[NEohioPAL]Final 4 Performances - Another Rave Review Nat Cole at Actors' Summit
Thackaberr at aol.com
Thackaberr at aol.com
Mon Sep 18 08:22:18 PDT 2006
-------------------------------1158592938
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=20
Crowd-pleasing =E2=80=98Cole' keeps audiences humming=20
Reviewed by FRAN HELLER Contributing Writer
"Nat King Cole,=E2=80=9D the new bio-revue at Actors' Summit through Sept.=20=
24, is an=20
amiable walk down memory lane in the life and music of one of the 20th=20
century's most well-known African-American recording stars.=20
Created by Kent LeMar and A. Neil Thackaberry, artistic director at Actors'=
=20
Summit, the entertaining show weaves material from Cole's life with two doz=
en=20
songs the charismatic singer made famous.
This is the third incarnation of the show, which has proved enormously=20
popular with audiences. Indeed, for audience members of a certain age (that=
=20
includes this reviewer), the songs brought back a flood of memories of a by=
gone=20
era, eliciting audible humming and foot-tapping among its rapt listeners.
In appearance, mannerisms and vocal style, Kent LeMar is a shoo-in for Cole=
.=20
LeMar's winning smile, mellifluous croon, and interactive approach,=20
(including a bit of singalong) engages the audience from the outset. =20
LeMar serves as both narrator and vocalist, moving from story to song with=20
seamless ease. The talented actor also plays a mean piano, sharing the keys=
=20
with music director/pianist Roland Paolucci, who is joined by Brian King (b=
ass)=20
and Jeremey Poparad (guitar). All are accomplished musicians who add to the=
=20
show's vitality.
The thrust stage creates an intimate cabaret-type setting for the one-perso=
n=20
show.
The first act traverses Cole's childhood, family life, marriage and early=20
career.
The family moved to Chicago from the South during the early 1920s, when mor=
e=20
than one million blacks sought a better life in the North.
Cole's father was a strict Baptist preacher and butcher by trade (which=20
helped support the family). He had no use for the "popular=E2=80=9D music,=20=
including jazz=20
and rhythm-and-blues making sound waves throughout the city. It was Cole's=20
musical mother who encouraged the young Nat and his brothers to pursue the=20=
art=20
form, and she even managed to convince her husband that playing music was a=
n=20
honest way to make a living. =20
The melodies are unabashedly sweet and sentimental, awash with words that=20
speak of love, romance, and loss. They summon a bygone era of radio, show=20
business and pop charts, and records that sold in the millions.
The songs speak for themselves, including such memorable works as "Autumn=20
Leaves,=E2=80=9D "Nature Boy,=E2=80=9D "Too Young,=E2=80=9D "When I Fall in=20=
Love,=E2=80=9D "Mona Lisa=E2=80=9D and=20
Cole's trademark song, "Unforgettable.=E2=80=9D
Except for one representative number, "Straighten Up and Fly Right=E2=80=
=9D (an=20
outgrowth of one of Cole's father's lectures), Cole did not write his own=20
material; he relied instead on the likes of the Gershwin brothers' "Sweet =20
Embraceable You,=E2=80=9D Yip Harburg's "It's Only a Paper Moon,=E2=80=9D an=
d Mel Torme's "Christmas=20
Song.=E2=80=9D
Cole's autobiography gets more interesting in the second act. He relates tw=
o=20
incidents that smack of the bigotry that was a fact of life in 1940s and=20
1950s America. This gives the narrative part of the show its emotional grav=
itas.=20
=20
It seems odd, however, that in the telling, LeMar remains soft-spoken and=20
smiling, without a trace of any inner turmoil or rage in his voice or visag=
e.
Thackaberry's direction suggests Cole walked a tightrope between the white=20
and black worlds, while trying to appease both groups in a sharply segregat=
ed=20
America. It was also a time prior to the activist, and often militant,=20
civil-rights movement of the 1960s.
Despite fame and wealth, Cole and his second wife (his first marriage ended=
=20
in divorce) faced racial discrimination when they went to buy a house in an=
=20
upscale Los Angeles neighborhood.
When a white member of the housing council told Cole they didn't want any=20
"undesirables=E2=80=9D moving into the neighborhood (it was deeded that home=
s could not=20
be sold to Jews, blacks and undesirables), Cole's lightning response was,=20
"Neither do I.=E2=80=9D This roused audible chuckles from the audience. =20=
=20
The script would benefit from more stories like this one.
The second anecdote relates to a physical attack on Cole while performing=20
before an all white audience in Birmingham, Alabama. After Ku Klux Klan mem=
bers=20
were removed from the site, the audience demanded Cole return to the stage,=
=20
where they gave him a five-minute standing ovation.
Cole was the first African-American to have his own sponsored radio series=20
in 1948-49. In 1956, he became the first African-American to have his own=20
network television show. He helped break the color barrier for other black=20
entertainers like Sarah Vaughan and Harry Belafonte.
The show was popular, but the lack of a commercial sponsor caused NBC to=20
cancel it after a year. At the time, no advertiser would sponsor a show pre=
sided=20
over by a black person.
A heavy smoker, Cole died of lung cancer at the age of 45 in 1965.
In a world weary of war, politics and terror, "Nat King Cole=E2=80=9D offer=
s a=20
pleasurable escape hatch to a simpler time made all the sweeter by nostalgi=
a.
Actors' Summit is at 86 Owen Brown Street, Hudson. Tickets: 330-342-0800=20
Website: (includes directions) _http://www.actorssummit.org_=20
(http://www.actorssummit.org/) .=20
-------------------------------1158592938
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<DIV>
<P class=3Dsection style=3D"MARGIN: auto 0in"><STRONG><FONT size=3D3><SPAN=20
class=3Dheadline1>Crowd-pleasing =E2=80=98Cole' keeps audiences humming=20
</SPAN></SPAN><o:p></o:p></FONT></STRONG></P>
<P class=3Dcontent style=3D"MARGIN: auto 0in"><FONT size=3D3>Reviewed by FRA=
N HELLER=20
Contributing Writer<BR><BR>"Nat King Cole,=E2=80=9D the new bio-revue at Act=
ors' Summit=20
through Sept. 24, is an amiable walk down memory lane in the life and music=20=
of=20
one of the 20th century's most well-known African-American recording=20
stars.<o:p></o:p></FONT></P>
<P><SPAN class=3Dcontent1><FONT size=3D3>Created by Kent LeMar and A. Neil=20
Thackaberry, artistic director at Actors' Summit, the entertaining show weav=
es=20
material from Cole's life with two dozen songs the charismatic singer made=20
famous.</FONT></SPAN><SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Arial"><BR><BR><FONT size=3D3><SPAN=20
class=3Dcontent1>This is the third incarnation of the show, which has proved=
=20
enormously popular with audiences. Indeed, for audience members of a certain=
age=20
(that includes this reviewer), the songs brought back a flood of memories of=
a=20
bygone era, eliciting audible humming and foot-tapping among its rapt=20
listeners.</SPAN><BR><BR><SPAN class=3Dcontent1>In appearance, mannerisms an=
d=20
vocal style, Kent LeMar is a shoo-in for Cole. LeMar's winning smile,=20
mellifluous croon, and interactive approach, (including a bit of singalong)=20
engages the audience from the outset.</SPAN> <o:p></o:p></FONT></SPAN></P>
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style=3D"mso-cellspacing: 0in; mso-table-lspace: 1.8pt; mso-table-rspace: 1.=
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nt-top: middle; mso-height-rule: exactly"><I><SPAN=20
style=3D"FONT-SIZE: 8pt; COLOR: black; FONT-FAMILY: Arial"><o:p> =
</o:p></SPAN></I></P></TD></TR></TBODY></TABLE>
<P><SPAN class=3Dcontent1><FONT size=3D3>LeMar serves as both narrator and v=
ocalist,=20
moving from story to song with seamless ease. The talented actor also plays=20=
a=20
mean piano, sharing the keys with music director/pianist Roland Paolucci, wh=
o is=20
joined by Brian King (bass) and Jeremey Poparad (guitar). All are accomplish=
ed=20
musicians who add to the show's vitality.</FONT></SPAN><SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Arial"><BR><BR><FONT size=3D3><SPAN=20
class=3Dcontent1>The thrust stage creates an intimate cabaret-type setting f=
or the=20
one-person show.</SPAN><BR><BR><SPAN class=3Dcontent1>The first act traverse=
s=20
Cole's childhood, family life, marriage and early career.</SPAN><BR><BR><SPA=
N=20
class=3Dcontent1>The family moved to Chicago from the South during the early=
=20
1920s, when more than one million blacks sought a better life in the=20
North.</SPAN><BR><BR><SPAN class=3Dcontent1>Cole's father was a strict Bapti=
st=20
preacher and butcher by trade (which helped support the family). He had no u=
se=20
for the "popular=E2=80=9D music, including jazz and rhythm-and-blues making=20=
sound waves=20
throughout the city. It was Cole's musical mother who encouraged the young N=
at=20
and his brothers to pursue the art form, and she even managed to convince he=
r=20
husband that playing music was an honest way to make a living.</SPAN>=20
<o:p></o:p></FONT></SPAN></P>
<TABLE class=3DMsoNormalTable=20
style=3D"mso-cellspacing: 0in; mso-table-lspace: 1.8pt; mso-table-rspace: 1.=
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<P class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-element: frame; mso-element-frame-hs=
pace: 1.8pt; mso-element-wrap: around; mso-element-anchor-vertical: paragrap=
h; mso-element-anchor-horizontal: column; mso-element-left: right; mso-eleme=
nt-top: middle; mso-height-rule: exactly"><I><SPAN=20
style=3D"FONT-SIZE: 8pt; COLOR: black; FONT-FAMILY: Arial"><o:p> =
</o:p></SPAN></I></P></TD></TR></TBODY></TABLE>
<P><SPAN class=3Dcontent1><FONT size=3D3>The melodies are unabashedly sweet=20=
and=20
sentimental, awash with words that speak of love, romance, and loss. They su=
mmon=20
a bygone era of radio, show business and pop charts, and records that sold i=
n=20
the millions.</FONT></SPAN><SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Arial"><BR><BR><FONT size=3D3><SPAN=20
class=3Dcontent1>The songs speak for themselves, including such memorable wo=
rks as=20
"Autumn Leaves,=E2=80=9D "Nature Boy,=E2=80=9D "Too Young,=E2=80=9D "When I=20=
Fall in Love,=E2=80=9D "Mona Lisa=E2=80=9D=20
and Cole's trademark song, "Unforgettable.=E2=80=9D</SPAN><BR><BR><SPAN=20
class=3Dcontent1>Except for one representative number, "Straighten Up and Fl=
y=20
Right=E2=80=9D (an outgrowth of one of Cole's father's lectures), Cole did n=
ot write his=20
own material; he relied instead on the likes of the Gershwin brothers' "Swee=
t=20
Embraceable You,=E2=80=9D Yip Harburg's "It's Only a Paper Moon,=E2=80=9D an=
d Mel Torme's=20
"Christmas Song.=E2=80=9D</SPAN><BR><BR><SPAN class=3Dcontent1>Cole's autobi=
ography gets=20
more interesting in the second act. He relates two incidents that smack of t=
he=20
bigotry that was a fact of life in 1940s and 1950s America. This gives the=20
narrative part of the show its emotional gravitas.</SPAN>=20
<o:p></o:p></FONT></SPAN></P>
<TABLE class=3DMsoNormalTable=20
style=3D"mso-cellspacing: 0in; mso-table-lspace: 1.8pt; mso-table-rspace: 1.=
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mn; mso-table-left: right; mso-table-top: middle; mso-padding-alt: 0in 0in 0=
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cellSpacing=3D0 cellPadding=3D0 align=3Dright border=3D0>
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style=3D"COLOR: black; FONT-FAMILY: Arial"><o:p> </o:p></SPAN></P=
></TD></TR>
<TR style=3D"mso-yfti-irow: 1; mso-yfti-lastrow: yes">
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nt-top: middle; mso-height-rule: exactly"><I><SPAN=20
style=3D"FONT-SIZE: 8pt; COLOR: black; FONT-FAMILY: Arial"><o:p> =
</o:p></SPAN></I></P></TD></TR></TBODY></TABLE>
<P><SPAN class=3Dcontent1><FONT size=3D3>It seems odd, however, that in the=20=
telling,=20
LeMar remains soft-spoken and smiling, without a trace of any inner turmoil=20=
or=20
rage in his voice or visage.</FONT></SPAN><SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Arial"><BR><BR><FONT size=3D3><SPAN=20
class=3Dcontent1>Thackaberry's direction suggests Cole walked a tightrope be=
tween=20
the white and black worlds, while trying to appease both groups in a sharply=
=20
segregated America. It was also a time prior to the activist, and often=20
militant, civil-rights movement of the 1960s.</SPAN><BR><BR><SPAN=20
class=3Dcontent1>Despite fame and wealth, Cole and his second wife (his firs=
t=20
marriage ended in divorce) faced racial discrimination when they went to buy=
a=20
house in an upscale Los Angeles neighborhood.</SPAN><BR><BR><SPAN=20
class=3Dcontent1>When a white member of the housing council told Cole they d=
idn't=20
want any "undesirables=E2=80=9D moving into the neighborhood (it was deeded=20=
that homes=20
could not be sold to Jews, blacks and undesirables), Cole's lightning respon=
se=20
was, "Neither do I.=E2=80=9D This roused audible chuckles from the audience.=
</SPAN>=20
<o:p></o:p></FONT></SPAN></P>
<TABLE class=3DMsoNormalTable=20
style=3D"mso-cellspacing: 0in; mso-table-lspace: 1.8pt; mso-table-rspace: 1.=
8pt; mso-table-anchor-vertical: paragraph; mso-table-anchor-horizontal: colu=
mn; mso-table-left: right; mso-table-top: middle; mso-padding-alt: 0in 0in 0=
in 0in"=20
cellSpacing=3D0 cellPadding=3D0 align=3Dright border=3D0>
<TBODY>
<TR style=3D"mso-yfti-irow: 0">
<TD=20
style=3D"BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 0in; BORDER-TOP: #ece9d8;=
PADDING-LEFT: 0in; PADDING-BOTTOM: 0in; BORDER-LEFT: #ece9d8; PADDING-TOP:=20=
0in; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent">
<P class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-element: frame; mso-element-frame-hs=
pace: 1.8pt; mso-element-wrap: around; mso-element-anchor-vertical: paragrap=
h; mso-element-anchor-horizontal: column; mso-element-left: right; mso-eleme=
nt-top: middle; mso-height-rule: exactly"><SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Arial"><o:p> </o:p></SPAN></P=
></TD></TR>
<TR style=3D"mso-yfti-irow: 1; mso-yfti-lastrow: yes">
<TD=20
style=3D"BORDER-RIGHT: #ece9d8; PADDING-RIGHT: 0in; BORDER-TOP: #ece9d8;=
PADDING-LEFT: 0in; PADDING-BOTTOM: 0in; BORDER-LEFT: #ece9d8; PADDING-TOP:=20=
0in; BORDER-BOTTOM: #ece9d8; BACKGROUND-COLOR: transparent">
<P class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-element: frame; mso-element-frame-hs=
pace: 1.8pt; mso-element-wrap: around; mso-element-anchor-vertical: paragrap=
h; mso-element-anchor-horizontal: column; mso-element-left: right; mso-eleme=
nt-top: middle; mso-height-rule: exactly"><I><SPAN=20
style=3D"FONT-SIZE: 8pt; COLOR: black; FONT-FAMILY: Arial"><o:p> =
</o:p></SPAN></I></P></TD></TR></TBODY></TABLE><SPAN=20
class=3Dcontent1><SPAN=20
style=3D"FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'; mso-an=
si-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA">T=
he=20
script would benefit from more stories like this one.</SPAN></SPAN><SPAN=20
style=3D"FONT-SIZE: 12pt; COLOR: black; FONT-FAMILY: Arial; mso-fareast-font=
-family: 'Times New Roman'; mso-ansi-language: EN-US; mso-fareast-language:=20=
EN-US; mso-bidi-language: AR-SA"><BR><BR><SPAN=20
class=3Dcontent1>The second anecdote relates to a physical attack on Cole wh=
ile=20
performing before an all white audience in Birmingham, Alabama. After Ku Klu=
x=20
Klan members were removed from the site, the audience demanded Cole return t=
o=20
the stage, where they gave him a five-minute standing=20
ovation.</SPAN><BR><BR><SPAN class=3Dcontent1>Cole was the first African-Ame=
rican=20
to have his own sponsored radio series in 1948-49. In 1956, he became the fi=
rst=20
African-American to have his own network television show. He helped break th=
e=20
color barrier for other black entertainers like Sarah Vaughan and Harry=20
Belafonte.</SPAN><BR><BR><SPAN class=3Dcontent1>The show was popular, but th=
e lack=20
of a commercial sponsor caused NBC to cancel it after a year. At the time, n=
o=20
advertiser would sponsor a show presided over by a black=20
person.</SPAN><BR><BR><SPAN class=3Dcontent1>A heavy smoker, Cole died of lu=
ng=20
cancer at the age of 45 in 1965.</SPAN><BR><BR><SPAN class=3Dcontent1>In a w=
orld=20
weary of war, politics and terror, "Nat King Cole=E2=80=9D offers a pleasura=
ble escape=20
hatch to a simpler time made all the sweeter by nostalgia.</SPAN><BR><BR><SP=
AN=20
class=3Dcontent1><I>Actors' Summit is at 86 Owen Brown Street, Hudson. Ticke=
ts:=20
330-342-0800 Website: (includes directions) <A=20
href=3D"http://www.actorssummit.org/" target=3D_blank><FONT=20
color=3D#0000cc>http://www.actorssummit.org</FONT></A>.</I></SPAN> <BR=20
style=3D"mso-special-character: line-break"=20
clear=3Dall></SPAN></DIV></FONT></BODY></HTML>
-------------------------------1158592938--
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