Ensemble’s epic ‘Angels in America, Part Two’ is time well spent Bob Abelman Cleveland Jewish News, The News Herald, The Morning Journal Member, American Theatre Critics Association It’s been three months since we last spent time with the 30-year-old, AIDS-infected Prior Walter. In the first part of Tony Kushner’s powerful “Angels in America,” performed last January at Ensemble Theatre, Prior’s longtime lover Louis had abandoned him, he had hallucinated himself into the depression- and drug-induced visions of a young Mormon woman whose husband – a clerk for power-lawyer Roy Cohn – had left her for another man, and an angel had just crashed through his ceiling to declare that Prior was a prophet and that “the Great Work” of saving humanity and heaven begins. Quite the cliffhanger. In part two, the “Great Work” not only begins but the great work performed earlier by Ensemble – the wonderfully rendered portrayals orchestrated by director Celeste Cosentino and the intriguing impressionist, location-establishing screen projections designed by Ian Hinz – continues. For more of this article, go to www.clevelandjewishnews.com/columnists/bob_abelman/