The new New Deal: Government relief offers lifeline to performing arts community Bob Abelman CJN/Columnist Between 1933 and 1943, during the depths of the Great Depression and into the early years of World War II, federal tax dollars employed artists and craft workers of various media and with varying levels of experience, and kept them from poverty and despair. In addition to providing relief, the New Deal’s Federal Art Project and other government-sponsored art programs promoted American art and culture by giving more Americans access to what President Franklin D. Roosevelt decorously labeled “an abundant life.” It enabled Americans all across the country to see an original painting for the first time, attend their first professional live theater or dance production, or take their first music or drawing class. An enormous volume of public art intended for education and civic engagement – including 2,500 murals and 18,000 sculptures – was created without restriction to content or subject matter and put on display. “Artists have been given something more precious than their daily bread,” said social critic Lewis Mumford at the time. “(They have received) the knowledge that their work has a destination in the community.” The public art of the New Deal reflected a vast array of traditions and cultures that served not only to celebrate the nation’s diversity but to reflect and build a common, collective national identity through art. Never before or since has our government so extensively supported and sponsored the arts. Until now. For more of this article, go to: https://www.clevelandjewishnews.com/news/culture/theater/government-relief-o...