‘Misery’ is both title and critique for Great Lakes Theater production Bob Abelman Cleveland Jewish News, The News Herald, The Morning Journal Member, International Association of Theatre Critics Prolific novelist Stephen King earned his fortune terrifying his significant fan base with horror stories that feature shapeshifting eldritch monsters, walking dead abominations, demonically possessed cars and canines, and everyday folks cursed by supernatural abilities. “Misery,” his 1987 novel that was turned into a 1990 film and a 2015 Broadway play, marches to a different demon: a middle-aged sociopathic bibliophile named Annie Wilkes. Sadly, the play lacks the novel’s narrative voice, which assumes the point of view of the sympathetic victim of the horrific acts that King so skillfully describes and offers a carnival ride of suspense. It also lacks the cinematic storytelling afforded the B-movie rendition, which employed editing, camera placement and camera movement to establish its stifling sense of claustrophobia, create an atmosphere of fear and dread, and build immense dramatic tension. Shock is so much harder to dole out and sustain in live theater. For more of this article, go to www.clevelandjewishnews.com/columnists/bob_abelman/