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style="mso-bidi-font-weight: normal"><SPAN
style="FONT-FAMILY: ; mso-bidi-font-family: arial"><FONT face=Georgia>con-con’s
quirky ‘The Knife is Money’ steps out of the shadows </FONT></SPAN></B></P>
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face=Georgia></FONT></SPAN></B> </P>
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face=Georgia>Bob Abelman</FONT></SPAN><SPAN
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face=Georgia>Cleveland Jewish News, The News Herald, The Morning
Journal</FONT></SPAN></I><SPAN
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face=Georgia>Member, International Association of Theatre
Critics</FONT></SPAN><SPAN
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<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN
style="FONT-FAMILY: ; mso-bidi-font-family: arial"><FONT face=Georgia>Hardboiled
guys lurking in dark places and spouting edgy one-liners while being betrayed by
predatory women. </FONT></SPAN></P>
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face=Georgia></FONT></SPAN> </P>
<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><SPAN
style="FONT-FAMILY: ; mso-bidi-font-family: arial"><FONT face=Georgia>These and
a catchy title are just a few of the standard noir mystery thriller tropes
employed by local playwright Jonathan Wilhelm in his “The Knife is Money, The
Fork is Love.” <SPAN style="mso-spacerun: yes"> </SPAN>It is getting a
wonderful world premiere production at convergence-continuum.<SPAN
style="mso-spacerun: yes"> </SPAN></FONT></SPAN></P>
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style="FONT-FAMILY: ; mso-bidi-font-family: arial"><FONT
face=Georgia></FONT></SPAN> </P>
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face=Georgia><I style="mso-bidi-font-style: normal"><SPAN
style='BORDER-TOP: windowtext 1pt; FONT-FAMILY: ; BORDER-RIGHT: windowtext 1pt; BORDER-BOTTOM: windowtext 1pt; COLOR: ; PADDING-BOTTOM: 0in; PADDING-TOP: 0in; PADDING-LEFT: 0in; BORDER-LEFT: windowtext 1pt; PADDING-RIGHT: 0in; mso-bidi-font-family: arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: en-us; mso-border-alt: none windowtext 0in'>For
more of this review, go to </SPAN></I><I
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color=#0000ff>www.clevelandjewishnews.com/columnists/</FONT></SPAN></I><I
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