<br><br><div class="gmail_quote">On Thu, Dec 18, 2008 at 6:08 PM, <span dir="ltr"><<a href="mailto:KevinJosephKelly@aol.com">KevinJosephKelly@aol.com</a>></span> wrote:<br><blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">
<div style="font-size:10pt;color:#000000;font-family:Arial"><font face="Arial" color="#000000" size="2">
<div>i saw the movie MILK this past weekend with about 10 gay friends</div>
<div>at the end of the movie, we wept openly</div>
<div>we were moved about a story of one man who was strong enough to care about
his fellow glbt's so much, that he risked his life so that glbt's
could start to have a more secure future</div>
<div>you can say what you will about your feelings about the performances, but
what i can tell you is what all of us felt that night, and that was a sense
of pride that this story, this also tragic story was told, and told in a way
that we felt empowered and proud to be out and gay in our society.</div>
<div>because to this day, it isn't easy for anyone</div>
<div>and by the way, at the end of the movie, the audience applauded</div></font></div></blockquote><div><br></div><div>I agree Kevin. I saw MILK a few days ago and thought it was an excellent movie and that Sean Penn's performance was worthy of an Oscar nomination. </div>
<div> </div><blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;"><div style="font-size:10pt;color:#000000;font-family:Arial"><font face="Arial" color="#000000" size="2"><div>
</div>
<div> </div>
<div>respectfully</div>
<div>kjk</div>
<div> </div>
<div> </div>
<div> </div>
<div>
<div>In a message dated 12/18/2008 4:34:01 P.M. Eastern Standard Time,
<a href="mailto:kulturekids@yahoo.com" target="_blank">kulturekids@yahoo.com</a> writes:</div>
<blockquote style="padding-left:5px;margin-left:5px;border-left:blue 2px solid"><font style="background-color:transparent" face="Arial" color="#000000" size="2">perhaps,
but Gus Van Sant (Director) isn't exactly a pushover...it might have just been
bad for other reasons....making a good movie is hard no matter how many
talented people are involved. <br> The studio system was
draconian, yes...but DAMN if they didn't produce great films (much more so
than today).<br>T.<br><br><br>--- On Thu, 12/18/08, Christopher Fortunato
<<a href="mailto:learnedhand@live.com" target="_blank">learnedhand@live.com</a>> wrote:<br><br>> From: Christopher Fortunato
<<a href="mailto:learnedhand@live.com" target="_blank">learnedhand@live.com</a>><br>> Subject: Re: [NEohioPAL] Got
Milk?<br>> To: "Robert Hawkes" <<a href="mailto:rhhawkes@gmail.com" target="_blank">rhhawkes@gmail.com</a>>,
<a href="mailto:neohiopal@listserve.com" target="_blank">neohiopal@listserve.com</a><br>> Date: Thursday, December 18, 2008, 1:12
PM<br>> And that's probably because in Hollywood today, the<br>> actors
drive the movie. Instead of letting the director do<br>> the stuff
that needs to be done, actors like Sean Penn start<br>> stirring the
pot. Penn ruined the remake of "All The<br>> King's Men" with his one
note performance. <br>> That's because the actors are the bankable ones,
and<br>> since money is power, they select the director, the
producer<br>> et al.<br>> <br>> Could you imagine telling
Victoria Bussert, Tom Fulton,<br>> Terri Kent, Fred Sternfeld or Sue
Johnson how to direct a<br>> play or musical? That's not to say they
won't let<br>> you try things in rehearsal, but the director has to
helm<br>> the project and needs to determine the final direction in<br>>
order to create wonderful art. Having worked with all of<br>> them,
I've felt confident in their direction as well as<br>>
others.<br>> <br>> I don't doubt, Robert, that Sean Penn stirred a
lot of<br>> stuff in creating that movie.<br>> <br>>
Chris<br>> <br>> <br>> <br>> Date: Thu, 18 Dec 2008 10:00:07
-0500From:<br>> rhhawkes@gmail.comTo:
neohiopal@listserve.comSubject:<br>> [NEohioPAL] Got Milk?Milk - now
playing at the Cedar-Lee and<br>> possibly elsewhere. See - here's what I
mean: a story<br>> which would have been "powerful" if merely told,<br>>
but which here thoroughly betrays wonderful actors by klunky<br>> writing,
an appallingly manipulative musical score, anxious<br>> over-editing,
distracting focus on the "up close and<br>> personal" People/In Touch
elements - in short, by a<br>> completely successful attempt to make this
film and its<br>> story as numbingly ORDINARY as possible. A tale of
big<br>> issues becomes as trivial as Capote - a "tour de<br>> force"
for its principal actor, but nothing more. Just<br>> more TV. What a
disappointment. Argh. <br>>
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