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<h2 align="center" style="text-align:center"><font face="Times"><strong><span style="font-weight: normal;">Mercury Theatre Company</span></strong><o:p></o:p></font></h2>
<h2 align="center" style="text-align:center"><font face="Times">Announces 2015 Season
Auditions<font size="2"><o:p></o:p></font></font></h2><p><font face="Times" size="2"><strong>Ghost: </strong>June 12, 13,
14, 18, 19, 20, 21, 25, 26, 27<o:p></o:p></font></p><p><font face="Times" size="2"><strong>Camelot: </strong>July 10,
11, 12, 16, 17, 18, 19, 23, 24, 25<o:p></o:p></font></p><p><font face="Times" size="2"><strong>Disney and Cameron Mackintosh’s Mary
Poppins: </strong>August 7, 8, 9, 13, 14, 15, 16, 20, 21, 22<o:p></o:p></font></p><p><font face="Times" size="2"><strong>My Mercury’s Pippin: </strong>July
17 and 18 <o:p></o:p></font></p><p><font face="Times" size="2"><strong>DATES/TIME</strong>:<o:p></o:p></font></p><p><font face="Times" size="2">Friday, February 27 6:00 (My Mercury Only)<br>
Saturday, February 28 1:00-4:00 (Equity and Non-Equity by Appointment
Only)<br>
Sunday, March 1 12:00-3:00 (Equity and Non-Equity by Appointment
Only)<o:p></o:p></font></p><p><font face="Times" size="2"> Callbacks
by appointment after 3:00 <br>
<b><br>
<br>
<strong>LOCATION:</strong></b> Notre
Dame College 1851 South Green Road South Euclid, OH 44121 <o:p></o:p></font></p><p><font face="Times" size="2"><strong>Auditions will be held in the PAC,
basement of Admin. Building.</strong><o:p></o:p></font></p><p><font face="Times" size="2"><strong><u><span style="color: rgb(255, 51, 0);">NOTE</span></u></strong><strong><span style="color: rgb(255, 51, 0);">: Main entrance is at 1851 South Green
Road (the old Regina High School driveway). The current listed college address
is: 4545 College Drive. Regina High School is now part of Notre Dame College.
The theatre is located inside the old Regina High School building (now called
Regina Hall) – to your left as you enter the driveway. All performances will be
held in Regina Hall.</span></strong><o:p></o:p></font></p><p><font face="Times" size="2"><strong>APPOINTMENTS: </strong><br>
Audition appointments will be accepted starting Monday, January 26 at 9:00 am.
If you are unable to attend the audition dates scheduled, recorded auditions
are accepted by February 27, 2015. Video links may be emailed to <a href="mailto:mercurysummerstock@gmail.com">mercurysummerstock@gmail.com</a>. <o:p></o:p></font></p><p align="center" style="text-align:center"><font face="Times" size="2">Call: <strong>216.771.5862</strong> For further information, or with questions.<o:p></o:p></font></p><p><font face="Times" size="2"><b><br>
<strong>AUDITION PREPARATION</strong></b>:
Please prepare two short (16-bar) musical selections of contrasting styles in
your key; bring sheet music in the correct key; an accompanist will be
provided. You may be asked to sing only one selection as time permits.
Headshots and resumes will be accepted at the audition.<o:p></o:p></font></p><p><font face="Times" size="2"><b><br>
<strong>COMPENSATION</strong></b>: All
non-AEA actors in Ghost and Mary Poppins appear in Mercury Theatre Company
productions on a volunteer basis. College credit is available where applicable.<o:p></o:p></font></p><p><font face="Times" size="2"><b><br>
<strong>CASTING REQUIREMENTS</strong></b>:
Equity/Non-Equity only. Please email <a href="mailto:mercurysummerstock@gmail.com">mercurysummerstock@gmail.com</a> if
interested for details Mercury Theatre Company is committed to non-traditional
casting. Actors will be cast solely on the basis of talent, except in cases
where age, race or physical ability are essential to a role. Ages listed in
breakdowns are "character ages" not actor ages. Actors selected for
casting may be cast in more than one production for the season.<o:p></o:p></font></p><p><font face="Times" size="2"><strong>FOR DESIGN AND TECHNICAL EMPLOYMENT</strong>:
Please email <a href="mailto:mercurysummerstock@gmail.com">mercurysummerstock@gmail.com</a><u><span style="color:blue">.<o:p></o:p></span></u></font></p><div style="margin: 0in 0in 0.0001pt;"><font face="Times" size="2">_____________________________________________________________________________________<o:p></o:p></font></div><div style="margin: 0in 0in 0.0001pt;"><font face="Times" size="2">BREAKDOWNS<o:p></o:p></font></div><div style="margin: 0in 0in 0.0001pt;"><font face="Times" size="2">_____________________________________________________________________________________<o:p></o:p></font></div><p class="MsoNormal"><b><font face="Times" size="2">GHOST<o:p></o:p></font></b></p><p class="MsoNormal"><font face="Times" size="2">Book: Bruce Joel Rubin<o:p></o:p></font></p><p class="MsoNormal"><font face="Times" size="2">Lyrics: Bruce Joel Rubin, Dave
Stewart, Glen Ballard<o:p></o:p></font></p><p class="MsoNormal"><font face="Times" size="2">Music: Dave Stewart, Glen Ballard<o:p></o:p></font></p><p class="MsoNormal"><font face="Times" size="2">Relive the iconic and magical moments
from the Oscar-winning movie "Ghost" in a brand-new Broadway musical.
GHOST THE MUSICAL breathes glorious new life into a timeless love story. The
musical features an original pop score from multiple Grammy Award-winners Dave
Stewart, one half of the 80s pop duo the Eurythmics, and Glen Ballard,
co-writer with Alanis Morissette on the multi-platinum album Jagged Little
Pill, among many other notable credits and collaborations. The musical’s tale
of everlasting love is thrilling entertainment for audiences of all ages. <br>
<br>
Adapted from the hit film by its Academy Award-winning screenwriter Bruce Joel
Rubin, GHOST THE MUSICAL follows Sam and Molly, a young couple whose connection
takes a shocking turn after Sam's untimely death. Trapped between two worlds,
Sam refuses to leave Molly when he learns she is in grave danger. Desperate to
communicate with her, he turns to a storefront psychic who helps him protect
Molly and avenge his death. <b><o:p></o:p></b></font></p><p class="MsoNormal"><b><font face="Times" size="2">Rehearsals
begin May 25. All rehearsals are Monday through Friday 6:30-10:30 and Saturdays
11:00-4:00. Sundays are Days Off. <o:p></o:p></font></b></p><p class="MsoNormal"><font face="Times" size="2"><b>Performances
are </b><b>June 12, 13, 14, 18, 19, 20, 21, 25, 26, 27<o:p></o:p></b></font></p><p class="MsoNormal"><b><font face="Times" size="2">All roles are open. Oda Mae Brown is cast. <o:p></o:p></font></b></p><p class="MsoNormal"><font face="Times" size="2"><b>SEEKING: </b><b><o:p></o:p></b></font></p><p class="MsoNormal"><font face="Times" size="2"><b>Sam
Wheat</b>: to play mid-20s to early 30s, tall and handsome, excellent
pop/rock tenor, master of his own universe with regard to business and
commerce, has difficulty with the emotional, soulful side of love, his greatest
obstacle is his fear of commitment, fearing that when he gets good things in
life he will lose them. When killed by a mugger, he is caught between worlds.
Finding that Molly is in danger, he seeks to somehow protect her. Ultimately he
is able to save Molly and finally express his love to her before his
transfiguration into a higher realm. Guitar a plus. <o:p></o:p></font></p><p class="info"><font face="Times" size="2"><strong>Molly Jensen</strong>: to play late 20s, excellent
singer, mezzo with high belt, an artist and woman of the world, an optimist,
self-made and independent, always lives in the moment. Life is good enough as
it is. In her relationship with Sam, she understands that a declaration of love
requires vulnerability and surrender, but that is too great for him. Shattered
when Sam dies and struggles with being asked to believe in something larger -
much bigger than here and now. <o:p></o:p></font></p><p class="MsoNormal"><font face="Times" size="2"><strong>Carl
Bruner</strong>:
to play early 30s, high baritone/baritone, Sam’s best friend, desperately wants
everything Sam has – including Molly. Has great passion for the things of life,
and this passion has led him into deep water. Not necessarily a bad guy at
heart, just stuck in the material. After Sam is killed he really loses his grip
and slides over to the dark side.<o:p></o:p></font></p><p class="info"><font face="Times" size="2"><strong>Willie Lopez</strong>: to play early 30s, a tough
thug, hired to mug Sam and ends up killing him. Dancer. <o:p></o:p></font></p><p class="info"><font face="Times" size="2"><strong>Louise Brown/Clara Brown</strong>: to play 30+, must have strong
comic chops, vivid characters and have big soulful voices. Oda Mae’s sisters
and cohorts in her scam of speaking to the dearly departed. May cover Oda Mae. <o:p></o:p></font></p><p class="MsoNormal"><font face="Times" size="2"><strong>Subway
Ghost</strong>:
to play 20s, vocal and physical dexterity essential, nimble physicality very
useful, ability to do any acro tricks an advantage. Mark submissions
accordingly with any specialized physical skill.<o:p></o:p></font></p><p class="MsoNormal"><font face="Times" size="2"><strong>Ensemble</strong>: Seeking 6 females and 6 males to play
all ages, strong dancers who sing, seeking an Ethnic mix to play the wide
variety of the residents and characters of New York City. Pas de Deux and
commercial style an advantage. May cover principal roles.<o:p></o:p></font></p><p><font face="Times" size="2">_____________________________________________________________________________________<br>
<br>
<b>CAMELOT<o:p></o:p></b></font></p><div style="margin: 0in 0in 0.0001pt;"><font face="Times" size="2"><br>
Book and Lyrics by Alan Jay Lerner <br>
Music by Frederick Loewe <o:p></o:p></font></div><div style="margin: 0in 0in 0.0001pt;"><font face="Times" size="2"><em>Based on “The Once and Future King” </em><i><br>
<em>by T.H. White</em></i><br>
<!--[if !supportLineBreakNewLine]--><br>
<!--[endif]--><o:p></o:p></font></div><div style="margin: 0in 0in 0.0001pt;"><font face="Times" size="2">In the realm of Camelot, King Arthur has created a utopian
land of chivalry and civil rule. But when his beloved Queen Guenevere and Sir
Lancelot, his most trusted knight, succumb to their passion for one another, he
faces a terrible dilemma that will rock his kingdom to its very
foundation. <o:p></o:p></font></div><div style="margin: 0in 0in 0.0001pt;"><o:p><font face="Times" size="2"> </font></o:p></div><div style="margin: 0in 0in 0.0001pt;"><font face="Times" size="2"><b>Rehearsals
begin June 15.</b>
<b>All rehearsals are Monday through Friday 6:30-10:30 and Saturdays
11:00-4:00. Sundays are Days Off.<o:p></o:p></b></font></div><div style="margin: 0in 0in 0.0001pt;"><b><font face="Times" size="2"> </font></b></div><div style="margin: 0in 0in 0.0001pt;"><font face="Times" size="2"><b>Performances are </b><b>July 10, 11, 12, 16, 17, 18, 19, 23, 24, 25<o:p></o:p></b></font></div><div style="margin: 0in 0in 0.0001pt;"><font face="Times" size="2"><br>
<b>All roles are open. All roles are paid. <o:p></o:p></b></font></div><div style="margin: 0in 0in 0.0001pt;"><b><font face="Times" size="2"> </font></b></div><div style="margin: 0in 0in 0.0001pt;"><b><font face="Times" size="2">SEEKING: <o:p></o:p></font></b></div><p class="info"><font face="Times" size="2">This
streamlined take on one of the greatest musicals in the American musical
theater canon features a cast of 10 (1 woman and 9 men) and showcases the
youth, vitality and sexually charged triangle between King Arthur, Queen
Guinevere, and Sir Lancelot. The creative team is looking for accomplished singers/actors/musicians
who have facility with language and movement ability. All actors will be
required to act as ensemble where needed, and play instruments. Actors of any
ethnicity are strongly encouraged to audition for every role. Shakespeare
credits a plus, as are special skills like juggling, tumbling, playing a
musical instrument, etc.<o:p></o:p></font></p><p class="info"><font face="Times" size="2"><strong>Reveler #1
(Merlyn/Pellinore)</strong>:
Merlyn, the infamous, old, wise wizard who ages backwards, having tutored
Arthur since boyhood he scrambles to guide him as King and warn him of danger
before Merlyn regresses past remembering the future, a cross between Dumbledore
and Gandalf; Pellinore, a bad-ass, very funny and eccentric, no-nonsense old
knight who, in search of his lost Kingdom, becomes a dedicated confidant and
friend to Arthur, actor will participate in considerable stage combat;
baritone. Note: One actor plays both roles. <o:p></o:p></font></p><div style="margin: 0in 0in 0.0001pt;"><font face="Times" size="2"><br>
<b>Reveler #2 (Squire Dap):</b> Lancelot’s valet, an old man.
<o:p></o:p></font></div><div style="margin: 0in 0in 0.0001pt;"><font face="Times" size="2"><br>
<b>Reveler #3 (Dinadan):</b> Strong virile knight. Could
be a character man. Must be excellent legit singer with big voice. <o:p></o:p></font></div><div style="margin: 0in 0in 0.0001pt;"><font face="Times" size="2"><br>
<b>Reveler #4 (Sagramore):</b> Strong virile knight. Could
be a character man. Must be excellent legit singer with big voice. <o:p></o:p></font></div><div style="margin: 0in 0in 0.0001pt;"><font face="Times" size="2"><br>
<b>Reveler #5 (Lionel):</b> Strong virile knight. Could
be a character man. Tenor. Must be excellent legit tenor with big voice. <o:p></o:p></font></div><div style="margin: 0in 0in 0.0001pt;"><font face="Times" size="2"><br>
<b>Reveler #6 (Tom):</b> Tom is a young boy
destined to be a Knight. He wants to fight for what is right and gives
Arthur hope for the future.
A young man. Should sing very well. Adept at physical humor. Ideally,
Tom should appear to be between the ages of 8 and 13 and under 5’ tall.<o:p></o:p></font></div><div style="margin: 0in 0in 0.0001pt;"><font face="Times" size="2"><br>
<b>Reveler #7 (Arthur):</b><b>
</b>Any Ethncity.
Attractive and sexy, but not in a traditional way. We see him grow from a
scrappy boy known as Wart, into a powerful king. Cerebral yet virile. Pleasant
singing voice. Must be an excellent, preferably classically trained, actor. Actor
must have a huge command of language and formidable presence, is rapturously in
love with Guenevere but equally as devoted to Lancelot, actor may appear
shirtless and will engage in considerable stage combat; baritone.<o:p></o:p></font></div><div style="margin: 0in 0in 0.0001pt;"><o:p><font face="Times" size="2"> </font></o:p></div><div style="margin: 0in 0in 0.0001pt;"><font face="Times" size="2"><b>Reveler #8 (Guenevere):</b> Female.
Any Ethnicity. Attractive, though not necessarily traditionally so. Smart, with
a touch of funny. There should be an underlying smoldering sensuality here.
Looking for distinctive, must not be like any Guenevere we have seen before.
Accomplished singer a must. Must be an excellent, preferably classically
trained, actor. <o:p></o:p></font></div><div style="margin: 0in 0in 0.0001pt;"><font face="Times" size="2"><br>
<b>Reveler #9 (Lancelot):</b> Aggressively attractive, but
not the usual square/cardboard pretty boy version. Smoldering sexuality.
Magnetic. A stunning singer. He is funny only through his pure earnestness,
actor will appear shirtless and will engage in extensive stage combat; soaring,
magnificent baritone.<br>
<!--[if !supportLineBreakNewLine]--><br>
<!--[endif]--><o:p></o:p></font></div><div style="margin: 0in 0in 0.0001pt;"><font face="Times" size="2"><b>Reveler #10 (Mordred):</b> Mordred
is the ne’er do well bastard son of Arthur. Pleasant singing voice. He’s the
bad guy, but not a simpering moustache twirler.<o:p></o:p></font></div><div style="margin: 0in 0in 0.0001pt;"><o:p><font face="Times" size="2"> </font></o:p></div><div style="margin: 0in 0in 0.0001pt;"><font face="Times" size="2">____________________________________________________________________________________<o:p></o:p></font></div><p class="MsoNormal"><b><font face="Times" size="2">DISNEY AND CAMERON MACKINTOSH’S
MARY POPPINS <o:p></o:p></font></b></p><p class="MsoNormal"><font face="Times" size="2">Original Music and
Lyrics by Richard M. Sherman and Robert B. Sherman <o:p></o:p></font></p><p class="MsoNormal"><font face="Times" size="2">Book by Julian
Fellowes<br>
New Songs and Additional Music and Lyrics by George Stiles and Anthony Drewe<br>
Co-Created by Cameron Mackintosh <o:p></o:p></font></p><p class="MsoNormal"><font face="Times" size="2">She’s practically perfect in every way!
Get ready for Mary Poppins to fly over the rooftops of London! This family
musical features the delightful songs from the popular Disney film including “A
Spoonful of Sugar,” “Supercalifragilisticexpialidocious” and “Chim Chim
Cher-ee.” Winner of 44 major theatre awards from around the globe, <em>Mary Poppins</em> has captivated audiences for
generations, and now the enchanting story, unforgettable songs and breathtaking
dance numbers will dazzle and delight theatre goers of all ages. Believe in the
magic of <em>Mary Poppins</em> and
discover a world where anything can happen if you let it!<o:p></o:p></font></p><div style="margin: 0in 0in 0.0001pt;"><b><font face="Times" size="2">Rehearsals
begin July 13. All rehearsals
are Monday through Friday 6:30-10:30 and Saturdays 11:00-4:00. Sundays are Days
Off.<o:p></o:p></font></b></div><p><b><font face="Times" size="2">Performances are August 7, 8, 9, 13, 14, 15, 16, 20,
21, 22.<o:p></o:p></font></b></p><p><b><font face="Times" size="2">All roles are open. <o:p></o:p></font></b></p><p><b><font face="Times" size="2">SEEKING: <o:p></o:p></font></b></p><div style="margin: 0in 0in 0.0001pt;"><font face="Times" size="2"><br>
NOTE: All cast members must have British dialects of various regional and class
locales. British dialect not required at auditions, and will be taught to the
cast.<br>
<br>
<b>Mary Poppins</b>: (Female, Plays 20-30)
Jane and Michael Banks's new nanny. She is extraordinary and strange, neat and
tidy, delightfully vain yet very particular, and sometimes a little frightening
but always exciting, with a twinkle in her eye. She is practically perfect in
every way and always means what she says. A mezzo soprano with strong top
notes, she should be able to move well. She can have a more traditional soprano
sound, but precision and diction is the key. Must sing well (Mezzo Soprano, Gb3
- C6) and dance or move very well.<br>
<br>
<b>Bert:</b> (Male, Plays 30-39) The
narrator of the story, and a good friend to Mary Poppins. An everyman, Bert has
many occupations, including hurdy-gurdy player, sidewalk artist, and chimney
sweep. Bert watches over the children as well as the goings on in Cherry Tree
Lane. He has charm, depth, speaks with a Cockney accent, and is a
song-and-dance-man. Must sing well (Baritone, B2 - F#4) and dance well.<br>
<br>
<b>Mr. George Banks:</b> (Male, Plays
40-45) The father to Jane and Michael Banks, is a banker to the very fiber of
his being. Demanding "precision and order" in his household, he is a
pipe-and-slippers man who doesn't have much to do with his children and
believes that he had the perfect upbringing by his nanny, the cruel Miss
Andrew. His emotional armor, however, conceals a sensitive soul. A baritone,
George may speak-sing as necessary. (Vocal Range: A2-F4)<br>
<br>
<b>Mrs. Winifred Banks:</b> (Female, Plays
30-40) George's wife and Jane and Michael's mother. A former actress, she is a
loving and distracted homemaker who is busy trying to live up to her husband's
desire to only associate with "the best people" as well as be a model
wife and mother. She suffers from the conflicting feelings that she's not up to
the job of "being Mrs. Banks," yet, she is, and more. She has a great
warmth and simplicity to her tone. Must sing (Mezzo Soprano: G3-E5).<br>
<br>
<b>Jane Banks:</b> (Female, Plays 11, 4’10”
or shorter) The high-spirited daughter of Mr. and Mrs. Banks, is bright and
precocious but can be willful and inclined to snobbishness. Must sing (Vocal
Range: A3 - E5) and move well. <br>
<br>
<b>Michael Banks:</b> (Male, Plays 9, 4’9”
or shorter) The cute and cheeky son of Mr. and Mrs. Banks. Excitable and
naughty, he adores his father and tries to be like him. Both he and Jane
misbehave in order to get the attention of their parents. Must sing (Vocal
Range: A3 - E5, unbroken voice) and move well. <o:p></o:p></font></div><div style="margin: 0in 0in 0.0001pt;"><font face="Times" size="2"><br>
<b>Mrs. Brill:</b> (Female, Plays 50-60)
The housekeeper and cook for the Banks family. Overworked and harassed, she's
always complaining that the house is understaffed. Her intimidating exterior is
a cover for the warmth underneath. Mrs. Brill doesn't have a high opinion of
nannies in general and Mary Poppins in particular. Must sing. (Vocal Range: F#3
- D#5)<br>
<br>
<b>Robertson Ay:</b> (Male, Plays 20-30)
The houseboy to the Banks family. Lazy, sleepy, and grumbling, he never gets
things right and believes himself to be useless. His "Spoonful" solo
can be a fun surprise. Must sing. (Tenor: B2-A)<br>
<br>
<b>Admiral Boom:</b> (Male, plays 50-60) A
retired Royal Navy man and neighbor of the Banks family. A physically large man
with a loud and booming voice, he speaks in Navy jargon and has a soft spot for
his neighbor, Miss Lark. Any vocal range.<br>
<br>
<b>The Bird Woman:</b> (Female, Plays
50-60) Covered in a patchwork of old shawls, and her pockets are stuffed with
bags of crumbs for the birds. She tries to sell her crumbs for the birds. She
tries to sell her crumbs to passersby, who ignore her as if she doesn't exist.
Sings "Feed the Birds." There can be a gruff, folksy quality to her
voice that reflects the hardness of her life. Must sing (Vocal Range: Gb3 –
Db5).<br>
<br>
<b>Policeman:</b> (Male, Plays 30-50) A
neighborhood fixture who is respected by and observant of the households on his
beat.<br>
<br>
<b>John Northbrook:</b> (Male, Plays 30-50)
An honest businessman seeking a loan to build a factory for his community. He
speaks with an accent from Northern England. Doubles as ensemble.<br>
<br>
<b>Katie Nanna:</b> (Female, Plays 30-40)
Jane and Michael's nanny at the beginning of the show. Overwhelmed and upset,
she has absolutely had her fill of the Banks children. Doubles as ensemble.<br>
<br>
<b>Miss Andrew:</b> (Female, Plays 40-60)
George's overbearing and scary nanny. With her bottle of nasty-tasting
brimstone and treacle to keep naughty children in line, she is a bully who only
knows one way of doing things - her way. A soprano with an alto belt, there can
be some heaviness to her voice along with the range. Doubles as ensemble. Must sing
(Mezzo-Soprano: G#3-A5)<br>
<br>
<b>Miss Lark:</b> (Female, Plays 30-40) The
haughty next-door neighbor of the Banks family who treats her dog, Willoughby,
as if he were her child. Doubles as ensemble.<br>
<br>
<b>Mrs. Smythe:</b> (Female, Plays 40-50)
The Bank Chairman's humorless secretary. Doubles as ensemble.<br>
<br>
<b>Mrs. Corry:</b> (Female) Owns a magical
gingerbread shop. She is a mysterious woman of great age who speaks with a
Caribbean accent (or any accent that would make her seem exotic). Doubles as
ensemble. Must sing (D4-Db5).<br>
<br>
<b>Neleus:</b> (Male, Plays 16-20) The
statue of a young boy posed with a dolphin in the park. Neleus was separated
from his father, Poseidon, and misses him very much. A small and lonely being,
he is very happy to befriend Jane and Michael. Dance specialty, includes ballet
and modern. Doubles as ensemble.<br>
<br>
<b>The Park Keeper:</b> (Male, Plays 40-60)
Uniformed and officious, he makes sure no one breaks park regulations. His life
is defined by rules, but he secretly hankers after his childhood. Doubles as
ensemble.<br>
<br>
<b>Von Hussler:</b> (Male, Plays 30-50) A
businessman seeking a loan from the bank for a shady business deal. He speaks
with a German accent. Doubles as ensemble.<br>
<br>
<b>MALE and FEMALE DANCERS WHO SING </b>(ages
16 and up) and <b>SINGERS WHO MOVE</b> (to
play ages 25 and up) to portray Toys, Dolls, Chimney Sweeps, Parkgoers,
Citizens, Kite Flyers, etc. For DANCERS, tap and musical theatre dance
essential; ballet and modern a plus for some specialty roles.<o:p></o:p></font></div><p class="MsoNormal"><b><font face="Times" size="2">______________________________________________________________________________________<o:p></o:p></font></b></p><p class="MsoNormal"><b><font face="Times" size="2">My Mercury’s PIPPIN<o:p></o:p></font></b></p><p class="MsoNormal"><font face="Times" size="2">Mercury Theatre Company is now
accepting applications for My Mercury’s musical: <b>Pippin</b>! Explore all aspects of the theatre with other teens who
love the stage as much as you do! My Mercury is the arts camp that is more than
a traditional summer camp. <o:p></o:p></font></p><p class="MsoNormal"><font face="Times" size="2">Designed for students 13-19, the
program is a comprehensive, <b>one-week
9:00am-4:00pm intensive July 13 through July 18, 2015</b>, in which students
get a chance to hone their skills in a fast-paced, creative environment. <o:p></o:p></font></p><p class="MsoNormal"><font face="Times" size="2">Each student will not only STAR onstage
in the production, but also will also contribute to the direction,
choreography, set, lighting and costume design of the production. Students will
be assigned a mentor from the Mercury Theatre Company 2015 Staff and will work
as assistants on a specific “behind-the-scenes” area of their interest. <o:p></o:p></font></p><p class="MsoNormal"><font face="Times" size="2">My Mercury is designed to instill in
aspiring thespians a deeper understanding about producing and participating in
a first-class musical with working professionals. Tuition for My Mercury is
$125.00 and space is limited. All interested campers must audition for
placement. Tuition includes one ticket for the teen night of each musical.
Scripts will only be handed out at the first teen night for <b>Ghost</b> (June 18th). Each of the teen
nights will incorporate team building as well as parties. Each teen night will
be a required attendance as well as participation in the South Euclid Memorial
Day Parade. <o:p></o:p></font></p><p class="MsoNormal"><font face="Times" size="2">The tuition cost of $125.00 is
non-refundable and due at the time of auditions.<o:p></o:p></font></p><p class="MsoNormal"><b><font face="Times" size="2">PIPPIN<o:p></o:p></font></b></p><p class="MsoNormal"><font face="Times" size="2">Book by Roger O.
Hirson<o:p></o:p></font></p><p class="MsoNormal"><font face="Times" size="2">Music and Lyrics by
Stephen Schwartz<o:p></o:p></font></p><p class="MsoNormal"><font face="Times" size="2"> </font></p><p class="MsoNormal"><font face="Times" size="2">This hip,
tounge-in-cheek, fairy tale captivated Broadway audiences and continues to
appeal to the young at heart everywhere. The energetic pop-influence score by
three-time Oscar-winning composer/lyricist Stephen Schwartz (<em>Godspell</em>, <em>Wicked</em>, and the animated films <em>Pocahontas</em>, and <em>The
Prince of Egypt</em>) bursts with one showstopping number after another
from soaring ballads to infectious dance numbers.<o:p></o:p></font></p><p class="MsoNormal"><font face="Times" size="2"> </font></p><p class="MsoNormal"><b><font face="Times" size="2">All roles open. <o:p></o:p></font></b></p><p class="MsoNormal"><b><font face="Times" size="2"> </font></b></p><p class="MsoNormal"><b><font face="Times" size="2">SEEKING: <o:p></o:p></font></b></p><p class="MsoNormal"><font face="Times" size="2"> </font></p><p class="MsoNormal"><font face="Times" size="2"><b>Leading Player</b>: dynamic, mysterious, magnetic master
of ceremonies <o:p></o:p></font></p><p class="MsoNormal"><font face="Times" size="2">*WOMEN WILL BE
CONSIDERED FOR THIS ROLE, AS WELL AS MEN* STRONG DANCER AND SINGER <o:p></o:p></font></p><p class="MsoNormal"><font face="Times" size="2"><b>Pippin</b>: Earnest, attractive, stubborn,
misguided son of Charlemagne. Struggles with the burden of his father's identity
while unable to find his own purpose in the world. Wide-eyed and unsatisfied
with life.</font></p><p class="MsoNormal"><font face="Times" size="2"><b>Fastrada</b>: Pippin's conniving stepmother,
dedicated to the career of her son, Lewis</font></p><p class="MsoNormal"><font face="Times" size="2">*STRONG DANCE SKILLS*</font></p><p class="MsoNormal"><font face="Times" size="2"><b>Catherine</b>: an attractive, sharp woman. A widow.</font></p><p class="MsoNormal"><font face="Times" size="2"><b>King Charles Charlemagne</b>: military, imposing, arrogant, not too
bright. Pippin's father, but too preoccupied to pay much attention to him.</font></p><p class="MsoNormal"><font face="Times" size="2"><b>Lewis</b>: Pippin's foppish stepbrother - annoying, egotistical</font></p><p class="MsoNormal"><font face="Times" size="2"><b>Berthe</b>: Pippin's saucy Grandmother <o:p></o:p></font></p><p class="MsoNormal"><font face="Times" size="2"><b>Theo</b>: Catherine's 8-year-old Son</font></p><p class="MsoNormal"><font face="Times" size="2"><b>Band of Players</b>: Each sings, and plays a variety of
roles, places and objects. The show's individual characters emerge from this
"band".</font></p><p class="MsoNormal"><b><span style="font-size:10.0pt;font-family:
Times;mso-bidi-font-family:"Times New Roman""> </span></b></p>
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