[NEohioPAL] "Noises Off" Auditions at Fine Arts

Wanda Wareham WWareham at FineArtsAssociation.org
Wed Jul 16 08:12:44 PDT 2008


The Fine Arts Association
 
Announces auditions for
 
Noises Off
By Michael Frayn
 
            Directed by Sandy Kosovich Peck
 
Auditions Date
Wednesday, August 6, 2008 beginning at 7:00 pm
 
at The Fine Arts Association
38660 Mentor Avenue, Willoughby, Ohio 44094
 
 
Requirements
Appointment Needed
Call 440-951-7500 x103 to sign up for an appointment
Come prepared to read from the script and be familiar with the script
 
Casting Information
No AEA contracts available for this production.
  
Needed:   4 women & 5 men
Men
5 men, ages 21-60+
 
Women
4 women, ages 18-50
 
Rehearsals Start
Monday, August 25, 2008
 
Performance Dates 
October 3-19, 2008 
in the Corning Auditorium
 
About the show
In his plot for Noises Off, Frayn plays on the concept of a play within
a play <http://en.wikipedia.org/wiki/Play_within_a_play> , in this case
a parodistically dreadful sex comedy entitled Nothing On-the type of
play in which young girls run about in their underwear, old men drop
their trousers, and many doors continually open and shut. Act One is set
at the dress rehearsal <http://en.wikipedia.org/wiki/Dress_rehearsal> ,
the night before opening at the Grand Theatre in Weston-super-Mare
<http://en.wikipedia.org/wiki/Weston-super-Mare> , with the cast still
fumbling with entrances and exits, missed cues, misspoken lines, and
bothersome props, most notably several plates of sardines.  Act Two
portrays a Wednesday matinee performance one month later, at the Theatre
Royal in Ashton-under-Lyne
<http://en.wikipedia.org/wiki/Ashton-under-Lyne> . In this act, the play
is seen from backstage, providing a view that reveals the deteriorating
personal relationships among the cast that have led to offstage
shenanigans and onstage bedlam.  In Act Three, we see a performance near
the end of the ten-week run, at the Municipal Theatre in
Stockton-on-Tees <http://en.wikipedia.org/wiki/Stockton-on-Tees> , when
personal friction has continued to increase and everyone is bored and
anxious to be done with the play. The actors attempt to cover up a
series of mishaps but only compound the problems and draw attention to
the bungling performance.
 
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