[NEohioPAL]CPT Announces Big [Box] Artists

Mindy Herman MHerman at cptonline.org
Fri Dec 8 14:58:57 PST 2006


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=20

=20

Cleveland Public Theatre Presents Big [BOX]=20

Award-winning artists in residency program returns for 5th year

=20

Cleveland Public Theatre Executive Artistic Director Raymond Bobgan is
proud to announce the participating artists for the 2007 Big [BOX]
series.  Big [BOX] is an award-winning residency program produced by
Cleveland Public Theatre that focuses on the independent creative artist
and the exciting things that can happen when one is given the space and
time to create. Now in its fifth successful year, Cleveland Public
Theatre is proud to support and foster the work of area artists in this
unique program. Over seven weekends, nine artists are given keys to The
James Levin Theatre and the freedom to transform the space for the
presentation of their work. =20

=20

The goal of Big [BOX] is to support new work and local artists.=20

=20

CPT provides:=20

*         The James Levin Theatre

*         Basic production staff, stage management, box office support=20

*         Marketing and advertising support

=20

The artists provide the rest!

=20

The writers, directors, actors, and designers selected for big box
dedicate themselves to creating new and original work, or stretching
their artistic powers by working in new disciplines. The resulting
performances are always amazing and well attended. Big [BOX]
performances and artists often go on to receive larger exposure and
production at CPT.=20

=20

The mission of Cleveland Public Theatre is to raise consciousness and
nurture compassion through ground breaking performances and life
changing educational programs. Cleveland Public Theatre is an
alternative performance company with a commitment to help develop
original theatre artists from the Cleveland area; Big [BOX] is one
performance series dedicated to this goal.

=20

Big [Box]

January 5 - February 18, 2007

=20

Fridays and Saturdays at 7:30pm

Sundays at 3:00pm

Tickets:  General Admission $15 | Students and Seniors $12

=20

January 5 - 7

Living Tall by Mike Geither=20

In Living Tall, a businessman attempts to give a lively workshop on
increasing sales, but the overhead projector is not cooperating and he
can't seem to stay on message. He is haunted by a greater story-a story
of death and redemption in a small town in Italy. Living Tall is a
wondrous performance that reveals the hollowness of the marketplace and
the resiliency of the spirit.

=20

January 12 -14

Ms. Adventures by Michael Sepesy featuring Alison Garrigan=20

When the Wind Blows by Lisa Siciliano, directed by Dawn Youngs

=20

In When the Wind Blows, two expectant women share stories about their
pregnancies from conception to birth.  One of them is lying. A chance
meeting at a Wal-Mart sets off a series of events that ends with the
birth of a motherless child.=20

=20

Ms. Adventures is a one-woman safari through the American gender jungle
by local playwright Michael Sepesy, featuring Cleveland's own Alison
Garrigan. Transforming herself in a series of comic and dramatic
monologues, Mrs. Garrigan explores each ms.-en-scene to illuminate
issues of interest to women.   =20

=20

January 19 - 21

The Future of the Funk by Najaa Young

The Future of the Funk is an exploration of the former, current and
future state of hip hop and its place in pop culture. Artist Najaa Young
presents a multimedia performance utilizing poetry, spoken work, dance,
rap, music and video documentary. Will the future be found in bling,
bling and blunts, with scholarly black intellectuals or on the gritty
streets of Harlem or Johannesburg?=20

=20

January 26 - 28

Without Feathers by Lisa Lock=20

Sucking the Life by Amy Notley

=20

Without Feathers is a journey into the indefinite. Choreographed by
performer Lisa K. Lock, we follow her on her quest to grasp a sense of
self, while traveling through the mystic realms of the surreal. The
piece includes videography by Larry Coleman, and guest appearances by
Troy McCarty, Michael Medcalf, and Craig Bourne.

=20

Sucking the Life by Amy Notley universalizes the trauma of ending a
relationship by articulating her own personal struggle.  She renders
this experience skillfully in a powerful multimedia performance focusing
on movement.  Her matchless charisma together with athletic and
expressive choreographies create a harmony in "Sucking the Life" that
will leave an indelible impression on her audience.

=20

=20

February 2 -4

Wearing Rainbows and Numbers by Mary Weems, directed by Tony Sias

Wearing Rainbows is a series of monologues by a racially, ethnically,
sexually, and generationally diverse group of women. It is about how
each discovers the shapeshifting metaphor of a rainbow in their lives.
Numbers explores the issue of mental health through the eyes of an
African American numbers runner, and the spirits of several patients who
reside in the cemetery of a former facility for the so-called insane. =20

=20

=20

February 9 - 11

Fault Lines by Double-Edge Dance

Double-Edge Dance presents an evening-length dance theatre work of
vignettes connecting diverse vantage points on the core theme of fault
lines.  Breaking points, rifts and reconfigurations are metaphors
underlying the collaborations between two choreographers, Kora Radella
and Julie Brodie, composer Ross Feller, textile artist Rebecca Cross,
video artist Claudia Esslinger and photographer Marcella Hackbardt.

=20

=20

February 16 -18

My Name is Rachel Corrie, directed by Trad Burns

The controversial and explosive My Name is Rachel Corrie is a docudrama
based on the diaries of young American Rachel Corrie
<http://en.wikipedia.org/wiki/Rachel_Corrie> . Corrie was a member of
the International Solidarity Movement
<http://en.wikipedia.org/wiki/International_Solidarity_Movement>  (ISM)
who traveled as an activist to the Gaza Strip
<http://en.wikipedia.org/wiki/Gaza_Strip>  during the Al-Aqsa Intifada
<http://en.wikipedia.org/wiki/Al-Aqsa_Intifada> . My Name is Rachel
Corrie is a stunning account of one woman's experiences as she
passionately explores an unfamiliar world. Edited by Katherine Viner and
Alan Rickman from Corrie's recovered diaries and email correspondence,
it premiered at the Royal Court Theatre in London. The Big Box
presentation will be its regional premiere.=20

=20


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<body lang=3DEN-US link=3Dblue vlink=3Dpurple>

<div class=3DSection1>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p> </o:p></span></font></p>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'><o:p> </o:p></span></font></p>

<p class=3DMsoNormal><b><font size=3D4 face=3DArial><span =
style=3D'font-size:14.0pt;
font-family:Arial;font-weight:bold'>Cleveland Public Theatre Presents =
Big [BOX]
<o:p></o:p></span></font></b></p>

<p class=3DMsoNormal><font size=3D3 face=3DArial><span =
style=3D'font-size:12.0pt;
font-family:Arial'>Award-winning artists in residency program returns =
for 5<sup>th</sup>
year<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>

<p class=3DMsoBodyText2><font size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt'>Cleveland
Public Theatre Executive Artistic Director Raymond Bobgan is proud to =
announce
the participating artists for the 2007 Big [BOX] series.  Big [BOX] =
is an
award-winning residency program produced by Cleveland Public Theatre =
that
focuses on the independent creative artist and the exciting things that =
can
happen when one is given the space and time to create. Now in its fifth
successful year, Cleveland Public Theatre is proud to support and foster =
the
work of area artists in this unique program. Over seven weekends, nine =
artists
are given keys to The <st1:PersonName w:st=3D"on">James =
Levin</st1:PersonName>
Theatre and the freedom to transform the space for the presentation of =
their
work.  <o:p></o:p></span></font></p>

<p class=3DMsoBodyText2><font size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt'><o:p> </o:p></span></font></p>

<p class=3DMsoBodyText2><font size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt'>The
goal of Big [BOX] is to support new work and local artists. <font =
color=3Dnavy><span
style=3D'color:navy'><o:p></o:p></span></font></span></font></p>

<p class=3DMsoBodyText2><font size=3D2 color=3Dnavy face=3DArial><span
style=3D'font-size:10.0pt;color:navy'><o:p> </o:p></span></font></p>=


<p class=3DMsoBodyText2><font size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt'>CPT
provides: <o:p></o:p></span></font></p>

<p class=3DMsoBodyText2 =
style=3D'margin-left:.5in;text-indent:-.25in;mso-list:l0 level1 =
lfo2'><![if !supportLists]><font
size=3D2 face=3DSymbol><span =
style=3D'font-size:11.0pt;font-family:Symbol'><span
style=3D'mso-list:Ignore'>·<font size=3D1 face=3D"Times New =
Roman"><span
style=3D'font:7.0pt "Times New =
Roman"'>        
</span></font></span></span></font><![endif]><font size=3D2><span
style=3D'font-size:11.0pt'>The <st1:PersonName w:st=3D"on">James =
Levin</st1:PersonName>
Theatre<o:p></o:p></span></font></p>

<p class=3DMsoBodyText2 =
style=3D'margin-left:.5in;text-indent:-.25in;mso-list:l0 level1 =
lfo2'><![if !supportLists]><font
size=3D2 face=3DSymbol><span =
style=3D'font-size:11.0pt;font-family:Symbol'><span
style=3D'mso-list:Ignore'>·<font size=3D1 face=3D"Times New =
Roman"><span
style=3D'font:7.0pt "Times New =
Roman"'>        
</span></font></span></span></font><![endif]><font size=3D2><span
style=3D'font-size:11.0pt'>Basic production staff, stage management, box =
office
support <o:p></o:p></span></font></p>

<p class=3DMsoBodyText2 =
style=3D'margin-left:.5in;text-indent:-.25in;mso-list:l0 level1 =
lfo2'><![if !supportLists]><font
size=3D2 face=3DSymbol><span =
style=3D'font-size:11.0pt;font-family:Symbol'><span
style=3D'mso-list:Ignore'>·<font size=3D1 face=3D"Times New =
Roman"><span
style=3D'font:7.0pt "Times New =
Roman"'>        
</span></font></span></span></font><![endif]><font size=3D2><span
style=3D'font-size:11.0pt'>Marketing and advertising =
support<o:p></o:p></span></font></p>

<p class=3DMsoBodyText2><font size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt'><o:p> </o:p></span></font></p>

<p class=3DMsoBodyText2><font size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt'>The
artists provide the rest!<o:p></o:p></span></font></p>

<p class=3DMsoBodyText2><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt'><o:p> </o:p></span></font></p>

<p class=3DMsoBodyText2><font size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt'>The
writers, directors, actors, and designers selected for big box dedicate
themselves to creating new and original work, or stretching their =
artistic
powers by working in new disciplines. The resulting performances are =
always
amazing and well attended. Big [BOX] performances and artists often go =
on to
receive larger exposure and production at CPT. =
<o:p></o:p></span></font></p>

<p class=3DMsoBodyText2><font size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt'><o:p> </o:p></span></font></p>

<p class=3DMsoBodyText2><font size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt'>The
mission of Cleveland Public Theatre is to raise consciousness and =
nurture
compassion through ground breaking performances and life changing =
educational
programs. Cleveland Public Theatre is an alternative performance company =
with a
commitment to help develop original theatre artists from the <st1:place =
w:st=3D"on"><st1:City
 w:st=3D"on">Cleveland</st1:City></st1:place> area; Big [BOX] is one =
performance
series dedicated to this goal.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>

<p class=3DMsoNormal><b><font size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt;
font-family:Arial;font-weight:bold'>Big =
[Box]<o:p></o:p></span></font></b></p>

<p class=3DMsoNormal><b><font size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt;
font-family:Arial;font-weight:bold'>January 5 – February 18, =
2007<o:p></o:p></span></font></b></p>

<p class=3DMsoNormal><b><font size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt;
font-family:Arial;font-weight:bold'><o:p> </o:p></span></font></b></=
p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt;
font-family:Arial'>Fridays and Saturdays at =
7:30pm<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt;
font-family:Arial'>Sundays at 3:00pm<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt;
font-family:Arial'>Tickets:  General Admission $15 | Students and =
Seniors
$12<o:p></o:p></span></font></p>

<p class=3DMsoNormal><b><font size=3D2 face=3D"Times New Roman"><span
style=3D'font-size:11.0pt;font-weight:bold'><o:p> </o:p></span></fon=
t></b></p>

<p class=3DMsoNormal><i><font size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt;
font-family:Arial;font-style:italic'>January 5 – =
7<o:p></o:p></span></font></i></p>

<p class=3DMsoNormal><b><font size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt;
font-family:Arial;font-weight:bold'>Living Tall by Mike Geither =
<o:p></o:p></span></font></b></p>

<p class=3DMsoPlainText><font size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt;
font-family:Arial'>In <i><span style=3D'font-style:italic'>Living =
Tall</span></i>,
a businessman attempts to give a lively workshop on increasing sales, =
but the
overhead projector is not cooperating and he can’t seem to stay on =
message.
He is haunted by a greater story—a story of death and redemption =
in a
small town in <st1:place w:st=3D"on"><st1:country-region =
w:st=3D"on">Italy</st1:country-region></st1:place>.
<i><span style=3D'font-style:italic'>Living Tall</span></i> is a =
wondrous
performance that reveals the hollowness of the marketplace and the =
resiliency
of the spirit.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><b><font size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt;
font-family:Arial;font-weight:bold'><o:p> </o:p></span></font></b></=
p>

<p class=3DMsoNormal><i><font size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt;
font-family:Arial;font-style:italic'>January 12 =
-14<o:p></o:p></span></font></i></p>

<p class=3DMsoNormal><b><i><font size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt;
font-family:Arial;font-weight:bold;font-style:italic'>Ms. =
Adventures</span></font></i></b><b><font
size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt;font-family:Arial;font-weight:
bold'> by Michael Sepesy featuring Alison Garrigan =
<o:p></o:p></span></font></b></p>

<p class=3DMsoNormal><b><i><font size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt;
font-family:Arial;font-weight:bold;font-style:italic'>When the Wind =
Blows</span></font></i></b><b><font
size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt;font-family:Arial;font-weight:
bold'> by Lisa Siciliano, directed by Dawn =
Youngs<o:p></o:p></span></font></b></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt;
font-family:Arial'>In <i><span style=3D'font-style:italic'>When the Wind =
Blows</span></i>,
two expectant women share stories about their pregnancies from =
conception to
birth.  One of them is lying. A chance meeting at a Wal-Mart sets =
off a
series of events that ends with the birth of a motherless =
child. <o:p></o:p></span></font></p>

<p class=3DMsoNormal style=3D'text-autospace:none'><font size=3D2 =
face=3D"Courier New"><span
style=3D'font-size:11.0pt;font-family:"Courier =
New"'><o:p> </o:p></span></font></p>

<p class=3DMsoNormal style=3D'text-autospace:none'><i><font size=3D2 =
face=3DArial><span
style=3D'font-size:11.0pt;font-family:Arial;font-style:italic'>Ms. =
Adventures</span></font></i><font
size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt;font-family:Arial'> is a
one-woman safari through the American gender jungle by local playwright =
Michael
Sepesy, featuring <st1:place w:st=3D"on"><st1:City =
w:st=3D"on">Cleveland</st1:City></st1:place>'s
own Alison Garrigan. Transforming herself in a series of comic and =
dramatic
monologues, Mrs. Garrigan explores each ms.-en-scene to illuminate =
issues of
interest to women.    <o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>

<p class=3DMsoNormal><i><font size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt;
font-family:Arial;font-style:italic'>January 19 - =
21<o:p></o:p></span></font></i></p>

<p class=3DMsoNormal><b><font size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt;
font-family:Arial;font-weight:bold'>The Future of the Funk by Najaa =
Young<o:p></o:p></span></font></b></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt;
font-family:Arial'>The Future of the Funk is an exploration of the =
former,
current and future state of hip hop and its place in pop culture. Artist =
Najaa
Young presents a multimedia performance utilizing poetry, spoken work, =
dance,
rap, music and video documentary. Will the future be found in bling, =
bling and
blunts, with scholarly black intellectuals or on the gritty streets of =
Harlem
or <st1:City w:st=3D"on"><st1:place =
w:st=3D"on">Johannesburg</st1:place></st1:City>?
<o:p></o:p></span></font></p>

<p class=3DMsoNormal><b><font size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt;
font-family:Arial;font-weight:bold'><o:p> </o:p></span></font></b></=
p>

<p class=3DMsoNormal><i><font size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt;
font-family:Arial;font-style:italic'>January 26 - =
28<o:p></o:p></span></font></i></p>

<p class=3DMsoNormal><b><i><font size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt;
font-family:Arial;font-weight:bold;font-style:italic'>Without =
Feathers</span></font></i></b><b><font
size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt;font-family:Arial;font-weight:
bold'> by Lisa Lock <o:p></o:p></span></font></b></p>

<p class=3DMsoNormal><b><i><font size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt;
font-family:Arial;font-weight:bold;font-style:italic'>Sucking the =
Life</span></font></i></b><b><font
size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt;font-family:Arial;font-weight:
bold'> by Amy Notley<o:p></o:p></span></font></b></p>

<p class=3DMsoNormal><b><font size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt;
font-family:Arial;font-weight:bold'><o:p> </o:p></span></font></b></=
p>

<p class=3DMsoNormal><i><font size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt;
font-family:Arial;font-style:italic'>Without =
Feathers</span></font></i><font
size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt;font-family:Arial'> is a
journey into the indefinite. Choreographed by performer Lisa K. Lock, we =
follow
her on her quest to grasp a sense of self, while traveling through the =
mystic
realms of the surreal. The piece includes videography by Larry Coleman, =
and
guest appearances by Troy McCarty, Michael Medcalf, and Craig =
Bourne.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>

<p class=3DMsoNormal><i><font size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt;
font-family:Arial;font-style:italic'>Sucking the =
Life</span></font></i><font
size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt;font-family:Arial'> by Amy
Notley universalizes the trauma of ending a relationship by articulating =
her
own personal struggle.  She renders this experience skillfully in a
powerful multimedia performance focusing on movement.  Her =
matchless
charisma together with athletic and expressive choreographies create a =
harmony
in “Sucking the Life” that will leave an indelible =
impression on
her audience.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>

<p class=3DMsoNormal><i><font size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt;
font-family:Arial;font-style:italic'><o:p> </o:p></span></font></i><=
/p>

<p class=3DMsoNormal><i><font size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt;
font-family:Arial;font-style:italic'>February 2 =
-4<o:p></o:p></span></font></i></p>

<p class=3DMsoNormal><b><i><font size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt;
font-family:Arial;font-weight:bold;font-style:italic'>Wearing =
Rainbows</span></font></i></b><b><font
size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt;font-family:Arial;font-weight:
bold'> and <i><span style=3D'font-style:italic'>Numbers</span></i> by =
Mary Weems,
directed by Tony Sias<o:p></o:p></span></font></b></p>

<p class=3DMsoNormal><i><font size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt;
font-family:Arial;font-style:italic'>Wearing =
Rainbows</span></font></i><font
size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt;font-family:Arial'> is a series
of monologues by a racially, ethnically, sexually, and generationally =
diverse
group of women. It is about how each discovers the shapeshifting =
metaphor of a
rainbow in their lives. <i><span =
style=3D'font-style:italic'>Numbers</span></i>
explores the issue of mental health through the eyes of an African =
American
numbers runner, and the spirits of several patients who reside in the =
cemetery
of a former facility for the so-called insane.  <b><span =
style=3D'font-weight:
bold'><o:p></o:p></span></b></span></font></p>

<p class=3DMsoNormal><i><font size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt;
font-family:Arial;font-style:italic'><o:p> </o:p></span></font></i><=
/p>

<p class=3DMsoNormal><i><font size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt;
font-family:Arial;font-style:italic'><o:p> </o:p></span></font></i><=
/p>

<p class=3DMsoNormal><i><font size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt;
font-family:Arial;font-style:italic'>February 9 – =
11<o:p></o:p></span></font></i></p>

<p class=3DMsoNormal style=3D'text-autospace:none'><b><i><font size=3D2 =
face=3DArial><span
style=3D'font-size:11.0pt;font-family:Arial;font-weight:bold;font-style:i=
talic'>Fault
Lines</span></font></i></b><b><font size=3D2 face=3DArial><span =
style=3D'font-size:
11.0pt;font-family:Arial;font-weight:bold'> by Double-Edge =
Dance<o:p></o:p></span></font></b></p>

<p class=3DMsoNormal style=3D'text-autospace:none'><font size=3D2 =
face=3DArial><span
style=3D'font-size:11.0pt;font-family:Arial'>Double-Edge Dance presents =
an
evening-length dance theatre work of vignettes connecting diverse =
vantage
points on the core theme of fault lines.  Breaking points, rifts =
and
reconfigurations are metaphors underlying the collaborations between two
choreographers, Kora Radella and Julie Brodie, composer Ross Feller, =
textile
artist Rebecca Cross, video artist Claudia Esslinger and photographer =
Marcella
Hackbardt.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>

<p class=3DMsoNormal><i><font size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt;
font-family:Arial;font-style:italic'>February 16 =
-18<o:p></o:p></span></font></i></p>

<p class=3DMsoNormal><b><i><font size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt;
font-family:Arial;font-weight:bold;font-style:italic'>My Name is Rachel =
Corrie</span></font></i></b><b><font
size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt;font-family:Arial;font-weight:
bold'>, directed by Trad Burns<o:p></o:p></span></font></b></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:11.0pt;
font-family:Arial'>The controversial and explosive<b><i><span =
style=3D'font-weight:
bold;font-style:italic'> </span></i></b><i><span =
style=3D'font-style:italic'>My
Name is Rachel Corrie</span></i> is a docudrama based on the diaries of =
young
American <a href=3D"http://en.wikipedia.org/wiki/Rachel_Corrie"
title=3D"Rachel Corrie"><font color=3Dblack><span =
style=3D'color:windowtext;
text-decoration:none'>Rachel Corrie</span></font></a>. Corrie was a =
member of
the <a =
href=3D"http://en.wikipedia.org/wiki/International_Solidarity_Movement"
title=3D"International Solidarity Movement"><font color=3Dblack><span
style=3D'color:windowtext;text-decoration:none'>International Solidarity =
Movement</span></font></a>
(ISM) who traveled as an activist to the <a
href=3D"http://en.wikipedia.org/wiki/Gaza_Strip" title=3D"Gaza =
Strip"><font
color=3Dblack><span style=3D'color:windowtext;text-decoration:none'>Gaza =
Strip</span></font></a>
during the <a href=3D"http://en.wikipedia.org/wiki/Al-Aqsa_Intifada"
title=3D"Al-Aqsa Intifada"><font color=3Dblack><span =
style=3D'color:windowtext;
text-decoration:none'>Al-Aqsa Intifada</span></font></a>. <i><span
style=3D'font-style:italic'>My Name is Rachel Corrie</span></i> is a =
stunning
account of one woman’s experiences as she passionately explores an
unfamiliar world. Edited by Katherine Viner and Alan Rickman from
Corrie’s recovered diaries and email correspondence, it premiered =
at the <st1:PlaceName
w:st=3D"on">Royal</st1:PlaceName> <st1:PlaceType =
w:st=3D"on">Court</st1:PlaceType> <st1:PlaceName
w:st=3D"on">Theatre</st1:PlaceName> in <st1:place w:st=3D"on"><st1:City =
w:st=3D"on">London</st1:City></st1:place>.
The Big Box presentation will be its regional premiere. <b><span
style=3D'font-weight:bold'><o:p></o:p></span></b></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3D"Times New Roman"><span =
style=3D'font-size:
11.0pt'><o:p> </o:p></span></font></p>

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