Hello, Again, Arts Supporters . . . Please note the corrected spelling of Natalie Camunas last name.Take a Look and Enjoy!Natalie Camunas & Greyson DeJesus   https://youtu.be/QmLOWG0JVpA     featured inCPH's "Native Gardens"on"Wake Up And Live With The Arts"  Natalie Camunas & Greyson DeJesus in "Native Gardens"https://youtu.be/QmLOWG0JVpA   This WU&Lw/Arts" interview, with Natalie Camunas and Greyson DeJesus, at CPH, tells about the trials and tribulations Tania (Natalie Camunus) and Pablo Greyson DeJesus) endure, after they move next door to some very "interesting" neighbors Frank and Virginia Butley (Wynn Harmon & Charlotte Maier) , who are especially proud of their  beautiful "Native Gardens." The play has a definite Latino slant,which adds to the various dimensions of the story.  Sue Johnson, Host gives a "Shout-out" to Robert Barry Fleming, Director, who is moving to the Actors Theatre, Louisville, KY, after directing "Native Gardens," a comedy with multi-layered with values, beliefs, and humor, his last CPH production.                                                                        Get Your tickets, now! "Native Gardens closes May 19th. Thanks to Kristen Netzband, Manager Public Relations and Audience Development, CPH, who supports "Wake Up And Live With the Arts" YouTube show, which is designed to help keep the arts alive and inspire individuals to attend Cleveland Playhouse' s fine shows, academic, community outreach and artistic programs and special events   Thanks . . .Sue Johnson, SAG/AFTRADirector, Wake Up And Live's Actors' StudioProducer, "Wake Up And Live With the Arts"wakeupandlives@gmail,comwww.wakeupandlives.com                                                           . . . . . . . |                                                                                           Save the Date, Cleveland! | “Black and Blue Rhapsody” A voiceover promo about our WUAL production                                                              https://youtu.be/eCV9JfAd2Mw                                                                                                                                         . . . . . . . .