[NEohioPAL]Film Fest this Saturday at Kent Stage
Standing Rock Cultural Arts
info at standingrock.net
Mon Jan 23 07:40:47 PST 2006
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Greetings,
Just a friendly reminder to check out this amazing celebration of
independent filmmakers and meet Cleveland's own legend, Robert Banks.
Thank you for supporting independent film.
Jeff Ingram/Executive Director
Standing Rock Cultural Arts
WHO: STANDING ROCK CULTURAL ARTS
WHAT: 3rd ANNUAL STANDING ROCK INTERNATIONAL SHORT FILM & VIDEO FESTIVAL.
-short films from as far away as Australia and as near as Kent, Ohio
-Animations, Music Videos, Documentaries, Video Collages
-Featuring Local Filmmaking Legend Robert Banks, live and in person
-Featuring Australian Animator Darcy Prendergast
-Featuring California Sculptor/Artist Christiane Cegavske
-Featuring Live Film Soundtracks with Mike Hovancsek and Joe Culley
WHEN: JANUARY 28th, 2006 8pm at
WHERE: THE KENT STAGE, 175 E. MAIN ST., KENT, OHIO
-http://www.kentstage.org/
COST: $10.00 General Admission/$7.00 Student/Seniors
INFO: 330-673-4970 or write to info at standingrock.net
Updates: www.standingrock.net
Here we are again and this year promises to be an exciting one. First of
all, we have Cleveland Filmmaker, Robert Banks, coming down to screen
several of his short films. Robert is one of the few Independent Filmmaker=
s
who is actually making films instead of videos.Banks has had his films show=
n
at the Sundance Film Festival. He also was named Filmmaker of the Year at
the Midwest Filmmakers Conference, and in 2000, he was the honored guest
filmmaker in London at the BBC British Short Film Festival.
In addition to Robert, we=B9ve discovered an incredibly talented filmmaker
from Australia, Darcy Prendergast who recently won the Vote Art Award in an
international Animation Competition that can be viewed at www.noise.net
His entry =B3Off the Rails=B2
is a 6 minute clay animation piece that took over a year to make!
Not being content with the two-dimensional cartoons he had been drawing
since childhood, Darcy Prendergast moved onto clay animation. It=B9s a medium
he=B9s since mastered. His short film, Off the Rails, used clay animation and
recently won the national =8CBig Break=B9 competition.
More info on Darcy can be found at: http://www.noise.net/darcyprendergast
Also, we=B9ll be screening =B3Blood and Sunflowers, an incredible animation
piece by California artist, Christiane Cegavske. Dark and fascinating,
this piece contains all the mystery and awe of a Grimms Fairy Tale.
Christiane is an accomplished artist in many mediums. We are honored to
present her work here. More info can be found at
http://christianecegavske.com/
Also, returning this year, we have Mike Hovancsek and Joe Culley performing
live soundtracks to films. We thank all who braved the snowstorm last year
and we hope to see everyone again this year.
Thank you for supporting independent filmmakers!
Standing Rock Cultural Arts
257 N. Water St.
Kent, OH 44240
330-673-4970
info at standingrock.net
www.standingrock.net
Darcy Prendergast Interview
=20
Tell us something about where you come from:
I have been drawing cartoons since I was knee high to a texta, if textas ha=
d
knees. I=B9ve always been a huge fan of cartoons, in my younger years doing
far more watching than producing. Now, it=B9s kind of reversed.=A0 I=B9m
constantly sketching comic strips, people on the train, and weird stuff fro=
m
my mind, and writing stories. I felt my drawings weren=B9t jumping off the
page enough however, and so began to look into Clay Animation, the techniqu=
e
made famous by films such as Wallace and Grommit and Chicken Run. My love o=
f
clay modelling started back in Primary School, making clay penises to
entertain class mates. It was a cheap laugh. From there, I have taken the
art-form a little more seriously, pushing myself so hard for every new film
I make. I still get cheap laughs, but the subject matter is slightly more
sophisticated, only slightly. My aim is simple: to bring more laughter into
the world, with a little social commentary along the way.
List five words that describe you:
Loud, offbeat, crazy, ambitious, dreamer.
Who are some people in your life you admire?
Adam Elliot, the Academy Award winner and creator of Australia=B9s own, Harvi=
e
Krumpet, the dedication and direction of Adam is nothing short of amazing,
and has traits I want to emulate. His story is so inspiring to me, as he ha=
s
achieved exactly what I aspire to. He always has time to assist me and
unveil the mysteries of the industry. Nick Hilligoss, veteran animator at
the ABC, another mentor to me on my clay animation path. His technical
knowledge in all aspects of production is well honed. I admire his attentio=
n
to detail and his willingness to make time for me.
How would you describe your work?
A humorous look at the weirder, more eccentric characters within society. I
love meeting weird people from different walks of life and cultures.
List your three favourite things:
Building plasticine characters, making people laugh and cleaning my ears.
What do you do for fun?
Chase sheep, go riding or skating, make bon fires, draw, listen to tunes,
play drums, play cricket, annoy the dogs, annoy my sister through my
terrible singing, and I don=B9t mind drinking a few beers here and there
either.
What do you consider to be essential in your creative process?
I=B9d have to say observing people=B9s behaviour and personalities, and
exaggerating them to form an accentuated cartoon character. I then use my
characters to create compelling stories that are worth producing. The
essential part to any film is a solid story. Bad story equals Bad film.
What has been the biggest challenge for you so far?
Making =8COff the Rails=B9, my 6 minute clay animated film. It took over a year
to make, and was an extreme learning curve me. It=B9s easily the most time
consuming form of animation, and every day throws you new challenges.
Do you have a life/creative highlight?
The highlight so far would have to be when I was watching a screening of my
first film =8CCouch Potato=B2 at ACMI, which actually included a clay sex scene=
.
A lady behind me actually remarked =B3What sort of freak made this?=B2 and I
proudly turned around and said =B3I did=B2
How do you imagine yourself in ten years time and what challenges do you
imagine you=B9ll face along the way?
In ten years time I hope to have an Oscar under the belt, and some serious
funding to back up my animations. Winning the Oscar is going to be a massiv=
e
challenge, as is securing some substantial funding. The journey wouldn=B9t be
half as fun if the pinnacle was easy to reach, I enjoy the climb upwards.
Is there an idea or subject that you feel obsessed by or curious about at
the moment?
I=B9m still obsessed with unusual people. I love meeting people that =8Csociety=
=B9
considers detached. Their stories are far more interesting.
Noise is...=20
=8AThe constant gibberish that spills from my mouth. It also happens to be an
encouraging habitat for creative minds.
Robert Banks (filmmaker)
>From Wikipedia, the free encyclopedia.
Robert C. Banks, Jr. (born 1966) is an American experimental filmmaker.
1 Biography
2 Filmography
3 Awards
Biography
Banks attended the Cleveland School of the Arts, and has taught film at
Cuyahoga Community College, the Cleveland Institute of Art, and Cleveland
State University.
His best known work is the 1992 film, X: The Baby Cinema, a 4.5 minute, 16
mm short film which chronicled the commercial appropriation of the image of
Malcolm X. The movie appeared on the compilation video The Best Of The New
York Underground:Year One.
The 1994 feature documentary film, You Can't Get a Piece of Mind explores
the world of Cleveland musician and Vietnam veteran, Dan "Supie T" Theman.
Banks has had his films shown at the Sundance Film Festival, was named
Filmmaker of the Year at the Midwest Filmmakers Conference, and in 2000, he
was the honored guest filmmaker in London at the BBC British Short Film
Festival.
Banks currently lives in Cleveland, Ohio.
Filmography
Banks has made some of his works freely available for downloading. See
external links section for details.
* (1989) Untitled (16mm)
* (1990) Froggy Central (16mm)
* (1992) Eyes (16mm)
* (1993) X The Baby Cinema (16mm)
* (1994) My First Drug....The Idiot Box (16mm)
* (1996) You Can't Get a Piece of Mind (16mm)
* (1997) MPG: Motion Picture Genocide (35mm)
* (1998) Jaded (35mm)
* (1999) Outlet (35mm)
* (1999) Embryonic (35mm)
* (1999) Gold Fish Sunflowers (35mm)
* (1999) Bone Face (35mm)
* (1999) Love Rusty (8mm/16mm/35mm)
* (2000) Rage Against the Dying Light
* (2002) Autopilot
* (2003) The Devil's Filmmaker: Bohica (cinematographer only)
* (2004) A.W.O.L. (35mm)
* (2004) Banks vs. Barney (parody of Matthew Barney's Cremaster)
Awards
* Filmmaker of the Year (2001), Midwest Filmmakers Conference
* Jury Citation Award for Outlet, Black Mariah Film Festival
* Prize Pieces Award, National Black Programming Consortium
* Best Experimental for X-The Baby Cinema (1993), The First NY
Underground Film Festival
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<HTML>
<HEAD>
<TITLE>Film Fest this Saturday at Kent Stage</TITLE>
</HEAD>
<BODY>
<B>Greetings,<BR>
<BR>
Just a friendly reminder to check out this amazing celebration of independe=
nt filmmakers and meet Cleveland's own legend, Robert Banks.<BR>
<BR>
Thank you for supporting independent film.<BR>
<BR>
Jeff Ingram/Executive Director<BR>
Standing Rock Cultural Arts<BR>
<BR>
<FONT SIZE=3D"5"><FONT FACE=3D"Times New Roman">WHO: STANDING ROCK CULTUR=
AL ARTS <BR>
</FONT></FONT><FONT FACE=3D"Times New Roman"><BR>
<FONT SIZE=3D"5">WHAT: </FONT><FONT SIZE=3D"4">3rd ANNUAL STANDING ROCK INTERN=
ATIONAL SHORT FILM & VIDEO FESTIVAL.</FONT><FONT SIZE=3D"5"> &=
nbsp;<BR>
-s</FONT>hort films from as far away as Australia and as near as Kent, Ohio=
<BR>
-Animations, Music Videos, Documentaries, Video Collages<BR>
-Featuring Local Filmmaking Legend Robert Banks, live and in person<BR>
-Featuring Australian Animator Darcy Prendergast<BR>
-Featuring California Sculptor/Artist Christiane Cegavske<BR>
-Featuring Live Film Soundtracks with Mike Hovancsek and Joe Culley<BR>
</FONT></B><FONT FACE=3D"Times New Roman"><H2><BR>
</H2><FONT SIZE=3D"5"><B>WHEN: JANUARY 28th, 2006 8pm at<BR>
</B></FONT><H2><BR>
</H2><FONT SIZE=3D"5"><B>WHERE: THE KENT STAGE, 175 E. MAIN ST., KENT, OHIO<B=
R>
-http://www.kentstage.org/<BR>
</B></FONT><H2><BR>
</H2><FONT SIZE=3D"5"><B>COST: </B>$10.00 General Admission/$7.00 Stude=
nt/Seniors<BR>
</FONT><H2><BR>
</H2><FONT SIZE=3D"5"><B>INFO:</B></FONT><B> <FONT SIZE=3D"5"> 330-=
673-4970 or write to info at standingrock.net<BR>
</FONT></B><H2><BR>
Updates: www.standingrock.net<BR>
<BR>
</H2><B>Here we are again and this year promises to be an exciting one. &nb=
sp;First of all, we have Cleveland Filmmaker, <FONT COLOR=3D"#0000FF"><FONT SI=
ZE=3D"4">Robert Banks</FONT></FONT><FONT COLOR=3D"#0066CC">,</FONT> coming down =
to screen several of his short films. Robert is one of the few Indepen=
dent Filmmakers who is actually making films instead of videos.</B></FONT><B=
><FONT FACE=3D"Times">Banks has had his films shown at the Sundance Film Festi=
val. He also was named Filmmaker of the Year at the Midwest Filmmakers=
Conference, and in 2000, he was the honored guest filmmaker in London at th=
e BBC British Short Film Festival.</FONT><FONT FACE=3D"Times New Roman"> <BR>
<BR>
In addition to Robert, we=B9ve discovered an incredibly talented filmmaker fr=
om Australia, <FONT COLOR=3D"#0000FF"><FONT SIZE=3D"4">Darcy Prendergast</FONT><=
/FONT> who recently won the Vote Art Award in an international Animation Com=
petition that can be viewed at www.noise.net </FONT></B><FONT FACE=3D"Ti=
mes New Roman"><FONT COLOR=3D"#777777"> </FONT><B>His =
entry =B3Off the Rails=B2<BR>
is a 6 minute clay animation piece that took over a year to make!<BR>
Not being content with the two-dimensional cartoons he had been drawing sin=
ce childhood, Darcy Prendergast moved onto clay animation. It=B9s a medium he=B9=
s since mastered. His short film, Off the Rails, used clay animation and rec=
ently won the national =8CBig Break=B9 competition. <BR>
More info on Darcy can be found at: http://www.noise.net/darcyprender=
gast<BR>
<BR>
<BR>
Also, we=B9ll be screening =B3Blood and Sunflowers, an incredible animation pie=
ce by California artist, <FONT COLOR=3D"#0000FF"><FONT SIZE=3D"4">Christia=
ne Cegavsk</FONT>e. </FONT>Dark and fascinating, this piece contains a=
ll the mystery and awe of a Grimms Fairy Tale. <FONT SIZE=3D"4">Christia=
ne </FONT>is<FONT COLOR=3D"#0000FF"><FONT SIZE=3D"4"> </FONT></FONT>an accomplis=
hed artist in many mediums. We are honored to present her work here.<F=
ONT COLOR=3D"#0000FF"><FONT SIZE=3D"4"> </FONT></FONT> More info can be fo=
und at<FONT COLOR=3D"#0000FF"><FONT SIZE=3D"4"> </FONT></FONT><FONT SIZE=3D"=
4">http://christianecegavske.com/<BR>
</FONT></B></FONT><FONT COLOR=3D"#777777"><FONT SIZE=3D"2"><BR>
</FONT></FONT><FONT FACE=3D"Times New Roman"><B>Also, returning this year, we=
have <FONT COLOR=3D"#0000FF"><FONT SIZE=3D"4">Mike Hovancsek and Joe Culley</FO=
NT></FONT> performing live soundtracks to films. We thank all who brav=
ed the snowstorm last year and we hope to see everyone again this year.<BR>
<BR>
</B><H2>Thank you for supporting independent filmmakers!<BR>
<BR>
</H2></FONT><FONT FACE=3D"Gadget"><B><BR>
</B></FONT><B><FONT FACE=3D"Times New Roman">Standing Rock Cultural Arts<BR>
257 N. Water St.<BR>
Kent, OH 44240<BR>
330-673-4970<BR>
<FONT COLOR=3D"#0000FF"><U>info at standingrock.net<BR>
www.standingrock.net<BR>
<BR>
</U></FONT></FONT></B><FONT FACE=3D"Times New Roman"><H3>Darcy Prendergast In=
terview<BR>
</H3><FONT COLOR=3D"#0000FF"><B><U><BR>
</U></B></FONT></FONT><FONT COLOR=3D"#777777"><FONT SIZE=3D"2"> &nb=
sp; <BR>
</FONT></FONT><B>Tell us something about where you come from:<BR>
</B>I have been drawing cartoons since I was knee high to a texta, if texta=
s had knees. I=B9ve always been a huge fan of cartoons, in my younger years do=
ing far more watching than producing. Now, it=B9s kind of reversed.=A0 I=B9m const=
antly sketching comic strips, people on the train, and weird stuff from my m=
ind, and writing stories. I felt my drawings weren=B9t jumping off the page en=
ough however, and so began to look into Clay Animation, the technique made f=
amous by films such as Wallace and Grommit and Chicken Run. My love of clay =
modelling started back in Primary School, making clay penises to entertain c=
lass mates. It was a cheap laugh. From there, I have taken the art-form a li=
ttle more seriously, pushing myself so hard for every new film I make. I sti=
ll get cheap laughs, but the subject matter is slightly more sophisticated, =
only slightly. My aim is simple: to bring more laughter into the world, with=
a little social commentary along the way.<BR>
<B><BR>
List five words that describe you:<BR>
</B>Loud, offbeat, crazy, ambitious, dreamer.<BR>
<B><BR>
Who are some people in your life you admire?<BR>
</B>Adam Elliot, the Academy Award winner and creator of Australia=B9s own, H=
arvie Krumpet, the dedication and direction of Adam is nothing short of amaz=
ing, and has traits I want to emulate. His story is so inspiring to me, as h=
e has achieved exactly what I aspire to. He always has time to assist me and=
unveil the mysteries of the industry. Nick Hilligoss, veteran animator at t=
he ABC, another mentor to me on my clay animation path. His technical knowle=
dge in all aspects of production is well honed. I admire his attention to de=
tail and his willingness to make time for me.<BR>
<BR>
<B>How would you describe your work?<BR>
</B>A humorous look at the weirder, more eccentric characters within societ=
y. I love meeting weird people from different walks of life and cultures.<BR=
>
List your three favourite things:<BR>
Building plasticine characters, making people laugh and cleaning my ears.<B=
R>
<B>What do you do for fun? <BR>
</B>Chase sheep, go riding or skating, make bon fires, draw, listen to tune=
s, play drums, play cricket, annoy the dogs, annoy my sister through my terr=
ible singing, and I don=B9t mind drinking a few beers here and there either.<B=
R>
<BR>
<B>What do you consider to be essential in your creative process? <BR>
</B>I=B9d have to say observing people=B9s behaviour and personalities, and exa=
ggerating them to form an accentuated cartoon character. I then use my chara=
cters to create compelling stories that are worth producing. The essential p=
art to any film is a solid story. Bad story equals Bad film.<BR>
<BR>
<B>What has been the biggest challenge for you so far? <BR>
</B>Making =8COff the Rails=B9, my 6 minute clay animated film. It took over a =
year to make, and was an extreme learning curve me. It=B9s easily the most tim=
e consuming form of animation, and every day throws you new challenges.<BR>
<BR>
<B>Do you have a life/creative highlight? <BR>
</B>The highlight so far would have to be when I was watching a screening o=
f my first film =8CCouch Potato=B2 at ACMI, which actually included a clay sex s=
cene. A lady behind me actually remarked =B3What sort of freak made this?=B2 and=
I proudly turned around and said =B3I did=B2<BR>
<BR>
<B>How do you imagine yourself in ten years time and what challenges do you=
imagine you=B9ll face along the way?<BR>
</B>In ten years time I hope to have an Oscar under the belt, and some seri=
ous funding to back up my animations. Winning the Oscar is going to be a mas=
sive challenge, as is securing some substantial funding. The journey wouldn=B9=
t be half as fun if the pinnacle was easy to reach, I enjoy the climb upward=
s.<BR>
<BR>
<B>Is there an idea or subject that you feel obsessed by or curious about a=
t the moment?<BR>
</B>I=B9m still obsessed with unusual people. I love meeting people that =8Csoc=
iety=B9 considers detached. Their stories are far more interesting.<BR>
<BR>
<B>Noise is... <BR>
</B>=8AThe constant gibberish that spills from my mouth. It also happens to b=
e an encouraging habitat for creative minds.<BR>
<B><BR>
<FONT COLOR=3D"#0000FF"><FONT FACE=3D"Gadget"><U><BR>
</U></FONT></FONT><FONT FACE=3D"Times New Roman"><BR>
</FONT></B><FONT FACE=3D"Times New Roman"><H2><BR>
</H2></FONT><FONT FACE=3D"Times"><I><BR>
</I><BR>
<FONT SIZE=3D"6">Robert Banks (filmmaker)<BR>
</FONT>From Wikipedia, the free encyclopedia. <BR>
<BR>
<BR>
<B>Robert C. Banks, Jr. (born <FONT COLOR=3D"#0033CC">1966</FONT>) is an Amer=
ican <FONT COLOR=3D"#0033CC">experimental filmmaker</FONT>.<BR>
<BR>
<BR>
<FONT COLOR=3D"#0033CC">1 Biography<BR>
</FONT> <FONT COLOR=3D"#0033CC">2 Filmography<BR>
</FONT> <FONT COLOR=3D"#0033CC">3 Awards<BR>
</FONT></B><BR>
<BR>
<FONT SIZE=3D"6">Biography<BR>
</FONT><BR>
Banks attended the Cleveland School of the Arts, and has taught film at Cuy=
ahoga Community College, the <FONT COLOR=3D"#0033CC">Cleveland Institute of Ar=
t</FONT>, and <FONT COLOR=3D"#0033CC">Cleveland State University</FONT>.<BR>
<BR>
His best known work is the 1992 film, <FONT COLOR=3D"#CC3300"><I>X: The Baby =
Cinema</I></FONT>, a 4.5 minute, <FONT COLOR=3D"#0033CC">16 mm</FONT> <FONT CO=
LOR=3D"#0033CC">short film</FONT> which chronicled the commercial appropriatio=
n of the image of <FONT COLOR=3D"#0033CC">Malcolm X</FONT>. The movie appeared=
on the compilation video <I>The Best Of The New York Underground:Year One</=
I>.<BR>
<BR>
The 1994 feature documentary film, <FONT COLOR=3D"#0033CC"><I>You Can't Get a=
Piece of Mind</I></FONT> explores the world of Cleveland musician and Vietn=
am veteran, <FONT COLOR=3D"#0033CC">Dan "Supie T" Theman</FONT>.<BR>
<BR>
<B>Banks has had his films shown at the Sundance Film Festival, was named F=
ilmmaker of the Year at the Midwest Filmmakers Conference, and in 2000, he w=
as the honored guest filmmaker in London at the BBC British Short Film Festi=
val.<BR>
</B><BR>
Banks currently lives in <FONT COLOR=3D"#0033CC">Cleveland</FONT>, Ohio.<BR>
<BR>
<BR>
<FONT SIZE=3D"6">Filmography<BR>
</FONT><BR>
Banks has made some of his works freely available for downloading. See exte=
rnal links section for details.<BR>
<BR>
* (1989) <FONT COLOR=3D"#CC3300"><I>Untitled</I></FONT> (16=
mm)<BR>
* (1990) <FONT COLOR=3D"#CC3300"><I>Froggy Central</I></FON=
T> (16mm)<BR>
* (1992) <FONT COLOR=3D"#CC3300"><I>Eyes</I></FONT> (16mm)<=
BR>
* (1993) <FONT COLOR=3D"#CC3300"><I>X The Baby Cinema</I></=
FONT> (16mm)<BR>
* (1994) <FONT COLOR=3D"#CC3300"><I>My First Drug....The Id=
iot Box</I></FONT> (16mm)<BR>
* (1996) <FONT COLOR=3D"#0033CC"><I>You Can't Get a Piece o=
f Mind</I></FONT> (16mm)<BR>
* (1997) <FONT COLOR=3D"#0033CC"><I>MPG: Motion Picture Gen=
ocide</I></FONT> (35mm)<BR>
* (1998) <FONT COLOR=3D"#0033CC"><I>Jaded</I></FONT> (35mm)=
<BR>
* (1999) <FONT COLOR=3D"#CC3300"><I>Outlet</I></FONT> (35mm=
)<BR>
* (1999) <FONT COLOR=3D"#CC3300"><I>Embryonic</I></FONT> (3=
5mm)<BR>
* (1999) <FONT COLOR=3D"#CC3300"><I>Gold Fish Sunflowers</I=
></FONT> (35mm)<BR>
* (1999) <FONT COLOR=3D"#CC3300"><I>Bone Face</I></FONT> (3=
5mm)<BR>
* (1999) <FONT COLOR=3D"#CC3300"><I>Love Rusty</I></FONT> (=
8mm/16mm/35mm)<BR>
* (2000) <FONT COLOR=3D"#CC3300"><I>Rage Against the Dying =
Light<BR>
</I></FONT>* (2002) <FONT COLOR=3D"#0033CC"><I>Autopilot<BR=
>
</I></FONT>* (2003) <FONT COLOR=3D"#CC3300"><I>The Devil's =
Filmmaker: Bohica</I></FONT> (cinematographer only)<BR>
* (2004) <FONT COLOR=3D"#0033CC"><I>A.W.O.L.</I></FONT> (35=
mm)<BR>
* (2004) <FONT COLOR=3D"#CC3300"><I>Banks vs. Barney</I></F=
ONT> (parody of <FONT COLOR=3D"#0033CC">Matthew Barney</FONT>'s <FONT COLOR=3D"#=
0033CC"><I>Cremaster</I></FONT>)<BR>
<BR>
<BR>
<FONT SIZE=3D"6">Awards<BR>
</FONT><BR>
* <I>Filmmaker of the Year</I> (2001), Midwest Filmmakers=
Conference<BR>
* <I>Jury Citation Award</I> for <I>Outlet</I>, Black Mar=
iah Film Festival<BR>
* <I>Prize Pieces Award</I>, National Black Programming C=
onsortium<BR>
* <I>Best Experimental</I> for <I>X-The Baby Cinema</I> (=
1993), The First NY Underground Film Festival<BR>
</FONT><FONT FACE=3D"Times New Roman"><H2><BR>
</H2></FONT><B><BR>
<BR>
</B>
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