[NEohioPAL] ONCE ON THIS ISLAND Auditions at Beck Center March 11/12. (BIPOC Adult and Youth)

[Scott Spence]

Beck Center, in association with Director/Choreographer Christopher Chase
Carter (Artistic Director of Mercury Theatre Chicago) is thrilled to
announce auditions for *ONCE ON THIS ISLAND*.

Appointments are now being taken for Saturday March 11th and Sunday March 12
th. Appt. slots will occur between 4PM and 6PM each of the two days and can
be reserved by calling the Beck Center Box Office during regular business
hours at 216-521-2540.

Performers are asked to prepare one 60 to 90 second vocal selection,
ideally from the musical theatre canon. Bring sheet music in your key. An
accompanist will be provided.

If preferred, performers may choose to submit a video audition with the
same requirements. Please send to Beck Center Artistic Director Scott
Spence at scotts at beckcenter.org *Deadline*: March 10th, 2023

Callbacks will occur the weekend of March 18/19.

It is anticipated that two AEA contracts will be available for this
production. All non- Equity performers 18 and older will receive a stipend
for their participation.

Out of Town performers are welcome to audition, but please know that Beck
Center is unable to provide housing. Stipending will not begin to cover
Room/Board.

*ONCE ON THIS ISLAND* opens July 7th and closes August 6th. Rehearsals will
begin in late May/early June date tbd.

*Staff includes*: Christopher Chase Carter (Director/Choreographer), Larry
Goodpaster (Musical Director) and Libby White (Production Stage Manager)

*Breakdown*

*About the show*: This creative team will take an ensemble musical/story
theatre approach to the play with all performers playing storytellers
stepping into the characters. The production will explore Afro-Caribbean
inspired spirituality and rituals.
*About gender*: Come as you are. Audition for the role you want. Whatever
your gender expression — you are welcome and will be considered.
*About colorism*: The story features colorism as a plot point, and casting
will reflect that in some characters, relative to the entire cast.

*Director’s Statement*: I believe in diversity and representation in
casting that encourages actors of all ethnicities, races, gender
identities, ages, and body types, as well as performers with disabilities,
to audition.

*Seeking*
*Ti Moune*: She/her. Black, 18 – 25. A beautifully spirited peasant girl
full of restless energy and optimism. Tries to break social barriers to be
with her love, Daniel. Moves well. High belt, vocal range G3-E5.

*Daniel*: He/his. Black, 18 – 25. Ti Moune's love interest. A handsome,
aristocratic young man who struggles with crossing social barriers.
Sensitive and poetic. Struggles with the privilege and burdens that his
lighter skin and wealth afford him. Tenor, vocal range C#3-F#4.

*Mama Euralie*: She/her. Black, 30s – 50s. Ti Moune's adoptive mother.
Caring, over-protective, superstitious, fiercely loving, and strong-willed,
her similarities often lead to clashes with Ti Moune. Alto, vocal range
Gb3-B4.

*Asaka*: She/her. Black, 30s – 50s. Mother Earth. A mentor to Ti Moune. She
is generous and good humored on the surface, but like all the gods, feared
by the islanders; her motherly facade is not to be trusted. She is
powerful, funny, and ironic. Mezzo/Soprano with strong high belt, vocal
range A3-E5.

*Erzulie*: She/her. Black, late 20s – 50s. Goddess of Love. A mentor to Ti
Moune and foil to Papa Ge. Loved by the people. Set out to prove that love
is stronger than the fear of death—by love, she means the power of the
human heart. Soprano, vocal range A3-C#5.

*Tonton Julian*: He/his. Black, 30s – 50s. Ti Moune's adoptive father. He
teaches Ti Moune that love has no limits and he goes to great lengths to
support her wishes. Caring, loving, and practical. Baritone, vocal range
G3-E4.

*Agwe*: He/his. Black, late 20s – 50s. God of Water. A mentor to Ti Moune.
Larger than life, mysterious. Commanding voice and presence. Baritone,
vocal range B2-E4.

*Papa Ge*: He/his. Black, 30s – 50s. God of Death. Antagonist to the other
gods. Cunning, sly, manipulative, seductive, cynical, and teasing, he is
feared by the people because of what he represents: the unknown that is
death. The other main instigator of the drama. Tenor, vocal range C3-G4.

*Andrea Deveraux/Madame Armand*: She/her. Black, late 20s. Daniel’s
betrothed; an elegant, aristocratic young woman, enjoying the privileges of
light skinned society; she seems cold at first but turns out to be both
humane and determined. Strong soprano.

*Monsieur Beauxhomme/Armand*: He/his. Black, 30s – 50s. Black, Daniel’s
stern father; reminds Daniel of the harsh realities of life; not
deliberately cruel but determined; represents the heart of aristocratic,
light skinned society. Strong baritone.

*Ensemble*: Age 10 to 50s. Black. These 6 to 8 storytellers weave in and
out of the show, and include young Ti Moune among others.
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