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<P style="TEXT-ALIGN: center; LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt"
class=MsoNormal align=center><B style="mso-bidi-font-weight: normal"><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'">Ensemble
Theatre puts Foote in mouth<?xml:namespace prefix = o ns =
"urn:schemas-microsoft-com:office:office" /><o:p></o:p></SPAN></B></P>
<P style="TEXT-ALIGN: center; LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt"
class=MsoNormal align=center><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt"><o:p> </o:p></SPAN></P>
<P style="TEXT-ALIGN: center; LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt"
class=MsoNormal align=center><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; COLOR: #1f497d; FONT-SIZE: 12pt">Bob
Abelman<o:p></o:p></SPAN></P>
<P style="TEXT-ALIGN: center; LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt"
class=MsoNormal align=center><I style="mso-bidi-font-style: normal"><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; COLOR: #1f497d; FONT-SIZE: 12pt">News-Herald,
Chagrin Valley Times, Solon Times, Geauga Times
Courier<o:p></o:p></SPAN></I></P>
<P style="TEXT-ALIGN: center; LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt"
class=MsoNormal align=center><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; COLOR: #1f497d; FONT-SIZE: 12pt">Member,
International Association of Theatre Critics <o:p></o:p></SPAN></P>
<P style="TEXT-ALIGN: center; LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt"
class=MsoNormal align=center><I style="mso-bidi-font-style: normal"><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt"><o:p> </o:p></SPAN></I></P>
<P style="TEXT-ALIGN: center; MARGIN: 0in 0in 10pt" class=MsoNormal
align=center><SPAN
style="LINE-HEIGHT: 115%; FONT-FAMILY: 'Arial','sans-serif'; COLOR: #1f497d; FONT-SIZE: 12pt">This
review appeared in the <I style="mso-bidi-font-style: normal">News-Herald
</I>11/26/10</SPAN><SPAN
style="LINE-HEIGHT: 115%; FONT-SIZE: 12pt"><o:p></o:p></SPAN></P>
<P style="TEXT-ALIGN: center; LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt"
class=MsoNormal align=center><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'"><o:p> </o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'">The
Gordon family in Horton Foote’s comedy <I>Dividing the Estate</I> bears a
striking resemblance to the ghoulish Addams family from TV, film and,
originally, <I style="mso-bidi-font-style: normal">The New Yorker</I> magazine
cartoons.<o:p></o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'"><o:p> </o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-ansi-language: EN"
lang=EN>Of course, the folksy Foote, who penned the award-winning screenplays
for <I style="mso-bidi-font-style: normal">Tender Mercies</I> and <I
style="mso-bidi-font-style: normal">A Trip to Bountiful</I>, prefers the
melancholy over the macabre, fancies rural Texas over Transylvania, and creates
characters toxic only to themselves.<SPAN style="mso-spacerun: yes">
</SPAN><o:p></o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-ansi-language: EN"
lang=EN><o:p> </o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'">Still,
both are </SPAN><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-ansi-language: EN"
lang=EN>satirical depictions of American family eccentricities, where wealth, a
pathological fondness for family lore, and an antiquated world-view render each
clan blissfully oblivious to the harsh realities that surround them.<SPAN
style="mso-spacerun: yes"> </SPAN>Both are at once foreign and strikingly
familiar.<SPAN style="mso-spacerun: yes"> </SPAN>Both use death as a
backdrop and draw humor from the deep, dark well of dysfunctional kin, resulting
in laughter mixed with the occasional wince.<o:p></o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-ansi-language: EN"
lang=EN><o:p> </o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'">In
<I>Dividing the Estate</I><SPAN style="mso-bidi-font-style: italic">,</SPAN>
currently staged by Ensemble Theatre, squabbling siblings meet over dinner at
the family’s once elegant mansion to discuss splitting up the family estate into
individual portions and selling off its assets.<SPAN
style="mso-spacerun: yes"> </SPAN><o:p></o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'"><o:p> </o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'">Lewis
(Robert Hawkes) requires the money to pay off the debt from his self-indulgent
hobbies—alcohol, gambling and very young women. <SPAN
style="mso-spacerun: yes"> </SPAN>Mary Jo (Valerie Young) wishes to live
the pampered existence in which she and her spoiled daughters (Kayla McDonald
and Emily Pucell) have grown accustomed despite her clueless husband’s (Mark
Cipra) bad investments and pending bankruptcy.<o:p></o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'"><o:p> </o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'">Their
manipulative, octogenarian mother, Stella (Bernice Bolek), wants what's always
been in the family to stay in the family and under her strict control. <SPAN
style="mso-spacerun: yes"> </SPAN>She is supported by her other daughter,
Lucille (Anne McEnvoy), and grandson, Son (Aaron Elersich), who have devoted
their lives to maintaining the estate and caring for the cantankerous Stella.
<o:p></o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'"><SPAN
style="mso-spacerun: yes"> </SPAN><o:p></o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'">Fueling
the family’s desperation and the play’s relevance is the fact that the once
generous estate has been significantly devalued amidst the economic downturn of
the 1980s that devastated towns built on farming and oil.<SPAN
style="mso-spacerun: yes"> </SPAN>A whopping inheritance tax doesn’t
help.<o:p></o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'"><o:p> </o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'">Serving
to remind the family of the mean world at the gates is outsider Pauline (Laurel
Johnson), a school teacher engaged to Son.<SPAN style="mso-spacerun: yes">
</SPAN>Reminding this privileged, lily-white family that the world has always
been mean are the black servants working in the home (Renee Matthews-Jackson and
Nadine Ndanema), led by 90-year-old Doug (Gregory White).<o:p></o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'"><o:p> </o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'">None
of this takes, for this family is too easily distracted by local gossip and
matters specific to their own needs, and too lost in reverie about family
members who have come and gone.<o:p></o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'"><o:p> </o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'">These
are genuinely unlikable characters behaving badly. Yet, Foote makes them
interesting (Lewis, for example, is charming only when imbibing, which he does
often) and, under Sarah May’s insightful direction, they generate their share of
sympathy.<SPAN style="mso-spacerun: yes">
</SPAN><o:p></o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'"><o:p> </o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'">The
pacing was a bit off on opening night to thoroughly mine all the understated
humor in the script.<SPAN style="mso-spacerun: yes"> </SPAN>Yet, this is
an engaging, very entertaining production thanks to the rich and uniformly
superb performances from this cast.<SPAN style="mso-spacerun: yes">
</SPAN><o:p></o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'"><o:p> </o:p></SPAN></P>
<P style="MARGIN: 0in 0in 0pt"><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'"><FONT size=3>Particularly noteworthy
is the performance turned in by McEvoy, whose Lucille anchors this family.<SPAN
style="mso-spacerun: yes"> </SPAN>McEvoy brings just the right touch of
southern gentility to this house full of greedy, combative children, but still
manages to make known her character’s own brand of pettiness.<SPAN
style="mso-spacerun: yes"> </SPAN>Elersich does a fine job being the
subservient, sacrificing grandson without losing his dignity or sense of
self.<o:p></o:p></FONT></SPAN></P>
<P style="MARGIN: 0in 0in 0pt"><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'"><o:p><FONT
size=3> </FONT></o:p></SPAN></P>
<P style="MARGIN: 0in 0in 0pt"><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'"><FONT size=3>Sara Masterson, as Lewis’
latest sweet, young fling, is absolutely delightful upon her arrival in the
closing moments of the play.<SPAN style="mso-spacerun: yes"> </SPAN>With
very little stage-time and few lines, she effectively demonstrates that the more
things change, the more they remain the same.<o:p></o:p></FONT></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'"><o:p> </o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'">All
this takes place on the intimate Brooks Theatre stage, made even more
claustrophobic by Ron Newell’s furniture saturated living room locale.<SPAN
style="mso-spacerun: yes"> </SPAN>The family is literally trapped in this
refined but decaying, familial yet formal environment, reinforcing Foote’s
message that home is where the heartache is.<o:p></o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'"><o:p> </o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><I
style="mso-bidi-font-style: normal"><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt">Dividing the
Estate<SPAN style="mso-bidi-font-style: italic"> </SPAN></SPAN></I><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-bidi-font-style: italic">c</SPAN><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt">ontinues through
December 12 at the </SPAN><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'">Cleveland
Play House’s Brooks Theatre, 8500 Euclid Avenue in Cleveland.<SPAN
style="mso-spacerun: yes"> </SPAN>For tickets, which range from $10 to
$20, call 216-321-2930 or visit <A href=""><FONT
color=#0000ff>info@ensemble-theatre.org</FONT></A>.<o:p></o:p></SPAN></P></FONT></DIV></BODY></HTML>