[NEohioPAL] BECK hold "IS He Dead?" Auditions THIS Tuesday and Wednesday~~COMIC ACTOR ALERT!
Grumio85 at aol.com
Grumio85 at aol.com
Sun Nov 15 19:50:10 PST 2009
Beck Center will hold open call auditions for the regional premiere of
Mark Twain's IS HE DEAD?
(Adapted by David Ives)
Open calls (NO appointments necessary) will take place on both Tuesday,
Nov. 17th and Wednesday. Nov. 18th from 6PM to 8PM. Actors will be seen in
order of arrival, and will have individual appointments with director
Matthew Earnest. Auditioning actors should also be prepared, if needed, for a
callback session on Saturday afternoon, Nov. 21st.
Performances are Feb. 5th thru Feb. 28th. Rehearsals will begin Jan. 3rd.
Director Matthew Earnest has requested a brief (2 minutes maximum)
prepared monologue. A monologue will be provided to read if you do not have
anything available to present. The director also requests actors to have 16 bars
(or 15-20 seconds) of a song--sung a capella. "Is He Dead?" is NOT a
musical!! But the director would like to make it a part of the audition process
to hear you sing a snippet.
"Is He Dead?" has opportunites for 11 to 16 actors, depending upon
potential doubling. Of the 16 roles, 12 are male and 4 are female. The roles range
in age from early 20's thru early 60's. All roles are open except
Jean-Francois Millet/Widow Daisy Tillou which has been cast. (Local AEA actor Nick
Koesters)
One other AEA contract is available, and all non-Equity actors 18 and over
are paid a modest stipend for their participation.
Scripts will be available beginning Tuesday afternoon to be read at Beck
Center only.
If you have further questions, you may reply to this e-mail...or call
Scott Spence, Beck Center Artistic Director, at 216-521-2540 x15.
~~~Special Note: There will be 3 or 4 weekday student matinees offered.
Please only audition if you can take several mornings off of your day jobs,
if that applies.
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About the Play......
A once-thought lost Mark Twain comedy could be in the running for the best
play Tony as "Is He Dead?" opened Sunday to good reviews a mere 109 years
after being written. Unlike the Oscars, the Tonys tend to find room in the
race for well-received comedies like this one. This buried treasure,
discovered in the author's archives and adapted by David Ives, is headlined by
the much-praised Norbert Leo Butz in his first Rialto run since winning the
Tony two years ago for "Dirty Rotten Scoundrels."
As Michael Kuchwara of _AP_
(http://ap.google.com/article/ALeqM5jWQ3_M6dKKFPC-LwshdMzu5M6UGQD8TE84AG0) notes, "Farce is the theatrical equivalent of
a wind-up toy. It requires some exertion before the mechanics kick in and
(http://goldderby.latimes.com/.shared/image.html?/photos/uncategorized/2007/1
2/11/norbert.jpg) produce (one hopes) the required laughs. Act 1 marks
time, dutifully laying the groundwork for the inspired antics of the play's
riotously funny second half." He deftly describes this, "satiric examination
of greed in the art world of 1840s Paris - it focuses on real-life painter
Jean-Francois Millet, perhaps the best known painter of Twain's day. In
Twain's version, a young Millet, played by Butz, is promising but penniless.
He surmises monetary rewards won't really kick in until after he's dead. So
why not pretend to be on the way out, disappear and collect the money now,
posing as his sister. The lady, Millet in disguise, turns heads and causes
complications." For Kuchwara, "Butz, done up in drag, is the fireplug who
jump-starts the farce, adapted by Ives and directed by Michael Blakemore
with a sure ear for language and an even surer eye for physical comedy. Their
teamwork is one of the most felicitous collaborations of the season."
About the Director.....
Matthew Earnest is an _American_
(http://www.answers.com/topic/united-states) _theater director_ (http://www.answers.com/topic/theatre-director-1) .
As Founding Artistic Director of _New York City_
(http://www.answers.com/topic/new-york-city-of-southern-new-york) 's deep ellum ensemble Earnest
created multi-disciplinary performance works from plays, literature, his own
original texts and various other sources, and the company toured them
internationally from 1995 until they disbanded in 2007. Today Earnest is a
freelance director, creating work at many theaters in the US and abroad. He has
been an associate artist at English Theatre Berlin (formerly known as Friends
of Italian Opera) , since 1999, and at the University of Delaware's
Professional Theatre Training Program since 2001. His work has been recently seen
in the NE Ohio area at Porthouse and Weathervane, and he is also slated to
direct later this season at Cleveland Public Theater.
Awards
* "The Cleveland Scene" Best Director and Times Tribute (2007): Peter
Pan (Porthouse Theatre, Cuyahoga Falls, OH)
* Raleigh News & Observer Top 10 of 2007: _Elizabeth: Almost by
Chance a Woman_ (http://www.answers.com/topic/elizabeth-almost-by-chance-a-woman)
(Still Water Theatre, Raleigh, NC)
* Roe Green Visiting Director, _Kent State University_
(http://www.answers.com/topic/kent-state-university) , 2008
* The Cleveland Scene Outstanding revival and Times Tribute: _Our
Town_ (http://www.answers.com/topic/our-town) _[9]_
(http://royberkinfo.blogspot.com/search/label/Times%20Tributes) (Porthouse Theatre, Cuyahoga Falls,
OH), 2007 BIFF Award: Excellence in
Ensemble Acting, deep ellum ensemble (The Jilting of Granny Weatherall), NY
Fringe Festival, 1997
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