[NEohioPAL] Partial subscriptions still available for Twin Masks’ 2025 Season

[Claudia Lillibridge]

We are so grateful for your continued support of our mission to produce
intimate, thought-provoking shows that engage, entertain and encourage
audiences to consider different perspectives and points of view.

With this in mind, we are delighted to share with you our 2025 season of
shows. * Partial subscriptions and individual tickets are currently
available. Please visit our website at **www.twinmasks.org*
<http://www.twinmasks.org/>*.*

Opening May 2 and running Friday and Saturday evenings (8:00 p.m.) until
May 17, *EXIT LAUGHING**, *written by Paul Elliott and directed by Laurel
K. Bryant.

What is there left to do when you and your best friends return from touring
the world and sharing adventures? A May-December romance, maybe? Or
something else? Join us for this uproarious comedy filled with laughs, and
a few surprises.

Opening August 1st and running Friday and Saturday evenings (8:00 p.m.) until
August 16, *YOU BETTER SIT DOWN: TALES FROM MY PARENTS DIVORCE*, written by
Anne Kaufman,  Matthew Maher, Caitlin Miller, Jennifer R. Morris, Janice
Paran and Robbie Collier Sublett, directed by Claudia Lillibridge.

Listen and watch the delicate parent-child conversations about falling in
love, falling out of love, and rebuilding a life after the complex
experience of dividing a family. This provocative show reveals the stories
behind the statistics of one of the most prominent social phenomena of our
time.

Opening October 31st and running Friday and Saturday evenings (8:00 p.m.) until
November 15th,* DEAD MAN’S CELL PHONE *by Sarah Ruhl, directed by Marc C.
Howard.

An incessantly ringing cell phone in a quiet café. A stranger at the next
table who has had enough. And a dead man – with a lot of loose ends. So
begins *Dead Man’s Cell Phone*, a wildly imaginative new comedy by
MacArthur “Genius” Grant recipient and Pulitzer Prize finalist Sarah Ruhl.
A work about how we memorialize the dead – and how that remembering changes
us – it is the odyssey of a woman forced to confront her own assumptions
about morality, redemption, and the need to connect in a technologically
obsessed world.

*Once again, partial subscriptions and/or individual tickets are now on
sale.* We look forward to seeing you at the shows and thank you for
supporting the arts in our communities!
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