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<P style="TEXT-ALIGN: center; LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt"
class=MsoNormal align=center><B style="mso-bidi-font-weight: normal"><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt">CPH’s ‘Legacy of
Light’ is more collision than fusion<?xml:namespace prefix = o ns =
"urn:schemas-microsoft-com:office:office" /><o:p></o:p></SPAN></B></P>
<P style="TEXT-ALIGN: center; LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt"
class=MsoNormal align=center><B style="mso-bidi-font-weight: normal"><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt"><o:p> </o:p></SPAN></B></P>
<P style="TEXT-ALIGN: center; LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt"
class=MsoNormal align=center><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; COLOR: #1f497d; FONT-SIZE: 12pt">Bob
Abelman<o:p></o:p></SPAN></P>
<P style="TEXT-ALIGN: center; LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt"
class=MsoNormal align=center><I style="mso-bidi-font-style: normal"><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; COLOR: #1f497d; FONT-SIZE: 12pt">News-Herald,
Chagrin Valley Times, Solon Times, Geauga Times
Courier<o:p></o:p></SPAN></I></P>
<P style="TEXT-ALIGN: center; LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt"
class=MsoNormal align=center><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; COLOR: #1f497d; FONT-SIZE: 12pt">Member,
International Association of Theatre Critics <o:p></o:p></SPAN></P>
<P style="TEXT-ALIGN: center; LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt"
class=MsoNormal align=center><I style="mso-bidi-font-style: normal"><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt"><o:p> </o:p></SPAN></I></P>
<P style="TEXT-ALIGN: center; MARGIN: 0in 0in 10pt" class=MsoNormal
align=center><SPAN
style="LINE-HEIGHT: 115%; FONT-FAMILY: 'Arial','sans-serif'; COLOR: #1f497d; FONT-SIZE: 12pt">This
review will appear in the <I style="mso-bidi-font-style: normal">News-Herald
</I></SPAN><SPAN
style="LINE-HEIGHT: 115%; FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt">4/22/11</SPAN><SPAN
style="LINE-HEIGHT: 115%; FONT-SIZE: 12pt"><o:p></o:p></SPAN></P>
<P style="TEXT-ALIGN: center; LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt"
class=MsoNormal align=center><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt"><o:p> </o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-bidi-font-weight: bold; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-GB"
lang=EN-GB>Fusion is the </SPAN><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-ansi-language: EN"
lang=EN>combining of two or more distinct entities, such as atomic nuclei, which
releases or absorbs large quantities of energy and creates a mass greater than
the original entitles.<o:p></o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-ansi-language: EN"
lang=EN><o:p> </o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-ansi-language: EN"
lang=EN>Fusionfest—Cleveland’s multidisciplinary performing arts festival—is a
high energy merging of the muses that has, over the course of its six years,
become a cultural experience greater than the sum of its parts.<SPAN
style="mso-spacerun: yes"> </SPAN>This year’s celebration began April 13
and runs through April 23.<o:p></o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-ansi-language: EN"
lang=EN><o:p> </o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-ansi-language: EN"
lang=EN>Kicking off the festivities is the Cleveland Play House production of <I
style="mso-bidi-font-style: normal">Legacy of Light</I>, a new play by Karen
Zacarias that couldn’t be more true to the theme of this festival yet less
successful at achieving it. <o:p></o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-ansi-language: EN"
lang=EN><o:p> </o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><I
style="mso-bidi-font-style: normal"><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-ansi-language: EN"
lang=EN>Legacy of Light</SPAN></I><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-ansi-language: EN"
lang=EN> is a witty, intelligent tale that jumps back and forth between the
parallel lives of two brilliant women, one living in 18<SUP>th</SUP> century
France and the other living in contemporary America.<SPAN
style="mso-spacerun: yes"> </SPAN></SPAN><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; COLOR: black; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'">Émilie
du Châtelet and Olivia </SPAN><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-ansi-language: EN"
lang=EN>are both physicists on the brink of great discoveries, who yearn to be
mothers despite being in their 40s.<SPAN style="mso-spacerun: yes">
</SPAN>Both are the product of their time and the victim of their biology, but
have lofty aspirations.<SPAN style="mso-spacerun: yes">
</SPAN><o:p></o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-ansi-language: EN"
lang=EN><o:p> </o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-ansi-language: EN"
lang=EN>The play cleverly fuses hard science with sinuous fiction, comedy with
drama, and the present with the past.<SPAN style="mso-spacerun: yes">
</SPAN>It mixes the laws of physics with the labors of love, conjoins the birth
of a planet with the birth of a baby, and juxtaposes feminism with
chauvinism.<SPAN style="mso-spacerun: yes"> </SPAN>In short, <I
style="mso-bidi-font-style: normal">Legacy of Light</I> is the storytelling
equivalent of Chaos Theory, where what seems random has an underlying
order.<SPAN style="mso-spacerun: yes"> </SPAN><o:p></o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-ansi-language: EN"
lang=EN><o:p> </o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-ansi-language: EN"
lang=EN>On paper, this play is magnificent.<o:p></o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-ansi-language: EN"
lang=EN><o:p> </o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-ansi-language: EN"
lang=EN>Unfortunately, what occurs on stage is more fission than fusion and more
chaos than order. <SPAN style="mso-spacerun: yes"> </SPAN>A significant
disconnect between the playwright and director Bart DeLorenzo is evident, where
the script’s playfulness is accentuated to the point of farce.<SPAN
style="mso-spacerun: yes"> </SPAN>What should be clever comes across as
contrived and what should be fluid is forced.<SPAN
style="mso-spacerun: yes"> </SPAN><o:p></o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-ansi-language: EN"
lang=EN><o:p> </o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-ansi-language: EN"
lang=EN>The actors are called upon to create larger than life personas, speak
artificially loud and succinct, and approach their dialogue as if every humorous
moment comes with a rimshot.<SPAN style="mso-spacerun: yes"> </SPAN>This
is evident throughout the play but is particularly apparent in the
18<SUP>th</SUP> century scenes.<o:p></o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-ansi-language: EN"
lang=EN><o:p> </o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-ansi-language: EN"
lang=EN>As such, Cerris Morgan-Moyer’s </SPAN><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; COLOR: black; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'">Émilie,
a beautiful deep-thinker, fails to display the intelligence her lover, Voltaire,
finds most attractive about her.<SPAN style="mso-spacerun: yes"> </SPAN>In
fact, her loud and succinct deliver makes her seem vapid.<SPAN
style="mso-spacerun: yes"> </SPAN>Lenny Von Dohlen’s Voltaire is a
delightful creation but is, nonetheless, a broad caricature.<SPAN
style="mso-spacerun: yes"> </SPAN>This undermines the heart built into his
verbiage, so he has to work doubly hard to express it.<SPAN
style="mso-spacerun: yes"> </SPAN>Similarly, Clancy O’Connor’s
Jean-Francois Saint-Lambert, another of Émilie’s lovers, is a glossy version of
what the playwright intended. <SPAN
style="mso-spacerun: yes"> </SPAN><o:p></o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; COLOR: black; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'"><o:p> </o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; COLOR: black; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'">Faring
better but similarly stilted is Michelle Duffy as Olivia, Paul Michael Valley as
both Émilie’s husband Monsieur du Châtelet and Olivia’s husband Peter, and
Amelia Pedlow as both Millie, the surrogate mother of Peter and Olivia’s baby,
and Pauline, Émilie’s oldest daughter.<o:p></o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; COLOR: black; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'"><o:p> </o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; COLOR: black; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'">Although
all the actors have scattered moments of clarity, where the vestiges of a real
person peek through the stagey performance mode created for this production,
Pedlow’s moments are the most enduring and endearing.<o:p></o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; COLOR: black; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'"><o:p> </o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-ansi-language: EN"
lang=EN>Takeshi Kata’s scenic design consists of realistic furniture set pieces
that fly in and out of a surreal environment complete with colorful, dreamscape
framing and a looming, full-scale tree of knowledge at center stage.<SPAN
style="mso-spacerun: yes"> </SPAN>This is all quite beautiful and
facilitates the storytelling, as does David Kay Mickelsen’s gorgeous,
era-appropriate costuming.<o:p></o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-ansi-language: EN"
lang=EN><o:p> </o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-ansi-language: EN"
lang=EN>Unfortunately, DeLorenzo’s theatrical shenanigans overemphasize dramatic
moments, knock you over the head with important plot points, and make poor use
of the set.<SPAN style="mso-spacerun: yes"> </SPAN>The most obvious among
them is the barrage of apples that fall from the heavens at a moment of epiphany
late in the play.<SPAN style="mso-spacerun: yes"> </SPAN>So littered is
the stage that the actors’ visible fear of stepping on fake fruit becomes more
salient than what the playwright has to offer.<SPAN
style="mso-spacerun: yes"> </SPAN><o:p></o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-ansi-language: EN"
lang=EN><o:p> </o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-ansi-language: EN"
lang=EN>Another instance of symbolism gone wild occurred early in Act I during
the opening night performance, when </SPAN><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; COLOR: black; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'">Von
Dohlen, as Voltaire, took too big a bite of an apple and nearly choked himself
into unconsciousness.<SPAN style="mso-spacerun: yes"> </SPAN>Fortunately,
he was able to exit the stage to dislodge the obstruction. <SPAN
style="mso-spacerun: yes"> </SPAN>In keeping with the excesses of this
production, he probably should have done so in full view and with dramatic
flair.</SPAN><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-ansi-language: EN"
lang=EN><o:p></o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-ansi-language: EN"
lang=EN><o:p> </o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-ansi-language: EN"
lang=EN>On the page, <I style="mso-bidi-font-style: normal">Legacy of Light</I>
is a fusion of ideas and images.<SPAN style="mso-spacerun: yes"> </SPAN>On
the stage, in this production, it’s more of a collision.<SPAN
style="mso-spacerun: yes"> </SPAN><o:p></o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-ansi-language: EN"
lang=EN><o:p> </o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><I><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-bidi-font-weight: bold; mso-fareast-font-family: 'Times New Roman'">Legacy
of Light</SPAN></I><I style="mso-bidi-font-style: normal"><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'">
</SPAN></I><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'">continues
through May 1 in The Cleveland Play House’s Drury Theatre.<SPAN
style="mso-spacerun: yes"> </SPAN>For tickets, which range from $46 to
$66, call </SPAN><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt">216-795-7000 or visit
<A href=""><FONT
color=#0000ff>www.clevelandplayhouse.com</FONT></A>.<o:p></o:p></SPAN></P></FONT></DIV></BODY></HTML>