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<P style="TEXT-ALIGN: center; LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt"
class=MsoNormal align=center><B style="mso-bidi-font-weight: normal"><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'"><FONT size=3>Top-10 Unforgettable
Theater Moments for 2011<?xml:namespace prefix = o ns =
"urn:schemas-microsoft-com:office:office" /><o:p></o:p></FONT></SPAN></B></P>
<P style="TEXT-ALIGN: center; LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt"
class=MsoNormal align=center><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; COLOR: #1f497d; FONT-SIZE: 12pt"><o:p> </o:p></SPAN></P>
<P style="TEXT-ALIGN: center; LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt"
class=MsoNormal align=center><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; COLOR: #1f497d; FONT-SIZE: 12pt">Bob
Abelman<o:p></o:p></SPAN></P>
<P style="TEXT-ALIGN: center; LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt"
class=MsoNormal align=center><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; COLOR: #1f497d; FONT-SIZE: 12pt"><o:p> </o:p></SPAN></P>
<P style="TEXT-ALIGN: center; LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt"
class=MsoNormal align=center><I style="mso-bidi-font-style: normal"><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; COLOR: #1f497d; FONT-SIZE: 12pt">News-Herald,
Chagrin Valley Times, Solon Times,<o:p></o:p></SPAN></I></P>
<P style="TEXT-ALIGN: center; LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt"
class=MsoNormal align=center><I style="mso-bidi-font-style: normal"><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; COLOR: #1f497d; FONT-SIZE: 12pt">The
Morning Journal, Geauga Times Courier<o:p></o:p></SPAN></I></P>
<P style="TEXT-ALIGN: center; LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt"
class=MsoNormal align=center><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; COLOR: #1f497d; FONT-SIZE: 12pt">Member,
American Theatre Critics Association <o:p></o:p></SPAN></P>
<P style="TEXT-ALIGN: center; LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt"
class=MsoNormal align=center><I style="mso-bidi-font-style: normal"><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt"><o:p> </o:p></SPAN></I></P>
<P style="TEXT-ALIGN: center; MARGIN: 0in 0in 10pt" class=MsoNormal
align=center><SPAN
style="LINE-HEIGHT: 115%; FONT-FAMILY: 'Arial','sans-serif'; COLOR: #1f497d; FONT-SIZE: 12pt">This
article appeared in the <I style="mso-bidi-font-style: normal">Times
</I>papers<I style="mso-bidi-font-style: normal"> </I>12/29/11</SPAN><SPAN
style="LINE-HEIGHT: 115%; FONT-SIZE: 12pt"><o:p></o:p></SPAN></P>
<P style="TEXT-ALIGN: center; LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt"
class=MsoNormal align=center><B style="mso-bidi-font-weight: normal"><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'"><o:p><FONT
size=3> </FONT></o:p></SPAN></B></P>
<P style="TEXT-ALIGN: center; LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt"
class=MsoNormal align=center><B style="mso-bidi-font-weight: normal"><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'"><o:p><FONT
size=3></FONT></o:p></SPAN></B></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'"><FONT size=3>Every year, local
theaters devote themselves to putting on the best productions possible. While
many productions are consistently good, truly great work is most often revealed
in memorable moments.<o:p></o:p></FONT></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'"><o:p><FONT
size=3> </FONT></o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'"><FONT size=3>These moments freeze
time, cause audiences to simultaneously emote, and result in spontaneous
applause.<SPAN style="mso-spacerun: yes"> </SPAN>They occur when an idea
conceived by a playwright, envisioned by a director, and enacted by a performer
inexplicably become one.<o:p></o:p></FONT></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'"><o:p><FONT
size=3> </FONT></o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'"><FONT size=3>Sometimes these isolated
instances transcend mediocre material and give way to talent that seems touched
by the muses or simply steps up to the plate in the heat of the
moment.<o:p></o:p></FONT></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'"><o:p><FONT
size=3> </FONT></o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'"><FONT size=3>While it is these rare,
fleeting goose bump moments that make theater magical, audiences also encounter
theatrical missteps and miscarriages that are similarly memorable.<SPAN
style="mso-spacerun: yes"> </SPAN>Awe can be found in work both awesome
and awful.<o:p></o:p></FONT></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'"><o:p><FONT
size=3> </FONT></o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'"><FONT size=3>Here are some of this
past year’s most impressionable moments—both fantastic and frightful —from
productions that graced Cleveland’s amateur and professional
stages.<o:p></o:p></FONT></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'"><o:p><FONT
size=3> </FONT></o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><FONT
size=3><B style="mso-bidi-font-weight: normal"><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; mso-fareast-font-family: 'Times New Roman'">The
Truth in a Falsetto</SPAN></B><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; mso-fareast-font-family: 'Times New Roman'">.<SPAN
style="mso-spacerun: yes"> </SPAN>T</SPAN><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'">he Tony Award-winning <I
style="mso-bidi-font-style: normal">Jersey Boys</I> is about The Four
Seasons—the boy band that dominated the radio airwaves in the 1960s.<SPAN
style="mso-spacerun: yes"> </SPAN>Justification for that award became
evident mid-way through the first act of the touring production, when the band’s
pulsating beat and distinctive three-octave doo-wop harmonies came together in
the song “Sherry.”<SPAN style="mso-spacerun: yes"> </SPAN>Two waves of
ovation resulted.<SPAN style="mso-spacerun: yes"> </SPAN>The first was the
polite appreciation given to any good performance.<SPAN
style="mso-spacerun: yes"> </SPAN>The second was a louder, longer and more
raucous aftershock—as if the PlayhouseSquare audience was paying homage to the
Rock and Roll Hall of Famers themselves and not the actors playing them.<SPAN
style="mso-spacerun: yes"> </SPAN><o:p></o:p></SPAN></FONT></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><B
style="mso-bidi-font-weight: normal"><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'"><o:p><FONT
size=3> </FONT></o:p></SPAN></B></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><FONT
size=3><B style="mso-bidi-font-weight: normal"><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'">It’s in His Look</SPAN></B><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'">.<SPAN
style="mso-spacerun: yes"> </SPAN>Irish playwright Conor McPherson’s
one-man drama <I style="mso-bidi-font-style: normal">St. Nicholas</I> tells the
tale of a loathsome, self-hating theater critic who befriends vampires and
seduces coeds to their lair for a bit of bloodletting.<SPAN
style="mso-spacerun: yes"> </SPAN>It is told by the critic himself, who
directly addresses the audience throughout the play.<SPAN
style="mso-spacerun: yes"> </SPAN>The instant actor Dana Hart looked you
in the eyes from across the intimate Ensemble Theatre stage, this far-fetched
gothic fantasy became a viable reality and its despicable hero earned your trust
and empathy.<SPAN style="mso-spacerun: yes"> </SPAN>Much like Dracula’s
alluring stare, Hart’s penetrating gaze sucked you into McPherson’s world and
held you captive.<o:p></o:p></SPAN></FONT></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><B
style="mso-bidi-font-weight: normal"><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'"><o:p><FONT
size=3> </FONT></o:p></SPAN></B></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><FONT
size=3><B style="mso-bidi-font-weight: normal"><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'">Tell Me When It’s Over</SPAN></B><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'">.<SPAN
style="mso-spacerun: yes"> </SPAN></SPAN><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; mso-fareast-font-family: 'Times New Roman'; mso-font-kerning: 18.0pt">Sometimes
a creative idea becomes significantly less so when given form and function.<SPAN
style="mso-spacerun: yes"> </SPAN>Such was the case with <I
style="mso-bidi-font-style: normal">Monster Play</I>, an evening of scary
storytelling inspired by </SPAN><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; COLOR: #121212; mso-fareast-font-family: 'Times New Roman'">medieval
literature, Russian folklore and ghost stories, and</SPAN><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; mso-fareast-font-family: 'Times New Roman'; mso-font-kerning: 18.0pt">
conceived and directed by Jeremy Paul.<SPAN style="mso-spacerun: yes">
</SPAN>So perplexing was this Cleveland Public Theatre/Theater Ninja production
that, when the houselights came on an hour into the performance, the audience
sat there not knowing if it was a mistake, part of the play, or
intermission.<SPAN style="mso-spacerun: yes"> </SPAN>It was actually the
end of the show.<o:p></o:p></SPAN></FONT></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><B
style="mso-bidi-font-weight: normal"><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'"><o:p><FONT
size=3> </FONT></o:p></SPAN></B></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><FONT
size=3><B style="mso-bidi-font-weight: normal"><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'">Brilliant Banter.<SPAN
style="mso-spacerun: yes"> </SPAN></SPAN></B><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'">In<B
style="mso-bidi-font-weight: normal"> </B></SPAN><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; mso-fareast-font-family: 'Times New Roman'">Lee
Blessing’s <I style="mso-bidi-font-style: normal">A Walk in the Woods</I>, two
opposing strategic arms negotiators step away from the bargaining table and take
an informal walk in the woods.<SPAN style="mso-spacerun: yes">
</SPAN></SPAN><SPAN style="FONT-FAMILY: 'Arial','sans-serif'">Director Robb Gibb
and actors George Roth and Brint Learned found the rhythms in the playwright’s
intelligent and witty dialogue and, in their Lakeland Civic Theater production,
brought life to what was essentially two hours of two men on a bench.<SPAN
style="mso-spacerun: yes"> </SPAN>As soon as they sat, </SPAN><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; mso-fareast-font-family: 'Times New Roman'">a
state of theatrical d</SPAN><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; mso-bidi-font-weight: bold; mso-ansi-language: EN"
lang=EN>étente was achieved, where the strained forces of the story beautifully
coexisted with the relaxed fluidity of the brilliant storytelling. </SPAN><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; mso-fareast-font-family: 'Times New Roman'"><SPAN
style="mso-spacerun: yes"> </SPAN><o:p></o:p></SPAN></FONT></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'"><o:p><FONT
size=3> </FONT></o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><FONT
size=3><B style="mso-bidi-font-weight: normal"><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'">There’s No Place Like
Holmes</SPAN></B><SPAN style="FONT-FAMILY: 'Arial','sans-serif'">.<SPAN
style="mso-spacerun: yes"> </SPAN>It is rare when the curtain opens and,
in that moment, the scenic design elicits gasps and earns applause.<SPAN
style="mso-spacerun: yes"> </SPAN>Such was the case with Cleveland Play
House’s production of Ken Ludwig’s <I style="mso-bidi-font-style: normal">The
Game’s Afoot</I>, which takes place in the Connecticut mansion of a famous actor
known for his portrayal of Sherlock Holmes.<SPAN
style="mso-spacerun: yes"> </SPAN>Daniel Conway filled the Allen Theatre
stage with an authentic looking, multi-tiered medieval castle that, complemented
by Thom Weaver’s lighting design, filled the audience with astonishment.<SPAN
style="mso-spacerun: yes"> </SPAN><o:p></o:p></SPAN></FONT></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'"><o:p><FONT
size=3> </FONT></o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><FONT
size=3><B style="mso-bidi-font-weight: normal"><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'">You Had Me At Hello</SPAN></B><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'">.<SPAN
style="mso-spacerun: yes"> </SPAN>The risk of putting people famous for
something other than musical theater into a musical is that there is often
little left once the novelty wears off.<SPAN
style="mso-spacerun: yes"> </SPAN>In the national tour of <I
style="mso-bidi-font-style: normal">La Cage Aux Folles</I> that came through
PlayhouseSquare, the honeymoon was over the moment septuagenarian TV and film
star George Hamilton performed his first song and dance.<SPAN
style="mso-spacerun: yes"> </SPAN>Tan and toothy only go so far and not
for very long.<o:p></o:p></SPAN></FONT></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'"><o:p><FONT
size=3> </FONT></o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><FONT
size=3><B style="mso-bidi-font-weight: normal"><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'">Shakespeare on
Steroids</SPAN></B><SPAN style="FONT-FAMILY: 'Arial','sans-serif'">.<SPAN
style="mso-spacerun: yes"> </SPAN>Great Lakes Theater committed literary
blasphemy and artistic alchemy by re-envisioning one of Shakespeare’s
masterworks, <I style="mso-bidi-font-style: normal">The Taming of the Shrew</I>.
<SPAN style="mso-spacerun: yes"> </SPAN>Director Tracy Young
transformed the comedy into an all-out, burlesque-style romp.<SPAN
style="mso-spacerun: yes"> </SPAN>Everything that was the Bard’s was upped
in intensity, velocity and frivolity, and the result was delightful.<SPAN
style="mso-spacerun: yes"> </SPAN>Immediately upon her entrance,
</SPAN><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN"
lang=EN>Sara Bruner as the obstinate-to-the-core Katherine let it be known that
this <I style="mso-bidi-font-style: normal">Shrew</I> was going to put the Shake
in Shakespeare.</SPAN><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'"><o:p></o:p></SPAN></FONT></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt; BACKGROUND: white"
class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; mso-fareast-font-family: 'Times New Roman'"><o:p><FONT
size=3> </FONT></o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><FONT
size=3><B style="mso-bidi-font-weight: normal"><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'">A Jump to the Left</SPAN></B><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'">.<SPAN
style="mso-spacerun: yes"> </SPAN>It was a giant leap for the Chagrin
Valley Little Theater to venture into the realm of <I
style="mso-bidi-font-style: normal">The Rocky Horror Show</I>—a </SPAN><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; mso-fareast-font-family: 'Times New Roman'">sci-fi
rock-n-roll sex comedy</SPAN><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'">.<SPAN
style="mso-spacerun: yes"> </SPAN>Well, more like a jump to the left and
then a step to the right<SPAN class=st1>.<SPAN style="mso-spacerun: yes">
</SPAN>From t</SPAN>he very first guitar lick by </SPAN><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: EN" lang=EN>Dennis
Yurich, backed up by a </SPAN><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'">phenomenal six piece band under David
Keith Stiver’s direction, this production rocked the rafters of the community
theater.<o:p></o:p></SPAN></FONT></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'"><o:p><FONT
size=3> </FONT></o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><FONT
size=3><B style="mso-bidi-font-weight: normal"><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'">Pe</SPAN></B><B
style="mso-bidi-font-weight: normal"><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: EN" lang=EN>rfect
Pitch.</SPAN></B><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: EN" lang=EN><SPAN
style="mso-spacerun: yes"> </SPAN>In Cleveland Play House’s <I
style="mso-bidi-font-style: normal">Daddy Long Legs</I>, a two-person musical
based on a turn-of-the-20<SUP>th</SUP> century novel by Jean Webster, a young
woman in college writes to her </SPAN><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'">anonymous benefactor and each
correspondence becomes a song. The ethereal harmonies between Megan McGinnism
who, as Jerusha, was writing the letters, and Robert Adelman Hancock who, as
Jervis, was reading them, took unmemorable songs with monotonous melodies and
made them soar.<SPAN style="mso-spacerun: yes">
</SPAN><o:p></o:p></SPAN></FONT></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'"><o:p><FONT
size=3> </FONT></o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt; BACKGROUND: white"
class=MsoNormal><FONT size=3><B style="mso-bidi-font-weight: normal"><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'"><SPAN
style="mso-spacerun: yes"> </SPAN>A Slice of Serenity.</SPAN></B><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'"><SPAN style="mso-spacerun: yes">
</SPAN>The Porthouse Theatre production of <I
style="mso-bidi-font-style: normal">Hello, Dolly!</I> spread contagious
care-free exuberance every time the 16-member ensemble took to the stage.<SPAN
style="mso-spacerun: yes"> </SPAN>John Crawford’s lighter-than-air
choreography captured and recreated the broadly stylized flair of a good,
old-fashioned musical and transported the outdoor theater’s audience to a
simpler time when everyone apparently waltzed, two-stepped and galloped from one
place to another.<o:p></o:p></SPAN></FONT></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt; BACKGROUND: white"
class=MsoNormal><SPAN style="FONT-FAMILY: 'Arial','sans-serif'"><o:p><FONT
size=3> </FONT></o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt; BACKGROUND: white"
class=MsoNormal><SPAN style="FONT-FAMILY: 'Arial','sans-serif'"><FONT
size=3>Here’s to more memorable moments in the year to
come.<o:p></o:p></FONT></SPAN></P></FONT></DIV></BODY></HTML>