[NEohioPAL] ANNOUNCING AUDITIONS FOR A NEW PLAY - EVERYTHING FEELS LIKE THE END OF THE WORLD

[Cameron Zona]

The Access Theatre Project, located in Mayfield Village, OH, announces
auditions for the first production in its series of new plays:

Everything Feels Like the End of the World by Julia Marie Black
A staged reading at The Access Theatre Project
Directed by Noelle Elise Crites

Auditions: November 11th, 5:30-9:00 PM at 700 Beta Dr. Suite 400, Mayfield,
OH 44143
Callbacks (if needed): November 12th
Rehearsals: January 13th- 26th, with occasional Zoom rehearsals in December
Performances: January 27th-29th, Friday and Saturday at 7:30 PM, Sunday at
2:00 PM

This dark comedy follows Angie and Devon, an angel and a demon, in their
fight over a young human's soul while exploring life, death, and everything
that comes after.

ROLES AVAILABLE:

ANGIE (16-18) Female-identifying or Non-binary- An angel on a mission to
save the life
of Will. Type A but with much more depth than one would assume based on
first
impressions alone.

DEVON (16-18) Male-identifying, Female-identifying, or Non-binary- A demon
on a
mission to condemn the soul of Will to hell. Charismatic, “devil-may-care”
attitude but
with an inexplicable element of danger.

NOTE: This plays deals with topics of suicide, addiction, domestic abuse,
and sexual assault. Due to these heavy topics, we will only be considering
actors aged 18 and up.

AUDITION SIGN UP:
https://www.signupgenius.com/go/10C0E4CAEAD2CAAF5C25-everything

Please prepare a 1-2 minute (MAX) contemporary monologue. In-person
auditions will take place on November 11th from 5:30 to 9:00 PM. Please
bring one copy of your headshot and resume.

Video submissions will be accepted until 11:59 PM November 8th. If
submitting a video, please send an unlisted YouTube link to both
accesstheatreproject at gmail.com and noelleelisecrites at gmail.com, along with
a headshot and resume. However, in-person auditions are preferred.

This play, while comedic in parts, ultimately deals with finding connection
and support in unlikely places. I encourage monologues that have comedic
moments while showing emotional depth.
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