[NEohioPAL] Berko review: GROUNDWORKS DANCETHEATER and Previews
Roy Berko
royberko at yahoo.com
Sat Sep 4 08:57:03 PDT 2010
GROUNDWORKS says goodbye to Amy Miller in strong Ice House program
Roy Berko
(Member, Dance Critics Association)
--THE TIMES NEWSPAPERS--
Lorain County Times--Westlaker Times--Lakewood News Times--Olmsted-Fairview
Times
--coocleveland.com—
In 1998, Amy Miller was the first dancer asked to join Groundworks, David
Shimotakahara’s fledgling dance company. She also served the company as its
Artistic Associate. She and Shimotakahara have been the backbone of the company
since. Unfortunately, for the company, and the audiences who have come back
again and again to see the ensemble, Miller is moving to New York City. She
will continue to have creative ties with Groundworks, probably in the form of
choreography, but her physical presence will be missing and missed.
Nothing could more exemplify Shimotakahara and Miller’s bond, than the last 30
seconds of ‘DnA,’ which received its world premiere at the company’s latest
concert at Akron’s Ice House. The duo piece, co-choreographed by Amy and David
to music by Mark Hollis and Marc Mellits, was a tribute to the strength and
depth of relationships. Obviously a reference to the choreographers’ strong
bond, it highlighted how “connections are tested over time and recognizes the
miracle of finding friendship.” The piece ended with the duo facing each other,
looking intently into each other’s faces, sharing years of joint ventures and
what appears to be a lasting emotional relationship. It was a tribute to the
connection that comes from two very talented individuals who melded into a
powerful artistic force to give joy to both each other and audiences. Bravo!
Groundworks is noted for placing dance in unexpected places. Their venues are
churches, parks, museums and the Akron Ice House. For eleven years the company
has used the former site where blocks of ice were stored, starting in 1870, for
use by the residents of the Tire City. This is not an ideal place to present
dance. The lack of a raised dance floor, poor sight lines and lack of raked
seating, cause problems. The venue became even more cramped when an overflow of
people appeared for the Friday night performance. Fifty chairs had to be
crammed in between the already seated audience and the stage, causing sight
blockage. In spite of this, the appreciative assemblage got what it came
for...a fine evening of dance.
The opening number, the world premiere of choreographer Jill Sigman’s ‘SPLIT
STITCH,’ was set to original music by Gustavo Aguilar. Dressed in white
fragments of material created by costumer Kristin Davies, the dancers,
displaying fine body control, effectively interpreted Sigman’s desire to display
the “splits and tensions within ourselves, our culture and our country.”
Each of the four-part movements, found the dancers displaying a different set of
emotions. Coordinated and segmented moves, interaction, lack of interaction,
lyrical and static bodily actions, all highlighted by Dennis Dugan’s lighting
which cast shadows and moved in coordination and discordance with the dancers,
created a series of illusions. The last segment, which found Felice Bagley,
standing mid-stage, repeating the same movement over and over as she mumbled
incoherent phrases, climaxed a thought provoking piece.
The final piece, ‘JUST YESTERDAY,’ in its Akron premiere, was a recreation of a
Dianne McIntyre choreographed number, that the company has performed before. It
is a series of vignettes, based on stories being told by the dancers, which are
recreated in movement. Nostalgia, joy, sadness, personal traditions as they
related to food, hijinks, fads, movies, family, and people who touched the
dancers’ lives, flowed forth. Though sometimes hard to hear because of the poor
acoustics, the over all effect was strong. The piece is highlighted by the live
guitar presence of Phillip Smith and Dan Wilson who are choreographed into the
movement. All in all, this is a fascinating selection, which got a wonderful
performance
Capsule judgement: With the loss of Amy Miller, Groundworks moves to a new
challenge, of continuing its high level of dance performances without its
Associate Artistic Director. The company said goodbye to Miller with a fine
evening of dance at The Akron Ice House.
Performances of GROUNDWORKS DANCETHEATER AT AKRON’S ICE HOUSE continue on
Saturday, September 4 at 8 and Sunday, September 5 at 2. For tickets go to
www.groundworksdance.org or call 216-691-3180. The Akron Ice House is located
at 129 N Summit St, Akron, OH 44304 Telephone: 330-379-1105.
Groundworks’ next performance will be on September 23, 25, 26 with Opera
Cleveland as they present ‘THE PEARL FISHERS,’ in the State Theatre of
PlayhouseSquare. For tickets call 216-664-6065 or visit
www.operacleveland.org. The company’s next solo concert will be November 12-13
at 8pm in Trinity Cathedral.
OTHER DANCE PERFORMANCES
Dance Cleveland
•Keigwin + Company, E. J. Thomas Hall, Sat, Oct 2, 8 pm. Tickets:
330-972-7570.
•Hubbard Street Dance Chicago, Ohio Theatre of PlayhouseSquare, Sat, Nov 6, 8
pm, For tickets: 216-241-6000
Verb Ballets
IngenuityFest , Sept 24 – 26. Sneak Preview of the Cleveland Flats Symphony, in
collaboration with Pearlwinds Energy. Free admission.
Breen Center for the Performing Arts, St. Ignatius High School
Oct 1 & 2 . Tickets: 216.961.2560, or ignatius.edu/breencenter
PLAYHOUSESQUARE
Dance Showcase, Palace Theatre, Sept 10, 7 pm, Free, no tickets required.
The Dancing Wheels Company, Dance/Theater Collective, Inlet Dance Theatre,
MorrisonDance, Ohio Dance Theatre, Shri Kalaa Mandir, Travesty Dance Group, Verb
Ballets Sara Whale and a sneak peek dance performance from Billy Elliot the
Musical.
Roy Berko's blog, which contains theatre and dance reviews from 2001 through
2010, as well as his consulting and publications information, can be found at
http://royberko.info
His reviews can also be found on www.coolcleveland.com and NeOHIOpal (to
subscribe visit http://mailman.listserve.com/listmanager/listinfo/neohiopal.)
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