[NEOPAL]Acclaimed Oboist Alex Klein Joins Oberlin Chamber Orchestra for Severance Hall Concert
Marci Janas
Marci.Janas at oberlin.edu
Mon Apr 3 12:49:06 PDT 2006
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Media Contact Only:
Marci Janas, Director of Conservatory Media Relations
(440) 775-8328 (office); (440) 667-2724 (cell); marci.janas at oberlin.edu
FOR IMMEDIATE RELEASE:
Acclaimed Oboist and Oberlin Graduate Alex Klein Joins the Oberlin=20
Chamber Orchestra for Concert and Live Broadcast in Severance Hall
Conductor Bridget Reischl Makes Her Severance Hall Debut in Performance=20=
Dedicated to the Memory of James B. Caldwell, Beloved Professor of Oboe
OBERLIN and CLEVELAND, OHIO (April 3, 2006) =97 Acclaimed soloist Alex=20=
Klein =9287, former principal oboe of the Chicago Symphony Orchestra,=20
joins the Oberlin Chamber Orchestra for a concert at Cleveland=92s=20
Severance Hall, Tuesday, April 18, at 8 p.m. Music Director of the=20
Oberlin Orchestras Bridget-Michaele Reischl makes her Severance Hall=20
debut with this one-time-only performance, conducting the ensemble in=20
Michael Gandolfi=92s Impressions from =91The Garden of Cosmic =
Speculation,=92=20
Richard Strauss=92s Concerto for Oboe and Small Orchestra in D-Major, =
and=20
Ludwig van Beethoven=92s Symphony No. 7 in A Major, Op. 92. The=20
performance will be broadcast live on 104.9 FM-WCLV, Cleveland=92s=20
classical station, and simulcast on www.wclv.com. Severance Hall is=20
located at 11001 Euclid Avenue, Cleveland, Ohio.
The concert is dedicated to the memory of the late James B. =
Caldwell,=20
beloved professor of oboe at the Conservatory for nearly 35 years and a=20=
historical performance pioneer. With his wife, cellist and Cleveland=20
Orchestra member Catharina Meints (also a member of the Oberlin=20
faculty), Caldwell founded the Oberlin Baroque Performance Institute,=20
the first summer institute in the United States dedicated to the study=20=
and performance of music performed on period instruments. Caldwell, who=20=
died in February, trained many of the profession=92s leading oboists,=20
among them Alex Klein.
Alex Klein
Alex Klein studied at the Oberlin Conservatory of Music with Professor=20=
of Oboe James B. Caldwell, earning a bachelor of music degree in oboe=20
performance in 1987 and an artist diploma in 1989. Klein began his=20
musical studies in his native Brazil at the age of nine, and made his=20
solo orchestral debut the following year. At age 11, he was invited to=20=
join the Camerata Antiqua, one of Brazil=92s foremost chamber ensembles.=20=
During his teenage years, he toured and performed as a soloist,=20
recitalist, and as a member of several professional orchestras in=20
Brazil.
He has been awarded numerous international prizes, including =
first=20
prize in the inaugural Lucarelli International Competition for Solo=20
Oboe Players, which was held at Carnegie Hall, and first prize in the=20
1988 International Competition for Musical Performers in Geneva,=20
Switzerland, in which he was the only oboist to win first prize since=20
Heinz Holliger three decades earlier.
Klein was principal oboe of the Chicago Symphony from 1995 until =
2004,=20
when focal dystonia, a neurological disorder causing involuntary muscle=20=
contractions, forced him to retire from the rigors of an orchestral=20
performance schedule. Klein, who has performed as soloist with the=20
Chicago Symphony, the Philadelphia Orchestra, Orchestre de la Suisse=20
Romande, and Chicago Sinfonietta, now fills his days conducting,=20
playing solo concertos, and directing the Officina de Musica Festival=20
in Curitiba, Brazil, as well as other sociocultural music festivals=20
around the world. His Telarc recording of the Strauss Oboe Concerto=20
with the Chicago Symphony and Daniel Barenboim won the 2002 Grammy=20
Award for Best Instrumental Soloist with Orchestra. Klein also has=20
recorded for Boston Records, Newport Classics, Musical Heritage=20
Society, and Cedille Records.
Bridget-Michaele Reischl
Since becoming the first American to win Italy=92s Antonio Pedrotti=20
International Conducting Competition in 1995, Bridget-Michaele Reischl=20=
has been an active guest conductor throughout the United States and=20
internationally. Some of her recent engagements include those with the=20=
Atlanta Symphony Orchestra, the Brooklyn Philharmonic, the Milwaukee=20
Symphony Orchestra, and the Dayton Philharmonic as well as numerous=20
orchestras throughout Italy and Greece. Besides being music director of=20=
the Oberlin Orchestras and a member of Oberlin=92s conducting faculty=20
(she recently conducted the Oberlin Orchestra during a whirlwind tour=20
of China), Reischl is music director of the Green Bay Symphony=20
Orchestra in Green Bay, Wisconsin, a position she has held since 2001.=20=
=46rom 1992 to 2004, she was music director of the Lawrence Symphony=20
Orchestra and associate professor of conducting at the Lawrence=20
University Conservatory of Music in Appleton, Wisconsin. She is a=20
graduate of the Eastman School of Music. As a student of Robert Spano=20
=9283, she continued her studies as a conducting fellow at both the =
Aspen=20
and the Tanglewood music festivals, where she worked with Seiji Ozawa,=20=
Murray Sidlin, and David Zinman =9258. She is recorded on the Velut =
Luna,=20
CRI, and Sea Breeze Record Company labels.
Michael Gandolfi
Composer Michael Gandolfi is the recipient of numerous awards,=20
including grants from the Fromm, Guggenheim, and Koussevitzky Music=20
foundations and the American Academy of Arts and Letters. Among the=20
leading ensembles to perform his works are the Boston, San Francisco,=20
and BBC symphony orchestras, the Tanglewood Music Center Orchestra, and=20=
the Orpheus, Saint Paul, and Los Angeles chamber orchestras. The=20
Tanglewood Music Center Orchestra, conducted by Robert Spano =9283,=20
premiered Impressions from =91The Garden of Cosmic Speculation=92 in =
August=20
2005 and was subsequently performed by the Boston Symphony Orchestra=20
under the baton of another Oberlin graduate, David Zinman =9258.
The Oberlin Conservatory of Music and the Cleveland Orchestra
This, the Oberlin ensemble=92s third annual performance in Severance=20
Hall, is part of an ongoing collaboration between the Cleveland=20
Orchestra and the Oberlin Conservatory of Music that builds upon a core=20=
element of Oberlin=92s mission: professional training and contact with=20=
one of the world=92s great orchestras is seminal to a formal music=20
education.
=93The Oberlin Conservatory of Music is pleased to provide this =
concert=20
for the people of Cleveland and Northern Ohio, continuing our=20
relationship with the Cleveland Orchestra, and giving our students the=20=
opportunity to perform in one of the world=92s great music halls,=94 =
says=20
Dean of the Conservatory David H. Stull. =93We are honored to dedicate=20=
this performance to the late James B. Caldwell, a beloved professor of=20=
oboe at Oberlin for 35 years, and a respected and admired pioneer in=20
the performance and study of early music.=94
On the collaboration between the two institutions, Cleveland =
Orchestra=20
Executive Director Gary Hanson says: =93We are pleased to share our=20
Severance Hall stage with the Oberlin Chamber Orchestra, and we welcome=20=
these talented young people to Cleveland.=A0The Cleveland Orchestra has=20=
long enjoyed an association with Oberlin College and because of Franz=20
Welser-M=F6st=92s commitment to education, our relationship with this =
fine=20
conservatory has been invigorated.=94
Welser-M=F6st, music director of the Cleveland Orchestra, has =
involved=20
Oberlin students in many performance and rehearsal opportunities,=20
beginning in 2003, when he took the Oberlin Orchestra through a=20
rehearsal of Beethoven=92s Leonore Overture. Since then, many students=20=
and recent graduates of the Conservatory=92s vocal studies program have=20=
performed with the Cleveland Orchestra. In May 2005, five Conservatory=20=
students sang with the orchestra under the baton of Pierre Boulez; one=20=
of them, bass Dashon Burton =9205, was chosen to replace an indisposed=20=
professional singer in the role of the Chamberlain in Stravinsky=92s Le=20=
Rossignol. Baritone Todd Boyce performed in Stravinsky=92s Requiem=20
Canticles, Welser-M=F6st conducting, in September 2005, and, in January,=20=
Natasha Uspensky =9205 and mezzo soprano Katherine Leemhuis =9205 sang =
in=20
the concert version of Goethe=92s Faust, also under the baton of=20
Welser-M=F6st.
These collaborations are the latest entries in the long history =
shared=20
by Oberlin and the Cleveland Orchestra. The first dates back to 1919,=20
when the fledgling ensemble (among whose founders was John Long=20
Severance, an 1885 graduate of the Oberlin Conservatory of Music) first=20=
performed at Oberlin as part of the College=92s Artist Recital Series.=20=
The orchestra has been a part of the subscription series every year=20
since; its Finney Chapel performance on April 30 will be its 204th.
Ten years after the Cleveland Orchestra=92s founding, Severance,=20=
president of the Cleveland Musical Arts Association, gave the city of=20
Cleveland $1.5 million to build a concert hall for the orchestra, a=20
gift he increased to $2.5 million in 1930 in memory of his wife=20
Elizabeth, who died the year before.
Broadcast and Ticket Information
Media sponsorship for this concert is provided by 104.9 FM =96 WCLV,=20
Cleveland=92s classical music radio station. The live WCLV broadcast is=20=
made possible by the sponsorship of the Riverside Company, a leading=20
private equity firm specializing in premier companies.
Tickets are $5 for the general public and free for those with an=20=
Oberlin College I.D. (students, faculty, staff, alumni, and parents).=20
Seating is general admission. To order, please call the Severance Hall=20=
Box Office at
216-231-1111 or 800-686-1141. Severance Hall is located at 11001 Euclid=20=
Avenue, Cleveland, Ohio. For additional information please visit=20
www.oberlin.edu.
The Conservatory dean=92s office is making available free bus=20
transportation, on a first-come, first-serve basis, for members of the=20=
Oberlin community who wish to attend the concert. Those wishing to ride=20=
the bus to Severance Hall should do the following:
1. Call the Severance Hall Box Office (216-231-1111 or =
800-686-1141)
to reserve a ticket for the concert;
2. Reserve bus seats in advance by calling or e-mailing James Kalyn =
at
440-775-8914 or james.kalyn at oberlin.edu; and
3. Report to the Oberlin College Main Library at the Mudd Center=20
parking lot
on East College Street no later than 6:15 p.m. Buses will depart=20=
promptly at 6:30 p.m.
The Oberlin Conservatory of Music, founded in 1865 and situated within=20=
the intellectual vitality of Oberlin College since 1867, is the oldest=20=
continuously operating conservatory in the United States. Called =93a=20
national treasure=94 by the Washington Post, Oberlin is renowned=20
internationally as a professional music school of the highest caliber,=20=
and its alumni have gone on to achieve illustrious careers in all=20
aspects of the serious music world. Numerous Oberlin alumni have=20
attained stature as solo performers, composers, and conductors, among=20
them Jennifer Koh, Steven Isserlis, Denyce Graves, Franco Farina, Lisa=20=
Saffer, George Walker, Christopher Rouse, David Zinman, and Robert=20
Spano. All of the members of the contemporary music ensembles eighth=20
blackbird and the International Contemporary Ensemble (ICE) are Oberlin=20=
graduates, and members of the Mir=F3, Pacifica, Juilliard, and Fry =
Street=20
quartets, among others, include Oberlin alumni, who can also be found=20
in major orchestras and opera companies throughout the world.
For more information about Oberlin, please visit =
www.oberlin.edu.
CALENDAR LISTING
The Oberlin Chamber Orchestra
Bridget-Michaele Reischl, conductor
Alex Klein, oboe
Michael Gandolfi, Impressions from =91The Garden of Cosmic Speculation=92
Richard Strauss, Concerto for Oboe and Small Orchestra in D-Major
Ludwig van Beethoven, Symphony No. 7 in A Major, Op. 92
Tuesday, April 18, 2006, 8 p.m.
Severance Hall
11001 Euclid Avenue
Cleveland, Ohio
Box Office: 216-231-1111 or 800-686-1141
All seats general admission
Tickets:
$5 general public
FREE for Oberlin College I.D.
Further information:
440-775-8328
www.oberlin.edu/con
# # #
Marci Janas
Director of Conservatory Media Relations
Oberlin Conservatory of Music
39 West College Street
Oberlin, OH 44074
www.oberlin.edu/con
(P) 440-775-8328
(F) 440-775-5457
marci.janas at oberlin.edu=
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Content-type: text/enriched; charset=WINDOWS-1252
Content-transfer-encoding: quoted-printable
<fontfamily><param>Helvetica</param>
</fontfamily><flushright><underline>
<x-tad-smaller>Media Contact Only:
</x-tad-smaller></underline><x-tad-smaller>Marci Janas, Director of
Conservatory Media Relations
(440) 775-8328 (office); (440) 667-2724 (cell);
=
</x-tad-smaller><underline><color><param>0000,0000,FFFD</param><x-tad-smal=
ler>marci.janas at oberlin.edu</x-tad-smaller></color></underline>
</flushright><underline>FOR IMMEDIATE RELEASE:
</underline>
<center><bold><bigger>Acclaimed Oboist and Oberlin Graduate Alex Klein
Joins the Oberlin Chamber Orchestra for Concert and Live Broadcast in
Severance Hall
</bigger><italic><smaller>Conductor Bridget Reischl Makes Her
Severance Hall Debut in Performance Dedicated to the Memory of James
B. Caldwell, Beloved Professor of Oboe
</smaller></italic></bold></center><bold><italic><smaller>
</smaller></italic></bold><center><bold><italic><smaller>
</smaller></italic></bold></center>OBERLIN and CLEVELAND, OHIO (April
3, 2006) =97 Acclaimed soloist Alex Klein =9287, former principal oboe =
of
the Chicago Symphony Orchestra, joins the Oberlin Chamber Orchestra
for a concert at Cleveland=92s Severance Hall, Tuesday, April 18, at 8
p.m. Music Director of the Oberlin Orchestras Bridget-Michaele Reischl
makes her Severance Hall debut with this one-time-only performance,
conducting the ensemble in Michael Gandolfi=92s
<italic>Impressions</italic> <italic>from</italic> =91<italic>The Garden
of Cosmic</italic> <italic>Speculation,=92</italic> Richard Strauss=92s
<italic>Concerto for Oboe and Small Orchestra in D-Major</italic>, and
Ludwig van Beethoven=92s <italic>Symphony No. 7 in A Major, Op.
92</italic>. The performance will be broadcast live on 104.9 FM-WCLV,
Cleveland=92s classical station, and simulcast on
=
<underline><color><param>0000,0000,FFFD</param>www.wclv.com</color></under=
line>.
Severance Hall is located at 11001 Euclid Avenue, Cleveland, Ohio.
The concert is dedicated to the memory of the late James B. =
Caldwell,
beloved professor of oboe at the Conservatory for nearly 35 years and
a historical performance pioneer. With his wife, cellist and Cleveland
Orchestra member Catharina Meints (also a member of the Oberlin
faculty), Caldwell founded the Oberlin Baroque Performance Institute,
the first summer institute in the United States dedicated to the study
and performance of music performed on period instruments. Caldwell,
who died in February, trained many of the profession=92s leading
oboists, among them Alex Klein.=20
<bold>Alex Klein
</bold>Alex Klein studied at the Oberlin Conservatory of Music with
Professor of Oboe James B. Caldwell, earning a bachelor of music
degree in oboe performance in 1987 and an artist diploma in 1989.
Klein began his musical studies in his native Brazil at the age of
nine, and made his solo orchestral debut the following year. At age
11, he was invited to join the Camerata Antiqua, one of Brazil=92s
foremost chamber ensembles. During his teenage years, he toured and
performed as a soloist, recitalist, and as a member of several
professional orchestras in Brazil.=20
He has been awarded numerous international prizes, including =
first
prize in the inaugural Lucarelli International Competition for Solo
Oboe Players, which was held at Carnegie Hall, and first prize in the
1988 International Competition for Musical Performers in Geneva,
Switzerland, in which he was the only oboist to win first prize since
Heinz Holliger three decades earlier.=20
Klein was principal oboe of the Chicago Symphony from 1995 until
2004, when focal dystonia, a neurological disorder causing involuntary
muscle contractions, forced him to retire from the rigors of an
orchestral performance schedule. Klein, who has performed as soloist
with the Chicago Symphony, the Philadelphia Orchestra, Orchestre de la
Suisse Romande, and Chicago Sinfonietta, now fills his days
conducting, playing solo concertos, and directing the Officina de
Musica Festival in Curitiba, Brazil, as well as other sociocultural
music festivals around the world. His Telarc recording of the Strauss
<italic>Oboe Concerto</italic> with the Chicago Symphony and Daniel
Barenboim won the 2002 Grammy Award for Best Instrumental Soloist with
Orchestra. Klein also has recorded for Boston Records, Newport
Classics, Musical Heritage Society, and Cedille Records.
<bold>Bridget-Michaele Reischl
</bold>Since becoming the first American to win Italy=92s Antonio
Pedrotti International Conducting Competition in 1995,
Bridget-Michaele Reischl has been an active guest conductor throughout
the United States and internationally. Some of her recent engagements
include those with the Atlanta Symphony Orchestra, the Brooklyn
Philharmonic, the Milwaukee Symphony Orchestra, and the Dayton
Philharmonic as well as numerous orchestras throughout Italy and
Greece. Besides being music director of the Oberlin Orchestras and a
member of Oberlin=92s conducting faculty (she recently conducted the
Oberlin Orchestra during a whirlwind tour of China), Reischl is music
director of the Green Bay Symphony Orchestra in Green Bay, Wisconsin,
a position she has held since 2001. =46rom 1992 to 2004, she was music
director of the Lawrence Symphony Orchestra and associate professor of
conducting at the Lawrence University Conservatory of Music in
Appleton, Wisconsin. She is a graduate of the Eastman School of Music.
As a student of Robert Spano =9283, she continued her studies as a
conducting fellow at both the Aspen and the Tanglewood music
festivals, where she worked with Seiji Ozawa, Murray Sidlin, and David
Zinman =9258. She is recorded on the Velut Luna, CRI, and Sea Breeze
Record Company labels.
<bold>Michael Gandolfi
</bold>Composer Michael Gandolfi is the recipient of numerous awards,
including grants from the Fromm, Guggenheim, and Koussevitzky Music
foundations and the American Academy of Arts and Letters. Among the
leading ensembles to perform his works are the Boston, San Francisco,
and BBC symphony orchestras, the Tanglewood Music Center Orchestra,
and the Orpheus, Saint Paul, and Los Angeles chamber orchestras. The
Tanglewood Music Center Orchestra, conducted by Robert Spano =9283,
premiered <italic>Impressions from =91The Garden of Cosmic
Speculation</italic>=92 in August 2005 and was subsequently performed by
the Boston Symphony Orchestra under the baton of another Oberlin
graduate, David Zinman =9258.
<bold>The Oberlin Conservatory of Music and the Cleveland Orchestra
</bold>This, the Oberlin ensemble=92s third annual performance in
Severance Hall, is part of an ongoing collaboration between the
Cleveland Orchestra and the Oberlin Conservatory of Music that builds
upon a core element of Oberlin=92s mission: professional training and
contact with one of the world=92s great orchestras is seminal to a
formal music education.=20
=93The Oberlin Conservatory of Music is pleased to provide this =
concert
for the people of Cleveland and Northern Ohio, continuing our
relationship with the Cleveland Orchestra, and giving our students the
opportunity to perform in one of the world=92s great music halls,=94 =
says
Dean of the Conservatory David H. Stull. =93We are honored to dedicate
this performance to the late James B. Caldwell, a beloved professor of
oboe at Oberlin for 35 years, and a respected and admired pioneer in
the performance and study of early music.=94=20
On the collaboration between the two institutions, Cleveland
Orchestra Executive Director Gary Hanson says: =93We are pleased to
share our Severance Hall stage with the Oberlin Chamber Orchestra, and
we welcome these talented young people to Cleveland.=A0The Cleveland
Orchestra has long enjoyed an association with Oberlin College and
because of Franz Welser-M=F6st=92s commitment to education, our
relationship with this fine conservatory has been invigorated.=94
Welser-M=F6st, music director of the Cleveland Orchestra, has =
involved
Oberlin students in many performance and rehearsal opportunities,
beginning in 2003, when he took the Oberlin Orchestra through a
rehearsal of Beethoven=92s <italic>Leonore Overture</italic>. Since
then, many students and recent graduates of the Conservatory=92s vocal
studies program have performed with the Cleveland Orchestra. In May
2005, five Conservatory students sang with the orchestra under the
baton of Pierre Boulez; one of them, bass Dashon Burton =9205, was
chosen to replace an indisposed professional singer in the role of the
Chamberlain in Stravinsky=92s <italic>Le</italic> <italic>Rossignol.
</italic>Baritone Todd Boyce performed in Stravinsky=92s <italic>Requiem
Canticles</italic>, Welser-M=F6st conducting, in September 2005, and, in
January, Natasha Uspensky =9205 and mezzo soprano Katherine Leemhuis =9205=
sang in the concert version of Goethe=92s <italic>Faust</italic>, also
under the baton of Welser-M=F6st.
These collaborations are the latest entries in the long history
shared by Oberlin and the Cleveland Orchestra. The first dates back to
1919, when the fledgling ensemble (among whose founders was John Long
Severance, an 1885 graduate of the Oberlin Conservatory of Music)
first performed at Oberlin as part of the College=92s Artist Recital
Series. The orchestra has been a part of the subscription series every
year since; its Finney Chapel performance on April 30 will be its
204th. =20
Ten years after the Cleveland Orchestra=92s founding, Severance,
president of the Cleveland Musical Arts Association, gave the city of
Cleveland $1.5 million to build a concert hall for the orchestra, a
gift he increased to $2.5 million in 1930 in memory of his wife
Elizabeth, who died the year before.
<bold>Broadcast and Ticket Information
</bold>Media sponsorship for this concert is provided by 104.9 FM =96
WCLV, Cleveland=92s classical music radio station. The live WCLV
broadcast is made possible by the sponsorship of the Riverside
Company, a leading private equity firm specializing in premier
companies.
Tickets are $5 for the general public and free for those with an
Oberlin College I.D. (students, faculty, staff, alumni, and parents).
Seating is general admission. To order, please call the Severance Hall
Box Office at=20
216-231-1111 or 800-686-1141. Severance Hall is located at 11001
Euclid Avenue, Cleveland, Ohio. For additional information please
visit =
<underline><color><param>0000,0000,FFFD</param>www.oberlin.edu</color></un=
derline>.
The Conservatory dean=92s office is making available free bus
transportation, on a first-come, first-serve basis, for members of the
Oberlin community who wish to attend the concert. Those wishing to
ride the bus to Severance Hall should do the following:
<bold>1. Call</bold> the <bold>Severance Hall Box Office =
(216-231-1111
or 800-686-1141)</bold>=20
to reserve a ticket for the concert;=20
<bold>2. Reserve</bold> bus seats in advance by calling or =
e-mailing
<bold>James Kalyn at=20
440-775-8914 or
=
<underline><color><param>0000,0000,FFFD</param>james.kalyn at oberlin.edu</co=
lor></underline></bold>;
and
<bold>
3. Report</bold> to the Oberlin College Main Library at the =
<bold>Mudd
Center parking lot</bold>=20
on East College Street <bold>no later than 6:15 p.m.</bold> =
Buses
will depart promptly at 6:30 p.m. =20
<bold>The Oberlin Conservatory of Music</bold>, founded in 1865 and
situated within the intellectual vitality of Oberlin College since
1867, is the oldest continuously operating conservatory in the United
States. Called =93a national treasure=94 by the <italic>Washington
Post</italic>, Oberlin is renowned internationally as a professional
music school of the highest caliber, and its alumni have gone on to
achieve illustrious careers in all aspects of the serious music world.
Numerous Oberlin alumni have attained stature as solo performers,
composers, and conductors, among them Jennifer Koh, Steven Isserlis,
Denyce Graves, Franco Farina, Lisa Saffer, George Walker, Christopher
Rouse, David Zinman, and Robert Spano. All of the members of the
contemporary music ensembles eighth blackbird and the International
Contemporary Ensemble (ICE) are Oberlin graduates, and members of the
Mir=F3, Pacifica, Juilliard, and Fry Street quartets, among others,
include Oberlin alumni, who can also be found in major orchestras and
opera companies throughout the world.
For more information about Oberlin, please visit =
www.oberlin.edu.
<bold>CALENDAR LISTING
The Oberlin Chamber Orchestra
Bridget-Michaele Reischl, <italic>conductor
</italic>Alex Klein, <italic>oboe
</italic>Michael Gandolfi, </bold><italic>Impressions from =91The Garden
of Cosmic Speculation=92
</italic><bold>Richard Strauss, </bold><italic>Concerto for Oboe and
Small Orchestra in D-Major
</italic><bold>Ludwig van Beethoven, </bold><italic>Symphony No. 7 in
A Major, Op. 92
</italic><bold>Tuesday, April 18, 2006, 8 p.m.
Severance Hall
</bold>11001 Euclid Avenue
Cleveland, Ohio
Box Office: 216-231-1111 or 800-686-1141
All seats general admission
Tickets:<bold>
</bold>$5 general public
FREE for Oberlin College I.D.
Further information:
440-775-8328
www.oberlin.edu/con
<bold>
</bold><center># # #
</center>
Marci Janas
Director of Conservatory Media Relations
Oberlin Conservatory of Music
39 West College Street
Oberlin, OH 44074
www.oberlin.edu/con
(P) 440-775-8328
(F) 440-775-5457
marci.janas at oberlin.edu=
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