<div dir="ltr"><b> CLEVELAND CABARET PROJECT</b> <br> <b>Presents :</b><br><p style="text-align:center"><font size="4"><b><span style="background-color:rgb(255,153,0)"><span style="color:rgb(116,27,71)">MIKE, JIM & BILL DO</span></span> <span style="background-color:rgb(0,0,0)"><span style="color:rgb(243,243,243)">THE</span></span></b><span style="background-color:rgb(0,0,0)"><span style="color:rgb(243,243,243)"> WHITE ALBUM</span></span></font><br></p><div> <div><div><b><span style="background-color:rgb(153,153,153)"><span style="color:rgb(238,238,238)"></span></span></b><b><span style="background-color:rgb(244,204,204)"><span style="color:rgb(102,102,102)"><br></span></span></b><div style="text-align:center"><b><span style="background-color:rgb(244,204,204)"><span style="color:rgb(102,102,102)">THE BROTHERS LOUNGE</span></span></b><br></div></div><div><p style="text-align:center"><b>1609 Detroit Ave.</b><br>Cleveland, OH 44102</p><p style="text-align:center"><b><span style="background-color:rgb(255,229,153)"><span style="color:rgb(166,77,121)">TUESDAY - AUGUST 9th </span></span></b><br></p><p style="text-align:center"><b><span style="color:rgb(224,102,102)"><font size="4">7:30pm Show</font></span></b></p><p style="text-align:center"><font size="4"><b>216-226-2767 - Tickets</b></font></p><p style="text-align:center"><b><span style="color:rgb(255,153,0)">This show WILL sell out!</span></b><br></p><p style="text-align:left"><b>ABOUT THIS ALBUM:</b><br></p><p>In February, 1968, the Beatles travelled to Rishikesh, India, to
study transcendental meditation with Maharishi Mahesh Yogi. Ringo and
his wife left after ten days. Paul McCartney and Jane Asher left after
five weeks. Lennon and Harrison returned sixteen days later. During
their time there, they wrote songs on acoustic guitars and jammed with
Donovan, Mike Love of The Beach Boys and the American jazz flautist,
Paul Horn. They brought back to England 40 new songs.</p><p>On May 30, 1968, work began at Abbey Road Studios on what many consider
their most creative and controversial album or, in this case, double
album. Simply titled, The Beatles, this November, 1968, release soon
became known as The White Album because of its austere, white album
cover. It went on to become The Beatles' largest selling LP.</p><p><font size="4"><b>About These Guys:</b></font></p><p><b>Mike Kearns </b>studied composition and classical guitar at Baldwin-Wallace
with Dr. Loris O. Chobanian. He appears regularly in NE Ohio and
environs with Acoustic Tuma, DePrator/Kearns, and Shadow of Doubt: A Tom
Petty & the Heartbreakers Tribute. Past projects include The
Impostors, Robin Stone Band, Blue Cafe, Iguana Conduct, Fuse Five, Two
of Us, and Detour. He has, also, greatly enjoyed the occasional
excursion into sound design, music direction, cabaret and musical
theater, including onstage rock guitar work in Cameo Theater productions
of Rent (2014) and MacBeth: A Rock Opera (2012).</p><p><b>Jim Wilson</b> has been in the Cleveland music scene for quite some time,
playing in various classic rock bands such as Libido, The Quads, Dark
Horse, Cloud Nine, and The Impostors. Jim currently plays Tom Petty
(lead vocals, rhythm guitar, blue harp) in Shadow of Doubt: A Tom Petty
& the Heartbreakers Tribute.</p><p><b>Bill Hoffman</b> is a Cleveland area
director, producer and writer who loves to sing. He is a co-founder of
The Lantern Theatre, was a staff member of the Cleveland Play House,
1991-2005, and was a co-founder/artistic director of the Westbeth
Theatre Center in NYC. At all three theatres he sang.</p><p><b>ABOUT CLEVELAND CABARET PROJECT:</b></p><p><b>Cleveland Cabaret Project </b>continues their goal to promote awareness and
advancement of Cabaret performance as an art form in and around the
Cleveland area!<br> <br> <b>Founder/Artistic Director:</b></p><p><b>Lora Workman</b>, a graduate from Baldwin-Wallace’s Conservatory of Music, has studied the genr<span class="">e
of cabaret in Italy and New York. She was selected to participate in
the 2007 Cabaret Conference at Yale, where she worked with Tony Nominee
Tovah Feldshuh, Jason Graae, and Julie Wilson. She was a semi-finalist
in the 2003 San Francisco Cabaret Competition, performed at Don’t Tell
Mama’s in NYC and created The Cleveland Cabaret Project with Charles
Eversole. Having worn many theatrical hats throughout the Cleveland and
regional area, she directed and choreographed the critically acclaimed
The Will Rogers Follies at Berea Summer Theatre, which was awarded a
Times Newspaper Tribute for Directing and also directed and produced A
Cabaret Sampler and Miss Gulch Returns!, both premiering to sold out
audiences in Kennedy’s Cabaret at PlayhouseSquare. The Cleveland Cabaret
Project traveled to Cain Park this past summer for a cabaret series.
Lora is probably best known in this area for her choreography and has
worked on shows at Beck Center, Cassidy Theatre, and Huntington Theatre.
In addition, she continues working with The North Coast Men’s Chorus,
having choreographed dance numbers which were featured in the Linda Eder
Concert at Severance Hall and the March 2008 Bernadette Peters concert
which was in The Allen Theatre at PlayhouseSquare. Lora is the
Education/Community Liaison at PlayhouseSquare where she assists over
50,000 students and teachers each year with the Children's Theater
Series School Performances.</span><br> <br> <span class=""></span></p></div></div></div></div>