AUDITIONS

Aurora Community Theatre’s Production of

 INTO THE WOODS

Music and Lyrics by Stephen Sondheim
Book by James Lapine
 
Directed and Staged by Marc C. Howard
Musical Direction by D. Keith Stiver
Produced by Marianne Paul
Stage Managed by Ann Nyenhuis 

Set Design by Wes Shofner

 

Auditions

 

·        When:  Sunday March 13th & Monday March 14th , 2016 @ 7 pm

 

·        Where:  Aurora Community Theatre, 115 E. Pioneer Trail, Aurora, OH 44202

 

·        What to Prepare: Initial auditions will consist of singing only. No appointment necessary.

Please bring with you the following:

o   A resume and current headshot

o   Sheet music in your key. 32 bars of a song not from the show. (preferably not in a book, and prepared for an accompanist). No acappella singing.   

o   Your conflicts from April 17th to July 1st , 2016

 

Callbacks (by invitation only)

 

·        When:  Sunday March 20th & Monday March 21st , 2016 @ 7 pm

 

·        Where:  Aurora Community Theatre, 115 E. Pioneer Trail, Aurora, OH 44202

 

·        What to Prepare: You will be given material before the callback dates. **

 

** PLEASE NOTE**   If invited for a callback, you MUST be able attend both callback dates

from 7-9 pm to be considered for a role in this production.

 

Rehearsals

 

Rehearsals (4-5 per week, days determined after casting) will commence on April 17th, 2016

 

Performances (6 with the possibility of additional if warranted)

 

            Friday & Saturday evenings @ 8 pm

            July 1st to July 16th 2016

 

Casting Requirements - (character ages listed)

 

 

 

 

FEMALE ROLES:

 

·        Baker’s Wife - 20-45 - Mezzo: G3/F5 - Determined and bright. Romantic at heart, but materialistic at times. Plenty of good solos. Strong actor/singer.

 

·        Witch - 20-50 - Mezzo or Soprano: F3/F5 - Outwardly: self-serving, possessive, sarcastic, vain, charismatic. Inwardly: insecure & lonely. Strong actor/singer.

 

·        Cinderella - 20-35 - Soprano: G3/G5 - Earnest, pretty, warm-hearted, kind, trying to find her place in the world. Survivor. Strong actor/singer.

 

·        Little Red Riding Hood - 14-20 - Bright belter: B3/F5 - Spoiled, clever, vain, and sarcastic. Seeks approval in place of love, of which she is profoundly lacking. Fun character.

 

·        Rapunzel - 20-35 - Soprano: A3/A#5 - Loopy-but-lovely maiden, completely innocent of worldly matters. Needs strong vocal control in legit soprano range/style.

 

·        Jack’s Mother - 40-50 - Soprano: B3/F#5 - Single mother, a fighter, working hard and doing her best to make good life for her hapless son. Good mid-range needed. Strong willed mature female desired.

 

·        Cinderella’s Stepmother - 40-50 Mezzo: A#3 - F5 Mean-spirited, greedy, demanding. Superb character part.

 

·        Lucinda - 20-35 - Mezzo: C4/E5 - Cinderella’s stepsister, lovely but black of heart. Loud, energetic. Good character role.

 

·        Florinda -20-35 - Mezzo: C4/E5 - Cinderella’s stepsister, lovely but black of heart. Loud, energetic. Good character role.

 

·        Cinderella’s Mother - 40-50 Soprano: G3/ Ab5 - Nurturing, loving. The spirit of the departed mother dispenses useful advice. Must have strong legit singing voice. (May double w/other role)

 

·        Granny - 50-65 - Vocal Open - Red Riding Hood’s feisty, bitter, vindictive grandmother, good comic timing. No solo singing, (May double w/other role)

 

·        Snow White - 20-30 - Vocal Open - Cameo role, no solo singing, only in ensemble. (May double w/other minor role)

·        Sleeping Beauty -20-30 - Vocal Open - Cameo role, no solo singing, (May double w/other role)

 

·        Giant - 40-65 - Vocal Open - Female: loud, angry, offstage voice only. No singing. (May double w/other role)

 

MALE ROLES:

 

·        Baker - 20-45 - Baritone: A2/G4 - Average “every working man”, warm hearted, determined but insecure, has never faced his fears. Loads of singing! Strong actor/singer.

 

·        Jack - 14-20 - Tenor: A2/A5 - The feckless giant killer. Eager to please, genuine/sincere, impulsive, a little slow of learning and misled by his lack of self-knowledge. High overall singing range requires lovely lyric tenor quality.

 

·        Cinderella’s Prince - 25-35 - Baritone: Bb2/Gb4 - Vain, gorgeous, self-dramatizing and endlessly confident. Womanizer: “I was raised to be charming, not sincere.” Very legit baritone quality. (Can be selected to double as the Wolf.)

 

·        Rapunzel’s Prince - 20-30 - Baritone: C#3/Gb4 - Younger brother of the above, and also of the same flawed character. Striving to beat his brother. Very legit baritone quality.

 

·        Wolf - 25-40 - Baritone: B2/Gb4 - Hungry, insatiable, seductive. Great comedic role…only two scenes but he could easily steal both! Must be strong singer/character actor.

 

·        Mysterious Man - 40-60 - Baritone: G3/E4 - Mischievous vagrant with a secret. Mostly an acting role, but with one big musical number. Best if he is older. (Can be selected to double as Narrator)

 

·        Narrator - 40-65 - Baritone: G3/Eb4 - Intellectual, pleasant. Good storyteller who relates directly to the audience. Mainly spoken role with some singing lines.

 

·        Steward - 30-40 - Vocal Open - Surly, bureaucratic, full of self-importance. No solo singing, only ensemble. Plenty of good lines.

 

·        Cinderella’s Father - 40-50 - Vocal Open - Ineffectual, out of touch with family, but harmless and well-meaning.

 

MALE or FEMALE:

 

·        Milky White - Any Age - Silky white cow. Flexibility and physical movement a requirement.

·        Possibility  of Additional Fairy Tale Characters

 

 

For further information or questions, please contact the director at marc.c.howard@gmail.com

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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