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<p style="margin:0in;margin-bottom:.0001pt"><span style="font-size:12.0pt;color:black">Coach House Theatre in Akron will hold auditions for its 90th Season finale Moonlight and Magnolias by Ron Hutchinson on Sunday April 22 @ 6:00 pm and Monday April 23 @7:00.
No appointment necessary. Please arrive at start of auditions (if you need to arrange a time contact ccapocci@akronwomanscityclub.com) <o:p></o:p></span></p>
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<span style="font-size:12.0pt;color:black">Rehearsals begin April 25th<o:p></o:p></span></p>
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<span style="font-size:12.0pt;color:black">Performances-May 24-June 10 (Thurs-Sat 7:30 and Sun 2:00)<o:p></o:p></span></p>
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<span style="font-size:12.0pt;color:black;background:yellow">Please have ALL conflict dates at auditions.</span><span style="font-size:12.0pt;color:black"><o:p></o:p></span></p>
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<span style="font-size:12.0pt;color:black;background:white">Cast Breakdown:</span><span style="font-size:12.0pt;color:black"><o:p></o:p></span></p>
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<span style="font-size:12.0pt;color:black">David O. Selznick- producer of Gone with the Wind<o:p></o:p></span></p>
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<span style="font-size:12.0pt;color:black">Ben Hecht- famed Hollywood screenwriter<o:p></o:p></span></p>
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<span style="font-size:12.0pt;color:black">Victor Fleming- director of The Wizard of OZ<o:p></o:p></span></p>
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<span style="font-size:12.0pt;color:black">Miss Poppenguhl- secretary to David O. Selznick<o:p></o:p></span></p>
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<span style="font-size:12.0pt;color:black">Non traditional casting and age flexibility (over age 21) are being considered at this time. All are encouraged to audition. <o:p></o:p></span></p>
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<span style="font-size:12.0pt;color:black">Synopsis:<o:p></o:p></span></p>
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<span style="font-size:12.0pt;color:black">Legendary Hollywood producer David O. Selznick has a problem. He has just fired the director of
<em><span style="font-family:"Calibri",sans-serif">Gone with the Wind</span></em> and the script is on its umpteenth version. He desperately needs a new director and writer—immediately. However, the writer he wants, Ben Hecht, has never read the novel. Selznick
gives him a brief synopsis of the story and offers him $15,000 to write a revised screenplay by the end of the week.<o:p></o:p></span></p>
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<span style="font-size:12.0pt;color:black">Selznick also calls in director Victor Fleming, pulling him from finishing
<em><span style="font-family:"Calibri",sans-serif">The Wizard of Oz</span></em> to be the new director of
<em><span style="font-family:"Calibri",sans-serif">Gone with the Wind</span></em>. Hecht is still not sold on the success of the storyline, but Selznick believes in this movie, so much so that he locks the three of them in his office for five days, with bananas
and peanuts as their only food, to pull together a new script.<o:p></o:p></span></p>
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<span style="font-size:12.0pt;color:black">Work begins. Selznick and Fleming attempt to act out all the characters in the novel while Hecht types. Early in the week, Hecht and Fleming constantly clash. By day three, fatigue, hunger and sarcasm prevail. Tempers
flare. There’s even an attempt to escape from the office—if only for just a shower and a meal.<o:p></o:p></span></p>
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<span style="font-size:12.0pt;color:black">By the end of the week, Selznick asks, “Is there anything wrong with getting the job done, no matter what it takes?” Completing this job may take everything these men have to give! Take a fun, farcical look at the
behind-the-scene birth of one of the most beloved films of all time.<o:p></o:p></span></p>
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