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<P
style="TEXT-ALIGN: center; LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt; BACKGROUND: white"
class=MsoNormal align=center><B style="mso-bidi-font-weight: normal"><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; COLOR: black; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN"
lang=EN>CPH’s ‘Good People’ makes for great theater<?xml:namespace prefix = o ns
= "urn:schemas-microsoft-com:office:office" /><o:p></o:p></SPAN></B></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt; BACKGROUND: white"
class=MsoNormal><B style="mso-bidi-font-weight: normal"><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; COLOR: black; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN"
lang=EN><o:p> </o:p></SPAN></B></P>
<P style="TEXT-ALIGN: center; LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt"
class=MsoNormal align=center><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; COLOR: #1f497d; FONT-SIZE: 12pt">Bob
Abelman<o:p></o:p></SPAN></P>
<P style="TEXT-ALIGN: center; LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt"
class=MsoNormal align=center><I style="mso-bidi-font-style: normal"><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; COLOR: #1f497d; FONT-SIZE: 12pt">News-Herald,
Chagrin Valley Times, Solon Times, Geauga Times
Courier<o:p></o:p></SPAN></I></P>
<P style="TEXT-ALIGN: center; LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt"
class=MsoNormal align=center><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; COLOR: #1f497d; FONT-SIZE: 12pt">Member,
International Association of Theatre Critics <o:p></o:p></SPAN></P>
<P style="TEXT-ALIGN: center; LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt"
class=MsoNormal align=center><I style="mso-bidi-font-style: normal"><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt"><o:p> </o:p></SPAN></I></P>
<P style="TEXT-ALIGN: center; LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt"
class=MsoNormal align=center><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; COLOR: #1f497d; FONT-SIZE: 12pt">This
review will appear in the <I style="mso-bidi-font-style: normal">News-Herald
o</I></SPAN><SPAN style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt">n
4/5/13<B style="mso-bidi-font-weight: normal"><o:p></o:p></B></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt; BACKGROUND: white"
class=MsoNormal><B style="mso-bidi-font-weight: normal"><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; COLOR: black; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'"><o:p> </o:p></SPAN></B></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt; BACKGROUND: white"
class=MsoNormal><B style="mso-bidi-font-weight: normal"><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; COLOR: black; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'"><o:p> </o:p></SPAN></B></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt; BACKGROUND: white"
class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; COLOR: black; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN"
lang=EN>There is certainly something intriguing about the working class in old
broken down cities like South Boston and Lowell, or at least film depictions of
them.<SPAN style="mso-spacerun: yes"> </SPAN><o:p></o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt; BACKGROUND: white"
class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; COLOR: black; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN"
lang=EN><o:p> </o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt; BACKGROUND: white"
class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; COLOR: black; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN"
lang=EN>“Good Will Hunting,’’ “The Departed’ and “The Fighter” offer up a
population of people rendered hard on the outside from the unrelenting pounding
of </SPAN><SPAN class=st><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; COLOR: #222222; FONT-SIZE: 12pt">public
housing </SPAN></SPAN><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; COLOR: black; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN"
lang=EN>projects, tough winters and a failing economy, but soft in the middle
with an unwavering loyalty to family and friends from the neighborhood.<SPAN
style="mso-spacerun: yes"> </SPAN>They are armed only with a poor
education, a burning hunger to survive, and an excess of attitude, faith and
street-savvy resourcefulness.<SPAN style="mso-spacerun: yes">
</SPAN><o:p></o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt; BACKGROUND: white"
class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; COLOR: black; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN"
lang=EN><o:p> </o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt; BACKGROUND: white"
class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; COLOR: black; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN"
lang=EN>The good people in David Lindsay-Abaire’s comedy “Good People,”
currently on stage at the Cleveland Play House’s Allen Theatre, are of that
ilk.<SPAN style="mso-spacerun: yes"> </SPAN>And they are depicted with
such tenderness and respect that the profanity-laced verbal sparring these
Southies call communication sounds like poetry, the blind pride they possess
seems heroic, and their unrelenting devotion to one another is rare and
admirable.<SPAN style="mso-spacerun: yes"> </SPAN><o:p></o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt; BACKGROUND: white"
class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; COLOR: black; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN"
lang=EN><o:p> </o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt; BACKGROUND: white"
class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; COLOR: black; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN"
lang=EN>Unlike the films, which feature locals shedding their skin at great
personal sacrifice, changing their destiny and making something of themselves,
“Good People” features a woman stuck in the mire of poor circumstances, few and
bad choices, and lousy luck.<SPAN style="mso-spacerun: yes"> </SPAN>She is
going nowhere and we love her all the more for it.<SPAN
style="mso-spacerun: yes"> </SPAN><o:p></o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt; BACKGROUND: white"
class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; COLOR: black; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN"
lang=EN><o:p> </o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt; BACKGROUND: white"
class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; COLOR: black; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN"
lang=EN>Lindsay-Abaire, a Pulitzer Prize-winning playwright (“</SPAN><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN; mso-bidi-font-style: italic"
lang=EN>Rabbit Hole”), certainly </SPAN><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; COLOR: black; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN"
lang=EN>has a way with words.</SPAN><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN"
lang=EN><SPAN style="mso-spacerun: yes"> </SPAN>The language in this play
could not be more natural in terms of its cadence, construction and content, and
it falls on the untrained ear as if we were native speakers.<SPAN
style="mso-spacerun: yes"> </SPAN><o:p></o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt; BACKGROUND: white"
class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; COLOR: black; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN"
lang=EN><o:p> </o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt; BACKGROUND: white"
class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; COLOR: black; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN"
lang=EN>Yet, for all of the playwright’s skills at storytelling, it’s the
director, performers and designers that give this play its vitality and
heart.<SPAN style="mso-spacerun: yes"> </SPAN>It’s this company’s
conviction and virtuosity that draw the audience into this </SPAN><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN"
lang=EN>intimate world of constant disappointment and hardship and makes it
immediately accessible, painfully funny and very real.<SPAN
style="mso-spacerun: yes"> </SPAN><o:p></o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt; BACKGROUND: white"
class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; COLOR: black; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN"
lang=EN><o:p> </o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt; BACKGROUND: white"
class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; COLOR: black; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN"
lang=EN>Kate Hodge is wonderful as Margie, a mouthy single mother who is fired
as cashier at a Dollar Store for being perpetually late while waiting for
unreliable neighbors to watch after her mentally challenged daughter.<SPAN
style="mso-spacerun: yes"> </SPAN>Attractive but worn thin, spunky but
emotionally spent, unworldly but street smaht, Hodge’s depiction of Margie
offers us a glimpse of her past, present and future simultaneously.<SPAN
style="mso-spacerun: yes"> </SPAN><o:p></o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt; BACKGROUND: white"
class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; COLOR: black; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN"
lang=EN><o:p> </o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt; BACKGROUND: white"
class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; COLOR: black; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN"
lang=EN>Margie’s core of compatriots is equally intriguing and brilliantly
portrayed.<SPAN style="mso-spacerun: yes"> </SPAN><o:p></o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt; BACKGROUND: white"
class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; COLOR: black; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN"
lang=EN><o:p> </o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt; BACKGROUND: white"
class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN"
lang=EN>Elizabeth Rich is a treat as the fiercely loyal best friend Jean.<SPAN
style="mso-spacerun: yes"> </SPAN>Brutally honest and with the capacity to
not only see through people’s charade but brazenly call them on it, Rich’s Jean
is the perfect counterpart to inquisitive, insensitive and inconsiderate
Dottie.<SPAN style="mso-spacerun: yes"> </SPAN>Every line Denny Dillon
delivers as Dottie is a gem and every gesture is a sight gag.<SPAN
style="mso-spacerun: yes"> </SPAN>They are joined by Stevie who, as
manager of the Dollar Store, fired Margie but as just a guy from the
neighborhood, is accepted as an friend.<SPAN style="mso-spacerun: yes">
</SPAN>Patrick Halley is absolutely charming in this role.<o:p></o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt; BACKGROUND: white"
class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN"
lang=EN><o:p> </o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt; BACKGROUND: white"
class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN"
lang=EN>The best scenes in the play depict these four friends simply sharing a
table at the local church’s Bingo game, gossiping about old schoolmates and
offering up blue-collar wisdom and witticisms.<SPAN
style="mso-spacerun: yes"> </SPAN>Director Laura Kepley’s best work
takes place here, for the comic timing is impeccable, the emotions are real and
the simplicity is disarming.<SPAN style="mso-spacerun: yes"> </SPAN>Kepley
also has characters linger after the completion of their scenes, as if
contemplating the ramifications of and adding punctuation to what transpired
while the set is being changed. This little thing adds texture to this
production.<SPAN style="mso-spacerun: yes"> </SPAN><o:p></o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt; BACKGROUND: white"
class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN"
lang=EN><o:p> </o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt; BACKGROUND: white"
class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN"
lang=EN>The play itself transitions from a delightful character study to
riveting drama with a knife’s edge when Margie confronts Mike, <SPAN
style="COLOR: black">an ex-boyfriend from high school who went off to college,
became a doctor, and settled in an affluent neighborhood far from Southie.<SPAN
style="mso-spacerun: yes"> </SPAN>Her visit to his office, looking for a
job, is awkward to say the least.<SPAN style="mso-spacerun: yes">
</SPAN>Her arrival at his home is even more so.<SPAN
style="mso-spacerun: yes"> </SPAN><o:p></o:p></SPAN></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt; BACKGROUND: white"
class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN"
lang=EN><o:p> </o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt; BACKGROUND: white"
class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN"
lang=EN>This clash between characters and classes is, at first, merely a series
of missteps and polite apologies, but it soon escalates into something raw,
penetrating and hurtful.<SPAN style="mso-spacerun: yes"> </SPAN>The
trigger point is when Margie refers to Mike as a “lace-curtain Irish,” which
activates his survivor’s guilt and turns his casual demeanor into defensive
anger and then rage.<SPAN style="mso-spacerun: yes"> </SPAN>As their
reunion turns increasingly intense and confrontational, Mike’s wife Kate steps
in and steps up to put both of them in their proper place.<SPAN
style="mso-spacerun: yes"> </SPAN>David Andrew Macdonald and Zoey
Martinson, as Mike and Kate, are wonderful.<SPAN
style="mso-spacerun: yes"> </SPAN><o:p></o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt; BACKGROUND: white"
class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN"
lang=EN><o:p> </o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt; BACKGROUND: white"
class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN"
lang=EN>All this activity takes place on a cleverly constructed set designed by
Mimi Lien and lit by Michael Lincoln, which first appears as a solid brick
alleyway.<SPAN style="mso-spacerun: yes"> </SPAN>Sections peel away in
dramatic fashion to reveal fully realized locations.<SPAN
style="mso-spacerun: yes"> </SPAN><o:p></o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt; BACKGROUND: white"
class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; COLOR: black; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN"
lang=EN><o:p> </o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt; BACKGROUND: white"
class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN"
lang=EN>From start to finish, from comedy to conflict and back again, <SPAN
style="COLOR: black">“Good People” is great theater</SPAN>.<SPAN
style="mso-spacerun: yes"> </SPAN><o:p></o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt; BACKGROUND: white"
class=MsoNormal><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN"
lang=EN><o:p> </o:p></SPAN></P>
<P style="LINE-HEIGHT: normal; MARGIN: 0in 0in 0pt" class=MsoNormal><I
style="mso-bidi-font-style: normal"><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; COLOR: black; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'">“Good
People”</SPAN></I><I style="mso-bidi-font-style: normal"><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt; mso-fareast-font-family: 'Times New Roman'">
continues through April 14 in Cleveland Play House’s Allen Theatre at
PlayhouseSquare.<SPAN style="mso-spacerun: yes"> </SPAN>For tickets, which
range from $15 to $69, call </SPAN></I><I
style="mso-bidi-font-style: normal"><SPAN
style="FONT-FAMILY: 'Arial','sans-serif'; FONT-SIZE: 12pt">216-241-6000 or visit
<A href=""><FONT color=#2851a2>www.clevelandplayhouse.com</FONT></A>.<SPAN
style="mso-spacerun: yes"> </SPAN><o:p></o:p></SPAN></I></P>
<P style="MARGIN: 0in 0in 10pt" class=MsoNormal><o:p><FONT size=3
face=Calibri> </FONT></o:p></P></FONT></DIV></BODY></HTML>