[NEohioPAL] Berko review: GYPSY (Brecksville Theatre on the Square)
KevinJosephKelly at aol.com
KevinJosephKelly at aol.com
Fri May 14 20:29:35 PDT 2010
the only important relationship in theatre is the actor and the audience
during the performance
that is the magic, and word of mouth is stronger than any ad, any
publicity, and any positive or negative review
it is true, if you build it, they will come
this review triggered people defending the craft, for that is a good
thing, you sling it, you take it
thank you
kevin
In a message dated 5/14/2010 10:41:21 A.M. Eastern Daylight Time,
royberko at yahoo.com writes:
Brecksville’s ‘GYPSY’ exceeds expectations
Roy Berko
(Member, American Theatre Critics Association)
--THE TIMES NEWSPAPERS--
Lorain County Times--Westlaker Times--Lakewood News
Times--Olmsted-Fairview Times
--COOLCLEVELAND.COM—
‘GYPSY’ by Jule Styne, Stephen Sondheim, and Arthur Laurents, is a
musical theatre classic. It is based on Gypsy the memoirs of Gypsy Rose Lee,
the famous striptease artist and her relationship with her mother, Rose, the
aggressive show business mother, who appears to be using her daughters to
achieve what she never could. In spite of, or maybe because of Rose, Gypsy
became a star, and sister June Havoc also achieved acting fame.
I normally don’t review community theatre shows, but I made an exception
when I found out that Monica Olejko was coming out of a self-imposed
retirement to star as Mama Rose in Brecksville Theatre on the Square’s ‘GYPSY. ‘
I was not disappointed. In fact, the production turned out to be much
better than I anticipated. Olejko controls a stage. When she’s on, all eyes
are on her. It’s not that she is a scene stealer, it’s just that she is
so talented that almost all her moves are right on point. Her versions of “
Some People,” “Mr. Goldstone” and “Everything’s Comin’ Up Roses,” were
all excellent. Her verbal and physical attack of “Rose’s Turn,” often
called Rose’s Lament, was strong and clearly developed the message of Rose’s
understanding of why she pushed her daughters to be what she couldn’t be.
Wow!
Robb Gibb was excellent as Herbie. “You’ll Never Get Away From Me,” his
duet
With Rose, was delightful.
Bridget Chebo was exceptional as Louise. She has an excellent voice and
much stage presence.
A strong performance was turned in by Shane Joseph Siniscalchi as Tulsa.
Heather Hersh, Jeanette Stack Luli, Kimberly Bush, and the audience, had a
wonderful time during the trio’s bump and grind routine, “You Gotta Get A
Gimmick.”
Musical director Georgiann Bodle did an excellent job of making sure her
musicians backed up, rather than overpowered the singers.
Director Geoffrey Short kept the show well paced. It would have been nice
if he could have worked with some of the support cast to develop clearer
and consistent characterizations, but this is community theatre, and that
means the quality of the talent can’t be expected to be consistently top
drawer.
‘CAPSULE JUDGEMENT: Thanks to Monica Olejko, Rob Gibb and Bridget Chebo
, Brecksville Theatre on the Square’s ‘GYPSY’ was better than most
community theatre productions of this show. Nice job!
The show continues at Brecksville Theatre on the Square in the Brecksville
Old Town Hall through May 16. Call 440-526-3443 for tickets.
Roy Berko's blog, which contains theatre and dance reviews from 2001
through 2010, as well as his consulting and publications information, can be
found at http://royberko.info
His reviews can also be found on www.coolcleveland.com and NeOHIOpal (to
subscribe visit http://mailman.listserve.com/listmanager/listinfo/neohiopal.)
Roy Berko's blog, which contains theatre and dance reviews from 2001
through 2010, as well as his consulting and publications information, can be
found at http://royberko.info
His reviews can also be found on www.coolcleveland.com and NeOHIOpal (to
subscribe visit http://mailman.listserve.com/listmanager/listinfo/neohiopal.)
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