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</div><div style="margin: 0in 0in 10pt; text-align: center;" class="MsoNormal" align="center"><b style="mso-bidi-font-weight: normal;"><font face="Calibri">Meaty Beaty Big and Bouncy<?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" /><o:p></o:p></font></b></div><div>
</div><div style="margin: 0in 0in 10pt; text-align: center;" class="MsoNormal" align="center"><font face="Calibri">By Tom Wachunas<o:p></o:p></font></div><div>
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</div><div style="margin: 0in 0in 10pt;" class="MsoNormal"><font face="Calibri"><span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span>Who? <i style="mso-bidi-font-style: normal;">Hairspray</i>.
A musical based on the 1988 film written and directed by John Waters, with
music by Marc Shaiman and lyrics by Scott Wittman and Marc Shaiman. A 2002-2009,
multiple Tony Award winner on Broadway with a run of 2,500 packed shows. And a
film remake in 2007.<o:p></o:p></font></div><div>
</div><div style="margin: 0in 0in 10pt;" class="MsoNormal"><font face="Calibri"><span style="mso-spacerun: yes;"> </span>The current live
production playing on the mainstage of the Players Guild Theatre in Canton
makes the 1988 film look like a wilted, miscast practice run.<o:p></o:p></font></div><div>
</div><div style="margin: 0in 0in 10pt;" class="MsoNormal"><font face="Calibri"><span style="mso-spacerun: yes;"> </span>Director Craig
Joseph once again brings his Midas touch to the Guild proceedings, made all the
more golden by Michael Lawrence Akers’ sharp, electrifying choreography and
Steve Parsons’ masterful direction of a muscular, airtight 11-piece orchestra.
Throw in a generous dose of inventive scenic design by Craig Betz, along with
lavish, eye-popping costumes by Susie Smith with Cristine Patrick. Then add an
astonishingly buoyant 34-member cast of unassailable talent that sings and
dances with indefatigable energy, bolstered by the crisp, lush harmonies from a
six-member vocal ensemble (singing offstage). Now you’ve got all the tasty
ingredients for a show - already spiced up with sizzling-hot songs - that is
nothing short of pure, undiluted brio incarnate. <o:p></o:p></font></div><div>
</div><div style="margin: 0in 0in 10pt;" class="MsoNormal"><font face="Calibri"><span style="mso-spacerun: yes;"> </span>The story is a
Cinderella derivative of sorts, with a sociopolitical message. Set in 1962
Baltimore, it’s built around Tracy Turnblad, a vivacious, plump, white teen who
dreams of romance, dancing on her favorite TV show, acceptance from her peers,
and overcoming racial divide. <span style="mso-spacerun: yes;"> </span>From the
inspiring, animated opening number, “Good Morning Baltimore,” to the second
act’s Dionysian dance marathon in the climactic “You Can’t Stop the Beat,”
there’s not a lackluster minute that goes by in this raucous collision between
giddy 1960s pop schmaltz and genuine pathos.<o:p></o:p></font></div><div>
</div><div style="margin: 0in 0in 10pt;" class="MsoNormal"><font face="Calibri"><span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span>And it all starts with the wide-eyed,
disarming optimism and sheer lovability of Chelsea Boyd, who plays Tracy with
palpable, lithe grace and savvy vocal effervescence. Tosca Rolf is absolutely
endearing and daffy in her role of Tracy’s best friend, Penny. Equally loveable
and funny is Adam J. Ford, who plays Edna, Tracy’s agoraphobic, very plus-sized
mother. “I’m a simple housewife of indeterminate girth,” Edna/Ford purrs at one
point, with convincing self-deprecation. Despite the sheer bulk of his fat
suit, Ford carries his towering, infectiously comedic self with seemingly
impossible delicacy and even a regal elegance. J. Scotland Gallo brings a
vaudevillian charm and truly authentic affection for Edna to his portrayal of
Wilbur, the Turnblad patriarch who owns the Hardy-Har Hut novelty shop. “My
parents begged me to run away to the circus,” he glibly tells Tracy in support
of her dreams. Ford and Gallo provide one of the evening’s most memorably
tender (yet hilarious) passages as they sing “You’re Timeless To Me.” <o:p></o:p></font></div><div>
</div><div style="margin: 0in 0in 10pt;" class="MsoNormal"><font face="Calibri"><span style="mso-spacerun: yes;"> </span>Teresa Houston
turns in a deliciously vampiric reading of her mean-spirited character, Velma
Von Tussle, the bigoted producer of the wildly popular Corny Collins Show (a
weekly teen dance-fest sponsored by Ultra Clutch Hairspray).<span style="mso-spacerun: yes;"> </span>Jay Oldaker seems born to the role of Corny
Collins -<span style="mso-spacerun: yes;"> </span>yes, indeed a corny but
likeable hybrid of Frankie Avalon and Dick Clark. Amanda Medley nails the
manipulative, self-possessed and hurtful character of Velmas’s daughter, Amber,
with real relish. Her would-be boyfriend, Link (who is ultimately won over by
Tracy’s sincerity and passion), is a dapper young crooner played by Grant Cole,
who captures his character’s narcissistic suavity - and his honest heart - with
remarkable sensitivity. Kathy Boyd (no relation to Chelsea) plays Motormouth
Maybelle, a mentoring ally in Tracy’s efforts to integrate The Corny Collins
Show. With all the heated fervor of an impassioned gospel singer, she provides
one of the evenings’s several show-stoppers with her inspired rendition of “I
Know Where I’ve Been.”<o:p></o:p></font></div><div>
</div><div style="margin: 0in 0in 10pt;" class="MsoNormal"><font face="Calibri"><span style="mso-spacerun: yes;"> </span>Beyond the
skillfully clear and soaring vocal performances, what keeps the production churning
at an <span style="mso-spacerun: yes;"> </span>exhilarating pace is the dancing.
That’s understandable enough, considering that this is, among other things, a
show about a dancing show. And in that, the cast delivers with consistent, Motown-flavored
panache.<o:p></o:p></font></div><div>
</div><div style="margin: 0in 0in 10pt;" class="MsoNormal"><font face="Calibri"><span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span>With this opening show of its 80<sup><font size="2">th<span style="mso-spacerun: yes;"> </span></font></sup>Anniversary season, The Players Guild
has surely raised the bar for (and perhaps redefined) professionalism in
Canton-area community theatre. <span style="mso-spacerun: yes;"> </span>I’m fresh
out of superlatives. This production is the real deal.<o:p></o:p></font></div><div>
</div><div style="margin: 0in 0in 10pt;" class="MsoNormal"><font face="Calibri">HAIRSPRAY, at the Canton Players Guild Theatre, in the
Cultural Center for the Arts, 1001 Market Ave. N, Canton. Shows, through
October 2, at 8pm Fridays and Saturdays, 2:30pm Sundays. Tickets are $23 for
adults, $18 ages 17 and younger. Available at </font><a href="http://www.playersguildtheatre.com/"><font face="Calibri">www.playersguildtheatre.com</font></a><font face="Calibri"><span style="mso-spacerun: yes;"> </span>or by calling (330) 453-7617.<o:p></o:p></font></div><div>
</div><div style="margin: 0in 0in 10pt;" class="MsoNormal"><font face="Calibri"><span style="mso-spacerun: yes;"> </span>For other reviews
and commentaries by Tom Wachunas on the performing and visual arts in the
greater Canton area, please visit his blog, ARTWACH, at </font><a href="http://www.artwach.blogspot.com/"><font face="Calibri">www.artwach.blogspot.com</font></a><font face="Calibri"> <o:p></o:p></font></div><div>
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