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align=center><B style="mso-bidi-font-weight: normal"><SPAN
style="FONT-FAMILY: "><FONT face=Georgia>Shaw Festival’s ‘Mrs Warren’s
Profession’ still provocative </FONT></SPAN></B></P>
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style="FONT-FAMILY: "><FONT face=Georgia></FONT></SPAN> </P>
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style="face: georgia" face=Georgia>Bob Abelman</FONT></SPAN><SPAN
style='FONT-FAMILY: ; COLOR: ; mso-fareast-font-family: "Times New Roman"'></SPAN></P>
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align=center><I style="mso-bidi-font-style: normal"><SPAN
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style="face: georgia" face=Georgia>Cleveland Jewish News, </FONT></SPAN></I><I
style="mso-bidi-font-style: normal"><SPAN
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face=Georgia>The News Herald, The Morning Journal</FONT></SPAN></I><SPAN
style="COLOR: "></SPAN></P>
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align=center><SPAN
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face=Georgia>Member, International Association of Theatre
Critics</FONT></SPAN><SPAN style="COLOR: "></SPAN></P>
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style="COLOR: "></SPAN> </P>
<P class=MsoNormal style="MARGIN: 0in 0in 0pt; LINE-HEIGHT: normal"><SPAN
style="FONT-FAMILY: "><FONT face=Georgia>“Mrs Warren’s Profession,” under Eda
Holmes’ direction, is superb in so many ways that a few demand
discussion.</FONT></SPAN></P>
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style="FONT-FAMILY: "><FONT face=Georgia></FONT></SPAN> </P>
<P class=MsoNormal style="MARGIN: 0in 0in 0pt; LINE-HEIGHT: normal"><FONT
face=Georgia><SPAN style="FONT-FAMILY: ">Bernard Shaw’s play</SPAN><SPAN
style="FONT-FAMILY: ; BACKGROUND-IMAGE: none; BACKGROUND-REPEAT: repeat; BACKGROUND-ATTACHMENT: scroll; BACKGROUND-POSITION: 0% 0%; COLOR: ; mso-bidi-font-family: arial"><FONT
color=#252525> centers on the relationship between Mrs. Kitty Warren
</FONT></SPAN><SPAN style="FONT-FAMILY: ">(Nicole Underhay) and her 22-year-old
daughter Vivie (Jennifer Dzialoszynski), who just completed a degree at
Cambridge and is transitioning to a career as an actuary in London.<SPAN
style="mso-spacerun: yes"> </SPAN></SPAN></FONT></P>
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style="FONT-FAMILY: "><FONT face=Georgia></FONT></SPAN> </P>
<P class=MsoNormal style="MARGIN: 0in 0in 0pt; LINE-HEIGHT: normal"><FONT
face=Georgia><SPAN style="FONT-FAMILY: ">Vivie learns over the course of the
play that her mysteriously single and long estranged mother is a former
prostitute and current brothel owner.<SPAN style="mso-spacerun: yes">
</SPAN>When confronted, Kitty boldly defends her career choice in light of the
</SPAN><SPAN
style="FONT-FAMILY: ; BACKGROUND-IMAGE: none; BACKGROUND-REPEAT: repeat; BACKGROUND-ATTACHMENT: scroll; BACKGROUND-POSITION: 0% 0%; COLOR: ; mso-bidi-font-family: arial"><FONT
color=#252525>limited employment opportunities available to poor women in<SPAN
class=apple-converted-space> Victorian </SPAN>Britain.<SPAN
style="mso-spacerun: yes"> </SPAN>Prostitution, she argues in one of
Shaw’s most commanding monologues, is not a moral issue; it’s an economic
one.<SPAN style="mso-spacerun: yes"> </SPAN></FONT></SPAN><SPAN
style="FONT-FAMILY: ">Vivie </SPAN><SPAN
style="FONT-FAMILY: ; BACKGROUND-IMAGE: none; BACKGROUND-REPEAT: repeat; BACKGROUND-ATTACHMENT: scroll; BACKGROUND-POSITION: 0% 0%; COLOR: ; mso-bidi-font-family: arial"><FONT
color=#252525>calls </FONT></SPAN><SPAN style="FONT-FAMILY: ">her mother
“stronger than all England.” <SPAN
style="mso-spacerun: yes"> </SPAN></SPAN></FONT></P>
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style="FONT-FAMILY: "><FONT face=Georgia></FONT></SPAN> </P>
<P class=MsoNormal style="MARGIN: 0in 0in 0pt; LINE-HEIGHT: normal"><SPAN
style="FONT-FAMILY: "><FONT face=Georgia>But when she learns that her mother
continues to work in this profession, driven by the social standing her wealth
provides, Shaw – through Vivie – offers biting commentary on the hypocritical
state of the Union Jack. </FONT></SPAN></P>
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style="FONT-FAMILY: "><FONT face=Georgia></FONT></SPAN> </P>
<P class=MsoNormal style="MARGIN: 0in 0in 0pt; LINE-HEIGHT: normal"><SPAN
style="FONT-FAMILY: "><FONT face=Georgia>Though Shaw completed the writing of
this play in 1893, it was banned by censors and rejected by at least 12
theatres, two music halls, three hotels and two picture-galleries because of its
focus on – and sanctification of – the oldest profession.<SPAN
style="mso-spacerun: yes"> </SPAN></FONT></SPAN></P>
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style="FONT-FAMILY: "><FONT face=Georgia></FONT></SPAN> </P>
<P class=MsoNormal style="MARGIN: 0in 0in 0pt; LINE-HEIGHT: normal"><SPAN
style="FONT-FAMILY: "><FONT face=Georgia>That is, until 1902, when a private
performance was presented at a small London theater club exempt from <SPAN
style="BACKGROUND-IMAGE: none; BACKGROUND-REPEAT: repeat; BACKGROUND-ATTACHMENT: scroll; BACKGROUND-POSITION: 0% 0%; COLOR: ">The
Lord Chamberlain’s Examiner of Plays</SPAN>. </FONT></SPAN></P>
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style="FONT-FAMILY: "><FONT face=Georgia></FONT></SPAN> </P>
<P class=MsoNormal
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face=Georgia><I style="mso-bidi-font-style: normal"><SPAN
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more of this review, go to </SPAN></I><I
style="mso-bidi-font-style: normal"><SPAN
style="BORDER-TOP: windowtext 1pt; FONT-FAMILY: ; BORDER-RIGHT: windowtext 1pt; BORDER-BOTTOM: windowtext 1pt; COLOR: ; PADDING-BOTTOM: 0in; PADDING-TOP: 0in; PADDING-LEFT: 0in; BORDER-LEFT: windowtext 1pt; PADDING-RIGHT: 0in; mso-bidi-font-family: arial; mso-border-alt: none windowtext 0in"><FONT
color=#0563c1>www.clevelandjewishnews.com/columnists/</FONT></SPAN></I><I
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