[NEohioPAL]Beacon Journal Review "Laughter rippled steadily" ROUNDING THIRD at Actors' Summ

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Sun Sep 16 11:30:08 PDT 2007


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'Rounding Third' playwright covers all the expected  bases  
Keith E. Stevens,  as coach, makes audience forget how script drops the ball  
By Elaine  Guregian Beacon Journal arts and culture critic  
Published  on Saturday, Sep 15, 2007  
HUDSON: Laughter rippled steadily through Rounding Third at Actors' Summit on 
Saturday night, cresting at times  like the arc of a baseball that's been hit 
into center field.   
Playwright Richard Dresser scores the easy way sometimes. Jokes about  
athletic cups are sure to elicit nervous laughs, if nothing else. The more  
satisfying laughs were the murmurs of commiseration, when Dresser's two  characters 
think about how baseball is like life. When the coach, Don (Keith E.  Stevens), 
reveals that he pushes his team to win because he wants them to win in  life, 
he is surprisingly persuasive. And when he talks about how hard everything  is 
in life, from getting ahead to hanging on to a marriage, his character  
transcends what is often a stereotypical characterization of a working-class  guy.  
It's much to Stevens' credit that you leave Rounding Third feeling  like 
you've gotten to know somebody. Playwright Dresser's depictions of two very  
different men coaching one Little League team are often quite shallow.   
Constance Thackaberry directs the production, which uses costumes by  MaryJo 
Alexander and lighting design by Cory Molner.   
The story is told as a series of meetings between Don and the new  assistant 
coach, Michael, before or after team practice. Gradually, we learn  about 
Don's fraying marriage and the death of Michael's wife. The players are  
invisible, imagined only as the coaches call out in the direction of the  audience. 
Speaking of players, it's too predictable that Michael's son would be  the worst 
player on the team. Having him be a good player, despite his  unathletic dad, 
would have opened more interesting psychological doors. What if  he were a 
better player than Don's son?  
As the incumbent coach, Don is full of himself and sure of his methods,  even 
when they include morally questionable techniques. Stevens played the role  
with a convincingly wound-up physicality.  
Daniel Taylor had the more difficult and less rewarding role of Michael  
(don't call me Mike), the nerdy, soft, assistant. It's hard to imagine what  
Dresser had in mind when he did things like have Michael yell at a player to  
''hurry'' to get to the next base. No one is as clueless and goody-goody as  
Michael.  
There's more  than an edge of anger toward high-powered white-collar guys in 
this script.  Dresser would have made his point more potently by portraying 
Michael as  successful off the field. Making Michael a wimp all around isn't 
nearly as  interesting, or as fair a fight.  
Elaine Guregian can be reached at  330-996-3574 or 
_eguregian at thebeaconjournal.com_ (mailto:eguregian at thebeaconjournal.com)   



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<P class=3DMsoNormal=20
style=3D"MARGIN: 0in 0in 0pt; mso-line-height-alt: 12.6pt"><STRONG><FONT=20
face=3DHelvetica><SPAN class=3Dstory-title1><SPAN=20
style=3D"FONT-SIZE: 14.5pt">'Rounding Third' playwright covers all the expec=
ted=20
bases </SPAN></SPAN><SPAN=20
style=3D"FONT-SIZE: 8pt; FONT-FAMILY: Helvetica"><o:p></o:p></SPAN></FONT></=
STRONG></P>
<P style=3D"LINE-HEIGHT: 12.6pt"><STRONG><FONT size=3D3><FONT face=3DHelveti=
ca><SPAN=20
class=3Dstory-deck1><SPAN=20
style=3D"mso-ansi-font-size: 12.0pt; mso-bidi-font-size: 12.0pt">Keith E. St=
evens,=20
as coach, makes audience forget how script drops the ball </SPAN></SPAN><SPA=
N=20
style=3D"FONT-FAMILY: Arial"><o:p></o:p></SPAN></FONT></FONT></STRONG></P>
<P style=3D"MARGIN-TOP: 0in; LINE-HEIGHT: 12.6pt"><FONT size=3D3><SPAN=20
class=3Dpost-credit1><SPAN=20
style=3D"mso-ansi-font-size: 12.0pt; mso-bidi-font-size: 12.0pt">By Elaine=20
Guregian Beacon Journal arts and culture critic </SPAN></SPAN><SPAN=20
style=3D"FONT-FAMILY: Arial"><o:p></o:p></SPAN></FONT></P>
<P style=3D"LINE-HEIGHT: 12.6pt; TEXT-ALIGN: right" align=3Dright><FONT size=
=3D3><SPAN=20
class=3Dpost-date1><SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Arial; mso-ansi-font-size: 12.0pt; mso-b=
idi-font-size: 12.0pt">Published=20
on Saturday, Sep 15, 2007 </SPAN></SPAN><SPAN=20
style=3D"COLOR: black; FONT-FAMILY: Arial"><o:p></o:p></SPAN></FONT></P>
<P style=3D"mso-line-height-alt: 9.0pt"><FONT size=3D3><st1:City w:st=3D"on"=
><SPAN=20
style=3D"FONT-FAMILY: Arial">HUDSON</SPAN></st1:City><SPAN=20
style=3D"FONT-FAMILY: Arial">: Laughter rippled steadily through <I>Rounding=
 Third=20
</I>at Actors' <st1:place w:st=3D"on"><st1:City=20
w:st=3D"on">Summit</st1:City></st1:place> on Saturday night, cresting at tim=
es=20
like the arc of a baseball that's been hit into center field.=20
<o:p></o:p></SPAN></FONT></P>
<P style=3D"mso-line-height-alt: 9.0pt"><SPAN style=3D"FONT-FAMILY: Arial"><=
FONT=20
size=3D3>Playwright Richard Dresser scores the easy way sometimes. Jokes abo=
ut=20
athletic cups are sure to elicit nervous laughs, if nothing else. The more=20
satisfying laughs were the murmurs of commiseration, when Dresser's two=20
characters think about how baseball is like life. When the coach, Don (Keith=
 E.=20
Stevens), reveals that he pushes his team to win because he wants them to wi=
n in=20
life, he is surprisingly persuasive. And when he talks about how hard everyt=
hing=20
is in life, from getting ahead to hanging on to a marriage, his character=20
transcends what is often a stereotypical characterization of a working-class=
=20
guy. <o:p></o:p></FONT></SPAN></P>
<P style=3D"mso-line-height-alt: 9.0pt"><SPAN style=3D"FONT-FAMILY: Arial"><=
FONT=20
size=3D3>It's much to Stevens' credit that you leave <I>Rounding Third </I>f=
eeling=20
like you've gotten to know somebody. Playwright Dresser's depictions of two=20=
very=20
different men coaching one Little League team are often quite shallow.=20
<o:p></o:p></FONT></SPAN></P>
<P style=3D"mso-line-height-alt: 9.0pt"><SPAN style=3D"FONT-FAMILY: Arial"><=
FONT=20
size=3D3>Constance Thackaberry directs the production, which uses costumes b=
y=20
MaryJo Alexander and lighting design by Cory Molner.=20
<o:p></o:p></FONT></SPAN></P>
<P style=3D"mso-line-height-alt: 9.0pt"><SPAN style=3D"FONT-FAMILY: Arial"><=
FONT=20
size=3D3>The story is told as a series of meetings between Don and the new=20
assistant coach, Michael, before or after team practice. Gradually, we learn=
=20
about Don's fraying marriage and the death of Michael's wife. The players ar=
e=20
invisible, imagined only as the coaches call out in the direction of the=20
audience. Speaking of players, it's too predictable that Michael's son would=
 be=20
the worst player on the team. Having him be a good player, despite his=20
unathletic dad, would have opened more interesting psychological doors. What=
 if=20
he were a better player than Don's son? <o:p></o:p></FONT></SPAN></P>
<P style=3D"mso-line-height-alt: 9.0pt"><SPAN style=3D"FONT-FAMILY: Arial"><=
FONT=20
size=3D3>As the incumbent coach, Don is full of himself and sure of his meth=
ods,=20
even when they include morally questionable techniques. Stevens played the r=
ole=20
with a convincingly wound-up physicality. <o:p></o:p></FONT></SPAN></P>
<P style=3D"mso-line-height-alt: 9.0pt"><SPAN style=3D"FONT-FAMILY: Arial"><=
FONT=20
size=3D3>Daniel Taylor had the more difficult and less rewarding role of Mic=
hael=20
(don't call me Mike), the nerdy, soft, assistant. It's hard to imagine what=20
Dresser had in mind when he did things like have Michael yell at a player to=
=20
''hurry'' to get to the next base. No one is as clueless and goody-goody as=20
Michael. <o:p></o:p></FONT></SPAN></P>
<P style=3D"mso-line-height-alt: 9.0pt"><FONT face=3DHelvetica size=3D3>Ther=
e's more=20
than an edge of anger toward high-powered white-collar guys in this script.=20
Dresser would have made his point more potently by portraying Michael as=20
successful off the field. Making Michael a wimp all around isn't nearly as=20
interesting, or as fair a fight. </FONT></P>
<P style=3D"LINE-HEIGHT: 9pt"><SPAN class=3Dstorytext1><SPAN=20
style=3D"FONT-SIZE: 7pt; FONT-FAMILY: Arial">Elaine Guregian can be reached=20=
at=20
330-996-3574 or <A href=3D"mailto:eguregian at thebeaconjournal.com"><SPAN=20
style=3D"FONT-SIZE: 12pt"><FONT=20
color=3D#000099>eguregian at thebeaconjournal.com</FONT></SPAN></A>=20
<o:p></o:p></SPAN></SPAN></P></DIV></FONT><BR><BR><BR><DIV><FONT style=3D"co=
lor: black; font: normal 10pt ARIAL, SAN-SERIF;"><HR style=3D"MARGIN-TOP: 10=
px">See what's new at <A title=3D"http://www.aol.com?NCID=3DAOLCMP0030000000=
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