[NEohioPAL] Review of "Bill Maher on Tour" at PlayhouseSquare

Bob Abelman r.abelman at adelphia.net
Thu Jul 28 19:56:21 PDT 2011


When theater becomes theatre

 

Bob Abelman

 

News-Herald, Chagrin Valley Times, Solon Times,

The Morning Journal, Geauga Times Courier

Member, American Theatre Critics Association

 

This review will appear in the News-Herald 7/29/11

 

 

In warfare, the word "theater" describes a specific geographical area where conflict occurs.



Anyone watching TV or listening to radio these days knows that the U.S. is involved in an all-out, no-holds-barred conflict, but the theater is not Iraq, Libya, Pakistan or Afghanistan. The theater is TV and radio, and the conflict we are talking about is. talking.

 

There is a war of words happening in this country.  While much of it addresses Iraq, Libya, Pakistan and Afghanistan, hot button topics such as global warming, the deficit, abortion, gay marriage, healthcare, the President's true nationality, and everything else on the respective agendas of political conservatives and liberals is open for discussion.  

 

No, not discussion.  Or debate.  Diatribe.   

 

Although America's political rhetoric has been toned down by career politicians since the shooting of U.S. Rep. Gabrielle Giffords in Arizona, this is not the case for either party's unelected, unofficial spokespeople.  In fact, public affairs programs with hosts who are rabidly partisan have been growing in number, volume and fervor.  And no matter where they stand on Darwin, their venues have evolved.

 

In the 1990s, the war of words went from the podium and bully pulpit to the public airwaves.  Conservative talk radio became America's alternative media universe, providing listeners with a counterpoint to what was believed to be a liberal mainstream media.

 

AM radio was dying and the Fairness Doctrine, which required that a commentator's opinions be matched by "equal time" for opposing positions, was abolished by the FCC.  With available and unrestrained airtime at his disposal, Rush Limbaugh was among the first-and eventually among the most popular-of the outspoken conservatives to take to talk radio. 

 

He was soon followed by Bill O'Reilly, Michael Savage, Sean Hannity, Laura Ingraham, Glenn Beck, Dr. Laura Schlessinger, Neil Boortz, Mike Gallagher and, most recently, comedian/ political commentator Dennis Miller.

 

Although conservatives dominate the radio airwaves, there are a few prominent liberal talk radio personalities.  Thom Hartmann, Bill Press, Ed Schultz, Mike Malloy, Sam Seder, Rachel Maddow and Randi Rhodes maintain a beachhead on old time broadcasting. 



Mostly, liberal pundits found their way to television.  In 1993, comedian/political commentator Bill Maher's Politically Incorrect landed on cable and then moved to ABC until the talk show was cancelled for being too politically incorrect.  Its next incarnation, Real Time with Bill Maher, is currently a hit on HBO.  Others programs, such as the faux-news show The Daily Show with Jon Stewart and a faux-conservative talk show The Colbert Report, took up residency on the Comedy Central network.  Collectively, Maher, Stewart and Colbert serve as a primary source of news, information and perspective for young progressives.



The conservatives, in turn, have laid claim to the Fox News network as their latest stronghold, with The O'Reilly Factor leading the charge.  Dennis Miller, who for years was host of the "Weekend Update" on NBC's Saturday Night Live, has hosted a string of talk shows on HBO and CNBC and is a regular guest on Fox programs including The O'Reilly Factor.  He has, in fact, become the acerbic poster child for young Republicans and right-leaning independents.



Now that the war of words is escalating, the theater has moved to the theatre.



Bill Maher is on tour, bringing his smart, sardonic and some say smug brand of political humor to cities across the country.  He was in the Palace Theatre at Cleveland's PlayhouseSquare this past Sunday for a two hour one-nighter.



While the show looked like a typical stand-up comedian's gig, with a single microphone stand, a single white spot light, and a bottle of water at the ready, the punch lines were the Tea Party, Sarah Palin, Michele Bachmann, Sarah Palin, gun enthusiasts, Sarah Palin, and Maher's favorite pet peeve, organized religion. "I'm just an advocate for common sense," said Maher, "speaking my mind." 



On his mind that night were all things political.  Maher explained to the audience the significance of the American debt, which he attributed to reckless spending by the Bush administration though Republican's blame Obama. "Let me illustrate for you how much $14.26 trillion really is," offered Maher.  "Take the value of your house, and add $14.26 trillion."



Maher commented on the state of the union, citing research that found our country ranking 10th among the world's nations in terms of social and economic mobility.  "The USA," Maher reported, "is now 10th in the American dream."



And, of course, he uniformly dissed, dissected and dismissed each and every Republican with a hankering to be President.



This is theatre alright. Here is staged activity that appears spontaneous, comedic storytelling with a poignant and cleverly crafted undertow, and seemingly innocuous fare laden with the intention to move an audience emotionally and intellectually.  And a standing "O" at the end.



Since the days of Aristotle, theatre has been a political forum.  Now it's a war zone.



And, as with all theatre, a different show will be opening soon.  Bill O'Reilly, the godfather of in-your-face right-wing television, and Dennis Miller, the king of literary references and bemused socio-political rants, will be teaming up and touring.  Effective August 20, The Bolder and Fresher Tour hits the road and promises to hit it hard.



Dates have not been finalized but since they are doing Bill Maher damage control, it is a good bet they will be bringing the theater to a theatre near you.



What's next as we inch closer to election year?  Perhaps Mitt Romney: The Musical.


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