[NEohioPAL]Oberlin Conservatory of Music Announces New Faculty for 2006-07

[Marci Janas]

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  Media Contact Only:
Marci Janas, Director of Conservatory Media Relations
440-775-8328 (office); 440-667-2724 (cell); marci.janas at oberlin.edu



FOR IMMEDIATE RELEASE:


THE OBERLIN CONSERVATORY OF MUSIC ANNOUNCES FACULTY APPOINTMENTS FOR=20
2006-07

Kendra Colton, Amir Eldan, Alex Klein, Sally Stunkel, and Robert=20
Walters join faculty

OBERLIN, OHIO (August 24, 2006)=97Faculty appointments at the Oberlin=20
Conservatory of Music for the 2006-07 academic year, announced recently=20=

by Dean of the Conservatory David H. Stull, include new members of the=20=

woodwind, string, and voice divisions.
	Alex Klein =9287, AD =9289, former principal oboe of the Chicago =
Symphony=20
Orchestra, joins the woodwind faculty as Artist in Residence and=20
Visiting Professor of Oboe. Robert Walters, a member of the oboe=20
section of the Cleveland Orchestra and that ensemble=92s solo English=20
horn player, also joins the faculty as Visiting Assistant Professor of=20=

Oboe and English Horn. Cellist Amir Eldan joins the string division as=20=

Assistant Professor of Cello, soprano Kendra Colton =9283 is Visiting=20
Assistant Professor of Voice, and Sally Stunkel is Visiting Associate=20
Professor of Opera Theater.
	Oboist Alex Klein studied with the late Professor of Oboe James=20=

Caldwell at the Oberlin Conservatory of Music, earning a bachelor of=20
music degree in 1987 and an artist=92s diploma in 1989. He was principal=20=

oboe of the Chicago Symphony from 1995 to 2004, and in addition to solo=20=

performances with that orchestra, he has been featured with the=20
Philadelphia Orchestra, the Orchestre de la Suisse Romande, and the=20
Chicago Sinfonietta. He won a 2002 Grammy Award with the Chicago=20
Symphony for his Teldec recording of Strauss=92 Oboe Concerto. Klein has=20=

also recorded for Boston Records, Newport Classics, the Musical=20
Heritage Society, and Cedille Records.
	Klein made his solo orchestral debut at the age of 10 in his =
native=20
Brazil. The following year, he was honored with an invitation to join=20
the Camerata Antiqua, one of Brazil=92s foremost chamber ensembles. In=20=

the years to follow he toured and performed extensively as a soloist,=20
recitalist, and as a member of several professional Brazilian=20
orchestras.
	He has been awarded numerous international prizes, including =
first=20
prize in the inaugural Lucarelli International Competition for Solo=20
Oboe Players, which was held at Carnegie Hall, and first prize in the=20
1988 International Competition for Musical Performers in Geneva,=20
Switzerland, in which he was the only oboist to win first prize since=20
Heinz Holliger three decades earlier.
	Besides teaching, Klein conducts, performs solo concertos, =
directs the=20
Officina de Musica Festival in Curitiba, Brazil, and participates in=20
other sociocultural music festivals around the world. Klein was the=20
guest soloist for an Oberlin Chamber Orchestra concert at Cleveland=92s=20=

Severance Hall in April 2006. The concert was dedicated to the memory=20
of his late teacher, James Caldwell, and was conducted by=20
Bridget-Michaele Reischl, Director of the Oberlin Orchestras.
	Robert Walters is currently a member of the oboe section of the=20=

Cleveland Orchestra as the solo English horn player, a distinction he=20
has held since 2004.  He has held the same position with the=20
Metropolitan Opera and Cincinnati Symphony orchestras, and has=20
performed and recorded with the Philadelphia Orchestra. Recently he was=20=

guest soloist with the Chicago Symphony and Orpheus Chamber orchestras,=20=

and this season makes his solo debut with the Cleveland Orchestra at=20
the Blossom Music Center and Severance Hall. Other solo appearances=20
include performances with the Cincinnati, Redlands, and Curtis=20
Institute symphony orchestras, the New York Chamber Soloists, Concerto=20=

Soloists of Philadelphia, and the Beijing Radio Symphony (China).
	Walters has participated in the National Repertory Orchestra, =
the=20
Bard, Blossom, Spoleto, and Marlboro music festivals, and toured as a=20
member of Musicians from Marlboro.  He is currently on the artist=20
faculty of the Aspen and Colorado College music festivals, and has been=20=

Instructor of Oboe at the University of Pennsylvania and at Bard and=20
Haverford colleges.
  	 A graduate of the Curtis Institute of Music and the Columbia=20
University Graduate Writing Division, Walters has studied with Richard=20=

Woodhams, Principal Oboe of the Philadelphia Orchestra, and the late=20
John Mack, former Principal Oboe of the Cleveland Orchestra.
	Cellist Amir Eldan won the Metropolitan Opera Orchestra=92s =
position of=20
Associate Principal Cello when he was just 22 years old, which made him=20=

the orchestra=92s youngest member. He performed with the orchestra for=20=

three years and was subsequently invited by James Levine to perform=20
with the MET Chamber Ensemble in Carnegie Hall.
	Eldan has won concerto competitions at the Cleveland Institute =
of=20
Music, the Aspen Music Festival, and the Juilliard School, and has=20
performed at Alice Tully Hall with the Juilliard Orchestra. An avid=20
chamber musician, Eldan has collaborated with members of the Guarneri=20
and Juilliard string quartets, Richard Goode, Kim Kashkashian, Joseph=20
Silverstein, Midori, and Lynn Harrell.
	Eldan has presented concerts of Bach=92s six cello suites in =
recitals at=20
Bargemusic, Columbia, La Sierra, and Indiana universities, the ENCORE=20
School for Strings Blue Ribbon Series, Windham Chamber Music Festival,=20=

and abroad in Israel. He has also performed in the music festivals of=20
La Jolla, Marlboro, and Ravinia, the International Chamber Music=20
Festival in Giverny, France, and the Open Chamber Music in Prussia=20
Cove, England. He has also participated in the Piatigorsky Seminar for=20=

cellists and the Kronberg Cello Academy in Germany.
	Eldan received his bachelor of music degree cum laude from the=20=

Cleveland Institute of Music, where he won the cello award for=20
achievement and excellence. He is a doctoral degree candidate at the=20
Juilliard School, where he received his master of music degree, and=20
where he served on the faculty as assistant to Joel Krosnick, with whom=20=

he studied. He has also studied with Peter Wiley and Richard Aaron.=20
Eldan has also taught at the Heifetz International Music Institute and=20=

ENCORE School for Strings.
	Soprano Kendra Colton earned a bachelor of music degree from the=20=

Oberlin Conservatory of Music in 1983 and studied with Emeritus=20
Professor of Voice Richard Miller. She has been a soloist with such=20
leading ensembles as the Boston, Pittsburgh, and National symphony=20
orchestras, the Houston and San Francisco symphonies, the Cleveland=20
Orchestra, and the Los Angeles Philharmonic, performing under=20
conductors Bernard Haitink, Sir Neville Marriner, Nicholas McGegan, and=20=

Pinchas Zuckerman, among others.
	Particularly sought after for baroque and classical repertoire, =
Colton=20
sings nearly all the passions, masses, and cantatas of Bach; Mozart=20
concert arias and masses; Haydn masses and oratorios; and Handel=20
oratorios. She performs regularly with modern and period instrument=20
orchestras including the Handel and Haydn Society, the Washington Bach=20=

Consort, Music of the Baroque, Santa Fe Pro Musica, and many others.
	Colton is also a proponent of new music, performing and =
commissioning=20
new or seldom-heard repertoire of the past 50 years. She was soloist in=20=

the world-premier performances and recordings of Tomiko Kohjiba=92s=20
Transmigration of the Soul, and in 2002 performed the title role in the=20=

Chandos release of Lukas Foss=92 Griffelkin with the Boston Modern=20
Orchestra Project conducted by Gil Rose. Colton commissioned Andy=20
Vores=92 Uncertainty is Beautiful for soprano and orchestra, premiering=20=

the work with the Boston Modern Orchestra Project in 2004. In addition=20=

to the Foss and Kohjiba recordings, Colton can be heard on two solo=20
CDs=97Le Charme, a collection of French art songs, and He Brought Me=20
Roses, 25 lieder by Joseph Marx. She has also recorded the St. John=20
Passion and Cantata BWV 133 for Koch International Records with=20
Emmanuel Music, with whom she performs regularly in recitals,=20
oratorios, and their weekly cantata series.
	Operatic engagements for Colton have included Mozart=92s Il Re =
Pastore=20
(Aminta) for Boston Lyric Opera; Handel=92s Tolomeo (Seleuce) at the=20
International Handel Festival in G=F6ttingen, Germany; Mozart=92s =
Marriage=20
of Figaro (Cherubino); and the complete Monteverdi cycle (supporting=20
roles), all for Skylight Opera. Festival engagements have taken her=20
across North America with orchestral and recital appearances at=20
Tanglewood, the Casals Festival, Banff, Harbison=92s Token Creek=20
Festival, and concerts in Chicago at Ravinia-Stean=92s Institute, among=20=

others. She appears annually at the Carmel Bach Festival under the=20
direction of Bruno Weil.
	Colton earned master of music degrees in voice and in piano at =
the=20
University of Cincinnati. She also studied at the Konservatorium und=20
Musik Hochschule in Z=FCrich, and the Hochschule f=FCr Musik in Vienna.
	Sally Stunkel has directed for the Sacramento Opera, Tulsa =
Opera,=20
Opera Theater of St. Louis, Skylight Opera, the Aspen Music Festival,=20
Kentucky Opera, and Four Corners Opera, and has more than 80=20
productions to her credit as a director. As a former opera singer, she=20=

has sung with the Colorado Springs Opera, Skylight Opera, and Baltimore=20=

Opera. With more than 15 years in dance training, she has also=20
choreographed various operas.
	Stunkel earned a master of fine arts degree in theater directing =
and=20
an artist diploma in opera directing at the Cincinnati Conservatory of=20=

Music, where she received the National Opera Association=92s (NOA) award=20=

for best opera for her productions of The Consul and Postcard from=20
Morocco. Her bachelor of arts degree is from Hofstra University.
	She has headed the opera programs at the former St. Louis =
Conservatory=20
of Music, the University of Tennessee, the University of the Pacific in=20=

California, and the University of Iowa, where she won first place for=20
her Marriage of Figaro from the NOA. She has taught and directed with=20
the apprentice programs at the Des Moines Opera, Chautauqua Opera, the=20=

Banff Center in Alberta, Canada, and the Aspen Music Festival. Stunkel=20=

recently premiered her new English language version of Mozart=92s The=20
Magic Flute at the University of Kentucky, where she received an Emmy=20
Award nomination for her staging of Toast and Tribute to Opera=20
(television). In her previous work with Oberlin, she received an Award=20=

of Achievement nomination from Northern Ohio Live magazine in the=20
classical music category for her directing of Dialogues of the=20
Carmelites.
	The Oberlin Conservatory of Music, founded in 1865 and situated =
amid=20
the intellectual vitality of Oberlin College since 1867, is the oldest=20=

continuously operating conservatory in the United States. Renowned=20
internationally as a professional music school of the highest caliber=20
and pronounced a =93national treasure=94 by the Washington Post, =
Oberlin=92s=20
alumni have gone on to achieve illustrious careers in all aspects of=20
the serious music world. Many of them have attained stature as solo=20
performers, composers, and conductors, among them Jennifer Koh, Steven=20=

Isserlis, Denyce Graves, Franco Farina, Lisa Saffer, George Walker,=20
Christopher Rouse, David Zinman, and Robert Spano. All of the members=20
of the contemporary music ensembles eighth blackbird and the=20
International Contemporary Ensemble (ICE) are Oberlin graduates, and=20
members of the Mir=F3, Pacifica, Juilliard, and Fry Street quartets,=20
among others, include Oberlin alumni, who also can be found in major=20
orchestras and opera companies throughout the world.

# # #



	Media Contact Only:
Marci Janas, Director of Conservatory Media Relations
440-775-8328 (office); 440-667-2724 (cell); marci.janas at oberlin.edu


Marci Janas
Director of Conservatory Media Relations
Oberlin Conservatory of Music
39 West College Street
Oberlin, OH  44074
www.oberlin.edu/con
(P) 440-775-8328
(F) 440-775-5457
marci.janas at oberlin.edu=

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</fontfamily><flushright><underline><smaller><smaller> Media Contact
Only:

</smaller></smaller></underline><smaller><smaller>Marci Janas,
Director of Conservatory Media Relations

440-775-8328 (office); 440-667-2724 (cell);
=
<underline><color><param>0000,0000,FFFC</param>marci.janas at oberlin.edu</co=
lor></underline>

</smaller>


</smaller></flushright><smaller>

<underline><x-tad-smaller>FOR IMMEDIATE RELEASE:

</x-tad-smaller></underline>


</smaller><center><bold><bigger><bigger>THE OBERLIN CONSERVATORY OF
MUSIC ANNOUNCES FACULTY APPOINTMENTS FOR =
2006-07</bigger></bigger><smaller>


Kendra Colton, Amir Eldan, Alex Klein, Sally Stunkel, and Robert
Walters join faculty


</smaller></bold></center>OBERLIN, OHIO (August 24, 2006)=97Faculty
appointments at the Oberlin Conservatory of Music for the 2006-07
academic year, announced recently by Dean of the Conservatory David H.
Stull, include new members of the woodwind, string, and voice
divisions.=20

	Alex Klein =9287, AD =9289, former principal oboe of the Chicago =
Symphony
Orchestra, joins the woodwind faculty as Artist in Residence and
Visiting Professor of Oboe. Robert Walters, a member of the oboe
section of the Cleveland Orchestra and that ensemble=92s solo English
horn player, also joins the faculty as Visiting Assistant Professor of
Oboe and English Horn. Cellist Amir Eldan joins the string division as
Assistant Professor of Cello, soprano Kendra Colton =9283 is Visiting
Assistant Professor of Voice, and Sally Stunkel is Visiting Associate
Professor of Opera Theater.=20

	Oboist <bold>Alex Klein </bold>studied with the late Professor =
of
Oboe James Caldwell at the Oberlin Conservatory of Music, earning a
bachelor of music degree in 1987 and an artist=92s diploma in 1989. He
was<bold> </bold>principal oboe of the Chicago Symphony from 1995 to
2004, and in addition to solo performances with that orchestra, he has
been featured with the Philadelphia Orchestra, the Orchestre de la
Suisse Romande, and the Chicago Sinfonietta. He won a 2002 Grammy
Award with the Chicago Symphony for his Teldec recording of Strauss=92
<italic>Oboe Concerto. </italic>Klein has also recorded for Boston
Records, Newport Classics, the Musical Heritage Society, and Cedille
Records.

	Klein made his solo orchestral debut at the age of 10 in his =
native
Brazil. The following year, he was honored with an invitation to join
the Camerata Antiqua, one of Brazil=92s foremost chamber ensembles. In
the years to follow he toured and performed extensively as a soloist,
recitalist, and as a member of several professional Brazilian
orchestras.

	He has been awarded numerous international prizes, including =
first
prize in the inaugural Lucarelli International Competition for Solo
Oboe Players, which was held at Carnegie Hall, and first prize in the
1988 International Competition for Musical Performers in Geneva,
Switzerland, in which he was the only oboist to win first prize since
Heinz Holliger three decades earlier.=20

	Besides teaching, Klein conducts, performs solo concertos, =
directs
the Officina de Musica Festival in Curitiba, Brazil, and participates
in other sociocultural music festivals around the world. Klein was the
guest soloist for an Oberlin Chamber Orchestra concert at Cleveland=92s
Severance Hall in April 2006. The concert was dedicated to the memory
of his late teacher, James Caldwell, and was conducted by
Bridget-Michaele Reischl, Director of the Oberlin Orchestras.

<bold>	Robert Walters</bold> is currently a member of the oboe section
of the Cleveland Orchestra as the solo English horn player, a
distinction he has held since 2004.  He has held the same position
with the Metropolitan Opera and Cincinnati Symphony orchestras, and
has performed and recorded with the Philadelphia Orchestra. Recently
he was guest soloist with the Chicago Symphony and Orpheus Chamber
orchestras, and this season makes his solo debut with the Cleveland
Orchestra at the Blossom Music Center and Severance Hall. Other solo
appearances include performances with the Cincinnati, Redlands, and
Curtis Institute symphony orchestras, the New York Chamber Soloists,
Concerto Soloists of Philadelphia, and the Beijing Radio Symphony
(China).

	Walters has participated in the National Repertory Orchestra, =
the
Bard, Blossom, Spoleto, and Marlboro music festivals, and toured as a
member of Musicians from Marlboro.  He is currently on the artist
faculty of the Aspen and Colorado College music festivals, and has
been Instructor of Oboe at the University of Pennsylvania and at Bard
and Haverford colleges.

 	 A graduate of the Curtis Institute of Music and the Columbia
University Graduate Writing Division, Walters has studied with Richard
Woodhams, Principal Oboe of the Philadelphia Orchestra, and the late
John Mack, former Principal Oboe of the Cleveland Orchestra.

	Cellist <bold>Amir Eldan</bold> won the Metropolitan Opera
Orchestra=92s position of Associate Principal Cello when he was just 22
years old, which made him the orchestra=92s youngest member. He
performed with the orchestra for three years and was subsequently
invited by James Levine to perform with the MET Chamber Ensemble in
Carnegie Hall.

	Eldan has won concerto competitions at the Cleveland Institute =
of
Music, the Aspen Music Festival, and the Juilliard School, and has
performed at Alice Tully Hall with the Juilliard Orchestra. An avid
chamber musician, Eldan has collaborated with members of the Guarneri
and Juilliard string quartets, Richard Goode, Kim Kashkashian, Joseph
Silverstein, Midori, and Lynn Harrell.=20

	Eldan has presented concerts of Bach=92s six cello suites in =
recitals
at Bargemusic, Columbia, La Sierra, and Indiana universities, the
ENCORE School for Strings Blue Ribbon Series, Windham Chamber Music
Festival, and abroad in Israel. He has also performed in the music
festivals of La Jolla, Marlboro, and Ravinia, the International
Chamber Music Festival in Giverny, France, and the Open Chamber Music
in Prussia Cove, England. He has also participated in the Piatigorsky
Seminar for cellists and the Kronberg Cello Academy in Germany. =20

	Eldan received his bachelor of music degree cum laude from the
Cleveland Institute of Music, where he won the cello award for
achievement and excellence. He is a doctoral degree candidate at the
Juilliard School, where he received his master of music degree, and
where he served on the faculty as assistant to Joel Krosnick, with
whom he studied. He has also studied with Peter Wiley and Richard
Aaron. Eldan has also taught at the Heifetz International Music
Institute and ENCORE School for Strings.=20

	Soprano <bold>Kendra Colton </bold>earned a bachelor of music =
degree
from the Oberlin Conservatory of Music in 1983 and studied with
Emeritus Professor of Voice Richard Miller. She<bold> </bold>has been
a soloist with such leading ensembles as the Boston, Pittsburgh, and
National symphony orchestras, the Houston and San Francisco
symphonies, the Cleveland Orchestra, and the Los Angeles Philharmonic,
performing under conductors Bernard Haitink, Sir Neville Marriner,
Nicholas McGegan, and Pinchas Zuckerman, among others.=20

	Particularly sought after for baroque and classical repertoire,
Colton sings nearly all the passions, masses, and cantatas of Bach;
Mozart concert arias and masses; Haydn masses and oratorios; and
Handel oratorios. She performs regularly with modern and period
instrument orchestras including the Handel and Haydn Society, the
Washington Bach Consort, Music of the Baroque, Santa Fe Pro Musica,
and many others.=20

	Colton is also a proponent of new music, performing and =
commissioning
new or seldom-heard repertoire of the past 50 years. She was soloist
in the world-premier performances and recordings of Tomiko Kohjiba=92s
<italic>Transmigration of the Soul</italic>, and in 2002 performed the
title role in the Chandos release of Lukas Foss=92
<italic>Griffelkin</italic> with the Boston Modern Orchestra Project
conducted by Gil Rose. Colton commissioned Andy Vores=92
<italic>Uncertainty is Beautiful</italic> for soprano and orchestra,
premiering the work with the Boston Modern Orchestra Project in 2004.
In addition to the Foss and Kohjiba recordings, Colton can be heard on
two solo CDs=97<italic>Le Charme</italic>, a collection of French art
songs, and <italic>He Brought Me Roses</italic>, 25 lieder by Joseph
Marx. She has also recorded the <italic>St. John Passion</italic> and
<italic>Cantata BWV 133</italic> for Koch International Records with
Emmanuel Music, with whom she performs regularly in recitals,
oratorios, and their weekly cantata series.

<fontfamily><param>Times New Roman</param>	</fontfamily>Operatic
engagements for Colton have included Mozart=92s <italic>Il Re
Pastore</italic> (Aminta) for Boston Lyric Opera; Handel=92s
<italic>Tolomeo</italic> (Seleuce) at the International Handel
Festival in G=F6ttingen, Germany; Mozart=92s <italic>Marriage of
Figaro</italic> (Cherubino); and the complete Monteverdi cycle
(supporting roles), all for Skylight Opera. Festival engagements have
taken her across North America with orchestral and recital appearances
at Tanglewood, the Casals Festival, Banff, Harbison=92s Token Creek
Festival, and concerts in Chicago at Ravinia-Stean=92s Institute, among
others. She appears annually at the Carmel Bach Festival under the
direction of Bruno Weil.

	Colton earned master of music degrees in voice and in piano at =
the
University of Cincinnati. She also studied at the Konservatorium und
Musik Hochschule in Z=FCrich, and the Hochschule f=FCr Musik in Vienna.

<bold>	Sally Stunkel</bold> has directed for the Sacramento Opera,
Tulsa Opera, Opera Theater of St. Louis, Skylight Opera, the Aspen
Music Festival, Kentucky Opera, and Four Corners Opera, and has more
than 80 productions to her credit as a director. As a former opera
singer, she has sung with the Colorado Springs Opera, Skylight Opera,
and Baltimore Opera. With more than 15 years in dance training, she
has also choreographed various operas.=20

	Stunkel earned a master of fine arts degree in theater directing =
and
an artist diploma in opera directing at the Cincinnati Conservatory of
Music, where she received the National Opera Association=92s (NOA) award
for best opera for her productions of <italic>The Consul
</italic>and<italic> Postcard from Morocco</italic>. Her bachelor of
arts degree is from Hofstra University.

	She has headed the opera programs at the former St. Louis
Conservatory of Music, the University of Tennessee, the University of
the Pacific in California, and the University of Iowa, where she won
first place for her <italic>Marriage of Figaro</italic> from the NOA.
She has taught and directed with the apprentice programs at the Des
Moines Opera, Chautauqua Opera, the Banff Center in Alberta, Canada,
and the Aspen Music Festival. Stunkel recently premiered her new
English language version of Mozart=92s <italic>The Magic Flute</italic>
at the University of Kentucky, where she received an Emmy Award
nomination for her staging of <italic>Toast and Tribute to Opera
</italic>(television). In her previous work with Oberlin, she received
an Award of Achievement nomination from <italic>Northern Ohio
Live</italic> magazine in the classical music category for her
directing of <italic>Dialogues of the Carmelites.</italic>

<bold>	The Oberlin Conservatory of Music</bold>, founded in 1865 and
situated amid the intellectual vitality of Oberlin College since 1867,
is the oldest continuously operating conservatory in the United
States. Renowned internationally as a professional music school of the
highest caliber and pronounced a =93national treasure=94 by the
<italic>Washington Post,</italic> Oberlin=92s alumni have gone on to
achieve illustrious careers in all aspects of the serious music world.
Many of them have attained stature as solo performers, composers, and
conductors, among them Jennifer Koh, Steven Isserlis, Denyce Graves,
Franco Farina, Lisa Saffer, George Walker, Christopher Rouse, David
Zinman, and Robert Spano. All of the members of the contemporary music
ensembles eighth blackbird and the International Contemporary Ensemble
(ICE) are Oberlin graduates, and members of the Mir=F3, Pacifica,
Juilliard, and Fry Street quartets, among others, include Oberlin
alumni, who also can be found in major orchestras and opera companies
throughout the world.<smaller>


</smaller><center><smaller># # #

</smaller></center><smaller>



</smaller><flushright><smaller>	<underline><smaller>Media Contact Only:

</smaller></underline><smaller>Marci Janas, Director of Conservatory
Media Relations

440-775-8328 (office); 440-667-2724 (cell);
=
<underline><color><param>0000,0000,FFFC</param>marci.janas at oberlin.edu</co=
lor></underline>

</smaller></smaller></flushright><smaller>

</smaller>

<smaller>Marci Janas

Director of Conservatory Media Relations

Oberlin Conservatory of Music

39 West College Street

Oberlin, OH  44074

www.oberlin.edu/con

(P) 440-775-8328

(F) 440-775-5457

marci.janas at oberlin.edu</smaller>=

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