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</font></div><div align="center" class="MsoNormal" style="margin: 0in 0in 10pt; text-align: center;"><b style="mso-bidi-font-weight: normal;"><font face="Verdana">Digesting a Faustian Farce</font></b><o:p></o:p></div><div><font face="Times New Roman">
</font></div><div align="center" class="MsoNormal" style="margin: 0in 0in 10pt; text-align: center;"><font face="Verdana">By Tom Wachunas</font><o:p></o:p></div><div><font face="Times New Roman">
</font></div><div align="center" class="MsoNormal" style="margin: 0in 0in 10pt; text-align: center;"><o:p><font face="Verdana"> </font></o:p></div><div><font face="Times New Roman">
</font></div><div class="MsoNormal" style="margin: 0in 0in 10pt;"><font face="Verdana"><span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span>On its
surface, the narrative premise of<i style="mso-bidi-font-style: normal;"> Little
Shop of Horrors, </i>currently playing at Players Guild Theatre in Canton, is
patently ridiculous, despite the fact that it’s intended to be unabashedly
farcical. Here’s a sci-fi horror spoof about a nebbishy Skid Row flower shop
worker who is promised fame and fortune if he feeds human flesh and blood to a
voracious alien houseplant intent on dominating the world. Is this stage art of
any real consequence?</font><o:p></o:p></div><div><font face="Times New Roman">
</font></div><div class="MsoNormal" style="margin: 0in 0in 10pt;"><font face="Verdana"><span style="mso-spacerun: yes;"> </span>Then again, let’s
not forget the maxim offered by a master of comic absurdity, Johnny Carson: “If
you buy the premise you buy the bit.” I find it interesting that the original
working script, written by Charles Griffith for the 1960 film that inspired
this stage musical, was titled “The Passionate People Eater.” Operative term
here: <i style="mso-bidi-font-style: normal;">passionate. </i></font><o:p></o:p></div><div><font face="Times New Roman">
</font></div><div class="MsoNormal" style="margin: 0in 0in 10pt;"><font face="Verdana"><span style="mso-spacerun: yes;"> </span>Directed and
choreographed by Michael Lawrence Akers, this tongue-in-cheek Guild production
does indeed have passion, though certainly not of the high-brow heroic sort.
Call it passion for parody. And when delivered with panache, as is the case
here with Akers’ sizzling cast, parody can be an efficacious art in itself.</font><o:p></o:p></div><div><font face="Times New Roman">
</font></div><div class="MsoNormal" style="margin: 0in 0in 10pt;"><font face="Verdana"><span style="mso-spacerun: yes;"> </span>Tom Bryant turns
in a credible and sturdy portrayal of Mr. Mushnik. World-weary, cranky and domineering,
he’s the owner of a flower shop on the verge of closing for lack of business.
But he finds a giddy new life unfolding when his assistant, Seymour, acquires
an exotic houseplant that attracts lucrative media and public attention.</font><o:p></o:p></div><div><font face="Times New Roman">
</font></div><div class="MsoNormal" style="margin: 0in 0in 10pt;"><font face="Verdana"><span style="mso-spacerun: yes;"> </span>Playing Seymour,
Matthew Heppe is spot-on as a lovably nervous nerd <span style="mso-spacerun: yes;"> </span>(right down to his taped eyeglasses) who pines
so much for the girl of his dreams, co-worker Audrey, that he names his prized
plant Audrey II. While Heppe’s singing voice doesn’t employ any showy vibrato,
his tonality is nonetheless confident, pure and warm.</font><o:p></o:p></div><div><font face="Times New Roman">
</font></div><div class="MsoNormal" style="margin: 0in 0in 10pt;"><font face="Verdana"><span style="mso-spacerun: yes;"> </span>Sarah Marie Young
is delightfully cheeky in her role of the scatterbrained Audrey. Her singing of
<i style="mso-bidi-font-style: normal;">Somewhere That’s Green </i>is rich with a
sweet woundedness, and easily the show’s most genuinely touching song.</font><o:p></o:p></div><div><font face="Times New Roman">
</font></div><div class="MsoNormal" style="margin: 0in 0in 10pt;"><font face="Verdana"><span style="mso-spacerun: yes;"> </span>Other than the
carnivorous Audrey II, the human antagonist here is Audrey’s sadistic biker-
dentist boyfriend, Orin, played by Ryan Nehlen, who is as abusive to Audrey as
he is to his patients. The audacious Nehlen is both chilling and utterly
hilarious, like some sociopathic Fonzie from a parallel universe. He gets his
comeuppance in one of the show’s most raucous scenes (with Seymour), singing</font><i style="mso-bidi-font-style: normal;"><font face="Verdana"> Now (It’s Just the Gas).</font><o:p></o:p></i></div><div><font face="Times New Roman">
</font></div><div class="MsoNormal" style="margin: 0in 0in 10pt;"><font face="Verdana"><i style="mso-bidi-font-style: normal;"><span style="mso-spacerun: yes;"> </span></i>Another electrifying component of the
production is the saucy trio of women characters played by Russelle’ Sanchez
(Ronnette), Ruby Myles (Crystal), and Tahja Grier (Chiffon). Like a street-wise
Greek chorus, they bring a palpable sparkle to the musical score – a spicy
blend of early 1960s rock and roll, doo-wop and Motown. Several times during
the matinee performance I saw on October 20, the trio’s singing got so lost in
its own swagger that the lyrics were obscured and harmonies slightly off-pitch.
But in the larger scheme of things, and given the sheer glow of the trio’s
infectious energy (made all the more tangible in the intimate surrounds of the
Guild’s arena theater), it was a minor flaw.</font><o:p></o:p></div><div><font face="Times New Roman">
</font></div><div class="MsoNormal" style="margin: 0in 0in 10pt;"><font face="Verdana"><span style="mso-spacerun: yes;"> </span>And even what the
audience <i style="mso-bidi-font-style: normal;">doesn’t</i> see on stage makes a
vital contribution. Bart Herman is the off-stage voice of Audrey II, and his
facile vocalizing gives the cantankerous carnivore’s menacing demands a
seductive, even soulful edge. <i style="mso-bidi-font-style: normal;">Inside </i>the
huge Audrey II is puppeteer Stephen Middaugh, who actually animates the
creature with a variety of apropos moves and moods. Also from off-stage, the
sound from the super-hot live band directed by Steve Parsons is in perfect
aural balance with the singing.</font><o:p></o:p></div><div><font face="Times New Roman">
</font></div><div class="MsoNormal" style="margin: 0in 0in 10pt;"><font face="Verdana"><span style="mso-spacerun: yes;"> </span>While there’s
nothing intrinsically wrong about escapist entertainment, I nonetheless left
the theater thinking that this particular show is as much a cautionary tale for
our time as it is simply a whacky, macabre “comedy.” There’s no happy ending to
Seymour’s deal with the devil, as it were. The story is perhaps a sobering
parody of how our modern culture is consumed by its monstrous pursuit of
material gain and celebrity. Food for thought, to be sure.</font><o:p></o:p></div><div><font face="Times New Roman">
</font></div><div class="MsoNormal" style="margin: 0in 0in 10pt;"><o:p><font face="Verdana"> </font></o:p></div><div><font face="Times New Roman">
</font></div><div class="MsoNormal" style="margin: 0in 0in 10pt;"><font face="Verdana"><i style="mso-bidi-font-style: normal;">Little Shop of
Horrors, </i>presented by the Canton Players Guild Theatre, shows at 8 p.m.
Friday and Saturday, 2 p.m. Sunday, THROUGH NOVEMBER 3, 1001 Market Ave. N in
Canton. Tickets $17 at<span style="mso-spacerun: yes;"> </span></font><a href="http://www.playersguildtheatre.com/"><font face="Verdana">www.playersguildtheatre.com</font></a><font face="Verdana"> or at
330-453-7617 </font><o:p></o:p></div><div><font face="Times New Roman">
</font></div><div class="MsoNormal" style="margin: 0in 0in 10pt;"><font face="Verdana"><span style="mso-spacerun: yes;"> </span>For other reviews
by Tom Wachunas on the performing and visual arts in the Canton area, please
visit his blog at<span style="mso-spacerun: yes;"> </span></font><a href="http://www.artwach.blogspot.com/"><font face="Verdana">www.artwach.blogspot.com</font></a><font face="Verdana"> </font><o:p></o:p></div><div><font face="Times New Roman">
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