclid Value City, dept. store)
&= nbsp;
Please respon= d to this message or you can call me at:
(216) 269-6985
&= nbsp;
The cost will= be prepaid
$45
"...Susana Weingarten de Evert is a world class teacher whose e= nergy is contagi= ous. When she is teaching Latin-American rhyt= hms her enthusiasm and happiness is obvious and one can not resist the enjoyment and happiness of the fa= bulous music that she uses, the flow of movement and the way her body moves.= ..she is an inspiration to all her students...."=
The Chicago Tr= ibune.....June 2004
-------------------------------1133137448-- From performingarts at karamu.com Sun Nov 27 16:58:31 2005 From: performingarts at karamu.com (Performing Arts) Date: Sun, 27 Nov 2005 19:58:31 -0500 Subject: [NEohioPAL]AUDITIONS for one of the hippest plays to ever come through Karamu's TOPS outreach program. Message-ID: <047d01c5f3b6$dac88920$5701a8c0@karamu.com> This is a multi-part message in MIME format. ------=_NextPart_000_047A_01C5F38C.F1184DC0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable A HIP HOP AESOP by Je Franklin Told through hip hop with a grooving beat, this new, original and = facinating piece is written by legendary Black Arts Movement and New = York playwright J e Franklin. Author of works such as the classic = Off-Broadway play "Black Girl," (also film directed by the late Ossie = Davis) and "Grey Panthers: Coming to the Mercy Seat."=20 Seeking a multiracial cast of six actors/actresses ages 19 or older, who = can move and groove to the hip hop beat. Must be available during school = hours. Sides will be provided with music. Slam poets are also welcome. = Actors will also be considered for the outreach production of "Langston = Listens to America", dramatized poems written by late Karamu alum = Langston Hughes. The outreach program will tour the Cleveland area and = beyond starting Winter 2006. Audition Dates: Friday, December 9th (Please call for audition = appointment) December 10th, 10AM - 1PM = Where: Karamu House, = 2355 East 89th=20 =20 A HIP HOP AESOP is an adaptation of the ancient fables of Aesop in the = form of Three-Minute plays written in unforgettable hip hop rhythms and = accompanied by catchy musical numbers. The works stay true to the = ancient wisdom of Aesop, who used fables to point out our human foibles, = as Jesus would later use parables to teach his disciples. Aesop was a = Greek-born slave of Ethiopian ancestry, born deformed and unable to = speak, until the Priestess Isis, rewarding him for some deed he = performed, miraculously restored his speech. He lived 600 years before = Christ. For audition appointments for Friday, December 9th, please call = 216-795-7070 ext. 242. =20 ------=_NextPart_000_047A_01C5F38C.F1184DC0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable

A HIP HOP=20 AESOP by Je Franklin

Told through = hip hop=20 with a grooving beat, this new, original and facinating piece is = written by=20 legendary Black Arts Movement and New=20 York playwright J e Franklin. Author of works such as the = classic=20 Off-Broadway play "Black Girl," (also film directed by the late = Ossie=20 Davis) and "Grey Panthers: Coming to the Mercy=20 Seat." 

Seeking a=20 multiracial cast of six actors/actresses ages 19 or older, = who can move and groove to the hip hop=20 beat. Must be available during school hours. Sides will be = provided=20 with music. Slam poets are also welcome. Actors will also be considered = for the=20 outreach production of "Langston Listens to America", dramatized poems = written=20 by late Karamu alum Langston Hughes.  The outreach program will = tour the=20 Cleveland area and beyond starting Winter 2006.

Audition = Dates:=20 Friday, December=20 9th (Please call for audition=20 appointment)          = December=20 10th, 10AM -=20 1PM           &nbs= p;            = ;            =             &= nbsp;           &n= bsp;           &nb= sp;   =20 Where: Karamu House, 2355 East 89th 

           =             &= nbsp;           &n= bsp;           &nb= sp;   =20

A HIP HOP = AESOP is an=20 adaptation of the ancient fables of Aesop in the form of Three-Minute = plays=20 written in unforgettable hip hop rhythms and accompanied by catchy = musical=20 numbers.  The works stay true to the ancient wisdom of Aesop, who = used=20 fables to point out our human foibles, as Jesus would later use parables = to=20 teach his disciples.  Aesop was a Greek-born slave of Ethiopian = ancestry,=20 born deformed and unable to speak, until the Priestess Isis, rewarding = him for=20 some deed he performed, miraculously restored his speech. He lived 600 = years=20 before Christ.

For audition = appointments for Friday, December 9th, please call 216-795-7070 ext.=20 242.


 


------=_NextPart_000_047A_01C5F38C.F1184DC0-- From performingarts at karamu.com Sun Nov 27 17:16:45 2005 From: performingarts at karamu.com (Performing Arts) Date: Sun, 27 Nov 2005 20:16:45 -0500 Subject: [NEohioPAL]Auditions for the third production of Karamu's "Raising The Roof Revival" season: THE COLORED MUSEUMolored Message-ID: <048c01c5f3b9$66bba500$5701a8c0@karamu.com> This is a multi-part message in MIME format. ------=_NextPart_000_0489_01C5F38F.7D0241E0 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable THE COLORED MUSEUM by George C. Wolfe (Comedy Satire) This is the classic that placed Wolfe, former Artistic Director for the = Public Theatre in New York City, on the map as a playwright. It was = first produced in 1986 in New Brunswick, New Jersey at Crossroads = Theatre. It is one of the most original and sought out plays in American = Theatre. Wolfe pulls no punches or kicks to the ribs, heart or funny = bone as he views Black history through a satirical microscope; exploring = a series of eleven exhibits such as "Git on Board", "Cookin' With Aunt = Ethel", "The Last Mama-On-The-Couch Play", and the scathing "Soldier = with a Secret". This museum is funky and outrageous. Caroline = Jackson-Smith, Director Seeking 3 women, African American 2 men, African American Cast Age Range: 20's - 40's Auditioners can come with prepared monologues and/or read from sides = which will be available at the audition. When: Saturday, December 10th- 2PM - 4PM Monday, December 12th- 5PM - 8PM Where: Karamu House, 2355 East 89th Street Rehearsals start date TBA at auditions. The production opens January = 27- February 19, 2006 in the 100 seat Arena. =20 For more information, please call 216-795-7070 ext. 242 ------=_NextPart_000_0489_01C5F38F.7D0241E0 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable

THE COLORED MUSEUM by = George C.=20 Wolfe (Comedy Satire)
This is the classic that = placed=20 Wolfe, former Artistic Director for the Public Theatre in New York City, = on the=20 map as a playwright.  It was first produced in 1986 in New = Brunswick, New=20 Jersey at Crossroads Theatre. It is one of the most original and sought = out=20 plays in American Theatre. Wolfe pulls no punches or kicks to the ribs, = heart or=20 funny bone as he views Black history through a satirical microscope; = exploring a=20 series of eleven exhibits such as "Git on Board", "Cookin' With Aunt = Ethel",=20 "The Last Mama-On-The-Couch Play", and the scathing "Soldier with a = Secret".=20 This museum is funky and outrageous. Caroline Jackson-Smith, = Director

 

Seeking

 

3 women, African = American

2 men, African = American

Cast Age Range: 20's -=20 40's

 

Auditioners can come = with=20 prepared monologues and/or read from sides which will be available at = the=20 audition.

 

When: Saturday, = December 10th-=20 2PM - 4PM

           = Monday, December 12th- 5PM - 8PM

Where: Karamu House, = 2355 East=20 89th Street

 

Rehearsals start date = TBA at=20 auditions.  The production opens January 27- February 19, 2006 in = the 100=20 seat Arena.

 

For more information, = please=20 call 216-795-7070 ext. 242


------=_NextPart_000_0489_01C5F38F.7D0241E0-- From pnrsusan at hotmail.com Sun Nov 27 17:39:44 2005 From: pnrsusan at hotmail.com (Susan From PNRImprov) Date: Mon, 28 Nov 2005 01:39:44 +0000 Subject: [NEohioPAL]We're back and ready to help! Message-ID:

In this season of giving, please consider helping us give to those who are suffering.

 

PNR Improv will be donating all of the proceeds from all of its shows for the rest of 2005 to the

American Red Cross to help the victims of

Hurricane Katrina.

Your $5.00 will be doing more than buying you an evening of family-friendly comedy?

you?ll be helping out people in need.

 

Please join us for smoke-free, alcohol-free

improv comedy in the style of

?Whose Line Is It Anyway??

Together we can help our fellow Americans. Thank you.

 

2005 Schedule

 

Saturday, December 3

Saturday, December 17

 

All shows start at 7:30pm

Admission: $5.00 at the door (to be donated to the

American Red Cross Disaster Response Fund)

Where: Quirk Cultural Center, 3rd Floor (?Newell Theatre?)

1201 Grant Street, Cuyahoga Falls

 

For more information, contact me at PNRSusan at hotmail.com, or visit our website at http://www.PNRImprov.org.

 

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Find just what you're after with the new, more precise MSN Search - try it now! From blueizeinfo at yahoo.com Sun Nov 27 17:48:09 2005 From: blueizeinfo at yahoo.com (Blue~ize Magazine) Date: Sun, 27 Nov 2005 17:48:09 -0800 (PST) Subject: [NEohioPAL]DECEMBER ISSUE BLUE~IZE MAGAZINE AVAILABLE NOW Message-ID: <20051128014810.1628.qmail@web51515.mail.yahoo.com> --0-1772887066-1133142489=:1377 Content-Type: text/plain; charset=iso-8859-1 Content-Transfer-Encoding: 8bit DECEMBER ISSUE OF BLUE~IZE THE PERFORMING ARTS MAGAZINE AVAILABLE NOW! PACKED WITH VALUABLE INFORMATION YOU CAN TRUST... GET STARTED ON YOUR ARTS CAREER TODAY! CONCERT & THEATER LINKS AUDITIONS RISING STAR INTERVIEWS ANNOUNCEMENTS NEWS INDIE FILMS EXPERT ADVICE FROM THE PROS MATTHEW JAMES MURPHY REFLECTS ON "RENT" INTERVIEW WITH JOLENE MCPHERSON, DANCE INSTRUCTOR AN INTERVIEW WITH DEBBIE GIFFORD, VOCALIST CHRISTMAS AT MAXWELL'S FEATURE FILM BY WILLIAM LAUFER MARY ELLEN TOMAZIC, ENTERTAINMENT LAWYER MTV29 BOYS FROM MADISON HIGH SCHOOL MARY FAKTOR SERIES ADVICE ABOUT YOUR ARTS CAREER SUE JOHNSON SHARES "TRICKS OF THE TRADE" SEND JANUARY AUDITION LISTINGS TO US BY DEC 15TH FOR FREE ! ATTENTION ALL ACTING, DANCE, & VOICE COACHES: NEW CLASSIFIED 4 LINE LISTING FOR ONLY $25/MONTH PLEASE REPORT MAGAZINE OUTAGES DON'T MISS AN ISSUE! REQUEST A SUBSCRIPTION FORM Blue~ize Magazine The Ultimate Guide for Young Talent Mike Ross, Editor Barbara Ross, Producer 7285 Center St. Mentor, OH 44060 PH: 440-478-7500 --0-1772887066-1133142489=:1377 Content-Type: text/html; charset=iso-8859-1 Content-Transfer-Encoding: 8bit
DECEMBER ISSUE OF
BLUE~IZE
 THE PERFORMING ARTS MAGAZINE
 AVAILABLE NOW!
 
 
PACKED WITH VALUABLE INFORMATION YOU CAN TRUST...
 
GET STARTED ON YOUR ARTS CAREER TODAY!
 
CONCERT & THEATER LINKS AUDITIONS RISING STAR INTERVIEWS ANNOUNCEMENTS NEWS INDIE FILMS
 
EXPERT ADVICE FROM THE PROS
 
MATTHEW JAMES MURPHY REFLECTS ON "RENT"
 
INTERVIEW WITH JOLENE MCPHERSON, DANCE INSTRUCTOR
 
AN INTERVIEW WITH DEBBIE GIFFORD, VOCALIST
 
CHRISTMAS AT MAXWELL'S
FEATURE FILM BY WILLIAM LAUFER
 
 
MARY ELLEN TOMAZIC, ENTERTAINMENT LAWYER
 
MTV29 BOYS FROM MADISON HIGH SCHOOL
 
MARY FAKTOR
SERIES ADVICE ABOUT YOUR ARTS CAREER
 
SUE JOHNSON SHARES "TRICKS OF THE TRADE"
 
 
  • SEND JANUARY AUDITION LISTINGS TO US BY DEC 15TH FOR FREE !
  • ATTENTION ALL ACTING, DANCE, & VOICE COACHES:  NEW CLASSIFIED 4 LINE LISTING FOR ONLY $25/MONTH
PLEASE REPORT MAGAZINE OUTAGES
 
DON'T MISS AN ISSUE!
REQUEST A SUBSCRIPTION FORM


Blue~ize Magazine
The Ultimate Guide for Young Talent 
 
Mike Ross, Editor
Barbara Ross, Producer
7285 Center St.
Mentor, OH 44060
PH: 440-478-7500
--0-1772887066-1133142489=:1377-- From royberko at yahoo.com Sun Nov 27 18:32:10 2005 From: royberko at yahoo.com (Roy Berko) Date: Sun, 27 Nov 2005 18:32:10 -0800 (PST) Subject: [NEohioPAL]Berko review: BRAVO, CARUSO (Ensemble) Message-ID: <20051128023211.39422.qmail@web33103.mail.mud.yahoo.com> ?BRAVO, CARUSO!? OFF KEY AT ENSEMBLE Roy Berko (Member, American Theatre Critics Association) --THE TIMES NEWSPAPERS-- Lorain County Times--Westlaker Times--Lakewood News Times--Olmsted-Fairview Times Playwright William Luce is famous for his one-person scripts. His subjects have included Emily Dickenson, Charlotte Bronte, Zelda Fitzgerald, Lillian Hellman and John Barrymore. In ?BRAVO, CARUSO!,? now being staged by Ensemble Theatre, Luce takes on Enrico Caruso, considered by many opera aficionados to be the greatest tenor of all time, in a two-character script. Caruso was born into a working-class family in Naples, the 18th of 21 children. Early-on his mother was convinced that he had singing talent. By the time he was 10, the young Enrico's singing voice was receiving serious critical attention. Caruso became a favorite at New York?s Metropolitan Opera, where he performed 37 roles in 607 performances. Since his career coincided with the development of the phonograph, he became one of the early recording stars. Earthy, and something of a clown, the singer was extremely popular, not only as a singer, but as a personality. In 1921, when he died at the age of 48, he was greatly mourned. "BRAVO, CARUSO!" takes us into the tenor's dressing room at the Met on Christmas Eve, 1920. No one knows that he is about to sing his last performance. As the tale unfolds, we see the eccentric, preoccupied and brilliant Caruso manipulating his devoted dresser, Fantini, into giving him the adoration the performer so desperately needs. Any theatre choosing this script has to have two superb actors to play the roles. This is not a script for the ordinary performer. It also requires a director who has the inventive nature to work with the performers to hold the attention of an audience with a script that has little action, is very wordy and is two acts in length. There also has to be a sensitivity to developing the needed humor and pathos. Unfortunately, Ensemble misses on all counts. Though they try hard, Bernard Canepari and Pat Mazzarino can?t pull off the difficult roles. Neither is totally believable in their performances. Canepari seems so pre-occupied with remembering his lines that he fails to develop a textured character. The humor and the drama get melded together. Mazzarino plays at being fay and endearing, but never reaches down into the real Fantini. We never understand why he is so devoted to his master and why he is willing to be the brunt of the manipulation. They are not helped by Licia Colombi?s directing, which consists of coming up with shticks and gimmicks rather than creating a unified feeling, using the humor and drama of the script. How many times can we be amused by an ironing board being taken out and put away? Does having Mazzarino mincing around the stage really help him develop a meaningful character? Why weren?t real food and cigarettes used? The faking was just too obvious, especially in a play that has to be real. Ron Newell?s fragmented set, Michael Beyers? lighting and Casey Jones?s sound effects all work well. Too bad the rest of the production doesn?t live up to the technical aspects. CAPSULE JUDGEMENT: One of the most difficult reviews for a critic to write is one that is generally negative. Unfortunately, every once in while, it is my unfortunate duty to have to do so. In choosing a difficult script to perform a theatre has to be sure they have the talent to direct and perform the intent and purpose of the script. Ensemble was over its head in selecting ?BRAVO, CARUSO!? ?BRAVO, CARUSO!? continues at Ensemble Theatre, located in the Brooks Theatre in the Cleveland Play House complex through December 11. For ticket information call 216-321-2930. Roy Berko's web page can be found at www.royberko.info. His theatre and dance reviews appear on NeOHIOpal, an on-line source. To subscribe to this free service via the World Wide Web, visit http://lists.fredsternfeld.com/mailman/listinfo/neohiopal. __________________________________ Yahoo! Mail - PC Magazine Editors' Choice 2005 http://mail.yahoo.com From secylady66 at hotmail.com Sun Nov 27 21:06:20 2005 From: secylady66 at hotmail.com (Leigh Anderson) Date: Mon, 28 Nov 2005 00:06:20 -0500 Subject: [NEohioPAL]Harassing Sales Tactics Message-ID:

There is a certain murder mystery producer who won?t take NO for an answer.  Just like a REAL gangster I guess so his company name is VERY appropriate! 

 

He keeps E-mailing me, insisting I give him my home number and asking me to call him in the middle of the night if I happen to answer him while he?s online. 

 

Now he is also calling me names and telling me I?m on drugs!  This guy is nuts and he?s making me think twice about even hiring a murder mystery group.  I am SO glad I did not give him my number!

 

Harassing and insulting them is NOT the way to win clients over.

 

Leigh Anderson...

(Thinking Twice)


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