BOTTOM LINE: Despite a good effort by the talented Cleveland Play House team, it’s not enough to smooth over distracting dramatic elements inherent in the play itself. Pipeline tries to cover too many important social topics — public and private education, divorce, single parents, social reform — all at once. It takes a village to make a mess? I don’t think that’s what the playwright had in mind, but that seems to be what she shows us. Morisseau, a MacArthur Foundation Genius Grant awardee for 2018, offers 90 minutes of pain about marriage, schools, responsibility and assumptions. For the full review see below at CoolCleveland.com 
https://coolcleveland.com/2019/10/theater-review-pipeline-cleveland-play-house-by-laura-kennelly/