[NEohioPAL] Berko review: "Tappin' Thru Life"--lots of singing and music and a little tapping at CPH

Roy Berko via NEohioPAL neohiopal at lists.neohiopal.org
Fri Jun 6 07:34:06 PDT 2014


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*“Tappin’ Thru Life”—lots of singing and music and a little tapping at CPH*

Roy Berko
(Member, American Theatre Critics Association, Cleveland Critics Circle)

“Woody Sez:  The Life and Music of Woody Guthrie,” “Maestro:  Leonard
Bernstein,” “The Devil’s Music:  The Life and Times of Bessie Smith,” “One
Night with Janice Joplin.”  What do these all have in common?  They are
shows that Cleveland Play House has staged in the last several years, and
they are productions that showcase the musical talents of a particular
artist.

Before you state “These aren’t plays, they are night club acts,” realize
that CPH is not the only place where these types of shows have become
staples.  Broadway’s 2013-2014 season featured “Beautiful The Carole King
Musical,” “Soul Doctor (Rabbi Shlomo Carlebach),” “A Night With Janus
Joplin,” “After Midnight” (Duke Ellington), and “Lady Day at Emerson’s Bar
and Grill” (Billy Holliday).

CPH is closing its season with “Maurice Hines Is Tappin’ Thru Life.”  With
such a title one would expect tapping, tapping, and more tap dancing.
‘Taint the case.  More than two-thirds of the show is Hines talking and
singing about his childhood, his relationship with his brother, Gregory,
the influence of his mother and father on his life, and his connections
with the likes of Judy Garland, Frank Sinatra, Ella Fitzgerald, Sammy
Davis, Jr., Dean Martin, Lena Horn, and Harry Belafonte.

Hines sings, shows pictures, has his “Diva Orchestra,” an all-women’s
musical group, play as a unit and as solo performers, and has brothers John
Manzari and Leo Manzari, who appeared with him in “Sophisticated Ladies,”
dance.  He also makes some tapping-like moves and lets loose for one good
clackity-clack routine.

Played and sung big band songs include:  “I’ve Never Been in Love Before,”
“Smile,” “A Tisket, a Tasket,” “Caravan,” “It Don’t Mean a Thing,” and “Too
Marvelous for Words,” and such Broadway favorites as “I’ve Grown Accustomed
to Her Face” and “Luck Be a Lady.”

The personal history is interspersed with social and political comments
regarding integration, segregation, and his fondness for President Obama.

Much of the dialogue, comments to and with the audience and the band, are
ad-libbed, making for a comfortable interaction in the intimate Allen
Theatre.

Hines is charming and knows how to play a room.  He localizes the show by
talking about eating at Hot Sauce Williams Restaurant with Laura Kepley,
the artistic director of the Play House.  There is so much kitsch that it’s
surprising that he didn’t put on an Indians cap or a Brown’s or Cav’s
jersey sometime during the show.

The band is big and bold.  No subtlety here.  Horns blare, the drums get a
workout, the pianist pounds the keys.  Good stuff.

The show hits its dancing peak when John and Leon Manzari come on and “tap
out a beat” and make sparks fly as they tap in various styles.  Ditto for
an appearance by an adorable and talented teen-aged dancer, Grace Cannady,
from Boston.  In Atlanta, DC, Boston and at the Manhattan Club 54 Below,
where the show has been staged before, there was a child dancer or two
added to the goings-on.  Part of the reason may be that Hines probably
can’t dance with the same vigor or steam as he did in his far-distant youth
and needed to prop up the tapping segments.

The bandstand set works well.   Instrumentalists rise as they do their
solos.  Hines walks up and down the large white platform/steps to add
visual dimension.  Pictures are electronic graphics shown on panels which
slide on and off stage.

*CAPSULE JUDGMENT: “Maurice Hines Is Tappin’ Thru Life,” is a personable
concert, which is more a Vegas act, than a play.  Audiences anticipating
90-minutes of non-stop dancing may be frustrate.  Some might question why
CPH is doing a “touring” show rather than producing its own product and why
they stage these one-person bio-musicals.  Whatever.  The majority of the
audience will come and enjoy themselves. *

“Maurice Hines Is Tappin’ Thru Life” runs through June 29, 2014 at the
Allen Theatre in PlayhouseSquare.  For tickets call 216-241-6000 or go to
http://www.clevelandplayhouse.com

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