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</div><div style="margin: 0in 0in 10pt; text-align: center;" class="MsoNormal" align="center"><b style="mso-bidi-font-weight: normal;"><font face="Calibri">No Letdown Stand-Up<?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" /><o:p></o:p></font></b></div><div>
</div><div style="margin: 0in 0in 10pt; text-align: center;" class="MsoNormal" align="center"><font face="Calibri">By Tom Wachunas<o:p></o:p></font></div><div>
</div><div style="margin: 0in 0in 10pt; text-align: center;" class="MsoNormal" align="center"><o:p><font face="Calibri"> </font></o:p></div><div>
</div><div style="margin: 0in 0in 10pt;" class="MsoNormal"><font face="Calibri"><span style="mso-spacerun: yes;"> </span>“Comedy is exaggerated
realism. It can be stretched to the almost ludicrous, but it must always be
believable.”<span style="mso-spacerun: yes;"> </span>- Paul Lynde -<o:p></o:p></font></div><div>
</div><div style="margin: 0in 0in 10pt;" class="MsoNormal"><font face="Calibri"><span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span>The raucous season-opening production of “3
Guys Naked from the Waist Down” at Akron’s Weathervane Playhouse is a veritable
theatrical pastiche, deftly melding hilarious, bizarre satire with a story line
that moves along at relentlessly rapid-fire pace. The show, originally created
by Michael Rupert (music) and Jerry Colker (book and lyrics), ran for 160 off-
Broadway performances in 1985 and won a Drama Desk Award for Outstanding Book
of a Musical.<o:p></o:p></font></div><div>
</div><div style="margin: 0in 0in 10pt;" class="MsoNormal"><font face="Calibri"><span style="mso-spacerun: yes;"> </span>Don’t be too
thrown by the title. Yes, there are three men – total -<span style="mso-spacerun: yes;"> </span>in the cast. But beyond their progressively
exposed egos, aspirations, and disillusionments, they don’t in fact get naked.
This is a PG-13 story (language and thematic content) about Ted Klausterman,
Kenny Brewster, and Phil Kunin – a New York City trio of stand-up comics whose
meteoric rise to international celebrity, and subsequent flame-out, is
alternately hysterical, pathetic, and poignant. <o:p></o:p></font></div><div>
</div><div style="margin: 0in 0in 10pt;" class="MsoNormal"><font face="Calibri"><span style="mso-spacerun: yes;"> </span>Marc Moritz
directed this show, and he’s clearly let his cast, both as singers and actors,
bring an exhilarating spontaneity to their respectively distinct performing
styles, which in turn gives riveting credibility to their characters. And rest
assured, these are three startlingly wild and crazy guys.<o:p></o:p></font></div><div>
</div><div style="margin: 0in 0in 10pt;" class="MsoNormal"><font face="Calibri"><span style="mso-spacerun: yes;"> </span>Rob Dougherty presents
a remarkably finessed combination of optimistic charm and self- confidence in
his role of comedy club emcee Ted Klausterman, the trio’s resourceful ‘leader,’
fascinating to watch as he vacillates, with maddening ease, between his own
wisdom and the ludicrous choices he makes in his hunger for success. <span style="mso-spacerun: yes;"> </span>As Phil Kunin, hefty Patrick Ciamacco is
commandingly funny even if he is the quintessential “angry guy” – a possible
sociopath in the making if not already ripe.<span style="mso-spacerun: yes;">
</span>His street-wise, scary volatility is all the more intriguing as we watch
him struggle to balance an insane career with his genuine longing to be with
his family – conveyed with aching tenderness as he sings “A Father Now” late in
the second act.<o:p></o:p></font></div><div>
</div><div style="margin: 0in 0in 10pt;" class="MsoNormal"><font face="Calibri"><span style="mso-spacerun: yes;"> </span>And speaking of
scary volatility fused with tenderness, there’s Kenny Brewster, played to the
hilt by Connor Simpson. The character is described as a “Zen Catholic,” which
only somewhat explains his “conceptual” comedy routine. Simpson is nothing
short of mesmerizing as he negotiates his character’s surreal disconnects from
life as we know it, slipping in and out of various movie roles with the
alacrity of a quick-change artist, and an inventory of voices to match. If
chronic psychotic episodes can be said to be gut-splittingly funny,
Brewster/Simpson’s your man. But there’s a darker underside to this pathology,
colored by a desire to leave it all behind one way or the other, as Simpson
sings with convincing, childlike pining in “Dreams of Heaven.” <o:p></o:p></font></div><div>
</div><div style="margin: 0in 0in 10pt;" class="MsoNormal"><font face="Calibri"><span style="mso-spacerun: yes;"> </span>Keyboardist Brad
Wyner directs a small but razor-sharp live ensemble here, delivering a fully
rich, energetic sound that’s always in fine balance with the impeccably
enunciated singing. Arguably, the musical doesn’t yield memorable, anthemic
songs with truly iconic melodies. But they do possess an appropriate,
in-the-moment verve and theatricality – infectiously so - <span style="mso-spacerun: yes;"> </span>that effectively enhances the slap-stick,
cabaret atmosphere.<o:p></o:p></font></div><div>
</div><div style="margin: 0in 0in 10pt;" class="MsoNormal"><font face="Calibri"><span style="mso-spacerun: yes;"> </span>For all of the
masterful lampooning and satire we see here about show business and “The
American Dream,” the story never succumbs to heavy-handed moralizing. Think of
it as a tornadic, we’re-all-Bozos-on-this-bus tour through a country named
Stand-Up Comedy. The authors of the written constitution for this particular
country were surely inspired by the likes of The Marx Brothers, Mel Brooks,
Woody Allen, Steve Martin, and Andy Kaufman. It’s a country where some laws of
physics still hold true – the opposite of gravity is comedy; what goes up must
come down; you’re not in Kansas anymore. Enjoy the ride. <o:p></o:p></font></div><div>
</div><div style="margin: 0in 0in 10pt;" class="MsoNormal"><o:p><font face="Calibri"> </font></o:p></div><div>
</div><div style="margin: 0in 0in 10pt;" class="MsoNormal"><font face="Calibri"><span style="mso-spacerun: yes;"> </span>The Weathervane
Playhouse production of “3 Guys Naked from the Waist Down” - <span style="mso-spacerun: yes;"> </span>Shows through September 25, 1301 Weathervane
Lane, Akron. Performances are Thursday 7:30 pm, Friday and Saturday at 8 pm,
Sunday at 2:30 pm. Tickets are $24, $21 for seniors and students for Thursday
and Sunday performances, and $19.50 for children ages 17 and younger. For
tickets, visit or call the box office at (330) 836 – 2626, or online at<span style="mso-spacerun: yes;"> </span></font><a href="http://www.weathervaneplayhouse.com/"><font face="Calibri">www.weathervaneplayhouse.com</font></a><font face="Calibri">
<o:p></o:p></font></div><div>
</div><div style="margin: 0in 0in 10pt;" class="MsoNormal"><font face="Calibri"><span style="mso-spacerun: yes;"> </span>For other reviews
and commentaries by Tom Wachunas on the performing and visual arts, please
visit his blog, ARTWACH, at<span style="mso-spacerun: yes;"> </span></font><a href="http://www.artwach.blogspot.com/"><font face="Calibri">www.artwach.blogspot.com</font></a><font face="Calibri"> <span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span><o:p></o:p></font></div><div>
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