[NEohioPAL] Auditions for Dead Man’s Cell Phone at TMPAC, Aug 3 and 4

Claudia Lillibridge claudia at twinmasks.org
Wed Jul 9 07:51:56 PDT 2025


*Twin Masks Performing Arts Center*

Audition Announcement

*Dead Man's Cell Phone* by Sarah Ruhl



Auditions will be held at the theatre on Sunday August 3 beginning at 6:30,
and Monday August 4 beginning at 7:30. The production will run Friday and
Saturday evenings October 31 to November 15.

*TMPAC* is located at 9067 Church Street, Suites 2 & 3, Twinsburg, Ohio
44087.

TMPAC is a registered 501c3 non profit organization and all actors and
production staff members are volunteers (non-paid).

Director Marc C. Howard asks that auditioners follow this link to sign up
for an audition slot and to get more details regarding this production.

*SignUp Genius Link
<https://www.signupgenius.com/go/5080549AFAC2CAAF58-50694015-dead#/>*

This play explores the theme of how cell phones both connect and isolate
us, as well as the balance between going through the motions and really
living. A work about how we memorialize the dead – and how that remembering
changes us – it’s the odyssey of a woman forced to confront her own
assumptions about morality, redemption, and the need to connect in a
technologically obsessed world.

*Reviews:*

“Satire is her oxygen […] In her new oddball comedy, *Dead Man’s Cell
Phone, *Sarah Ruhl is forever vital in her lyrical and biting takes on how
we behave” ~ *The Washington Post*

“Ruhl’s zany probe of the razor-thin line between life and death delivers a
fresh and humorous look at the times we live in.” ~ *Variety*

“[Ruhl] tackles big ideas with a voice that entertains.” ~ *NPR*

“The beguiling new comedy […] blends the mundane and the metaphysical, the
blunt and the obscure, the patently bizarre and the bizarrely moving […]
[Ruhl] writes surrealist fantasies that happen to be populated by
eccentrically real people, comedies in which the surface illogic of dreams
is made meaningful – made truthful – by the deeper logic of human feeling.”
~ *The New York Times*

Rights secured via Concord Theatricals
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