<html><body><div style="color:#000; background-color:#fff; font-family:arial, helvetica, sans-serif;font-size:12pt"><div><span><div style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Palatino">Verb Ballets presents FRESH INVENTIONS</div>
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<div style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Palatino">Roy Berko</div>
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<div style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Palatino">(Member, Dance Critics Association)</div>
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<div style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Palatino">--THE TIMES NEWSPAPERS--</div>
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<div style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Palatino"><i>Lorain County Times--Westlaker Times--Lakewood News Times--Olmsted-Fairview Times</i><span class="Apple-tab-span" style="white-space:pre"> </span></div>
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<div style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Palatino">--coocleveland.com—</div>
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<div style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Palatino">For the last several years Verb Ballets has used their Cleveland Public Theatre’s DANCEWORKS presentation time to do some inventing and innovating. Last year they selected new works by local composers and matched each selection to a local choreographer. Given a short period of preparation and rehearsal time, and the use of any or all of the company of dancers, the presentations were an opportunity for local dance aficionados to see new works invented. </div>
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<div style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Palatino">This year Verb tried a different approach. Couple a member of the dance company and a piece of sculpture and see what happens. The results were very mixed. But, it must be remembered that the pieces were works in progress, not complete and tested dances.</div>
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<div style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Palatino">The evening opened with Brian Murphy’s choreography of WAR ELEGY, based on music of the same name by Katharine O’Connell, and played live by talented cellist Regina Mushabee. The melancholy musical score and dance were inspired by a series of grotesque sculpture pieces which were pictured in the program. Though generally well danced, the piece lacked the clear story line needed to make a strong emotional impact.</div>
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<div style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Palatino">RECALLING TENSIONS OF MIND was choreographed by Stephanie Krise to music by Stephen Smith and played by a live string quartet. Using sculptural poses and tandem movements, the movements fit the abstract music. </div>
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<div style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Palatino">BREACH, choreographed by Erin Conway Lewis, was performed to Michael Leese’s <i>Klavierstück.</i> Played on a synthesizer by Nicholas Underhill, the music had a strong undertone that was reflected in the movements. Unfortunately, there was errant coordination and a lack of precision among the dancers.</div>
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<div style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Palatino">The only piece that did not fit the company choreographer/company dancer theme/sculpture piece was NOUMENON MOBILUS, a 2010-2011 season company premiere, which was originally conceived in 1953. It was choreographed by Alwin Nikolais, who also wrote the music and did the lighting concept. The futurist selection was performed by Kara Madden and Rebecca Nicklos, who were each encased in a Mylar-material bag. Sitting on and moving around stools, the duo moved by stretching the materials in cadence to the music. The overall effect was audience pleasing.</div>
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<div style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Palatino">ECHOES OF SILENT SCREAMS was performed without music. Voices related the stories of seven people who had been interviewed by choreographer Antwon Duncan. The conceiver’s intent was to “spread awareness and courage to all the unheard screams out there.” Though the idea was well intentioned, the overall effect was lacking. A bad sound system made the stories almost unintelligible and the piece was way too long and repetitious.</div>
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<div style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Palatino">The highlight of the evening was Terrence Greene’s CALLIGRAPHY <i>work in progress</i>. Set to various musical selections, the constant feeling of ribbons floating in space were visualized by the hand and body movements of the dancers. Rebecca J. Nicklos and Brian Murphy effectively represented Ernestine and Malcolm Brown, local art benefactors who were being honored. </div>
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<div style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Palatino">Guest dancer Mariano Moreno Albano did little to add to the male members of the company. He appeared to lack concentration and was late in many of his corps movements. </div>
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<div style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Palatino">Capsule judgment: FRESH INVENTIONS was another in the series of introducing local audiences to new ideas and choreography. The idea has merit, but doesn’t always reach high levels of performance. This can be expected since these are works in progress.</div>
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<div style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Palatino"><b>UPCOMING DANCE EVENTS</b></div>
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<div style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Palatino">Again this year the area will be blessed with what has become an area summer highlight: The Joffrey Ballet will perform at Blossom Music Center with the Cleveland Orchestra. Presented on August 20 and 21 at 8 p.m., the program will include Balanchine’s <i>Stravinsky Violin Concerto</i> and <i>Tchaikovsky Pas de Deux</i>. The orchestra will be conducted by Tito Muñoz. For tickets call 216-231-1111 or 800-686-1141 or visit clevelandorchestra.com.</div>
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<div style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Palatino">A live satellite of a performance by the Bolshoi Ballet in Moscow performing COPPELIA can be seen at the Cedar Lee Theatre on May 29 at 11 AM and June 8 at 2 PM. It will feature Viacheslav Lopatin and Natalia Osipova.</div>
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<div style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Palatino">DANCEWORKS ’11 continues with Inlet Dance Theatre (May 12-15), Antaeus Dance (May 19-22), Double-Edge Dance and Greene-Medcalf Movement Project (May 26-29) and Mikaela Clark and Mckenzie Clevenger (June 2-5). For information go on line to cptoneline.org. To order tickets call 216-631-2727 X501.</div><div><br></div></span></div><div> </div><div><i><font class="Apple-style-span" color="#6000BF">Roy Berko's blog, which contains theatre and dance reviews from 2001 through 2011, as well as his consulting and publications information, can be found at http://royberko.info. His reviews can also be found on www.coolcleveland.com and www.NeOHIOpal</font></i></div></div></body></html>