We are Simply a Community
of Like-minded Artists
The Manhattan Project would like to dispel the vicious rumors that we are a cult that brainwashes our members into worshiping a divinely appointed leader. We are in fact a community of like-minded artists who meditate together, read and interpret the writings of our founder Zed Warren Zed, and pledge our finances, minds, and bodies towards achieving immortality for Master Zed.
To combat these aspersions, we are creating a series of 10-minute plays all about how The Manhattan Project is Totally, Obviously, Certainly NOT a cult!
We've drawn from the inner sanctum and are pleased to announce the following playwrights are writing for us:- Prelate of the Magisterium Kevin Latimer
- Mistress of Corporeal Punishment Rachel Baird
- Right Hand of the Left Hand of Darkness Evan Zuzik
We need willing acolytes, we mean ACTORS, to join us--it's completely chill and no one will be forced into participating in a mass wedding if they don't want to participate in the mass wedding--and perform in these awesome and terrible plays by our awesome and terrible playwrights!
Our Meet & Greet is Monday, June 11 at 8:00pm at Mahall's 20 Lanes in Lakewood.
Performance will be Monday, July 9!
What exactly is The Manhattan Project - Cleveland Lab?
The Manhattan Project is a low-stakes, nonthreatening place for actors and playwrights to meet and work together.
Based on the Theatre Lab model taught at the Carnegie Mellon School of Drama and inspired by The Brooklyn Generator in New York, The Manhattan Project wants to introduce Cleveland actors and playwrights to each other by organizing a bi-monthly production of brand new 10-minute plays.
Participating artists will meet early in the month and will be broken into teams, each with one playwright. The playwright will then be given a writing prompt to write a new 10-minute play based on the prompt and including all the team's actors. The rest of the evening the team members will get to know each other and get a feel for each other's skills and voices.
The teams will reconvene later in the month to perform these plays for each other.
These 10-minute plays are not an end in themselves. Through these small collaborations we hope to build relationships between the two most vulnerable artists in theatre; the actors who put themselves on stage and the playwrights who pour themselves onto the page. Perhaps these 10-minute plays will grow into longer works or maybe these collaborations will become partnerships on larger projects.
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