<h3 style="color: rgb(255, 0, 0);"><font size="4"><i>Leave Me Alone!</i>, a Jazz Opera by Harvey Pekar and Dan Plonsey, to Premiere at Oberlin and via Webcast on Jan. 31, 2009</font></h3>
<span class="caps"></span>
<h3>American Splendor <i>Icon
Pekar Focuses His Sardonic Wit on the Everyday Struggles of Avant-Garde
Artists, with Music from Cleveland-born Composer and Saxophonist Plonsey</i></h3>
<p>
OBERLIN, OHIO (December 12, 2008)— The iconic underground comic book author Harvey Pekar
will make his operatic debut at the Oberlin Conservatory of Music in <i>Leave Me Alone!</i>,
an autobiographical jazz opera. A collaboration by two Cleveland
natives, the opera combines a libretto by Pekar with music by
saxophonist and composer Dan Plonsey. <i>Leave Me Alone! </i>depicts
the lives of its creators in quotidian detail while asking big
questions about the place of cutting-edge art in our society. Amidst
the demands and interruptions of day-to-day life, Pekar and Plonsey
wonder, how can artists carve out time for their creative work? More
importantly, they ask, how do we cultivate a society that is receptive
to the avant-garde? The opera, which is presented by Oberlin in
cooperation with Real Time Opera, will receive its world premiere in a
free performance on Saturday, January 31, 2009, at 8 p.m. in Finney
Chapel. The performance will also be streamed live to an international
audience online at <a href="http://www.leavemealoneopera.com/" target="_blank">www.LeaveMeAloneOpera.com</a>.
</p>
<p>
"There ought to be a place for cutting edge work," says Pekar, who
believes that many major cultural institutions have shirked their
responsibility to support contemporary art and challenge audiences. "I
thought there wasn't much out there being said about this, and I wanted
to open up some discussion."
</p>
<p>
Called "the blue-collar Mark Twain" by <i>Variety</i>, Pekar is best known for his autobiographical comic book series <i>American Splendor</i>,
in which he elevated the mostly mundane details of his life as a
working-class Clevelander to the level of art. The series won the
American Book Award and a film adaptation took top honors at the Cannes
and Sundance film festivals. Composer Plonsey, who was born and raised
in Cleveland Heights, has been a lifelong proponent of new music, and
has founded several new music series in and around his current home in
El Cerrito, California.
</p>
<p>
"The opera, simply put, is the non-fictional account of its own
creation," says Plonsey. In the story, Pekar and Plonsey engage in
discussions about music, the state of the avant-garde, and the creation
of the opera itself from their Cleveland and San Francisco Bay Area
living rooms. A taped conversation between Pekar and comics illustrator
Robert Crumb provides an additional perspective on the opera's themes.
The wives of Plonsey and Pekar, Mantra Ben-ya'akova Plonsey and Joyce
Brabner (who portray themselves in the production), enter the plot, as
does Josh Smith, the opera's music director. Oberlin Conservatory
students will also be involved in the production; four singers will
double the protagonists on stage and an ensemble of six jazz musicians
will back them in the pit, playing alongside Plonsey and Smith.
</p>
<p>
Plonsey and Pekar are deeply committed to the notion that art
transcends distinctions of class and hence ought to be available to
all. Accordingly, both the live performance and the webcast of the
opera will be offered free of charge. Those wishing to support the
production may do so by purchasing a comic about the opera, written by
Pekar and illustrated by Joseph Remnant, at <a href="http://www.leavemealoneopera.com/" target="_blank">www.LeaveMeAloneOpera.com</a>.
The comic is available as a signed, limited-edition print ($300) or
digital download ($5). Visitors may also purchase a cell-phone ring
tone featuring Harvey's inimitable voice ($5) on the site.<br>
<br>
<b>Performers and Production Team</b><br>
Several of the performers in the opera will play themselves, including
Dan Plonsey, Harvey Pekar, Mantra Ben-ya'akova Plonsey, and Joyce
Brabner. Oberlin Conservatory and College singers Patty Stubel '09,
Kate Rosen '11, Joanna Lemle '10, and Christopher Rice '10 will double
the characters on stage; students, including dummer Noah Hecht '10,
trombonist Aaron Salituro '11, saxophonist David Schwartz '12, and
trumpeter Gregory Zilboorg '13, will also play in the band.
</p>
<p>
The production team includes Paul Schick, executive producer for
Real Time Opera; Josh Smith, musical director; Associate Professor of
Opera Jonathon Field, stage director; Robert Katkowski, set designer;
Barry Steele, lighting designer; Victoria Vaughan, stage manager; and
Dan Michalak, musical preparation. The webcast will be produced with
help from Oberlin professional staff and students, including Associate
Dean of Technology and Facilities Michael Lynn, Director of Audio
Services Paul Eachus, Director of Networking Barron Hulver, and
Technology Consultant Todd Brown.<br>
<br>
<b>About the Librettist: Harvey Pekar</b><br>
Harvey Pekar, a native of Cleveland, Ohio, is best known for his autobiographical comic book series <i>American Splendor</i>.
Pekar began self-publishing the series in 1976, at the urging of friend
and noted illustrator Robert Crumb. Unique among comic books of the
time, Pekar's stories documented the minutiae of his daily life:
working as a file clerk in the VA hospital, grocery shopping, or simply
searching for a lost set of keys. In 1987, Pekar was honored with the
American Book Award for his work on the series, and in 2003 <i>American Splendor</i>
was adapted as a movie to widespread critical acclaim. An avid record
collector, Pekar began his writing career as a book and music critic,
with a particular interest in jazz. His reviews have been published in
the <i>Boston Herald</i>, the <i>Austin Chronicle</i>, <i>Jazz Times</i>, <i>Urban Dialect</i> (Cleveland), and <i>Down Beat</i>
magazine. Pekar's commentary for public radio station WKSU, starting in
1999, won him several journalism awards, including the 2001 Regional
Edward R. Murrow Award for Best Writing. Pekar was a frequent guest on <i>Late Night with David Letterman</i>
in the late 1980s; his infamous on-air criticism of General Electric
got him temporarily banned from the show, although he did make two more
appearances in the early 1990s. In 2001, Pekar retired from his job as
a file clerk at the local VA Hospital. He lives in Cleveland Heights
with his wife Joyce and their foster daughter Danielle. <br>
<br>
<b>About the Composer: Dan Plonsey</b><br>
Saxophonist and composer Dan Plonsey was born and raised in Cleveland,
Ohio. Drawing inspiration from musicians as diverse as Sun Ra and
Charles Ives, Plonsey's music defies easy categorization. "No doubt,"
writes <i>All About Jazz</i>,
"Plonsey is a creative soul who possesses a Renaissance spirit." In
recent years Plonsey's instrumental work has focused on large ensembles
of mixed instrumentation and ensembles of multiple saxophones. His more
than 200 works for large and small ensembles include commissions from
Bang on a Can, the Berkeley Symphony, and New Music Works in Santa
Cruz. He has written numerous operas, including three collaborations
with Paul Schick of Real Time Opera. From 1994-99, he was the resident
composer and chief librettist for Disaster Opera Theater in El Cerrito,
California, where he currently lives. He also founded the weekly
Beanbender's creative music concert series in Berkeley, which is
ongoing on an occasional basis. Plonsey earned a Bachelor of Arts
degree in math and music from Yale University and a Master of Arts
degree in composition from Mills College. He has studied composition
with Martin Bresnick, David Lewin, Anthony Braxton, and, more briefly,
Roscoe Mitchell and Terry Riley. He currently lives in the San
Francisco Bay Area with his wife Mantra and their two sons, Cleveland
and Mischa. <br>
<br>
<b>About the Director: Jonathon Field</b><br>
Jonathon Field is one of America's more versatile and popular stage
directors, having directed more than 100 productions in all four
corners of the United States. He served as artistic director of Lyric
Opera Cleveland for six seasons, where he presented the operas of
Mozart, Rossini, and Donizetti as well as the Ohio premieres of works
by John Adams, Mark Adamo, and Philip Glass. Several of Field's
productions for the Lyric Opera of Chicago were so successful they were
repeated at the Illinois Humanities Festival with Stephen Sondheim as
keynote speaker. His productions for San Francisco Opera's Western
Opera Theatre and Seattle Opera have played in more than 20 states.
Over the past eight years Field has directed 10 productions with the
Arizona Opera, being deemed by the press "their most perceptive stage
director." In February 2007, Field directed—at Oberlin and at Miller
Theatre in New York City—the critically acclaimed U.S. premiere of <i>Lost Highway</i>,
a dramatic music theater work by noted Austrian composer Olga Neuwirth
based on the David Lynch film. This is Field's 11th season as director
of Oberlin Opera Theater. <br>
<br>
<b>About Real Time Opera: Artistic Director Paul Schick</b><br>
Under the artistic direction of Paul Schick, Real Time Opera (RTO) has
presented world premieres of new operas in New York, San Francisco, and
New England, where the company is based. In 2005, RTO premiered <i>Feynman</i>
(2005), a chamber opera by composer Jack Vees, with a libretto by
Schick, about Nobel Prize-winning physicist and cult figure Richard
Feynman, with SO Percussion as the pit orchestra. The opera premiered
at the Norfolk Chamber Music Festival and was reprised in Brattleboro,
Vermont at Dartmouth College, in Concord, New Hampshire, and in New
York at the Knitting Factory. A future online production of <i>Feynman</i> from Yale is in the planning stages. RTO's debut production, in 2003, was <i>Korczak's Orphans</i>
by composer Adam Silverman and librettist Susan Gubernat. Based on the
life of Polish pediatrician, orphanage director, and Holocaust martyr
Janosz Korczak, the opera was also performed by New York City Opera on
their VOX Festival of new American works. RTO's second production, <i>Hawaiian Tan Ratface</i>,
a quasi-opera by John Trubee, premiered at San Francisco's Studio Z in
2004. Schick is librettist and producer of the forthcoming
music-dance-theater piece <i>A House in Bali</i> by composer Evan
Ziporyn, scheduled to premiere in Bali, Indonesia, followed by an
international tour, in 2009. As an administrator, Schick has worked
with Opera North, Boston Lyric Opera, the American Gamelan Institute,
and the composers' collective Frog Peak Music. He earned a Bachelor of
Arts degree in English from Hamilton College and a Master of Philosophy
degree and PhD in musicology from Yale University.
</p>
<p>
<b>The Oberlin Conservatory of Music</b>, founded in 1865 and situated
amid the intellectual vitality of Oberlin College since 1867, is the
oldest continuously operating conservatory in the United States. The
Conservatory is renowned internationally as a professional music school
of the highest caliber and has been pronounced a "national treasure" by
the <i>Washington Post</i>. Oberlin's alumni have gone on to achieve
illustrious careers in all aspects of the serious music world. Many of
them have attained stature as solo performers, composers, and
conductors, among them Jennifer Koh, Steven Isserlis, Denyce Graves,
Franco Farina, Christopher Robertson, Lisa Saffer, George Walker,
Christopher Rouse, David Zinman, and Robert Spano. All of the members
of the contemporary sextet eighth blackbird, most of the members of the
International Contemporary Ensemble, and many of the members of
Apollo's Fire are Oberlin alumni. In chamber music, the Miró, Pacifica,
Juillard, and Fry Street quartets, among other small ensembles, include
Oberlin-trained musicians, who also can be found in major orchestras
and opera companies throughout the world. For more information about
Oberlin, please visit <a href="http://new.oberlin.edu/conservatory/" target="_blank">www.oberlin.edu/con</a>. <br>
<br>
<b>CALENDAR LISTING </b><br>
Saturday, January 31, 2009, 8 p.m.<br>
The Oberlin Conservatory of Music and Real Time Opera present<br>
<i>Leave Me Alone!</i><br>
Libretto by Harvey Pekar<br>
Music by Dan Plonsey<br>
Josh Smith, music director<br>
Jonathon Field, stage director<br>
Live on stage:<br>
Finney Chapel<br>
90 North Professor Street <br>
Oberlin, Ohio<br>
Online: <br>
<a href="http://www.leavemealoneopera.com/" target="_blank">www.LeaveMeAloneOpera.com</a> <br>
FREE<br>
Oberlin Conservatory 24-Hour Concert Hotline: 440-775-6933<br>
<br>
</p>
<br>-- <br>Charlotte Landrum<br>Associate Director of Conservatory Media Relations<br>Oberlin Conservatory of Music<br>39 West College Street<br>Oberlin, OH 44074<br><a href="http://www.oberlin.edu/con">www.oberlin.edu/con</a><br>
Voice: 440.775.5474<br>Fax: 440.775.5457<br><a href="mailto:charlotte.landrum@oberlin.edu">charlotte.landrum@oberlin.edu</a> <br>