*Open Auditions for /The Play That Goes Wrong/* by Jonathan Sayer, Henry Lewis, Henry Shields Chagrin Valley Little Theatre 40 River Street, Chagrin Falls OH www.CVLT.org <http://www.cvlt.org/> Director – Michael J. Rogan Producer – Nancy Rogoff Stage Manager – Helen Rizi Costumes – Mayim Hamblen Auditions March 20 and 21 7-9 PM at CVLT Reserve Audition Slot:* https://www.signupgenius.com/go/5080c4da5a62fa4f94-auditions1#/* <https://www.signupgenius.com/go/5080c4da5a62fa4f94-auditions1#/> Callbacks March 22 if needed, 7-9 * This is a physically demanding show. * No accents needed for auditions. * Rehearsals start April 23rd and run Sunday thru Thursday 7-10PM * Some individuals will be called starting April 16th for fight choreography. *Show dates:* * June 2 thru June 18 Friday and Saturday nights * Matinees on Sundays June 11 and June 18 Please direct questions to the director, Mike Rogan: 440-781-9235 or Achillesmr@aol.com *Synopsis:* The fictitious Cornley University Drama Society has received a substantial bequest and is putting on a performance of /The Murder at Haversham Manor/ – a 1920s murder mystery play by the fictitious Susie H. K. Brideswell. During the performance, a play within a play, a plethora of disasters befall the cast, including doors sticking, props falling from the walls, and floors collapsing. Cast members are seen misplacing props, forgetting lines, missing cues, breaking character, drinking paint thinner, mispronouncing words, stepping on fingers, being hidden in a grandfather clock, and being manhandled off stage. This cascading comedy of errors All actors 18+ will be considered. No roles have been pre-cast. We are seeking 6 men, 2 women. * Chris Bean / Inspector Carter * Jonathan Harris / Charles Haversham * Robert Grove / Thomas Colleymoore * Dennis Tyde / Perkins * Sandra Wilkinson / Florence Colleymoore * Max Bennett / Cecil Haversham / Arthur the Gardener * Trevor Watson / Lighting Sound Operator * Annie Twilloil / Stage Manager Also needed 2-4 Ensemble roles without lines, appearing in the production as stagehands. These roles are not physically demanding.